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<video:title>Yubeen Kim, Nicolas Altstaedt &amp; Verbier Festival Chamber Orchestra</video:title>
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<video:description>Filmed live at the Tongyeong International Music Festival in late March 2026, this concert sees flautist Yubeen Kim join Nicolas Altstaedt and the Verbier Festival Chamber Orchestra for a programme exploring elegance and classicism across the 18th and 19th centuries. Altstaedt directs from the cello in Tchaikovsky’s delicately virtuosic Rococo Variations, before Kim takes centre stage in C.P.E. Bach’s D minor Flute Concerto and Haydn’s Symphony No. 70 provides a lively and finely wrought conclusion.</video:description>
<video:duration>4243</video:duration>
<video:publication_date>2026-04-02T07:32:59Z</video:publication_date>
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<lastmod>2026-04-02T11:28:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1O</loc>
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<video:title>Faust, Melnikov &amp; Queyras: Schumann Concertos</video:title>
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<video:description>Filmed at the Philharmonie Berlin in May 2014, this concert brings together Isabelle Faust, Alexander Melnikov and Jean-Guihen Queyras with the Freiburg Baroque Orchestra under Pablo Heras-Casado in a compelling exploration of Schumann’s concertante works. The Piano, Violin and Cello Concertos are framed by the Overture, Scherzo and Finale, revealing a sound world of striking clarity and colour through the use of period instruments. This celebrated line-up’s acclaimed recordings of these works drew widespread attention for the freshness of their approach; here, live in concert, the same spirit of discovery brings Schumann’s music to life with irresistible immediacy and expressive intensity.</video:description>
<video:duration>7304</video:duration>
<video:publication_date>2026-03-30T12:50:30Z</video:publication_date>
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<lastmod>2026-04-02T07:48:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3ADG</loc>
<video:video>
<video:title>Giuseppe Verdi: Macbeth – An Introduction</video:title>
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<video:description>This film offers an introduction to the 2001 Opernhaus Zürich production of Verdi’s Macbeth, conducted by Franz Welser-Möst and directed by David Pountney. Soprano Paoletta Marrocu (Lady Macbeth) and baritone Thomas Hampson (Macbeth) join Welser-Möst, Pountney and costume designer Marie-Jeanne Lecca to reflect on the work from the inside, discussing its characters, musical language and visual world. Moving between rehearsal insight and commentary, the film offers a closer look at the ideas shaping this staging and provides valuable context for the production.</video:description>
<video:duration>2671</video:duration>
<video:publication_date>2026-03-30T12:43:49Z</video:publication_date>
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<lastmod>2026-04-02T07:29:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1N</loc>
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<video:title>Joe Henderson Trio in the Philharmonie im Gasteig</video:title>
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<video:description>Recorded at the Philharmonie im Gasteig in Munich in 1993, this concert captures Joe Henderson in trio with Dave Holland and Al Foster. Without piano or guitar to fill out the harmonic texture, the focus shifts to the direct exchange between saxophone, bass and drums, leaving the music open, flexible and constantly in motion. Henderson’s own compositions sit alongside standards by Gershwin and Strayhorn, moving between lyricism and swing, while the trio’s shared history brings a sense of ease and mutual understanding to the performance.</video:description>
<video:duration>4254</video:duration>
<video:publication_date>2026-03-30T12:06:54Z</video:publication_date>
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<lastmod>2026-04-02T07:28:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1M</loc>
<video:video>
<video:title>Michael Endres plays Schubert, Godowsky &amp; Gulda</video:title>
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<video:description>Recorded at the Philharmonie im Gasteig in Munich in 1993 as part of the Munich Klaviersommer, this recital captures pianist Michael Endres in a programme that offers a glimpse of Vienna across different eras. Schubert’s Piano Sonata in A major, D. 959 forms the first half, its four movements unfolding on a broad scale, from the opening Allegro to the inward Andantino and expansive final Rondo. After the interval, Godowsky’s Symphonic Metamorphoses on themes from Die Fledermaus revisit Johann Strauss with wit and virtuosity, while the inclusion of Friedrich Gulda’s Prelude and Fugue acknowledges his role as founder of the festival.</video:description>
<video:duration>2991</video:duration>
<video:publication_date>2026-03-30T09:35:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-04-02T07:24:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1P</loc>
<video:video>
<video:title>Jean-Guihen Queyras: Mitten wir im Leben sind – Bach Cello Suites</video:title>
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<video:description>This filmed performance of Anne Teresa De Keersmaeker’s Mitten wir im Leben sind offers a compelling encounter between dance and music, set to Bach’s six Cello Suites. Performed live on stage by Jean-Guihen Queyras, the suites unfold alongside a choreography for five dancers, including De Keersmaeker herself, in which movement and music continually meet, diverge and realign. Rather than illustrating the score, the dancers respond to its structure, rhythm and energy, creating a vivid dialogue between body and sound. The result is a work of striking presence and intensity, inviting the viewer to experience Bach’s music in a new and deeply physical way.</video:description>
<video:duration>6625</video:duration>
<video:publication_date>2026-03-30T13:00:49Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T14:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3ADO</loc>
<video:video>
<video:title>Tye: In pace, in idipsum</video:title>
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<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2026-03-31T13:19:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T08:47:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3AE0</loc>
<video:video>
<video:title>Great Arias – La belle Hélène: &quot;Amour divin&quot; &amp; &quot;L&apos;invocation à Vénus&quot;</video:title>
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<video:description></video:description>
<video:duration>606</video:duration>
<video:publication_date>2026-03-31T13:43:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T08:39:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8DO</loc>
<video:video>
<video:title>Easter Day Celebration with the Sistine Chapel Choir</video:title>
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<video:description>The Sistine Chapel Choir enjoys international renown not only as the oldest choir in the world, but also as the vocal ensemble with the most beautiful home. The namesake chapel in the palace of Vatican City has attracted believers and art lovers since the 16th century. Performing a programme of works by Giovanni Pierluigi da Palestrina, who was himself a member of the chapel in the 1550s, the music was written just a few decades after Michelangelo completed his famous frescoes. Led by Monsignor Palombella, the a capella performance soars under the magnificent ceiling, recreating authentic Renaissance practices in this Easter Day celebration.</video:description>
<video:duration>3016</video:duration>
<video:publication_date>2022-08-04T09:49:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-31T12:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPM</loc>
<video:video>
<video:title>Paavo Järvi &amp; Jean-Yves Thibaudet: Khachaturian &amp; Stravinsky</video:title>
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<video:description>Filmed at the Concertgebouw in May 2025, this irresistible concert brings together Jean-Yves Thibaudet, Paavo Järvi and the Royal Concertgebouw Orchestra in a programme spanning the 20th century. Estonian composer Ester Mägi’s Vesper (1990) opens the programme in a mood of stillness and concentration before Khachaturian’s 1936 Piano Concerto explodes in a burst of rhythmic drive and distinctive colour, providing a vivid showcase for a virtuoso of rare brilliance. To conclude, Petrushka, written in 1911 for the Ballets Russes in Paris, an early highpoint of Stravinsky’s creativity, evokes a magical fairground world of vivid characters and quicksilver shifts of mood.</video:description>
<video:duration>5152</video:duration>
<video:publication_date>2026-03-30T08:08:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-31T09:46:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3AD8</loc>
<video:video>
<video:title>Jóhannsson: The Theory of Everything</video:title>
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<video:description></video:description>
<video:duration>79</video:duration>
<video:publication_date>2026-03-30T10:39:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-30T13:38:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30</loc>
<video:video>
<video:title>Gábor Tákacs-Nagy conducts Mozart &amp; Brahms – with Sergei Babayan</video:title>
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<video:description>High up in the Swiss alps, the Verbier Festival Chamber Orchestra, led by Hungarian conductor Gábor Tákacs-Nagy, perform a programme of music by Mozart and Brahms. Celebrated piano teacher Sergei Babayan provides the expert touch required to perform Mozart&apos;s &quot;Jeunehomme&quot; Piano Concerto, written in honour of skilled pianist, Madame Jenové. Brahms’ Second Symphony marked the beginning of his success as a symphonist. The work is his most joyful and often referred to as his “Pastoral” Symphony. Inspired by his summer spent at the shores of an Austrian lake in 1877, this performance offers lightness and transparency that echoes the environment in which it was composed and where it is brought to life.</video:description>
<video:duration>4812</video:duration>
<video:publication_date>2022-06-10T12:01:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T16:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1L</loc>
<video:video>
<video:title>Jacques Loussier: Trumpet Concerto</video:title>
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<video:description>Filmed at the Munich Klaviersommer in 1993, this concert presents Jacques Loussier’s Concerto for Trumpet and Chamber Orchestra with Bernard Soustrot as soloist, alongside the Münchner Symphoniker under Jean-Pierre Wallez. Known for his work between jazz and classical traditions, Loussier writes here in a three-movement form, placing the trumpet at the centre of the musical argument. Soustrot takes on the solo role in a piece that reflects the composer’s distinctive musical language, heard here in a live performance from Munich’s Philharmonie im Gasteig.</video:description>
<video:duration>1451</video:duration>
<video:publication_date>2026-03-26T14:24:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:49:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1I</loc>
<video:video>
<video:title>Jacques Loussier: Concerto for Violin &amp; Percussion</video:title>
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<video:description>Filmed at the Munich Klaviersommer in 1993, this concert presents Jacques Loussier’s Concerto for Violin and Percussion, a work that plays to his distinctive meeting point between jazz and classical traditions. With Jean-Pierre Wallez on violin and André Arpino on drums, the piece sets up a lively exchange between soloists, where rhythmic drive and improvisatory inflection sit alongside more structured writing. Loussier directs the Münchner Symphoniker in music that moves with ease between groove and orchestral colour, carried by a sense of freedom that remains central to his style.</video:description>
<video:duration>1988</video:duration>
<video:publication_date>2026-03-24T15:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:48:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1H</loc>
<video:video>
<video:title>Jacques Loussier: Concerto for Piano Quartet &quot;Playades&quot;</video:title>
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<video:description>Filmed at Munich’s Klaviersommer in 1993, this concert finds Jacques Loussier bringing his trademark blend of jazz and classical style to  his concerto for piano quartet and orchestra &quot;Playades&quot;. With Jean Virot, Vincent Charbonnier and André Arpino alongside the Münchner Symphoniker under Jean-Pierre Wallez, Loussier moves easily between written score and improvisatory flair, setting crisp rhythmic grooves against orchestral colour. It’s music that wears its influences lightly, shaped as much by swing and spontaneity as by classical form, and delivered here with the easy assurance of a group long attuned to one another.</video:description>
<video:duration>1633</video:duration>
<video:publication_date>2026-03-24T15:10:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:47:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1K</loc>
<video:video>
<video:title>Emile Naoumoff: Piano Recital</video:title>
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<video:description>Recorded live at the Philharmonie im Gasteig in Munich in 1996, this recital sees Emile Naoumoff exploring a network of personal connections and musical lineage. Alongside his own works, Valse pour Nadia and Las Brisas, he performs Nadia Boulanger’s Thème et variations and Vers la vie nouvelle, reflecting his close association with the legendary pedagogue. Bach’s Passacaglia and Fugue in C minor appears in Naoumoff’s own transcription, while Glenn Gould’s unfinished Piano Sonata offers a rare glimpse into the Canadian pianist’s compositional voice. Françaix’s Cinq “Bis” bring the programme to a close with wit and charm.</video:description>
<video:duration>3715</video:duration>
<video:publication_date>2026-03-26T11:14:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPO</loc>
<video:video>
<video:title>Natalie Dessay: Mozart Concert Arias</video:title>
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<video:description>Natalie Dessay takes centre stage in a programme devoted to Mozart’s concert arias and operatic scenes, with the Orchestre de l’Opéra de Lyon under Theodor Guschlbauer. Written for exceptional singers, these arias condense the drama of an entire opera into a single scene, moving between love, defiance and vulnerability with striking intensity. They demand both agility and expressive subtlety, qualities long associated with Dessay’s artistry. The “Paris” Symphony and the Symphony No. 40 in G minor complete the programme with substantial orchestral works.</video:description>
<video:duration>5760</video:duration>
<video:publication_date>2026-03-24T10:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:43:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9L</loc>
<video:video>
<video:title>Yellowjackets in the Philharmonie im Gasteig</video:title>
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<video:description>Any band that plays together for nearly five decades goes through a process of evolution – and it picks up some stories to tell along the way. Los Angeles-based jazz-fusion legends Yellowjackets have come a long way since their early days in the 1970s, and the summer of 1993 found them on peak form in Munich, Germany, performing as part of the genre-crossing Klaviersommer festival. A classic mid-period Yellowjackets lineup of Russell Ferrante, Bob Mintzer, Will Kennedy and Jimmy Haslip performs a celebration of the bands&apos; own material, including numbers from their (then new) albums Greenhouse and Like a River.</video:description>
<video:duration>5912</video:duration>
<video:publication_date>2025-11-18T11:02:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T10:58:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4DO</loc>
<video:video>
<video:title>Yuja Wang &amp; Gustavo Dudamel: Rachmaninoff Works for Piano &amp; Orchestra</video:title>
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<video:description>After her critically-acclaimed Rachmaninoff marathon in New York, Yuja Wang brings her characteristic sparkling virtuosity and quicksilver musicality to all the composer&apos;s works for piano and orchestra in Los Angeles, with support from Gustavo Dudamel. Filmed at concerts in the Walt Disney Concert Hall over February 2023, the performances offer a dazzling showcase of the pianist&apos;s artistry in works that span almost all of the composer&apos;s career: from the early passion of the first concerto, through the sweeping romance and swirling intensity of the second and third, to the mercurial brilliance of two later works: the fourth concerto and the Rhapsody on a Theme of Paganini.</video:description>
<video:duration>9240</video:duration>
<video:publication_date>2023-06-26T06:02:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T10:07:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCDG</loc>
<video:video>
<video:title>Trifonov, Nézet-Séguin &amp; NYO-USA All-Stars: Gershwin &amp; Shostakovich</video:title>
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<video:description>Daniil Trifonov is the soloist and Yannick Nézet-Séguin the conductor for this very special concert from Carnegie Hall, featuring the NYO-USA All-Stars, an all-star ensemble made up of alumuni from Carnegie Hall&apos;s acclaimed National Youth Orchestra of the United States of America (NYO-USA). The multi award-winning pianist is the soloist in Gershwin&apos;s Piano Concerto in F, while the exceptional young professionals that make up the orchestra will be put through their paces in one of the most monumental of 20th-century symphonies, Shostakovich’s Symphony No. 7 &quot;Leningrad&quot;.</video:description>
<video:duration>7263</video:duration>
<video:publication_date>2024-03-25T10:18:28Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T10:04:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6CO</loc>
<video:video>
<video:title>Die Meistersinger von Nürnberg (Bayreuth 2025)</video:title>
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<video:description>The Bayreuth Festival&apos;s annual new production is one of the most eagerly awaited events of the operatic calendar, and in 2025 Matthias Davids brings his experience as a multi-award-winning director of musical theatre to Wagner&apos;s only mature comedy, Die Meistersinger von Nürnberg. This highly anticipated staging is matched by a superb musical line-up, with Daniele Gatti conducting an international cast including Georg Zeppenfeld as Hans Sachs, Michael Spyres as Walther von Stolzing and the young Swedish soprano Christina Nilsson as Eva. All in all, it promises to be a fresh and revitalizing take on this most inspiring of Wagner&apos;s works, which asks fundamental questions about art, inspiration and what it means to be truly creative.</video:description>
<video:duration>17064</video:duration>
<video:publication_date>2025-07-30T15:11:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T15:01:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3AC8</loc>
<video:video>
<video:title>J.S. Bach: Cantata BWV 131: III. Chorus Ich harre des Herrn</video:title>
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<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2026-03-25T10:26:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T12:54:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3ACO</loc>
<video:video>
<video:title>Lawes: How long will thou forget me, O Lord, for ever?</video:title>
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<video:description></video:description>
<video:duration>145</video:duration>
<video:publication_date>2026-03-25T12:54:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T11:06:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3ACG</loc>
<video:video>
<video:title>J.S. Bach: St John Passion, BWV 245: 30. Aria &quot;Es ist vollbracht!&quot;</video:title>
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<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2026-03-25T11:00:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T11:05:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38D8</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla and Gabriela Montero: Tchaikovsky &amp; Weinberg</video:title>
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<video:description>“An exploration for a whole lifetime” is how Mirga Gražinytė-Tyla describes the music of Mieczysław Weinberg, and few living conductors are more passionate champions of this powerfully original contemporary of Shostakovich. Certainly, his Third Symphony of 1949 can rarely have received a more expressive performance than in this 2023 concert with the Royal Concertgebouw Orchestra. But for Gražinytė-Tyla, every concert is personal. She pairs Weinberg’s symphony with a contemporary classic by her Lithuanian compatriot Raminta Šerkšnytė, and joins an artistic kindred spirit, the irrepressible Venezuelan pianist Gabriela Montero, in a life-affirming performance of Tchaikovsky’s evergreen First Piano Concerto.</video:description>
<video:duration>6124</video:duration>
<video:publication_date>2025-02-05T14:01:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T00:07:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8D0</loc>
<video:video>
<video:title>Schubert: Erlkönig, D. 328 (Adapt. for Cello and Orchestra)</video:title>
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<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2022-11-18T03:43:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T14:41:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJE</loc>
<video:video>
<video:title>Martha Argerich &amp; Daniel Barenboim: Mozart, Schubert &amp; Stravinsky</video:title>
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<video:description>Since the 1990s, Martha Argerich and Daniel Barenboim, fellow Argentinians who have known each other since childhood, have formed a four-handed music-making dream team. One German critic has described the special appeal of &quot;such different yet familiar artistic temperaments&quot; coming together, and the duo demonstrate their stylistic flexibility as a team in this concert at the Berlin Philharmonie. The brightness of Mozart&apos;s D Major Sonata for two pianos meets the dreamy despair of the variations by Schubert and the rhythmic elemental intensity of Stravinsky&apos;s Rite of Spring.</video:description>
<video:duration>4970</video:duration>
<video:publication_date>2022-05-06T12:16:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T13:36:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJEC8</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Andris Nelsons in Sibelius &amp; Shostakovich</video:title>
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<video:description>Elemental forces: pair the artistry of violinist Anne-Sophie Mutter with the epic vision and heartfelt commitment of the Latvian conductor Andris Nelsons, and the result can&apos;t fail to generate sparks. In March 2015 they came together with the Royal Concertgebouw Orchestra to perform Sibelius&apos;s Violin Concerto; the result, said Süddeutsche Zeitung, was Sibelius played &quot;on eight cylinders&quot;. Nelsons and the Concertgebouw follow the concerto with a monumental performance of Shostakovich&apos;s Tenth Symphony – widely regarded as one of Nelsons&apos;s signature interpretations. In the superb acoustic of Amsterdam&apos;s Concertgebouw, it makes a shattering impact “World-class, these exponents from Amsterdam” wrote the awestruck critic of the Südwest Presse.</video:description>
<video:duration>6170</video:duration>
<video:publication_date>2024-03-14T10:00:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:56:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1O</loc>
<video:video>
<video:title>Thomas: Hamlet</video:title>
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<video:description>The 19th-century made Shakespeare entirely its own. Ambroise Thomas&apos;s operatic version of Hamlet focuses on the Prince&apos;s tragic love for Ophelia, and there&apos;s a startling twist in the tale. But while Shakespearean purists might object, the result is a masterpiece of French Romantic opera: tense, passionate and filled with simply glorious singing. This innovative 2018 staging from Paris could hardly make a more dazzling case, with a dream pairing of Sabine Devieilhe as Ophélie and Stéphane Degout as Hamlet, while Louis Langrée – unsurpassed in this repertoire – directs the period instrument forces of the Orchestre de Champs-Élysées.</video:description>
<video:duration>10249</video:duration>
<video:publication_date>2025-09-08T08:56:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:46:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34E0</loc>
<video:video>
<video:title>Rising Stars: Elisabeth Brauß, Piano</video:title>
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<video:description>Already hailed in the international music press and with three years as a BBC New Generation Artist under her belt, German pianist Elisabeth Brauß joins our Rising Stars series on STAGE+ with this showcase. She presents a programme mixing Mozart&apos;s melancholy Rondo K. 511 – completed shortly before the composer began work on Don Giovanni – with Brahms&apos;s exquisite late Piano Pieces Op. 119. For the final work, she chooses a rarity: Hindemith&apos;s In einer Nacht… of 1919, a 13-movement suite demonstrating the young composer&apos;s astonishing stylistic range and ear for texture.</video:description>
<video:duration>3362</video:duration>
<video:publication_date>2023-07-31T09:19:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:12:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4C0</loc>
<video:video>
<video:title>Rising Stars: Robert Neumann, Piano</video:title>
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<video:description>The winner of multiple national and international prizes, pianist Robert Neumann joins the Rising Stars series on STAGE+ in a showcase featuring just three works: Scriabin&apos;s dramatic and impassioned Piano Sonata No. 3, the second of the 13-year-old Beethoven&apos;s brilliant &quot;Kurfürsten&quot; Sonatas and his own arrangement of the vibrant Romanian Folk Dances by Bartók. The performances are interspersed with an interview that brings us closer to the artist and his inspirations a vivid demonstration of why the young pianist has been hailed as one of the most exciting talents of his generation.</video:description>
<video:duration>3728</video:duration>
<video:publication_date>2023-11-24T13:22:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:12:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCCG</loc>
<video:video>
<video:title>Gerhard Oppitz plays Bach and Liszt</video:title>
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<video:description>As a native of Bavaria and a pupil of Wilhelm Kempff, the German pianist Gerhard Oppitz has a profound musical connection with the great Austro-German piano tradition. But he&apos;s a thinking pianist as well as a supreme virtuoso, and both qualities are on display in this recital recorded at the Herkulessaal in Munich in 1985. He begins with Bach at his most harmonically daring, before moving to Liszt&apos;s great homage to Bach – the piano variations on &quot;Weinen, Klagen, Sorgen, Zagen&quot;. Two geniuses reaching out to each other cross the centuries, performed by an artist with the range and insight to embrace both.</video:description>
<video:duration>1913</video:duration>
<video:publication_date>2025-05-27T02:58:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHJ</loc>
<video:video>
<video:title>Chick Corea and Friends</video:title>
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<video:description>This 1992 concert at Munich’s Philharmonie im Gasteig features Chick Corea alongside Steve Gadd, Eddie Gomez and Bob Berg. Corea’s &quot;Waltse for Dave&quot;, &quot;Sicily&quot; and the two-part &quot;Quartet&quot; are set against Dizzy Gillespie’s &quot;Humpty Dumpty&quot;, Sammy Fain’s &quot;That Old Feeling&quot; and Thelonious Monk’s &quot;Straight, No Chaser&quot;. Berg’s direct tenor lines cut through the texture, Gomez keeps the bass supple and alert, and Gadd fixes the groove with dry precision, while Corea alternates between sharp rhythmic figures and clear, singing phrases at the piano.</video:description>
<video:duration>6308</video:duration>
<video:publication_date>2026-02-27T10:23:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPO</loc>
<video:video>
<video:title>The Chick Corea Elektric Band in the Philharmonie im Gasteig</video:title>
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<video:description>When the Chick Corea Elektric Band hit the stage at the Munich Klaviersommer in 1987, they were operating at full voltage. With Frank Gambale, Eric Marienthal, John Patitucci and Dave Weckl, Corea leads a set that moves effortlessly between tight, propulsive grooves and open-ended interplay. The programme draws on Elektric Band staples such as &apos;Rumble&apos;, &apos;Light Years&apos; and &apos;The Dragon&apos;, alongside Patitucci&apos;s &apos;Starlight&apos;, giving each player space to stretch while keeping the collective drive front and centre. A snapshot of a band that redefined jazz fusion on its own terms.</video:description>
<video:duration>5654</video:duration>
<video:publication_date>2026-01-05T12:42:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1G</loc>
<video:video>
<video:title>Chick Corea Akoustic Band in the Philharmonie im Gasteig</video:title>
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<video:description>By 1989, the Chick Corea Akoustic Band had become something of a modern jazz institution. Stripping things back to piano, bass and drums, Corea, John Patitucci and Dave Weckl focus on interplay, swing and sheer musical conversation. This set from the Philharmonie im Gasteig moves freely between standards and Corea originals: Coltrane’s hard-driving &quot;Chasin’ the Trane&quot;, Bud Powell’s ballad classic &quot;How Deep Is the Ocean&quot; and the cool elegance of &quot;On Green Dolphin Street&quot; sit alongside Corea’s own &quot;Morning Sprite&quot;, the searching textures of the Three Quartets pieces and a characteristically expansive take on &quot;Spain&quot;. Intimate, alert and full of give-and-take, it’s a vivid snapshot of a trio listening hard and playing at the top of its game.</video:description>
<video:duration>6229</video:duration>
<video:publication_date>2026-01-08T11:48:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36CG</loc>
<video:video>
<video:title>Chick Corea &amp; Friedrich Gulda: The Meeting Pt. 3</video:title>
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<video:description>For the final part of their legendary “Meeting” in Munich – filmed at the second edition of the Munich Klaviersommer in 1982 – Chick Corea and Friedrich Gulda perform extended improvisations on the jazz standards “Someday My Prince Will Come” and “Put Your Little Foot Out” before a final performance that goes into dialogue with the world of classical music, finishing with improvised reflections on one of Brahms’s best-loved melodies, his Wiegenlied (Lullaby).</video:description>
<video:duration>3300</video:duration>
<video:publication_date>2025-01-21T15:49:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36CO</loc>
<video:video>
<video:title>Chick Corea, Friedrich Gulda &amp; Nicolas Economou: On Three Pianos</video:title>
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<video:description>Filmed in 1982, at the second year of the Munich Klaviersommer, this concert encapsulates much of the groundbreaking festival’s ethos, bringing together three very different pianists with very different backgrounds to perform together. Friedrich Gulda – initiator of the festival – is joined by Cypriot virtuoso Nicolas Economou and jazz legend Chick Corea to present individual performances as well as joint improvisations – including on well-known classical works. The result is a fascinating, intoxicating musical coming-together that questions and transcends traditional musical boundaries.</video:description>
<video:duration>1789</video:duration>
<video:publication_date>2025-01-21T15:55:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GDG</loc>
<video:video>
<video:title>Economou plays Schumann: Kreisleriana, Papillons &amp; Arabeske</video:title>
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<video:description>&quot;I am overflowing with music…&quot; Schumann&apos;s Kreisleriana dives into the mind of an imaginary genius: a composer so sensitive that his whole world is made up of music. Poetic, playful, and sometimes outrageous, Kreisleriana forms the centrepiece of this rare recorded recital from Nicolas Economou, the dazzling Greek Cypriot pianist who astonished the world at the 1969 Tchaikovsky Competition in Moscow and died, tragically young, at the age of 40. The Arabeske Op.18 and the elusive Papillons make up the remainder of a treasurable programme from an artist of immense character; a true original among pianists, taken far too soon.</video:description>
<video:duration>3304</video:duration>
<video:publication_date>2025-03-10T12:39:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJAD0</loc>
<video:video>
<video:title>Martha Argerich &amp; Friends</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/974023407857c627a9a38658ffffac42123d5f9c.jpg</video:thumbnail_loc>
<video:description>The greatest artists are often the most unselfish – and they don’t come much greater than Martha Argerich. Her generous, intensely musical personality is at the heart of this shared celebration of the joy of musical friendship, captured on the wing at the 1982 Münchner Klaviersommer. But she’s far from alone: Nelson Freire plays Debussy, Chopin and his own compositions before teaming up with Argerich for unforgettably poetic performances of Ravel’s La Valse and Rachmaninoff’s Suite No.2. Argerich also performs Mozart with the great Cypriot pianist Nicolas Economou and – as a magical encore – joins cellist Mischa Maisky in Schumann’s playful, deeply romantic Drei Fantasiestücke. The music of friends, touched by genius.</video:description>
<video:duration>5052</video:duration>
<video:publication_date>2024-02-09T15:07:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8C0</loc>
<video:video>
<video:title>Economou plays Chopin: Scherzo No. 2 &amp; 4 Ballades</video:title>
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<video:description>The very term Ballade suggests an extra-musical narrative; something heroic and resonant, and for Chopin – exile, dreamer, visionary and virtuoso – the form had a special significance, inspiring four of his most original and poetic large-scale works for piano. In 1984, at the Munich Klaviersommer, they formed the passionate heart of this recital from the remarkable Greek pianist Nicolas Economou, captured here at the height of his tragically curtailed career. A Chopin scherzo and a Bach encore frame this portrait of a much-missed young pianist with an unrivalled gift for musical storytelling.</video:description>
<video:duration>2840</video:duration>
<video:publication_date>2025-05-08T08:53:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ECG</loc>
<video:video>
<video:title>Chick Corea &amp; Nicolas Economou: On Two Pianos</video:title>
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<video:description>The Munich Klaviersommer, founded in 1981, was unlike any other piano festival, explicitly setting out to cross boundaries and question traditional definitions. And nowhere more so was this the case than in its concerts bringing together musicians from the worlds of classical music and jazz – two worlds straddled by Friedrich Gulda, its inimitable founder. This concert from 1982 fully lives and breathes the festival&apos;s aims, setting up a memorable meeting between the jazz legend Chick Corea and the brilliantly but tragically short-lived Cypriot pianist Nicolas Economou. The result is a remarkable meeting of minds where sparks fly in the heat of the moment – a truly memorable musical event.</video:description>
<video:duration>3741</video:duration>
<video:publication_date>2025-03-03T13:48:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1O</loc>
<video:video>
<video:title>Alexei Sultanov plays Tchaikovsky: Piano Concerto No. 1</video:title>
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<video:description>Filmed at the Philharmonie im Gasteig during the Munich Klaviersommer 1990, this performance captures Alexei Sultanov, fresh from his sensational victory at the 1989 Van Cliburn Competition, in a thrilling account of Tchaikovsky’s Piano Concerto No. 1 with the Moscow State Symphony Orchestra under Pavel Kogan. Only twenty, Sultanov already displayed the hallmarks of his art – dazzling virtuosity, fearless intensity, and a distinctive musical personality that left a lasting impression on audiences worldwide.</video:description>
<video:duration>2024</video:duration>
<video:publication_date>2025-10-23T09:43:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4DO</loc>
<video:video>
<video:title>Keith Jarrett Trio: Standards II</video:title>
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<video:description>“What if we were all sidemen in the music itself?” asked Keith Jarrett, one day in the early 1980s. And the result was his Standards Trio – the acoustic line-up of Jarrett, bassist Gary Peacock and drummer Jack DeJohnette that redefined post-bop jazz in the 1980s and 1990s. &quot;We show up, we do the soundcheck, we have dinner backstage, we chat,&quot; says Jarrett. &quot;And then we go. And we play.&quot; And that&apos;s precisely what they do here: a glorious, freewheeling adventure through the Great American Songbook from Victor Young to Hoagy Carmichael, caught live on tour in Tokyo at the Trio&apos;s mid-&apos;90s peak.</video:description>
<video:duration>6025</video:duration>
<video:publication_date>2025-04-16T13:37:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4D8</loc>
<video:video>
<video:title>Keith Jarrett Trio: Live at Open Theater East</video:title>
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<video:description>If I were a bell I&apos;d be ringing … By 1993, Keith Jarrett&apos;s Standards Trio had been playing together for a decade – ten years that saw them redefine attitudes to the Great American Songbook and spearhead a global revival of acoustic jazz. This live set from Tokyo&apos;s Open Theater East finds them in celebratory mood in a lively open-air concert that features the classic Standards line-up – Gary Peacock on bass plus Jack DeJohnette on drums – playing Dave Brubeck, Sonny Rollins, Miles Davis and Jarrett&apos;s own original compositions, as well as (naturally) standards by Jule Styne, Frank Loesser and Jimmy Van Heusen.</video:description>
<video:duration>7764</video:duration>
<video:publication_date>2025-04-16T13:22:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:03:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3EE0</loc>
<video:video>
<video:title>Gardiner conducts Brahms: Symphony No. 4 &amp; Piano Concerto No. 2</video:title>
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<video:description>Started in 2021, John Eliot Gardiner&apos;s Brahms cycle with the Royal Concertgebouw Orchestra sees the distinguished conductor join forces with one of the world&apos;s most tradition-steeped orchestras to present the four symphonies alongside choral works, as well as the composer&apos;s two piano concertos. This final concert, filmed live in Amsterdam&apos;s famous Concertgebouw, features the Second Piano Concerto, with British pianist Stephen Hough as soloist, and the Fourth Symphony. While the concerto shows Brahms at his most expansive and relaxed – its beautiful slow movement featuring a poignant cello solo – his last symphony achieves a depth of expression that verges on the tragic, especially in the grandly imposing passacaglia of the finale.</video:description>
<video:duration>5988</video:duration>
<video:publication_date>2023-02-22T08:43:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:03:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0E0</loc>
<video:video>
<video:title>Gardiner conducts Brahms: Symphony No. 2, Piano Concerto No. 1</video:title>
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<video:description>John Eliot Gardiner&apos;s Brahms cycle with the Royal Concertgebouw Orchestra sets out to contextualize the composer&apos;s symphonies by performing them alongside other key works in his output. Filmed in May 2022, this second concert in the series sees the British conductor pair the sunny Second Symphony in D major with the turbulent First Piano Concerto in D minor in performances also informed by his decades-long work as a pioneer of the period-performance movement. He and the orchestra are joined in the concerto, one of the most technically challenging in the repertoire, by multi-award-winning pianist Stephen Hough.</video:description>
<video:duration>6165</video:duration>
<video:publication_date>2023-01-18T15:14:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0D0</loc>
<video:video>
<video:title>Emil Gilels in Recital: Mozart &amp; Beethoven</video:title>
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<video:description>A keyboard giant performs music by two of the composers that meant the most to him: Emil Gilels presents a recital filmed in the Stiftskirche Ossiach as part of the Carintihischer Sommer Festival in August 1971. On the programme: Mozart&apos;s powerful Sonata in A Minor, K. 310, alongside his variations on &quot;Salve tu, Domine&quot; and the remarkable Fantasie in D Minor, followed by two Beethoven sonatas, the brilliant &quot;Waldstein&quot; and the visionary late Sonata in A Major, Op. 101. Two encores – by Mendelssohn and Schumann – complete a programme that offers a compelling glimpse of Gilels at the height of his powers.</video:description>
<video:duration>5546</video:duration>
<video:publication_date>2025-03-31T12:48:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38</loc>
<video:video>
<video:title>Rubinstein plays Brahms: Piano Concerto No. 1</video:title>
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<video:description>Artur Rubinstein has occasionally referred to Johannes Brahms as his favourite composer. Rubinstein had first-hand familiarity with his music, having been sponsored since the age of 10 by Joseph Joachim, Brahms&apos; close friend and artistic partner. It seems equally astonishing that the pianist, who learned the D Minor Piano Concerto in his teens, still masters it at the age of 81. Rubinstein interprets the work, fascinating in its emotional force and symphonic design, in this recording from 1973 with the Royal Concertgebouw Orchestra and its then chief conductor Bernard Haitink.</video:description>
<video:duration>2943</video:duration>
<video:publication_date>2022-05-11T10:38:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36</loc>
<video:video>
<video:title>Rubinstein plays Beethoven: Piano Concerto No. 3</video:title>
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<video:description>Artur Rubinstein gave his first public concert at the age of seven, his last at the age of 89. Born in 1887, the Polish-American pianist of Jewish descent mediated between the 19th and 20th centuries, between Eastern Europe, Western Europe, and North America in his unprecedentedly long career, remaining faithful to a universal human spirit through the world wars and political upheavals. Perhaps no other composer embodies this spirit as ideally as Beethoven, whose Third Piano Concerto Rubinstein plays with the Royal Concertgebouw Orchestra under the direction of Bernard Haitink in this performance. The pianist had already made his debut with the Amsterdam orchestra in 1925.</video:description>
<video:duration>2208</video:duration>
<video:publication_date>2022-05-11T09:39:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3EC0</loc>
<video:video>
<video:title>Rubinstein in Recital: Brahms, Schubert &amp; Chopin</video:title>
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<video:description>With a career that ran from 1900 until his retirement in 1976, Polish-American pianist Arthur Rubinstein has, with some justification, been called the pianist of the century: a musician whose performances exuded charm, musicianship and – especially in his later years – wisdom. Recorded just three years before his retirement, this recital sees him bring those qualities to favourite works by Brahms, Schubert and Chopin in ageless performances filmed at the legendary Concertgebouw in Amsterdam.</video:description>
<video:duration>1654</video:duration>
<video:publication_date>2023-09-22T06:29:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCE0</loc>
<video:video>
<video:title>Arthur Rubinstein in London: Chopin, Grieg &amp; Saint-Saens</video:title>
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<video:description>More than three quarters of a century after the 13-year-old Arthur Rubinstein triumphed playing Saint-Saëns&apos;s thrilling Second Piano Concerto as a teenager in Berlin, the pianist returns to the work in this performance with the London Symphony Orchestra and André Previn. The legendary recording session at London&apos;s Fairfield Hall is completed with the then 88-year-old performing two more staples of the Romantic concerto repertoire by Grieg and Chopin, and offering abundant evidence still of the power, nobility, profundity and technique that made him one of the most important – and best loved – pianists of the 20th century.</video:description>
<video:duration>5723</video:duration>
<video:publication_date>2022-09-23T11:42:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJIC8</loc>
<video:video>
<video:title>Krystian Zimerman: the 1987 Chopin Recital</video:title>
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<video:description>Recorded in Vienna in 1987, this legendary video recital from Krystian Zimerman sees the Polish pianist – and winner of the Chopin Competition in Warsaw in 1975 – present a programme built around the four poetic and technically challenging ballades. Throughout those works and the rest of the programme – featuring the glittering B-flat Minor Scherzo, a nocturne, the Fantasie in F Minor and the Barcarolle – Zimerman reveals the control of sonority, colour and technique that have made him one of the most revered and admired performers of his generation.</video:description>
<video:duration>4269</video:duration>
<video:publication_date>2022-10-14T11:23:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4</loc>
<video:video>
<video:title>Krystian Zimerman &amp; Simon Rattle: The Beethoven Piano Concertos</video:title>
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<video:description>To celebrate Beethoven&apos;s 250th anniversary, Krystian Zimerman joins the London Symphonic Orchestra under the baton of Simon Rattle to perform the composer&apos;s five piano concertos. Written between 1795 and 1809, they are some of Beethoven&apos;s most important works. Ground-breaking in their nature, they trace the development of the concerto through a key period in its history: themes grow in number, the piano writing becomes richer and more complex, the orchestra steps further into the spotlight and harmonies become richer and more expressive. And although 30 years separate this cycle from Zimerman&apos;s previous one, the Polish pianist&apos;s impeccable touch and technique remain the same, bringing special insights to these ever-rewarding works.</video:description>
<video:duration>11320</video:duration>
<video:publication_date>2022-04-22T13:11:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GD8</loc>
<video:video>
<video:title>Krystian Zimerman &amp; Leonard Bernstein: The Beethoven Piano Concertos</video:title>
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<video:description>Beethoven&apos;s piano concertos represent one of the most important bodies of work in Viennese Classicism and document the composer&apos;s development from his early to his middle creative period. And it was these five works that Krystian Zimerman and Leonard Bernstein planned to perform together for one of the conductor&apos;s last major recording projects. Ultimately, only the final three concertos were recorded with Bernstein before his death in October 1990, and, rather than try and replace the irreplaceable conductor, Zimerman took over the direction of the first two concertos himself. The result is a uniquely beautiful and stirring recording of the entire cycle.</video:description>
<video:duration>11884</video:duration>
<video:publication_date>2022-12-16T12:09:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2D0</loc>
<video:video>
<video:title>Krystian Zimerman &amp; Leonard Bernstein: Brahms Piano Concerto No. 2</video:title>
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<video:description>Alongside their incomplete Beethoven cycle, the recording of Brahms&apos;s piano concertos is the most important document of the collaboration between Leonard Bernstein and Krystian Zimerman. Here their performance of the grandly conceived Piano Concerto No. 2 sees the pianist offer playing that runs the gamut from thunderous power to incredible delicacy and, in the finale, sparkling virtuosity. Bernstein ensures that the work – cast in four movements rather than the customary three – achieves the appropriate sense of symphonic scope and grandeur.</video:description>
<video:duration>3261</video:duration>
<video:publication_date>2023-01-25T08:44:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2D8</loc>
<video:video>
<video:title>Krystian Zimerman &amp; Leonard Bernstein: Brahms Piano Concerto No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fe56e63f14bc0101d10203712687aca6c8e434f5.jpg</video:thumbnail_loc>
<video:description>In 1983, on the occasion of Johannes Brahms&apos; 150th birthday, Leonard Bernstein recorded the composer&apos;s great orchestral works with the Vienna Philharmonic. The soloist for the two piano concertos was Polish pianist Krystian Zimerman – one of Bernstein&apos;s favourite musicians in the latter years of his life. The conductor&apos;s sense of symphonic context and Zimerman&apos;s majestic technique make this performance of the First Piano Concerto a major. The two musicians are especially successful in doing justice to the power and passion in Brahms&apos;s first major work with orchestra without ever losing sight of the complex structure.</video:description>
<video:duration>3460</video:duration>
<video:publication_date>2023-01-25T09:12:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:59:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJAD8</loc>
<video:video>
<video:title>Lang Lang Plays Bach&apos;s Goldberg Variations</video:title>
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<video:description>Although he had already learnt them by heart as a teenager, Lang Lang refrained from performing Bach&apos;s Goldberg Variations in public for many years. When he finally came to record it for Deutsche Grammophon, he painstakingly re-studied the intimidatingly complex variations and consulted experts in historical performance practice – including Nikolaus Harnoncourt and Andreas Staier – about tempo and ornamentation. The result is a new perspective on the legendary work, characterized in equal measure by learning and freshness of approach. The Chinese pianist describes the concert recorded in Leipzig&apos;s Thomaskirche – where Bach worked for many years as Cantor – as an &quot;unbelievable emotional experience&quot;.</video:description>
<video:duration>5712</video:duration>
<video:publication_date>2022-08-18T15:07:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:59:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJG</loc>
<video:video>
<video:title>Mendelssohn&apos;s 200th birthday – with Lang Lang &amp; Riccardo Chailly</video:title>
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<video:description>Lang Lang once described Mendelssohn&apos;s First Piano Concerto as &quot;tremendously colourful – as if spring were coming around the corner at any moment.&quot; And the pianist&apos;s quick-witted musicianship and scintillating technique are ideal for Mendelssohn&apos;s music, as demonstrated in this concert, organised by the Leipzig Gewandhaus Orchestra to commemorate the 200th anniversary of the composer&apos;s birth. The programme is completed with a festive overture, the &quot;Scottish&quot; Symphony, as well movements from other works, all conducted by Riccardo Chailly, then holder of the Gewandhauskapellmeister post held by Mendelssohn himself from 1835 to 1847.</video:description>
<video:duration>5309</video:duration>
<video:publication_date>2022-05-19T09:05:59Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ECO</loc>
<video:video>
<video:title>Lang Lang in Paris: Fauré, Schumann &amp; Chopin</video:title>
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<video:description>&quot;Hats off, gentlemen, a genius!&quot; Schumann&apos;s famous words heralding Frédéric Chopin have gone down in history, and the two composers jointly launched a revolution in piano music in the early Romantic era. And works by both men are at the centre of Lang Lang&apos;s recital from the Philharmonie de Paris: Schumann’s fantastical Kreisleriana, and mazurkas and a polonaise by Chopin, in which he distilled the spirit of Poland into music at once haunting, deeply moving and – in the case of the Polonaise – thrillingly rousing. Opening with the original piano version of Fauré’s beautiful Pavane, this programme promises to be a superb showcase of Lang Lang’s passion, virtuosity and sensitivity.</video:description>
<video:duration>6902</video:duration>
<video:publication_date>2025-04-09T09:49:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:58:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJIE0</loc>
<video:video>
<video:title>Lang Lang – Live at Carnegie Hall</video:title>
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<video:description>Lang Lang&apos;s Carnegie Hall debut in 2003 marked a major step in his global career, showcasing a great deal more than just glittering technique and barnstorming virtuosity, as these two performances from the acclaimed event demonstrate. Schubert&apos;s Wanderer Fantasy might be so technically demanding that the composer was unable to play it, but at the same time its formal demands require a pianist with great analytical and structural awareness. Meanwhile, Liszt&apos;s Réminiscences du Don Juan work themes from Mozart&apos;s Don Giovanni – including the famous &quot;La ci darem la mano&quot; – into a diabolical fantasy that tests the mettle of every virtuoso pianist.</video:description>
<video:duration>2485</video:duration>
<video:publication_date>2022-10-24T08:17:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:57:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0DG</loc>
<video:video>
<video:title>Hélène Grimaud: Memory</video:title>
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<video:description>Hélène Grimaud presents the first part of a special two-part recital from the beautiful natural surroundings of south west Bavaria, a place which the pianist sees as one of her spiritual homes. “Memory” features music from her Deutsche Grammophon album of the same name: Grimaud brings her trademark sensitivity and poetic touch to a personal selection of reflective and atmospheric works by Satie, Debussy, Chopin and Valentin Silvestrov, the Ukrainian composer whose music has fascinated her for decades.</video:description>
<video:duration>2848</video:duration>
<video:publication_date>2023-01-17T15:39:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:57:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJAD8</loc>
<video:video>
<video:title>Hélène Grimaud &amp; Members of Orchestre de Paris play Schumann</video:title>
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<video:description>Pianist Hélène Grimaud has been called “a renaissance woman”, and her painterly, passionate sensibility makes everything she plays glow with colour. She’s never more fully herself than when playing chamber music, and this beautifully filmed concert from 2001 captures that collaborative spirit in the round. Grimaud joins colleagues from the Orchestre de Paris at Paris’s Cité de la Musique to perform Schumann’s Piano Quintet and two gloriously poetic sets of miniatures. Together, they’re near-ideal interpreters of Schumann: a pianist-composer whose own imagination was never more potent than when (as here) the piano is merely first among equals in a world of high-Romantic emotion.</video:description>
<video:duration>3336</video:duration>
<video:publication_date>2024-10-23T11:35:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:56:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0D8</loc>
<video:video>
<video:title>Hélène Grimaud and the Camerata Salzburg: Mozart &amp; Schumann</video:title>
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<video:description>Hélène Grimaud joins forces with the Camerata Salzburg at Hamburg’s Elbphilharmonie for a programme that starts with two minor-key masterpieces by Mozart – works she sees as &quot;symbolically represent[ing] encounters with fate&quot;. Grimaud is the soloist in the dramatic Concerto in D Minor, K. 466, before the orchestra, directed from the front desk by concertmaster Giovanni Guzzo, tackle the composer&apos;s Symphony No. 40. In the second half, pianist and orchestra perform a minor-key concerto from a later generation: Schumann&apos;s Piano Concerto, given here in a performance of revelatory chamber intimacy. As an encore: a work by another composer to have accompanied Grimaud through much of her career, Valentin Silvestrov.</video:description>
<video:duration>6175</video:duration>
<video:publication_date>2023-01-16T13:52:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:56:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GE0</loc>
<video:video>
<video:title>Pollini plays Beethoven: Piano Concerto No. 5</video:title>
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<video:description>Maurizio Pollini once described the conductor Karl Böhm as an &quot;honest, noble and modest man&quot; who continued &quot;the legacy of great interpreters&quot;. Pollini, of course, has long embodied this legacy himself, and his joint performances with Böhm and the Wiener Philharmoniker enjoy the status of legendary interpretations. One of the highlights of the collaboration is this performance of Beethoven&apos;s Fifth – and final – Piano Concerto, the solo part of which Beethoven was prevented from playing himself in public due to his hearing loss. With its imposing and solemn first movements and the wonderfully lyrical adagio, the work is a worthy conclusion to the composer&apos;s engagement with a genre he revolutionized.</video:description>
<video:duration>2487</video:duration>
<video:publication_date>2022-12-19T09:26:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:55:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GE8</loc>
<video:video>
<video:title>Pollini plays Beethoven: Piano Concerto No. 3</video:title>
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<video:description>The pianist Maurizio Pollini and the conductor Karl Böhm, almost 50 years his senior, came from different generations and were shaped by very different traditions. Nevertheless, they shared a common artistic understanding, as their many recordings together testify. In addition to Mozart and Brahms, they regularly performed works by Beethoven together. In Beethoven&apos;s Third Piano Concerto – the composer&apos;s only concerto in a minor key – Pollini and Böhm&apos;s concentration on the underlying structures of the work pay dividends especially in the slow movement, in which time so often seems to stand still, and the finale, with its ingenious turn to C major.</video:description>
<video:duration>2180</video:duration>
<video:publication_date>2022-12-19T09:37:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:55:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGE8</loc>
<video:video>
<video:title>Yoshi Oïda directs Britten’s Curlew River</video:title>
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<video:description>A desolate landscape, a grieving mother and a ferryman who has seen the truth. When Benjamin Britten transported an ancient Japanese Noh play to the reedbeds and rivers of his native East Anglia, the local became universal. Part opera, part ritual, part haunting meditation on love and loss, Curlew River is a music drama like no other and in 1998, artist from both Japanese and western traditions came together at Aix-en-Provence to create it anew. Directed by Yoshi Oïda with a superb international cast, the result was simultaneously timeless and urgent. This live recording captures the moment with unforgettable immediacy and power.</video:description>
<video:duration>4611</video:duration>
<video:publication_date>2024-11-29T13:19:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:54:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2CO</loc>
<video:video>
<video:title>Maurizio Pollini &amp; Claudio Abbado: Brahms Piano Concerto No. 2</video:title>
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<video:description>&quot;If one can speak of the image of a Mediterranean Brahms, then it is with this brilliant recording,&quot; wrote one critic about this performance of Brahms&apos;s Second Piano Concerto, presided over by two of the greatest Italian musicians of the second half of the 20th century. But Claudio Abbado and Maurizio Pollini, whose long-running musical partnership was built on the foundations of a close friendship, explore Brahms&apos;s large-scale Second Piano Concerto also with the profound musical intelligence one would expect, with the pianist&apos;s sovereign technique allowing him to address the challenges of the solo part like few others. With luxury playing from the Wiener Philharmoniker too, this is a performance to cherish.</video:description>
<video:duration>3016</video:duration>
<video:publication_date>2023-01-24T16:49:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:54:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCC8</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Piano Concerto No.4 - with Maurizio Pollini</video:title>
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<video:description>Maurizio Pollini and Claudio Abbado shared a close friendship, which found expression not only in their joint music-making, but also through their shared political engagement. Here they come together for a performance of Beethoven&apos;s poetic Fourth Piano Concerto, filmed in 2004 at the Lucerne Festival, where the conductor presided over many great performances in the final stage of his career.</video:description>
<video:duration>2093</video:duration>
<video:publication_date>2022-09-09T12:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:54:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCE8</loc>
<video:video>
<video:title>Bach&apos;s St John Passion with Andrea Marcon and La Cetra Barockorchester</video:title>
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<video:description>The annual performance of a Bach Passion is always a highlight of the Festival de Pâques in beautiful Aix-en-Provence, and in 2024 it&apos;s the fiercely dramatic and intense St John Passion, first heard 300 years ago this year. Renowned Baroque specialist Andrea Marcon directs a performance with the La Cetra Barockorchester Basel and the La Cetra Vocal Ensemble and featuring an outstanding line-up of soloists in what promises to a musical highlight for Good Friday.</video:description>
<video:duration>7095</video:duration>
<video:publication_date>2024-03-30T20:07:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1K</loc>
<video:video>
<video:title>Semyon Bychkov &amp; Yuja Wang in Rachmaninoff &amp; Janáček</video:title>
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<video:description>This 2022 concert from Prague’s Rudolfinum brings together the Czech Philharmonic and Semyon Bychkov with Yuja Wang, one of the defining pianists of her generation. She opens the programme with Rachmaninoff’s First Piano Concerto, a youthful score already marked by rhythmic drive and expansive lyricism, shaped here with her characteristic clarity and focus. The second half is devoted to Janáček’s Glagolitic Mass, a work of fierce conviction and singular imagination. Joined by the Prague Philharmonic Choir and an accomplished team of soloists, Bychkov and the orchestra bring urgency and weight to a score whose raw energy and ritual power remain unmistakable.</video:description>
<video:duration>4794</video:duration>
<video:publication_date>2026-01-12T11:23:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4C8</loc>
<video:video>
<video:title>Yuja Wang plays Rachmaninoff&apos;s Piano Concerto No. 2</video:title>
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<video:description>Yuja Wang brings her scintillating virtuosity and impeccable musicianship to one of the great concertos of the piano repertoire: Rachmaninoff&apos;s brooding, passionate and ultimately exultant Piano Concerto No. 2. The concerto was the first work Rachmaninoff composed after recovering from the depression caused by the disastrous premiere of his Symphony No. 1. With its memorably stirring melodies and thrilling piano writing, it was an immediate hit – and has remained a favourite among performers and listeners ever since. In this performance, filmed at the Fondation Louis Vuitton in autumn 2021, Yuja Wang is accompanied by Valery Gergiev and the Mariinsky Orchestra.</video:description>
<video:duration>2204</video:duration>
<video:publication_date>2023-02-03T14:40:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CG</loc>
<video:video>
<video:title>Yuja Wang in Berlin: Rachmaninoff, Scriabin &amp; Prokofiev</video:title>
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<video:description>Yuja Wang grabs attention from the first note in this recital and never lets it go. Having watched her mother, a dancer, rehearsing Swan Lake as a child, Wang was helped by Russian music to find her way to Western classics; and the works of Rachmaninoff, Scriabin and Prokofiev have accompanied the multi-award-winning pianist since the start of her ever-expanding career. Born in Beijing, raised in Canada and at home in almost every major city of the world, Wang performs an entirely Russian programme from the Philharmonie in Berlin with boundless imagination, jaw-dropping technical command, and transcendent power.</video:description>
<video:duration>3631</video:duration>
<video:publication_date>2022-07-01T10:49:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:52:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32C8</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas VIII</video:title>
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<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5605</video:duration>
<video:publication_date>2025-06-05T10:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:51:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32C0</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas VII</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8fa01cf2ab8bea645692ee3ce87dca658cdfb3b9.jpg</video:thumbnail_loc>
<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>4925</video:duration>
<video:publication_date>2025-06-05T09:56:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:51:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30E8</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas VI</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bed4cdbeb873b9637980afee4d74a408c97aef0c.jpg</video:thumbnail_loc>
<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5506</video:duration>
<video:publication_date>2025-05-13T13:01:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:51:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30E0</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas V</video:title>
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<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5437</video:duration>
<video:publication_date>2025-05-13T12:50:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30DO</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas IV</video:title>
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<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5793</video:duration>
<video:publication_date>2025-03-20T16:59:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8E0</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas II</video:title>
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<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5634</video:duration>
<video:publication_date>2025-02-21T14:18:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34DO</loc>
<video:video>
<video:title>Mikhail Pletnev plays Chopin and Scriabin: Preludes</video:title>
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<video:description>For more than four decades, Mikhail Pletnev has enjoyed a reputation as one of the most fascinating pianists of his age, an artist combining impeccable technique with a probing musical mind. Here those qualities are applied to two sets of Preludes. Chopin’s 24 Preludes, inspired in part by his love of Bach, take us through every possible major and minor key creating a kaleidoscope of musical moods and sensations. In turn inspired by Chopin’s set, Scriabin’s more rarely heard Preludes follow the same tonal outline offering a fascinating prospectus of the visionary Russian composer’s early musical language. Together they form an irresistible programme, performed by a true piano master.</video:description>
<video:duration>5058</video:duration>
<video:publication_date>2025-11-17T09:36:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34</loc>
<video:video>
<video:title>Europakonzert 2003 from Lisbon – with Pierre Boulez &amp; Maria João Pires</video:title>
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<video:description>Pierre Boulez&apos;s reputation might have primarily been that of a strict modernist, yet his repertoire was extremely broad and all his interpretations characterized not only by precision and structural awareness, but also by elegance and an unparalleled ear for sonority. All this is in evidence in the Europakonzert from 2003, in which he conducts the Berliner Philharmoniker in orchestral works by Ravel, Bartók and Debussy, as well as Mozart&apos;s dramatic Piano Concerto No. 20. The setting is the magnificent Jerónimos Monastery near Lisbon, built in the 16th century. The soloist is Maria João Pires, a pianist born in the Portuguese capital and one of the most subtle and sensitive Mozartians of her generation.</video:description>
<video:duration>6040</video:duration>
<video:publication_date>2022-05-23T09:43:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:45:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4D0</loc>
<video:video>
<video:title>Keith Jarrett Trio: Tokyo &apos;96</video:title>
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<video:description>&quot;I channel the situation in some ways, and I never know what the result&apos;s gonna be,&quot; says Keith Jarrett; and even after more than a decade of playing together, his Standards Trio rarely sounded more spontaneous – and more inimitably itself – than in this mid-&apos;90s session on tour in Tokyo. As ever, the great Tin Pan Alley standards are at the heart of the set list: Harold Arlen, Jimmy Van Heusen, Richard Rodgers and more. But there&apos;s also additional material, including a glowing &quot;All The Things You Are&quot; and a jaunty account of Ray Bryant&apos;s &quot;Tonk&quot;.</video:description>
<video:duration>6111</video:duration>
<video:publication_date>2025-04-16T13:08:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:45:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9M</loc>
<video:video>
<video:title>Nobuyuki Tsujii plays Tchaikovsky, Beethoven, Chopin and Rachmaninoff</video:title>
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<video:description>Filmed at Tokyo&apos;s legendary Suntory Hall, pianist Nobuyuki Tsujii performs music charting Romanticism from its beginnings to its heights. First, Beethoven&apos;s &quot;Waldstein&quot; Sonata, a masterpiece from his middle period, breaks away from its Classical models to chart new emotional and harmonic territory. Then we see two different sides of Chopin&apos;s personality in the dreamy Nocturnes, Op. 27 and the rousing &quot;Heroic&quot; Polonaise, while Rachmaninoff is represented by transcriptions of three of his favourite songs. And the programme concludes with another transcription: Mikhail Pletnev&apos;s brilliant arrangement of music from Tchaikovsky&apos;s ever-popular Nutcracker – an irresistible finale to an unmissable concert.</video:description>
<video:duration>4551</video:duration>
<video:publication_date>2025-12-15T10:22:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:43:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38CG</loc>
<video:video>
<video:title>Friedrich Gulda: Solo Flight</video:title>
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<video:description>In a live recording from the Amerikahaus, Munich, Gulda reveals the versatility of his keyboard playing. On the clavichord he plays three preludes and fugues from Bach’s Well-Tempered Clavier; on the piano, his own re-working of Schubert’s Der Wanderer, ending with Debussy’s Reflects dans l’eau and a selection of his own compositions.</video:description>
<video:duration>3355</video:duration>
<video:publication_date>2025-01-29T16:07:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:43:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1K</loc>
<video:video>
<video:title>Alice Sara Ott &amp; Alexandre Bloch: Debussy, Ravel, Lutosławski</video:title>
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<video:description>A starburst of musical colour for the new year. Debussy&apos;s Prélude à l&apos;après-midi d&apos;un faune opened new worlds of sonic sensuality, while Lutosławski&apos;s Concerto for Orchestra launched dazzling sonic fireworks into the grey skies of postwar Poland. The LSO and conductor Alexandre Bloch present the two masterpieces to bookend a performance by pianist Alice Sara Ott – a regular guest of this orchestra, and a firm favourite of the Barbican audience. She plays the sunlit, jazz-flavoured G major Concerto by Maurice Ravel – and the concert ends with Ravel, too: his unforgettable evocation of a world dancing on the edge, La Valse. Music to thrill the ears and intoxicate the spirit.</video:description>
<video:duration>5430</video:duration>
<video:publication_date>2026-01-05T10:12:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:42:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHO</loc>
<video:video>
<video:title>Julius Asal: Siena Tapes</video:title>
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<video:description>From ConcertLab in Utrecht – a unique space created for exploring ground-breaking new ways to film and showcase musical performance – Julius Asal presents his new album &quot;Siena Tapes&quot;, a characteristically adventurous and creative programme built around music by Maurice Ravel. Interspersed between music by the French composer are works by Asal himself as well as composer and producer Christian Badzura. The result is a programme that adds up to a compelling, beguiling musical whole casting Ravel and his works in a fresh, engaging new light – all stunningly captured in ConcertLab’s tailor-made recording and performance space.</video:description>
<video:duration>2266</video:duration>
<video:publication_date>2025-09-04T09:26:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:41:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3AD0</loc>
<video:video>
<video:title>Katia &amp; Marielle Labèque perform Bernstein&apos;s West Side Story</video:title>
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<video:description>In the 1980s, none other than Leonard Bernstein himself encouraged the American musician Irwin Kostal to write a two-piano arrangement of his musical West Side Story for Katia and Marielle Labèque. Kostal was among those closest to Bernstein&apos;s gritty 1950s take on the Romeo and Juliet story, having already created the original orchestration for the musical. The Labèque sisters have delighted international audiences for decades and, in performance with performs here with two percussionists, demonstrate the combination of tonal sense and rhythmic verve essential to Bernstein&apos;s music. This incandescent performance was recorded at the new Philharmonie in Paris.</video:description>
<video:duration>2623</video:duration>
<video:publication_date>2022-11-14T09:00:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:41:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1M</loc>
<video:video>
<video:title>Yuja Wang and the NYO-USA All-Stars: Tchaikovsky Piano Concerto No. 1</video:title>
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<video:description>Carnegie Hall&apos;s 135th concert season kicks off in grand style with a thrilling programme of favourites, filmed in partnership with Rolex. The concert features the NYO-USA All-Stars – an extraordinary Carnegie Hall alumni orchestra of young professionals – conductor Daniel Harding and Rolex Testimonee Yuja Wang. The central work is Tchaikovsky&apos;s rousing Piano Concerto No. 1, which the superstar pianist directs from the piano. Bookending it are two 20th century classics: Bernstein&apos;s Symphonic Dances from West Side Story and Stravinsky&apos;s kaleidoscopic Suite from his ballet The Firebird. All in all, an unmissable concert from one of the classical music world&apos;s greatest venues.</video:description>
<video:duration>4406</video:duration>
<video:publication_date>2025-11-07T13:53:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9N</loc>
<video:video>
<video:title>Bordertalk – European Jazz Trio Meets Jiří Stivín</video:title>
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<video:description>Recorded at the 1997 Munich Klaviersommer, this meeting between the European Jazz Trio and Czech multi-instrumentalist Jiří Stivín lives up to its title. Saxophonist Gerd Dudek, pianist Rob van den Broeck and bassist Ali Haurand bring a grounded, conversational trio sound that opens easily to Stivín’s quicksilver shifts between flute and saxophone. Originals sit alongside blues-inflected material and freer excursions, the music moving fluidly between structure and spontaneity. A cross-border exchange in the best sense — rooted in the European scene, open to risk, and driven by the pleasure of shared invention.</video:description>
<video:duration>4563</video:duration>
<video:publication_date>2026-02-20T13:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-23T16:13:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHH</loc>
<video:video>
<video:title>Daniel Kramer: Jazz Piano Solo</video:title>
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<video:description>Recorded at the Munich Klaviersommer in 1997, Daniel Kramer takes the stage alone and lets the piano do the talking. His solo set moves easily between standards, blues inflection and his own originals, from Gershwin’s &quot;Nice Work If You Can Get It&quot; to a medley of &quot;Smoke Gets in Your Eyes&quot; and &quot;Whispering&quot;, and a boogie-woogie fantasy around &quot;St. Louis Blues&quot;. Kramer’s own pieces – including &quot;Associations&quot;, &quot;Tango&quot; and &quot;Mozart Mood&quot; – show a pianist who relishes stylistic shifts and the freedom of improvisation.</video:description>
<video:duration>3719</video:duration>
<video:publication_date>2026-02-24T12:26:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-23T16:04:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32C8</loc>
<video:video>
<video:title>Karajan conducts Verdi&apos;s Requiem</video:title>
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<video:description>Few contemporaries surpassed Herbert von Karajan in the Austro-German symphonic repertoire, but he was also an unrivalled interpreter of Verdi, whether in the opera house or on the concert platform. Verdi&apos;s Requiem, in particular, was a touchstone throughout his long career, and this 1984 performance with the Vienna Philharmonic is the culmination of a lifetime&apos;s love affair with a masterpiece that has been described as &quot;an opera in ecclesiastical garb&quot;. Unsurprisingly, at this point in his career, Karajan could name his own cast, and the quartet of soloists is little short of stellar: an unrepeatable line-up, captured here at the peak of their vocal splendour.</video:description>
<video:duration>5467</video:duration>
<video:publication_date>2024-04-25T09:27:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-19T19:32:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38DO</loc>
<video:video>
<video:title>Lopes-Graça: No. 8, Da &quot;Canção da roda&quot;, do Paúl</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2026-03-17T13:32:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T14:25:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38DG</loc>
<video:video>
<video:title>Bizet: Chants du Rhin, WD 52: VI. Le retour</video:title>
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<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2026-03-17T13:16:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T14:25:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30E0</loc>
<video:video>
<video:title>Chen: Infinite Cloister of Flowers and Sins</video:title>
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<video:description></video:description>
<video:duration>384</video:duration>
<video:publication_date>2026-02-05T16:05:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:30:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30D0</loc>
<video:video>
<video:title>Chen: Circle Dance of the Evernight Castle</video:title>
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<video:description></video:description>
<video:duration>372</video:duration>
<video:publication_date>2026-02-05T12:59:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:30:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGC0</loc>
<video:video>
<video:title>Beethoven: Violin Sonata No. 5 in F Major, Op. 24: I. Allegro</video:title>
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<video:description></video:description>
<video:duration>599</video:duration>
<video:publication_date>2025-12-05T14:50:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:21:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHP</loc>
<video:video>
<video:title>Penderecki conducts Penderecki: Sinfonietta No. 1, Viola Concerto</video:title>
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<video:description>Recorded live at the Alte Oper Frankfurt in 1994, this concert documents Krzysztof Penderecki directing Sinfonietta Cracovia in a programme devoted to his own works. At its centre stands the Sinfonietta No. 1, alongside three concertante pieces: the Capriccio for Oboe and Strings, the Viola Concerto and the Concerto for Flute and Chamber Orchestra. Irena Grafenauer, Mariusz Pędziałek and Tabea Zimmermann take the solo parts in music that reflects Penderecki’s distinctive language of the period, balancing concentrated forms with a vivid sense of instrumental colour.</video:description>
<video:duration>4223</video:duration>
<video:publication_date>2026-03-12T08:34:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-16T10:45:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPG</loc>
<video:video>
<video:title>Wynton Marsalis: In This House, On This Morning</video:title>
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<video:description>Wynton Marsalis brings In This House, On This Morning to Munich’s Philharmonie im Gasteig in 1992, presenting his extended composition as a jazz service shaped by the liturgy of the Black church. Structured in movements from “Call to Prayer” and “Processional” to “Benediction” and “Pot Blessed Dinner”, the work blends written passages with improvisation, collective response and solo testimony. With Wycliffe Gordon, Eric Reed, Wessel Anderson, Todd Williams, Reginald Veal and Herlin Riley, Marsalis draws on gospel cadence, blues inflection and New Orleans swing, allowing the music to move between devotion, reflection and exuberant release.</video:description>
<video:duration>7092</video:duration>
<video:publication_date>2026-03-12T12:33:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-16T10:44:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38CO</loc>
<video:video>
<video:title>Charles Wood: O Thou, the Central Orb</video:title>
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<video:description></video:description>
<video:duration>258</video:duration>
<video:publication_date>2026-03-05T16:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T14:46:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38C0</loc>
<video:video>
<video:title>Mozart: Rondo in A Minor, K. 511</video:title>
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<video:description></video:description>
<video:duration>593</video:duration>
<video:publication_date>2026-03-05T15:09:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:28:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38C8</loc>
<video:video>
<video:title>Lopes-Graça: Glosa No 7: De uma cantiga bailada ribatejana</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/21ec45c2930fbf54caccfbf156b1a69f019ef6d4.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>67</video:duration>
<video:publication_date>2026-03-05T15:28:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:26:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38CG</loc>
<video:video>
<video:title>Gounod, J.S. Bach: Ave Maria, CG 89a (After Prelude in C Major, BWV 846)</video:title>
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<video:description></video:description>
<video:duration>173</video:duration>
<video:publication_date>2026-03-05T15:36:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:25:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36D8</loc>
<video:video>
<video:title>Abbado and the Gustav Mahler Jugendorchester: Mahler &amp; Schoenberg</video:title>
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<video:description>Captured in Vienna&apos;s Musikverein in April 2006, this concert sees Claudio Abbado conduct the Gustav Mahler Youth Orchestra, which he himself founded, in music by composers who were at the center of his artistic activity. Schoenberg&apos;s wonderfully late Romantic Pelleas and Melisande and Mahler&apos;s delicate and &quot;classical&quot; Fourth Symphony were written within a few years of each other and show the richness of Viennese music at the fin de siècle. The performance itself is preceded by an insightful introduction to Schoenberg&apos;s symphonic poem – a work characterized by both tonal lushness and chamber music intimacy.</video:description>
<video:duration>6169</video:duration>
<video:publication_date>2022-11-06T17:49:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:18:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1K</loc>
<video:video>
<video:title>Premieres Revisited: Andreas Ottensamer conducts Mozart&apos;s Requiem</video:title>
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<video:description>Few works are surrounded by more mystery than Mozart&apos;s final unfinished masterpiece, his Requiem in D minor, and it took centuries to unravel the myths surrounding it and the shadowy circumstances of its commission. That commissioner was eventually revealed to be Count von Walsegg, who wanted a work to commemorate his wife – and it was not until December 1793, two years after Mozart&apos;s death, that the work was finally performed, as planned, in her memory in the Neuklosterkirche in Wiener Neustadt. This performance, conducted by Andreas Ottensamer, revisits that historic performance, presenting the work alongside Mozart&apos;s great final Symphony, the &quot;Jupiter&quot;.</video:description>
<video:duration>5471</video:duration>
<video:publication_date>2025-12-11T14:31:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-12T14:48:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHP</loc>
<video:video>
<video:title>Shai Maestro Trio – Live in Paris</video:title>
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<video:description>Filmed as part of the ECM Explorations weekend at the Philharmonie de Paris in April 2025, the Shai Maestro Trio presents a programme that brings together music from their album Human, new material and free improvisation. Shai Maestro, Jorge Roeder and Ofri Nehemya move fluidly between the quiet introspection of &quot;The Dream Thief&quot; and &quot;Aba&quot; and the more searching terrain of &quot;Human&quot;, &quot;Gloria&quot; and &quot;Mystery and Illusions&quot;. A portrait of a trio whose finely tuned interplay opens up a spacious, ever-shifting musical landscape – and a programme rounded off with an encore featuring a very special guest.</video:description>
<video:duration>4547</video:duration>
<video:publication_date>2026-01-22T09:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-12T14:32:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGDG</loc>
<video:video>
<video:title>Abbado conducts Bruckner&apos;s Symphony No. 7</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2d011864d7d08aa9c476cc48b18b979864eb8e00.jpg</video:thumbnail_loc>
<video:description>Filmed in concert in 2005, Claudio Abbado and his hand-picked Lucerne Festival Orchestra perform Anton Bruckner&apos;s imposing Seventh Symphony. The first work with which the Austrian composer achieved an unequivocal triumph, the Seventh Symphony has at its centre a moving Adagio conceived as a tribute to Richard Wagner, whom Bruckner idolized and who died during the work&apos;s composition. Abbado was a renowned Brucknerian throughout his career, so the expectations whenever he turned to the composer in Lucerne were sky high – and those expectations were fully met in a series of remarkable performances.</video:description>
<video:duration>3957</video:duration>
<video:publication_date>2023-06-15T13:23:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-12T08:53:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36E8</loc>
<video:video>
<video:title>Schumann: Waldszenen, Op. 82: 7. Vogel als Prophet</video:title>
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<video:description></video:description>
<video:duration>115</video:duration>
<video:publication_date>2026-03-05T14:22:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T12:28:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36E0</loc>
<video:video>
<video:title>Schumann: Waldszenen, Op. 82: 3. Einsame Blumen</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2339d1640a9b5fbce564dfaad44e213fbfa98bdc.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>156</video:duration>
<video:publication_date>2026-03-05T14:15:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T12:28:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GD8</loc>
<video:video>
<video:title>Pink Sakura</video:title>
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<video:description>“A soundtrack to my life” – this is how Eunike Tanzil sums up The First of Everything, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Recorded with the Deutsches Symphonie-Orchester, the album is conducted by Anna Handler and features both Eunike Tanzil (piano) and Sophie Kauer (cello) as soloists. “It was my childhood dream to have my debut album recorded by a large orchestra,” says Eunike. “I feel very grateful and honoured that I’m part of this incredible project with so many great musicians.”</video:description>
<video:duration>201</video:duration>
<video:publication_date>2025-09-11T09:08:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T08:50:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GDG</loc>
<video:video>
<video:title>Remembering</video:title>
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<video:description>“A soundtrack to my life” – this is how Eunike Tanzil sums up The First of Everything, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Its 12 tracks trace a journey of significant personal firsts and reveal Eunike’s gift for storytelling in music that ranges from minimalistic writing to sweeping cinematic statements.
Recorded with the Deutsches Symphonie-Orchester Berlin, the album is conducted by Anna Handler and features both Eunike Tanzil (piano) and Sophie Kauer (cello) as soloists.</video:description>
<video:duration>234</video:duration>
<video:publication_date>2025-09-11T10:07:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T08:49:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHN</loc>
<video:video>
<video:title>Burkard Schliessmann: Piano Recital</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dc36798a8dd96b78174b9e66a8f131455efb8f97.png</video:thumbnail_loc>
<video:description>Burkard Schliessmann’s 1993 recital at Munich’s Philharmonie im Gasteig moves from Bach to late Romantic and early modern intensity. Busoni’s piano transcription of the Chaconne from Bach’s D minor Partita forms a grave and architectural opening. Scriabin’s Third Sonata follows in four movements, its volatile contrasts sharpened by three Preludes from Op. 74, poised between fragility and defiance. Chopin’s Fourth Ballade closes the programme, its long narrative line and intricate counterpoint demanding both structural control and tonal depth.</video:description>
<video:duration>2864</video:duration>
<video:publication_date>2026-03-06T12:08:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-10T13:17:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9P</loc>
<video:video>
<video:title>Maya Plissetskaya &amp; Nicolas Economou: Dance Impressions</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b2b2c10c4699dbfeeb060e9f58550006bdde69f0.png</video:thumbnail_loc>
<video:description>Filmed in 1990, this studio encounter brings together prima ballerina Maya Plissetskaya and pianist Nicolas Economou in a rare dialogue between movement and sound. Rather than dancing to a fixed score, Plissetskaya shapes the atmosphere in real time, and Economou responds with a sequence of improvisations, following her gestures and shifts of mood at the keyboard. What unfolds is a spontaneous exchange in which music and dance develop side by side, each shaping and sharpening the other.</video:description>
<video:duration>1830</video:duration>
<video:publication_date>2026-02-24T09:18:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-10T12:55:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHI</loc>
<video:video>
<video:title>Ahmad Jamal Trio</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/25b43d05b6f56018fe2241004094fc0cc8277505.png</video:thumbnail_loc>
<video:description>Ahmad Jamal brings his trio to Munich’s Philharmonie im Gasteig in 1993 with John Heard and Yoron Israel, a group attuned to space and understatement. Standards by Jerome Kern, Duke Ellington, Victor Young and Jimmy McHugh meet Jamal’s own &quot;Bellows&quot;, &quot;Acorn&quot; and &quot;Swahililand&quot;. &quot;All the Things You Are&quot; is pared back to its harmonic frame; &quot;Chloe&quot; carries a muted, nocturnal colour; &quot;My Foolish Heart&quot; remains poised and unhurried. Heard’s centred bass and Israel’s precise cymbal work sharpen the interplay as Jamal directs from the keyboard, measuring dynamics and silence with exact control.</video:description>
<video:duration>4295</video:duration>
<video:publication_date>2026-02-27T08:26:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T23:52:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHK</loc>
<video:video>
<video:title>Vince Jones and His Band</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0c47b2bd2a3d588351115e696e0a9435fb92c231.png</video:thumbnail_loc>
<video:description>Vince Jones brings his band to Munich’s Philharmonie im Gasteig in 1992, moving between trumpet and voice with an unforced, grainy directness. Original songs such as &quot;Brother This Is Your Life&quot;, &quot;Future Girl&quot;, &quot;Jettison&quot; and &quot;Blue&quot; shape the programme, alongside Oscar Levant’s &quot;Blame It on My Youth&quot;, Mose Allison’s &quot;Lost Mind&quot; and &quot;Don’t Worry About a Thing&quot;, and soul-tinged titles like &quot;Big City&quot; and &quot;I Love You More Than Ever&quot;. Barney McAll’s piano lines stay lean and responsive, Lloyd Swanton keeps the bass grounded, and Andrew Gander sets a flexible pulse behind a set that balances introspection with rhythmic bite.</video:description>
<video:duration>4251</video:duration>
<video:publication_date>2026-02-27T14:17:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T23:40:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHO</loc>
<video:video>
<video:title>Eunike Tanzil: Pink Sakura Showcase</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/236aaef7f797b11b75bb5dcdfbe649a94c433f24.jpg</video:thumbnail_loc>
<video:description>Classical music rarely finds its way into an ice-cream parlour, but Eunike Tanzil – the Indonesian pianist-composer known for blending classical craft with a vivid, cinematic sense of colour – seems to relish firsts. Fresh from releasing her album &quot;The First of Everything&quot;, where her music appears with full orchestra, she trades the concert hall for Berlin’s ice-cream shop amatō, offering intimate solo versions in these informal surroundings. She also invites listeners to &quot;Hum me a melody&quot;, shaping their ideas into spontaneous, emotionally charged musical creations. A half-hour as light and inviting as its setting.</video:description>
<video:duration>1639</video:duration>
<video:publication_date>2025-12-11T11:11:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T15:58:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34E8</loc>
<video:video>
<video:title>Sawallisch conducts Wagner: Der fliegende Holländer</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3a35d6148023332ba4fc7e17ddce679b528bee8f.jpg</video:thumbnail_loc>
<video:description>It’s often said that Wagner’s music dramas revealed a cinematic imagination before its time, and if that’s true, few films have come as close to realising his vision than this spectacular 1975 movie version of Der fliegende Holländer. The forces of Bavarian State Opera are conducted by master Wagnerian Wolfgang Sawallisch, and the great Donald McIntyre delivers a towering performance in the title role. But with spectacular, gothic designs and the kinetic, thrillingly believable direction of Czech “New Wave” legend Václav Kašlík, it’s gripping on every level – faithful in every sense to Wagner’s conception of opera as a “complete artwork”.</video:description>
<video:duration>7095</video:duration>
<video:publication_date>2025-01-16T12:10:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T15:17:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHN</loc>
<video:video>
<video:title>Donizetti: Lucia di Lammermoor – with Nadine Sierra &amp; Javier Camarena</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7bbbfa344877f7a4ab9394367faa2d7dab45ce2b.jpg</video:thumbnail_loc>
<video:description>During the 2021–22 season, director Simon Stone made his Met debut with a new production of Lucia di Lammermoor that reimagined Donizetti’s bel canto tragedy in the modern-day American Rust Belt. In this performance, soprano Nadine Sierra gives a stunning performance as the haunted title heroine, alongside tenor Javier Camarena as Lucia’s lover, Edgardo, and baritone Artur Ruciński as the self-centered and manipulative Enrico. Bass-baritone Christian Van Horn rounds out the principal cast as Lucia’s kind-hearted protector, the priest Raimondo, with Donizetti specialist Riccardo Frizza on the podium to lead the engrossing new staging.</video:description>
<video:duration>9031</video:duration>
<video:publication_date>2026-03-09T09:14:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T10:14:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6E0</loc>
<video:video>
<video:title>Verdi Gala in Parma – with Carreras, Domingo, Mehta &amp; more</video:title>
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<video:description>Of Giuseppe Verdi&apos;s 28 stage works, many still delight opera audiences around the world. On the occasion of the 100th anniversary of Verdi&apos;s death, a gala was held in Parma in 2001 under the direction of Zubin Mehta, presenting some of the most beautiful passages from the works of the opera composer. From his third opera, Nabucco, to the ingenious farewell work, Falstaff, we see Verdi retain his inexhaustible wealth of melodies, while developing ever more stringent dramaturgical forms at the same time. Ruggero Raimondi, Plácido Domingo and José Carreras, among others, sing in this recording to the sounds of the Orchestra del Maggio Musicale Fiorentino – legends of Verdi interpretation even during his lifetime.</video:description>
<video:duration>6795</video:duration>
<video:publication_date>2022-07-27T12:49:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T09:03:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36DO</loc>
<video:video>
<video:title>Jóhannsson: Be Over (From &quot;The Shadow Play&quot;)</video:title>
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<video:description></video:description>
<video:duration>80</video:duration>
<video:publication_date>2026-03-05T13:07:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T15:04:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34DO</loc>
<video:video>
<video:title>On My London</video:title>
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<video:description></video:description>
<video:duration>104</video:duration>
<video:publication_date>2026-02-26T15:25:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T15:01:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36D8</loc>
<video:video>
<video:title>Mozart: Fantasia in C Minor, K. 475</video:title>
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<video:description></video:description>
<video:duration>677</video:duration>
<video:publication_date>2026-03-04T12:13:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T13:02:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36DG</loc>
<video:video>
<video:title>Mozart: Kleiner Trauermarsch in C Minor, K. 453a</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4e203709cfc61e0fad9ae2006dad529e931176c5.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>86</video:duration>
<video:publication_date>2026-03-04T12:29:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T13:02:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36D0</loc>
<video:video>
<video:title>Mozart: Adagio in C Major for Glass Harmonica, K. 356</video:title>
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<video:description></video:description>
<video:duration>149</video:duration>
<video:publication_date>2026-03-04T10:39:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T12:59:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36CO</loc>
<video:video>
<video:title>Rachmaninoff: Piano Sonata No. 1 in D Minor I. Allegro moderato</video:title>
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<video:description></video:description>
<video:duration>878</video:duration>
<video:publication_date>2026-03-04T10:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T10:08:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34E0</loc>
<video:video>
<video:title>Tahmoures Pournazeri: Chera Rafti (Arr. Dimitri Weissenberg)</video:title>
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<video:description></video:description>
<video:duration>188</video:duration>
<video:publication_date>2026-03-02T12:15:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T18:27:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36CG</loc>
<video:video>
<video:title>Schumann: Kinderszenen, Op. 15: 7. Träumerei</video:title>
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<video:description></video:description>
<video:duration>193</video:duration>
<video:publication_date>2026-03-03T16:24:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:20:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36C8</loc>
<video:video>
<video:title>Rachmaninoff: 13 Preludes No. 5 in G Major, Op. 32</video:title>
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<video:description></video:description>
<video:duration>249</video:duration>
<video:publication_date>2026-03-03T16:10:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36C0</loc>
<video:video>
<video:title>Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 &quot;Hammerklavier&quot;</video:title>
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<video:description></video:description>
<video:duration>643</video:duration>
<video:publication_date>2026-03-03T14:56:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34E8</loc>
<video:video>
<video:title>Bach: Wachet auf, ruft uns die Stimme, BWV 645 (Arr. Busoni)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5a22ca5bc9fd6ffb30980faabf8ad865a90c998.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>233</video:duration>
<video:publication_date>2026-03-03T14:44:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9O</loc>
<video:video>
<video:title>Eliane Elias Trio In Concert</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ff8c259122ed11a8b766f3672c274a642c89e0ef.png</video:thumbnail_loc>
<video:description>Brazilian lyricism meets the American songbook as Eliane Elias takes the stage at Munich’s Philharmonie im Gasteig in 1991, joined by Jay Randall Anderson and Adam Nussbaum. Her own pieces — &quot;Campari and Soda&quot;, &quot;Cross Currents&quot; and &quot;Implosive&quot; — set the tone, poised between rhythmic drive and melodic clarity. Antônio Carlos Jobim features prominently, with a medley of &quot;Waters of March&quot; and &quot;Água de Beber&quot; as well as &quot;Desafinado&quot;, while Jerome Kern’s &quot;The Way You Look Tonight&quot; and Amilton Godói’s &quot;Choro&quot; broaden the frame. Anderson’s supple bass and Nussbaum’s alert, finely detailed drumming support Elias’s precise touch and fluent sense of swing at the piano.</video:description>
<video:duration>3859</video:duration>
<video:publication_date>2026-02-20T14:25:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T22:08:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGD0</loc>
<video:video>
<video:title>Albéniz: Suite Española No. 1, Op. 47: No. 5, Asturias</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b5c006975c77e609a9929c6e494cb249491e955f.jpg</video:thumbnail_loc>
<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. 

The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>422</video:duration>
<video:publication_date>2025-12-08T13:48:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T16:14:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34CO</loc>
<video:video>
<video:title>Fauré: Trois Romances sans paroles, Op. 17 (kiwa LIVE presents / Live from Seoul)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3f43d52426f62f5845e427bf640034d3d0b39056.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>539</video:duration>
<video:publication_date>2026-02-24T15:34:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T11:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34CG</loc>
<video:video>
<video:title>Scriabin: 24 Preludes, Op. 11 No. 11 in B Major. Allegro assai</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/be9ed62a46c9cbed20384197d47c9d89993a8005.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>106</video:duration>
<video:publication_date>2026-02-24T15:04:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T11:26:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0</loc>
<video:video>
<video:title>Bach: Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c4775df0bbe99c2163cc3cca983633f4f8113660.jpg</video:thumbnail_loc>
<video:description>Watch pianist Víkingur Ólafsson (“Artist of the Year” at the Gramophone Awards 2019) perform the Andante from Bach&apos;s Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album &apos;J. S. Bach - Works &amp; Reworks&apos;. The video was directed by Magnús Leifsson.</video:description>
<video:duration>327</video:duration>
<video:publication_date>2022-07-12T14:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-02T12:18:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2E0</loc>
<video:video>
<video:title>Bernstein conducts Schumann: Symphony No. 2 &amp; Cello Concerto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/db23f407773f5e6e09a4e106e5ac7171d5537e22.jpg</video:thumbnail_loc>
<video:description>Leonard Bernstein conducts Schumann&apos;s imposing Second Symphony alongside the Cello Concerto in these 1985 performances filmed as part of a complete cycle of the composer&apos;s orchestral works. As with his cycles of works by Mahler, Beethoven and Brahms, Bernstein conducts the Wiener Philharmoniker. The soloist in the Cello Concerto – a work still often underappreciated, despite its many beauties – is the young Mischa Maisky, while Bernstein and the orchestra turn in a characteristically individual and beautifully played performance of the Symphony, a work born out of a troubled period in Schumann&apos;s life but which, after the Romantic brooding of the third movement, culminates in a finale of irresistible optimism.</video:description>
<video:duration>4424</video:duration>
<video:publication_date>2023-11-22T10:40:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-02T10:46:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34DG</loc>
<video:video>
<video:title>Great Arias – Hamlet: &quot;Et maintenant écoutez ma chanson&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/caffa02ea500be223f94f22d6400494750f5dfe4.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2026-02-26T10:03:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:23:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34D8</loc>
<video:video>
<video:title>Great Arias – Die Entführung aus dem Serail: &quot;Martern aller Arten&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/908734497e06593a9d2f77f27f86bbee9477fa1f.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-02-26T09:47:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:15:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34D0</loc>
<video:video>
<video:title>On the Siena Tapes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/33072794f37fd32c295504f309b49181922d9849.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>425</video:duration>
<video:publication_date>2026-02-26T09:44:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:15:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHG</loc>
<video:video>
<video:title>Chick Corea: Remembering Bud Powell</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/498511cd00098c95f52d5ac240634f76d5770d1d.png</video:thumbnail_loc>
<video:description>Filmed in 1996 at the Philharmonie im Gasteig, this all-star quintet finds Chick Corea paying tribute to one of bebop’s defining pianists. With Joshua Redman, Wallace Roney, Christian McBride and Roy Haynes alongside him, Corea revisits Bud Powell’s fiercely lyrical writing — from &quot;Un Poco Loco&quot; and &quot;Tempus Fugit&quot; to &quot;Bouncin’ with Bud&quot; — while opening the music up to fresh improvisational turns. Corea’s own &quot;Affinity&quot; sits naturally among the Powell pieces, linking past and present.</video:description>
<video:duration>7179</video:duration>
<video:publication_date>2026-02-24T09:38:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-26T10:54:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34D8</loc>
<video:video>
<video:title>Roberto De Simone: All is Fake</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e745538ef54a47332be940ae98c118b9f822083.jpg</video:thumbnail_loc>
<video:description>Former artistic director of the Teatro San Carlo, former director of the Conservatoire San Pietro a Majella, ethnomusicologist, mythologist, playwright, composer, director and reinventor of music theatre... Roberto De Simone, born in Naples in 1933, is an encyclopaedic personality, a phenomenon. Wil Boettger and René Pandis&apos;s &quot;All is Fake&quot; is a ritual journey into his spiritual topography, featuring the theatre and music ensemble Media Aetas. Various layers are intertwined, ranging from music theatre to the fantastic, magical and religious tangle of a traditional world that is dying out.</video:description>
<video:duration>3600</video:duration>
<video:publication_date>2025-07-07T12:13:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-26T09:45:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9M</loc>
<video:video>
<video:title>Branford Marsalis Quartet in the Philharmonie im Gasteig</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d10136125c96abed7dd59e1153fdc0ceaf4794fa.png</video:thumbnail_loc>
<video:description>Filmed at the Philharmonie im Gasteig in 1990, the Branford Marsalis Quartet appears here as one of the defining small groups of its era. With Kenny Kirkland on piano, Robert Hurst on bass and Jeff &quot;Tain&quot; Watts on drums, the band balances rhythmic edge with openness and swing. Marsalis originals such as &quot;Wolverine&quot; and &quot;Random Abstract&quot; sit alongside Kirkland’s &quot;Mr. J. C.&quot; and standards like &quot;Yesterdays&quot;. This is modern jazz played with focus, elasticity and the easy authority of a working band at full stretch.</video:description>
<video:duration>4180</video:duration>
<video:publication_date>2026-02-17T12:36:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T21:22:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30E8</loc>
<video:video>
<video:title>The Making of El Niño - The Nativity</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0b2f8f6ade7873223270c596b09cc015cfe1d55a.jpeg</video:thumbnail_loc>
<video:description>This documentary looks back at the making of John Adams’ El Niño, created on the eve of the new millennium and already recognised as one of the composer’s defining works. Drawing on the Paris world-premiere production, it brings together John Adams, Peter Sellars, Kent Nagano and Dawn Upshaw to reflect on a &quot;Nativity Oratorio&quot; that reimagined a familiar story through modern poetry, movement and film. Alongside rehearsal footage and performance excerpts, the film captures the atmosphere of experimentation and conviction that surrounded El Niño’s creation – and the sense of a new work finding its voice in real time.</video:description>
<video:duration>1686</video:duration>
<video:publication_date>2026-02-10T13:05:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T21:06:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPN</loc>
<video:video>
<video:title>Rolando Villazón directs Mozart&apos;s Die Zauberflöte</video:title>
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<video:description>There&apos;s always something special about experiencing Mozart in Salzburg; he might have been impatient to leave his home town, but nowhere has his legacy been cherished with more love – or imagination. A great name in the world of opera, Rolando Villazón, directs this production of Die Zauberflöte, performed in the week of Mozart&apos;s 270th birthday in the near-perfect surroundings of Salzburg&apos;s Haus für Mozart. Roberto González-Monjas conducts the Mozarteum Orchestra and Franz-Josef Selig (Sarastro) and Kathryn Lewek (The Queen of the Night) head a superb cast in this vibrant new staging of the world&apos;s most popular comic opera.</video:description>
<video:duration>9900</video:duration>
<video:publication_date>2026-01-29T09:07:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T11:05:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCC0</loc>
<video:video>
<video:title>Velvet Revolution Concert 2021 – with Jakub Hrůša and Lukáš Vondráček</video:title>
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<video:description>Conductor Jakub Hrůša and pianist Lukáš Vondráček are the guests for the Czech Philharmonic’s 2021 Velvet Revolution Concert. This concert opens with one of Rachmaninoff’s best-loved works, his sweepingly romantic and Piano Concerto No. 2, with Vondráček a virtuoso soloist. Leoš Janáček’s early folk music-inspired Suite for Orchestra from 1891 follows, while the programme concludes with Witold Lutosławski’s Concerto for Orchestra: a thrilling orchestral showpiece dating from the middle of the century which marked the climax of its composer’s engagement with the folk music traditions of his native Poland.</video:description>
<video:duration>5458</video:duration>
<video:publication_date>2024-02-21T12:00:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T17:17:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32E8</loc>
<video:video>
<video:title>Pärt: Fratres (Transc. Osokins)</video:title>
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<video:description></video:description>
<video:duration>706</video:duration>
<video:publication_date>2026-02-23T15:03:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T15:49:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34C0</loc>
<video:video>
<video:title>Thomas, Brocal: Reflection No. 1 (Paix - Shanti)</video:title>
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<video:description></video:description>
<video:duration>261</video:duration>
<video:publication_date>2026-02-24T09:45:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T15:49:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34C8</loc>
<video:video>
<video:title>Saint-Saëns: Le carnaval des animaux, R. 125 No. 13 The Swan</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2026-02-24T09:50:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T15:39:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30</loc>
<video:video>
<video:title>Zimmer &amp; Jackman: Up is Down (from &quot;Pirates of the Caribbean&quot;)</video:title>
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<video:description>Kian Soltani has always been a big fan of movies, now he takes this passion one step further and creates an unprecedented album with his own arrangements of great blockbuster hits. Epic soundscapes from Hans Zimmer&apos;s &apos;Pirates of the Caribbean&apos;, Howard Shores &apos;Lord of the Rings&apos; and other soundtracks. Cello Unlimited is precisely that – a collection of the most iconic movie soundtracks from the last 20 years, played on Kian’s cello and his cello only! All tracks are specially arranged for the cello and every voice is played by Kian himself.</video:description>
<video:duration>157</video:duration>
<video:publication_date>2022-09-22T11:40:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T14:39:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32E0</loc>
<video:video>
<video:title>Gounod: Ave Maria (Arr. C. Thomas)</video:title>
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<video:description></video:description>
<video:duration>177</video:duration>
<video:publication_date>2026-02-18T16:31:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:29:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32DO</loc>
<video:video>
<video:title>Chopin: Nocturne in C Minor, Andante sostenuto, B. 108 (Arr. C. Thomas)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/40bedc9fe690b78926c74ad9fb1577142695f6c0.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2026-02-18T15:22:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:29:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32DG</loc>
<video:video>
<video:title>Chopin: 24 Préludes, Op. 28: No. 4 in E Minor. Largo (Arr. Franchomme)</video:title>
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<video:description></video:description>
<video:duration>143</video:duration>
<video:publication_date>2026-02-18T14:08:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:29:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32D8</loc>
<video:video>
<video:title>Chopin: Piano Concerto No. 1 in E minor, Op. 11: II. Larghetto (excerpt)</video:title>
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<video:description></video:description>
<video:duration>373</video:duration>
<video:publication_date>2026-02-18T13:50:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:29:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32D0</loc>
<video:video>
<video:title>Chopin: Nocturne in B minor, No. 20 Op. posth. - Lento con gran espressione</video:title>
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<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2026-02-18T13:41:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:28:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32CO</loc>
<video:video>
<video:title>Chopin: Cello Sonata in G Minor, Op. 65: III. Largo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5aed642a2f0a6e777bd719afb3cfac34f48a2e4b.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>231</video:duration>
<video:publication_date>2026-02-18T13:36:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:28:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32CG</loc>
<video:video>
<video:title>Chopin: Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre (Arr. Franchomme)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/409aaa25195bd566531dc8abbe82a35ab9e14de3.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>393</video:duration>
<video:publication_date>2026-02-18T13:26:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:28:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32C8</loc>
<video:video>
<video:title>La Bohème</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bc500137238ae80252697d1e6f7b247bf1320708.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>136</video:duration>
<video:publication_date>2026-02-18T13:19:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-24T09:28:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1M</loc>
<video:video>
<video:title>Seong-Jin Cho &amp; Gianandrea Noseda: Chopin, Borodin &amp; Stravinsky</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/96689e1f0db1a55fb90c33418f0e9ca2f2faa461.jpeg</video:thumbnail_loc>
<video:description>Korean pianist Seong-Jin Cho and the music of Frederic Chopin – could there be a more instinctive pairing? Well, Cho has developed a special rapport with the London Symphony Orchestra, and his previous performances with the LSO&apos;s principal guest conductor Gianandrea Noseda have been received with little short of rapture. Tonight, they rekindle the flame in Chopin&apos;s impassioned Second Concerto; the luminous centrepiece of a concert that opens with Stravinsky&apos;s colourful tribute to Tchaikovsky and ends with the high romance and epic adventure of Borodin&apos;s Second Symphony – music close to the heart of the St Petersburg-trained Noseda.</video:description>
<video:duration>5526</video:duration>
<video:publication_date>2026-02-19T11:17:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-20T09:10:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9L</loc>
<video:video>
<video:title>Betty Carter and her Trio in the Philharmonie im Gasteig</video:title>
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<video:description>Filmed at the Philharmonie im Gasteig in 1992, this set finds Betty Carter in her element: reshaping familiar songs in real time and turning every standard into a fresh conversation. With Cyrus Chestnut, Jon Roland Ariel and Clarence Penn listening as closely as they play, tempos stretch, phrases bend and melodies open up in unexpected ways. From &quot;Autumn Leaves&quot; and &quot;Ev’ry Time We Say Goodbye&quot; to Carter’s own &quot;Open the Door&quot; and &quot;Tight&quot;, nothing is taken at face value. This is jazz as living dialogue — daring, playful and utterly committed to the moment.</video:description>
<video:duration>6229</video:duration>
<video:publication_date>2026-02-17T08:58:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-19T13:50:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32C0</loc>
<video:video>
<video:title>Great Arias – La forza del destino: &quot;Morir! Tremenda cosa&quot; &amp; &quot;Urna fatale del mio destino&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/39a2c7ecd8c399d0bcce653dbc9cc6b7554231ff.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>586</video:duration>
<video:publication_date>2026-02-18T13:13:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-19T13:11:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30D8</loc>
<video:video>
<video:title>Premieres Revisited: Haydn Symphonies &quot;Le matin&quot;, &quot;Le midi&quot;, &quot;Le soir&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ea95aa22e46413c3469551a99959ec6de314a044.png</video:thumbnail_loc>
<video:description>Morning, midday, evening: three times of day, and three early symphonies with which Joseph Haydn is thought to have introduced himself at the Esterházy court in 1761. More than 250 years later, Giovanni Antonini and Il Giardino Armonico return to the site of that debut, performing the works in the Haydn Hall of Esterházy Palace in Eisenstadt. Alongside the performances, the film weaves in anecdotes and historical detail, from Haydn’s working life at court to some of the stranger episodes in his posthumous fame, creating a vivid portrait of Haydn in his early Esterházy years and of the place that shaped him.</video:description>
<video:duration>3422</video:duration>
<video:publication_date>2026-02-05T14:34:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2026-02-19T10:35:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34DO</loc>
<video:video>
<video:title>Peltokoski conducts Wagner: The Ring – An orchestral adventure</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/677acd5baba1939729866d5b2b6599249be7bc17.png</video:thumbnail_loc>
<video:description>Tarmo Peltokoski is at the helm of the Hong Kong Philharmonic for this concert featuring Henk de Vlieger&apos;s &quot;Orchestral Adventure&quot; drawing together highlights of Wagner’s monumental Ring: a superb distillation of some of the most exciting, moving and thrilling music ever written, presented in concentrated orchestral form.</video:description>
<video:duration>4508</video:duration>
<video:publication_date>2025-06-30T15:31:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-18T11:12:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GC8</loc>
<video:video>
<video:title>Yunchan Lim in Seoul: Mendelssohn, Tchaikovsky &amp; Mussorgsky</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4248e057ee65d2feff3fbd9512b30b9dae31f98c.jpg</video:thumbnail_loc>
<video:description>When Yunchan Lim came home to Seoul for this recital from the Seoul Arts Center – filmed in June 2024 – he was given a rockstar reception. The young pianist, who shot to fame after his breathtaking triumph at the Van Cliburn Competition in 2022, has quickly established himself as one of the most exciting talents in classical music, and his performance here immediately demonstrates why. He brings his characteristic mixture of musicality, stunning technique and inspirational interpretation to the music of three very different composers from the Romantic era: two favourite Songs without Words by Mendelssohn, followed by two masterpieces of descriptive music, Tchaikovsky’s The Seasons and Mussorgsky’s Pictures at an Exhibition.</video:description>
<video:duration>5792</video:duration>
<video:publication_date>2024-11-17T07:44:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-17T10:04:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3EC8</loc>
<video:video>
<video:title>György Kurtág: The Matchstick Man</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7fa3770d760eceeb9d7550818555f7c7c95f47e8.jpg</video:thumbnail_loc>
<video:description>&quot;The structures stripped bare hold up the empty air&quot;. György Kurtág is more than one of the most powerful creative voices in modern Europe. He created a new way of listening; forging a musical language in which silence can be as meaningful as sound and even the smallest gesture opens up new worlds. This award-winning 1996 documentary offers an unrivalled, often profoundly moving glimpse into his creative imagination, including interviews with the composer as well as rare performance and rehearsal footage plus contributions from György Ligeti, Claudio Abbado, pianist Zoltán Kocsis and the composer’s late wife (and artistic collaborator) Márta.</video:description>
<video:duration>3375</video:duration>
<video:publication_date>2024-09-11T15:35:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-17T01:16:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCD8</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE: Brahms Symphonies Nos. 3 &amp; 4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/074fa6e81a08bf687870042da308acada5b8faa4.jpg</video:thumbnail_loc>
<video:description>From the Festspielhaus in Baden-Baden, Yannick Nézet-Séguin and the Chamber Orchestra of Europe continue their Brahms cycle, started in 2022, with performances of the third and fourth symphonies: the one lyrical and intimate, the other grandly conceived and impassioned. The performances are likely to continue to bring a fresh, direct perspective on these central works in the repertoire, replacing – as one critic observed in 2022 – &quot;dark, heavy, Germanic sound [with] transparency, bright colours and clearly articulated phrasing&quot;.</video:description>
<video:duration>4987</video:duration>
<video:publication_date>2024-01-04T15:25:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T10:06:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3E</loc>
<video:video>
<video:title>Musical Moment: Kian Soltani &amp; Aaron Pilsan</video:title>
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<video:description>A well-rehearsed team, cellist Kian Soltani and pianist Aaron Pilsan give a wide-ranging recital featuring music from Schubert and Dvořák to Shostakovich and Piazzolla in Berlin&apos;s Meistersaal. The focus lies on Shostakovich&apos;s iconic Cello Sonata and Piazzolla&apos;s Le grand tango. Written in his young, carefree years when he was in love, Shostakovich harboured, at most, a faint premonition of more ominous times to come in his sonata, reflected for Soltani in the three contrasting movements. The duo bring their concert to a brilliant close with Piazzolla&apos;s Le grand tango, which the so-called king of tango once composed for the legendary cellist Rostropovich.</video:description>
<video:duration>3301</video:duration>
<video:publication_date>2022-06-14T14:29:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T10:03:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6DO</loc>
<video:video>
<video:title>Nézet-Séguin conducts Wagner: Die Walküre &amp; Pélleas et Mélisande</video:title>
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<video:description>In this concert from the Festival of Lanaudière Yannick Nézet-Séguin and the Orchestre Métropolitain perform excerpts from two of the most important operas in the repertory: the one marking the height of Romanticism, the other hailing the birth of modernism. First comes Erich Leinsdorf&apos;s suite of music from Debussy&apos;s only opera, Pélleas et Mélisande, before orchestra and conductor are joined by a line-up of superb Wagnerians for the first act of Die Walküre. The second installment of Wagner&apos;s vast Ring cycle, Die Walküre introduces the human characters of the drama, and Act One sees the two long-lost Wälsung twins, Siegmund and Sieglinde, gradually reunited to the strains of some of the most thrilling and passionate music in all opera.</video:description>
<video:duration>6639</video:duration>
<video:publication_date>2024-01-10T13:34:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T09:52:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1J</loc>
<video:video>
<video:title>Anne-Sophie Mutter plays Saint-Saëns &amp; John Williams</video:title>
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<video:description>In a long-standing open-air concert series at Odeonsplatz, here the Munich Philharmonic is led by conductor Lahav Shani. A varied programme ranges from Stravinsky’s rhythmic drive to Dukas’s sparkling wizardry and Weber’s lyrical grace. Violinist Anne-Sophie Mutter brings star power to Saint-Saëns’s virtuosic Introduction et Rondo capriccioso, alongside a hand-picked selection from her friend and collaborator John Williams.</video:description>
<video:duration>4780</video:duration>
<video:publication_date>2025-08-14T12:18:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T08:27:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJACG</loc>
<video:video>
<video:title>Yuja Wang plays Rachmaninoff&apos;s Piano Concerto No. 2</video:title>
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<video:description>Yuja Wang is the scintillating soloist in this open-air concert from Munich&apos;s Odeonsplatz, for which she joins the Munich Philharmonic and young star conductor Lorenzo Viotti in one her signature pieces: Rachmaninoff&apos;s Second Piano Concerto. With its memorable melodies and surging emotions, the work marked a breakthrough in Rachmaninoff&apos;s composing career after the failure of his Symphony No. 1 and is the ideal showcase for the pianist&apos;s brilliant technique and lyrical touch. The programme, which continues in popular vein, is completed by orchestral favourites by Rimsky-Korsakov, Chabrier and Ravel – plus two encores.</video:description>
<video:duration>5250</video:duration>
<video:publication_date>2023-03-30T15:18:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T08:27:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CDG</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Franz Welser-Möst: Brahms&apos;s Piano Concerto No. 1</video:title>
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<video:description>From Mandel Concert Hall in Cleveland, Daniil Trifonov joins Franz Welser-Möst and the Cleveland Orchestra for Brahms&apos;s fiery and impassioned First Piano Concerto. Symphonic in scale and demanding technical virtuosity, poetic sensibility and sheer stamina from the soloist in equal measure, the concerto was Brahms&apos;s first orchestral work to be heard in public when the composer himself premiered it in 1859.</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2024-01-24T10:20:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T08:27:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1J</loc>
<video:video>
<video:title>Joana Mallwitz conducts Strauss: Der Rosenkavalier – with Diana Damrau</video:title>
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<video:description>Filmed at Opernhaus Zürich, Joana Mallwitz conducts a highly anticipated new staging of Richard Strauss and Hugo von Hofmannsthal&apos;s bittersweet – and deeply moving – comedy Der Rosenkavalier. Lydia Steier, celebrated for her intelligent, questing productions, directs a superb cast. Diana Damrau (appearing by courtesy of Warner Classics) sings the Marschallin, who ultimately learns to renounce her own feelings to let the budding romance between Sophie (Emily Pogorelc) and Octavian (Angela Brower) take its course – once, that is, the boisterous, arrogant Baron Ochs (Günther Groissböck) has been taught a lesson.</video:description>
<video:duration>12173</video:duration>
<video:publication_date>2025-10-24T20:33:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-14T16:34:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32</loc>
<video:video>
<video:title>Anna – Stage of Emotions</video:title>
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<video:description>Anna – Stage of Emotions is part documentary, part abstract and visually stunning response to some of the powerful themes that define opera music: from love and hope to death and despair. It captures Anna Netrebko’s portrayals of five operatic heroines – Aida, Lisa, Dido, Cio-Cio San and Isolde – all of whom are brought to life individually thanks to the director’s unique visual language and style. Interwoven with the five music videos shot largely in the majestic setting of La Scala’s famous auditorium is an insightful interview with Anna Netrebko, discussing both the roles and her own life.</video:description>
<video:duration>2055</video:duration>
<video:publication_date>2022-06-29T09:19:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T15:08:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJE</loc>
<video:video>
<video:title>Trifonov &amp; Babayan play Schumann &amp; Bach</video:title>
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<video:description>Daniil Trifonov and his teacher Sergei Babayan shine at the 2019 Verbier Festival with their shared virtuosity and a special depth of mutual musical understanding. In Schumann&apos;s Andante and Variations for two pianos, they capture every nuance of the music&apos;s mercurial mood changes. The pianists are then accompanied by the Verbier Festival Chamber Orchestra under Gábor Takács-Nagy in Bach&apos;s C Minor Concerto for Two Pianos.</video:description>
<video:duration>2051</video:duration>
<video:publication_date>2022-05-18T09:05:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T14:52:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34</loc>
<video:video>
<video:title>Daniil Trifonov performs 20th-century piano works</video:title>
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<video:description>Daniil Trifonov is &quot;without doubt, the most amazing pianist of our time&quot;, according to The Times (London). But perhaps the finest compliment Trifonov received was from Martha Argerich, who said he has &quot;everything and more.&quot; At the 2019 Verbier Festival, the Grammy Award-winning musician devotes himself to solo piano works from the 20th century. Trifonov brings his blistering technique and rigorous musical intellect to music by Alban Berg, Béla Bartók, Olivier Messiaen and John Corigliano. The musical journey begins with the Second Viennese School and Berg&apos;s Piano Sonata No. 1 and spans the century to Corigliano&apos;s Fantasia on an Ostinato for Solo Piano from 1985, with its echoes of Beethoven&apos;s Seventh Symphony.</video:description>
<video:duration>3444</video:duration>
<video:publication_date>2022-05-11T09:26:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T14:51:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0CG</loc>
<video:video>
<video:title>Sounds and Silence – Travels with Manfred Eicher</video:title>
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<video:description>Winner of the Berner Film Prize 2009 and nominated for the Swiss Film Prize,“Sounds and Silence” is a musical road movie about the passionate career of a man obsessed with music. On the way through a world of sounds and noise – with Manfred Eicher, the oustanding discoverer and mediator of contemporary music and founder of the music label ECM. On this journey we meet musicians and composers, but also people and places which are connected with him and with each other. We encounter stories, landscapes, cities, disputes and hugs, tranquillity, hectic pace, work, self-doubt, joy, passion. This is a sensual, impressive, meditative film that accomplishes the extraordinary: to catch the magic of music.</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2024-11-11T15:17:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T09:07:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30DO</loc>
<video:video>
<video:title>Bernstein: Serenade After Plato&apos;s &quot;Symposium&quot;: III. Erixymachus. Presto</video:title>
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<video:description></video:description>
<video:duration>100</video:duration>
<video:publication_date>2026-02-05T15:09:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T13:30:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9G</loc>
<video:video>
<video:title>Evelyn Glennie In Concert</video:title>
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<video:description>Evelyn Glennie has always expanded the idea of what a solo percussion recital can be, and this 1991 concert from the Philharmonie im Gasteig offers a vivid snapshot of her early impact. Joined by pianist Philip Smith, she presents a programme that ranges across contemporary repertoire, from the ritual intensity of Rzewski’s &apos;To the Earth&apos; to the poised lyricism of Keiko Abe’s &apos;Michi&apos; and the dramatic sweep of John McLeod’s &apos;The Song of Dionysius&apos;. Rosauro’s Concerto for Marimba brings the evening to a broader, more extrovert close. Throughout, Glennie treats the percussionist’s arsenal not as effect, but as a vehicle for colour, rhythm and musical argument, reshaping expectations of the instrument.</video:description>
<video:duration>3902</video:duration>
<video:publication_date>2026-02-03T16:08:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:33:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0C0</loc>
<video:video>
<video:title>Nagano conducts Adams: El Niño</video:title>
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<video:description>“Shake the heavens….” On the brink of the 21st century, John Adams and Peter Sellars reimagined the birth of Christ, weaving sacred texts around modern Hispanic poetry and charging them with the energy and directness of contemporary dance and film. The result was El Niño, a “Nativity Oratorio” that quickly established itself as one of most talked-about (and moving) artworks of the new Millennium. This film documents the actual moment of its creation: the historic world-premiere production in Paris, with the creators’ choice of performers (including the late, and unforgettable, Lorraine Hunt Lieberson). An unmissable record of the birth of a masterpiece.</video:description>
<video:duration>7111</video:duration>
<video:publication_date>2024-08-08T11:57:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:17:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9H</loc>
<video:video>
<video:title>The Gonzalo Rubalcaba Quartet in the Philharmonie im Gasteig</video:title>
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<video:description>Filmed at the Philharmonie im Gasteig in 1991, this set captures Gonzalo Rubalcaba at a moment when his reputation as one of jazz’s most original pianists was rapidly taking hold. Leading his quartet, Rubalcaba moves with ease between Afro-Cuban roots, modern jazz language and the wider songbook, blending rhythmic drive with a striking sense of colour. His own pieces sit alongside a reimagined &quot;Bésame Mucho&quot;, Charlie Parker’s &quot;Moose the Mooch&quot; and Jerome Kern’s &quot;Smoke Gets in Your Eyes&quot;, all shaped by the elastic interplay of Reinaldo Melian, Felipe Cabrera and Julio Barretto.</video:description>
<video:duration>4235</video:duration>
<video:publication_date>2026-02-05T15:39:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:13:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9J</loc>
<video:video>
<video:title>Herbie Hancock–Wayne Shorter Quartet at the Philharmonie im Gasteig</video:title>
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<video:description>Filmed at the Philharmonie im Gasteig in 1991, this set brings together four musicians whose shared history helped shape modern jazz. Wayne Shorter and Herbie Hancock lead the quartet through music that moves effortlessly between lyric introspection and open, exploratory swing, with Stanley Clarke and Omar Hakim providing a rhythm section of rare flexibility. The repertoire ranges from Mingus’s elegiac &quot;Goodbye Pork Pie Hat&quot; and Monk’s nocturnal &quot;&apos;Round Midnight&quot; to Shorter and Hancock classics such as &quot;Virgo Rising&quot;, &quot;The Sorcerer&quot; and &quot;Maiden Voyage&quot;. Relaxed, alert and deeply conversational, it’s a meeting of master improvisers playing with the ease that comes from long familiarity and shared imagination.</video:description>
<video:duration>4263</video:duration>
<video:publication_date>2026-02-10T08:58:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:11:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9I</loc>
<video:video>
<video:title>Andreas Fröhlich plays Bach-Busoni &amp; Brahms</video:title>
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<video:description>Filmed at the Philharmonie im Gasteig in 1992, Andreas Fröhlich performs music that brings together architectural scale and inward reflection. Busoni’s piano transcription of Bach’s Chaconne transforms the famous violin movement into a vast, symphonic canvas, before Fröhlich turns to three of Brahms’s early Ballades from Op. 10, works shaped by narrative impulse and concentrated lyricism. Heard here early in his career, the German pianist appears in repertoire that reflects a long-standing engagement with the great works of the Austro-German tradition.</video:description>
<video:duration>2121</video:duration>
<video:publication_date>2026-02-10T08:33:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:05:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6D8</loc>
<video:video>
<video:title>Katia &amp; Marielle Labèque and Fabien Gabel in Poulenc and Strauss</video:title>
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<video:description>The Grafenegg Festival opens with a striking programme pairing Poulenc’s vibrant Concerto for Two Pianos with Strauss’s monumental Alpensinfonie. Conducted by Fabien Gabel, the Tonkünstler-Orchester Niederösterreich is joined by the renowned piano duo Katia &amp; Marielle Labèque. The concert also features the European premiere of Ravel’s rediscovered Prélude et Danse from Sémiramis, unveiled in New York in March 2025 to mark the composer’s 150th anniversary. Strauss’s Alpine Symphony, a grand depiction of mountain climbing and man’s bond with nature, promises a powerful and emotional close on the open-air Wolkenturm stage.</video:description>
<video:duration>5178</video:duration>
<video:publication_date>2025-08-20T08:27:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T09:07:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHJ</loc>
<video:video>
<video:title>Lully: Atys</video:title>
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<video:description>“Atys is slaying the one he loves!” Lully’s mythological opera Atys is an allegory, designed to celebrate the splendours of Louis XIV’s court, but at its heart is a story of doomed love and a hero cursed by the gods. When baroque specialist William Christie and director Jean-Marie Villégier created their staging of Atys in 1987, the results caused a sensation – a near-perfect blend of historic spectacle and heartfelt period performance that revolutionised Lully’s modern reputation. This Paris performance from 2011 revives that ground-breaking production in all its beauty and emotion; as miraculous to hear as it is to see.</video:description>
<video:duration>11738</video:duration>
<video:publication_date>2025-10-08T12:01:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-11T21:45:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30CG</loc>
<video:video>
<video:title>On Mahler&apos;s Adagietto from Symphony No. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/936ec5d6119df47a8ff3ac4ff7c61ff0bdd9c25f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2026-01-29T11:20:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-11T09:28:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30DG</loc>
<video:video>
<video:title>The Story of the Nightingale - Respighi: Pini di Roma</video:title>
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<video:publication_date>2026-02-05T14:54:09Z</video:publication_date>
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<lastmod>2026-02-11T09:28:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9H</loc>
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<video:title>Aristo Sham in Seoul: Bach, Busoni &amp; Brahms</video:title>
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<video:description>Filmed live at Seoul Arts Center, pianist Aristo Sham, Gold Medallist of the 2025 Van Cliburn International Piano Competition, presents a programme exploring musical connections across the centuries. Busoni’s transcriptions of Bach, Brahms and Chopin open the recital, showing how a 20th-century modernist reshaped the classics. The second half turns to Brahms himself — from the private world of the Klavierstücke to the youthful sweep of the Sonata No. 1 in C major. A panoramic programme that showcases the virtuosity and artistry of a pianist on the cusp of a major career.</video:description>
<video:duration>5643</video:duration>
<video:publication_date>2025-11-26T15:32:49Z</video:publication_date>
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<lastmod>2026-02-11T08:26:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1L</loc>
<video:video>
<video:title>Iván Fischer conducts Mozart&apos;s Don Giovanni – starring André Schuen</video:title>
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<video:description>Take Mozart&apos;s darkest opera, add the artistry of Iván Fischer and the Budapest Festival Orchestra and bring them all together in the breathtaking surroundings of Palladio&apos;s Teatro Olimpico in Vicenza. Those were the basic ingredients for this production of Don Giovanni at the 2025 Vicenza Opera Festival, but it&apos;s safe to say that the reality exceeded expectation. After a lifetime&apos;s engagement with Mozart, Iván Fischer has developed a very personal approach to stage direction; and with a cast that includes André Schuen in the title role and Maria Bengtsson as Donna Anna this is in every sense a landmark staging.</video:description>
<video:duration>10518</video:duration>
<video:publication_date>2026-02-02T07:17:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-02-10T14:06:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJAE8</loc>
<video:video>
<video:title>Welser-Möst conducts Rossini: Il Turco in Italia- with Cecilia Bartoli</video:title>
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<video:description>A romantic poet, a gypsy girl, a spirited young wife and an Ottoman pasha: throw them together under the blue skies of Naples and the result is an opera buffa that&apos;s precisely as fizzy and as farcical as you&apos;d imagine from Rossini at the absolute top of his game. Il Turco in Italia is exuberant (and distinctly spicy) fun in the sun and Cesare Lievi&apos;s delightful, candy-coloured 2002 staging from the Zurich Opera House has a cast to die for: with Cecilia Bartoli, no less, as the capricious Fiorilla and the veteran Ruggiero Raimondi exuding charisma and warmth as the Turk Selim.</video:description>
<video:duration>8067</video:duration>
<video:publication_date>2024-10-30T11:14:25Z</video:publication_date>
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<lastmod>2026-02-09T16:27:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPI</loc>
<video:video>
<video:title>The Aris Quartet plays Beethoven&apos;s &quot;Razumovsky&quot; Quartets</video:title>
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<video:description>Filmed in Vienna&apos;s Razumovsky Palace — the very rooms where Beethoven’s Op. 59 quartets were first imagined for their patron Count Razumovsky — the Aris Quartet performs all three &quot;Razumovsky&quot; Quartets in a setting rich with historical resonance. Written in 1806, these works broke new ground in scale, emotional range and structural ambition, marking a pivotal moment in Beethoven’s middle period. The award-winning Aris Quartet not only performs these groundbreaking works, but discusses what it is that makes them so pivotal to the history of an entire genre.</video:description>
<video:duration>7346</video:duration>
<video:publication_date>2026-02-09T07:46:18Z</video:publication_date>
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<lastmod>2026-02-09T10:45:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2E8</loc>
<video:video>
<video:title>Pretty Yende &amp; Nadine Sierra in Concert</video:title>
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<video:description>Pretty Yende and Nadine Sierra, two of the brightest stars in the operatic firmament, join Les Frivolités Parisiennes and conductor Giacomo Sagripanti for a varied programme of arias and duets celebrating and reflecting on the joys and challenges of life. The concert, filmed live at the Philharmonie de Paris in March 2023, features composers ranging from Rossini to Bernstein and encompasses both audience favourites and repertoire rarities.</video:description>
<video:duration>6566</video:duration>
<video:publication_date>2023-05-04T07:49:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-09T08:08:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCD8</loc>
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<video:title>Nadine Sierra &amp; Bryn Terfel star in Donizetti&apos;s L&apos;elisir d&apos;amore</video:title>
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<video:description>Nadine Sierra and Bryn Terfel lead the cast in Laurent Pelly’s sunny production of Donizetti’s most popular comedy, L’elisir d’amore, from the Royal Opera House in London. Sierra shines as the feisty Adina, the object of the naive Nemorino’s (Liparit Avetisyan) affection, while Terfel brings his unparalleled charisma and comic timing to the role of Dulcamara, the quack doctor who offers a solution that’s not quite what it seems – with unexpected results. With Sesto Quatrini conducting a Royal Opera Orchestra on sparkling form, this operatic favourite has rarely been so irresistible.</video:description>
<video:duration>8376</video:duration>
<video:publication_date>2024-05-13T12:48:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-02-09T08:08:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9J</loc>
<video:video>
<video:title>Barrie Kosky directs Mozart: Le nozze di Figaro</video:title>
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<video:description>In the second instalment of his Mozart/Da Ponte cycle for the Wiener Staatsoper, director Barrie Kosky brings the Almaviva household to life with characteristic panache. The opera&apos;s romance and intrigue play out in a colourful world of Rococo architecture and 1970s costumes, while Philippe Jordan conducts a musical performance that the Wiener Zeitung praised as &quot;an ideal mixture of elegant lyricism and concentrated expression&quot;. Not even an offstage crisis could deter this production&apos;s dynamic young cast: as captured here, the all-important role of Susanna is shared virtuosically here between Ying Fang (acting on stage) and Maria Nazarova (singing from the pit) after Fang suffered a vocal cord haemorrhage shortly before the performance.</video:description>
<video:duration>11038</video:duration>
<video:publication_date>2025-09-08T14:39:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-09T08:07:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1O</loc>
<video:video>
<video:title>Giordano: Fedora – starring Jonathan Tetelman &amp; Vida Miknevičiūtė</video:title>
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<video:description>Jonathan Tetelman and Vida Miknevičiūtė lead the cast in the Deutsche Oper&apos;s highly anticipated new production of Giordano&apos;s Fedora – a verismo gem that mixes elements of international espionage and intrigue with grand romance, all set to music of irresistible melodic power. Continuing his series of acclaimed stagings of early 20th-century Italian operas at Deutsche Oper, Christof Loy promises to bring a characteristic mixture of intelligence and style to Giordano&apos;s work, while the world-class cast – conducted by John Fiore – guarantees a feast for lovers of great singing. A gripping operatic treat for aficionados and newcomers alike.</video:description>
<video:duration>6770</video:duration>
<video:publication_date>2025-12-05T12:30:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-06T08:29:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ICG</loc>
<video:video>
<video:title>Yunchan Lim plays Bach&apos;s Goldberg Variations</video:title>
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<video:description>A year after his debut at New York&apos;s storied Carnegie Hall, Korean piano sensation Yunchan Lim returns to present one of the greatest masterpieces of keyboard music, Bach&apos;s astonishing Goldberg Variations. The work&apos;s beautiful aria – providing an oasis of calm at both the start and conclusion of the work – forms the basis for 30 variations that showcase Bach&apos;s dazzling compositional imagination. From the performer, they demand nothing less than technical perfection, combined with the musical intelligence and instincts to bring the music dancing off the page. And the prospect of hearing this young pianist bringing his breathtaking talents to the work marked this out as one of the truly unmissable concerts of the 2024-25 season.</video:description>
<video:duration>5195</video:duration>
<video:publication_date>2026-02-02T10:51:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-05T14:03:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJICO</loc>
<video:video>
<video:title>On Čiurlionis</video:title>
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<video:description></video:description>
<video:duration>960</video:duration>
<video:publication_date>2025-05-04T13:33:55Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T13:28:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ECG</loc>
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<video:title>Mirga Gražinytė-Tyla conducts Bruckner, Gražinis and Lili Boulanger</video:title>
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<video:description>The grandeur of Anton Bruckner meets a blaze of passion from a neglected French genius, and a soaring hymn of praise encounters the untamed spirit of Lithuanian folksong. This is a gloriously unexpected programme; but then, Mirga Gražinytė-Tyla is a conductor who thinks beyond the conventions, never happier than when bringing powerful musical personalities together and watching them strike sparks off each other. Now, for one night in Paris, Lili Boulanger’s stirring psalm-setting and Bruckner’s mighty Sixth Symphony frame powerful choral statements by Bruckner and Romualdas Gražinis. An evening of adventure and exaltation from the Chorus and Philharmonic Orchestra of Radio France.</video:description>
<video:duration>4912</video:duration>
<video:publication_date>2024-12-16T14:52:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T13:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1G</loc>
<video:video>
<video:title>Il Giardino Armonico: French Baroque</video:title>
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<video:description>Fabulous visions, exotic fantasies and music that acknowledges no boundaries but the human imagination. The world of the French Baroque was wilder and more wonderful than the history books tell us, so who better to bring it to life than Il Giardino Armonico and its irrepressible director Giovanni Antonini – a team of musicians devoted to bringing 17th- and 18th-century music back to dazzling life? Music by Visée, Marais, Telemann, Couperin and more inspires this gorgeous audio-visual spectacle, which uses costume, camerawork and specially choreographed dance to recreate the musical world of Versailles in all its elegance and splendour.</video:description>
<video:duration>3583</video:duration>
<video:publication_date>2025-09-23T12:19:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T13:10:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30CO</loc>
<video:video>
<video:title>Great Arias – La forza del destino: &quot;La vita è inferno&quot;</video:title>
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<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-02-05T10:13:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T11:07:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30C8</loc>
<video:video>
<video:title>Great Arias – Eugene Onegin: &quot;You wrote to me&quot; &amp; &quot;Can this be the same Tatyana?&quot;</video:title>
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<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2026-01-29T11:10:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T11:06:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1M</loc>
<video:video>
<video:title>Verdi: Aida</video:title>
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<video:description>Verdi’s Aida is presented at the Royal Opera House in Robert Carsen’s modern staging, which places the opera’s private conflicts within a stark, contemporary visual world. Power, ritual and control form the backdrop to a drama driven by divided loyalties and impossible choices. Elena Stikhina sings the title role, alongside Francesco Meli as Radamès and Agnieszka Rehlis as Amneris, with Antonio Pappano conducting the Orchestra and Chorus of the Royal Opera House. Discover an Aida that grips through atmosphere and intensity, allowing Verdi’s drama to feel newly alive.</video:description>
<video:duration>9445</video:duration>
<video:publication_date>2026-01-19T11:28:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T10:36:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30C0</loc>
<video:video>
<video:title>Mahler: Adagietto from Symphony No. 5 (Arr. Iain Farrington)</video:title>
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<video:description></video:description>
<video:duration>560</video:duration>
<video:publication_date>2026-01-22T14:45:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T14:00:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0C8</loc>
<video:video>
<video:title>Kurtág in Jerusalem</video:title>
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<video:description>This remarkable film made in 1996 follows one of the world’s greatest living composers, György Kurtág, as he travels to Jerusalem share his wisdom in a series of masterclasses with young musicians at the Jerusalem Music Centre. A dedicated teacher, Kurtág helps the students get to the heart of his works, with an emphasis less on instrumental technique than on meticulous interpretation. The masterclass is followed by a concert given by the students, demonstrating the effect of Kurtág’s guidance. A fascinating insight into the composer, his work, and how he inspires musicians of the next generation.</video:description>
<video:duration>3047</video:duration>
<video:publication_date>2024-11-11T15:07:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T12:05:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJED0</loc>
<video:video>
<video:title>Márta and György Kurtág in Concert</video:title>
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<video:description>When Márta and György Kurtág visited the Jerusalem Music Centre in 1996, it was to pass on their wisdom in multiple ways. On the first day, György worked with young musicians in masterclasses on his works. On the second, he and Márta offered a masterclass of their own in a very special concert featuring excerpts from the composer’s Játékok and a selection of his hauntingly beautiful Bach arrangements for four hands.</video:description>
<video:duration>2994</video:duration>
<video:publication_date>2024-11-11T09:49:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T12:03:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJIE0</loc>
<video:video>
<video:title>Wild Renaissance</video:title>
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<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2026-01-16T13:29:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T10:22:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPM</loc>
<video:video>
<video:title>New Year&apos;s Concert from Venice – with Jonathan Tetelman</video:title>
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<video:description>Streaming live from Venice&apos;s Teatro La Fenice, this New Year’s Concert unites tenor Jonathan Tetelman and soprano Rosa Feola with Michele Mariotti at the helm of the theatre’s chorus and orchestra. The evening draws on the heart of the Italian operatic tradition, weaving together overtures, orchestral interludes, choral scenes and signature arias from Rossini, Bellini, Verdi, Puccini and others. It’s a spirited start to the year from one of Italy’s most storied stages, brought to life by artists with a close affinity for this music.</video:description>
<video:duration>6707</video:duration>
<video:publication_date>2026-01-02T23:41:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">RS FR AT LU MC LI BE CH IT</video:restriction>
</video:video>
<lastmod>2026-02-04T09:18:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHM</loc>
<video:video>
<video:title>Jakub Hrůša conducts Brahms – with Renaud Capuçon &amp; Julia Hagen</video:title>
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<video:description>Jakub Hrůša and the Bamberg Symphony are guests at the Rheingau Music Festival for a programme comprising Brahms&apos;s two final orchestra masterpieces: the grandly impassioned Symphony No. 4 and the Double Concerto, composed as a peace offering for Brahms&apos;s estranged friend Joseph Joachim. And Joachim was indeed the violin soloist – with Brahms conducting – in the work&apos;s first performances in 1887. Here the soloists in this remarkable work are violinist Renaud Capuçon and cellist Julia Hagen, while Hrůša and his orchestra have a chance to shine in the symphony – a work, completed two years earlier, in which Brahms marries lyricism and drama to shattering effect, not least into the powerful passacaglia finale.</video:description>
<video:duration>5453</video:duration>
<video:publication_date>2025-07-21T04:52:58Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-28T09:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJGE0</loc>
<video:video>
<video:title>Pollini plays Mozart: Piano Concertos Nos. 19 &amp; 23</video:title>
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<video:description>Maurizio Pollini recorded many times with the Wiener Philharmoniker and veteran conductor Karl Böhm. Their shared discography includes concertos by Mozart, Beethoven and Brahms. In this performance, filmed in the Golden Hall of Vienna&apos;s Musikverein in the spring of 1976, they present together two of favourite piano concertos by Mozart: No. 19 in F Major, K. 459, one of the six concertos the composer produced in 1784 for his own series of subscription concerts and a work full of wit, innovation and brilliance; and Piano Concerto No. 23 in A Major, K. 488, completed two months before the premiere of Le nozze di Figaro.</video:description>
<video:duration>3563</video:duration>
<video:publication_date>2022-10-13T15:22:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-01-27T09:37:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1O</loc>
<video:video>
<video:title>Horst Stein and the Staatskapelle Dresden play Mozart</video:title>
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<video:description>This 1991 concert from the Mozarteum places the Sächsische Staatskapelle Dresden under Horst Stein at the centre of a wide-ranging Mozart programme spanning symphonic, concertante and vocal works. Kurt Nikkanen is the soloist in the Violin Concerto No. 3, one of Mozart’s most graceful early concertos, while Ruth Ziesak appears in two concert arias that show the composer’s gift for vivid dramatic characterisation on a miniature scale. Framing the programme are two symphonies from different stages of Mozart’s development: the youthful Symphony No. 20 and the expansive ‘Linz’ Symphony, written at remarkable speed yet full of confidence and invention. A varied portrait of Mozart, shaped by musicians deeply at home in his idiom.</video:description>
<video:duration>6373</video:duration>
<video:publication_date>2026-01-22T10:43:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T10:10:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D8</loc>
<video:video>
<video:title>András Schiff plays and conducts Mozart Masterpieces</video:title>
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<video:description>For András Schiff, Mozart&apos;s Piano Concertos are &quot;operas without a stage and without singers.&quot; So the idea of interweaving the two genres is obvious, as Schiff does in this performance with his Capella Barca in Vicenza, founded in 1999. Mozart&apos;s 20th Piano Concerto follows the Don Giovanni Overture without interruption. Both works, like Bach&apos;s chromatic Fantasy and Fugue, also on the programme, are in D minor – a key that, for the composer, always symbolises somber thoughts and premonitions of death. Schiff, one of the great native musical speakers of the Austro-German-Hungarian repertoire, also appears in this recording in conversation and as conductor of Mozart&apos;s 35th Symphony.</video:description>
<video:duration>4436</video:duration>
<video:publication_date>2022-06-29T08:37:53Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-01-26T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1N</loc>
<video:video>
<video:title>Eddie Daniels plays Mozart&apos;s Clarinet Concerto</video:title>
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<video:description>Mozart’s Clarinet Concerto, his final work for the instrument, is among the most cherished pieces in the repertoire. Eddie Daniels, best known as a leading figure in jazz but long active in classical music, brings his distinctive musicianship to the score in this 1993 performance from the Philharmonie im Gasteig, joined by the Münchner Symphoniker under Jean-Pierre Wallez. An encore allows Daniels to step beyond the written page, offering a glimpse of the improvisatory impulse that has shaped his work across genres.</video:description>
<video:duration>2092</video:duration>
<video:publication_date>2026-01-22T10:26:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:41:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9G</loc>
<video:video>
<video:title>Puccini: La Rondine - starring Angel Blue &amp; Jonathan Tetelman</video:title>
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<video:description>In this stunning 2024 Live in HD transmission, soprano Angel Blue stars as the elegant courtesan Magda in Puccini’s bittersweet tragedy La Rondine, taking the stage alongside tenor Jonathan Tetelman, in his Met debut, as her idealistic young lover, Ruggero. Speranza Scappucci conducts a bejeweled staging by Nicolas Joël, who whisks the audience away to Paris and the French Riviera during the Roaring Twenties. (© The Metropolitan Opera)</video:description>
<video:duration>6849</video:duration>
<video:publication_date>2026-01-26T07:27:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:41:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJEE0</loc>
<video:video>
<video:title>Great Arias – Die Entführung aus dem Serail: Solche hergelaufne Laffen &amp; O wie will ich triumphieren</video:title>
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<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2025-12-05T09:55:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-23T15:51:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJI</loc>
<video:video>
<video:title>Friedrich Gulda: A Portrait - &quot;So What?!&quot;</video:title>
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<video:description>Friedrich Gulda was both one of the great pianists of the 20th century and an &quot;enfant terrible&quot; of the classical establishment – a figure, either way, whom it was impossible to ignore. This comprehensive posthumous portrait of Gulda shows his many sides, interweaving archive material dating from his earliest youth right up to his last months into an overall picture which can rightly be regarded as a worthy legacy of a fascinating artist. Respecting Gulda’s ban on a public obituary, the film abstains entirely from any third-party commentaries. The entire narration of the portrait originates from Gulda, either from himself directly, or narrated by his &quot;alter ego&quot; Ulrich Mühe.</video:description>
<video:duration>3524</video:duration>
<video:publication_date>2022-09-21T09:57:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T12:15:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6E8</loc>
<video:video>
<video:title>Solti conducts Haydn: Die Schöpfung</video:title>
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<video:description>Haydn&apos;s oratorio Die Schöpfung (The Creation) is one of the enduring miracles of classical music: a work of visionary scope and life-affirming freshness, created by a composer approaching his 70th birthday. Sir Georg Solti was nearing the end of his long and extraordinary career when he made this unique recording under studio conditions in the Herkulessaal, Munich – and in the Bavarian Radio Symphony Orchestra and Chorus, he could hardly have had more inspirational collaborators. With a trio of handpicked soloists, the result is a performance with an unforgettable atmosphere: a deeply moving meeting of two of music&apos;s most irrepressible spirits.</video:description>
<video:duration>5955</video:duration>
<video:publication_date>2024-09-12T11:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T11:27:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1L</loc>
<video:video>
<video:title>Herbie Hancock Headhunter II</video:title>
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<video:description>By the late 1980s, Herbie Hancock’s Headhunters had long since become a byword for jazz-funk at its most open-ended and inventive. This 1989 set from the Carl-Orff-Saal im Gasteig, part of the Munich Klaviersommer, finds Hancock revisiting that electrified sound world with a formidable band, moving from the elastic grooves of “Chameleon” and “Hang Up Your Hang Ups” to the darker pulse of “Spider” and the floating lyricism of “Maiden Voyage.” A twist comes with Friedrich Gulda, founder of the festival and a fellow boundary-crosser, whose presence underlines the curiosity driving the performance. Funky, exploratory and unapologetically groove-driven, it captures Hancock and his Headhunters playing to a crowd ready for the ride.</video:description>
<video:duration>5913</video:duration>
<video:publication_date>2026-01-19T11:09:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T09:33:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1I</loc>
<video:video>
<video:title>George Benson &amp; McCoy Tyner And His Trio – live in Munich</video:title>
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<video:description>When George Benson and McCoy Tyner share the stage, jazz history is never far away. This 1989 set from the Munich Klaviersommer brings together Benson’s fluid, blues-inflected guitar and voice with Tyner’s unmistakable pianistic drive, supported by Avery Sharpe and Aaron Scott in a quartet built for swing and momentum. The programme moves easily between standards and modern classics: Monk’s &quot;Monk’s Dream&quot; and &quot;’Round Midnight&quot;, evergreens like &quot;There Will Never Be Another You&quot; and &quot;Stella by Starlight&quot;, plus Benson’s own &quot;Alligator Boogaloo&quot;, alongside a surprise detour via Lennon and McCartney. Relaxed, assured and rooted in the tradition, it captures two master musicians savoring the pleasure of conversation before a live audience.</video:description>
<video:duration>3210</video:duration>
<video:publication_date>2026-01-08T12:56:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T09:18:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38DG</loc>
<video:video>
<video:title>On Bach&apos;s Brandenburg Concerto No. 6</video:title>
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<video:description></video:description>
<video:duration>1117</video:duration>
<video:publication_date>2024-07-02T14:49:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38D8</loc>
<video:video>
<video:title>On Bach&apos;s Brandenburg Concerto No. 5</video:title>
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<video:description></video:description>
<video:duration>1114</video:duration>
<video:publication_date>2024-07-02T14:46:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38D0</loc>
<video:video>
<video:title>On Bach&apos;s Brandenburg Concerto No. 4</video:title>
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<video:description></video:description>
<video:duration>758</video:duration>
<video:publication_date>2024-07-02T14:43:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38CO</loc>
<video:video>
<video:title>On Bach&apos;s Brandenburg Concerto No. 3</video:title>
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<video:description></video:description>
<video:duration>793</video:duration>
<video:publication_date>2024-07-02T14:39:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38CG</loc>
<video:video>
<video:title>On Bach&apos;s Brandenburg Concerto No. 2</video:title>
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<video:description></video:description>
<video:duration>1185</video:duration>
<video:publication_date>2024-07-02T14:37:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:57:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38C8</loc>
<video:video>
<video:title>On Bach&apos;s Brandenburg Concerto No. 1</video:title>
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<video:description></video:description>
<video:duration>1393</video:duration>
<video:publication_date>2024-07-02T14:32:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:57:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ0</loc>
<video:video>
<video:title>Thomas Quasthoff sings Schubert: Winterreise - with Daniel Barenboim</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35f25cda09fce869f276050c61a3f351ee7a7642.jpg</video:thumbnail_loc>
<video:description>Schubert wrote over 600 works in his 31 years, but shortly before his death, the Winterreise song cycle, based on Wilhelm Müller&apos;s 24 poems, came to be one of his most important. Portraying the journey of a lonely traveler in winter, the songs depict scenes of a cold and dark landscape, a haunted soul, and the state of human loneliness, wholly captured in Grammy Award-winning bass-baritone Thomas Quasthoff&apos;s performance. Accompanied by Daniel Barenboim on piano, the two stars interpret the work just as Schubert would have wanted it: without any exaggerated displays of emotion, allowing the music itself to strike the sentimental chord that aims straight at the core.</video:description>
<video:duration>4947</video:duration>
<video:publication_date>2022-04-21T08:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:53:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9I</loc>
<video:video>
<video:title>Brigitte Fassbaender sings Schubert: Winterreise</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/19d49c5671450bb9ef8a5d388aa72af4048bc98e.jpg</video:thumbnail_loc>
<video:description>&quot;A stranger I arrived here, a stranger I depart…&quot; Schubert&apos;s winter journey into the shattered heart of German romanticism is greater than any one performer, though when an artist of the stature of Brigitte Fassbaender takes that lonely path into the snow, any serious music lover will pay attention. No studio recording of Winterreise can ever match the special intensity of a live performance and on this summer night in Munich in 1990, Fassbaender and her (strikingly alert and sympathetic) musical partner Markus Hinterhäuser – then at the start of his international career – create something unmissable and wholly individual.</video:description>
<video:duration>4417</video:duration>
<video:publication_date>2025-10-24T09:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:53:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CCO</loc>
<video:video>
<video:title>Francisco Araiza sings Schubert: Winterreise</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/da98739344250b6153f73aee17935ce661eb4e6b.jpg</video:thumbnail_loc>
<video:description>A solitary traveller, a frozen landscape, and a stricken heart: Schubert&apos;s Winterreise takes the elements of Romanticism and shapes them into an unsparing study of the human soul. In this atmospheric filmed version, the distinguished tenor Francisco Araiza and his regular collaborator pianist Jean Lemaire perform in the Alte Pfarr, an isolated medieval chapel set amid the rolling hills and forests of Southern Germany – a landscape still deeply evocative of the scenery that inspired Schubert and his poets. A supremely Romantic setting for this greatest of Romantic song-cycles. &quot;A stranger I arrived here, a stranger I depart…&quot;</video:description>
<video:duration>5339</video:duration>
<video:publication_date>2025-02-25T10:46:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:52:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34DG</loc>
<video:video>
<video:title>Pablo Heras-Casado conducts Magnificats by JS Bach and CPE Bach</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f01e60bbcc4f3e03780096510f7f5a503a7a8ac.jpg</video:thumbnail_loc>
<video:description>To open the International Baroque Days in the breathtaking Melk Abbey, Pablo Heras-Casado conducts two superb groups – Concentus Musicus Wien and Collegium Vocale 1704 – in two rousing settings of the Magnificat text. The first, by Johann Sebastian Bach, was originally composed in 1723 – his first major setting of a Latin text – and revised in 1733, going on to establish itself as one of his most popular works. The second is by his second son, Carl Philipp Emanuel, a work composed in 1749 that is no less brilliant but reflects the new musical styles then coming into vogue. With Heras-Casado at the helm of this orchestra and chorus – and a superb lineup of soloists – this was an invigorating and enriching concert.</video:description>
<video:duration>4021</video:duration>
<video:publication_date>2025-09-29T08:31:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:13:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJADG</loc>
<video:video>
<video:title>Harnoncourt conducts Bach: St John Passion</video:title>
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<video:description>Filmed in Bach&apos;s 300th-anniversary year in 1985, this ambitious recording of the composer&apos;s St John Passion in Graz Cathedral features one of the most significant and pioneering Bach interpreters of the last half-century. Setting out with his Concentus Musicus WIen – founded in 1953 – to recapture the original and drama of Bach&apos;s work, Nikolaus Harnoncourt leads a performance of rare conviction and power, unusual in its use not just of a boys choir (the renowned Tölzer Knabenchor) but also for allotting the soprano and alto solos to members of the choir.</video:description>
<video:duration>6818</video:duration>
<video:publication_date>2023-04-05T15:29:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:12:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4DO</loc>
<video:video>
<video:title>Harnoncourt conducts Bach: Coffee Cantata, Orchestral Suite No. 3 etc.</video:title>
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<video:description>Nikolaus Harnoncourt and his Concentus Musicus Wien are joined by Peter Schreier, Janet Perry and Robert Holl for this delightful filmed performance of Bach&apos;s witty Cantata &quot;Schweigt stille, plaudert nicht&quot; – better known as the Coffee Cantata. As with all of Bach&apos;s secular cantatas, it was composed for a specific occasion and most likely first heard in Zimmerman&apos;s Coffee House in Leipzig. Gently mocking the contemporary coffee-drinking trend, it is in all but name a mini opera, in which the grumpy Schlendrian berates his daughter, Lieschen, for her caffeine habit and hatches a plot to force her to give it up – but it&apos;s Lieschen who has the last laugh. The Concerto for Violin and Oboe and the Orchestral Suite No. 3 complete the programme.</video:description>
<video:duration>3941</video:duration>
<video:publication_date>2023-12-08T15:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:11:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3IC0</loc>
<video:video>
<video:title>Harnoncourt conducts Bach: Christmas Oratorio</video:title>
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<video:description>The Christmas Oratorios&apos;s combination of solemnity, profundity and verve make it both a favourite among Bach&apos;s works and a staple for the festive season. This performance took place in 1982 in the beautiful baroque church in Waldhausen, Upper Austria. Nikolaus Harnoncourt and the period-instrument ensemble he founded, Concentus Musicus Wien, join together with the Tölzer Knabenchor, from whose ranks the high solo voices are also cast. Peter Schreier, one of the most important lyric tenors of the second half of the 20th century, lends vocal brilliance and captivating articulation to the role of the Evangelist, while Robert Holl brings gravitas to the bass solos.</video:description>
<video:duration>9215</video:duration>
<video:publication_date>2022-12-19T10:19:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:09:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30D0</loc>
<video:video>
<video:title>Harnoncourt conducts Bach: Advent Concert from Melk Abbey</video:title>
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<video:description>From the magnificent surroundings of Melk Abbey in Austria, Nikolaus Harnoncourt and his Concentus Musicus Wien present a glorious programme of favourite choral works by Johann Sebastian Bach: two of his best loved cantatas alongside the celebratory Magnificat in D Major, BWV 243. Filmed in December 2000, the concert features a superb quartet of some of the finest singers of the time, including soprano Christine Schäfer and tenor Ian Bostridge. The Arnold Schoenberg Chor completes the line-up for this inspiring concert for Advent.</video:description>
<video:duration>4882</video:duration>
<video:publication_date>2024-12-10T12:31:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:09:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1H</loc>
<video:video>
<video:title>Norrington conducts Schumann: Symphony No. 2</video:title>
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<video:description>This film offers an unusual encounter with Schumann’s Symphony No. 2, captured in Salzburg in 2000 during rehearsals with the Camerata Salzburg under Roger Norrington. Filmed up close rather than in performance conditions, it preserves a sense of spontaneity and transparency, revealing the music in a state of active discovery. Norrington’s characteristically direct approach to Schumann’s score comes through with particular freshness, as ideas are shaped in real time. The film is preceded by an extended rehearsal introduction, in which the conductor addresses the orchestra directly, setting out his thinking about the work and its place within Schumann’s symphonic world.</video:description>
<video:duration>3120</video:duration>
<video:publication_date>2026-01-08T12:48:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T07:51:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38DG</loc>
<video:video>
<video:title>Maria João Pires &amp; Friends: Schubertiades: IV. Die Forelle</video:title>
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<video:description>Filmed at the Philharmonie de Paris and combining superb music-making with beautiful scenography, this innovative Schubertiade features one of the composer’s foremost interpreters – Portuguese pianist Maria João Pires – alongside friends and younger colleagues. Pires takes centre stage in performances of the four-hand &quot;Lebensstürme&quot; and the sparkling &quot;Trout&quot; Quintet, as well as presenting a favourite impromptu and accompanying young baritone Thomas Humphreys in some of the composer’s best-loved songs. The Armenian pianist Lilit Grigoryan performs the Moments musicaux D. 780 while singer Selma Uamusse provides a refreshing interlude with song and improvisation.</video:description>
<video:duration>7809</video:duration>
<video:publication_date>2024-07-24T14:51:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:36:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GE8</loc>
<video:video>
<video:title>Maria João Pires &amp; Friends: Schubertiades III. Trio and Fantasia</video:title>
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<video:description>“What I like about Schubert is his way of accepting things” says the Portuguese pianist Maria João Pires. “It’s beautiful to connect with that feeling.” And in her specially-curated Schubertiades she does exactly that – inviting musical friends to explore Schubert’s creative world in all its richness. Here, at the Philharmonie de Paris, specially devised visuals complement a programme that ranges from the playfulness of Schubert’s Marches Militaires to the grand vistas of the Fantasy in F minor and the Second Piano Trio. Cellist Antonio Meneses and violinist Gyula Stuller are just two of the artists joining Pires for this celebration of a supreme Romantic imagination.</video:description>
<video:duration>7989</video:duration>
<video:publication_date>2024-07-22T14:04:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:35:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GE0</loc>
<video:video>
<video:title>Maria João Pires &amp; Friends: Schubertiades II. Arpeggione</video:title>
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<video:description>Schubert’s Arpeggione Sonata is a wonderful paradox – music of boundless imagination and life, conceived for an instrument that is now defunct! But in her Schubertiades, pianist Maria João Pires invites beloved musical friends to uncover the Schubert who lies far beneath his music’s melodious surface. Cellist Antonio Meneses plays the Sonata today; the centrepiece of an evening-long musical exploration from the Philharmonie de Paris that also involves the baritone Thomas Humphreys, pianist Thomas Enhco, and Pires herself. Expect Schubert songs and solo piano music, as well as improvisations inspired by this most poetic of musical minds. A truly special occasion.</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2024-07-22T13:04:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:35:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3IC0</loc>
<video:video>
<video:title>Maria João Pires &amp; Friends: Schubertiades: I. Der Tod und das Mädchen</video:title>
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<video:description>For the great Portuguese pianist Maria João Pires, the music of Franz Schubert is about “sharing, a kind of love, a purity”, and in her Schubertiades, she celebrates and explores that sense of chamber music as something shared. On this occasion at the Philharmonie de Paris, two of Schubert’s most personal mature works – the Death and the Maiden quartet and the late Piano Sonata D.960 - unlock a world of intimate poetry. They’re framed by songs from baritone Thomas Humphreys, a new homage to Schubert by Dai Fujikura, and a visual setting specially conceived to heighten and complement Schubert’s imaginative universe.</video:description>
<video:duration>7366</video:duration>
<video:publication_date>2024-07-22T14:41:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:34:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPP</loc>
<video:video>
<video:title>Mozart: Don Giovanni</video:title>
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<video:description>Kaspar Holten&apos;s 2014 production of Don Giovanni was one of the undisputed highlights of his time at the Royal Opera House in London – with designer Es Devlin&apos;s spectacular revolving &quot;mind palace&quot; providing an endlessly rich visual framework for a Don Giovanni that probes deep into its characters&apos; psychology and motivation. Erwin Schrott sings the role of Mozart and Da Ponte&apos;s great seducer, but the whole cast is just as charismatic, with Louise Alder as Zerlina, Daniel Behle as Don Ottavio and Malin Byström as a touching Donna Anna. Hartmut Haenchen conducts this spirited revival from 2019.</video:description>
<video:duration>10725</video:duration>
<video:publication_date>2025-07-22T08:34:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T11:51:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1I</loc>
<video:video>
<video:title>Offenbach: Les Contes d&apos;Hoffmann</video:title>
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<video:description>John Schlesinger&apos;s 1980 production of Les Contes d&apos;Hoffmann acquired classic status at the Royal Opera House, Covent Garden – bringing a cinematic ambition and sweep to the teeming, fantastic world of Offenbach&apos;s final masterpiece. This 2016 production marked its retirement from the repertoire, but with Vittorio Grigolo as the luckless poet, and Thomas Hampson as his many-faced arch-enemy, it went out in magnificent style – with the stellar trio of Sonya Yoncheva, Sofia Fomina and Christine Rice adding a jewel-like sparkle as the three objects of his passion. Old-school Romantic opera at its most sumptuous, and its most moving.</video:description>
<video:duration>10176</video:duration>
<video:publication_date>2025-07-22T10:50:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T11:50:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPG</loc>
<video:video>
<video:title>Strauss: Der Rosenkavalier – starring Renée Fleming &amp; Elīna Garanča</video:title>
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<video:description>Legendary soprano Renée Fleming sings her final performance as the elegant Marschallin coming to grips with the passage of time. Mezzo-soprano Elīna Garanča delivers a commanding portrayal as Octavian, her impetuous young lover, in Robert Carsen’s madcap production—which sets the action in the year of the work’s premiere. As the heiress Sophie, Erin Morley sings with a radiantly beautiful soprano, while bass Günther Groissböck offers a larger-than-life portrayal of Baron Ochs. Sebastian Weigle leads a buoyant account of Strauss’s beloved score, which incorporates Viennese waltzes, raucous comedy, and the composer’s characteristically vivid palette of orchestral color. (© The Metropolitan Opera)</video:description>
<video:duration>12150</video:duration>
<video:publication_date>2025-09-18T15:39:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-16T13:47:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJIDO</loc>
<video:video>
<video:title>Great Arias – La forza del destino: &quot;Son giunta! Grazie, oh Dio&quot;</video:title>
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<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-01-14T15:58:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-16T10:08:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJIDG</loc>
<video:video>
<video:title>Great Arias – Eugene Onegin: &quot;No, there could never be&quot;</video:title>
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<video:description></video:description>
<video:duration>607</video:duration>
<video:publication_date>2026-01-14T14:04:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-16T10:08:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPL</loc>
<video:video>
<video:title>The Oscar Peterson Trio at the Philharmonie im Gasteig</video:title>
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<video:description>Recorded at the Philharmonie im Gasteig during the Munich Klaviersommer in 1989, the Oscar Peterson Trio settles into a wide-ranging set that moves naturally between originals and familiar songs. Peterson’s own pieces, from the laid-back swing of Oasis Blue to the exuberant drive of Mississauga Rattler, sit alongside standards by Gershwin, Ellington and Victor Young. Medleys unfold at an unhurried pace, themes passing easily between piano, bass and drums, with Bobby Durham and Steve Wallace giving the music lift and flexibility. The recording catches the trio in relaxed form, combining polish, momentum and a strong sense of shared enjoyment.</video:description>
<video:duration>7138</video:duration>
<video:publication_date>2025-12-12T15:10:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T16:27:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38DO</loc>
<video:video>
<video:title>Rozhdestvensky conducts Tchaikovsky: Eugene Onegin</video:title>
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<video:description>Tchaikovsky’s “lyrical scenes” based on Pushkin’s 1832 verse novel were first performed by students at the Moscow Conservatory, and this performance, filmed at the 1998 Baden-Baden Festival, features a young cast specially auditioned for the project from Europe and Russia. But there’s no shortage of experience, either, in the guise of veteran conductor Gennadi Rozhdestvensky and director Nikolaus Lehnhoff, whose austere, serious production goes right to the heart of Tchaikovsky’s opera – one of his most moving and melodious creations.</video:description>
<video:duration>9006</video:duration>
<video:publication_date>2025-02-07T12:41:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T15:06:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3IE0</loc>
<video:video>
<video:title>Minkowski conducts Offenbach: La Belle Hélène – with Felicity Lott</video:title>
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<video:description>Ancient Greece hits the Champs-Elysées in Offenbach’s La belle Hélène. Mythological mayhem ensues – delightfully sexy, deliriously silly and swept dancing along by music that’s as fizzy (and as intoxicating) as champagne. No two artists have done more to put the sparkle back into French operetta than conductor Marc Minkowski and director Laurent Pelly, and in this now-classic production from the year 2000, Pelly’s zany visuals find a perfect complement in the freshness and flair of Minkowski’s period-instrument orchestra. The cast is to die for, too – with Laurent Naouri as Agamemnon and the great Felicity Lott having the time of her life in the title role.</video:description>
<video:duration>7606</video:duration>
<video:publication_date>2024-08-05T15:10:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T14:59:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9J</loc>
<video:video>
<video:title>Saint-Saëns: Samson et Dalila – with Elīna Garanča &amp; Roberto Alagna</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/52232985e1f987abef6a6405b14bf48926f61d00.jpg</video:thumbnail_loc>
<video:description>A towering epic, Saint-Saëns’s operatic take on a classic story from the Bible has many of the hallmarks of grand opera—showstopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. During the 2018–19 season, Darko Tresnjak directed a bold new production of the opera, starring tenor Roberto Alagna as the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Mark Elder on the podium.  (© The Metropolitan Opera)</video:description>
<video:duration>8276</video:duration>
<video:publication_date>2025-10-02T10:28:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T14:58:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ED8</loc>
<video:video>
<video:title>Benjamin Bernheim and Elsa Dreisig star in Gounod&apos;s Roméo et Juliette</video:title>
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<video:description>Gounod&apos;s loving operatic adaptation of Shakespeare&apos;s tale of star-crossed lovers gets the star treatment in this performance filmed at the Opéra National de Paris in June 2023. Benjamin Bernheim and Elsa Dreisig represent ideal casting in the title roles, heading a superb cast, while the exciting director Thomas Jolly – famous for his bold re-readings of Shakespeare – creates a potent mixture of atmospheric period designs and modern sensibilities. With the experienced Carlo Rizzi in the pit, meanwhile, Gounod&apos;s jewell-encrusted score – featuring such favourite arias as Juliette&apos;s &quot;Je veux vivre&quot; and Roméo&apos;s &quot;Ah lève-toi soleil!&quot; sparkles as it should.</video:description>
<video:duration>10244</video:duration>
<video:publication_date>2024-06-28T12:26:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-01-15T14:56:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCCO</loc>
<video:video>
<video:title>Verdi: La forza del destino</video:title>
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<video:description>A raging torrent of love, vengeance and redemption set against the backdrop of a world in flames, Verdi’s La forza del destino is one of the landmarks of 19th-century opera. In the right hands, it can be one of opera’s most cathartic experiences, and in 1998 few conductors in the world generated more electricity than Valery Gergiev at the helm of his rejuvenated Mariinsky forces, conducing the fascinating 1862 version of the score, as premiered in St Petersburg. With Galina Gorchakova as Leonora and supercharged emotional commitment from the whole cast, Elijah Moshinsky’s classic staging has rarely felt more vital – or more thrilling.</video:description>
<video:duration>9908</video:duration>
<video:publication_date>2024-10-31T12:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-14T15:57:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38C0</loc>
<video:video>
<video:title>Ferruccio Busoni International Piano Competition: Jae Hong Park</video:title>
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<video:description>On his way to the First Prize at the Ferruccio Busoni International Piano Competition in 2021, Jae Hong Park impressed the distinguished jury with performances of music ranging from Baroque to contemporary. This selection of highlights features his accounts of music by Busoni and Scarlatti from the solo rounds, as well as his performance, in the Grand Finale, of Rachmaninoff&apos;s Piano Concerto No. 3 – a work that poses legendary challenges for the soloist.</video:description>
<video:duration>3505</video:duration>
<video:publication_date>2023-08-16T10:03:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:25:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJACO</loc>
<video:video>
<video:title>Fabio Luisi on Siegfried</video:title>
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<video:description></video:description>
<video:duration>924</video:duration>
<video:publication_date>2025-11-19T13:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:17:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJID0</loc>
<video:video>
<video:title>Solti conducts Bartók: Duke Bluebeard&apos;s Castle</video:title>
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<video:description>With a cast of just two and a running time of less than an hour, Bartók&apos;s Duke Bluebeard&apos;s Castle is one of the most concentrated and powerful operas in the repertoire. This classic film version from 1981 was produced in and around Budapest, both in the studio and in an abandoned quarry, whose many forbidding spaces create just the right atmosphere to match Bartók&apos;s haunting sound world. Two of the great Hungarian singers of the day, Kolos Kováts and Sylvia Sass, star as Bluebeard and his new wife, Judith, with Georg Solti and the London Philharmonic Orchestra providing a powerful orchestral foundation.</video:description>
<video:duration>3405</video:duration>
<video:publication_date>2022-10-18T08:37:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:11:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GE8</loc>
<video:video>
<video:title>Chailly conducts Verdi&apos;s Macbeth – with Leo Nucci &amp; Shirley Verrett</video:title>
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<video:description>With Macbeth, Verdi set out to create a new kind of musical theatre – one in which the conventions of Italian opera came second to the dramatic demands of Shakespeare&apos;s bloody supernatural shocker. The French film director Claude d&apos;Anna follows Verdi&apos;s lead in this naturalistic, powerfully atmospheric 1987 film version, which created quite a stir at the 1987 Cannes Film Festival. &quot;I tried to find theatrical rather than cinematic solutions,&quot; commented d&apos;Anna; and with Riccardo Chailly conducting, Leo Nucci as Macbeth and Shirley Verrett in the formidable role of Lady Macbeth, the result is an operatic movie that matches Verdi&apos;s own uncompromising commitment to opera as raw drama.</video:description>
<video:duration>7928</video:duration>
<video:publication_date>2023-10-24T15:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:09:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGC8</loc>
<video:video>
<video:title>Riccardo Muti</video:title>
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<video:description>Riccardo Muti stands among the defining conductors of his generation, and this 2001 film explores the conviction and passion that lie behind his unmistakable presence on the podium. Rehearsals and performances with the Wiener Philharmoniker, La Scala forces and leading European orchestras reveal a musician shaped by discipline, clarity and a deep trust in musical structure — whether in Verdi, Mozart or the symphonic breadth of Haydn and Bruckner. Interviews and backstage moments trace a career spanning major opera houses and the tradition-rich New Year&apos;s Concert in Vienna.</video:description>
<video:duration>3558</video:duration>
<video:publication_date>2025-12-08T11:09:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T11:34:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPN</loc>
<video:video>
<video:title>Kissin, Argerich, Maisky &amp; Friends: Shostakovich Chamber Music</video:title>
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<video:description>Evgeny Kissin is the presiding spirit for this concert from Verbier, which marked the 50th anniversary of Shostakovich&apos;s death with music that shows him at his most intimate, personal and profound. And the line-up is unbeatable, with Kissin joined by Martha Argerich, Mischa Maisky, Antoine Tamestit and the superb Quatuor Ébène for four major works: the Cello Sonata, the Piano Quintet, the Concertino for Two Pianos and, to bring the concert to a moving close, the Viola Sonata – the composer&apos;s final work, in whose last movement he presented a thinly-veiled summary of his life&apos;s work before coming to a &quot;radiant&quot; conclusion in C major.</video:description>
<video:duration>6892</video:duration>
<video:expiration_date>2026-04-12T00:00:00Z</video:expiration_date>
<video:publication_date>2026-01-12T09:07:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T10:33:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPP</loc>
<video:video>
<video:title>Peter Popelka conducts Schoenberg: Gurre-Lieder</video:title>
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<video:description>Few works mark a turning point as vividly as Schoenberg&apos;s Gurre-Lieder, that vast late-Romantic fresco poised on the edge of a new musical century. This 2024 performance from the Golden Hall of Vienna&apos;s Musikverein brings together the Wiener Symphoniker, three choirs and an outstanding cast of soloists under Petr Popelka, in a fitting tribute during the Schoenberg anniversary year. From the ardent love music of Waldemar and Tove to the work&apos;s darker, more uncanny later scenes, Popelka shapes the score&apos;s huge forces with clarity and dramatic purpose. A monumental evening, capturing Gurre-Lieder in all its glowing intensity and expressive reach.</video:description>
<video:duration>6570</video:duration>
<video:publication_date>2026-01-08T10:12:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-12T12:25:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9O</loc>
<video:video>
<video:title>Penderecki conducts Penderecki: Symphony No. 7</video:title>
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<video:description>In January 2000, Cannes became the setting for a major moment in Krzysztof Penderecki’s late career: his Symphony No. 7, Seven Gates of Jerusalem, was performed there just as he was honoured with MIDEM’s Composer of the Year award. The work had received its French premiere the previous evening and unfolds on a monumental scale, uniting solo voices, choir and orchestra in a seven-part meditation on psalms and prophetic visions. Its blend of ceremonial power and stark introspection marks it as one of Penderecki’s defining statements.</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2025-11-24T15:44:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-08T14:19:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2</loc>
<video:video>
<video:title>One Common Cause: Barenboim &amp; the West-Eastern Divan Orchestra</video:title>
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<video:description>Named after Goethe&apos;s collection of poems – a model for dialogue between cultures at the time – Barenboim&apos;s bridge-building West-Eastern Divan Orchestra performs in Berlin as part of their 2006 international tour. Playing works of Beethoven that depict tales of a wife&apos;s fight for the freedom of her politically imprisoned husband and that celebrate brotherhood and fraternity, as inspired by the French revolution&apos;s ideals of freedom and equality, the programme is one fitting of the orchestra&apos;s mission. And by pairing the Prelude and Liebestod from Wagner&apos;s Tristan and Isolde to finish, the performance offers a symbol of the search for resolution, a perfect musical metaphor for all that the orchestra represents.</video:description>
<video:duration>7122</video:duration>
<video:publication_date>2022-05-13T10:32:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-08T10:50:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38CG</loc>
<video:video>
<video:title>New Year&apos;s Eve 2022: Nelsons conducts Beethoven&apos;s Ninth</video:title>
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<video:description>In Leipzig, the tradition of the Gewandhausorchester performing Beethoven’s Ninth Symphony to herald the new year stretches back over century. This concert filmed on New Year’s Eve 2022 sees the current Gewandhauskapellmeister, Andris Nelsons, continue the custom in style, with a first-class line-up of soloists and no fewer than three Leipzig choruses lending their voices in a rousing musical celebration.</video:description>
<video:duration>4604</video:duration>
<video:publication_date>2023-01-11T11:15:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-31T16:03:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1P</loc>
<video:video>
<video:title>Massenet: Cinderella – starring Isabel Leonard &amp; Emily D&apos;Angelo</video:title>
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<video:description>An abridged, English-language version of Massenet’s enchanting fairy-tale opera, this performance stars beloved mezzo-soprano Isabel Leonard as the rags-to-riches title princess, with Emmanuel Villaume on the podium to lead a witty and whimsical production by Laurent Pelly. The spellbinding cast also features mezzo-soprano Emily D’Angelo as the love-struck Prince Charming, soprano Jessica Pratt as the spunky Fairy Godmother, mezzo-soprano Stephanie Blythe as the wicked Madame de la Haltière, and bass-baritone Laurent Naouri as Cinderella’s compassionate but meek father, Pandolfe. (© The Metropolitan Opera)</video:description>
<video:duration>6004</video:duration>
<video:publication_date>2025-12-26T19:05:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-26T19:07:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGDO</loc>
<video:video>
<video:title>Brigitte Fassbaender: Don&apos;t Stop Wondering</video:title>
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<video:description>Celebrated worldwide as both a singer and opera director, Brigitte Fassbaender stands at the intersection of tradition and reinvention. Born into an artistic family, she has continually sought her own path, shaping a career defined as much by determination as by talent. This film offers a rare opportunity to retrace her journey through interviews, memories, and reflections – including, of course, her family and the influence of her upbringing, perhaps even addressing the difficult role her father played during the Nazi era. More than a portrait of her past, it is an intimate look at Brigitte Fassbaender in her element: the artist at work.</video:description>
<video:duration>3183</video:duration>
<video:publication_date>2025-12-15T13:13:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T16:21:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHM</loc>
<video:video>
<video:title>Respighi: La Fiamma</video:title>
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<video:description>Christof Loy continues his exploration of early 20th-century opera at the Deutsche Oper Berlin with Respighi&apos;s rarely heard La fiamma. Imposing choruses and sweeping tableaux drive a drama of suspicion, desire and public frenzy, heightened here by Carlo Rizzi&apos;s musical direction and a cast led by Olesya Golovneva and Georgy Vasiliev. Premiered in 1934, the work mirrors a society sliding towards authoritarianism, its show trial carrying an unsettling emotional charge. Respighi&apos;s score moves beyond the colours of the Trilogia romana, blending impressionist shimmer, Russian influence and a renewed fascination with Italian Renaissance sound worlds.</video:description>
<video:duration>8083</video:duration>
<video:publication_date>2025-12-05T13:15:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T16:04:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPK</loc>
<video:video>
<video:title>Ornette Coleman &amp; Prime Time at the Philharmonie im Gasteig</video:title>
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<video:description>Recorded at the Philharmonie im Gasteig during the Munich Klaviersommer in 1991, Ornette Coleman appears with his electric band Prime Time in a wide-ranging set drawn from across his late repertoire. Familiar Coleman themes such as Song X, Virgin Beauty and Dancing in Your Head sit alongside more relaxed, exploratory pieces, with grooves opening out into extended improvisation. The sound of Prime Time — twin electric guitars, bass, keyboards, tabla and drums — gives the music its distinctive, open-ended momentum, while a brief nod to Bach hints at Coleman’s ongoing interest in form as well as freedom. The recording captures a concert that moves easily between pulse, texture and spontaneity.</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2025-12-12T14:17:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T15:50:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0D8</loc>
<video:video>
<video:title>Daniil Trifonov: The Magics of Music</video:title>
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<video:description>Daniil Trifonov: The Magics of Music offers an intimate portrait of one of today’s most remarkable young pianists. Filmed in 2015 by Christopher Nupen, it follows Trifonov at a pivotal early moment in his career, shortly after winning both the Rubinstein and Tchaikovsky competitions at the age of twenty. The camera stays close as he rehearses, performs and reflects, capturing the blend of imagination, discipline and quiet intensity that shapes his artistry. With rare footage from recitals, early compositions and the premiere of his own piano concerto, the film traces the beginnings of a singular musical voice.</video:description>
<video:duration>3549</video:duration>
<video:publication_date>2025-10-23T13:09:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-23T12:58:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCCG</loc>
<video:video>
<video:title>Gardiner conducts Gluck: Alceste</video:title>
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<video:description>Gluck&apos;s Alceste was the opera that launched a revolution. Urgent, direct and pulsing with emotion, it stripped away baroque conventions to create a new kind of opera, and more than two centuries later, this tragedy of a woman prepared to give her life for love still strikes straight to the heart. Anne Sofie von Otter is formidable in the title role of this powerful production, created by director Robert Wilson in 2000 for the Theatre du Châtelet in Paris. Paul Groves and Ludovic Tézier also star, with John Eliot Gardiner conducting the period instrument forcers of the English Baroque Soloists.</video:description>
<video:duration>7993</video:duration>
<video:publication_date>2024-10-30T12:14:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:33:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30C0</loc>
<video:video>
<video:title>Puccini&apos;s Tosca with Anna Netrebko</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0b11a43cfaebdc121ba19cc2f009a772143ae8e8.jpg</video:thumbnail_loc>
<video:description>Anna Netrebko is the diva Floria Tosca in this 2020 performance of Puccini&apos;s evergreen operatic thriller from the Wiener Staatsoper. She follows in the footsteps of all the legendary sopranos to have sung the role in Margarethe Wallmann&apos;s classic production, unveiled as far back as 1958. Netrebko is joined by tenor Yusif Eyvazov as Tosca&apos;s lover, the hot-headed political revolutionary Cavaradossi, while baritone Wolfgang Koch is Baron Scarpia, the evil chief of police who brings their romance to a dramatic end from beyond the grave.</video:description>
<video:duration>7558</video:duration>
<video:publication_date>2022-10-24T10:37:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:28:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3IC0</loc>
<video:video>
<video:title>Karajan conducts Madama Butterfly – with Freni and Domingo</video:title>
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<video:description>&quot;A weaver of magic, a curator of the sublime, a master choreographer&quot; – that was the Wall Street Journal&apos;s appraisal of Jean-Pierre Ponnelle (1932–1988) the innovative French director who brought opera, alive and kicking, into the televisual age. His 1974 TV production of Puccini&apos;s great Japanese tragedy boasts a superb cast, with Mirella Freni (Cio-Cio San) and Placido Domingo (Pinkerton) each at the top of their vocal and dramatic game, plus Herbert von Karajan conducting the Vienna Philharmonic with notable delicacy and warmth. But Ponnelle&apos;s cinematic, semi-naturalistic staging is compelling in its own right – using freeze-frames, special effects and flashbacks to give Butterfly&apos;s story an unforgettable immediacy and emotional power.</video:description>
<video:duration>8799</video:duration>
<video:publication_date>2023-10-25T10:10:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:20:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJACO</loc>
<video:video>
<video:title>The Berliner Philharmoniker Turn 125</video:title>
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<video:description>On the first of May, the Berliner Philharmoniker celebrates its birthday with the Europakonzert, held in a different European city of culture every year. For their 125th anniversary, the celebrations are held in their hometown at the Kabelwerk Oberspree, an impressive industrial monument from the late 19th century. Simon Rattle conducts works that are closely linked to the orchestra&apos;s founding era. Richard Wagner&apos;s Prelude from Parsifal was performed by the Orchestra shortly after its premiere in 1882. In addition, Johannes Brahms himself once performed his works with the orchestra. Before Brahms&apos; Fourth Symphony is heard as the crowning finale, soloists Lisa Batiashvili and Truls Mørk perform Brahms&apos; Double Concerto.</video:description>
<video:duration>6145</video:duration>
<video:publication_date>2022-08-17T09:16:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T12:57:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJEE0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Weinberg: The Passenger</video:title>
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<video:description>Though composed as early as 1968, Mieczyław Weinberg&apos;s opera The Passenger received its first full staging only in 2010. The work – based on an 1962 novel by concentration-camp survivor Zofia Posmysz – was quickly recognised as one of the most important operas of the second half of the 20th century, and one whose themes are now as important as they&apos;ve ever been. That first staging, by David Pountney, has gone on to receive classic status, and is here seen for the first time at Madrid&apos;s Teatro Real, conducted by an artist who has been instrumental in the recent Weinberg revival, Mirga Gražinytè-Tyla.</video:description>
<video:duration>9818</video:duration>
<video:publication_date>2024-07-02T13:04:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T12:52:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1H</loc>
<video:video>
<video:title>Advent Concert with Benjamin Bernheim, Elsa Dreisig &amp; Daniel Hope</video:title>
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<video:description>The annual Advent Concert from the Frauenkirche in Dresden has rapidly established itself as a highlight of the musical calendar. And this year’s concert promises to be no different, with soloists Elsa Dreisig, Benjamin Bernheim and Daniel Hope joining the Staatskapelle Dresden, the Kreuzchor Dresden and the chorus of the Semperoper Dresden under conductor Nicolas Collon. With a programme covering atmospheric masterpieces and festive favourites by composers ranging from Bach and Mozart to Richard Strauss and Arnold Schoenberg, this promises to be a memorable way to celebrate a very special time of the year.</video:description>
<video:duration>3339</video:duration>
<video:publication_date>2025-12-22T07:25:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T11:43:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJID0</loc>
<video:video>
<video:title>Ravel Recomposed: Boléro feat. Christine and the Queens</video:title>
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<video:description></video:description>
<video:duration>343</video:duration>
<video:publication_date>2025-12-19T11:25:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T09:58:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8DG</loc>
<video:video>
<video:title>Ravel Recomposed: Il est bon, l&apos;enfant, il est sage (From L&apos;enfant et les sortilèges, M. 71)</video:title>
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<video:description>His Album &quot;Ravel Recomposed&quot; presents Victor le Masne’s affectionate take on music by one of the greatest of all French composers. Fresh from his role as Composer and Musical Director of the 2024 Paris Olympics and Paralympics, Le Masne brings vibrant colours and contemporary reflections to music he has loved since childhood. The fusion of styles and genres on Ravel Recomposed embraces everything from classical and jazz to the Grammy®-winning composer-producer-multi-instrumentalist’s distinctive brand of French Touch electro-dance music.</video:description>
<video:duration>405</video:duration>
<video:publication_date>2025-11-18T10:43:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T13:58:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGDG</loc>
<video:video>
<video:title>On Ludovico Einaudi&apos;s Fly</video:title>
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<video:description>Lang Lang comments: „ Many young people today discover piano through the music they already love — from games, movies, or anime. 
  
Six years after the release of his celebrated Piano Book album, Lang Lang returns with &apos;Piano Book 2&apos;. This new volume of short and accessible piano works offers a fresh selection that ranges from iconic classical compositions and contemporary pieces to music from TV, film, and gaming soundtracks.
 
Lang Lang refers to the 32 tracks on his new album as “miniature masterpieces”. They were carefully selected based on messages from fans, school syllabus content, and his own teaching experience – as well as works especially close to his heart – with subtle nods to modern media and streaming culture.</video:description>
<video:duration>121</video:duration>
<video:publication_date>2025-12-12T14:01:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T11:03:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGE0</loc>
<video:video>
<video:title>Zubin Mehta: A World Full of Music</video:title>
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<video:description>Zubin Mehta: A World Full of Music offers a portrait of one of the most recognisable conductors of the late twentieth century. In a relaxed interview at his home in Los Angeles, Mehta reflects on his career, his relationships with orchestras and singers, and the particular demands of a profession he has described as &quot;mystical&quot;. These conversations are interwoven with rehearsal footage and performance excerpts, offering insight into his working methods and his rapport with musicians. Rather than a chronological biography, the film presents a personal view of music-making, shaped by experience, curiosity and an enduring sense of engagement.</video:description>
<video:duration>3421</video:duration>
<video:publication_date>2025-12-15T13:39:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T07:38:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHL</loc>
<video:video>
<video:title>Chilingirian String Quartet with Nobuko Imai: Haydn &amp; Beethoven</video:title>
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<video:description>In this 2001 performance captured at London&apos;s Wigmore Hall, the Chilingirian String Quartet appears with violist Nobuko Imai, whose long international career has included collaborations with many of the world’s foremost chamber ensembles. The programme pairs two landmarks of the Classical repertoire: Haydn&apos;s Op. 77 No. 1, one of his final reflections on the quartet form, and Beethoven&apos;s Quintet in C major, Op. 29 – his only original work for this combination of instruments and still an uncommon presence in the concert hall. A meeting of distinguished musicians in one of chamber music&apos;s most intimate venues.</video:description>
<video:duration>3519</video:duration>
<video:publication_date>2025-12-04T13:34:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T01:55:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHG</loc>
<video:video>
<video:title>Mutter plays Penderecki: Violin Concerto No. 2 – World Premiere</video:title>
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<video:description>The world premiere of Krzysztof Penderecki’s Violin Concerto No. 2 “Metamorphosen” brought a landmark moment to the Leipzig Gewandhaus in June 1995. Penderecki, present for the occasion, had composed the concerto for Anne-Sophie Mutter and dedicated it to her. Steeped in his late musical voice – darkly lyrical, expansive and coloured by Middle European tradition – the work emerges with striking immediacy. Together with Mariss Jansons and the MDR-Sinfonieorchester, Mutter unveils a score that moves between intimacy and intensity, echoing Bartók, Shostakovich and Szymanowski while remaining unmistakably Penderecki.</video:description>
<video:duration>2313</video:duration>
<video:publication_date>2025-11-27T11:50:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T20:05:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9M</loc>
<video:video>
<video:title>Strauss: Ariadne auf Naxos</video:title>
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<video:description>Recorded at the Semperoper Dresden in 1999, this production of Strauss&apos;s Ariadne auf Naxos revels in the opera&apos;s brilliant mix of high art and backstage chaos. Colin Davis conducts the Saechsische Staatskapelle Dresden, while Marco Arturo Marelli&apos;s staging turns the clash between lofty opera and lively commedia into a sparkling theatrical game. Susan Anthony leads the cast as the Prima Donna, joined by Iride Martinez&apos;s quicksilver Zerbinetta, Sophie Koch&apos;s ardent Composer and Jon Villars as an unexpectedly heroic Bacchus. With designs by Dagmar Niefind-Marelli and the lighting of Friedwald Degen, the production captures the wit, colour and shifting moods of Strauss&apos;s hybrid masterpiece.</video:description>
<video:duration>7366</video:duration>
<video:publication_date>2025-11-24T09:36:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T19:34:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHI</loc>
<video:video>
<video:title>George Shearing Duo in the Philharmonie im Gasteig</video:title>
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<video:description>Recorded at the Philharmonie im Gasteig in 1992, this Munich Klaviersommer set reunites pianist George Shearing and bassist Neil Swainson in a duo format that lets every line, harmony and rhythmic shift register with clarity. Their set ranges from the traditional tune &quot;Kommt ein Vogel geflogen&quot; to pieces by Eddie Harris, Brubeck, Mancini and Bud Powell, with room for Swainson&apos;s &quot;Horizon&quot; and Shearing staples like &quot;Lullaby of Birdland&quot;. Encores by Ellington and Garner close a programme that highlights the easy rapport and understated finesse of this long-standing partnership.</video:description>
<video:duration>4901</video:duration>
<video:publication_date>2025-12-01T16:20:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T19:23:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHJ</loc>
<video:video>
<video:title>Eddie Daniels &amp; Gary Burton Quartet: A Tribute to Benny Goodman</video:title>
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<video:description>Recorded at the Philharmonie im Gasteig in 1992, this Munich Klaviersommer set brings clarinettist Eddie Daniels and the Gary Burton Quartet together for a high-spirited tribute to Benny Goodman and Lionel Hampton. With Burton&apos;s vibraphone and Daniels&apos; quicksilver clarinet at the helm, the programme dives into swing-era favourites – from &quot;Stompin&apos; at the Savoy&quot; and &quot;Moonglow&quot; to &quot;Sing, Sing, Sing&quot; – alongside Goodman&apos;s playful take on Weber&apos;s Invitation to the Dance. Joined by Makoto Ozone, Marc Johnson and Martin Richards, the group shapes an energetic, good-humoured celebration of jazz at its most infectious.</video:description>
<video:duration>4196</video:duration>
<video:publication_date>2025-12-01T17:26:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T19:19:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPH</loc>
<video:video>
<video:title>Andreas Boyde plays Beethoven &amp; Berg</video:title>
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<video:description>Recorded at the Münchner Klaviersommer in 1992, Andreas Boyde performs two works of contrasting character: Beethoven’s Piano Sonata op. 81a, &quot;Les Adieux&quot;, and Alban Berg’s Piano Sonata op. 1. Beethoven’s score, written on the threshold of the composer’s middle period, balances formal clarity with a heightened sense of personal expression. Berg’s single-movement sonata, composed more than a century later, condenses late-Romantic harmony into a tightly argued modern statement. Boyde was described by Joachim Kaiser as one of the most significant pianistic talents to emerge from the former GDR, and this performance shows us why.</video:description>
<video:duration>1943</video:duration>
<video:publication_date>2025-12-12T10:43:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T08:44:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32DO</loc>
<video:video>
<video:title>Gala from Berlin 2024 – Trifonov plays Brahms: Piano Concerto No. 2</video:title>
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<video:description>In the company of the Berliner Philharmoniker and music director Kirill Petrenko, Daniil Trifonov takes on one of the great peaks of Romantic piano repertoire: Brahms&apos;s Piano Concerto No. 2 in B Flat Major. Though symphonic in scale, the work reveals Brahm&apos;s intimate, chamber-like sensibilities, especially in the exquisite Andante, featuring a celebrated cello solo. It&apos;s musical and technical challenges are formidable, but few today are better equipped to face them than Trifonov, a musician celebrated for his compelling mixture of virtuosity and musicality. This performance was recorded as part of the Berliner Philharmoniker&apos;s New Year&apos;s Eve concert 2024.</video:description>
<video:duration>3381</video:duration>
<video:publication_date>2025-01-02T10:59:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T18:08:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJIC0</loc>
<video:video>
<video:title>Tchaikovsky: Album for the Young, Op. 39: 21. Sweet Dreams (Douce reverie)</video:title>
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<video:description></video:description>
<video:duration>155</video:duration>
<video:publication_date>2025-12-16T11:19:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T15:19:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32D8</loc>
<video:video>
<video:title>Tchaikovsky: The Nutcracker &quot;Dance of the Sugar-Plum Fairy&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8414ad6b9760931bc810a05970f9e56ed52e96d9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>127</video:duration>
<video:publication_date>2022-12-08T07:19:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:53:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32CG</loc>
<video:video>
<video:title>White Christmas</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/53fbe9eb86c770062dbe54e3d9e5b24e2df6a609.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>96</video:duration>
<video:publication_date>2022-12-08T06:02:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:30:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30CG</loc>
<video:video>
<video:title>White Christmas (Arr. for Solo Violin and Strings)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2a82ad42681d74fb1734560e82099577dea59016.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2022-12-05T06:47:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:29:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8E8</loc>
<video:video>
<video:title>Veni Domine: Advent &amp; Christmas at the Sistine Chapel - About the Choir</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e862b21e66bef538c249eb6edcb2dce70d4ac845.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>393</video:duration>
<video:publication_date>2024-12-13T16:13:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:29:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8E0</loc>
<video:video>
<video:title>Veni Domine Advent &amp; Christmas at the Sistine Chapel - About the Album</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c0cb2081e9a3cd5404e8062c6ad2fd1e838e4592.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>268</video:duration>
<video:publication_date>2024-12-13T15:57:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:29:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30C8</loc>
<video:video>
<video:title>The Christmas Song (Arr. for Solo Violin and Strings)</video:title>
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<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2022-12-05T06:34:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:28:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3EC8</loc>
<video:video>
<video:title>On Bach&apos;s Christmas Oratorio</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0b9d847ec455434f3058f218b39bb40fdb30cd9c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>750</video:duration>
<video:publication_date>2023-05-01T06:48:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:28:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30C0</loc>
<video:video>
<video:title>Maybe This Christmas (Arr. for Solo Violin and Strings)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/71e51bf2d5d5ab8dd639d7f3cb2731804305cad1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>160</video:duration>
<video:publication_date>2022-12-05T06:28:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T13:28:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJICG</loc>
<video:video>
<video:title>An Interview with Laurent Pelly</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c435d0e51282ac5385632c218c23e7b2cd4ef1ed.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>241</video:duration>
<video:publication_date>2025-12-16T12:50:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T12:48:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJIC8</loc>
<video:video>
<video:title>Backstage at Cinderella</video:title>
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<video:description></video:description>
<video:duration>179</video:duration>
<video:publication_date>2025-12-16T12:50:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T12:48:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGE8</loc>
<video:video>
<video:title>On the Paris Recital</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3cf4c72084d57fd70ee6e3b017455124544bad3c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>316</video:duration>
<video:publication_date>2025-12-16T10:31:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-17T12:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CE0</loc>
<video:video>
<video:title>On the Concert at Edinburgh International Festival 2025</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47d9a0861daceb11ee9e8c09224d7146f03a3c5e.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>227</video:duration>
<video:publication_date>2025-08-11T14:21:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-16T20:57:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9G</loc>
<video:video>
<video:title>Best of Monteverdi Choir: Bach, Purcell &amp; Handel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5af44b6d3f1850bebdd60014780b932dd5ec252a.jpg</video:thumbnail_loc>
<video:description>Jonathan Sells directs the Monteverdi Choir and the English Baroque Soloists in this programme from the Edinburgh International Festival showcasing music that these ensembles have made their own in the over 60 years since their foundation. The concert begins with Purcell – the beautiful &quot;Hear my Prayer&quot; and the deeply moving Funeral Sentences – and progresses, via a selection of superb Motets by Johann Sebastian Bach and a lament by his cousin Johann Christoph, to one of the most brilliant jewels in the Baroque choral repertoire: Handel&apos;s Dixit Dominus, composed in Italy in 1707, and a work that shows the young composer revelling in the musical possibilities opened to him by his irrepressible talent.</video:description>
<video:duration>5442</video:duration>
<video:publication_date>2025-08-11T09:05:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-16T20:57:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3EDO</loc>
<video:video>
<video:title>Boulanger: 3 Pieces for Cello and Piano: No. 3, Vite et nerveusement rythmé</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c805ec7631cdfe14c8c17a3ab1b481923ee6fe5d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>161</video:duration>
<video:publication_date>2023-05-12T15:22:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-16T14:57:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9P</loc>
<video:video>
<video:title>Friedrich Gulda: Mozart For The People Vol. 2</video:title>
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<video:description>&quot;Mozart for the People&quot; was how the Austrian pianist Friedrich Gulda described the series of all-Mozart recitals that he gave in Munich, Milan and Paris in 1981, and everything about this concert– from Gulda&apos;s deliberately casual attire to the modernist surroundings of Munich&apos;s Amerikahaus – was designed to tease what Gulda called the &quot;reactionary monkeys&quot; of the classical music establishment. But there is nothing frivolous about his performances: lucid, searching interpretations of two of Mozart&apos;s most imposing mature sonatas, as well as the superb C minor Fantasia K.475 - a true meeting of creative minds at their most inventive and sublime.</video:description>
<video:duration>3765</video:duration>
<video:publication_date>2025-10-29T17:17:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-16T14:35:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GE8</loc>
<video:video>
<video:title>On Bryce Dessner&apos;s Piano Concerto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27a0278cb2a0501f9089c749cd27091f1519312b.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>516</video:duration>
<video:publication_date>2025-09-12T12:42:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-16T13:02:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36C8</loc>
<video:video>
<video:title>Gardiner conducts Bach: Christmas Oratorio</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/656059e74b585c096552db326cfae46c68cef239.jpg</video:thumbnail_loc>
<video:description>John Eliot Gardiner once said of Johann Sebastian Bach that &quot;The range of his art, his imagination, and his creative response to different stimuli, is apparently endless.&quot; The works of this seminal figure of the Baroque are at the heart of the conductor&apos;s stylistically extremely diverse repertoire and in these live performances – filmed at two concerts in December 2022 – Gardiner performs the Christmas Oratorio with the ensembles he founded and spearheaded the modern revolution in Bach performance: the Monteverdi Choir and the English Baroque Soloists. Although nearly 300 years have now passed since it was first heard, Bach&apos;s work remains irresistible in its energy and inspiration.</video:description>
<video:duration>9600</video:duration>
<video:publication_date>2022-12-16T09:58:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-14T16:47:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2E0</loc>
<video:video>
<video:title>Mozart&apos;s Il re pastore – 250th-Anniversary Concert</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bb2d2d8d6e4ae3573d489880288cc1a65f8a7d0c.jpeg</video:thumbnail_loc>
<video:description>Exactly 250 years after its premiere, Mozart&apos;s early opera Il re pastore (The Shepherd King) returns to exactly where that premiere took place: the Knights&apos; Hall in the former Archbishop&apos;s Palace in Salzburg. In this very special anniversary concert performance, Rolando Villazón leads a superb cast as King Alessandro, while Emily Pogorelc is Aminta, the shepherd identified as his successor. With support from the Camerata Salzburg under its dynamic concertmaster, Giovanni Guzzo, this promises to be an unforgettable performance of this charming opera – and a fitting celebration of the 19-year-old genius who composed it.</video:description>
<video:duration>7370</video:duration>
<video:publication_date>2025-04-25T13:21:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T16:03:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6CG</loc>
<video:video>
<video:title>Tchaikovsky: The Nutcracker</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8534f2c9fd680be25a7f85c12eeb9d640f89a3b7.jpg</video:thumbnail_loc>
<video:description>First performed in 1892 and based on a tale by E.T.A. Hoffmann, Tchaikovsky&apos;s Nutcracker stands as a landmark of his late work, shaped by melodic abundance and distinctive orchestral colour. Several numbers — from the &quot;Waltz of the Flowers&quot; and the &quot;Pas de deux&quot; to the shimmering &quot;Dance of the Sugar Plum Fairy&quot; with its then-novel use of the celesta — have long since entered the classical canon. This production from the Mariinsky Theatre continues the enduring Russian tradition of Nutcracker stagings, bringing the ballet&apos;s fantasy and elegance to life with characteristic refinement.</video:description>
<video:duration>6210</video:duration>
<video:publication_date>2022-07-14T10:14:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T09:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0C8</loc>
<video:video>
<video:title>Nézet-Séguin conducts Messiah in the Basilique Notre-Dame de Montréal</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/772a3d7bcbd86fc9915f250a93a3eefcb5216d5f.jpg</video:thumbnail_loc>
<video:description>Yannick Nézet-Séguin conducts the Orchestre Métropolitain, superb Canadian soloists and a hand-picked professional chorus in Handel&apos;s ever-popular seasonal oratorio, Messiah. This special festive concert takes place within the stunning surroundings of the spectacular Basilique Notre-Dame in the historic centre of Montréal, a venue that perfectly complements the splendour of Handel&apos;s work, which tells the story of Jesus in music of irrepressible verve and brilliance, packed with favourite arias and choruses. A memorable performance and the perfect concert to ring in the festive season!</video:description>
<video:duration>8179</video:duration>
<video:publication_date>2023-12-21T19:02:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T09:03:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHK</loc>
<video:video>
<video:title>Batiashvili, Aimard &amp; Friends: Brahms Piano Quartet No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8e0f73173d80cbeb87516bba3c0e8468cadb052c.png</video:thumbnail_loc>
<video:description>Filmed at the Kuhmo Chamber Music Festival in 2002, Pierre-Laurent Aimard, Lisa Batiashvili, Vladimir Mendelssohn and Sonia Wieder-Atherton perform Brahms’s Piano Quartet No. 1 — a work that moves from inward lyricism to the exhilarating sweep of its ‘Rondo alla zingarese’ finale. The intimate setting of Kuhmo Hall brings a particular clarity to a collaboration that pairs Aimard, already an influential presence in both contemporary and classical repertoire, with Batiashvili at the start of her career, alongside Mendelssohn and Wieder-Atherton, long associated with the European chamber tradition.</video:description>
<video:duration>2546</video:duration>
<video:publication_date>2025-12-04T13:00:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T09:01:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHN</loc>
<video:video>
<video:title>Lionel Hampton and His Golden Men of Jazz</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7bb6373fd39f86e929de507f0e85ff7506788418.png</video:thumbnail_loc>
<video:description>Filmed at the Munich Klaviersommer in 1993, Lionel Hampton gathers a remarkable lineup of jazz greats — including Clark Terry, Harry &apos;Sweets&apos; Edison, Al Grey, Benny Golson, Junior Mance, Jimmy Woode and Panama Francis — for a night that celebrates the swing era in all its vitality. Hampton moves between vibraphone, drums and vocals, leading a programme that ranges from standards like &quot;How High the Moon&quot; and &quot;I Remember Clifford&quot; to his own hits, including &quot;Hamp&quot; and &quot;Hey! Ba-Ba-Re-Bob&quot;. A joyous meeting of legends in full flight.</video:description>
<video:duration>6942</video:duration>
<video:publication_date>2025-12-08T12:24:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T15:55:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2C8</loc>
<video:video>
<video:title>Paisiello: Nina – an Introduction</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ab36c462b9ba4f671e677964f4024f33828e9c4e.jpeg</video:thumbnail_loc>
<video:description>This film opens a window onto Zurich Opera&apos;s 2002 staging of Paisiello&apos;s Nina, a work whose mix of charm and emotional candour once captivated Europe. Ádám Fischer, Cesare Lievi and Roberto De Simone join members of the cast — including Cecilia Bartoli and a young Jonas Kaufmann — to reflect on Paisiello&apos;s style and the rehearsal process, while backstage footage and musical excerpts trace how the production took shape. A portrait of artists rediscovering a long-overlooked opera and the world they created around it.</video:description>
<video:duration>2767</video:duration>
<video:publication_date>2025-10-27T14:27:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T15:05:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHJ</loc>
<video:video>
<video:title>Joana Mallwitz &amp; Alice Sara Ott: Ravel, Dessner, Meredith &amp; Beethoven</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/189876340267997f31e7517176d7f63cfde7edf9.jpg</video:thumbnail_loc>
<video:description>The Konzerthausorchester Berlin and Chief Conductor Joana Mallwitz kick off their new season in style with a programme marrying tradition and innovation to compelling effect. First comes Ravel’s ever-popular Boléro, before US composer Bryce Dessner&apos;s Piano Concerto – a work of &quot;sheer brilliance and ebullience&quot; (The Guardian) performed here by Alice Sara Ott, for whom it was written. For the concert&apos;s second half, Anna Meredith&apos;s evocative Nautilus is juxtaposed with Beethoven&apos;s groundbreaking Symphony No. 1, marking the start of a new Beethoven project Mallwitz is undertaking with her orchestra leading up to his anniversary year in 2027.</video:description>
<video:duration>5207</video:duration>
<video:publication_date>2025-09-10T14:54:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T14:31:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGD8</loc>
<video:video>
<video:title>Great Arias - Die Entführung aus dem Serail: &quot;Wenn der Freude Tränen fließen&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1854b42bc2fd05844e5c65530af82211024ba457.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>505</video:duration>
<video:publication_date>2025-12-10T15:34:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T11:47:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1N</loc>
<video:video>
<video:title>Friedrich Gulda &amp; The Paradise Trio at His Paradise Dance Party</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2bb863e3f3ba5ec4a10c83969870dcb0f03c0dd0.jpg</video:thumbnail_loc>
<video:description>&quot;There can be no guarantee that I will become a great jazz musician, but at least I shall know that I am doing the right thing,&quot; said Friedrich Gulda when asked about his passion for jazz. At the Munich Klaviersommer – the boundary-breaking festival he founded – he could give that spirit full rein. This 1995 set with the Paradise Trio shows him moving freely between styles in the company of close musical allies. And after the concert, Gulda returns for a late-night techno session with DJ Vertigo and the Trio, folding club energy into the festival’s adventurous mix.</video:description>
<video:duration>6354</video:duration>
<video:publication_date>2025-10-20T14:29:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T14:07:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJECO</loc>
<video:video>
<video:title>The New York Philharmonic in Pyongyang</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e74e7ba51b8ac557203021c19a0d8beb0e9f44b.jpg</video:thumbnail_loc>
<video:description>The New York Philharmonic makes history with this unprecedented concert from February 2008, which saw the orchestra and conductor Lorin Maazel perform in North Korea alongside Korean musicians. After the two country&apos;s respective national anthems, Maazel conducts a programme of entertaining favourites bringing together European and North American musical traditions, performed with a flair that brought standing ovations from the audience.</video:description>
<video:duration>5203</video:duration>
<video:publication_date>2022-09-27T16:49:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T13:47:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGCO</loc>
<video:video>
<video:title>Albéniz: Suite Española No. 1, Op. 47: No. 3, Malagueña. Allegretto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/66d10207645131341d71de0c4015172350ac2c99.jpg</video:thumbnail_loc>
<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. 

The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-12-08T11:33:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:56:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJGCG</loc>
<video:video>
<video:title>Albéniz: Suite Española No. 1, Op. 47: No. 7, Castilla (Seguidillas)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/21f44be6b4b659f23942282366b53886702e3c92.jpg</video:thumbnail_loc>
<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>231</video:duration>
<video:publication_date>2025-12-08T11:10:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:56:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9L</loc>
<video:video>
<video:title>Friedrich Gulda: Mostly Mozart</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81f20e27d5630353e943b1746ed829eb911114e2.jpeg</video:thumbnail_loc>
<video:description>Filmed at the Munich Philharmonie im Gasteig during the Munich Klaviersommer 1990, this recital shows Friedrich Gulda in one of his most revealing musical guises: the uncompromising classicist. Long celebrated for his iconoclasm and forays into jazz, Gulda here returns to Mozart, a composer he revered above all others, with disarming directness and intensity. From the darkly improvisatory Fantasia in D minor to the radiant Sonata in F major and the storm-tossed C-minor works, his playing unites intellectual clarity with rare spontaneity, reminding us that behind the provocateur stood one of Mozart’s most truthful interpreters.</video:description>
<video:duration>3353</video:duration>
<video:publication_date>2025-10-27T15:16:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:19:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0CG</loc>
<video:video>
<video:title>The Wanderer – Friedrich Gulda</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4df608048f7b99f31610fee626e1e2a9030d451c.jpg</video:thumbnail_loc>
<video:description>Friedrich Gulda was a musician who refused to be contained — a restless spirit forever wandering between genius and provocation. The Wanderer – Friedrich Gulda (1981) offers a compelling portrait of this extraordinary pianist: at once the consummate Mozart interpreter and the rebellious jazz experimenter who delighted in defying convention. János Darvas’s film follows Gulda through the extremes of his artistic journey — from disciplined mastery to wild self-expression — revealing a man for whom freedom was the only true form of music.</video:description>
<video:duration>3610</video:duration>
<video:publication_date>2025-10-23T09:12:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T15:36:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1G</loc>
<video:video>
<video:title>Friedrich Gulda: Preview of Things to Come</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a14332cac5c0f975c29307fa493a29fc0806b3a9.jpeg</video:thumbnail_loc>
<video:description>Friedrich Gulda was a maverick, a provocateur and a pianist of genius, never happier than when vaulting between genres and living dangerously with artists from the worlds of jazz, fusion and pop. He created the Munich Klaviersommer as a creative crucible – a meeting-place of musical minds – and in this concert from July 1989 Gulda himself is presenter and performer in a typically eclectic programme. It begins with Agnes Baltsa&apos;s inimitable Mozart before spinning off into Gulda&apos;s own fusion project &quot;A Preview of Things to Come&quot; – featuring his regular collaborator, Austrian jazz legend Joe Zawinul, plus Zawinul&apos;s own star-studded Syndicate.</video:description>
<video:duration>3575</video:duration>
<video:publication_date>2025-08-12T15:52:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T15:25:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9L</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Günther Rabl: Landschaft mit Pianist</video:title>
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<video:description>Nothing was ever predictable when Friedrich Gulda was involved; this Austrian virtuoso pianist was simultaneously composer, improviser, crossover pioneer and modernist provocateur. As founder of the Munich Klaviersommer, his personal involvement led to some truly eye- and ear-opening performances. Here, in Munich’s Carl-Orff-Saal in the summer of 1987 he gives a full-length performance of Landschaft mit Pianist, an hour-long fantasy for piano and tape specially created for Gulda by his friend and former collaborator, the Linz-born electro-acoustic composer Gunther Rabl. A moment that can never be repeated, starring one of the late 20th century’s boldest – and most controversial – musical minds.</video:description>
<video:duration>2717</video:duration>
<video:publication_date>2025-07-01T11:48:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:46:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPG</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Limpe Fuchs: Consonanza Personale</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6d9373a40dbf906e64ad6c368fa53286cb83fd9.png</video:thumbnail_loc>
<video:description>&quot;For me it was really necessary to leave traditional music behind,&quot; says performance artist Limpe Fuchs, and her decades of exploration at the outer limits of sound made her a natural collaborator for Friedrich Gulda – the maverick Austrian pianist and provocateur who founded the Munich Klaviersommer as a meeting place of the most innovative musical minds. In 1986, in this one-off exploration of their shared creativity – or as Gulda called, it their &quot;consonanza personale&quot; – both artists transcend the conventions of their classical roles (Gulda as pianist, Fuchs as percussionist) to create a wholly original, semi-improvised musical experience.</video:description>
<video:duration>1789</video:duration>
<video:publication_date>2025-07-11T08:04:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1L</loc>
<video:video>
<video:title>Ursula Anders &amp; Friedrich Gulda: Goethe-Lieder</video:title>
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<video:description>Some artistic partnerships just seem fated. The Austrian pianist Friedrich Gulda and the Munich-born soprano and percussionist Ursula Anders were partners in life, in art and in spirit – born musical explorers, never more themselves than when pushing each other to the expressive limits. So there&apos;s an extraordinary atmosphere about this brief Schubert recital that the pair recorded together in Linz in 1980 – an insight and a conviction that&apos;s only heightened by the profundity of Schubert&apos;s inspiration. Schubert meet Goethe; Gulda comes together with Anders. The results deserve to be heard on no terms but their own.</video:description>
<video:duration>733</video:duration>
<video:publication_date>2025-10-16T14:33:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:45:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1K</loc>
<video:video>
<video:title>Avishai Cohen: Ashes to Gold – Live in Paris</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/282bbf88e845d2ce292d209d806f93e1dd0d3cf0.jpg</video:thumbnail_loc>
<video:description>In this concert filmed as part of ECM Explorations series at the Philharmonie de Paris in April 2025, Avishai Cohen is joined by his band for a set built around Ashes to Gold, his deeply personal response to the events of 7 October 2023 and the aftermath in the region – released by ECM a year later and now presented live. It is preceded here by Will I Die, Miss? Will I Die from his 2017 Album &quot;Cross My Palm With Silver&quot; and followed by his haunting arrangement of the slow movement from Ravel&apos;s Piano Concerto. An unmissable concert from a jazz master playing music that goes straight to the heart.</video:description>
<video:duration>3956</video:duration>
<video:publication_date>2025-11-03T16:01:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T13:00:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHH</loc>
<video:video>
<video:title>Riccardo Chailly conducts Mussorgsky: Boris Godunov</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7fc785a2ade1990dbbf752aa9e6f7f54a3a984ce.jpeg</video:thumbnail_loc>
<video:description>Few works changed the landscape of Russian opera as decisively as Mussorgsky&apos;s Boris Godunov, and the stark 1869 version heard here preserves the rawness of his original conception — a drama in which personal guilt and national unrest are inseparably entwined. At Teatro alla Scala, Riccardo Chailly conducts Kasper Holten’s production, created with designer Es Devlin, whose sweeping projections and map-like imagery evoke a world in which the weight of history is never far from view. Ildar Abdrazakov leads the cast as the tormented tsar, joined by Ain Anger as Pimen and Dmitry Golovnin as Grigoriy, with La Scala&apos;s chorus and orchestra giving full scope to Mussorgsky’s vast dramatic canvas.</video:description>
<video:duration>9237</video:duration>
<video:publication_date>2025-12-01T14:30:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT JP</video:restriction>
</video:video>
<lastmod>2025-12-08T18:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9K</loc>
<video:video>
<video:title>Michel Camilo Quintet at the Philharmonie im Gasteig</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/365d8c337f0c08a63e1d91b6165fbf5dc6055265.png</video:thumbnail_loc>
<video:description>Tito Puente, Dizzy Gillespie, Wynton Marsalis, Béla Fleck…when it comes to the legend that is Michel Camilo, it’s hard to think of a late 20th-century jazz great with whom he hasn’t worked. But this irrepressible Dominican-born fusion pianist is never more himself than when playing with close friends, and that was the case on this summer night in Munich in 1991. Long-time Camilo sideman and collaborator Cliff Almond joins Camilo at the head of a handpicked quintet for a set with a very personal flavour: standards by Gillespie and Kenny Dorham mingle with a generous selection of Camilo’s own compositions.</video:description>
<video:duration>4920</video:duration>
<video:publication_date>2025-10-24T12:43:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-08T14:34:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHP</loc>
<video:video>
<video:title>Nelsons at the Shostakovich Festival Leipzig: &quot;Leningrad&quot; Symphony</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c894f3c24a8571890ccd225b83c778be32c503cd.jpeg</video:thumbnail_loc>
<video:description>In this concert, filmed at the Shostakovich Festival Leipzig, in May 2025, Andris Nelsons unites his two orchestras – the Gewandhausorchester and the Boston Symphony Orchestra – in a one of the greatest of all 20th-century symphonies, Shostakovich&apos;s huge Symphony No. 7. The longest of the composer&apos;s symphonies, it was composed at the height of World War II and presented as an act of resistance against the German siege of Leningrad (today&apos;s St Petersburg); its performance in the city, in almost unimaginable conditions, has gone down in legend. Over 80 years later – and 50 years after Shostakovich&apos;s death – the work remains as powerful as ever, especially in such a performance as this.</video:description>
<video:duration>5261</video:duration>
<video:publication_date>2025-12-08T09:38:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2025-12-08T10:13:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJECO</loc>
<video:video>
<video:title>Eugene Onegin: In Rehearsal at the Met</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/feb603a44f4b2d343b362359beeaaaf2b3e127d7.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>898</video:duration>
<video:publication_date>2025-12-02T16:16:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:13:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJEDO</loc>
<video:video>
<video:title>Backstage at Grounded</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c3ef448d150841aae7147dabf24d2e1ef2961b62.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>994</video:duration>
<video:publication_date>2025-12-04T13:09:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJEDG</loc>
<video:video>
<video:title>Backstage at Der Rosenkavalier</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3e611c3dbde081d8e6fac135165fa9ada31700d5.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1542</video:duration>
<video:publication_date>2025-12-04T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJED8</loc>
<video:video>
<video:title>Backstage at Rusalka</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c12bbbfdd67b6beecba25ee208ab65e1eee4ac6c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>423</video:duration>
<video:publication_date>2025-12-03T11:00:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJED0</loc>
<video:video>
<video:title>Backstage at Thaïs</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b33dd7256be30b1d4c40a4b49ff29461d82e1142.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>473</video:duration>
<video:publication_date>2025-12-03T10:40:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJEE8</loc>
<video:video>
<video:title>Great Arias – Orphée et Eurydice: &quot;J&apos;ai perdu mon Eurydice&quot; &amp; &quot;Objet de mon amour&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/28f53e4ca7653b3eb8842c98a125cfec73bf74c3.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>608</video:duration>
<video:publication_date>2025-12-05T10:07:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:05:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1N</loc>
<video:video>
<video:title>Verdi: La Traviata – starring Nadine Sierra &amp; Stephen Costello</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/04417a7a3b541278bf704f4db8d42e32abde5f3e.jpg</video:thumbnail_loc>
<video:description>During the Met’s 2022–23 season, Nadine Sierra took on a touchstone soprano role, the courtesan Violetta Valéry in Verdi’s timeless tragedy La Traviata. In this performance, recorded as part of the company’s Live in HD series, Sierra headlines Michael Mayer’s vivid production, sharing the stage with tenor Stephen Costello as Violetta’s ardent yet impetuous lover, Alfredo, and baritone Luca Salsi as his father, Giorgio Germont, whose unbending resolve dooms their life together. Milanese maestro Daniele Callegari takes the podium to lead Verdi’s masterful score, which is simultaneously tuneful and heartbreaking. (© The Metropolitan Opera)</video:description>
<video:duration>8031</video:duration>
<video:publication_date>2025-12-01T09:14:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T14:55:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0C8</loc>
<video:video>
<video:title>Chick Corea: Piano Solo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/14a47d40bd0e23d3c429cb90bdec7e8213bda018.jpg</video:thumbnail_loc>
<video:description>Chick Corea takes to the piano alone for this solo concert from the Munich Klaviersommer in 1983: an occasion for his imagination and virtuosity to be given completely free rein. As one would expect, he explores the myriad opportunities of his instrument while demonstrating the vast range of his influences and inspiration in his performances, improvisations and his own works: from classical music (including the visionary Alexander Scriabin, a prelude of whose is included here) through to forebears from the worlds of jazz and bebop. The result is a breathtaking demonstration of a genius at his height: essential viewing for jazz lovers and piano lovers alike.</video:description>
<video:duration>2675</video:duration>
<video:publication_date>2025-03-24T15:09:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T13:00:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8DG</loc>
<video:video>
<video:title>Karajan conducts Brahms: Symphony No. 2 (1973)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dcec32ed4537d5c5810952ba42d6e2cd246736c5.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan recorded this cycle of Brahms&apos;s Four Symphonies live in the Berlin Philharmonie in 1973 when he was at the height of his powers – and over 15 years into his reign as principal conductor of the Berliner Philharmoniker. The four works, all premiered within the space of a decade, represent one of Brahms&apos;s greatest achievements as a composer, from the breakthrough Symphony No. 1, decades in the planning, to the passionate Fourth, culminating in a powerful Passacaglia – a Baroque form built on a repeating bassline. To all four works, Karajan brings the concentration and musical singlemindedness that were his hallmarks in what remains an essential audio-visual document of his art.</video:description>
<video:duration>2481</video:duration>
<video:publication_date>2025-05-15T08:09:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T16:57:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCD0</loc>
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<video:title>Allerheiligenkonzert 1986: Abbado conducts Schubert &amp; Mozart</video:title>
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<video:description>Claudio Abbado had a very special way with both Mozart and Schubert: his Italian heritage, combined with his profound understanding of the Austro-German symphonic tradition, gave him a special affinity with the music of Vienna. The Vienna State Opera Chorus&apos;s All Saints&apos; Day concert is a Viennese institution, and for the 1986 concert Abbado and the Vienna Philharmonic joined the chorus in the Musikverein for a fresh but heartfelt performance of Schubert&apos;s late Mass in E Flat Major, plus a sequence of Mozart&apos;s finest shorter sacred works. Some of the most admired singers of the 1980s – including Jerry Hadley, Marjana Lipovšek and the young Karita Mattila – join Abbado and his all-Viennese forces: a truly captivating occasion.</video:description>
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<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T16:47:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8CO</loc>
<video:video>
<video:title>Gulda plays Mozart</video:title>
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<video:description>Few great pianists have divided opinion like Friedrich Gulda, the jazz-loving Austrian maverick whom some critics called a &quot;musical terrorist&quot;. But on one point, everyone who heard him is agreed: Gulda was one of the supreme modern interpreters of Mozart, the composer he regarded as the &quot;greatest of the greatest&quot;. This recital from the 1995 Münchner Klaviersommer (just five years before his untimely death) finds him at the height of his powers in two of Mozart&apos;s finest mature sonatas, K.333 and K.576, as well as the tremendous D Minor Fantasia, K.397. Carefully chosen excerpts from earlier sonatas frame a programme that&apos;s essential listening for anyone who loves Mozart – or, indeed, great pianism at its most original and sublime.</video:description>
<video:duration>3580</video:duration>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T14:35:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJAD8</loc>
<video:video>
<video:title>On Wagner&apos;s Leitmotifs</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2025-11-19T15:17:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T11:02:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJADG</loc>
<video:video>
<video:title>Backstage at Götterdämmerung</video:title>
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<video:description></video:description>
<video:duration>916</video:duration>
<video:publication_date>2025-11-19T16:08:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T11:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCE0</loc>
<video:video>
<video:title>Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major &quot;Raindrop Prelude&quot;</video:title>
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<video:description></video:description>
<video:duration>293</video:duration>
<video:publication_date>2025-12-01T14:13:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T11:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCCO</loc>
<video:video>
<video:title>Pärt: Für Alina</video:title>
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<video:description></video:description>
<video:duration>152</video:duration>
<video:publication_date>2025-11-24T13:38:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T10:42:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCDO</loc>
<video:video>
<video:title>Ravel Recomposed: Assez vif, très rythmé (From String Quartet in F Major, M. 35)</video:title>
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<video:description>&apos;Ravel Recomposed&apos; presents Victor le Masne’s affectionate take on music by one of the greatest of all French composers. Fresh from his role as Composer and Musical Director of the 2024 Paris Olympics and Paralympics, Le Masne brings vibrant colours and contemporary reflections to music he has loved since childhood. The fusion of styles and genres on Ravel Recomposed embraces everything from classical and jazz to the Grammy®-winning composer-producer-multi-instrumentalist’s distinctive brand of French Touch electro-dance music.</video:description>
<video:duration>217</video:duration>
<video:publication_date>2025-12-01T11:27:15Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T10:37:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9O</loc>
<video:video>
<video:title>Mussorgsky: Khovanshchina</video:title>
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<video:description>Few Russian operas feel as urgent as Mussorgsky’s Khovanshchina – a drama of political intrigue and religious fanaticism in the reign of Peter the Great which continues to have powerful resonances in today’s very different (but equally troubled) political climate. Stein Winge’s bold modern updating lays those parallels bare, using Shostakovich’s completion of Mussorgsky’s unfinished score to create an unmistakably 21st-century drama. Critically praised at its opening in 2007, this 2011 revival from Barcelona benefits from the conducting of Michael Boder, plus a Russian-speaking cast and the impassioned and strikingly idiomatic singing of the Liceu chorus.</video:description>
<video:duration>10658</video:duration>
<video:publication_date>2025-10-07T15:58:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T09:53:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3AE8</loc>
<video:video>
<video:title>Yellow Lounge: Snorri Hallgrímsson</video:title>
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<video:description>From the interactive Immersive Room at DRIVE Volkswagen Group Forum in the centre of Berlin, Icelandic composer, producer and multi-instrumentalist Snorri Hallgrímsson presents music from his debut EP on Deutsche Grammophon, “Longer shadows, softer stones”. As always for events in DG’s Yellow Lounge – the label’s celebrated club-meets-classics series – the music is complemented by visuals by video artist Philip Geist, creating a uniquely relaxed atmosphere for the audience to immerse themselves in Snorri’s haunting, unforgettable sound world.</video:description>
<video:duration>2276</video:duration>
<video:publication_date>2025-02-18T15:13:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T15:23:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8DO</loc>
<video:video>
<video:title>Backstage at La Cenerentola</video:title>
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<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2025-11-18T13:24:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:22:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJECG</loc>
<video:video>
<video:title>Backstage at Roberto Devereux</video:title>
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<video:description></video:description>
<video:duration>730</video:duration>
<video:publication_date>2025-12-02T16:05:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJEC8</loc>
<video:video>
<video:title>Backstage at Samson et Dalila</video:title>
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<video:description></video:description>
<video:duration>248</video:duration>
<video:publication_date>2025-12-02T15:56:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:16:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJEC0</loc>
<video:video>
<video:title>Backstage at Dialogues des Carmélites</video:title>
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<video:description></video:description>
<video:duration>282</video:duration>
<video:publication_date>2025-12-02T14:38:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCE8</loc>
<video:video>
<video:title>Backstage at La Traviata</video:title>
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<video:description></video:description>
<video:duration>553</video:duration>
<video:publication_date>2025-12-02T14:30:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:14:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8E8</loc>
<video:video>
<video:title>Yannick Nézet-Séguin on Carmen</video:title>
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<video:description></video:description>
<video:duration>509</video:duration>
<video:publication_date>2025-11-18T14:54:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:13:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8E0</loc>
<video:video>
<video:title>Backstage at Carmen</video:title>
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<video:description></video:description>
<video:duration>232</video:duration>
<video:publication_date>2025-11-18T14:41:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:12:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJAD0</loc>
<video:video>
<video:title>Backstage at Die Walküre</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a1a6d1fb31f53d543750bf29ef76f0197a1575c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>911</video:duration>
<video:publication_date>2025-11-19T13:46:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:10:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJAC8</loc>
<video:video>
<video:title>Das Rheingold: In rehearsal at the Met</video:title>
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<video:description></video:description>
<video:duration>498</video:duration>
<video:publication_date>2025-11-18T15:14:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T16:09:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJACG</loc>
<video:video>
<video:title>Jay Hunter Morris on Siegfried</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/123b0f53bebc528d7ec4f50226bc8ba144e1d107.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>708</video:duration>
<video:publication_date>2025-11-18T15:57:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T13:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJAC0</loc>
<video:video>
<video:title>Bryn Terfel on Das Rheingold</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/007990ca97d08cf2f03fa07e00b39e412bf606bc.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2025-11-18T15:03:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T13:52:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CD8</loc>
<video:video>
<video:title>Let’s Record! Peltokoski and The Deutsche Kammerphilharmonie Bremen</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e88672bed12ba64909c61d86933fbfa8e653fded.jpg</video:thumbnail_loc>
<video:description>Finnish conductor Tarmo Peltokoski conducts The Deutsche Kammerphilharmonie Bremen – which appointed him its first ever Principal Guest Conductor in early 2022 – in three of Mozart&apos;s greatest symphonies: the immediately arresting &quot;Haffner&quot;, the &quot;Linz&quot; and the searingly dramatic No. 40 in G Minor. This &quot;Let&apos;s Record!&quot; film captures a single run-through of all three works performed as part of a recording session. Filmed before a small invited audience, it catches the inspiration of the moment in the context of intense engagement with the works by conductor and orchestra – to thrilling effect.</video:description>
<video:duration>4368</video:duration>
<video:publication_date>2023-10-23T08:38:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T12:57:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCCG</loc>
<video:video>
<video:title>Lang Lang at Carnegie Hall</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4d141d313334e13e0b721206d854ecac7bb61188.png</video:thumbnail_loc>
<video:description>Filmed in 2024, this documentary revisits Lang Lang&apos;s solo debut at Carnegie Hall in 2003 – a moment widely seen as his breakthrough on the international stage. The film sets the recital against the personal story that led to it: a demanding childhood, years of disciplined study, and a complicated bond with his father. Their joint improvisation on a Chinese folk song at the end of the concert lends the evening a symbolic resonance. Reflections from Christoph Eschenbach, Tan Dun and Gary Graffman frame the significance of the occasion, with Claire Huangci and Bruce Liu adding perspectives from a younger generation.</video:description>
<video:duration>3112</video:duration>
<video:publication_date>2025-11-24T13:08:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">DE FR</video:restriction>
</video:video>
<lastmod>2025-11-28T15:16:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCDG</loc>
<video:video>
<video:title>Caruso for All: The Story of the Gramophone</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5d96cf977b596ac3b9bbc875c301251798cd6d35.jpeg</video:thumbnail_loc>
<video:description>&quot;Caruso for All: The Story of the Gramophone&quot; looks back to the moment when recorded sound first reshaped musical life. The film traces Emil Berliner&apos;s invention of the disc and the birth of a new industry, showing how the gramophone carried voices into homes across the world and turned Enrico Caruso into the first truly global recording star. With rare archival material and insight from Berliner&apos;s grandson Oliver, the documentary captures the excitement of an era when technology transformed listening – and changed the course of music history.</video:description>
<video:duration>3415</video:duration>
<video:publication_date>2025-11-27T12:19:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T15:15:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9N</loc>
<video:video>
<video:title>Take 6 in Concert</video:title>
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<video:description>The late, great, Quincy Jones called Take 6 the &quot;baddest vocal cats on the planet&quot;, and for more than four decades this all-star vocal sextet has set the global standard in a capella Gospel singing. But back in 1990, they were still the new kids on the block, and this joyous evening of song at the Munich Klaviersommer festival captures them in the first flush of their global fame – fresh from the Grammy-award winning triumph of their debut album Take 6. A musical phenomenon captured live, and large as life, singing jazz standards, gospel classics…and a few surprises.</video:description>
<video:duration>4301</video:duration>
<video:publication_date>2025-11-24T11:00:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T14:40:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9P</loc>
<video:video>
<video:title>Wolfgang Sawallisch &amp; The Philadelphia Orchestra: Rautavaara &amp; Strauss</video:title>
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<video:description>Recorded at the Kölner Philharmonie in 2000, this concert brings Wolfgang Sawallisch and the Philadelphia Orchestra, one of America&apos;s most prestigious ensembles, to a programme that sets two contrasting visions of orchestral narrative side by side. The European premiere of Einojuhani Rautavaara&apos;s Symphony No. 8 &quot;The Journey&quot; opens the evening with spacious textures and quiet momentum. Richard Strauss&apos;s Sinfonia domestica then turns everyday family life into an expansive symphonic tableau, its vivid orchestration offering a striking counterbalance to Rautavaara&apos;s more reflective world.</video:description>
<video:duration>4367</video:duration>
<video:publication_date>2025-11-24T16:02:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T14:07:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1J</loc>
<video:video>
<video:title>Rimsky-Korsakov: Christmas Eve</video:title>
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<video:description>Based on a short story of the same name by Nikolai Gogol, Rimsky-Korsakov&apos;s 1895 opera Christmas Eve got off to a bad start: the composer decided to boycott his own premiere after controversy about his planned portrayal of Empress Catherine II (as in Gogol&apos;s tale). The opera has been only infrequently staged since then. Yet Rimsky, that master of exquisite orchestration, remained adamant that it had allowed him &quot;to write a lot of interesting music&quot; – including a part for the only recently invented celesta, soon to be a vital element of his colour-rich sound world. This rare, award-winning 21st-century production for Oper Frankfurt was staged by superstar director Christof Loy, with Sebastian Weigle conducting a fine international cast.</video:description>
<video:duration>9204</video:duration>
<video:publication_date>2025-10-16T12:39:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T09:14:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1P</loc>
<video:video>
<video:title>Bychkov conducts Ravel and Tchaikovsky - with Seong-Jin Cho</video:title>
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<video:description>The Czech Philharmonic has long been a byword for tradition and sheer beauty of sound, but under its chief conductor Semyon Bychkov it&apos;s been winning new laurels, and exploring ever-wider musical worlds. Join this great orchestra in the historic surroundings of the Rudolfinum in Prague as they open their 130th season with one of Bychkov&apos;s signature works – Tchaikovsky&apos;s impassioned Fifth Symphony – and join the extraordinary young Korean pianist Seong-Jin Cho in Ravel&apos;s glittering, jazz-inspired Piano Concerto in G. Tradition meets creative energy in the heart of Europe: a concert to stir the soul and ravish the ear.</video:description>
<video:duration>5154</video:duration>
<video:publication_date>2025-10-02T13:53:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-11-27T16:45:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCC8</loc>
<video:video>
<video:title>Finding Gratitude</video:title>
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<video:description></video:description>
<video:duration>270</video:duration>
<video:publication_date>2025-11-24T10:41:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T14:02:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCC0</loc>
<video:video>
<video:title>Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: Nos. 7 - 15 &quot;Old Dance Tunes&quot;</video:title>
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<video:description>In this 80th anniversary year of the composer’s death (on 26 September 1945), Várjon, who records on our partner label CAvi music, plays a group of &quot;Old Dance Tunes&quot; from his countryman Bartók&apos;s collection of 15 Hungarian Peasant Songs for Piano, Sz. 71.</video:description>
<video:duration>348</video:duration>
<video:publication_date>2025-11-24T09:35:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T14:02:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCD8</loc>
<video:video>
<video:title>Great Arias – La belle Hélène: &quot;C&apos;est le ciel qui m&apos;envoi&quot;</video:title>
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<video:description></video:description>
<video:duration>608</video:duration>
<video:publication_date>2025-11-25T15:17:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T16:58:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJCD0</loc>
<video:video>
<video:title>Bach: In dulci jubilo, BWV 729.2</video:title>
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<video:description></video:description>
<video:duration>142</video:duration>
<video:publication_date>2025-11-25T15:00:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T10:01:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34D0</loc>
<video:video>
<video:title>Bartók: Out of Doors, Sz. 81: V. The Chase (Festspielhaus Baden-Baden, 2025)</video:title>
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<video:description></video:description>
<video:duration>118</video:duration>
<video:publication_date>2025-07-07T09:53:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:58:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3EE0</loc>
<video:video>
<video:title>Zeffirelli&apos;s La traviata – starring Teresa Stratas and Plácido Domingo</video:title>
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<video:description>Franco Zeffirelli&apos;s productions of the Italian operatic classics were a byword for visual beauty and attention to detail, and the New York Metropolitan Opera continues to stand alone for the quality of its casting. They come together in this 1982 film of Verdi&apos;s La traviata, directed by Zeffirelli and recorded with the Met&apos;s world-class company. Zeffirelli&apos;s sumptuous, period-appropriate evocation of 19th-century Paris provides a truly opulent setting for Teresa Stratas&apos;s performance as Violetta, the doomed society hostess, and Placido Domingo as Alfredo, her lover. Two great singers in signature roles, vividly captured in a rare opera film that possesses all the passion and immediacy of a great theatrical occasion.</video:description>
<video:duration>6366</video:duration>
<video:publication_date>2023-10-12T08:51:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:48:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPL</loc>
<video:video>
<video:title>Wagner: Die Walküre – Bryn Terfel, Jonas Kaufmann &amp; Deborah Voigt</video:title>
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<video:description>Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. With Die Walküre, the story of the Ring enters the world of human beings. Tenor Jonas Kaufmann and soprano Eva-Maria Westbroek are Siegmund and Sieglinde, the twin children of Wotan, sung by bass-baritone Bryn Terfel. Soprano Deborah Voigt stars in the title role of the Valkyrie Brünnhilde, Wotan’s favorite daughter. James Levine conducts. (© The Metropolitan Opera)</video:description>
<video:duration>14408</video:duration>
<video:publication_date>2025-09-19T07:19:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:48:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPK</loc>
<video:video>
<video:title>Wagner: Siegfried – starring Jay Hunter Morris &amp; Bryn Terfel</video:title>
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<video:description>Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. Tenor Jay Hunter Morris is the fearless hero of the title in the epic’s third installment. Soprano Deborah Voigt sings Brünnhilde, and bass-baritone Bryn Terfel is the Wanderer, with Fabio Luisi on the podium. (© The Metropolitan Opera)</video:description>
<video:duration>14336</video:duration>
<video:publication_date>2025-09-19T07:03:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPJ</loc>
<video:video>
<video:title>Wagner: Rheingold – starring Bryn Terfel &amp; Eric Owens</video:title>
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<video:description>Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including bass-baritone Bryn Terfel as Wotan, mezzo-soprano Stephanie Blythe as Fricka, and bass-baritone Eric Owens as Alberich. (© The Metropolitan Opera)</video:description>
<video:duration>9749</video:duration>
<video:publication_date>2025-09-18T16:34:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPI</loc>
<video:video>
<video:title>Wagner: Götterdämmerung – starring Deborah Voigt &amp; Jay Hunter Morris</video:title>
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<video:description>Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. The four-part epic comes full circle with its cataclysmic finale, in which one woman’s sacrifice redeems the world. Soprano Deborah Voigt as Brünnhilde stars opposite tenor Jay Hunter Morris as Siegfried, and Fabio Luisi conducts. (© The Metropolitan Opera)</video:description>
<video:duration>16243</video:duration>
<video:publication_date>2025-09-18T16:09:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPH</loc>
<video:video>
<video:title>Tchaikovsky: Eugene Onegin – with Renée Fleming &amp; Dmitri Hvorostovsky</video:title>
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<video:description>The pain of unrequited love is brought vividly to life in this unforgettable performance of Tchaikovsky’s Eugene Onegin. Soprano Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by baritone Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages. (© The Metropolitan Opera)</video:description>
<video:duration>9394</video:duration>
<video:publication_date>2025-09-18T15:58:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHP</loc>
<video:video>
<video:title>Rossini: La Cenerentola – starring Elīna Garanča &amp; Lawrence Brownlee</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a450325dffe2d5fd176898f91789a21b5a0438b1.jpg</video:thumbnail_loc>
<video:description>If ever a composer was born to set the enchanting fairy tale of Cinderella to sparkling music, it was Rossini. His much put-upon heroine Angelina (mezzo-soprano Elīna Garanča) has to cope not only with nasty stepsisters but also an over-the-top, farcical father, Don Magnifico (baritone Alessandro Corbelli). And in this version the prince (tenor Lawrence Brownlee) and his valet (baritone Simone Alberghini) swap identities, which causes no end of delightful confusion. With Cesare Lievi’s delightful storybook production and Maurizio Benini’s expert conducting, it’s all as light and delicious as a marvelous musical soufflé. (© The Metropolitan Opera)</video:description>
<video:duration>9822</video:duration>
<video:publication_date>2025-09-18T15:34:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:46:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9I</loc>
<video:video>
<video:title>Poulenc: Dialogues des Carmélites</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4be0caab2e87e92e39cf0877e15fed71019a5279.jpg</video:thumbnail_loc>
<video:description>Ever since John Dexter’s striking production marked the company premiere of Dialogues des Carmélites in 1977, Poulenc’s devastating masterpiece has been a favorite of Met audiences. In this 2019 performance, Music Director Yannick Nézet-Séguin leads a starry revival, headlined by mezzo-soprano Isabel Leonard as Blanche de la Force, who joins a convent of Carmelite nuns to escape the terrors of the French Revolution. The exceptional cast also features soprano Karita Mattila as Madame de Croissy, sopranos Erin Morley and Adrianne Pieczonka and mezzo-soprano Karen Cargill as Blanche’s fellow sisters, and tenor David Portillo as the protective Chevalier de la Force. (© The Metropolitan Opera)</video:description>
<video:duration>10124</video:duration>
<video:publication_date>2025-10-02T09:14:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:46:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHO</loc>
<video:video>
<video:title>Massenet: Thaïs – starring Renée Fleming &amp; Thomas Hampson</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/70f60ac3d19d18294fc5925253f93f6ca2838341.jpg</video:thumbnail_loc>
<video:description>When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Soprano Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Baritone Thomas Hampson is the tortured man of God. This production by John Cox brilliantly sets the stage for a confrontation as old as civilization itself. (© The Metropolitan Opera)</video:description>
<video:duration>8293</video:duration>
<video:publication_date>2025-09-18T14:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHN</loc>
<video:video>
<video:title>Dvořák: Rusalka – starring Renée Fleming &amp; Piotr Beczała</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/86935cb5b16a43c95331ce96d8d9d4847282157f.jpg</video:thumbnail_loc>
<video:description>Otto Schenk’s storybook production perfectly captures the fairy-tale world of Dvořák’s supremely romantic opera. Star soprano Renée Fleming, in one of her most acclaimed portrayals, takes on the title role of the water nymph who longs to be human, opposite tenor Piotr Beczała as the Prince, the object of her affection. Bass-baritone John Relyea is the Vodník, mezzo-soprano Dolora Zajick sings the witch Ježibaba, and soprano Emily Magee is the Foreign Princess. Yannick Nézet-Séguin conducts. (© The Metropolitan Opera)</video:description>
<video:duration>9935</video:duration>
<video:publication_date>2025-09-18T10:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9H</loc>
<video:video>
<video:title>Donizetti: Roberto Devereux – starring Sondra Radvanovsky</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/317d6c04bc1214423077563027d0fbc7993da495.jpg</video:thumbnail_loc>
<video:description>David McVicar’s atmospheric Met premiere production frames the dramatic and heartrending love story of Queen Elizabeth I and the Earl of Essex as a play within a play unfolding before the members of the royal court. Sondra Radvanovsky’s portrayal of the aging monarch is a tour de force, laying bare the conflict between her public duties as ruler of England and her private feeling as a woman. Tenor Matthew Polenzani is the Earl of Essex, Roberto Devereux, the object of her affections who is torn between two women. Mezzo-soprano Elīna Garanča as Sara and baritone Mariusz Kwiecień as her husband, the Duke of Nottingham, complete the quartet of principals. Maurizio Benini conducts. (© The Metropolitan Opera)</video:description>
<video:duration>8904</video:duration>
<video:publication_date>2025-10-02T08:07:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHM</loc>
<video:video>
<video:title>Bizet: Carmen – starring Elīna Garanča &amp; Roberto Alagna</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8bce8ef67c6c286ef74775606b5ba5ec202ccd48.jpg</video:thumbnail_loc>
<video:description>Richard Eyre’s stunning production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Mezzo-soprano Elīna Garanča leads the cast as the iconic seductress Carmen—a woman desired by every man but determined to remain true to herself. Tenor Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (sung by baritone Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.</video:description>
<video:duration>9782</video:duration>
<video:publication_date>2025-09-18T08:40:19Z</video:publication_date>
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<lastmod>2025-11-26T09:45:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38E8</loc>
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<video:title>Benjamin Bernheim stars in Offenbach&apos;s Les Contes d&apos;Hoffmann</video:title>
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<video:description>Tenor Benjamin Bernheim brings one of his signature roles to the Salzburg Festival with this new production of Offenbach’s final opera, Les Contes d’Hoffmann. Bernheim embodies the writer Hoffmann on his search for his ideal love as the opera takes us through a series of fantastical episodes: from Paris, to Munich and Venice (featuring the famous Barcarolle). He is accompanied by his Muse (Kate Lindsey) and thwarted by a series of villains (Christian Van Horn), while soprano Kathryn Lewek embodies each of the objects of his desire. Mariame Clément, renowned for stagings marrying style and imagination, directs, while Offenbach specialist Marc Minkowski promises to secure sparkling playing from the Wiener Philharmoniker.</video:description>
<video:duration>10889</video:duration>
<video:publication_date>2024-08-28T08:05:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-25T10:36:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6CO</loc>
<video:video>
<video:title>Brahms: Violin Sonata No. 1 in G Major, Op. 78</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>113</video:duration>
<video:publication_date>2025-11-05T10:14:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-25T09:25:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GC8</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Britten &amp; Čiurlionis</video:title>
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<video:description>From the Philharmonic Concert Hall in Vilnius, Mirga Gražinytė-Tyla conducts a concert that offers a double celebration: of the sea, and of the great Lithuanian composer and artist Mikalojus Čiurlionis, whose 150th birthday is celebrated in 2025. The concert concludes with one of his most celebrated works, the sumptuous 1907 symphonic poem The Sea, completed just four years before the composer&apos;s untimely death, aged just 36. The concert opens with another celebrated evocation of the sea – the Sea Interludes from Benjamin Britten&apos;s 1945 opera, Peter Grimes – while the central work on the programme celebrates Čiurlionis from a contemporary perspective: Canadian composer Joel Hoffman&apos;s Self-Portrait with Čiurlionis.</video:description>
<video:duration>5778</video:duration>
<video:publication_date>2025-04-28T16:31:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-24T15:34:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJED0</loc>
<video:video>
<video:title>Hilary Hahn: A Portrait</video:title>
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<video:description>In this 2005 documentary, filmmaker Benedikt Mirow follows one of the great musicians of our era at the height of her early career. By then, Hilary Hahn had already been dubbed the &quot;talent of the century&quot;, and she quickly established herself as an icon of the classical musica world. This film follows the young violinist as she jets from one concert to the next in the metropolises of the world – maintaining all the time the professionalism and self-possession of a pop star. And in accompanying the artist on her travels – which include stops at the Hong Kong Cultural Centre, the Berlin Philharmonie and the famous Abbey Road Studios in London – an intimate portrait emerges.</video:description>
<video:duration>3455</video:duration>
<video:publication_date>2025-03-12T13:49:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-24T13:15:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJAE8</loc>
<video:video>
<video:title>Great Arias – Hamlet: &quot;Vains regrets!&quot; &amp; &quot;J&apos;ai pu frapper le misérable&quot;</video:title>
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<video:description></video:description>
<video:duration>570</video:duration>
<video:publication_date>2025-11-21T09:36:50Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T10:58:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1O</loc>
<video:video>
<video:title>Claudio Abbado and the Berliner Philharmoniker: Debussy, Rihm, Britten</video:title>
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<video:description>By the later stages of Claudio Abbado’s tenure as principal conductor of the Berlin Philharnonic, he’d transformed the orchestra’s reputation, taking its legendary sound and virtuosity as a starting point for musical explorations that ranged far beyond the Austro-German tradition. This concert, recorded in Cologne in 2000, is typically fearless – a deep dive into the shimmering, nocturnal soundworlds of Ravel and Debussy, with the unrivalled team of Philip Langridge and Stefan Dohr as soloists in Britten’s Serenade. The programme begins with an impassioned meditation on German history from Wolfgang Rihm, just months after Abbado and his orchestra gave its world premiere in Berlin.</video:description>
<video:duration>4763</video:duration>
<video:publication_date>2025-11-06T14:12:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-11-24T09:23:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9K</loc>
<video:video>
<video:title>Joachim Kühn in the Festsaal Bayerischer Hof</video:title>
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<video:description>The German jazz pianist Joachim Kühn has been called a &quot;musical cosmopolitan&quot;, an artist whose playing &quot;defies all categorisation&quot; – and since becoming the first great champion of free jazz in the communist DDR, and his subsequent, sensational, defection to the West, he&apos;s consistently demonstrated his credentials as one of the boldest and brightest lights in European jazz. He was a natural for the genre-defying Munich Klaviersommer festival and this pre-millennium solo set from the elegant surroundings of the Bayerische Hof finds him at his inimitable best, in repertoire that ranges from Bach to Kühn&apos;s lifelong inspiration Ornette Coleman.</video:description>
<video:duration>4306</video:duration>
<video:publication_date>2025-11-13T14:48:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T09:21:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0D0</loc>
<video:video>
<video:title>Daniil Trifonov in Castelfranco</video:title>
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<video:description>At just 23, Daniil Trifonov had already conquered the Tchaikovsky and Rubinstein Competitions, but prizes tell only part of the story. In Daniil Trifonov in Castelfranco (2013), we encounter a pianist whose artistry seems to dissolve the boundaries between composer, improviser and performer. Filmed at a moment when his meteoric rise was matched by a rare inwardness, the documentary captures both the intensity and the intimacy of his musical world — a portrait of genius in motion, and of a young artist already reshaping what it means to play, to think, and to dream at the piano.</video:description>
<video:duration>2590</video:duration>
<video:publication_date>2025-10-23T13:04:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T14:35:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1I</loc>
<video:video>
<video:title>Gluck: Orphée et Eurydice (ed. Berlioz)</video:title>
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<video:description>Christoph Willibald Gluck was a groundbreaking thinker in 18th-century opera, shaking up French and Italian traditions alike. Yet after his death, his operas were largely forgotten until the French composer Hector Berlioz spearheaded revivals in Paris, starting with the devastatingly beautiful Orphée et Eurydice. Berlioz reworked the castrato role of Orpheus for the celebrated mezzo-soprano Pauline Viardot – a role taken in this 2018 production from Paris&apos;s Opéra Comique by rising star Marianne Crebassa, alongside Hélène Guilmette (Eurydice) and Lea Desandre (Amor). Raphaël Pichon conducts this critically acclaimed cast and his renowned period-instrument group Ensemble Pygmalion in a stylish, subtle staging directed by Aurélien Bory.</video:description>
<video:duration>5922</video:duration>
<video:publication_date>2025-10-16T10:32:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-21T14:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9H</loc>
<video:video>
<video:title>The Manhattan Transfer in the Philharmonie im Gasteig</video:title>
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<video:description>&quot;We didn&apos;t say we were a pop group,&quot; says Janis Siegel of The Manhattan Transfer. &quot;We didn&apos;t say we were a jazz group. We&apos;re a vocal group&quot; – and there&apos;s no denying the extraordinary and enduring cross-genre appeal of this New York-based vocal quartet, for which (in the words of founder-member Alan Paul) &quot;excellence exists in all kinds of music&quot;. Still, they certainly can swing and when they brought their special brand of jazz fusion to the 1991 Munich Klaviersommer that&apos;s precisely what they did. An evening-long celebration of a vocal phenomenon, ranging from lounge jazz to Latin grooves.</video:description>
<video:duration>6620</video:duration>
<video:publication_date>2025-10-23T11:44:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T13:59:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPM</loc>
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<video:title>Maxim Vengerov plays Tchaikovsky&apos;s Violin Concerto</video:title>
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<video:description>In the summer of 1990, the end of the Cold War still felt like a miracle – and the same could be said for the great Soviet orchestras and artists who took advantage of a new freedom to perform in the West. This Munich performance of Tchaikovsky&apos;s evergreen Violin Concerto from the Moscow State Symphony Orchestra captures that extraordinary moment. Conductor Pavel Kogan was still in his thirties and Maxim Vengerov was only in his teens – two giants of 21st-century Russian music captured at the height of their youthful freshness and verve. Vengerov&apos;s Paganini encore is a dazzling bonus.</video:description>
<video:duration>2458</video:duration>
<video:publication_date>2025-09-22T08:17:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T13:30:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8D8</loc>
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<video:title>Beethoven: Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo – Adagio espressivo</video:title>
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<video:description></video:description>
<video:duration>240</video:duration>
<video:publication_date>2025-11-18T10:19:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T09:49:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8CO</loc>
<video:video>
<video:title>Einaudi: Fly</video:title>
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<video:description></video:description>
<video:duration>237</video:duration>
<video:publication_date>2025-11-18T09:52:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T09:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJAE0</loc>
<video:video>
<video:title>Max Raabe &amp; Palast Orchester - MTV Unplugged: Behind The Scenes</video:title>
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<video:description></video:description>
<video:duration>1444</video:duration>
<video:publication_date>2025-11-20T15:00:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T09:41:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6D8</loc>
<video:video>
<video:title>On Opus 109</video:title>
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<video:description></video:description>
<video:duration>646</video:duration>
<video:publication_date>2025-11-05T16:19:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T07:31:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0CO</loc>
<video:video>
<video:title>Víkingur Ólafsson: My Favourite Melodies</video:title>
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<video:description>Pianist Víkingur Ólafsson reflects on the music that has shaped his artistic life — from Icelandic song to Bach, Mozart, Rameau and Philip Glass. In this intimate film, he talks about the pieces that have stayed with him, how their character changes in performance, and why unexpected connections arise between folk traditions, Baroque invention and contemporary minimalism. Blending conversation and performance, it offers a vivid portrait of the Grammy-winning pianist and the curiosity that drives him.</video:description>
<video:duration>4346</video:duration>
<video:publication_date>2025-10-23T09:17:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T07:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGE8</loc>
<video:video>
<video:title>Waldbühne 1996: Italian Night – with Claudio Abbado</video:title>
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<video:description>Claudio Abbado is on the podium at Berlin&apos;s famous &quot;Forest Stage&quot; for a programme celebrating the drama and excitement of Italian opera. He and the Berliner Philharmoniker are joined by soprano Angela Gheorghiu, tenor Sergei Larin and bass-baritone Bryn Terfel for arias and duets from operas by Verdi and Bellini, and the Rundfunkchor Berlin are on hand to perform favourite choruses. Abbado and his orchestra, meanwhile, are on scintillating form in some of the most famous Italian opera overtures – as well as, to close, the obligatory performance of Paul Lincke&apos;s Berliner Luft!</video:description>
<video:duration>6434</video:duration>
<video:publication_date>2023-06-19T13:18:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T20:06:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9G</loc>
<video:video>
<video:title>Newport Jazz Festival All-Stars</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/23c65ab5ec2ca9ecbda1546bab0b213f5378a7a1.jpeg</video:thumbnail_loc>
<video:description>Two great festivals; one incredible night! Since 1954 the Newport Jazz Festival has brought the biggest names in jazz together and simply let the magic happen. The same spirit – a meeting of musical minds and styles - inspired the Munich Klaviersommer, and in 1991 Newport&apos;s presiding genius George Wein brought the Festival&apos;s All Stars to Germany to see what would happen. This joyful, easygoing set is the result. The All-Stars were resurgent in the early 1990s and the Munich line up included Warren Vaché on trumpet, Lew Tabackin on Sax and Wein himself at the keyboard. Come on, get happy!</video:description>
<video:duration>7427</video:duration>
<video:publication_date>2025-11-10T14:52:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T14:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1I</loc>
<video:video>
<video:title>Max Raabe &amp; Palast Orchester – MTV Unplugged</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f8e66e47db5b9dcb2417f2b351abda0573fd1b8f.jpeg</video:thumbnail_loc>
<video:description>It shouldn&apos;t have worked, but it really did – the moment in 2019 when Max Raabe and his legendary Palast Orchester played for MTV Unplugged. Best-known for recreating the spirit (and sound) of Weimar-era Berlin, Raabe and his band came together with some of the biggest names in 21st-century European popular music – bringing an irresistible swing to collaborations with LEA, Lordi, Namika, rapper Samy Deluxe and many more, in an evening-length set recorded in Berlin&apos;s 1913-vintage Clärchens Ballhaus. The results are as entertaining as they are distinctive: music-making that unites wildly different eras and styles and creates an atmosphere entirely its own.</video:description>
<video:duration>5989</video:duration>
<video:publication_date>2025-11-03T09:28:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T14:12:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8D0</loc>
<video:video>
<video:title>Scriabin: 24 Preludes, Op. 11: No. 21 in B-Flat Major. Andante</video:title>
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<video:description></video:description>
<video:duration>82</video:duration>
<video:publication_date>2025-11-18T09:56:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T09:26:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJEE8</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Mutter’s Virtuosi—Bach, Bologne, Previn &amp; Vivaldi</video:title>
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<video:description>Anne-Sophie Mutter and her hand-picked Mutter&apos;s Virtuosi come to the legendary Musikverein in Vienna for a varied programme showcasing their versatility and skill. The Baroque is represented by Bach&apos;s celebrated Violin Concerto in A minor and invigorating Brandenburg Concerto No. 3, as well as Vivaldi&apos;s scintillating Concerto for Three Violins. From the Classical period, Mutter presents the A Major concerto by Joseph Bologne, Chevalier de Saint-Georges – one of the most musical fascinating figures of the period – while the programme is completed by André Previn&apos;s Nonet of 2014, composed especially for the violinist and her ensemble.</video:description>
<video:duration>5747</video:duration>
<video:publication_date>2023-07-10T15:21:00Z</video:publication_date>
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<lastmod>2025-11-19T16:15:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGC0</loc>
<video:video>
<video:title>&quot;Towards the Light&quot; – Portrait of Alexander Scriabin</video:title>
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<video:description>Who was Alexander Scriabin? A virtuoso pianist, whose music seemed to take wing? A visionary and mystic, uttering dazzling prophecies in a world on the brink? Or simply a composer of genius, whose imagination – and sense of colour – embraced the wildest and most sensuous frontiers of late Romantic art? In this biographical documentary pianists Vladimir Ashkenazy and Vladimir Horowitz, conductor Mikhail Pletnev and the composer&apos;s own daughter Marina all attempt to answer that question – a journey illuminated by archive material, specially shot footage and a rare historic recording of Scriabin playing his own music in 1908.</video:description>
<video:duration>3496</video:duration>
<video:publication_date>2025-03-19T17:09:40Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-18T16:07:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36D8</loc>
<video:video>
<video:title>Beethoven: Ah! Perfido!</video:title>
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<video:description></video:description>
<video:duration>875</video:duration>
<video:publication_date>2025-07-11T12:57:05Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T16:03:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32D8</loc>
<video:video>
<video:title>My Life with Richard Strauss</video:title>
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<video:description></video:description>
<video:duration>3324</video:duration>
<video:publication_date>2025-06-20T12:40:44Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE CH AT</video:restriction>
</video:video>
<lastmod>2025-11-18T16:02:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9G</loc>
<video:video>
<video:title>András Schiff plays Chopin: Preludes Op. 28</video:title>
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<video:description>To listen to Chopin’s 24 Preludes is like leafing through the secret diary of Romanticism; in the words of Liszt, these extraordinary miniatures are &quot;compositions of an order entirely apart ... analogous to those of a great poet, who cradles the soul in golden dreams&quot;. For András Schiff, a pianist famed for engaging both head and heart, they open entire worlds of the imagination. In this complete cycle, performed live at the Conservatoire National Supérieur d&apos;Art Dramatique in Chopin’s beloved Paris, Schiff takes his identification with the composer a step further: playing on a restored 1860 Pleyel piano similar to those that Chopin himself would have known.</video:description>
<video:duration>2322</video:duration>
<video:publication_date>2025-10-23T11:30:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-18T14:09:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38E0</loc>
<video:video>
<video:title>Julius Asal in Seoul: Scriabin, Scarlatti &amp; Brahms</video:title>
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<video:description>Live from the Seoul Arts Center, pianist Julius Asal – exclusively signed to Deutsche Grammophon since October 2023 – presents a recital juxtaposing repertoire from his acclaimed first album for the Yellow Label with one of the great piano sonatas of the Romantic repertoire. The first half sees him perform works by Scriabin and Scarlatti, woven together into a compelling musical whole through the inclusion of brief transitions created by Asal himself. For the second half, it’s the monumental Piano Sonata No. 3 by the 20-year-old Brahms. Cast in five movements it represents a powerful test of any performer’s technique, stamina as well as their sensitivity and musicianship – and promises to provide a rousing finale to this concert.</video:description>
<video:duration>7498</video:duration>
<video:publication_date>2024-08-16T13:33:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-18T08:38:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CC0</loc>
<video:video>
<video:title>Seong-Jin Cho &amp; Andris Nelsons in Seoul: Mendelssohn &amp; Schumann</video:title>
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<video:description>As part of the celebrations of DG125 – marking 125 years of the Yellow Label – Andris Nelsons and the Gewandhausorchester bring a programme rich in Leipzig&apos;s unrivalled musical heritage to the Seoul Arts Center. Felix Mendelssohn, one of Nelsons&apos;s celebrated predecessors as Gewandhauskapellmeister, is represented by his concert overture &quot;Die schöne Melusine&quot; and his atmospheric Symphony No. 3 &quot;Scottish&quot;, inspired by his travels in Britain in 1829 and premiered at the Gewandhaus in 1842. Three years later, Robert Schumann completed his piano concerto, one of the most popular concertos in the repertoire, and that work completes the programme here, performed by Seong-Jin Cho, one of the most celebrated pianists of his generation.</video:description>
<video:duration>5945</video:duration>
<video:publication_date>2023-11-20T19:15:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:31:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3AE8</loc>
<video:video>
<video:title>Víkingur Ólafsson in Seoul: Bach&apos;s Goldberg Variations</video:title>
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<video:description>Víkingur Ólafsson&apos;s new recording of Bach&apos;s Goldberg Variations is without doubt one of the most eagerly anticipated releases of 2023: a long-awaited follow-up to his award-winning 2018 Bach album and a project that fulfils a long-held ambition for the Icelandic pianist. As part of a tour taking the work to venues around the world, this concert sees Ólafsson perform it to music-lovers in the South Korean capital and, via STAGE+&apos;s live stream, to an audience around the globe.</video:description>
<video:duration>4947</video:duration>
<video:publication_date>2023-12-17T17:49:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:30:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8DO</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Kit Armstrong in Seoul: Mozart Violin Sonatas</video:title>
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<video:description>Following the release of their critically acclaimed survey of Mozart’s Violin Sonatas, Renaud Capuçon and Kit Armstrong are reunited for this unmissable concert from the Seoul Arts Centre. They perform a selection of five favourite sonatas covering nearly a decade of the composer’s life and showing the composer at his most fluent and inventive in works of disarming intimacy – qualities captured to the full in these musicians’ celebrated interpretations.</video:description>
<video:duration>5314</video:duration>
<video:publication_date>2024-04-08T13:20:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:29:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3IC8</loc>
<video:video>
<video:title>Bomsori, Hrůša &amp; the Bamberg Symphony in Seoul: Bruch &amp; Beethoven</video:title>
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<video:description>Bomsori is the soloist in this programme, filmed at the Seoul Arts Center, that takes us deep into the heart of German music of the 19th century – featuring, in the Bamberg Symphony, one of the great German orchestras under its chief conductor, Jakub Hrůša. The programme opens with a rarity – the overture to the 21-year-old Wagner&apos;s first opera, Die Feen – before Bomsori takes to the stage with Max Bruch&apos;s ever-popular Violin Concerto No. 1. In the concert&apos;s second half, Hrůša puts his orchestra through its paces with Beethoven&apos;s irresistibly invigorating Symphony No. 7 – memorably described by Wagner himself as representing the &quot;apotheosis of the dance&quot;.</video:description>
<video:duration>6118</video:duration>
<video:publication_date>2025-06-18T14:59:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:27:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJACG</loc>
<video:video>
<video:title>Mischa and Lily Maisky: The Seoul Recital</video:title>
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<video:description>Mischa and Lily Maisky come together for a highly-anticipated concert in the Seoul Arts Center. The recital represents an important major step on the cellist&apos;s recovery after major illness, with a programme especially designed to celebrate 20 years since he and his daughter first performed together. The first half – including Beethoven’s playful &quot;Bei Männern&quot; Variations and Bruch&apos;s heartfelt Kol Nidrei – features works that they played in that first concert 20 years ago; the second half showcases music by Brahms and Schumann, from the heart of German Romanticism, that they perform together for the first time. A special programme, then, for what promises to be a moving celebration of a remarkable musical partnership.</video:description>
<video:duration>6897</video:duration>
<video:publication_date>2025-06-26T13:12:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:26:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJIE8</loc>
<video:video>
<video:title>Beatrice Rana &amp; Yannick Nézet-Séguin – Piano Duets</video:title>
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<video:description>To complement their performances together with the Chamber Orchestra of Europe exploring music by Brahms and Clara and Robert Schumann, Yannick Nézet-Séguin and Beatrice Rana come together in a more intimate context for this concert of four-hand piano music. Robert Schumann is represented by his rarely heard Bilder aus Osten and Brahms by his Waltzes, while the fairy-tale vignettes of Ravel&apos;s Ma mère l&apos;oye open the programme. To conclude, Nézet-Séguin and Rana turn to Schubert&apos;s moving late Fantasie in F minor, one of the towering masterpieces of the four-hand repertoire.</video:description>
<video:duration>5079</video:duration>
<video:publication_date>2023-06-29T13:53:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:17:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJIDG</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE: Brahms &amp; Clara Schumann – with Beatrice Rana</video:title>
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<video:description>Yannick Nézet-Séguin and the Chamber Orchestra of Europe kick off their cycle of Brahms symphonies, praised from the start for its freshness and flexibility, with the composer&apos;s powerful first essay in the genre. With his Symphony No.1, completed over two decades after he first started work on it, Brahms finally stepped triumphantly out of Beethoven&apos;s shadow. For the programme&apos;s first half, conductor and orchestra are joined by acclaimed Italian pianist Beatrice Rana in a performance of the virtuoso concerto by Clara Schumann, a lifelong friend of Brahms.</video:description>
<video:duration>4714</video:duration>
<video:publication_date>2023-06-29T08:59:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:16:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJIE0</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE: Brahms &amp; Robert Schumann – with Beatrice Rana</video:title>
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<video:description>Yanick Nézet-Séguin and the Chamber Orchestra of Europe continue their acclaimed Brahms symphony cycle with the composer&apos;s Symphony No. 2. The sunniest of the four, it was completed in Baden-Baden and is performed here with refreshing clarity of vision and energy. After pairing the first symphony with Clara Schumann&apos;s piano concerto, the second is here coupled with that by her husband, Robert, who conceived it as a tribute and musical love letter to Clara. The soloist once again is Beatrice Rana, as part of her residency at the 2022 festival, who approaches this ever-popular concerto with the same questing sense of rediscovery that have marked her out as one of the most acclaimed pianists of her generation.</video:description>
<video:duration>5547</video:duration>
<video:publication_date>2023-06-29T10:03:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4D0</loc>
<video:video>
<video:title>María Dueñas and Manfred Honeck in Beethoven and Schmidt</video:title>
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<video:description>Recently-signed Deutsche Grammophon artist María Dueñas is the soloist in this concert, recorded in January 2023 in the Musikverein in Vienna. The Spanish violinist, still only 20 at the time, performs Beethoven&apos;s lyrical but hugely demanding violin concerto, incorporating her own virtuosic cadenzas. For the work, which forms the centrepiece of her debut album on the Yellow Label, she is accompanied by Manfred Honeck conducting the Vienna Symphony Orchestra. In the second half of the concert, Honeck and the orchestra turn to Austrian composer Franz Schmidt&apos;s moving final symphony, an elegiac masterpiece composed in memory of his daughter and premiered in the Musikverein in 1934.</video:description>
<video:duration>7050</video:duration>
<video:publication_date>2023-05-26T08:41:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:11:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2DG</loc>
<video:video>
<video:title>Expedition Concert with Joana Mallwitz: Le Sacre du printemps</video:title>
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<video:description>In the first of her &quot;Expedition Concerts&quot; – a new format introduced in her first season in charge of the Konzerthausorchester Berlin – Joana Mallwitz presents a detailed illustrated introduction to Stravinsky&apos;s Le Sacre du printemps before conducting a complete performance of the work. With the help of musical examples at the piano and from the orchestra, she explores what it is that makes this score – a riot-inducing revelation when first unveiled in Paris in 1913 – one of the most important works of musical modernism and a piece that still retains its power to shock 110 years on. The full performance of the work follows: an opportunity to hear this iconic score interpretated by one of the most exciting conductors of her generation.</video:description>
<video:duration>5394</video:duration>
<video:publication_date>2024-01-15T15:41:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:08:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6E8</loc>
<video:video>
<video:title>Expedition Concert with Joana Mallwitz: Mendelssohn &quot;Italian&quot; Symphony</video:title>
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<video:description>In the second of her &quot;Expedition Concerts&quot; – a new format introduced in her first season in charge of the Konzerthausorchester Berlin – Joana Mallwitz presents a detailed illustrated introduction to Mendelssohn&apos;s Symphony No. 4 &quot;Italian&quot; before conducting a complete performance of the work. With the help of musical examples at the piano and from the orchestra, she explores what it is that makes this symphony – shot through with the impressions garnered on Mendelssohn&apos;s extensive travels through Italy – such a concert hall favourite, placing it in the context of the composer&apos;s life and times.</video:description>
<video:duration>5585</video:duration>
<video:publication_date>2024-03-13T10:43:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:08:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3IDO</loc>
<video:video>
<video:title>Marie Awadis: Études Mélodiques – The Kühlhaus Sessions</video:title>
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<video:description>Filmed in Berlin’s Kühlhaus, Armenian composer and pianist Marie Awadis presents the music from her upcoming debut album on Deutsche Grammophon, featuring her 12 Études Mélodiques. She performs the works solo at the piano as well as presenting four of the Études in new versions of piano and string ensemble – two of them arranged especially for this film and performed and recorded here for the first time. The performances are complemented by an innovative visual concept (produced by Yoél Culiner) creating for each work an appropriate atmosphere to underline its special melodic and poetic power.</video:description>
<video:duration>3822</video:duration>
<video:publication_date>2024-10-10T10:17:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:02:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ID0</loc>
<video:video>
<video:title>Alice Sara Ott &amp; Friends: Messiaen&apos;s Quartet for the End of Time</video:title>
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<video:description>Pianist Alice Sara Ott is joined by three of her closest musical friends – Sebastian Manz (clarinet), Thomas Reif (violin) and Sebastian Klinger (cello) – in one of the most evocative works in the chamber music repertoire, Messiaen&apos;s Quartet for the End of Time. This film is a synesthetic immersion created by musician and cinematographer Andrew Staples, who seeks to allow the viewer to experience Messiaen&apos;s hallucinations during the music&apos;s composition in a World War II prisoner-of-war camp. Staples uses iridescence, light projection, and layered contemporary contexts to breathe life into this emotional reading, bridging the past to our present - which seems nearer than we hoped to the darknesses of this piece&apos;s creation.</video:description>
<video:duration>3093</video:duration>
<video:publication_date>2023-11-27T09:51:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T12:52:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CD0</loc>
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<video:title>DG125 Gala – Mallwitz, Blechacz, Bomsori, Soltani, Liu &amp; Schuen</video:title>
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<video:description>As part of the celebrations marking 125 years of Deutsche Grammophon, this special gala concert from Berlin showcases a galaxy of the label&apos;s stars. Joana Mallwitz conducts the Konzerthausorchester Berlin and is joined by a brilliant array of soloists: Bomsori, Kian Soltani and Rafał Blechacz take the stage for Beethoven&apos;s Triple Concerto; Andrè Schuen sings Mahler&apos;s Lieder eines fahrenden Gesellen; and Bruce Liu is the piano soloist in Beethoven&apos;s boundary-breaking Choral Fantasy, also featuring the RIAS Kammerchor Berlin. Further works by Beethoven and Brahms complete the programme for what promises to be an unforgettable celebration.</video:description>
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<lastmod>2025-11-17T12:51:10Z</lastmod>
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<url>
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<video:title>Daniil Trifonov in Tokyo: Rameau, Mozart, Mendelssohn &amp; Beethoven</video:title>
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<video:description>Filmed live in Tokyo’s legendary Suntory Hall in April 2024, Daniil Trifonov presents a thrilling recital culminating in one of the great challenges of the piano repertoire, Beethoven’s mighty “Hammerklavier” Sonata of 1818 – a revolutionary work that at the time broke all the rules for the length and technical demands of a piano sonata. To complete the programme, the pianist performs a suite by French Baroque master Jean-Philippe Rameau, one of Mozart’s best-loved piano sonatas, plus the virtuosic Variations sérieuses, Op. 54, composed by Felix Mendelssohn in 1842 in response to the “brilliant” variations that were so prevalent at the time.</video:description>
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<lastmod>2025-11-17T12:50:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GDO</loc>
<video:video>
<video:title>On The First of Everything</video:title>
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<video:description>In April last year Eunike Tanzil signed to Deutsche Grammophon, becoming the first female Asian composer to join the Yellow Label. Now the LA based Indonesian composer-pianist-producer has recorded her debut album, The First of Everything. Musical snapshots of a series of significant firsts in her life, its 12 tracks reveal the gift for storytelling that is central to her work, sharing her creativity and improvisational skills.
“It was my childhood dream to have my debut album recorded by a large orchestra. I feel very grateful and honoured that I’m part of this incredible project with so many great musicians.”</video:description>
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<lastmod>2025-11-15T04:06:39Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1P</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Herbie Hancock: Piano Solo and Duet</video:title>
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<video:description>Herbie Hancock and Friedrich Gulda: two artists who acknowledged no rules but their own, outraging traditionalists in their own genres, but opening new possibilities for the art to which they devoted their lives. The jazz-fusion pioneer Hancock and the classical maverick Gulda were natural partners in spirit, and when they played together, they struck dazzling sparks off each other. In this concert from the 1989 Munich Klaviersommer festival, they do what they do best: combining profound insight and freewheeling imagination in a programme that ranges from Bach to Miles Davis as well as Gulda’s own utterly individual creations.</video:description>
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<lastmod>2025-11-15T02:21:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0D0</loc>
<video:video>
<video:title>Chopin: 12 Études, Op. 10 - No. 11 in E-Flat Major &quot;Arpeggio&quot;</video:title>
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<lastmod>2025-11-14T15:24:54Z</lastmod>
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<url>
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<video:video>
<video:title>Chopin: 12 Études, Op. 25: No. 1 in A-Flat Major &quot;Aeolian Harp&quot;</video:title>
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<lastmod>2025-11-14T15:23:49Z</lastmod>
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<video:title>Paganini: 24 Caprices No. 24 in A Minor</video:title>
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<lastmod>2025-11-14T15:23:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3IDG</loc>
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<video:title>Ruh</video:title>
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<lastmod>2025-11-14T15:19:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4D0</loc>
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<video:title>On the Goethe-Lieder &amp; Opus Anders</video:title>
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<video:publication_date>2025-11-03T15:36:00Z</video:publication_date>
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<lastmod>2025-11-14T15:14:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9J</loc>
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<video:title>Friedrich Gulda: Mozart No End and the Paradise Band</video:title>
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<video:description>Austrian pianist Friedrich Gulda rejoiced in his reputation as a rule-breaker – equally happy playing jazz fusion, or experimenting at the outer limits of musical taste. But few artists of his generation respected and understood Mozart more profoundly, and this typically inventive recital given at the Vienna Konzerthaus in 1990, is a very personal (and typically idiosyncratic) homage. Mozart, after all, was a supreme improviser and after a movement from the Coronation concerto and the mighty C minor Fantasia, Gulda and his handpicked Paradise Band meet Mozart on his own terms: jazz-fusion at its most inventive and unpredictable.</video:description>
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<video:publication_date>2025-11-13T13:48:40Z</video:publication_date>
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<lastmod>2025-11-14T15:11:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ID8</loc>
<video:video>
<video:title>Tchaikovsky: The Seasons, Op. 37a: X. October. Autumn Song</video:title>
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<video:description></video:description>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-14T14:59:27Z</lastmod>
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<url>
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<video:title>Moonlit</video:title>
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<video:publication_date>2024-10-29T13:06:52Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:58:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ICO</loc>
<video:video>
<video:title>Kreisler: Caprice viennois, Op. 2 (Arr. Fougeray)</video:title>
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<video:description></video:description>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:51:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3IC0</loc>
<video:video>
<video:title>Vivaldi: Storm in Janoska Style</video:title>
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<video:duration>201</video:duration>
<video:publication_date>2024-10-16T08:00:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:45:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1J</loc>
<video:video>
<video:title>Offenbach: Orphée aux enfers</video:title>
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<video:description>Herbert Wernicke&apos;s production of Offenbach&apos;s Orpheus in the Underworld transforms Olympus into a fin-de-siècle setting inspired by Brussels’ famous café La Mort Subite. The gods appear in evening dress, and their antics culminate in a spectacular coup de théâtre as a steam locomotive hurtles into Hell. Among a strong ensemble cast are Alexandru Badea as Orpheus, Elizabeth Vidal as Eurydice, and Dale Duesing as a suavely commanding Jupiter. Patrick Davin conducts the La Monnaie Chorus and Orchestra, and Offenbach&apos;s irresistible can-can remains, as ever, the exuberant highlight of this brilliantly imagined staging.</video:description>
<video:duration>7169</video:duration>
<video:publication_date>2025-11-03T15:51:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T14:26:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GE8</loc>
<video:video>
<video:title>Puccini: Turandot / Act III: &quot;Nessun dorma&quot;</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
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<lastmod>2025-11-14T14:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GDG</loc>
<video:video>
<video:title>Now and Then</video:title>
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<video:live>no</video:live>
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<lastmod>2025-11-14T14:15:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GC8</loc>
<video:video>
<video:title>Rani: Glass (Arr. Knoth)</video:title>
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<video:publication_date>2024-09-25T14:37:10Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:12:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GC0</loc>
<video:video>
<video:title>Richter: She Remembers (From “The Leftovers”)</video:title>
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<video:description></video:description>
<video:duration>222</video:duration>
<video:publication_date>2024-09-25T14:30:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:11:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3EE8</loc>
<video:video>
<video:title>Dessner: Song for Octave (Arr. Badzura)</video:title>
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<video:description></video:description>
<video:duration>201</video:duration>
<video:publication_date>2024-09-25T13:26:08Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-14T13:58:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3EE0</loc>
<video:video>
<video:title>Trenet, Chauliac: Douce France (Arr. Leuenberger)</video:title>
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<video:publication_date>2024-09-23T08:49:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T13:50:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3EDO</loc>
<video:video>
<video:title>Berlioz: Les nuits d&apos;été, H. 81: I. Villanelle (Transcr. Matheson)</video:title>
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<video:description></video:description>
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<video:publication_date>2024-09-23T08:42:45Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T13:46:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CDO</loc>
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<video:title>Hinum megin</video:title>
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<video:description></video:description>
<video:duration>153</video:duration>
<video:publication_date>2024-08-22T12:53:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T13:39:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36E0</loc>
<video:video>
<video:title>With Love, Despite the Pain</video:title>
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<video:description></video:description>
<video:duration>233</video:duration>
<video:publication_date>2024-06-27T14:38:04Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T13:38:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36CG</loc>
<video:video>
<video:title>Deep Blue Day - Piano Version</video:title>
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<video:description></video:description>
<video:duration>262</video:duration>
<video:publication_date>2024-06-10T08:00:20Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T13:38:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8C8</loc>
<video:video>
<video:title>Pärt: Mommy’s Kiss</video:title>
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<video:description>Celebrating the Estonian composer’s 90th birthday on 11 September 2025, Latvian pianist Georgijs Osokins offers a fresh and invigorating interpretation of Pärt’s spiritual and deeply moving compositions. The music was recorded on a century-old Blue Steinway and unlocks a mesmerising range of overtones and an unparalleled depth of sound. Each piece tells a story, evoking emotions that resonate universally.</video:description>
<video:duration>68</video:duration>
<video:publication_date>2025-11-11T10:58:59Z</video:publication_date>
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<lastmod>2025-11-14T13:16:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJGC0</loc>
<video:video>
<video:title>Renaud Capuçon, Gautier Capuçon &amp; Martha Argerich play Piano Trios</video:title>
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<video:description>It&apos;s always a special occasion when Martha Argerich joins forces with the brothers Renaud and Gautier Capuçon. And this concert is no exception as the three musicians come together to perform three of the greatest works in the piano trio repertoire. Haydn&apos;s irresistibly energetic &quot;All&apos;ongarese&quot; Trio is followed by Mendelssohn&apos;s virtuosic – and endlessly melodic – Piano Trio No. 1 before the mingled emotional power and bitter irony of Shostakovich&apos;s Piano Trio No. 2 brings the programme to a close. All in all, an irresistible prospect for lovers of chamber music and musicianship at the very highest level.</video:description>
<video:duration>4638</video:duration>
<video:publication_date>2025-07-29T12:48:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T08:51:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2CG</loc>
<video:video>
<video:title>Brahms: Lieder und Romanzen, Op. 14: 4. Ein Sonett</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>117</video:duration>
<video:publication_date>2025-10-29T13:48:48Z</video:publication_date>
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<lastmod>2025-11-13T14:30:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2CO</loc>
<video:video>
<video:title>Brahms: Lieder und Romanzen, Op. 14: 5. Trennung</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>74</video:duration>
<video:publication_date>2025-10-29T13:55:50Z</video:publication_date>
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<lastmod>2025-11-13T14:30:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2D0</loc>
<video:video>
<video:title>Brahms: Piano Quartet No. 2 in A Major, Op. 26</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>2996</video:duration>
<video:publication_date>2025-10-29T15:47:39Z</video:publication_date>
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<lastmod>2025-11-13T14:30:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2D8</loc>
<video:video>
<video:title>Brahms: Motets, Op. 29: 1. Es ist das Heil uns kommen her</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>344</video:duration>
<video:publication_date>2025-10-29T16:04:20Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:30:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4C0</loc>
<video:video>
<video:title>Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>388</video:duration>
<video:publication_date>2025-11-03T10:52:48Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-11-13T14:29:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4C8</loc>
<video:video>
<video:title>Brahms: Fünf Lieder für eine Singstimme und Klavier, Op. 47: 2. Liebesgluth</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>149</video:duration>
<video:publication_date>2025-11-03T14:56:09Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-13T14:29:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4CG</loc>
<video:video>
<video:title>Brahms: Sieben Lieder für eine Singstimme und Klavier, Op. 48: II. Der Überläufer</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>92</video:duration>
<video:publication_date>2025-11-03T15:01:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4CO</loc>
<video:video>
<video:title>Brahms: Acht Lieder und Gesänge, Op. 59: 5. Agnes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c4aaf88dfb3e16b65eaa9baa736e5f60e3d619a9.jpeg</video:thumbnail_loc>
<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>134</video:duration>
<video:publication_date>2025-11-03T15:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6C8</loc>
<video:video>
<video:title>Brahms: Fünf Duette, Op. 66: III. Am Strande</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>131</video:duration>
<video:publication_date>2025-11-04T16:01:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-13T14:29:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6D0</loc>
<video:video>
<video:title>Brahms: Sechs Lieder, Op. 97: 6. Trennung</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>120</video:duration>
<video:publication_date>2025-11-05T16:17:59Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-13T14:29:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6DG</loc>
<video:video>
<video:title>Brahms: Töne, lindernder Klang, WoO 28</video:title>
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<video:description>In collaboration with the Brahms Institute of the Musikhochschule Lübeck, STAGE+ presents a series of videos showing original Brahms manuscripts to be read in real time alongside classic recordings from the Deutsche Gramophone catalogue.</video:description>
<video:duration>71</video:duration>
<video:publication_date>2025-11-05T16:29:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHH</loc>
<video:video>
<video:title>Donizetti: La fille du régiment</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5e7ef49fe1217816409d13415c6476e700a7e98.jpeg</video:thumbnail_loc>
<video:description>Premiered at Paris&apos;s Opéra-Comique in 1840, La Fille du régiment reached its 1000th performance at the venue in 1914 and remains the most popular result of Donizetti&apos;s high-flying career in the French capital. Packed with memorable tunes and fizzing with comic energy, it&apos;s also a work that demands real vocal virtuosity from its principals. In this performance from the 2021 Donizetti Opera Festival in the composer&apos;s hometown of Bergamo, soprano Sara Blanch and tenor John Osborn sparkle irresistibly as the romantic leads, while rising star Michele Spotti conducts. Luis Ernesto Doñas directs a production that only adds to the vivid colour and comic brilliance of one of Donizetti&apos;s best-known operas.</video:description>
<video:duration>8659</video:duration>
<video:publication_date>2025-10-08T09:44:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T13:24:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38D0</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – Live in Salzburg</video:title>
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<video:description>In this concert, Daniel Barenboim and his West-Eastern Divan Orchestra trace a line of the development from Viennese Classical through to the height of the Romantic period. Beethoven&apos;s Prometheus Overture is followed by Brahms&apos;s Double Concerto, for which the composer was inspired by his productive – but not conflict-free – friendship with violin virtuoso Joseph Joachim. César Franck made an important and innovative contribution to music history with his Symphony in D minor, in which all movements are linked by a common theme. Kian Soltani and Michael Barenboim, concertmaster and former principal cellist of the WEDO, step into the limelight as soloists in Brahms&apos;s concerto.</video:description>
<video:duration>5932</video:duration>
<video:publication_date>2022-11-10T08:59:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T13:13:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34E0</loc>
<video:video>
<video:title>Tobias Kratzer directs Gounod&apos;s Faust – with Benjamin Bernheim</video:title>
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<video:description>Tenor Benjamin Bernheim has established himself as a new star in the operatic firmament, excelling in particular in in French and Italian operas of the 19th century. The title character in Gounod&apos;s Faust, based on Goethe&apos;s play, is one of the singer&apos;s signature roles, showcasing his lyrical finesse, malleable timbre and faultless top notes. In staging this opera – a huge global hit in the decades following its premiere – Tobias Kratzer once again succeeds in combining the unconventional with the contemporary, taking advantage of cutting edge video technology to focus in particular on society&apos;s obsession with youth.</video:description>
<video:duration>10491</video:duration>
<video:publication_date>2022-11-02T11:30:36Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-13T11:56:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6E8</loc>
<video:video>
<video:title>There was a Ship</video:title>
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<video:description>British composer and multi-instrumentalist Roger Eno has released his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.
 
The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>172</video:duration>
<video:publication_date>2025-11-11T08:44:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-13T10:35:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8C0</loc>
<video:video>
<video:title>Beethoven: Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile ed espressivo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4224158fad59a49215b88a8b53e8da6c1379a07d.jpeg</video:thumbnail_loc>
<video:description>The Icelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time.
Following his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics&apos; Annual Prize, the pianist now presents his new album Opus 109.
At its heart is Beethoven&apos;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer&apos;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.</video:description>
<video:duration>108</video:duration>
<video:publication_date>2025-11-11T10:39:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T10:35:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38E0</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – with Lang Lang</video:title>
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<video:description>Spanish is Daniel Barenboim&apos;s mother tongue, and the West-Eastern Divan Orchestra, which he founded with Edward Said in 1999, has long been headquartered in Seville. No wonder the music from and depicting Spain sounds so authentic when interpreted by this conductor and his magnificent young musicians. The programme includes Spain-inspired works by Debussy and Ravel, who were great admirers of the music of Manuel de Falla – the only Spaniard on this Salzburg Festival programme. His evocative Nights from Spanish Gardens is too seldom heard, but here receives superb advocacy from pianist Lang Lang.</video:description>
<video:duration>7030</video:duration>
<video:publication_date>2022-11-11T12:56:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T08:09:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ICG</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – Live in Ravello</video:title>
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<video:description>Originally due to take place at the historical 6,000-seat Roman Theatre in Amman, Jordan, as part of the West-Eastern Divan Orchestra&apos;s 2008 tour, this concert was relocated to the Ravello Festival on Italy&apos;s Amalfi Coast as a result of security concerns. With a programme dedicated to Richard Wagner, it sees Daniel Barenboim conduct the Meistersinger Prelude and the Prelude and Liebestod from Tristan und Isolde alongside the complete first act of Die Walküre, which culminates in the rousing love duet between the Wälsung twins Siegmund and Sieglinde, sung here by Simon O&apos;Neill and Waltraud Meier.</video:description>
<video:duration>5853</video:duration>
<video:publication_date>2022-12-21T13:37:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T08:08:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGDO</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra - Live in Ramallah</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fbc339511a14a93262ab06a08344ce8a5b3f265f.jpg</video:thumbnail_loc>
<video:description>The West-Eastern Divan Orchestra was founded with the aim of promoting harmony between young Isreali and Palestinian musicians. In its first years, though, the prospect of actually performing in Palestine had seemed unthinkable – until, six years into its existence, and in the face of near insuperable political and practical hurdles, they performed together in Ramallah. With Daniel Barenboim on the podium and Mozart&apos;s collegial Sinfonia Concertante K. 297b and Beethoven&apos;s thrilling Symphony No. 5 on the programme, it proved an historic occasion.</video:description>
<video:duration>5478</video:duration>
<video:publication_date>2023-06-15T14:00:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T08:08:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGE0</loc>
<video:video>
<video:title>Oscuros</video:title>
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<video:description></video:description>
<video:duration>236</video:duration>
<video:publication_date>2023-12-06T14:58:03Z</video:publication_date>
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<video:title>In The Garden - from &quot;Mrs Dalloway&quot;</video:title>
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<lastmod>2025-11-12T15:28:23Z</lastmod>
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<video:title>Saudade da Gaia</video:title>
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<lastmod>2025-11-12T15:27:25Z</lastmod>
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<video:title>Flickornas Rum</video:title>
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<lastmod>2025-11-12T15:27:07Z</lastmod>
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<video:title>Thank You For The Music</video:title>
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<lastmod>2025-11-12T15:26:26Z</lastmod>
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<video:title>Vivaldi: II. Largo (Arr. van der Heijden)</video:title>
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<lastmod>2025-11-12T15:26:01Z</lastmod>
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<video:title>Saint-Saëns: XIII. The Swan (Arr. van der Heijden)</video:title>
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<video:publication_date>2022-11-24T21:53:58Z</video:publication_date>
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<lastmod>2025-11-12T15:25:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4</loc>
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<video:title>On The Nature Of Daylight</video:title>
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<video:publication_date>2022-10-30T20:12:25Z</video:publication_date>
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<lastmod>2025-11-12T15:24:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36</loc>
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<video:title>Rachveli: City Memories</video:title>
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<lastmod>2025-11-12T15:24:12Z</lastmod>
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<video:title>Williams: Across The Stars Love Theme - from &quot;Star Wars: Attack Of The Clones&quot;</video:title>
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<video:description>Legendary film composer John Williams conducts a brand-new album of many of his beloved movie themes in stunning new adaptations, written especially for his superstar violinist friend and collaborator Anne-Sophie Mutter. Recorded in Hollywood, “Across the Stars” includes familiar themes from “Star Wars”, such as “Luke and Leia” from “Return of the Jedi” or from “Harry Potter”, “The Adventures of Tintin” and “Memoirs of a Geisha”. “Across the Stars (Love Theme)”, from “Star Wars: Attack of the Clones”, gives the album its name and is featured in this video.</video:description>
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<video:publication_date>2022-07-08T08:37:59Z</video:publication_date>
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<lastmod>2025-11-12T15:20:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4DG</loc>
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<video:title>Brahms: Sieben Lieder für gemischten Chor, Op. 62: 1.-4.</video:title>
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<lastmod>2025-11-12T12:41:17Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0DO</loc>
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<video:title>Brahms: Chorale Prelude: Es ist ein Ros&apos; entsprungen (Arr. Mandyczewski)</video:title>
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<video:publication_date>2024-11-21T11:25:02Z</video:publication_date>
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<lastmod>2025-11-12T12:35:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8CG</loc>
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<video:title>Great Arias – L&apos;elisir d&apos;amore: &quot;Quanto è bella&quot; &amp; &quot;Una furtiva Iagrima&quot;</video:title>
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<video:live>no</video:live>
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<lastmod>2025-11-12T09:40:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHO</loc>
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<video:title>Yannick Nézet-Séguin &amp; Seong-Jin Cho: Bruckner &amp; Beethoven</video:title>
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<video:description>Yannick Nézet-Séguin continues his Bruckner series with the Lucerne Festival Orchestra with the rousing &quot;Romantic&quot; Symphony No. 4, a popular favourite among the Austrian composer&apos;s nine symphonies. The first half of the concert, meanwhile, sees Seong-Jin Cho return  to the festival to perform Beethoven&apos;s Piano Concerto No. 3, a work that begins in characteristically dramatic C Minor but dissolves, at the close, into scintillating C major – and an ideal showcase for the South Korean pianist&apos;s gifts. With top-quality orchestral playing guaranteed with the hand-picked Lucerne Festival Orchestra, this promises to be a concert to remember.</video:description>
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<video:publication_date>2025-11-10T12:56:30Z</video:publication_date>
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<lastmod>2025-11-10T13:28:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36D8</loc>
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<video:title>Brahms: Six Pieces for Piano, Op. 118: 2. Intermezzo in A Major. Andante teneramente</video:title>
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<lastmod>2025-11-10T11:50:19Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9K</loc>
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<video:title>Barrie Kosky directs Mozart: Don Giovanni</video:title>
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<video:description>Although billed as a comic opera, Don Giovanni explores a full spectrum of human emotions: love and hate, fear, fury and forgiveness. In the first instalment of his cycle of the three Mozart/Da Ponte operas for the Wiener Staatsoper, celebrated Australian director Barrie Kosky creates a minimalist staging focused on the piece&apos;s fascinatingly flawed characters – from the predatory anti-hero Don Giovanni and his traumatised sidekick Leporello to the women Giovanni so relentlessly pursues. As Kosky puts it, &quot;characters like Don Giovanni are like mirrors in which we see ourselves. Sometimes the image we see is unappetizing&quot;. Philippe Jordan conducts an acclaimed international cast led by bass-baritone Kyle Ketelsen.</video:description>
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<lastmod>2025-11-10T10:44:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3CDO</loc>
<video:video>
<video:title>Rolando Villazón &amp; Friends: ¡Cincuentañero!</video:title>
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<video:description>Rolando Villazón, internationally renowned singer, director and writer – and Artistic Director of Salzburg’s annual Mozart Week – is the guest of honour at a gala concert at the city’s Haus für Mozart. Filmed live on 21 February, the eve of Villazón’s 50th birthday, the concert features music by Mozart alongside a wide-ranging programme of other excerpts from opera, operetta and zarzuela, and a selection of favourite songs from Europe and Latin America. Villazón is joined on stage by an array of star guests, including Plácido Domingo, Magdalena Kožená, and Regula Mühlemann, while Lithuanian conductor Giedrė Šlekytė directs the players of the Camerata Salzburg. The evening is hosted by Austrian journalist and TV presenter Barbara Rett.</video:description>
<video:duration>6005</video:duration>
<video:publication_date>2024-06-21T11:35:54Z</video:publication_date>
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<lastmod>2025-11-10T10:32:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6DO</loc>
<video:video>
<video:title>Blache: Habari Gani</video:title>
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<video:publication_date>2025-11-07T11:04:08Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-10T09:56:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GCG</loc>
<video:video>
<video:title>Puccini&apos;s Tosca - with Raina Kabaivanska &amp; Plácido Domingo</video:title>
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<video:description>Puccini&apos;s gripping operatic thriller about love and politics takes place almost in real time in June 1800: the action, driven by the composer&apos;s psychologically astute and powerfully incendiary music, takes place in just two days at precisely designated real locations in the eternal city of Rome. This 1976 film brings the musical drama back to two of those original locations. The first act was filmed in the beautiful baroque church of Sant&apos;Andrea della Valle, and the last in the Castel Sant&apos;Angelo, built in antiquity, from which the title heroine plunges to her deatch at the end. In the leading roles Raina Kabaivanska, Plácido Domingo and Sherrill Milnes boast not just world class voices, but movie-star charisma.</video:description>
<video:duration>6997</video:duration>
<video:publication_date>2022-12-14T15:45:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-10T09:53:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0C0</loc>
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<video:title>Víkingur Ólafsson &amp; Franz Welser-Möst play Ravel, Mussorgsky &amp; Farrenc</video:title>
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<video:description>Víkingur Ólafsson joins The Cleveland Orchestra and its music director, Franz Welser-Möst, for a programme – filmed in spring 2023 – juxtaposing French music with a Russian masterpiece seen through a French lens. To begin, conductor and orchestra perform the dramatic Third Symphony by Louise Farrenc, a fine, experlty crafted work only now returning to the repertoire after nearly 200 years&apos; neglect. The programme concludes with the imaginative orchestration of Mussorgsky&apos;s Pictures at an Exhibition by Maurice Ravel, whose brilliant Piano Concerto in G forms the concert&apos;s centrepiece – a showpiece for Ólafsson&apos;s diamantine touch and deep sensitivity.</video:description>
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<video:publication_date>2024-02-22T09:10:04Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-09T07:22:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6E0</loc>
<video:video>
<video:title>Bartók: Allegro barbaro, Sz. 49</video:title>
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<video:publication_date>2025-11-07T11:17:09Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-07T15:47:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9N</loc>
<video:video>
<video:title>Max Raabe &amp; Palast Orchester – Eine Nacht in Berlin</video:title>
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<video:description>There are few theatres where the spirit of Weimar Berlin feels more alive than the belle-époque Admiralspalast – and no ensemble that captures the sound of that era with more style than the Palast Orchester under its irrepressible leader (and founder) Max Raabe. By November 2014 Raabe and the Palast Orchester had been seducing audiences for nearly three decades and in Eine Nacht in Berlin they celebrate in inimitable style – performing highlights of their repertoire (old and new alike) amid a lavish cinematic evocation of that doomed golden age. Bittersweet and irresistibly elegant, this is a concert film with a gloriously sophisticated difference.</video:description>
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<video:live>no</video:live>
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<lastmod>2025-11-07T08:37:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9J</loc>
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<video:title>Michel Camilo Trio at the Philharmonie im Gasteig</video:title>
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<video:description>“Watching lightning crackle and disappear from the sky,” is how one critic described the experience of hearing Dominican-born Latin jazz pianist Michel Camilo at the top of his game. The weather was hot in Munich in the summer of 1994 and no question, there was electricity in the air when Camilo came together with regular collaborators Michael Bowie on bass and Cliff Almond on drums for a set that’s small-scale only in the most literal sense. You can feel the inspiration building and breaking loose, as they give their all to an extended sequence of Camilo’s own classics.</video:description>
<video:duration>4755</video:duration>
<video:publication_date>2025-10-24T09:59:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T12:46:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1P</loc>
<video:video>
<video:title>Anna Gourari in Recital: Rachmaninoff, Hindemith, Chopin &amp; Tchaikovsky</video:title>
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<video:description>Still in her early twenties, the Russian pianist Anna Gourari was already hailed as one of the brightest new voices of her generation when she appeared at the 1992 Munich Klaviersommer, filmed in the Philharmonie im Gasteig. Her programme traces a vivid arc through a century of piano imagination: from the storm-lit virtuosity of Rachmaninov’s Étude-Tableau in C minor to Hindemith’s sly wit in the Nachtstück and Ragtime from his Suite Op. 26. With Chopin’s luminous Nocturne No. 3 and impassioned Scherzo No. 2, and Tchaikovsky’s poetic White Nights from The Seasons, Gourari offers a portrait of Romantic sensibility reimagined through youthful brilliance and poetic insight.</video:description>
<video:duration>2229</video:duration>
<video:publication_date>2025-10-23T11:14:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T12:43:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3EE8</loc>
<video:video>
<video:title>Yannick Nézet-Séguin &amp; Beatrice Rana: Bruckner &amp; Clara Schumann</video:title>
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<video:description>Anton Bruckner said that the opening of his Seventh Symphony came to him in a dream, and the finished work has long been the best-loved of all his symphonies – a soaring, deeply-felt spiritual epic, aglow with the beauty of the natural world. In other words, it’s perfect for the Lucerne Festival and its superb, handpicked Festival Orchestra, and this performance under Yannick Nézet-Séguin should be one of the highlights of 2024’s Bruckner bicentenary celebrations. Clara Schumann’s youthful Piano Concerto reveals a more intimate kind of romanticism, and few living interpreters bring more eloquence and insight than the “truly reflective” (Gramophone) Italian pianist Beatrice Rana.</video:description>
<video:duration>6158</video:duration>
<video:publication_date>2024-09-06T11:35:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T11:00:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4E8</loc>
<video:video>
<video:title>First Snow</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/159d11fa84aedc0dc8065290c955ed3429efc74c.jpg</video:thumbnail_loc>
<video:description>Composer and pianist Cameron Segal releases his original piece First Snow, which captures the quiet wonder and gentle excitement of the season’s first snowfall. The soft touch of hammers on felted strings evokes a sense of relaxation and a gentle anticipation for the calm, cozy winter ahead. Released as part of DG’s Winter Calm series, the peaceful, reflective piano piece invites the listener to slow down and savour the moment.</video:description>
<video:duration>187</video:duration>
<video:publication_date>2025-11-04T15:15:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4E0</loc>
<video:video>
<video:title>Spell</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6942803065b4477fbb65dc55938f64a6e08a67ad.jpg</video:thumbnail_loc>
<video:description>British composer and multi-instrumentalist Roger Eno announces his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.
 
The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>143</video:duration>
<video:publication_date>2025-11-04T14:50:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4DO</loc>
<video:video>
<video:title>Stewart: Invention #1: Double Down for 2 Violins</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/682b9b5af905831ce65ffdebca0ced042561b877.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>426</video:duration>
<video:publication_date>2025-11-04T13:47:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ4D8</loc>
<video:video>
<video:title>On Sadness and Sorrow (From &quot;Naruto&quot;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eb7a4571d2af223c1036c517ea4363d998b1b6b4.jpg</video:thumbnail_loc>
<video:description>Six years after the release of his celebrated Piano Book album, Lang Lang returns with &apos;Piano Book 2&apos;. Lang Lang comments: „ Many young people today discover piano through the music they already love — from games, movies, or anime. That’s why we included Sadness &amp; Sorrow from Naruto(…)&quot;. This new volume of short and accessible piano works offers a fresh selection that ranges from iconic classical compositions and contemporary pieces to music from TV, film, and gaming soundtracks.</video:description>
<video:duration>103</video:duration>
<video:publication_date>2025-11-04T11:24:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:45:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6CG</loc>
<video:video>
<video:title>Wagner: Wesendonck Lieder WWV 91, No. 1 Der Engel</video:title>
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<video:description></video:description>
<video:duration>185</video:duration>
<video:publication_date>2025-11-04T16:05:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:43:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6C0</loc>
<video:video>
<video:title>Wagner: Prelude from Tristan und Isolde, WWV 90 (Arr. Humperdinck)</video:title>
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<video:description></video:description>
<video:duration>445</video:duration>
<video:publication_date>2025-11-04T15:58:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:43:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2E0</loc>
<video:video>
<video:title>Hamelin: Hexensabbat</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f03ae1e4257f250c657cdd748f09026f2b4db58c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>582</video:duration>
<video:publication_date>2025-11-03T10:25:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:41:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ICO</loc>
<video:video>
<video:title>Strohl: Solitude</video:title>
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<video:description>Recording on our partner label CAvi Music, Austrian cellist Marilies Guschlbauer and German pianist Julia Rinderle announce their upcoming album, on which they perform works by six “Grandes Dames”: Clara Schumann, Fanny Hensel, Lera Auerbach, Amy Beach, Flora Geisselbrecht, and Rita Strohl.

The duo first started collaborating in Berlin in the fall of 2020 and have been performing regular recitals ever since in Germany and abroad. Both musicians are particularly committed to unearthing, exploring, and performing works by female composers; thus, they often perform rare works in concert.</video:description>
<video:duration>242</video:duration>
<video:publication_date>2025-09-22T09:58:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:35:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2E8</loc>
<video:video>
<video:title>Charles Wood: Expectans expectavi</video:title>
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<video:description></video:description>
<video:duration>264</video:duration>
<video:publication_date>2025-11-03T10:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T10:16:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3CC0</loc>
<video:video>
<video:title>Nézet-Séguin conducts Lili Boulanger and Bruckner</video:title>
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<video:description>Yannick Nézet-Séguin conducts the virtuoso Lucerne Festival Orchestra in a programme featuring one of the greatest Austro-German Symphonies preceded by the last completed work by a composer whose early death, aged just 24, robbed the 20th century of its greatest potential talents. That composer is Lili Boulanger, whose sombre, melancholy D’un Soir triste provides an atmospheric opener to the concert. There follows Bruckner’s mighty Symphony No.8. Once nicknamed “the apocolyptic”, it epitomises the Romantic symphonic trajectory from darkness to exultant light, via one of the composer’s greatest slow movements – a sublime adagio lasting nearly half and hour – and a thrilling final movement.</video:description>
<video:duration>6499</video:duration>
<video:publication_date>2024-06-18T09:32:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T07:58:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1O</loc>
<video:video>
<video:title>Antonio Pappano &amp; Seong-Jin Cho: Prokofiev, Shostakovich &amp; Beethoven</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dbab367fc040deddfe71f7575d1a326f1adc78e6.jpg</video:thumbnail_loc>
<video:description>In his second full season in charge of the London Symphony Orchestra, Antonio Pappano has chosen to showcase the artistry of Seong-Jin Cho, and with good reason – this masterly young Korean pianist has caused as much of a sensation in London as he has in Europe, Asia and America. Streaming live from London&apos;s Barbican Centre in the first week of the LSO&apos;s 2025-26 season, Prokofiev&apos;s explosive Second Piano Concerto is sure to make an electrifying centrepiece to a programme that crackles with energy – from the black humour of Shostakovich&apos;s Ninth Symphony to the tragedy and triumph of the most famous symphony Beethoven ever wrote.</video:description>
<video:duration>6295</video:duration>
<video:publication_date>2025-09-23T13:34:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-04T13:52:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2DG</loc>
<video:video>
<video:title>Great Arias – Alceste: &quot;Ah, divinités implacables&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/50837fa9b1f318388ae23ae5f0f40d0b5badbc85.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2025-10-31T11:19:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-04T13:10:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCCO</loc>
<video:video>
<video:title>Gala from Berlin 2006 – with Simon Rattle &amp; Mitsuko Uchida</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b1319120085b63cedffa572ad40638e0375dab23.jpg</video:thumbnail_loc>
<video:description>For its 2006 New Year&apos;s Eve Gala, the Berliner Philharmoniker, with conductor Simon Rattle, turned to music by Richard Strauss and the composer that Strauss idolized above any other, Mozart. The programme opens with the 24-year-old Strauss&apos;s breakthrough tone poem, Don Juan, a thrilling portrait of the same legendary figure immortalized in Mozart&apos;s Don Giovanni. Then, after Mitsuko Uchida performs Mozart&apos;s dramatic Piano Concerto in D minor, K. 466, Rattle conducts the famous Trio and finale from Strauss&apos;s most Mozartian opera, Der Rosenkavalier, with soloists including Magdalena Kožená and Camilla Nylund. With two encores thrown in for good measure, this was an evening to remember.</video:description>
<video:duration>5480</video:duration>
<video:publication_date>2023-04-20T14:14:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-03T16:31:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1O</loc>
<video:video>
<video:title>Pretty Yende: Opera Gala</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/480d4d98515b5601b5867d06f2a66850df1c2a06.jpg</video:thumbnail_loc>
<video:description>The annual Cap Rocat Festival marries superb performances with stunning scenery: concerts are staged at the historic Cap Rocat fortress, right on Mallorca&apos;s Mediterranean coast. This year, Pretty Yende continues the festival&apos;s tradition of playing host to the world&apos;s great opera stars with an opera gala featuring some of the greatest soprano arias – ranging from Bellini and Verdi to Berlioz, Gounod and Dvořák – taken operas she&apos;s already performed or plans to star in soon. The South African soprano is supported by the Symphony Orchestra of the Balearic Islands under the expert direction of Riccardo Frizza.</video:description>
<video:duration>5233</video:duration>
<video:publication_date>2025-08-19T14:07:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-03T10:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1M</loc>
<video:video>
<video:title>Ursula Anders &amp; Friedrich Gulda: Opus Anders</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/542e5857e4a26786062c83c058828fab5072c468.jpeg</video:thumbnail_loc>
<video:description>In the German soprano and percussionist Ursula Anders, the pianist Friedrich Gulda found an artistic partner whose commitment to breaking taboos matched his own. And in Gulda, Anders found a creative collaborator who understood her on levels that went far beyond the merely musical. Opus Anders was created by Gulda in 1980 as a celebration of Anders&apos;s artistry. It&apos;s simultaneously a recital, and a piece of fearlessly transgressive performance art: an unsparing double-portrait in which Gulda and Anders strip themselves naked – literally, as well as figuratively – in pursuit of musical and emotional truth. Uncompromising, bold, and wholly inimitable. This performance contains nudity.</video:description>
<video:duration>1793</video:duration>
<video:publication_date>2025-10-17T12:20:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-31T15:06:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9O</loc>
<video:video>
<video:title>Friedrich Gulda: Mozart For The People</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3b7d9ef3742acc70905ba0be09660a0dcd7633d9.jpeg</video:thumbnail_loc>
<video:description>For the Austrian pianist Friedrich Gulda, music was a realm of infinite possibility. His adventures in jazz, crossover and avant-garde performance art prompted some critics to describe him as a &quot;musical terrorist&quot;. But for Gulda, one composer above all was sacred: Wolfgang Amadeus Mozart, whom he described as &quot;the greatest of the greatest&quot; and whose creativity he viewed as a precursor of his own maverick spirit. Gulda&apos;s Mozart is still in a class of its own, and this performance of two of Mozart&apos;s middle-period sonatas – recorded live in the Amerikahaus, Munich, in 1981 – demonstrates precisely why.</video:description>
<video:duration>2057</video:duration>
<video:publication_date>2025-10-29T17:07:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-31T14:06:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJA</loc>
<video:video>
<video:title>The Bare Necessities - from &quot;The Jungle Book&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73fb624a127d04558969048b33b537af1b9c44de.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>158</video:duration>
<video:publication_date>2022-11-10T19:18:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:55:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGD0</loc>
<video:video>
<video:title>On Yuja x Hockney</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5921d7c1cb2fda6d7da429a374f0f5cda25feabc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2025-03-31T13:18:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:54:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJECG</loc>
<video:video>
<video:title>On Working with Turnage and His New Guitar Concerto &apos;Sco&apos;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcb95995283dd9415830797f234433648536a332.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>125</video:duration>
<video:publication_date>2025-03-11T17:07:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:53:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJADO</loc>
<video:video>
<video:title>On Weinberg&apos;s The Passenger</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4da2c4213a67fac16702b66e88dec2005838451b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1869</video:duration>
<video:publication_date>2025-01-31T08:38:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:52:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCC0</loc>
<video:video>
<video:title>On Scriabin, Scarlatti and Brahms</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9ef7122ce20d21a28f5317f50044069a4c73d9f1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>484</video:duration>
<video:publication_date>2025-02-13T14:03:33Z</video:publication_date>
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<lastmod>2025-10-30T17:51:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJEC8</loc>
<video:video>
<video:title>On His Guitar Concerto &apos;Sco&apos;</video:title>
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<video:duration>112</video:duration>
<video:publication_date>2025-03-11T17:03:11Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T17:49:39Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ED8</loc>
<video:video>
<video:title>Daley: Grandmother Moon</video:title>
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<video:description></video:description>
<video:duration>242</video:duration>
<video:publication_date>2025-08-28T13:49:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T17:45:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6E8</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Symphony No. 3 &amp; Beethoven: Egmont Overture</video:title>
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<video:description>Brahms never wrote a more colourful – or more personal – symphony than his Third. It&apos;s a grand, luminous Romantic landscape, swept by storms, bathed in sunset light and permeated with the composer&apos;s personal motto, encoded into the very notes: Frei aber froh, “Free but Happy”. Perfect, in other words, for a conductor with the qualities of Leonard Bernstein – an extrovert and a dreamer, with an ardent soul and a very special relationship with the Wiener Philharmoniker. In this 1981 performance, they strike sparks off each other – and bring a real sense of drama to Beethoven&apos;s volcanic Egmont overture.</video:description>
<video:duration>4263</video:duration>
<video:publication_date>2025-05-02T09:34:26Z</video:publication_date>
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<lastmod>2025-10-30T14:49:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6E0</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Symphony No. 4 &amp; Tragic Overture</video:title>
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<video:description>For the Viennese critic Eduard Hanslick, Brahms&apos;s fourth and final symphony was like looking into a well at midnight – the darker it grew, the more brilliantly the stars were reflected back. There was certainly no shortage of star power when Leonard Bernstein conducted the Fourth with the Wiener Philharmoniker in 1981: one of the world&apos;s most charismatic conductors meeting an orchestra drenched in Brahmsian tradition. By this point, Bernstein and the Viennese orchestra had been regular collaborators for nearly two decades. They inspired each other, and the result is a performance that blazes with insight, ardour and true symphonic power.</video:description>
<video:duration>3877</video:duration>
<video:publication_date>2025-05-02T09:25:59Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T14:49:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ICG</loc>
<video:video>
<video:title>Julius Asal &amp; Fabio Luisi: Scriabin&apos;s Piano Concerto</video:title>
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<video:description>As part of the Danish National Symphony Orchestra&apos;s 100th-birthday celebrations, Fabio Luisi brings his acclaimed Scriabin cycle with the orchestra to a rousing conclusion with the composer&apos;s remarkable piano concerto: a work rooted in Romanticism but looking forward to the harmonic and formal experiments of the short-lived composer&apos;s later works. The soloist is Julius Asal, whose pianistic virtuosity is matched by the musical sensibilities of a composer and improviser: the perfect combination to tackle this extraordinary, intoxicating music.</video:description>
<video:duration>1791</video:duration>
<video:publication_date>2025-10-29T16:18:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-29T18:26:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9L</loc>
<video:video>
<video:title>Volker Banfield plays Ligeti&apos;s Piano Concerto &amp; Strauss&apos;s Burleske</video:title>
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<video:description>In the words of its composer, György Ligeti&apos;s Piano Concerto represents &quot;frozen time – an object in imaginary space evoked by music in our imagination.&quot; This film captures a very specific moment in time: the concerto (in its final form) was little more than a year old when it was performed at the 1989 Munich Klaviersommer by two of Ligeti&apos;s greatest champions: pianist Volker Banfield and conductor Elgar Howarth, directing the Munich Philharmonic. But every concert at the Klaviersommer has a twist, and Howarth and Banfield have an irresistible &quot;encore&quot; up their sleeve: the youthful Burleske by local hero Richard Strauss.</video:description>
<video:duration>3328</video:duration>
<video:publication_date>2025-08-26T15:33:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-29T09:54:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJG</loc>
<video:video>
<video:title>On The Nature Of Daylight (Entropy)</video:title>
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<video:description></video:description>
<video:duration>421</video:duration>
<video:publication_date>2022-10-24T21:25:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-28T15:27:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4DG</loc>
<video:video>
<video:title>Keith Jarrett Trio: Standards I</video:title>
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<video:description>Richard Rodgers, Victor Young, Billie Holiday … well, they didn&apos;t call it the Standards Trio for nothing, and when Keith Jarrett, Gary Peacock (bass) and Jack DeJohnette (drums) brought their game-changing brand of acoustic jazz to Tokyo&apos;s Bunkamura Orchard Hall in 1996, it&apos;s no surprise to find the Trio&apos;s typically inventive takes on the Great American Songbook forming the heart of their set. Originally released to celebrate the Trio&apos;s 25th anniversary in 2008, this is a portrait of three musicians who never stopped striking sparks off each other, in a programme that includes Jarrett&apos;s own &quot;Rider&quot;, &quot;So Tender&quot; and &quot;Prism&quot;.</video:description>
<video:duration>6595</video:duration>
<video:publication_date>2025-04-16T13:29:36Z</video:publication_date>
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<lastmod>2025-10-28T14:56:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2C0</loc>
<video:video>
<video:title>Beethoven: Rondo a capriccio, Op. 129 &quot;Rage over a Lost Penny&quot;</video:title>
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<video:duration>75</video:duration>
<video:publication_date>2025-10-24T12:53:25Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-28T14:46:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0E8</loc>
<video:video>
<video:title>Schubert: Piano Sonata No. 6 In E Minor, D.566: I. Moderato</video:title>
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<video:duration>287</video:duration>
<video:publication_date>2025-10-24T12:46:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-28T14:46:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0E0</loc>
<video:video>
<video:title>Pärt: Variations for the Healing of Arinushka</video:title>
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<video:publication_date>2025-10-24T12:41:24Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-28T14:45:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0DO</loc>
<video:video>
<video:title>Chopin: Nocturne No. 2 in E-Flat Major, Op. 9 No. 2</video:title>
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<video:publication_date>2025-10-24T11:31:31Z</video:publication_date>
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<lastmod>2025-10-28T14:42:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ICG</loc>
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<video:title>Rolando Villazón&apos;s &quot;L&apos;Elisir d&apos;Amore&quot; in the Wild West</video:title>
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<video:description>Go behind the scenes as Rolando Villazón prepares his ambition production of Donizetti&apos;s L&apos;elisir for the 2012 Whitsun Festival in Baden-Baden. With an complex play-within-a-play concept, relocating the work to the set of a 1940s Wild West film, the staging offers multiple new challenges for cast, crew and director, all of which are examined in this fascinating document charting the production process from start to finish.</video:description>
<video:duration>1711</video:duration>
<video:publication_date>2023-06-30T13:54:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-28T13:05:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30C8</loc>
<video:video>
<video:title>Notre-Dame de Paris – All-Star Reopening Concert</video:title>
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<video:description>Global superstars of the music world come together for this unprecedented concert as part of the grand festivities marking the reopening of Paris&apos;s iconic Notre-Dame cathedral, restored to its original glory five years after it was devastated by fire. The concert, staged in thanks for those involved in the cathedral&apos;s reconstruction, showcases a dizzying array of talent – including Pharrell Williams, Angélique Kidjo and, from the world of classical music, Lang Lang, Gustavo Dudamel, Benjamin Bernheim, Yo-Yo Ma, and many more! With support from the Orchestre Philharmonique de Radio France, a truly unforgettable occasion celebrating an historic and happy day in the nearly 900-year history of this magnificent building.</video:description>
<video:duration>6667</video:duration>
<video:publication_date>2024-12-09T09:41:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
<video:restriction relationship="deny">FR AU</video:restriction>
</video:video>
<lastmod>2025-10-27T16:36:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6D0</loc>
<video:video>
<video:title>Nelsons conducts Mahler &amp; Shostakovich: Tenth Symphonies</video:title>
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<video:description>Andris Nelsons continues his Mahler cycle with the Wiener Philharmoniker with this concert from the Salzburg Festival, featuring the composer&apos;s last completed symphonic movement: the intensely emotional Adagio from the unfinished Tenth Symphony. Another Tenth Symphony completes the programme, marking the 50th anniversary of Dmitri Shostakovich&apos;s death. The composer’s first major work to be premiered after Stalin&apos;s death, the Tenth was immediately hailed as a masterpiece – and picked through for hidden meanings and messages about the brutal regime that had just come to a close. To this day it retains that astonishing power – and provides a fascinating coupling to Mahler&apos;s work in this unmissable concert.</video:description>
<video:duration>5317</video:duration>
<video:publication_date>2025-08-12T09:53:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T16:34:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36D0</loc>
<video:video>
<video:title>Luisi conducts Nielsen: Symphony No. 4 &amp; Clarinet Concerto</video:title>
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<video:description>&quot;Music is life,&quot; declared Carl Nielsen &quot;– and like it, inextinguishable!&quot; And as World War I raged across Europe, he channeled all that he saw and felt into a symphony that sets the force of life against the powers of destruction – and then fights through to rebirth and victory. With its battling timpani and tempestuous climaxes, the &quot;Inextinguishable&quot; Symphony is a high point of any Nielsen cycle, and Fabio Luisi&apos;s DNSO performance is no exception. The same epic struggle plays out on a more intimate scale in the Clarinet Concerto – Johnny Teyssier is the soloist here – while the miniature tone-poem Pan and Syrinx reveals another side of Nielsen: a vision of ancient Greece, painted in the luminous colours of a Northern dawn.</video:description>
<video:duration>4787</video:duration>
<video:publication_date>2023-08-10T12:17:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T15:01:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0DG</loc>
<video:video>
<video:title>Summer Fantasy (from &apos;Justice Online&apos;)</video:title>
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<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2025-10-24T10:25:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T13:45:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9N</loc>
<video:video>
<video:title>Tõnu Kaljuste conducts Pärt: Te Deum</video:title>
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<video:description>Arvo Pärt is sometimes called a &quot;holy minimalist&quot;, but although the inspiration behind his Te Deum of 1985 is unquestionably sacred, there’s nothing minimal about this mighty song of praise for three choruses and orchestra. The emotions, too, are vast in scale, and this pre-Millennium performance from the stunning Church of St. Nicholas in Tallinn – conducted by one of Pärt’s favourite interpreters, Tõnu Kaljuste – captures the soul of a work that Pärt himself describes as &quot;a quest for something believed to be non-existent, but so real that it exists not only within us but beyond our being as well&quot;.</video:description>
<video:duration>3371</video:duration>
<video:publication_date>2025-09-11T14:43:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T12:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1P</loc>
<video:video>
<video:title>Friedrich Gulda: I Love Mozart and I Love Barbara</video:title>
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<video:description>No pianist has divided the critics like Friedrich Gulda, the jazz-loving Austrian maverick whom some called a &quot;musical terrorist&quot;. But what&apos;s beyond dispute is that Gulda was one of the supreme modern interpreters of Mozart, the composer he regarded as the &quot;greatest of the greatest&quot;. This recital from the Munich Klaviersommer festival is typical of his eclectic approach: peerless accounts of two mature Mozart masterpieces, followed (in a touch of pure Gulda) by a freewheeling semi-improvised set shared with jazz organist Barbara Dennerlein. It shouldn’t work, but somehow – on this summer night in Munich in 1990 – it really does.</video:description>
<video:duration>3819</video:duration>
<video:publication_date>2025-09-08T10:02:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T10:35:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4E0</loc>
<video:video>
<video:title>Keith Jarrett: Piano Solo Live</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5145ad703b63d0a33d3fc31eda0f7826eda431d.jpg</video:thumbnail_loc>
<video:description>This concert at the Tokyo Bunka Kaikan, given on 30 October 2002, was Keith Jarrett&apos;s 150th appearance in Japan – a country where he always seemed to find a special connection with his audience. It was also his return to the concert hall as a solo performer after recovering from a period of ill health, and a first taste of a new direction. He deploys his peerless improvisation skills in a series of brief, epigrammatic solos: concise, but overflowing with Jarrett&apos;s imagination, wit and profound knowledge of the classical canon. Three classic Jarrett encores conclude a very personal concert.</video:description>
<video:duration>6634</video:duration>
<video:publication_date>2025-04-16T13:46:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T09:16:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1L</loc>
<video:video>
<video:title>Grounded – starring Emily D&apos;Angelo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/180ce26b4a019d05a6b4b5277b0a5fcfa5e95a7a.jpg</video:thumbnail_loc>
<video:description>Composed by Jeanine Tesori, with libretto by George Brant. The most prolific female composer in American theater history, Tesori is the two-time Tony Award winner behind a string of Broadway hits. In recent years, she has also turned her attention to opera and made history in 2024 as the first female composer to have a work open a Met season. That opera, Grounded, is based on a play by Brant about a fighter pilot whose unexpected pregnancy lands her behind the controls of an unmanned Reaper drone. This performance stars mezzo-soprano Emily D’ Angelo and tenor Ben Bliss in a powerful production by Michael Mayer, who brings the world of high-tech warfare to life with an array of dynamic LED screens. (Photo by Paola Kudacki / Met Opera)</video:description>
<video:duration>7190</video:duration>
<video:publication_date>2025-10-27T08:33:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-27T09:14:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0C8</loc>
<video:video>
<video:title>Gluck the Reformer</video:title>
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<video:description>Gluck the Reformer is a lively, incisive portrait of Christoph Willibald Gluck, the 18th-century visionary who stripped opera of Baroque excess and gave it emotional depth. With expert commentary from artists including conductors William Christie and Sir John Eliot Gardiner, and director Claus Guth, the film traces Gluck&apos;s artistic rebellion through Orfeo ed Euridice and Alceste, revealing how his radical simplicity reshaped the stage and paved the way for Mozart&apos;s age.</video:description>
<video:duration>3501</video:duration>
<video:publication_date>2025-10-23T08:50:04Z</video:publication_date>
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<lastmod>2025-10-24T13:50:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GCG</loc>
<video:video>
<video:title>Bryn Terfel stars in Donizetti&apos;s Don Pasquale</video:title>
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<video:description>Donizetti&apos;s 1843 Don Pasquale is a comic-opera masterpiece requiring superb performers. In Damiano Michieletto&apos;s smart modern production at the Royal Opera House in London, that&apos;s just what it gets. At the head of the cast is Bryn Terfel, who brings his unmatched voice and charisma to the title character – an old bachelor duped into marriage with sweet-seeming Norina (Olga Peretyatko), who turns out to be very different once installed as his wife. Michieletto&apos;s staging offers plenty of wit while also addressing some of the questions the work asks of today&apos;s audiences. In the pit, Evelino Pidò conducts with impeccable style, and with sparkling performances on stage to match Donizetti&apos;s sparkling music, the result is an opera buffa delight.</video:description>
<video:duration>7959</video:duration>
<video:publication_date>2023-10-18T14:09:21Z</video:publication_date>
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<lastmod>2025-10-24T07:28:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GCO</loc>
<video:video>
<video:title>Elīna Garanča stars in Saint-Saëns&apos;s Samson et Dalila</video:title>
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<video:description>Star mezzo Elīna Garanča leads the cast opposite Korean tenor SeokJong Baek in Saint-Saëns biblical blockbuster, Samson et Dalila. Originally conceived as a staged cantata, the work features monumental choruses as well as celebrated arias (Dalila&apos;s &quot;Mon coeur s&apos;ouvre à ta voix&quot;, for example), and culminates, after the wild Bacchanale, in a cataclysmic final scene. Richard Jones&apos;s 2022 production at London&apos;s Royal Opera House calls upon multiple visual references to underline the work&apos;s drama and conflicts. Antonio Pappano brings out the best in Saint-Säens&apos;s melodious score – at once sensuous, imposing and evocative – while the Royal Opera&apos;s famed chorus brings impressive grandeur to the set pieces.</video:description>
<video:duration>8045</video:duration>
<video:publication_date>2023-10-20T07:24:21Z</video:publication_date>
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<lastmod>2025-10-24T07:28:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36E8</loc>
<video:video>
<video:title>Antonio Pappano conducts Beethoven&apos;s Fidelio – with Lise Davidsen</video:title>
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<video:description>Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, David Butt Philip plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s message of humanity.</video:description>
<video:duration>8017</video:duration>
<video:publication_date>2024-05-27T14:55:50Z</video:publication_date>
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<lastmod>2025-10-24T07:26:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8C8</loc>
<video:video>
<video:title>Andris Nelsons &amp; Daniil Trifonov at the Shostakovich Festival Leipzig</video:title>
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<video:description>An all-star line-up for the opening concert of the Gewandhausorchester&apos;s Shostakovich Festival 2025: Daniil Trifonov joins the orchestra and Gewandhauskapellmeister Andris Nelsons for an all-Shostakovich programme focused on two contrasting works. The Festive Overture provides a suitably rousing curtain-raiser before Trifonov performs the Second Piano Concerto, written as a 19th-birthday present for Shostakovich&apos;s piano student son, Maxim. The concert&apos;s second half is taken up by the mighty Fourth Symphony. Inspired by Mahler&apos;s grand symphonies and composed on a huge scale – both formally and emotionally – the work was withdrawn before its originally planned premiere in 1936 and was first heard only 25 years later.</video:description>
<video:duration>6800</video:duration>
<video:publication_date>2025-10-15T14:43:53Z</video:publication_date>
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<video:restriction relationship="deny">DE FR JP</video:restriction>
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<lastmod>2025-10-23T15:18:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGC0</loc>
<video:video>
<video:title>Luisi conducts Scriabin: Symphony No. 3</video:title>
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<video:description>“Godlike” was how Scriabin described his massive Third Symphony, and the poet Boris Pasternak, overhearing the composition process, compared it to an artillery bombardment amid forest trees. But however you hear it, in the hands of Fabio Luisi and his superb Copenhagen orchestra, “The Divine Poem” emerges as one of the supreme 20th-century symphonies: a monument to the Romantic spirit in the tradition of Rachmaninoff and Mahler.</video:description>
<video:duration>2961</video:duration>
<video:publication_date>2024-11-14T12:23:31Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-23T14:36:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1K</loc>
<video:video>
<video:title>Rimsky-Korsakov: The Tale of Tsar Saltan</video:title>
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<video:description>Composed to mark the centenary of Pushkin&apos;s birth in 1899, Rimsky-Korsakov&apos;s opera The Tale of Tsar Saltan was based on an imitation folk tale by the great Russian writer: a story of love, jealousy, enchantment and miracles. Although the opera is now rarely performed, classical music lovers will certainly recognise the number from it that became an instant hit after its 1900 premiere – the &quot;Flight of the Bumblebee&quot;. But this score also boasts numerous other delights and this characteristically bold 2019 production by Russian director Dmitri Tcherniakov revels in the work&apos;s humour and psychological depths alike. Alain Altinoglu conducts a largely Russian-speaking cast.</video:description>
<video:duration>9441</video:duration>
<video:publication_date>2025-10-16T13:18:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-23T08:29:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPP</loc>
<video:video>
<video:title>de&apos; Cavalieri: Rappresentatione di Anima, et di Corpo</video:title>
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<video:description>A diplomat and courtier employed by the powerful Medici family in late 16th-century Rome and Florence as well as a composer, Emilio de&apos; Cavalieri is little known today. Yet his Rappresentatione di Anima, et di Corpo, first staged in Rome in 1600, is groundbreaking –thought to be the earliest play set entirely to music. In this rare production for Theater an der Wien, acclaimed Canadian director Robert Carsen makes a powerful, visually arresting argument for the piece, bringing the drama&apos;s centuries-old moral questions into a spare, stylish modern world. Early music specialist Giovanni Antonini conducts the renowned Italian period-instrument ensemble Il Giardino Armonico in a vivid performance featuring a fine young cast.</video:description>
<video:duration>6048</video:duration>
<video:publication_date>2025-10-16T08:37:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-23T08:03:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1H</loc>
<video:video>
<video:title>Gaveaux: Léonore, ou L&apos;amour conjugal</video:title>
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<video:description>Move over, Beethoven: this 2017 production from Opera Lafayette presents the fascinating modern premiere of Pierre Gaveaux&apos;s 1798 opera Léonore, ou L&apos;amour conjugal – a work based on the same literary source that would later inspire the great German composer&apos;s Fidelio. Fans of the latter will recognise elements of the plot – political struggle, revolution, romance and rescue. But Gaveaux&apos;s score offers a different musical perspective, from sparkling opéra-comique charm in the lightest moments to atmospheric chiaroscuro elsewhere. Soprano Kimy McLaren takes on the appealing title role and leads the largely French-Canadian cast, while Ryan Brown conducts Opera Lafayette Orchestra (playing on period instruments) and Oriol Tomas directs.</video:description>
<video:duration>4923</video:duration>
<video:publication_date>2025-10-16T10:21:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-23T08:00:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1G</loc>
<video:video>
<video:title>Dean: Hamlet</video:title>
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<video:description>Murder and revenge and the unbearable painfulness of existence: Shakespeare&apos;s tragedy Hamlet is one of his most powerful and most popular plays. Its title character&apos;s question &quot;To be or not to be&quot; remains one of the most famous lines in Western culture. The Australian composer Brett Dean&apos;s 2017 score to a libretto by Matthew Jocelyn belongs in a long tradition of Hamlet adaptations yet transformed Shakespeare&apos;s play into an opera like no other: witty, bleak and deeply human. Featuring a starry Anglophone cast led by Allan Clayton (Hamlet), Barbara Hannigan (Ophelia) and Sarah Connolly (Gertrude), with Vladimir Jurowski conducting the London Philharmonic Orchestra, this world premiere production was a hit with audiences and critics alike.</video:description>
<video:duration>9823</video:duration>
<video:publication_date>2025-10-16T09:28:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-23T07:58:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1M</loc>
<video:video>
<video:title>Gulda Non-Stop</video:title>
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<video:description>&quot;I am the most important creative Viennese musician of the second half of our century,&quot; said Friedrich Gulda, and if there’s one thing that’s generally agreed about this Austrian pianist, maverick and provocateur, it’s that he never held back. Gulda went where his genius led him, and on this occasion at the 1990 Munich Klaviersommer, that meant an unbroken 90-minute musical ramble though the heartlands of his classical repertoire: a non-stop musical mystery tour that embraces Bach, Mozart, Chopin, Debussy, Johann Strauss, Viennese popular songs and – of course – the products of his own inimitable, creative imagination.</video:description>
<video:duration>5495</video:duration>
<video:publication_date>2025-09-04T15:54:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-23T07:10:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0C0</loc>
<video:video>
<video:title>Bach: The Well-Tempered Clavier I: Prelude No. 9 in E Major, BWV 854</video:title>
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<video:description>The Icelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time. 
Following his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics&apos; Annual Prize, the pianist now presents his new album Opus 109. 
At its heart is Beethoven&apos;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer&apos;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.</video:description>
<video:duration>104</video:duration>
<video:publication_date>2025-10-13T12:20:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T13:39:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34E8</loc>
<video:video>
<video:title>Jonas Kaufmann and Marlis Petersen in Korngold&apos;s Die tote Stadt</video:title>
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<video:description>For many decades, Korngold&apos;s 1920 hit opera Die tote Stadt languished in obscurity, but with this superb, multi-award-winning 2019 production by Simon Stone in Munich, it can be said to have reclaimed its place at the heart of the 21st-century operatic repertoire. Jonas Kaufmann and Marlis Petersen give searing, career-best performances as the bereaved Paul and Marie/Marietta, while Stone&apos;s contemporary settings transform Korngold&apos;s sumptuous psychodrama into a timeless, perceptive and intensely moving study of love and loss. With Kirill Petrenko conducting, this might also be the most gorgeous-sounding Tote Stadt to have been recorded in any medium.</video:description>
<video:duration>8581</video:duration>
<video:publication_date>2024-05-08T14:19:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T12:26:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCC8</loc>
<video:video>
<video:title>Gardiner conducts Gluck: Orphée et Eurydice</video:title>
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<video:description>The power of music, the pain of loss, and the price we pay for love: the characters in Orphée et Eurydice might be ancient, but the themes of the drama are eternal – and in his most celebrated opera, Gluck express them with a directness and an inspiration that feels as fresh today as it did in the composer&apos;s own era. In Paris, in 2000, director Robert Wilson and conductor John Eliot Gardiner revived Berlioz&apos;s adaptation of this groundbreaking score, coupling a pared-back minimalist setting with all the colours of the period-instrument Orchestre Révolutionnaire et Romantique. Magdalena Kožená brings all her youthful brilliance to the role of Orpheus.</video:description>
<video:duration>5968</video:duration>
<video:publication_date>2024-10-30T11:59:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T12:20:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9H</loc>
<video:video>
<video:title>Puccini: Turandot</video:title>
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<video:description>The icy-hearted princess; the nameless stranger who is prepared to risk everything for love…Puccini&apos;s Turandot is a fairytale, a myth, set in an imaginary China that no one (least of all Puccini) has ever pretended is real – and which, with its negative racial stereotyping, is undeniably problematic to modern audiences. In this production created by the great Robert Wilson for the Teatro Real, Madrid, however, everything that is merely decorative is stripped away, creating a world of colour, shadow and light in which the single most powerful force is Puccini&apos;s glorious music. And with Irène Theorin as Turandot and Gregory Kunde as Calaf, the singing in this 2018 performance is simply larger than life.</video:description>
<video:duration>7327</video:duration>
<video:publication_date>2025-06-30T09:45:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T12:19:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0C0</loc>
<video:video>
<video:title>Karl Böhm conducts Die Fledermaus</video:title>
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<video:description>It&apos;s difficult now to imagine that there was ever a time when Johann Strauss II&apos;s operetta Die Fledermaus wasn&apos;t a hit. Today, this delirious, all-dancing farce of mistaken identities, romantic dalliance and (of course) champagne reigns supreme as the greatest of all Viennese operettas. And it&apos;s hard to imagine a more luxurious cast – or a more affectionate staging – than in this film version of the late Otto Schenk&apos;s classic production. Gundula Janowitz is a spirited Rosalinde, Karl Böhm conducts the Wiener Philharmoniker and Wolfgang Windgassen, no less, delivers infinitely more than just a cameo as the party-loving Prince Orlofsky. Pure delight.</video:description>
<video:duration>8229</video:duration>
<video:publication_date>2025-03-24T14:47:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T12:06:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4E8</loc>
<video:video>
<video:title>Kleiber conducts Die Fledermaus</video:title>
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<video:description>The chords that launch Johann Strauss&apos;s Die Fledermaus are like corks popping open: and in this live Bavarian State Opera performance from 1987, you can practically feel the air tingle with excitement. The meeting of Carlos Kleiber – the supreme post-war embodiment of old Viennese flair – and the greatest of all Viennese operettas was always going to be a champagne moment, but Kleiber&apos;s joyous, effortlessly stylish conducting is merely part of an overall experience that includes Pamela Coburn and Eberhard Waechter as Rosalinde and Eisenstein, plus an unforgettable cameo from Brigitte Fassbaender as Orlofsky. In Otto Schenk’s period-set staging, this is irresistibly classy fun – with a packed Munich audience clearly enjoying every minute.</video:description>
<video:duration>9445</video:duration>
<video:publication_date>2023-12-14T10:15:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T12:05:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHN</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde</video:title>
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<video:description>When John Christie launched his opera festival at Glyndebourne in the English countryside in the mid-1930s, it was always his dream to stage Wagner. Seven decades later, the dream came to fruition with Nikolaus Lehnhoff&apos;s visionary staging of Tristan und Isolde: an instant classic by a legend among directors, setting Wagner&apos;s doomed lovers in a luminous abstract world inspired by the postwar Bayreuth tradition. This performance dates from its first revival, in 2007. Nina Stemme, René Pape, Katarina Karnéus and Robert Gambill head a world-beating cast, and conductor Jiří Bělohlávek draws sounds of ravishing beauty from an audibly-inspired London Philharmonic Orchestra.</video:description>
<video:duration>14388</video:duration>
<video:publication_date>2025-07-10T11:17:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-20T10:25:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJID8</loc>
<video:video>
<video:title>Strauss: Die Frau ohne Schatten</video:title>
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<video:description>Richard Strauss and his librettist Hugo von Hofmannsthal conceived Die Frau ohne Schatten as their joint masterpiece, a grand, richly woven allegory that tells of the shadowless fairy tale Empress and her search for humanity. Inspired by The Magic Flute – as well as dozens of other sources in world literature – it&apos;s a work that is open to multiple interpretations, as explored here by this 2013 production by Krzysztof Warlikowski. Musically, this was one of the highlights of Kirill Petrenko&apos;s reign at the Nationaltheater, and he conducts a superb cast – including Adrianne Pieczonka as the Empress and Johan Botha as the Emperor – in an exemplary account of one of Strauss&apos;s most kaleidoscopic, powerful and – ultimately – thrilling scores.</video:description>
<video:duration>12240</video:duration>
<video:publication_date>2025-06-19T14:47:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:09:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1L</loc>
<video:video>
<video:title>Verdi: Macbeth—Asmik Grigorian, Jonathan Tetelman &amp; Vladislav Sulimsky</video:title>
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<video:description>Director Krzysztof Warlikowski takes us deep into the dark heart of Verdi&apos;s thrilling early Shakespearian masterpiece in a staging that probes deep into the psychology of Macbeth and his wife – and the reasons for their unquenchable thirst for power. Bringing this compelling vision to life is a superb cast, featuring Vladislav Sulimsky as an implacable Macbeth, the compelling Asmik Grigorian as Lady Macbeth. As Macduff, meanwhile, the tenor Jonathan Tetelman represents the sort of starry casting for which the Salzburg Festival is famous. With Philippe Jordan conducting a Wiener Philharmoniker on fiery form, the result is Verdian drama at its most powerful and probing.</video:description>
<video:duration>8791</video:duration>
<video:publication_date>2025-07-22T13:27:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-20T10:09:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3AC0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Weinberg: The Idiot</video:title>
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<video:description>Mirga Gražinytė-Tyla continues her high-profile championship of the works of the composer Mieczysław Weinberg with this new Salzburg Festival production of his final opera, The Idiot, with a libretto based on Dostoevsky’s great novel of innocence destroyed by corrupt society. Featuring music of great power and intensity, the opera, completed in 1985, showcases Weinberg’s remarkable skill as a musical dramatist, while this new production by Krzysztof Warlikowski promises to mark a watershed in its brief performance history. Few conductors, meanwhile, are better qualified to conduct the work than Mirga Gražinytė-Tyla, who conducts a first-rate international cast.</video:description>
<video:duration>11768</video:duration>
<video:publication_date>2024-08-26T08:31:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:09:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36D8</loc>
<video:video>
<video:title>Solti conducts Verdi: Falstaff</video:title>
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<video:description>“All the world’s a joke” declares Sir John Falstaff, as the 79-year-old Verdi ends his career in a huge sunlit burst of joy and laughter. A great performance of Falstaff is one of opera’s most life-affirming experiences, and this lavish studio staging, filmed in Berlin in 1979, unites two legends of postwar opera: the director Götz Friedrich and the irrepressible Georg Solti, conducting the Wiener Philharmoniker and a lively ensemble cast. But there’s no Falstaff without the fat knight himself, and the great French baritone Gabriel Bacquier brings a captivating wit and warmth to the title role.</video:description>
<video:duration>7727</video:duration>
<video:publication_date>2025-01-22T17:05:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:02:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3G</loc>
<video:video>
<video:title>Karl Böhm conducts Elektra</video:title>
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<video:description>As a close confidant of the composer, Karl Böhm conducted the premieres of two Richard Strauss operas and also championed his other stage works with tireless passion. The last recording of the then 86-year-old conductor was of Elektra, which was also used as the soundtrack for Götz Friedrich&apos;s psychologically intense opera film. With Leonie Rysanek, Astrid Varnay and Catarina Ligendza, three of the great Wagner and Strauss singers come together for the gripping setting of Hugo von Hofmannsthal&apos;s version of the ancient story. Karl Böhm was able to realise his artistic legacy with the Wiener Philharmoniker, which appointed him as its first honorary conductor in 1967.</video:description>
<video:duration>7129</video:duration>
<video:publication_date>2022-05-03T09:23:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:01:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJIC8</loc>
<video:video>
<video:title>Puccini: Suor Angelica</video:title>
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<video:description>Suor Angelica is the passionate, wounded heart of the trio of one-act operatic morality tales that Puccini called Il Trittico. This convent-set story of a young woman deprived of family, child and all hope of redemption inspired the composer to some of his most heartfelt music; an experience that leaves few viewers unmoved. But in this imaginative new updating, created by the director Denis Krief for Teatro del Maggio Musicale Fiorentino in 2020, the stakes are still higher. Maria José Siri plays Puccini&apos;s heartbroken heroine with luminous vocal beauty and an unrivalled emotional honesty, at the head of a deservedly acclaimed all-female cast.</video:description>
<video:duration>3636</video:duration>
<video:publication_date>2025-06-19T08:57:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:51:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJICG</loc>
<video:video>
<video:title>Puccini: Gianni Schicchi</video:title>
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<video:description>O mio babbino caro… No-opera composer can wring the heart quite like Puccini, but in the farcical world of Gianni Schicchi nothing is quite as it seems. A screwball tale of scheming lawyers, bickering relatives and young love, the comic instalment of Il Trittico is one of Puccini&apos;s least expected – but most beloved – masterpieces, and this new production from the Teatro del Maggio Musicale Fiorentino gives it a sparkling makeover. Director Denis Krief brings the action into the era of La Dolce Vita the sexy, sun-kissed world of 1960s Italy, with Bruno de Simone heading an expert cast as the irrepressible Gianni Schicchi himself.</video:description>
<video:duration>3402</video:duration>
<video:publication_date>2025-06-19T11:22:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:51:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9I</loc>
<video:video>
<video:title>Verdi: Rigoletto</video:title>
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<video:description>At the court of the handsome young Duke of Mantua, pleasure is everything. But love comes a poor second to lust, and the jokes of the Duke&apos;s hunchbacked jester Rigoletto have a vicious sting. In Verdi&apos;s classic tragedy an assignation, a curse and a cruel jest all come together to fuel a revenge tragedy that spins terrifyingly out of control. Rigoletto is Verdi at the absolute top of his game; a red-blooded bel canto thriller, pulsing with melody and composed at fever-heat – and this lavish updated production from Florence stars the great Javier Camereno as the womanising Duke.</video:description>
<video:duration>7827</video:duration>
<video:publication_date>2025-08-21T11:31:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:41:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8CO</loc>
<video:video>
<video:title>Chailly conducts Verdi&apos;s Macbeth</video:title>
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<video:description>Riccardo Chailly conducts Verdi&apos;s Macbeth, the composer&apos;s fiery first Shakespeare opera, to open the 2021-22 season at La Scala, Milan. American director Davide Livermore provides a striking modern production, mixing contemporary dress with memorable video projections and Italian baritone Luca Salsi takes on the title role, embodying the tragic General who takes the Scottish throne by force, his ambition fuelled by his ruthless wife, embodied here by Anna Netrebko. Bass Ildar Abdrazakov also stars, as Macbeth&apos;s betrayed friend Banquo, with Italian tenor Francesco Meli as Macduff.</video:description>
<video:duration>10435</video:duration>
<video:publication_date>2023-03-03T12:24:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-10-20T09:39:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38E0</loc>
<video:video>
<video:title>Welser-Möst conducts Johann Strauss II: Simplicius</video:title>
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<video:description>When Johann Strauss entered the opera house, he always tried something new, and the plot of his 1887 operetta Simplicius will surprise anyone who expects champagne-fuelled farce. It’s an “operetta seria”, a drama of love, faith and espionage set against the turmoil of the Thirty Years War. But Strauss’s melodic genius burns as brightly as ever, and this dazzlingly inventive staging from Zurich goes all-in on fantasy. Director David Pountney takes his inspiration from the paintings of Hieronymus Bosch, and with Franz Welser-Möst conducting a cast that includes the young Piotr Beczala, this might be the most spectacular modern staging of this undervalued masterpiece.</video:description>
<video:duration>7880</video:duration>
<video:publication_date>2025-02-07T13:20:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:24:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30DG</loc>
<video:video>
<video:title>Welser-Möst conducts Verdi: Macbeth – with Thomas Hampson</video:title>
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<video:description>Verdi revelled in the power and fantasy of Shakespeare, and when he recreated Macbeth as an Italian opera he practically redefined the genre – demanding a Lady Macbeth who was a sublime actor as well as an outstanding singer. He’d have been thrilled with this production from Zurich Opera House, with its boldly imaginative staging by David Pountney and urgent, nuanced conducting from Franz Welser-Möst. But above all, he’d have been gripped by the young Sardinian soprano Paoletta Marrocu as Lady Macbeth, and an interpretation that Gramophone magazine compared to Maria Callas: “from first to last, a truly stunning performance”.</video:description>
<video:duration>8330</video:duration>
<video:publication_date>2024-12-10T13:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:24:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0C8</loc>
<video:video>
<video:title>Cecilia Bartoli and Jonas Kaufmann star in Paisiello’s Nina</video:title>
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<video:description>Crazy in love: Mozart was a fan of the operas of Giovanni Paisiello and in the years after its premiere in 1789, Nina took Europe by storm. Its blend of melody, playfulness and pathos is just as potent today, and in 2002 this stylish new staging by Cesare Lievi for the Zurich Opera brought Paisiello a new generation of admirers. Conductor Adam Fischer brings out all its freshness and emotion, and with a cast that includes Cecilia Bartoli at the height of her powers as the lovelorn Nina, as well a young Jonas Kaufmann, Paisiello has never sounded more compelling.</video:description>
<video:duration>7229</video:duration>
<video:publication_date>2024-08-09T10:12:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:20:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36C0</loc>
<video:video>
<video:title>The Schwarz Ring: Siegfried (Bayreuth 2022)</video:title>
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<video:description>This new production of Wagner&apos;s Der Ring des Nibelungen at the Bayreuth Festival was the opera event of the 2022 festival season. Young director Valentin Schwarz reimagines the mythical story in the present day and tells a gripping family saga in the world of the rich and powerful. The musical direction is in the hands of Cornelius Meister.

In Siegfried, Schwarz underlines the tragicomic elements in the relationship between the title hero and his foster father, Mime. The production also finds original and novel images for Siegfried&apos;s encounter with the dragon and Brünnhilde&apos;s liberation from the circle of fire. As Siegfried, Andreas Schager makes light of the role&apos;s legendary challenges.</video:description>
<video:duration>14640</video:duration>
<video:publication_date>2022-12-03T21:03:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:04:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30</loc>
<video:video>
<video:title>The Schwarz Ring: Götterdämmerung (Bayreuth 2022)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6db68f6c2927e4b9bd4def7fb41dcd29c067ede6.jpg</video:thumbnail_loc>
<video:description>This new production of Wagner&apos;s Der Ring des Nibelungen at the Bayreuth Festival was the opera event of the 2022 festival season. Young director Valentin Schwarz reimagines the mythical story in the present day and tells a gripping family saga in the world of the rich and powerful. The musical direction is in the hands of Cornelius Meister.
The final part of the tetralogy sees Siegfried abandon his beloved Brünnhilde, allowing himself to be taken in by the Gibichungen and the unscrupulous Hagen and succumbing to the advances of Gutrune. Schwarz once more features the powerful symbol of a child and turns the horse Grane into a human companion of Brünnhilde, who also plays a central role in the shocking final image.</video:description>
<video:duration>16440</video:duration>
<video:publication_date>2022-12-06T06:36:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-10-20T09:03:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34E8</loc>
<video:video>
<video:title>The Schwarz Ring: Die Walküre (Bayreuth 2022)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/623ed0d483a3e67ac1b6bfff8f9f271eb9014988.jpg</video:thumbnail_loc>
<video:description>This new production of Wagner&apos;s Der Ring des Nibelungen at the Bayreuth Festival was the opera event of the 2022 festival season. Young director Valentin Schwarz reimagines the mythical story in the present day and tells a gripping family saga in the world of the rich and powerful. The musical direction is in the hands of Cornelius Meister.

In the second part of the tetralogy, Schwarz delves in particular into the relationship between Wotan, the father of the gods, and his &quot;favorite daughter&quot; Brünnhilde, showing it as especially unhappy and traumatic. Lise Davidsen and Klaus Florian Vogt prove themselves audience favourites for their portrayal of the siblings and lovers Sieglinde and Siegmund.</video:description>
<video:duration>13987</video:duration>
<video:publication_date>2022-12-01T14:14:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:03:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJGCG</loc>
<video:video>
<video:title>The Schwarz Ring: Das Rheingold (Bayreuth 2022)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c31b205472e164e8a355d250109e3a38d43e798b.jpg</video:thumbnail_loc>
<video:description>This new production of Wagner&apos;s Der Ring des Nibelungen at the Bayreuth Festival was the opera event of the 2022 Festival summer. Young director Valentin Schwarz reimagines the mythical story in the present day and tells a gripping family saga in the world of the rich and powerful. The musical direction is in the hands of Cornelius Meister.

In Das Rheingold, the antagonists Wotan and Alberich are hostile twin brothers and it is not the gold from the Rhine that is stolen at the outset, but a child, emphasizing the fact that dynasties are always overshadowed by the question of who will one day inherit power.</video:description>
<video:duration>9213</video:duration>
<video:publication_date>2022-11-29T20:52:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:02:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHK</loc>
<video:video>
<video:title>Wagner: Rienzi</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d6f1f91b1ba0b02639fbe9b6b298f229cc0bfec.jpg</video:thumbnail_loc>
<video:description>In Rienzi, the young Wagner took a Europe-wide bestseller of power, rebellion and mob violence in medieval Rome, and transformed it into the grandest of grand operas. His first major success, it’s rarely performed today, but Jorge Lavelli’s 2013 staging for the Théâtre du Capitole, Toulouse makes a powerful impact – stripping away the merely scenic elements and drawing on both French and German theatrical traditions to lay bare the heart of the drama. Pinchas Steinberg conducts with authentic Wagnerian sweep, and Torsten Kerl is thrilling in the title role – which, in Rienzi’s prayer &quot;Allmächt&apos;ger Vater&quot;, contains one of Wagner’s sublimest melodies.</video:description>
<video:duration>10566</video:duration>
<video:publication_date>2025-07-07T14:26:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:32:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1P</loc>
<video:video>
<video:title>Puccini: La Bohème</video:title>
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<video:description>Expectations were high when Richard Jones&apos;s new production of La Bohème was premièred at the Royal Opera House, Covent Garden in 2017, and the result didn&apos;t disappoint – a vivid, spectacular reimagining that restored the spirit of youthful rebellion, as well as the romance, to this most beloved of Puccini&apos;s operas. Hailed by critics as an instant classic, its subsequent revivals have been hugely popular, and this particular performance – captured live in early 2020 – features a particularly spirited cast, with the Bulgarian soprano Sonya Yoncheva (an unforgettably vulnerable Mimì) making a near-ideal partner for Charles Castronovo&apos;s ardent Rodolfo.</video:description>
<video:duration>7180</video:duration>
<video:publication_date>2025-06-30T08:12:10Z</video:publication_date>
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<lastmod>2025-10-17T15:32:28Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9G</loc>
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<video:title>Verdi: La traviata</video:title>
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<video:description>Verdi&apos;s La traviata caused a scandal when it was new: the only one of Verdi&apos;s operas to be set in the composer&apos;s own time, its story of a Parisian courtesan&apos;s forbidden love for the young Alfredo Germont challenged the values of 19th-century audiences. This striking production by Pier Luigi Pizzi recaptures those moral complexities by setting the action in Nazi-occupied Paris – giving Violetta and Alfredo&apos;s romance an even more tragic urgency. In this performance from 2005, Jesús López Cobos conducts the company of the Teatro Real, Madrid, while Norah Amsellem and José Bros head an impressive ensemble cast.</video:description>
<video:duration>8238</video:duration>
<video:publication_date>2025-09-08T10:33:16Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T15:29:30Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPO</loc>
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<video:title>Rossini: La pietra del paragone</video:title>
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<video:description>With its competing lovers, exotic disguises, and an ingenious experiment to test the power of love itself, the plot of Rossini&apos;s Il Pietro di Paragone is reminiscent of Mozart&apos;s Così fan tutte. But Rossini has a style that&apos;s entirely his own, and this lively rom-com made him famous overnight when it opened in Milan in September 1812. This rare modern revival from the Teatro Real, Madrid, united two masters of Rossini&apos;s effervescent brand of comedy, conductor Alberto Zedda and director Pier Luigi Pizzi. The result is an updating that&apos;s as witty as it is inventive, with a delightful ensemble cast.</video:description>
<video:duration>10268</video:duration>
<video:publication_date>2025-08-12T15:01:07Z</video:publication_date>
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<lastmod>2025-10-17T15:28:51Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCC0</loc>
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<video:title>Harnoncourt conducts Le nozze di Figaro</video:title>
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<video:description>Few modern conductors knew how to get to the soul of Mozart like the late Nikolaus Harnoncourt – the Viennese period-performance specialist who was equally at ease with historic instruments and the world&apos;s greatest orchestras. In 1996 he conducted the forces of the Zurich Opera House and an excellent ensemble cast in Jurgen Flimm&apos;s production of Le nozze di Figaro – which moved the action between different eras and locations to try and find the eternal truths at the heart of this greatest of all comic operas. The results are just as revealing – and as beautiful – as you&apos;d expect.</video:description>
<video:duration>11739</video:duration>
<video:publication_date>2024-10-30T11:41:32Z</video:publication_date>
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<lastmod>2025-10-17T15:20:07Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ID8</loc>
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<video:title>Harnoncourt conducts Mozart: Così fan Tutte – with Cecilia Bartoli</video:title>
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<video:description>Two pairs of young lovers, a cynical old philosopher and an irreverent maid: the set-up for Così fan tutte could hardly be simpler. But Mozart and Da Ponte’s great comedy of the human heart is open to a thousand interpretations, few more compelling than this 2002 production directed by Jürgen Flimm for Opernhaus Zürich. Flimm’s light-touch staging gives limitless scope to conductor Nikolaus Harnoncourt – unrivalled in this repertoire – and a truly glorious cast, with Cecilia Bartoli as a passionate Fiordiligi and Liliana Nikiteanu as her more carefree sister Dorabella. With Agnes Baltsa as Despina and Roberto Saccà as Ferrando, the result is timeless.</video:description>
<video:duration>11525</video:duration>
<video:publication_date>2024-07-31T09:28:02Z</video:publication_date>
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<lastmod>2025-10-17T15:19:36Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ID0</loc>
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<video:title>Harnoncourt conducts Mozart: Don Giovanni – with Cecilia Bartoli</video:title>
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<video:description>Mozart’s Don Giovanni is an opera that contains infinities: the adventures of the great seducer, his servant Leporello and the women he has wronged are as eternal (and as fascinating) as human nature itself. Jürgen Flimm’s classic production for Opernhaus Zürich leans into the shadows beneath the comic surface – and in this performance from 2001 Rodney Gilfry is a truly aristocratic Giovanni, with the sublime Italian mezzo Cecilia Bartoli at the pinnacle of her vocal and dramatic form as a mercurial Donna Elvira. Nikolaus Harnoncourt conducts, bringing all his unrivalled feeling for 18th-century music to a score that never grows old.</video:description>
<video:duration>11220</video:duration>
<video:publication_date>2024-07-30T14:33:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T15:19:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1H</loc>
<video:video>
<video:title>Mozart: La clemenza di Tito</video:title>
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<video:description>Any production of Mozart&apos;s last great opera seria La Clemenza de Tito is a special occasion – even at Glyndebourne, the English summer festival that has made a speciality of Mozart for nearly eight decades. This was Glyndebourne&apos;s first Clemenza of the new century, and Claus Guth&apos;s psychologically penetrating staging made a powerful impact on critics and public alike. The cast, too, is excellent, with Richard Croft on lustrous voice in the title role and Anna Stéphany as an intensely touching Sesto. Robin Ticciati conducts the period instrument forces of the Orchestra of the Age of Enlightenment with irresistible sensitivity and flair.</video:description>
<video:duration>8305</video:duration>
<video:publication_date>2025-07-22T10:19:09Z</video:publication_date>
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<lastmod>2025-10-17T15:16:46Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GD8</loc>
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<video:title>Juraj Valčuha conducts Verdi&apos;s Don Carlo – with Elīna Garanča</video:title>
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<video:description>Slovak conductor Juraj Valčuha presides over an all-star cast in this performance of Verdi&apos;s dark middle-period masterpiece Don Carlo – presented in the five-act Italian version – from Naples&apos;s fabled Teatro San Carlo. American tenor Matthew Polenzani sings Don Carlo, torn apart by his love for Elisabetta (Aylin Pérez), whom fate forces into a loveless marriage with Carlo&apos;s father, King Phillip II. Two of today&apos;s greatest singers complete the cast: Elīna Garanča as the beautiful Princess Eboli, and Ludovic Tézier as Carlo&apos;s friend Rodrigo. Claus Guth&apos;s psychologically astute direction explores the torments, passions and sense of duty that drive the drama in this powerful performance of one of the grandest of all grand operas.</video:description>
<video:duration>13190</video:duration>
<video:publication_date>2023-10-20T13:42:42Z</video:publication_date>
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<lastmod>2025-10-17T15:15:33Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CDG</loc>
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<video:title>The Castorf Ring: Siegfried (Bayreuth 2016)</video:title>
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<video:description>Frank Castorf&apos;s Ring makes a feature of unexpected settings and striking images, and here in Siegfried he shows the discussions between the young hero and his foster father Mime in Act I against a background featuring giant heads of Marx, Lenin, Stalin and Mao on a replica of Mount Rushmore. The typical mythical nature and forest world of the second act is replaced in this production by Berlin&apos;s Alexanderplatz. The Nothung sword is also replaced, in this production becoming a machine gun. While the direction elicited both approval and disapproval, the vocal performances received wide acclaim.</video:description>
<video:duration>14173</video:duration>
<video:publication_date>2022-11-24T16:44:13Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T15:06:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38CO</loc>
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<video:title>Plácido Domingo stars in Mascagni’s Cavalleria rusticana</video:title>
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<video:description>Franco Zeffirelli’s opera productions were, and are, a byword for visual beauty and theatrical splendour, and when he directed a film version of his classic La Scala staging of Mascagni’s Cavalleria rusticana, he reimagined it in truly ravishing style. The cast is headed by the young Plácido Domingo, and Georges Prêtre conducts – recommendation enough for any opera buff. But the real star is Mascagni’s opera itself, and Zeffirelli seamlessly combines location footage from Sicily and live performance from the stage of La Scala to create a uniquely ambitious and visually stunning cinematic realization of this most passionate of verismo tragedies.</video:description>
<video:duration>4173</video:duration>
<video:publication_date>2025-01-29T16:41:12Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T14:56:17Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38DG</loc>
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<video:title>Plácido Domingo in Pagliacci</video:title>
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<video:description>Plácido Domingo stars as the tragic clown Canio in Franco Zeffirelli’s lavish Emmy Award-winning film of Leoncavallo’s emotional one-act opera (traditionally paired with Mascagni’s Cavalleria Rusticana). The work cleverly fuses theatre and real life with heartbreaking results as Canio, having learnt of his wife’s infidelity, has to go on with the planned comedy show enacting just that scenario, until the boundary between theatre and reality final breaks down – with tragic consequences. With Teresa Stratas as Nedda and Juan Pons as the jealous Tonio, the drama has rarely been so clearly and powerfully.</video:description>
<video:duration>4268</video:duration>
<video:publication_date>2025-02-07T12:29:51Z</video:publication_date>
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<lastmod>2025-10-17T14:55:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6DG</loc>
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<video:title>Anna Netrebko &amp; Yusif Eyvazov star in Verdi&apos;s Il trovatore</video:title>
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<video:description>Anna Netrebko and Yusif Eyvazov take the leading roles in Franco Zeffirelli&apos;s lavish production of Il trovatore – Verdi&apos;s fiery tale of troubadours, gypsies and jealousies – from the Arena di Verona, filmed in 2019. With an imposing set featuring groups of giant armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses and breathtaking fights, the production was described as &quot;perhaps [Zefirelli&apos;s] best arena production&quot; by Opernglas. It also brought Netrebko to Verona for the first time, and alongside her and Eyvazov, in the title role, the cast features further superb singers, including baritone Luca Salsi as the Conte di Luna and Metropolitan Opera star Dolora Zajick as the fortune-telling gypsy Azucena.</video:description>
<video:duration>9399</video:duration>
<video:publication_date>2024-01-09T16:32:18Z</video:publication_date>
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<lastmod>2025-10-17T14:54:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJECO</loc>
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<video:title>Karajan conducts La Bohème – with Freni and Raimondi</video:title>
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<video:description>Herbert von Karajan conducts this 1965 film version of Puccini&apos;s classic opera La Bohème, which represented three firsts: the first music film conducted by Karajan, the first opera film produced by Unitel and the first major film production by Franco Zeffirelli. Based on Zeffirelli&apos;s 1963 production at La Scala, Milan, the lavish film quickly achieved status as a classic of the genre, with the young Mirella Freni leading a superb cast of some of the finest Italian singers of the period.</video:description>
<video:duration>6273</video:duration>
<video:publication_date>2023-05-12T14:28:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T14:54:24Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GDG</loc>
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<video:title>Elīna Garanča stars in Bizet&apos;s Carmen</video:title>
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<video:description>From the 99th Arena di Verona Opera Festival in 2022, Elīna Garanča sings one of the most iconic roles in the mezzo-soprano repertoire: the seductive Carmen. She leads the cast in this performance of Bizet&apos;s hit opera in Franco Zeffirelli&apos;s classic production of 1995, refashioned to integrate ideas from the 2009 revival as well as elements from the original designs never realized before. Garanča brings characteristic intelligence, intensity and vocal allure to her role and is joined by a superb line-up of colleagues: American tenor Brian Jagde as Don José, the soldier who falls inescapably for Carmen&apos;s charms; Maria Teresa Leva as the innocent, loving Micaëla; and Claudio Sgura as the dangerously charismatic toreador Escamillo.</video:description>
<video:duration>10402</video:duration>
<video:publication_date>2023-10-20T15:16:25Z</video:publication_date>
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<lastmod>2025-10-17T14:53:29Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJID0</loc>
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<video:title>Handel: Giulio Cesare</video:title>
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<video:description>Even by the standards of Glyndebourne – an opera festival with a long pedigree in 18th-century opera – David McVicar&apos;s production of Handel&apos;s Giulio Cesare is something special. Reinventing baroque conventions in endlessly playful new ways, it&apos;s as entertaining as it is spectacular; a richly enjoyable meditation on war, empire and (of course) love. This performance from the inaugural run in 2005 catches it at its freshest, with Sarah Connolly in the title role and Danielle de Niese giving a dazzling, career-defining performance as Cleopatra. A landmark in modern Handel staging, all underpinned by spirited period-instrument playing under the great William Christie.</video:description>
<video:duration>13657</video:duration>
<video:publication_date>2025-06-19T12:53:43Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T14:41:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJIDG</loc>
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<video:title>Wagner: Das Liebesverbot</video:title>
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<video:description>Wagner’s rarely performed early comic opera, based on Shakespeare’s Measure for Measure, enjoys its Spanish debut in this new 2016 production by director Kasper Holten. The early score boasts clear Italian, French and Weberian influences, yet the music continually delights with the unmistakable emergence of Wagner’s precocious genius. His adaptation of the Bard’s play reflects the rebellious mood of a Revolutionary Germany, vindicating sensual love and attacking the fanatical repression of sexuality by a puritanical and hypocritical authority. Ivor Bolton conducts a vibrant cast featuring British baritone Christopher Maltman, Turkish-Viennese tenor Artist Ilker Arcayürek and distinguished Wagnerian soprano Manuela Uhl.</video:description>
<video:duration>9619</video:duration>
<video:publication_date>2025-06-20T08:01:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T14:40:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJGD8</loc>
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<video:title>Mozart: Die Entführung aus dem Serail</video:title>
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<video:description>For nine decades, the summer opera festival at Glyndebourne has conducted a love affair with the operas of Mozart, and it&apos;s hard to imagine a more beautiful staging of Mozart&apos;s escape comedy than the production that director David McVicar created for the festival in 2015. Mozart&apos;s characters move in a world of delicately tinted 18th-century orientalism. But beneath the exquisite surface, passions burn with startling force, and with a cast that includes Sally Matthews and Brenden Gunnell, the results are as compelling as they are touching. Under Robin Ticciati, the period-instrument Orchestra of the Age of Enlightenment adds its own special spice.</video:description>
<video:duration>9966</video:duration>
<video:publication_date>2025-06-12T13:45:16Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T14:40:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1G</loc>
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<video:title>Gounod: Faust</video:title>
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<video:description>With its mythic story and indelible melodies, Gounod&apos;s Faust is one of the enduring hits of European opera: a red-blooded tale of love, sin and redemption in which the Devil really does have all the best tunes. David McVicar&apos;s opulent staging moves the action to 19th-century Paris, revelling in Gounod&apos;s theatricality while giving the cast generous scope to explore their characters. And with a Faust as charismatic as Michael Fabiano, and Méphistophélès with the vocal lustre of Erwin Schrott – plus a daring new staging of the famous ballet – this 2019 performance is a spine-tingling experience in its own right.</video:description>
<video:duration>10728</video:duration>
<video:publication_date>2025-06-25T08:16:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T14:38:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJAD8</loc>
<video:video>
<video:title>Korngold: Das Wunder der Heliane</video:title>
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<video:description>Erich Wolfgang Korngold saw his 1927 opera Das Wunder der Heliane as his &quot;masterpiece&quot;, but after its early triumphs it all but disappeared from the repertoire, and its Jewish composer and his works were banned in the Third Reich. Christoph Loy&apos;s 2018 production at the Deutsche Oper finally saw it return to the stage in triumph. The director&apos;s intelligence brought new power to the timeless fairy tale, while in soprano Sara Jakubiak and tenor Brian Jagde it boasted singers up to the almost superhuman demands of the leading roles. With conductor Marc Albrecht on hand to awaken Korngold&apos;s grand and opulent music from decades of slumber, this revival of an almost forgotten work was acclaimed by public and critics alike.</video:description>
<video:duration>10053</video:duration>
<video:publication_date>2025-05-20T07:40:16Z</video:publication_date>
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<lastmod>2025-10-17T14:30:27Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJED0</loc>
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<video:title>Jonathan Tetelman &amp; Sara Jakubiak in Zandonai&apos;s Francesca da Rimini</video:title>
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<video:description>A rarity on stage, Riccardo Zandonai&apos;s remarkable 1914 opera Francesca da Rimini, proves itself an intoxicating late-Romantic masterpiece in Christof Loy&apos;s powerful staging, starring Sara Jakubiak and Jonathan Tetelman as Francesca and her lover, Paolo &quot;il Bello&quot;. Setting a libretto based on Gabriele D&apos;Annunzio&apos;s daring and sensuous retelling of a story from Dante&apos;s Inferno, Zandonai creates a mixing intoxicating sophistication and intensity, beautifully captured by Carlo Rizzi&apos;s conducting. Loy&apos;s concentrated production – filmed at the Deutsche Oper, Berlin in front of an empty theatre during lockdown in 2021 – only adds to the drama&apos;s power.</video:description>
<video:duration>8389</video:duration>
<video:publication_date>2024-03-19T15:37:53Z</video:publication_date>
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<lastmod>2025-10-17T14:29:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPP</loc>
<video:video>
<video:title>Schreker: Der Schatzgräber</video:title>
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<video:description>Part fin-de-siècle fairy tale, part symbolist drama of love, destiny and the power of art, Franz Schreker&apos;s opera Der Schatzgräber was the greatest success of his career – playing to packed houses in the years after its premiere in Frankfurt in 1920. And who better to revive it than Christof Loy, a director celebrated for his very personal approach late-romantic allegory? His 2022 production for the Deutsche Oper Berlin updates the opera to a stunningly imagined art-deco world; peeling away the psychological layers to drive to the dark heart of Schreker&apos;s music drama. Elisabet Strid and Daniel Johansson head an exemplary cast.</video:description>
<video:duration>9915</video:duration>
<video:publication_date>2025-08-12T15:09:28Z</video:publication_date>
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<lastmod>2025-10-17T14:28:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1G</loc>
<video:video>
<video:title>Zemlinsky: Der Zwerg</video:title>
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<video:description>At the glittering court of Spain, a young princess is given a misshapen dwarf as a birthday gift. But even the smallest heart can be broken, and Zemlinsky&apos;s operatic re-telling of Oscar Wilde&apos;s fable draws on his own hopeless love for the future Alma Mahler. The result is one of the most wrenching (and beautiful) of late Romantic German operas, and Tobias Kratzer&apos;s striking, psychologically complex updating for the Deutsche Oper Berlin peels away its layers of fantasy, autobiography and allegory to devastating emotional effect. Conductor Donald Runnicles brings all his mastery and insight to Zemlinsky&apos;s ravishing score.</video:description>
<video:duration>5707</video:duration>
<video:publication_date>2025-09-02T11:43:18Z</video:publication_date>
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<lastmod>2025-10-17T14:23:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9G</loc>
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<video:title>Strauss: Intermezzo</video:title>
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<video:description>Robert Storch is a famous composer, living with his spirited wife Christine at their Alpine villa. So, nothing at all like Richard Strauss and his wife Pauline then… That&apos;s the irresistible premise of Strauss&apos;s Intermezzo – a fizzing domestic comedy drawn directly from the composer&apos;s own life. It&apos;s an opera unlike any other, and a good production needs a light touch as well as clear-eyed psychological insight – exactly what director Tobias Kratzer brings to his new staging for the Deutsche Opera Berlin. This pared back updating, offers an unsparing – but very human - anatomy of a marriage, vividly conducted by Donald Runnicles.</video:description>
<video:duration>9487</video:duration>
<video:publication_date>2025-08-21T08:49:59Z</video:publication_date>
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<lastmod>2025-10-17T14:05:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1L</loc>
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<video:title>Verdi: Il trovatore</video:title>
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<video:description>Set in the shimmering waters of the Bodensee, with the Bavarian Alps as a majestic backdrop, the open-air lake stage at the Bregenz Festival is a marvel in its own right. Every opera production there has to take that as a starting point, but few have risen more powerfully to the challenge than Robert Carsen&apos;s 2006 staging of Verdi&apos;s blood-and-fire thriller Il Trovatore. A huge industrial labyrinth is the setting here for Verdi&apos;s great operatic melodrama – and is almost a character in its own right. But as ever at Bregenz, spectacle goes hand in hand with world-class musical and dramatic values, and Thomas Rösner conducts a high-powered cast.</video:description>
<video:duration>8283</video:duration>
<video:publication_date>2025-08-19T10:23:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T13:51:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJGDG</loc>
<video:video>
<video:title>Mozart: Idomeneo</video:title>
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<video:description>&quot;No man is more to be pitied, and none can soften his cruel fate.&quot; When Mozart retold the tale of King Idomeneo and his fatal vow, he created one of the last and mightiest works of the opera seria tradition – a tragedy of war, fate and human love, set to music of blazing inspiration and force. In this bold staging from the Teatro Real, Madrid, director Robert Carsen takes a typically inventive approach – poetic, perceptive and containing performances of formidable conviction from a cast that includes Eric Cutler and Anett Frisch, conducted by veteran Mozartian Ivor Bolton.</video:description>
<video:duration>10196</video:duration>
<video:publication_date>2025-06-16T15:13:28Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T13:49:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32DG</loc>
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<video:title>Handel&apos;s Ariodante – with Emily D&apos;Angelo</video:title>
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<video:description>Emily D&apos;Angelo stars in the title role of Handel&apos;s Ariodante in this new production by Robert Carsen, staged in Paris&apos;s lavish Palais Garnier. With a plot drawn from Ariosto&apos;s epic Orlando Furioso, the opera, unveiled in London in 1735, features some of Handel&apos;s most inspired and subtly dramatic music and recounts the story of Ariodante, his betrothed Ginevra and the treacherous Polinesso, who plots ruthlessly to drive them apart. The production is distinguished by Carsen&apos;s characteristic dramatic insight and aesthetic flair. A superb cast on the stage is joined by the English Concert in the pit, conducted by distinguished Handelian Harry Bicket.</video:description>
<video:duration>11882</video:duration>
<video:publication_date>2023-10-26T14:29:22Z</video:publication_date>
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<lastmod>2025-10-17T13:48:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHI</loc>
<video:video>
<video:title>Barenboim conducts Rimsky-Korsakov: The Tsar&apos;s Bride</video:title>
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<video:description>Rimsky Korsakov&apos;s The Tsar&apos;s Bride is an historical epic with a very modern message; a drama of love, politics and betrayal that drives to the very heart of what it means to be Russian and – more importantly – to be human. This 2013 production from Berlin united the powerhouse team of Daniel Barenboim and director Dmitri Tcherniakov, relocating Rimsky&apos;s tsars and lovers to a chillingly modern surveillance state. In this startlingly prescient re-interpretation of Rimsky&apos;s underrated masterpiece, Olga Peretyatko delivers a powerful central performance as a woman caught between love and the power of technological totalitarianism.</video:description>
<video:duration>9113</video:duration>
<video:publication_date>2025-07-07T13:21:36Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T13:03:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJIE0</loc>
<video:video>
<video:title>Berg: Lulu</video:title>
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<video:description>Berg&apos;s Lulu is an opera that demands absolute commitment from everyone involved. But the pay-off is one of the most overwhelming experiences in 20th-century theatre; a piece of musical drama that transforms Frank Wedekind&apos;s scandalous, sensuous heroine into a figure of mythic power. In 2015, the National Theatre Munich assembled a world-beating team, with the visionary Dmitri Tcherniakov directing, Kirill Petrenko conducting and Marlis Petersen – in the title role – giving a performance of such intensity and power that Opernwelt named her Singer of the Year.</video:description>
<video:duration>10710</video:duration>
<video:publication_date>2025-06-20T11:44:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T13:01:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJC</loc>
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<video:title>Wagner: Der fliegende Holländer (Bayreuth 2021)</video:title>
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<video:description>Three highly anticipated debuts made this production of Wagner&apos;s Der fliegende Holländer at the Bayreuth Festival an exceptional event: after her sensational success as Salome at the Salzburg Festival, soprano Asmik Grigorian performed Senta with compelling expressiveness and emotional power; director Dmitri Tcherniakov added an intriguing additional new layer to the story of the Dutchman crossing the oceans for eternity; and Ukrainian Oksana Lyniv became the first female conductor in the festival&apos;s long history to appear on the green hill – and was celebrated by audiences and press alike.</video:description>
<video:duration>8876</video:duration>
<video:publication_date>2022-04-25T09:49:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
<video:restriction relationship="deny">HU</video:restriction>
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<lastmod>2025-10-17T12:52:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHK</loc>
<video:video>
<video:title>Donizetti: Le convenienze ed inconvenienze teatrali (Viva la Mamma!)</video:title>
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<video:description>A provincial opera company is rehearsing a new opera; what could go wrong? A lot, as it turns out in Donizetti&apos;s early comedy, whose title – &quot;the conventions and inconveniences of the stage&quot; – is only the most obvious sign of a composer enthusiastically making fun of his own professional world. This 2017 production from the Opéra National de Lyon is directed by one of the paragons of operatic silliness in our own time, Laurent Pelly, who revels in Donizetti&apos;s behind-the-scenes operatic farce. Lorenzo Viotti conducts a cast led by acclaimed coloratura soprano Patrizia Ciofi as the company&apos;s prima donna, young Italian-Swiss soprano Clara Meloni as the disgruntled seconda donna and esteemed bass-baritone Laurent Naouri as her fearsome mother.</video:description>
<video:duration>6840</video:duration>
<video:publication_date>2025-10-08T14:54:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T12:48:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1K</loc>
<video:video>
<video:title>Verdi: Falstaff</video:title>
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<video:description>&quot;Tutto nel mondo è burla&quot;: All the world&apos;s a jest. The final words of Verdi&apos;s Falstaff ring down the curtain on one of the warmest and wisest comedies in all music, ending one of the greatest careers in opera with a peal of life-affirming laughter. Any production is a special occasion, but this 2019 staging from the Teatro Réal in Madrid is directed by a true master of comedy, Laurent Pelly. With Daniele Rustioni conducting a wonderfully engaging cast, this spirited updating brings out the pathos, the wit and the bubbling humanity of Verdi&apos;s last (and funniest) opera.</video:description>
<video:duration>7699</video:duration>
<video:publication_date>2025-08-19T08:44:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T12:47:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3IC8</loc>
<video:video>
<video:title>Abbado conducts Il Barbiere di Siviglia</video:title>
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<video:description>For more than two centuries, Rossini&apos;s 1816 adaptation of Beaumarchais&apos;s The Barber of Seville has delighted, amused and astonished audiences around the world. It&apos;s a true comic classic and in Figaro, its witty, endlessly resourceful title character, Rossini gave opera one of its most engaging and charismatic heroes. Fittingly, this 1972 film version united two equally innovative and energetic young talents – the French director Jean-Pierre Ponnelle and conductor Claudio Abbado – in an exuberant, handsome-looking production based on Ponnelle&apos;s classic Salzburg staging, and recorded using the forces of La Scala, Milan. Hermann Prey, Teresa Berganza and Luigi Alva all star in this sparkling account of the supreme bel canto comedy.</video:description>
<video:duration>8469</video:duration>
<video:publication_date>2023-10-25T14:53:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:42:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3EE8</loc>
<video:video>
<video:title>Karl Böhm conducts Le nozze di Figaro</video:title>
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<video:description>An imaginative 1976 TV production of Mozart&apos;s comedy unites Karl Böhm – then nearing the end of a lifetime&apos;s engagement with Mozart – with the Vienna Philharmonic, and a cast that unites multiple generations. Hermann Prey is Figaro, Mirella Freni is Susanna and Dietrich Fischer-Dieskau brings his legendary way with words to an unusually flirtatious Count. Kiri Te Kanawa (Countess) and Maria Ewing (Cherubino), meanwhile, are both at their youthful peak; delightfully fresh and touchingly believable. It&apos;s a team that would have been hard to assemble on stage, even then, and Böhm&apos;s matchless flexibility and authority underpins a production (by Jean-Pierre Ponnelle) that contemporary critics praised for its refreshing lack of cliché.</video:description>
<video:duration>10992</video:duration>
<video:publication_date>2023-10-12T13:30:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:41:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2E8</loc>
<video:video>
<video:title>Harnoncourt conducts Monteverdi: L&apos;incoronazione di Poppea</video:title>
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<video:description>The Zurich Opera&apos;s Monteverdi cycle in the mid-1970s caused a sensation, setting a new standard for how period instruments could be used to bring early music to the stage. Nikolaus Harnoncourt established himself as an important opera conductor, and his favourite director of many years, Jean-Pierre Ponnelle, demonstrated how modern and fresh the works of the first great opera composer in music history could be. Here they turn their hand to Monteverdi&apos;s revolutionary L&apos;incoronazione di Poppea. The work was one of the first operas to use as its basis historical rather than legendary events and unflinchingly charts the beautiful Poppea&apos;s amorous and political machinations as she tightens extends her power and influence in Emperor Nero&apos;s Rome.</video:description>
<video:duration>9798</video:duration>
<video:publication_date>2023-11-22T14:43:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJEDG</loc>
<video:video>
<video:title>Harnoncourt conducts Monteverdi: Il ritorno d’Ulisse</video:title>
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<video:description>The Zurich Opera’s Monteverdi cycle in the mid-1970s caused a sensation, setting a new standard for how period instruments could be used to bring early music to the stage. Nikolaus Harnoncourt established himself as an important opera conductor, and his favourite director of many years, Jean-Pierre Ponnelle, proved how modern and fresh the works of the first great opera composer in music history can be. Here that intense preparation and engagement with historical sources bears fruit in a superb production of Monteverdi’s remarkable final extant opera, Il ritorno d’Ulisse in patria sua.</video:description>
<video:duration>9276</video:duration>
<video:publication_date>2024-11-11T14:12:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:38:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJEDO</loc>
<video:video>
<video:title>Levine conducts Mozart: La clemenza di Tito</video:title>
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<video:description>The director Jean-Pierre Ponnelle is credited by many with helping restore Mozart’s final opera, La clemenza di Tito, to its rightful place in the repertory – as a late masterpiece whose deep humanity shines through despite its conventional opera seria trappings. In adapting his Salzburg Festival staging of the work for television, Ponelle produced a lavish production not only making use of authentic Roman locations – the gardens and ruins of Hadrian’s Villa, the Terme of Caracalla  and Rome’s Forum Romanum – but also showing a superb cast in the best possible light.</video:description>
<video:duration>8320</video:duration>
<video:publication_date>2024-11-11T14:24:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:37:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ICG</loc>
<video:video>
<video:title>Abbado conducts La Cenerentola</video:title>
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<video:description>Rossini&apos;s La Cenerentola is an operatic fairy tale with a remarkably modern edge: there are no fairy godmothers or supernatural transformations, and the magic that drives the story is the power of compassionate love. It was a perfect subject for the innovative French director Jean-Pierre Ponnelle, and this enchanting filmed version from 1981 combines the production values of Ponnelle&apos;s La Scala staging (the young Claudio Abbado strikes sparks in the pit) with the visual possibilities of a movie (it was filmed in Vienna). Ponnelle updates the action to Rossini&apos;s own era, and with Frederica von Stade in the title role, the results are as refreshing as they are delightful.</video:description>
<video:duration>9206</video:duration>
<video:publication_date>2023-10-25T15:27:00Z</video:publication_date>
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<lastmod>2025-10-17T12:37:10Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GE0</loc>
<video:video>
<video:title>Chailly conducts Verdi&apos;s Rigoletto – starring Luciano Pavarotti</video:title>
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<video:description>Luciano Pavarotti stars as the Duke of Mantua in Jean-Pierre Ponnelle&apos;s lavish film version of Verdi’s Rigoletto – filmed in historic locations in Parma, Mantua and Sabbioneta. The Italian tenor is irresistible in one of his signature roles, as the philandering Duke who eventually alights on the beautiful Gilda (Edita Grubarová), the secret daughter of court jester Rigoletto, powerfully portrayed by Swedish baritone Ingvar Wixell. Verdi&apos;s dark tragedy of 1851– for many his first true masterpiece – is presented here in uniquely atmospheric style, with the orchestral accompaniment from Riccardo Chailly and the Wiener Philharmoniker providing a perfect complement to Ponnelle&apos;s high-intensity retelling of the drama.</video:description>
<video:duration>7066</video:duration>
<video:publication_date>2023-10-24T11:06:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T12:36:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30CO</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; John Williams in Conversation</video:title>
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<video:description></video:description>
<video:duration>666</video:duration>
<video:publication_date>2023-12-21T14:27:59Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:27:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPM</loc>
<video:video>
<video:title>Janáček: From the House of the Dead</video:title>
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<video:description>&quot;In every creature, there is a spark of God&quot;: perhaps only Leos Janacek could have taken Dostoyevsky&apos;s unsparing memoir of life in a Siberian labour camp and turned it into an affirmation of the human spirit. From the House of the Dead is a hymn to life, an opera without heroes that sets out to ennoble humanity itself, and it takes a very special team of artists to lay bare its raw, profoundly compassionate soul. Frank Castorf&apos;s Munich production does exactly that; a bold and insightful updating given wings by a superb ensemble cast and the impassioned conducting of Simone Young.</video:description>
<video:duration>5801</video:duration>
<video:publication_date>2025-10-15T12:32:25Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T10:23:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPK</loc>
<video:video>
<video:title>Handel: Rinaldo</video:title>
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<video:description>The first opera ever written specifically for the London stage when it was premiered in 1711, Rinaldo has been a regular feature in the modern revival of Handel&apos;s operas. Based on Tasso&apos;s epic La Gerusalemme liberate, the opera combines a love story with a spectacular backdrop of the First Crusade. The composer borrowed generously from his own earlier works as he created this score, but the resulting music is Handel of the finest vintage. This characteristically flamboyant production by Pier Luigi Pizzi involves punchy lighting and striking costumes, while Federico Maria Sardelli conducts the orchestra of the Maggio Musicale Fiorentino and a fine, predominantly Italian cast.</video:description>
<video:duration>7877</video:duration>
<video:publication_date>2025-10-15T11:55:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T09:41:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHI</loc>
<video:video>
<video:title>Donizetti: Poliuto</video:title>
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<video:description>Despite his premature death at the age of 50, Gaetano Donizetti composed around 70 operas, only a handful of which are regularly performed outside Italy today. His tragic opera Poliuto was composed in 1838 for Naples, but immediately ran into problems with the censor because of its religious subject matter and has remained something of a rarity. This 2015 Glyndebourne production directed by Mariame Clément was the opera&apos;s belated UK premiere and was widely praised for the quality of the musical performances under conductor Enrique Mazzola. American star tenor Michael Fabiano sings the title role, with Puerto Rican soprano Ana María Martínez as his wife Paolina.</video:description>
<video:duration>6995</video:duration>
<video:publication_date>2025-10-08T11:23:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-17T09:38:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9L</loc>
<video:video>
<video:title>Chabrier: L&apos;Étoile</video:title>
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<video:description>Long before España, the work for which he is now best known, the French composer Emmanuel Chabrier made a splash with a comic opera: L&apos;Étoile. Premiered at Paris&apos;s Bouffes-Parisiens – Jacques Offenbach&apos;s theatre – L&apos;Étoile was Chabrier&apos;s suavely witty take on Offenbach&apos;s brand of operetta. Who better to revive it today than Laurent Pelly, a director who revels in both the stylishness and the silliness of 19th-century light opera? In Pelly&apos;s 2014 production, an all-French cast is led by Stéphanie d&apos;Oustrac in the trouser role of Lazuli, with Hélène Guilmette as the love interest Princesse Laoula and Christophe Mortagne as King Ouf I. Patrick Fournillier conducts a performance that left critics wondering why L&apos;Étoile had been neglected.</video:description>
<video:duration>6899</video:duration>
<video:publication_date>2025-10-02T12:13:13Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T09:34:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPO</loc>
<video:video>
<video:title>Korngold: Violanta</video:title>
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<video:description>Korngold&apos;s Violanta astonished the world when it was premiered in 1916, and not merely because the composer was just 17 years old. This tale of vengeance and forbidden passion in renaissance Venice is late-Romantic opera at its sumptuous, red-blooded peak; a drama that grips at the heart, set to music drenched in dark emotions and iridescent colours, and Pier-Luigi Pizzi&apos;s 2020 production for the Teatro Regio di Torino drives straight for its heart. Annemarie Kremer is formidable in the title role, while updated costumes and striking abstract designs help recreate the full, intoxicating impact of one of 20th-century opera&apos;s most unexpected masterpieces.</video:description>
<video:duration>5310</video:duration>
<video:publication_date>2025-10-16T07:50:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-17T09:32:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPN</loc>
<video:video>
<video:title>Landi: La Morte d&apos;Orfeo</video:title>
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<video:description>When director Pierre Audi died aged 67 in May 2025, the opera world lost one of its visionary creators. This sleek production of Stefano Landi&apos;s 1619 &quot;pastoral tragicomedy&quot; was Audi&apos;s last as the Artistic Director of Dutch National Opera and saw him return to the Orpheus myth nearly 30 years after staging Monteverdi&apos;s better known L&apos;Orfeo in 1995. Landi&apos;s La Morte d&apos;Orfeo is considered a milestone in the development of early opera and involves a substantial number of characters across its five acts. In this performance, members of the dynamic young cast each take two roles, while early music specialist Christophe Rousset conducts his renowned period-instrument ensemble Les Talens Lyriques.</video:description>
<video:duration>6685</video:duration>
<video:publication_date>2025-10-15T13:09:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T09:29:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPL</loc>
<video:video>
<video:title>Handel: Tamerlano</video:title>
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<video:description>Teatro Real&apos;s majestic production of Handel&apos;s vivid tragedy, Tamerlano, stars a Lear-like Plácido Domingo as the Turkish Sultan Bajazet, caught between pride, love and loyalty. Domingo heads a superb cast, including Sara Mingardo, Monica Bacelli and Ingela Bohlin, all magnificently responsive to Paul McCreesh&apos;s authentic and luminous interpretation of the score. The highly theatrical staging by Graham Vick provides a splendid setting for the characters and for designer Richard Hudson&apos;s extravagant Baroque-Islamic costumes, emphasizing the brilliance of one of Handel&apos;s finest dramatic achievements.</video:description>
<video:duration>13088</video:duration>
<video:publication_date>2025-10-15T12:14:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T09:22:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPJ</loc>
<video:video>
<video:title>Gounod: La nonne sanglante</video:title>
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<video:description>A rare opportunity to enjoy Charles Gounod&apos;s Gothic opera inspired by Matthew Lewis&apos;s 1796 novel The Monk, this production of La nonne sanglante was the work&apos;s first ever modern revival. This dark operatic tale of love, ghosts and family feuds was Gounod&apos;s second opera, completed years before Faust and Roméo et Juliette for which he is now best known. But the three real advocates for Romantic opera involved in this Opéra Comique production make clear the pleasures of this rarity: tenor Michael Spyres is a superb hero alongside an otherwise French cast, Laurence Equilbey&apos;s conducting is energetic (and her Insula Orchestra on top form) while David Bobée&apos;s staging is starkly stylish.</video:description>
<video:duration>8351</video:duration>
<video:publication_date>2025-10-15T11:39:43Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T09:14:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPI</loc>
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<video:title>Barber: Vanessa</video:title>
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<video:description>It was only his first foray into the genre, but Samuel Barber&apos;s Vanessa won the Pulitzer Prize in 1958, the year of its world premiere in New York. The great English conductor Sir Malcolm Sargent once declared it &quot;the most &apos;operatic&apos; opera ever written by an American&quot;. Without a doubt one of 20th-century opera&apos;s most appealing scores, Vanessa abounds in lyricism as the libretto (by fellow opera composer Gian Carlo Menotti) explores a heartbreaking, tangled story of loves past and present. In this warmly received 2018 production directed by Keith Warner for Glyndebourne, the cast is led by soprano Emma Bell in the title role and Jakub Hrůša conducts a gripping performance from the London Philharmonic Orchestra.</video:description>
<video:duration>7588</video:duration>
<video:publication_date>2025-10-15T11:08:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:13:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPH</loc>
<video:video>
<video:title>Albéniz: Merlin</video:title>
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<video:description>Completed in 1902, premiered in Barcelona in 1950 and in its original English version in a concert performance in 1998, Merlin finally received its full, world premiere recording in this impressively cast 2003 production from Madrid&apos;s Teatro Real. Although better known today for his piano works, Isaac Albéniz also composed numerous dramatic works, including this Wagnerian opera to an English libretto by his wealthy aristocratic benefactor Francis Money-Coutts. Having reconstructed the score himself from manuscript sources and publishers&apos; proofs, José de Eusebio conducts a cast led by Carol Vaness, Eva Marton and a young Stuart Skelton. John Dew directs a production that conjures the enchantment of this Arthurian tale.</video:description>
<video:duration>8889</video:duration>
<video:publication_date>2025-10-15T10:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:12:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3IDG</loc>
<video:video>
<video:title>Berlioz: Symphonie fantastique, H. 48: V. Songe d&apos;une nuit de sabbat</video:title>
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<video:description>Conductor Nicolò Umberto Foron and the Deutsches Symphonie-Orchester release their album featuring Berlioz’s Symphonie fantastique and Lili Boulanger’s D’un soir triste. 
Foron comments on the repertoire: “While both composers were in their 20s when composing these pieces, they showcase a distinct maturity of form and feeling. In my interpretation, I sought to emphasize their shared intensity: Berlioz’s fever journey and hallucination, and Boulanger’s luminous, restrained contemplation of the end. This recording may therefore be heard as a dialogue across a century between two young composers grappling with what inspiration means to them personally, under very different historical and emotional circumstances.”</video:description>
<video:duration>598</video:duration>
<video:publication_date>2025-09-26T14:29:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-16T14:12:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GC0</loc>
<video:video>
<video:title>Davies conducts Weill: Aufstieg und Fall der Stadt Mahagonny</video:title>
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<video:description>It took 68 years for [Aufstieg und Fall der Stadt] Mahagonny to come to the Salzburg Festival, but it arrived in style. In Peter Zadek’s bold 1998 production the denizens of Brecht and Weill’s sin city crowd the vast stage of the Grosses Festspielhaus, and conductor Dennis Russell Davies brings an uncompromising zest and grit to the playing of the Radio-Symphonieorchester Wien. But Weill was always adamant that Mahagonny is an “epic opera”, and Salzburg never stints on that score. Catherine Malfitano and Jerry Hadley head a cast that stars Dame Gywyneth Jones as Widow Begbick: performances exactly as outsized, and as gripping, as Weill demanded.</video:description>
<video:duration>9355</video:duration>
<video:publication_date>2024-07-10T12:41:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-16T09:53:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPP</loc>
<video:video>
<video:title>Herbie Mann&apos;s Jasil Brazz</video:title>
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<video:description>Some jazz gigs acquire a legendary status, and flautist Herbie Mann&apos;s live performance of his Latin-inspired 1987 crossover album Jasil Brazz at the 1990 Munich Klaviersommer Festival was one such occasion. Jazz purists were skeptical at the time, but for Mann, &quot;Brazilian music has shown me that music in general can still remain exciting and dramatic without having an overabundance of drums&quot;. He proved it in Munich with an evening of irrepressible music-making at the head of a truly stellar sextet. Latin standards and Mann&apos;s own compositions receive the same exuberant treatment, on what was clearly a night to remember.</video:description>
<video:duration>4391</video:duration>
<video:publication_date>2025-09-23T10:00:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-15T12:23:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1I</loc>
<video:video>
<video:title>Haydn from the Esterházy Palace: &quot;Le matin&quot;, &quot;Le midi&quot; &amp; &quot;Le soir&quot;</video:title>
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<video:description>A delightful journey through the day with Joseph Haydn! It was with these three magnificent early symphonies that Haydn probably celebrated his debut at the court of Prince Esterházy in 1761– with each composed so as to show off the superb players in the prince&apos;s celebrated orchestra. We begin with &quot;Le matin&quot;(Morning) and progress via the high spirits of &quot;Le midi&quot; (Noon) through to &quot;Le soir&quot;(Evening), which culminates in the depiction of storm. It&apos;s music whose charm and beauty remain as irresistible to us today as it was to its first audience in Esterházy over 260 years ago – especially when performed by such renowned Haydn experts as Giovanni Antonini and Il Giardino Armonico.</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2025-10-13T12:06:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2025-10-15T09:40:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3IE8</loc>
<video:video>
<video:title>Maurizio Pollini in Conversation with Jörg Widmann</video:title>
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<video:description></video:description>
<video:duration>1922</video:duration>
<video:publication_date>2025-10-13T11:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T16:16:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1M</loc>
<video:video>
<video:title>Georgijs Osokins in Recital: Pärt, Bach, Scarlatti &amp; Schubert</video:title>
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<video:description>Latvia&apos;s most compelling pianist celebrates Estonia&apos;s greatest living composer. Set on a wooded promontory near the Gulf of Finland, the Arvo Pärt Centre in the composer&apos;s hometown of Laulasmaa is the perfect setting for this 90th-birthday tribute from Georgijs Osokins, a pianist – and recent Deutsche Grammophon signing – who has been described as one of the most original imaginations in contemporary piano playing. Naturally, he plays Pärt (including the hugely popular Fratres). But in this special concert – part of the Nargen Festival – he plays Bach, Scarlatti and Schubert too, exploring the roots of Pärt&apos;s inspiration and placing his achievement in a Europe-wide context – a perspective that is measured in centuries.</video:description>
<video:duration>4794</video:duration>
<video:publication_date>2025-09-15T09:18:21Z</video:publication_date>
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<lastmod>2025-10-13T15:04:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9L</loc>
<video:video>
<video:title>Purcell: King Arthur</video:title>
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<video:description>&quot;What ho! Thou genius of this isle, what ho! Liest thou asleep beneath those hills…?&quot; There have been many retellings of the legend of King Arthur, but none more entertaining – or ravishing – than Purcell and Dryden&apos;s enchanting &quot;semi-opera&quot; of 1691. A sumptuous pageant of music and visuals, it demands a supremely imaginative staging, and that&apos;s precisely what it receives in Sven-Eric Bechtolf and Julian Crouch&apos;s riotous, spectacular 2017 production for the Staatsoper in Berlin. Critics were dazzled – and with René Jacobs conducting a hand-picked cast, the musical performance, too, is as inspired as it is idiomatic.</video:description>
<video:duration>10221</video:duration>
<video:publication_date>2025-07-29T09:32:09Z</video:publication_date>
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<lastmod>2025-10-13T09:49:46Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1J</loc>
<video:video>
<video:title>Barenboim conducts Wagner: Parsifal</video:title>
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<video:description>Wagner&apos;s final masterpiece, Parsifal, is a work like no other: the realization of a long-held dramatic idea, which mixes religion and sensuality together into a very human tale of the redemptive power of hope and love. Dmitri Tcherniakov&apos;s compelling 2013 staging for the Staatsoper in Berlin takes all this and adds new layers of meaning and complexity, simultaneously questioning and reinforcing the work&apos;s message, while Daniel Barenboim&apos;s conducting – captured with an outstanding cast and a Staatskapelle Berlin on world-beating form – conveys a lifetime&apos;s experience to capture the work&apos;s inexorable musical power. A thought-provoking, moving and ultimately unmissable performance of a uniquely thought-provoking and moving work.</video:description>
<video:duration>15107</video:duration>
<video:publication_date>2025-06-25T10:28:35Z</video:publication_date>
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<lastmod>2025-10-13T09:47:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPG</loc>
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<video:title>Donizetti: Don Pasquale</video:title>
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<video:description>What&apos;s an ageing bachelor to do? When Don Pasquale&apos;s only heir – his nephew Ernesto – falls for a woman whom Pasquale considers entirely unsuitable, the older man decides it&apos;s time for radical action: he will get married and produce his own, more deserving heir. The miracle of Donizetti&apos;s final opera buffa is that, amid the sparkling comedy of Ernesto and his beloved Norina getting their own back, the score also includes moments of unforgettable pathos. In this stylish production from Geneva directed by Daniel Slater, bel canto specialist Evelino Pidò conducts a cast led by Simone Alaimo in the title role, with renowned coloratura soprano Patrizia Ciofi as the irrepressible Norina. Prepare to laugh and to cry!</video:description>
<video:duration>7612</video:duration>
<video:publication_date>2025-10-09T13:49:43Z</video:publication_date>
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<lastmod>2025-10-13T09:09:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9H</loc>
<video:video>
<video:title>Weber: Oberon</video:title>
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<video:description>When Carl Maria von Weber – the supreme master of early Romantic German opera – stepped into the imaginative world of Shakespeare, the results were always going to be extraordinary, and Weber&apos;s final opera Oberon is certainly that. Part pantomime, part homage to Shakespeare and part oriental fantasy, its ravishing music demands a staging that&apos;s as imaginative as Weber&apos;s own enchanted sound world – and this 2017 reinvention by director Nikolaus Habjan is alive with visual wonder. Julian Prégardien sings the role of the King of the Fairies, while Ivor Bolton brings all his insight and flair to a truly magical score.</video:description>
<video:duration>10202</video:duration>
<video:publication_date>2025-09-08T12:21:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-13T08:44:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GCG</loc>
<video:video>
<video:title>Mehta conducts Wagner: Tristan und Isolde</video:title>
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<video:description>There can be no half-measures with Wagner’s Tristan und Isolde: every performance demands supreme commitment, and that’s what it receives in this 1998 production from the Bavarian State Opera. No city has a longer Tristan pedigree than Munich, but Peter Konwitschny’s inventive updated staging is liberated rather than inhibited by that tradition. It’s a bold setting for a truly magnificent cast, and Gramophone described Waltraud Meier’s Isolde as “riveting”. Jon Frederic West, Kurt Moll and Marjana Lipvosek match her for intensity. With Zubin Mehta conducting and the Bavarian State Orchestra on radiant form, this is some of the finest Wagner singing – and playing – of its era.</video:description>
<video:duration>14434</video:duration>
<video:publication_date>2024-07-10T15:05:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T08:43:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHL</loc>
<video:video>
<video:title>Pavarotti: The Lost Concert</video:title>
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<video:description>For the first time, a previously unreleased concert by the world’s greatest tenor comes to the screen – streaming exclusively on STAGE+. In 1955, aged 19, Pavarotti travelled with his father and the Società Chorale G. Rossini from Modena to compete at the Llangollen International Musical Eisteddfod. To their surprise, they won – a moment Pavarotti later described as pivotal, inspiring him to dream of becoming a professional singer. Forty years later, in 1995, he kept his promise to go back to the Welsh village and, at the peak of his fame, he stepped onto the Pavilion stage before 4,500 people for a triumphant return.</video:description>
<video:duration>4638</video:duration>
<video:publication_date>2025-10-12T19:25:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-12T19:27:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3IE0</loc>
<video:video>
<video:title>Chopin: Nocturne No. 8 in D flat, Op. 27 No. 2</video:title>
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<video:duration>294</video:duration>
<video:publication_date>2025-10-09T14:09:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-10T08:43:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3IDO</loc>
<video:video>
<video:title>Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31</video:title>
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<video:description></video:description>
<video:duration>287</video:duration>
<video:publication_date>2025-10-09T13:45:15Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-10T08:42:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHG</loc>
<video:video>
<video:title>D&apos;Albert: Tiefland</video:title>
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<video:description>Eugen D&apos;Albert (1864-1932) was a thoroughly cosmopolitan musician, a composer and pianist who trained with figures as varied as Arthur Sullivan, Hans Richter and Franz Liszt. Tiefland was the most successful of his remarkable back catalogue of twenty operas and was staged across Europe and in New York shortly after its 1903 Prague premiere. A music drama suffused by the influence of both Wagner and the Italian verismo tradition, Tiefland is a hot-blooded story of rural life and love. This rare staging at the Sarasota Opera House is directed by Michael Unger and conducted by David Neely, with Kara Shay Thomson in the lead soprano role once taken by Maria Callas.</video:description>
<video:duration>8590</video:duration>
<video:publication_date>2025-10-08T08:54:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-09T15:41:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9P</loc>
<video:video>
<video:title>Britten: The Rape of Lucretia</video:title>
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<video:description>One of Benjamin Britten&apos;s darkest works, The Rape of Lucretia draws its characters from Ancient Rome but explores themes and anxieties that are timeless: loyalty and trust, sin, betrayal and violation. Fiona Shaw&apos;s acclaimed 2015 Glyndebourne production was the first time the chamber opera had been staged at the Festival since its world premiere there in 1946. Starkly pared back, Shaw&apos;s powerful staging leaves ample space for the superb cast of British singers – led by Christine Rice in a harrowing performance as Lucretia – to explore the work&apos;s harshly etched emotional world. In the pit, Leo Hussain conducts members of the London Philharmonic Orchestra in a performance that was widely praised by critics.</video:description>
<video:duration>6847</video:duration>
<video:publication_date>2025-10-08T07:48:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-09T15:41:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9K</loc>
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<video:title>Britten: Billy Budd</video:title>
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<video:description>No horizons are wide enough to counteract the claustrophobic atmosphere on board the Royal Navy ship at the centre of one of Benjamin Britten&apos;s most intensely gripping operas. Emotions run high, threatening the breakdown of this floating community. Commissioned for the Festival of Britain in 1951, the opera is staged here by Deborah Warner to mark the bicentenary of Madrid&apos;s Teatro Real – in a visually arresting production that has already become a modern classic. Britten specialist Ivor Bolton conducts a largely Anglophone cast led by baritone Jacques Imbrailo in the title role, alongside tenor Toby Spence (Vere, the role created by Britten&apos;s partner Peter Pears) and bass Brindley Sherratt (Claggart).</video:description>
<video:duration>10512</video:duration>
<video:publication_date>2025-10-02T11:21:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:40:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9N</loc>
<video:video>
<video:title>Massenet: Cendrillon</video:title>
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<video:description>Stories don&apos;t get much more familiar than Cinderella. In Jules Massenet&apos;s sparkling Belle Époque operatic version, Cinders, her awful stepmother and stepsisters, the Fairy Godmother and Prince Charming (now a trouser role for a soprano) are all brought to life with the unmistakeable French accent of Perrault&apos;s original fairytale. Fiona Shaw&apos;s Glyndebourne production captures the work&apos;s glamour and enchantment while updating it to our own time. Heading an international cast, Glyndebourne favourite Danielle de Niese takes the title role with mezzo-soprano Kate Lindsey as her royal beau in a fine performance led by critically acclaimed conductor John Wilson, with the London Philharmonic Orchestra in the pit.</video:description>
<video:duration>8665</video:duration>
<video:publication_date>2025-10-07T15:14:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:39:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9M</loc>
<video:video>
<video:title>Mascagni: L&apos;Amico Fritz</video:title>
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<video:description>Premiered in 1891, just a year after the success of his one-act Cavalleria rusticana, Pietro Mascagni&apos;s sentimental comedy L&apos;Amico Fritz secured his status as one of the brightest hopes of Italian opera after Verdi. But L&apos;Amico Fritz was an emphatic turn away from the sensational plot of Cavalleria rusticana, allowing Mascagni space to for a more detailed psychological study of the two lovers at the plot&apos;s heart. Rosetta Cucchi&apos;s 2022 production for Florence persuasively updates the action to 20th-century Little Italy, with American tenor Charles Castronovo and Georgian soprano Salome Jicia as the romantic leads, Fritz Kobus and Suzel, alongside a largely Italian cast. Riccardo Frizza conducts.</video:description>
<video:duration>6195</video:duration>
<video:publication_date>2025-10-07T14:38:50Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:39:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34D8</loc>
<video:video>
<video:title>Böhm conducts Beethoven: Fidelio</video:title>
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<video:description>Chained in a dungeon, an innocent man awaits certain death. But someone has remembered his plight – and perhaps the new prison-warder Fidelio holds the key to his fate. Beethoven said that his only opera Fidelio meant more to him than anything he ever wrote, and this soul-stirring drama has rarely been given with more authority than in this 1969 performance from what was then West Berlin conducted by Karl Böhm, a titan among postwar German conductors. Gwyneth Jones – then at the height of her youthful powers - takes the title role, and Gustav Rudolf Sellner’s classic staging, here transferred to film, has lost none of its sombre majesty.</video:description>
<video:duration>6783</video:duration>
<video:publication_date>2025-01-15T12:47:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:33:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJAE0</loc>
<video:video>
<video:title>Wagner: Die Meistersinger von Nürnberg</video:title>
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<video:description>This 2022 staging from the Deutsche Oper Berlin sees Wagner&apos;s Die Meistersinger von Nürnberg set in Dr. Pogner’s Private Conservatory. Pogner is planning to transfer it into public ownership, and the winner of the public singing exam to be held the next day, Midsummer Day, will not only take over the institution but also win the hand of his daughter Eva, secretly involved in a relationship with lecturer and therapist Hans Sachs. With an outstanding ensemble cast – including Johan Reuter as Sachs, Heidi Stober as Eva and Klaus Florian Vogt as Walter, her new suitor – this thought-provoking staging asks questions about art, teaching and the nature of love, while ultimately proving as uplifting as any performance of this great work should be.</video:description>
<video:duration>16858</video:duration>
<video:publication_date>2025-05-22T15:13:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:27:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHL</loc>
<video:video>
<video:title>Strauss: Arabella</video:title>
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<video:description>In 1860s Vienna the noble Waldner family have two daughters to marry off, and only enough money for one. Still, this is carnival season and sometimes fairy tales really do come true. Richard Strauss and Hugo von Hofmannsthal&apos;s final opera portrays a society in flux, and in his 2023 Berlin production, director Tobias Kratzer took that idea and ran with it – whirling the opera through a century and a half of changing values to find a new kind of happy ending. Sara Jakubiak sings the title role and Donald Runnicles conducts, in one of the landmark Strauss productions of recent years.</video:description>
<video:duration>9591</video:duration>
<video:publication_date>2025-09-17T15:16:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:17:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJACO</loc>
<video:video>
<video:title>Chopin: Études, Op. 10: No. 12 in C Minor &quot;Revolutionary&quot;</video:title>
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<video:description></video:description>
<video:duration>153</video:duration>
<video:publication_date>2023-11-22T15:53:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T14:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ID8</loc>
<video:video>
<video:title>From a Convenient Grass</video:title>
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<video:description>The Importance of Birds&apos; is the new inspiring project from Icelandic composer, producer and multi-Instrumentalist Snorri Hallgrímsson. He has written and produced seven original tracks for an EP that is an observation and reflection on the fragility and finiteness of life and the relationships with those closest to us and how they are ever changing and growing as time marches on. Hallgrímsson&apos;s tracks create a soundworld of subtle beauty, consisting of poignant but uplifting solo piano lines, at times underpinned by warm, gently shifting string arrangements and layers of electronica that ebb and flow, bearing us ever further along a winding musical path. &quot;Hallgrímsson has an innate understanding of using space and quiet to make a point.&quot;</video:description>
<video:duration>241</video:duration>
<video:publication_date>2025-09-25T13:54:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T13:35:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1L</loc>
<video:video>
<video:title>Gala concert—inauguration of the 19th International Chopin Competition</video:title>
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<video:description>No fewer than four Chopin Competition winners return to Warsaw for a feast of luxurious pianism to mark the opening of the 19th Chopin Competition. Bruce Liu leads the charge with Camille Saint-Saëns&apos;s scintillating Piano Concerto No. 5 before Yulianna Avdeeva and Garrick Ohlsson perform Poulenc&apos;s brilliantly witty and playful Concerto for Two Pianos. And as a finale, all three pianists are joined by Dang Thai Son for another multi-piano masterpiece, Bach&apos;s Concerto for 4 Pianos. Accompaniment is provided by the Warsaw Philharmonic Orchestra under Andrzej Boreyko, who kick off the evening in rousing style with a new orchestration of Chopin&apos;s Polonaise in A major.</video:description>
<video:duration>5140</video:duration>
<video:publication_date>2025-10-08T08:16:54Z</video:publication_date>
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<lastmod>2025-10-09T11:53:38Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3EDO</loc>
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<video:title>Nadine Sierra and Francesco Meli star in La Traviata</video:title>
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<video:description>Nadine Sierra leads the cast and Zubin Mehta conducts in this performance of Davide Livermore’s stylishly updated production of Verdi’s classic tear-jerker, La traviata, filmed at the Maggio Musicale Fiorentino in 2021. In reframing the action to the protest-filled Paris of 1968, the director sets our “Not to provoke…but to tell this story more closely, to develop the richness and modernity of Verdi’s masterpiece.” To help him do so, he has not only Sierra’s heartbreaking portrayal of Violetta, but also two superb Italian singers alongside her. tenor Francesco Meli sings Alfredo, her lover, while veteran baritone Leo Nucci portrays Alfredo’s father, whose interventions intensify the ultimate inevitable tragedy.</video:description>
<video:duration>8798</video:duration>
<video:publication_date>2024-07-02T10:40:01Z</video:publication_date>
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<lastmod>2025-10-07T14:52:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJADO</loc>
<video:video>
<video:title>Puccini: Il tabarro</video:title>
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<video:description>The first panel in Puccini&apos;s Il trittico (Triptych), Il tabarro sees the composer distil the aesthetic of verismo opera into an hour-long drama of almost shocking realism, with music that showcases not only the composer&apos;s famous gift for memorable melody but also his skill at conveying a particular atmosphere – in this case the thankless world of barge-workers on the banks of the Seine in Paris. This production from the Teatro del Maggio Musicale concentrates on story-telling – things end badly after Giorgetta, the wife of the barge owner Michele, falls for the handsome stevedore Luigi – and features a fine cast of Italian principals, allowing the power of Puccini&apos;s work to register to its full, shattering effect.</video:description>
<video:duration>3261</video:duration>
<video:publication_date>2025-05-21T09:19:23Z</video:publication_date>
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<lastmod>2025-10-07T14:51:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9I</loc>
<video:video>
<video:title>Barrie Kosky directs Mozart: Così fan tutte</video:title>
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<video:description>In the finale of his Mozart/Da Ponte cycle for the Wiener Staatsoper, director Barrie Kosky turns his vivid imagination to the world of the theatre itself. In Kosky&apos;s lively production Don Alfonso – the romantic cynic who sets the work&apos;s farcical machinations in motion – is a theatre director rehearsing a play, with the opera&apos;s two couples at the centre of the story. The comedy unfolds with Kosky&apos;s trademark exuberance, featuring winning performances from a stellar cast including Christopher Maltman (Don Alfonso), Federica Lombardi (Fiordiligi) and Emily D&apos;Angelo (Dorabella). Philippe Jordan conducts from the pianoforte in this widely praised performance.</video:description>
<video:duration>10991</video:duration>
<video:publication_date>2025-09-08T13:36:42Z</video:publication_date>
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<lastmod>2025-10-06T09:19:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJACO</loc>
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<video:title>Rustioni conducts Verdi: Falstaff</video:title>
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<video:description>Daniele Rustioni conducts a fine ensemble cast in this production of Verdi&apos;s final operatic masterpiece by Oscar- and Golden Globe-nominated film director Luca Guadagnino, filmed in the Teatro Filarmonico di Verona. With finally-etched characterizations within beautifully designed period sets, this performance captures all the quicksilver wit and mellow wisdom that have made the opera such a favourite, while an all-Italian line-up of principals – led by Alberto Mastromarino&apos;s larger-than-life Falstaff – bring the comedy to life with irresistible style.</video:description>
<video:duration>7945</video:duration>
<video:publication_date>2024-02-06T12:39:53Z</video:publication_date>
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<lastmod>2025-10-06T06:49:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32C8</loc>
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<video:title>Daniil Trifonov: The Salzburg Recital</video:title>
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<video:description>Pianist Daniil Trifonov presents a characteristically imaginative and virtuosic programme from the 2023 Salzburg Festival. He begins with Tchaikovsky&apos;s charming Children&apos;s Album, a series of brilliantly characterful musical vignettes. Next come  to two fantasies: Schumann&apos;s great Fantasie in C Major, Op. 17, composed in 1836 and dedicated to Franz Liszt, is one of the key works of musical Romanticism, while Mozart&apos;s Fantasie in C minor, K. 475, is among the composer&apos;s most unorthodox and – and compelling – works. The programme concludes with one of Scriabin&apos;s most concentrated and powerful works, the Piano Sonata No. 5, committed to paper over just six days in December 1907.</video:description>
<video:duration>4817</video:duration>
<video:publication_date>2024-07-04T12:52:22Z</video:publication_date>
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<lastmod>2025-10-05T06:28:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34DG</loc>
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<video:title>Andris Nelsons &amp; the Wiener Philharmoniker: Mahler Symphony No. 9</video:title>
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<video:description>Andris Nelsons continues his survey of all Mahler’s Symphonies with the Wiener Philharmoniker with the valedictory Ninth, streaming live from the Salzburg Festival. Dating from 1909, two years before Mahler’s death in 1911, the work represents the apogee of a sparer, “late” Mahler style, in which distilled, intense beauty are used to express the composer’s emotionally turbulent life and growing awareness of his mortality: the heart disease that would kill him had been diagnosed in 1907. It was premiered posthumously in 1912 by the Wiener Philharmoniker, and their performance here with one of today’s leading conductors promises to be an unmissable event.</video:description>
<video:duration>5465</video:duration>
<video:publication_date>2024-08-15T13:32:28Z</video:publication_date>
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<lastmod>2025-10-05T06:27:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ACO</loc>
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<video:title>Nézet-Séguin conducts Berlioz: Symphonie fantastique</video:title>
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<video:description>Yannick Nézet-Séguin is at the helm of the Wiener Philharmoniker for this performance from the Salzburg Festival of one of the most groundbreaking works in the history of classical music: Berlioz’s Symphonie fantastique of 1830. Rewriting the rules of what a symphony should be, the work paved the way for new direction in musical Romanticism in its vivid descriptiveness – charting the crazed opium-fuelled imaginings of an artist across its five movements. It also cemented Berlioz’s reputation as one of the most revolutionary artists of his generation. With this world-class combination of conductor and orchestra, this is set to be a performance that catches all its brilliance and wildness.</video:description>
<video:duration>3801</video:duration>
<video:publication_date>2024-09-06T11:12:23Z</video:publication_date>
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<lastmod>2025-10-05T06:23:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34DG</loc>
<video:video>
<video:title>The Chéreau Ring: Siegfried (Bayreuth 1980)</video:title>
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<video:description>What remains uncertain in Wagner&apos;s Ring des Nibelungen is whether the figure of Siegfried actually symbolises hope for world salvation through fearlessness and heroism, or whether his brutality and amorality are central components of doom. In Patrice Chéreau&apos;s production, Siegfried can also be considered a harbinger of fascism. The political interpretation, however, along with mythical, psychological and fairy-tale elements, forms only one level of the multi-layered interpretation, which partially situates the plot in the time of the work&apos;s creation (1980). Manfred Jung as Siegfried, Gwyneth Jones as Brünnhilde and Donald McIntyre as Wotan, in the guise of the Wanderer, provide vocal brilliance and expressive acting.</video:description>
<video:duration>13806</video:duration>
<video:publication_date>2022-11-01T12:30:58Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-03T14:15:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34C0</loc>
<video:video>
<video:title>The Chéreau Ring: Götterdämmerung (Bayreuth 1979)</video:title>
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<video:description>In Patrice Chéreau&apos;s production, the chorus turns away from the scene and towards the auditorium in the final notes of Götterdämmerung to ask the audience whether or not there is hope for a better future after the abdication of the old order. If it was initially met with angry rejection, the production ended with 90 minutes of applause and fortunately, director Brian Large taped the Ring of the Century in its last  year. In addition to Chéreau&apos;s staging – both a great success and a masterpiece of detailed work – Pierre Boulez&apos;s musical direction also caused a sensation: his conducting, characterised by brisk tempi, transparency and dramaturgical tautness, represents a milestone in Wagner interpretation.</video:description>
<video:duration>15053</video:duration>
<video:publication_date>2022-10-31T18:32:53Z</video:publication_date>
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<lastmod>2025-10-03T14:15:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30D0</loc>
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<video:title>The Chéreau Ring: Die Walküre (Bayreuth 1980)</video:title>
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<video:description>One of the most beautiful images of this &quot;Ring of the Century&quot; adaptation is the Valkyrie Rock in the final act of the second opera of the cycle, created while revising the production: stage designer Richard Peduzzi based the fairy-tale monumental structure on Arnold Böcklin&apos;s painting of Toteninsel. Patrice Chéreau, who had begun his career as a director of spoken theater, encourages an unusually intense portrayal of siblings and lovers Siegline (Jeannine Altmeyer) and Siegmund (Peter Hofmann) and there remains controversy over the fact that Wotan, the father of the gods, is not only morally responsible for Siegmund&apos;s death, as in the original, but pierces Siegmund himself with his spear.</video:description>
<video:duration>13150</video:duration>
<video:publication_date>2022-10-27T10:49:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-03T14:14:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30CO</loc>
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<video:title>The Chéreau Ring: Das Rheingold (Bayreuth 1980)</video:title>
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<video:description>The Bayreuth Festival productions of Wagner&apos;s Tetralogy performed between 1976 and 1980, have been called the &quot;Ring of the Century&quot; for two reasons: first, it came out a hundred years after the opening of the festival; second, the production, led by Patrice Chéreau and Pierre Boulez, proved to be quite possibly the most effective interpretation of the piece both scenically and musically in the 20th century. The production was, however, a scandal before it became a triumph. In its premiere year, Der Spiegel reported that &quot;the old-timers lost their hearing and sight&quot;. The opening scene was also met with criticism: instead of untouched nature, they were confronted with a dam that symbolised industrialisation and capitalism.</video:description>
<video:duration>8773</video:duration>
<video:publication_date>2022-10-27T10:07:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-03T14:14:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJIE8</loc>
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<video:title>Wagner: Parsifal (Bayreuth 1981)</video:title>
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<video:description>There was a new production by Wolfgang Wagner at the Bayreuth Festival nearly every year between 1953 and 2002. After World War II, the long-time festival director, together with his brother Wieland, had defined the aesthetic of the so-called &quot;New Bayreuth&quot;, which was characterized by a symbolism and the innovative use of images and light. This production of Parsifal remains faithful to this aesthetic principle and at the same time becomes a celebration of the many great singers who were regulars in Bayreuth at the time: alongside Siegfried Jerusalem in the title role and Bernd Weikl as Amfortas, bass Hans Sotin sings the role of Gurnemanz, a role he performed on the Green Hill almost every summer for 24 years.</video:description>
<video:duration>13973</video:duration>
<video:publication_date>2022-10-24T09:05:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:13:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34C8</loc>
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<video:title>Wagner: Die Meistersinger von Nürnberg (Bayreuth 1984)</video:title>
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<video:description>Wolfgang Wagner took over the direction of the Bayreuth Festival with his brother Wieland after World War II and staged Die Meistersinger von Nürnberg there a total of three times. In the second of these productions, from 1981, he succeeded in taking the nationalistic sting out of his grandfather&apos;s only mature comedy, concentrating entirely on human relationships and even bringing about a reconciliation between the adversaries Sachs and Beckmesser. In these roles Bernd Weikl and Hermann Prey, two of the most distinguished singers of their generation, prove compelling sparring partners. Completing the trio of principal male roles is Siegfried Jerusalem, who caused a sensation all over the world as a Wagner tenor.</video:description>
<video:duration>16241</video:duration>
<video:publication_date>2022-10-31T18:34:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:13:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CE8</loc>
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<video:title>Wagner: Der fliegende Holländer (Bayreuth 1985)</video:title>
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<video:description>Wagner&apos;s Flying Dutchman had never been seen like this before: At the 1978 Bayreuth Festival, director Harry Kupfer presented the story of the title character&apos;s restless travels around the world entirely from the perspective of the female protagonist Senta. In Peter Sykora&apos;s stage design, which undergoes several magical transformations, the events seem to take place on the threshold between wakefulness and dream, reality and hallucination. Due to the psychological depth of the characterization and the compelling acting performances of Lisbeth Balslev and Simon Estes, the production reaches the intensity of an Ingmar Bergman film. Harry Kupfer continued his work in Bayreuth a few years later with a successful Ring production.</video:description>
<video:duration>8212</video:duration>
<video:publication_date>2022-11-28T10:18:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:12:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ED8</loc>
<video:video>
<video:title>Maisky plays Haydn: Violin Concertos – arranged for Cello &amp; Orchestra</video:title>
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<video:description>From the lavish Baroque surroundings of Schloß Hetzendorf in southwest Vienna, Mischa Maisky and the Wiener Symphoniker present Haydn&apos;s Violin Concerto in G major – plus the Adagio of the Violin Concerto in C – in arrangements for cello and orchestra. Dating from the 1760s, both works reflect Haydn&apos;s style at is most sparkling and immediately appealing. And they retain all those qualities in their cello guise, especially as performed here.</video:description>
<video:duration>1709</video:duration>
<video:publication_date>2023-10-06T07:11:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:11:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32E0</loc>
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<video:title>Wagner: Lohengrin (Bayreuth 1990)</video:title>
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<video:description>A few years after the release of his film Fitzcarraldo – about the construction of an opera house in the Peruvian jungle – German film director Werner Herzog was invited to direct Wagner&apos;s Lohengrin at the Bayreuth Festival. Herzog shares with the composer the conviction that no true artist can shy away from challenges or adventures and that realising the impossible is an artistic imperative. In this, only his second opera production, the director tells the medieval story of the Swan Knight with poetic images and a fairy-tale atmosphere. Canadian tenor Paul Frey stars in the title role with star soprano Cheryl Studer as Elsa.</video:description>
<video:duration>12928</video:duration>
<video:publication_date>2022-10-31T17:33:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:10:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8D8</loc>
<video:video>
<video:title>Waldbühne 1993: Russian Night – with Seiji Ozawa</video:title>
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<video:description>For the Berliner Philharmoniker&apos;s 1993 concert at Berlin&apos;s Waldbühne – an outdoor auditorium with capacity for over 20,000 listeners nestled into Berlin&apos;s woods – Seiji Ozawa directs the orchestra in a programme celebrating the colour, richness and spectacular orchestration of Russian favourites from Tchaikovsky to Stravinsky. The former is represented by his Nutcracker Suite and the rousing 1812 Overture, the latter by highlights from his breakthrough ballet, The Firebird. The concert also includes works by Borodin and Rimsky-Korsakov – Stravinsky&apos;s teacher – and concludes with four encores: Khachaturian&apos;s blistering Sabre Dance, more Tchaikovsky, Johann Strauss&apos;s Radetzky March and, as with every year, Paul Lincke&apos;s Berliner Luft.</video:description>
<video:duration>5884</video:duration>
<video:publication_date>2023-03-15T13:29:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:10:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCCG</loc>
<video:video>
<video:title>Europakonzert 1996 from St Petersburg – with Claudio Abbado</video:title>
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<video:description>For the 1996 Europakonzert, the Berliner Philharmoniker and Claudio Abbado travelled east to perform in St Petersburg&apos;s famous Mariinsky Theatre, presenting a programme mixing Russian music with works by Beethoven. The concert opens with excerpts of Prokofiev&apos;s celebrated ballet Romeo and Juliet, before Ukrainian bass Anatoli Kotcherga sings Aleko&apos;s Cavatina from the teenage Rachmaninoff&apos;s first opera. The Berliner Philharmoniker&apos;s then concertmaster, Kolja Blacher, is soloist in Beethoven&apos;s two intimate Romances for violin and orchestra before Abbado brings the concert to a rousing conclusion with Beethoven&apos;s Seventh Symphony – and, as an encore, the Waltz of the Flowers from Tchaikovsky&apos;s The Nutcracker.</video:description>
<video:duration>5411</video:duration>
<video:publication_date>2023-04-20T11:41:35Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:09:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3A</loc>
<video:video>
<video:title>Pierre Boulez conducts Bruckner&apos;s 8th Symphony</video:title>
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<video:description>For his performance with the Wiener Philharmoniker, Pierre Boulez declared that for Bruckner&apos;s Eighth Symphony, the orchestra gave him more than he could give the orchestra. Despite the French composer and conductor&apos;s modesty, the appeal of this interpretation stems precisely from what he offers the orchestra that originally premiered the work and has regularly performed it ever since: a fresh-eyed approach to and modern perspective of the symphony. This concert takes place on the 100th anniversary of Bruckner&apos;s death at the St. Florian Monastery in Linz, Austria, where Bruckner was once a choirboy and organist, and where he was laid to rest.</video:description>
<video:duration>4766</video:duration>
<video:publication_date>2022-05-11T10:59:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:08:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJG</loc>
<video:video>
<video:title>250 Years of Mozart – Riccardo Muti&apos;s Festive Concert</video:title>
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<video:description>&quot;Mozart is proof of God&quot; Riccardo Muti once said in an interview and in 2006, the Italian conductor took part in the 250th birthday celebration, held in the composer&apos;s hometown. In the Großes Festspielhaus in Salzburg, Muti puts on a festive concert together with the Wiener Philharmoniker. Mozart&apos;s genius is demonstrated by his ability to write masterpieces in all the genres common to his time and this performance showcases his skill as a composer of symphonies, operas and solo concertos. Soloists known for their original and idiomatic Mozart styles join in, including Mitsuko Uchida, Thomas Hampson, Gidon Kremer and Yuri Bashmet.</video:description>
<video:duration>6532</video:duration>
<video:publication_date>2022-06-17T06:46:27Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T13:56:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJIDG</loc>
<video:video>
<video:title>Harnoncourt conducts Le nozze di Figaro</video:title>
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<video:description>Claus Guth&apos;s production of Le nozze di Figaro proved one of the great successes of the 2006 Salzburg Festival, praised for its elegant set and for the psychological complexity of its characterisation. Hailed as a &quot;triumph for Mozart&quot; by the Salzburger Nachrichten, the production formed part of the Festival&apos;s unprecedented project to perform all of the Mozart&apos;s stage works in the composer&apos;s 250th-anniversary year. It provided one of the late highlights in the artistic career of conductor Nikolaus Harnoncourt, with a superb cast including star soprano Anna Netrebko as Susanna and Christine Schäfer, who brought a compelling intimacy to the role of Cherubino.</video:description>
<video:duration>12120</video:duration>
<video:publication_date>2022-10-18T13:50:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-03T13:54:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GC0</loc>
<video:video>
<video:title>Anna Netrebko and Piotr Beczała in La Bohème – Salzburg Festival 2012</video:title>
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<video:description>The moment when Puccini&apos;s evergreen tragedy of young love and loss finally came to the Salzburg was always likely to be a special occasion, and so it proves. Damiano Michieletto&apos;s 2012 production – the first ever at the Salzburg Festival – evokes a gritty, believably modern Paris, and with Daniele Gatti and the Vienna Philharmonic on glowing form in the orchestra pit, everything here just clicks. Anna Netrebko (Mimi) and Piotr Beczała (Rodolfo) were both at the height of their prowess and esteem, and they vanish within their roles: critics at the time praised both their empathy and their control. Nino Machaidze sings Musetta in a true ensemble performance - proof that even in the 21st century, La bohème retains the capacity to surprise.</video:description>
<video:duration>7448</video:duration>
<video:publication_date>2023-10-16T08:09:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T13:45:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCE0</loc>
<video:video>
<video:title>Bychkov conducts Beethoven and Strauss – with Lisa Batiashvili</video:title>
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<video:description>Semyon Bychkov and the Czech Philharmonic Orchestra present a programme coupling Beethoven&apos;s lyrical Violin Concerto of 1806 with Richard Strauss&apos;s thrilling Alpensinfonie, first heard in 1915. For the Beethoven, conductor and orchestra are joined by Georgian violinist Lisa Batiashvili – one of the finest players of her generation and a musician ideally equipped for the work&apos;s special challenges. The orchestra&apos;s massed forces are then marshalled together for Strauss&apos;s enormous descriptive symphony, which melds a narrative of a day&apos;s alpine wandering with grand philosophical questions regarding man&apos;s relationship to nature to create one of the most overwhelming – and technically demanding – works in the orchestral repertoire.</video:description>
<video:duration>6382</video:duration>
<video:publication_date>2023-05-04T08:59:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T11:23:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6E8</loc>
<video:video>
<video:title>Bychkov conducts Shostakovich and Dvořák – with Daniil Trifonov</video:title>
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<video:description>The Czech Philharmonic opened its 2020-21 season with a programme marking the 100th anniversary of the birth of Václav Neumann, the orchestra&apos;s music director from 1968 to 1989. Semyon Bychkov, the orchestra&apos;s current music director, is on the podium and is joined, in the concert&apos;s first half, by pianist Daniil Trifonov and trumpeter Selina Ott, performing Shostakovich&apos;s Concerto for Piano, Trumpet and Strings – a work by turns quirky and acerbic and, in the beautiful slow movement, meltingly lyrical. For the concert&apos;s second half, the orchestra turns to Dvořák&apos;s powerful Symphony No. 8.</video:description>
<video:duration>4543</video:duration>
<video:publication_date>2023-03-01T10:55:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T11:21:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPO</loc>
<video:video>
<video:title>Detlev Eisinger: Works by Scarlatti and Schumann</video:title>
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<video:description>Robert Schumann&apos;s Carnaval is one of the landmarks of Romantic piano music – a kaleidoscope of fantasy and colour, hurled in the face of the philistines by a dreamer who played by no rules but his own. And few interpretations capture that elusive sense of genius on the wing more vividly than the career-defining account that Bavarian pianist Detlev Eisinger gave in 1990 at the Munich Klaviersommer festival. More than any other, this is the concert that made Eislinger&apos;s name: Schumann playing of rare spontaneity and intelligence, preceded (in an inspired touch) by three equally inventive Scarlatti sonatas.</video:description>
<video:duration>2396</video:duration>
<video:publication_date>2025-09-23T09:33:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T15:22:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9L</loc>
<video:video>
<video:title>Gulda, Hancock, Zawinul: The Salzburg Concert</video:title>
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<video:description>Some critics called Friedrich Gulda a &quot;musical terrorist&quot;. But he was one of the supreme modern interpreters of Mozart, the composer he regarded as the &quot;greatest of the greatest&quot;, and he launches this 1989 concert from Salzburg with an inimitable account of the Piano Sonata K. 333. And then…well, all bets are off as Gulda joins two fellow geniuses from very different worlds – Austrian jazz pianist Joe Zawinul and the legendary Herbie Hancock – for a computer-enhanced improvisation that pushes the boundaries of 1980s music technology, as well as the collective imagination of three true keyboard originals.</video:description>
<video:duration>4211</video:duration>
<video:publication_date>2025-09-09T07:52:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T14:06:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1I</loc>
<video:video>
<video:title>Hermann Prey sings Romantic Ballades</video:title>
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<video:description>Nestled in the wooded foothills of the Swabian Alps, the spa town of Bad Urach is Germany at its most Romantic; a landscape that inspired some of the greatest imaginations of the 19th century. So what better location than the town’s characterful Festhalle for this celebration of German song and the words that inspired it from the legendary baritone Hermann Prey and actor Nikolaus Paryla? Filmed in 1988, this lovely recital features Romantic lieder by (among others) Loewe, Schubert, Schumann, Brahms, Mendelssohn, Liszt, Strauss and Schoeck, all framed by the poetry of Uhland, Kerner, Hauff and Schwab – to magical effect.</video:description>
<video:duration>4918</video:duration>
<video:publication_date>2025-09-02T13:15:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T14:06:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJGD8</loc>
<video:video>
<video:title>Bach: Chaconne in D Minor (Transc. for Piano)</video:title>
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<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2022-12-03T16:25:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T12:21:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34DO</loc>
<video:video>
<video:title>Premieres Revisited: Sibelius Symphony No. 5</video:title>
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<video:description>To accompany his complete cycle of the Sibelius symphonies, performed by Helsinki Philharmonic Orchestra, conductor Jukka Pekka Saraste looks back at the origins of the Fifth – the most popular of the seven works. This fascinating film explores what inspired the work and revisits its premiere in the Great Hall of Helsinki University, conducted by Sibelius himself on his 50th birthday on 8 December 1915. He was left deeply unsatisfied, though, and revised the work over the next four years until it reached the final version most often heard today.</video:description>
<video:duration>3279</video:duration>
<video:publication_date>2025-07-07T12:59:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T06:56:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9J</loc>
<video:video>
<video:title>Puccini: Madama Butterfly</video:title>
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<video:description>Glyndebourne waited eight decades before staging Madama Butterfly, but when it finally presented Puccini&apos;s Japanese tragedy in 2016, it did so in the company&apos;s usual intelligent and perceptive style. Director Annilese Miskimmon updates the action to the postwar era, giving a new intensity to the clash of cultural values, and conductor Omer Meir Wellber digs far below the ravishing surface of Puccini&apos;s score. The result is a staging that&apos;s as beautiful as it is moving, with Joshua Guerrero as a troublingly seductive Pinkerton and Olga Busuioc, as Cio-Cio-San, giving what one critic described as &quot;a performance of sustained dramatic intensity and vocal brilliance&quot;.</video:description>
<video:duration>8378</video:duration>
<video:publication_date>2025-07-29T07:53:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-29T12:18:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1N</loc>
<video:video>
<video:title>The Estonian Philharmonic Chamber Choir sings Pärt</video:title>
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<video:description>Very few living composers speak more widely (or deeply) than Arvo Pärt, and in his 90th-birthday year the musical world has been rediscovering – and celebrating – a composer who believes that &quot;the instant and the eternal are struggling within us&quot;. Since its foundation in 1981, the Estonian Philharmonic Chamber Choir has been synonymous with Pärt&apos;s music, developing a performance tradition guided and endorsed by Pärt himself, and in April 2025, under the direction of their founder-conductor Tõnu Kaljuste, they celebrated his life and work in this powerful all-Pärt programme filmed in Paris&apos;s Philharmonie. Music of today, and of eternity, performed with unsurpassed beauty and authority.</video:description>
<video:duration>5025</video:duration>
<video:publication_date>2025-09-29T08:04:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-29T08:40:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCE0</loc>
<video:video>
<video:title>Tchaikovsky: 6 Pieces, Op. 51, TH 143 - 6. Valse Sentimentale</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/04d7cf0924dc131035f0dbf0a4983c411a9689da.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>218</video:duration>
<video:publication_date>2025-03-05T16:24:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T12:38:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ICG</loc>
<video:video>
<video:title>Alembic Distillation</video:title>
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<video:description>This piece is part of Roger Eno&apos;s upcoming album &apos;Without Wind, Without Air&apos;.
British composer and multi-instrumentalist Roger Eno announces his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.

The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>202</video:duration>
<video:publication_date>2025-09-17T09:52:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T08:26:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1H</loc>
<video:video>
<video:title>Il Giardino Armonico: Italian Baroque</video:title>
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<video:description>Passionate, virtuosic and glittering with energy, the music of Antonio Vivaldi redefined the Italian baroque – and continues to astonish audiences today. But Vivaldi wasn&apos;t the only genius in that golden era, and in this fascinating film Giovanni Antonini and Il Giardino Armonico explore the byways and musical wonders of 17th- and 18th-century Italy. Performing on location in Sicily, they rediscover the ravishing, endlessly expressive music of Dario Castello, Biagio Marini, Tarquinio Merula and Giovanni Battisti Spada – Vivaldi&apos;s forerunners and rivals, rescued from the shadows and presented alongside electrifying performances of three of the Venetian master&apos;s own best-loved concertos.</video:description>
<video:duration>3506</video:duration>
<video:publication_date>2025-09-23T13:16:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T07:58:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGE8</loc>
<video:video>
<video:title>Karajan at the Vatican: Mozart &quot;Coronation&quot; Mass &amp; Ave verum corpus</video:title>
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<video:description>The legend of Herbert von Karajan as &quot;general music director of Europe&quot; was always slightly tongue-in-cheek. But there were occasions when it almost seemed true, and never more so than on 29 June 1985 when he conducted Mozart&apos;s Coronation Mass in St Peter&apos;s Basilica, Rome, as part of a mass celebrated by Pope John Paul II. Karajan had suggested the idea during a Papal visit to Austria; only the best was good enough, and the best is what we have here, with Kathleen Battle and Ferruccio Furlanetto among the solo singers. Karajan directs the Vienna Philharmonic in this most life-affirming of sacred masterpieces, plus the motet Ave Verum Corpus – music that could have been written for the magnificent setting of St Peter&apos;s.</video:description>
<video:duration>3447</video:duration>
<video:publication_date>2024-04-11T09:12:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:33:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3AC8</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Alexandre Kantorow: Brahms Violin Sonatas</video:title>
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<video:description>Violinist Renaud Capuçon joins forces with his compatriot Alexandre Kantorow – gold medal winner at the prestigious Tchaikovsky Competition in Moscow in 2019 – to perform Brahms&apos;s three violin sonatas. Composed between 1878 and 1888, the three sonatas show the composer at his most consummate, covering a wide variety of moods, from the beautifully relaxed lyricism that opens the First Sonata to the virtuosity and passion of the finale of the Third. Capuçon brings decades-long experience of the sonatas to this concert from the Mozarteum in Salzburg – recorded during the 2023 Salzburg Festival – and Kantarow proves a superb partner.</video:description>
<video:duration>4755</video:duration>
<video:publication_date>2023-11-21T15:57:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-25T16:22:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34DO</loc>
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<video:title>Solti conducts Strauss: Four Last Songs – with Lucia Popp</video:title>
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<video:description>Soprano Lucia Popp joins Georg Solti and his Chicago Symphony Orchestra for one of Richard Strauss&apos;s most beloved works, his valedictory Four Last Songs, completed shortly before his death in 1949. Solti both knew Strauss and was chosen to conduct the music at his funeral, so brings unique insight into these beautiful songs, while Lucia Popp was one of the finest sopranos of her generation, renowned especially for her singing of Mozart and Strauss. This performance, captured in Orchestra Hall, Chicago, is one to treasure.</video:description>
<video:duration>1327</video:duration>
<video:publication_date>2023-07-21T11:43:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJAC8</loc>
<video:video>
<video:title>Gardiner conducts Bach: Mass in B minor from Versailles</video:title>
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<video:description>For his late Mass in B minor, Bach brought together music composed over many decades of his life to create one of the pillars of the choral repertoire. Similarly, John Eliot Gardiner&apos;s history of performing the work stretches back several decades – his first classic recording made with the Monteverdi Choir and English Baroque Soloists dates from 1985 – and the conductor brings unparalleled experience to his performances today with the same forces. This concert, filmed at the Chapelle Royale in Versailles as part of the group&apos;s spring 2023 tour, showcases their skill, virtuosity and passion in repertoire they and their conductor have made their own.</video:description>
<video:duration>6662</video:duration>
<video:publication_date>2023-06-07T08:15:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-25T16:02:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHJ</loc>
<video:video>
<video:title>Wagner: Der fliegende Holländer</video:title>
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<video:description>Der fliegende Holländer is Wagner’s shortest opera, but it’s also the first in which he explored the full power of his musical and dramatic vision – and in this bold staging, it’s never sounded more forceful or fresh. Conductor Marc Minkowski and the period-instrument Musiciens de Louvre return to Wagner’s original single-act version of the score, relocating this tale of a phantom ship and its tormented captain to Scotland rather than Norway, and revealing the composer’s youthful imagination at its most concentrated. Director Olivier Py’s penetrating production, and a cast of leading Wagnerians, set the seal on a gripping operatic experience.</video:description>
<video:duration>8172</video:duration>
<video:publication_date>2025-07-07T13:43:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T15:53:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHM</loc>
<video:video>
<video:title>Wagner: Lohengrin</video:title>
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<video:description>Wagner described Lohengrin as his &quot;Romantic opera&quot;, and on the surface it&apos;s the stuff of chivalric legend – the fair and virtuous Elsa, her evil accusers, and the mysterious knight who sails to her aid in a boat drawn by a swan. But its depths are profound, and no director was better equipped to explore them than Nikolaus Lehnhoff, a director immersed in Wagnerian tradition. His 2006 production at Baden-Baden is as complex as it is powerful – and with Kent Nagano conducting a cast that includes Waltraud Meier and Klaus-Florian Vogt, the result is a landmark among 21st-century Wagner productions.</video:description>
<video:duration>12377</video:duration>
<video:publication_date>2025-07-31T13:28:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T14:34:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJICG</loc>
<video:video>
<video:title>Strauß: Die Fledermaus, Act 2: No. 11, Finale - Im Feuerstrom der Reben</video:title>
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<video:description></video:description>
<video:duration>144</video:duration>
<video:publication_date>2025-04-30T14:27:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-24T15:59:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGE0</loc>
<video:video>
<video:title>Puccini: Madama Butterfly - Act II &quot;Addio fiorito asil&quot;</video:title>
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<video:description></video:description>
<video:duration>111</video:duration>
<video:publication_date>2025-04-14T14:32:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-24T15:58:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9P</loc>
<video:video>
<video:title>Bellini: I Puritani</video:title>
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<video:description>The world premiere of Bellini&apos;s I Puritani in 1835 featured four of the most famous opera singers in the world – a group that performed together repeatedly thereafter, soon nicknamed &quot;the Puritani Quartet&quot;. Nearly two centuries after the debut of Bellini&apos;s final opera, this exceptionally fine 2016 performance from Madrid boasts an equivalently starry line-up of bel canto specialists. Led by soprano Diana Damrau and tenor Javier Camarena as the piece&apos;s star-crossed lovers, the cast also includes baritone Ludovic Tézier and bass-baritone Nicolas Testé. Evelino Pidò conducts a strikingly elegant staging directed by Emilio Sagi.</video:description>
<video:duration>10855</video:duration>
<video:publication_date>2025-09-17T09:53:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-23T07:57:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHJ</loc>
<video:video>
<video:title>Torroba: Luisa Fernanda</video:title>
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<video:description>Nineteenth-century Madrid: and as the flames of civil war sweep across Spain, the dark-eyed beauty Luisa Fernanda finds her heart as torn as her loyalties. Premiered in 1932, Federico Torroba&apos;s epic zarzuela is arguably Spain&apos;s national opera, and a classic of the repertoire at Madrid&apos;s Teatro Real, where this lavish performance was filmed in 2006. Jesus Lopez Cobos conducts a cast steeped in zarzuela tradition and, with Plácido Domingo singing the role of the lovelorn royalist Vidal, it&apos;s hard to imagine a better introduction to a masterpiece that is still far too little known outside of Spain.</video:description>
<video:duration>6209</video:duration>
<video:publication_date>2025-09-17T13:41:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-23T07:41:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GCG</loc>
<video:video>
<video:title>Pärt: Lamentate: Fragile e conciliante (Transc. Osokins)</video:title>
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<video:description></video:description>
<video:duration>398</video:duration>
<video:publication_date>2025-09-05T10:56:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T15:51:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GD0</loc>
<video:video>
<video:title>On Pärt&apos;s Lamentate: Fragile e conciliante</video:title>
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<video:description>Commemorating the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki in 1945, this video was filmed in Lithuania in July 2025 - in Vilnius and Ignalina nuclear power station.
Celebrating the Estonian composer’s 90th birthday on 11 September 2025, Georgijs Osokins offers a fresh and invigorating interpretation of Pärt’s spiritual and deeply moving compositions. The music was recorded on a century-old Blue Steinway and unlocks a mesmerising range of overtones and an unparalleled depth of sound. Each piece tells a story, evoking emotions that resonate universally. This makes the album not just a musical experience but a profound journey for the soul.  

Producer: Eugene Wintour-Irverstag (Wintour Group)</video:description>
<video:duration>339</video:duration>
<video:publication_date>2025-09-09T13:48:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T15:50:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGD0</loc>
<video:video>
<video:title>Karajan conducts Verdi&apos;s Requiem</video:title>
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<video:description>Herbert von Karajan leads a superb line-up of soloists and the forces of La Scala, Milan in Verdi&apos;s monumental Requiem. Marking the 10th anniversary of Arturo Toscanini&apos;s death and filmed in the empty auditorium of Milan&apos;s legendary opera house over two days in January 1967, the performance features arguably the finest solo quartet ever to be recorded, with a young Luciano Pavarotti (a late stand-in for tenor Carlo Bergonzi) alongside soprano Leontyne Price, mezzo-soprano Fiorenza Cossotto and bass Nicolai Ghiaurov. The fifth and final collaboration between Karajan and the French film director Henri-Georges Clouzot, the film showcases not only a superb musical performance but also an innovative approach to capturing music on film.</video:description>
<video:duration>5078</video:duration>
<video:publication_date>2023-06-08T13:22:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-09-22T11:40:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJGDO</loc>
<video:video>
<video:title>Mozart: La Clemenza di Tito</video:title>
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<video:description>Mozart&apos;s final completed opera was commissioned for a coronation in Prague, as a celebration of royal authority. But this being Mozart, La Clemenza di Tito is infinitely more than that: expanding into a noble and intensely moving exploration of courage, compassion and the human price of power. In Ursel and Karl-Ernst Herrmann&apos;s 2005 staging for the Opéra National de Paris, the timeless blends with the intimate to drive straight to the heart of Mozart&apos;s late masterpiece. Christoph Prégardien sings the title role, and with Susan Graham as Sesto and Sylvain Cambreling conducting, the musical performances rise magnificently to Mozart&apos;s inspiration.</video:description>
<video:duration>8851</video:duration>
<video:publication_date>2025-06-16T15:26:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T11:26:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHK</loc>
<video:video>
<video:title>Strauss: Der Rosenkavalier</video:title>
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<video:description>Waltzes, young love, and the bittersweet sensation of time slipping through your fingers: Richard Jones&apos;s Glyndebourne production of Der Rosenkavalier might dispense with the surface trappings of Strauss and Hofmannsthal&apos;s fairy tale of 18th-century Vienna, but the essentials are all present – heightened and made even more real by Jones&apos;s colourful postwar updating. Controversial at first, Jones&apos;s staging has quickly become a classic and this performance from 2014 captures it in all its freshness, with Tara Erraught as a touching Octavian and Kate Royal as a young and wonderfully believable Marschallin. Robin Ticciati draws lustrous colours from the London Philharmonic Orchestra.</video:description>
<video:duration>11457</video:duration>
<video:publication_date>2025-09-17T14:17:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T14:21:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHI</loc>
<video:video>
<video:title>Bizet: Carmen</video:title>
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<video:description>&quot;Astonishing&quot; was how one critic described director Dmitri Tcherniakov&apos;s re-invention of Bizet&apos;s Carmen at the 2017 Aix-en-Provence Festival – another declared that it &quot;will change the way you see Bizet&apos;s masterpiece&quot;. Tcherniakov rewrites the famous tragedy as a play-within-a-play; using the familiar themes and characters of the opera to illuminate a very modern (and unsettlingly recognisable) dissection of contemporary values and relationships: Carmen meets the all-too-modern world of The White Lotus. And as always at Aix, musical values are world-class, with Stéphanie d&apos;Oustrac as Carmen, Michael Fabiano as José and Pablo Heras-Casado conducting the Orchestre de Paris.</video:description>
<video:duration>10201</video:duration>
<video:publication_date>2025-09-17T11:09:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T13:10:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHH</loc>
<video:video>
<video:title>Berlioz: Béatrice et Bénédict</video:title>
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<video:description>Shakespeare was a vital, inspirational figure for French composer Hector Berlioz, as he was for many other nineteenth-century writers, artists and composers. Berlioz&apos;s Béatrice et Bénédict – an opéra comique based on the composer&apos;s own libretto – was the first prominent operatic version to be made of Shakespeare&apos;s Much Ado About Nothing and its score combines the fizzing wit and human pathos of the original play. This characteristically chic, high-energy staging by Laurent Pelly for the 2016 Glyndebourne Festival sees Berlioz&apos;s own Shakespeare obsession added to the onstage gags brought to life by a largely young, consistently dynamic cast. In the pit, Antonello Manacorda leads the London Philharmonic Orchestra on sparkling form.</video:description>
<video:duration>7068</video:duration>
<video:publication_date>2025-09-17T10:48:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:43:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHG</loc>
<video:video>
<video:title>Bellini: I Puritani</video:title>
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<video:description>Premiered in Paris less than a year before Bellini&apos;s premature death in 1835 aged just 33, I puritani was an immediate success, rapidly staged elsewhere and sparking &quot;Puritani-fever&quot; across Europe. Commissioned by a French opera house and with a plot that takes the English Civil War as its backdrop, I puritani&apos;s music remains pure Italian bel canto – as sublimely lyrical as any of Bellini&apos;s now better-known works. This landmark production staged by Sergio Morabito and Jossi Wieler marked the end of the latter&apos;s term as the artistic director at Stuttgart Opera. It features a critically acclaimed musical performance conducted by conductor Manlio Benzi, with a cast led by Ana Durlovski (Elvira) and René Barbera (Arturo).</video:description>
<video:duration>11443</video:duration>
<video:publication_date>2025-09-17T10:29:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:22:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9O</loc>
<video:video>
<video:title>Beethoven: Fidelio</video:title>
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<video:description>Fidelio isn&apos;t just Beethoven&apos;s only opera – it&apos;s the last surviving work from the once-popular genre of revolutionary opera. Its mixture of the personal and the political drives a narrative that journeys from darkness into light, within a monumental musical architecture akin to one of the composer&apos;s groundbreaking symphonies. Fidelio&apos;s vocal writing is famously demanding, tailored to some of the finest singers of Beethoven&apos;s day. This live performance from Zurich in 2004 boasts similarly top-flight casting, with tenor Jonas Kaufmann and soprano Camilla Nylund at the height of their powers in the two principal roles. Conductor Nikolaus Harnoncourt unearths the opera&apos;s raw instrumental drama amid Jürgen Flimm&apos;s beautifully lit staging.</video:description>
<video:duration>7661</video:duration>
<video:publication_date>2025-09-17T08:51:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:15:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3IC0</loc>
<video:video>
<video:title>Ravel: Prélude in A Minor, M. 65 (1913)</video:title>
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<video:description>This track is taken from the Album &quot;Siena Tapes&quot;. 
 
German pianist Julius Asal releases his second DG album Siena Tapes. The project features a selection of pieces by Ravel, a new composition by the producer of the album, Christian Badzura, as well as three new improvisational pieces Cascades I-III, written by Asal himself.
Originally conceived as a 150th-anniversary tribute to Ravel, the album grew into a very personal project during the writing and recording process. 

“In a miraculous way,” he notes, “Ravel had access to all sound colours. Even his more subtle works for piano contain shades and forces that you would usually find only in a complex symphony.”</video:description>
<video:duration>87</video:duration>
<video:publication_date>2025-09-15T09:33:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T08:54:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3IC8</loc>
<video:video>
<video:title>Debussy: Fêtes galantes I, CD 86: No. 1, En sourdine</video:title>
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<video:description>Set to the beautifully intrinsic poem of Rainer Maria Rilke and in time for autumn season, the young American soprano Emily Pogorelc gives an expressive and lyric rendition of this song. Lee Hoiby composed this song especially for the great soprano Leontyne Price whom he collaborated with on numerous occasions. “Autumn” is an unusually profound song that juxtaposes the notion of falling leaves and ultimate human silence on Earth and captures its essence in mesmerizing vocal lines and intense soundscapes.</video:description>
<video:duration>206</video:duration>
<video:publication_date>2025-09-15T13:05:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:28:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1G</loc>
<video:video>
<video:title>Mozart: Don Giovanni</video:title>
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<video:description>Don Giovanni is one of those operas that holds a mirror to its audience; Mozart&apos;s great seducer says something fresh to every generation that encounters him. And since the action is set in Spain anyway, what could be more natural than to set it in a Spain that was instantly recognisable to the audience at Madrid&apos;s Teatro Real? In 2005, director Lluis Pasqual created this bold and stylish production set in the Franco era, with Don Giovanni (Carlos Álvarez) as a playboy, and designs that evoke both the glamour and the underlying darkness of Mozart&apos;s endlessly fascinating drama.</video:description>
<video:duration>10287</video:duration>
<video:publication_date>2025-07-22T09:42:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:02:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9I</loc>
<video:video>
<video:title>Puccini: La Bohème</video:title>
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<video:description>There&apos;s a reason why Puccini&apos;s La bohème is one of the world&apos;s favourite operas – there&apos;s no sweeter or more touching evocation of how it feels to be young and in love in the City of Light. Giancarlo del Monaco&apos;s gloriously colourful 2006 production for the Teatro Real in Madrid is a Bohème that dreams are made of; an exuberant ensemble cast singing their hearts out in a magical evocation of 19th-century Paris. Described by Gramophone as &quot;a glorious vindication of traditional staging at its imaginative, re-creative best,&quot; it&apos;s conducted with irrepressible warmth by the great Jesús López Cobos.</video:description>
<video:duration>7005</video:duration>
<video:publication_date>2025-07-24T14:04:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:01:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1N</loc>
<video:video>
<video:title>Verdi: Un ballo in maschera</video:title>
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<video:description>Conspiracies, political intrigue and an assassination plot: Verdi&apos;s Un ballo in maschera has all the ingredients of a classic thriller. But it&apos;s also a drama of loyalty, witchcraft and doomed love, and Mario Martone&apos;s 2008 production for the Teatro Real, Madrid puts the human factor centre stage, with Sergio Tramonti&apos;s richly atmospheric designs evoking a claustrophobic world in which passion can prove even more deadly than politics. Jesús López Cobos conducts, and with Marcelo Alvarez (Riccardo) and Violeta Urmana (Amelia) heading a truly stellar cast, the singing is as magnificent – and as compelling – as the drama.</video:description>
<video:duration>8257</video:duration>
<video:publication_date>2025-08-19T12:38:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9N</loc>
<video:video>
<video:title>Weill: Rise and Fall of the City of Mahagonny</video:title>
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<video:description>&quot;Show me the way to the next whisky bar…&quot; The city of Mahagonny is a place of endless possibility and unbridled pleasure; a town where anything can be bought, for a price, and the only cost of admission is your conscience. Kurt Weill and Bertolt Brecht conceived their great Weimar era satire as a grand opera. Unashamedly cynical and irresistibly tuneful, it demands total musical and dramatic commitment, and in this dazzling 2010 production from Madrid that&apos;s precisely what it receives. Pablo Heras-Casado conducts a cast that stars Willard White as Trinity Moses and Jane Henschel as Leocadia Begbick.</video:description>
<video:duration>8265</video:duration>
<video:publication_date>2025-09-02T08:08:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:58:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9O</loc>
<video:video>
<video:title>Weill: Street Scene</video:title>
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<video:description>A hot day in a New York tenement, right in the middle of the 20th century. Some residents dream; others quietly despair. And yet somehow, amid the chaos, hope and tragedy of a great city, life goes on. Kurt Weill&apos;s &quot;Broadway opera&quot; Street Scene is a show like no other, an ensemble drama teeming with unforgettable tunes and unvarnished humanity. John Fulljames&apos;s inventive 2018 production for the Teatro Real, Madrid strips away the walls that divide the characters, and with a cast that includes Mary Bevan and Eric Greene, the results are as vivid as they are moving.</video:description>
<video:duration>9560</video:duration>
<video:publication_date>2025-09-02T08:36:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:51:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1H</loc>
<video:video>
<video:title>Mascagni: Cavalleria Rusticana &amp; Leoncavallo: Pagliacci</video:title>
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<video:description>Deadly passions flare as a country village celebrates Easter; a touring comedy takes a violent turn. Mascagni&apos;s Cavalleria Rusticana and Leoncavallo&apos;s Pagliacci were never conceived as a double bill but together, these two operas of jealousy and death under the pitiless Italian sun have come to define Verismo opera. Giancarlo del Monaco&apos;s now-classic staging from Madrid weaves them into a single narrative, with bold semi-abstract designs stripping away the clichés to let a handpicked cast get straight to the drama&apos;s fiery heart. With Jesús López Cobos conducting, impassioned playing and still more powerful singing make this performance from 2007 stand out.</video:description>
<video:duration>8998</video:duration>
<video:publication_date>2025-06-25T08:56:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:42:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4CO</loc>
<video:video>
<video:title>Enoch zu Guttenberg conducts Bach: St Matthew Passion</video:title>
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<video:description>Conductor Enoch zu Guttenberg directs his Chorgemeinschaft Neubeuern and the Munich Bach Collegium in Bach&apos;s towering St Matthew Passion. With soloists including the baritone Hermann Prey, tenor Claes-Håkan Ahnsjö and alto Jard van Nes, the performance reflects a lifetime of engagement with Bach and his music by a conductor whose interpretations are always characterized by a compelling sense of drama and a fierce conviction. The result is an account of this central work of sacred music, filmed in the Romanesque Church in the southwest-German town of Alpirsbach, that remains as powerful today as when it was recorded.</video:description>
<video:duration>11042</video:duration>
<video:publication_date>2025-04-16T09:19:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T09:00:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36E0</loc>
<video:video>
<video:title>Premieres Revisited: Mendelssohn&apos;s A Midsummer Night&apos;s Dream</video:title>
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<video:description>Shakespeare&apos;s magical A Midsummer Night&apos;s Dream inspired the 17-year-old Felix Mendelssohn to compose one of his first undisputed masterpieces: an overture on the subject that captured all its sense of enchantment and mischief. It wasn&apos;t until much later, in August 1843, that the King of Prussia commissioned Mendelssohn to write incidental music for the play. Building on the overture, Mendelssohn&apos;s music – including, in the Wedding March, one of his most famous works – was premiered in the New Palais in Potsdam in October the same year. And that&apos;s where the music returns to in this fascinating film – recreating the circumstances of its first performance, and recapturing the spell it still casts on listeners over 160 years later.</video:description>
<video:duration>2620</video:duration>
<video:publication_date>2025-07-21T04:49:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:57:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHI</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla – Dvořák&apos;s Symphony No. 9 &quot;From the New World&quot;</video:title>
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<video:description>From the prestigious Gstaad Menuhin Festival, Mirga Gražinytė-Tyla conducts one of the best-loved works in the symphonic repertoire: Dvořák&apos;s Symphony No. 9 &quot;From the New World&quot;. Arguably the most significant work Dvořák composed during his three-year tenure as director of the newly founded National Conservatory in New York, the symphony mingles sounds of Dvořák&apos;s new home with a deeply felt nostalgia for the land he&apos;d left behind. It&apos;s a work that has lost none of its power to rouse and move – and the combination of Mirga Gražinytė-Tyla and the hand-picked Gstaad Festival Orchestra promises to unleash that power in full.</video:description>
<video:duration>2600</video:duration>
<video:publication_date>2025-08-25T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:51:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1H</loc>
<video:video>
<video:title>Pavel Kogan conducts Shostakovich: Symphony No. 10</video:title>
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<video:description>The Soviet authorities called Shostakovich’s Tenth Symphony an &quot;optimistic tragedy&quot;, but as always with Shostakovich, the reality is a lot more complex and compelling. In 1990, as the Iron Curtain dissolved, the Moscow State Symphony Orchestra brought this epic work (plus a series of encores) to Munich’s Klaviersommer festival as part of a programme conducted by the MSSO’s newly-appointed chief conductor Pavel Kogan – who would go on to redefine this famous orchestra in the post-Soviet era. The atmosphere in this live performance is as powerful as the playing; a remarkable document of an enduringly significant moment in Russian music.</video:description>
<video:duration>4394</video:duration>
<video:publication_date>2025-09-02T12:43:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:43:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1P</loc>
<video:video>
<video:title>John McLaughlin &amp; Katia Labèque in Munich</video:title>
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<video:description>As the presiding genius of the Mahavishnu Orchestra, British jazz-fusion guitarist John McLaughlin has never been afraid to leap genres, and his &quot;Mediterranean&quot; guitar concerto does exactly that: an exuberant, very personal homage to Rodrigo’s Concierto di Aranjuez, openly romantic and scored for all the colours of a full symphony orchestra. In this live performance at the 1989 Munich Klaviersommer Festival McLaughlin himself is the soloist, with Victor Pablo-Perez conducting the Munich Philharmonic Orchestra. As a magical bonus, McLaughlin also performs two of his Five Duos with pianist Katia Labèque – a true kindred spirit, on the same creative page.</video:description>
<video:duration>3338</video:duration>
<video:publication_date>2025-08-19T16:16:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:08:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCD0</loc>
<video:video>
<video:title>On War Silence</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/900c916cc34c7b21eeb6b45393b159d93a3690d3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>715</video:duration>
<video:publication_date>2025-02-25T16:36:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T14:29:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GCO</loc>
<video:video>
<video:title>Reverie</video:title>
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<video:description>“A soundtrack to my life” – this is how ‪Eunike Tanzil sums up &apos;The First of Everything&apos;, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Its 12 tracks trace a journey of significant personal firsts and reveal Eunike’s gift for storytelling in music that ranges from minimalistic writing to sweeping cinematic statements. The suitably dreamy “Reverie”, on which Eunike plays piano and celesta, stems from a tiny motif by Ravel – “He’s my biggest inspiration in terms of classical composers, so this is my tribute to him.”</video:description>
<video:duration>178</video:duration>
<video:publication_date>2025-09-08T08:09:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T10:22:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3EDO</loc>
<video:video>
<video:title>Skye: American Mirror, Pt. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5384679d656abf929da60a2552d3071af8c2954b.jpg</video:thumbnail_loc>
<video:description>This track, American Mirror, Part 1 by Derrick Skye, is a bold reflection on intercultural collaboration in American society. Rooted in West African, North African, Eastern European, and Appalachian musical traditions, this work weaves centuries of migration, identity, and connection into one powerful sound.

The composer Derrick Skye comments: “American Mirror reflects on the coming together of cultures in our society, which consists of many generations and descendants of refugees, immigrants, and enslaved people, and how intercultural collaborations are essential to the well-being of American society. (...)”</video:description>
<video:duration>851</video:duration>
<video:publication_date>2025-08-29T09:07:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T10:20:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GCO</loc>
<video:video>
<video:title>On Joe Hisaishi in Vienna</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/14de4c2bbad842dcc1e0814de0cb6c9cc193d923.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>805</video:duration>
<video:publication_date>2023-06-16T13:11:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T09:47:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3EC8</loc>
<video:video>
<video:title>On Solipsism Redux</video:title>
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<video:description>In 2015, Joep Beving released his debut album Solipsism, a record that opened the door to a new life filled with music, travel, performances and encounters. A decade later, he returns to that first work with Solipsism Redux, a new recording that reflects on how these compositions have changed and matured over time.

Excerpt from Stalker (1979), directed by Andrei Tarkovsky, used with permission from FSUE Mosfilm Cinema Concern.</video:description>
<video:duration>426</video:duration>
<video:publication_date>2025-08-21T14:28:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T09:35:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32CO</loc>
<video:video>
<video:title>Oh Du Fröhliche</video:title>
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<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2022-12-08T06:21:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T15:11:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32D0</loc>
<video:video>
<video:title>On Frohe Weihnachten!</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c1a271d8d4a1abd7da97793fd8e8c50c30990cfc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>401</video:duration>
<video:publication_date>2022-12-08T06:49:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T15:05:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34C0</loc>
<video:video>
<video:title>On Bruch&apos;s Violin Concerto No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/343dfcb65567f64b9802ce9899b95bbd5ac0ee8c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>381</video:duration>
<video:publication_date>2025-07-02T09:52:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T12:57:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9M</loc>
<video:video>
<video:title>Neubeuern Choral Society &amp; Enoch zu Guttenberg perform Brahms</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/42e84ccc860bfc9f3a26bb4a021cdff4c4605cc0.png</video:thumbnail_loc>
<video:description>The solo songs and part-songs of Johannes Brahms are always poetic, often playful and occasionally almost too profound for words. Compared to his better known orchestral and choral music, they’re often overlooked. But they’re one of the most intimate – and important – facets of Brahms’s creativity, and for the 1989 Munich Kaviersommer, the celebrated choral society of Neubeuern in Bavaria created an evening-long exploration of these miniature masterpieces, specially arranged, and linked by Brahms’s solo piano music. The result is a captivating and intensely personal portrait of the artist, conducted by the society’s hugely respected music director Enoch zu Guttenberg.</video:description>
<video:duration>3547</video:duration>
<video:publication_date>2025-08-28T15:40:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-15T10:41:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GE0</loc>
<video:video>
<video:title>Luna</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/49574f6d3ed622750b6063d74ef8831a77fc7978.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>361</video:duration>
<video:publication_date>2025-09-12T09:23:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-12T14:22:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3CE8</loc>
<video:video>
<video:title>Yellow Lounge: Ildar Abdrazakov &amp; Benjamin Bernheim</video:title>
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<video:description>In the domed hall of the former crematorium in Berlin, Silent Green provides an impressive backdrop for an evening of a special kind. Russian bass Ildar Abdrazakov and French tenor Benjamin Bernheim, accompanied by French pianist Sara Tysman, perform arias exploring the diverse emotions of the protagonists from some of the classical music world&apos;s best-known operas. The intimate space offers a curious and enthusiastic audience the chance to experience the art of the grand stage in a direct, relaxed, and up-close way, allowing them to interact with these two renowned singers as rarely before.</video:description>
<video:duration>2618</video:duration>
<video:publication_date>2024-06-24T09:14:10Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-12T06:09:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30CO</loc>
<video:video>
<video:title>Chick Corea &amp; McCoy Tyner – Thelonius Monk: Rhythm-A-Ning</video:title>
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<video:description></video:description>
<video:duration>459</video:duration>
<video:publication_date>2025-06-05T08:38:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-11T10:23:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJGE0</loc>
<video:video>
<video:title>Strauss: Elektra</video:title>
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<video:description>Richard Strauss&apos;s Elektra is arguably opera&apos;s most powerful, concentrated and shocking tale of obsession and revenge. In this 2013 production from the Aix-en-Provence Festival, Patrice Chéreau&apos;s last opera staging, the role of Elektra is taken by Evelyn Herlitzius, who embodied the role like few others, dominating the tangible dramatic world that the director so compellingly created. With an outstanding cast – including Adrianna Pieczonka as her idealistic sister Chrysothemis and Waltraud Meier as her nightmare-addled mother, Klytaemnestra – and authoritative conducting from Esa-Pekka Salonen, the result is 100 minutes of music drama at the highest level of intensity.</video:description>
<video:duration>6660</video:duration>
<video:publication_date>2025-06-17T13:51:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-10T14:50:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJAD8</loc>
<video:video>
<video:title>Richter conducts Bach: St Matthew Passion</video:title>
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<video:description>In this filmed performance from 1971 Karl Richter conducts Bach&apos;s St. Matthew Passion with two choruses, his Munich Bach-Orchestra and outstanding soloists including Peter Schreier (Evangelist), Ernst Gerold Schramm (Jesus), Siegmund Nimsgern (Judas). For the arresting stage setting, director Hugo Käch took the cross as his main motif, using a gigantic cross above the performers to suggest menace and oppression as well as protection, while Richter&apos;s style encapsulates the performance practice of the time, balancing an unerring seriousness of purpose with a search for a new rhythmic flexibility.</video:description>
<video:duration>11945</video:duration>
<video:publication_date>2023-04-05T10:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:51:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJAD0</loc>
<video:video>
<video:title>Richter conducts Bach: St John Passion</video:title>
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<video:description>Karl Richter and his Munich forces present a performance of Bach&apos;s St John Passion, his earlier – and arguably more directly emotional and dramatic – setting of the Passion story. Drawing inspiration and primarily setting texts from the Gospel according to St John, Bach created his first large scale masterpiece; he conducted the premiere himself in Leipzig on Good Friday 1724. Richter&apos;s performance – featuring some of the finest Bach singers of the time – was filmed Swedish director Arne Arnbom in the Stiftskirche Marienmünster in Dießen, Bavaria, on which construction began just four years before the work&apos;s premiere.</video:description>
<video:duration>7795</video:duration>
<video:publication_date>2023-04-05T09:05:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:50:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCE8</loc>
<video:video>
<video:title>The Israel Philharmonic Orchestra&apos;s 60th Anniversary Gala</video:title>
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<video:description>For its 60th birthday in 1996, the Israel Philharmonic Orchestra played host to six star violinists from different generations. Issac Stern, then already 76 years old, played Bach&apos;s Double Concerto in D minor with Gil Shaham, almost 50 years his junior. No fewer than four violin virtuosos came together for a Vivaldi concerto, while for Johan Halvorsen&apos;s virtuoso Handel Variations, Itzhak Perlman was joined by his friend Pinchas Zukerman. The event was presided over by two start conductors, with Daniel Barenboim on the podium for Weber&apos;s Oberon Overture, and the orchestra&apos;s long-time principal conductor Zubin Mehta in charge of Brahms&apos;s sunny Second Symphony.</video:description>
<video:duration>6817</video:duration>
<video:publication_date>2022-09-26T09:27:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:40:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CC0</loc>
<video:video>
<video:title>Patterns / Solo - Pt.2</video:title>
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<video:description></video:description>
<video:duration>165</video:duration>
<video:publication_date>2025-07-31T15:01:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:39:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJEE0</loc>
<video:video>
<video:title>Waldbühne 1998: Latin American Night – with Daniel Barenboim</video:title>
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<video:description>The Spanish-speaking musical world – from the Iberian peninsula to South America – is particularly close to Argentine-born Daniel Barenboim&apos;s heart. In this atmospheric Berliner Philharmoniker concert from the Waldbühne in summer 1998, though, we begin with famous works in which two Frenchmen filter Spain through a Gallic lens: Ravel&apos;s Boléro and Bizet&apos;s Carmen. Then Guitarist John Williams joins as soloist in Rodrigo&apos;s Concierto de Aranjuez before a series of numbers take us to the heart of Argentina and the Buenos Aires Tango scene, with Barenboim taking his place at the piano as bandmaster.</video:description>
<video:duration>7145</video:duration>
<video:publication_date>2022-09-30T11:44:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:36:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GC8</loc>
<video:video>
<video:title>Richter: Path 3 / Whose Name Is Written On Water - Pt. 1</video:title>
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<video:description></video:description>
<video:duration>337</video:duration>
<video:publication_date>2025-09-05T10:38:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-08T07:56:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3GC0</loc>
<video:video>
<video:title>Liszt: Consolations, S. 172, No. 2 in E Major. Un poco più mosso</video:title>
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<video:description></video:description>
<video:duration>203</video:duration>
<video:publication_date>2025-09-05T10:16:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-08T07:56:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34DO</loc>
<video:video>
<video:title>Danzi: Concertino in B Flat Major for Clarinet &amp; Bassoon: 3. Allegretto (Transcr.)</video:title>
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<video:description></video:description>
<video:duration>103</video:duration>
<video:publication_date>2022-12-11T17:13:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-05T13:40:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0CG</loc>
<video:video>
<video:title>Mozart: Ave verum corpus, K. 618 (Transcr. Liszt)</video:title>
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<video:description></video:description>
<video:duration>191</video:duration>
<video:publication_date>2022-11-11T14:59:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-05T13:06:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0C8</loc>
<video:video>
<video:title>Mozart: Ave verum corpus, K. 618 (Transcr. Liszt)</video:title>
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<video:description></video:description>
<video:duration>240</video:duration>
<video:publication_date>2022-11-11T14:48:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-05T13:05:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6DG</loc>
<video:video>
<video:title>Sir Duke</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2024-12-12T14:50:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T13:40:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6E0</loc>
<video:video>
<video:title>Teardrop</video:title>
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<video:description></video:description>
<video:duration>440</video:duration>
<video:publication_date>2024-12-12T14:54:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T13:39:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38CG</loc>
<video:video>
<video:title>An Evening with Senesino – Max Emanuel Cencic &amp; Les Talens Lyriques</video:title>
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<video:description>Countertenor Max Emanuel Cencic joins period-instrument experts Les Talens Lyriques and Christophe Rousset at the jewel-like Markgräfliches Opernhaus in Bayreuth. In a varied programme, Cencic presents arias by Handel and Porpora written for legendary castrato Francesco Bernardi (known as Senesino). Simultaneously, Les Talens Lyriques are demonstrating Hamburg&apos;s Oper am Gänsemarkt as a crucible of invention and innovation under the directorship of composer Reinhard Keiser and the site of early Handel premieres and Telemann’s greatest successes.</video:description>
<video:duration>5528</video:duration>
<video:publication_date>2024-09-23T12:55:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T11:20:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9P</loc>
<video:video>
<video:title>Weinberg: The Passenger</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d2a57a2b8020cf8235a1db4b7839f935ce6e3fd0.jpeg</video:thumbnail_loc>
<video:description>Shostakovich declared Weinberg&apos;s opera The Passenger &quot;a masterpiece&quot;, and since its belated premiere in 2006 it&apos;s come to be recognised as one of the most intelligent – and devastating - operatic reckonings with the legacy of the Holocaust. The setting is an ocean liner bound for Brazil, some time after the end of World War II, where a German passenger with a dark past encounters a woman she knows to be dead. Memories, however, can deceive, and not every story has a tidy ending. Director Nadja Loschky&apos;s extraordinary 2020 production from Graz is uncompromising in its musical and dramatic power.</video:description>
<video:duration>9764</video:duration>
<video:publication_date>2025-09-02T10:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T10:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E0</loc>
<video:video>
<video:title>Songs of Love &amp; Desire – Claudio Abbado &amp; the Berliner Philharmoniker</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/309f5d61d968dbf1802a7fc4ca54b07be491647c.jpg</video:thumbnail_loc>
<video:description>The annual New Year&apos;s Eve Gala Concert at the Berlin Philharmonie explores the theme of Love and Desire in the year 1998, for which no programme would be complete without songs from Mozart and Verdi. Led by Claudio Abbado, the Berliner Philharmoniker accompanies an impressive list of singers: Christine Schäfer and Simon Keenlyside, two of Mozart&apos;s best interpreters at the time; Argentinian tenor Marcelo Álvarez, who has been compared to a young Domingo; and the incomparable Mirella Freni, who was championed by Herbert von Karajan and brings the Gala to its climax with a performance of the letter scene from Tchaikovsky&apos;s Eugene Onegin.</video:description>
<video:duration>5357</video:duration>
<video:publication_date>2022-06-22T12:27:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:33:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CE0</loc>
<video:video>
<video:title>The Castorf Ring: Götterdämmerung (Bayreuth 2016)</video:title>
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<video:description>&quot;Oil is the equivalent of what used to be gold. A luxury that we cannot eat,&quot; explained director Frank Castorf in an interview, outlining one of the key ideas behind his production of the Ring at Bayreuth. In the final part of the tetralogy, the wild journey ventures to the Buna chemical plants in Schkopau and to New York&apos;s Wall Street, among other places. Inspired by the aesthetic of Hollywood B movies, the production was first met with disapproval but grew to gain many supporters over the years.</video:description>
<video:duration>15350</video:duration>
<video:publication_date>2022-11-25T11:12:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:26:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CD0</loc>
<video:video>
<video:title>The Castorf Ring: Die Walküre (Bayreuth 2016)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7922ca33f8e5d1dd5d0636288054a152c745eb33.jpg</video:thumbnail_loc>
<video:description>The new Bayreuth production of the Ring Cycle that premiered in 2013 offered spectacular sets, courtesy of Aleksandar Denić. As is regularly the case in Frank Castorf&apos;s productions, live video recordings add an extra dimension and in this performance Die Walküre is set at the beginning in the 19th century and then moves ahead to the Stalin era. The geographic setting is Baku, Azerbaijan, so in addition to Wild West capitalism, Castorf also takes aim at Soviet communism. The leading roles are also strongly cast in this third revival of Castorf&apos;s production, with Christopher Ventris, Heidi Melton, Catherine Foster and John Lundgren.</video:description>
<video:duration>13049</video:duration>
<video:publication_date>2022-11-21T07:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:26:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ADO</loc>
<video:video>
<video:title>The Castorf Ring: Das Rheingold (Bayreuth 2016)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62dd56126ec611aad2a20cf97d813e584c1c998a.jpg</video:thumbnail_loc>
<video:description>Frank Castorf revolutionised German-language theatre in the post-Berlin Wall era, bringing to the stage intellectual and political acuteness, brash references and a not infrequent use of crude humour. He brought these qualities to the Bayreuth Festival where his production of the Ring ran from 2013 to 2017. This 2016 recording of Das Rheingold captures Marek Janowski&apos;s festival debut as conductor of this unique production, in which Castorf replaces the Rheingold with oil as the central commodity in a pre-capitalist society. The first night of the Ring cycle begins at a gas station off of Route 66, the main road connecting the East and West coasts of the USA, that played an important role in commerce in the 1920s.</video:description>
<video:duration>9136</video:duration>
<video:publication_date>2022-11-15T16:37:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:25:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3IC8</loc>
<video:video>
<video:title>Nézet-Séguin conducts Wagner: Das Rheingold</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a5060be3405c6ec111909bd2f320c7adda82c636.jpg</video:thumbnail_loc>
<video:description>Yannick Nézet-Séguin and the Rotterdam Philharmonic Orchestra embark together on one of the greatest musical journeys of all: through Wagner’s four-part operatic epic, Der Ring des Nibelungen. And that journey starts here with Das Rheingold – dubbed the cycle’s “preliminary evening” by Wagner – a polemical critique of corrupted power and greed which lays the foundation for the grand tragedy that follows. Joining Nézet-Séguin and the orchestra is in international cast of distinguished Wagnerians – led by Michael Volle as Wotan – bringing Wagner’s compelling drama to life in irresistible style.</video:description>
<video:duration>9656</video:duration>
<video:publication_date>2024-07-23T14:02:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:24:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CCG</loc>
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<video:title>Gardel: Por Una Cabeza</video:title>
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<video:duration>260</video:duration>
<video:publication_date>2025-08-04T11:15:39Z</video:publication_date>
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<lastmod>2025-09-03T15:20:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30D8</loc>
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<video:title>Enoch zu Guttenberg conducts Bach&apos;s B Minor Mass</video:title>
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<video:description>Any performance of Bach’s monumental Mass in B minor is a special occasion, and so it proves with this 1998 performance filmed in the magnificent setting of the Wieskirche, the pilgrimage church of Steingaden Abbey near Schongau in Bavaria, a dazzling example of the exuberance of the late German baroque. Enoch zu Guttenberg brings a lifetime of love and engagement with Bach with him to conduct the and the Neubeuern Choral Society and the Orchester der Klangverwaltung with a special combination of authority and passion, which extends to the outstanding line-up of soloists. The result is truly a peformance to treasure.</video:description>
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<video:publication_date>2024-12-10T12:55:08Z</video:publication_date>
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<lastmod>2025-09-03T15:16:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2DG</loc>
<video:video>
<video:title>Enoch zu Guttenberg conducts Bach: St John Passion</video:title>
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<video:description>Bach specialist Enoch zu Guttenberg conducts the Chorgemeinschaft Neubeuern – which he himself founded in 1967 – and Munich Bach Collegium in Bach&apos;s fiercely dramatic and deeply moving St John Passion. The performance, filmed in the magnificent setting of the baroque church in Gösseweinstein, north of Nuremberg, features a superb line-up of soloists – including the mezzo-soprano Natalie Stutzmann, tenor Claes-Håkan Ahnsjö and baritone Thomas Quasthoff – all of whom come together to help execute the conductor&apos;s powerful, highly individual vision of this remarkable work.</video:description>
<video:duration>6939</video:duration>
<video:publication_date>2025-04-10T12:21:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T15:13:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3I</loc>
<video:video>
<video:title>Musical Moment: Mao Fujita in Berlin</video:title>
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<video:description>Winner of the silver medal at the 2019 Tchaikovsky Piano Competition, Mao Fujita gives a recital as part of the Musical Moments series from Deutsche Grammophon. In a programme featuring music by Mozart, Tchaikovsky and virtuoso works by Ravel and Charles Valentin Alkan – the only person in front of whom Liszt was reluctant to play – Fujita displays not just his remarkable technical prowess, but also his mature emotional sensitivity.</video:description>
<video:duration>3556</video:duration>
<video:publication_date>2022-05-03T12:30:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T15:10:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3AE0</loc>
<video:video>
<video:title>Rachmaninoff: Cello Sonata in G Minor, Op. 19: II. Allegro scherzando – with Isata Kanneh-Mason</video:title>
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<video:description></video:description>
<video:duration>359</video:duration>
<video:publication_date>2025-07-31T13:41:23Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ADO</loc>
<video:video>
<video:title>Parry: Myfanwy (Arr. Kanneh-Mason)</video:title>
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<video:duration>220</video:duration>
<video:publication_date>2025-07-31T12:56:29Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3AD0</loc>
<video:video>
<video:title>Mendelssohn: Song without Words, Op. 109 – with Isata Kanneh-Mason</video:title>
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<video:description></video:description>
<video:duration>256</video:duration>
<video:publication_date>2025-07-30T15:31:14Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3AE8</loc>
<video:video>
<video:title>Barber: Cello Sonata, Op. 6: II. Adagio - Presto – with Isata Kanneh-Mason</video:title>
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<video:duration>252</video:duration>
<video:publication_date>2025-07-31T13:54:22Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3IE8</loc>
<video:video>
<video:title>Rising Stars: Asya Fateyeva, Saxophone</video:title>
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<video:description>Crimea-born saxophonist Asya Fateyeva joins the Rising Stars series on STAGE+ with a varied programme showcasing the depth of her talent and the voraciousness of her musical appetite. Accompanied throughout by Luise Enzian on Baroque harp, she plays arrangements of music ranging from the German and Italian Baroque to the present day with Lana del Rey&apos;s &quot;Hope Is a Dangerous Thing for a Woman Like Me to Have&quot;. The result is a compelling showcase both of the saxophone as an instrument and of Fateyeva as one of the most exciting and versatile players of it before the public today.</video:description>
<video:duration>3448</video:duration>
<video:publication_date>2023-11-02T12:53:15Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T14:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3A</loc>
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<video:title>Moment of Reflection – Albrecht Mayer &amp; Kimiko Imani</video:title>
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<video:description>From the Meistersaal in Berlin, renowned oboist Albrecht Mayer shares a vividly picturesque and reflective musical moment with the highly versatile Kimiko Imani. Filled with soliloquies, serenades and fantasies, the duo performs a selection of works that depict colourful, yet highly emotive natural landscapes and distant cultures, taking audiences well beyond the four walls of the performance space. Minds wander and emotions roll throughout this intimate, so-called “ghost concert,” filled with moments of delicacy and musical passages that intertwine, interweave, and offer deep introspection.</video:description>
<video:duration>2456</video:duration>
<video:publication_date>2022-06-14T12:54:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-03T14:18:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34D0</loc>
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<video:title>Wagner: Die Walküre (Bayreuth 2010)</video:title>
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<video:description>Christian Thielemann is on the podium for this 2010 Bayreuth performance of Die Walküre, part of the complete Ring staged by the late Tankred Dorst in 2006 and kept in the Festspielhaus&apos;s repertory until 2010. The production, often featuring striking tableaux, sought to re-establish the Gods less as rooted in any specific era than as deeply mythical and powerful across a endless time span. In this video record of the second opera in Wagner&apos;s tetralogy, Albert Dohmen sings Wotan alongside a superbly cast pair of Wälsung twins: tenor Johan Botha and soprano Edith Haller.</video:description>
<video:duration>14117</video:duration>
<video:publication_date>2023-07-20T14:21:46Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T14:12:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32CG</loc>
<video:video>
<video:title>The Kammerorchester Basel in Bach&apos;s Christmas Oratorio (I, II, V &amp; VI)</video:title>
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<video:description>The virtuoso Kammerochester Basel is joined by the Deutscher Kammerchor and a top line-up of soloists for one of the greatest works celebrating the festive season: Bach&apos;s Christmas Oratorio. Filmed in Basel&apos;s historic Martinskirche and with the players and singers directed from the Concertmaster&apos;s desk by Julia Schröder, the performance featured four of the work&apos;s six cantatas and evokes both joy and contemplation, brilliantly capturing the different moods and characters of the different parts while revelling in chamber music-like interplay between the performers. It adds up to a joyous musical occasion guaranteed to raise the spirits.</video:description>
<video:duration>6390</video:duration>
<video:publication_date>2024-12-16T10:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:07:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30CG</loc>
<video:video>
<video:title>Wilfried Hiller – A Musical Storyteller</video:title>
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<video:description>Wilfried Hiller composed two of the most successful German-language operas of the post-war period, Der Goggolori and Das Traumfresserchen. He talks in interview in this programme, which also includes documentary material on his life and music. It features highlights of a concert of his work given during the Münchner Klaviersommer. Among the extracts are several from the major compositions he wrote in collaboration with the well-known novelist Michael Ende. Michael Helmrath conducts the Bayerische Kammerphilharmonie and a host of soloists.</video:description>
<video:duration>3329</video:duration>
<video:publication_date>2025-06-04T12:59:53Z</video:publication_date>
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<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-09-03T10:21:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3EE0</loc>
<video:video>
<video:title>J.S. Bach: The Well-Tempered Clavier I, Prelude &amp; Fugue No. 15 in G Major, BWV 860: I. Prelude</video:title>
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<video:description></video:description>
<video:duration>54</video:duration>
<video:publication_date>2025-09-02T10:09:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-02T12:55:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9H</loc>
<video:video>
<video:title>Verdi: Oberto</video:title>
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<video:description>A betrayed bride, a jealous lover, a vengeful father: Verdi&apos;s very first opera Oberto contains all the ingredients of a great Romantic melodrama. It was only a qualified success in Verdi&apos;s own lifetime, but in recent decades this drama of passion and revenge in medieval Italy been reappraised – with contemporary productions revealing the freshness and urgency of Verdi&apos;s youthful inspiration. First seen in 2007, this striking production from the Teatro Arriago puts emotion centre stage, with intensely dramatic performances from a cast that includes Evelyn Herlitzius as the jilted bride Leonora and Ildar Abdrazakov in Verdi&apos;s first great title role.</video:description>
<video:duration>8160</video:duration>
<video:publication_date>2025-08-21T09:53:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T18:49:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9J</loc>
<video:video>
<video:title>Tchaikovsky: The Enchantress</video:title>
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<video:description>Tchaikovsky&apos;s The Enchantress is rarely staged today (in the West, at any rate), but in the composer&apos;s lifetime this tale of love, jealousy and revenge in medieval Russia was regarded as one of his most ambitious stage works. This 2022 production at Oper Frankfurt gives it the deluxe treatment it deserves, with Asmik Grigoryan in the title role of the innkeeper Natasya and Alexander Mikhailov as her beloved Yuriy. Valentin Uryupin conducts Tchaikovsky&apos;s sweeping score, and Vasily Barkhatov&apos;s bold production probes its psychology: using surrealism and fairytale images to create a very Russian parable of love, society and art itself.</video:description>
<video:duration>12222</video:duration>
<video:publication_date>2025-08-26T09:41:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T11:25:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1M</loc>
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<video:title>Verdi: La traviata</video:title>
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<video:description>Verdi&apos;s La traviata is tragedy of love, loss and social convention. It&apos;s also the only opera that Verdi set in his own era, and director Tom Cairns took that fact as his cue when, in 2014, he created this stylish and heartfelt updating for Glyndebourne. Like the opera&apos;s story, the settings are simultaneously contemporary and timeless – finding the human drama behind the surface glamour. But this being Glyndebourne, the cast is exemplary too, with Michael Fabiano as Alfredo and Venera Gimadieva as Violetta, while conductor Mark Elder lavishes a lifetime&apos;s experience on a performance that one critic called &quot;exquisite&quot;.</video:description>
<video:duration>7939</video:duration>
<video:publication_date>2025-08-19T11:39:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T11:13:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPN</loc>
<video:video>
<video:title>Rossini: La Gazzetta</video:title>
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<video:description>Lonely hearts advertisements, global travel and social climbing – the themes of Rossini&apos;s Neapolitan comedy La Gazzetta (1816) seem startlingly modern, even though this comedy of matchmaking via newspaper adverts is based on an 18th-century farce by Goldoni. Now imagine it updated and given a sharp new spin by Dario Fo, the Nobel Prize-winning genius of post-war Italian theatre, and you&apos;ll understand why this 2005 production from Barcelona caused such a stir. The results – with a world-class cast – are as vibrant as you&apos;d expect. &quot;It is difficult to imagine the piece sung or acted better,&quot; commented the Financial Times.</video:description>
<video:duration>8852</video:duration>
<video:publication_date>2025-08-12T11:32:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T10:36:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ECO</loc>
<video:video>
<video:title>Tchaikovsky: The Nutcracker Suite, Op. 71a - Suite, I. March (Arr. Pletnev)</video:title>
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<video:description></video:description>
<video:duration>117</video:duration>
<video:publication_date>2025-08-28T12:59:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T08:06:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3EDG</loc>
<video:video>
<video:title>J.S. Bach: The Well-Tempered Clavier, Book 1: Prelude &amp; Fugue No. 12 in F Minor, BWV 857/1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4c17ee3bb695641f00781dd775729d0328ca7d59.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>129</video:duration>
<video:publication_date>2025-08-28T14:06:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-29T12:15:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ED0</loc>
<video:video>
<video:title>J.S. Bach: The Well-Tempered Clavier, Book 1: Prelude &amp; Fugue No. 15 in G Major, BWV 860/2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/db36620b09f6b2617011e0832030bdb95c38bbf3.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2025-08-28T13:34:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-29T12:15:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ECG</loc>
<video:video>
<video:title>Burgon: Nunc dimittis (1979 Version)</video:title>
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<video:description></video:description>
<video:duration>192</video:duration>
<video:publication_date>2025-08-28T12:07:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-29T12:14:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6CO</loc>
<video:video>
<video:title>Waldbühne 2002: World Encores – with Vadim Repin &amp; Mariss Jansons</video:title>
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<video:description>The best-known encore at the Berliner Philharmoniker&apos;s season-ending concert at the Waldbühne is Paul Lincke&apos;s &quot;Berliner Luft&quot;. It is not every day, however, that the top orchestra gives encore after encore. In 2002, under the baton of Mariss Jansons and together with violinist Vadim Repin, the orchestra presents an evening-long programme made up exclusively of encores. The evening includes works for solo violin by Wieniawski, Paganini and Kreisler, opera music by Wagner, Massenet and Mascagni, as well as popular pieces for New Year&apos;s concerts by Ziehrer and Lumbye. With virtuosity and wit, Vadim Repin makes his debut with the Berliner Philharmoniker in the idyllic setting of Berlin&apos;s Waldbühne.</video:description>
<video:duration>5481</video:duration>
<video:publication_date>2022-07-19T14:32:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-28T11:57:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9K</loc>
<video:video>
<video:title>Stan Getz in Concert</video:title>
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<video:description>Stan Getz (1927–1991) needs no introduction to jazz lovers: the tenor sax virtuoso who worked unforgettably with Dizzy Gillespie and Oscar Peterson, and whose mellow, bittersweet, utterly individual tone won him the nickname &quot;The Sound&quot;. In the summer of 1990, just months before his death, he came to Munich with a suitably star-studded sextet that included the legendary sideman Kenny Barron on piano and Terri Lyne Carrington on drums. His set ranges gloriously across the whole Great American Songbook, as well as Getz&apos;s own extensive back-catalogue: an unforgettable swansong from one of the jazz saxophone&apos;s all-time greats.</video:description>
<video:duration>6195</video:duration>
<video:publication_date>2025-08-26T13:58:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-27T15:28:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJAC8</loc>
<video:video>
<video:title>Joep Beving: Solipsism Redux</video:title>
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<video:description>Filmed up-close in the innovative ConcertLab studio in Utrecht, Joep Beving returns ten years on to the music of his iconic debut album on Deutsche Grammophon, Solipsism, offering a fresh, reworked take on the atmospheric, introspective sound that has been speaking so powerfully to listeners around the globe ever since the album&apos;s original release. Solipsism Redux promises to inspire and move both those familiar with the original and those hearing the music for the first time – showcasing Beving&apos;s unique sound world as never before.</video:description>
<video:duration>3348</video:duration>
<video:publication_date>2025-08-26T10:11:09Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-27T10:11:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CDG</loc>
<video:video>
<video:title>&quot;Freunde, das Leben ist lebenswert&quot; – Franz Lehár Gala</video:title>
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<video:description>Franz Lehar is sometimes called the king of &quot;Silver Age&quot; Viennese operetta but this gala Lehár recital from Stuttgart is pure gold – beginning, naturally, with the Gold and Silver Waltz, and ending with that most unforgettable of all operetta melodies, the &quot;Vilja-Lied&quot; from The Merry Widow. In between come old Richard Tauber favourites – sung here by the charismatic Mexican-born tenor Francesco Araiza – as well as less familiar (but equally mouth-watering) numbers from Paganini, The Tsarevich, The Land of Smiles, Wiener Frauen and Giuditta, sung by a starry lineup of singers and conducted with an inimitable Viennese swing by Lehár specialist Roland Seiffarth.</video:description>
<video:duration>3695</video:duration>
<video:publication_date>2025-02-26T11:09:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-27T09:49:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1H</loc>
<video:video>
<video:title>Joe Zawinul and Syndicate</video:title>
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<video:description>Trained at the Vienna Conservatoire, pianist Joe Zawinul was a catalysing figure in Austrian jazz fusion, drawing together some of the biggest personalities in postwar jazz for series of electrifying, freewheeling large-scale projects. This 1989 Munich set from Zawinul&apos;s then-new Syndicate lives up to the group&apos;s name, with a line-up that includes Scott Henderson (guitar and vocals), Bill Summers (percussion) and vocalist Leata Galloway. Powerful talents in their own right, they&apos;re audibly inspired by their colleagues&apos; personalities and musicianship – each giving their all to a programme that ranges from Thelonious Monk to something altogether more Latin.</video:description>
<video:duration>3968</video:duration>
<video:publication_date>2025-08-13T08:57:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T09:48:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9I</loc>
<video:video>
<video:title>Leonid Chizhik: Piano Solo</video:title>
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<video:description>&quot;Jazz is for me, a way of thinking,&quot; says the Moldavian born jazz pianist Leonid Chizhik – and for many years, under Soviet rule, he was prevented from touring abroad and even from playing jazz at all. When he was finally able to perform in the West, he found musical admirers as diverse as Herbie Hancock and Gidon Kremer – all astonished by the very personal voice of an artist whose influences range from Shostakovich to Art Tatum. This historic Munich recital – one of Chizhik’s earliest solo appearances in the West – helped make his international reputation and proved a turning point in his career.</video:description>
<video:duration>3767</video:duration>
<video:publication_date>2025-06-30T12:56:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T09:41:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9K</loc>
<video:video>
<video:title>Gerhard Oppitz &amp; Gianluigi Gelmetti in Beethoven&apos;s Choral Fantasie</video:title>
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<video:description>Beethoven’s Choral Fantasy is one of his most unexpected – and entertaining – masterpieces: part concerto, part virtuoso set of variations, and crowned with an unmistakable foretaste of the Ode to Joy. It’s also one of the most potent surviving examples of how Beethoven’s own legendary skills as an improviser might have manifested themselves in performance – perfect, in other words, for a pianist as immersed in the German tradition as Gerhard Oppitz (a former pupil of Wilhelm Kempff). Oppitz is joined by conductor Gianluigi Gelmetti and the orchestra and choral forces of Stuttgart Radio for this commanding performance from the 15th-century Amanduskirche in Bad Urach.</video:description>
<video:duration>1255</video:duration>
<video:publication_date>2025-07-01T11:24:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T09:35:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9J</loc>
<video:video>
<video:title>Dimitris Sgouros: Live at the Philharmonie im Gasteig</video:title>
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<video:description>As a child prodigy, the Greek pianist Dmitris Sgouros was one of the last artists to receive the personal endorsement of the great Arthur Rubinstein, and some even saw him as Rubinstein’s natural successor. Certainly, a dazzling, fearless virtuosity is at the heart of this spectacular recital from Munich, given in 1988 when Sgouros was still in his late teens. Liszt’s Rigoletto paraphrase, Balakirev’s Islamey and Schulz-Evler’s glittering fantasy on The Blue Danube are all touchstones of pianism at its most brilliant, but Chopin’s Third Sonata and miniatures by Falla, Scriabin and Rachmaninoff reveal the musical intelligence behind Sgouros’s magnificent technique.</video:description>
<video:duration>3975</video:duration>
<video:publication_date>2025-06-30T13:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-25T09:25:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPI</loc>
<video:video>
<video:title>Borodin String Quartet plays Shostakovich: String Quartets Nos. 1 &amp; 8</video:title>
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<video:description>Shostakovich came relatively late to the string quartet; his First Quartet postdates his Fifth Symphony. But his voice was fully formed, and the freshness, originality and formal power of this debut quartet laid the foundations for a cycle that evolved into one of the supreme achievements of 20th-century chamber music, with the pole-axing String Quartet No. 8 standing at its centre as one of the composer&apos;s finest achievements in the genre. As the pre-eminent Russian chamber ensemble of their era, the Borodin String Quartet had a close personal relationship with the composer, and these performances of the quartet from the 2002 Kuhmo Chamber Music Festival in Finland have an authority derived from decades of immersion in Shostakovich&apos;s music.</video:description>
<video:duration>2298</video:duration>
<video:publication_date>2025-08-06T12:47:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T08:09:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPJ</loc>
<video:video>
<video:title>Borodin String Quartet plays Shostakovich: String Quartet No. 15</video:title>
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<video:description>When Shostakovich began composing his String Quartet No. 15 in 1974, he planned it as the first of nine new works to bring his total to 24. As it turned out, the work – made entirely of slow movements – was his final essay in this most exacting of musical genres. His ill-health meant he could only with difficulty acknowledge the standing ovation that greeted it`s premiere in November 1974; nine months later he was dead. At this 2002 performance at the Kuhmo Chamber Music Festival, few ensembles that performed Shostakovich with more authority and commitment than the Borodin String Quartet, whose cellist, Valentin Berlinsky had studied with Shostakovich. The result is a moving performance of this quartet swan song – and one to treasure.</video:description>
<video:duration>2423</video:duration>
<video:publication_date>2025-08-06T13:42:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-25T08:07:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32E8</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 9</video:title>
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<video:description>For Leonard Bernstein, Mahler’s Ninth (and final completed) Symphony represented a multi-layered farewell. As the conductor explained in an introduction to the work, its four movements saw the composer bidding farewell successively to love, to rural life, to urban life and, finally, to existence itself. Bernstein’s identification with the work, which Mahler wrote while conscious of his final illness, manifests itself in an unusually intense interpretation in this recording with the Wiener Philharmoniker, filmed in Berlin&apos;s Philharmonie. Hardly any other conductor has made the almost inaudibly quiet final moments, composed as if on the threshold of disappearing into nothing, so haunting.</video:description>
<video:duration>4990</video:duration>
<video:publication_date>2022-10-31T18:16:53Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32DO</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 8</video:title>
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<video:description>Leonard Bernstein conducts Mahler&apos;s gargantuan Symphony No. 8 in this performance from the Konzerthaus in Vienna, whose stage had to be enlarged to accommodate the huge forces involved: eight soloists, two choruses, children&apos;s choir and an expanded orchestra. Captured in 1975 shortly after Bernstein had conducted the work at the Salzburg Festival, this filmed performance shows arguably the greatest Mahler conductor of the time bring his unique mixture of instinctive, passionate interpretation and inspiring musical leadership to one of the grandest works in the repertoire – to unforgettable effect.</video:description>
<video:duration>5177</video:duration>
<video:publication_date>2022-10-31T17:23:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32DG</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 7</video:title>
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<video:description>For a long time, the Seventh Symphony was considered Gustav Mahler&apos;s most problematic work because of its mixture of very different registers of style and expression. Leonard Bernstein, however, was fascinated by Mahler&apos;s music precisely because of the clash of opposites and the tension between opposite extremes, which also determined his own artistic profile as a composer and conductor. No wonder, then, that this filmed performance with the Wiener Philharmoniker is as adept at expressing the shadowy atmosphere of the beginning as it is at capturing the poetic mood of the two &quot;Nachtmusik&quot; movements and the jubilation of the finale with its echoes of the worlds of the circus and opera.</video:description>
<video:duration>5031</video:duration>
<video:publication_date>2022-10-31T17:16:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32D8</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 6</video:title>
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<video:description>Leonard Bernstein was arguably the most important Mahler conductor of the second half of the 20th century, and his complete audiovisual cycle of the symphonies is powerful testament to that fact. At its dark heart lies the &quot;Tragic&quot; Symphony No. 6, performed with the conductor&apos;s beloved Wiener Philharmoniker. Here Bernstein&apos;s emotional generosity is allied to his instinctive structural control to irresistible effect in a work that plumbs the depths and scales the heights before concluding in almost unbearable despair – all captured to unforgettable effect by this ideal combination of conductor and orchestra.</video:description>
<video:duration>5107</video:duration>
<video:publication_date>2022-10-31T16:53:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32CO</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 4</video:title>
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<video:description>As part of his audio-visual Mahler symphony cycle filmed in the 1970 and early 1980s – with all but the “Resurrection” Symphony performed with the Wiener Philharmoniker – Leonard Bernstein turns to the intimate and personal Fourth, often described as classicist, due to its modest performing orchestral forces, relatively short running time and standard four movement layout. Bernstein occasionally cast the soprano solo of the finale, with its childlike vision of the “heavenly life”, with a boy soprano, but here it is sung with moving clarity and purity by Swiss soprano Edith Mathis.</video:description>
<video:duration>3587</video:duration>
<video:publication_date>2022-10-31T16:37:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34D8</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 3  – with Christa Ludwig</video:title>
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<video:description>According to its original movement titles, Gustav Mahler&apos;s Third Symphony was intended to tell successively of summer, flowers, animals, angels, people and love. Even though the composer later withdrew this programme, as a world-spanning spiritual journey offering a pantheistic vision, the work continues to captivate its audience – especially when, as here, it is performed by a dream team of Mahler interpretation: Leonard Bernstein conducts the Wiener Philharmoniker, while mezzo-soprano Christa Ludwig, one of the conductor&apos;s closest artistic partners, features in a deeply felt interpretation of the fourth movement&apos;s Nietzsche setting.</video:description>
<video:duration>6433</video:duration>
<video:publication_date>2022-11-01T11:05:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3C</loc>
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<video:title>Bernstein conducts Mahler: Symphony No. 2 &quot;Resurrection&quot;</video:title>
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<video:description>Leonard Bernstein conducts the London Symphony Orchestra and the Edinburgh Festival Chorus in this legendary performance of Mahler&apos;s mighty &quot;Resurrection&quot; Symphony. The filming in Ely Cathedral in the east of England was an enormous undertaking, and its re-enactment plays central role in actor-director Bradley Cooper&apos;s critically acclaimed 2023 Bernstein biopic, Maestro. And for good reason: the performance captures all the passion, ambition and spiritual generosity that characterised Bernstein&apos;s music-making – qualities that helped him play a central role in establishing Mahler&apos;s works in the concert hall, as well as ensuring his position as one of the most important and widely admired musicians of his time.</video:description>
<video:duration>5436</video:duration>
<video:publication_date>2022-05-23T14:00:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34CG</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 10 – Adagio</video:title>
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<video:description>Leonard Bernstein was among those conductors skeptical of the various five-movement performing versions of Mahler&apos;s unfinished Tenth Symphony. He confined himself instead to the first movement, an Adagio of almost unearthly beauty and near unbearable expressive intensity. It is a work of farewell – Mahler knew about the seriousness of his final illness – and of departure at the same time: the movement contains some of the most radical and modern passages to be found in the composer&apos;s oeuvre. As with all but one of the audio-visual recordings of his great Mahler cycle, Bernstein here had the Wiener Philharmoniker at his disposal – Mahler&apos;s own orchestra at the turn of the 20th century.</video:description>
<video:duration>1732</video:duration>
<video:publication_date>2022-10-31T18:35:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:48:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32C8</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/db310583ed308b2227810aec056637395bbe89b3.jpg</video:thumbnail_loc>
<video:description>Leonard Bernstein was a key figure in the &quot;Mahler Renaissance&quot; of the 1960s and played an important role in establishing the composer as staple of the repertoire of the world’s great orchestras. He was also the first conductor to produce a cycle of the completed symphonies as audio-visual recordings. Here with the Vienna Philharmonic Orchestra, which was itself deeply influenced by working with Mahler at the turn of the 20th century, he brings the composer&apos;s First Symphony vividly to life.</video:description>
<video:duration>3420</video:duration>
<video:publication_date>2022-10-31T15:24:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:48:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34CO</loc>
<video:video>
<video:title>Benjamin Bernheim and Pretty Yende star in La Traviata</video:title>
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<video:description>Pretty Yende and Benjamin Bernheim star as Violetta and Alfredo in Simon Stone&apos;s 2019 Opéra de Paris production of Verdi&apos;s La Traviata, which remixes the beloved operatic masterpiece’s familiar love story for the digital age, adding social media notifications, all-nighters, texts, and parties to produce an interpretation starkly appropriate for our modern era.</video:description>
<video:duration>8338</video:duration>
<video:publication_date>2022-10-31T19:41:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:44:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8CG</loc>
<video:video>
<video:title>Wagner: Lohengrin (Bayreuth 2018)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b44c867eca19d940fedc95b29bdb62439b137504.jpg</video:thumbnail_loc>
<video:description>From the 2018 Bayreuth Festival, the New York Times praised the acclaimed new production by American director Yuval Sharon for several reasons: &quot;the outstanding Piotr Beczala&quot; as Lohengrin, &quot;Anja Harteros [making] her impressive Bayreuth debut&quot; as Elsa, and Ortrud &quot;played with dominant presence by the incomparable Waltraud Meier&quot;. The distinguished artists Neo Rauch and Rosa Loy created &quot;breathtaking visuals&quot;, and the whole performance was guided with “enthralling musicality&quot; by conductor Christian Thielemann.</video:description>
<video:duration>12540</video:duration>
<video:publication_date>2022-07-29T11:20:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPG</loc>
<video:video>
<video:title>Barrie Kosky talks about Bayreuth&apos;s Meistersinger from 2017</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/09653385612d632e14ff716acc198469d5178903.png</video:thumbnail_loc>
<video:description>Australian opera director Barrie Kosky sits down to discuss his work for the 2017 Bayreuth Festival production of Wagner&apos;s Meistersinger von Nürnberg.</video:description>
<video:duration>409</video:duration>
<video:publication_date>2022-04-26T15:00:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:35:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJA</loc>
<video:video>
<video:title>Wagner: Die Meistersinger von Nürnberg (Bayreuth 2017)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a8a82836d906cfa75a9fbeac6360be21bf331ba6.jpg</video:thumbnail_loc>
<video:description>Director Barry Kosky perfects the light moments with the same mastery as the heavy. It comes as no surprise, therefore, that the Bayreuth Festival production of Meistersinger offers a brand new interpretation of the well-known work and is considered a highlight of the young festival&apos;s history. In the virtuosic opening scene, central figures of the opera plot are introduced as members of the composer&apos;s household and later goes on to address the issue of Wagner&apos;s anti-Semitism. Of the premiere conducted by Philippe Jordan, a critic of Germany&apos;s Tagesspiegel wrote: &quot;Opera at its best: family constellation and phantasmagoria, mania and magic, contradiction, seduction and trauma.&quot;</video:description>
<video:duration>17033</video:duration>
<video:publication_date>2022-04-25T09:47:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CG</loc>
<video:video>
<video:title>Thielemann conducts Lohengrin – with Anna Netrebko &amp; Piotr Beczała</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4831fdab2d72b924bb2675c63dd5a70212bdc1d6.jpg</video:thumbnail_loc>
<video:description>Christian Thielemann is on the podium of the Semperoper in Dresden for a very special performance of Lohengrin, featuring two global singing stars not immediately associated with Wagner. Polish tenor Piotr Beczała and Russian soprano Anna Netrebko both make their Wagner debuts, singing Lohengrin and Elsa. A superb line-up of seasoned Wagnerians – including Georg Zeppenfeld, Tomasz Konieczny and Evelyn Herlitzius – completes the cast for this stellar revival of Christine Mielitz&apos;s classic 1983 production.</video:description>
<video:duration>12895</video:duration>
<video:publication_date>2022-06-24T12:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:12:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8</loc>
<video:video>
<video:title>Wagner: Tannhäuser (Bayreuth 2019)</video:title>
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<video:description>Tobias Kratzer&apos;s production of Tannhäuser, which was first performed at the Bayreuth Festival in 2019, begins as a road movie with a troupe composed of outsiders and dropouts. Kratzer takes his cue from Wagner&apos;s slogan &quot;free in wanting, free in doing, free in enjoying&quot; and also makes reference to the festival&apos;s history. Germany&apos;s FAZ found it &quot;so tasteful, imaginative, pointed and funny that the audience has to be riveted and laugh, even if it becomes bitterly serious at the end.&quot; While tenor Stephen Gould has been a highly regarded regular at the festival for years, Valery Gergiev and soprano Lise Davidsen, who is at the start of her international career, make their highly anticipated Bayreuth debuts in this production.</video:description>
<video:duration>10987</video:duration>
<video:publication_date>2022-04-25T09:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:56:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJG</loc>
<video:video>
<video:title>Wagner: Parsifal (Bayreuth 2016)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22f03743427493367484b73e06899d1c58a61597.png</video:thumbnail_loc>
<video:description>In the third 21st century Bayreuth production of Parsifal, director Uwe Eric Laufenberg portrays Wagner&apos;s last opera with immense, striking images set in the context of international religious conflicts. The ensemble of soloists, celebrated by both the audience and the press, is led by Klaus Florian Vogt, Elena Pankratova and Georg Zeppenfeld. Making his festival debut, conductor Hartmut Haenchen, who stepped in on relatively short notice, brought to the stage his decades-long expertise: &quot;The orchestra holds the singers by the hand: eloquent, dramatically sharpened diction, transparent orchestral writing, softly contoured in terms of tonal sense, with flowing transitions, brisk tempi and luminous climaxes.&quot; (FAZ)</video:description>
<video:duration>14816</video:duration>
<video:publication_date>2022-04-26T12:17:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:55:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8CO</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 2015)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/12d178b99f47aeeb9522a9bd80dae255eb8c3282.jpg</video:thumbnail_loc>
<video:description>Festival director Katharina Wagner presents an interpretation of Tristan und Isolde at the 2015 Bayreuth Festival that is fascinating in its somberness. Wagner&apos;s granddaughter places the lovers in a threatening, monitored environment and in the fever dreams of the third act, Isolde appears to Tristan as surrealistic holograms. The title roles are cast with the inspiring singing actress Evelyn Herlitzius and Stephen Gould, one of the pivotal heroic tenors of our time. Christian Thielemann leads the musical direction. Der Spiegel awarded &quot;full marks&quot; for the pair&apos;s performance and attested to Thielemann&apos;s conducting a &quot;meticulous[...] elegance that no one can probably top at present.&quot;</video:description>
<video:duration>14915</video:duration>
<video:publication_date>2022-07-29T12:44:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:48:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6DO</loc>
<video:video>
<video:title>Verdi&apos;s Attila at the Mariinsky Theater in St Petersburg</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a600306539ef3fa20366774fbfd074d660bef660.jpg</video:thumbnail_loc>
<video:description>With this lavish production, the Mariinsky Theater makes a case for Giuseppe Verdi&apos;s little-known opera Attila. The title character in the composer&apos;s ninth stage work is a Hun king of the Middle Ages who falls in love with his enemy&apos;s daughter during his conquest in Italy. The opera has been interpreted by contemporaries as a commentary on the Italian independence movement. Bassist Ildar Abdrazakov, who has had great success with the role at the Metropolitan Opera in New York, shines as the male lead. The performance is conducted by Valery Gergiev, who has helped the Mariinsky Theater achieve a new world renown as its artistic director since 1988.</video:description>
<video:duration>6392</video:duration>
<video:publication_date>2022-07-27T12:04:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:42:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E0</loc>
<video:video>
<video:title>Barenboim conducts Bizet: Carmen – with Rolando Villazón</video:title>
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<video:description>Unveiled in 2004, Martin Kušej&apos;s production of Bizet&apos;s Carmen quickly became a fixture in the Berliner Staatsoper&apos;s repertoire. Kusej&apos;s interpretation of Bizet&apos;s masterpiece – a work that features one hit tune after another and features drama of sometimes shocking directness – set a new benchmark for the opera, presenting audiences with a grimly fascinating and compellingly atmospheric study in hopeless love. In this performance filmed in 2006, Marina Domashenko captivates with her vocal and dramatic charm as one of opera&apos;s most memorable female protagonists, while conductor Daniel Barenboim guarantees the highest musical standard to match. Rolando Villazón, meanwhile, was named &quot;a perfect José&quot; by Germany&apos;s FAZ.</video:description>
<video:duration>11115</video:duration>
<video:publication_date>2022-07-11T14:10:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T13:34:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPK</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Franz Welser-Möst: Prokofiev &amp; Richard Strauss</video:title>
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<video:description>Two brilliant works, composed 10 years apart, but which could hardly be more different: Prokofiev&apos;s Piano Concerto No. 3 from 1921 captures the spirit of the 20th-century in its vibrant rhythms and angular melodies, while Richard Strauss&apos;s Suite from his 1911 opera Der Rosenkavalier casts a nostalgic, knowing eye back across time to its setting in the 18th century. Both works, however, are thrilling showpieces, perfect for the open-air stage at Munich&apos;s Odeonsplatz: Prokofiev&apos;s concerto is a gift for a virtuoso of Daniil Trifonov&apos;s calibre, and the Munich-born Strauss&apos;s Suite is an irresistible opportunity for a virtuoso orchestra – such as the superb Bavarian Radio Symphony Orchestra – to show its mettle.</video:description>
<video:duration>5037</video:duration>
<video:publication_date>2025-08-20T14:39:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">KR</video:restriction>
</video:video>
<lastmod>2025-08-21T11:05:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1O</loc>
<video:video>
<video:title>John McLaughlin Trio in Munich</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ec5f955546440e50f96bf5d39ac2e6af26d1bb61.jpeg</video:thumbnail_loc>
<video:description>In the late 1980s, in the wake of his Mahavishnu Orchestra period, British jazz-fusion guitarist John McLaughlin tried something different – recording and performing in a trio with German bass guitarist Kai Eckhardt-Karpeh and the Mumbai-born percussion legend Trilok Gurtu. The trio&apos;s eclectic approach, embracing jazz standards and the group&apos;s own improvisations, made it a perfect fit for the freewheeling, endlessly open-minded spirit of Friedrich Gulda&apos;s Munich Klaviersommer festival, and in 1989 they came together for this typically imaginative set at the Philharmonie im Gasteig; effectively a live preview of their classic album (recorded just weeks later) Live at the Royal Festival Hall.</video:description>
<video:duration>4962</video:duration>
<video:publication_date>2025-08-19T15:36:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T10:57:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CD0</loc>
<video:video>
<video:title>Horowitz in Moscow</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f4a03c5ddf9c33242418fab683daf6bdb3358459.jpg</video:thumbnail_loc>
<video:description>After 60 years’ absence from Russia, pianist Vladimir Horowitz returned home in 1986 – just three years before his death – to perform a recital at the State Tchaikovsky Conservatory. The concert has gone down in musical legend as a historic homecoming from one of the 20th century’s greatest and most celebrated musician. Here, with the help of interviews with Peter Gelb, Martha Argerich, Daniil Trifonov and Sophie Pacini, this documentary explores the background to the event and its unique historical context, and examines what made it so special.</video:description>
<video:duration>3131</video:duration>
<video:publication_date>2024-08-15T11:38:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-20T11:03:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3EC0</loc>
<video:video>
<video:title>Martha Argerich in Warsaw</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a4b568b09ac8fa2d9976de270e214eaebe309cba.jpg</video:thumbnail_loc>
<video:description>The 24-year-old Martha Argerich’s appearance at the 1965 Chopin Piano Competition in Warsaw marked the beginning of an incomparable career. Her closest competitor was Arthur Moreira Lima from Brazil, and for much of the competition her victory was far from certain. With her final performance of Chopin&apos;s First Piano Concerto, though, a legend was born. The film includes excerpts from the dramatic musical duel between Argerich and Moreira Lima, as well from Argerich’s interpretation of Chopin&apos;s work in Warsaw 45 years later. We also hear from close friends of Martha Argerich, including the conductor Daniel Barenboim, as well as from Moreira Lima himself.</video:description>
<video:duration>3125</video:duration>
<video:publication_date>2024-09-04T15:14:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-20T11:02:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJIC8</loc>
<video:video>
<video:title>Tanglewood at 75 – Anne-Sophie Mutter, John Williams, Andris Nelsons</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4bfce7cc5f5ea160039595d9ae787ba8f00f5634.jpg</video:thumbnail_loc>
<video:description>The musical stars align to celebrate Tanglewood&apos;s 75th Anniversary in a concert featuring some of the festival&apos;s most distinguished regular guests. The Tanglewood Music Centre Orchestra is in attendance alongside the Boston Symphony and Boston Pops orchestras, with John Williams, Keith Lockhart and Andris Nelsons conducting, while soloists include Anne-Sophie Mutter, Yo-Yo Ma, Emanuel Ax and Peter Serkin – as well as vocalist James Taylor. The programme mixes concert favourites, extracts from the American Songbook and music by two composers, Aaron Copland and Leonard Bernstein, who played a central role in Tanglewood&apos;s early history.</video:description>
<video:duration>6675</video:duration>
<video:publication_date>2023-06-22T11:10:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-20T10:52:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8DG</loc>
<video:video>
<video:title>Marc-André Hamelin &amp; David Robertson in Gershwin, Ellington &amp; Copland</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eec4cff369489936cf5c366ccabdef35014482d6.jpg</video:thumbnail_loc>
<video:description>A regular guest with The Cleveland Orchestra, pianist Marc-André Hamelin brings his breathtaking virtuosity to the irrepressible jazz rhythms of Gershwin’s Rhapsody in Blue – the centerpiece of a journey through America&apos;s musical heartland that also features New World A-Comin&apos;, Duke Ellington&apos;s hopeful vision of a future with &quot;no war, no greed, no categorization&quot;. Conductor David Robertson bookends the piano pyrotechnics with Copland&apos;s suites from Appalachian Spring and The Tender Land, expansive works evoking open landscapes and open hearts.</video:description>
<video:duration>5193</video:duration>
<video:publication_date>2025-05-13T13:14:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-08-20T10:32:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3AC8</loc>
<video:video>
<video:title>Frieder Bernius conducts Schumann: Scenes from Goethe&apos;s Faust</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ee2abfb9ea594de4d7458eb1be8a144e0010d4dd.jpg</video:thumbnail_loc>
<video:description>When the greatest achievement in German literature encountered the imagination of Robert Schumann the result was always going to be extraordinary, and Schumann&apos;s Scenes from Goethe&apos;s Faust is a masterwork in a class of its own – part opera, part cantata, but glowing from first note to last with the poetic, passionate spirit of this most original of Romantic composers. This 1999 performance in the evocative surroundings of the 500-year-old Amandus Church in Bad Urach features an orchestra, chorus and cast who are immersed in the German Romantic tradition – including a rare appearance in this repertoire from the young Jonas Kaufmann.</video:description>
<video:duration>6537</video:duration>
<video:publication_date>2025-02-12T13:52:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-18T11:53:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CE8</loc>
<video:video>
<video:title>On Italy</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/976b8b29993bb21fd95f32efe2ee2b534d6ecf37.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>392</video:duration>
<video:publication_date>2025-08-14T09:10:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-15T10:17:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPL</loc>
<video:video>
<video:title>Avi Avital – Between Worlds: Italy</video:title>
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<video:description>The third and final program of the Between Worlds concert series puts a spotlight on Italy: joined by Apulian-born singer Alessia Tondo, curator Avi Avital and the Between Worlds Ensemble perform traditional music and works by Italian composers from the Baroque to the present day, with original pieces heard alongside new arrangements created especially for this performance.</video:description>
<video:duration>4893</video:duration>
<video:publication_date>2025-08-07T10:26:02Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-15T10:10:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3EC0</loc>
<video:video>
<video:title>Drifting</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2025-08-14T14:30:10Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T15:34:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ECO</loc>
<video:video>
<video:title>Barenboim conducts Così fan tutte – directed by Doris Dörrie</video:title>
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<video:description>When she was invited to direct Mozart&apos;s Così fan Tutte, film director and writer Doris Dörrie confessed to being an &quot;opera ignoramus&quot;. Nevertheless, the managed to bring a fresh approach to Mozart&apos;s late – and at one time much derided – comic masterpiece, her colourful production relocating the opera&apos;s action to the hippie era without undermining the seriousness of its ultimate message. &quot;It is a tribute to Dörrie&apos;s ingenuity,&quot; said the International Herald Tribune, &quot;that she plumbs the emotions while hoisting the comedy to new heights.&quot; Musically, too, the show was in the safest of hands, with Daniel Barenboim conducting a superb ensemble cast.</video:description>
<video:duration>10737</video:duration>
<video:publication_date>2022-12-07T07:45:54Z</video:publication_date>
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<lastmod>2025-08-14T14:34:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34D0</loc>
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<video:title>Wagner: Götterdämmerung (Bayreuth 1997)</video:title>
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<video:description>Alfred Kirchner&apos;s Bayreuth production of Wagner&apos;s Ring des Nibelungen was distinguished by a time-hallowed, mystical atmosphere, with imaginative costumes and symbolist stage designs by German artist Rosalie. Under the baton of James Levine, who was praised for his commanding disposition and the beauty of the orchestral sound, Götterdämmerung features some of the most well-known Wagner singers of the time: Deborah Polaski took on the role of Brünnhilde for the second time in a Bayreuth Ring, with Hanna Schwarz, regular performer on the Green Hill for 23 years, as Waltraute. Heldentenor Wolfgang Schmidt, at the start of his Bayreuth career, sings the hero Siegfried.</video:description>
<video:duration>16614</video:duration>
<video:publication_date>2022-10-31T20:07:44Z</video:publication_date>
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<lastmod>2025-08-14T14:33:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32CG</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 1995)</video:title>
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<video:description>This production of Tristan und Isolde is one of many in Bayreuth&apos;s history that initially met with criticism and protest from audiences and critics, and later gained the status of a classic. Daniel Barenboim, conducting his second new Bayreuth production of Tristan, had chosen Heiner Müller, probably the most important poet-director of East Germany, as his partner. Müller emphasizes the apocalyptic aspects of the work in Erich Wonder&apos;s beguilingly illuminated stage sets and repeatedly separates the lovers by a seemingly insurmountable distance. Waltraud Meier and Siegfried Jerusalem humanise the scenic radicalism with singing praised for its passion and technical control.</video:description>
<video:duration>14190</video:duration>
<video:publication_date>2022-10-31T16:03:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-14T14:31:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32D0</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 1983)</video:title>
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<video:description>For nearly two decades between 1981 and 1999, Daniel Barenboim was the central conductor at the Bayreuth Festival. He made his debut on the Green Hill with this production of Tristan und Isolde, the first of two he conducted at Bayreuth. With a cast featuring René Kollo, Hanna Schwarz and Matti Salminen, he had tried and tested Bayreuth singers at his disposal, while the American-born soprano Johanna Meier was hailed as an ideal Isolde. Director Jean-Pierre Ponnelle created characterizations of rare psychological precision as well as one of the legendary images of Wagner production history: as Tristan dies, Isolde appears to him as an inner vision under a huge tree.</video:description>
<video:duration>14793</video:duration>
<video:publication_date>2022-10-31T16:49:39Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-14T14:22:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1I</loc>
<video:video>
<video:title>The Jacques Loussier Trio Plays Bach</video:title>
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<video:description>By the summer of 1989, when they played this now-legendary concert at the Munich Klaviersommer, the Jacques Loussier Trio had been playing its jazz interpretations of the music of Johann Sebastian Bach for three decades. But you wouldn&apos;t guess it from the freshness and the sheer joie de vivre that animates these performances of the Italian Concerto, the Fifth Brandenburg Concerto and several shorter Bach works. Loussier&apos;s second-generation line-up of Vincent Charbonnier (bass) and André Arpino (drums) had found its groove: faster, brighter and more unbuttoned than many of the Trio&apos;s studio recordings, these are live performances to cherish.</video:description>
<video:duration>5568</video:duration>
<video:publication_date>2025-08-13T09:31:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-14T10:49:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPM</loc>
<video:video>
<video:title>Rossini: La Cenerentola</video:title>
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<video:description>Rossini&apos;s La Cenerentola is a Cinderella story with a difference: no fairy godmothers or magic spells here. But what it does have is a big heart, and amid all the vocal fireworks and satirical wit, Rossini&apos;s rags-to-riches comedy emerges as one of his most loveable – and beloved – operas. Peter Hall&apos;s classic Glyndebourne production doesn&apos;t shy away from the story&apos;s darker moments, but it&apos;s packed with playfulness and warmth, too, and this 2005 performance could hardly be more perfectly cast. &quot;A truly marvellous performance on all counts,&quot; wrote Gramophone, and Vladimir Jurowski&apos;s conducting adds its own special transparency and sparkle.</video:description>
<video:duration>9337</video:duration>
<video:publication_date>2025-08-12T08:46:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-14T10:44:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHG</loc>
<video:video>
<video:title>Rossini: Il barbiere di Siviglia</video:title>
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<video:description>A lover, his sweetheart, her jealous guardian and the factotum who&apos;ll do whatever it takes to help love win the day. Rossini&apos;s Il barbiere di Siviglia is the perfect opera buffa, and it could have been written for Glyndebourne – the English summer festival that&apos;s been making a speciality of Mozart and Rossini for nearly nine decades. Annabel Arden&apos;s lively staging brings the visuals up to date, allowing the characters to be their irrepressible selves. With Danielle de Niese as a capricious Rosina, Taylor Stayton as Almaviva and an exuberant Figaro from German baritone Björn Bürger, the result is a delight.</video:description>
<video:duration>9905</video:duration>
<video:publication_date>2025-07-31T08:51:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-13T12:18:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJAC0</loc>
<video:video>
<video:title>Avi Avital and Between Worlds: Iberia</video:title>
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<video:description>Avi Avital presents the first of three concerts from the Pierre Boulez Saal in which he and his Between Worlds Ensemble – founded in 2014 to bring together classically trained musicians equally at home in non-classical repertoire – explore folk traditions on the edges of Europe. In this concert, captured live in November 2022, they are joined by Marina Heredia, one of the leading voices in contemporary Flamenco, as well as musicians José Quevedo &quot;Bolita&quot; and Paquito Gonzalez for a programme exploring music from the Iberian peninsula.</video:description>
<video:duration>4307</video:duration>
<video:publication_date>2025-07-07T09:32:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T12:10:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHL</loc>
<video:video>
<video:title>Rossini: Il Viaggio a Reims</video:title>
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<video:description>On their way to the Coronation celebrations at Reims, an unlikely group of (highly vocal) travellers are thrown together at an inn. The consequences are … well, let&apos;s just say that Rossini wasn&apos;t afraid to let his hair down. Il Viaggio a Reims is a gala opera; a celebration of melody and wit rather than a serious drama and Alain Maratrat&apos;s 2005 production for the Théâtre du Châtelet plays it as exactly that. Valery Gergiev and his Mariinsky forces bring a thrilling panache to the musical side of this sparkling semi-staging, in which Parisian style meets vocal firepower with irresistibly entertaining results.</video:description>
<video:duration>7750</video:duration>
<video:publication_date>2025-07-31T12:57:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T12:02:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CD0</loc>
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<video:title>Glazunov: Violin Concerto in A Minor, Op. 82, I. Moderato</video:title>
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<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2025-08-04T12:30:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T12:00:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHK</loc>
<video:video>
<video:title>Rossini: Il Turco in Italia</video:title>
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<video:description>Combine the adventurous spirit of the Aix-en-Provence festival with the theatrical flair of British stage director Christopher Alden. Then unleash them on Rossini&apos;s most knowing opera buffa – a culture-clash farce with a big heart and a metatextual twist – and you have a staging of Il Turco in Italia that&apos;s as intelligent as it is entertaining. Marc Minkowski conducts Les Musiciens de Louvre, and the period instruments bring a special freshness and zest to one of Rossini&apos;s most original scores. Olga Peretyatko and Adrian Sâmpetrean (as the Ottoman pasha Selim) head a superbly chosen and thoroughly engaging cast.</video:description>
<video:duration>10438</video:duration>
<video:publication_date>2025-07-31T12:46:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T11:54:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHH</loc>
<video:video>
<video:title>Rossini: Il barbiere di Siviglia</video:title>
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<video:description>Rossini&apos;s Il barbiere di Siviglia is the perfect Italian comic opera – fast, fizzy and very, very funny, with a heart as warm as the Spanish sun. But Beaumarchais, the play&apos;s original author, was French, and in 2017 director Laurent Pelly brought the Barber back to its roots at Paris&apos;s Théâtre des Champs-Élysées with a staging that combined a spirited period-instrument orchestra with an unmistakably Gallic sensibility. The result sparkles like champagne, with Jérémie Rhorer conducting and a cast (headed by Florian Sempey, with Catherine Trottman as a vivacious Rosina) that&apos;s as delightful to watch as it is to hear.</video:description>
<video:duration>9543</video:duration>
<video:publication_date>2025-07-31T09:23:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T11:44:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3IDO</loc>
<video:video>
<video:title>Avi Avital and Between Worlds: Black Sea</video:title>
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<video:description>For the second part of his Between Worlds series at the Pierre Boulez Saal, focused on the Black Sea region, mandolinist Avi Avital is joined by his Between Worlds Ensemble as well as the male chorus of Rustavi, an ensemble dedicated to preserving the rich tradition of Georgian folk music and dance. The programme also includes new arrangements of works by Georgian and Turkish composers.</video:description>
<video:duration>6980</video:duration>
<video:publication_date>2025-07-16T13:00:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-12T13:58:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38CO</loc>
<video:video>
<video:title>Rudolf Buchbinder &amp; Yutaka Sado perform Gershwin &amp; Schoenberg</video:title>
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<video:description>For the opening concert of the 2024 Grafenegg Festival, festival director Rudolf Buchbinder joins the Tonkünstler-Orchester Niederösterreich and conductor Yutaka Sado on the open-air Wolkenturm stage for a programme featuring two giant – but deeply contrasting – figures of 20th-century music. To open, Buchbinder is the soloist in George Gershwin’s Piano Concerto in F – a remarkable fusion of the musical language of jazz with the form of western classical music – while the second half features a large-scale late-Romantic tone poem, Pelleas und Melisande, by Arnold Schoenberg, a composer who later became the figurehead of musical modernism as well as a huge admirer of Gershwin.</video:description>
<video:duration>4824</video:duration>
<video:publication_date>2025-08-07T12:15:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-08T12:06:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJEE0</loc>
<video:video>
<video:title>Yellow Lounge: Avi Avital &amp; Marie Awadis</video:title>
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<video:description>Yellow Lounge – Deutsche Grammophon&apos;s ground-breaking club-meets classics series – goes to Atomino, the iconic club in historical Chemnitz in eastern Germany. Staged in association with Volkswagen, the evening sees Avi Avital and Marie Awadis present contrasting sets featuring music from their forthcoming and already released albums. As ever, the music is complemented by visuals by VJ Philip Geist, helping to create the unique Yellow Lounge atmosphere.</video:description>
<video:duration>4441</video:duration>
<video:publication_date>2025-07-07T08:19:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-08T10:34:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHP</loc>
<video:video>
<video:title>Konstantin Wecker and Wolfgang Dauner in Concert</video:title>
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<video:description>Individually, singer-songwriter Konstantin Wecker and the late Wolfgang Dauner were two of the most original – and unpredictable – names in postwar German cabaret and jazz. Together, they were an unstoppable musical force, free-spirited mavericks from south Germany striking sparks off each other and unleashing a creativity as exuberant as it was entertaining, Munich is Wecker&apos;s hometown and there was a real buzz in the air when, for the 1988 Klaviersommer festival, he joined forces with Dauner for an imaginative exploration of Wecker&apos;s own remarkable back catalogue – with the help of their regular collaborator, the Luxembourg-born trumpet legend Felice Civitareale.</video:description>
<video:duration>2033</video:duration>
<video:publication_date>2025-08-05T15:42:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-07T13:31:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34DO</loc>
<video:video>
<video:title>Nikolaus Harnoncourt conducts Monteverdi&apos;s Orfeo</video:title>
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<video:description>The Zurich Opera&apos;s Monteverdi cycle in the mid-1970s caused a sensation, setting a new standard for how period instruments could be used to bring early music to the stage. Nikolaus Harnoncourt established himself as an important opera conductor, and his favourite director of many years, Jean-Pierre Ponnelle, proved how modern and fresh the works of the first great opera composer in music history can be. Orfeo, which tells the tragic story of the mythical singer who enchants the spirits of the underworld, kicked things off. This film offers the chance to relive this revolutionary moment in the history of modern musical theatre.</video:description>
<video:duration>6154</video:duration>
<video:publication_date>2022-11-02T10:37:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-07T09:30:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPH</loc>
<video:video>
<video:title>Nicolai Petrov plays Schumann: Symphonic Etudes, Op. 13</video:title>
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<video:description>With his Etudes Symphoniques, Robert Schumann attempted to capture the power and colour of an orchestra at the piano keyboard – a genre-defying, era-defining piano masterpiece by a young artist whose imagination acknowledged no limits. They&apos;re perfect, in other words, for Nicolai Petrov: the hugely respected Russian virtuoso whose career began at the Van Cliburn and Queen Elisabeth piano competitions. Petrov&apos;s mastery was rooted in the great Romantic tradition, and this performance, captured live at the Philharmonie am Gasteig during the 1988 Munich Klaviersommer festival, finds him in full flight, at the height of his formidable powers.</video:description>
<video:duration>2056</video:duration>
<video:publication_date>2025-08-06T10:16:57Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T13:25:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPG</loc>
<video:video>
<video:title>Modern Jazz Quartet</video:title>
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<video:description>Few postwar jazz groups had as far-reaching an influence as the Modern Jazz Quartet – or ranged so freely over the entire legacy of western music, and beyond. Their spirit of discovery and their chamber music ethos made them a natural fit for a festival as eclectic as the Munich Klaviersommer, and in 1988 a classic late-period MJQ line-up of John Lewis, Milt Jackson, Percy Heath and Connie Kay came to the Philharnonie am Gasteig with a set that ranged from Ellington and Strayhorn standards to Lewis and Jackson&apos;s own compositions. Contemporary jazz doesn&apos;t get more authoritative, or elegant.</video:description>
<video:duration>3696</video:duration>
<video:publication_date>2025-08-06T09:35:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T13:23:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCDO</loc>
<video:video>
<video:title>Into the Cold Dawn – Dmitri Shostakovich</video:title>
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<video:description>&quot;Into the Cold Dawn&quot; recounts the life of the composer Dmitri Shostakovich from the perspective of a film director, played by Armin Mueller-Stahl, who is shooting a movie about Shostakovich. While editing the film, the director shifts through scenes from feature films for which Shostakovich wrote the music during the rule of Stalin. The director meets and interviews family members and companions of the composer, such as Mstislav Rostropovich. Key moments in the life of Shostakovich are re-enacted with marionette puppets. At the end of his investigation, the director realises that he is unable to draw a clear-cut portrait of the composer – what his interview partners tell him is just too contradictory.</video:description>
<video:duration>4800</video:duration>
<video:publication_date>2022-12-01T16:14:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:54:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34E8</loc>
<video:video>
<video:title>Elīna Garanča &amp; Michael Fabiano in Cavalleria rusticana</video:title>
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<video:description>A superb line-up of soloists presents a concert performance of Mascagni&apos;s one-act Cavalleria rusticana, live from the Cap Rocat Festival in Majorca. The composer&apos;s hot-blooded tale of infidelity and vengeance – a foundational work of the Verismo school – is conducted by Henrik Nánási and stars Elīna Garanča as Santuzza, the woman wronged and ostracized by her community. American tenor Michael Fabiano sings her treacherous lover Turiddu and Italian baritone Luca Salsi is Alfio, the no-nonsense carter who is left to restore justice.</video:description>
<video:duration>4563</video:duration>
<video:publication_date>2024-01-08T12:25:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:53:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38CO</loc>
<video:video>
<video:title>Nadine Sierra &amp; Francesco Demuro: Opera Gala</video:title>
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<video:description>Soprano Nadine Sierra is joined by tenor Francesco Demuro for a very special opera gala filmed in the spectacular surroundings of the Festival Cap Rocat on the coast of Majorca. With accompaniment from the Symphony Orchestra of the Balearic Islands and conductor Pablo Mielgo, the pair take us through some of the best-loved arias and duets in the repertoire – from Lucia di Lammermoor, La Traviata, Turandot, West Side Story and more – plus favourite songs in what proved to be an unforgettable finale to the festival.</video:description>
<video:duration>6159</video:duration>
<video:publication_date>2024-01-04T11:03:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:53:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPH</loc>
<video:video>
<video:title>Lisette Oropesa: Opera Gala</video:title>
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<video:description>Superstar soprano Lisette Oropesa features in this thrilling gala concert from Festival Cap Rocat where, with accompaniment from the Symphony Orchestra of the Balearic Islands and conductor Pablo Mielgo, she offers a programme covering the golden years of 19th-century French and Italian opera. Featuring music ranging from the bel canto of Rossini, Bellini and Donizetti to the full-blown Romanticism of Massenet and Verdi, the evening offers ample opportunities to show why Oropesa is one of the most sought-after singers of her generation – an artist who allies technique, musicality and a superb voice to breathtaking effect.</video:description>
<video:duration>5518</video:duration>
<video:publication_date>2025-07-11T08:19:46Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:52:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8D0</loc>
<video:video>
<video:title>Paul Gulda, Marina Milic and Roland Batik</video:title>
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<video:description>In the 1980s, the Munich Klaviersommer festival had a knack of finding the world&apos;s most interesting and adventurous pianists and getting them to exceed expectations. In this filmed recital from 1983, recorded live at the Kongressaal, performances of Bach and Scriabin from the Serbian pianist Marina Milic form a counterpoint to a typically imaginative programme from the duo of Roland Batik and Paul Gulda – livewires of the 1980s Austrian piano scene. Batik plays one of his own improvisations before the pair come together in a flamboyant duet account of Ravel&apos;s dizzying portrait of a world on the brink, La Valse.</video:description>
<video:duration>2817</video:duration>
<video:publication_date>2025-05-12T10:23:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T15:03:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ICO</loc>
<video:video>
<video:title>Cristina Ortiz: Piano Recital</video:title>
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<video:description>As a pianist, Cristina Ortiz has always identified passionately with the great European Romantic tradition – while keeping one foot firmly planted in the fertile musical soil of her native Brazil. This recital, recorded live in Munich&apos;s Carl-Orff Saal during the 1997 Munich Klaviersommer finds her at the height of her international career, in a programme of miniatures – ranging from Mompou to Brahms – that could almost serve as a musical self-portrait of a pianist who was praised by Gramophone magazine for her &quot;sensitivity and imagination&quot;. Naturally, Villa-Lobos features; but so too does Debussy, Albéniz and Mendelssohn, composers for whom Ortiz feels a very special affinity.</video:description>
<video:duration>3903</video:duration>
<video:publication_date>2025-03-19T15:12:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T14:47:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32</loc>
<video:video>
<video:title>Gala from Berlin 2016 – with Daniil Trifonov</video:title>
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<video:description>Germany&apos;s Tagesspiegel described Daniil Trifonov&apos;s interpretation of Rachmaninoff&apos;s Third Piano Concerto as being performed with &quot;diabolical keystrokes, Apollonian calm&quot;. The Russian pianist makes his Berliner Philharmoniker debut with what is perhaps the most technically demanding piano concerto, after his Carnegie Hall debut – also with works by Rachmaninoff – was acclaimed by audiences and critics alike. Two fast-paced works by Dmitri Kabalevsky frame the New Year&apos;s Gala programme, in addition to Dvořák&apos;s Slavonic Dances, before the Berliner Philharmoniker, with Simon Rattle on the podium, take a detour to 1920s England, where orchestral pieces from William Walton&apos;s Façade provide a touch of British humour.</video:description>
<video:duration>5450</video:duration>
<video:publication_date>2022-05-10T15:42:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T14:07:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36D0</loc>
<video:video>
<video:title>Gielen conducts Beethoven: Missa Solemnis</video:title>
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<video:description>In the last decade of his life, Beethoven gazed into the infinite, labouring for five years on the mightiest Mass setting since Bach. “From the heart – may it go to the heart” was Beethoven’s own comment on his Missa Solemnis, and there’s a profound sense of meaning – of connection to tradition, both artistic and spiritual – in this live performance given in 1987 in the majestic surroundings of the Amanduskirche, Bad Urach. The late Michael Gielen brings an unaffected dignity, and his combined Bohemian and Bavarian forces (as well as a quartet of solo singers including contralto Marjana Lipovšek) respond nobly.</video:description>
<video:duration>4683</video:duration>
<video:publication_date>2025-01-22T12:03:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T12:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CD8</loc>
<video:video>
<video:title>Mascagni: Cavalleria rusticana: Intermezzo (Arr. Holt)</video:title>
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<video:description></video:description>
<video:duration>185</video:duration>
<video:publication_date>2025-08-04T13:17:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:51:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CDG</loc>
<video:video>
<video:title>Mendelssohn: Violin Concerto in E Minor, Op. 64, I. Allegro molto appassionato</video:title>
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<video:description></video:description>
<video:duration>206</video:duration>
<video:publication_date>2025-08-04T13:41:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:41:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CDO</loc>
<video:video>
<video:title>Vaughan Williams: The Lark Ascending</video:title>
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<video:description></video:description>
<video:duration>283</video:duration>
<video:publication_date>2025-08-04T13:51:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:41:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CCO</loc>
<video:video>
<video:title>On My First Decade</video:title>
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<video:description></video:description>
<video:duration>1597</video:duration>
<video:publication_date>2025-08-04T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9N</loc>
<video:video>
<video:title>Nobuyuki Tsujii plays Beethoven, Liszt &amp; Chopin</video:title>
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<video:description>It was one of the highlights of the 2022 Verbier Festival, when Japanese pianist Nobuyuki Tsujii brought a stunning recital programme to the star-studded Alpine festival – a programme that demands not only supreme musicianship, but also breathtaking virtuosity, which Nobu, despite being blind since birth, delivers in spades. At the heart of it are two sonatas built around extreme contrasts: Beethoven&apos;s &quot;Moonlight&quot; and Chopin&apos;s Sonata No. 3. To these, the pianist adds further contrasting favourites ranging from the dreamy melodies of Liszt&apos;s Consolation No. 3 and Chopin&apos;s Barcarolle to the devilish technical demands of Liszt&apos;s Mephisto Waltz No. 1 and &quot;Campanella&quot; Etude, played as an encore to bring the house down.</video:description>
<video:duration>5159</video:duration>
<video:publication_date>2025-08-01T13:15:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-04T11:06:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ACG</loc>
<video:video>
<video:title>Same Boat - with Zak Abel</video:title>
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<video:description></video:description>
<video:duration>190</video:duration>
<video:publication_date>2025-07-30T14:59:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-03T13:35:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3CC8</loc>
<video:video>
<video:title>Non-Eternal - Pt. 3</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2025-08-01T11:17:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-01T14:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32DG</loc>
<video:video>
<video:title>&quot;Prima la musica, dopo le parole?&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a4677c65d49e7863a3726fa601e9d89c301391f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>7083</video:duration>
<video:publication_date>2025-06-20T13:10:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE CH AT</video:restriction>
</video:video>
<lastmod>2025-08-01T12:44:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36DO</loc>
<video:video>
<video:title>Ljóssins knörr – with Álfheiður Erla Guðmundsdóttir &amp; Reykjavík Orkestra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f636cc9c97e972736efc9693a9869c4e5a17583a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2025-07-17T12:28:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T17:51:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9M</loc>
<video:video>
<video:title>Heinrich Schiff Solo: Bach, Henze, Lutosławski</video:title>
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<video:description>&quot;Every musician should be interested in every style&quot; said the late Austrian cellist Heinrich Schiff (1951–2016) – &quot;because there is no single style without relation to other music.&quot; And in 1988 Schiff put his musical principles into action in this formidable solo recital from Munich. Bach&apos;s solo cello suites were at the heart of the cellist&apos;s musical life, and he concludes with a masterly account of the Third Suite. But first, he explores the music of his own lifetime: Lutosławski&apos;s inventive homage to the Swiss patron Paul Sacher and the Serenade for solo cello by Hans Werner Henze, both played with supreme authority.</video:description>
<video:duration>1849</video:duration>
<video:publication_date>2025-07-29T10:54:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T12:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9O</loc>
<video:video>
<video:title>Natalia Trull plays Chopin: Piano Sonata No. 2</video:title>
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<video:description>Natalia Trull is a piano virtuoso of the Russian school – trained in St Petersburg and as commanding in Prokofiev as she is in Chopin. But in 1988, when she gave this performance as part of the 1988 Munich Klaviersommer festival, she was still best-known for her triumph in the 1983 Belgrade International Piano Competition and her silver medal at the 1986 International Tchaikovsky Competition. For her recital at the Philharmonie im Gasteig, she chose to focus on Chopin, and her account of the Second Sonata – best-known for its Funeral March – is in a tradition that extends back to Rachmaninoff and beyond.</video:description>
<video:duration>1417</video:duration>
<video:publication_date>2025-07-29T11:30:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T12:52:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ADG</loc>
<video:video>
<video:title>J.S. Bach: Come, Sweet Death (Arr. for 5 Cellos)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6e735ae964f79dc065a7cad2bb140cb55b9c5b56.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>191</video:duration>
<video:publication_date>2025-07-30T16:00:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-07-31T11:59:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3AD8</loc>
<video:video>
<video:title>Hamilton: Cry Me a River (Arr. Kanneh-Mason &amp; Baker)</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2025-07-30T15:41:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T11:59:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3ACO</loc>
<video:video>
<video:title>Star of the County Down (Arr. Kanneh-Mason)</video:title>
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<video:description></video:description>
<video:duration>117</video:duration>
<video:publication_date>2025-07-30T15:08:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T11:59:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3AC8</loc>
<video:video>
<video:title>I Saw Three Ships (Arr. Baker)</video:title>
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<video:description></video:description>
<video:duration>161</video:duration>
<video:publication_date>2025-07-30T14:48:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T11:58:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3AC0</loc>
<video:video>
<video:title>Have Yourself A Merry Little Christmas (Arr. Baker)</video:title>
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<video:description></video:description>
<video:duration>210</video:duration>
<video:publication_date>2025-07-30T09:59:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T11:58:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9N</loc>
<video:video>
<video:title>Heinrich Schiff &amp; Paul Gulda: Works by Schnittke, Martinů &amp; Piazzolla</video:title>
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<video:description>For all his mastery in the classics of the cello repertoire, the late Heinrich Schiff always maintained a lively and intensely serious interest in contemporary and 20th-century music. Astor Piazzolla and Alfred Schnittke were both still alive in the summer of 1988 when Schiff came together with the brilliant young Austrian pianist Paul Gulda at the Munich Klaviersommer – the freewheeling, cross-genre festival founded by Paul&apos;s irrepressible (and controversial) father Friedrich. But there&apos;s no controversy here: just intelligent, perceptive playing of two still-new modern classics, with Martinů&apos;s exuberant Variations on a Theme by Rossini as a spirited encore.</video:description>
<video:duration>2412</video:duration>
<video:publication_date>2025-07-29T11:15:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T10:27:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHH</loc>
<video:video>
<video:title>Puccini: La Bohème</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6a4fbbbf4e2b4d9faddfaaadd25fd98cd90171ef.jpg</video:thumbnail_loc>
<video:description>Puccini&apos;s La Bohème tells of penniless artists finding humour and love in their struggle to subsist – and reflect the composer&apos;s own experiences as penniless student. &quot;&apos;their story is universal, all that is needed is to understand what it is like to be young and in love!&apos;&quot;, says director Orpha Phelan, whose acclaimed updated production from Malmö Opera features a refreshingly youthful cast (led by Joachim Bäckström ardent Rodolfo and Olesya Golovneva&apos;s very modern – and very moving – Mimì) that goes straight to the work&apos;s heart.</video:description>
<video:duration>7079</video:duration>
<video:publication_date>2025-07-07T09:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T07:47:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CD8</loc>
<video:video>
<video:title>Wagner: Tannhäuser (Bayreuth 1978)</video:title>
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<video:description>Apart from the brothers Wieland and Wolfgang Wagner, no one has directed at the Bayreuth Festival as often as Götz Friedrich since the end of the World War II. His Tannhäuser, the first of his three productions on the Green Hill, grows entirely out of the inner contradictions of the title character. Venus and Elisabeth are portrayed by the same singer – a challenge that Gwyneth Jones, also a celebrated Bayreuth Brünnhilde, rises to impressively. Because of its political emphasis, the production was booed at its first performance, but is now considered a highlight of the festival&apos;s history. Götz Friedrich moved from the GDR to the West a few months after the production was unveiled.</video:description>
<video:duration>11357</video:duration>
<video:publication_date>2022-11-24T10:16:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T14:07:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38E8</loc>
<video:video>
<video:title>Wells &amp; Vinícius: Whisperings - with Seven Eyes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7f8f76cb6ee89e796ef3f562e4f274ebad5b9b8b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>183</video:duration>
<video:publication_date>2025-07-29T15:50:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:35:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38E0</loc>
<video:video>
<video:title>Wells &amp; Vinícius: Icarus - with Seven Eyes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cd18518832cb035b9be8454ba728a6be497d9a9d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>239</video:duration>
<video:publication_date>2025-07-29T15:18:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:35:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38DO</loc>
<video:video>
<video:title>Liszt: Consolation No. 3, S. 172/3 (Arr. Swert) – with James Baillieu</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/de8248140e7b89d891e49faf92c4d525f6b5cd1c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>232</video:duration>
<video:publication_date>2025-07-29T15:11:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:35:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38DG</loc>
<video:video>
<video:title>Cassadó: Requiebros – with Isata-Kanneh Mason</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22b32a7f450b65b4837d1600ea4a005e19761b38.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2025-07-29T14:48:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:35:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38D8</loc>
<video:video>
<video:title>Song Of The Birds (Arr. Casals) – with Isata Kanneh-Mason</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0eb5c4d4b47e8b7a823b1b886b7ec8f3c05c8880.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>170</video:duration>
<video:publication_date>2025-07-29T14:37:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:28:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38D0</loc>
<video:video>
<video:title>Bloch: Abodah (God&apos;s Worship) (Arr. for Cello)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27eaee7c1ba20df6b5baeb1ea01d581c4eb89d80.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>172</video:duration>
<video:publication_date>2025-07-29T14:25:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:28:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38CO</loc>
<video:video>
<video:title>Fauré: Après un rêve, Op. 7, No. 1 (Arr. for Cello &amp; Piano) – with Isata Kanneh-Mason</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9837a2afd2da96829ae1ed79a42e1bedfaf5e6a3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2025-07-29T13:49:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:27:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38CG</loc>
<video:video>
<video:title>Cohen: Hallelujah (Arr. for Cello &amp; Strings)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13ad8f814293805252041c5437faff37cbef6f44.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>212</video:duration>
<video:publication_date>2025-07-29T13:35:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:27:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34CG</loc>
<video:video>
<video:title>Wagner: Die Meistersinger von Nürnberg (Bayreuth 2008)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/431330449350525cc3d0e3c179f79ea87dd593bd.png</video:thumbnail_loc>
<video:description>Katharina Wagner&apos;s controversial 2007 production of her great grandfather&apos;s comedy was her first opera staging at the Bayreuth Festival and proved a confrontational and thought-provoking operatic event in the best tradition of the festival. Drawing on the work&apos;s performance history, the production forced a new engagement with the opera&apos;s themes of tradition and progress, recasting the hero Walther as representative of the former and his nemesis, Beckmesser, as a groundbreaking avant-garde artist. The concept is made all the more fascinating in this 2008 performance by superb portrayals of those roles from Klaus Florian Vogt and Michael Volle – who have gone on to become two of the  finest Wagnerians of their generation.</video:description>
<video:duration>16571</video:duration>
<video:publication_date>2023-07-20T12:55:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:12:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34CO</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 2009)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2024c2df7fe10386a7bf34a7439fb7106d7a19a8.png</video:thumbnail_loc>
<video:description>Since the 1990s, Christoph Marthaler and his congenial stage and costume designer Anna Viebrock have caused a sensation with highly musical and atmospheric productions of plays and operas. It was only a matter of time, then, before this directing team was also invited to the Bayreuth Festival. Marthaler&apos;s style of radical deceleration proved ideally suited to Wagner&apos;s Tristan und Isolde in this production – with Viebrock&apos;s sober yet poetic sets – unveiled in 2005. In the 2009 revival documented here, Robert Dean Smith and Iréne Theorin were joined in the title roles by Robert Holl, one of the great basses of his generation, who sang the role of King Marke.</video:description>
<video:duration>15272</video:duration>
<video:publication_date>2023-07-20T13:44:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:11:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCE8</loc>
<video:video>
<video:title>Wagner: Parsifal (Bayreuth 2023)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/428f402e83f2dd3a6c63fee2e489f0263a7303aa.png</video:thumbnail_loc>
<video:description>Any new production of Parsifal at the Bayreuth Festival – in the theatre for which Wagner conceived his &quot;Bühnenweihfestspiel&quot; – is a major operatic event. But US director Jay Scheib&apos;s new staging for the 2023 Festival, which will employ Augmented Reality, is likely to break new boundaries in terms of technological innovation – even for a theatre whose history is bound up with revolutionary theatrical ideas. Pablo Heras-Casado, making his Bayreuth debut, conducts a superb cast, with tenor Andreas Schager and mezzo Elīna Garanča – also making a highly anticipated Bayreuth debut as Kundry – leading the line-up alongside Georg Zeppenfeld&apos;s seasoned Gurnemanz.</video:description>
<video:duration>15271</video:duration>
<video:publication_date>2023-07-27T15:08:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-07-29T20:06:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJEDG</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 2024)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a8b51e9c92a5577c17b3438d684204bf6dcba679.jpg</video:thumbnail_loc>
<video:description>The annual new production at the Bayreuth Festival is always one of the most eagerly awaited events in the operatic calendar. And 2024 will be no exception, as it&apos;s the turn of Wagner&apos;s great &quot;opus metaphysicum&quot;, Tristan und Isolde to be staged afresh at the festival the composer founded in 1876. A revolutionary work of music theatre, Tristan presents any director with a fascinating mixture of challenges and opportunities, which will be taken on by the innovative Icelandic director Thorleifur Örn Arnarsson, making his Bayreuth debut. The production&apos;s musical director is Semyon Bychkov, who conducts a cast led by Camilla Nylund singing Isolde for the first time on the &quot;Green Hill&quot; and Bayreuth regular Andreas Schager as Tristan.</video:description>
<video:duration>14849</video:duration>
<video:publication_date>2024-07-27T07:15:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:03:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGC0</loc>
<video:video>
<video:title>Rising Stars: Jaemin Han, Cello</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b56e3c13ab49a5558d6de72fad1511c3178185ae.jpg</video:thumbnail_loc>
<video:description>South Korean cellist Jaemin Han first came to international attention as the youngest ever prize-winner of the George Enescu International Competition and here joins our Rising Stars series with a showcase recorded in 2022, when he was still just 16. Han presents a wide-ranging programme – stretching from Chopin&apos;s scintillating early Introduction and polonaise brillante to Ligeti&apos;s virtuosic Sonata and Mark Summer&apos;s improvisatory Julie-O – that displays his flexibility and range, while the accompanying interviews offer insight into his life and inspirations as one of the most exciting cellists of his generation.  </video:description>
<video:duration>3244</video:duration>
<video:publication_date>2023-05-17T15:21:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:26:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJGCO</loc>
<video:video>
<video:title>Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 (Arr. for Piano Four Hands by György Kurtág)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/da726dc3a0dcfbeb31ae5e5d43dc3f955069a571.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>196</video:duration>
<video:publication_date>2022-12-03T15:52:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:06:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJGE8</loc>
<video:video>
<video:title>Bach: Cantata BWV 147: Jesus bleibet meine Freude (Arr. for Piano)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73ffc2fc77834ec8e57aa8113b3f9d4948accf70.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>211</video:duration>
<video:publication_date>2022-12-03T17:44:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:06:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0E0</loc>
<video:video>
<video:title>Hahn: Le ruban dénoué: No. 1, Décrets indolents du hasard</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8e50a1d053554b406093b674b90c7f5b0bc8c9ca.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>97</video:duration>
<video:publication_date>2024-11-21T11:57:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:05:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0E8</loc>
<video:video>
<video:title>Godard: Jocelyn, Op. 100: Berceuse (Arr. Sandré for Piano 4 Hands)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2dcabff50d1990262f26bd10a22295a83830450e.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>171</video:duration>
<video:publication_date>2024-11-21T14:09:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-29T10:05:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3EC0</loc>
<video:video>
<video:title>John Storgårds conducts Nielsen, Sibelius and Say</video:title>
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<video:description>In his &quot;Anka Kuşu&quot; Concerto, the second work Fazil Say has composed for Lucas and Arthur Jussen, catchy jazz rhythms are combined with memorable melodies and innovative instrumental effects. The Jussen brothers – undoubtedly the most successful young pianist duo in the classical world today – prove persuasive advocates for the piece here in its premiere performance. To complete the programme, the Munich Philharmonic and conductor John Storgårds juxtapose the brilliant portrayal of a dawn in Nielsen&apos;s tone poem Helios with the twilight of Sibelius&apos;s career as a composer: he stopped composed altogether shortly after completing his final two symphonies, in which his skill at creating atmospheric images and texture reached a highpoint.</video:description>
<video:duration>5568</video:duration>
<video:publication_date>2022-11-28T13:54:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:03:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32CO</loc>
<video:video>
<video:title>Andris Nelsons and Lucas &amp; Arthur Jussen: Mahler, Mendelssohn &amp; Dvořák</video:title>
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<video:description>In this concert streaming live from the state-of-the-art Konzerthaus Dortmund, Lucas and Arthur Jussen join the Gewandhausorchester Leipzig and Gewandhauskapellmeister Andris Nelsons for a rare performance of the brilliant concerto for two pianos and orchestra by the 14-year-old Felix Mendelssohn, himself Gewandhauskapellmeister from 1835 to 1847. To complete the programme, orchestra and conductor present first another rarity – the beautiful “Blumine” movement composed for the original version of Mahler’s Symphony No. 1 – alongside Dvořák’s life-enhancing Symphony No. 8, a work in which the composer’s symphonic skill and melodic gifts mix to irresistible effect.</video:description>
<video:duration>5436</video:duration>
<video:publication_date>2025-03-06T07:39:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:02:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32E8</loc>
<video:video>
<video:title>&quot;Singen macht glücklich&quot; – Masterclass with Inge Borkh</video:title>
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<video:description>Oliver Becker&apos;s remarkable film takes us deep into the transformative experience a lucky group of singers have taking part in a masterclass with the legendary soprano Inge Borkh. Recorded at the Richard-Strauss-Tagen Garmisch-Partenkirchen in 2001, the film shows the great Straussian rehearsing them in Lieder by Strauss and Mahler, while interviews with Borkh and the young performers offer insights into the life of the performer, the interpretative requirements of Lieder and, more generally, what it means to live life as a singer.</video:description>
<video:duration>3488</video:duration>
<video:publication_date>2025-06-27T09:03:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-07-29T08:57:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38C8</loc>
<video:video>
<video:title>Mozart: Non siate ritrosi (Aria from Così fan tutte) – with Andrè Schuen</video:title>
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<video:description></video:description>
<video:duration>154</video:duration>
<video:publication_date>2025-07-25T11:56:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-25T12:44:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJADG</loc>
<video:video>
<video:title>Gianandrea Noseda conducts Verdi&apos;s Requiem - with Maria Agresta</video:title>
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<video:description>Gianandrea Noseda, a success in both opera and concert halls, is one of the most important Italian conductors of his generation. As for Noseda&apos;s compatriots Toscanini, Abbado and Muti, Verdi&apos;s Requiem, composed in honour of the poet Allessandro Manzoni and premiered in 1874, is an indispensably central work in his repertoire. At the Verbier Festival in 2013, Noseda leads a dazzling ensemble of soloists, with soprano Maria Agresta at the helm. The Festival&apos;s own orchestra and the choir of the Teatro Regio in Turin contributes to an impressive and moving performance of the Mass for the Dead, in which moments of horror are contrasted with lyrical passages of unearthly beauty.</video:description>
<video:duration>4803</video:duration>
<video:publication_date>2022-08-23T14:33:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-25T10:54:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0DG</loc>
<video:video>
<video:title>Anne-Sophie Mutter, John Williams &amp; Friends: Beethoven and Williams</video:title>
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<video:description>Superstar violinist Anne-Sophie Mutter rounds off the musical celebrations for her 60th-birthday year with this very special concert with the Pittsburgh Symphony Orchestra. From Heinz Hall, she is joined by legendary composer and conductor John Williams as well longtime friend Yefim Bronfman; her protégé, cellist Pablo Ferrández; and sought-after conductor Susanna Mälkki. The first half sees Mutter, Ferrández and Bronfman come together for Beethoven&apos;s lyrical Triple Concerto – with Mälkki on the podium – while the second half sees Mutter and Williams reunited for an unmissable selection of music by the film music legend.</video:description>
<video:duration>6874</video:duration>
<video:publication_date>2023-12-31T14:36:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T10:49:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9G</loc>
<video:video>
<video:title>Puccini: La fanciulla del West</video:title>
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<video:description>The place is California, the time, the 1849 gold rush – and Minnie is almost the only girl in town. With its Wild West setting, there&apos;s no opera quite like Puccini&apos;s La fanciulla del West, and this 2017 production from Naples&apos;s Teatro di San Carlo positively revels in its colour and passion. Director Hugo de Ana&apos;s stunning sets draw on classic Westerns, but this is still Naples – the home of bel canto – and the singing and playing is every bit as stylish as you&apos;d expect. Juraj Valčuha conducts and Emily Magee heads a starry cast as Puccini&apos;s free-spirited heroine. </video:description>
<video:duration>8609</video:duration>
<video:publication_date>2025-06-30T09:07:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T09:04:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3IE8</loc>
<video:video>
<video:title>Christie conducts Gluck: Iphigénie en Tauride</video:title>
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<video:description>The goddess Diana has spared Iphigenia from a cruel fate – but now, in a remote and savage land, the young princess faces an even more terrible choice. Gluck is 18th-century opera’s forgotten revolutionary, and with its uncompromising emotions and dramatic power his 1779 tragedy Iphigénie en Tauride inspired composers from Mozart to Berlioz. In 2001, for the Zurich Opera, director Claus Guth and 18th-century music specialist William Christie stripped it back to its timeless, mythic essentials. Juliette Galstian and Rodney Gilfry head a hand-picked cast in a period-inspired staging charged with ritual, grandeur and unchained passion.</video:description>
<video:duration>6468</video:duration>
<video:publication_date>2024-08-06T12:23:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T08:45:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38C0</loc>
<video:video>
<video:title>On Mendelssohn&apos;s A Midsummer Night&apos;s Dream</video:title>
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<video:description></video:description>
<video:duration>282</video:duration>
<video:publication_date>2025-07-23T11:50:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T08:39:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36C8</loc>
<video:video>
<video:title>Daniil Trifonov in Barcelona: Tchaikovsky, Barber &amp; Chopin</video:title>
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<video:description>Daniil Trifonov takes to the stage of the beautiful Palau de la Música Catalana in Barcelona to present a programme juxtaposing music by two Romantics, Tchaikovsky and Chopin, with 20th-century American classic, Samuel Barber’s Piano Sonata, premiered by Vladimir Horowitz in 1949. The programme opens and closes with Tchaikovsky: his ambitious and imaginative Piano Sonata in C sharp minor, dating from his student years; and the Suite from his great ballet The Sleeping Beauty, ingeniously arranged for solo piano by Mikhail Pletnev. A selection of Chopin’s beguiling Waltzes completes a programme set to show the full breadth of Trifonov’s breathtaking artistry.</video:description>
<video:duration>6426</video:duration>
<video:publication_date>2025-03-06T13:07:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T07:58:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34CG</loc>
<video:video>
<video:title>On Iberia</video:title>
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<video:description></video:description>
<video:duration>398</video:duration>
<video:publication_date>2025-07-04T14:44:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T12:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36E8</loc>
<video:video>
<video:title>On Black Sea</video:title>
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<video:description></video:description>
<video:duration>384</video:duration>
<video:publication_date>2025-07-22T09:51:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T12:46:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1K</loc>
<video:video>
<video:title>Carlos Santana and Wayne Shorter</video:title>
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<video:description>The Munich Klaviersommer is a festival that defies genres – throwing together the most original classical and jazz performers on the planet and letting them catch fire. The combination of saxophonist Wayne Shorter and the Latin-jazz guitar phenomenon Carlos Santana was always likely to be combustible, and so it proved on this hot night in Munich in the summer of &apos;88: with Shorter and Santana inspiring each other to new heights, and throwing sparks into a world-class band that includes such names as Patrice Rushen on keyboards and Ndugu Chancler on drums. The results burn even brighter than you&apos;d imagine.</video:description>
<video:duration>7459</video:duration>
<video:publication_date>2025-07-22T12:40:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T09:19:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1J</loc>
<video:video>
<video:title>Bobby McFerrin meets Herbie Hancock</video:title>
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<video:description>In the 1980s, the Munich Klaviersommer made a speciality of bringing legends together for one-off festival collaborations – and in that decade, jazz legends didn&apos;t come much bigger than the world-famous vocalist Bobby McFerrin and pianist and bandleader Herbie Hancock. This Munich gig came just two years after the pair had collaborated on Hancock&apos;s groundbreaking cinematic project Round Midnight, and naturally their set climaxes with a duet inspired by Thelonious Monk. But first comes a sequence of extended free improvisations by McFerrin, and this film captures the unbridled invention of this beloved artist at its freshest and most exuberant.</video:description>
<video:duration>1978</video:duration>
<video:publication_date>2025-07-22T12:09:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T09:17:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34CO</loc>
<video:video>
<video:title>On Songs of the Bird</video:title>
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<video:description></video:description>
<video:duration>349</video:duration>
<video:publication_date>2025-07-04T14:50:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-22T09:50:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36DG</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Joe Zawinul: Piano Duo</video:title>
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<video:description></video:description>
<video:duration>494</video:duration>
<video:publication_date>2025-07-11T12:59:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-18T20:16:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36D0</loc>
<video:video>
<video:title>Palestrina: Tu es Petrus a 6: I. Tu es Petrus</video:title>
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<video:description></video:description>
<video:duration>224</video:duration>
<video:publication_date>2025-07-09T14:28:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-18T18:16:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32D8</loc>
<video:video>
<video:title>Antonio Pappano &amp; Lisa Batiashvili: Mozart &amp; Strauss </video:title>
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<video:description>Wolfgang Amadeus Mozart and Richard Strauss have a great deal in common: two former child-prodigies, overflowing with the same, irrepressible flair for melody and wit. Strauss’s massive musical autobiography Ein Heldenleben is on a different scale from the uproarious Till Eulenspiegel – but both have their tongue at least partly in their cheek! Mozart’s fifth violin concerto, meanwhile, finds the teenage composer at his most exuberant – a delightful showpiece for a soloist as stylish (and as imaginative) as Lisa Batiashvili. The LSO’s new chief conductor Antonio Pappano brings all his sense of theatre to a programme that’s larger than life.</video:description>
<video:duration>6136</video:duration>
<video:publication_date>2025-05-27T18:15:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-18T10:56:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2D8</loc>
<video:video>
<video:title>Lisa Batiashvili, Gautier Capuçon and Zubin Mehta perform Brahms</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a0d840d04578677bd60ba3eacff61773bff35aa9.jpg</video:thumbnail_loc>
<video:description>From the Isarphilharmonie in Munich, Zubin Mehta conducts an all-Brahms concert with the Munich Philharmonic and two world-class soloists: Lisa Batiashvili and Gautier Capuçon. In the first half comes the composer&apos;s double concerto, a vibrantly melodic and impassioned work completed in 1887 and written as a gesture of reconciliation towards his old musical friend, violinist Joseph Joachim – it was first performed by Joachim and Robert Hausmann, the cellist of the Joachim Quartet. Completing the programme: the Third Symphony, composed four years earlier. Its special beauty was greatly admired by Antonín Dvořák and it is the most personal of the composer&apos;s four symphonies – a perfect partner for the equally personal double concerto.    </video:description>
<video:duration>5138</video:duration>
<video:publication_date>2024-01-24T08:48:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-17T14:59:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPI</loc>
<video:video>
<video:title>Shchedrin plays Shchedrin: 12 Preludes from Polyphonic Notebook</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c6925c49bf00eed02ea61019a08ffd1f4c1b76ef.jpg</video:thumbnail_loc>
<video:description>It&apos;s not excessive to describe Rodion Shchedrin as a living legend: arguably the single most prominent Russian composer since the death of Shostakovich, and an artist whose intense awareness of his musical heritage is tempered by a playful – often subversive – humour. In his prime, he was also a pianist of remarkable agility and charisma, and the definitive interpreter of his own music. His recitals were one of the highlights of the gloriously eclectic 1985 Munich Klaviersommer, and this one finds him playing twelve of the 25 preludes in his Polyphonic Notebook, with all his accustomed (and understated) insight, poetry and wit.</video:description>
<video:duration>1512</video:duration>
<video:publication_date>2025-07-11T10:30:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-17T14:35:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPJ</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3c9c74d1c1638e7f784cc06fb9f291369cbb1e1c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>13359</video:duration>
<video:publication_date>2025-07-11T12:18:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T13:43:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJAC0</loc>
<video:video>
<video:title>Gala from Berlin 1997 – A Salute to Carmen</video:title>
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<video:description>It&apos;s a cliché to call a gala concert &quot;star-studded&quot;, but sometimes nothing else will do. On New Year&apos;s Eve 1997, Claudio Abbado and the Berliner Philharmoniker welcomed five operatic stars, each at the youthful pinnacle of their career. Billed as &quot;a salute to Carmen&quot;, the concert opens with a mouthwatering selection of highlights from Bizet&apos;s much-loved opera. But the wonders don&apos;t stop there, as Mikhail Pletnev plays Rachmaninoff&apos;s Paganini Rhapsody and Gil Shaham lavishes all his matchless artistry on Sarasate&apos;s Carmen Fantasy. It ends with a flourish, as Abbado conducts Ravel&apos;s Rapsodie espagnole – a great orchestra and a much-missed conductor, striking sparks off each other.</video:description>
<video:duration>5512</video:duration>
<video:publication_date>2024-02-05T09:14:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:35:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ID8</loc>
<video:video>
<video:title>Richard Strauss: Orchestral Songs IV &quot;Winterliebe&quot;</video:title>
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<video:description>&quot;When you walk out in the evening light, that is the time of a poet&apos;s bliss…&quot; Richard Strauss stood at the end of a long tradition of German song, and when he clothed his songs in the glowing colours of a late Romantic orchestra, he gave voice to his soul. In 1994, in Strauss&apos;s hometown of Garmisch-Partenkirchen, Roberto Abbado and the Munchner Rundfunkorchester presented an unprecedented survey of Strauss&apos;s orchestral songs. This film captures some of the finest Straussians of the late 20th century – including Franz Hawlata and the great Bavarian soprano Mechthild Gessendorf – in a programme of favourites and surprises.</video:description>
<video:duration>3211</video:duration>
<video:publication_date>2025-03-19T15:45:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:25:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3IDG</loc>
<video:video>
<video:title>Richard Strauss: Orchestral Songs I &quot;Frühlingsfeier&quot;</video:title>
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<video:description>&quot;Habe Dank!&quot; (&quot;Be Thanked!&quot;) cries the poet at the end of each stanza of Richard Strauss&apos;s song &quot;Zueignung&quot;: the work of a young composer exulting in the twin joys of love and musical creation. Strauss wrote songs from the beginning of his artistic life to the very end, and this 1994 recital from from his adopted home of Garmisch-Partenkirchen, nestled in the Bavarian Alps, features five of that decade&apos;s supreme Strauss voices. These lovely vocal miniatures acquire magical new dimensions in the hands of a master orchestrator like Strauss, and conductor Roberto Abbado and the Münchner Rundfunkorchester bring out every nuance and colour.</video:description>
<video:duration>3197</video:duration>
<video:publication_date>2025-03-19T16:08:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:24:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3CE0</loc>
<video:video>
<video:title>Barenboim conducts Liszt, Schumann, Beethoven and Wagner</video:title>
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<video:description>Daniel Barenboim is without doubt one of the most versatile and all-embracing musicians of his generation, and here is a concert that brings together many strands of his musical life. He conducts the Berliner Philharmoniker a programme featuring core works of the 19th Century in Berlin’s Staatsoper unter den Linden – of which he was Music Director from 1992 to 2023 – while the quartet of horns in Schumann’s rousing Konzertstück includes principal horns from the Staatskappelle Berlin and Chicago Symphony Orchestra (of which Barenboim was also Chief Conductor at the time), alongside players from the Berliner Philharmoniker. The result is a concert to treasure. </video:description>
<video:duration>4520</video:duration>
<video:publication_date>2024-06-21T12:34:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:19:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38C8</loc>
<video:video>
<video:title>Gavrilov plays Chopin: 4 Ballades</video:title>
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<video:description>Andrei Gavrilov burst onto the scene in the late 1970s when he won the International Tchaikovsky competition but his early career in the West was held for several years in check by the KGB. Later he would establish himself as one of the most impressive pianists of his generation and, although he largely retired from performing in 1993, he still occasionally presented concerts, such as this from the Munich Klaviersommer in 1997 – where the power and conviction of his musical imagination still shines brightly in Chopin’s Four Ballades and three encores.</video:description>
<video:duration>2629</video:duration>
<video:publication_date>2025-01-29T15:15:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:49:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38C0</loc>
<video:video>
<video:title>Gavrilov plays Beethoven: Beethoven Piano Sonatas Nos. 6 &amp; 7</video:title>
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<video:description>“A player of infinite potential, with a technique of which legends are made” – that was how Gramophone magazine described the Russian-born pianist Andrei Gavrilov, who stormed to international prominence when he won the 1974 Tchaikovsky International Piano Competition at the age of just 18. Gavrilov’s recorded repertoire extended from Bach to Scriabin, with Beethoven as a relative rarity. So this live performance of two early Beethoven sonatas, filmed in Munich in 1997, is particularly treasurable – displaying Gavrilov’s affinity for the Viennese classics as well as his deep Romantic instincts, and his near-matchless ability to create colour at the keyboard.</video:description>
<video:duration>2269</video:duration>
<video:publication_date>2025-01-29T15:08:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:49:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DG</loc>
<video:video>
<video:title>Vienna Boys&apos; Choir presents Mozart&apos;s Coronation Mass</video:title>
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<video:description>As young as its members are, the institution of the Vienna Boys&apos; Choir is old and venerable, with a history dating back more than half a millennium. Unlike Haydn and Schubert, Mozart from Salzburg was not one of its members, but he did make music with and for the ensemble. Joining in the worldwide celebrations of the 250th anniversary of the Austrian composer in 2006, the Choir, together with the Vienna Radio Symphony Orchestra led by Bertrand de Billy, offer their tribute from Vienna’s St. Stephen&apos;s Cathedral. Performed in 1792 for the coronation of Emperor Franz II, the Coronation Mass is fittingly festive, especially when echoing through the halls that held Mozart’s wedding and wake.</video:description>
<video:duration>4073</video:duration>
<video:publication_date>2022-06-21T13:55:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:41:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32C8</loc>
<video:video>
<video:title>Richter: Dream 11 / Moth-Like Stars - Pt. 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bb7e888e3e72f0a74550e7a350cf067a2cc8a54d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>192</video:duration>
<video:publication_date>2025-06-11T14:55:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:14:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CDO</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Piano Concerto No. 1 </video:title>
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<video:description>Herbert von Karajan conducts the Berliner Philharmoniker in Tchaikovsky&apos;s ever-popular first piano concerto with, as soloist, Bulgarian-born pianist Alexis Weissenberg – whose career was revived after meeting Karajan in the 1960s. Filmed in the Philharmonie in Berlin in 1967, just four years after the hall was opened, with direction from Åke Falck, the performance is a fascinating document of not only an unusually symphonic approach to this most well-known of virtuoso warhorses but also of the innovative approaches to filming musical performance that Karajan often experimented with.</video:description>
<video:duration>2372</video:duration>
<video:publication_date>2023-09-19T14:58:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:02:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4CO</loc>
<video:video>
<video:title>Karajan conducts Rachmaninoff: Piano Concerto No. 2</video:title>
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<video:description>Bulgarian virtuoso Alexis Weissenberg is the soloist in this performance of one of the best-known piano concertos in the repertory: Rachmaninoff&apos;s sweepingly melodic and quintessentially Romantic Piano Concerto No.2. He joins Herbert von Karajan and the Berliner Philiharmoniker – filmed at their home in the Philharmonie in Berlin – in an account rare for its integration of soloist and orchestra and for the symphonic coherence of the conductor&apos;s vision. Karajan himself was the video director, and his innovative approach to capturing the performance on film is matched by music making of the highest calibre.</video:description>
<video:duration>2282</video:duration>
<video:publication_date>2023-12-01T11:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:02:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8</loc>
<video:video>
<video:title>Gardiner conducts Berlioz: L&apos;Enfance du Christ</video:title>
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<video:description>In the first performance at their new London home, the Monteverdi Choir is joined by Orchestre Révolutionnaire et Romantique to perform one of Berlioz&apos;s most substantial works, under the direction of their founder, Sir John Eliot Gardiner. L&apos;Enfance du Christ is a three-part oratorio that traces the story of King Herod and the flight of Mary, Joseph and Jesus into Egypt. Best known for the Shepherds&apos; Farewell, the beautiful work, completed in 1854, saw Berlioz finding a more gentle musical style to fit the subject matter. Trinity Boys Choir and superb international soloists complete the line-up for this special festive event, filmed at London&apos;s famous St Martin-in-the-Fields. </video:description>
<video:duration>6177</video:duration>
<video:publication_date>2022-06-15T15:32:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:59:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJID0</loc>
<video:video>
<video:title>Shchedrin: Hommage à Chopin</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7719465b2e8edbc22ed4f0ca03beb852a6a3baaf.jpg</video:thumbnail_loc>
<video:description>From the Munich Klaviersommer in 1983, Rodion Shchedrin is joined by the breathtaking line-up of Chick Corea, Nicolas Economou and Paul Gulda for a performance of his Hommage à Chopin – a set of witty, exploratory and highly imaginative variations based on Chopin&apos;s Prelude in C minor, Op. 28 No. 28, but playfully sprinkled with numerous references to his other works as well. </video:description>
<video:duration>950</video:duration>
<video:publication_date>2025-05-08T09:16:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:37:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8CO</loc>
<video:video>
<video:title>Paul Gulda &amp; Roland Batik: Impressions</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6373a0c8497c92b35488bf0ab366f36984610b0.jpg</video:thumbnail_loc>
<video:description>When the pianists Roland Batik and Paul Gulda played together, all bets were off. Batik is a pupil and disciple of the Viennese piano&apos;s ultimate maverick genius, Friedrich Gulda – as comfortable in Mozart as with his own jazz trio. Paul Gulda is Friedrich&apos;s son, heir to a tradition of inventive, boundary pushing piano playing. Together, they struck sparks off each other, and their 1980s duo partnership lit up the concert scene. Expect the unexpected in this live spectacular from the 1983 Munich Klaviersommer, in which masterpieces by Brahms and Mozart are framed by freewheeling jazz-inspired fantasies.</video:description>
<video:duration>3518</video:duration>
<video:publication_date>2025-05-12T09:57:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:34:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38C0</loc>
<video:video>
<video:title>Joe Hisaishi: Viola Saga – with Antoine Tamestit</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5826f96a3779bd09f25a43b329293da8ecbbf3e0.jpg</video:thumbnail_loc>
<video:description>Viola player Antoine Tamestit joins the Wiener Symphoniker for the premiere recording of Joe Hisaishi&apos;s Viola Saga, with the composer himself conducting. Filmed at a run-through during the recording sessions in Vienna&apos;s famed Konzerthaus a few months after his celebrated first Vienna concert with the Wiener Symphoniker, this new viola concerto shows yet another side of Hisiashi&apos;s art beyond the film scores with which he first achieved international acclaim. This performance, meanwhile, unites him with a soloist whose warm sound and unsurpassed technique have proved inspirational.</video:description>
<video:duration>2351</video:duration>
<video:publication_date>2024-07-01T08:17:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-14T18:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4DG</loc>
<video:video>
<video:title>Gardiner conducts Haydn &amp; Mozart – with Faust &amp; Tamestit</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/921fecda667d390c2fd87c419e06b2c59e5b5f2d.jpg</video:thumbnail_loc>
<video:description>Filmed at London&apos;s St Martin-in-the-Fields in January 2023, this concert sees two of today&apos;s most exciting string players join John Eliot Gardiner and his English Baroque Soloists for a programme of dazzling orchestral works by Haydn and Mozart. Isabelle Faust and Antoine Tamestit prove ideal soloists in the central work, Mozart&apos;s glorious Sinfonia Concertante of 1779, written while the composer was touring Europe. It is framed by two symphonies: Haydn&apos;s Symphony No. 84, composed for Paris and featuring especially colourful wind writing; and Mozart&apos;s &quot;Linz&quot; Symphony, a large-scale masterpiece composed – according to the composer&apos;s account – within a matter of days in the autumn of 1783.</video:description>
<video:duration>6328</video:duration>
<video:publication_date>2023-05-16T13:21:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-14T18:07:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHL</loc>
<video:video>
<video:title>Joe Zawinul: Solo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ac3008b14d867032084e41dd945594514f6d3c25.jpg</video:thumbnail_loc>
<video:description>Joe Zawinul was a giant of Austrian jazz; a keyboard student at the Vienna Conservatoire who collaborated with Miles Davis, Friedrich Gulda and Cannonball Adderley before – with his genre-defining jazz fusion outfit Weather Report – spearheading a minor revolution in the 1970s and 1980s. But you don&apos;t get named &quot;Best Electric Keyboardist&quot; 28 times by Down Beat magazine without some serious solo chops, and at the 1985 Munich Klaviersommer Zawinul is in his element and at his peak: an epic, 60-minute sequence of keyboard improvisations in which he roams freely over an ear-dazzling array of state-of-the art synths.</video:description>
<video:duration>3402</video:duration>
<video:publication_date>2025-07-10T09:44:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T12:11:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHG</loc>
<video:video>
<video:title>Gardiner conducts Monteverdi: L&apos;Orfeo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0aa7c81f653485c531fdc9c354bda193d674260d.jpg</video:thumbnail_loc>
<video:description>Opera barely existed when Claudio Monteverdi composed L&apos;Orfeo in 1607 – so what better subject for a fledgling artform than the tragedy of Orpheus, the supreme musician, whose melodies could still the torments of Hades itself? In 2017, to celebrate Monteverdi&apos;s 450th birthday, the theatre of La Fenice in Venice commissioned Sir John Eliot Gardiner, the English Baroque Soloists and the Monteverdi Choir to perform all three of Monteverdi&apos;s surviving operas. Gardiner first conducted L&apos;Orfeo in 1967, and this stripped-back concert staging of this landmark opera draws on a lifetime&apos;s scholarship and engagement with the music of Monteverdi.</video:description>
<video:duration>7156</video:duration>
<video:publication_date>2025-07-07T08:56:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T10:20:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9O</loc>
<video:video>
<video:title>Gardiner conducts Monteverdi: Il ritorno d&apos;Ulisse in patria</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c245f707ccb827c3babe143c3edaacdb27806b09.jpg</video:thumbnail_loc>
<video:description>An exile returns, usurpers are vanquished, and after decades of longing and separation, a husband and wife are reunited at last. Monteverdi&apos;s Il ritorno d&apos;Ulisse in patria takes its story from Homer&apos;s Odyssey, but its themes are as eternal and enduring as humanity itself. Often imitated, but never surpassed, Monteverdi&apos;s pioneering opera resounds down the centuries, and this powerful concert performance – staged at La Fenice, Venice, in the composer&apos;s 450th-anniversary year – assembles some of the 21st century&apos;s finest Monteverdi interpreters under the direction of one of his supreme living champions, Sir John Eliot Gardiner.</video:description>
<video:duration>11728</video:duration>
<video:publication_date>2025-07-07T08:11:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T10:19:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9P</loc>
<video:video>
<video:title>Gardiner conducts Monteverdi: L&apos;incoronazione di Poppea</video:title>
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<video:description>Power corrupts; but lust can corrupt absolutely. The bloody story of the Emperor Nero&apos;s palace intrigues and the unstoppable rise of his mistress Poppea is a cautionary tale told with a dangerously seductive smile. Monteverdi&apos;s final completed opera is also his most sensuous, and nearly four centuries on, it&apos;s lost none of its power – or beauty. In this concert staging, created for La Fenice in Venice to celebrate the composer&apos;s 450th birthday in 2017, a truly world-class cast joins the Monteverdi Choir and Sir John Eliot Gardiner – possibly the most distinguished (and celebrated) Monteverdi interpreter of modern times.</video:description>
<video:duration>11542</video:duration>
<video:publication_date>2025-07-07T08:32:29Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-11T10:18:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36CG</loc>
<video:video>
<video:title>Roth: Night Prayer</video:title>
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<video:description></video:description>
<video:duration>216</video:duration>
<video:publication_date>2025-07-09T14:08:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T12:03:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36CO</loc>
<video:video>
<video:title>Schubert: Piano Sonata No. 20 in A Major, D. 959: II. Andantino</video:title>
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<video:description></video:description>
<video:duration>522</video:duration>
<video:publication_date>2025-07-09T14:23:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T12:00:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36C8</loc>
<video:video>
<video:title>Schubert: Moments musicaux, D. 780: No. 3 in F Minor. Allegro moderato</video:title>
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<video:description></video:description>
<video:duration>103</video:duration>
<video:publication_date>2025-07-09T10:22:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T11:59:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34DG</loc>
<video:video>
<video:title>The Piano plays itself: Welte-Mignon &amp; the Mechanical Music</video:title>
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<video:description>When unveiled in 1904, the Welte-Mignon reproducing piano was a sensation: a new technology which several of the greatest composers and musicians of the day – many who otherwise remain unrecorded – set down their performances for posterity. With the help of historical footage and extensive interview material, Oliver Becker&apos;s fascinating documentary explores the Welte-Mignon&apos;s origins and history – as well as the implications it had for composers and performers.</video:description>
<video:duration>2517</video:duration>
<video:publication_date>2025-07-07T12:31:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T09:47:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34C8</loc>
<video:video>
<video:title>Beethoven: Piano Concerto No. 5 in E-Flat Major, III. Rondo. Allegro (Live in Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>670</video:duration>
<video:publication_date>2025-07-03T14:26:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34E0</loc>
<video:video>
<video:title>Scriabin: 2 Poèmes, Op. 69: No. 1, Allegretto (Live in Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>130</video:duration>
<video:publication_date>2025-07-08T15:28:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:26:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR36C0</loc>
<video:video>
<video:title>Mompou: Scènes d’enfants: No. 5, Jeunes filles au Jardin (Live in Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>174</video:duration>
<video:publication_date>2025-07-08T16:02:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:25:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR34E8</loc>
<video:video>
<video:title>Scriabin: 3 Morceaux, Op. 45: No. 1, Feuillet d&apos;album (Live in Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>86</video:duration>
<video:publication_date>2025-07-08T15:48:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:25:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0CG</loc>
<video:video>
<video:title>Lise Davidsen: Christmas from Norway</video:title>
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<video:description>Lise Davidsen, one of the most celebrated and sought-after sopranos on the world stage, presents a personal programme of seasonal favourites from the Folketeateret in Oslo. Mixing traditional carols and Christmas songs – from Norway and across Europe – with music by Bach, Humperdinck, Hugo Wolf, the programme provides the perfect selection to get into the seasonal spirit, all sung with the spectacular voice and artistry that have brought the Norwegian soprano accolades and acclaim from Bayreuth to New York.</video:description>
<video:duration>3087</video:duration>
<video:publication_date>2023-12-23T18:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">NO</video:restriction>
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<lastmod>2025-07-08T09:36:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1I</loc>
<video:video>
<video:title>Mozart: Die Zauberflöte</video:title>
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<video:description>Enchantment meets Enlightenment politics in Mozart’s final operatic masterpiece. True love conquers all in a colourful fairytale that pits the forces of darkness against truth, goodness and light. Barbe et Doucet direct this 2019 production from the Glyndebourne Festival in the UK bringing fresh wit and insight into Mozart’s multifaceted final comedy. The action is reimagined with madcap invention and dreamlike spontaneity, offering the perfect backdrop to outstanding vocal performances by Glyndebourne&apos;s cast, complemented by Ryan Wigglesworth&apos;s conducting of the period-instrument Orchestra of the Age of Enlightenment. </video:description>
<video:duration>10072</video:duration>
<video:publication_date>2025-06-25T09:33:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-08T06:48:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJGE8</loc>
<video:video>
<video:title>Dvořák: Rusalka</video:title>
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<video:description>Dvořák&apos;s Czech re-telling of The Little Mermaid is filled with the atmosphere of the Bohemian countryside: a world of forests, folklore and moonlit pools. So it&apos;s ideally suited to Glyndebourne, a summer opera festival deep in the English countryside – which is not to say that the Festival&apos;s production values are anything other than world-class. Director Melly Still&apos;s 2019 staging of Rusalka has been praised for its sumptuous, fantastic visuals, and its magical interplay of light and shade, mirrored in playing of endless subtlety and warmth from the London Philharmonic conducted by Robin Ticciati. Sally Matthews, in the title role, heads a magnificent cast.</video:description>
<video:duration>9204</video:duration>
<video:publication_date>2025-06-18T14:47:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-08T06:46:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJIC0</loc>
<video:video>
<video:title>Mozart: Così fan tutte</video:title>
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<video:description>Since its foundation by refugee musicians in the 1930s, the summer opera festival at Glyndebourne in the English countryside has made a speciality of Mozart, with at least one of the great Mozart-Da Ponte collaborations permanently in repertoire. In 2006, Nicholas Hytner&apos;s beautifully conceived traditional production of Così fan tutte became an instant classic, with period costumes and sun-kissed settings providing a foil for performances of remarkable subtlety and depth. The cast includes Topi Lehtipuu and Miah Persson, and with Iván Fischer conducting the Orchestra of the Age of Enlightenment, this &quot;school for lovers&quot; has some surprising lessons to share.</video:description>
<video:duration>10865</video:duration>
<video:publication_date>2025-06-19T08:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-07T17:36:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32D0</loc>
<video:video>
<video:title>  Korngold: Die stumme Serenade, Op. 36: No. 23, Ohne Dich (Transcr. Sonnenmoser)</video:title>
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<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2025-06-20T10:00:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T11:42:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6</loc>
<video:video>
<video:title>Vivaldi in Versailles – Avi Avital &amp; the Venice Baroque Orchestra</video:title>
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<video:description>With works from Antonio Vivaldi performed on the mandolin, accompanied by the Venice Baroque Orchestra, surrounded by Veronese paintings and Venetian gifts to Louis XIV, this performance at the Palace of Versailles transports viewers straight to the Baroque era. Bringing the 18th century into the modern day, virtuoso mandolinist Avi Avital performs Vivaldi’s concertos from his album Vivaldi, a tribute to the Italian composer and to Venice, the home of Baroque. Although music history was unkind to the classical mandolin, Avital’s advances as the first ever Grammy Award-nominated troubadour, with his thrilling technique, spellbinding sonority, and discerning delicacy, offer good reason for a long overdue revival.</video:description>
<video:duration>2608</video:duration>
<video:publication_date>2022-05-05T12:15:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T09:33:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGE0</loc>
<video:video>
<video:title>Alice Sara Ott: Nocturne</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1f906a9b710a46c950b607a8f912b24b918f030b.jpg</video:thumbnail_loc>
<video:description>Dive into the beguiling world of John Field&apos;s Nocturnes as interpreted by world-renowned pianist Alice Sara Ott. This film, directed by filmmaker and tenor Andrew Staples, immerses viewers in Alice&apos;s imagination and her connection to Field&apos;s music, offering a rare glimpse into the artist&apos;s mind during the creative process. The interplay between historical venues and the custom-designed digital landscapes at Munich&apos;s Hyperbowl LED studio creates an atmosphere where the intangible becomes vividly real, resulting in a film that is much more than just a performance; it is an exploration of a performer&apos;s journey through the music of a neglected composer who left the world one of its most beloved musical forms: the nocturne.</video:description>
<video:duration>2956</video:duration>
<video:publication_date>2025-02-16T14:11:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T07:57:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GD0</loc>
<video:video>
<video:title>On Études Mélodiques</video:title>
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<video:description></video:description>
<video:duration>408</video:duration>
<video:publication_date>2024-10-10T14:08:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-01T10:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GCO</loc>
<video:video>
<video:title>Études Mélodiques: Behind the Scenes </video:title>
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<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2024-10-10T14:04:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-01T10:09:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2CG</loc>
<video:video>
<video:title>Kleiber conducts Brahms Symphony No. 2 &amp; Mozart Symphony No. 36</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ae94cac7a6fe23fde87ed7147982ca76d09c0441.jpg</video:thumbnail_loc>
<video:description>Carlos Kleiber&apos;s concert repertoire was well known for being extremely select, but he had a golden touch for the small number of works that he chose to perform. Brahms&apos;s Second Symphony was one of those works, and his interpretations of it acquired legendary status. It doesn&apos;t feature among the small number of studio recordings he approved for release, but was preserved in live recordings such as this one, filmed in 1991, with the Vienna Philharmonic: a performance striking for the way that it uncovers the darker heart of this ostensibly sunny work. No less revelatory was his way with Mozart, whose brilliant &quot;Linz&quot; Symphony completes this programme – an unforgettable concert from an incomparable artist.</video:description>
<video:duration>4422</video:duration>
<video:publication_date>2023-01-24T16:39:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T13:17:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ED8</loc>
<video:video>
<video:title>Maisky plays Bach: Cello Suite No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/618511ed45f14ee47160040c60d5b1a6a07268ef.jpg</video:thumbnail_loc>
<video:description>For Mischa Maisky – the only living cellist to have studied with both Rostropovich and Gregor Piatigorsky – Bach’s Six Suites are more than just the most beautiful music ever created for unaccompanied cello. They’re an expression of life itself. “There is no emotion known to human beings that is not in Bach’s music,” he says. “It’s all in there and we just have to dig deep enough to find and express it.” In these performances of the suites, filmed for German television in 1986, Maisky does exactly that. There’s no more exalted experience for a great cellist and his audience.</video:description>
<video:duration>1214</video:duration>
<video:publication_date>2025-03-05T15:32:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T08:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32DO</loc>
<video:video>
<video:title>Saraste on His Favourite Sibelius Symphonies </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/284a689aca67290d3b90caa8fb526f953a3cd312.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>255</video:duration>
<video:publication_date>2025-06-25T15:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T07:57:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32CO</loc>
<video:video>
<video:title>Enoch zu Guttenberg – moved – moving</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/38b148b4dc69d086980fa1894b5ab9d5e2fc6b88.jpg</video:thumbnail_loc>
<video:description>Enoch zu Guttenberg was an outstanding interpreter of great oratorios and symphonic works between the Baroque and late-Romantic periods. He developed his unique style by consistently succeeding in uniting opposites: elements of historical performance practice on the one hand; modern, vital forms of expression on the other. His success was also based on his long years of work with the Chorgemeinschaft Neubeuern, which he became acquainted with almost 40 years ago when they were a rural “Liedertafel” and which he transformed into a world-class ensemble, as well as his cooperation with the KlangVerwaltung Orchestra, which he co-founded in 1997.</video:description>
<video:duration>3532</video:duration>
<video:publication_date>2025-06-20T08:12:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-06-30T05:57:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32D0</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 4 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47179534cfcf4276fa3e180562f36e1adaf18138.jpg</video:thumbnail_loc>
<video:description>A great valley, half in sunlight, half in deep shade. That’s one of the images that is said to have fired Sibelius’s imagination as he composed his Fourth Symphony: a work that stares fearlessly into the abyss to find a hard-won, intensely personal kind of hope. For Jukka-Pekka Saraste it’s a masterpiece with &quot;cosmic dimensions&quot;, and a natural climax to his Helsinki Sibelius cycle. </video:description>
<video:duration>2087</video:duration>
<video:publication_date>2025-04-23T07:40:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-27T14:42:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32E0</loc>
<video:video>
<video:title>A Conversation about Il re pastore</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0dd7cc1e839108f046d16c437677be22928d6dab.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1839</video:duration>
<video:publication_date>2025-06-26T15:11:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-27T11:11:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1L</loc>
<video:video>
<video:title>Joe Zawinul and Weather Update</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/41e204ae89b7ca052f55d921c58f074787c0f3b5.jpg</video:thumbnail_loc>
<video:description>Combine the Vienna Conservatoire training of Austrian jazz pianist Joe Zawinul with some of the most potent – and distinctive – voices in postwar American jazz and the result was Weather Update and Weather Update: legendary free-form fusion outfits that redrew the boundaries of jazz in the 1970s and 1980s, winning multiple Down Beat awards. This live 1986 set from Munich&apos;s Philharmonie am Gasteig finds them at the very end of their hugely influential journey, with Zawinul leading a late-period line-up including Peter Erskine (drums) and Victor Bailey (bass) in numbers from what would be the very last Weather Report album, This is This!</video:description>
<video:duration>3563</video:duration>
<video:publication_date>2025-06-25T12:58:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T13:47:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1M</loc>
<video:video>
<video:title>Isaac Steiner: From Baroque until Today</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b102e2288b09de8724c9365faea72a36b1d627ff.jpg</video:thumbnail_loc>
<video:description>In the 1980s, the Munich Klaviersommer liked to create truly one-off partnerships – real festival occasions, uniting musicians from opposite extremes of the classical and jazz worlds to create live performances that could, one feels, only happen right there and right then. Pianist Isaac Steiner had always believed that improvisation was as vital to the classical tradition as it is to jazz, and for one night in 1985 – together with two giants of the German jazz scene, Rudi Roth and Gary Todd – he put that principle to the test: a sparky, exuberant romp through three centuries of melody, as energizing as it is entertaining.</video:description>
<video:duration>3232</video:duration>
<video:publication_date>2025-06-25T13:43:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T10:21:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1K</loc>
<video:video>
<video:title>James &quot;Blood&quot; Ulmer &amp; Phalanx</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1977371aad02e272f38b2a576a502384c8456a66.jpg</video:thumbnail_loc>
<video:description>&quot;Not for fainthearted fans of fusion&quot; was how the Washington Post described Phalanx, the electric jazz project that was fronted – for a few funky and fantastic years in the 1980s – by saxophonist George Adams and guitarist and singer James &quot;Blood&quot; Ulmer. Their stylistic roots lay with Miles Davis, Charles Mingus and Art Blakey, but as Phalanx they cut loose with their own electrically powered, soul-infused style. And on this one night in Munich in 1985 – right at the start of their collaboration – they&apos;re fresh out of the box and striking sparks off each other. This film captures the moment: live, wild and deliriously inventive.</video:description>
<video:duration>3831</video:duration>
<video:publication_date>2025-06-25T12:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T10:18:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38DG</loc>
<video:video>
<video:title>Mozart in Beijing – with Lang Lang</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f88b560f8d28bbfb0e81350dea7c4dc29766ccd2.jpg</video:thumbnail_loc>
<video:description>In 1980, the documentary &quot;From Mao to Mozart&quot; examined the beginnings of a Western-oriented musical culture in China. This concert from 26 years later – from the Forbidden City Concert Hall in Beijing – shows how rapidly things have developed since. The year 2006 was the 250th anniversary of Mozart&apos;s birth, and the programme is dedicated to the great Austrian composer, performed by a fully Chinese line-up of soloists, conductor and orchestra. After the vibrant 25th Symphony and excerpts from operas, the global classical superstar Lang Lang takes the stage for Mozart&apos;s expansive 24th Piano Concerto – and several encores.</video:description>
<video:duration>5216</video:duration>
<video:publication_date>2022-11-10T10:32:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:05:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ICO</loc>
<video:video>
<video:title>Rising Stars: Fabian Müller, Piano</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2ce10c8a605dba1e7f86bb42a2f6fc9ba557a5a8.jpg</video:thumbnail_loc>
<video:description>As part of our new Rising Stars series, we present German pianist Fabian Müller. Hailed by Gramophone for his &quot;satisfying and artistically distinctive&quot; music-making, he performs a selection of his favourite works by Brahms, Beethoven, and Rachmaninoff and talks about his life, work and personal interests. 

Already in 2017, he caused a stir at the International ARD Music Competition in Munich, where he won five prizes, including the Audience Award. Since then he has gone on to establish himself as one of the most remarkable German pianists of his generation, with performances with major German orchestras and the release of two albums.</video:description>
<video:duration>2590</video:duration>
<video:publication_date>2023-01-02T12:34:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:04:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJECG</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Riccardo Muti with Tchaikovsky and Brahms </video:title>
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<video:description>The Salzburg Festival has long been an occasion where musical stars align to form wonderful new constellations; a Festival with an intense awareness of its own heritage. This concert from 2015 marked the 30th anniversary of Anne-Sophie Mutter&apos;s first Salzburg performance of Tchaikovsky&apos;s Violin Concerto under the baton of her great mentor Herbert von Karajan. Ricardo Muti conducts the Vienna Philharmonic here, but there&apos;s an unmistakable emotional current to Mutter&apos;s interpretation – and even more so in her encore, a towering account of Bach&apos;s D minor Sarabande, which she dedicated to Karajan&apos;s memory. Muti follows it with a luminous performance of Brahms&apos;s sunlit Second Symphony, played by the orchestra that premiered it back in 1877.</video:description>
<video:duration>5787</video:duration>
<video:publication_date>2024-03-14T11:16:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:04:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJIE8</loc>
<video:video>
<video:title>Debussy: Pelléas et Mélisande</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/296183856cb278e13ec0857a1e31dfd1de390faf.jpg</video:thumbnail_loc>
<video:description>&quot;She was such a quiet creature, wrapped in mystery as we all are…&quot; In an ancient castle by a silent sea, the princess Mélisande yearns for love, but finds only sorrow. In his 2016 Zurich staging, director Dmitri Tcherniakov strips away the mist that cloaks Debussy&apos;s symbolist opera to present a modern, poetic and uncompromisingly honest exploration of trauma, memory and the damage that humans inflict upon those they love. With its minimalist designs, and a cast that stars Corinne Winters and Jacques Imbrailo as the doomed lovers, this is a landmark of recent European opera production.</video:description>
<video:duration>9899</video:duration>
<video:publication_date>2025-06-23T09:28:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T07:50:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8C8</loc>
<video:video>
<video:title>Musical Moment: Pumeza Matshikiza &amp; James Baillieu</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0bd934c5adfd07f9828b7370fa4b45155e839f42.jpg</video:thumbnail_loc>
<video:description>South African lyric soprano Pumeza Matshikiza gives a mesmerising recital in Berlin as part of Deutsche Grammophon&apos;s Musical Moments series. With James Baillieu at the piano, she presents a rich and varied programme of songs and arias, the warmth and glorious tone of her voice shining through as she recounts international tales of love, jealous lovers and the enjoyment of life. Including works by Hahn, Obradors and Fauré, one of her favourite composers, the programme offers an intimate and personal selection music sung in a number of languages, including Venetian dialects, French, Spanish, Czech, Swahili and Xhosa. 

Pumeza Matshikiza appears courtesy of Decca Classics.</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2022-07-29T08:22:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T12:59:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0DG</loc>
<video:video>
<video:title>McCoy Tyner: Piano Solo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5ae89b3c3a7cf910c9fce50d972717950b0360e0.jpg</video:thumbnail_loc>
<video:description>The American jazz pianist McCoy Tyner will always be best remembered for his genre-defining collaboration with John Coltrane, but in his extraordinary seven decade solo career he left a legacy that was entirely his own. This recital, recorded live in 1983 as part of the Munich Klaviersommer, finds him at the peak of his fame, as well as his imaginative powers – a sequence of big, generous and exuberantly inventive solo improvisations, played with all his customary clarity, poetry and verve. A unique and life-affirming document of a jazz master at work; one of the 20th-century&apos;s most individual – and influential – pianists.</video:description>
<video:duration>3055</video:duration>
<video:publication_date>2025-03-31T13:58:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T12:26:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJACG</loc>
<video:video>
<video:title>Gala Concert from St Petersburg – with Netrebko &amp; Hvorostovsky</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9aac9c0fc45b40e5d4fda2cce64546489f9b2ced.jpg</video:thumbnail_loc>
<video:description>For over three centuries, St Petersburg has been Russia&apos;s window to the West – and the St. Petersburg Philharmonic still stands as the most virtuosic (and admired) of the great Russian orchestras. This gala from 2003, performed on the eve of the city&apos;s 300th anniversary, is a showcase for Russian music-making at its cosmopolitan best, with the orchestra conducted by its then-music director Yuri Temirkanov in an irresistible programme. Naturally, it starts with Tchaikovsky: but there are also works by Saint-Saëns, Ravel and Bruch (Mischa Maisky plays Kol Nidrei) plus a generous selection of operatic highlights starring two undisputed giants of Russian opera: soprano Anna Netrebko and the incomparable baritone of the late Dmitri Hvorostovsky.</video:description>
<video:duration>6702</video:duration>
<video:publication_date>2024-02-06T08:18:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T12:06:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2E8</loc>
<video:video>
<video:title>Anouar Brahem in Paris—with Django Bates, Dave Holland &amp; Anja Lechner</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c8634906121816dede61b1f306b96399d8ad41e.jpg</video:thumbnail_loc>
<video:description>Inspirational oud master Anouar Brahem is joined by three esteemed colleagues to present music from his new ECM album, &quot;After the Last Sky&quot;, in this concert filmed live at the Philharmonie de Paris as part of their European Tour in April 2025. Eight years after his previous ECM project, &quot;After the Last Sky&quot; marks the first time that Brahem features a cello in his group music, with Anja Lechner – a cellist as well versed in classical music as in improvisation and in Brahem&apos;s unique sound world – taking a leading role alongside pianist Django Bates and bassist Dave Holland.</video:description>
<video:duration>5649</video:duration>
<video:publication_date>2025-05-28T08:18:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T08:57:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2D8</loc>
<video:video>
<video:title>Vivaldi: Concerto No. 1 in E Major for Solo Violin, RV 269 &quot;La Primavera&quot;: I. Allegro</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87235856f142981be5fdb32cf21c61c07e97ef4a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>212</video:duration>
<video:publication_date>2023-11-07T15:31:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:56:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2C8</loc>
<video:video>
<video:title>On Prokofiev</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5fccb8a27ce847526ff2e4f473702c992094fe68.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>400</video:duration>
<video:publication_date>2023-11-03T15:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:56:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2CO</loc>
<video:video>
<video:title>On Beau Soir - in conversation with Richard Dubugnon</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2fc77ea6313700eadd4d5134a2af606168f8acd0.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-11-07T14:39:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJICO</loc>
<video:video>
<video:title>Kreisler: Liebesleid</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/705531e290fc55486a844501d02e0611211d2f6d.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-12-14T17:47:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJID0</loc>
<video:video>
<video:title>Kern: Roberta: Yesterdays</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2cee91d81577316fd2c799f85357e39a7d7fda92.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-12-14T17:52:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2CG</loc>
<video:video>
<video:title>Fauré: Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d65cd7b891274711912f81938707292c406895a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-11-07T14:19:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2D0</loc>
<video:video>
<video:title>Bach: Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/417fe415edeba0fe1d4bf34d80e42df828a49f1a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2023-11-07T15:11:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:50:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8E0</loc>
<video:video>
<video:title>Abbado conducts Mahler: Symphony No. 6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c279cfc7bb531508aab7e327c2b6322c45b40812.jpg</video:thumbnail_loc>
<video:description>Claudio Abbado had been intimately familiar with the music of Gustav Mahler since he was a student, and it represented a focal point in his work at the helm of the Berlin Philharmonic. After leaving Berlin, he founded the Lucerne Festival Orchestra, some of whose members had already worked with the conductor for decades. In Lucerne, Abbado once again engaged intensively with Mahler. Here we hear, in a performance filmed in 2006, the composer&apos;s shatteringly intense Sixth Symphony, whose apocalyptic atmosphere, which lifts only temporarily in the tender slow movement, is underlined by the famous hammer blows of the finale.</video:description>
<video:duration>5338</video:duration>
<video:publication_date>2022-08-08T12:37:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3A</loc>
<video:video>
<video:title>Abbado conducts Mahler: Symphony No. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e41053b23182fe3bab70a4ca3b73e8a79442ed96.jpg</video:thumbnail_loc>
<video:description>In the last decade of his life, Claudio Abbado once again realised a cycle in which all of Gustav Mahler&apos;s completed symphonies except the Eighth are performed together with his Lucerne Festival Orchestra. Abbado&apos;s affection for the composer&apos;s music had been strengthened during his years as a student in Vienna and deepened again during his time as assistant to Mahler-enthusiast Leonard Bernstein. Those who are mainly familiar the famous Adagietto from Mahler&apos;s Fifth Symphony can make numerous discoveries in this 2004 performance: trumpet fanfares and funeral marches in the first movement, the beautiful horn episode in the scherzo, and the triumphant closing passage of the finale.</video:description>
<video:duration>4416</video:duration>
<video:publication_date>2022-05-23T13:49:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8DG</loc>
<video:video>
<video:title>Abbado conducts Mahler: Symphony No. 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6b1eb85ef19e330379de7904c2de18cf3f5430e6.jpg</video:thumbnail_loc>
<video:description>The final stage of Claudio Abbado&apos;s career was largely defined by his work with ensembles he founded himself, such as the world-class Lucerne Festival Orchestra, with which he gave numerous unforgettable concerts, many of them featuring the music of Gustav Mahler, a composer particularly close to Abbado&apos;s heart. In this performance from 2007, it&apos;s the monumental Third Symphony – an all-embracing pantheistic panorama of nature and life, ending with an irresistible hymn to love. The fourth movement features Swedish singer Anna Larsson in Mahler&apos;s haunting setting of verse by Nietzsche.</video:description>
<video:duration>6084</video:duration>
<video:publication_date>2022-08-03T15:49:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPG</loc>
<video:video>
<video:title>Abbado conducts Mahler: Symphony No. 2</video:title>
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<video:description>One of Claudio Abbado&apos;s heartfelt wishes came true with the founding of the Lucerne Festival Orchestra. After his departure from the position of chief conductor of the Berliner Philharmoniker, the opportunity arose for him to realise symphonic music at the very highest level with artist friends. &quot;Creativity, individuality, verve and musical experience at a unique level&quot; was how a critic from the Berliner Zeitung described the ensemble made up of soloists, chamber and orchestral musicians. In this recording from the Festival&apos;s inaugural year (2003), Abbado conducts one of his favourite works: Gustav Mahler&apos;s monumental Second Symphony.</video:description>
<video:duration>5156</video:duration>
<video:publication_date>2022-04-20T15:50:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30C0</loc>
<video:video>
<video:title>On &quot;Frühling&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e0e2768afe2173990d60f7b120600f404372e5d.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>73</video:duration>
<video:publication_date>2023-12-21T14:01:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:09:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0DG</loc>
<video:video>
<video:title>On Chopin&apos;s Études Opp. 10 &amp; 25</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c4f288f30f74ee7faa44d10eddacf6d5a7628f8b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>304</video:duration>
<video:publication_date>2024-11-14T16:39:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:07:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCDO</loc>
<video:video>
<video:title>Hélène Grimaud: A Letter to Clara</video:title>
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<video:description>Few musical love stories have had quite as rich and enduring a legacy as the courtship and marriage of Robert and Clara Schumann. In this documentary by the Munich-born director Benedict Mirow, Hélène Grimaud explores their shared lives through the music they created, with specially recorded performances in which she is joined by conductor Esa-Pekka Salonen, oboist Albrecht Mayer, cellist Truls Mørk, mezzo Anne Sofie von Otter and the Staatskapelle Dresden. Created in 2006 to mark the 150th anniversary of Robert Schumann’s death, it’s a treasury of musical and biographical insight as well as music by Brahms and both Schumans, performed by some of their most devoted interpreters.</video:description>
<video:duration>2743</video:duration>
<video:publication_date>2025-03-03T13:03:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T13:33:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0DO</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 7 </video:title>
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<video:description>Sibelius&apos;s Seventh Symphony was his last and his shortest: a remarkable single-movement work woven together into an imposing, moving epic, and which started life as a symphonic fantasy – premiered in 1924 – before Sibelius gave it its official symphonic designation. It was the only one of Sibelius&apos;s symphonies not to be premiered by the Helsinki Philharmonic Orchestra, and, as this performance as part of the orchestra&apos;s complete cycle under Jukka-Pekka Saraste shows, there is no orchestra to match them for an instinctive approach to the music of Finland&apos;s best-loved composer.</video:description>
<video:duration>1394</video:duration>
<video:publication_date>2025-04-02T14:49:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6C0</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 6 </video:title>
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<video:description>The musical ideas for Sibelius&apos;s sixth and penultimate symphony had accompanied the composer for almost a decade before he finished the work in 1923, and the luminous, nature-inspired score seems to reflect that long gestation – in its organic structure and the sense of inevitability and rootedness of its musical material. And few orchestras are better placed to capture the work&apos;s special character than the Helsinki Philharmonic – which premiered it in 1923. Here, a century later, they return to the work with Jukka-Pekka Saraste as part of a complete cycle of Sibelius&apos;s symphonies.</video:description>
<video:duration>1825</video:duration>
<video:publication_date>2024-12-10T08:47:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4E8</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 5</video:title>
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<video:description>As Sibelius composed his Fifth Symphony he saw a flight of swans in the northern sunset, and his imagination took wing. The result is one of the mightiest symphonic statements of the 20th century, in which every note – from opening sunrise to final, towering affirmation – is charged with elemental power. Here Jukka-Pekka Saraste reaches this landmark in his complete Sibelius cycle from the Finnish capital, in which he conducts the Helsinki Philharmonic Orchestra – the very same orchestra that premiered the symphony in 1915.</video:description>
<video:duration>2059</video:duration>
<video:publication_date>2025-03-31T13:13:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJEC0</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2b2e7212f63cb8cd8f10490cd4c54506bbb09b2a.png</video:thumbnail_loc>
<video:description>Composed from 1904 to 1907, Sibelius’s third came to him amid the swirl of sea-mists, and it takes a very different path into the sunlight to his rousingly Romantic first two symphonies: a work of deceptive simplicity and gentle high spirits, built up with striking economy from initially unassuming motivic material. It was premiered in Helsinki in September 1907 and here, nearly 125 years later, the same orchestra performs the work under its current chief conductor, Jukka-Pekka Saraste as part of an acclaimed complete cycle of the composer’s symphonies.</video:description>
<video:duration>1744</video:duration>
<video:publication_date>2024-11-06T12:59:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:19:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCE8</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 2</video:title>
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<video:description>Jukka-Pekka Saraste’s critically praised Sibelius cycle with the Helsinki Philharmonic Orchestra continues with the composer’s stirring Second Symphony, a work that begins with pastoral calm and swells to a mighty hymn of sorrow and triumph. Originally begun during a stay in Italy in 1901 and completed a year later, the work was premiered by this very orchestra on 8 March 1902. Though a public triumph, it initially divided critical opinion before eventually gaining universal admiration. Now it is one of the composer’s best-loved works and a piece that, as here, exerts a truly elemental power over the listener.</video:description>
<video:duration>2578</video:duration>
<video:publication_date>2024-11-06T12:53:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:19:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCDG</loc>
<video:video>
<video:title>Saraste conducts Sibelius: Symphony No. 1</video:title>
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<video:description>A roll of thunder, and the song of a clarinet: with the opening notes of his First Symphony, Jean Sibelius created an entirely new musical world. What follows is drenched in the colours of Wagner and Tchaikovsky. But the voice that emerges is Sibelius’s own: elemental, mythic and utterly uncompromising. The start of any Sibelius cycle is always a thrilling moment, and few interpreters appreciate this symphony’s significance – and its wonders – better than Jukka-Pekka Saraste and the Helsinki Philharmonic.</video:description>
<video:duration>2285</video:duration>
<video:publication_date>2024-11-06T10:20:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:18:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2CG</loc>
<video:video>
<video:title>Santtu-Matias Rouvali &amp; Bomsori perform Tchaikovsky </video:title>
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<video:description>Bomsori joins the conductor Santtu-Matias Rouvali and the Orchestre Philharmonique de Radio France for this programme filmed in Paris in September 2023. The Korean violinist performs one of the great violin concertos of the repertoire, Tchaikovsky&apos;s Violin Concerto of 1878, a work which combines the composer&apos;s unrivalled melodic gift with symphonic ambition and plenty of virtuoso fireworks to thrilling effect.  </video:description>
<video:duration>2607</video:duration>
<video:publication_date>2024-02-06T07:57:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T10:30:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6CG</loc>
<video:video>
<video:title>Makoto Ozone: Solo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62cfa5f81581cb81706b5e03df0b7c599e1ee0e2.jpg</video:thumbnail_loc>
<video:description>With some artists the name alone speaks volumes – though it&apos;s still hard to believe that Makoto Ozone&apos;s career spans six decades, from his earliest appearances as a child prodigy to his current status as an eternally youthful elder statesman of Japanese jazz. There&apos;s certainly an irrepressible freshness about the set that he played at the 1984 Munich Klaviersommer, shortly after his breakthrough debut album. On this live concert film the young Ozone performs his own compositions, pausing only for a typically original homage to a personal hero, Miles Davis. His assurance – as well as his imagination – is breathtaking.</video:description>
<video:duration>2811</video:duration>
<video:publication_date>2025-04-16T14:50:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T10:16:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJIE0</loc>
<video:video>
<video:title>On Beethoven&apos;s Piano Sonata No. 7</video:title>
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<video:description></video:description>
<video:duration>221</video:duration>
<video:publication_date>2025-05-14T08:35:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:34:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJIE8</loc>
<video:video>
<video:title>On Beethoven&apos;s Pastoral Sonata</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b225dbc449027a90cee6d8a398b74ca436bd15f7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>201</video:duration>
<video:publication_date>2025-05-14T08:37:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30D0</loc>
<video:video>
<video:title>On Beethoven&apos;s Moonlight Sonata</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d961227a65d499fa147f4cd34310807ada337d4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>263</video:duration>
<video:publication_date>2025-06-06T12:58:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCCG</loc>
<video:video>
<video:title>On Beethoven&apos;s Les adieux</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c16af1c363ad3d69a9d7bff884afce6914dbfdce.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2025-02-24T12:27:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJIDO</loc>
<video:video>
<video:title>On Beethoven&apos;s Hammerklavier Sonata</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6ef281c75fcad953e79f716cc335e147403315d1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>198</video:duration>
<video:publication_date>2025-05-14T08:31:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJADG</loc>
<video:video>
<video:title>Verdi: Aida</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e4ae800236b17aa8748dcdd480f5f8ffc2031c3e.jpg</video:thumbnail_loc>
<video:description>For his 2006 Zurich Opera production of Aida, Nicolas Joël transposes the action of Verdi&apos;s Egyptian opera to the period of the opera’s première, at the time of the opening of the Suez Canal. Ezio Frigerio’s sumptuous sets provide a spectacle drenched in the colours of the time of Napoleon III. And the director&apos;s handsome vision is matched by a superb cast, led by Nina Stemme&apos;s &quot;deeply considered, expressive and superbly sung Aida&quot; ((Gramophone) and the late Salvatore Licitra as Radamès. In the pit, meanwhile, Adám Fischer&apos;s conducting reveals the true greatness and majesty of Verdi&apos;s score, putting the seal on an unmissable production.</video:description>
<video:duration>9135</video:duration>
<video:publication_date>2025-05-20T07:52:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T20:04:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCDG</loc>
<video:video>
<video:title>Sitkovetsky, Caussé &amp; Maisky play Bach: Goldberg Variations</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8691e152b135ade727be7599b4246537cd8c47dd.jpg</video:thumbnail_loc>
<video:description>When a keyboard work is as vast and as unbounded in its imaginative possibilities as Bach&apos;s Goldberg Variations, there&apos;s no reason why it should be restricted to a single performer. And when the interpreters concerned are artists of the calibre of violinist Dmitry Sitkovetsky, viola player Gérard Caussé and cellist Mischa Maisky, the results (and the insights) speak for themselves. Sitkovetsky&apos;s own string trio arrangement (created to mark Bach&apos;s 300th anniversary and dedicated to Glenn Gould) has become a classic alternative approach to the Goldbergs. It&apos;s captured here, live in Munich, at one of its very first public performances.</video:description>
<video:duration>3668</video:duration>
<video:publication_date>2025-06-04T13:36:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T14:15:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GE0</loc>
<video:video>
<video:title>The Nightingale (Orch. Kamil Rachimov)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a1a65afd2c6cf84fbf04ca5e44771e8fb097ce5.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>252</video:duration>
<video:publication_date>2024-10-15T15:14:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T12:01:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0D0</loc>
<video:video>
<video:title>Hera Hyesang Park, Aigul Akhmetshina &amp; Freddie De Tommaso: Solti Gala</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/733f4fce54acfd5ee0f8087f69ad0e86083f43b5.jpg</video:thumbnail_loc>
<video:description>Soprano Hera Hyesang Park, mezzo Aigul Akhmetshina, tenor Freddie De Tommaso and baritone Paul Grant are on hand to help the prestigious Georg Solti Accademia celebrate its 20th anniversary in style with this gala concert from Budapest&apos;s newly renovated opera house. The four singers – all alumni of the Accademia – present an irresistible programme of favourite arias, duets and ensembles ranging from Rossini to Korngold. Conductor János Jovács and the Orchestra of the Hungarian State Opera – where Solti worked as a repetiteur in the 1930s – complete the line-up for what promises to be an unmissable event. </video:description>
<video:duration>5407</video:duration>
<video:publication_date>2024-10-24T18:32:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T12:01:13Z</lastmod>
</url>
<url>
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<video:title>A Journey through Monteverdi&apos;s Italy: Mantua</video:title>
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<video:description>The Monteverdi Choir continues its exploration of Monteverdi&apos;s Italy with a performance in the Galleria degli Specchi at the Palazzo Ducale in Mantua, offering an exceptional opportunity to hear Monteverdi’s music in the home of the Gonzaga family. The Dukes of Mantua were patrons of some of the greatest poets, artists and musicians in Europe in the 16th and early 17th centuries. It was in their palace that Monteverdi composed and performed some of his greatest works, including his first opera L&apos;Orfeo. The music performed includes Monteverdi&apos;s settings of texts by poets directly connected with the Mantuan court, including Ottavio Rinuccini and Scipione Agnelli, as well as Petrarch, the father of Italian humanism himself.</video:description>
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<lastmod>2025-06-23T07:52:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJICO</loc>
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<video:title>Anthony &amp; Joseph Paratore: Piano Duo</video:title>
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<video:description>Virtuoso piano duo Anthony &amp; Joseph Paratore present a concert from the 1986 Munich Klaviersommer that opens in arresting fashion with Alban Berg&apos;s formidably difficult arrangement of Arnold Schoenberg&apos;s Chamber Symphony No. 1 – a key work of the early 20th century. The brothers continue their musical exploration of musical modernism with Wolfgang Rihm&apos;s Maske from 1985, dedicated to them; Stravinsky&apos;s neo-classical Concerto for Two Piano of 1935; and the two piano arrangement of Debussy&apos;s seminal Prélude à l&apos;Après-midi d&apos;un faune (1894). And to conclude: fireworks with Lutosławski&apos;s bold, brilliant Variations on a Theme by Paganini. </video:description>
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<lastmod>2025-06-20T14:14:39Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJIDO</loc>
<video:video>
<video:title>On Christmas from Norway</video:title>
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<video:live>no</video:live>
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<lastmod>2025-06-19T13:46:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4C0</loc>
<video:video>
<video:title>On &quot;Im Abendrot&quot;</video:title>
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<video:live>no</video:live>
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<lastmod>2025-06-19T13:46:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJIE8</loc>
<video:video>
<video:title>On &quot;Beim Schlafengehen&quot;</video:title>
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<lastmod>2025-06-19T13:45:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJIE0</loc>
<video:video>
<video:title>On Lise Davidsen</video:title>
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<video:live>no</video:live>
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<lastmod>2025-06-19T13:45:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32CG</loc>
<video:video>
<video:title>Schumann: 3 Romances, Op. 94 - No. 1, Nicht schnell </video:title>
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<video:publication_date>2025-06-17T14:52:07Z</video:publication_date>
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<lastmod>2025-06-19T08:58:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR32C0</loc>
<video:video>
<video:title>Haydn: Fantasia (Capriccio) in C Major, Hob. XVII:4</video:title>
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<video:publication_date>2025-06-11T11:10:09Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-17T14:57:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30E8</loc>
<video:video>
<video:title>Nowhere Again, Kinder</video:title>
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<video:duration>181</video:duration>
<video:publication_date>2025-06-11T11:00:37Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-17T14:20:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30E0</loc>
<video:video>
<video:title>Berlioz: Rêverie et caprice, H. 88</video:title>
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<video:publication_date>2025-06-11T10:50:41Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T14:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4C8</loc>
<video:video>
<video:title>Böhm conducts Mozart: Symphony No. 36 &amp; Eine kleine Nachtmusik</video:title>
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<video:description>For many, Karl Böhm was the epitome of a very special sort of Austrian music-making in the second half of the 20th-century, a conductor who lived and breathed the music of Mozart, in particular, like few others. Much the same thing could be said of the Wiener Philharmoniker, meaning that this programme – featuring Mozart&apos;s brilliant &quot;Linz&quot; Symphony and the ever-popular &quot;Eine kleine Nachtmusik&quot;, alongside the Serenata notturna, K. 239 and the Minuet, K. 409 – offers a very special sort of treat, filmed in the wonderful, storied surroundings of the Musikverein.</video:description>
<video:duration>4371</video:duration>
<video:publication_date>2025-04-11T11:49:29Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T10:49:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34CG</loc>
<video:video>
<video:title>Maisky plays Strauss: Cello Sonata, Op. 6</video:title>
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<video:description>Richard Strauss had an enchanted youth and his Cello Sonata, Op.6, composed when he was just 19 years old, captures his headlong, romantic spirit to perfection. It’s the sound of a young genius trying his wings: paying homage to his artistic heroes even while he learns to sing and soar with a voice that’s unmistakably his own. It could have been written for the glorious tone and ardent spirit of Mischa Maisky, and in this 2003 performance – captured live at the annual festival in Strauss’s adopted home of Garmisch-Partenkirchen – Maisky is partnered by a consummate chamber musician, pianist Pavel Gililov.</video:description>
<video:duration>1506</video:duration>
<video:publication_date>2025-01-07T13:55:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T10:00:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30D8</loc>
<video:video>
<video:title>On Beethoven&apos;s Last Piano Sonata No. 32</video:title>
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<video:description></video:description>
<video:duration>310</video:duration>
<video:publication_date>2025-06-06T13:12:09Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T08:35:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCE8</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 2 (1971)</video:title>
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<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>1937</video:duration>
<video:publication_date>2025-06-06T10:25:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:49:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJEC0</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 3 &quot;Eroica&quot; (1971)</video:title>
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<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>2951</video:duration>
<video:publication_date>2025-06-06T11:39:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:49:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJEC8</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 4 (1971)</video:title>
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<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>1972</video:duration>
<video:publication_date>2025-06-06T11:59:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-16T08:49:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJECG</loc>
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<video:title>Karajan conducts Beethoven: Symphony No. 5 (1972)</video:title>
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<video:description></video:description>
<video:duration>1904</video:duration>
<video:publication_date>2025-06-06T12:20:36Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-16T08:49:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJECO</loc>
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<video:title>Karajan conducts Beethoven: Symphony No. 6 &quot;Pastoral&quot; (1967)</video:title>
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<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>2223</video:duration>
<video:publication_date>2025-06-06T12:44:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJED0</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 7 (1971)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/081804b4f8d27e7ea0fb8a3b1909a1bec58bc841.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era. </video:description>
<video:duration>2072</video:duration>
<video:publication_date>2025-06-06T12:56:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCE0</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 1 (1971) </video:title>
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<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>1445</video:duration>
<video:publication_date>2025-06-06T09:08:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJEDG</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 9 (1968)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/888fd108dbd441b969729eb8e7ec701d75141fd4.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>3911</video:duration>
<video:publication_date>2025-06-06T13:30:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:47:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJED8</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 8 (1971)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9a8105c4abf8f2d2508dc4e433a1b2b60e3e2b23.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan recorded the complete cycle of Beethoven symphonies several times throughout his long career – including three audio recordings with the Berliner Philharmoniker. This audio-visual cycle, filmed over four years from 1968 to 1972, documents the conductor&apos;s mature vision of these seminal works in all its splendour. Filmed separately with four separate video directors (including Karajan himself for Symphonies Nos. 4, 5 and 9), they capture the conductor at the height of his powers with the orchestra he defined for over three decades, the Berliner Philharmoniker, and, for the mighty Ninth, features a quartet of some of the greatest voices of the era.</video:description>
<video:duration>1575</video:duration>
<video:publication_date>2025-06-06T13:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:36:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCDO</loc>
<video:video>
<video:title>Nicolas Economou plays Bach</video:title>
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<video:description>The Cypriot pianist Nicolas Economou rocketed to international attention aged just 16, with an astonishing appearance at the 1969 Tchaikovsky International Piano Competition, and for much of his career before his untimely death at the age of 40, he was most closely associated with the virtuoso Romantic repertoire. But he was a master of all he played, and this recital, recorded in the Herkulessaaal in Munich in 1985 finds him exploring the so-called “Old Testament of the Piano”, the first book of Bach&apos;s 48 Preludes and Fugues: a uniquely perceptive and satisfying reading of music that can never grow old.</video:description>
<video:duration>1441</video:duration>
<video:publication_date>2025-06-04T14:13:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-13T14:59:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCD8</loc>
<video:video>
<video:title>Akira Imai Plays Contemporary Japanese Piano Music</video:title>
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<video:description>The distinguished Japanese pianist Akira Imai came of age in a Japan where musical traditions were being increasingly opened up to western influences and techniques – and as a student of the great Paul Badura-Skoda in VIenna, he&apos;s an acknowledged authority on Beethoven as well as an artist of unique poetry and intelligence. But in this fascinating recital, filmed in 1985 in the Amerikahaus in Munich, he explores the Japanese postwar piano tradition; a programme that features the keyboard music of Mutsuo Shishido, Akira Miyoshi and Makoto Moroi, built around the substantial Piano Sonata of 1961 by Akio Yashiro, a student of Nadia Boulanger.</video:description>
<video:duration>2859</video:duration>
<video:publication_date>2025-06-04T08:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T08:46:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GC0</loc>
<video:video>
<video:title>Maisky plays Bach: Cello Suite No. 6</video:title>
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<video:description>For Mischa Maisky – the only living cellist to have studied with both Rostropovich and Gregor Piatigorsky – Bach’s Six Suites are more than just the most beautiful music ever created for unaccompanied cello. They’re an expression of life itself. “There is no emotion known to human beings that is not in Bach’s music,” he says. “It’s all in there and we just have to dig deep enough to find and express it.” In these performances of the suites, filmed for German television in 1986, Maisky does exactly that. There’s no more exalted experience for a great cellist and his audience.</video:description>
<video:duration>2225</video:duration>
<video:publication_date>2025-03-05T15:58:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T07:38:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3EE8</loc>
<video:video>
<video:title>Maisky plays Bach: Cello Suite No. 5</video:title>
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<video:description>For Mischa Maisky – the only living cellist to have studied with both Rostropovich and Gregor Piatigorsky – Bach’s Six Suites are more than just the most beautiful music ever created for unaccompanied cello. They’re an expression of life itself. “There is no emotion known to human beings that is not in Bach’s music,” he says. “It’s all in there and we just have to dig deep enough to find and express it.” In these performances of the suites, filmed for German television in 1986, Maisky does exactly that. There’s no more exalted experience for a great cellist and his audience.</video:description>
<video:duration>1714</video:duration>
<video:publication_date>2025-03-05T15:55:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T07:38:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3EE0</loc>
<video:video>
<video:title>Maisky plays Bach: Cello Suite No. 4</video:title>
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<video:description>For Mischa Maisky – the only living cellist to have studied with both Rostropovich and Gregor Piatigorsky – Bach’s Six Suites are more than just the most beautiful music ever created for unaccompanied cello. They’re an expression of life itself. “There is no emotion known to human beings that is not in Bach’s music,” he says. “It’s all in there and we just have to dig deep enough to find and express it.” In these performances of the suites, filmed for German television in 1986, Maisky does exactly that. There’s no more exalted experience for a great cellist and his audience.</video:description>
<video:duration>1716</video:duration>
<video:publication_date>2025-03-05T15:51:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T07:38:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3EDO</loc>
<video:video>
<video:title>Maisky plays Bach: Cello Suite No. 3</video:title>
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<video:description>For Mischa Maisky – the only living cellist to have studied with both Rostropovich and Gregor Piatigorsky – Bach’s Six Suites are more than just the most beautiful music ever created for unaccompanied cello. They’re an expression of life itself. “There is no emotion known to human beings that is not in Bach’s music,” he says. “It’s all in there and we just have to dig deep enough to find and express it.” In these performances of the suites, filmed for German television in 1986, Maisky does exactly that. There’s no more exalted experience for a great cellist and his audience.</video:description>
<video:duration>1606</video:duration>
<video:publication_date>2025-03-05T15:47:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T07:38:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3EDG</loc>
<video:video>
<video:title>Maisky plays Bach: Cello Suite No. 2</video:title>
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<video:description>For Mischa Maisky – the only living cellist to have studied with both Rostropovich and Gregor Piatigorsky – Bach’s Six Suites are more than just the most beautiful music ever created for unaccompanied cello. They’re an expression of life itself. “There is no emotion known to human beings that is not in Bach’s music,” he says. “It’s all in there and we just have to dig deep enough to find and express it.” In these performances of the suites, filmed for German television in 1986, Maisky does exactly that. There’s no more exalted experience for a great cellist and his audience.</video:description>
<video:duration>1466</video:duration>
<video:publication_date>2025-03-05T15:38:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T07:37:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30DO</loc>
<video:video>
<video:title>Saint-Saëns: Caprice andalous, Op. 122</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c283da1784102f0ad52f8f52305f1300cb12d1a1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>666</video:duration>
<video:publication_date>2025-06-10T16:40:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-11T09:49:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6C8</loc>
<video:video>
<video:title>Mischa Maisky – Beyond Words</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7f8d2a0ffb1ce0bcfe8de5399953d48b67da44fa.jpg</video:thumbnail_loc>
<video:description>As the only musician in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky, Mischa Maisky is himself one of the greatest cellists of our time. This intimate portrayal explores the life and performances of the Soviet-born Israeli cellist and presents the recording of his concert with pianist Pavel Gililov during the Richard-Strauss-Tage in Garmisch-Partenkirchen. Between performances of works by Strauss and Brahms, Maisky reveals anecdotes and relives memories of his childhood, his education, his relationship to the cello, his experiences in the former Soviet Union and his decade-spanning international career. </video:description>
<video:duration>3593</video:duration>
<video:publication_date>2022-11-15T15:22:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-10T13:58:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30DG</loc>
<video:video>
<video:title>Messiaen: Quatuor pour la fin du temps: I. Liturgie de cristal</video:title>
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<video:description></video:description>
<video:duration>218</video:duration>
<video:publication_date>2025-06-06T16:15:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-10T07:00:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCD0</loc>
<video:video>
<video:title>Yosuke Yamashita &amp; Hozan Yamamoto in Concert</video:title>
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<video:description>Two giants of Japanese music come together in Munich in 1985 for a wholly unique recital. Pianist and composer Yosuke Yamashita is probably the single most influential voice in Japanese free jazz, while the late Hozan Yamamoto was a master in an ancient tradition; the shakuhachi virtuoso who startled Japanese audiences by taking his ancient instrument into bold and beautiful new worlds of jazz, crossover and the international avant-garde. Their Munich recital ranges from Thelonious Monk to their own joint improvisations, and it&apos;s all that you&apos;d expect and more; startlingly original, deeply reflective, and driven by two irrepressible and inimitable musical imaginations.</video:description>
<video:duration>5462</video:duration>
<video:publication_date>2025-05-27T19:27:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-06T12:09:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30C8</loc>
<video:video>
<video:title>Rostropovich: The Musical Conscience</video:title>
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<video:description>This fascinating film brings us close to one of the 20th-century&apos;s towering musical personalities: the great cellist and conductor Mstislav Rostropovich. Focused on his 80th birthday in March 2007, and featuring one of the last interview he gave – as well as extensive interviews with other musicians and cultural figures who knew and worked with him – it offers unique insights into a truly remarkable life lived to the very full.</video:description>
<video:duration>1708</video:duration>
<video:publication_date>2025-06-04T12:42:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-05T09:19:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCCO</loc>
<video:video>
<video:title>Rodion Shchedrin and Friends</video:title>
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<video:description>It&apos;s what you might call a triple-threat: three supreme masters of three very different branches of the pianist&apos;s art, united by friendship, mutual respect and an irrepressible creative spirit. Rodion Shchedrin is the pre-eminent Russian pianist-composer since Shostakovich; Chick Corea was a jazz legend who transcended genre. Nicolas Economou is less well-remembered now – he died tragically young in 1994 – but he was one of the outstanding performers of his generation. And on this one night in Munich in 1985 they came together and improvised at glorious length: a feast of pure, uninhibited musicianship captured live on a single unforgettable occasion.</video:description>
<video:duration>2736</video:duration>
<video:publication_date>2025-05-27T19:11:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-05T08:15:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR30C0</loc>
<video:video>
<video:title>Inside a Rehearsal with Daniil Trifonov and Sergei Babayan</video:title>
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<video:description></video:description>
<video:duration>969</video:duration>
<video:publication_date>2025-06-04T09:12:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-04T11:29:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GE0</loc>
<video:video>
<video:title>Sven Helbig: Requiem A </video:title>
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<video:description>Sven Helbig&apos;s nine-part Requiem A was composed to commemorate the 80th anniversary of the destruction of Dresden and the end of World War II – and is here given its world premiere in Dresden&apos;s Kreuzkirche, filmed in February 2025. Setting a mixture of liturgical and new texts, it is a Requiem with a difference: the &quot;A&quot; in the title stands for &quot;Beginning&quot; (German &quot;Anfang&quot;) and admonishes with poetic pictures reconciliation and new beginnings. &quot;Setting off&quot; (Aufbruch), &quot;ashes&quot; (Asche) and &quot;breathing&quot; (Atmen) are key words in the texts, which seek a way out of mourning and into life. Integral to its performance are live visuals by Icelandic film artist Máni M. Sigfusson – a key element in a powerful work for our time.</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2025-05-12T11:15:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-03T14:49:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCC0</loc>
<video:video>
<video:title>Gerhard Oppitz &amp; Nicolas Economou play Rachmaninoff: Symphonic Dances</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0abedf89150b1585fe07b6c0d7acc063a79a4c98.jpg</video:thumbnail_loc>
<video:description>Rachmaninoff conceived his final major work, the Symphonic Dances Op.45, for the colours of a full symphony orchestra. But he made this version for two pianos at the same time, and unsurprisingly – since he was one of the 20th century&apos;s supreme piano virtuosos – it&apos;s a thrilling experience in its own right, pushing both players to the very limits of their technique. It&apos;s a perfect vehicle, in other words, for the pairing of pianists Nicolas Economou and Gerhard Oppitz. Two great musical friends – both hugely admired prior to Economou&apos;s untimely death in 1993 – captured in full flight in Munich&apos;s Amerikahaus.</video:description>
<video:duration>2110</video:duration>
<video:publication_date>2025-05-27T02:42:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T19:46:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJAE8</loc>
<video:video>
<video:title>Gerhard Oppitz &amp; Gottfried Schneider play Mozart: Violin Sonatas</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8be2b1cb9d04700e5ef7ae0c4fd2f4d93ca00bd0.jpg</video:thumbnail_loc>
<video:description>Mozart&apos;s violin sonatas are an under-appreciated highlight of his output. He was a master of both instruments, and these jewel-like, endlessly inventive works offer a portrait of the domestic Mozart at his most engaging, inventive and intimate. Pianist Gerhard Oppitz and violinist Gottfried Schneider were both trained in the same Austro-German tradition, so this music comes as naturally to them as breathing, and this delightful recital – recorded in 1985 when both artists were still in their 30s – gains a special touch of magic from being performed in the rococo surroundings of Augsburg&apos;s Schaezlerpalais: a venue known to Mozart himself.</video:description>
<video:duration>4993</video:duration>
<video:publication_date>2025-05-27T02:17:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T19:45:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJCC8</loc>
<video:video>
<video:title>Eliot Fisk Guitar Solo: Bach</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bfd865b5c67842e25af36edd5446f44290d9ebee.jpg</video:thumbnail_loc>
<video:description>The four superbly-worked movements and colossal final Chaconne of Bach&apos;s D minor Partita for solo violin have long fascinated performers on other instruments – with arrangements of the Chaconne, in particular, having a long and glorious pedigree. With teachers including Andrès Segovia and the harpsichordist Ralph Kirkpatrick, the American guitar virtuoso Eliot Fisk is deeply grounded in classical tradition, and his transcription of the Partita is a masterly re-imagination of this towering work; perfectly tailored to the guitar, yet profoundly respectful of Bach&apos;s genius. He performs it here in the elegant surroundings of the Herkulessaal, Munich.</video:description>
<video:duration>1379</video:duration>
<video:publication_date>2025-05-27T02:47:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T19:44:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4CG</loc>
<video:video>
<video:title>Rising Stars: Cameron Shahbazi, Countertenor</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/020bc3079d7622a136afece3a0657520a1ebea0f.jpg</video:thumbnail_loc>
<video:description>Iranian-Canadian countertenor Cameron Shahbazi is among the most exciting rising stars of the opera world, a singer who has been praised for his &quot;full, voluminous&quot; voice and has achieved critical acclaim for his performances across the musical spectrum, from Baroque to contemporary and 20th-century repertoire. As part of the Rising Star series on STAGE+, he presents RE|imagine, a programme featuring a personal selection of some of the music that means the most to him, ranging from Italian Baroque opera to reimagined folk music and Iranian popular song. </video:description>
<video:duration>2912</video:duration>
<video:publication_date>2023-02-06T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T14:24:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8DG</loc>
<video:video>
<video:title>Rising Stars: Raphaël Feuillâtre, Guitar</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/655c682423c119754015e2452f9039dd3bc12350.jpg</video:thumbnail_loc>
<video:description>Young Guitarist Raphaël Feuillâtre first came to international prominence upon winning the prestigious Guitar Foundation of America (GFA) International Concert Artist Competition in 2018 – one of a raft of competition wins over the years – and signed as an exclusive Deutsche Grammophon artist in September 2022. In this showcase, part of the Rising Stars series on STAGE+, he presents a programme that ranges from the French and German baroque to music by his one-time teacher, the late Roland Dyens. </video:description>
<video:duration>3133</video:duration>
<video:publication_date>2023-03-15T16:28:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T14:23:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GCO</loc>
<video:video>
<video:title>Daniel Harding conducts Verdi’s Requiem</video:title>
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<video:description>Daniel Harding conducts the forces of the Accademia Nazionale di Santa Cecilia in Verdi’s Requiem in this very special performance streaming live from the spectacular surroundings of Rome’s Basilica di San Paolo fuori le Mura. Completed in 1874, the Requiem sees Verdi apply all his skill in drama and characterisation to create a work at once deeply spiritual and thrillingy dramatic – and one of the most popular works in the whole choral repertoire. Here a world-class line-up of soloists joins forces with a conductor famed for his precision and power in what promises to be an unforgettable performance.</video:description>
<video:duration>5400</video:duration>
<video:publication_date>2024-11-26T09:05:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-27T07:10:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8E0</loc>
<video:video>
<video:title>Karajan conducts Brahms: Symphony No. 4 (1973)</video:title>
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<video:description>Herbert von Karajan recorded this cycle of Brahms&apos;s Four Symphonies live in the Berlin Philharmonie in 1973 when he was at the height of his powers – and over 15 years into his reign as principal conductor of the Berliner Philharmoniker. The four works, all premiered within the space of a decade, represent one of Brahms&apos;s greatest achievements as a composer, from the breakthrough Symphony No. 1, decades in the planning, to the passionate Fourth, culminating in a powerful Passacaglia – a Baroque form built on a repeating bassline. To all four works, Karajan brings the concentration and musical singlemindedness that were his hallmarks in what remains an essential audio-visual document of his art.</video:description>
<video:duration>2518</video:duration>
<video:publication_date>2025-05-15T08:16:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:14:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8DO</loc>
<video:video>
<video:title>Karajan conducts Brahms: Symphony No. 3 (1973)</video:title>
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<video:description>Herbert von Karajan recorded this cycle of Brahms&apos;s Four Symphonies live in the Berlin Philharmonie in 1973 when he was at the height of his powers – and over 15 years into his reign as principal conductor of the Berliner Philharmoniker. The four works, all premiered within the space of a decade, represent one of Brahms&apos;s greatest achievements as a composer, from the breakthrough Symphony No. 1, decades in the planning, to the passionate Fourth, culminating in a powerful Passacaglia – a Baroque form built on a repeating bassline. To all four works, Karajan brings the concentration and musical singlemindedness that were his hallmarks in what remains an essential audio-visual document of his art.</video:description>
<video:duration>2008</video:duration>
<video:publication_date>2025-05-15T08:12:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8D8</loc>
<video:video>
<video:title>Karajan conducts Brahms: Symphony No. 1 (1973)</video:title>
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<video:description>Herbert von Karajan recorded this cycle of Brahms&apos;s Four Symphonies live in the Berlin Philharmonie in 1973 when he was at the height of his powers – and over 15 years into his reign as principal conductor of the Berliner Philharmoniker. The four works, all premiered within the space of a decade, represent one of Brahms&apos;s greatest achievements as a composer, from the breakthrough Symphony No. 1, decades in the planning, to the passionate Fourth, culminating in a powerful Passacaglia – a Baroque form built on a repeating bassline. To all four works, Karajan brings the concentration and musical singlemindedness that were his hallmarks in what remains an essential audio-visual document of his art.</video:description>
<video:duration>2750</video:duration>
<video:publication_date>2025-05-15T08:04:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:03:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30E8</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Rückert Lieder – with Thomas Hampson</video:title>
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<video:description>Not long before his death, Leonard Bernstein recorded an important complement to his complete filmed survey of Mahler&apos;s Symphonies: filmed performances of the composer&apos;s three great song cycles, with American baritone Thomas Hampson. Here they present the Rückert Lieder, composed at the start of the 20th century. Not strictly speaking conceived as a cycle – and with no fixed order for performance – the songs are nevertheless a staple of the repertoire, especially in their orchestral guise. They present the quintessence of Mahler&apos;s musical language at the start of his final decade, with &quot;Ich bin der Welt abhanden gekommen&quot; arguably his most celebrated song of all.</video:description>
<video:duration>1477</video:duration>
<video:publication_date>2023-07-05T13:04:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-22T09:55:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJACO</loc>
<video:video>
<video:title>David Lively Plays Bach</video:title>
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<video:description>A prize-winner in the 1972 Queen Elizabeth Competition and a musician who counted Claudio Arrau, Wilhelm Kempff and Nadia Boulanger among his teachers, David Lively soon carved out a wide-ranging career encompassing new music, Romantic rarities and early keyboard music – as well as much else. In this appearance at the Munich Klaviersommer in 1985, he brings his musical intelligence and impeccable technique to extracts from one of Bach&apos;s most challenging works, the Art of the Fugue.</video:description>
<video:duration>1492</video:duration>
<video:publication_date>2025-05-19T16:05:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-21T10:08:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJAD0</loc>
<video:video>
<video:title>Daniel Chorzempa on the Organ and Piano: Reger &amp; Liszt</video:title>
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<video:description>Although Daniel Chorzempa was best known as an organist, the American musician – born in Minneapolis – began his performance career as a pianist in Europe. And this concert from the Munich Klaviersommer festival sees him perform on both instruments, presenting two imposing works composed in homage to J S Bach. Max Reger&apos;s Variations and Fugue, composed in 1904, take as their basis the melody of a duet from Bach&apos;s Cantata No. 128, which Reger transforms into multiple guises before the complex final fugue. Liszt&apos;s work, initially composed half a century earlier, is based on the musical notation of Bach&apos;s name (equivalent to B Flat, A, C and B), built up into an equally impressive organ showpiece.</video:description>
<video:duration>2964</video:duration>
<video:publication_date>2025-05-19T16:11:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-21T10:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GCO</loc>
<video:video>
<video:title>Brian Eno &amp; Roger Eno: Live at the Acropolis</video:title>
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<video:description>The brothers Brian and Roger Eno have enjoyed global success in glam rock, pop, ambient and film music, and their work is characterized by boundary-breaking experiments in terms of instruments and audio-visual production. Although the musicians have been working together for a long time, they did not release &quot;Mixing Colours&quot;, their first completely jointly conceived album, until 2020. This was followed a year later by a concert at one of the most historic and atmospherically impressive performance venues: in the amphitheater of Herodes Atticus, the brothers&apos; unique music combines with spectacular visuals and views of the Acropolis in Athens to create an unforgettable experience. </video:description>
<video:duration>4310</video:duration>
<video:publication_date>2023-03-20T14:06:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-20T12:18:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6C8</loc>
<video:video>
<video:title>Cecil Taylor: Piano Solo</video:title>
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<video:description>&quot;I work with those forces that create the music, yet I don&apos;t have much to do with it,&quot; said the late Cecil Taylor in an interview in 2000. &quot;The more you do it – trying to find the magic – you have much less ego, and you genuflect to the magic.&quot; There&apos;s certainly magic in the air during this astonishing hour-long live set from the 1984 Munich Klaviersommer: a pair of stupendous solo improvisations from the pianist who redefined free jazz. Sometimes controversial, but never predictable, Taylor is here being his unfiltered self – a master at the top of his game.</video:description>
<video:duration>3338</video:duration>
<video:publication_date>2025-04-16T14:46:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T09:05:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4C0</loc>
<video:video>
<video:title>Gianluigi Gelmetti conducts Beethoven’s Christus am Ölberge</video:title>
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<video:description>Beethoven’s only oratorio, Christus am Ölberge, has long been a rarity among the composer&apos;s works, and the libretto – by Franz Xaver Huber – has been subject to considerable criticism, not least from the composer himself. But, as this handsome performance conducted by Gianluigi Gelmetti and filmed in the 500-year-old gothic Amanduskirche in southern Germany shows, it is a work that should be much better known. Composed in a burst of inspiration in late 1802 and early 1803, it presents a movingly human account of Jesus in the Garden of Gesthsemane ahead of his cruxifixion. It is a work that shows a lesser-known side of Beethoven – and which shows him at his most humane.</video:description>
<video:duration>3348</video:duration>
<video:publication_date>2025-04-10T13:35:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T08:39:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJID8</loc>
<video:video>
<video:title>Aaron Copland: Fanfare for America</video:title>
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<video:description>They called Aaron Copland &quot;the Dean of American music&quot;, and over a life that spanned the 20th century he came closer than any other composer to defining the sound of America. In this biographical documentary, conductor Hugh Wolff and Copland scholar Howard Pollack retell his life story – exploring the genesis of such works as the Lincoln Portrait, El Sálon México and the Eight Poems of Emily Dickinson. The narrative is illuminated with interviews with the composer, specially-recorded excerpts from his works, and rarely-seen archive films – including footage of Copland conducting his own Clarinet Concerto with its dedicatee, Benny Goodman, as soloist.</video:description>
<video:duration>3519</video:duration>
<video:publication_date>2025-05-08T09:24:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T08:34:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJID8</loc>
<video:video>
<video:title>Karajan conducts Brahms: Symphony No. 2</video:title>
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<video:description>Brahms&apos;s First Symphony famously cost him years of creative struggle, but with his Second, he relaxed and exhaled – retiring to the peace of the Alps to create a symphony that exudes warmth and song. Along with Beethoven and Bruckner, Herbert von Karajan placed Brahms&apos;s music at the centre of his symphonic career, and when he filmed the Second Symphony in 1986 with his great Berlin orchestra, sonic beauty shines from the music like sunlight. But there&apos;s gravity, too, and the finale has the kind of energy and brilliance that only Karajan and the BPO knew how to generate.  </video:description>
<video:duration>2604</video:duration>
<video:publication_date>2024-04-19T12:29:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T15:37:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJID0</loc>
<video:video>
<video:title>Karajan conducts Brahms: Symphony No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/582bba1ec13aa6a2191092fc21b3228013b4da51.jpg</video:thumbnail_loc>
<video:description>&quot;Any fool can see that!&quot; Brahms is supposed to have retorted when contemporaries pointed out the resemblance between his First Symphony and Beethoven&apos;s Ninth. Few symphonies wear their debt to Beethoven more proudly, and for Herbert von Karajan, Brahms sat with Beethoven and Bruckner at the summit of the Austro-German symphonic canon. He approached the First, in particular, with deep seriousness, and it was one of the cornerstones of his repertoire throughout his long career. This performance from 1987 finds him marshalling all the sonic power and tonal beauty of the Berlin Philharmonic: the culmination of a lifelong engagement with Brahms&apos;s symphonies.</video:description>
<video:duration>2844</video:duration>
<video:publication_date>2024-04-19T12:16:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T15:37:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ8CG</loc>
<video:video>
<video:title>Nézet-Séguin conducts Wagner: Die Walküre</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0e91a7d9142fcaeab2f95c3b23a03b04fd3fbfe.jpg</video:thumbnail_loc>
<video:description>As a storm rages through the forest a desperate man finds shelter, unaware that their forbidden love will have consequences on a cosmic scale. A brother finds a sister, a father betrays his son and a goddess discovers her own humanity: the second part of Wagner&apos;s Ring cycle is the heart of the whole colossal drama, and this 2024 concert staging from Rotterdam starred some of the finest new Wagnerian voices of the 21st century, including Stanislas de Barbeyrac as Siegmund and Tamara Wilson as Brünnhilde. Yannick Nézet-Séguin conducts a performance that one critic described as &quot;heartrending&quot;.</video:description>
<video:duration>14205</video:duration>
<video:publication_date>2025-05-12T08:59:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T12:02:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2DO</loc>
<video:video>
<video:title>Economou plays Shchedrin: Piano Sonata No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/360bab1af273c15b00027d244f8627852b8ea036.jpg</video:thumbnail_loc>
<video:description>The superb – but tragically short-lived – Cypriot pianist Nicolas Economou was a regular guest at the Munich Klaviersommer, Friedrich Gulda’s groundbreaking Festival that sought common ground between the worlds of classical music and jazz. And a composer who also often tests the boundaries of conventional concert music is Rodion Shchedrin, whose concise Piano Sonata No. 1 of 1962 performed here: a work in which a playful first movement is pitted against a contemplative second movement and a fierce toccata finale, all dispatched with characteristic conviction and virtuosity by Economou.</video:description>
<video:duration>769</video:duration>
<video:publication_date>2025-04-10T12:55:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:44:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4CG</loc>
<video:video>
<video:title>Böhm conducts Mozart: Symphony No. 1, K. 16</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bdc4c400d11a40de258bc2ee27609139f277d0e5.jpg</video:thumbnail_loc>
<video:description>Mozart composed his first symphony in London in 1764-5 when he was just eight years old and, although inspired both by the music of his friend Johann Christian Bach and the prevailing style of Italian opera buffa, it shows a young composer of the most astonishing precociousness experimenting in a genre that was still very much in its infancy. Though the work of an eight-year-old, it here receives a distinctly grown-up performance from a Mozartian dream-team of Karl Böhm and the Wiener Philharmoniker, captured in 1978.</video:description>
<video:duration>822</video:duration>
<video:publication_date>2025-04-14T13:53:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:29:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2C8</loc>
<video:video>
<video:title>The Lounge Lizards: Live in Munich</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5d52da997c40617ff041610031301a6a1b343d1d.jpg</video:thumbnail_loc>
<video:description>&quot;Hey, you kids!&quot; shouts saxophonist John Lurie to a packed and lively crowd at Munich&apos;s Alabamahalle, setting a playful mood for this fizzing session from The Lounge Lizards – the irreverent, irrepressibly inventive jazz quintet that he led with his brother, pianist Evan Lurie, between 1978 and 1998. The line-up on that night in 1982 included Peter Zummo (trombone), Tony Garnier (bass) and Dougie Bowne on drums; the set-list (unsurprisingly) includes Lurie&apos;s own tongue-in-cheek compositions as well as standards by Eric Dolphy and Duke Ellington. Classic No Wave grooves, captured in a film that puts you right there in the room.</video:description>
<video:duration>3502</video:duration>
<video:publication_date>2025-04-07T14:25:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:26:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGDO</loc>
<video:video>
<video:title>Close-up Shostakovich</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2d90d760410a7a8901e321d36157b0bf3392211d.jpg</video:thumbnail_loc>
<video:description>Humour, sarcasm, grotesqueness – and not least an overriding pessimism – are characteristics not only found in Shostakovich himself but also in his music, as shown in this film by Oliver Becker, which sets out to be as authentic as possible in portraying the composer, neither denouncing him as an opportunist nor praising him as a dissident. Instead, its seven chapters try to reconstruct the narrative of the young star composer apparently becoming the stiff state composer, most of whose life is still shrouded in mystery. The result is a fascinating portrait of one of the great composers of the 20th-century composers, and an artist who had to sustain a creative career through unprecedented political turmoil and oppression.</video:description>
<video:duration>3511</video:duration>
<video:publication_date>2025-04-10T13:48:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T10:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6C0</loc>
<video:video>
<video:title>Chick Corea and Steve Kujala</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1202edc2b9cb3d90618b5d9433939279f8e9930b.jpg</video:thumbnail_loc>
<video:description>Chick Corea was a born communicator, and a natural collaborator. &quot;I discovered I didn&apos;t want to be mysterious, esoteric and non-communicative,&quot; he told an interviewer in 1972. &quot;Music that is very direct, simple and happy has the effect of lifting them up – that&apos;s the kind of effect I like to create on people.&quot; Understandably, he found a natural partner in the extraordinary young flautist Steve Kujala. In this concert – recorded live at the 1985 Munich Klaviersommer – they perform tracks from their then-new album &quot;Voyage&quot; and also cut free in huge, outgoing improvisations: a unique jazz partnership captured at its most creative.</video:description>
<video:duration>4390</video:duration>
<video:publication_date>2025-04-16T14:37:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-14T12:12:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8C0</loc>
<video:video>
<video:title>Musical Moment: Emily D&apos;Angelo &amp; Sophia Muñoz</video:title>
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<video:description>Canadian mezzo-soprano Emily D&apos;Angelo is joined by pianist Sophia Muñoz for this Musical Moment, captured up-close in Berlin. Together the two artists present a varied programme mixing composers past and present and shining a spotlight on pioneering female composers including Florence Price, Fanny Hensel, Clara Schumann and Rebecca Clarke. The early 20th century is further represented by songs by Alexander Zemlinsky and Arnold Schoenberg, complemented by settings of Emily Dickinson by Aaron Copland. From the 21st century, D&apos;Angelo and Muñoz perform Cecilia Livingston&apos;s Penelope, inspired by the figure of Odysseus&apos;s ever-faithful wife, and an excerpt from Missy Mazzoli&apos;s multimedia chamber opera Song from the Uproar.</video:description>
<video:duration>2769</video:duration>
<video:publication_date>2022-07-28T13:17:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-13T11:01:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6DG</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Symphony No. 1 &amp; Academic Festival Overture</video:title>
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<video:description>Leonard Bernstein and the Wiener Philharmoniker perform Brahms at his most heroic – and his most playful. Brahms&apos;s First Symphony was nicknamed “Beethoven&apos;s Tenth” by his contemporaries, and if any conductor was equipped to bring out its warm romantic heart, as well as its epic struggle from tragedy to triumph, it was Bernstein. He was never happier than when guest-conducting this great Viennese orchestra, and the feeling was mutual. Their admiration for each other is audible, and on this occasion (captured in Vienna&apos;s Musikverein in 1981) Brahms&apos;s joyous Academic Festival Overture makes a delightful encore after the epic drama of the symphony.</video:description>
<video:duration>4131</video:duration>
<video:publication_date>2025-05-02T09:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-09T14:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJIDG</loc>
<video:video>
<video:title>On the Lied – Dieter Borchmeyer in conversation with Dietrich Fischer-Dieskau</video:title>
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<video:description></video:description>
<video:duration>1408</video:duration>
<video:publication_date>2025-05-08T09:30:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-09T10:12:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCDG</loc>
<video:video>
<video:title>Meister-Singer: Dietrich Fischer-Dieskau</video:title>
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<video:description>The German baritone Dietrich Fischer-Dieskau was a giant figure in the musical life of the second half of the 20th century, an artist who redefined standards for the performance, in particular, of German art song. After calling time on his 45-year career as a singer, he remained active as conductor, reciter, author of books and teacher. This film captures him over four days at the Musik- und Singschule Heidelberg, where he shares his unparalleled wisdom, knowledge and experience of the songs of composers such as Franz Schubert, Hugo Wolf, Johannes Brahms, Gustav Mahler and Johann Strauss with eight students, who in turn share their impressions of working with the great baritone.</video:description>
<video:duration>3490</video:duration>
<video:publication_date>2025-02-27T18:55:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-09T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3EC0</loc>
<video:video>
<video:title>Böhm conducts Mozart: Symphony No. 28</video:title>
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<video:description>In this performance filmed in September 1970, Karl Böhm conducts the Wiener Philharmoniker in Mozart&apos;s early Symphony No. 28, among the last of his symphonies from the Salzburg period. Böhm&apos;s deep love and knowledge of Mozart was inspired in part by his work with Richard Strauss and his performances of the composers in his later years became a byword for instinctive musicality and authority – especially when in collaboration with unparalleled musicians of the Wiener Philharmoniker. </video:description>
<video:duration>1205</video:duration>
<video:publication_date>2024-06-24T13:35:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-06T07:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36C8</loc>
<video:video>
<video:title>The Deutsche Grammophon collection at the Deutsches Technikmuseum, Berlin</video:title>
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<video:description></video:description>
<video:duration>410</video:duration>
<video:publication_date>2024-06-10T06:46:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-06T05:32:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6DO</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Symphony No. 2</video:title>
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<video:description>It seemed like an unlikely match. Leonard Bernstein – toast of Broadway turned superstar maestro – and the Wiener Philharmoniker, that most venerable (and proud) of great Central European orchestras. But somehow, indisputably, they clicked, and there&apos;s hardly a recording of Bernstein and the Viennese orchestra that doesn&apos;t convey a very special atmosphere and affection: great musicians at ease together, and rejoicing in each other&apos;s artistry. This 1982 performance of Brahms&apos;s lyrical Second Symphony captures that relationship in all its warmth, its respect and its joyful spontaneity – right there in the magnificent setting of Vienna&apos;s historic Musikverein.</video:description>
<video:duration>3163</video:duration>
<video:publication_date>2025-05-02T09:18:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-05T13:07:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GDO</loc>
<video:video>
<video:title>Chick Corea &amp; Nicolas Economou: Songs For Children</video:title>
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<video:description>Nicolas Economou and Chick Corea: two pianist-composers in a class of their own, united in the summer of 1982 for an evening of irrepressible music making at the Amerikahaus, Munich. Economou plays his own delightful Etudes for Children and Corea performs a selection from his Children&apos;s Songs before these two kindred spirits come together in Corea&apos;s Duet for Two Pianos. An exuberant, sophisticated outpouring of creativity, virtuosity and wit from a pair of pianists who were never happier than when crossing between musical worlds. And a life-affirming memorial to two much-missed artists – particularly Economou, who died in 1993 at the age of 40.</video:description>
<video:duration>3140</video:duration>
<video:publication_date>2025-03-10T12:50:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-28T11:59:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38D0</loc>
<video:video>
<video:title>Yuja x Hockney</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/74e10f9135057abdaabd9adde69580c793ccd4a5.jpg</video:thumbnail_loc>
<video:description>One remarkable pianist, one remarkable artist: Yuja Wang presents a very special concert from London’s Lightroom. She performs music by composers ranging from Bach to Berio, carefully selected in response to a series of artworks by David Hockney, which are shown in stunning 360-degree projections as she plays. The result is an all-encompassing audio-visual experience that seeks out connections between the senses, between art and music, and between two major cultural figures of our time.</video:description>
<video:duration>3696</video:duration>
<video:publication_date>2025-03-30T13:00:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-28T07:43:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6E0</loc>
<video:video>
<video:title>Yellow Lounge in Hong Kong - Rafał Blechacz &amp; Bomsori</video:title>
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<video:description>Deutsche Grammophon’s classics-meets-club series makes it to Hong Kong with this 2019 gig featuring two of the yellow label’s celebrated young artists: regular collaborators Korean violinist Bomsori and Polish Pianist Rafal Blechacz. They come together in Ping Pong 129, a cocktail bar in a former ping pong hall, to perform music from their 2019 duo album, as well as two movements from one of Mozart’s best-loved violin sonatas.</video:description>
<video:duration>3797</video:duration>
<video:publication_date>2024-01-16T15:34:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T17:35:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36DG</loc>
<video:video>
<video:title>Heinrich Schiff plays Gulda: Cello Concerto</video:title>
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<video:description>Friedrich Gulda dedicated his Concerto for Cello and Wind Orchestra of 1980 to Heinrich Schiff, and the two of them present the work here in a definitive performance recorded at the Munich Klaviersommer in 1988. Reflecting Gulda’s own iconoclastic philosophy and varied and voracious musical tastes, the concerto brings together musical styles ranging from rock to 20th-century modernism, from folk and circus music to Wagner. The result is a witty, engaging and often moving work that delights in breaking the rules – much like its creator.</video:description>
<video:duration>1929</video:duration>
<video:publication_date>2025-01-29T14:22:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:28:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34C0</loc>
<video:video>
<video:title>Gulda plays Beethoven: Piano Concerto No. 5 “Emperor”</video:title>
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<video:description>There’s never been a musician quite like Friedrich Gulda, the maverick Austrian virtuoso and composer whose fearless cross-genre adventures outraged purists but arguably brought him closer to the living creative heart of the music than almost any pianist of his era. In this 1989 Munich Piano Summer Festival concert he walks out to play and direct Beethoven’s “Emperor” concerto in skull cap and T-shirt before delivering a performance of life-affirming insight and integrity; the work (according to Gramophone) of “an artist entirely sure of his vision, challenging us to think again at the stylistic exclusion zones we place around music”.</video:description>
<video:duration>2299</video:duration>
<video:publication_date>2025-01-03T11:01:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:27:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32E8</loc>
<video:video>
<video:title>Gulda plays Gulda: Concerto For Myself</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dd4701c59874a544c0c775af8b5221e0ef796c43.png</video:thumbnail_loc>
<video:description>“I am the most important creative Viennese musician of the second half of our century”, declared Friedrich Gulda, and in everything that this inimitable Austrian pianist and composer did, he was larger than life. True to form, his own piano concerto, Concerto for Myself, is as enjoyable as it is uncategorisable; a big, unashamedly melodious collision of romantic pastiche, lounge jazz and Gulda’s own peerless classical pianism. Playful, engaging and utterly unselfconscious, it’s played and directed in this 1988 live performance (possibly the world premiere) by Gulda himself: in unmistakable, improvisatory rapport with the players of the Munich Philharmonic Orchestra.</video:description>
<video:duration>2681</video:duration>
<video:publication_date>2025-01-03T10:49:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:27:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6D0</loc>
<video:video>
<video:title>Gulda plays Chopin</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/88913c908b0f742c7b11504ebec133b3202e474e.jpg</video:thumbnail_loc>
<video:description>The classical music world was astonished when Austrian pianist Friedrich Gulda returned to works by Frédéric Chopin in the mid-1980s. He had long since been considered the most original and sovereign Beethoven interpreter of his time and from the middle years of his career, had kept his distance from Romanticism. In this recording from 1986, Gulda presents a completely new view of the Polish composer&apos;s music with powerfully sober, yet emotionally stirring playing. In addition to a selection of Chopin’s famous Préludes, the programme also includes the tender Nocturne in B Major.</video:description>
<video:duration>2356</video:duration>
<video:publication_date>2022-07-20T14:54:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:23:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJICO</loc>
<video:video>
<video:title>Gulda plays Mozart: Piano Concertos Nos. 20 &amp; 26</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11d32642f3afe0cdffee4c523a41554c3b70d8e4.jpg</video:thumbnail_loc>
<video:description>Friedrich Gulda might have rebelled fearlessly against the routines of the classical music business, but at the same time he was one of the most passionate, yet completely unsentimental interpreters of the works of Mozart. In this 1986 performance with the Munich Philharmonic, Gulda appeared as usual without traditional concert attire – but with his trademark cap – not only as a pianist but also as musical director. Highlights of the recording include the dramatically moving middle section from the slow movement of the K. 466 Concerto and the finale of the &quot;Coronation&quot; Concerto, played by Gulda with striking contrasts and elan.</video:description>
<video:duration>3943</video:duration>
<video:publication_date>2022-10-17T16:05:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:21:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38E8</loc>
<video:video>
<video:title>Friedrich Gulda: Öffentliche Musikmeditation</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c7d4f743513beb3a90869911b8171ce8216dfcac.jpg</video:thumbnail_loc>
<video:description>Austrian pianist Friedrich Gulda was one of the most intriguing musical figures of the second half of the 20th century. He was piano prodigy, for whom the path towards a conventional career as virtuoso seemed pre-ordained. But Gulda was far from conventional, his musical appetites far wider than such a career could satisfy. And in 1981 he initiated the Munich Klaviersommer, in which he set out to explore his love for jazz, for musical experimentation and boundary-crossing. Few musical events capture that ethos more than this free-form “public music medition” from the festival’s first year, in which Gulda sings and performs on a variety of instruments.</video:description>
<video:duration>1590</video:duration>
<video:publication_date>2025-02-07T15:27:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T14:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3EC8</loc>
<video:video>
<video:title>Chick Corea: The Meeting Solo Pt. 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/24f27ba292ccf5ffae45eab38b2db3997e0afcb0.jpg</video:thumbnail_loc>
<video:description>For the second part of the legendary meeting between Chick Corea and Friedrich Gulda at the 1982 Munich Klaviersommer, the legendary jazz pianist takes to the stage on his own to perform a set that shows the true extent to his astonishing abilities as an improvisor. For the first improvisation, Corea takes Thelonius Monks 1943 standard, &quot;Round Midnight&quot;, as his basis before the rest of the set sees his imagination run entirely free – a tour de force of creativity in the moment and sheer pianistic virtuosity. The result is by turns playful, questioning and hypnotic – and truly memorable.</video:description>
<video:duration>2999</video:duration>
<video:publication_date>2025-03-03T13:11:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T13:46:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CE8</loc>
<video:video>
<video:title>Friedrich Gulda: The Meeting Solo Pt. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f71a761c6bae14002c3b8be3e7db666d715df280.jpg</video:thumbnail_loc>
<video:description>The Munich Klaviersommer was only in its second year when the extraordinary meeting between Friedrich Gulda – the festival&apos;s initiator – and Chick Corea took place, resulting in a concert that perfectly encapsulated the festival&apos;s genre-redefining, boundary-breaking ethos. Each pianist performed a set alone, before coming together for the third set, and here Gulda kicks proceedings off with music by Mozart – his celebrated Sonata in C Major, K. 330 – nestled in with music by Gulda himself and culminating in a playful, virtuosic rendition of Die Reblaus, a song made famous by Austrian actor Hans Moser.</video:description>
<video:duration>2603</video:duration>
<video:publication_date>2025-03-03T12:31:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T13:45:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2C0</loc>
<video:video>
<video:title>Economou plays Mozart: Piano Sonata in F Major, K. 332</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d19c31ad267523e34c223cc2e98e90c2fc4181a6.jpg</video:thumbnail_loc>
<video:description>Nicolas Economou was a pianist of extraordinary range and creativity, as comfortable duetting with a jazz legend like Chick Corea as he was in the high-romantic virtuoso repertoire with which he took the musical world by storm at the 1969 International Tchaikovsky Competition. So there&apos;s something specially compelling about hearing – and seeing – him perform Mozart; in this case, the beloved F major sonata K. 332, captured on the wing during a recital at the 1983 Klaviersommer in Economou&apos;s adopted home of Munich. It&apos;s a playful, delightfully intimate record of an artist whose death, aged 40, came heartbreakingly early.</video:description>
<video:duration>854</video:duration>
<video:publication_date>2025-04-07T14:16:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:08:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0E8</loc>
<video:video>
<video:title>Economou plays Liszt: Piano Sonata in B Minor</video:title>
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<video:description>&quot;Anyone who plays Liszt without nobility passes sentence on himself,&quot; said Alfred Brendel of the Liszt&apos;s mighty B minor Sonata – an accusation that could never be levelled at Nicolas Economou, the remarkable Greek-Cypriot pianist who astonished the world at the 1969 Tchaikovsky Competition in Moscow, and went on to win the esteem of fellow-pianists as varied as Martha Argerich and Chick Corea. This performance, recorded in the Kongressaal, Munich, is especially treasurable, dating as it does from 1983 – just over a decade before Economou&apos;s tragically early death in a car accident at the age of 40.</video:description>
<video:duration>1782</video:duration>
<video:publication_date>2025-04-07T14:10:39Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:07:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0D8</loc>
<video:video>
<video:title>Michel Béroff in Recital: Schoenberg &amp; Debussy</video:title>
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<video:description>The French piano virtuoso Michel Béroff first drew attention for his performances of Messiaen, but his artistry – and his intellect – is far-ranging, and for more than half a century he&apos;s been admired as one of the pre-eminent figures in French piano playing, with students including Seong-Jin Cho. In 1983 he performed at the Munich Klaviersommer in a programme that was typical of his imaginative, insightful approach to the keyboard repertoire, pairing the concentrated expression of Schoenberg&apos;s Piano Pieces Op.19 with a sequence of Debussy&apos;s Préludes at their most imaginative. Two 20th-century giants, in the hands of an understated master.</video:description>
<video:duration>1555</video:duration>
<video:publication_date>2025-03-31T13:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:05:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34CO</loc>
<video:video>
<video:title>Nelson Freire in Recital: Schumann &amp; Chopin</video:title>
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<video:description>“Cannons buried in flowers” was how Robert Schumann described Chopin’s piano music, and this recital from the late Nelson Freire – recorded live in the Kongresssaal, Munich, in 1983 – finds both these romantic masters aiming for the stars. Schumann conceived his Fantasie Op.17 as a homage to Beethoven, and Freire approaches it with an authority that’s matched only by the scope of his imagination. But Chopin always held a special place in the heart of this great Brazilian virtuoso, and Freire delivers supremely insightful interpretations of two of Chopin’s mightiest single-movement masterpieces, as well as the exquisite Berceuse Op. 57.</video:description>
<video:duration>2988</video:duration>
<video:publication_date>2025-01-07T14:19:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T11:59:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ED0</loc>
<video:video>
<video:title>Yannick Nézet-Séguin conducts Bruckner &amp; Strauss – with Angel Blue</video:title>
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<video:description>Every time Yannik Nézet-Séguin returns to the Rotterdam Philharmonic it&apos;s a special occasion. He has been its honorary conductor since 2018 (following a decade as its chief conductor) and the musical relationship is as strong as ever, as this programme of Romantic masterpieces shows. It begins with Richard Strauss&apos;s Four Last Songs, which bask in the melancholy, autumnal glow of the composer&apos;s final years – and which will provide a showcase for the voice and musicianship of superb US soprano Angel Blue. In the second half it&apos;s Bruckner’s remarkable Symphony No. 3, a work dedicated to and inspired by Wagner, in which the composer’s mature musical personality starts powerfully to come to the fore.</video:description>
<video:duration>6142</video:duration>
<video:publication_date>2025-04-23T06:39:55Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T11:52:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGE8</loc>
<video:video>
<video:title>Price: Piano Quintet in A minor: IV. Scherzo: Allegro – Coda</video:title>
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<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2025-04-22T14:13:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:35:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJIC0</loc>
<video:video>
<video:title>Price: Piano Quintet in A minor: III. Juba: Allegro</video:title>
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<video:description></video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-04-22T14:34:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:27:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJIC8</loc>
<video:video>
<video:title>Fauré: Mandoline, Op 58 No 1 </video:title>
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<video:description></video:description>
<video:duration>109</video:duration>
<video:publication_date>2025-04-22T14:50:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:27:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0E0</loc>
<video:video>
<video:title>Böhm conducts Mozart: Symphony No. 39</video:title>
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<video:description>Born in the Austria of the Habsburgs, Karl Böhm was still performing into the age of the Compact Disc – a conductor immersed, body and soul, in the Austro-German symphonic tradition. Böhm&apos;s energy and insight seemed to increase with age, and his pioneering 1960s Mozart symphony cycle has been described (by Gramophone) as &quot;sparkling Mozart, both elegant and vigorous&quot;. This performance of the majestic Symphony No. 39 was recorded in Vienna in 1969 as part of a project to capture Böhm&apos;s Mozart symphonies on film: a labour of love, and a magnificent document of a supreme Mozart interpreter, in his element.</video:description>
<video:duration>1585</video:duration>
<video:publication_date>2025-04-07T14:06:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-16T07:26:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2CG</loc>
<video:video>
<video:title>Bernstein conducts Beethoven: Die Geschöpfe des Prometheus</video:title>
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<video:description>The figure of Prometheus fascinated Beethoven, and with good reason. Both men, after all, snatched fire from the gods and blessed humanity with the creative spirit at its most fearless and unbound. Beethoven&apos;s only ballet score is one of the most original (and entertaining) of his youthful masterpieces and it&apos;s perfect for the ebullient, high-energy approach of Leonard Bernstein. His personal rapport with the Wiener Philharmoniker was all the more special for being so wholly unexpected, and in this performance from 1978, filmed in the Musikverein, they also play another Beethoven rarity – the Hungaria-inspired overture King Stephen.</video:description>
<video:duration>1991</video:duration>
<video:publication_date>2025-04-07T14:35:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T13:05:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3AD8</loc>
<video:video>
<video:title>Oksana Lyniv conducts Mozart, Silvestrov &amp; Haydn – with Alice Sara Ott</video:title>
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<video:description>Oksana Lyniv and Alice Sara Ott plunge right into Mozart&apos;s 13th Piano Concerto at the start of this Munich Philharmonic programme with an ideal sense of playfulness and alert musicality. Mozart also appears in dialogue with Lyniv&apos;s Ukrainian compatriot Valentin Silvestrov in his work The Messanger, which weaves motifs from the Viennese Classical period into a meditative sonic tapestry. To close comes Haydn&apos;s 96th Symphony, which owes its nickname, &quot;The Miracle&quot;, to an anecdote: at a London performance, the story goes, several in the audience apparently got up from their seats and walked to the stage, thereby saving themselves from a falling chandelier. </video:description>
<video:duration>3784</video:duration>
<video:publication_date>2022-11-14T10:02:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T11:05:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32CG</loc>
<video:video>
<video:title>20 Years of Spring Festival in Tokyo</video:title>
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<video:description>The largest classical music festival in Japan, the Spring Festival in Tokyo was founded in 2005 and runs every year from mid March to mid April. Timed to coincide with the arrival of spring in the city – heralded in the historic Ueno district every year by a spectacular explosion of cherry blossoms – the festival features a superb line-up of international and Japanese performers presenting a varied programme of opera, orchestral music, chamber concerts and instrumental recitals alongside more informal open-air performances and events. </video:description>
<video:duration>1152</video:duration>
<video:publication_date>2024-04-02T09:45:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T10:47:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GDO</loc>
<video:video>
<video:title>Benjamin Bernheim and Julie Fuchs star in Gounod&apos;s Roméo et Juliette</video:title>
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<video:description>A dream cast for an operatic favourite: two francophone stars, Benjamin Bernheim and Julie Fuchs, sing the title roles in Roméo et Juliette. Premiered in 1867 in Paris and an immediate hit, Gounod&apos;s work emphasizes the lyrical in its adaptation of Shakespeare&apos;s tragic tale of literature&apos;s most famous &quot;star-crossed lovers&quot;, including several famous arias (Juliette&apos;s &quot;Je veux vivre&quot; and Roméo&apos;s &quot;Ah! Lève toi, soleil!&quot;) and duets – not least the moving final scene. Ted Huffman&apos;s minimalist 2023 production at Opernhaus Zürich distills the drama down to its essence to powerful effect, while the Philharmonia Zürich provides idiomatic accompaniment under conductor Roberto Forés Veses.</video:description>
<video:duration>8506</video:duration>
<video:publication_date>2023-10-23T09:58:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-11T10:56:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ICO</loc>
<video:video>
<video:title>Harnoncourt conducts Weber: Der Freischütz</video:title>
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<video:description>Deep in the German forest, dark forces stir. Weber’s masterpiece Der Freischütz opened a new and spine-tingling chapter in 19th-century opera, and with its hunting choruses and gothic atmosphere, this tale of a young huntsman ensnared by demonic forces remains one of the great operatic thrillers. It’s natural territory for a conductor with Nikolaus Harnoncourt’s sense of history (and of colour), and Ruth Berghaus’s powerful modernist re-imagining was one of the highlights of his long creative relationship with Opernhaus Zürich. Swedish soprano Inga Nielsen (Agathe) and the great German tenor Peter Seiffert (Max) head a world-beating cast in this performance from 1999.</video:description>
<video:duration>9454</video:duration>
<video:publication_date>2024-07-30T12:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-11T10:54:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJACO</loc>
<video:video>
<video:title>Welser-Möst conducts Berg: Lulu </video:title>
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<video:description>Alban Berg&apos;s final opera Lulu is like nothing else in 20th-century theatre. A psychodrama of a woman and her sexuality in a corrupt (and corrupting) world, it&apos;s set to music of shattering power and iridescent sensuality; an opera to disturb and seduce in equal measure. This 2001 staging from Zurich Opera made a powerful impression on critics at the time, with soprano Laura Aikin compelling as the morally ambivalent heroine, and Franz Welser-Möst drawing lustrous playing from the orchestra. Director Sven-Erich Bechtolf, meanwhile, calls on pop culture and Weimar cabaret to explore the dark underbelly of an opera that never gets any less compelling.</video:description>
<video:duration>7762</video:duration>
<video:publication_date>2024-10-22T13:05:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-11T10:53:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GCG</loc>
<video:video>
<video:title>Harnoncourt conducts Mozart: Symphony No. 31 &quot;Paris&quot;</video:title>
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<video:description>When the young Mozart arrived in Paris, he was out to impress – and he reacted with delight when an audience of connoisseurs applauded his &quot;Paris&quot; symphony almost as soon as it began. Two centuries later, in Vienna&apos;s Musikverein, Nikolaus Harnoncourt captures that same sense of daring in this performance with the Wiener Philharmoniker. As a pioneering scholar of 18th-century performance practice, Harnoncourt saw Mozart&apos;s music as &quot;dramatic, dynamic, often directly and highly emotional&quot;, and combined with the golden sound and effortless phrasing of this great Viennese orchestra, this is Mozart playing of unrivalled authority, freshness and style.</video:description>
<video:duration>1170</video:duration>
<video:publication_date>2025-03-10T11:44:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:18:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GCO</loc>
<video:video>
<video:title>Harnoncourt conducts Schubert: Symphony No. 4 &quot;Tragic&quot;</video:title>
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<video:description>&quot;Tragic&quot; was Schubert&apos;s own description of his Symphony No.4 in C minor, but this being Schubert, it actually deals with the whole spectrum of human emotion: tenderness, humour and bubbling joy, with some simply glorious melodies along the way. No orchestra understands Schubert&apos;s style like the Wiener Philharmoniker, and no conductor bridged the divide between historic performance scholarship and Viennese tradition with more grace (or authority) than the late Nikolaus Harnoncourt. This performance from 1984, filmed in the beautiful surroundings of Vienna&apos;s Musikverein is a near-ideal meeting of musical hearts and minds in the city that Schubert called home.</video:description>
<video:duration>2112</video:duration>
<video:publication_date>2025-03-10T12:12:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:17:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3EC0</loc>
<video:video>
<video:title>Richter conducts Bach: Mass in B Minor</video:title>
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<video:description>Karl Richter and the Münchener Bach-Chor and Münchener Bach-Orchester perform Bach&apos;s mighty B Minor Mass – one of the composer&apos;s crowning achievements, in which a lifetime of unparalleled creativity comes together in one of the grandest musical monuments to faith. And in Richter&apos;s hands – with soloists including Gundula Janowitz and Hermann Prey – the work&apos;s monumentality comes across in full. This 1969 performance, filmed in the atmospheric Stiftskirche Marienmünster in Dießen am Ammersee, some 30 km south west of Munich, has lost of its power to move.</video:description>
<video:duration>7791</video:duration>
<video:publication_date>2025-03-03T12:52:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:17:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJEE0</loc>
<video:video>
<video:title>Böhm conducts Mozart: Die Entführung aus dem Serail</video:title>
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<video:description>Legendary Mozartian Karl Böhm presides over this classic performance of Die Entführung aus dem Serail filmed at the Bayerische Staatsoper in 1980. Director August Everding set out to stage Mozart’s popualar singspiel as a sunny comic opera but without neglecting the “depth” required by the composer. The comic characters, accordingly, are not mere caricatures: their humanity is explored to the full. And with a cast featuring Edita Gruberová as Konstanze, Franciso Araiza as Belmonte and Martti Talvela as Osmin, the result is truly a performance to treasure.</video:description>
<video:duration>8809</video:duration>
<video:publication_date>2024-11-11T14:35:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:16:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGDG</loc>
<video:video>
<video:title>Wagner: Parsifal - Act III: “Höchsten Heiles Wunder!”</video:title>
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<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2025-04-08T14:11:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T13:24:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32E8</loc>
<video:video>
<video:title>Kit Armstrong: Keyboard Music Chronicles 1620–1720 Contrast</video:title>
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<video:description>Few artists would undertake such an ambitious project as Kit Armstrong&apos;s survey of keyboard music across the centuries – a pianistic tour-de-force and a compelling demonstration of Armstrong&apos;s intellect and musicological curiosity. In this concert he explores the many contrasts in styles between different national schools – as well as the crosscurrents between them – during the Baroque period. J. S. Bach is represented at first by his Lutheran Choral Preludes and then by his brilliant Vivaldi transcription BWV 980 and Chromatic Fantasia and Fugue. In between comes Handel&apos;s celebrated Fifth Suite as well as works by English and French composers. An encore by C. P. E. Bach, meanwhile, looks forward to the next concert in the series. </video:description>
<video:duration>5019</video:duration>
<video:publication_date>2023-07-14T06:38:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:59:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34C0</loc>
<video:video>
<video:title>Kit Armstrong: Keyboard Music Chronicles 1720–1820 Enlightenment</video:title>
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<video:description>Few artists would undertake such as Kit Armstrong&apos;s Keyboard Music Chronicles, surveying several centuries of music – not only a pianistic tour-de-force, but a compelling demonstration of Armstrong&apos;s questing intellect and musicological curiosity. For this central concert in the series, he charts the different musical developments that accompanied the Enlightenment, from J.S. Bach&apos;s revolutionary Well Tempered Clavier – composed to demonstrate the advantages of keyboard instruments tuned to equal temperament – through Sturm und Drang Haydn and perfectly balanced Mozart to the proto-Romantic fantasies of C.P.E Bach and Beethoven&apos;s &quot;Moonlight&quot; Sonata.</video:description>
<video:duration>5246</video:duration>
<video:publication_date>2023-07-14T11:19:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:59:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6DO</loc>
<video:video>
<video:title>Kit Armstrong: Keyboard Music Chronicles 1820–1920 Visions </video:title>
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<video:description>Few artists would undertake such an ambitious project as Kit Armstrong&apos;s survey of keyboard music across the centuries – a pianistic tour-de-force and a compelling demonstration of Armstrong&apos;s intellect and musicological curiosity. In this concert he covers music from 1820 to 1920, a time of remarkable development and upheaval, as demonstrated in music ranging from Chopin&apos;s haunting nocturnes via works by Debussy and Liszt to Schoenberg&apos;s Six Little Piano Pieces, Op. 19 and Leo Ornstein&apos;s modernist Suicide in an Airplane of 1913.</video:description>
<video:duration>5475</video:duration>
<video:publication_date>2023-07-14T11:55:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:59:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6DG</loc>
<video:video>
<video:title>Jan Lisiecki and Friends perform Chamber Music Favourites by Brahms</video:title>
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<video:description>Jan Lisiecki and a superb line-up of Japanese string players present an evening featuring two of Brahms&apos;s most beautiful chamber works. The Canadian pianist takes centre stage in the expansive Second Piano Quartet, completed in 1861 and premiered the following year with Brahms himself at the piano – a meltingly lyrical work in which the composer mixes chamber music intimacy with symphonic scale. Composed some three decades later, the String Quintet No.2 was originally conceived to be Brahms&apos;s final work. It reflects the economy and mastery of the composer&apos;s late style, with its beautiful Adagio, in particular, shot through with a moving sense of melancholy.</video:description>
<video:duration>6059</video:duration>
<video:publication_date>2023-07-13T14:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8E0</loc>
<video:video>
<video:title>Buchbinder plays Beethoven: &quot;Pathétique&quot; &amp; &quot;Waldstein&quot; Sonatas &amp; more</video:title>
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<video:description>The year 2024 sees the Spring Festival in Tokyo – Japan’s largest classical music festival – celebrate its 20th anniversary. A central pillar of the programme is a complete cycle of Beethoven’s piano sonatas performed by one of its most eminent exponents: Austrian pianist Rudolf Buchbinder. For this, the first of two concerts broadcast live on STAGE+, he presents two of the best known sonatas, the impassioned “Pathétique” and the expansive “Waldstein”, alongside three other works: the two brief sonatas Op. 49 No. 2 and Op. 79 and the ebulliant and ambitious Sonata in B Flat, Op. 22. </video:description>
<video:duration>5329</video:duration>
<video:publication_date>2024-03-27T12:55:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8E8</loc>
<video:video>
<video:title>Buchbinder plays Beethoven: Sonatas Opp. 109, 110 &amp; 111 </video:title>
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<video:description>The year 2024 sees the Spring Festival in Tokyo – Japan’s largest classical music festival – celebrate its 20th anniversary. A central pillar of the programme this year is a complete cycle of Beethoven’s piano sonatas performed by one of its most eminent exponents: Austrian pianist Rudolf Buchbinder. For this, the second of two concerts broadcast live on STAGE+, he performs the remarkable final three sonatas, including some of Beethoven’s most personal, moving and sometimes experimental music – a towering final trilogy of works to which Buchbinder brings a lifetime’s experience.</video:description>
<video:duration>4211</video:duration>
<video:publication_date>2024-03-28T09:51:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJED0</loc>
<video:video>
<video:title>Yuja Wang and Gautier Capuçon play Chopin</video:title>
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<video:description>From a 2020 concert at the Philharmonie de Paris, friends and fellow virtuosos Yuja Wang and Gautier Capuçon perform works for cello and piano by Frédéric Chopin. The composer&apos;s late Cello Sonata and his early Introduction and Polonaise brillante, Op. 3 count among only a small number of works he produced that weren&apos;t for solo piano, but nevertheless feature virtuosic piano writing, while Chopin&apos;s remarkable gift for melody finds an ideal outlet in the cello.</video:description>
<video:duration>2442</video:duration>
<video:publication_date>2023-05-15T10:43:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:15:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8D8</loc>
<video:video>
<video:title>Daniel Harding conducts Tosca – with Buratto, Tetelman &amp; Tézier</video:title>
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<video:description>Daniel Harding kicks off his tenure as the new music director of the Orchestra and Choir of the Accademia di Santa Cecilia in dramatic style conducting Puccini&apos;s ever-popular operatic thriller for the first time in his career. The concert performance, which also form part of celebrations of the 100th anniversary of the composer&apos;s death, features a dream cast: acclaimed tenor Jonathan Tetelman sings Cavaradossi alongside Eleonora Buratto&apos;s Tosca, while French baritone Ludovic Tézier sings Baron Scarpia, the brutal chief of police who proves their undoing. </video:description>
<video:duration>7534</video:duration>
<video:publication_date>2024-10-24T18:03:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT</video:restriction>
</video:video>
<lastmod>2025-04-08T09:55:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6CG</loc>
<video:video>
<video:title>DG 120 Gala concert at the Berlin Philharmonie – with Lang Lang</video:title>
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<video:description>Filmed live at a special concert in Berlin to celebrate 120 years of the Yellow Label, Lang Lang joins Manfred Honeck and the Staatskapelle Berlin for Mozart&apos;s Piano Concerto in C Minor, K. 491. One of the composer&apos;s most ambitious and forward-looking works in the genre, it features a first movement of intense drama, a beautifully tender Larghetto and a theme-and-variations final movement which brings the work to powerful conclusion. Often seen as anticipating the music of Beethoven, it is here performed alongside two of the overtures the composer produced to introduce different versions of his only opera, Fidelio, while Lang Lang provides contrast with his choice of encore, Chopin&apos;s Grande valse brillante, Op. 18.</video:description>
<video:duration>3800</video:duration>
<video:publication_date>2023-02-22T10:23:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CCO</loc>
<video:video>
<video:title>Forbidden City Concert – with Daniil Trifonov, Mari Samuelsen &amp; Co. </video:title>
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<video:description>In 2018, 17 years since a classical music event was last staged at the location, Deutsche Grammophon celebrated its 120th anniversary with a special concert at the myth-enshrouded Forbidden City in Beijing. It&apos;s hard to think of a more spectacular setting than the 15th-century palace complex; and the concert boasts a suitably star-studded lineup of soloists joining the Shanghai Symphony Orchestra: Daniil Trifonov in Rachmaninoff&apos;s sweepingly Romantic Second Piano Concerto, violinist Mari Samuelsen in atmospheric music by Max Richter, and a superb trio of singers – along with the Vienna Singverein – in Carl Orff&apos;s Carmina Burana, whose archaic force fits perfectly into the uniquely impressive setting.</video:description>
<video:duration>6796</video:duration>
<video:publication_date>2022-11-18T16:44:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:31:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32DO</loc>
<video:video>
<video:title>DG125 – John Williams in Tokyo</video:title>
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<video:description>In September 2023, film music legend John Williams made a hotly anticipated appearance with the Saito Kinen Orchestra as part of the Seiji Ozawa Matsumoto Festival in Tokyo. For this very special musical event, filmed in Tokyo&apos;s renowned Suntory Hall as part of Deutsche Grammophon&apos;s 125th anniversary celebrations, he takes up the baton to conduct music from some of his most iconic scores: from Superman, Schindler&apos;s List and the Star Wars and Harry Potter films. The first half of the concert, featuring music from the films E.T. and Far and Away, as well as Sound The Bells! and a musical tribute to Seiji Ozawa, was conducted by Williams&apos;s colleague and friend Stéphane Denève.</video:description>
<video:duration>6502</video:duration>
<video:publication_date>2024-09-02T13:23:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:30:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34CG</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Sound and Design</video:title>
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<video:description></video:description>
<video:duration>781</video:duration>
<video:publication_date>2024-05-16T14:20:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34C8</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Recording History </video:title>
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<video:description></video:description>
<video:duration>1030</video:duration>
<video:publication_date>2024-05-16T14:13:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:29:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJECG</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Early Days and a 125th Birthday </video:title>
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<video:description></video:description>
<video:duration>739</video:duration>
<video:publication_date>2023-12-05T17:22:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:28:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJIDG</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Artists and Microphones</video:title>
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<video:description></video:description>
<video:duration>812</video:duration>
<video:publication_date>2023-12-15T16:21:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-04-07T14:28:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38C0</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories – Shaping the Future</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a589406ac04cea70f067a8e8d017af81fb31b003.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>852</video:duration>
<video:publication_date>2024-07-01T12:23:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:28:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DO</loc>
<video:video>
<video:title>Mutter, Ma &amp; Barenboim play Beethoven&apos;s Triple Concerto </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a0aed1cb4b149022411188c936f6fc62c7605a4f.jpg</video:thumbnail_loc>
<video:description>One can hardly imaging a starrier line-up for Beethoven&apos;s Triple Concerto than Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim – not only three of today’s most renowned classical artists, but also celebrated Beethoven interpreters in their own right. They come together for a special performance in Berlin that marks a triple celebration: Beethoven’s 250th birthday, the 40th anniversary of the first recording of the concerto by Mutter and Ma under Herbert von Karajan, and the 20th birthday of Barenboim&apos;s West-Eastern Divan Orchestra. With its memorable themes, lyrically sustained middle movement and buoyant finale, the Triple Concerto proves an ideal fit for this special occasion, captured in Berlin&apos;s Philharmonie. </video:description>
<video:duration>2486</video:duration>
<video:publication_date>2022-06-29T12:44:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T12:29:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJG</loc>
<video:video>
<video:title>Daniel Lozakovich plays Beethoven&apos;s Violin Concerto </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5448d7623d7f22aa523e6f7f3bb7d12d2b7ccc58.jpg</video:thumbnail_loc>
<video:description>For Daniel Lozakovich, Beethoven&apos;s Opus 61 is the greatest concerto ever written, with its incredible purity, the simplicity of its material, the clarity with which it is written and the heavenly beauty of its themes. Indisputable for the 19 year old Swedish violinist is an equal balance between the soloist and the orchestra and is why it was important that he perform together with his mentor, Valery Gergiev. Together with the Munich Philharmonic, Lozakovich showcases flawless intonation and musical comprehension that goes well beyond his years, once again demonstrating his mature approach and apparently unlimited technical capabilities, distinctly discernible also in the closing Bach Sonata.</video:description>
<video:duration>3225</video:duration>
<video:publication_date>2022-05-06T12:43:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T12:26:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGD8</loc>
<video:video>
<video:title>The Singer Thomas Quasthoff</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/05296535e4015957c747a63003b5ed6dc90aad7d.jpg</video:thumbnail_loc>
<video:description>Before announcing his retirement from public performance in 2012, bass-baritone Thomas Quasthoff was one of the world&apos;s leading lieder and oratorio singers. A victim of Thalidomide, he initially avoided opera, only taking on specific roles later in his career. Much of this 1994 portrait is devoted to footage of Quasthoff in rehearsal and performance. He is seen meticulously preparing for a recording of Schubert songs; working with composer Aribert Reimann on a particularly difficult piece, written specially for him; and singing music by Bach, Brahms, Mahler and Loewe. Thoughtful, intelligent and charming, Quasthoff also talks about his life, his career and what plans he had for the future.</video:description>
<video:duration>3516</video:duration>
<video:publication_date>2025-03-31T13:51:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T08:45:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32C0</loc>
<video:video>
<video:title>Bernstein conducts Bernstein: The Age of Anxiety</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/58647c972f87f6d9f5b64d7ca759fb9ae1e1880b.jpg</video:thumbnail_loc>
<video:description>At the Leonard Bernstein Festival in London in 1986, the conductor and composer directs the performance of his Second Symphony, first performed in 1949. Entitled &quot;The Age of Anxiety&quot;, the work was inspired by a poem of the same name by W.H. Auden which addresses the search for faith in a post-war society. The symphony mirrors the moods depicted in the story of four strangers who reflect on their lives and the human condition, tracing existence from infancy to death. Performed in the presence Queen Elizabeth and the Duke of Edinburgh at the Barbican Centre, the autobiographical piano part with imposing cadenza is played by Krystian Zimerman, a long-time musical partner of Bernstein.</video:description>
<video:duration>2543</video:duration>
<video:publication_date>2022-10-31T14:55:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-04T14:57:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6CO</loc>
<video:video>
<video:title>Lang Lang &amp; Andris Nelsons: Saint-Saëns&apos;s Piano Concerto No. 2 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d932ebda491fd6d08b643f57500977d7792ce53b.jpg</video:thumbnail_loc>
<video:description>Chinese superstar Lang Lang is the soloist in Saint-Saëns&apos;s scintillating Piano Concerto No.2, joining the Gewandhausorchester and Gewandhauskapellmeister Andris Nelsons. One of the composer&apos;s most popular works, the second concerto was written in just 17 days in the spring of 1868 and was once humorously described as &quot;beginning like Bach and ending like Offenbach&quot;. Its different styles certainly offer the virtuoso pianist the opportunity to display all sides of his or her technique – as Lang Lang does to scintillating effect here. The Bach-inspired first movement, meanwhile, provides the inspiration for the rest of the programme, which features rare and fascinating Bach orchestrations by Mahler, Elgar and Reger.</video:description>
<video:duration>5405</video:duration>
<video:publication_date>2024-03-29T15:55:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-04-04T10:10:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CD8</loc>
<video:video>
<video:title>Rising Stars: Theodore Platt, Baritone</video:title>
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<video:description>The British-Russian baritone Theodore Platt joins the Rising Stars series on STAGE+ with a recital showcasing his wide-ranging talent. He is joined by pianist Keval Shah for a programme featuring songs in no fewer than five languages and culminating in an extract from one of the great baritone roles in English opera: the eponymous innocent you sailor in Benjamin Britten&apos;s Billy Budd. The performances, as ever, are interspersed with interviews, which offer an insight into what inspires and moves this fast-rising singer – the perfect complement his compelling performances.</video:description>
<video:duration>2197</video:duration>
<video:publication_date>2025-02-26T10:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T14:17:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3AC8</loc>
<video:video>
<video:title>Nobuyuki Tsujii in Recital: Bach, Liszt, Ravel &amp; Kapustin</video:title>
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<video:description>In this concert streaming live from the 2024 Verbier Festival, Japanese pianist Nobuyuki Tsujii charts the course of keyboard music from the 18th to the 20th century, taking in a wide variety of styles and influences. He begins with the French dance movements that pervade Bach’s optimistic French Suite No. 5. Liszt then takes us to Italy with the folk-inspired music of Venice and Naples in his supplement to the second of his Annèes de pèlerinage. The second half of the concert launches into the 20th century, first with Ravel’s tender Pavane pour une infante défunte before moving onto the brilliant jazz-infused musical world of Nikolai Kapustin and his virtuosic Concert Études, Op. 40.  </video:description>
<video:duration>5032</video:duration>
<video:publication_date>2024-07-24T08:39:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T12:23:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0CO</loc>
<video:video>
<video:title>Willi Boskosky &amp; Wiener Philharmoniker: Vienna in Music II</video:title>
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<video:description>No orchestra embodies its city quite like the Wiener Philharmoniker, and no conductor understood the spirit of Vienna better than Willi Boskovsky, who for 24 years made the famous New Year&apos;s Day concert his own. In the second part of this magical cinematic guide to Vienna, Boskovsky and the Philharmoniker take the viewer on a visual tour of their city, from the tranquillity of the Vienna Woods to the bustle and splendour of the Ringstrasse. Naturally, it&apos;s all accompanied by the music of the Strauss family and their Viennese contemporaries: waltzes, polkas and other favourite melodies, played with authentic – and irresistible – Viennese style.</video:description>
<video:duration>3718</video:duration>
<video:publication_date>2025-03-31T12:29:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T10:36:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0CG</loc>
<video:video>
<video:title>Willi Boskosky &amp; Wiener Philharmoniker: Vienna in Music I</video:title>
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<video:description>For a quarter of a century, Willi Boskovsky was the director of the Wiener Philharmoniker&apos;s New Year&apos;s Day concert, and no conductor is more synonymous with the music of the Strauss family – or that elusive, irresistible quality known as Viennese style. In this delightful TV film from 1973, the music of Johann and Josef Straus, as well their less celebrated contemporary Ziehrer, is the soundtrack to a magical cinematic tour of the Imperial City itself. The camera takes you from suburban wine gardens to aristocratic palaces – all accompanied by Boskovsky&apos;s inimitable performances of The Blue Danube, the Pizzicato Polka and many, many more.</video:description>
<video:duration>3630</video:duration>
<video:publication_date>2025-03-31T12:10:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T10:35:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3IDG</loc>
<video:video>
<video:title>Anoushka Shankar - In Memoriam Yehudi Menuhin</video:title>
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<video:description>As part of the Konzerthaus Berlin&apos;s celebrations to mark the centenary of the birth of Yehudi Menuhin, Anoushka Shankar – whose father, Ravi, was a close personal friend of the great violinist – presented special concert of Indian music, mixing popular song with traditional Raggas. For the event, Shankar invited violinist Patricia Kopatschinskaja – a musician renowned for her boundary breaking performance style – to join her and her international colleagues to add an extra dimension of virtuosity and musical interplay.</video:description>
<video:duration>3725</video:duration>
<video:publication_date>2023-01-04T14:55:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T12:52:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CD8</loc>
<video:video>
<video:title>Der Rosenkavalier – Herbert von Karajan</video:title>
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<video:description>The opening of the Großes Festspielhaus in Salzburg in 1960 helped reestablish the Salzburg Festival as a major player on the international music scene. And Salzburg-born conductor Herbert von Karajan was not only instrumental in this development but also conducted the first opera to be performed in the grand new theatre, Der Rosenkavalier, created by two of the Festival’s founding fathers, Richard Strauss and Hugo von Hofmannsthal. This documentary returns to that groundbreaking event, with interviews with artists including Franz Welser-Möst, Anna Prohaska and Günther Groissböck, while also accompanying Austrian polymath André Heller as he fulfils a long-cherished dream, directing a new production of Der Rosenkavalier in Berlin.</video:description>
<video:duration>3281</video:duration>
<video:publication_date>2024-08-19T12:03:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T12:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34D0</loc>
<video:video>
<video:title>The Juilliard String Quartet plays Beethoven and Widmann</video:title>
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<video:description>According to Jörg Widmann, Beethoven&apos;s Opus 130 represents the &quot;string quartet of string quartets&quot;. His own Eighth and Tenth Quartets were written in response to the Viennese master&apos;s late work, in particular its famous slow movement, titled &quot;Cavatina&quot;. In this unmissable concert from Berlin&apos;s Pierre Boulez Saal, the famed New York–based Juilliard String Quartet frames Widmann&apos;s &quot;Beethoven Studies&quot; with their historical model, including both its traditional version and the Grosse Fuge, the work&apos;s original finale – a fascinating juxtaposition of a 19th-century masterpiece and 21st-century music inspired by it.   </video:description>
<video:duration>6305</video:duration>
<video:publication_date>2025-03-31T13:08:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T11:45:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJA</loc>
<video:video>
<video:title>Tanglewood Music Festival 2021: John Williams &amp; Anne-Sophie Mutter</video:title>
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<video:description>More than 45 years after composing his first, film music legend John Williams presents his Second Violin Concerto. Written for his good friend superstar violinist Anne-Sophie Mutter, the concerto was composed as part of a collaborative process between the two and highlights Mutter&apos;s affinity for jazz. Ambitious in scope, this important new addition to the violin repertoire was premiered in this concert at the Tanglewood Festival, with Mutter as soloist and Williams conducting the Boston Symphony Orchestra. Completing the programme are works by American composer-violinist Jessie Montgomery, Aaron Copland, and the 1919 Suite from Stravinsky&apos;s ballet The Firebird, conducted by the orchestra&apos;s music director Andris Nelsons. </video:description>
<video:duration>5298</video:duration>
<video:publication_date>2022-06-01T13:37:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T09:49:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36C0</loc>
<video:video>
<video:title>Anton Mejias in Recital: Bach and Lasser</video:title>
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<video:description>The young Finnish-Cuban pianist Anton Mejias is already gaining a reputation as one of the most exciting young keyboard talents of his generation. He has been fascinated by Bach from a young age, having already learned his complete Well-Tempered Clavier already by the age of ten. In this concert filmed in Dresden’s Palais im Großen Garten in 2024, he performs the second book from that groundbreaking set interspersed with the 12 Preludes that make up American composer Philip Lasser’s “The Art of Memory” – a co-commission by the Dresdner Musikfestspiele and Newport Classical here receiving its premiere. The result promises to be a fascinating, revealing dialogue between old and new, as well as dazzling showcase of this young pianist’s talent.</video:description>
<video:duration>8122</video:duration>
<video:publication_date>2025-03-24T13:56:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T07:06:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3G</loc>
<video:video>
<video:title>Gala from Berlin 2009 – with Simon Rattle &amp; Lang Lang </video:title>
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<video:description>Lang Lang, virtuoso pianist and global inspiration for piano students everywhere, performs at the Berliner Philharmoniker Gala Concert under the direction of Simon Rattle. On the programme are two Russian composers: Sergei Rachmaninoff and Pjotr Iljitsch Tchaikovsky. After the unsuccessful premiere of his First Symphony, Rachmaninoff found himself in a deep creative crisis, for which he needed medical treatment. Only then was he able to begin work on his Second Piano Concerto that was celebrated as a success worldwide. In this performance, Lang Lang daringly masters the technically challenging solo part before the orchestra takes the audience into a dream world with a performance of Tchaikovsky&apos;s world-famous ballet The Nutcracker.</video:description>
<video:duration>5980</video:duration>
<video:publication_date>2022-05-11T15:40:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-31T14:48:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGCO</loc>
<video:video>
<video:title>On Johannes Brahms: The Piano Concertos</video:title>
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<video:description></video:description>
<video:duration>2532</video:duration>
<video:publication_date>2025-03-28T13:24:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-31T10:48:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32DG</loc>
<video:video>
<video:title>Seong-Jin Cho plays Ravel: Piano Masterpieces </video:title>
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<video:description>Ravel’s piano music represents one of the most important bodies of work composed for the instrument in the first half of the 20th century: a collection of masterpieces that contain the distilled essence of this great composer’s art. And few pianists today are better equipped to tackle them than Seong-Jin Cho, a musician whose art marries apparently effortless technical brilliance with sensitivity, imagination and unfailing musicality. Filmed in concert at New York’s legendary Carnegie Hall, he here presents three favourite Ravel piano masterpieces – Gaspard de la nuit, Valses nobles et sentimentales and Le Tombeau de Couperin – alongside the delicate Prelude in A minor.</video:description>
<video:duration>4302</video:duration>
<video:publication_date>2025-03-26T14:21:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-28T08:53:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3IE0</loc>
<video:video>
<video:title>Richard Strauss: Orchestral Songs II &quot;Befreit&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3dfebffbc28837fc6b64c330bc480df878c932d9.jpg</video:thumbnail_loc>
<video:description>Richard Strauss was a master of orchestral colour, but he was also a supreme songwriter, drawing endless inspiration from the treasures of German poetry and the tradition of Schubert and Schumann. For this 1994 celebration of Strauss&apos;s orchestral songs, recorded live in the composer&apos;s adopted hometown of Garmisch-Partenkirchen, conductor Roberto Abbado and the Münchner Rundfunkorchester are joined by four outstanding sopranos. The programme features lullabies, visions of nature, and the poetry of Clemens Brentano, as well as a rare performance of Die heiligen drei Könige – Strauss&apos;s expansive, typically colourful retelling of the Nativity story. </video:description>
<video:duration>3035</video:duration>
<video:publication_date>2025-03-19T16:47:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T17:39:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3IDO</loc>
<video:video>
<video:title>Richard Strauss: Orchestral Songs III &quot;Im Abendrot&quot;</video:title>
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<video:description>At the end of a long career, Richard Strauss looked back across a lifetime of songwriting and heard two larks soaring into the gathering dusk. Strauss&apos;s Four Last Songs are more than just the radiant sunset of a great creative life: they&apos;re probably the best-loved of all orchestral Lieder. But the ecstatic, visionary Hölderlin-Hymnen are every bit as ravishing, and in this concert – recorded live in 1994 in Garmisch-Partenkirchen – these complementary song cycles are ideal vehicles for the voices of Pamela Coburn and Ruth Falcon, two American sopranos who ranked among the supreme Straussians of their generation.</video:description>
<video:duration>2655</video:duration>
<video:publication_date>2025-03-19T16:40:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T17:34:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJGC8</loc>
<video:video>
<video:title>La voce in bellezza</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c8997ab5b5d018bb442c47327fc29cc0595954a6.jpg</video:thumbnail_loc>
<video:description>The most talented young singers from all over the world converge at the Zurich Opera Studio for one year to prepare for the world’s major opera stages. The Mexican star tenor Francisco Araiza assists them in determining their own musical personality. “Let me hear your voice,” says Araiza, “and I’ll tell you who you are.” The film illustrates how the young singers bring to life all the dramas involving unrequited love and vulnerability, trust and betrayal, while transporting the audience to the poetic space that they manifest with their voices.</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2025-03-24T13:54:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T11:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJAE0</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas III</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e2359537117131ae4c3a326cde83ff7aae30fddf.jpg</video:thumbnail_loc>
<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5515</video:duration>
<video:publication_date>2025-03-14T11:28:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-26T15:53:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GD8</loc>
<video:video>
<video:title>Economou plays Beethoven: Six Bagatelles, Op. 126</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a0ec1c707d8a75c542f7d228273ef213e2bd699f.jpg</video:thumbnail_loc>
<video:description>A game, a joke; a short unpretentious miniature – however you define a Bagatelle, there&apos;s no question that in Beethoven&apos;s hands, these small, superbly crafted piano pieces can contain whole musical worlds. For a musical polymath like the Cypriot pianist Nicolas Economou, they were a source of profound fascination and delight, qualities that shine through in this live performance from the summer of 1982, recorded in the Kongresssaal in Munich. Though he was only 28 at the time, Economou had little more than a decade left to live, making any document of his artistry a rare and precious thing. This is no exception.</video:description>
<video:duration>1215</video:duration>
<video:publication_date>2025-03-10T12:26:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-26T11:06:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ID0</loc>
<video:video>
<video:title>Dag Achatz plays Stravinsky: Le Sacre du printemps</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9a0cca627f4c16648248b1a56b4086ac2efd4c9b.jpg</video:thumbnail_loc>
<video:description>As a composer himself, the veteran Swedish piano virtuoso Dag Achatz brings a creator&apos;s insight to everything he touches – and never more so than in this performance of his own solo piano version of Stravinsky&apos;s Le Sacre du printemps. Stravinsky himself created a two-piano version of his revolutionary ballet, but Achatz goes further: transforming Stravinsky&apos;s explosive rhythms and blazing textures into an electrifying, fiercely intelligent showcase for his own peerless solo pianism. &quot;The rising excitement towards the end is extraordinary&quot; wrote one critic of Achatz&apos;s commercial recording; this live performance (captured in Munich in 1984) is more dazzling still.</video:description>
<video:duration>1889</video:duration>
<video:publication_date>2025-03-19T15:36:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T11:59:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3IE8</loc>
<video:video>
<video:title>Kremer plays Vivaldi: The Four Seasons</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/01f5fffd133dca29a0a638eec73711fe42c07344.jpg</video:thumbnail_loc>
<video:description>Filmed in the beautiful baroque library at Polling Abbey near Munich, Gidon Kremer tackles one of the best-known works in classical music: Vivaldi&apos;s Four Seasons – the first four of twelve concertos published as Il cimento dell&apos;armonia e dell&apos;inventione (The Contest Between Harmony and Invention) in 1825. Each concerto shows Vivaldi&apos;s inexhaustible invention in describing each season in brilliant detail – from chirping birds to barking dogs, dramatic storms to numbing cold – while also showing the composer&apos;s brilliant gift for memorable melodies. In this 1981 performance, Kremer brings characteristic virtuosity and questing imagination to music that retains its freshness and directness to this day.</video:description>
<video:duration>2589</video:duration>
<video:publication_date>2025-03-19T16:59:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T10:57:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJID8</loc>
<video:video>
<video:title>Boulez conducts Mahler: Symphony No. 2 in C Minor, &quot;Resurrection&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f35dd2509c29bd9f1075e28673b2eeff047a252e.jpg</video:thumbnail_loc>
<video:description>In addition to contemporary works and the classics of musical modernism, the great French conductor Pierre Boulez was always intensively involved with Mahler&apos;s symphonies, and few conductors brought to the works so clear a sense of structural cohesion. In 2005, on his 80th birthday – an age belied here by his alert and dynamic direction – Boulez conducted this performance of Mahler&apos;s Second Symphony, culminating in an account of the moving final chorus that proved powerfully effective while also eschewing all sentimentality.</video:description>
<video:duration>5352</video:duration>
<video:publication_date>2022-10-18T10:34:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T10:07:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJEE8</loc>
<video:video>
<video:title>On Puccini’s Opera &apos;Tosca&apos;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/65bc497775ce5a1adc08ec0d472d19883be93a66.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>441</video:duration>
<video:publication_date>2025-03-19T14:54:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-24T10:35:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCDG</loc>
<video:video>
<video:title>The Music of Howard Shore: The Lord of the Rings </video:title>
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<video:description>Ludwig Wicki conducts the Orchestre Philharmonique de Radio France and the choruses of Radio France in a thrilling showcase of the music of one of the biggest names in film music, Howard Shore. The concert includes extracts from his scores for &quot;The Fly&quot; (1986) and &quot;Naked Lunch&quot; (1991) as well as from the first film in Peter Jackson&apos;s epic adaptation of J. R. R. Tolkien&apos;s The Lord of the Rings. The rest of the programme demonstrates Shore&apos;s skill in writing for the concert hall, with two works heard for the first time in France: the Fanfare for Organ and Brass and, with star guitarist Miloš as soloist, The Forest, his concerto for guitar and orchestra.</video:description>
<video:duration>6603</video:duration>
<video:publication_date>2024-06-28T09:36:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-21T14:16:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4</loc>
<video:video>
<video:title>Dragon Songs</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8cd7efee6d7094be972488cca7795adcdc7f3876.jpg</video:thumbnail_loc>
<video:description>More than a superstar of classical music, Lang Lang is the symbol of an ambitious nation, one that is proud of each of its children that makes it to the West. He is also an idol to the millions of piano students across China. And while the star pianist performs the classical Western repertoire in the world’s biggest concert halls, as a Chinese national, he also feels it is his responsibility to play the music from his homeland. Tracing the journey back to Lang Lang’s roots, having left China eight years before to embark on his international career, the film follows his return home to recharge the batteries, to reconnect with family and friends, and to share the importance of having a personal connection to the music. </video:description>
<video:duration>3432</video:duration>
<video:publication_date>2022-05-23T14:56:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-20T14:07:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3IDO</loc>
<video:video>
<video:title>Hélène Grimaud: Living With Wolves</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4ba281b9d97d5e07fe5e00b6f735e75ed66e190.jpg</video:thumbnail_loc>
<video:description>Film maker Reiner Moritz presents and intimate portrait of the pianist Hélène Grimaud that not only looks back to her childhood and explores her career as one of the world’s leading pianists, touring around the globe – but also shows her in her role as conservationist and founder of the Wolf Conservation Center in New York. The result is a film examining Grimaud’s special artistry within the context of her broader personality and life; featuring extensive performance footage, it offers a fascinating glimpse into what makes one of the most sought after pianists of her generation who she is.</video:description>
<video:duration>3457</video:duration>
<video:publication_date>2024-11-06T11:30:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-19T15:32:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3GD0</loc>
<video:video>
<video:title>Luisi conducts Scriabin: Symphony No. 2</video:title>
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<video:description>Since Fabio Luisi became principal conductor of the Danish National Symphony Orchestra in 2017, their partnership has become a byword for adventure, embracing giants of the symphonic repertoire from Nielsen to Schoenberg and playing them as if the ink is still fresh upon the score. Now they’ve turned to Alexander Scriabin, and this performance of the sweeping Second Symphony – recorded in Copenhagen’s spectacular DR Koncerthuset – brings their cycle full circle. Expect all the energy, drama and wide-eyed wonder that have become hallmarks of this Luisi and the DNSO: whether you already love this symphony or are discovering it for the first time, this should be revelatory.</video:description>
<video:duration>3126</video:duration>
<video:publication_date>2025-03-10T12:19:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T16:11:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJEDO</loc>
<video:video>
<video:title>Excerpts from &apos;Bach meets Gubaidulina&apos;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a4d9dfe19b925c7a0160b209e8cc7dc3860efba9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2025-03-13T16:22:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:04:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJEDG</loc>
<video:video>
<video:title>On Sofia Gubaidulina&apos;s Violin Concerto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6eba0ca7a2ada8ccf49192ced7262a5328cb6e55.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>428</video:duration>
<video:publication_date>2025-03-13T15:30:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:04:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJED8</loc>
<video:video>
<video:title>On Bach meets Gubaidulina</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7b38244245a1f028ae5bf113a78710b7471f1ede.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>434</video:duration>
<video:publication_date>2025-03-13T15:24:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:03:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJEE0</loc>
<video:video>
<video:title>On Beethoven&apos;s Piano Sonata No. 10</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/32d507234b3f0a4780194526f1e4783b14c86359.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>174</video:duration>
<video:publication_date>2025-03-14T16:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-14T17:00:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJECO</loc>
<video:video>
<video:title>On Paganini’s 24 Caprices</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e40c739a8a9d0f66467b08d238bb0d63366abc4d.jpg</video:thumbnail_loc>
<video:description>Following her award-winning debut, Spanish violinist María Dueñas presents her second album for Deutsche Grammophon. Center stage take the legendary 24 Caprices by Niccolò Paganini, famous as one of the most demanding works ever written for the violin. &quot;Paganini’s 24 Caprices are a milestone for every violinist,&quot; states Dueñas. The cycle known for its breathtaking finesse and virtuosity, is also characterized by its musical variety and depth. Dueñas seeks to &quot;show the vocal quality in the Caprices&quot;, in order &quot;to reveal the music behind the technique&quot;.</video:description>
<video:duration>195</video:duration>
<video:publication_date>2025-03-12T11:01:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T18:23:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8C8</loc>
<video:video>
<video:title>Where The River Goes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3bc20841dc1bc58c5fc3f53d7f20697360a77441.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>465</video:duration>
<video:publication_date>2024-12-12T15:00:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:31:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6C0</loc>
<video:video>
<video:title>Tempest</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/08f5c00c688ef532cff00b397d9df56f2fc710e7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>122</video:duration>
<video:publication_date>2024-12-11T12:38:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:29:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6C8</loc>
<video:video>
<video:title>Compassion</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8bb94780f7533953fcd92cfa99405e9cfe904bf8.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2024-12-11T13:13:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ID8</loc>
<video:video>
<video:title>Benjamin Bernheim stars in Offenbach&apos;s Les Contes d&apos;Hoffmann</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4d3068b92dc8e890e763550dd14499f8b6723d40.jpg</video:thumbnail_loc>
<video:description>Tenor Benjamin Bernheim scored a critical triumph when he first performed the title role in Offenbach&apos;s fantastical final opera – which imagines surreal and disturbing amorous episodes in the life of the Romantic poet E. T. A. Hoffmann – in this colourful 2021 Hamburg production by Daniele Finzi Pasca. He leads an outstanding cast, which also includes soprano Olga Peretyatko as all four objects of Hoffmann&apos;s affection, bass-baritone Luca Pisaroni embodying the four villains, and mezzo-soprano Angela Brower singing the Muse and Hoffmann&apos;s companion, Nicklausse. In the pit, conductor Kent Nagano secures stylish and idiomatic playing from the Hamburg Philharmonic State Orchestra.</video:description>
<video:duration>10890</video:duration>
<video:publication_date>2023-01-04T09:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-03-13T11:03:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3I</loc>
<video:video>
<video:title>Violin on Stage – Bomsori in Warsaw</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81581c4bf8ae851565a70d8cd91ccf4640a1eca9.jpg</video:thumbnail_loc>
<video:description>Since the 2016 Wieniawski Competition, South Korean violinist Bomsori has maintained strong links with Poland and Polish musicians. In this theatre-themed concert with the NFM Wrocław Philharmonic Orchestra conducted by Giancarlo Guerrero, she interprets some of the most demanding pieces in her repertoire, two of which are based on operas: Henryk Wieniawski&apos;s fantasy with themes from Gounod&apos;s Faust; and film composer Franz Waxman&apos;s fantasy on melodies from Bizet&apos;s Carmen. Celebrated for her full tone and expressiveness, Bomsori maintains her poised composure, even in the face of breakneck technical difficulties. </video:description>
<video:duration>3266</video:duration>
<video:publication_date>2022-05-12T09:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJIE0</loc>
<video:video>
<video:title>Modern Masterworks: Olivier Messiaen</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7de9d907dd37cc15161127884a1787676c7f4747.jpg</video:thumbnail_loc>
<video:description>Pierre Boulez was Olivier Messiaen’s student, and while his creative life followed a very different course, something very special happened whenever Boulez conducted Messiaen’s music in concert. That was certainly the case in Frankfurt in 1990, when Boulez directed the superb young players of the Junge Deutsche Philharmonie in the dazzling Chronochromie, and joined another supreme Messiaen interpreter – pianist Pierre-Laurent Aimard – to perform Oiseaux Exotiques with his own Ensemble Intercontemporain. No one understood Messiaen’s music more profoundly than Boulez, and a documentary-style introduction from musicologist Michael Nupen sets the context for this uniquely authoritative celebration of two of France’s greatest postwar composers.</video:description>
<video:duration>3428</video:duration>
<video:publication_date>2024-12-02T10:57:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJIE8</loc>
<video:video>
<video:title>Modern Masterworks: Edgar Varèse</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47f2653b47d6f146ec44ea50ca767ff74e9239cd.jpg</video:thumbnail_loc>
<video:description>“I dream of a whole new world of unsuspected sounds,” said Edgard Varèse, and what better interpreter of his astonishing, genre-defying soundscapes than Pierre Boulez – arguably his spiritual successor, and perhaps the only figure in postwar French music whose sonic imagination matched Varèse’s own? In this 1990 concert from Frankfurt’s Alte Oper, Boulez conducts the youthful virtuosi of the Junge Deutsche Philharmonie in the shattering Amériques and directs Ensemble Intercontemporain in near-definitive accounts of Ionisation, Offrandes and Octandre. First, though, musicologist Michael Nupen offers an expert introduction to this most innovative of 20th-century musical minds.</video:description>
<video:duration>3339</video:duration>
<video:publication_date>2024-12-02T11:03:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:00:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2CO</loc>
<video:video>
<video:title>Cold Front</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5d0ae011e9848fe3e6d5e147943559439cf40e7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>308</video:duration>
<video:publication_date>2024-11-27T12:04:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:50:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2CG</loc>
<video:video>
<video:title>Soudain, le vide</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/08cb5f719c611da83d8392b796d01b580620a38b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>196</video:duration>
<video:publication_date>2024-11-27T12:01:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:49:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGCG</loc>
<video:video>
<video:title>Harnoncourt conducts Bach: Brandenburg Concertos Nos. 1-6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3741428ac956a344bd76feaddb3de7613e89c87f.jpg</video:thumbnail_loc>
<video:description>Nikolaus Harnoncourt founded his Concentus Musicus Wien in 1953 in order to find a new way to perform music of the Baroque era, informed by research into the practices of the time and using instruments of the period. Three decades later, he and his group made this classic film of one of the most important sets of concertos from the era, Bach&apos;s Six Brandenburg Concertos of 1721 – each composed for a different configuration of virtuoso soloists. Filmed in the Baroque monastery library in Wiblingen, Germany, these performances offer not only thrilling music-making, but also a snapshot of Harnoncourt&apos;s revolutionary period instrument performance practice as it was at the time.</video:description>
<video:duration>6159</video:duration>
<video:publication_date>2023-06-05T13:13:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:19:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2C0</loc>
<video:video>
<video:title>Bach: Two-Part Inventions in C &amp; D Minor</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/71c04430515fc319747c66deb1d8cfe5dd027ff5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>129</video:duration>
<video:publication_date>2023-11-03T14:34:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:18:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2C8</loc>
<video:video>
<video:title>Bach: Violin Partita No. 2 in D Minor, BWV 1004: I. Allemanda</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35ade235949848ee68a8aac01050afd020f61967.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2024-11-27T11:50:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:14:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GD0</loc>
<video:video>
<video:title>Rolando Villazón stars in Monteverdi&apos;s L&apos;Orfeo</video:title>
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<video:description>Rolando Villazón stars as the legendary musician Orpheus in this staging of Monteverdi&apos;s opera – the first undisputed masterpiece of the genre – from the Bayreuth Baroque Opera Festival. Streamed live from the Bavarian town&apos;s jewel-like Markgräfliches Opernhaus, the production features a superb cast of Baroque specialists assembled around the star Mexican tenor. Innovative musician Panos Iliopoulos provides special contemporary additions to Monteverdi&apos;s score while Thanos Papakonstantinou&apos;s staging promises to bring out all the power and tragedy of Monteverdi&apos;s moving work.</video:description>
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<lastmod>2025-03-13T10:11:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2C0</loc>
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<video:title>Bach: Concerto in G Minor, BWV 975 (after Vivaldi RV 316): II. Largo</video:title>
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<video:duration>267</video:duration>
<video:publication_date>2024-11-26T12:48:10Z</video:publication_date>
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<lastmod>2025-03-13T09:55:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJAE8</loc>
<video:video>
<video:title>Field: Nocturne No. 2 in C Minor, H. 25</video:title>
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<video:duration>187</video:duration>
<video:publication_date>2025-02-13T11:09:43Z</video:publication_date>
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<lastmod>2025-03-12T14:07:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4CO</loc>
<video:video>
<video:title> Field: Nocturne No. 9 in E Minor, H. 46</video:title>
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<video:duration>199</video:duration>
<video:publication_date>2024-12-05T16:02:23Z</video:publication_date>
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<lastmod>2025-03-12T14:07:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJACO</loc>
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<video:title>Field: Nocturne No. 14 in G Major, H. 58</video:title>
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<video:description></video:description>
<video:duration>154</video:duration>
<video:publication_date>2025-01-10T16:25:48Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-03-12T14:06:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJEC0</loc>
<video:video>
<video:title>Fauré: Le secret, Op 23 No 3</video:title>
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<video:description></video:description>
<video:duration>157</video:duration>
<video:publication_date>2025-03-06T14:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-12T13:28:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2DO</loc>
<video:video>
<video:title>Arvo</video:title>
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<video:description></video:description>
<video:duration>328</video:duration>
<video:publication_date>2024-11-27T12:51:25Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:45:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJADG</loc>
<video:video>
<video:title>Rattle conducts Tippett, Turnage &amp; Vaughan Williams—with John Scofield</video:title>
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<video:description>Sir Simon Rattle conducts the London Symphony Orchestra in London&apos;s Barbican Centre in a programme of British music of the 20th and 21st centuries. The powerful Ritual Dances from Michael Tippett&apos;s mystical and mythical Midsummer Marriage features alongside Vaughan Williams&apos;s powerfully moving Symphony No.5. Between them comes the premiere of a new work by Mark-Anthony Turnage: a new guitar concerto commissioned to celebrate Rattle&apos;s 70th birthday and written for legendary jazz guitarist John Scofield, who premieres the work here. All in all, it&apos;s a programme that promises to showcase orchestra and conductor – and a star soloist – in a thrilling range of musical styles.</video:description>
<video:duration>6488</video:duration>
<video:publication_date>2025-01-16T15:54:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJAE0</loc>
<video:video>
<video:title>Open Land – Meeting John Abercrombie</video:title>
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<video:description>Amazingly authentic, the film &quot;open land&quot; offers an unforgettably intimate portrait of it&apos;s protagonist, jazz legend John Abercrombie who died in August 2017. This wonderful encounter is as poetic and atmospherically dense as Abercrombie&apos;s music. A labor of love and deep admiration &quot;open land&quot; is a subtle and very personal portrait that gives an insight into the life and work of this outstanding artist. To glimpse genius on such an intimate level is nothing short of revelatory.</video:description>
<video:duration>5409</video:duration>
<video:publication_date>2025-02-07T15:36:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:17:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4D8</loc>
<video:video>
<video:title>The Song Is You</video:title>
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<video:description></video:description>
<video:duration>286</video:duration>
<video:publication_date>2024-12-11T12:11:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:04:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4E0</loc>
<video:video>
<video:title>A Time to Remember</video:title>
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<video:description></video:description>
<video:duration>303</video:duration>
<video:publication_date>2024-12-11T12:17:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:03:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJECO</loc>
<video:video>
<video:title>On Chopin: Complete Waltzes</video:title>
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<video:description></video:description>
<video:duration>617</video:duration>
<video:publication_date>2022-12-02T14:55:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T10:55:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CC8</loc>
<video:video>
<video:title>Ukrainian Freedom Orchestra and Keri-Lynn Wilson: Beethoven&apos;s Ninth</video:title>
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<video:description>Marking the day after the third anniversary of the Russian attack on Ukraine, the Ukrainian Freedom Orchestra – drawing together refugee musicians and Ukrainian members of leading European orchestras – comes together with Ukrainian soloists and conductor Keri-Lynn Wilson to perform a work synonymous with the ideals of freedom and brotherhood: Beethoven’s Ninth Symphony. For this very special concert, filmed in the Teatr Wielki in Warsaw, Friedrich Schiller’s words in the finale, “Ode to Joy”, are sung in Ukrainian.</video:description>
<video:duration>4388</video:duration>
<video:publication_date>2025-03-06T08:19:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-10T13:12:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CD0</loc>
<video:video>
<video:title>Araiza sings Schumann: Dichterliebe</video:title>
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<video:description>In the 1980s and 1990s, Francisco Araiza was a leading interpreter of Mozart and the lighter Italian repertoire – but also a superb lieder singer. This film, made under studio conditions in the renaissance splendour of the Grafenschloss at Wolfegg, finds him singing Schumann in heart of the Romantic landscape of Swabia. His regular partner Jean Lemaire is at the piano as they perform Dichterliebe – Schumann&apos;s great song-cycle of love, loss and art, by turns intimate, playful and heart-rending. Romantic lieder at their most magical, from two of the finest interpreters of their generation.</video:description>
<video:duration>2256</video:duration>
<video:publication_date>2025-02-25T10:54:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-08T19:32:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCE8</loc>
<video:video>
<video:title>Saint-Saëns: Introduction et rondo capriccioso, Op. 28</video:title>
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<video:description></video:description>
<video:duration>596</video:duration>
<video:publication_date>2025-03-05T16:46:45Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-06T13:39:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ADO</loc>
<video:video>
<video:title>Kremer, Kashkashian &amp; Harnoncourt: Mozart Sinfonia Concertante K. 364</video:title>
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<video:description>To complement their still-fresh cycle of the complete Mozart violin concertos, filmed at Vienna’s legendary Musikverein in 1983, violinist Gidon Kremer and conductor Nikolaus Harnoncourt are joined by viola player Kim Kashkashian for one of the great masterpieces of Mozart’s Salzburg period: the Sinfonia Concertante K. 364. Bringing together two soloists in a constant flux of dialogue, harmony and counterpoint, the work not only shows the 23-year-old Mozart at his most consummate, but also provides a gift to imaginative performers, as Kremer and Kashkashian amply prove here.</video:description>
<video:duration>2009</video:duration>
<video:publication_date>2025-02-13T16:18:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T18:34:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CCG</loc>
<video:video>
<video:title>Hogwood conducts C.P.E. Bach: Symphonies &amp; Concertos</video:title>
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<video:description>Carl Philipp Emmanuel Bach was oldest surviving son of Johann Sebastian – and in the eyes of his 18th-century contemporaries, he might even have been a greater composer. For the eminent English conductor and historian Christopher Hogwood, CPE Bach&apos;s music did not deserve its modern neglect, and this exuberant concert with the Bach Collegium München finds him celebrating Emanuel Bach&apos;s genius both as symphonist, and composer of gloriously expressive concertos. In a specially recorded pre-concert interview, Hogwood explains the historical context and makes an eloquent, insightful modern case for a composer whose music was admired by both Haydn and Mozart.</video:description>
<video:duration>6460</video:duration>
<video:publication_date>2025-02-24T11:38:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T16:28:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32DO</loc>
<video:video>
<video:title>Karajan conducts the New Year&apos;s Eve Concert 1988 – with Evgeny Kissin</video:title>
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<video:description>One great artist at the end of his career joins forces with another at the start of his: filmed a little over six months before his death in July 1989, this New Year’s Eve concert was one of the last that Herbert von Karajan conducted, and, as the soloist in Tchaikovsky’s evergreen Piano Concerto No. 1, he invited the 17-year-old Evgeny Kissin. Together – and with the luxurious support of the Berliner Philharmoniker – they present an account of this favourite work which mixes virtuosity and passion with a rare sense of grandeur and control, in a performance that has gone down in classical music legend. And with Karajan in lighter mood in Prokofiev’s playful “Classical” Symphony to kick off, the result was a memorable occasion indeed.</video:description>
<video:duration>3561</video:duration>
<video:publication_date>2024-04-26T13:00:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T15:30:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CE0</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Serenade No. 2 in A major, Op. 16</video:title>
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<video:description>Incredibly enough, Brahms&apos;s orchestral serenades are still the Cinderellas of his symphonic output – rarely heard in the concert hall, but packed with all the poetry, wit and romantic colour of a young genius writing purely for pleasure. In this landmark performance from 1982, the Serenade No. 2 goes to the ball, with Leonard Bernstein bringing all his tenderness and the Wiener Philharmoniker supplying all its accustomed style to a score which – with its dusky, violin-free scoring – is unlike anything else in 19th-century music. Together, they reveal this neglected work as one of Brahms&apos;s most original and personal masterpieces.</video:description>
<video:duration>2158</video:duration>
<video:publication_date>2025-02-27T18:45:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T12:13:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJADG</loc>
<video:video>
<video:title>András Schiff on Chopin</video:title>
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<video:description>Produced by the BBC and originally released to mark the 150th anniversary of Frédéric Chopin’s death in 1999, this film sees pianist András Schiff present a compelling case for his importance, as, in his words, “one of the greatest composers ever, on the highest level of Bach, Haydn, Mozart, Beethoven and Schubert.” Schiff tells the story of Chopin’s remarkable life, interspersed with performances of his music, tracing his influences and the significance he played on the development, especially, of piano music – both as performer and composer. The result is not just a compelling examination of a composer’s life and career, but a powerful plea for his lasting seriousness as a great artist.</video:description>
<video:duration>3084</video:duration>
<video:publication_date>2025-01-29T16:54:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T12:09:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3CDO</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Haydn Variations</video:title>
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<video:description>Brahms wasn&apos;t a native of Vienna, but after he made his home in the Imperial city, he embraced its culture. For Leonard Bernstein, another composer-conductor with a passion for the Austrian capital, Brahms was a &quot;North German classicist swept away to Vienna, and fired by Danubian, Carpathian and gypsy passions&quot;– and in this spirited 1972 Wiener Philharmoniker performance of Brahms&apos;s Haydn Variations, he makes good on that vision. Captured in the golden hall of the Musikverein, this is a true meeting of kindred spirits – Brahms&apos;s tribute to Haydn, recreated by an orchestra and a conductor like no other.</video:description>
<video:duration>1296</video:duration>
<video:publication_date>2025-02-27T18:40:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T10:14:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ACG</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violin Concerto No. 1</video:title>
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<video:description>Innovation meets tradition in these Mozart performances from the 1980s. Then still primarily associated with iconoclastic performances of Baroque music, Nikolaus Harnoncourt brought a fresh perspective on Mozart to an orchestra with a long tradition of his music. The conductor met with resistance from the players initially, before eventually persuading them of his view: that Mozart is &quot;the most romantic composer of all&quot;, his music &quot;dramatic, dynamic, often strikingly and exceedingly emotional&quot;. And in German-Latvian virtuoso Gidon Kremer Harnoncourt found a perfect partner, similarly ready to reassess the composer and his violin concertos, all dating from Mozart&apos;s Salzburg period.</video:description>
<video:duration>1516</video:duration>
<video:publication_date>2025-02-13T15:48:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T19:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3AD0</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violin Concerto No. 3</video:title>
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<video:description>Innovation meets tradition in these Mozart performances from the 1980s. Then still primarily associated with iconoclastic performances of Baroque music, Nikolaus Harnoncourt brought a fresh perspective on Mozart to an orchestra with a long tradition of his music. The conductor met with resistance from the players initially, before eventually persuading them of his view: that Mozart is &quot;the most romantic composer of all&quot;, his music &quot;dramatic, dynamic, often strikingly and exceedingly emotional&quot;. And in German-Latvian virtuoso Gidon Kremer Harnoncourt found a perfect partner, similarly ready to reassess the composer and his violin concertos, all dating from Mozart&apos;s Salzburg period.</video:description>
<video:duration>1540</video:duration>
<video:publication_date>2025-02-13T15:58:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-27T19:19:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ADG</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violin Concerto No. 5</video:title>
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<video:description>Innovation meets tradition in these Mozart performances from the 1980s. Then still primarily associated with iconoclastic performances of Baroque music, Nikolaus Harnoncourt brought a fresh perspective on Mozart to an orchestra with a long tradition of his music. The conductor met with resistance from the players initially, before eventually persuading them of his view: that Mozart is &quot;the most romantic composer of all&quot;, his music &quot;dramatic, dynamic, often strikingly and exceedingly emotional&quot;. And in German-Latvian virtuoso Gidon Kremer Harnoncourt found a perfect partner, similarly ready to reassess the composer and his violin concertos, all dating from Mozart&apos;s Salzburg period.</video:description>
<video:duration>1799</video:duration>
<video:publication_date>2025-02-13T16:06:10Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-27T19:18:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36C0</loc>
<video:video>
<video:title>Karajan conducts Bizet: Carmen</video:title>
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<video:description>Herbert von Karajan was a pioneer in countless ways, and few great 20th-century conductors were swifter to embrace the possibilities of film and television. Even today, this 1967 movie of Karajan’s Salzburg Festival production of Bizet’s Carmen feels ahead of its time – a wonderfully colourful reimagination of the original staging, which combines the immediacy of a live theatrical performance with a truly cinematic flair. But at its heart is a line-up of performers who practically set the stage on fire, with two unquestioned greats – the American mezzo Grace Bumbry and the inimitable Jon Vickers – as Carmen and Don José.</video:description>
<video:duration>9713</video:duration>
<video:publication_date>2024-05-13T12:13:35Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T13:19:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCD8</loc>
<video:video>
<video:title>Ngwenyama: Flow: III. Quark Scherzo</video:title>
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<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2025-02-25T16:42:18Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T11:40:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCCO</loc>
<video:video>
<video:title>On Music of the Angels</video:title>
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<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2025-02-25T16:21:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T10:59:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ID0</loc>
<video:video>
<video:title>Pianomania! Daniil Trifonov performs the Schumann Piano Concerto</video:title>
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<video:description>From the Gulbenkian Foundation in Lisbon, this 2018 concert sees pianist Daniil Trifonov bring his unique gifts to one of the foundational concertos of musical Romanticism: Robert Schumann&apos;s Piano Concerto of 1845, a work that seamlessly mixes the composer&apos;s characteristic interiority and lyricism with the virtuoso display that the genre calls for. The programme is bookended by Finnish maestro Hannu Lintu conducting the Gulbenkian Orchestra in 20th-century works by two of his compatriots: Einojuhani Rautavaara&apos;s atmospheric Cantus Arcticus and Sibelius&apos;s thrilling Symphony No. 2.</video:description>
<video:duration>6510</video:duration>
<video:publication_date>2023-01-04T07:23:05Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T17:14:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCDG</loc>
<video:video>
<video:title>Lost Motherland: A Portrait of Sergei Prokofiev</video:title>
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<video:description>After spending 10 years abroad, Russian composer and pianist Sergei Prokofiev travels back home for the first time in 1927, on invitation from the Soviet Union. Details of the trip were kept in his personal diary, discovered in 1989, with which this film begins. As a turning point in his life, the journey was the catalyst that led to his ultimate return and settling back in his homeland in 1936, the tragic consequences of which were yet to be known. With both professional and personal problems that ensued until his early death in 1953, this film reveals Prokofiev’s musical genius and his human failings. Contributors include his son Sviatoslav and Soviet cultural bureaucrat Tichon Chrenikov, Valery Gergiev, and Karen Khachaturian.</video:description>
<video:duration>3510</video:duration>
<video:publication_date>2022-11-28T10:54:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-02-25T16:46:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGC8</loc>
<video:video>
<video:title>Svetlanov conducts Prokofiev – with Vadim Repin</video:title>
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<video:description>Yevgeny Svetlanov conducts the State Symphony Orchestra of USSR in this remarkable all-Prokofiev programme, filmed at the Alte Oper in Frankfurt in 1991, the year the Soviet Union collapsed. They begin with the composer’s Symphony No. 1, “Classical”, in a performance that brings out all the pointed wit of Prokofiev’s brilliant pastiche of Viennese classicism. Violinist Vadim Repin then takes to the stage as soloist in the fiercely virtuosic Violin Concerto No.1, composed in the same year, 1917 – a year that, despite major political turbulence in Russia, saw Prokofiev produce several enduring masterpieces.</video:description>
<video:duration>2478</video:duration>
<video:publication_date>2024-11-14T12:33:26Z</video:publication_date>
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<lastmod>2025-02-25T16:45:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30C8</loc>
<video:video>
<video:title>Wagner: Wesendonck-Lieder, WWV91: IV. Schmerzen (Orch. Mottl)</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-12-21T14:07:37Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:17:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30CG</loc>
<video:video>
<video:title>Wagner: Wesendonck-Lieder, WWV91: III. Im Treibhaus (Orch. Mottl)</video:title>
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<video:description></video:description>
<video:duration>375</video:duration>
<video:publication_date>2023-12-21T14:14:16Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:16:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4DO</loc>
<video:video>
<video:title>I Told You In October</video:title>
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<video:description></video:description>
<video:duration>261</video:duration>
<video:publication_date>2024-12-11T12:16:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:12:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3AE8</loc>
<video:video>
<video:title>Renaud Capuçon in Fauré&apos;s Requiem and Frank Martin&apos;s Polyptyque</video:title>
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<video:description>Streaming live from the Rencontres musicales d&apos;Évian festival, this concert features festival director Renaud Capuçon as both violinist and conductor in a programme built around two unusual sacred works. First, Gabriel Fauré&apos;s Requiem, completed in 1890, sees the composer eschewing fire and brimstone to concentrate on a message of consolation and and peace, conveyed by chorus, modest orchestra and just two soloists – here soprano Siobhan Stagg and baritone Benjamin Appl – to create one of his most popular works. Nearly a century later, Swiss composer Frank Martin composed Polyptyque, a sacred concerto written for Yehudi Menuhin and inspired by a polyptych portraying the Passion of Christ.</video:description>
<video:duration>4727</video:duration>
<video:publication_date>2024-07-18T10:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:09:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32C0</loc>
<video:video>
<video:title>Peter Gregson: Quartets</video:title>
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<video:description>Peter Gregson has called the string quartet a &quot;deliciously expressive medium&quot; and his four own Quartets – a &quot;quartet of quartets&quot; – push the boundaries of both the medium and its expressiveness by introducing a wealth of contemporary techniques into this most traditional of forms. This filmed performance, captured in Berlin&apos;s Meistersaal in 2022,  presents selected movements from all four quartets together in a format that brings the listener closer to both the works and the music. Gregson joins a quartet of superb string players on electronics for the quartets and on his cello for a brand-new and previously unreleased version of the 3.1 Allemande from his recomposition of Bach&apos;s Cello Suites.   </video:description>
<video:duration>2888</video:duration>
<video:publication_date>2023-07-05T13:39:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T12:16:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJED0</loc>
<video:video>
<video:title>Dudamel conducts Mahler&apos;s Eighth Symphony</video:title>
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<video:description>&quot;Can you imagine a symphony that is, from beginning to end, sung?&quot; asked Mahler when writing his grandest work. Visionary in its poetry and incontestable in its magnitude, his Eighth Symphony spans a universe of emotions from passages of intimate reflection to overwhelming outbursts of choral and orchestral sound. In this landmark performance, conductor Gustavo Dudamel brings together the Los Angeles Philharmonic with the Simón Bolívar Symphony Orchestra and an array of Venezuelan choristers, setting a new standard in cross-cultural music-making – and with more than 1,400 performers on stage, truly makes this work the Symphony of a Thousand. </video:description>
<video:duration>5412</video:duration>
<video:publication_date>2022-09-28T13:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T10:52:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8E8</loc>
<video:video>
<video:title>The Little Drummer Boy </video:title>
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<video:description>In this musical essay, Leonard Bernstein recollects and relives his experiences with the music of the great Viennese composer and conductor Gustav Mahler. The Little Drummer Boy illustrates the fundamental concepts of Bernstein&apos;s interpretation of Mahler&apos;s works and exposes not only the building material and framework of Mahler&apos;s brilliant structures, but also the tensional pulls within them. Searching for the musical roots and the hidden truths guiding the composer, Bernstein covers works from &quot;Der Tambourg&apos;sell&quot; (From Des Knaben Wunderhorn, written in 1899), via all the symphonies, to Mahler&apos;s last and greatest song, Das Lied von der Erde (1910)</video:description>
<video:duration>5096</video:duration>
<video:publication_date>2023-11-22T10:54:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T10:48:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCD0</loc>
<video:video>
<video:title>Oramo conducts Rautavaara, Prokofiev &amp; Sibelius - with Olli Mustonen</video:title>
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<video:description>With its opening sunrise and vaulting “Swan Hymn”, Sibelius’s Fifth Symphony is one of the defining masterpieces of Finnish music, and it’s been at the centre of Sakari Oramo’s repertoire since the start of his conducting career. This concert finds him on tour in 2000 as music director of the City of Birmingham Symphony Orchestra – an ensemble with a long Sibelius tradition of its own – and striking sparks off his young compatriot Olli Mustonen in Prokofiev’s dazzling Piano Concerto No. 3. Oramo opens with the haunting Lintukoto by the late Einojuhani Rautavaara: one of the undisputed masters of Finnish music in the generation since Sibelius.</video:description>
<video:duration>4915</video:duration>
<video:publication_date>2024-11-01T11:48:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-24T13:02:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4</loc>
<video:video>
<video:title>Eschenbach conducts Schreker – with Matthias Goerne</video:title>
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<video:description>The works of Austrian composer Franz Schreker works are visceral, elusive and multi-dimensional, digging deep into the human psyche. His ground-breaking methods brought timbre to the forefront, allowing it to be just as important as the melody, harmony and rhythm. This concert showcases music that seems to combine impressionism, expressionism, naturalism and symbolism together with all the traditions of the Viennese school, with twisting textural lines, a delicate interplay of soaring operatic lyricism and bold instrumental colour. All of this is brought brought to life by Christoph Eschenbach and Matthias Goerne at the Konzerthaus in Berlin, the city Schreker called home until his death in 1934.</video:description>
<video:duration>2979</video:duration>
<video:publication_date>2022-05-13T13:07:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T15:43:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8C0</loc>
<video:video>
<video:title>Concert for Humanity</video:title>
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<video:description>Under the patronage of German Bundespräsident Frank-Walter Steinmeier, the German Red Cross in Düsseldorf presents a major charity concert in the Düsseldorf Tonhalle, under the title &quot;Concert for Humanity&quot;. The Kyiv Symphony Orchestra conducted by Stephan Frucht is joined by a starry line-up featuring Rolando Villazón, Daniel Hope, Albrecht Mayer, Daniel Müller-Schott and the remarkable cello prodigy Charlotte Melkonian for a wide-ranging programme spanning from Mozart and Bach to music by Max Richter and Friedrich Gulda. </video:description>
<video:duration>6623</video:duration>
<video:publication_date>2025-01-07T13:26:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T14:55:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJCC8</loc>
<video:video>
<video:title>Beethoven&apos;s Nine – Ode to Humanity</video:title>
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<video:description>In early 2023, filmmaker Larry Weinstein set out to make a documentary about Beethoven&apos;s Ninth Symphony. It was supposed to be about how far we have come in the 200 years since it was written. But when world events pull Larry into his own film, the question becomes a deeply personal one. Beethoven&apos;s Nine is a documentary about music, but also about war and hope. It follows nine unique individuals, including Ukrainian musicians, a deaf composer, a Polish rock star, a best-selling author, a legendary cartoonist and Weinstein himself, as they try to better understand the legacy of Beethoven&apos;s Ninth, the composer’s own struggles, the inspiration music can provide and how humanity continues to look for hope even in the darkest times.</video:description>
<video:duration>4970</video:duration>
<video:publication_date>2025-02-21T10:41:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T13:50:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8DO</loc>
<video:video>
<video:title>Fabian Müller: The Complete Beethoven Piano Sonatas I</video:title>
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<video:description>When Fabian Müller made his Pierre Boulez Saal debut in January 2022, his memorable performance of Beethoven’s monumental &quot;Hammerklavier&quot; Sonata confirmed his reputation as one of the outstanding pianists of his generation. Now the ARD Competition winner, who was born in 1990 in Beethoven’s hometown of Bonn, takes on the challenge of presenting all the composer’s sonatas as a complete cycle. Dubbed the &quot;New Testament&quot; of piano music by Hans von Bülow – Bach’s Well¬tempered Clavier was known as the &quot;Old Testament&quot; – the 32 works will be heard over the course of eight Sunday-afternoon concerts.</video:description>
<video:duration>5205</video:duration>
<video:publication_date>2024-12-14T09:29:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-20T09:27:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3AD8</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violin Concerto No. 4</video:title>
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<video:description>Innovation meets tradition in these Mozart performances from the 1980s. Then still primarily associated with iconoclastic performances of Baroque music, Nikolaus Harnoncourt brought a fresh perspective on Mozart to an orchestra with a long tradition of his music. The conductor met with resistance from the players initially, before eventually persuading them of his view: that Mozart is &quot;the most romantic composer of all&quot;, his music &quot;dramatic, dynamic, often strikingly and exceedingly emotional&quot;. And in German-Latvian virtuoso Gidon Kremer Harnoncourt found a perfect partner, similarly ready to reassess the composer and his violin concertos, all dating from Mozart&apos;s Salzburg period.</video:description>
<video:duration>1416</video:duration>
<video:publication_date>2025-02-13T16:02:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-19T14:46:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3ACO</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violin Concerto No. 2</video:title>
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<video:description>Innovation meets tradition in these Mozart performances from the 1980s. Then still primarily associated with iconoclastic performances of Baroque music, Nikolaus Harnoncourt brought a fresh perspective on Mozart to an orchestra with a long tradition of his music. The conductor met with resistance from the players initially, before eventually persuading them of his view: that Mozart is &quot;the most romantic composer of all&quot;, his music &quot;dramatic, dynamic, often strikingly and exceedingly emotional&quot;. And in German-Latvian virtuoso Gidon Kremer Harnoncourt found a perfect partner, similarly ready to reassess the composer and his violin concertos, all dating from Mozart&apos;s Salzburg period.</video:description>
<video:duration>1244</video:duration>
<video:publication_date>2025-02-13T15:53:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-19T14:33:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4C0</loc>
<video:video>
<video:title>On Fauré&apos;s Nocturnes &amp; Barcarolles</video:title>
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<video:description></video:description>
<video:duration>132</video:duration>
<video:publication_date>2024-12-03T13:23:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-18T09:10:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4C8</loc>
<video:video>
<video:title>On Beethoven&apos;s Hammerklavier</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2024-12-03T13:25:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-18T09:09:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4E8</loc>
<video:video>
<video:title>Michael Volle talks about Bayreuth&apos;s Meistersinger from 2017</video:title>
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<video:description></video:description>
<video:duration>613</video:duration>
<video:publication_date>2022-11-15T14:33:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T18:32:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3AC0</loc>
<video:video>
<video:title>Boulez conducts Boulez: Dialogue de l&apos;ombre double &amp; Répons</video:title>
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<video:description>Pierre Boulez was an explosive force in European music, a master of creative destruction who detonated assumptions and traditions in order to build – and imagine – anew. True to form, this 1992 Salzburg Festival concert finds him not in one of the classic Festival venues but in the modern industrial space of the Lehrbauhof. Here, he deploys the full electronic resources of his Paris-based IRCAM in near-definitive performances of one of his most austere mature works – Dialogue de l&apos;ombre double (with clarinettist Alain Damiens) – and one of his most dynamic: the 1985 ensemble masterpiece Répons. A giant of contemporary music, in his element.</video:description>
<video:duration>3900</video:duration>
<video:publication_date>2025-02-12T13:31:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T14:04:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38DO</loc>
<video:video>
<video:title>Hélène Grimaud &amp; Konstantin Krimmel: Songs by Brahms and Silvestrov</video:title>
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<video:description>Young baritone Konstantin Krimmel joins forces with pianist Hélène Grimaud for a programme filmed in June 2024 at the Konzerthaus in Dortmund, continuing a critically acclaimed collaboration already showcased on two Deutsche Grammophon albums. And it’s the repertoire from those albums that features here as they juxtapose Brahms’s Lieder und Gesänge, Op. 32 – one of the composer’s most personal, reflective song collections – with a selection of the evocative Silent Songs by Ukrainian composer Valentin Silvestrov, a composer whom Grimaud has championed for a large part of her career.</video:description>
<video:duration>5181</video:duration>
<video:publication_date>2024-08-05T09:00:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T11:20:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34C0</loc>
<video:video>
<video:title>Karajan conducts the New Year&apos;s Eve Concert 1983</video:title>
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<video:description>For millions around the world in the 1980s, Herbert von Karajan and the Berlin Philharmonic were the face of classical music, and their bestselling compilation albums of popular classics took orchestral music into the homes of non-specialist listeners around the globe. Karajan and his orchestra brought a special finesse and verve even to the most playful repertoire, and those qualities sparkle through in this recording of their 1983 New Year&apos;s Eve concert (Silvesterkonzert) – an annual highlight of Berlin&apos;s musical calendar. Tuneful favourites by Rossini, Smetana, Sibelius and the Strauss family receive the performances of a lifetime.</video:description>
<video:duration>3193</video:duration>
<video:publication_date>2024-04-26T14:01:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T09:31:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJIC0</loc>
<video:video>
<video:title>Peter Waters &amp; Barbara Hendricks: Fauré</video:title>
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<video:description>Australian pianist Peter Waters and his jazz ensemble, the Treya Quartet, garnered widespread praise for their sensitive jazz arrangements of songs by the French composer Gabriel Fauré. This beautifully-shot music film compares these arrangements with the original versions, as sung by the internationally-acclaimed American soprano Barbara Hendricks. She is accompanied by Waters, who also plays in the Quartet with Paolo Fresu (trumpet), Tony Overwater (double bass) and Gilbert Paeffgen (drums/percussion). The performances are interspersed with answers to the question: “Why the songs of Fauré in a jazz setting?” Hendricks, meanwhile, contributes her thoughts on the power of song as a form of expression and means of communication.</video:description>
<video:duration>3527</video:duration>
<video:publication_date>2024-12-02T09:40:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T13:59:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGC8</loc>
<video:video>
<video:title>Berliner Philharmoniker &amp; Yutaka Sado</video:title>
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<video:description>It&apos;s a debut - Yutaka Sado takes the podium of the Berliner Philharmoniker. Critics have unanimously hailed Yutaka Sado as one of the most enthralling and charismatic conductors of the new generation. The long-time assistant of Leonard Bernstein and Seiji Ozawa was awarded the most important conductor’s prizes, e.g. the Premier Grand Prix at the 39th International Conducting Competition and the Grand Prix du Concours International L. Bernstein Jerusalem.</video:description>
<video:duration>5441</video:duration>
<video:publication_date>2023-05-31T08:36:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T13:07:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36C8</loc>
<video:video>
<video:title>Nelsons conducts Mahler: Symphony No. 2 &quot;Resurrection&quot; </video:title>
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<video:description>From the storm-swept tragedy of its opening to its transcendent closing vision of a world reborn, Mahler&apos;s massive &quot;Resurrection&quot; Symphony is one of those touchstone pieces for any conductor and orchestra: a colossal, death-to-life musical panorama that – in a truly great performance – should leave no listener unmoved. This concert at the 2018 Salzburg Festival brought together Andris Nelsons and the Vienna Philharmonic, along with soloists Ekaterina Gubanova and Lucy Crowe and the superb choir of Bavarian Radio, for an impassioned, intensely dramatic journey through the Second Symphony – praised by critics at the time for its powerful contrasts and vivid sense of drama.</video:description>
<video:duration>5580</video:duration>
<video:publication_date>2023-08-02T14:06:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:51:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0C8</loc>
<video:video>
<video:title>Lisa Batiashvili &amp; Friends: Schubert&apos;s &quot;Trout&quot; Quintet</video:title>
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<video:description>Lisa Batiashvili might be one of the world&apos;s great reigning violin virtuosos, but she is also a passionate chamber musician. At Schlosshotel Elmau – a centre for performances of classical music at the highest level since its opening in 1916 – the Georgian violinist joins some familiar instrumentalists for performance of Schubert&apos;s Trout Quintet, whose fourth movement is a set of variations on Schubert&apos;s famous song of the same name. This predominantly sunny and cheerful – and deceptively technically demanding – work cannot help but lift the spirits, especially in such a commanding performance as this.</video:description>
<video:duration>2677</video:duration>
<video:publication_date>2023-01-10T10:05:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:44:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCDO</loc>
<video:video>
<video:title>Hélène Grimaud in Berlin: Bach, Beethoven, Brahms &amp; Rachmaninoff</video:title>
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<video:description>“She doesn’t only play the piano,” wrote a critic who was present at this December 2000 recital by the French pianist Hélène Grimaud. “She feels it and she lives it. Every single note proves her devotion to perfection”. Grimaud was still a rising star when she gave this performance at the Kammermusiksaal of the Berlin Philharmonie, but her very personal brand of artistry – her spontaneity, her sense of colour, her technical perfection – was already fully formed. Bach and Rachmaninoff frame sonatas by Brahms and Beethoven: a typically wide-ranging programme from a pianist whose technique is matched only by her imagination.</video:description>
<video:duration>4782</video:duration>
<video:publication_date>2024-11-06T10:48:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:12:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34C8</loc>
<video:video>
<video:title>Antonio Pappano &amp; Alice Sara Ott in Liszt, Strauss and Kendall</video:title>
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<video:description>Even by Richard Strauss’s standards, the fanfares that open Also Sprach Zarathustra represent a statement of intent – the sunrise of a new era, expressed with world-shaking grandeur and assurance. This was the first concert that Antonio Pappano conducted with the LSO after his appointment as the orchestra’s chief conductor-designate, and the energy – as well as the ambition – is unmistakable. Before the Strauss, a Liszt rarity from the brilliant Alice Sara Ott and a novelty from one of Britain’s most talked-about young composers complete a programme aglow with Pappano’s very personal brand of musical storytelling.</video:description>
<video:duration>4948</video:duration>
<video:publication_date>2025-01-06T11:35:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:08:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8D0</loc>
<video:video>
<video:title>Víkingur Ólafsson: Bach&apos;s Goldberg Variations in Reykjavík</video:title>
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<video:description>As his global tour performing the work draws near to its conclusion, Víkingur Ólafsson brings Bach&apos;s Goldberg&apos;s Variations to his hometown, presenting them to an Icelandic audience in Reykjavík&apos;s iconic Harpa Concert Hall. Following up on his critically acclaimed album, the pianist has performed the variations – which he describes as &quot;an encyclopedia of how to think and dream on the piano&quot; – in dozens of venues across the world, each concert giving him the chance to explore each time anew Bach&apos;s work. &quot;One often plays the Goldberg Variations very differently from one performance to the next,&quot; he has written, &quot;and to play the whole piece 88 times feels almost like a religious pilgrimage, or a conceptual work of art.&quot;</video:description>
<video:duration>4733</video:duration>
<video:publication_date>2024-06-10T11:46:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:36:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3IE8</loc>
<video:video>
<video:title>Seong-Jin Cho: The Handel Project </video:title>
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<video:description>Filmed in concert at the Siemensvilla in Berlin in September 2022, pianist Seong-Jin Cho presents repertoire from his new Deutsche Grammophon album, &quot;The Handel Project&quot;. Cho sets out to shine a light on Handel&apos;s solo keyboard works – rarely heard on a modern piano – and focuses on two of the Suites from 1720, which he performs alongside Brahms&apos;s monumental Handel Variations. The beautiful Sarabande from Suite No. 7 and the Minuet in G minor – in Wilhelm Kempff&apos;s arrangement – complete the programme. </video:description>
<video:duration>3510</video:duration>
<video:publication_date>2023-02-09T10:00:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:34:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJADO</loc>
<video:video>
<video:title>Seong-Jin Cho plays Ravel </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eab8acd6127fe70fd56762565fffe502bccfde51.jpg</video:thumbnail_loc>
<video:description>Filmed in front of an invited audience in Berlin’s beautiful Siemens-Villa, Seong-Jin Cho presents a showcase of music by French composer Maurice Ravel, to whom he devotes his upcoming album on Deutsche Grammophon. The works selected range from the haunting Pavane pour une infante defunte and the delicate Sonatine, via the sparkling Jeux d’eau and extracts from Miroirs, to exquisite tributes to Borodin, Chabrier, Couperin and Haydn. The result is programme that offers a superb prospectus of Ravel’s beguiling art, ideally suited to this pianist’s refined virtuosity.</video:description>
<video:duration>3464</video:duration>
<video:publication_date>2025-01-13T15:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:34:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6D0</loc>
<video:video>
<video:title>Yuja Wang and the MCO: Mozart, Stravinsky, Dvořák &amp; Gershwin</video:title>
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<video:description>Yuja Wang makes a rare appearance as both pianist and conductor in this programme, streaming live from the legendary Musikverein in Vienna, with the Mahler Chamber Orchestra. The orchestra performs serenades by Mozart and Dvořák before being joined by the superstar pianist for two 20th-century classics completed in the same year: Stravinsky&apos;s Concerto for Piano and Wind Instruments, a product of his neo-classical period composed in Paris in 1923-24; and Gershwin&apos;s immediately recognizable Rhapsody in Blue of 1924, heard here in the brilliant jazz-band orchestration by Ferde Grofé.   </video:description>
<video:duration>5951</video:duration>
<video:publication_date>2024-05-30T09:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:33:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C0</loc>
<video:video>
<video:title>Bach: The Art of Life</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61c0348522c36340c709ab843a73610f9179bac7.jpg</video:thumbnail_loc>
<video:description>Daniil Trifonov presents a captivating concert built around the music of Johann Sebastian Bach and his offspring at the Philharmonie in Berlin. At the centre of the recital stands Bach&apos;s monumental The Art of Fugue, whose final movement – left as a fragment at Bach&apos;s death – Trifonov presents in his own completion. The programme is completed by Brahms&apos;s imposing left hand-only arrangement of the magnificent Chaconne from Bach&apos;s Second Partita, Dame Myra Hess&apos;s famous arrangement of &quot;Jesu Joy of Man&apos;s Desiring&quot; as well as, for encores, shorter works by three of Bach&apos;s sons. </video:description>
<video:duration>6214</video:duration>
<video:publication_date>2022-06-30T09:22:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:32:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30C8</loc>
<video:video>
<video:title>Sokolov plays Beethoven &amp; Mozart </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/afc16ddee943605fa642843761e7f07c8f4b7b64.jpg</video:thumbnail_loc>
<video:description>From Mozart&apos;s unusually sombre D Minor Fantasy to Beethoven&apos;s transcendental final piano sonata: in this 2017 programme, Grigory Sokolov puts his unique skills to the service of late 18th- and early 19th-century Viennese classics – until the riches of his encores section, which include music from the French Baroque and Impressionist periods as well as German Romanticism. Sokolov&apos;s velvety touch, his apparently endless technical resources and his ability to immerse himself almost meditatively in the music help make this another recital to remember.</video:description>
<video:duration>8349</video:duration>
<video:publication_date>2022-10-25T13:24:05Z</video:publication_date>
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<lastmod>2025-02-13T11:31:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CO</loc>
<video:video>
<video:title>Sokolov plays Schubert &amp; Beethoven</video:title>
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<video:description>Many connoisseurs consider Grigory Sokolov the most important pianist of our time. Yet fans had to wait over a decade for him to approve the filming of another recital. In this rare recording from the Berlin Philharmonie in 2013, Sokolov performs works by Schubert – pieces captivating in their delicacy and richness of melody – along with Beethoven&apos;s mighty &quot;Hammerklavier&quot; Sonata, whose technical and musical challenges are so enormous that almost 20 years passed before Franz Liszt dared to first perform the piece in public. Sokolov&apos;s intensity and understated stage presence are felt all the way through to the encores: works from the French Baroque and Brahms that keep the the audience rapt until the very last note. </video:description>
<video:duration>8617</video:duration>
<video:publication_date>2022-07-05T14:37:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:30:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8CO</loc>
<video:video>
<video:title>Argerich plays Ravel: Piano Concerto in G – with Charles Dutoit</video:title>
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<video:description>Right from her first acclaimed Deutsche Grammophon recording of the work with Claudio Abbado and the Berliner Philharmoniker, Ravel&apos;s brilliant jazz-inspired Piano Concerto in G has been a staple of Martha Argerich&apos;s repertoire: a work whose scintillating rhythms, sparkling passage-work and melodic inspiration seem tailor made to the legendary Argentinian pianist&apos;s remarkable gifts. And that fact is clear to see and hear in this thrilling performance filmed in the Alte Oper in Frankfurt in September 1990, in which Argerich is joined by the Orchestre National de France and conductor Charles Dutoit. </video:description>
<video:duration>1380</video:duration>
<video:publication_date>2024-10-10T08:31:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:27:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32</loc>
<video:video>
<video:title>150th Schumann Anniversary – with Martha Argerich &amp; Riccardo Chailly</video:title>
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<video:description>2006 marked the 150th anniversary of Robert Schumann&apos;s death and so a tribute from the city of Leipzig could not be amiss. The composer spent his years of study and early marriage there between 1828 and 1844. The concert by the Gewandhaus Orchestra, conducted by the Kapellmeister of the Gewandhaus, Riccardo Chailly, features Martha Argerich, one of Schumann&apos;s most distinguished and passionate interpreters of the immortal piano concerto. Orchestral versions of piano works, penned by Schumann-admirers Tchaikovsky and Ravel, demonstrate the Romantic German&apos;s influence throughout Europe. The evening concludes with the Fourth Symphony, bringing poetry and originality in unison. </video:description>
<video:duration>5589</video:duration>
<video:publication_date>2022-05-20T10:07:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJA</loc>
<video:video>
<video:title>Start of a Pilgrimage: Bach&apos;s Christmas Oratorio in Weimar</video:title>
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<video:description>First heard at church services in Leipzig between Christmas Day 1734 and Epiphany 1735, Bach’s Christmas Oratorio is divided into six cantatas, each based on a different biblical scene. This concert presents the first half of a sparkling performance given over two days at Weimar’s historic Herderkirche by the Monteverdi Choir and English Baroque Soloists, conducted by world-renowned Bach specialist Sir John Eliot Gardiner. Soloists Claron McFadden, Bernarda Fink, Christoph Genz and Dietrich Henschel guide us through the first part of the Christmas story, from the Birth of Christ to the Adoration of the Shepherds.</video:description>
<video:duration>8659</video:duration>
<video:publication_date>2022-06-15T15:45:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T10:16:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJACG</loc>
<video:video>
<video:title>Yuja Wang &amp; Víkingur Ólafsson: Live in Berlin </video:title>
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<video:description>Two classical superstars and two of the most remarkable pianists of their generation join forces: Yuja Wang and Víkingur Ólafsson come together at the Philharmonie in Berlin for what promises to be an unmissable meeting of musical minds.  As part of an extended tour that sees them performing together for the first time, they present a programme built around two classics of the four-hand repertoire – Schubert&apos;s haunting Fantasie in F Minor and the two-piano version of Rachmaninoff&apos;s powerful Symphonic Dances – alongside John Adams&apos;s 1996 masterpiece Hallelujah Junction and further works by Adams, John Cage, Conlon Nancarrow and Arvo Pärt. Filmed on 30 October 2024. </video:description>
<video:duration>5979</video:duration>
<video:publication_date>2025-02-03T11:12:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T13:05:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3C</loc>
<video:video>
<video:title>Hope for Prague – A Musical Celebration on the Vltava</video:title>
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<video:description>The spectacular setting of this concert on a floating stage on the Vltava, with a panoramic backdrop of Prague Castle, provides the ideal setting for a new reworking of the music of Smetana&apos;s tone poem describing the river. With the Epoque Orchestra, the Czech composer Jiří Slavík conducts the world premiere of his own arrangement of the piece, Vltava on Vltava. The orchestra is then joined by star violinist Daniel Hope, who performs Max Richter&apos;s recomposition of Vivaldi’s Four Seasons – the central work in a programme celebrating the return to live music after the silence imposed by the global pandemic of 2020. </video:description>
<video:duration>4120</video:duration>
<video:publication_date>2022-05-11T12:34:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:45:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJED8</loc>
<video:video>
<video:title>David Garrett - ICONIC</video:title>
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<video:description>For this open-air concert in Sicily, violinist David Garrett chose an especially spectacular location: the ancient theatre of Taormina, situated in the shadow of Mount Etna. Showcasing the repertoire from his ICONIC Album, in which he reasserted his link to his classical roots, he performs music by Vivaldi, Schumann, Saint-Saëns, Kreisler and many other composers, all freshly arranged. The violinist is accompanied by his guitarist and arranger Franck van der Heijden, bassist Rogier van Wegberg and the Orchestra del Teatro Vittorio Emanuele di Messina under the direction of Gianna Fratta. And watch out for a special guest appearance by Matteo Bocelli!</video:description>
<video:duration>6524</video:duration>
<video:publication_date>2024-04-22T08:24:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:43:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32DG</loc>
<video:video>
<video:title>Antonello Manacorda conducts Mendelssohn&apos;s A Midsummer Night&apos;s Dream </video:title>
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<video:description>Mendelssohn composed his famous A Midsummer Night&apos;s Dream Overture in his teens but was able to incorporate it 16 years later into incidental music written to accompany Shakespeare&apos;s fantastical play (including what&apos;s probably his best known piece, the rousing Wedding March). The incidental music was composed to a commission from King Frederick Wilhelm IV of Prussia, and in this special performance it is presented in theatre of the New Palace in Potsdam, the exact location of its premiere in October 1843. Joining the Kammerakademie Potsdam and conductor Antonello Manacorda are soloists Jeanine De Bique and Christiane Karg, who also performs Berlioz’s exquisite Les nuits d’été, composed just a couple of years before Mendelssohn&apos;s work.</video:description>
<video:duration>4553</video:duration>
<video:publication_date>2024-08-21T11:42:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:42:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4CO</loc>
<video:video>
<video:title>Solti conducts Bruckner: Symphony No. 2</video:title>
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<video:description>It’s almost a cliché to describe Bruckner’s symphonies as “cathedrals in sound”, and especially when the symphony in question is the Second: perhaps Bruckner’s most personal homage to the Viennese classical tradition. But there’s an unmistakable synergy between visuals and music in this live performance from the magnificent Romanesque cathedral at Speyer in Bavaria, with Sir Georg Solti conducting the Stuttgart Radio Symphony Orchestra in a setting steeped in the south German Catholic tradition that Bruckner loved so much. Solti brought an irrepressible energy to everything he conducted, and this is no exception. The result is a near-perfect meeting of music and architecture.</video:description>
<video:duration>3427</video:duration>
<video:publication_date>2024-09-03T08:19:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:39:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJC</loc>
<video:video>
<video:title>Gala from Berlin 2014 – with Simon Rattle &amp; Menahem Pressler</video:title>
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<video:description>For decades, Menahem Pressler was the pianist of the famous Beaux Arts Trio before embarking on his late career as a soloist that was admired by the entire classical music world. At the age of 90, he makes his debut with the Berliner Philharmoniker in January 2014, the same year he returned to the orchestra for the New Year&apos;s Eve Concert with an irresistibly subtle interpretation of Mozart&apos;s 23rd Piano Concerto. Simon Rattle opens the evening with the rhythmically and harmonically refined music of Jean-Philippe Rameau, a favourite composer of his. Dance-like, lively works by Dvořák and Kodály are followed by rousing encores that are equally as captivating.</video:description>
<video:duration>5510</video:duration>
<video:publication_date>2022-06-08T10:46:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:08:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0E0</loc>
<video:video>
<video:title>12 Questions for Renaud Capuçon</video:title>
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<video:description></video:description>
<video:duration>314</video:duration>
<video:publication_date>2023-09-18T13:59:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:18:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJAD0</loc>
<video:video>
<video:title>On Liszt&apos;s Totentanz and Strauss&apos;s Also sprach Zarathustra</video:title>
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<video:description></video:description>
<video:duration>160</video:duration>
<video:publication_date>2025-01-20T12:44:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:14:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3IC8</loc>
<video:video>
<video:title>On Dvořák &amp; Berlioz</video:title>
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<video:description></video:description>
<video:duration>496</video:duration>
<video:publication_date>2024-10-18T07:09:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:14:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3AC8</loc>
<video:video>
<video:title>Schubert: Impromptu Op. 142 No. 1 in F Minor</video:title>
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<video:description></video:description>
<video:duration>254</video:duration>
<video:publication_date>2024-07-14T17:18:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0DO</loc>
<video:video>
<video:title>Franck: Mass, Op. 12: 5. Panis Angelicus</video:title>
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<video:description></video:description>
<video:duration>244</video:duration>
<video:publication_date>2023-09-14T09:44:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:13:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0DG</loc>
<video:video>
<video:title>Saint-Saens: Oratorio de Noël, Op. 12: 4. Domine, ego credidi</video:title>
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<video:description></video:description>
<video:duration>219</video:duration>
<video:publication_date>2023-09-14T09:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:11:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34E0</loc>
<video:video>
<video:title>Stanislav Bunin in Recital: Chopin, Debussy &amp; Poulenc</video:title>
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<video:description>The Russian-born pianist Stanislav Bunin astonished the world when he won the gold medal at the XI International Chopin Competition in Warsaw. Aged only nineteen, he established a reputation as one of the most dazzling of a new generation of Chopin interpreters: steeped in the great Russian piano tradition, but possessed of a fresh and very personal vision. This 1987 recital from Munich’s Philharmonie im Gasteig captures him in at the peak of his youthful promise in a programme built (naturally) around Chopin, as well miniatures by Poulenc and Debussy – two composers for whom Bunin has a very special affinity.</video:description>
<video:duration>5259</video:duration>
<video:publication_date>2025-01-16T11:31:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-05T09:28:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30D8</loc>
<video:video>
<video:title>Dragon Songs – Lang Lang plays Melodies from China </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d2cfceebee8b7c0d047c0e832022d165388c5323.jpg</video:thumbnail_loc>
<video:description>Lang Lang returns to his roots in this film by Benedict Mirow that intersperses performances of favourite Chinese melodies with interview material in which the pianist introduces the songs and shares what they mean to him. For the project, Lang Lang brought together together master musicians from the Central Conservatory in Beijing, where he studied for five years from the age of nine. “We recorded some of the music in the auditorium,&quot; the pianist says. &quot;It made me so nervous because that was where I took all my piano exams. Before we started, I said to myself: &apos;No wrong notes!&apos;&quot;</video:description>
<video:duration>3558</video:duration>
<video:publication_date>2023-07-04T15:02:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T20:07:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCDO</loc>
<video:video>
<video:title>Rattle conducts Rameau&apos;s Hippolyte et Aricie</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aefbaefc24b8d9c5c665e76c078028e0927a26bc.jpg</video:thumbnail_loc>
<video:description>Simon Rattle first fell in love with the harmonically and rhythmically rich music of Jean-Philippe Rameau as a teenager and in 2018 he conducted a spectacular production of Hippolyte et Aricie, the French composer&apos;s first opera, at the Berlin State Opera. The story, with its origins in Greek mythology, tells of the title characters&apos; love, which is thwarted by Hippolyte&apos;s stepmother Phèdre. Icelandic-Danish artist Ólafur Elíasson was enlisted to design the production, providing dazzling costumes and impressive effects using shadow, light, mirrors and fog. The vocal ensemble is led by the internationally acclaimed singers Magdalena Kožená and Anna Prohaska.</video:description>
<video:duration>9173</video:duration>
<video:publication_date>2022-09-19T17:03:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T15:30:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DO</loc>
<video:video>
<video:title>Festive Concert with the Freiburg Baroque Orchestra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6072ff0175e3a3b3897e8e38a1214f9aaf42aba6.jpg</video:thumbnail_loc>
<video:description>Since it&apos;s founding in 1985, the Freiburg Baroque Orchestra has earned a reputation as one of the most excellent early music ensembles. In this recording from their 1999 Christmas season, the orchestra performs a festive programme, with selections from Bach&apos;s Christmas Oratorio and Handel&apos;s Messiah, together with others that are not necessarily directly related to the holiday. In addition to instrumental pieces, such as the poignant Air from Bach&apos;s Third Orchestral Suite, the concert at the Freiburg Cathedral also includes vocal compositions with soprano Barbara Bonney and baritone Matthias Goerne.</video:description>
<video:duration>2713</video:duration>
<video:publication_date>2022-06-22T09:05:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T15:29:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJIDO</loc>
<video:video>
<video:title>Ingo Metzmacher conducts Hans Werner Henze’s Requiem</video:title>
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<video:description>Few modern composers had a more meaningful relationship with both past and (very real) present than Hans Werner Henze – or a more acute ear for beauty. His Requiem of 1993 is simultaneously typical and utterly original: nine wordless concertos for trumpet, piano and a shimmering chamber orchestra, each charged (in Henze’s own words) “with the human fears and problems of our time, with illness and death, love and loneliness”. This film captures the world premiere performance in Frankfurt in February 1993, with Ueli Wiget on piano and the incomparable Håkan Hardenberger on trumpet – a landmark in postwar musical history.</video:description>
<video:duration>4181</video:duration>
<video:publication_date>2024-12-02T10:38:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:48:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38DG</loc>
<video:video>
<video:title>Payare conducts Liszt, Ravel &amp; Shostakovich – with Víkingur Ólafsson</video:title>
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<video:description>Rafael Payare conducts the Orchestre symphonique de Montréal in a concert featuring Ravel&apos;s scintillating Piano Concerto in G between two rousing orchestral favourites. Víkingur Ólafsson features as the soloist in the concerto, a work perfectly suited to the clarity and musical intelligence that distinguish his playing. To complete the programme, Payare, a graduate of Venezuela&apos;s El Sistema and the orchestra&apos;s Music Director since 2022, brings passion and insight to Shostakovich&apos;s powerful Symphony No. 10 – its ferocious second movement is usually interpreted as being portrait of Stalin – and to Liszt&apos;s thrilling Les Préludes.</video:description>
<video:duration>7259</video:duration>
<video:publication_date>2023-08-21T08:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:43:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3GC8</loc>
<video:video>
<video:title>Bruce Liu &amp; Dalia Stasevska in Chopin, Gubaidulina &amp; Sibelius</video:title>
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<video:description>Finnish-Ukranian conductor Dalia Stasevska and the Orchestre symphonique de Montréal present a fascinating programme culminating in the passion and virtuoso fireworks of Chopin&apos;s Piano Concerto No. 2 – featuring Canadian-Chinese pianist Bruce Liu. Here he turns his hand to one of the two concertos Chopin wrote in his late teens as vehicles to launch his own career as a virtuoso. The programme opens with Sofia Gubaidulina&apos;s The Light of the End and has as its centrepiece Sibelius&apos;s remarkable Symophony No. 6, completed in 1923: a work in which the composer presents his rarified and refined late style in four movements crafted with patience and immense skill.</video:description>
<video:duration>5922</video:duration>
<video:publication_date>2023-10-16T09:20:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:43:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30E8</loc>
<video:video>
<video:title>Pretty Yende and Benjamin Bernheim star in Massenet&apos;s Manon</video:title>
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<video:description>Enchanting, pleasure-seeking but good-hearted – the title character of Abbé Prevost&apos;s novel Manon Lescaut has fascinated and inspired many composers over the centuries, including Auber, Puccini and Hans Werner Henze. Jules Massenet couldn&apos;t resist the character&apos;s charms, either, and his opera on the theme was premiered in 1884 in Paris, where this new staging by Vincent Huguet was unveiled in 2020. Soprano Pretty Yende and tenor Benjamin Bernheim represent dream casting as Manon and Des Grieux, while Huguet&apos;s staging taps into the dark side of the story, which ends in Manon&apos;s death in the arms of her lover. </video:description>
<video:duration>10277</video:duration>
<video:publication_date>2022-10-31T13:24:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:41:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ECG</loc>
<video:video>
<video:title>Claudio Abbado – &quot;Please call me Claudio…&quot;</video:title>
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<video:description>Released in January 2024 to mark the 10th anniversary of Claudio Abbado’s death, this film by Beatrix Conrad reflects on the conductor’s remarkable career, which saw him hold some of the most prestigious posts in the classical music world and establish a host of new orchestras. Using interviews with musicians who worked with him, it brings us closer to Abbado the man and musician, as well as exploring how his work and legacy continue to resonate with a new generation of performers.</video:description>
<video:duration>3125</video:duration>
<video:publication_date>2024-09-12T08:24:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:37:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6E0</loc>
<video:video>
<video:title>Vacláv Neumann conducts Mahler &amp; Dvořák – with Thomas Allen </video:title>
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<video:description>There&apos;s always something inspiring about a veteran conductor working with young musicians – a special energy that flows between youth and experience, to the enrichment of all. In 1990, as tyrannies crumbled across Central Europe the great Czech maestro Vacláv Neumann joined forces with the Gustav Mahler Jugendorchester and the distinguished British baritone Thomas Allen for a programme of Mahler (his Lieder eines fahrenden Gesellen) and Dvořák (his final symphony). The result – captured live at the Alte Oper Frankfurt – has a quite extraordinary sense of occasion, as Neumann imparts a lifetime&apos;s emotion and experience to his audibly inspired young players. </video:description>
<video:duration>3895</video:duration>
<video:publication_date>2024-09-12T09:21:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:37:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP34</loc>
<video:video>
<video:title>Abbado conducts Mahler&apos;s Symphony No. 9 at Santa Cecilia</video:title>
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<video:description>Few works are as strongly associated with Claudio Abbado as Gustav Mahler&apos;s Ninth Symphony. As a leading interpreter of the Austrian composer, Abbado’s knowledge of the Viennese tone, the familiarity with the combination of elegy and bold modernity, the energy for the grotesque upsurges in the middle movements and the inner calm for the end of the symphony, when the music becomes ever quieter and finally falls silent, is unparalleled. Performing with fresh musicality, the Gustav Mahler Youth Orchestra, founded by the conductor himself, performs the great work in this 1986 concert at the Accademia Nazionale di Santa Cecilia in Rome.</video:description>
<video:duration>4983</video:duration>
<video:publication_date>2022-04-29T13:22:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:36:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4C0</loc>
<video:video>
<video:title>Woman.Life.Freedom. – A Benefit Concert for Human Rights in Iran</video:title>
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<video:description>Iranian-Canadian countertenor Cameron Shahbazi presents a special concert, filmed at Oper Frankfurt in December 2022, raising awareness and support in aid of Human Rights in Iran. Shahbazi is joined by other musicians with Iranian roots and performers passionate about the cause for a diverse programme featuring poetry readings and works by Iranian composers alongside music focusing on women – their suffering and hopes for freedom.</video:description>
<video:duration>3875</video:duration>
<video:publication_date>2023-02-03T10:46:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:46:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CE8</loc>
<video:video>
<video:title>Musical Moment: Jonathan Tetelman sings Opera and Song</video:title>
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<video:description>Tenor Jonathan Tetelman – an exclusive Deutsche Grammophon artist since October 2021 – is joined by pianist Sophia Muñoz and harpist Marion Ravot for a recital showcasing the voice and artistry that have seen him quickly become one of the most sought-after performers on the world&apos;s great stages. Mixing operatic arias – by Verdi, Massenet and Bizet – with popular Italian songs, Tetelman presents a programme characterized by romance and passion, captured in the intimate surroundings of Berlin&apos;s Tanzsaal an der Panke.</video:description>
<video:duration>2230</video:duration>
<video:publication_date>2023-09-21T14:55:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:46:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30C0</loc>
<video:video>
<video:title>Modern Masterworks: John Cage</video:title>
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<video:description>Few figures of 20th-century music were as innovative, iconoclastic and controversial as John Cage, a composer who asked fundamental about the nature of music and art. When he died in 1992, a festival of his music scheduled in Frankfurt took on the character of a celebration of his life and art. The performances featured here are drawn from that festival, with David Tudor – Cage’s friend and musical partner for over 40 years – performing two of the composer’s major concert works, accompanied by Ensemble Modern and conductor Ingo Metzmacher. The performances are preceded by an introduction to Cage and his work by Michael Nupen.</video:description>
<video:duration>3491</video:duration>
<video:publication_date>2024-12-02T11:10:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:35:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJAE0</loc>
<video:video>
<video:title>Abbado conducts Debussy and Wagner – with Bryn Terfel </video:title>
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<video:description>Claudio Abbado had loved the music of Claude Debussy since his childhood, so it was no surprise that he chose music by the French composer for the first concert of his Lucerne Festival Orchestra. In addition to the vivid &quot;symphonic sketches&quot; La mer, which shimmers in a thousand moods and colours before culminating in a grand finale, the concert features the suite from the much lesser-known mystery play Le Martyre de Saint Sébastien, a collaboration with the Italian writer Gabriele D&apos;Annunzio. Completing the programme, superstar bass-baritone Bryn Terfel, one of Abbado&apos;s favorite singers, lends his powerful voice to the moving final scene from Wagner&apos;s Die Walküre.</video:description>
<video:duration>5110</video:duration>
<video:publication_date>2022-09-06T08:52:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:22:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGE0</loc>
<video:video>
<video:title>Abbado conducts Verdi&apos;s Requiem</video:title>
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<video:description>In a performance marking the centenary of Verdi&apos;s death, Claudio Abbado directs the Berliner Philharmoniker in a thrilling performance of the composer&apos;s monumental Requiem. Once described dismissively by Hans von Bülow as an &quot;an opera in church clothing&quot;, it’s a work in which Verdi undoubtedly revels in his skill as a master musical dramatist, while also dealing with the Mass text with undoubted seriousness. Few conductors were better placed to conduct the work than Abbado, who here assembled a cast of the some of the finest singers of the time, performing alongside his favoured Swedish choirs and the San Sebastián-based Orfeón Donostiarra.</video:description>
<video:duration>5272</video:duration>
<video:publication_date>2023-06-16T14:11:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:16:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6DG</loc>
<video:video>
<video:title>Roberto Alagna &amp; Angela Gheorghiu: Gounod&apos;s Roméo et Juliette</video:title>
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<video:description>The warring families; the ecstasy of young love: Shakespeare’s Romeo and Juliet has long fascinated composers of all eras and nations. But none has ever brought it into the opera house more successfully than Charles Gounod – and no pair of singers, surely, was ever more suited to its title roles than the turn-of-the-millennium dream team of Angela Gheorghiu and Roberto Alagna. Antonio Guadagno’s 2002 movie of Roméo et Juliette is just that: a sumptuously produced cinematic version, filmed on location in the stunning medieval setting of Zvikov Castle in Bohemia. The result ravishes the eyes as well as the heart.</video:description>
<video:duration>4391</video:duration>
<video:publication_date>2024-09-11T17:31:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:16:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36C0</loc>
<video:video>
<video:title>Nelsons conducts Mahler: Symphony No. 3 </video:title>
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<video:description>&quot;The symphony must be like the world,&quot; said Gustav Mahler: &quot;It should contain everything.&quot; He never came closer to realising that vision than with his Third – and longest – Symphony: a sweeping hymn to love and nature that embraces distant trumpets, children&apos;s songs, military marches and Alpine meditations. In this emotionally charged concert from the 2021 Salzburg Festival, Andris Nelsons and the Vienna Philharmonic embrace the epic scale and the sense of wonder that animates this extraordinary symphony, and with two outstanding choirs plus contralto Violeta Urmana – a particular favourite of the Salzburg audience – this is both an exceptional performance and a document of a very special Festival occasion.</video:description>
<video:duration>6680</video:duration>
<video:publication_date>2023-08-02T13:41:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCC8</loc>
<video:video>
<video:title>Europakonzert 2000 from Berlin – with Claudio Abbado &amp; Mikhail Pletnev</video:title>
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<video:description>For the first Europakonzert of the new millennium – and the tenth since they started – Claudio Abbado and the Berliner Philharmoniker stayed at home in Berlin Philharmonie for a programme culminating in Beethoven&apos;s celebratory Ninth Symphony, featuring a top quartet of soloists representing four different countries: Finland, Lithuania, the USA and Germany. For the first half of the concert, conductor and orchestra are joined by Russian pianist Mikhail Pletnev in Beethoven&apos;s playful Piano Concerto No. 2.</video:description>
<video:duration>5824</video:duration>
<video:publication_date>2023-04-19T10:55:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJIDG</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Symphony No. 9</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/751b3ec9169aa357acc116f2da560511d68a4a13.jpg</video:thumbnail_loc>
<video:description>“I embrace you, all you millions…” Claudio Abbado was an artist who combined deep intelligence with a profound humility; and from beginning to the end of his tenure of chief conductor of the Berliner Philharmoniker, he regarded every performance as a chance to learn and explore. He believed that the Beethoven cycle that he performed in Berlin and Rome shortly after the millennium “marked a significant advance in terms of style, spirit, and technique”. But in this climactic performance of the Ninth symphony, given in Berlin with a starry quartet of soloists, the overwhelming impression – appropriately enough – is of joy.</video:description>
<video:duration>4136</video:duration>
<video:publication_date>2024-12-02T10:12:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36DO</loc>
<video:video>
<video:title>Bernstein conducts Schumann: Symphony No. 1 in B Flat Major “Spring”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0a056d0ab34d7e69392a95b34a5c75983115e875.jpg</video:thumbnail_loc>
<video:description>A ringing fanfare opens Robert Schumann’s “Spring” symphony; an exuberant outpouring of poetry, colour and pure creative joie de vivre, created by a composer in love. For Leonard Bernstein, Schumann’s first symphony was the gateway to a whole new world of the Romantic imagination, and this first instalment in his 1984 Schumann symphony cycle – captured live in the golden hall of Vienna’s Musikverein – has all the energy and generosity you’d expect from this most outgoing of maestros. But it has an unmistakable grandeur too, with playing of rare beauty and spontaneity from Bernstein’s beloved Vienna Philharmonic.</video:description>
<video:duration>2189</video:duration>
<video:publication_date>2025-01-29T14:36:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T15:02:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36E0</loc>
<video:video>
<video:title>Bernstein conducts Schumann: Symphony No. 3 in E Flat Major “Rhenish”</video:title>
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<video:description>The raw energy of Leonard Bernstein, American classical music’s greatest showman, and the Old World elegance of the Wiener Philharmoniker: it was an unlikely combination, but somehow it just clicked, and Bernstein and the great Viennese orchestra never failed to strike sparks off each other. This performance of Schumann’s sweeping symphonic evocation of the Rhineland – captured in 1984 as part of a full Schumann symphony cycle – positively glows with open-hearted affection and verve. In front of a packed Vienna Musikverein, the orchestra’s commitment is visible, as well as audible, and legendary director Humphrey Burton captures the authentic thrill of the live occasion.</video:description>
<video:duration>2302</video:duration>
<video:publication_date>2025-01-29T14:44:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T14:55:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36E8</loc>
<video:video>
<video:title>Bernstein conducts Schumann: Symphony No. 4 in D minor</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85151437bc945e3a3c0eb92aee5c776847c02afe.jpg</video:thumbnail_loc>
<video:description>Schumann’s Fourth Symphony might also be his most original: a journey deep into the poetry, tragedy and tenderness of the Romantic soul, expressed in music of unprecedented boldness and originality. It could have been made for the ardent, questing spirit of Leonard Bernstein, and in the resplendent sound of the Vienna Philharmonic, he found the perfect partner. This performance – captured live in the golden hall of the Vienna Musikverein – was one of the high points of Bernstein’s 1984 Schumann symphony cycle in Vienna, and this concert film, directed by the great Humphrey Burton, puts you at the very heart of the performance.</video:description>
<video:duration>2115</video:duration>
<video:publication_date>2025-01-29T14:52:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T13:04:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3AD0</loc>
<video:video>
<video:title>Wagner&apos;s Der Ring des Nibelungen: An Introduction</video:title>
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<video:description>Using an examination of Patrice Chéreau’s revolutionary centenary staging at Bayreuth of Wagner’s Der Ring des Nibelungen as a starting point, director Thomas M. Salb has here produced a fascinating introduction to the composer’s vast four-part epic. The film features contributions from Chéreau, Pierre Boulez and others involved in the production and offers insights not just into the work itself and its genesis, but also into the founding of the Bayreuth Festival and the creation of the Festival Theatre, as well as the challenges that those performing and interpreting the work face. The result is a fascinating, though-provoking film that should appeal to seasons Wagnerians and beginners alike.</video:description>
<video:duration>1801</video:duration>
<video:publication_date>2024-07-25T09:35:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:36:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJIC0</loc>
<video:video>
<video:title>Thielemann conducts Wagner&apos;s Siegfried Idyll – from Haus Wahnfried </video:title>
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<video:description>In 2020, the Bayreuth Festival was unable to take place in its usual form due to the Corona crisis; nevertheless, music by Richard Wagner could still be heard in the city that is synonymous with the composer – even if the Festival Orchestra was able to perform only with a small lineup. Happily, with the Siegfried Idyll, a birthday gift to his second wife, Cosima, Wagner composed just the piece for such circumstances – a work of great intimacy and chamber-music transparency for small instrumental ensemble. Renowned Wagnerian Christian Thielemann conducts it here in a very special venue: the Wagner family&apos;s Bayreuth home, Villa Wahnfried.</video:description>
<video:duration>1232</video:duration>
<video:publication_date>2022-10-14T11:12:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:09:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6CG</loc>
<video:video>
<video:title>Wagner: Lohengrin (Bayreuth 2011)</video:title>
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<video:description>Andris Nelsons is in the pit at the Bayreuth Festival for Hans Neuenfels characteristically controversial but questing production of Lohengrin, filmed in 2011 in its second year on the Green Hill. Quickly nicknamed the &quot;Rat Lohengrin&quot; – for reasons that become immediately apparent – it soon established itself as a classic, with the action staged as an unsettling laboratory experiment that puts the work&apos;s apparent certainties under the microscope. With a superb cast led by Klaus Florian Vogt&apos;s otherworldly Lohengrin and Annette Dasch&apos;s very human Elsa, plus Nelsons&apos;s much praised conducting of an orchestra and chorus on outstanding form, this performance captures Neunfels&apos;s challenging production at its best.</video:description>
<video:duration>12618</video:duration>
<video:publication_date>2023-12-20T10:04:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:02:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJAE8</loc>
<video:video>
<video:title>Music of Consolation: Gardiner conducts Bach, Schütz &amp; Schein</video:title>
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<video:description>John Eliot Gardiner and his Monteverdi Choir and English Baroque Soloists present a programme of music by J. S. Bach and two of his forebears, Heinrich Schütz and Johann Hermann Schein, that attempts to offer consolation in the face of great loss. At the heart of the programme are Schütz&apos;s beautiful Musikalische Exequien of 1636 and Bach&apos;s remarkable early cantata &quot;Gottes Zeit ist die allerbeste Zeit&quot; – also known as Actus Tragicus – which depicts an individual&apos;s journey from death to paradise. Recorded at end of an extensive tour in June 2022, the concert demonstrates Gardiner&apos;s unparalleled experience as one of the most important Baroque experts of last half century. </video:description>
<video:duration>6045</video:duration>
<video:publication_date>2023-04-18T14:37:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-28T15:36:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8C8</loc>
<video:video>
<video:title>Boston Baroque: Haydn&apos;s Die Schöpfung – with Hera Hyesang Park</video:title>
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<video:description>Haydn was inspired to produce his great biblical oratorio Die Schöpfung (The Creation) by hearing some of Handel’s large-scale choral works while on trips to London in the early 1790s. And the result is one of his finest works, combining his unmatched gifts for melody, word-painting and symphonic structure to inspired effect. Here soprano Hera Hyesang Park is joined by tenor Paul Appleby and baritone Nicholas Newton for a performance given by the forces of Boston Baroque – one of the USA’s leading historically informed groups – under their founder and director Martin Pearlman.</video:description>
<video:duration>6208</video:duration>
<video:publication_date>2025-01-02T10:15:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T15:36:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJGC8</loc>
<video:video>
<video:title>Waldbühne 2003: A Gershwin Night – with Seiji Ozawa</video:title>
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<video:description>On an atmospheric evening in Berlin, a German orchestra and a Japanese conductor come together to celebrate the glories of George Gershwin&apos;s musical language. The Berliner Philharmoniker and Seiji Ozawa join the Marcus Roberts Trio to demonstrate to 20,000 spectators how the sounds of the American composer have become musical second nature to them. Alongside the Concert in F and other favourites, Gershwin&apos;s suite, An American in Paris, his immortal depiction of the hustle and bustle of the French capital in the 1920s, is an apt choice for this European excursion into the American musical world. </video:description>
<video:duration>6601</video:duration>
<video:publication_date>2022-10-06T12:44:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:51:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCCO</loc>
<video:video>
<video:title>Waldbühne 1997: St. Petersburg White Night – with Mehta &amp; Barenboim</video:title>
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<video:description>There&apos;s always a mood of celebration when the Berlin Philharmonic plays its annual open-air concert at the Waldbühne – the spectacular amphitheatre nestled in the woods of West Berlin – and 1997&apos;s concert found Zubin Mehta conducting and Daniel Barenboim as soloist in Tchaikovsky&apos;s evergreen First Piano Concerto. That&apos;s the centrepiece of this &quot;St Petersburg White Night&quot; – an entire evening devoted to Russian music at its most tuneful and entertaining. With Mehta on sparkling form and the BPO enjoying every note, Glinka&apos;s breathless overture is the touchpaper that ignites an explosion of colour: works by Glinka, Mussorgsky, Prokofiev and Rimsky-Korsakov as well as music from Tchaikovsky&apos;s Swan Lake.</video:description>
<video:duration>5788</video:duration>
<video:publication_date>2024-02-26T08:32:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:51:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C8</loc>
<video:video>
<video:title>Waldbühne 2014: A Midsummer Night – with Gustavo Dudamel</video:title>
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<video:description>The young, charismatic conductor Gustavo Dudamel performs his second concert on Berlin&apos;s Waldbühne with the Berliner Philharmoniker in 2014. Celebrating the 450th birthday of William Shakespeare, the focus was on two works inspired by the bard&apos;s dramas: Tchaikovsky&apos;s Symphonic Fantasy &quot;The Tempest&quot; and the Fantasy Overture &quot;Romeo and Juliet&quot;. Tchaikovsky&apos;s music is of particular importance to Dudamel because of its vivid tonal language, elemental in the conductor&apos;s work with the Venezuelan youth orchestras of El Sistema. Dudamel and the Berliner Philharmoniker complete the Programme with programme with Brahms&apos;s First Symphony. </video:description>
<video:duration>6409</video:duration>
<video:publication_date>2022-06-20T10:29:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C0</loc>
<video:video>
<video:title>Waldbühne 2017: Legends of the Rhine – with Gustavo Dudamel</video:title>
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<video:description>Gustavo Dudamel returns to the Waldbühne in his third performance with the Berliner Philharmoniker for their annual concert to mark the end of the season. Making up the 2017 programme are the works of Schumann and Wagner, who knew and respected one another, but although they were almost the same age, they were long regarded as representatives of opposing styles. This concert features Schumann&apos;s lively &quot;Rhenish&quot; Symphony followed by orchestral excerpts from Wagner’s Ring Cycle – an alluring combination that also makes complete sense: the Rhine is a powerful presence that flows through Wagner&apos;s groundbreaking tetralogy while also being the same river that inspired Schumann to write his Third Symphony.</video:description>
<video:duration>5843</video:duration>
<video:publication_date>2022-06-20T07:58:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:40:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6</loc>
<video:video>
<video:title>Waldbühne 2016: A Czech Night – with Lisa Batiashvili </video:title>
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<video:description>Leading turn of the 20th century music critic Louis Ehlert wrote of “heavenly naturalness” when reviewing Antonín Dvořák’s work, praise that is fitting also to the Berliner Philharmoniker’s 2016 performance at the Waldbühne with its entirely Czech programme. Playing in the open air, the setting helps to further evoke the images of natural landscapes conjured by the works, particularly Smetana’s Vltava, which paints a portrait of the graceful flow of the river. Conductor Yannick Nézet-Séguin also conducts two of Dvořák’s rarely performed pieces: the virtuoso and melodious Violin Concerto with the wonderful violinist Lisa Batiashvili and the spirited Sixth Symphony.</video:description>
<video:duration>6447</video:duration>
<video:publication_date>2022-05-13T13:44:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:31:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E8</loc>
<video:video>
<video:title>Waldbühne 2015: Lights, camera, action! – with Lang Lang </video:title>
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<video:description>Hollywood comes to life in this performance by the Berliner Philharmoniker at the Waldbühne in 2015. Simon Rattle leads the orchestra in their traditional end of the season concert with a programme filled with some of the best-known and beloved film music by Erich Korngold, Scott Bradley, and John Williams. Slotted within the image-evoking music, star pianist Lang Lang joins the stage to perform Grieg’s lyrical and entrancing Piano Concerto. As the first and only piano concerto he ever wrote, it is one of Grieg’s biggest and most powerful works, and having been hugely successful at its premiere, the work is one of the most frequently performed of all concertos.</video:description>
<video:duration>6488</video:duration>
<video:publication_date>2022-07-13T11:45:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:30:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR30</loc>
<video:video>
<video:title>Waldbühne 2004: Tchaikovsky Night – with Lang Lang &amp; Simon Rattle</video:title>
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<video:description>Holding up to 20,000 spectators, the Waldbühne in Berlin is the world’s largest concert hall. In 2004, the Berliner Philharmoniker, along with Simon Rattle and the star pianist Lang Lang, come together to perform works of Tchaikovsky. This dream team of the classical music scene, its reputation established after numerous joint concerts over the years, conjures images and dream-like fantasies with the Russian repertoire. Having made his international breakthrough with the same piece, Lang Lang masterfully performs Tchaikovsky’s First Piano Concerto, a work that has been harshly criticised for its difficulty and extremely virtuosic opening movement. Encores by Shostakovich, as well as the icon Berliner Luft, complete the programme.</video:description>
<video:duration>5833</video:duration>
<video:publication_date>2022-05-19T15:09:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:28:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6C8</loc>
<video:video>
<video:title>Waldbühne 2005: French Night – with Simon Rattle</video:title>
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<video:description>The Berliner Philharmoniker and it&apos;s then chief conductor Simon Rattle bid farewell for the summer break in 2005 with the performance of a French programme at the Waldbühne in Berlin. To make for an even more authentic and colourful evening, French pianists Katia and Marielle Labèque are also invited to the stage. The sisters, whose playing perfectly intertwine, offer performances from Poulenc&apos;s Concerto for two pianos, as well as the Karneval der Tiere by Saint-Saëns. To complete the show, the orchestra thrills the crowd with well-known works that include Ducas‘ Zauberlehrling, Satie&apos;s Gymnopedie und Ravel&apos;s Boléro. And as the sun starts to set, the audience of 23,000 lights their sparklers and sets the night aglow.</video:description>
<video:duration>7159</video:duration>
<video:publication_date>2022-07-13T13:37:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:21:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34C0</loc>
<video:video>
<video:title>Leonard Bernstein and Krystian Zimerman Interpret Brahms </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b6221c36362e0957a6b66218e311487c95b85993.jpg</video:thumbnail_loc>
<video:description>It was a unique coming together in Vienna in 1984 when Krystian Zimerman and Leonard Bernstein stepped onto the stage and in front of the cameras to perform Brahms&apos;s Piano Concerto No. 2. The result was indeed a magic moment of music and a landmark in Zimerman&apos;s career. In a rare interview, and for the first time in a TV documentary, the pianist speaks in detail about the background to the concert recording and why the collaboration with Bernstein radically changed the course of his artistic life. The film also features contributions from eminent colleagues including Hélène Grimaud and Igor Levit, as well as close confidants of Leonard Bernstein, including the conductor Marin Alsop.</video:description>
<video:duration>3138</video:duration>
<video:publication_date>2024-05-16T13:44:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T16:28:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3IE0</loc>
<video:video>
<video:title>Hélène Grimaud: 9/11 in London</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b9c3e6f632f204395bc4907ebd2a40475fe46b25.jpg</video:thumbnail_loc>
<video:description>It was a day that brought the world to a standstill: 11 September 2001. But for Hélène Grimaud, the Orchestre de Paris and conductor Christoph Eschenbach, the show had to go on: with a scheduled performance at the BBC Proms that very day. Grimaud, making her debut at the festival, is visibly affected and channels her feelings into a deeply emotional performance of Beethoven’s Piano Concerto No. 4, supported every second of the way by orchestra and conductor. It was an unforgettable occasion for everyone there and an event revisited – through interviews and original concert footage – in this very episode of “Magic Moments of Music”.</video:description>
<video:duration>3121</video:duration>
<video:publication_date>2024-11-06T11:41:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T16:27:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3AD8</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphony No. 9</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0af8c795a29fe83588608c5d563df40e37d09dd.jpg</video:thumbnail_loc>
<video:description>For decades after the Second World War, Herbert von Karajan was almost synonymous with Beethoven&apos;s symphonies on disc, and his four full recorded cycles were among the best-selling recordings of the LP (and later CD) era, with Karajan taking particular care to ensure that the technical quality of the recordings matched the authority and insight of his interpretative vision. This cycle, filmed with the Berlin Philharmonic and the Wiener Singverein between 1982 and 1986, might be his final testament in this extraordinary music: an experience that no-one interested in great conducting – or simply in Beethoven – will want to miss.</video:description>
<video:duration>4089</video:duration>
<video:publication_date>2024-06-17T09:14:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T15:30:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJIDO</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Missa Solemnis (1985)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/77b718a81dc28081c15c4fba5b71439b32e2c9fc.jpg</video:thumbnail_loc>
<video:description>&quot;From the heart – may it go to the heart,&quot; was Beethoven&apos;s own comment on his Missa Solemnis and he never wrote anything more personal or more profound than this vast setting of the Catholic mass. And there&apos;s something both reverent and intensely emotional about this performance conducted by Herbert von Karajan in 1985, which brings together two ensembles that he loved – the Berliner Philharmoniker and the Wiener Singverein – as well as a team of soloists with the incomparable José van Dam at its foundation. Unreleased for two nearly two decades after Karajan&apos;s death in 1989, this film captures the special aura of an unrepeatable musical occasion.  </video:description>
<video:duration>4959</video:duration>
<video:publication_date>2024-04-23T07:50:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T15:30:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2E8</loc>
<video:video>
<video:title>The Making of “Pictures Reframed”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0fe996e16db863715afd5c8c2f7c4e4d80c70a07.jpg</video:thumbnail_loc>
<video:description>Two artists from two very different worlds come together for a fresh take on a Russian masterpiece. Norwegian pianist Leif Ove Andsnes and South African street artist Robin Rhode collaborated to offer bold new vision of Mussorgsky’s Pictures at an Exhibition, which was taken on tour around the world. In this “Making of”, we meet both artists as they begin their discussions in Berlin and follow them as the project develops. As they spend more time with one another and as their artistic visions coalesce, we witness a collaboration like few others come into being – a fascinating insight into the creative process and great art’s ability to cross boundaries and disciplines.</video:description>
<video:duration>3481</video:duration>
<video:publication_date>2024-11-29T14:36:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T11:14:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJAD8</loc>
<video:video>
<video:title>Paganini: 24 Caprices for Solo Violin, Op. 1, MS 25: No. 9 in E Major &quot;La chasse&quot;. Allegretto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/94932902e9d5340ddb64529dedf271ca6f3de51c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2025-01-21T15:20:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T09:30:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3AE8</loc>
<video:video>
<video:title>On Tristan und Isolde</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36ad067a090a86f6b1b6c781df01c274680f27c7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2024-08-05T13:34:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:19:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3AC0</loc>
<video:video>
<video:title>On Émigré</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9d00847670d2a75328be6bcf56afde2db224a793.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>402</video:duration>
<video:publication_date>2024-07-12T14:21:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38E8</loc>
<video:video>
<video:title>On Émigré</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e948d1379eb8c0dc90d007bdc2b060f8d1a3362.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>302</video:duration>
<video:publication_date>2024-07-12T14:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38E0</loc>
<video:video>
<video:title>On Émigré</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9f9aee92eb18a89fc295585f7ae925d8c78365f6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>430</video:duration>
<video:publication_date>2024-07-09T12:10:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30DG</loc>
<video:video>
<video:title>On Ravel&apos;s Piano Concerto in G</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0a7da40e7298fd7720a12f92d4eda05c91559db7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>273</video:duration>
<video:publication_date>2024-02-22T10:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36DO</loc>
<video:video>
<video:title>Dr. Clemens Trautmann in Conversation with Sarah Willis</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e401c7839c482818fe7501e972833f273edaa387.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1446</video:duration>
<video:publication_date>2024-06-24T14:28:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:17:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36D8</loc>
<video:video>
<video:title>On Brahms&apos;s Double Concerto </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9c56e7cd3730c36d73e9e8e988fa17131cdcaa1b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>207</video:duration>
<video:publication_date>2024-06-21T13:42:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:17:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4CO</loc>
<video:video>
<video:title>On Scriabin &amp; Suk</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4aa5b87e54da299d23aa61a650ae81c16acf2899.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1339</video:duration>
<video:publication_date>2023-11-14T16:09:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:15:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CC0</loc>
<video:video>
<video:title>On Tristan und Isolde</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/373f676893147192325a5a39815ded171629b740.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>588</video:duration>
<video:publication_date>2024-08-05T14:00:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:13:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3AE0</loc>
<video:video>
<video:title>On Tristan und Isolde</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b1c7d3b7d25222b7c8d09ddbaab21e90bba2adaf.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>437</video:duration>
<video:publication_date>2024-08-05T13:24:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:12:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ADO</loc>
<video:video>
<video:title>On Tristan und Isolde</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/188062d57dcc163d86c4506582c55604c7070858.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>685</video:duration>
<video:publication_date>2024-08-05T13:08:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:12:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CE8</loc>
<video:video>
<video:title>On TÁR</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0cb2d9e32da14153707e5f3d0e5431bb9fba2573.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1672</video:duration>
<video:publication_date>2023-03-07T23:13:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:12:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CO</loc>
<video:video>
<video:title>Gala from Berlin 2012 - with Cecilia Bartoli &amp; Simon Rattle</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c8fbbe26c18c47ea57b7065312d524c1bd0ef409.jpg</video:thumbnail_loc>
<video:description>Simon Rattle&apos;s vast repertoire also includes numerous works from the Baroque era. The conductor once named Jean-Philippe Rameau, whose music is characterised by an irresistible &quot;swing&quot;, as his favourite composer. Instrumental works by Rameau are set against arias by Handel, among others, in this New Year’s Eve Concert with the Berliner Philharmoniker in 2012. The soloist is Cecilia Bartoli, who has thrilled audiences for decades with vocal acrobatics, flawless breathing technique, and soaring pianissimi. Dances by Dvořák and Brahms, as well as Ravel&apos;s beguiling Second Suite from Daphnis et Chloé, provide an exhilarating end to the concert, and to the year.</video:description>
<video:duration>5340</video:duration>
<video:publication_date>2022-06-20T12:47:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:01:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8CG</loc>
<video:video>
<video:title>Gala from Berlin 1999 – Grand Finales</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7b1d2d4620a52f9ced1ca20638ac711bc57bc2b9.jpg</video:thumbnail_loc>
<video:description>The Berliner Philharmoniker and Claudio Abbado mark the end of the millennium with a concert programme like few others: a series of some of the most rousing and exciting finales from works ranging from Beethoven&apos;s thrilling Seventh Symphony to Schoenberg&apos;s massive early cantata, Gurrelieder, featuring actor Klaus Maria Brandauer in the role of speaker. The rest of the programme looks back to lighter music from the turn of the 20th century, including Paul Lincke&apos;s celebratory Berliner Luft – what better way to ring in the new century?</video:description>
<video:duration>6494</video:duration>
<video:publication_date>2023-03-02T11:44:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:00:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D8</loc>
<video:video>
<video:title>Gala from Berlin 2001 – Invitation to Dance </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11f56d2d2d58b3b6040133fd4be600ba5f989fb2.jpg</video:thumbnail_loc>
<video:description>Ballets, waltzes and gavottes: the 2001 Gala from Berlin is led by Daniel Barenboim, from both the podium and the piano. This lively New Year&apos;s Eve programme travels through 300 years of music and numerous countries, including Germany, the Czech Republic, Russia, Finland and even Barenboim&apos;s homeland, Argentina. The lively whirl of catchy and melodic works span a large range of emotions, taking the audience from dream-like soundscapes and royal ballrooms to decadent dance floors and Latin American fiestas. Welcoming in the new year, the three encores to finish make it clear that the audience wholeheartedly accepts the Berliner Philharmoniker&apos;s invitation to dance.</video:description>
<video:duration>5792</video:duration>
<video:publication_date>2022-06-21T08:36:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T14:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJACG</loc>
<video:video>
<video:title>Bomsori plays Mozart&apos;s Violin Concertos at Rheingau Music Festival</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4063a0af99decd3eb1c816e2b55441ca866a3c7d.jpg</video:thumbnail_loc>
<video:description>Silky technique, temperament and elegance – violinist Bomsori boasts all the qualities of an ideal Mozartian. Mozart&apos;s five violin concertos date from his Salzburg period, and before he turned to the piano after moving to Vienna. Written between 1773 and 1775, they showcase the genius of a composer in his late teens who was also a superb violinist, displaying youthful verve alongside melodic richness and inexhaustible imagination. In these performances of all five works from the Rheingau Music Festival – culminating in the great Concerto in A major – Bomsori has an ideal ensemble at her side in the shape of the Camerata Salzburg.  </video:description>
<video:duration>7030</video:duration>
<video:publication_date>2022-08-16T09:14:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T14:34:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4E0</loc>
<video:video>
<video:title>Cecilia Bartoli stars in Rossini&apos;s Il barbiere di Siviglia </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5c857e1a57c9bf7a8b3527d8b93b7a9e0188a62f.jpg</video:thumbnail_loc>
<video:description>In this, her first performance to be captured on film, Cecilia Bartoli sparkles as Rosina in Michael Hampe&apos;s intelligent production of Rossini&apos;s evergreen comedy. The Italian mezzo – at the threshold of international stardom – brings irresistible charisma and wit to Rossini&apos;s wily heroine, who, with the help of the local barber and factotum, Figaro (Gino Quilico), foils her gullible guardian, Doctor Bartolo (Carlos Feller), to end up in the arms of the dashing Count Almaviva (David Kuebler). With a scintillating score, conducted here by Gabriele Ferro, this fast-paced comedy was a hit right from its incident-filled premiere in 1816 and remains a favourite to this day.</video:description>
<video:duration>9474</video:duration>
<video:publication_date>2023-12-13T15:27:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T14:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38C8</loc>
<video:video>
<video:title>Mambo! - Gustavo Dudamel and the Simón Bolívar Youth Orchestra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eaf07603d4b7f10c9ffa5f6bc91e50b803b30ad3.jpg</video:thumbnail_loc>
<video:description>It&apos;s a concert that has entered the realms of musical legend: a 26-year-old Gustavo Dudamel conducts the Simón Bolívar Youth Orchestra in a showcase concert from the newly opened Concert Hall in Caracas. The programme of vibrant South American classics brings out the best in the brilliant young musicians – who, along with Dudamel, were all members of the country&apos;s remarkable &quot;El sistema&quot; music education system. The programme is completed with performances by the Venezualan Brass Ensemble of two works composed by members of the ensemble. With the local audience getting irresistibly into the party spirit, the concert celebrates a remarkable group of musicians who went on to take the entire musical world by storm. </video:description>
<video:duration>4212</video:duration>
<video:publication_date>2024-05-31T13:16:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T10:41:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJEE0</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Friends: Mozart String Quintets II</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fee6978ed85f574e60071c50191fc4ac7bc99b59.jpg</video:thumbnail_loc>
<video:description>From the Salzburg Mozartwoche 2014, Renaud Capuçon brings together a stellar line-up of some of the world&apos;s finest string players to perform Mozart&apos;s complete String Quintets – which include some of the composer&apos;s finest chamber works. In this, the first of the two concerts, Capuçon is joined by fellow violinist Alina Ibragimova, viola players Gérard Caussé and Léa Hennino, and cellist Clemens Hagen to perform the String Quintet in C Minor, K. 406/516b (an arrangement of an earlier Wind Serenade) alongside the endlessly inventive late Quintet in D, K. 593 and the celebrated Quintet in C, K. 515.</video:description>
<video:duration>5423</video:duration>
<video:publication_date>2023-05-17T09:55:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-16T16:47:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJEDO</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Friends: Mozart String Quintets I</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e4bf7f9b767e1aa4c9214c5a05fedeb5bc7efb82.jpg</video:thumbnail_loc>
<video:description>From the Salzburg Mozartwoche 2014, Renaud Capuçon brings together a stellar line-up of some of the world&apos;s finest string players to perform Mozart&apos;s complete String Quintets – which include some of the composer&apos;s finest chamber works. In this, the first of the two concerts, Capuçon is joined by fellow violinist Alina Ibragimova, viola players Gérard Caussé and Léa Hennino, and cellist Clemens Hagen to perform the early Quintet in B Flat, K. 174 alongside two later masterpieces: the Quintet in E Flat, K. 614, from Mozart&apos;s final year and the powerfully dramatic Quintet in G Minor, K. 516, widely acknowledged as one of the composer&apos;s masterpieces.</video:description>
<video:duration>5427</video:duration>
<video:publication_date>2023-05-17T09:22:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-16T16:47:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0CO</loc>
<video:video>
<video:title>Tarmo Peltokoski &amp; Daniel Lozakovich in Sibelius &amp; Bruckner</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/86c4482fc1110434dc9816099c7ee96dd183810c.jpg</video:thumbnail_loc>
<video:description>Tarmo Peltokoski is on the podium for the opening concert of the Hong Kong Philharmonic Orchestra’s 51st season, joined by Swedish virtuoso Daniel Lozakovich – making his debut with the orchestra. The programme opens with Sibelius’s remarkable Violin Concerto, a work at once bracingly virtuosic and deeply poetic, firmly entrenched in the composer’s unmistakably evocative sound world. The second half sees conductor and orchestra turn – in the composer’s 200th anniversary year – to music by Anton Bruckner: his powerful final symphony, the ultimate tribute to the powerful faith that sustained him throughout his life, but left unfinished at his death in 1896.</video:description>
<video:duration>5749</video:duration>
<video:publication_date>2024-10-28T15:21:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-16T13:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32E0</loc>
<video:video>
<video:title>Rising Stars: Arsenii Moon, Piano</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3ef14750f26c991584dff46dd7f60a9146f865a0.jpg</video:thumbnail_loc>
<video:description>The winner, aged 24, of both the First Prize and the Michelangeli Prize at the 2023 Ferruccio Busoni International Piano Competition, St Petersburg-born pianist Arsenii Moon here joins the Rising Stars series on STAGE+ with a programme showcasing the different facets of his remarkable talent: from the poetic to the virtuosic. And, as always in this series, the performances – captured in state-of-the-art 4K – are complemented by informal interview footage, introducing the artist and what inspires and drives them.</video:description>
<video:duration>2125</video:duration>
<video:publication_date>2025-01-02T12:04:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-13T10:56:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2CO</loc>
<video:video>
<video:title>Bryn Terfel &amp; Friends: Songs of the Sea </video:title>
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<video:description>Bryn Terfel returns to his roots in Wales to present a personal exploration of favourite traditional songs of the sea. Joined by close musical friends – including folkband Calan, singer Eve Goodman, harpist Hannah Stone and fiddler Patrick Rimes – for special sessions recorded at the Acapela Studios in Pentyrch, the superstar bass-baritone presents songs from Wales, England and far beyond, which capture the high spirits, the homesickness the optimism and good-humoured hard work of seafaring life. &quot;Welcome to Wales,&quot; he says, &quot;this is my home country, and if you&apos;re born in Wales, just like the Welsh seafarers of old, you never really leave it.&quot;</video:description>
<video:duration>3824</video:duration>
<video:publication_date>2024-02-29T14:17:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-10T15:43:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2CO</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 9</video:title>
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<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, with performances of the last six symphonies filmed over one unforgettable week in the Philharmonie Berlin in June 2010. In this concert conductor and orchestra turn to the final Ninth, left unfinished at the composer’s death in 1896. Perhaps the ultimate expression of Bruckner’s devout faith in symphonic form, it is here performed with powerful eloquence by Barenboim and his orchestra.</video:description>
<video:duration>3957</video:duration>
<video:publication_date>2024-08-28T12:57:57Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-09T12:42:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2D8</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 4</video:title>
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<video:description>Filmed at the Whitsun Music Festival in Baden Baden, Bruckner specialist Christian Thielemann conducts the Staatskapelle Dresden in Bruckner&apos;s &quot;Romantic&quot; Symphony No. 4 – whose famous shimmering strings and horn call arguably make it the most immediately recognizable of Bruckner&apos;s works. Thielemann brings decades-long experience to the symphony while the burnished sound of the Staatskapelle Dresden proves an ideal fit for Bruckner&apos;s airy sonic landscapes in what is truly a performance to treasure. </video:description>
<video:duration>4510</video:duration>
<video:publication_date>2024-09-02T15:08:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-09T12:40:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30CO</loc>
<video:video>
<video:title>Rising Stars: Adélaïde Ferrière, Percussion</video:title>
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<video:description>The young Dijon-born, Paris-based percussionist Adélaïde Ferrière joins the Rising Stars series on STAGE+ with a showcase demonstrating why she&apos;s one of the most exciting advocates of her art on the music scene today. She is joined by pianist Sarah Tysman to present Baroque masterpieces by Vivaldi and Bach alongside Saint-Saëns&apos;s beguiling Danse Macabre, all performed in imaginative Marimba and piano arrangements, and concludes with a 20th-century tour de force: Iannis Xenakis&apos;s Rebonds. Between the performances, she introduces herself and what drives her as an artist in a relaxed on-location interview. </video:description>
<video:duration>2220</video:duration>
<video:publication_date>2024-12-10T08:06:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-08T11:53:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJEE8</loc>
<video:video>
<video:title>Monteverdi: Vespro di Natale – with La Cetra &amp; Andrea Marcon</video:title>
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<video:description>La Cetra’s Vespro di Natale has become a mainstay of the ensemble’s repertoire in recent years, a festive programme they have both performed extensively and released as an album on Deutsche Grammophon. Devised by the group’s artistic director, Andrea Marcon, it brings together music for Advent and Christmas not only by Claudio Monteverdi, but also his contemporaries – including Giovanni Gabrieli – to transport the listener back to a golden age of church music in early 17th-century Venice. This evocative performance, filmed in Basel’s beautiful Martinskirche in early December 2024, promises to be the perfect musical treat for the festive season.</video:description>
<video:duration>5347</video:duration>
<video:publication_date>2024-12-22T15:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-02T09:26:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ2</loc>
<video:video>
<video:title>Gala from Berlin 2011 – with Simon Rattle &amp; Evgeny Kissin</video:title>
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<video:description>It&apos;s not often that applause erupts in the middle of a piano concerto, but the enthrall of Evgeny Kissin&apos;s rendition of Grieg&apos;s only work of the kind at the Philharmonie in Berlin has the audience cheering at the end of the first movement. The enthusiasm continues with an energetic and festive programme of dances by Brahms, Dvořák, Strauss, and Stravinsky, the exhilaration of which are mirrored in Simon Rattle&apos;s ardent gestures and expressions. All the works were composed within the same 50 years, yet their stylistic differences make the musical developments and ingenuity between 1868 and 1918 particularly clear. It offers a reminder that innovation and progress never stand still – fitting to celebrate a new year.</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2022-06-15T11:02:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-31T09:33:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJED8</loc>
<video:video>
<video:title>Sonya Yoncheva: Christmas in Versailles</video:title>
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<video:description>Filmed in the magnificent Baroque splendour of the Opéra Royal in the Palace of Versailles in 2023, soprano Sonya Yoncheva presents a programme of seasonal favourites, ranging from Christmas carols via extracts from Oratorios – including Handel’s ever-popular Messiah – and operas, to Irving Berlin’s “White Christmas”. Add in support from conductor Stefan Plewniak and the orchestra and chorus of the Opéra Royal, combined with the unique atmosphere of this architectural gem from 1770, and you have the perfect recipe for a truly memorable festive concert.</video:description>
<video:duration>3769</video:duration>
<video:publication_date>2024-12-26T09:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-26T16:12:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ACO</loc>
<video:video>
<video:title>Busoni Competition 2023: Arsenii Moon</video:title>
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<video:description>The road to the finals: we present a selection of Arsenii Moon&apos;s performances from the Solo Final and Semi Final rounds of the 64th Ferruccio Busoni International Piano Competition.</video:description>
<video:duration>2557</video:duration>
<video:publication_date>2023-08-31T08:31:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T15:42:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJID8</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Symphony No. 7</video:title>
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<video:description>Beethoven once proclaimed himself to be “the new Bacchus, pressing out glorious wine for humanity” – and he never came closer to realising that ideal than in his Seventh Symphony. A cosmic dance? Or just the greatest of all symphonists revelling in the sheer, uninhibited joy of sound and movement? Towards the end of his tenure as chief conductor of the Berliner Philharmoniker, Claudio Abbado conducted all nine Beethoven symphonies in Rome. But the Seventh was always going to be a high point, and so it proves in this live recording: intelligent, intensely beautiful, and burning with an irrepressible life-force.</video:description>
<video:duration>2573</video:duration>
<video:publication_date>2024-12-02T10:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:38:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJID0</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Symphony No. 6</video:title>
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<video:description>For Beethoven, his “Pastoral” Symphony was “more an expression of feeling than a painting”, but with its imitations of birdsong, and its rapturous vision of nature transfigured by the imagination, there’s no one way to hear this most open-hearted of symphonies. For an artist as generous and perceptive as Claudio Abbado, the “Pastoral” held a particular magic. This performance – given in Rome towards the end of Abbado’s transformative decade as chief conductor of the Berliner Philharmoniker – breathes a very special atmosphere. An orchestra and conductor who understood each other profoundly, finding fresh wonders in some of Beethoven’s loveliest music.</video:description>
<video:duration>2634</video:duration>
<video:publication_date>2024-12-02T10:03:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:36:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJICO</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Symphonies Nos. 4 &amp; 8</video:title>
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<video:description>Schumann described Beethoven’s Fourth Symphony as “a Grecian maiden”, but in 2001, when Claudio Abbado and the Berliner Philharmoniker tacked it as part of their landmark Rome Beethoven cycle, there was nothing demure about the results. After more than a decade together, Abbado and his great orchestra moved and thought as one, and this is a performance that glows with athleticism and insight. They paired the Fourth Symphony with Beethoven’s shortest symphony, the Eighth, and it’s a delightful combination – two masterpieces of concentrated energy and life-affirming humour, and proof positive that great music-making does not have to be weighty to be profound.</video:description>
<video:duration>4203</video:duration>
<video:publication_date>2024-12-02T10:00:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:32:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJICG</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Symphonies Nos. 2 &amp; 5</video:title>
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<video:description>If Beethoven’s Second Symphony is the sound of a young genius flexing his wings, what’s left to say about the Fifth – the heaven-shaking, tragedy-to-triumph epic that has come to epitomise Beethoven’s entire symphonic achievement? It takes a remarkable conductor and orchestra to find a new vision of the Fifth, but when Claudio Abbado and the Berliner Philharmoniker performed it in Rome in 2001, the results were revelatory – few performers combine so profound a sense of tradition with such uninhibited daring. Reviewing Abbado’s Beethoven, BBC Music Magazine remarked that “no lover of Beethoven can fail to revel in and learn from it”.</video:description>
<video:duration>4663</video:duration>
<video:publication_date>2024-12-02T09:56:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:29:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJIC8</loc>
<video:video>
<video:title>Abbado conducts Beethoven: Symphonies Nos. 1 &amp; 3</video:title>
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<video:description>Even the greatest journey begins with a single step. Beethoven begins his First Symphony with a brilliant surprise; just a few years later, with the shattering chords that launch the Eroica, he was generating enough imaginative energy to change the course of western art. “I always try to see and feel the music anew,” said Claudio Abbado in 2001, as he launched this Beethoven symphony cycle in Rome with the Berliner Philharmoniker, and his approach to Beethoven had never sounded more vital. These performances – recorded live in the Auditorium Conciliazione – are both a statement of intent, and a thrilling experience in their own right.</video:description>
<video:duration>5046</video:duration>
<video:publication_date>2024-12-02T09:51:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:27:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS30CG</loc>
<video:video>
<video:title>Mats Ek’s Sleeping Beauty</video:title>
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<video:description>Tchaikovsky’s greatest ballet score meets Swedish dance royalty in Mats Ek’s staging of The Sleeping Beauty – performed here in 1999 by Cullberg Ballet, the company (founded by Ek’s mother) for which this production was created. The tradition that Ek inherited was one of innovation, and his Sleeping Beauty – updated, pared back and stripped of its traditional Romantic opulence – caused controversy when it was first seen in 1996. Today, it’s regarded as a classic, driving straight to the poetic, sometimes troubled heart of the original fairy tale: a near-perfect modern visualisation of Tchaikovsky’s impassioned music.</video:description>
<video:duration>6412</video:duration>
<video:publication_date>2024-12-03T13:49:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:13:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4DG</loc>
<video:video>
<video:title>Solti conducts Shostakovich &amp; Tchaikovsky</video:title>
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<video:description>Two very different Russian symphonies, each with a powerful story to tell. Tchaikovsky’s &quot;Pathétique&quot; Symphony was his final masterpiece, an impassioned outpouring of melody and sorrow whose very name means &quot;full of emotion&quot;. Shostakovich&apos;s Ninth might seem like its polar opposite: crisp, playful and bristling with pitch-black humour. But in Stalin’s Russia, those were dangerous qualities. Few conductors felt the tug of history like Sir Georg Solti, and few drove more directly for a piece&apos;s heart. This recording with the Bavarian Radio Symphony Orchestra, captured live at Munich’s Philharmonie am Gasteig, finds both conductor and orchestra at their uncompromising best.</video:description>
<video:duration>4336</video:duration>
<video:publication_date>2024-09-06T14:35:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-20T21:53:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4DG</loc>
<video:video>
<video:title>Karajan conducts the New Year&apos;s Eve Concert 1978</video:title>
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<video:description>Famed for its Beethoven and Bruckner under its long-term chief conductor Herbert von Karajan, the Berliner Philharmoniker were no less adept in more popular classics, as this New Year&apos;s Eve Concert from 1978 demonstrates. At home in the Berlin Philharmonie, conductor and orchestra offer impassioned Verdi with the Forza del destino overture and Gallic flair in music from Bizet&apos;s L&apos;Arlésienne and before a trip to Hungary with Liszt&apos;s Hungarian Rhapsody No. 2 and the Hungarian March from Berlioz&apos;s La Damnation de Faust. There&apos;s a return to Italy with the beautiful Intermezzo from Mascagni&apos;s L&apos;amico Fritz before the programme is brought to a rousing conclusion with Franz von Suppè&apos;s Light Cavalry Overture.</video:description>
<video:duration>3367</video:duration>
<video:publication_date>2023-12-07T10:58:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-19T09:47:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJAC8</loc>
<video:video>
<video:title>On Beethoven&apos;s Appassionata</video:title>
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<video:description></video:description>
<video:duration>231</video:duration>
<video:publication_date>2024-12-18T15:26:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-19T03:59:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E8</loc>
<video:video>
<video:title>Musical Moment: Benjamin Bernheim in French Song</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d6ca2c01e42ef9b7d77407cd7abe88e57bb1000e.jpg</video:thumbnail_loc>
<video:description>Shortly before Benjamin Bernheim&apos;s debut at the Salzburg Festival in its 100th anniversary year, the French tenor performed his programme exclusively for Deutsche Grammophon in the Meistersaal Berlin. In addition to performing Berlioz&apos;s cycle Les nuits d&apos;été, Bernheim sings songs by Duparc, Gounod and Hahn and is accompanied by Carrie-Ann Matheson on piano. Hailed by critics as &quot;the great French lyric tenor the opera world craves&quot; (Chicago Tribune), Bernheim shows how much he is at home in his native repertoire. Following his Salzburg debut with the same repertoire, the Süddeutsche Zeitung reported that &quot;he masters the art of the natural - and sings with full risk.&quot;</video:description>
<video:duration>3314</video:duration>
<video:publication_date>2022-06-23T11:13:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-18T10:45:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJID8</loc>
<video:video>
<video:title>Rising Stars: Axelle Fanyo, Soprano </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f894ea7d1e0a641b3c37714c125f022e906c27ce.jpg</video:thumbnail_loc>
<video:description>Axelle Fanyo joins the Rising Stars series on STAGE+ with a varied and thought-provoking recital of 20th-century repertoire. The French soprano – and Grand Prix-winner at the 2021 Nadia and Lili Boulanger Competition – presents music ranging from Ravel&apos;s perfumed and occasionally confrontational exoticism via the Gershwins&apos; Porgy and Bess to cabaret songs and chansons by Schoenberg. Bolcom and Weil, as well as the traditional spiritual &quot;Sometimes I Feel Like a Motherless Child&quot;. Joined by an array of musical friends, she presents a showcase of the artistry that makes her one of the most promising young singers of her generation. </video:description>
<video:duration>2999</video:duration>
<video:publication_date>2023-06-28T12:36:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-18T10:33:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJAC0</loc>
<video:video>
<video:title>On The Complete Beethoven Piano Sonatas</video:title>
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<video:duration>429</video:duration>
<video:publication_date>2024-12-14T10:33:05Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-12-16T11:20:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8CO</loc>
<video:video>
<video:title>Étude</video:title>
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<video:description></video:description>
<video:duration>352</video:duration>
<video:publication_date>2024-12-12T15:03:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:19:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8CG</loc>
<video:video>
<video:title>Absinthe</video:title>
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<video:description></video:description>
<video:duration>325</video:duration>
<video:publication_date>2024-12-12T15:02:12Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:15:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8C0</loc>
<video:video>
<video:title>Jinyang</video:title>
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<video:description></video:description>
<video:duration>307</video:duration>
<video:publication_date>2024-12-12T14:58:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:08:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6E8</loc>
<video:video>
<video:title>For 2 Akis</video:title>
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<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2024-12-12T14:56:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:06:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6DO</loc>
<video:video>
<video:title>This Is Not America</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8fb912bdaf7275df25c6c2e94f729ecd190ab8e2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2024-12-12T14:51:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:43:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6D8</loc>
<video:video>
<video:title>Saint Vincent</video:title>
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<video:description></video:description>
<video:duration>325</video:duration>
<video:publication_date>2024-12-12T14:47:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:37:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6D0</loc>
<video:video>
<video:title>Promontoire</video:title>
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<video:description></video:description>
<video:duration>214</video:duration>
<video:publication_date>2024-12-12T14:45:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:34:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ED8</loc>
<video:video>
<video:title>Yuja Wang in Vienna: Beethoven, Kapustin, Scriabin &amp; more</video:title>
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<video:description>Few pianists are as exciting in concert as Yuja Wang, and she is especially compelling when she embarks on a voyage of discovery through the pianistic repertoire as in this 2022 recital from Vienna&apos;s Konzerthaus. Beethoven is represented in the in the form of his Piano Sonata No. 18; Scriabin comes in the guise of the harmonically – and psychologically – complex Third Sonata; a dash of Spanish colour comes courtesy of Albéniz; and from Nikolai Kapustin comes Jazz-soaked virtuosity. An extended selection of encores culminates in one of the most beautiful melodies in the history of music, Gluck&apos;s, from his opera Orfeo ed Euridice.</video:description>
<video:duration>5022</video:duration>
<video:publication_date>2023-01-17T12:03:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6CO</loc>
<video:video>
<video:title>Villefranque</video:title>
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<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2024-12-11T13:29:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:30:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6CG</loc>
<video:video>
<video:title>Mars</video:title>
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<video:description></video:description>
<video:duration>422</video:duration>
<video:publication_date>2024-12-11T13:24:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:27:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4E8</loc>
<video:video>
<video:title>It Walks And Walks</video:title>
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<video:description></video:description>
<video:duration>418</video:duration>
<video:publication_date>2024-12-11T12:36:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:16:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4DG</loc>
<video:video>
<video:title>Cruel But Fair</video:title>
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<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2024-12-11T12:13:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:05:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4D0</loc>
<video:video>
<video:title>Empty Hands</video:title>
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<video:description></video:description>
<video:duration>357</video:duration>
<video:publication_date>2024-12-11T12:08:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T13:57:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3IDG</loc>
<video:video>
<video:title>Yellow Lounge: Daniil Trifonov &amp; Kian Soltani </video:title>
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<video:description>Daniil Trifonov and Kian Soltani make a welcome return to the Yellow Lounge – Deutsche Grammophon’s classics-meets-club series – with this concert from Berlin. For his set, Trifonov performs works featuring on his upcoming album, &quot;My American Story&quot;. Soltani, meanwhile, is joined by pianist Julien Quentin for songs by Robert Schumann, the focus of his new album. </video:description>
<video:duration>4804</video:duration>
<video:publication_date>2024-12-03T12:38:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-11T10:33:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6C0</loc>
<video:video>
<video:title>Yellow Lounge: Daniel Hope &amp; Marie Awadis</video:title>
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<video:description>Violinist Daniel Hope and pianist and composer Marie Awadis share the stage for the latest instalment in Deutsche Grammophon&apos;s classics-meets-club series, streaming live from Säälchen Berlin. Hope is joined by musical friends to perform music from his album &quot;Dance!&quot;, while Awadis performs a selection from her Études. Live Visual Art by Philipp Geist.</video:description>
<video:duration>4338</video:duration>
<video:publication_date>2024-03-07T14:05:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-06T13:48:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4CG</loc>
<video:video>
<video:title>On the Verbier Recital 2024</video:title>
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<video:description></video:description>
<video:duration>363</video:duration>
<video:publication_date>2024-12-05T12:59:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-05T13:39:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2D0</loc>
<video:video>
<video:title>Once a Shoemaker</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bbd2beeb342269db33bb8c883c68327d1c35c226.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2024-11-27T12:09:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-03T13:57:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2DG</loc>
<video:video>
<video:title>Intent</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0c8fcc8df8505ed86eb0983fd2207ecf24873b88.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2024-11-27T12:29:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-03T13:56:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGCG</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE perform Beethoven: Symphonies Nos. 2 &amp; 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cd74d8913345690a2e67f760430879ac115c1f99.jpg</video:thumbnail_loc>
<video:description>In the summer of 2021, the Chamber Orchestra of Europe came together with Yannick Nézet-Séguin to attempt the greatest journey that any conductor and orchestra can take together – the complete symphonies of Ludwig van Beethoven. The project – conceived as a 250th-anniversary salute to Beethoven – had been delayed by the pandemic and there was an unmistakable sense of shared adventure when they finally came together in Baden-Baden to bring the dream to life. Beethoven’s Second and Third (Eroica) symphonies marked a turning point in western music, and these emotionally-charged performances blaze with an irrepressible and unmistakable energy and joy.</video:description>
<video:duration>5558</video:duration>
<video:publication_date>2024-11-22T12:56:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGCO</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE perform Beethoven: Symphonies Nos. 6 &amp; 7</video:title>
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<video:description>Beethoven once declared that he wanted his music to intoxicate humanity, and for raw, unbuttoned joie-de-vivre there’s still nothing to match his barnstorming Seventh Symphony. The “Pastoral” Symphony, meanwhile, is music’s supreme hymn to nature, as stirring as it is serene. Together, they make a gloriously satisfying pairing, and this “clear-headed and joyous” account of the “Pastoral” (Financial Times) was one of the highlights of Yannick Nézet-Séguin’s July 2021 Beethoven cycle with his beloved Chamber Orchestra of Europe. Captured live at the Festspielhaus Baden-Baden, these are performances that reveal Beethoven through fresh eyes – as if the ink is still wet upon the score.</video:description>
<video:duration>5424</video:duration>
<video:publication_date>2024-11-22T13:03:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGD0</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE perform Beethoven: Symphonies Nos. 8, 4 &amp; 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b0cd8bd6d92f1c4e531cfe10c2b53e3aceeaaee.jpg</video:thumbnail_loc>
<video:description>Beethoven’s imagination contained worlds. This concert – recorded live in Baden-Baden in July 2021 – brings together his shortest symphony (the Eighth) and his most classical symphony (the Fourth) with the symphony that changed the world: the Fifth. The emotions they contain are infinite: playful humour and deep tenderness; epic struggle and explosive force. But if any living artists can express Beethoven’s whole, teeming vision, it’s the pairing of Yannick Nézet-Séguin and the Chamber Orchestra of Europe. The COE’s 1991 symphony cycle changed the way we listen to Beethoven. 30 years on, these electrifying, critically-admired performances redefine him for a new century.</video:description>
<video:duration>6460</video:duration>
<video:publication_date>2024-11-22T13:11:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGD8</loc>
<video:video>
<video:title>Nézet-Séguin &amp; the COE perform Beethoven: Symphonies Nos. 1 &amp; 9</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/507078152f549efaabd454e31634cd14628bd579.jpg</video:thumbnail_loc>
<video:description>Every performance of Beethoven’s Ninth Symphony is a special occasion. But when the Chamber Orchestra of Europe came together with its long-time collaborator (and honorary member) Yannick Nézet-Séguin in Baden-Baden in Summer 2021 to perform a complete Beethoven symphony cycle, there was a definite sense of history being made. This was the COE’s first recorded Beethoven cycle since 1991, and the first ever to use the new Breitkopf &amp; Härtel edition of the Ninth. The concert opened with the composer’s first symphony, before a world-class team of solo singers and the virtuoso chamber choir Accentus joined orchestra and conductor for a revelatory performance of his last, bringing the cycle to a thrilling close. </video:description>
<video:duration>6204</video:duration>
<video:publication_date>2024-11-22T13:20:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2E0</loc>
<video:video>
<video:title>Discovering Masterpieces of Classical Music – Beethoven Symphony No. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/da02d869fa58e18a57920856e170ce1d5403e346.jpg</video:thumbnail_loc>
<video:description>Arguably the best-known symphony of all, Beethoven’s dramatic Symphony No. 5 in C Minor is one of the most gripping and exciting works in the classical repertory. From the very start, the famous four-note “Fate” motif casts a spell on the listener – a magic that lasts right through to the last emphatic bars of the triumphat finale. In this revealing introduction to the symphony, German Beethoven expert Wulf Konold illustrates the ingenious variations of the “Fate” motif on piano before examining the work’s other fascinating features, while further analysis is provided by musicologist Armin Koch to help explain the work’s power and enduring appeal.</video:description>
<video:duration>1642</video:duration>
<video:publication_date>2024-11-29T14:28:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-29T15:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CCG</loc>
<video:video>
<video:title>Be My Home</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d3ab25c4e8222f4de6a0db1b307f5bf49fe40908.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>294</video:duration>
<video:publication_date>2024-08-07T14:55:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-29T10:00:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGDO</loc>
<video:video>
<video:title>Andsnes plays Mussorgsky: Pictures at an Exhibition</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4ce9126415a1af02473bc04f27d176e8eab036d8.jpg</video:thumbnail_loc>
<video:description>Mussorgsky’s Pictures at an Exhibition were inspired by artworks by his late friend Hartmann, but they’ve inspired many other artists in turn. In 2009, the Norwegian pianist Leif Ove Andsnes – a musician who has never been afraid to do his own thing – collaborated with the South African visual artist Robin Rhode to re-imagine Mussorgsky’s masterpiece. Rhode’s arresting video images accompany a live performance of Pictures at an Exhibition, given by Andsnes in a shipyard building at the extraordinary Risør Festival in southern Norway – a compelling, wholly original fusion of sight, sound and place, and a refreshingly personal take on a much-loved classic.</video:description>
<video:duration>2133</video:duration>
<video:publication_date>2024-11-22T14:18:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T13:19:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJGDG</loc>
<video:video>
<video:title>Masur conducts Strauss – with Júlia Várady</video:title>
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<video:description>It’s hard to overstate the esteem in which Kurt Masur and the Leipzig Gewandhaus Orchestra were held in Europe in the 1990s. As well as playing a pivotal role in the return of democracy and the reunification of Germany, they performed the German symphonic repertoire with unrivalled splendour and authority. This concert captures them on tour Frankfurt in 1992, in a programme of Richard Strauss at his most exuberant (Till Eulenspiegel) and his darkest (Metamorphosen). The Leipzig orchestra’s historic relationship with Strauss had never seemed more vital, and it gives a special emotional charge to Júlia Várady’s luminous performance of the Vier Letzte Lieder.</video:description>
<video:duration>3946</video:duration>
<video:publication_date>2024-11-22T14:10:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T12:33:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0D8</loc>
<video:video>
<video:title>POEMS: A Journey through Icelandic Poetry – Viktor Orri Árnason &amp; Álfheiður Erla Guðmundsdóttir </video:title>
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<video:description>In Robin Thomson&apos;s film Poems, we follow Icelandic composer Viktor Orri Árnason and soprano Álfheiður Erla Guðmundsdóttir on a musical road-trip through Iceland, where they set out to discover more about the poetry that inspired their album ‘Poems’, released on Deutsche Grammophon in late 2023. The pair embark on a musical pilgrimage performing in intimate and awe-inspiring locations and exploring the cultural heritage of their native land to shed light on some of the country’s most eminent poets, both past and present. Each chosen location, from windswept cliffs to serene valleys, holds a deep resonance with the poets who once roamed these lands, drawing inspiration from the very same vistas that now set the stage for this musical homage.</video:description>
<video:duration>3969</video:duration>
<video:publication_date>2024-11-14T12:07:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T12:06:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ICG</loc>
<video:video>
<video:title>Solti: Journey of a Lifetime</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4b00bfde9c9c2deb94621acf5d04d2083019b60e.jpg</video:thumbnail_loc>
<video:description>Sir Georg Solti was undoubtedly one of the most important conductors of the 20th century, a huge cultural figure in both Europe and the United States, where he was chief conductor of the Chicago Symphony Orchestra for 21 years.This fascinating documentary portrait tells the story of his life and career from the beginnings in Budapest, through appointments in Munich, London, Chicago and elsewhere, to its final stages, where he stood as the last representative of a generation of conductors that included Karajan and Bernstein. With a wealth of interview material with those who worked with and knew Solti – plus extensive archive footage of Solti himself – the result is a remarkable portrait of a unique musician.</video:description>
<video:duration>3121</video:duration>
<video:publication_date>2024-10-22T11:24:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T06:33:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJAC8</loc>
<video:video>
<video:title>Solti conducts Kodály &amp; Beethoven</video:title>
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<video:description>One of the last filmed performances by Georg Solti, this 1995 concert captures the conductor directing the Wiener Philharmoniker in music from his native Hungary alongside Beethoven&apos;s Symphony No. 7. Born in Budapest in 1912, Solti went on to study with several great figures of early 20th-century Hungarian music, including the great composer and reformer Zoltán Kodály – and here he presents one of Kodály&apos;s most popular works, the Háry János Suite of 1927. Even in his final years, Solti&apos;s conducting is as clear-sighted and disciplined as ever, not only highlighting the wit and colour of Kodály&apos;s music, but also instilling the Beethoven with a rare rhythmic drive and excitement. These are truly performances to treasure. </video:description>
<video:duration>3921</video:duration>
<video:publication_date>2024-10-15T15:03:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T06:30:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8D0</loc>
<video:video>
<video:title>Mozart Rediscovered: Serenade in C Major &quot;Ganz kleine Nachtmusik&quot;</video:title>
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<video:description>Over 230 years after Mozart’s death comes the rediscovery of a substantial work, his Serenade in C major K. 648, which was immediately given the nickname “Ganz kleine Nachtmusik” (“A Very Little Night Music”). The work was probably composed by Mozart as a teenager between 1766 and 1769 and is preserved in a copy made around 1780, which was found in the music library of the Leipzig City Library. Here, in its premiere audio-visual recording, filmed in the Mozarteum in Salzburg, it is presented by four young musicians, including two violinists around the same age Mozart was at the time of composition. </video:description>
<video:duration>1017</video:duration>
<video:publication_date>2024-10-11T10:11:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-27T19:40:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCD8</loc>
<video:video>
<video:title>Segerstam conducts Rautavaara: On the Last Frontier</video:title>
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<video:description>“Music needs personality” said the conductor Leif Segerstam, speaking of Einojuhani Rautavaara’s choral “fantasy” On the Last Frontier. “It needs something between the lines”. And the imitable, irrepressible personalities of both of these much-missed artists are plain to see and hear in this 1998 concert from Helsinki’s Finlandia Hall. Rautavaara took his inspiration from a novel by Edgar Allan Poe, but Poe’s narrative of Antarctic exploration soon takes on a spiritual, almost other-worldly quality, in music of rapturous beauty and visionary power. Segerstam’s personal empathy with the composer gives this world premiere performance an unforgettable sense of occasion.</video:description>
<video:duration>1725</video:duration>
<video:publication_date>2024-11-01T13:48:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-26T10:51:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3EE0</loc>
<video:video>
<video:title>A Journey through Monteverdi&apos;s Italy: Rome</video:title>
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<video:description>The Monteverdi Choir and John Eliot Gardiner complete their journey through Monteverdi&apos;s Italy with a visit to the Galleria Borghese in Rome, bringing the composer&apos;s music to life alongside artworks by Caravaggio, Bernini and Titian. Gardiner presents the performances himself, while his multi award-winning choir perform music ranging from the madrigals to extracts from L&apos;Orfeo – a rich feast of music and art that takes the viewer deep into the heart of Renaissance Italy.  </video:description>
<video:duration>3205</video:duration>
<video:publication_date>2024-11-25T10:31:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-25T12:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36D0</loc>
<video:video>
<video:title>Nelsons conducts Mahler: Symphony No. 7</video:title>
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<video:description>The Wiener Philharmoniker&apos;s concerts with Andris Nelsons are eagerly anticipated highlights of the international concert calendar; the conductor has been on the podium for their tradition-steeped New Year&apos;s Concert as well as a new cycle of Beethoven&apos;s symphonies released for the composer&apos;s anniversary. Now conductor and orchestra are devoting themselves to various works by Gustav Mahler in Vienna, on tour and at the Salzburg Festival. Here they present the Seventh Symphony, arguably the composer&apos;s most ambivalent – and modern – essay in the genre, memorable for the unusual orchestration of the second &quot;Night Music&quot; movement, a haunting scherzo, and a finale that is resplendent in ambiguous triumph. In cooperation with Unitel and ORF</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2023-01-26T08:52:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T10:42:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3AE0</loc>
<video:video>
<video:title>Andris Nelsons and the Saito Kinen Orchestra: Mahler Symphony No. 9 </video:title>
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<video:description>For this very special concert celebrating 30 years of the Seiji Ozawa Matsumoto Festival in 2022, Andris Nelsons conducts the Saito Kinen Orchestra – the orchestra that is formed afresh each year for the festival – in a performance of Mahler&apos;s valedictory Ninth Symphony. Mahler&apos;s work, the final symphony that he completed, was the piece that Ozawa himself chose for the concert that drew to an end his 29-year tenure as music director of the Boston Symphony Orchestra, of which Nelsons has been music director since 2014 – and it proved a moving choice for this memorable concert.  </video:description>
<video:duration>6357</video:duration>
<video:publication_date>2023-09-01T12:17:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T10:40:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38D0</loc>
<video:video>
<video:title>Furtwängler conducts Mozart: Don Giovanni</video:title>
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<video:description>This powerful account of Mozart’s Don Giovanni captured at the Salzburg Festival in 1954 represents the final filmed performance of conductor Wilhelm Furtwängler – one of the 20th-century’s greatest conductors and for a long time the chief conductor of the Berliner Philharmoniker, including, controversially, during the 1930s and ’40s. Paul Czinner is the film director, capturing Herbert Graf’s handsome stage production as well as such immortal portrayals as Cesare Siepi’s Don Giovanni, Lisa Della Casa’s Donna Elvira and Elisabeth Grümmer’s Donna Anna. It adds up to a fascinating and important document, as well as an imposing and impressive performance of Mozart’s ever-fascinating opera.</video:description>
<video:duration>10641</video:duration>
<video:publication_date>2024-06-05T10:13:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T09:52:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJECO</loc>
<video:video>
<video:title>Rising Stars: Santiago Cañón-Valencia, Cello</video:title>
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<video:description>The winner of numerous prizes and a former BBC New Generation Artist, Colombian cellist Santiago Cañón-Valencia already has an enviable career as an international soloist. He joins the Rising Stars series on STAGE+ with this showcase, which immediately demonstrates why he is such demand, as well presenting a discussion of his creative life more broadly, as a painter and photographer as well as cellist and composer. For the musical performances, he is supported by pianist Naoko Sonoda, presenting a varied selection of works from the 20th century as well as one of his own compositions. It all adds up to a compelling portait of an outstanding musician.</video:description>
<video:duration>2874</video:duration>
<video:publication_date>2024-11-11T07:53:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-14T13:08:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0</loc>
<video:video>
<video:title>Bernstein conducts Tchaikovsky: Symphony No. 5</video:title>
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<video:description>Leonard Bernstein shared Tchaikovsky&apos;s passionate musicality, emotional intensity, and the gift for speaking directly to people&apos;s hearts. It is no wonder that the American musician felt particularly close to the composer and was one of the few conductors to have all of the Russian&apos;s symphonies in his repertoire. Relive Bernstein&apos;s passionate interpretation of Tchaikovsky&apos;s Fifth Symphony, whose form is characterised by the &quot;fate theme&quot; that appears in all four movements. Bernstein leads the Boston Symphony Orchestra on the 100th birthday of the conductor Sergei Koussevitzky, one of Bernstein&apos;s most important mentors, in this unforgettable performance.</video:description>
<video:duration>3142</video:duration>
<video:publication_date>2022-04-21T14:54:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-12T08:28:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3IE8</loc>
<video:video>
<video:title>About &apos;My American Story: North&apos;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a5c1b069c2b9fb25b2d63ff2280847240f32798.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>332</video:duration>
<video:publication_date>2024-11-07T16:34:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T16:56:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJEC8</loc>
<video:video>
<video:title>Luisi conducts Scriabin: The Poem of Ecstasy &amp; Brahms Symphony No. 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22c52b28c2180b0b0bf80d985809b3bdcfe5973b.jpg</video:thumbnail_loc>
<video:description>Brahms’s Third Symphony begins amid storm-swept skies and ends with one of the loveliest sunsets in all of Romantic music. Scriabin’s Poem of Ecstasy, meanwhile, sets out to remake the cosmos in the image of art – and in doing so, unleashes some of the most ear-dazzling colours of the 20th century. Only Fabio Luisi, perhaps, would think of bringing these two masterworks together, and only Luisi could bring it off with such integrity, such poetry and such exhilarating verve. A dazzling demonstration of why Luisi and the Danish National Symphony Orchestra are currently one of the most talked-about conductor-orchestra partnerships.</video:description>
<video:duration>3474</video:duration>
<video:publication_date>2024-11-06T13:14:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T12:21:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJECG</loc>
<video:video>
<video:title>Luisi conducts Scriabin: Prometheus – plus Strauss and Wagner</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/054de89d89574ce24c08fd7d68144fb5f1f1b629.jpg</video:thumbnail_loc>
<video:description>When Scriabin composed Prometheus, his imagination was already bursting the bounds of mere sound – he imagined an artwork in which music and colour fused to create a new and transcendent spiritual experience. An impossible dream? Maybe, but with the powerhouse team of the Danish National Symphony Orchestra and its chief conductor Fabio Luisi, nothing is off limits, and this supercharged performance from 2023 floods Copenhagen’s stunning DR Koncerthuset bursts with colours almost as vivid as the playing. Luisi and his orchestra frame Scriabin’s vision with defining masterpieces from the same late-romantic tradition: Wagner and Richard Strauss complete a concert to ravish eyes as well as ears.</video:description>
<video:duration>4389</video:duration>
<video:publication_date>2024-11-06T13:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T12:17:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJCE0</loc>
<video:video>
<video:title>Luisi conducts Scriabin: Symphony No. 1 &amp; Schoenberg’s Verklärte Nacht</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f718e86f5c118557030ff1afd605d77c10268a7.jpg</video:thumbnail_loc>
<video:description>“Glory to art! Glory forever!” When Fabio Luisi conducts the Danish National Symphony Orchestra, things tend to catch fire. There’s a strong emotional narrative to every performance with these artists, and this is no exception – a concert that begins with two lonely wanderers in a darkening forest, and ends with a mighty chorus raising its voices to heaven in praise of art. Schoenberg and Scriabin might not seem like the most obvious of musical partners, but Luisi and his Copenhagen forces clearly adore these two fin-de-siècle masterpieces, delivering performances of rare beauty and blazing commitment.</video:description>
<video:duration>5201</video:duration>
<video:publication_date>2024-11-06T12:21:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T12:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJAD0</loc>
<video:video>
<video:title>Hélène Grimaud and Christoph Eschenbach at the Proms</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/58d8e6d76767faf1293766642ee4f86b19fd97de.jpg</video:thumbnail_loc>
<video:description>There’s always a unique atmosphere at the BBC Proms: the summer music festival at which the world’s greatest artists perform before an audience of 5,000 in London’s colossal Royal Albert Hall. Some might say that it was Hélène Grimaud’s misfortune to make her debut there on the tragic date of 11 September 2001, but that only makes her achievement the more powerful – a fiercely intelligent, often dazzling performance of Beethoven’s Fourth Concerto. Eschenbach’s account of Symphonie Fantastique with this great French orchestra has the same life-affirming energy: delivered to a rapt crowd in an atmosphere of unmistakably heightened emotion</video:description>
<video:duration>5813</video:duration>
<video:publication_date>2024-10-23T10:42:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T11:56:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32E8</loc>
<video:video>
<video:title>TRANSITION II</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/983a086c6f15f9e9a553bd8c256297ff2a9dac29.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>183</video:duration>
<video:publication_date>2024-05-16T10:30:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:20:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ2D8</loc>
<video:video>
<video:title>Bach Reworks: ...And At The Hour Of Death (Arr. Badzura)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e266290bffdf9cc4d7edaae3b9ef8801f775e421.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>151</video:duration>
<video:publication_date>2022-11-12T17:55:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:19:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CE0</loc>
<video:video>
<video:title>Ararat</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0123f118a00c75ea643b6a7a6a8d5eb027ff0528.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2024-09-03T09:14:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:11:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJEDO</loc>
<video:video>
<video:title>Prelude 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/09e431b189c2f5f58fcefd18ff6c066447af917b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2022-12-03T14:05:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:08:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJEE8</loc>
<video:video>
<video:title>Moonlight</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e49d11c43b6a3ae8795fd11d88aa477df68aa36.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2022-12-03T14:30:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:08:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJED8</loc>
<video:video>
<video:title>Meredi: White Flowers Take Their Bath</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a15363aa08bd4478099ceb3b365653a00daa5591.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>204</video:duration>
<video:publication_date>2022-12-03T13:37:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCD8</loc>
<video:video>
<video:title>Masotto: Sol Levante</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f27b5f0b7ea82370491c9cf6066a8ee51a8b42e7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2022-11-27T09:59:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJEDG</loc>
<video:video>
<video:title>Helmersson: Timelapse</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/44cdbc2463748b69603c77958bc77ccda1da7586.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-12-03T13:47:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJGC0</loc>
<video:video>
<video:title>Fragment</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6b41ee334eda4c59a9723cefc8783bd63288889f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>92</video:duration>
<video:publication_date>2022-12-03T14:43:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:04:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJED0</loc>
<video:video>
<video:title>Einaudi: Una Mattina (Arr. for Violin)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c78fd90f93545da2bc8355f7e2b5b68ba2b46670.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2022-12-03T13:27:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:03:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34CO</loc>
<video:video>
<video:title>Bells (with Voices)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c015dab5e94cf01537fdcc6b6114e6cf96b561f3.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>206</video:duration>
<video:publication_date>2024-05-21T18:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJIC0</loc>
<video:video>
<video:title>Arms Open Wide</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1492f3649fcb5e581b33f2c979fb8812d43f4de.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>303</video:duration>
<video:publication_date>2023-12-06T15:10:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:01:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJECG</loc>
<video:video>
<video:title>Eno: By This River (Arr. for Violin)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/29754f06681445ca9ec51b6ef0d46fd20ac297c4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>215</video:duration>
<video:publication_date>2022-12-02T06:31:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:01:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GDO</loc>
<video:video>
<video:title>Móanóra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85b91bdfcb4ad9ebb4aaa6ca5fb035be990bef40.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>118</video:duration>
<video:publication_date>2024-10-15T12:20:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:00:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36C0</loc>
<video:video>
<video:title>Malasana</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d557244ef66c8ad97d1833f8689ad27a685af92e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>317</video:duration>
<video:publication_date>2022-12-18T03:19:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:59:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6E8</loc>
<video:video>
<video:title>Musical Moment: SIGNUM Saxophone Quartet – Echoes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d62b4e276cb8eb011c86c3b3b5a5e4b3a5a4215.jpg</video:thumbnail_loc>
<video:description>The sensational SIGNUM saxophone quartet presents works from their debut album, Echoes, at the Berlin Meistersaal. Echoes offers a wide range of genres with arrangements of works by composers as diverse as Dowland, Albinoni, Fauré, Hindemith, Philip Glass and Peter Gregson. Cellist Hila Karni joins the quartet for Max Richter&apos;s On the Nature of Daylight. </video:description>
<video:duration>2658</video:duration>
<video:publication_date>2022-07-27T13:57:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:58:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GD0</loc>
<video:video>
<video:title>Hania &amp; Dobrawa: Inner Symphonies</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d98073bab4fb870e4f79f29925d7c7642673d72.jpg</video:thumbnail_loc>
<video:description>The young Polish musicians Hania Rani and Dobrawa Czocher invited you into a bewitching world of sound with their jointly composed work Inner Symphonies, which they have recorded for Deutsche Grammophon and perform here at the tradition-rich Słowacki Theater in Krakow. Synthesizer sounds combine magically with the sounds of Rani on the piano and Czocher on the cello. The two artists, close friends since school, offer a message of hope with music written in the time of the pandemic. Inner Symphonies ends with the title &quot;Spring.&quot; After all, Rani&apos;s grandmother used to say during hard times, &quot;Spring will come, that&apos;s for sure.&quot;</video:description>
<video:duration>2771</video:duration>
<video:publication_date>2022-12-15T10:45:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:54:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQG</loc>
<video:video>
<video:title>Recomposed by Max Richter: Vivaldi, The Four Seasons</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a45e5a29a40476fbb31ccdcfaaf43ad193f5892f.jpg</video:thumbnail_loc>
<video:description>Max Richter&apos;s recomposition of Antonio Vivaldi&apos;s famous Four Seasons has become a classic in its own right. Instantly recognisable musical passages undulate and mutate, resurface and repeat, resonating and rebounding off of sweeping rhythms and electronic undertones. Richter calls it an &quot;experimental hybrid [...] that is always &apos;Vivaldi&apos; but at the same time always &apos;Richter&apos; [...] and preserves the original spirit of this great work.&quot; Performing alongside the composer, Daniel Hope takes on the technically demanding solo violin in this concert filmed with l&apos;arte del mondo at the Funkhaus Nalepastrasse in Berlin. The work was written in 2012 and is the first production in the &quot;recomposed&quot; series from Deutsche Grammophon. </video:description>
<video:duration>2623</video:duration>
<video:publication_date>2022-04-21T09:27:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38C0</loc>
<video:video>
<video:title>Max Richter: VOICES</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1b552d9003f88a7c5ee6a5132ba60492035ae37.jpg</video:thumbnail_loc>
<video:description>Voices is a homage to the Universal Declaration of Human Rights, a hopeful and optimistic work for &quot;negative orchestra&quot;, choir, electronics, soprano, violin and piano, in which Max Richter aimed to create a space in which musicians and the audience could engage with the &quot;inspirational principles&quot; of the Universal Declaration of Human Rights. The &quot;negative orchestra&quot; – a response to the world in 2020 – turns the orchestra on its head: cellos and bass dominate, their deep sound intermittently punctuated by the violin and soprano. In addition to the music, the composer has recorded hundreds of voices from around the world reading out parts of the Human Rights Declaration in their native tongues – these are the &quot;voices&quot; of the work&apos;s title.</video:description>
<video:duration>3586</video:duration>
<video:publication_date>2022-12-12T15:16:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:53:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ECG</loc>
<video:video>
<video:title>Max Richter: INFRA</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fa60e547797baec9c7baaa2f7bfccf55ae8a2450.jpg</video:thumbnail_loc>
<video:description>The concept for Max Richter&apos;s 2008 album Infra (Latin for ‘below’) is a comment on contemporary political issues with roots in the literary canon. Infra was written as a reaction to the 2005 &apos;7/7&apos; subway bombings in London and was inspired by T.S. Eliot&apos;s modernist poem The Waste Land. It was originally composed for the highly acclaimed eponymous Royal Opera House ballet production, choreographed by Wayne McGregor and premiering in 2008. The piece, performed here live in a 2021 concert from Hamburg&apos;s Elbphilharmonie, reveals an emotive journey across oscillating individual and societal landscapes.</video:description>
<video:duration>2044</video:duration>
<video:publication_date>2022-12-05T13:46:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:52:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36CO</loc>
<video:video>
<video:title>Hania &amp; Dobrawa, Roger Eno and Peter Gregson – Live in London</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/efdc540b2f356f543b2f23c279a85258edab886e.jpg</video:thumbnail_loc>
<video:description>Four key artists from Deutsche Grammophon&apos;s New Repertoire roster come together for a showcase of some of their latest music in a special event filmed live at Spiritland in London&apos;s iconic Royal Festival Hall. Roger Eno is joined by a string quintet to perform music from his solo album &quot;The Turning Year&quot;, and Hania Rani &amp; Dobrawa Czocher present music from &quot;Inner Symphonies&quot;. Finally, Peter Gregson presides over electronics and programming for a selection from his Quartets: One – Four.</video:description>
<video:duration>4506</video:duration>
<video:publication_date>2024-05-22T14:07:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:52:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6CG</loc>
<video:video>
<video:title>Cloud Gate Dance Theatre of Taiwan: Songs of the Wanderers</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/605f957b7449a4559d645f4313b3f278e2123fa7.jpg</video:thumbnail_loc>
<video:description>They call it “Cloud Gate”: according to legend, the most ancient of China’s ritual dances, with a heritage stretching back at least 5,000 years. This is the tradition that inspired choreographer Lin Hwai-min to create the Cloud Gate Dance Theatre of Taiwan – and to take this ancient art into new and wonderful places. In Songs of the Wanderers a young man rakes a vast expanse of rice: around him, dancers respond to the haunting, impassioned sounds of a very different tradition – Georgian folks songs, sung by the world-renowned Rustavi Choir. East and West unite to create something universal – and eternal.</video:description>
<video:duration>3470</video:duration>
<video:publication_date>2024-09-11T07:09:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-05T20:37:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJAE8</loc>
<video:video>
<video:title>András Schiff plays Bach: French Suites &amp; Italian Concerto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a4102d4790b6f86ae9026d14ab6ff080453c155.jpg</video:thumbnail_loc>
<video:description>For András Schiff, Johann Sebastian Bach embodies the &quot;pinnacle of European music history&quot;. No wonder that the composer&apos;s works allow us to hear Schiff&apos;s music-making to the greatest advantage, as here in this performance from the 2010 Bach Festival in Leipzig, where Bach worked for a long time as Thomaskantor. The Hungarian pianist performs the six French Suites, composed between 1722 and 1724 and combining breathtaking compositional skill with with dance-like grace. To conclude the programme, Schiff plays both the Overture in the French Style and the Italian Concerto, two works published together in 1735. </video:description>
<video:duration>7890</video:duration>
<video:publication_date>2022-09-06T08:56:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-05T09:59:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34D8</loc>
<video:video>
<video:title>Solti conducts Wagner: Favourite Overtures &amp; Preludes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f23f116301dab78b5d0d12b099c260fc29d4b996.png</video:thumbnail_loc>
<video:description>Arguably the most influential Wagner conductor of his generation, Georg Solti was music director of the mighty Chicago Symphony Orchestra for a remarkable 22 years. Here, filmed in concert in Orchestra Hall, Chicago, in 1976, they present an irresistible selection of favourite Wagner overtures. Following the dramatic, windswept seascape of Der fliegende Holländer we are taken to the medieval world Tannhäuser, whose overture vacillates – as does the opera&apos;s protagonist – between piety and sensuality. To complete the programme: the intoxicating passions of the Prelude and Liebestod from Tristan und Isolde and the hustle, bustle and exultation of the Act 1 prelude form Die Meistersinger von Nürnberg.</video:description>
<video:duration>3616</video:duration>
<video:publication_date>2023-07-21T10:02:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T15:14:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3IDG</loc>
<video:video>
<video:title>Solti conducts Mendelssohn: Symphonies Nos. 3 &amp; 4 and Violin Concerto</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e682cd50e00e5e39db3235b2efcd40b1c945f90d.jpg</video:thumbnail_loc>
<video:description>Georg Solti conducts the Chicago Symphony Orchestra in Mendelssohn&apos;s two most famous symphonies, the &quot;Scottish&quot; and the&quot;Italian&quot;, both inspired by the composer&apos;s extensive travels through Europe. Though begun in 1829, the Third Symphony wasn&apos;t completed until 1842, eight years after Mendelssohn had completed its successor. Both works quickly established themselves in the repertoire: the &quot;Scottish&quot; for its evocative, Romantic character and the &quot;Italian&quot; for its irresistible vitality. In these performances from 1976 and 1980, Solti and his orchestra show themselves fully immersed in Mendelssohn&apos;s world, as they also do in the work that opens the programme: the Violin Concerto of 1844, with superb Korean violinist Kyung Wha-Chung as soloist. </video:description>
<video:duration>5957</video:duration>
<video:publication_date>2023-11-01T16:12:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T15:13:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36DO</loc>
<video:video>
<video:title>16th Concours Géza Anda 2024 – Semi Final Mozart II</video:title>
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<video:description>Streaming live from the Stadthaus Winterthur: the last three of six semifinalists in the Concours Géza Anda 2024 join Mikhail Pletnev and the Musikkollegium Winterthur to perform a Mozart piano concerto each. </video:description>
<video:duration>6762</video:duration>
<video:publication_date>2024-06-26T11:49:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T08:31:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3EDG</loc>
<video:video>
<video:title>Tchaikovsky: The Seasons, Op. 37a: VI. June. Barcarolle</video:title>
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<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2024-09-20T12:19:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-01T10:47:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36D0</loc>
<video:video>
<video:title>Karajan conducts Verdi: Otello </video:title>
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<video:description>The tenor Jon Vickers was an artist of outsize charisma and a truly golden voice, incapable of giving a routine performance, and this impressive 1973 film of Verdi’s Otello would be worth seeing for his performance in the title role alone. But pair him with Mirella Freni – singing with heartbreaking beauty as Desdemona – and place them both in a bold cinematic reimagining of Herbert von Karajan’s Salzburg Festival staging, and the result is incandescent. Karajan and the Berlin Philharmonic bring all their unrivalled lustre and panache to a tragedy which many consider to be Verdi’s single greatest achievement. </video:description>
<video:duration>8394</video:duration>
<video:publication_date>2024-05-23T13:57:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-31T11:42:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ8E8</loc>
<video:video>
<video:title>Solti conducts Rossini: Favourite Overtures</video:title>
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<video:description>Rossini might not be the first composer one associates with Georg Solti, but as these performances of a selection of the bel canto master&apos;s best-loved overtures shows, they make a compelling match. The combination of Rossini&apos;s brilliant, witty writing and Solti&apos;s rhythmic acuity and the disciplined, pinpoint playing he elicits from the Chicago Symphony Orchestra – and especially from its superb wind soloists – proves irresistible. From the high-spirited japes of Il barbiere di Seviglia and L&apos;italiana in Algeri to the grand drama of Semiramide, this is Rossini with all the bite and fizz one could want!</video:description>
<video:duration>3551</video:duration>
<video:publication_date>2024-10-14T14:17:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-26T20:41:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJAC0</loc>
<video:video>
<video:title>Solti conducts Bruckner: Symphony No. 6</video:title>
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<video:description>Throughout his remarkable 22-year tenure as the music director of the Chicago Symphony Orchestra, Georg Solti was credited for building on the orchestra&apos;s impressive heritage and bringing it as an unstoppable musical force into the CD era. At the heart of his repertoire was the Austro-Germanic symphonic tradition, of which Anton Bruckner was one of the last great exponents. And here conductor and orchestra tackle the composer&apos;s Sixth Symphony in a performance of rare stature: thrillingly played and compellingly conceived, it&apos;s an account of a long-underrated symphony that powerfully makes its case as one of the composer&apos;s finest works. </video:description>
<video:duration>3845</video:duration>
<video:publication_date>2024-10-15T10:18:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-26T20:39:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJEE8</loc>
<video:video>
<video:title>Hera Hyesang Park: Breathe</video:title>
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<video:description>From the legendary Teatro Colón in Buenos Aires, soprano Hera Hyesang Park presents a concert built around repertoire from her 2023 Deutsche Grammophon album, Breathe. With music ranging across the centuries drawing from opera and song, the programme is not just a showcase of Hera&apos;s artistry but also comes together to form a compelling musical whole, performed in one of the world&apos;s greatest opera houses.</video:description>
<video:duration>5581</video:duration>
<video:publication_date>2024-06-24T09:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-21T12:54:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3EC8</loc>
<video:video>
<video:title>Sokolov plays Purcell &amp; Mozart </video:title>
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<video:description>The great Grigory Sokolov’s 2023 touring programme is captured here in performances filmed at two concerts in Spain: at the Kursaal Auditiorium in Donostia, San Sebastián and at the Palacio de Festivales in Santander. The programme takes the pianist into rarely heard repertoire by English Baroque master Henry Purcell. For the second half he turns to more familiar repertoire with Mozart’s large-scale, lyrical Sonata K. 333 and the remarkable Adagio in B minor. Then, as is now tradition, come the encores, here encompassing music by Rameau, Chopin and Bach.</video:description>
<video:duration>6048</video:duration>
<video:publication_date>2024-10-16T09:50:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-18T14:31:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GDG</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Charles Dutoit in Dvořák &amp; Berlioz</video:title>
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<video:description>The Czech Philharmonic kicks off its new season with an appearance from pianist Daniil Trifonov, who joins visiting conductor Charles Dutoit in a rarity by Dvořák: his Piano Concerto, premiered in Prague in 1878. For the concert’s second half, Dutoit and the Philharmonic tackle one of the quintessential works of musical Romanticism: Berlioz’s Symphonie fantastique of 1830, a work of wild imagination that portrays an artist’s opium-fuelled daydreams turning into the nightmare of a Witches’ Sabbath and then a March to the Scaffold that brings one of the most thrilling orchestral showpieces in the repertoire to a rousing conclusion.</video:description>
<video:duration>6450</video:duration>
<video:publication_date>2024-10-02T14:46:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-18T06:12:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6D8</loc>
<video:video>
<video:title>Norrington conducts Haydn: &quot;Paris&quot; Symphonies Nos. 83 &amp; 84</video:title>
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<video:description>Contemporaries nicknamed Haydn&apos;s Symphony No. 83 &quot;La Poule&quot; because a particularly quirky melody seemed to suggest the pecking of a hen. But don&apos;t be deceived: even at its most playful, Haydn&apos;s imagination burned with unquenchable fire. In this concert given at the Salzburg Mozarteum in 2000, both &quot;La Poule&quot; and its companion piece – the noble Symphony No. 84 – receive performances of irrepressible animation, commitment and wit. Sir Roger Norrington conducts Camerata Salzburg: a pioneer of historically informed performance working with modern-instrument players steeped in central European style. The result is as energising – and as delightful – as you could possibly wish. </video:description>
<video:duration>3545</video:duration>
<video:publication_date>2024-09-11T15:04:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:24:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6D0</loc>
<video:video>
<video:title>Norrington conducts Haydn: &quot;Paris&quot; Symphonies Nos. 85 &amp; 87</video:title>
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<video:description>Of all the great pioneers of the early music revival, few can match Sir Roger Norrington for the originality, the experience and the pure, unbuttoned joie-de-vivre that he brings to everything he conducts. Certainly, it&apos;s hard to think of a wittier or more congenial interpreter for two of Haydn&apos;s &quot;Paris&quot; symphonies: controlled explosions of fantasy, colour and symphonic argument, performed here with historically informed flair by the (modern instrument) virtuosi of the Salzburg Camerata. No.85 – nicknamed &quot;La Reine&quot; – is the most stately of the &quot;Paris&quot; symphonies. No. 87 is the most headlong. But both receive performances of quite irresistible playfulness and panache. </video:description>
<video:duration>3238</video:duration>
<video:publication_date>2024-09-11T14:29:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:16:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6CO</loc>
<video:video>
<video:title>Norrington conducts Haydn: &quot;Paris&quot; Symphonies Nos. 82 &amp; 86</video:title>
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<video:description>Joseph Haydn never visited Paris, but when he received a commission from an influential concert society in the French capital, his imagination caught fire. The result – his six &quot;Paris&quot; symphonies – might be the first masterpieces of the symphonic repertoire to achieve global popularity, and even today, their mixture of novelty, inspiration and sheer creative verve is little short of irresistible. In this performance from the Mozarteum, Salzburg, period-performance pioneer Sir Roger Norrington is in his element – bringing his characteristic blend of scholarly expertise and irrepressible exuberance to the magnificent Symphony No. 86 and the brilliant No. 82 – nicknamed &quot;The Bear&quot;.  </video:description>
<video:duration>3747</video:duration>
<video:publication_date>2024-09-11T14:02:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:15:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3GD8</loc>
<video:video>
<video:title>On the Discovery of Mozart&apos;s Serenade in C Major, K. 648 &quot;Ganz kleine Nachtmusik&quot; </video:title>
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<video:description></video:description>
<video:duration>152</video:duration>
<video:publication_date>2024-10-11T10:37:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-11T19:07:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ0</loc>
<video:video>
<video:title>Michael &amp; Daniel Barenboim play Mozart Violin Sonatas - Part 1</video:title>
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<video:description>By 1784, Wolfang Amadeus Mozart had developed the violin sonata into a work that highlighted the growing independence and virtuosity of the stringed instrument. Placing equal importance on the violin and piano, the musical themes are continuously passed between them, in one ever-flowing conversation. An interaction and dialogue that requires open and honest communication finds no better combination than that of father and son, with renowned conductor and pianist Daniel and violinist son Michael Barenboim. The duo performs two of Mozart’s integral late Viennese sonatas, No. 32 in B Flat Major, written for the violinist Regina Strinasacchi, and No. 33 in E Flat, in this recital at the Pierre Boulez Saal in Berlin.</video:description>
<video:duration>2994</video:duration>
<video:publication_date>2022-06-15T10:17:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:21:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ6</loc>
<video:video>
<video:title>Michael &amp; Daniel Barenboim play Mozart Violin Sonatas - Part 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b2de56f8a89645ab51be36f7c8384442a086dc56.jpg</video:thumbnail_loc>
<video:description>Daniel Barenboim returns to the Pierre Boulez Saal with his son Michael to perform the last of Mozart’s three late Viennese sonatas. The piano part of the Violin Sonata in A Major is one of the most demanding written by Mozart, but as with the other sonatas of the time, is wrapped in elegance and joyful compatibility with the accompanying violin. With neither instrument having priority over the other, the work requires both musicians to listen, as well as interact with great ease and trust. With the highest level of skill and mastery, the Barenboims navigate the exceptionally quick tempi and the Bach-like counterpoint of Mozart’s ever-ingenious concerto style.</video:description>
<video:duration>2080</video:duration>
<video:publication_date>2022-06-15T14:43:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:20:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3G</loc>
<video:video>
<video:title>Musical Moment: Daniel Barenboim &amp; the Staatskapelle String Quartet</video:title>
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<video:description>In his fifth concert for Deutsche Grammophon’s Musical Moments series, Daniel Barenboim returns to the Pierre Boulez Saal to perform works by Schumann, both for solo piano and with the Staatskapelle’s String Quartet. Representing the wider orchestra, the four-string section leaders of the Staatskapelle Berlin have themselves grown together as a fixed ensemble and they join Barenboim in this performance of Schumann’s four-movement Piano Quintet. A work filled with alternating conversational passages between the strings and the keys, it takes full advantage of the technical capabilities of the quartet and the power and dynamic range of the piano. It was originally premiered by Schumann’s pianist wife Clara in 1843.</video:description>
<video:duration>2427</video:duration>
<video:publication_date>2022-06-15T08:23:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:19:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJICG</loc>
<video:video>
<video:title>Nobuyuki Tsujii plays Bach, Chopin and Rachmaninoff</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a042fab38901a8abe441fb740ff828b359c5a92.jpg</video:thumbnail_loc>
<video:description>Filmed live in Tokyo&apos;s famed Suntory Hall in February 2024, pianist Nobuyuki Tsujii presents a recital featuring works by three composers central to his repertoire – and closest to his heart. The concert culminates in Rachmaninoff&apos;s early set of Moments Musicaux Op. 16, along with the same composer&apos;s haunting Vocalise. Chopin&apos;s four Impromptus – including the famous Fantasie-Impromptu in C Sharp Minor – and Bach&apos;s sunny French Suite No. 5 complete the programme. All in all, it made for an unforgettable evening in the Japanese capital. </video:description>
<video:duration>5263</video:duration>
<video:publication_date>2024-05-21T08:03:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T07:43:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6DO</loc>
<video:video>
<video:title>The Lindsay String Quartet plays Haydn, Tippett &amp; Elgar </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/925f49c63ff8e65ea8197d8268b8eded7cb25974.jpg</video:thumbnail_loc>
<video:description>For four decades until 2005, the Lindsay String Quartet (affectionately known as &quot;The Lindsays&quot;) was at the heart of chamber music life in Great Britain, touring globally and building a unique relationship with Sir Michael Tippett – who coached the ensemble in his music. Tippett&apos;s powerful postwar Third Quartet is the centrepiece of this live recording from London&apos;s flagship chamber music venue, the Wigmore Hall. In classic Lindsays style, it&apos;s framed with a late Haydn quartet – &quot;The Rider&quot; – and another British classic: the troubled, poetic Quartet in E Minor by Sir Edward Elgar. At the time of this recording, the Lindsay String Quartet was probably its pre-eminent interpreter. </video:description>
<video:duration>5278</video:duration>
<video:publication_date>2024-09-11T19:19:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-30T09:01:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2DG</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b5325ba03835b3ff31c2fc824ec768455bae0fd.jpg</video:thumbnail_loc>
<video:description>Generally regarded as Bruckner&apos;s first undisputed symphonic masterpiece, the Fifth Symphony sees the struggles of his earlier works pay off in a work which compelling combines unprecedented vision with masterful technique. And few conductors are better equipped to address its challenges of pacing, voicing and structure than Christian Thielemann, long acknowledged as one of the finest interpreters of Austro-German repertoire of the second half of the 19th-century. Conducting the superb Staatskapelle Dresden in the Semperoper, Dresden, he unveils the mystery and majesty of this remarkable work like few others. </video:description>
<video:duration>5405</video:duration>
<video:publication_date>2024-09-02T15:46:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-28T21:29:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJADG</loc>
<video:video>
<video:title>Daniel Hope &amp; Zürcher Kammerorchester: Dance!</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bec24551075f9c4ed869b4661ae5f83b9045b457.jpg</video:thumbnail_loc>
<video:description>Courtly minuet, blissful waltz, melancholic tango, electrifying mambo – this programme from the Zürcher Kammerorchester under the direction of star violinist Daniel Hope dances through time and space. Filmed at the Konzerthaus Berlin in February 2024, it takes the listener on a journey through seven centuries of music, encompassing everything from a medieval lament to 20th-century ballet and beyond, and travelling from Second Empire Paris to Soviet Russia, from Buenos Aires to Chicago. The result is an irresistible musical selection, all performed with irrepressible verve and energy by Hope and his orchestra.</video:description>
<video:duration>5760</video:duration>
<video:publication_date>2024-03-05T20:12:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-27T11:22:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3GDO</loc>
<video:video>
<video:title>Bomsori &amp; Cristian Măcelaru in Bruch, Strauss, Wagner &amp; Bonis</video:title>
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<video:description>Cristian Măcelaru conducts the WDR Sinfonieorchester in a fascinating programme featuring Max Bruch&apos;s ever-popular Violin Concerto – with Bomsori as soloist – alongside seductive and powerful music by Strauss, Wagner and Mel Bonis. Two of Strauss&apos;s early tone poems bookend the concert, contrasted with Bonis&apos;s brief character study of Salomé (published just four years after Strauss&apos;s own breakthrough opera on the theme) and the original version of Wagner&apos;s Tannhäuser overture. And we stay in the music of German Romanticism with the central Bruch concerto, whose dramatic first movement, moving Adagio and thrilling finale have long made the work a firm favourite among players and audiences alike. </video:description>
<video:duration>6068</video:duration>
<video:publication_date>2024-09-23T10:20:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-26T23:37:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ECO</loc>
<video:video>
<video:title>Herbert von Karajan: Portrait of the Conductor Legend</video:title>
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<video:description>Herbert von Karajan was one of the 20th century’s most fascinating and complex musical personalities, a conductor who dominated the post-war classical music world like a colossus. This film reveals the phenomenon of the man and his music while touching on inspiring – but also controversial – aspects of his career. There are insights from musicians who worked with him, but also from Karajan himself, who, in archive interviews, discusses events in his life and relates them to his work as a conductor. The result is a fascinating portrait of an incomporable musician, whose work continues to resonate powerfully even decades after his death.</video:description>
<video:duration>5265</video:duration>
<video:publication_date>2024-09-12T08:38:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-26T08:08:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CC8</loc>
<video:video>
<video:title>Gidon Kremer and Martha Argerich: Memory of a Concert</video:title>
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<video:description>“We are not a couple in the traditional sense. And that is exactly what is so paradoxical – a musical couple can become even more intimate with one another than a couple in love.” So describes Gidon Kremer his musical relationship with Martha Argerich, a long-time collaboration between two artists – both acclaimed worldwide as living legends – that has been honoured by several prestigious awards. In 2006 they set out on tour performing solos and duets by Bartók und Schumann. The last of the concert series at Berlin’s Philharmonie was recorded for this film, featuring a rare solo performance by Martha Argerich, while Kremer provides a moving personal commentary.</video:description>
<video:duration>3317</video:duration>
<video:publication_date>2024-08-06T14:08:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-25T15:04:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CCG</loc>
<video:video>
<video:title>Kubelík conducts Bruckner and Mozart </video:title>
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<video:description>The Czech conductor Rafael Kubelík was an unassuming genius. But his roots – as part of a great musical family from Prague – as well as his long, transformative conductorship of the Munich-based Bavarian Radio Symphony Orchestra gave him an unforced but profound instinct for Central European repertoire. Here, he guest-conducts the Vienna Philharmonic in two symphonies steeped in the landscape and culture that he knew so well. He brings grandeur and unforced grace to Mozart’s &quot;Prague&quot; symphony and navigates the Alpine vistas of Bruckner&apos;s Fourth Symphony – nicknamed the “Romantic”, and arguably the composer&apos;s most popular major work – with a natural sense of accent, atmosphere and scale.</video:description>
<video:duration>5539</video:duration>
<video:publication_date>2023-09-04T13:17:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-24T07:17:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ED8</loc>
<video:video>
<video:title>Jessye Norman and Kathleen Battle Sing Spirituals</video:title>
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<video:description>Jessye Norman and Kathleen Battle made history when they took to the Carnegie Hall stage on 18 March 1990. In the audience: the veteran African-American opera singer Marian Anderson, one of the great voices of her generation, who in 1939 had been barred from singing in Constitution Hall because the colour of her skin. The twelve-year-old Jessye Norman had absorbed Anderson’s biography, just as she had the music she performed that evening, together with her great colleague and competitor Kathleen Battle: spirituals. Many haboured doubts, but the concert was a triumph – a triumph whose background is here revisited through interviews with those who were there and those who continue to be inspired by it.</video:description>
<video:duration>3167</video:duration>
<video:publication_date>2024-09-12T09:36:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T09:12:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4D8</loc>
<video:video>
<video:title>Solti conducts Bruckner &amp; Stravinsky </video:title>
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<video:description>Few of Bruckner’s symphonies cost Bruckner more dearly than his Third – and after his hero Richard Wagner praised its inspiration, few brought him more pride. In the last decade of his long and remarkable career Sir Georg Solti was conducting with more insight than ever, bringing an energy and an imaginative fire that was the envy of maestros half his age. This live recording from the Philharmonie am Gasteig in Munich finds him paired with the Bavarian Radio Symphony Orchestra – an ensemble perfectly in tune with Bruckner’s sound world, but every bit as brilliant (and as communicative) in Stravinsky’s dazzling, American-inspired Symphony in Three Movements.</video:description>
<video:duration>5196</video:duration>
<video:publication_date>2024-09-06T14:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T07:30:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4DO</loc>
<video:video>
<video:title>Solti conducts Mendelssohn &amp; Shostakovich</video:title>
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<video:description>Mendelssohn’s “Italian” Symphony begins with a burst of pure sunlight. Shostakovich’s Tenth opens under altogether darker skies. But both composers are burning to communicate, and for Sir Georg Solti – a conductor who never compromised on energy, integrity or pure, heartfelt commitment to the music he performed – that was enough. In this live recording from the Philharmonie am Gasteig in Munich he conducts one of his favourite orchestras: the Bavarian Radio Symphony Orchestra, renowned (then as now) for the lustre of its sound and its profound, instinctive understanding of the symphonic tradition. This is great music making at its most spontaneous – and masterful.</video:description>
<video:duration>5082</video:duration>
<video:publication_date>2024-09-06T14:47:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T07:26:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32D0</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Daniel Harding perform Escaich &amp; Bruckner</video:title>
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<video:description>From the Musikverein in Vienna, Renaud Capuçon is joined by the Munich Philharmonic and conductor Daniel Harding for the first Austrian performance of his compatriot Thierry Escaich&apos;s new Violin Concerto No. 2, premiered in April 2024. A work of great drive and rhythmic vitality, it is coupled here with Bruckner&apos;s Symphony No. 4 &quot;Romantic&quot;, whose opening – with its horn theme intoned against shimmering strings – sets the scene for one of the composer&apos;s most popular works, and a familar calling card for Harding, a conductor celebrated in this repertoire. </video:description>
<video:duration>6345</video:duration>
<video:publication_date>2024-06-20T10:42:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T15:04:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36CO</loc>
<video:video>
<video:title>Daniil Trifonov: Thanks to Music</video:title>
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<video:description>Filmmaker Denis Sneguirev presents a portrait of pianist Daniil Trifonov, following him on an intimate journey from a Parisian Jazz Club to the streets of New York via the peace and quite of his home in the Connecticut forest. The pianist, one of the most exciting and sought-after musical talents of his generation, offers reflections on his life as a performer and presents repertoire ranging from Ravel&apos;s formidable Gaspard de la Nuit to Tchaikovsky&apos;s Children&apos;s Album.</video:description>
<video:duration>2569</video:duration>
<video:publication_date>2024-06-18T13:00:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T11:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38E0</loc>
<video:video>
<video:title>Velvet Revolution Concert 2023 – with Janine Jansen &amp; Antonio Pappano</video:title>
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<video:description>For its 2023 concert commemorating the Velvet Revolution in Prague, the Czech Philharmonic invites Janine Jansen as guest soloist in Mendelssohn&apos;s ever-popular Violin Concerto in E minor. She joins the orchestra and conductor Antonio Pappano – making his debut with the orchestra – for a programme of Romantic music that begins with Brahms&apos;s rarely-heard Nänie, an 1881 setting of words by Friedrich Schiller for chorus and orchestra composed in memory of a close friend. The concert concludes in rousing style with Dvořák&apos;s Slavonic Dances, Op. 72, originally inspired by Brahms&apos;s own wildly popular sets of Hungarian Dances.</video:description>
<video:duration>6086</video:duration>
<video:publication_date>2024-02-15T07:56:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T08:21:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ED0</loc>
<video:video>
<video:title>Cloud Gate Dance Theatre of Taiwan – Meditation in Movement</video:title>
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<video:description>According to legend, Cloud Gate is the name of the oldest known dance in China, a ritual dance some 5,000 years old. In 1973, choreographer Lin Hwai-min adopted this classical name for the first modem dance company in Taiwan or China: Cloud Gate Dance Theatre. Since then, the company has caused a sensation both at home and abroad. In this film, Lin Hwai-min discusses about his own artistic background and his remarkable choreographic style – mixing influences from both East and West – while we join the company’s dancers practising the Tai Chi that he sees as an important part of the group’s creative preparation.</video:description>
<video:duration>1321</video:duration>
<video:publication_date>2024-09-12T09:15:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T14:54:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2E0</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 9 </video:title>
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<video:description>Bruckner&apos;s Ninth Symphony was conceived to echo Beethoven&apos;s and to be the crowning achievement of his commitment to the 19th-century&apos;s most prestigious genre. The initial rejection of his Symphony No. 8, however, led to a spell of revising earlier symphonies that distracted from his grand final work, meaning that it was left unfinished at his death. Dedicated to &quot;dear God&quot;, the work nevertheless represents a powerful crowning achievement, and, even in its incomplete three-movement form is a hugely powerful work – especially as performed here in Baden Baden by the Staatskapelle Dresden and conductor Christian Thielemann. </video:description>
<video:duration>3936</video:duration>
<video:publication_date>2024-09-02T19:24:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T10:03:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4CG</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 8</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/325fb38ad8cd10bc4b8cb7f4359f5da7d051aa3d.jpg</video:thumbnail_loc>
<video:description>Bruckner himself saw his Symphony No. 8 as his greatest achievement and it was a huge blow when it was rejected by the conductor Hermann Levi (the first conductor of Wagner&apos;s Parsifal), who was bewildered by its huge form and creative daring. In its revised form, it has gone on to be accepted as one of the great symphonic masterpieces of the late 19th century, and a work of almost unparalleled cumulative power. And that is what comes through so clearly in this performance by Christian Thielemann and the Staatskapelle Dresden, filmed at the Semperoper Dresden – a truly memorable occasion captured for posterity.</video:description>
<video:duration>5313</video:duration>
<video:publication_date>2024-09-03T07:22:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T10:01:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2DO</loc>
<video:video>
<video:title>Thielemann conducts Bruckner &amp; Wolf – with Renée Fleming</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e88c5c151c28bd554a810fd4fb2210a994f8984.jpg</video:thumbnail_loc>
<video:description>Christian Thielemann&apos;s celebrated first audio-visual cycle of Bruckner&apos;s symphonies began with this performance of Symphony No. 7, which was simultaneously his first concert as the principal conductor of the Staatskapelle Dresden – one of Germany&apos;s and the world&apos;s oldest and most distinguished orchestras. Bruckner&apos;s work – the only symphony to receive a triumphant premiere in his lifetime – includes in its Adagio a moving tribute to Wagner, who was idolized both by Bruckner and by Hugo Wolf, a selection of whose orchestrated songs, performed by the great Renée Fleming, complete the programme.</video:description>
<video:duration>6343</video:duration>
<video:publication_date>2024-09-02T19:02:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:58:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4C8</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b1038107fbc4c3fb249ca4f5b749896ec772ec5e.jpg</video:thumbnail_loc>
<video:description>From the glorious surroundings of the Semperoper in Dresden, the Staatskapelle Dresden and its then-music director Christian Thielemann present Bruckner&apos;s Symphony No. 6. A work long overshadowed by its imposing neighbours in the composer&apos;s output, it is now firmly established as a favourite among conductors and music lovers, who relish its relative intimacy and lightness – as well as its melodic richness. Here, on home turf, Thielemann and his orchestra prove winning interpreters in a performance offering a refreshing mixture of power and clarity. </video:description>
<video:duration>3764</video:duration>
<video:publication_date>2024-09-03T07:10:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:55:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4C0</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e9460b3ed82dbd6a0be9cea47bbfca749c9b8e55.jpg</video:thumbnail_loc>
<video:description>Christian Thielemann is renowned as an interpreter of both Wagner and Bruckner, so what better conductor to be in charge of a performance of Bruckner&apos;s Symphony No. 3, which was dedicated to Wagner after the younger composer sought the Meister&apos;s approval at Bayreuth? In this concert from the Philharmonie am Gasteig, Thielemann conducts the magnificent Staatskapelle Dresden in a performance of the work that captures its unmistakable mixture of raw power and refinement. </video:description>
<video:duration>4030</video:duration>
<video:publication_date>2024-09-03T07:03:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:45:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2E8</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7cc9b55a8e6e56d0675847fd48d5c64efde72bbd.jpg</video:thumbnail_loc>
<video:description>One of the Germany&apos;s oldest and most tradition-rich orchestras, the Staatskapelle Dresden, appearing in 2019 in one of the country&apos;s newest concert halls, the iconic Elbphilharmonie in Hamburg. Christian Thielemann, the orchestra&apos;s then-Music Director, is on the podium for the Second Symphony of a composer, Anton Bruckner. The result is a memorable musical occasion in which the work, Bruckner&apos;s most classically proportioned symphony, comes across with rare eloquence and power. </video:description>
<video:duration>3782</video:duration>
<video:publication_date>2024-09-03T06:58:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:50:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2D0</loc>
<video:video>
<video:title>Thielemann conducts Bruckner: Symphony No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d9794cede3e70daecf336237d9eea0a5d9eca95.jpg</video:thumbnail_loc>
<video:description>Filmed in the Philharmonie im Gasteig in Munich, Christian Thielemann conducts the Staatskapelle Dresden in Bruckner&apos;s Symphony No. 1 as part his first complete audio-visual cycle of the visionary Austrian composer&apos;s officially numbered symphonies. And, as one would expect, he brings a compelling authority, matched by the burnished sound of one of the world&apos;s most storied orchestras, to a work in which we see Bruckner starting to bridge the gap between a symphonic world rooted in the 18th century and imposing works of late Romanticism that were to come.  </video:description>
<video:duration>3326</video:duration>
<video:publication_date>2024-09-02T15:05:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2CG</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 8</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/24b6a9f86a2ddb419ea5833a3dc7ed114688c829.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, with performances of the last six symphonies filmed over one unforgettable week in the Philharmonie Berlin in June 2010. In this concert it’s the turn of the mighty Eighth. For many the work is Bruckner’s greatest achievement – even if its initial rejection triggered one of the most frustrating periods in the composer’s life – here presented in a performance of inexorable power.</video:description>
<video:duration>5081</video:duration>
<video:publication_date>2024-08-28T12:52:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:37:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2C8</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 7</video:title>
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<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, with performances of the last six symphonies filmed over one unforgettable week in the Philharmonie Berlin in June 2010. Here they perform Symphony No. 7, whose heartfelt Adagio turned out to be a memorial to Wagner, Bruckner’s musical idol. Its premiere in Leipzig in 1884 was the greatest triumph the composer ever experienced, and it has remained among his most popular works ever since.</video:description>
<video:duration>4340</video:duration>
<video:publication_date>2024-08-28T12:44:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:35:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2C0</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bf5fd8b9496f787a8271d3765dc6808b766f589f.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, with performances of the last six symphonies filmed over one unforgettable week in the Philharmonie Berlin in June 2010. Here the orchestra and conductor turn to the Sixth Symphony. Though long neglected and under-appreciated among the composer’s works, it has recently reestablished itself as a favourite among conductors and audiences, and this thrilling performance shows why.</video:description>
<video:duration>3529</video:duration>
<video:publication_date>2024-08-28T12:33:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0E8</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cde32edc178eaaf02da8b5d9e648700a488388ba.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, with performances of the last six symphonies filmed over one unforgettable week in the Philharmonie Berlin in June 2010. Here, from that remarkable series, is Symphony No. 5. Composed in 1875 and 1876, one of the composer’s most ambitious, complex but rewarding works, to which Barenboim brings a lifetime of experience.</video:description>
<video:duration>4608</video:duration>
<video:publication_date>2024-08-28T12:26:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0E0</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3226b96ca34d93c9ab60a17e63c12ca7d5d5e050.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, with performances of the last six symphonies filmed over one unforgettable week in the Philharmonie Berlin in June 2010. Here, from that remarkable series, is the “Romantic” Symphony No. 4. Originally composed in 1874, it received its triumphant premiere in Vienna in 1881 and despite going through many revisions remains one of the composer’s most popular works.</video:description>
<video:duration>4176</video:duration>
<video:publication_date>2024-08-28T12:19:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:16:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0DO</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a1a52330e94e0afcdde5d7637e3505ecf597e3c.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, including performances of the first three symphonies on tour at the Philharmonie de Paris in January 2017. Here orchestra and conductor perform Symphony No. 3, dedicated to Wagner. It suffered a disastrous premiere in Vienna, leading to extensive revisions, but is now established as the first work in which Bruckner’s mature symphonic mastery is fully evident.</video:description>
<video:duration>3896</video:duration>
<video:publication_date>2024-08-28T12:09:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:12:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0DG</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/40591e609724c415e8c1c5d9af84e45fc522b5d5.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, including performances of the first three symphonies on tour at the Philharmonie de Paris in January 2017. Here it’s the turn of Symphony No. 2, begun after Bruckner’s move to Vienna and completed in 1872, and a work in which the composer’s growing mastery of the genre is evident.</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2024-08-28T12:01:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:08:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0D8</loc>
<video:video>
<video:title>Barenboim conducts Bruckner: Symphony No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/366228c3f076bfb0888bc14df6a3b5adbb5efb93.jpg</video:thumbnail_loc>
<video:description>With over 450 years of tradition, the Staatskapelle Berlin is one of the world’s oldest orchestras, and for over 30 years it was inextricably associated with Daniel Barenboim, its music director from 1992 to 2023. Together they surveyed the central orchestral and operatic repertoire to great acclaim, not least the symphonies of Anton Bruckner, including performances of the first three symphonies on tour at the Philharmonie de Paris in January 2017. Here, conductor and orchestra present the composer’s Symphony No.1. Originally composed between 1865 and 1866, it was a bold and vibrant first official essay in a genre that Bruckner – already in his 40s at the time – had set out to make his own.</video:description>
<video:duration>3174</video:duration>
<video:publication_date>2024-08-27T15:03:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:06:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4E0</loc>
<video:video>
<video:title>Seiji Ozawa &amp; the Boston Symphony Orchestra: Beethoven, Bartók &amp; Ives</video:title>
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<video:description>The late Seiji Ozawa was the Boston Symphony’s longest-serving chief conductor, and during his 29-year tenure this most illustrious of America&apos;s &quot;Big Five&quot; orchestras built a truly global reputation. This concert – recorded live on tour at Frankfurt’s Alte Oper in 1991 – finds this famous partnership in full flight in a vintage Boston programme: a piece of classic Americana from Charles Ives, Beethoven&apos;s most playful symphony (an Ozawa favourite) and Bartók&apos;s Concerto for Orchestra, a work written for, and premiered by, this very orchestra. Few ensembles have a deeper connection with the piece – and you can tell.</video:description>
<video:duration>4623</video:duration>
<video:publication_date>2024-09-09T07:04:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-17T08:26:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ6C8</loc>
<video:video>
<video:title>Boulez conducts Schoenberg, Stravinsky &amp; De Falla – Triple Bill </video:title>
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<video:description>In the second half of his long and extraordinary career Pierre Boulez emerged as one of the most compelling exponents of 20th-century music – never more penetrating than when directing the virtuoso players of his own Ensemble Intercontemporain. In this inspired triple-bill from the Theater an der Wien, recorded shortly before the master’s 80th birthday, soprano Anja Silja performs a fully-staged version of Schoenberg’s Pierrot Lunaire – paired by Boulez with near-contemporary masterworks by Stravinsky and De Falla. Viennese modernism meets the world of the Ballets Russes, in the hands of a conductor who approached all music through the lens of his own dazzling creativity.</video:description>
<video:duration>5363</video:duration>
<video:publication_date>2024-09-10T19:46:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-17T08:20:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38D8</loc>
<video:video>
<video:title>Peltokoski conducts Wagner, Strauss &amp; Bruckner – with Elsa Dreisig</video:title>
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<video:description>Tarmo Peltokoski and the Orchestre national du Capitole de Toulouse bring the curtain down on the 2024 Granada Festival with a programme featuring the final masterpieces of two great Austro-German composers: Anton Bruckner and Richard Strauss. The concert begins with music by a composer worshipped by both men, Wagner’s rousing Prelude to Die Meistersinger von Nürnberg, before the soprano Elsa Dreisig joins orchestra and conductor for Strauss’s Four Last Songs – his serene farewell to life and love. By contrast, Bruckner set out in his Ninth Symphony to create the ultimate monument to the faith that had sustained him throughout his life, but only the first three movements were complete upon his death in 1896.</video:description>
<video:duration>5607</video:duration>
<video:publication_date>2024-07-29T15:00:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-04T14:56:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CE8</loc>
<video:video>
<video:title>Cortège // FRAGMENTS II – Lili Boulanger (Live in Copenhagen)</video:title>
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<video:description></video:description>
<video:duration>318</video:duration>
<video:publication_date>2024-09-03T09:41:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-03T15:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38C8</loc>
<video:video>
<video:title>Nelsons conducts Barber, Mozart &amp; Schumann – with Daniil Trifonov</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4e9d3a5bd9e53acc44cde030f4dfb16a7ede2c3c.jpg</video:thumbnail_loc>
<video:description>Among Andris Nelsons&apos;s predecessors as Gewandhauskapellmeister in Leipzig was Felix Mendelssohn, who conducted the premiere of Schumann&apos;s &quot;Spring&quot; Symphony with the orchestra in 1841. This lively and imaginative work forms the final part of this concert, which still had to take place without an audience. With its mood of optimism, the symphony evoked hope for a pandemic-free spring after the long Corona winter. Samuel Barber&apos;s elegiac Adagio for Strings is followed by Mozart&apos;s 25th Piano Concerto, whose sparkling elegance and formal imagination finds a subtle and confident interpreter in pianist Daniil Trifonov, who receives ideally elegant support from the Gewandhausorchester.</video:description>
<video:duration>5215</video:duration>
<video:publication_date>2022-11-09T10:59:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-27T13:43:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ADG</loc>
<video:video>
<video:title>Touching the Sound: The Improbable Journey of Nobuyuki Tsujii </video:title>
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<video:description>The fact that Nobuyuki Tsujii has been blind from birth has never affected his ability to play the piano. Set against the backdrop of the music of Chopin, Beethoven, Rachmaninoff, Liszt, other great piano masterpieces and Nobuyuki’s own uplifting compositions, this film is an inspiration to all people who face disabilities, severe challenges, or obstacles in life. Filmed May 2013, “Touching the Sound” traces Nobuyuki’s lifelong struggle to become a world-class pianist, taking in his young years as a student, a recent American tour, a visit to the earthquake and tsunami devastated areas of Japan, and ending with his triumphant debut at the BBC Proms in London.</video:description>
<video:duration>4096</video:duration>
<video:publication_date>2024-08-02T14:48:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-26T17:24:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ8</loc>
<video:video>
<video:title>Mozart: Vesperae solennes de confessore: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0d1ba548bb381cbbd8fc308422ee5319a0d4009.jpg</video:thumbnail_loc>
<video:description>With his highly personal double album From Afar, Víkingur Ólafsson is offering a window into his musical life story. The album reflects Ólafsson’s musical DNA, from childhood memories growing up in Iceland to his contemporary inspirations, exploring such evocative themes as home, childhood and family. Recorded on both upright and grand pianos, the album captures two distinct sound worlds.</video:description>
<video:duration>296</video:duration>
<video:publication_date>2022-10-23T21:41:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:29:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJACO</loc>
<video:video>
<video:title>Winter 1</video:title>
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<video:description></video:description>
<video:duration>177</video:duration>
<video:publication_date>2022-11-18T16:11:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:28:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJC</loc>
<video:video>
<video:title>Bartók: 3 Hungarian Folksongs from the Csìk, Sz. 35a</video:title>
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<video:description></video:description>
<video:duration>195</video:duration>
<video:publication_date>2022-10-24T17:04:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:27:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3EE8</loc>
<video:video>
<video:title>Liszt: Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/698780acc9c53da79497761567f50d9b35d0dc4e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>203</video:duration>
<video:publication_date>2023-05-17T09:57:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:10:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38D0</loc>
<video:video>
<video:title>Silvestrov: 3 Bagatelles, Op. 1: III. Moderato</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d3204ce08292dbf9b82efdf90d7f61a90cd02152.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>264</video:duration>
<video:publication_date>2023-01-15T18:03:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:10:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38DG</loc>
<video:video>
<video:title>Silvestrov: The Messenger (For Piano Solo)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a4b9528828a04d8a6e52f642b6e71c75d7056260.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>585</video:duration>
<video:publication_date>2023-01-15T18:33:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:09:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ED0</loc>
<video:video>
<video:title>Debussy: Suite bergamasque, CD. 82: III. Clair de Lune</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/66d105698564f4463bc56e6b26999bb47174fe2f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>389</video:duration>
<video:publication_date>2023-05-11T12:11:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:09:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGC8</loc>
<video:video>
<video:title>Reflection - from &quot;Mulan&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/97ba47f7d3d33311a24ecacaccccbe52b40496ee.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>273</video:duration>
<video:publication_date>2023-12-06T14:14:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:08:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGD0</loc>
<video:video>
<video:title>Mir ist so nach dir</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ea72d9d49b879984c66be6a46328fbb46eb06325.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2023-12-06T14:39:31Z</video:publication_date>
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<video:title>Rameau: Gavotte et six doubles: Gavotte</video:title>
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<lastmod>2024-08-23T13:05:48Z</lastmod>
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<url>
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<video:video>
<video:title>La Mer</video:title>
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<lastmod>2024-08-23T13:05:24Z</lastmod>
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<url>
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<video:title>Erstens küss ich nicht</video:title>
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<lastmod>2024-08-23T13:05:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGCG</loc>
<video:video>
<video:title>The Beauty and the Beast</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:52:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGC0</loc>
<video:video>
<video:title>When You Wish Upon a Star - from &quot;Pinocchio&quot;</video:title>
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<video:publication_date>2023-12-06T14:10:05Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T12:51:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ6DO</loc>
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<video:title>Bach: The Well-Tempered Clavier, Book I, BWV 846-869: Prelude &amp; Fugue in C Major, BWV 846</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-15T16:03:25Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:50:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJAE8</loc>
<video:video>
<video:title>Alkan: Recueil de Chants, Op. 65: No. 6, Barcarolle</video:title>
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<video:description></video:description>
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<video:publication_date>2023-12-01T16:29:55Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:48:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32D0</loc>
<video:video>
<video:title>Boulanger: Nocturne (pølaroit Rework)</video:title>
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<video:description></video:description>
<video:duration>251</video:duration>
<video:publication_date>2024-04-15T10:34:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:47:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32CO</loc>
<video:video>
<video:title>Muller: Mirror 8</video:title>
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<video:description></video:description>
<video:duration>229</video:duration>
<video:publication_date>2024-04-15T09:15:35Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:47:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32DG</loc>
<video:video>
<video:title>Howard: While You Live</video:title>
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<video:description></video:description>
<video:duration>296</video:duration>
<video:publication_date>2024-04-26T15:31:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:47:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32DO</loc>
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<video:title>Scriabin: 24 Préludes, Op. 11: No. 14, Presto in E-Flat Minor</video:title>
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<video:duration>56</video:duration>
<video:publication_date>2024-05-13T11:38:29Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T12:46:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32E0</loc>
<video:video>
<video:title>Traditional: Morning Nightcap (Arr. Lúnasa for Ensemble)</video:title>
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<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2024-05-14T09:50:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T12:45:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS0</loc>
<video:video>
<video:title>Rachmaninoff: Vocalise, Op. 34 No. 14 (Extended Version, Arr. Trifonov)</video:title>
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<video:description>After the highly acclaimed album “Destination Rachmaninov – Departure”, comprising Daniil Trifonov’s cycle of the great Russian composer’s piano concertos, the pianist concludes his Rachmaninov project with his second of two albums “Destination Rachmaninov – Arrival”. The recording includes Trifonov’s arrangement of Rachmaninov’s famous, beloved, heart-rending “Vocalise”, now available as an exclusively long version.
</video:description>
<video:duration>393</video:duration>
<video:publication_date>2022-05-18T10:23:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T07:58:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CCO</loc>
<video:video>
<video:title>Massenet: Pourquoi me réveiller, ô souffle du printemps?</video:title>
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<video:description></video:description>
<video:duration>172</video:duration>
<video:publication_date>2023-02-09T11:27:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T07:58:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CCO</loc>
<video:video>
<video:title>Satie: Gnossiennes: No. 4, Lent</video:title>
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<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2024-08-08T11:50:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T07:57:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DO</loc>
<video:video>
<video:title>Jóhann Jóhannsson: Live in Berlin</video:title>
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<video:description>The death of composer Jóhann Jóhannsson at the age of just 48 in early 2018 tore a painful hole in the music world. His legacy lives on, however, through his catalogue of recordings, which encompasses everything from evocative compositions for small ensemble to strikingly original film soundtracks. A career had catapulted the Icelandic musician all the way to Hollywood, where he was nominated twice for an Oscar and awarded a Golden Globe. Here, he performs some of his greatest tracks with the Echo Collective at the Boilerroom of the Funkhaus Berlin, where the innovative combination of string and piano with electronic music and sound recordings make this live recording an unforgettable event, captivating in its trance-like atmosphere.</video:description>
<video:duration>5024</video:duration>
<video:publication_date>2022-07-08T12:02:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T07:00:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3CDG</loc>
<video:video>
<video:title>Weinberg: Aria, Op. 9</video:title>
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<video:description></video:description>
<video:duration>214</video:duration>
<video:publication_date>2024-08-19T14:57:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-21T17:01:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CDO</loc>
<video:video>
<video:title>Bruce Liu: Between Cultures</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4032af2c88198b534f70f686b0058892e0941ce7.jpg</video:thumbnail_loc>
<video:description>Filmed to coincide with Bruce Liu&apos;s highly anticipated debut at the Théâtre des Champs-Elysées in Paris, this documentary goes behind the scenes to explore the multicultural background of the Canadian-Chinese pianist and winner of the 2021 International Chopin Competition. Extensive footage of the concert is interlaced with film of him at home in Montreal and working with his teacher, Đặng Thái Sơn, the winner of the 1980 competition and the first Asian pianist to walk away with its top accolade.</video:description>
<video:duration>2599</video:duration>
<video:publication_date>2023-02-27T13:27:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-14T10:36:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3EDO</loc>
<video:video>
<video:title>Nézet-Séguin &amp; Trifonov perform Rachmaninoff </video:title>
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<video:description>No orchestra outside of Russia can claim a closer link to Sergei Rachmaninoff than the Philadelphia Orchestra, and it was that orchestra that gave the first performances of both works on the programme here.  The Rhapsody on a Theme of Paganini of 1934 – a thrilling distillation of Rachmaninoff&apos;s kaleidoscopic later style. Here it is performed by Daniil Trifonov, who is reunited with the orchestra and its Music Director, Yannick Nézet-Séguin, following critically acclaimed recordings of all Rachmaninoff&apos;s works for piano and orchestra. The Symphonic Dances (1940), completes the programme: the composer&apos;s final major score and work a that looks back musically to the start of his career and the Russia he had left behind. </video:description>
<video:duration>3603</video:duration>
<video:publication_date>2024-01-15T14:23:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-13T09:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ECG</loc>
<video:video>
<video:title>Classics under the Stars – Elīna Garanča, Jonathan Tetelman &amp; Friends </video:title>
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<video:description>Perched high above the Danube River, Stift Göttweig provides a spectacular backdrop to this opera gala, which covers a broad spectrum of repertoire from bel canto, via verismo, to the vibrant colours of South America. Elīna Garanča and husband Karel Mark Chichon – conducting the orchestra of the Vienna Volksoper – are joined by star tenor Jonathan Tetelman, Spanish soprano Marina Monzó and mezzo-soprano Marie-Sophie Janke, winner of the 2022 Zukunftstimmen competition for a memorable evening under the stars.</video:description>
<video:duration>6218</video:duration>
<video:publication_date>2023-09-28T07:31:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-09T16:43:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJIC0</loc>
<video:video>
<video:title>Karajan conducts Verdi: Don Carlo </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bada520f38d0d4d22a29d69b8b74da3e374ab66f.jpg</video:thumbnail_loc>
<video:description>Sixteenth-century Spain: a place of intrigue where kings and princes are merely pawns in a game played by higher, darker forces. Verdi&apos;s Don Carlo is arguably his single greatest opera, and in this magnificent 1986 performance from the Salzburg Festival it receives the full Karajan treatment, directed as well as conducted by Herbert von Karajan at the height of his insight and authority. Stunning period designs complement one of the finest casts ever assembled for Don Carlo, with José Carreras at his passionate best in the title role, Ferruccio Furlanetto as Phillip II and Agnes Baltsa as Princess Eboli. </video:description>
<video:duration>10704</video:duration>
<video:publication_date>2024-04-16T06:38:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-09T16:32:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3AD8</loc>
<video:video>
<video:title>Anna Netrebko &amp; Rolando Villazón sing La Traviata</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7ea051bfd0f8b6cb095c397480d8866d3c44a333.jpg</video:thumbnail_loc>
<video:description>The new production of La Traviata at the 2005 Salzburg Festival drew attention from all over the world: it was not the first time that Anna Netrebko and Rolando Villazón had performed together on stage, but it was the production that saw them rise to superstardom. Each is brilliant on their own terms, but as directed by Willy Decker in his iconic production, they shine above all as a couple, offering a rare dramatic and musical chemistry. Opera stars had never before been shown so up-close and personal, and had never been so present in the media. A magic moment of music, brought to life through unseen rehearsal footage and interviews with Anna Netrebko, Rolando Villazón, Thomas Hampson, Willy Decker and more.</video:description>
<video:duration>3135</video:duration>
<video:publication_date>2024-07-25T12:16:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-09T08:42:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0CG</loc>
<video:video>
<video:title>Nelsons conducts Mahler: Symphony No. 6 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8259829bd8ae2d91acd8841f3670bcb25e6f6345.jpg</video:thumbnail_loc>
<video:description>Few symphonies make as powerful a statement as Mahler&apos;s &quot;Tragic&quot; Sixth, composed on a huge scale for an enormous orchestra, and this performance from the 2020 Salzburg Festival made a defiant artistic statement in the face of the global pandemic. At the helm of the Wiener Philharmoniker – its participation throughout the festival enabled by a strict programme of testing – is Andris Nelsons, whose interpretation was praised for its grandeur and generosity of spirit, encapsulating the symphony&apos;s moods from the implacability of the first two movements through the of the yearning romanticism of the Andante to the finale&apos;s final desolation.  </video:description>
<video:duration>5369</video:duration>
<video:publication_date>2023-01-11T09:48:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-07T09:25:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0CO</loc>
<video:video>
<video:title>Nelsons conducts Mahler: Symphony No. 5 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d934c4115f61ccb28436edbafa12b19d68ea9ef.jpg</video:thumbnail_loc>
<video:description>Andris Nelsons and the Wiener Philharmoniker tackle Mahler&apos;s Fifth, the first of the three purely instrumental symphonies from the composer&apos;s &quot;middle&quot; period, in this concert from the 2022 Salzburg Festival. The performance was praised at the time for the impeccable quality of the orchestral playing and the conductor&apos;s instinctive vision of the work: an unrushed opening funeral march, a Scherzo alive to all Mahler&apos;s musical moods, a deeply affecting account of the famous Adagietto and a finale defined less by interpretative innovation than, as one critic described it, &quot;the greatest love and passion.&quot;</video:description>
<video:duration>5074</video:duration>
<video:publication_date>2023-01-11T10:09:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-07T09:25:11Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJAE0</loc>
<video:video>
<video:title>Nelsons conducts Mahler: Symphony No. 4 – and Berg&apos;s Violin Concerto </video:title>
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<video:description>Andris Nelsons continues his survey of Mahler&apos;s symphonies with the Wiener Philharmoniker with the Fourth, streaming live from the Salzburg Festival. The last of the so-called &quot;Wunderhorn&quot; Symphonies and the composer&apos;s most intimate essay in the genre, the Fourth is characterized by an ostensibly lighter mood, with a first movement of pastoral character and a finals that started life as one of the &quot;Wunderhorn&quot; Songs: a setting of &quot;Das himmlische Leben&quot; featuring a soprano soloist (acclaimed German soprano Christiane Karg in this performance). To complete the programme, orchestra and conductor are joined by violinist Augustin Hadelich in Berg&apos;s Violin Concerto, subtitled &quot;To the memory of an angel&quot; – an appropriate and moving coupling. </video:description>
<video:duration>6571</video:duration>
<video:publication_date>2023-08-23T11:16:40Z</video:publication_date>
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<lastmod>2024-08-07T09:24:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E0</loc>
<video:video>
<video:title>Daniel Barenboim celebrates Beethoven 250 – with Anne-Sophie Mutter</video:title>
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<video:description>Many performances in Beethoven’s 250th anniversary year had to be cancelled due to the pandemic, making this open-air concert from the centre of Berlin all the more welcome. At the centre of the programme stands the monumental Ninth Symphony, culminating in the all-embracing &quot;Ode to Joy&quot;, while violinist Anne-Sophie Mutter shows the composer&apos;s more intimate side with his two Romances. The Staatskapelle Berlin is conducted by Daniel Barenboim, the orchestra&apos;s music director since 1992 and one of the most important Beethoven interpreters of our time.</video:description>
<video:duration>6319</video:duration>
<video:publication_date>2022-06-29T13:57:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-05T13:46:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3IE0</loc>
<video:video>
<video:title>Joana Mallwitz conducts Prokofiev, Weill &amp; Mahler</video:title>
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<video:description>To open her first season as new chief conductor and artistic director of the Konzerthausorchester in Berlin, Joana Mallwitz chose the first symphonies of three very different composers – all written in the decades around 1900. The conductor – an exclusive Deutsche Grammophone artist since June 2023 – begins with Prokofiev&apos;s &quot;Classical&quot; Symphony, a brilliant early example of neo-classicism in 20th-century music. Kurt Weill&apos;s rarely heard First Symphony of 1921 follows, while to conclude comes Mahler&apos;s thrilling Symphony No. 1 of 1888, a work in which he all but redefined what the genre could be and represent. All in all, a perfect programme to launch a new era in Berlin&apos;s musical life!   </video:description>
<video:duration>6132</video:duration>
<video:publication_date>2023-12-04T10:22:09Z</video:publication_date>
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<video:restriction relationship="deny">JP</video:restriction>
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<lastmod>2024-08-02T08:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2E8</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 4</video:title>
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<video:description></video:description>
<video:duration>295</video:duration>
<video:publication_date>2023-11-09T16:43:08Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:49:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2E0</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 3 </video:title>
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<video:description></video:description>
<video:duration>357</video:duration>
<video:publication_date>2023-11-09T16:35:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:49:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2DO</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 2 </video:title>
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<video:description></video:description>
<video:duration>280</video:duration>
<video:publication_date>2023-11-09T16:22:52Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:48:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2DG</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 1</video:title>
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<video:description></video:description>
<video:duration>266</video:duration>
<video:publication_date>2023-11-09T16:14:36Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:47:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36</loc>
<video:video>
<video:title>Dvořák: Rusalka, Op. 114: Act I: Mesicku na nebi hlubokém</video:title>
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<video:description></video:description>
<video:duration>299</video:duration>
<video:publication_date>2022-09-24T05:13:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:44:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4E0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Weinberg, Schumann &amp; Beethoven</video:title>
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<video:description>&quot;Conducting is about sharing music,&quot; says Mirga Gražinytė-Tyla, who here conducts the Deutsche Kammerphilharmonie Bremen in a concert recorded at the Konzerthaus Dortmund in December 2020. And the music she chose to share on this occasion includes two works by Mieczysław Weinberg, whose long-neglected catalogue she has championed in recent years. The programme opens with his Aria, Op. 9, which is followed by the Schumann Piano Concerto. Soloist Kirill Gerstein stays on stage for the second Weinberg work – his Seventh Symphony, for harpsichord and strings. Orchestra and conductor then bring the concert to an end with Beethoven&apos;s Leonore Overture No. 3.</video:description>
<video:duration>4900</video:duration>
<video:publication_date>2023-02-09T13:55:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:39:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS34</loc>
<video:video>
<video:title>Yellow Lounge: Women&apos;s Day 2021</video:title>
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<video:description>Celebrating 100 years of International Women’s Day, Deutsche Grammophone’s Yellow Lounge presents four leading female soloists from three continents. In this special concert, the Yellow Label’s classic-meets-club series showcases the new generation of women in classical music. Performing in this programme placing women in the spotlight are soprano Nadine Sierra, harpist Magdalena Hoffman, violinist Bomsori  and soprano Hera Hyesang Park – with Sophia Muñoz at the piano. Visual art accompaniments are provided by feminist VJ collective Trial and Theresa.</video:description>
<video:duration>4635</video:duration>
<video:publication_date>2022-06-10T17:03:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJEC0</loc>
<video:video>
<video:title>Yellow Lounge: María Dueñas &amp; Raphaël Feuillâtre</video:title>
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<video:description>Two of Deutsche Grammophon&apos;s most exciting young artists – Spanish violinist María Dueñas and French guitarist Raphaël Feuillâtre – come together for a showcase as part of the Yellow Label&apos;s classics-meets-club series, on this occasion streaming live from the Säälchen in East Berlin&apos;s Friedrichshain. For the occasion, both artists will be presenting music from their debut Deutsche Grammophon albums – as well as a few surprises!</video:description>
<video:duration>3824</video:duration>
<video:publication_date>2023-07-17T12:45:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJEC0</loc>
<video:video>
<video:title>Yellow Lounge: Daniel Hope &amp; Anja Lechner – Silvestrov Celebration</video:title>
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<video:description>Deutsche Grammophon presents a Yellow Lounge dedicated to the Ukrainian composer Valentin Silvestrov, who celebrated his 85th birthday on 30 September. ECM artist Anja Lechner performs the first set, accompanied by Pianist Raúl da Costa; after a short break, DG artist Daniel Hope presents the second set, accompanied by Alexey Botvinov. 
German cellist Anja Lechner has been playing and recording Silvestrov’s music for 20 years now, most recently on the ECM album &quot;Hieroglyphs of the Night&quot;, and the composer wrote Augenblicke der Stille und Traurigkeit especially for her. Daniel Hope&apos;s new all-Silvestrov album is released on DG on the composer&apos;s birthday. </video:description>
<video:duration>4038</video:duration>
<video:publication_date>2023-07-20T10:32:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38DO</loc>
<video:video>
<video:title>Yellow Lounge: Alice Sara Ott &amp; Julius Asal </video:title>
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<video:description>Two pianists from the Deutsche Grammophon stable come together for this Yellow Lounge at Pop Kudamm in Berlin. Alice Sara Ott, signed to the Yellow Label since 2008, presents music from her Echoes of Life album, including works by Beethoven, Bach, Chilly Gonzales and Arvo Pärt. For the second set, new DG signing Julius Asal performs works by Scarlatti, Debussy, Scriabin and Rachmaninoff, which he brings together with his own improvisations to create a fascinating musical journey. Both sets are complemented by video projections created by Ex Pfadfinderei.  </video:description>
<video:duration>4372</video:duration>
<video:publication_date>2023-11-09T10:40:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJA</loc>
<video:video>
<video:title>Yellow Lounge: Albrecht Mayer &amp; the Bamberg Symphony</video:title>
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<video:description>The goal: reaching new audiences. If the young people won’t come to the concert hall, then the concert hall will come to them. The result: the works of Elgar, Strauss, Ravel and Brahms, this time with visual accompaniments, gain new fans with this concert held within the confines of a supermarket. Much like Berlin itself, the contrapuntal components surrounding this Yellow Lounge concert are glaringly obvious, yet perfectly synchronised. Performing a programme of post-war concertos from their Longing for Paradise album, Albrecht Mayer and Jakub Hrůša, together with the Bamberg Symphony, thrill an unconventional crowd in the very centre of a city once torn apart by war. </video:description>
<video:duration>2571</video:duration>
<video:publication_date>2022-05-16T13:54:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:27:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2C8</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Beethoven, Šerkšnytė and Walton</video:title>
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<video:description>Recorded live in the Konzerthaus Dortmund in January 2023 comes a characteristically adventurous programme from Mirga Gražinytė-Tyla, who conducts the Orchestre Philharmonique de Radio France in music by Raminta Šerkšnytė, William Walton and – with pianist Daniil Trifonov – Beethoven. Šerkšnytė&apos;s Fires opens the programme, a work commissioned in 2010 to be performed alongside Beethoven&apos;s Fifth Symphony and drawing upon motifs from that work. Then Trifonov is the soloist in Beethoven&apos;s sparkling Piano Concerto No. 1 before a performance of the Symphonic Suite of music from William Walton&apos;s opera Troilus and Cressida, a work featured on Gražinytė-Tyla&apos;s 2021 album &quot;The British Project&quot;. </video:description>
<video:duration>5452</video:duration>
<video:publication_date>2023-03-09T07:18:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:25:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C0</loc>
<video:video>
<video:title>Serenata Latina: Rolando Villazón &amp; Xavier de Maistre</video:title>
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<video:description>At the beautiful Théâtre des Bouffes Parisiens, Mexican tenor Rolando Villazón teams up with French star harpist Xavier de Maistre for a concert of intimate arrangements of Latin American songs for voice and harp. The Latin American songs bridge folk and art music, unite indigenous, European, and African cultures and offer a delightful collage of sounds, rhythms, melodies, and narratives. With de Maistre and Villazón complementing each other so well, it&apos;s a moment of &quot;tantalizing taste of little-known repertoire worthy of further exploration,&quot; as summed up by Gramophone.</video:description>
<video:duration>3110</video:duration>
<video:publication_date>2022-06-23T14:04:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:23:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8C0</loc>
<video:video>
<video:title>Rising Stars: Hans Christian Aavik, Violin</video:title>
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<video:description>Estonian Violinst Hans Christian Aavik, First Prize winner of the 2022 Carl Nielsen International Competition, has been described as &quot;one of Europe&apos;s most exciting young talents&quot;. In this showcase, part of the Rising Stars series on STAGE+, he is joined by his regular chamber partner, Karolina Aavik. They perform two 20th-century works composed within a few years of one another – George Enescu&apos;s 1926 Violin Sonata No. 3 and Aelita&apos;s Suite (1932) by Estonian composer Eduard Oja – alongside a violin and piano version of O Magnum Mysterium by contemporary American composer Morten Lauridsen.  </video:description>
<video:duration>2914</video:duration>
<video:publication_date>2023-03-02T07:20:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:45:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3AD8</loc>
<video:video>
<video:title>Rising Stars: Emily Pogorelc, Soprano</video:title>
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<video:description>Emily Pogorelc joins the Rising Stars series on STAGE+ with a showcase demonstrating her impressive range and versatility. The young US soprano is an ensemble member of the Bayerische Staatsoper in Munich since 2020 and is a guest on many of the world&apos;s great stages. With Chris Reynolds at the piano, she presents a programme of operetta and song – covering three languages and nearly two centuries – that demonstrates why she&apos;s one of the most sought-after young artists of her generation. </video:description>
<video:duration>3554</video:duration>
<video:publication_date>2023-08-31T12:52:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:44:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3EC8</loc>
<video:video>
<video:title>Rising Stars: Aris Quartett </video:title>
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<video:description>The multi-prize-winning Aris Quartett joins the Rising Stars series on STAGE+ with a programme of music by the siblings Felix Mendelssohn and Fanny Hensel. First comes Hensel&apos;s sparkling Quartet in E flat of 1834 – a work that likely languished unperformed until it was finally published in 1989 and revealed as an important work of musical romanticism. Mendelssohn, meanwhile, composed his dramatic final quartet in 1847 in response to his sister&apos;s sudden death – and died himself only a few months later. To complete the programme, the Aris Quartet perform a lively string quartet arrangement of Mendelssohn&apos;s Song without Words Op. 102 No. 3.  </video:description>
<video:duration>3535</video:duration>
<video:publication_date>2023-09-25T14:03:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCD0</loc>
<video:video>
<video:title>Rising Stars: Anna El-Khashem, Soprano</video:title>
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<video:description>One of the most promising young singers of her generation, St Petersburg-trained soprano Anna El-Khashem has already made many important debuts since her triumph in the Neue Stimmen singing competition in 2019. In this showcase, she performs not just arias from operas by Rimsky-Korsakov and Mozart (Susanna in Le nozze di Figaro – one of her signature roles), but also songs by Schumann, Tchaikovsky and Rachmaninoff.</video:description>
<video:duration>3070</video:duration>
<video:publication_date>2023-04-25T15:34:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:43:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3IDO</loc>
<video:video>
<video:title>Víkingur Ólafsson: Scenes From Afar</video:title>
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<video:description>This film joins Víkingur Ólafsson at home along with his wife, Halla Oddný Magnúsdóttir, as they as they prepare to perform music from his album From Afar at a one-off concert at Víkingur’s second home, Harpa Concert Hall. Víkingur talks about From Afar – his most personal album to date – as well as life on the road, playing at different music halls for big audiences around the world every week, and how he handles the critics and the endless flights and hotel stays. The result offers both an intimate portrait of one of the most innovative and inquisitive musicians of our age and rare insight into his mind and creative process.</video:description>
<video:duration>2415</video:duration>
<video:publication_date>2023-08-21T10:01:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-25T12:41:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36CO</loc>
<video:video>
<video:title>Víkingur Ólafsson: From Afar </video:title>
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<video:description>From the intimate surroundings of the Norðurljós Hall of Reykjavík&apos;s Harpa, Víkingur Ólafsson invites you to enjoy a performance of repertoire from his critically acclaimed Deutsche Grammophon album &quot;From Afar&quot;. For this unique concert, the Icelandic pianist switches between upright and grand pianos and is joined in duets by his wife, Halla Oddný Magnúsdóttir. He introduces the performances himself, sharing personal insights and commentary on music by Bach, Kurtág, Brahms, Mozart and more.</video:description>
<video:duration>3804</video:duration>
<video:publication_date>2023-03-15T10:47:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:41:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJEC8</loc>
<video:video>
<video:title>Musical Moment: María Dueñas in Berlin</video:title>
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<video:description>One of the most exciting young talents in the classical music world, Spanish violin virtuoso María Dueñas, presents a special Musical Moment recital from Berlin&apos;s Meistersaal. She opens with one of the great works of Romantic violin repertoire, César Franck&apos;s Violin Sonata in A major, composed as a wedding present for the great Belgian virtuoso Eugène Ysaÿe. After the grandeur of the sonata, Dueñas presents a selection of shorter works, including violin and piano version of songs by Gabriel Fauré and Joan Manèn and a new arrangement of &quot;Yo soy María&quot; from Astor Piazzolla&apos;s tango opera María de Buenos Aires.</video:description>
<video:duration>2920</video:duration>
<video:publication_date>2023-05-11T14:28:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:40:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2</loc>
<video:video>
<video:title>Musical Moment: Seong-Jin Cho Plays Chopin &amp; Szymanowski</video:title>
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<video:description>In this Musical Moment, Seong-Jin Cho brings together music by two Polish composers, Frédéric Chopin and Karol Szymanowski. Six years after his triumph at the Chopin Competition in Warsaw in 2015, Cho presents four favourite works by the composer: two scintillating Scherzos bookended by a nocturne and a waltz. Szymanowski&apos;s Masques, composed 1915–16, opens the programme, offering musical portraits of figures who played an important role in the European cultural imagination: Schéhérazade, the story teller from 1001 Nights; Tristan (from the story of Tristan and Iseult) reimagined as a jester; and Don Juan. </video:description>
<video:duration>3196</video:duration>
<video:publication_date>2022-04-22T09:57:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:39:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP32</loc>
<video:video>
<video:title>Seong-Jin Cho plays Brahms, Berg and Schubert at Meistersaal Berlin</video:title>
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<video:description>Korean pianist Seong-Jin Cho has selected Schubert&apos;s Wanderer Fantasy as the central work for his piano recital in the Meistersaal in Berlin and for his album The Wanderer, which is to be released at the same time. &quot;This is primarily about fantasy, imagination, in other words, artistic freedom,&quot; explains Cho. On the one hand, the motif of the wanderer is processed musically through the theme and its variations and developments. On the other hand, the free spirit that finds itself travelling plays a major role for him personally, as a worldwide touring musician. The programme is completed with a piece by Brahms and Alban Berg&apos;s Piano Sonata Op. 1, an extraordinarily intense, one-movement work.</video:description>
<video:duration>2455</video:duration>
<video:publication_date>2022-04-29T12:38:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:39:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C8</loc>
<video:video>
<video:title>Musical Moment: Magdalena Hoffmann&apos;s Journey Through the Night</video:title>
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<video:description>Virtuoso harpist and Deutsche Grammophon artist Magdalena Hoffmann presents a varied programme of original works and transcriptions from Berlin&apos;s Meistersaal. She begins with Respighi&apos;s atmospheric Notturno before presenting one of the central works of the harp repertoire, Britten&apos;s five-movement Suite, written for the legendary Welsh harpist Osian Ellis, who died in early 2021. After two more nocturnes, this time by John Field, the composer credited with originating the genre, she performs a contrasting pair of waltzes by Chopin. Magdalena then plays a transcription of Offenbach’s famous Barcarolle before switching from opera to jazz and ending with Bernard Andrès&apos;s tribute to Duke Ellington.</video:description>
<video:duration>2499</video:duration>
<video:publication_date>2022-06-24T08:25:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:36:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6DG</loc>
<video:video>
<video:title>Musical Moment: Kit Armstrong plays Byrd &amp; Bull </video:title>
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<video:description>Kit Armstrong presents a recital of works from two great English composers in the Meistersaal in Berlin: William Byrd and John Bull. Despite being contemporaries, their compositional styles were varied. The contrast is even more apparent when the works are played after one another, as is the case in this performance. Born in 1992 in Los Angeles, Armstrong opens up a glimpse into the essence of early music in England. &quot;William Byrd and John Bull created the universe of keyboard music as it still exists today,&quot; he explains. Alfred Brendel, who has been Armstrong&apos;s teacher and mentor since 2005, credits him with &quot;an understanding of the great piano works that combines freshness and subtlety, emotion and intellect.&quot;</video:description>
<video:duration>4000</video:duration>
<video:publication_date>2022-07-26T10:36:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CO</loc>
<video:video>
<video:title>Musical Moment: Hera Hyesang Park&apos;s Musical World Tour</video:title>
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<video:description>The young soprano Hera Hyesang Park has established herself as a shining star on the current classical music scene. As an exclusive Deutsche Grammophon artist, she creates a wonderfully colourful and stylistically versatile contribution to the Musical Moments series. Having graced the stages of the New York Met, the Berlin Staatsoper, and the Glyndebourne Festival, the intimate performance here at the Meistersaal in Berlin sees Park and her accompanist Sarah Tysman interpret not only classics from Purcell and Handel, but also embark on exciting journeys of discovery in the worlds of French Belle Époche and Far Eastern music.</video:description>
<video:duration>3362</video:duration>
<video:publication_date>2022-06-28T12:34:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:34:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS36</loc>
<video:video>
<video:title>Musical Moment: Bomsori and Rafał Blechacz in Mozart, Beethoven &amp; more</video:title>
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<video:description>Polish pianist Rafał Blechacz and Korean violinist Bomsori began working together as chamber music partners in 2016, but it wasn&apos;t until early 2019 that they released an album of Polish and French music for Deutsche Grammophon, which has proven to be a testament to the shared understanding that underpins their work together. In this recital, the duo invites the audience to a concert in Berlin&apos;s Meistersaal with a sonata for violin and piano by both Mozart and Beethoven, as well as fascinating arrangements of famous solo piano works by Liszt, Debussy, and Chopin. </video:description>
<video:duration>3331</video:duration>
<video:publication_date>2022-06-13T12:06:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:33:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0</loc>
<video:video>
<video:title>Musical Moment: Avi Avital &amp; Ohad Ben-Ari</video:title>
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<video:description>&quot;Art gives me inspiration and spiritual nourishment,&quot; Avi Avital once said. In difficult times that urgently call for both, the artist is an ideal protagonist for the Musical Moments series. With his grandiose concert performances and DG albums, Avital has almost single-handedly anchored the supposedly exotic instrument of the mandolin, bringing it into the consciousness of a mass audience. From the Meistersaal in Berlin, Avital and pianist Ohad Ben-Ari immerse listeners in the worlds of Viennese classical music and Spanish, Italian, and Jewish folklore. With an original work by Beethoven written for mandolin, he proves that even the most eminent composers were enthusiastic about the seductive sound of the instrument.</video:description>
<video:duration>2951</video:duration>
<video:publication_date>2022-05-12T13:50:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:33:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJI</loc>
<video:video>
<video:title>Musical Moment: Anna Prohaska &amp; Caspar Frantz</video:title>
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<video:description>Austrian-British soprano Anna Prohaska shares a musical moment with pianist Caspar Frantz in this recital at the Meistersaal in Berlin. Leading a journey through a repertoire of personally selected meditative art songs and opera arias, the duo brings historical works into the modern day and light into darkened times. Feeling the weight of the 2020 global pandemic, Prohaska and Frantz turn to music as a source of comfort. The condensed piano part dovetails with the rich vocals, creating an atmosphere of warmth and dearness. Performing mutual favourites and one of the most romantic arias in the repertoire from Puccini’s La Bohème, the two also travel through well-known works of Purcell, Weill, Bach, Mozart, Schubert, and Schumann.</video:description>
<video:duration>3079</video:duration>
<video:publication_date>2022-06-17T09:04:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS38</loc>
<video:video>
<video:title>Musical Moment: Andreas Ottensamer and the Schumann Quartet </video:title>
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<video:description>Andreas Ottensamer has already arranged seven of Mendelssohn&apos;s Songs Without Words for clarinet and piano for his album Blue Hour and here he follows up that success with new arrangements of further works from the collection – this time for clarinet and string quintet. Together with the Schumann Quartet and double bassist and Berliner Philharmoniker colleague Gunars Upatnieks, Ottensamer casts new light on Mendelssohn&apos;s piano miniatures. In the second half of the programme, the Schumann Quartet plays the last of the three string quartets by Schumann, which he published in 1843 and dedicated to his friend Mendelssohn. A Styrian Dance by Joseph Lanner brings the concert to a charming conclusion. </video:description>
<video:duration>3665</video:duration>
<video:publication_date>2022-06-13T12:43:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJG</loc>
<video:video>
<video:title>Musical Moment: Andreas Ottensamer &amp; Julien Quentin</video:title>
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<video:description>Melancholic, romantic, and uplifting are the pieces put together by clarinettist Andreas Ottensamer and pianist Julien Quention for their recital in the Meistersaal in Berlin. Ottensamer has arranged three more Songs Without Words by Mendelssohn for clarinet and piano to complement his album Blue Hour, which he presents here for the first time. These are followed by Schumann&apos;s Fantasiestücke, an absolute favourite. Ottensamer and Quentin also play one movement each from sonatas by Poulenc, Brahms and Horovitz, with a special connection to the latter composer&apos;s work: Ottensamer met Horovitz personally at a concert in which the clarinettist subsequently played his Sonatina as an encore.</video:description>
<video:duration>2757</video:duration>
<video:publication_date>2022-06-09T09:49:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS32</loc>
<video:video>
<video:title>Musical Moment: Albrecht Mayer &amp; Vital Julian Frey – The Baroque Era</video:title>
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<video:description>Oboist Albrecht Mayer and harpsichordist Julian Frey take the audience on a journey through the Baroque era, exploring works from two masters of the period: Johann Sebastian Bach and Antonio Vivaldi. Mayer, who has already dedicated several of his albums to the era, shows off his trademark colourful oboe sound once again in this Musical Moment from the Siemensvilla, displaying his mastery of the instrument, not only in oboe concertos and trio sonatas, but also in famous arias transcribed for oboe d&apos;amore – ideal for showcasing the vocal qualities of his playing.</video:description>
<video:duration>3571</video:duration>
<video:publication_date>2022-06-10T16:36:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:31:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3I</loc>
<video:video>
<video:title>Musical Moment: Elīna Garanča sings Brahms and Schumann </video:title>
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<video:description>With Elīna Garanča, one of the most important singers of the present day, stands in the spotlight of this recital. The Latvian mezzo-soprano, who is at home on the opera stages of the world, performs Schumann&apos;s song cycle Frauenliebe und Leben and a selection of Brahms songs in the intimate atmosphere of the Berlin Meistersaal. Together with her longtime lieder accompanist Malcolm Martineau, Garanča demonstrates her exceptional skill in this genre. Her ability to convey every nuance of the music as well as the text, illuminating all emotional states, is remarkable. Schumann&apos;s song cycle, composed in 1840, is particularly close to Garanča&apos;s heart because it tells the story of life and love from a female perspective.</video:description>
<video:duration>2817</video:duration>
<video:publication_date>2022-06-15T09:19:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:30:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJ4</loc>
<video:video>
<video:title>Musical Moment: Daniel Barenboim plays Chopin</video:title>
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<video:description>Études, nocturnes and ballades – Frédéric Chopin revolutionised them all. His two cycles of Études were the first to turn technical challenges into engaging musical material; his Nocturnes popularised and expanded the solo work form, making them a fixture of the classical piano canon; and he was the first to apply the term “ballade” to piano music that had thus far only been used by poets. Each of the works requires tremendous technical talent together with masterful musicality, a powerful combination that Daniel Barenboim brings to the Pierre Boulez Saal for his fourth episode in the DG Musical Moments series. The performance is an intimate display of virtuosity of some of the world’s most representative romantic music.</video:description>
<video:duration>1979</video:duration>
<video:publication_date>2022-06-15T13:27:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:30:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3C</loc>
<video:video>
<video:title>Nightfall – Alice Sara Ott at the Meistersaal</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/88d84420248a3474ebc8f9b5777ec6b136724aa0.jpg</video:thumbnail_loc>
<video:description>Dreams, memories, and moments suspended in time. With delicate precision and fine-tuned finesse, Alice Sara Ott’s raw performance seemingly elongates time. Holding on to the magical moment where day turns to night, Ott’s interpretations of Debussy, Satie and Chopin find balance, while offering entirely new meaning and association to light and darkness. Ultimately redefining these two opposing terms, Ott effortlessly strikes harmony throughout the consistently alternating push and pull within the pieces. The entrancing soundscapes of this carefully thought-out programme present a journey of reminiscence, reflection, and imagination, created not only by the music, but by the colours and the spaces that lie between.</video:description>
<video:duration>2153</video:duration>
<video:publication_date>2022-05-03T08:43:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:27:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8DO</loc>
<video:video>
<video:title>On SLEEP</video:title>
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<video:description></video:description>
<video:duration>369</video:duration>
<video:publication_date>2022-11-18T13:21:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:22:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3EC0</loc>
<video:video>
<video:title>On SLEEP</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f73eb740680d1e80f99f8e138ec52abee2be95fd.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1966</video:duration>
<video:publication_date>2023-04-20T09:45:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:22:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4E0</loc>
<video:video>
<video:title>Max Richter&apos;s SLEEP</video:title>
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<video:description>Acclaimed composer and musician Max Richter spent over two years writing Sleep, an eight-hour opus made up of more than 200 movements. He started exploring the idea as early as 1995, and his “personal lullaby for a frenetic world”, as he describes it, was conceived with his collaborator and partner, BAFTA-winning filmmaker Yulia Mahr. A deeply personal exploration of a piece that offers a deeply intimate, reflective, unique and unifying experience, this film follows the journey and the process behind the monumental work, traces the story of Richter and Mahr, incorporating live performance footage as well as personal anecdotes from audience members at an open-air concert performance in downtown Los Angeles.</video:description>
<video:duration>5954</video:duration>
<video:publication_date>2022-11-14T09:20:46Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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</video:video>
<lastmod>2024-07-23T12:22:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOG</loc>
<video:video>
<video:title>Max Richter - Recomposing Vivaldi</video:title>
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<video:description>Much more than a recomposition, Max Richter&apos;s reworking of Vivaldi&apos;s Four Seasons is a revival, a reinvigoration and a reincarnation. Exploring each season through a new lens, while never losing the affection he has for the piece, Richter draws out the heart of each of the well-known movements and gives it new life, bridging the Baroque era with the 21st century and reinstating the rockstar showmanship of Vivaldi. This documentary gives insights into the background of one of the most recorded and most famous works of classical music as well telling the story of how the Recomposed project came to be – through numerous perspectives, including those of soloist Daniel Hope and the composer himself.</video:description>
<video:duration>3286</video:duration>
<video:publication_date>2022-04-21T12:15:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:21:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8E0</loc>
<video:video>
<video:title>Jan Lisiecki plays Chopin: Etudes &amp; Nocturnes</video:title>
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<video:description>As part of his mini tour of Italy in March 2023, Canadian pianist Jan Lisiecki presents an innovative programme from Naples&apos;s intimate Teatro Sannazaro. This is a Chopin recital with a difference, in which Lisiecki interweaves the Etudes Op. 10 with a selection of Nocturnes, contrasting the virtuosic demands of the former with the lyricism of the latter to show the many different facets of the Polish composer.   </video:description>
<video:duration>5831</video:duration>
<video:publication_date>2023-03-29T14:50:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2C8</loc>
<video:video>
<video:title>Lang Lang &amp; Gina Alice in Saint-Saëns&apos;s Carnival of the Animals </video:title>
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<video:description>Husband-and-wife team Lang Lang and Gina Alice join Andris Nelsons and members of the Gewandhausorchester for a very special performance of Saint-Saëns&apos;s ever-popular Carnival of the Animals. The humorous suite was composed with fun in mind, and Saint-Saëns wouldn&apos;t allow it to be performed in public during his lifetime, lest it undermine his reputation as a serious composer. It went on, however, to become one of his best-loved works, and this joyous performance demonstrates why, both relishing in its moments of beauty (such as in &quot;The Swan&quot;) and revelling in its wit and inventiveness – an irresistible musical treat!   </video:description>
<video:duration>1430</video:duration>
<video:publication_date>2024-02-12T12:42:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:59:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3G</loc>
<video:video>
<video:title>Lang Lang – Goldberg Variations</video:title>
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<video:description>At a time of personal change, star pianist Lang Lang fulfills a long-held dream and takes on one of the greatest challenges of the classical repertoire: Bach’s Goldberg Variations. Legendary in their length and difficulty, the 30 variations are technically demanding and when performed together, span almost 90 minutes. On this very intimate journey of rediscovery, Lang visits mentors, friends, and Bach experts, travelling through time and to various cities to find deeper connection to both the composer and the historic colossus of music literature. Follow in an open conversation as he develops his interpretation and encounter a new Lang Lang, who is more experienced, more thoughtful, more transparent, and more concentrated.</video:description>
<video:duration>3507</video:duration>
<video:publication_date>2022-10-11T12:42:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:58:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ID8</loc>
<video:video>
<video:title>Kit Armstrong: My Keyboard Music Chronicles 1520–2023</video:title>
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<video:description>Pianist Kit Armstrong presents a personal history of keyboard music, interspersing performances of key works across five centuries with his account of the key cultural, technical and philosophical developments that they reflect. Part concert, part lecture, the result is a fascinating panoramic overview of music written for the piano – and its keyboard predecessors – across the modern age. </video:description>
<video:duration>6385</video:duration>
<video:publication_date>2023-11-01T13:45:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:57:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6CO</loc>
<video:video>
<video:title>Joe Hisaishi in Vienna</video:title>
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<video:description>Joe Hisaishi, a living legend of film music, directs the Wiener Symphoniker in a concert presenting music from some of his best-known film scores alongside his Second Symphony. The composer of music for over 100 films, including many for Hayao Miyazaki&apos;s Studio Ghibli, Hisaishi fuses multiple styles – from minimalism and electronics to Western and Japanese classical traditions – to create an inimitable sound world all his own. This concert, filmed in late March 2023, marks an historic moment, as he presents his music, including the Symphonic Suite from &quot;Princess Mononoke&quot;, in the sold-out Golden Hall of Vienna&apos;s legendary Musikverein – an unmissable event!</video:description>
<video:duration>5850</video:duration>
<video:publication_date>2023-06-18T19:15:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:55:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GC0</loc>
<video:video>
<video:title>Hélène Grimaud &amp; Konstantin Krimmel: Songs by Silvestrov &amp; Brahms</video:title>
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<video:description>A special place for unique encounters: pure nature meets an industrial monument at the Turbine Hall at Lake Stienitz, not far from Berlin. In this space, once filled with the noise of machinery, pianist Hélène Grimaud and the young star baritone Konstantin Krimmel come together to explore that most direct and intimate musical form – the song. The first meeting point for them is the music of Valentin Silvestrov, the Ukrainian composer in whose footsteps Hélène Grimaud has been moving for more than two decades. They perform a selection from his meditative Silent Songs alongside Brahms&apos;s Lieder und Gesänge, Op. 32.</video:description>
<video:duration>4985</video:duration>
<video:publication_date>2023-01-21T21:44:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:53:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRG</loc>
<video:video>
<video:title>Camille Thomas: A Musical Journey from Versailles to Paris</video:title>
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<video:description>From the roof of the Institut Français in Paris, Franco-Belgian cellist Camille Thomas invites you to an intimate musical journey through emblematic locations from Versailles to Paris. Armed with her Stradivarius, Thomas offers a poised ode to the power of music and culture to help in times of adversity and to all that humans have been able to create. Performing works from her album Voice of Hope, she plays arrangements of songs and operatic excerpts by Purcell, Gluck, Mozart, Bellini, Donizetti, Massenet, Dvořák, and Wagner. Against the backdrop of beautiful historical settings, the journey is a visually stunning and powerful reminder of the importance of connection.</video:description>
<video:duration>2594</video:duration>
<video:publication_date>2022-05-11T10:54:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:43:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38DO</loc>
<video:video>
<video:title>Nelsons conducts Richard Strauss – with Rudolf Buchbinder</video:title>
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<video:description>Andris Nelsons and the Gewandhausorchester present a Richard Strauss programme, filmed in Hamburg&apos;s Elbphilharmonie, in which two of the composer&apos;s most famous tone poems feature alongside the Burleske, an early work for piano and orchestra whose exorbitant technical demands mean that only a small number of pianists chose to take it on. One such musician is Rudolf Buchbinder, an older statesman of the keyboard who brings plenty of youthful swagger to this early work. In the tone poems, meanwhile, conductor and orchestra bring their experience to bear in performances distinguished by luxurious orchestral sound and rare interpretative insight.</video:description>
<video:duration>5009</video:duration>
<video:publication_date>2022-11-10T12:20:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:42:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3ACO</loc>
<video:video>
<video:title>Moonlight over Belgais</video:title>
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<video:description></video:description>
<video:duration>993</video:duration>
<video:publication_date>2024-07-14T19:37:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T05:23:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJIC8</loc>
<video:video>
<video:title>Bruce Liu in Recital: Chopin, Haydn, Beethoven, Prokofiev &amp; Kapustin</video:title>
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<video:description>One of the most exciting young stars in the piano world, Bruce Liu became an exclusive Deutsche Grammophon artist shortly after his victory at the 18th International Chopin Piano Competition in 2021. And here the Canadian-Chinese virtuoso presents Chopin’s Piano Sonata No. 2 “Funeral March” at the heart of a varied recital from the Klavier-Festival Ruhr. Alongside the Chopin – a work at once impassioned, mournful and mercurial – he performs sonatas by Haydn, Beethoven and Prokofiev, as well as the Variations Op. 41 by maverick Ukrainian composer Nikolai Kapustin, who fused jazz and classical styles to thrilling effect. </video:description>
<video:duration>5442</video:duration>
<video:publication_date>2024-07-08T06:21:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">DE FR</video:restriction>
</video:video>
<lastmod>2024-07-22T15:17:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGD8</loc>
<video:video>
<video:title>Benjamin Bernheim: Boulevard des Italiens</video:title>
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<video:description>In a recital from the Amphithéâtre Olivier Messiaen in the Opéra Bastille, tenor Benjamin Bernheim presents repertoire from his album &quot;Boulevard des Italiens&quot;, released by Deutsche Grammophon in 2022. With Félix Ramos at the piano, the French tenor performs arias from Massenet&apos;s Manon and Verdi&apos;s Don Carlos alongside the French versions of arias from Puccini&apos;s Tosca and Madama Butterfly. The programme is completed by extracts from rarely heard French operas by Cherubini and Mascagni. The concert is interspersed with interviews with Bernheim to give additional fascinating insights into the concept behind &quot;Boulevard des Italians&quot;.</video:description>
<video:duration>2720</video:duration>
<video:publication_date>2023-06-14T12:47:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:16:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38D8</loc>
<video:video>
<video:title>Christmas in Berlin with Albrecht Mayer, family &amp; friends</video:title>
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<video:description>Oboist Albrecht Mayer is joined by a selection of his closest musical friends – including Korean soprano Hera Hyesang Park – for a very special Christmas celebration, presenting favourite seasonal music in intimate new arrangements from Berlin&apos;s historic Tanzsaal an der Panke. </video:description>
<video:duration>2989</video:duration>
<video:publication_date>2022-12-24T08:04:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:13:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8C8</loc>
<video:video>
<video:title>Albrecht Mayer and the Berliner Barock Solisten play Bach</video:title>
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<video:description>Albrecht Mayer and the Berliner Barock Solisten present a programme devoted to music by Johann Sebastian Bach and two of his sons – as well as Gottfried Heinrich Stölzl&apos;s beautiful &quot;Bist du bei mir&quot;, formerly attributed to Bach. Bach père is represented by a new arrangement of his Harpsichord Concerto No. 4, the remarkable Ricercare a 6 from The Musical Offering and the famous Air from the Orchestral Suite No. 3. Johann Christoph Friedrich, his fifth son, is heard in his bracing Sinfonia in D Minor while Carl Philip Emanuel is heard in an arrangement of a movement from his G Major Harpsichord Concerto.</video:description>
<video:duration>2766</video:duration>
<video:publication_date>2023-06-13T13:48:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:12:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJAE8</loc>
<video:video>
<video:title>Velvet Revolution Concert 2020 – with Semyon Bychkov </video:title>
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<video:description>Semyon Bychkov is on the podium at the Rudolfinum in Prague for the first of the Czech Philharmonic’s Velvet Revolution concerts, staged on 17 November each year since 2020 to celebrate the events that brought about the end, after 41 years, of one-party rule in Czechoslovakia in 1989. For this concert, the programme features one of the seminal works of Czech orchestral music: Bedřich Smetana’s Má vlast (My Fatherland), composed between 1874 and 1879. Comprising six tone poems, the work paints a musical picture of Bohemia, including vivid portraits of the Vltava River and the Vyšehrad castle in Prague, as well as impressions “From Bohemia’s Woods and Fields”.</video:description>
<video:duration>5143</video:duration>
<video:publication_date>2024-02-20T15:57:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:38:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8D8</loc>
<video:video>
<video:title>Peter Schreier sings Beethoven: An die ferne Geliebte &amp; Lieder </video:title>
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<video:description>In this concert, filmed at the Herbstliche Musiktag in Bad Urach in 1987, tenor Peter Schreier is joined by pianist Norman Shetler for a programme of Beethoven&apos;s songs. And though Beethoven&apos;s songs remain an under-appreciated part of the composer&apos;s output, many show him at his most naturally melodic and charming; and An die ferne Geliebte, completed in the spring of 1816, lays claim to being the first song cycle, its six numbers running without break into one another. Schreier, the pre-eminent German lyric tenor of his generation, was a renowned Lieder singer and here, with his long-term accompanist, proves an ideal champion for these songs.</video:description>
<video:duration>4912</video:duration>
<video:publication_date>2024-01-24T16:24:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:36:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32D0</loc>
<video:video>
<video:title>Busoni Competition 2023: Antonio Chen Guang &amp; Ron Maxim Huang</video:title>
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<video:description>The third pair of pianists to make it through to the Chamber Music Finals of the 64th Ferruccio Busoni International Piano Competition – Antonio Chen Guang and Ron Maxim Huang – are given the chance to shine in performance with the Isidore String Quartet, while also present a further 30-minute solo programme. </video:description>
<video:duration>6894</video:duration>
<video:publication_date>2023-09-14T10:21:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:35:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36D8</loc>
<video:video>
<video:title>Luisi conducts Nielsen: Symphony No. 1 &amp; Helios Overture</video:title>
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<video:description>Even as a boy, Carl Nielsen saw the world differently, and he wasn&apos;t afraid to show it. Nielsen&apos;s exuberant First Symphony begins with a burst of youthful confidence (he even tells the orchestra to play it “proudly”). It&apos;s a bracing first step into Fabio Luisi&apos;s energetic, critically acclaimed exploration of Nielsen&apos;s musical universe, perfectly complemented by the immediacy, colour and sheer joy of Springtime on Funen, Nielsen&apos;s typically uninhibited salute to his boyhood in the Danish countryside, sung here by two of the finest choirs in a nation with a buoyant choral tradition. First, though, a vision of the south: the vast horizons and solar energy of one of Nielsen&apos;s best-loved masterpieces – the blazing Helios Overture.</video:description>
<video:duration>4398</video:duration>
<video:publication_date>2023-08-10T12:49:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:35:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCDO</loc>
<video:video>
<video:title>The Vienna Boys Choir: 525th-Anniversary Concert</video:title>
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<video:description>In a very special concert filmed live in Vienna&apos;s Musikverein in May 2023 to mark its 525th anniversary, the legendary Vienna Boys Choir presents music covering the span of its history. They are conducted by Gerald Wirth, director of the choir since 2001, and joined by four additional choirs for works ranging from the Renaissance to the present and with a special focus on music from Austria, including music by Haydn, Bruckner and Josef Strauss, as well as special arrangements of Mozart and Schubert. This promises to be an unforgettable showcase and celebration of a remarkable ensemble beloved the world over.</video:description>
<video:duration>5139</video:duration>
<video:publication_date>2023-10-27T14:49:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4CO</loc>
<video:video>
<video:title>Luisi conducts Nielsen: Symphony No. 5 &amp; Violin Concerto—with Bomsori</video:title>
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<video:description>The penultimate concert in &quot;Nielsen 2023&quot;, the Danish National Symphony Orchestra and chief conductor Fabio Luisi&apos;s celebration of the music of Carl Nielsen, this programme couples the Danish composer&apos;s unsettling Fifth Symphony, composed in the shadow of World War I, with his Violin Concerto of 1911 – both works that, unusually, feature just two movements. Korean virtuoso Bomsori joins orchestra and conductor in the concerto, a work full of contrast and distinctive melodic writing, in which the soloist is given plenty of opportunity not only for lyricism but also for dazzling technical display.</video:description>
<video:duration>4863</video:duration>
<video:publication_date>2023-05-16T15:25:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:32:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3EC8</loc>
<video:video>
<video:title>Balmorhea: The Wind</video:title>
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<video:description>The stark-yet-vibrant environment of the Chinati Arena in the vast West Texas landscape is the backdrop for this transportive live performance of The Wind, Balmorhea’s first record for the historic Deutsche Grammophon label. Through twelve chapters the group invites viewers to experience this music as embodied in this one of a kind location, unfolding from morning light to evening dusk. Acquired by the artist Donald Judd in the 1980s and remodelled from its former life as an army base gymnasium, the Arena – with its metallic creaks and shudders – becomes an instrument of its own in the recording. This subtle and moving document illuminates the importance of place in musical performance.</video:description>
<video:duration>3160</video:duration>
<video:publication_date>2022-12-02T14:45:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:27:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CC0</loc>
<video:video>
<video:title>Víkingur Ólafsson plays Debussy, Rameau &amp; Mussorgsky</video:title>
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<video:description>Pianist Víkingur Ólafsson is well known for his questing repertoire choices and dramaturgically exciting programmes. This recital filmed in 2021 at Harpa, Reykjavík&apos;s imposing waterfront concert hall, features works by Debussy and Rameau – the focus of Ólafsson&apos;s third album for Deutsche Grammophon – alongside music by Mussorgsky. The Russian composer&apos;s virtuosic Pictures at an Exhibition – incorporating adjustments to the score made by Vladimir Horowitz – crowns the programme, giving Ólafsson the chance to display his full palette of pianistic colours after the subtler shades called for by Debussy and Rameau. </video:description>
<video:duration>6728</video:duration>
<video:publication_date>2022-11-18T09:14:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IS</video:restriction>
</video:video>
<lastmod>2024-07-22T12:27:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30D8</loc>
<video:video>
<video:title>Mehta conducts Weber, Beethoven and Liszt – with Lisa Batiashvili</video:title>
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<video:description>Zubin Mehta is on the podium of the Philharmonie am Gasteig in Munich for a programme bringing together works by Weber, Liszt and – with violinist Lisa Batiashvili – Beethoven. The concert begins in the magical realm of Weber’s &quot;Oberon&quot; Overture, pervaded by the elven king&apos;s three-note horn call. Liszt&apos;s rousing tone poem Les Préludes – also featuring a three-note motif heard throughout – follows, while Beethoven&apos;s revolutionary Violin Concerto of 1806 brings the concert to a conclusion: a work that calls for a unique mixture of poetry and virtuosity from the soloist.</video:description>
<video:duration>4576</video:duration>
<video:publication_date>2022-10-27T12:03:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:26:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJGDG</loc>
<video:video>
<video:title>Paavo Järvi conducts Franz Schmidt: Symphony No. 4</video:title>
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<video:description>Conductor Paavo Järvi describes the Austrian composer Franz Schmidt as &quot;one of the really great voices of German Romantic music&quot; and his recording of the composer&apos;s four symphonies with the Frankfurt Radio Symphony won a coveted Gramophone Award in 2021. Here he and the orchestra present the final symphony, the moving Fourth. First performed in 1934, it begins and ends with an expressive trumpet solo and offers poignant funeral music in the slow movement, featuring a beautiful cello solo. The programme is completed with the famous Intermezzo from Schmidt&apos;s 1914 opera Notre Dame, immediately recognizable for its distinctive high-lying string writing.</video:description>
<video:duration>3311</video:duration>
<video:publication_date>2022-10-07T15:24:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:23:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJED8</loc>
<video:video>
<video:title>Hrůša conducts Saint-Saëns, Brahms &amp; Dvořák – with Lisa Batiashvili</video:title>
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<video:description>Filmed at the Rudolfinum in Prague, this concert captures world-renowned violinist Lisa Batiashvili&apos;s debut with the Czech Philharmonic, under the baton of orchestra&apos;s Principal Guest Conductor Jakub Hrůša. She performs Saint-Saëns&apos;s virtuosic Third Violin Concerto, dedicated to and premiered by the legendary Spanish violinist Pablo de Sarasate. The concert continues with large-scale sets of variations by Brahms and Dvořák, which offer impressive showcases for both orchestra and conductor.</video:description>
<video:duration>4414</video:duration>
<video:publication_date>2022-09-28T14:23:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:22:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E8</loc>
<video:video>
<video:title>Pollini plays Beethoven: The Three Final Sonatas </video:title>
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<video:description>For Maurizio Pollini, Beethoven’s music becomes richer and happier with every performance. Playing, as always, on his Fabbrini Steinway, with its wide dynamic range, chime-like high notes, and rich bass tones, the Italian pianist masterfully navigates Beethoven’s immensely technically demanding last three piano sonatas. Despite being deaf at the time of composition, these works are some of the composer’s most intimate and most personal, while remaining true to character as being undeniably optimistic. Having first recorded the works four decades prior, the 77-year-old Pollini, who never shies away from the difficulties in piano playing, performs the works fearlessly in this recording at the Herkulessaal in Munich.</video:description>
<video:duration>3533</video:duration>
<video:publication_date>2022-06-29T15:54:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSS3C</loc>
<video:video>
<video:title>Daniel Barenboim plays Beethoven&apos;s Diabelli Variations</video:title>
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<video:description>Few can say they know the works of Ludwig van Beethoven as well as Daniel Barenboim, but the process of discovering Beethoven is one that never ends for the renowned pianist and conductor. Following a concentrated period of reconnecting both to the instrument and the composer with which his illustrious career began, Barenboim performs Beethoven’s last great works for piano: the Diabelli Variations. Although the monumental 33 variations traverse the entire spectrum of human emotion, Barenboim believes Beethoven was in a state of total isolation from the world when writing his late works. In a rather poignant performance, those emotions resonate even more behind the closed doors of the Pierre Boulez Saal in Berlin.</video:description>
<video:duration>3549</video:duration>
<video:publication_date>2022-06-14T13:42:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:08:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ2</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; the Berliner Philharmoniker</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5e8bc7c8a8e80cf42117e829c3560d2f2b4cd1cd.jpg</video:thumbnail_loc>
<video:description>For the 2015 Gala Concert, the Berliner Philharmoniker and Simon Rattle invite violinist Anne-Sophie Mutter as a soloist, who made her debut with the orchestra as a 13-year-old when she was discovered by Herbert von Karajan. Now the recipient of numerous international prizes, the violinist thrills the audience in this concert with Camille Saint-Saëns&apos; fast-paced Introduction et Rondo capriccioso, as well as with Maurice Ravel&apos;s Rhapsodie Tzigane. The latter is popular with performers and audiences alike for its folkloric character and at the same time for its refined virtuosity. The Philharmonic presents suites for ballet and opera, before culminating in Ravel&apos;s La Valse.</video:description>
<video:duration>4979</video:duration>
<video:publication_date>2022-05-30T14:10:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:07:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6C0</loc>
<video:video>
<video:title>Bernstein conducts Beethoven&apos;s Missa Solemnis</video:title>
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<video:description>In the late 1970s, Leonard Bernstein undertook a Beethoven cycle where the concertos were recorded in their entirety and, along with the Mahler interpretations, stand in the centre of his conducting legacy. The symphonies were written with the Wiener Philharmoniker, but Bernstein chose the Royal Concertgebouw Orchestra for the &quot;Missa solemnis&quot; to which he returns for this occasion for the first time since his debut in 1950. Bernstein identified with no composer as strongly as with Beethoven, who in turn considered the &quot;Missa solemnis&quot; his most important piece. The performance succeeds symbiotically: &quot;It sounded as if [Bernstein] were improvising the entire work at the moment of performance.&quot; (Classicstoday.com)</video:description>
<video:duration>5178</video:duration>
<video:publication_date>2022-07-13T12:34:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:06:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36</loc>
<video:video>
<video:title>Europakonzert 2017 from Paphos – with Mariss Jansons</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c72e6b8f8818d6945d3fee1dde92c777c8fb6a8.jpg</video:thumbnail_loc>
<video:description>The 2017 Europakonzert takes the Berliner Philharmoniker to the port city of Paphos in Cyprus, the birthplace of Aphrodite. The goddess of beauty and love, along with the scenery surrounding the restored Paphos Castle, could not be more fitting for the occasion, marking the orchestra&apos;s birthday celebration on May 1. Mariss Jansons, a longtime friend of the Berliner Philharmoniker, who was made an honourary member in 2018, conducts works by Carl Maria von Weber and Antonín Dvořák. At his side, the orchestra&apos;s principal clarinetist Andreas Ottensamer shines as soloist in von Weber&apos;s Clarinet Concerto No. 1, while Dvořák&apos;s Eighth Symphony, with its close-to-nature character, fits ideally into the setting of the open-air concert.</video:description>
<video:duration>5328</video:duration>
<video:publication_date>2022-05-23T10:56:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3E</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Missa Solemnis </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f43cb129069f6b1bf459eaf275ba00237177f346.jpg</video:thumbnail_loc>
<video:description>In Herbert von Karajan&apos;s vast repertoire, the music of Ludwig van Beethoven was central in a very special way. Karajan recorded the complete cycle of Beethoven&apos;s symphonies with the Berliner Philharmoniker no less than three times. He also repeatedly included the Missa solemnis, Beethoven&apos;s most important sacred composition, in the programme. This was also the case at the 1979 Salzburg Easter Festival, when the Vienna Singverein, the conductor&apos;s favorite choir, was available. The quartet of soloists is led by the Bulgarian soprano Anna Tomowa-Sintow, who also appeared in leading roles in Herbert von Karajan&apos;s late productions of Mozart&apos;s Don Giovanni and Strauss&apos; Rosenkavalier. </video:description>
<video:duration>5271</video:duration>
<video:publication_date>2022-05-11T13:40:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:05:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJI</loc>
<video:video>
<video:title>Lang Lang - The Third Dimension</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c4f76c92dd781278706bbd23f3ea5fc2e135cfd.jpg</video:thumbnail_loc>
<video:description>The walls of Berlin’s Berghain are known to withhold and withstand mighty music but rarely do they reverberate to the sounds of Beethoven, Chopin, Prokofiev, and Albéniz. In Europe’s capital of underground culture and music, this unique performance by legendary pianist Lang Lang echoes through the inimitable space of one of the most renowned nightclubs in the world. Setting new standards for the performing arts, the concert is filmed using state-of-the-art 3D technology, enhancing the overall experience. Artistic perfection coupled with advances of the modern-day makes this a boundary-pushing and unforgettable performance.</video:description>
<video:duration>1821</video:duration>
<video:publication_date>2022-05-19T13:55:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:03:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR38</loc>
<video:video>
<video:title>The Israel Philharmonic Orchestra: A World-Class Orchestra Turns 75</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bd65dc23926507333b538ede173664affd3d2c1d.jpg</video:thumbnail_loc>
<video:description>In 1936, a group of musical migrants from Europe founded an ensemble in Tel Aviv that thrilled the classical music scene and in 1947 came to be known as the Israel Philharmonic Orchestra. In this performance, for their 75th anniversary, the world-renowned orchestra plays at the impressive Hangar 11 in the port of Tel Aviv, together with pianist Evgeny Kissin and violinists Julian Rachlin and Vadim Repin – musicians, whose interpretations are characterised by depth and virtuosity. At the helm is Zubin Mehta, who, as principal conductor from 1977 to 2019, shaped a particularly glorious era of the orchestra, striving for a new standard of energetic chamber music-making, as demonstrated at the end, with Beethoven&apos;s Eighth Symphony.</video:description>
<video:duration>6456</video:duration>
<video:publication_date>2022-05-23T11:34:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:02:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30DO</loc>
<video:video>
<video:title>Tailleferre: Valse lente</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83243e45fa5002e82c590acb3c261c6763640bd2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>211</video:duration>
<video:publication_date>2024-03-05T19:48:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:00:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJEE8</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variation 30</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e70e2f3085a47d05c672f7f0e51e2511ecc3a9e.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>117</video:duration>
<video:publication_date>2023-12-06T10:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T11:59:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJEDO</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variation 15</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5cd2382c5bc548cb73b60b18063d840f22b878bc.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-12-06T09:52:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T11:59:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJEDG</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variation 13</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/07e7aa204db9b259c9a3036082826f77f56d2457.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>249</video:duration>
<video:publication_date>2023-12-06T09:48:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T11:59:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJED8</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variation 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cb640cfb3fc3d153d4514a59c7b673686b321a97.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>91</video:duration>
<video:publication_date>2023-12-06T09:42:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:29:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJED0</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Aria</video:title>
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<lastmod>2024-07-18T09:23:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGCO</loc>
<video:video>
<video:title>Homage 1770</video:title>
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<video:publication_date>2023-12-06T14:29:56Z</video:publication_date>
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<lastmod>2024-07-18T09:22:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0D8</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 4</video:title>
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<video:duration>470</video:duration>
<video:publication_date>2023-09-08T12:24:52Z</video:publication_date>
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<lastmod>2024-07-18T09:19:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3AE8</loc>
<video:video>
<video:title>Pierre Boulez – Emotion and Analysis</video:title>
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<video:description>Pierre Boulez described his relationship with the music of composer Béla Bartók as a &quot;sympathy between musicians&quot;, and this film follows Boulez through the process of rehearsing the composer&apos;s Concerto for Orchestra with the Berliner Philharmoniker in preparation for the orchestra&apos;s Europakonzert in Lisbon in 2003. The film includes fascinating interview footage in which Boulez explores, alongside the historical origins of Bartók&apos;s late work, his own style of interpretation and his work as conductor and composer.</video:description>
<video:duration>3149</video:duration>
<video:publication_date>2023-02-06T18:42:56Z</video:publication_date>
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<lastmod>2024-07-18T09:18:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ6</loc>
<video:video>
<video:title>Bernstein: The Gift of Music</video:title>
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<video:description>This 90-minute special tribute was produced to commemorate the 75th anniversary of Leonard Bernstein&apos;s birth on 25 August 1993. Narrated by legendary screen star Lauren Bacall, it also relies extensively on Bernstein&apos;s own words to provide the counterpoint to the abundant visual material. The special draws on the nearly 120 hours of programming with Leonard Bernstein, as well as on material from the extensive Bernstein archives and earlier television ventures. It also contains never-before-seen footage, such as outtakes from televised concerts and interviews. Among these special treats: the dashing 28-year-old maestro representing the U.S. at the 1947 Prague Spring Festival – possibly the earliest extant film of Leonard Bernstein.</video:description>
<video:duration>5092</video:duration>
<video:publication_date>2022-10-19T14:52:19Z</video:publication_date>
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<lastmod>2024-07-18T09:18:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8D8</loc>
<video:video>
<video:title>Say: Concerto For Cello &amp; Orchestra: II. Terror - Elegy</video:title>
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<video:duration>403</video:duration>
<video:publication_date>2022-11-18T04:07:24Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:17:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38</loc>
<video:video>
<video:title>Verdi: Falstaff, Act III: &quot;Dal labbro il canto estasiato vola&quot;</video:title>
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<video:description></video:description>
<video:duration>162</video:duration>
<video:publication_date>2022-09-24T06:16:55Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:16:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3A</loc>
<video:video>
<video:title>Verdi: Rigoletto, Act I: &quot;Questa o Quella&quot; </video:title>
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<video:description></video:description>
<video:duration>121</video:duration>
<video:publication_date>2022-09-24T06:55:58Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:16:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6CO</loc>
<video:video>
<video:title>On Higdon / Tchaikovsky: Violin Concertos</video:title>
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<video:duration>588</video:duration>
<video:publication_date>2022-11-15T19:44:06Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:15:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCD0</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Symphony No. 5</video:title>
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<video:description>Leonard Bernstein saw Mahler&apos;s music as characterized by an almost obsessive preoccupation with death, as is evident not least in the many funeral marches it features. The Fifth Symphony, the first of three purely instrumental symphonies of the composer’s middle period, begins with such a march, introduced by an arresting trumpet solo. But the trajectory of the symphony leads us from gloom through to a triumphant finale, reflecting the path of another famous fifth – Beethoven&apos;s. The celebrated Adagietto, made famous by Luchino Visconti&apos;s film Death in Venice, on the other hand, takes us into the world of a luminous dream.</video:description>
<video:duration>4402</video:duration>
<video:publication_date>2022-09-15T10:10:25Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-17T08:26:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36E0</loc>
<video:video>
<video:title>16th Concours Géza Anda 2024 – Final</video:title>
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<video:description>Streaming live from the Tonhalle Zurich: in front of a distinguished jury including such keyboard luminaries as Martha Argerich, Robert Levin, Dénes Várjon, Lucas Debargue and Zlata Chochieva, the three finalists of the Concours Géza Anda 2024 join Paavo Järvi and Tonhalle-Orchester Zürich to perform one work each from a list of designated concertos by Bartók, Beethoven, Grieg or Saint-Saëns.</video:description>
<video:duration>9891</video:duration>
<video:publication_date>2024-07-11T14:38:41Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-15T15:20:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3IDG</loc>
<video:video>
<video:title>On Bach 300</video:title>
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<video:description></video:description>
<video:duration>532</video:duration>
<video:publication_date>2023-08-17T10:08:58Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-15T13:25:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGD0</loc>
<video:video>
<video:title>Karajan conducts Mozart: Don Giovanni</video:title>
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<video:description>Don Giovanni is synonymous with the Salzburg Festival, and Mozart and Da Ponte&apos;s tragi-comic tale of a great seducer and his doom is one of those operas that reveals new dimensions every time it&apos;s performed. Michael Hampe&apos;s handsome period production for the 1987 Salzburg Festival is gorgeous to look at, but even for Salzburg, the musical values are off the scale, with Samuel Ramey as Don Giovanni, Ferruccio Furlanetto as his valet Leporello and Júlia Várady (Donna Elvira), Anna Tomowa-Sintow (Donna Anna) and Kathleen Battle (Zerlina) completing an unrivalled all-star cast. Herbert von Karajan conducts the Wiener Philharmoniker and the result is the kind of performance you hear once in a lifetime – but captured forever.</video:description>
<video:duration>11456</video:duration>
<video:publication_date>2024-04-11T07:23:28Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-15T09:39:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ4E8</loc>
<video:video>
<video:title>Daniil Trifonov and Jakub Hrůša in Scriabin &amp; Suk</video:title>
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<video:description>Jakub Hrůša is on the podium at Prague&apos;s Rudolfinum for a programme coupling two important works from the turn of the 20th century. Daniil Trifonov is the soloist in Scriabin&apos;s virtuosic early piano concerto of 1896, written while still under the influence of the Romantic composers of the 19th century. The concert&apos;s second half is devoted to the Josef Suk&apos;s remarkable &quot;Asrael&quot; Symphony, an expansive five-movement work written in response to the deaths of his father-in-law, Antonín Dvořák, and then his wife, Otilie Dvořáková, who is portrayed in the symphony&apos;s beautiful fourth movement Adagio.</video:description>
<video:duration>6612</video:duration>
<video:publication_date>2023-08-07T11:46:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-11T07:11:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ADG</loc>
<video:video>
<video:title>Lorenzo Viotti conducts Kodály, Bartók, Dvořák – with Lisa Batiashvili</video:title>
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<video:description>Still in his early 30s at the time of this Munich concert, Lorenzo Viotti has proven himself one of the most successful conductors of the young generation, in both the opera house and the concert hall. On the podium of the Munich Philharmonic, he shows himself to be a confident and elegant interpreter of Eastern European repertoire: Kodály&apos;s Dances from Galánta enchant with their richness of musical characterization; Dvořák&apos;s turbulent and expertly constructed Seventh Symphony refutes the cliché of the composer as always cheerful and purely intuitive; and Bartók&apos;s yearning First Violin Concerto – performed here by Lisa Batiashvili – is one of the composer&apos;s final essays in late Romantic style before he turned fully to modernism.</video:description>
<video:duration>4850</video:duration>
<video:publication_date>2022-11-14T15:06:20Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-11T07:09:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36E0</loc>
<video:video>
<video:title>Daniel Barenboim: Liszt Recital from La Scala</video:title>
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<video:description>Daniel Barenboim and Franz Liszt have a great deal in common: both travelled – or travel – the world of classical music pursuing careers as both pianists and conductors with incomparably broad musical and intellectual horizons. In this concert from 2007, Barenboim pays tribute to Liszt at La Scala in Milan, where the great Argentinian-born musician was principal guest conductor from 2005 and music director from 2011, with works inspired by the Hungarian composer&apos;s Italian experiences. Pieces from the Années de Pelerinage are followed by virtuoso fantasies Liszt composed on themes from Verdi&apos;s Aida, Il Trovatore and Rigoletto. What better place for these immortal melodies than Italy&apos;s most famous opera house?</video:description>
<video:duration>5114</video:duration>
<video:publication_date>2022-11-07T16:12:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-10T09:34:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJA</loc>
<video:video>
<video:title>Barenboim plays and conducts Beethoven&apos;s complete Piano Concertos</video:title>
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<video:description>As a young man, Daniel Barenboim recorded Beethoven&apos;s five piano concertos with two of the biggest musical legends of the last generation: as a pianist under the direction of Otto Klemperer and as a conductor with Artur Rubinstein. But with an understanding of the cycle that compares to no other musician of today, he now takes on both roles at the same time, shown in this performance at the Ruhr Piano Festival held in the Jahrhunderthalle Bochum. Barenboim leads the Staatskapelle Berlin, who named him &quot;Honorary Conductor for Life&quot; in 2000, after having begun the Barenboim Era at the Staatsoper in the German capital in 1992. </video:description>
<video:duration>12094</video:duration>
<video:publication_date>2022-05-06T09:49:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-10T09:23:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36DG</loc>
<video:video>
<video:title>16th Concours Géza Anda 2024 – Semi Final Mozart I</video:title>
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<video:description>From the Stadthaus Winterthur: the first three of six semifinalists in the Concours Géza Anda 2024 join Mikhail Pletnev and the Musikkollegium Winterthur to perform a Mozart piano concerto each. </video:description>
<video:duration>6691</video:duration>
<video:publication_date>2024-06-26T11:22:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-09T09:50:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3IE0</loc>
<video:video>
<video:title>Jan Lisiecki &amp; the Norwegian Chamber Orchestra: Chopin &amp; Shostakovich</video:title>
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<video:description>For this concert opening the 2022 season in Oslo, the Canadian pianist Jan Lisiecki is joined by the Norwegian Chamber Orchestra to play-conduct Chopin’s two beguiling piano concertos – continuing his Chopin journey after his acclaimed DG recording of the nocturnes. Preceding the concertos, the orchestra gives its signature memorized performance of Shostakovich’s Chamber Symphony, plunging you directly into the heart of this blisteringly powerful music. The concert is performed in the Aula of the University of Oslo – a ceremonial hall adorned with murals by Edvard Munch.</video:description>
<video:duration>6334</video:duration>
<video:publication_date>2023-03-16T10:33:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-04T11:34:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ38DO</loc>
<video:video>
<video:title>On Echoes of time</video:title>
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<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2024-07-04T09:25:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-04T09:34:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3AD0</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphonies Nos. 5 &amp; 6</video:title>
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<video:description>For decades after the Second World War, Herbert von Karajan was almost synonymous with Beethoven&apos;s symphonies on disc, and his four full recorded cycles were among the best-selling recordings of the LP (and later CD) era, with Karajan taking particular care to ensure that the technical quality of the recordings matched the authority and insight of his interpretative vision. This cycle, filmed with the Berlin Philharmonic and the Wiener Singverein between 1982 and 1986, might be his final testament in this extraordinary music: an experience that no-one interested in great conducting – or simply in Beethoven – will want to miss.</video:description>
<video:duration>4207</video:duration>
<video:publication_date>2024-06-17T08:53:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:05:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ADG</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphonies Nos. 4 &amp; 7</video:title>
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<video:description>For decades after the Second World War, Herbert von Karajan was almost synonymous with Beethoven&apos;s symphonies on disc, and his four full recorded cycles were among the best-selling recordings of the LP (and later CD) era, with Karajan taking particular care to ensure that the technical quality of the recordings matched the authority and insight of his interpretative vision. This cycle, filmed with the Berlin Philharmonic and the Wiener Singverein between 1982 and 1986, might be his final testament in this extraordinary music: an experience that no-one interested in great conducting – or simply in Beethoven – will want to miss.</video:description>
<video:duration>4197</video:duration>
<video:publication_date>2024-06-17T11:16:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:05:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3AE0</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphonies Nos. 2 &amp; 8 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d91164c99998d43e897d9f323b25a42886ac8c61.jpg</video:thumbnail_loc>
<video:description>For decades after the Second World War, Herbert von Karajan was almost synonymous with Beethoven&apos;s symphonies on disc, and his four full recorded cycles were among the best-selling recordings of the LP (and later CD) era, with Karajan taking particular care to ensure that the technical quality of the recordings matched the authority and insight of his interpretative vision. This cycle, filmed with the Berlin Philharmonic and the Wiener Singverein between 1982 and 1986, might be his final testament in this extraordinary music: an experience that no-one interested in great conducting – or simply in Beethoven – will want to miss.</video:description>
<video:duration>3723</video:duration>
<video:publication_date>2024-06-17T11:47:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:04:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ADO</loc>
<video:video>
<video:title>Karajan conducts Beethoven: Symphonies Nos 1 &amp; 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8cdeb7fbc967213559e97f26a262daad4dfe7876.jpg</video:thumbnail_loc>
<video:description>For decades after the Second World War, Herbert von Karajan was almost synonymous with Beethoven&apos;s symphonies on disc, and his four full recorded cycles were among the best-selling recordings of the LP (and later CD) era, with Karajan taking particular care to ensure that the technical quality of the recordings matched the authority and insight of his interpretative vision. This cycle, filmed with the Berlin Philharmonic and the Wiener Singverein between 1982 and 1986, might be his final testament in this extraordinary music: an experience that no-one interested in great conducting – or simply in Beethoven – will want to miss.</video:description>
<video:duration>4650</video:duration>
<video:publication_date>2024-06-17T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:04:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJAC8</loc>
<video:video>
<video:title>Gala from Berlin 1996 – with Claudio Abbado and Maxim Vengerov</video:title>
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<video:description>There was a special magic to everything that Claudio Abbado touched, and never more so than when he conducted lighter repertoire. On New Year&apos;s Eve 1996, with the Berliner Philharmoniker, he took his inspiration from the songs and dances of Central Europe, ranging from the gypsy-inspired melodies of Brahms&apos;s Hungarian Dances to Ravel&apos;s ravishing, unmistakably Gallic take on the Viennese waltz, La Valse. The performances, unsurprisingly, are brimming over with poetry and panache. But as usual in Berlin at New Year, there are some very special guests. The Swedish Radio Choir sings Brahms&apos;s lovely Liebeslieder Waltzes, and Maxim Vengerov – then just 26 years old – brings the house down in Ravel&apos;s Tzigane.</video:description>
<video:duration>4377</video:duration>
<video:publication_date>2024-02-05T14:11:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T15:43:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36</loc>
<video:video>
<video:title>Yo-Yo Ma, Itzhak Perlman &amp; Daniel Barenboim play Beethoven</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2b66feb84d1043db74f052eacdaf2c635adae2c0.jpg</video:thumbnail_loc>
<video:description>Gathering with the Berliner Philharmoniker, Itzhak Perlman, Yo-Yo Ma and Daniel Barenboim play together for the first time as a trio to perform an all-Beethoven programme. Finding balance in unique combinations, the not-often-performed concerto for violin, cello and piano juggles the distinct timbres of the solo instruments with that of the orchestral body, as well as the soloists&apos; virtuosity with the careful attention of the conductor. In his dual role, Barenboim&apos;s discretion and passion are on full display and with two hands doing the work of four, he synchronises the solo piano, mixed chorus and orchestra in Beethoven&apos;s Choral Fantasy, often considered the precursor to his Ninth Symphony &quot;Ode to Joy&quot;.</video:description>
<video:duration>3604</video:duration>
<video:publication_date>2022-05-02T10:35:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T09:59:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJICG</loc>
<video:video>
<video:title>Karl Richter conducts Bach&apos;s Brandenburg Concertos </video:title>
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<video:description>From the 1950s until his early death in 1981, the conductor, organist and harpsichordist Karl Richter was one of the most important figures on the international Baroque music scene, celebrated above all for his Bach and Handel performances. His reputation suffered somewhat with the arrival of a new generation of historical performance practice specialists in the 1980s and later, but, as these performances of Bach&apos;s Brandenburg Concertos with his excellent Munich Bach Orchestra demonstrate, his music-making was characterized by emotionality and profundity, and revelling in a lively sense of celebration, instrumental virtuosity and a vital feeling for the composer&apos;s dancing rhythms.</video:description>
<video:duration>6126</video:duration>
<video:publication_date>2022-10-17T11:02:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T09:10:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ0</loc>
<video:video>
<video:title>Kleiber conducts Beethoven: Symphony No. 4</video:title>
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<video:description>In his performances, Carlos Kleiber radiates joy in music, passion and elegance – in other words, (apparent) effortlessness; and yet, as his fame grew, his appearances became increasingly rarer. That is why Kleiber only realised two concert programmes, each with the Berliner Philharmoniker and the Chicago Symphony Orchestra, and only one with the legendary Concertgebouw in Amsterdam. With the latter, the conductor interpreted Beethoven&apos;s Seventh Symphony in 1983, as well as his Fourth Symphony, which can be heard here. With its rapid changes of mood and witty punch lines, the work ideally suits Kleiber&apos;s genius.</video:description>
<video:duration>2175</video:duration>
<video:publication_date>2022-05-30T13:02:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T08:39:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3ECO</loc>
<video:video>
<video:title>The Music of Howard Shore: Eastern Promises</video:title>
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<video:description>This concert might take its name from David Cronenberg&apos;s 2007 film, but it shows also composer Howard Shore&apos;s ability to create his own musical worlds away from the silver screen with four works that were receiving their first French performances. Two of them expand and elaborate on his film scores – the Concertino from Eastern Promises and the Song of Names Suite for Violin and Orchestra – while the concertos for piano and cello that follow are works originally produced for the concert hall. Three superb French instrumentalists feature as soloists with the Orchestre Philharmonique de Radio France under Bastien Stil providing top-quality orchestral support.</video:description>
<video:duration>5215</video:duration>
<video:publication_date>2024-06-28T08:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-02T11:02:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36DG</loc>
<video:video>
<video:title>Mahler: Das Lied von der Erde – A Personal Introduction</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a73d4f40754f1e309a22872cab48dd401bcadb5.jpg</video:thumbnail_loc>
<video:description>A song cycle, a symphony or something in between? Leonard Bernstein, arguably the most influential and important Mahler conductor of the 20th century, takes time between rehearsals for a performance of Das Lied von der Erde with the Israel Philharmonic Orchestra to ponder some of the questions and misconceptions that surround the composer’s last great work for voices and orchestra.</video:description>
<video:duration>2527</video:duration>
<video:publication_date>2024-06-24T12:31:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-01T12:59:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36D0</loc>
<video:video>
<video:title>Anne-Sophie Mutter – Encounters with Mendelssohn </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/adcfe7a0698d7b577307cc0eaa2665bffad9b89c.jpg</video:thumbnail_loc>
<video:description>Anne-Sophie Mutter is one of the most famous classical musicians of her generation and one of the most admired violinists in the world – and has been ever since her breakthrough performances with Herbert von Karajan in the late 1970s. Among the many awards she has accumulated throughout her career is the Leipzig Mendelssohn Award, and here – to accompany performances of the composer&apos;s chamber works – she explores why the composer means so  much to her. The result is a fascinating insight not only into Mendelssohn and his music, but also into Mutter&apos;s own convictions as an artist. </video:description>
<video:duration>1099</video:duration>
<video:publication_date>2024-06-21T12:17:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-01T12:56:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36CG</loc>
<video:video>
<video:title>Bruce Liu &amp; Gianandrea Noseda in Rachmaninoff &amp; Rimsky-Korsakov</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1300fe92c3466752be1f15426607384b07682cdb.jpg</video:thumbnail_loc>
<video:description>Bruce Liu joins Gianandrea Noseda and the Orchestra dell’Accademia Nazionale di Santa Cecilia for a thrilling programme from the Rheingau Musik Festival. The young Canadian-Chinese pianist – who shot to fame with his victory at the International Chopin Piano Competition in Warsaw in 2021 – is the soloist in Rachmaninoff&apos;s ever-popular Piano Concerto No. 2, while Noseda puts the Rome-based orchestra through its paces in Respighi&apos;s early Burlesca and Rimsky-Korsakov&apos;s Scheherazade, a brilliant orchestral showpiece inspired by Tales from 1001 Nights.</video:description>
<video:duration>6538</video:duration>
<video:publication_date>2023-09-04T10:14:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-01T12:42:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ6D8</loc>
<video:video>
<video:title>Bryn Terfel &amp; Carlos Núñez: Celtic Beethoven</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9dde2e9ff580348ac0a2cb10d39b9ef82c455be8.jpg</video:thumbnail_loc>
<video:description>In this concert from the Festival Saint Denis, bass-baritone Bryn Terfel joins forces with gaïta-player and flautist Carlos Núñez and the Orchestre National de Bretagne under Grant Llewellyn for a special exploration of Beethoven&apos;s arrangements of Scottish, Irish and Welsh folk songs. The composer made his arrangements of the folk songs for voice and piano trio, dressing them up for 19th-century salon, but here – in new arrangements by Benoît Menut and Pierre Chépélov – they come full circle to be reconnected with their Celtic origins. </video:description>
<video:duration>3808</video:duration>
<video:publication_date>2024-06-24T08:48:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-27T13:49:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJI</loc>
<video:video>
<video:title>Zimmer: Chevaliers De Sangreal (from &quot;The Da Vinci Code&quot;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a81e35677898a3afb66bcebd4e6a416ddc28f902.jpg</video:thumbnail_loc>
<video:description>Kian Soltani has always been a big fan of movies, now he takes this passion one step further and creates an unprecedented album with his own arrangements of great blockbuster hits. Epic soundscapes from Hans Zimmer&apos;s &apos;Pirates of the Caribbean&apos;, Howard Shores &apos;Lord of the Rings&apos; and other soundtracks. Cello Unlimited is precisely that – a collection of the most iconic movie soundtracks from the last 20 years, played on Kian’s cello and his cello only! All tracks are specially arranged for the cello and every voice is played by Kian himself.</video:description>
<video:duration>246</video:duration>
<video:publication_date>2022-06-16T12:09:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T13:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GE0</loc>
<video:video>
<video:title>Ashitaka and San (from &apos;Princess Mononoke&apos;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/38359d7e250b56ae30843c5c80c31b53a406f90c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>269</video:duration>
<video:publication_date>2023-06-20T04:17:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T13:30:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GD8</loc>
<video:video>
<video:title>One Summer&apos;s Day (from &apos;Spirited Away&apos;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b70eda97e55858e4a8021204f6d9277a3500dfde.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>246</video:duration>
<video:publication_date>2023-06-17T07:28:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T13:29:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8D0</loc>
<video:video>
<video:title>John Williams in Vienna – with Anne-Sophie Mutter</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c276b73978d550986fe4f2d6d9895458f75bfe1.jpg</video:thumbnail_loc>
<video:description>John Williams and the Wiener Philharmoniker create movie magic in the world-famous Golden Hall of Vienna’s Musikverein. Williams described the chance to work with the orchestra as &quot;one of the greatest honours of my life&quot;. During the concert he was joined on the Musikverein stage by Anne-Sophie Mutter who performed a series of virtuosic adaptations he had written specially for her. The result was a truly memorable event as a living legend of Hollywood worked together for the first time with one of the world&apos;s great orchestras to perform some of his most memorable and genre-defining music. </video:description>
<video:duration>7709</video:duration>
<video:publication_date>2022-08-01T11:57:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T13:18:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR0</loc>
<video:video>
<video:title>A New Chopin – Daniil Trifonov &amp; Mikhail Pletnev</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87c966d2f0e9bbbd92113cb9055adfa99c6e4caa.jpg</video:thumbnail_loc>
<video:description>In 2017, Daniil Trifonov joined forces with conductor, pianist, composer, and fellow Russian Mikhail Pletnev at the Dortmund Konzerthaus. Together with the Mahler Chamber Orchestra, they explore, perform, and record Pletnev’s new reorchestrations of Chopin’s two piano concertos, bringing new dimensions to these fixtures of the Romantic repertoire. Despite their differing personalities, Pletnev’s intellectual grasp of musical language, combined with Trifonov’s talent and touch, make this a musical collaboration of the highest calibre. Take a behind-the-scenes look at the artistic process in this film by Christian Berger.</video:description>
<video:duration>3150</video:duration>
<video:publication_date>2022-05-11T10:31:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T09:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ACG</loc>
<video:video>
<video:title>Daníel Bjarnason conducts music by Jóhann Jóhannsson </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/02eb4d07b452f91f2abfa35319b16c5cb99608f4.jpg</video:thumbnail_loc>
<video:description>Daníel Bjarnason conducts the Iceland Symphony Orchestra in a programme celebrating the late Jóhann Jóhannsson – the Golden Globe winner and two-time Oscar nominee who passed away unexpectedly at the height of his fame in 2018. The programme culminates in the symphony-like A Prayer to the Dynamo, commissioned by the Winnipeg New Music Festival and drawing on the writings of historian Henry Adams in response to a visit to the Hall of Electrical Machines at the 1900 Paris Exposition. Two other works by Jóhannsson round out the concert – Fanfare from the opening of Honourable Presidents, and the poignant song Odi et Amo from the play Englabörn.</video:description>
<video:duration>3201</video:duration>
<video:publication_date>2023-11-14T15:31:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-25T11:36:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CDO</loc>
<video:video>
<video:title>Bryn Terfel: Holiday Concert from Brecon Cathedral</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/320fdaf2a51b429a91726d2a778ba357a1c124aa.jpg</video:thumbnail_loc>
<video:description>Sir Bryn Terfel presents a special festive concert from Brecon Cathedral in his native Wales, offering a mixture of Christmas music, seasonal favourites and songs and arias. The star bass-baritone is joined by several musical guests including harpist Hannah Stone, pianist Jeff Howard, the Welsh traditional folk group Calan, and two young Welsh stars – soprano Natalya Romaniw and tenor Trystan Llyr Griffiths.</video:description>
<video:duration>4542</video:duration>
<video:publication_date>2022-11-25T08:12:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-25T11:33:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3IC0</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Herbert von Karajan: The Beethoven Summit</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d14f0b5c1d3b35ff27168193985c2fd4f5f51bea.jpg</video:thumbnail_loc>
<video:description>The collaboration between Herbert von Karajan and the young Anne-Sophie Mutter spanned just over a decade, from the late 1970s until the conductor&apos;s death in 1989. It was one of the most fascinating and fruitful musical partnerships of the time – and resulted in many great performances captured on record and video. Eric Schulz&apos;s fascinating documentary focuses on one of those great performances, the 1984 film of Beethoven&apos;s Violin Concerto, which didn&apos;t reach the musical public until after 1989. With contributions from Mutter herself, as well as other artists, and featuring rare archive footage, this documentary offers an intimate account of this great musical partnership as well as what went into creating this compelling performance.</video:description>
<video:duration>3164</video:duration>
<video:publication_date>2023-06-23T08:10:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-20T09:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJC</loc>
<video:video>
<video:title>Kleiber conducts Beethoven: Symphony No. 7</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/580dd57736b2eef1baa00238575c4d553b88e0eb.jpg</video:thumbnail_loc>
<video:description>Carlos Kleiber only had about a dozen symphonies in his repertoire. Yet all of his conducting was marked by a perfection and supremacy that earned him the admiration of colleagues, who were no strangers to competition and envy. As many as four of Beethoven&apos;s symphonies can be found in Kleiber&apos;s catalogue of sound and video recordings. He performed the Seventh with the Royal Concertgebouw Orchestra in 1983 that was particularly celebrated. Rarely are the rhythmic energies, the grand sweeps of the developments, and the details of the orchestration heard with such depth and thrill. The concert culminates in an unleashed, stormy rendition of the furious finale – and in ovations from the audience.</video:description>
<video:duration>2209</video:duration>
<video:publication_date>2022-05-16T15:26:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-19T19:47:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D0</loc>
<video:video>
<video:title>Anne-Sophie Mutter: The Club Concert</video:title>
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<video:description>Star violinist Anne-Sophie Mutter brings classical music and her 300-year-old “Lord Dunn-Raven” Stradivarius to the graffiti-scrawled Neue Heimat club in Friedrichshain in Germany’s capital city. Standing just a few feet away from the audience, it’s a far cry from the world’s biggest concert halls where Mutter normally performs. Accompanied by Lambert Orkis on piano and Mutter’s Virtuosi from her foundation for up-and-coming talent, the carefully thought-out programme offers a view into the variety of music history and of music for the violin. Complete with works by Vivaldi, Tchaikovsky, Bach, Gershwin, and Copland, the programme journeys from past to present and etches out a space for classical music to have a “new home”.</video:description>
<video:duration>4135</video:duration>
<video:publication_date>2022-06-28T13:22:15Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-18T09:19:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJADO</loc>
<video:video>
<video:title>Renaud Capuçon and the Orchestre de Chambre de Lausanne perform Mozart</video:title>
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<video:description>Live from La Grange au Lac in Évian Renaud Capuçon is joined by the Orchestre de Chambre de Lausanne for a programme of music by Mozart: Violin Concertos Nos. 3 and 5 and the Symphony No. 40 in G minor. Capuçon is soloist and director in the two concertos, among the finest works of Mozart&apos;s Salzburg period, and music that forms part of a major new recording project for Deutsche Grammophon. He then takes up the conductor&apos;s baton for the composer&apos;s dramatic and impassioned penultimate symphony, composed in Vienna in 1788 – a rousing work with which to conclude the concert.</video:description>
<video:duration>5257</video:duration>
<video:publication_date>2023-09-04T12:09:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-06-17T14:20:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6D8</loc>
<video:video>
<video:title>Abbado conducts Prokofiev &amp; Mahler - with Yuja Wang</video:title>
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<video:description>The 2009 Lucerne Festival offered a thrilling coming together of generations, joining the 22-year-old Yuja Wang with the 76-year-old veteran Claudio Abbado. The young pianist, making her festival debut, masters the almost superhuman technical demands of Prokofiev&apos;s Third Piano Concerto with formidable effortlessness, while flawlessly maneuvering the witty and dreamlike passages of the work. To follow, Abbado, perhaps the most admired conductor at the time, leads his Lucerne Festival Orchestra with a light hand through Mahler&apos;s romantic First Symphony – the musical journey of human life in four stages: from the upsurge of feelings, through desire and suffering, to the end of earthly existence and the entrance to paradise. </video:description>
<video:duration>5552</video:duration>
<video:publication_date>2022-07-21T12:57:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-13T09:35:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0CO</loc>
<video:video>
<video:title>Fischer conducts Chopin, Schubert &amp; Mendelssohn - with Rafał Blechacz</video:title>
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<video:description>Mendelssohn and Chopin were born only one year apart, and their paths first crossed in Berlin in 1828, when Chopin watched Mendelssohn conduct the Singakademie but was too shy to approach him. By that time, Mendelssohn was well established, and completed his brilliant Symphony No. 1 four years previously. Chopin would compose his Piano Concerto No. 2 the following year, and the two men would later become in friends in Paris. Those two youthful works form the basis of this concert – with Rafał Blechacz as soloist in the Chopin. another youthful work, the 20-year-old Schubert&apos;s Overture in the Italian Style, D. 591 completes the programme. Recorded at Lucerne Festival’s Mendelssohn Festival 2023</video:description>
<video:duration>5672</video:duration>
<video:publication_date>2023-11-03T14:51:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-13T09:34:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36CG</loc>
<video:video>
<video:title>Waldbühne 2006: 1,001 Nights – with Neeme Järvi &amp; Janine Jansen</video:title>
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<video:description>Thousand and One Nights was the theme of the Berliner Philharmoniker&apos;s 2006 Waldbühne concert – a night of musical storytelling beneath the stars in Berlin&apos;s spectacular amphitheatre. Naturally, that meant excerpts from Rimsky-Korsakov&apos;s Scheherezade, as well as a selection of fairy-tale delights both familiar (Grieg&apos;s Peer Gynt) and less well-known (Nielsen&apos;s Aladdin) – conducted with characteristic verve and charm by a real favourite among the BPO&apos;s roster of guest-conductors, maestro Neeme Järvi, who is joined by Dutch violinist Janine Jansen in two particularly delicious lollipops: the Méditation from Massenet&apos;s Thaïs and Saint-Saëns&apos; glittering Introduction and Rondo Capriccioso. It&apos;s fair to say that they strike sparks off each other.</video:description>
<video:duration>6697</video:duration>
<video:publication_date>2024-05-16T12:33:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-12T10:52:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34DG</loc>
<video:video>
<video:title>On the Concours Géza Anda 2024</video:title>
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<video:description></video:description>
<video:duration>209</video:duration>
<video:publication_date>2024-06-07T10:52:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:46:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34E0</loc>
<video:video>
<video:title>On the Concours Géza Anda 2024</video:title>
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<video:description></video:description>
<video:duration>249</video:duration>
<video:publication_date>2024-06-07T10:59:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-11T11:45:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34E8</loc>
<video:video>
<video:title>On the Concours Géza Anda 2024</video:title>
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<video:description></video:description>
<video:duration>248</video:duration>
<video:publication_date>2024-06-07T11:02:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ36C0</loc>
<video:video>
<video:title>On the Concours Géza Anda 2024</video:title>
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<video:duration>216</video:duration>
<video:publication_date>2024-06-07T11:06:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:44:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34DO</loc>
<video:video>
<video:title>On the Concours Géza Anda 2024</video:title>
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<video:duration>247</video:duration>
<video:publication_date>2024-06-07T10:57:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34D8</loc>
<video:video>
<video:title>On the Concours Géza Anda 2024</video:title>
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<video:description></video:description>
<video:duration>234</video:duration>
<video:publication_date>2024-06-07T10:45:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJADO</loc>
<video:video>
<video:title>Long Yu conducts Aaron Zigman&apos;s Émigré</video:title>
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<video:description>Long Yu conducts the New York Philharmonic Orchestra and Chorus, members of the Shanghai Symphony Orchestra and a hand-picked cast in composer Aaron Zigman&apos;s new oratorio, Émigré, featuring lyrics by Grammy-winning lyricist Mark Campbell. Telling a sweeping tale of love and loss, it follows the story of two brothers fleeing Germany in 1938 to Shanghai to start new lives, engaging with themes that remain as relevant today as ever. Filmed at the Wu Tsai Theater, David Geffen Hall, this US premiere was a major event on the New York cultural calendar and an important performance for a significant new work – first heard and recorded in Shanghai and a co-commission between Long Yu, the Shanghai Symphony Orchestra and the New York Philharmonic.  </video:description>
<video:duration>6250</video:duration>
<video:publication_date>2024-05-15T15:25:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T15:16:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36DO</loc>
<video:video>
<video:title>Luisi conducts Nielsen: Symphony No. 3 &amp; Flute Concerto </video:title>
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<video:description>Carl Nielsen was a force of nature; and from his rural youth to his irrepressible creative maturity, he found an unquenchable source of inspiration in the Danish countryside. His Sinfonia Espansiva is a great wordless hymn to nature, by turns sunlit, rapturous and explosive, and with soprano Liv Redpath and baritone Johan Reuter adding their voices to Fabio Luisi&apos;s performance it&apos;s never sounded more individual – or inevitable. Ulla Miilmann is the soloist in the brilliant Flute Concerto, offering a fresh angle on a true 20th-century classic, and the programme opens with a rare glimpse of Nielsen the dramatist: the prelude to Act II of his powerful Biblical opera Saul and David.</video:description>
<video:duration>4409</video:duration>
<video:publication_date>2023-08-10T15:17:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T12:00:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJICO</loc>
<video:video>
<video:title>Karajan conducts Verdi: Falstaff</video:title>
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<video:description>&quot;Tutto nel mondo è burla&quot;: All the world&apos;s a joke. The final words of Verdi&apos;s Falstaff bring down the curtain on one of the warmest and wisest comedies in all music – just as they brought a joyous ending to the 79-year-old composer&apos;s incredible six-decade career. Herbert von Karajan, too, brought a lifetime&apos;s operatic experience to this 1982 Salzburg Festival performance, which stars the veteran Italian baritone Giuseppe Taddei as Shakespeare&apos;s fat knight and Christa Ludwig as Mistress Quickly. With Karajan&apos;s own, deeply faithful direction and sumptuous period settings by the great Günther Schneider-Siemssen, it&apos;s as gorgeous to see as it is to hear. </video:description>
<video:duration>8049</video:duration>
<video:publication_date>2024-04-18T11:58:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T09:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSJC</loc>
<video:video>
<video:title>Gardiner conducts Bach: St John Passion</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a93720fe34b1b76a45b650cae04c3d7ffa4f603e.jpg</video:thumbnail_loc>
<video:description>After performances in recent years of Bach&apos;s liturgical cantatas and St Matthew Passion, John Eliot Gardiner and the Monteverdi Choir and English Baroque Soloist turn to the composer&apos;s other great meditation on the suffering and crucifixion of Jesus in a performance filmed in Oxford&apos;s historic Sheldonian Theatre. Martin Luther described the St. John Gospel  as &quot;unique in loveliness and, in truth, the principal Gospel, far superior to the other three and much to be preferred&quot;. Bach responded to the text with music which is by turns evocative, stirring, exultant and profoundly moving – music that holds our attention from beginning to end. </video:description>
<video:duration>7172</video:duration>
<video:publication_date>2022-06-15T15:55:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T09:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCCO</loc>
<video:video>
<video:title>Kian Soltani plays Debussy, Schumann, Shostakovich and Rachmaninoff</video:title>
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<video:description>Cellist Kian Soltani is joined by pianist Julien Quentin for a recital from the Verbier Festival 2021. The programme is built around two great 20th-century sonatas. Debussy first dubbed his late work &quot;Pierrot is angry at the moon&quot; and in it pushed the cello to its expressive limits with music mixing raw power with humour and elements of jazz. Shostakovich&apos;s sonata, composed in 1934, reflects an emotionally turbulent period of his life. Between the two works comes Schumann&apos;s passionate Adagio and Allegro of 1849, while the beguiling slow movement from another 20th-century sonata, Rachmaninoff&apos;s, brings the programme to a conclusion. </video:description>
<video:duration>3298</video:duration>
<video:publication_date>2022-09-12T14:44:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T08:30:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ4D0</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Tarmo Peltokoski in Schoenberg, Strauss &amp; Wagner</video:title>
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<video:description>Tarmo Peltokoski conducts the Orchestra National du Capitole de Toulouse – of which he takes over as Music Director Designate in September 2024 – in three key works of the Austro-German repertoire marking the transition from the Romantic era to modernism. To open the programme, Renaud Capuçon is the soloist in Schoenberg&apos;s 1936 violin concerto, which mixes twelve-tone technique with elements of neo-classicism. To follow, the orchestra and conductor present Richard Strauss&apos;s Also sprach Zarathustra, a brilliant musical exploration of themes from Nietzsche&apos;s book of the same name – and a work whose opening bars are among the best-known in all music. And finally, the rousing Prelude from Wagner&apos;s Die Meistersinger von Nürnberg.</video:description>
<video:duration>5109</video:duration>
<video:publication_date>2024-01-08T14:06:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-31T08:03:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2D0</loc>
<video:video>
<video:title>Bernstein conducts Beethoven: Choral Fantasy – with Homero Francesch</video:title>
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<video:description>Leonard Bernstein conducts the Vienna Philharmonic Orchestra in one of Beethoven&apos;s most fascinating and experimental works: the Choral Fantasy, which is generally held to be a preliminary study for the Ninth Symphony, even though it was composed as early as 1808 – 16 years earlier. In the Choral Fantasy, Beethoven overcame confines and conventions of both form and orchestration, while the imposing piano solo with which the work opens was probably improvised by the composer at the premiere on 22 December 1808 in Vienna – a fascinating taste of Beethoven&apos;s skill as an improvisor. In this 1986 performance, the stylish Swiss-Uruguayan pianist Homero Francesch is the soloist, and the the Wiener Jeunesse-Chor completes the line-up. </video:description>
<video:duration>1331</video:duration>
<video:publication_date>2023-11-20T15:13:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-30T14:59:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36D8</loc>
<video:video>
<video:title>Kleiber conducts Beethoven, Mozart &amp; Brahms</video:title>
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<video:description>Carlos Kleiber famously joked that he only conducted when he needed to eat. In truth, of course, his relatively rare live performances were so lucid, so energetic and so instinctively, thrillingly musical that every one became a major event. This live concert from 1996 finds him in the Herkulessaal, Munich with one of his favourite orchestras, directing repertoire – by Beethoven, Mozart and Brahms - in which he had no equal by this stage of his career. The music is familiar, but Kleiber&apos;s rapport with his musicians, as well as the tonal beauty and life-affirming spontaneity of his interpretations, place these performances In the &quot;unmissable&quot; class. </video:description>
<video:duration>4499</video:duration>
<video:publication_date>2024-05-24T08:42:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-30T13:04:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ6</loc>
<video:video>
<video:title>John Williams in Berlin</video:title>
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<video:description>It was one of the most eagerly awaited events of the musical year in the German capital: 89-year-old living legend of film music John Williams conducting the Berliner Philharmoniker for the first time. The programme covered many of Williams&apos;s most famous scores – for &quot;Star Wars&quot;, &quot;Superman&quot;, &quot;Harry Potter&quot;, &quot;Indiana Jones&quot; and more – and showcased music that has embedded itself in the consciousness of generations of film-lovers, all performed with the Berliner Philharmoniker&apos;s characteristic virtuosity. Nor did the concert disappoint, unleashing multiple ovations from the audience and superlatives from the critics, while the album of the event made history by topping the German Album Chart – a first both for Williams and the orchestra.</video:description>
<video:duration>6944</video:duration>
<video:publication_date>2022-04-25T08:50:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-05-30T12:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCE0</loc>
<video:video>
<video:title>Anne-Sophie Mutter, André Previn &amp; Daniel Müller-Schott play Mozart</video:title>
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<video:description>Mozart wrote his piano trios for private enjoyment, and Anne-Sophie Mutter approaches them in the same spirit. Mozart himself performed in the beautiful Teatro Bibiena in Mantua, and the intimate scale and rococo elegance of this authentic 18th-century performance space make it the perfect venue for music that is modest in scale, but which speaks to the world. In this concert from 2006, Mutter assembled an all-star, multi-generational ensemble that features her former protégé, the young German cellist Daniel Müller-Schott as well as André Previn at the piano – bringing a lifetime&apos;s insight as conductor and composer to music that always has more to say. This is chamber playing at its most rewarding: in every sense, the music of friends.</video:description>
<video:duration>3763</video:duration>
<video:publication_date>2024-03-01T11:29:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-28T13:44:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34C8</loc>
<video:video>
<video:title>Karajan conducts Wagner: Das Rheingold</video:title>
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<video:description>Wagner’s Ring cycle demands an epic vision. Incredibly, this ambition film of Das Rheingold from 1978, based on the production that Herbert von Karajan conducted and directed at the Salzburg Festival, is the only surviving film of Karajan – one of the supreme Wagner conductors of all time – conducting a staged performance of one of Wagner’s music-dramas. Karajan’s directorial vision is traditional but potent, and with a cast that includes Thomas Stewart as Wotan, Brigitte Fassbaender as Fricka and Peter Schreier as the mischievous Loge, as well as the Berliner Philharmoniker in the orchestra pit, it sounds as striking as it looks.</video:description>
<video:duration>8730</video:duration>
<video:publication_date>2024-04-30T13:49:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-27T06:58:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32D8</loc>
<video:video>
<video:title>Debussy: La fille aux cheveux de lin </video:title>
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<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2024-04-15T20:51:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-23T09:16:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJGE8</loc>
<video:video>
<video:title>Árnason: Rödd</video:title>
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<video:description></video:description>
<video:duration>276</video:duration>
<video:publication_date>2023-12-06T15:03:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-21T12:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR36C8</loc>
<video:video>
<video:title>Europakonzert 2004 from Athens – with Simon Rattle &amp; Daniel Barenboim</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f7b113f32ab75db972df3b23e441cd19f6b6ec80.jpg</video:thumbnail_loc>
<video:description>The Berliner Philharmoniker has played its annual Europakonzert in many great venues and with many celebrated artists. But for sheer spectacle and historic resonance, few occasions have rivalled 2004&apos;s open-air concert from the Herodes Atticus Theatre in Athens – a 1,850-year-old amphitheatre below the Acropolis. For the first time in their careers, two towering artistic personalities come together as partners: Simon Rattle conducts, and Daniel Barenboim is the soloist in Brahms&apos;s epic First Piano Concerto, performed beneath the Aegean skies in front of an audience of 5,000. The programme ends (fittingly, for this conductor&apos;s first ever Europakonzert) with a real Rattle speciality: Schoenberg&apos;s orchestration of Brahms&apos;s First Piano Quartet.</video:description>
<video:duration>6105</video:duration>
<video:publication_date>2024-05-16T10:05:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-21T07:01:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34E0</loc>
<video:video>
<video:title>Karajan conducts Bruckner: Symphony No. 9</video:title>
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<video:description>Anton Bruckner&apos;s unfinished Ninth Symphony represented for him both a contract and a conversation with God. Herbert von Karajan&apos;s great mentor Bernhard Paumgartner actually attended Bruckner&apos;s funeral, and Karajan&apos;s relationship with this mightiest of Austrian romantic symphonies was intensely personal: he performed it at least 38 times over his long career, finding new insights and emotional truths on each occasion. This one dates from 1978, and finds Karajan conducting his beloved Wiener Philharmoniker, an orchestra with a Bruckner tradition dating back to the composer’s lifetime, and a sound – majestic, and lit from within – that&apos;s perfectly suited to Bruckner&apos;s soaring vision.</video:description>
<video:duration>3538</video:duration>
<video:publication_date>2024-05-08T10:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-13T06:34:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34CG</loc>
<video:video>
<video:title>Karajan conducts Overtures by Beethoven, Rossini, Wagner &amp; Weber</video:title>
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<video:description>Herbert von Karajan is at the helm of the Berliner Philharmoniker for this programme of favourite overtures leading us into the Romantic era. We begin with Beethoven and the rousing overtures to the dramas Coriolan and Egmont before moving to Rossini’s thrilling Guillaume Tell Overture. With its solemn opening brass chorale contrasted with swirling passions of the “Venusberg Music”, Wagner’s Tannhäuser Overture has always been a concert favourite, just as Weber’s Freischütz Overture has been, with its memorable melodies and atmospheric orchestration. As one would expect, Karajan and his orchestra lavish characteristic passion, vision and virtuosity on all five works.</video:description>
<video:duration>3262</video:duration>
<video:publication_date>2024-05-02T09:18:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T15:04:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34D8</loc>
<video:video>
<video:title>Karajan conducts Debussy &amp; Ravel (1978)</video:title>
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<video:description>Whenever Herbert von Karajan and the Berliner Philharmoniker turned to French music, the results were characterized by an astonishing and unprecedented sonic beauty and orchestral playing of a standard that, at the time, was rarely heard in the repertoire. And so it is here with this programme filmed in the in the Philharmonie in 1978, featuring two of Debussy’s best-loved orchestral works – the haunting atmospheric La Mer and the ground-breaking Prélude à l’après-midi d’un faune – alongside the Second Suite from Ravel’s ballet Daphnis et Chloé, an orchestral showpiece that begins with a stunning sunrise and concludes in swirling &quot;danse genérale&quot;.</video:description>
<video:duration>3120</video:duration>
<video:publication_date>2024-05-02T14:37:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T15:03:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3AC0</loc>
<video:video>
<video:title>Barenboim conducts Le nozze di Figaro </video:title>
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<video:description>Le nozze die Figaro alone would be enough to guarantee Mozart&apos;s position as one of the great opera composers of all time. In the work, the composer revolutionized the art of characterization and the balance between pathos and humour, and – in such moments as the Act 2 finale – demonstrated jaw-dropping invention and formal ambition. In this performance from the Staatsoper in Berlin, Daniel Barenboim brings nearly half a century&apos;s experience as a conductor of Mozart&apos;s operas to the work, while Vincent Huguet&apos;s staging tells the story as a colorful 21st-century comedy. The ensemble cast is headed by sopranos Elsa Dreisig and Nadine Sierra as the Countess and Susanna, with Emily D&apos;Angelo as Cherubino. </video:description>
<video:duration>10820</video:duration>
<video:publication_date>2022-11-11T15:49:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T08:52:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJIE8</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Symphony No. 6</video:title>
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<video:description>It was the composer&apos;s brother who suggested the name for Tchaikovsky&apos;s Sixth Symphony, and he told it like it is: &quot;Pathétique&quot; simply means &quot;full of feeling&quot;. Amid all the myths and mysteries that surround Tchaikovsky&apos;s final masterpiece, one thing is beyond dispute: the glorious inspiration and uncompromising emotional honesty of this heartbreaking music. Both Herbert von Karajan and the Vienna Philharmonic had a special relationship with Tchaikovsky&apos;s symphonies (in the case of the orchestra, one that extends back to the composer&apos;s own lifetime), and this performance, given in the Golden Hall of the Vienna Musikverein in January 1984 glows with absolute emotional commitment.</video:description>
<video:duration>2899</video:duration>
<video:publication_date>2024-04-23T13:46:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJIE0</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Symphony No. 5</video:title>
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<video:description>Tchaikovsky poured heart and soul into his Fifth Symphony – &quot;with desire and passion&quot;, he wrote over the climax of its slow movement – and since its premiere in 1888 it has been one of Tchaikovsky&apos;s best-loved masterpieces. With its sweeping, emotionally charged melodies and colourful orchestration, it&apos;s a work that thrives on virtuoso playing, and it&apos;s hard to imagine a more beautiful performance than this one, recorded by Herbert von Karajan and the Vienna Philharmonic in March 1984. The majestic surroundings of Vienna&apos;s Musikverein never fail to create a special atmosphere, but this being Karajan, this lustrous, gorgeously played performance engages both heart and intellect.</video:description>
<video:duration>3057</video:duration>
<video:publication_date>2024-04-23T13:31:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR30CO</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Symphony No. 4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d6c272cf4a12d3b717e08258c4856091efedd4b2.jpg</video:thumbnail_loc>
<video:description>Tchaikovsky poured his whole life into his symphonies, but rarely more passionately – or directly – than in his Fourth Symphony of 1878: an epic struggle from tragedy to celebration, in which shattering fanfares represent the implacable power of Fate. The Vienna Philharmonic was one of the first major orchestras to perform Tchaikovsky&apos;s music in the west, and in 1984 they filmed performances of Tchaikovsky&apos;s final trilogy of symphonies under the baton of Herbert von Karajan. The playing is unsurpassed for emotional depth and tonal beauty, but with Karajan conducting, the force of the symphony&apos;s argument has never been more powerfully expressed.</video:description>
<video:duration>2707</video:duration>
<video:publication_date>2024-04-23T14:07:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30DG</loc>
<video:video>
<video:title>Hélène Grimaud plays Schumann&apos;s Kreisleriana</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c1952fe0773595f8a00f5f4037a99e49ad63aeb7.jpg</video:thumbnail_loc>
<video:description>Hélène Grimaud presents the second part of a special two-part recital from the Polling Monastery library, set in the beautiful natural surroundings of south west Bavaria, a place which the pianist sees as one of her spiritual homes. Here she performs just one work: Robert Schumann&apos;s Kreisleriana. Composed in 1838, it is one of the key piano works of the Romantic era, in which Schumann sought to capture the different sides of his own character as well as the essence of his future wife, Clara Wieck. Kreisleriana has fascinated and occupied the French pianist throughout her career and she brings that experience – as well as her own innate sense of poetry and passion – to this performance.</video:description>
<video:duration>2160</video:duration>
<video:publication_date>2023-07-04T15:15:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T12:20:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR30E0</loc>
<video:video>
<video:title>Karajan conducts Strauss: Don Quixote – mit António Meneses</video:title>
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<video:description>Contemporaries noted that Herbert von Karajan seemed to have a special affection for Richard Strauss&apos;s Don Quixote – a tone poem unlike any other: part concerto, part musical joke, and part meditation on humanity in all its folly and idealism. Naturally, Karajan and his Berlin orchestra are dazzlingly virtuosic, finding endless colour and fun in Don Quixote&apos;s musical adventures. Strauss&apos;s herd of sheep has never sounded more poetic! But in choosing the young Antonio Meneses as cello soloist, Karajan adds a fresh, and uniquely touching dimension: a combination of youth and (huge) experience that gets right to the heart of this loveable work.</video:description>
<video:duration>2711</video:duration>
<video:publication_date>2024-04-24T14:23:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T11:37:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR34CO</loc>
<video:video>
<video:title>Karajan conducts Strauss: Don Quixote – with Mstislav Rostropovich</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62d54543650b4cdd4ce5f3a8452f437f2929ef9e.jpg</video:thumbnail_loc>
<video:description>Richard Strauss originally conceived the solo cello part in his 1896 Tone Poem Don Quixote for orchestral principal cellos, but it’s long been championed by star cellists too. And few cellists come starrier than Mstislav Rostropovich, one of the 20th century’s great musical figures and a regular collaborator with Herbert von Karajan. Here they come together – with the Berliner Philharmoniker – in a classic account of Strauss’s brilliant distillation of key scenes from Cervantes grand picturesque novel. Rostropovich vividly embodies Don Quixote himself, with viola player Ulrich Koch portraying his squire, Sancho Panza. Karajan, meanwhile, sets each scene with a rare mixture of detail and symphonic vision.</video:description>
<video:duration>2762</video:duration>
<video:publication_date>2024-05-02T12:13:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T07:51:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3A</loc>
<video:video>
<video:title>Anna - Stage Of Emotions: Behind The Scenes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6026b89489962937bc3c19b63b220e3d255281a2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2022-07-07T15:26:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T07:23:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR30DO</loc>
<video:video>
<video:title>Karajan conducts Mozart&apos;s Requiem</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5168cc4e44a6c9d986a8efc147550d12ad90e631.jpg</video:thumbnail_loc>
<video:description>Wolfgang Amadeus Mozart and Herbert von Karajan were both sons of Salzburg; and both found a second musical home in Vienna. This film documents a performance of Mozart&apos;s unfinished Requiem, given by Karajan, the Vienna Philharmonic and a cast of soloists that includes Anna Tomowa-Sintow and Paata Burchuladze in the 1986 Wiener Festwochen, and everything about it breathes an awareness of history and a great, living tradition. The myths and mysteries around Mozart&apos;s heart-rending final masterpiece are well-known, but a performance of such majesty, grandeur and soul-shaking beauty is something rare in any era – and in this case, unrepeatable. </video:description>
<video:duration>3366</video:duration>
<video:publication_date>2024-04-24T14:06:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-02T14:52:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGDO</loc>
<video:video>
<video:title>Karajan conducts Dvořák: Symphony No. 9 &quot;From the New World&quot; </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cc0dedf7b47a41dfb7690dca8e1a2b8bad4d0de9.jpg</video:thumbnail_loc>
<video:description>Some pieces are classics for a reason, but although Dvořák&apos;s Ninth Symphony is charged with all the creative energy and melodic inspiration of the New World, its roots are planted firmly in the heart of Europe. The Wiener Philharmoniker is famous for its glowing sound and lilting, instinctive way with a dance rhythm, and it&apos;s hard to think of a non-Czech orchestra better suited to Dvořák&apos;s music. Herbert von Karajan loved this orchestra and this symphony too well to hold back. There&apos;s grandeur, too, of course – all of Karajan&apos;s command of symphonic structure is in play here, and this performance is often thrilling. But there&apos;s also real warmth about this interpretation, filmed in 1985 in the golden hall of the Vienna Musikverein.  </video:description>
<video:duration>2707</video:duration>
<video:publication_date>2024-04-11T08:50:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T09:16:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32C0</loc>
<video:video>
<video:title>Karajan conducts Debussy &amp; Ravel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1e2bfad5469211e67af34114fb2cab5a695893c4.jpg</video:thumbnail_loc>
<video:description>&quot;You may never again hear playing as beautiful as that – but now you know that it can be done&quot;. So an older critic is supposed to have commented to a younger colleague after a performance by Herbert von Karajan in the 1980s. Certainly, during Karajan&apos;s final decade no-one disputed that the Berliner Philharmoniker under his direction was a byword for tonal beauty – and what better demonstration than this all-French programme from 1985? Three exquisitely scored orchestral showpieces by Debussy and Ravel reveal Karajan at his most poetic, and his Berlin players at their most dazzling, lustrous and delicate.</video:description>
<video:duration>3194</video:duration>
<video:publication_date>2024-04-25T08:43:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T08:50:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR30D0</loc>
<video:video>
<video:title>Karajan conducts Strauss: Eine Alpensinfonie</video:title>
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<video:description>With its waterfalls, glaciers and climactic thunderstorm, late Romantic orchestral music doesn&apos;t get much more colourful than Richard Strauss&apos;s colossal Eine Alpensinfonie. But there&apos;s more to Strauss&apos;s vision than glorious scenery. Herbert von Karajan knew Strauss personally, and as a son of the Alps himself he was one of the first conductors to bring out the deeper, more spiritual side of Strauss&apos;s mighty hymn to nature, capturing all the work&apos;s philosophical complexity as well as its pictorial ambition. The Berliner Philharmoniker, meanwhile, brings its unparalleled virtuosity to one of the most technically demanding scores in the orchestral repertory. </video:description>
<video:duration>3271</video:duration>
<video:publication_date>2024-04-23T14:27:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:50:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGC0</loc>
<video:video>
<video:title>Karajan conducts the Vienna New Year&apos;s Concert 1987</video:title>
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<video:description>On New Year&apos;s Day every year, the eyes and ears of the world turn to the golden hall of Vienna&apos;s Musikverein, and the Wiener Philharmoniker&apos;s annual concert of music by the Strauss family and their contemporaries. By any standards, it&apos;s a glittering occasion, but there&apos;s never been one to match the extraordinary morning in January 1987 when the orchestra extended this honour to Herbert von Karajan. The atmosphere is electric, as Karajan lavishes all his supreme mastery of line, style and orchestral colour on a sequence of dances that includes familiar favourites (The Blue Danube, Emperor Waltz), as well as neglected jewels (Sphärenklänge, Delirien), and accompanies a sparkling Kathleen Battle in Voices of Spring. Champagne for the ears.  </video:description>
<video:duration>5829</video:duration>
<video:publication_date>2024-04-10T08:03:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:36:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32E8</loc>
<video:video>
<video:title>Karajan conducts the New Year&apos;s Eve Concert 1985</video:title>
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<video:description>The Berliner Philharmoniker&apos;s annual Silvesterkonzert is always a special occasion in Berlin. But in the later years of Herbert von Karajan&apos;s tenure as music director, it had a unique atmosphere, as Karajan took popular classics that are often regarded as mere &quot;lollipops&quot; and treated them to the full power of his artistry, as well as the unrivalled precision of his orchestra at its postwar peak. On New Year&apos;s Eve 1985 he opened in the forests of Weber&apos;s Der Freischütz and ended with a roof-raising Ravel Boléro. In between come favourites by Puccini, Leoncavallo and Liszt – but they&apos;ve never sounded quite like this.</video:description>
<video:duration>3209</video:duration>
<video:publication_date>2024-04-26T13:07:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:36:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32D8</loc>
<video:video>
<video:title>Karajan conducts Beethoven &amp; Brahms: Famous Overtures</video:title>
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<video:description>Herbert von Karajan is best remembered for his recordings of major symphonic cycles and full-length operas, but his compilation discs of shorter classics were bestsellers in the 1970s and 1980s – combining the virtuoso flair of the Berliner Philharmoniker with the special authority that Karajan brought to everything he conducted. This concert from 1985 finds unexpected links between four overtures by Beethoven and Brahms, crowned by mighty, truly symphonic accounts of two of the greatest of all Romantic overtures – Brahms&apos;s Tragic Overture, and the stupendous Leonora No.3, composed by Beethoven for his opera Fidelio but withdrawn by him because it was simply too dramatic!</video:description>
<video:duration>2885</video:duration>
<video:publication_date>2024-04-26T07:52:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T15:32:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR30E8</loc>
<video:video>
<video:title>Karajan conducts Strauss: Tod und Verklärung &amp; Metamorphosen</video:title>
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<video:description>Richard Strauss&apos;s youthful tone-poem Death and Transfiguration and Metamorphosen, his devastating wartime &quot;Study for 23 solo strings&quot;, date from different ends of his life. But in the hands of Herbert von Karajan – who knew the composer personally and lived through the events that inspired Metamorphosen – they became a classic pairing, and the subject of one of the very greatest records he made with the Berliner Philharmoniker. This film documents a live performance given at the 1984 All Saint&apos;s Day Concert in Berlin, and if anything it&apos;s even more intense: with the Berliners&apos; unrivalled virtuosity and sonic beauty becoming a vehicle for pure, heart-rending expression.</video:description>
<video:duration>3217</video:duration>
<video:publication_date>2024-04-25T08:20:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T15:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32E0</loc>
<video:video>
<video:title>Karajan conducts Strauss: Der Rosenkavalier</video:title>
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<video:description>Love conquers everything, they say…but what about time? Richard Strauss&apos;s Der Rosenkavalier imagines a fairytale Vienna with a touchingly human heart; an 18th-century dreamworld where a silver rose can turn life upside down, and love blossoms to the lilt of a waltz. In 1984, probably few living conductors understood its beauties better than Herbert von Karajan, and as both director and conductor he ensured that this ravishing Salzburg Festival staging could hardly be more faithful to the creators&apos; intentions. Anna-Tomowa Sintow&apos;s noble, intensely poignant portrayal of the Marschallin is at the centre of a super cast. </video:description>
<video:duration>12587</video:duration>
<video:publication_date>2024-04-26T13:01:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T14:56:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32CO</loc>
<video:video>
<video:title>Berlin 750th Anniversary: Karajan conducts Mozart &amp; Strauss</video:title>
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<video:description>In 1987, when the city of Berlin celebrated its 750th anniversary, none but the most prescient could have foreseen the historic events that would reunite the divided city just over two years later. Herbert von Karajan died just months before the fall of the Berlin Wall, but in the last decade of his life he brought a visionary – even monumental – quality to everything he conducted. Naturally, Karajan and the Berlin Philharmonic rise to the occasion, with radiant accounts of masterpieces by two composers who were arguably closest to Karajan&apos;s heart: a youthful divertimento by Mozart, and Richard Strauss&apos;s Also Sprach Zarathustra. </video:description>
<video:duration>4720</video:duration>
<video:publication_date>2024-04-25T10:51:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T14:25:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR32CG</loc>
<video:video>
<video:title>Karajan: Jubilee Concert – 100 Years Berliner Philharmoniker</video:title>
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<video:description>When Herbert von Karajan died in July 1989, many TV stations around the world responded by playing his filmed recording of Beethoven&apos;s Eroica symphony, and few works seemed to encapsulate both the monumental authority and the untamed imagination that Karajan brought to the Austro-German symphonic repertoire. This film documents a different, very special meeting between Karajan, the Eroica and the Berlin Philharmonic – a concert given in 1982 to celebrate the orchestra&apos;s centenary. Celebratory, commanding and played with breathtaking precision and beauty, it&apos;s a performance with a unique sense of occasion, from one of the 20th century&apos;s supreme partnerships between conductor and orchestra.</video:description>
<video:duration>3238</video:duration>
<video:publication_date>2024-04-25T10:12:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T13:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJIDG</loc>
<video:video>
<video:title>Karajan conducts Dvořák: Symphony No. 8 </video:title>
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<video:description>Standing between the tragedy of the Seventh Symphony and the epic drama of the Ninth, Dvořák&apos;s Eighth Symphony is one of the happiest moments in his entire symphonic cycle: music that positively glows with the sunshine, birdsong and lilting melodies of Dvorak&apos;s beloved Bohemian countryside. Outside of Prague itself, it&apos;s hard to imagine a great orchestra better suited to the warmth and freshness of Dvorak&apos;s music than the Vienna Philharmonic. Herbert von Karajan always cherished a special love for this symphony, and under his baton this performance from 1985 has both tenderness and a masterly, symphonic sense of purpose.</video:description>
<video:duration>2374</video:duration>
<video:publication_date>2024-04-19T12:53:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T13:34:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ2</loc>
<video:video>
<video:title>Claudio Abbado – Hearing the Silence</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a920cbeba51e28b91115530ebf43724b42df48f.jpg</video:thumbnail_loc>
<video:description>Claudio Abbado was one of the world&apos;s finest and most-respected conductors. A strong advocate of the development of young musical talent, he was instrumental in the foundation of several orchestras, including the Lucerne Festival Orchestra. Filmmaker Paul Smaczny followed his career over many years, regularly filming and interviewing him. In this profile, released to mark his 70th birthday in 2003, Abbado talks about his life and work, his conception of music, his favourite compositions. Never-before-seen interviews are combined with images of the conductor in rehearsal and in concert, interviews with friends and colleagues, and archival material. The resulting portrait presents this &quot;silent thinker&quot; under a new and unexpected light.</video:description>
<video:duration>4014</video:duration>
<video:publication_date>2022-10-18T15:26:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-26T07:05:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGC8</loc>
<video:video>
<video:title>Karajan conducts Brahms: Ein deutsches Requiem</video:title>
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<video:description>&quot;Blessed are those who mourn, for they shall be comforted&quot;. Brahms was never truly a believer, and as he mourned the death of his mother, he conceived his German Requiem: not a religious work, but a profoundly spiritual one, created to console and comfort the living. He never wrote anything more beautiful or more personal, and understandably enough, it brought out the best in Herbert von Karajan. The soloists in this 1985 performance – Kathleen Battle and José van Dam – were at that point two of the most celebrated singers in the world. Add to that the deep warmth and inner glow of Karajan&apos;s beloved Vienna Philharmonic and the result ravishes the ears even as it refreshes the spirit.  </video:description>
<video:duration>4874</video:duration>
<video:publication_date>2024-04-10T10:51:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:33:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGCG</loc>
<video:video>
<video:title>Karajan conducts Mussorgsky: Pictures at an Exhibition (Orch. Ravel)</video:title>
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<video:description>The hut with hen&apos;s legs, the ballet of the unhatched chicks, the towering grandeur of The Great Gate of Kiev…Modest Mussorgsky captured something of the Russian soul when he immortalised the paintings of his late friend Viktor Hartmann in his 1874 piano suite Pictures at an Exhibition. But it was the Frenchman Maurice Ravel, half a century later, who reimagined Mussorgsky&apos;s suite in all the fabulous colours of a full symphony orchestra: glowing, glittering, and firing the imagination with every note. It&apos;s one of the great showpieces for a virtuoso orchestra, and in 1986 few ensembles on earth were more virtuosic than Herbert von Karajan&apos;s Berlin Philharmonic. It&apos;s never been played with more power, precision or mastery.  </video:description>
<video:duration>2136</video:duration>
<video:publication_date>2024-04-10T11:10:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:32:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGE0</loc>
<video:video>
<video:title>Karajan in Japan: Mozart, Strauss &amp; Respighi </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b709909f501650cbdf8cb4210adf2820c003004b.jpg</video:thumbnail_loc>
<video:description>A gloriously vibrant programme. Herbert von Karajan begins with Mozart at his joyous, youthful best, in a divertimento written to delight the citizens of 18th-century Salzburg. Next comes Richard Strauss&apos;s swashbuckling tone-poem Don Juan. And finally, a riot of sun-kissed orchestra colour, in Respighi&apos;s spectacular The Pines of Rome. Back in 1984, this was the sort of concert that Herbert von Karajan and the Berlin Philharmonic took in their stride: a conductor and orchestra who moved effortlessly from the grace of Mozart to the kind of dazzling, super-saturated virtuosity that makes Strauss and Respighi leap from the page. Captured live on tour in Japan, there&apos;s a special electricity about this showstopping performance.  </video:description>
<video:duration>4597</video:duration>
<video:publication_date>2024-04-11T08:56:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:18:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGDG</loc>
<video:video>
<video:title>Karajan conducts Strauss: Ein Heldenleben</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/adb44e14921898165990a4683f108e93a4805485.jpg</video:thumbnail_loc>
<video:description>&quot;He is my man&quot;, Richard Strauss is reported to have said when he heard the young Herbert von Karajan – and although many conductors active in the 1980s had known and worked with Strauss, few were more closely identified with the composer, or conducted his music with more authority and flair. Ein Heldenleben was something of a signature work for Karajan over his decades with the Berlin Philharmonic, and this performance, filmed in 1985 as part of a series documenting Karajan&apos;s interpretations of Strauss tone poems, finds both conductor and orchestra at the height of their Straussian form. This is a Hero&apos;s Life with both swagger and tenderness, delivered by an orchestra and conductor who have truly lived with Strauss&apos;s vision.  </video:description>
<video:duration>2923</video:duration>
<video:publication_date>2024-04-11T08:32:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:41:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGCO</loc>
<video:video>
<video:title>Karajan conducts Bruckner: Symphony No. 9 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/acb702128fb6458885b0db5f02c6b4ce5b4a8c28.jpg</video:thumbnail_loc>
<video:description>Bruckner dedicated his Ninth Symphony &quot;to the dear God&quot;, and this tremendous unfinished masterpiece is simultaneously the greatest tragedy and the sublimest achievement of his entire career. For a Bruckner interpreter as devoted as Herbert von Karajan, it was a work that revealed new depths and heights with each performance, and Gramophone magazine described his interpretation as &quot;utterly magnificent&quot; – charged with &quot;awesome power and mystery&quot; and crowned by the &quot;transfiguring fire&quot; of the Berlin Philharmonic&apos;s brass section. A towering performance from one of the 20th century&apos;s great conductor-orchestra pairings. </video:description>
<video:duration>3699</video:duration>
<video:publication_date>2024-04-11T06:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:39:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJGD8</loc>
<video:video>
<video:title>Karajan conducts Bruckner: Symphony No. 8 </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c2c202d5b93d59afe258ce4f06bd4f6a8297a415.jpg</video:thumbnail_loc>
<video:description>When Anton Bruckner described his Eighth Symphony as &quot;a mystery&quot;, he was speaking in a spiritual sense, and his final completed symphony still stands as one of the mightiest summits of the Austro-German symphonic canon. For Herbert von Karajan, Bruckner&apos;s Eighth was a lifelong journey of discovery – one which finds its consummation in this profoundly moving performance recorded with his beloved Vienna Philharmonic less than a year before his death in July 1989. &quot;Otherworldly&quot; is not too strong a term to describe Karajan&apos;s insights on this occasion and the Vienna Philharmonic – an orchestra which was far from sympathetic to Bruckner in the composer&apos;s own lifetime – makes noble atonement, with playing of unsurpassed power and beauty.  </video:description>
<video:duration>5170</video:duration>
<video:publication_date>2024-04-11T08:23:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:39:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0E0</loc>
<video:video>
<video:title>Bernstein conducts Tchaikovsky: Symphony No. 4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e3ae0f07d7cc637afc1e30344353683bc676b99.jpg</video:thumbnail_loc>
<video:description>Leonard Bernstein conducts the New York Philharmonic in this performance of Tchaikovsky’s Fourth Symphony, filmed live at Avery Fisher Hall in April 1975. First performed in Moscow on 10 February 1878, Tchaikovsky’s Fourth was written at a time of great emotional torment in the composer’s life. It is dominated by a “Fate” theme, which opens the work and bursts into the music in three of the four movements. The Fourth was a piece that Bernstein returned to again and again throughout his career, not least when he conducted it in 1989 in his last appearance at Avery Fisher Hall in an interpretation that critics called “rivetingly, definitively manic-depressive.”</video:description>
<video:duration>2729</video:duration>
<video:publication_date>2023-11-07T11:26:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-19T20:08:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8C0</loc>
<video:video>
<video:title>Leonard Bernstein Conducts West Side Story </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2959878f7345b2901db3771b1368c97776428e93.jpg</video:thumbnail_loc>
<video:description>This classic documentary charts that highs and lows of making an iconic recording, as Leonard Bernstein brought his West Side Story into the studio with an all-star cast. Conducting his breakthrough score for the first time – nearly three decades after it opened on Broadway – the composer revels in its originality, beauty and brilliance, while the singers, including José Carreras and Kiri Te Kanawa, reflect on their involvement on the project, its rewards and challenges. With honesty and directness, the film shows the difficulties and pressures of recording and offers a fascinating insight into the process as well as into how Bernstein approached his own work.</video:description>
<video:duration>5299</video:duration>
<video:publication_date>2023-11-20T10:09:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-18T09:21:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ADO</loc>
<video:video>
<video:title>Busoni Competition 2023: Antonio Chen Guang</video:title>
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<video:description>The road to the finals: we present a selection of Antonio Chen Guang’s performances from the Solo Final and Semi Final rounds of the 64th Ferruccio Busoni International Piano Competition.</video:description>
<video:duration>1600</video:duration>
<video:publication_date>2023-08-31T15:19:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-15T20:09:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0DO</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Symphony No. 6 &quot;Pathétique&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c6b3a055c6a0b9d86948ce8056bf359d35efc45f.jpg</video:thumbnail_loc>
<video:description>Tchaikovsky composed his Sixth Symphony in 1893 and died only nine days after its St Petersburg Premiere. Although the “Pathétique” title was given to the work not by the composer but by his brother, Modest, it aptly characterizes the work as a symphony of passion and melancholy. To a friend Tchaikovsky wrote, “I love it as I have never loved any of my other musical creations,” and it has been a staple of the repertoire ever since that first performance. This account from Herbert von Karajan and the Berliner Philharmoniker – filmed in Berlin in 1973 – powerfully conveys the drama, emotion and, ultimately, the pathos at its heart, culminating in a shattering account of the moving final movement. </video:description>
<video:duration>2772</video:duration>
<video:publication_date>2023-11-07T11:12:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-10T07:44:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3IDO</loc>
<video:video>
<video:title>A Journey through Monteverdi&apos;s Italy: Venice</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bb1b40ad0b80d4e0124becb74abf73b5cb3cfbe2.jpg</video:thumbnail_loc>
<video:description>The Monteverdi Choir travels to Venice to pay homage to Monteverdi and the final years of his life, which he spent as Maestro di Cappella at the Basilica San Marco. They perform a programme of sacred music at the Basilica dei Frari, the church where Monteverdi is buried. Works from the composer&apos;s Selva Morale collection (including the beloved Beatus vir) and his late Messa quattro voci (Mass for four voices) bloom in this wonderful venue, which is also home to artistic masterpieces by Titian, Donatello and Bellini.</video:description>
<video:duration>3739</video:duration>
<video:publication_date>2023-11-30T15:19:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-08T15:31:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30E0</loc>
<video:video>
<video:title>Jay Scheib on Wagner&apos;s Parsifal</video:title>
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<video:description></video:description>
<video:duration>642</video:duration>
<video:publication_date>2024-03-28T06:47:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:29:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32C0</loc>
<video:video>
<video:title>Elīna Garanča on Wagner&apos;s Parsifal</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2a8d406b9bc8b873f68e004b1b3e9538dfbbd620.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>337</video:duration>
<video:publication_date>2024-03-28T06:57:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:29:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ30E8</loc>
<video:video>
<video:title>Andreas Schager on Wagner&apos;s Parsifal</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/77b4ba58344c03a9069648009edbc54a6d0311b6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>389</video:duration>
<video:publication_date>2024-03-28T06:53:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:28:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32C8</loc>
<video:video>
<video:title>Pablo Heras-Casado on Wagner&apos;s Parsifal</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f9f1e2f91c13bcb98962c7d223934fbc993ab129.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>343</video:duration>
<video:publication_date>2024-03-28T07:02:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:28:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJEC8</loc>
<video:video>
<video:title>Bach: Italian Concerto in F Major, BWV 971: I. Allegro</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/815e5c81a2091be7cd530ee4c4dd3aef89df2569.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>235</video:duration>
<video:publication_date>2023-12-05T14:13:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-25T05:53:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJEE0</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variation 18</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/417c3ca531c6620b8e84a85d158cb9c14b128dfe.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>93</video:duration>
<video:publication_date>2023-12-06T09:55:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-25T05:52:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0C8</loc>
<video:video>
<video:title>Lang Lang: My Favourite Melodies</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ddc2c21b18a90f4d35c003a6987ef69b72fe661b.jpg</video:thumbnail_loc>
<video:description>What is it that makes a melody so memorable, so inviting and so touching? In this film, Lang Lang goes on a personal quest to try and answer that question, looking at the melodies that mean the most to him: from Beethoven&apos;s Für Elise, Debussy&apos;s Clair de Lune, Schumann&apos;s Träumerei to music by Bach and from favourite film soundtracks. Featuring performances filmed in special locations in Paris, the film offers a fascinating insight into Lang Lang&apos;s musical world as well as the special magic of music itself.</video:description>
<video:duration>3093</video:duration>
<video:publication_date>2023-09-08T11:26:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:06:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP0</loc>
<video:video>
<video:title>Maurizio Pollini: De main de maître</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87227445c2a763b82fae42792d2f3a48b448888b.png</video:thumbnail_loc>
<video:description>It took 70 years until Maurizio Pollini felt it was time to allow himself to be filmed. The great Italian pianist has an extraordinary rarity. With little known about him, giving only the odd concert or interview, this portrait reveals a man rich with musical experience, close friendships with pioneers in the classical music field, a selective repertoire, and a commitment to politics. Based on an extensive interview with Bruno Monsaingeon, Pollini digs deep into his memory bank, overcoming the difficulty of speaking about his childhood, reliving historical moments, and depicting his work, practice, and process, while holding on to the fact that it is always done for his own pleasure.</video:description>
<video:duration>3222</video:duration>
<video:publication_date>2022-04-21T13:44:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:02:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36CO</loc>
<video:video>
<video:title>Through the Eyes of Yuja </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/abb98108e87f20e7475f5e1fc748ef60087784d0.jpg</video:thumbnail_loc>
<video:description>With a top-flight career that involves giving 120 performances a year, Beijing-born pianist Yuja Wang sees her role as that of an intermediary, conveying music to audiences, while being constantly on the go herself. She crosses oceans, from one world-renowned venue and major city to another, from concerto appearance to recitals. Yet the glitz and the glamour and collaborations with the classical world&apos;s leading artists is contrasted with fatigue, pressure, loneliness – and an iPad that dictates every next step. Offering an intimate portrait of the 27-year-old Yuja, this film accompanies her search for belonging, for her mission, and for who she is as a musician.</video:description>
<video:duration>2930</video:duration>
<video:publication_date>2023-01-05T13:40:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:01:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CG</loc>
<video:video>
<video:title>Grigory Sokolov – Haydn Sonatas &amp; Schubert Impromptus</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/57daabab02082f3dae4bd11f107f70f503c13707.jpg</video:thumbnail_loc>
<video:description>Known for the dedication to his repertoire, Russian master pianist Grigory Sokolov presents a meticulously assembled Austrian programme. Haydn’s later sonatas mark the beginning of his use of the Viennese Classical Style and are perfectly complemented here by Schubert’s Impromptus that act as an extension of the sonatas, to form one seamless musical canvas. The concentrated performance is a masterclass in technical skill, musical beauty, and pianistic virtuosity. Much like the composers, Sokolov has made a significant mark on today’s classical world and this recital at the Haydnsaal in the Esterházy Palace in Eisenstadt (where Haydn worked for nearly 30 years), confirms his reputation as one of the finest pianists of our time.</video:description>
<video:duration>7661</video:duration>
<video:publication_date>2022-06-20T12:17:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T13:28:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6E0</loc>
<video:video>
<video:title>Musical Moment: Rafał Blechacz plays Bach, Franck and Chopin</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/074f7f6a57a0ab2e5a0edb2ba05e13df8d5f5f3c.jpg</video:thumbnail_loc>
<video:description>Filmed in Berlin&apos;s Tanzsaal an der Panke, Polish pianist Rafał Blechacz performs a selection of important works from the keyboard literature. He begins with Bach&apos;s Partita in C minor, whose six movements – running the gamut from Baroque grandeur to playful, dancelike counterpoint – are a test of any player&apos;s control and touch. Franck&apos;s Prélude, fugue et variation – originally composed for organ – follows in Bach&apos;s footsteps, as does Chopin&apos;s great Third Piano Sonata, a work in which the composer displays not just his gift for melting melody and keyboard fireworks, but also his rigorous command of structure and counterpoint. A waltz by Chopin, further showing Blechacz natural affinity for the composer, completes the programme.</video:description>
<video:duration>3788</video:duration>
<video:publication_date>2023-02-26T13:23:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T13:25:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8DO</loc>
<video:video>
<video:title>Joep Beving: World Piano Day 2022 Recital</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a09268f3f7111a6be8014e9d299087409f7d22f3.jpg</video:thumbnail_loc>
<video:description>Specially filmed for World Piano Day 2022, Joep Beving performs three intimate sets surrounded by nature in Bilthoven in the Netherlands. The straightforward filming techniques used – the first set shot with a single handheld camera, the second with two alternating static cameras – reflects the natural surroundings, bringing the viewer all the more directly into contact with the music and Beving&apos;s very personal performances.</video:description>
<video:duration>3021</video:duration>
<video:publication_date>2023-03-16T15:49:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:53:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3EE8</loc>
<video:video>
<video:title>Evgeny Kissin at the Salzburg Festival: Berg, Gershwin, Chopin etc. </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b3c9c8c346079e2649846826c93705204453ee9f.jpg</video:thumbnail_loc>
<video:description>Evgeny Kissin presents a striking recital programme at the 2021 Salzburg Festival, its first half juxtaposing Alban Berg&apos;s groundbreaking Piano Sonata with George Gershwin&apos;s Three Preludes of 1926 and rarely heard music by Soviet composer Tikhon Khrennikov. The second part of the recital, meanwhile, presents a selection of works by Chopin, culminating in the fireworks of the Scherzo in B Minor and the &quot;Heroic&quot; Polonaise. For the encores, Kissin performs his net yet wider to include his own Dodecaphonic Tango alongside Mendelssohn, more Chopin and Debussy&apos;s ever-popular Clair de lune.</video:description>
<video:duration>6358</video:duration>
<video:publication_date>2022-12-12T08:25:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:51:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ8D0</loc>
<video:video>
<video:title>Lang Lang – The Cologne Session</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ae5645d27c622f8908f6304fe72811f12d21cf2b.jpg</video:thumbnail_loc>
<video:description>In an intimate session filmed for TikTok Live, Lang Lang performs a selection of favourite works in Cologne&apos;s Palais im Park, including Beethoven&apos;s &quot;Für Elise&quot;, Debussy&apos;s &quot;Clair de Lune&quot; and extracts from Bach&apos;s &quot;Goldberg Variations&quot;. And as a very special final performance in the session, he is joined by his wife, Gina Alice Redlinger, for a performance of Brahms&apos;s lyrical Waltz in A Flat.</video:description>
<video:duration>1526</video:duration>
<video:publication_date>2023-03-08T10:54:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:50:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJAD8</loc>
<video:video>
<video:title>María Dueñas and Mikko Franck in Mendelssohn and Webern </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ed6cf8b3158ee321f77201570cb47d44a70799e4.jpg</video:thumbnail_loc>
<video:description>María Dueñas is the soloist in this mostly-Mendelssohn concert filmed in Paris in December 2023. We first hear Anton Webern’s remarkable Passacaglia before the Spanish virtuoso joins the Orchestre Philharmonique de Radio France in Mendelssohn’s ever-popular Violin Concerto in E minor, whose famous opening melody is immediately introduced by the soloist – a revolutionary gesture at the time of its composition in 1844. It is followed by the “Reformation” Symphony. Composed in 1830 to celebrate the 300th anniversary of the Augsburg Confession, it is notable for its use of the “Dresden Amen” that would later feature in Wagner’s Parsifal and, as the basis for the finale, Luther’s chorale melody “Ein’ feste Burg ist unser Gott!“.</video:description>
<video:duration>4695</video:duration>
<video:publication_date>2024-03-18T10:18:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-20T15:28:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJECO</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Lambert Orkis perform Brahms: The Violin Sonatas</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6ab83af136f991adb392a7833596845b3e0d7b3a.jpg</video:thumbnail_loc>
<video:description>Throughout her career, Anne-Sophie Mutter has forged a unique musical relationship with the pianist Lambert Orkis – a chamber music partnership in which two great artists speak with a single musical voice. And throughout that long partnership, Brahms&apos;s three violin sonatas – by turns tender, tormented and ardently romantic – have been a constant presence. In 2009, the pair committed their shared interpretation to disc: as Mutter put it, &quot;the apple was ripe and simply had to be picked&quot;. With Brahms, of course, ripeness is all, and for this film of their sonata cycle, the pair chose the elegant but intimate baroque Bibliotheksaal at Polling Abbey in Bavaria – a ravishing visual counterpoint to these searching, heartfelt interpretations.</video:description>
<video:duration>4508</video:duration>
<video:publication_date>2024-03-14T13:01:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-15T20:16:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJEC0</loc>
<video:video>
<video:title>Anne-Sophie Mutter plays Mozart: Violin Concertos Nos. 1-5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/995ed1b9f635539356148ce5868dbfc5ed24f2c0.jpg</video:thumbnail_loc>
<video:description>There&apos;s a special delight in hearing all five of Mozart&apos;s Violin Concertos as a sequence, as Mozart&apos;s teenage genius unfurls like a flower before our ears. And what better way to hear them than from the chamber orchestra of Mozart&apos;s own hometown, Salzburg, with Anne-Sophie Mutter as soloist and director? This 2006 cycle – recorded in the Great Hall of Salzburg University, where Mozart himself performed – was a passion project for Mutter, conceived, she says, because Mozart&apos;s music &quot;has made my spine tingle, and moved me to tears&quot;. But it takes an artist of Mutter&apos;s stature to find the full profundity beneath the graceful surface of these enchanting works, and the result is a meeting of two truly extraordinary musical minds.</video:description>
<video:duration>7563</video:duration>
<video:publication_date>2024-03-14T09:25:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-14T15:40:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ6D0</loc>
<video:video>
<video:title>Chopin: 24 Préludes, Op. 28: No. 6 in B Minor. Lento Assai</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ca9cd53c1b92d78de97e7f065a2a38910997668.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>136</video:duration>
<video:publication_date>2023-11-15T15:24:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ6E8</loc>
<video:video>
<video:title>On Johannes Brahms &amp; Clara Schumann</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83d8a5cb5ce90d92fea8ec53d79089a23bc40779.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>341</video:duration>
<video:publication_date>2023-11-17T18:31:06Z</video:publication_date>
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<lastmod>2024-03-07T11:32:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GCG</loc>
<video:video>
<video:title>On Weinberg’s Sinfonietta No. 1</video:title>
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<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2023-05-31T09:18:40Z</video:publication_date>
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<lastmod>2024-03-07T11:30:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla – Going for the Impossible</video:title>
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<video:description>At the age of 30, Mirga Gražinytė-Tyla was unanimously selected as the musical director of the City of Birmingham Symphony Orchestra, succeeding big names that include Andris Nelsons and Simon Rattle. With her inquiring, demanding and patient concentration, the young Lithuanian conductor constantly redefines the role of a conductor, defying any tradition or convention. Her contagious enthusiasm, relentless energy, and remarkable ability to listen make her one of today’s shooting stars in the classical music world. This film is an extensive portrait following a year and a half in the life of an extraordinary conductor.</video:description>
<video:duration>3247</video:duration>
<video:publication_date>2022-05-04T10:03:33Z</video:publication_date>
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<lastmod>2024-03-07T11:30:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3IC8</loc>
<video:video>
<video:title>Anne-Sophie Mutter – Vivace</video:title>
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<video:description>Released to mark Anne-Sophie Mutter&apos;s 60th Birthday, Sigrid Faltin&apos;s new documentary charts the ground-breaking violinist&apos;s career from the moment she was discovered by Herbert von Karajan aged just 13. The film features a rich array of archival material, new interviews, and exchanges with such figures as Daniel Barenboim, John Williams, Jörg Widmann, Lambert Orkis and Roger Federer. In these, Mutter covers a broad array of themes about her life in music and outside it, offering also rare glimpses into her life away from the concert hall. The result is an unmissable intimate portrait of a great artist.</video:description>
<video:duration>5445</video:duration>
<video:publication_date>2023-06-23T08:48:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-03-07T11:29:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3EDO</loc>
<video:video>
<video:title>Hilary Hahn plays Sarasate and Ginastera </video:title>
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<video:description>Hilary Hahn presents a showpiece alongside a rarity of the violin repertoire in this performance with the Frankfurt Radio Symphony conducted by Andrés Orozco-Estrada. In his Carmen Fantasy, Pablo de Sarasate used the most popular melodies from Bizet&apos;s opera for a display of exorbitantly demanding violin techniques that few master as effortlessly as the American virtuoso. No less difficult, but much less well known, is the violin concerto by the Argentinian composer Alberto Ginastera, which features an extended solo cadenza and a haunting scherzo. Both works, together with Dvořák&apos;s Violin Concerto, make up the programme of Hahn&apos;s 2022 album, &quot;Eclipse&quot;.</video:description>
<video:duration>2958</video:duration>
<video:publication_date>2022-12-09T14:57:19Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-03-07T11:27:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJEDG</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Weinberg&apos;s Sinfonietta No. 1</video:title>
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<video:description>In a performance taken from a 2021 concert, Mirga Gražinytė-Tyla and the Royal Stockholm Philharmonic Orchestra perform the vibrant Sinfonietta No. 1 by Mieczysław Weinberg – a composer whose recent renaissance has in no small part being helped by the compelling advocacy of the Lithuanian conductor. The Sinfonietta was composed during Weinberg&apos;s prolific first years in Moscow and dates from 1948, the year that his works were banned by the Soviets, marking the start of his struggle to gain any sort of lasting recognition for his works. With its mixture of energy and introspection, it&apos;s a hugely appealing work that looks forward to much of the composer&apos;s later music. </video:description>
<video:duration>1496</video:duration>
<video:publication_date>2023-05-15T15:21:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:25:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCDO</loc>
<video:video>
<video:title>Anne-Sophie Mutter, André Previn &amp; Lynn Harrell play Mendelssohn</video:title>
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<video:description>&quot;I&apos;ve always loved chamber music, and love it more and more,&quot; says violinist Anne-Sophie Mutter. &quot;No other music has such intimacy, allows so much spontaneity and requires such quick reflexes.&quot; All those qualities are present in sparkling abundance in this performance of Mendelssohn&apos;s sweeping First Piano Trio – one of the touchstones of Romantic chamber music, and a work in which all three players need to share an absolute understanding. Cellist Lynn Harrell and pianist André Previn are two of Mutter&apos;s closest and oldest friends, and it shows; this is a true meeting of hearts and minds in the Vienna Musikverein&apos;s exquisite 300-seat Brahms-Saal. Previn and Mutter follow it with an ardent account of Mendelssohn&apos;s lyrical Violin Sonata. </video:description>
<video:duration>3221</video:duration>
<video:publication_date>2024-03-01T09:20:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-04T11:08:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCC8</loc>
<video:video>
<video:title>Karajan Memorial Concert – with Seiji Ozawa &amp; Anne-Sophie Mutter</video:title>
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<video:description>A “triumph of remembrance” was how Die Welt described this Berliner Philharmoniker concert in Vienna’s Musikverein. It marked the centenary of the birth of Herbert von Karajan, and both conductor and soloist – the late Seiji Ozawa, and violinist Anne-Sophie Mutter – regarded Karajan as mentor and friend; but both are also commanding figures in their own right, and these are performances of consummate commitment and beauty. Mutter follows Beethoven’s Violin Concerto with her own personal tribute to Karajan, the Sarabande from Bach’s D minor Partita, before Ozawa unleashes the full expressive power of Karajan’s old orchestra in Tchaikovsky’s “Pathétique” symphony. The breathless silence after the final note speaks louder than any words.</video:description>
<video:duration>6730</video:duration>
<video:publication_date>2024-02-22T12:58:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-02-28T10:25:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJCCG</loc>
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<video:title>Europakonzert 2014 from Berlin – with Daniel Barenboim </video:title>
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<video:description>The 2014 Europakonzert fell in the 450th anniversary year of Shakespeare&apos;s birth – and what better pretext for Daniel Barenboim, a lifelong Anglophile, to direct a programme that celebrates a genius whose humanity transcends borders? The figure of Falstaff dominates the first half: comic, tragic, playful but always irrepressibly alive – whether in the wit and warmth of Nicolai&apos;s delightful overture, or the psychological depth of Elgar&apos;s rarely-played tone poem. And then, in the second half of this programme from the Philharmonie Berlin, it&apos;s the turn of another artist who crosses cultures: Tchaikovsky, in a sweeping performance of his mighty Fifth Symphony. </video:description>
<video:duration>6024</video:duration>
<video:publication_date>2024-02-23T14:25:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-26T09:36:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCD8</loc>
<video:video>
<video:title>Europakonzert 1997 from Versailles – with Daniel Barenboim</video:title>
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<video:description>No other guest conductor of the Berliner Philharmoniker has led their Europakonzert, held each year in a different European city of culture, as often as Daniel Barenboim. In 1997, the event was watched worldwide from the Palace of Versailles. In keeping with the performance venue, one of the most beautiful buildings of the Baroque era, the concert opens with Maurice Ravel&apos;s Le tombeau de Couperin, a ravishing tribute to 17th- and 18th-century French music that is as spiritual as it is melancholy. Mozart&apos;s  Piano Concerto No. 13, in which Barenboim also performs as the soloist, and Beethoven&apos;s stirring &quot;Eroica&quot; Symphony complete the programme.</video:description>
<video:duration>5813</video:duration>
<video:publication_date>2022-09-15T10:59:20Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-02-26T08:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36DG</loc>
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<video:title>Abbado conducts Mahler: Das Lied von der Erde, Symphony No. 10: Adagio</video:title>
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<video:description>The Berliner Philharmoniker has been performing works by Mahler ever since the composer conducted them himself, yet Claudio Abbado was the first Chief Conductor of the orchestra to work with them on almost all of Mahler&apos;s works, and he brings all his experience and expertise to this concert commemorating the centenary of the Mahler&apos;s death in 2011. On the programme at the Berlin Philharmonie are Mahler&apos;s penultimate completed work, Das Lied von der Erde, and the Adagio from the unfinished 10th Symphony. Both evoke a mood of farewell and yet look forward towards the modernist music that would soon follow. As soloists in Das Lied von der Erde, Jonas Kaufmann and Anne Sofie von Otter make for a Mahlerian dream team. </video:description>
<video:duration>5871</video:duration>
<video:publication_date>2022-11-07T06:58:17Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-02-22T07:46:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8DG</loc>
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<video:title>Gala from Berlin 2005 – with Emanuel Ax</video:title>
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<video:description>In 2006 the world celebrated Mozart&apos;s 250th birthday and you can feel the anticipation in this gala, performed at the Philharmonie, Berlin on New Year&apos;s Eve 2005. The Berliner Philharmoniker is directed by Simon Rattle, and there&apos;s a real sense of celebration as Rattle gathers around him a team of his closest musical colleagues, including Magdalena Kožená, Camilla Nylund and Gerald Finley. A gathering like this demands the most inspiring repertoire imaginable, so Emanuel Ax plays the youthful &quot;Jeunehomme&quot; concerto and Rattle conducts the &quot;Prague&quot; symphony. And then an all-star team of singers assembles for the life-affirming final scene of Le nozze di Figaro: a benediction on the old year, and a toast to the new.</video:description>
<video:duration>6042</video:duration>
<video:publication_date>2024-01-25T13:36:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-12T08:42:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJICO</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Herbert von Karajan: Vivaldi&apos;s Four Seasons</video:title>
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<video:description>Anne-Sophie Mutter joins Herbert von Karajan and his Berliner Philharmoniker for the opening concert of the Chamber Music Hall of the Berlin Philharmonie – inaugurated on 28 October 1987, nearly a quarter of a century after the main concert hall was opened. A few months shy of his 80th birthday, Karajan directs from the harpsichord in a concert that in many ways also celebrated his five decades at the heart of Berlin&apos;s musical life. His former protégée brings characteristic virtuosity and fire to the solo line in Vivaldi&apos;s celebrated concertos in performances that mix excitement with traditional, large-scale grandeur.</video:description>
<video:duration>2834</video:duration>
<video:publication_date>2023-06-22T17:54:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-02T06:33:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJICG</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Herbert von Karajan: Beethoven Violin Concerto</video:title>
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<video:description>Although Anne-Sophie Mutter made a celebrated audio recording of Beethoven&apos;s Violin Concerto with Herbert von Karajan for Deutsche Grammophon in the late 1970s – while she was still in her teens – violinist and conductor waited until February 1984 before making this filmed account, which remained largely unknown until after Karajan&apos;s death in 1989. The veteran maestro had been keen to give his erstwhile protégée time to develop before tackling the work again and the results show breathtaking musical maturity alongside technical control and precision, all captured in innovative style at the Philharmonie in Berlin in a film realized by Karajan with director Ernst Wild.</video:description>
<video:duration>2940</video:duration>
<video:publication_date>2023-06-22T17:37:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-02T06:32:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJACO</loc>
<video:video>
<video:title>Bach 300 – with Lang Lang, Daniel Hope &amp; Albrecht Mayer</video:title>
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<video:description>An array of musical stars converges on Leipzig to celebrate the 300th anniversary of Johann Sebastian Bach taking up his appointment as Kantor at the city&apos;s iconic Thomaskirche – a post that he occupied for more than a quarter of a century, covering a period in which he created many of his greatest works. Among those performing on a special open-air stage in the city&apos;s market square are pianist Lang Lang, violinist Daniel Hope, cellist Sophie Kauer and oboist Albrecht Mayer, joined by the Thomanerchor and the Gewandhausorchester under current Thomaskantor Andreas Reize. Join us for what promises to be an unforgettable celebration!</video:description>
<video:duration>8066</video:duration>
<video:publication_date>2023-08-04T14:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-30T14:53:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0</loc>
<video:video>
<video:title>Making Of: Lang Lang - The Third Dimension</video:title>
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<video:description>Go behind the scenes of Lang Lang’s unique era-bridging, generation-joining, boundary-pushing performance at Berghain in Berlin. Filmed in 3D, discover the making of the concert and see how state-of-the-art technology is put to use to set new standards for performing arts and to bring the works of Beethoven, Chopin, Prokofiev and Albéniz to life. </video:description>
<video:duration>721</video:duration>
<video:publication_date>2022-05-19T14:47:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-30T05:18:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Mikhail Pletnev: Chopin Piano Concertos </video:title>
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<video:description>The two piano concertos that Frédéric Chopin wrote in his career firmly secured his reputation as a composer of originality and brilliance. Poetic, impassioned, and moving, the concertos were written within a year of one another, while Chopin was in love with Polish soprano Konstancja Gładkowska. Daniil Trifonov&apos;s celebrated performances of composer&apos;s works play to his great talents, mixing maturity and tact with a composer&apos;s own awareness of every melody and harmony, while his unrivalled technique is placed at the service of the works&apos; brilliance, and virtuosity. Mikhail Pletnev, Trifonov&apos;s self-proclaimed musical forefather, directs the Mahler Chamber Orchestra in this premiere performance of his own reorchestrations of the two concertos.</video:description>
<video:duration>5508</video:duration>
<video:publication_date>2022-05-10T15:34:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-29T10:26:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8CG</loc>
<video:video>
<video:title>Europakonzert 2006 from Prague – with Daniel Barenboim </video:title>
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<video:description>No city embodies the spirit of Central Europe more vibrantly than Prague, and no venue in Prague is more alive with history than the baroque Estates Theatre – the house for which Mozart wrote Don Giovanni. It makes an exquisite setting for the Berliner Philharmoniker&apos;s 2006 Europakonzert – an all-Mozart performance conducted by Daniel Barenboim. The &quot;Haffner&quot; and &quot;Linz&quot; symphonies are the twin cornerstones of the programme, but like Mozart himself, Barenboim also takes to the keyboard as soloist-director in the noble Piano Concerto No.22. And the orchestra&apos;s then-principal horn Radek Baborák steps forward as soloist in the First Horn Concerto: music-making of unbridled joy, from the very heart of Europe.</video:description>
<video:duration>5880</video:duration>
<video:publication_date>2024-01-22T15:28:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-24T16:49:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C0</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Das Lied von der Erde – with Christa Ludwig</video:title>
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<video:description>For his audio-visual recordings of both Das Lied von der Erde and the songs from Des Knaben Wunderhorn, Leonard Bernstein turned to the Israel Philharmonic Orchestra, an ensemble with which he had a decades-long relationship. For this live recording made at the Frederick Mann Auditorium in Tel Aviv of Mahler’s 1908 work – a part symphony, part song cycle setting fin-de-siècle German translations of Chinese poetry – the conductor is joined with two of the greatest singers of the time: tenor René Kollo and mezzo-soprano Christa Ludwig, who features in the final song of the work, “Der Abschied” – a heartbreaking farewell that lasts as long as all five other movements put together.</video:description>
<video:duration>4038</video:duration>
<video:publication_date>2024-01-18T15:56:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-23T15:15:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C8</loc>
<video:video>
<video:title>Maria Dueñas performs Gargiulo: Violin Sonata No. 4 “From the Window”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ae772cd382c243e8a4db16d582a69535d30a1fa.jpg</video:thumbnail_loc>
<video:description>Maria Dueñas joins composer Julian Gargiulo – aka “Pianist with the Hair” – to perform his Violin Sonata No. 4. Imaginative and heartfelt as well as technically challenging, the work was composed during the Covid lockdown. Its title “From the Window” is a reference to the time when it was only by looking through one’s window that connections could be formed and togetherness felt. Dueñas was one of four finalists - each playing one movement of the Sonata - in the 7th “Getting to Carnegie” Competition, eventually going on to win it. Here she comes together with Gargiulo in a complete performance of the work, filmed in the atmospheric Ehrbar Saal in Vienna.</video:description>
<video:duration>1128</video:duration>
<video:publication_date>2024-01-18T16:20:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-23T08:50:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30CG</loc>
<video:video>
<video:title>Rolando Villazón stars in and directs Donizetti&apos;s L&apos;elisir d&apos;amore</video:title>
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<video:description>From the Festpielhaus in Baden-Baden 2012 comes a production of L&apos;elisir d&apos;amore with a twist. Transported to the film set of a Wild West film in Rolando Villazón&apos;s staging – his second project as opera director – it was a hit of the Whitsun Festival, putting a multilayered new spin on Donizetti&apos;s charming comedy. Villazón himself also leads the cast playing the lovelorn Nemorino, opposite Miah Persson&apos;s Adina. Italian bass Ildebrando D’Arcangelo relishes the double role of film director and actor playing Dulcamara. Pablo Heras-Casado and his Balthasar-Neumann-Orchestra provide sparkling support to the drama.</video:description>
<video:duration>8116</video:duration>
<video:publication_date>2023-06-30T07:22:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-13T08:46:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30DG</loc>
<video:video>
<video:title>Seong-Jin Cho plays Mozart, including Premiere Recording</video:title>
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<video:description>The Salzburg Mozart Week and its artistic director Rolando Villazón presented a mini sensation at their digitally staged 2021 festival: a piece by Mozart that, though Köchel had included it in his catalogue, had never been performed in public. The manuscript for the Allegro in D major changed hands several times, was considered lost, and was finally offered for sale to the Mozarteum Foundation Salzburg in 2018. International experts confirmed that there can be no doubt about Mozart&apos;s authorship. Here it is performed, alongside other works by Mozart, by Seong-Jin Cho, who, as Villazón himself says, brings a &quot;tender humanity&quot; to his playing.  </video:description>
<video:duration>3006</video:duration>
<video:publication_date>2022-10-28T10:44:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-13T06:55:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30E0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla conducts Šerkšnytė, Haydn &amp; Beethoven</video:title>
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<video:description>Mirga Gražinytė-Tyla&apos;s career reached a peak in 2016 with her appointment as Music Director of the City of Birmingham Symphony Orchestra at the age of 29. In June 2020, she conducted this programme with the Konzerthausorchester Berlin at the Konzerthaus Dortmund, where at the time she was an &quot;exclusive artist&quot;. The concert, staged under Covid restrictions, charts a path from the bracing De Profundis by Gražinytė-Tyla&apos;s Lithuanian Raminta Šerkšnytė via Haydn&apos;s graceful First Cello Concerto to Beethoven&apos;s witty and ingenious Fourth Symphony. The energy, care and subtle musicality with which both Gražinytė-Tyla and her soloist, Kian Soltani, devoted themselves to the works made for moving evening in difficult times.</video:description>
<video:duration>4501</video:duration>
<video:publication_date>2022-10-31T09:07:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-13T06:37:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CE0</loc>
<video:video>
<video:title>The Sound Weavers: Ludovico Einaudi, Hauschka, Joep Beving, Hania Rani</video:title>
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<video:description>In this documentary, filmmaker Anne-Kathri Peitz delves deep into the world of New Repertoire meeting four of the most successful musicians working in the genre: Ludovico Einaudi, Hauschka, Joep Beving, Hania Rani. It tells their stories, visits them and their concerts. It gets up close and personal with their audience, seeks answers from socialists, neuroscientists, musicologists and even marketing experts. But above it all, it allows these creators – these weavers – to have their own say.</video:description>
<video:duration>3210</video:duration>
<video:publication_date>2023-03-03T08:23:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-12T19:13:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ED0</loc>
<video:video>
<video:title>Pianomania! Rudolf Buchbinder: The Diabelli Project</video:title>
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<video:description>Beethoven&apos;s Diabelli Variations have fascinated Rudolf Buchbinder since the beginning of his career as a pianist. It remains one of the composer&apos;s most impressive achievements, in which he presented a compelling set of variations showcasing all conceivable playing and compositional techniques – all based on a relatively simple waltz by his colleague Anton Diabelli. For the Beethoven Year 2020, Buchbinder commissioned music from composers to reflect the work from different contemporary perspectives. At the Gulbenkian Foundation in Lisbon, Buchbinder performs three of these commissioned works by this group – and of course Beethoven&apos;s Variations, in addition to further variations on Diabelli&apos;s waltz by Schubert and Liszt.</video:description>
<video:duration>4059</video:duration>
<video:publication_date>2022-12-07T10:35:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-12T06:27:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJEE8</loc>
<video:video>
<video:title>Opening Concert of the Isarphilharmonie – with Daniil Trifonov</video:title>
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<video:description>The Munich Philharmonic Orchestra celebrates the opening of the Isarphilharmonie – its new temporary home – in October 2021 with a programme spanning more than 200 years. The concert, conducted by then music director Valery Gergiev, opens with a new work commissioned especially for the occasion, Thierry Escaich&apos;s Arising Dances, and continues with Beethoven&apos;s lyrical Piano Concerto No. 4, featuring Daniil Trifonov as soloist. The second half features Henri Dutilleux&apos;s 1964 Métaboles as well as an extract from Rodion Shchedrin&apos;s 1988 choral suite Sealed Angel, featuring the Munich Philharmonic Choir. The choir then joins the orchestra for Ravel&apos;s enchanting Suite No. 2 from Daphnis et Chloé in a suitably rousing finale. </video:description>
<video:duration>6441</video:duration>
<video:publication_date>2022-10-05T12:37:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-11T16:17:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CCO</loc>
<video:video>
<video:title>Bernstein conducts Beethoven: Symphonies Nos. 1–9</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/12e8f8d540740ed954d1d57cc13730173edfb3da.jpg</video:thumbnail_loc>
<video:description>Filmed between 1977 and 1979, Bernstein&apos;s landmark cycle of the Beethoven Symphonies with the Wiener Philharmoniker was the conductor&apos;s second major audio-visual recording project. The performances, filmed in the legendary Goldener Saal of Vienna&apos;s Musikverein, capture Bernstein in his prime as he presents his mature view on these central works in the repertoire in interpretations of relaxed authority and compelling conviction – and in which his rapport with the musicians of the Wiener Philharmoniker comes across in every bar. </video:description>
<video:duration>23955</video:duration>
<video:publication_date>2023-09-05T14:06:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-11T13:04:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32D8</loc>
<video:video>
<video:title>Busoni Competition 2023: Grand Finale </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e88c8f8734e7b435a93c679e31115632a816c658.jpg</video:thumbnail_loc>
<video:description>The Grand Finale of the 64th Ferruccio Busoni International Piano Competition in Bolzano saw three three pianists – whittled down from hundreds of applicants – compete for the top prize. Anthony Ratinov, Arsenii Moon and Ryota Yamazaki performed concertante works by Prokofiev, Rachmaninoff and Tchaikovsky with the  Haydn Orchestra and conductor Arvo Volmer, before Arsenii Mun was eventually announced as the First Prize Winner, as chosen by the competition&apos;s distinguished international jury, as well as winner of the Michelangeli Prize, awarded only on the rare occasion that the jury decision is unanimous. </video:description>
<video:duration>5648</video:duration>
<video:publication_date>2023-09-28T13:33:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT</video:restriction>
</video:video>
<lastmod>2023-12-22T09:56:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32CO</loc>
<video:video>
<video:title>Busoni Competition 2023: Arsenii Moon &amp; Ryota Yamazaki</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/769a8fe2b5df5eb6f0c4fd37213d8975f4982aa6.jpg</video:thumbnail_loc>
<video:description>The second pair of pianists to make it through to the Chamber Music Finals of the 64th Ferruccio Busoni International Piano Competition – Arsenii Moon and Ryota Yamazaki – are given the chance to shine in performance with the Isidore String Quartet, while also present a further 30-minute solo programme.  </video:description>
<video:duration>8114</video:duration>
<video:publication_date>2023-09-13T10:18:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-22T09:55:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CE0</loc>
<video:video>
<video:title>Brendel Plays Liszt: Années de pèlerinage I &amp; II </video:title>
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<video:description>One of the most insightful pianists of his age, Alfred Brendel presents the first two parts of Liszt&apos;s remarkable Années de pèlerinage – his &quot;years of pilgrimage&quot; – inspired by travels through Switzerland and Italy. Mixing poetic reactions to landscape and literature with evocations of specific sites, from Swiss valleys to Dante&apos;s Inferno, the two &quot;years&quot; represent a groundbreaking essay in composing for the piano as well as pushing boundaries in musical aesthetics. Along with the two major sets of Etudes, produced around the same time, the two works also marked a breakthrough in Liszt&apos;s career as a composer. Filmed at London&apos;s Middle Temple Hall in 1986, Alfred Brendel proves an ideal champion. </video:description>
<video:duration>6031</video:duration>
<video:publication_date>2023-09-19T15:06:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-20T08:56:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJID8</loc>
<video:video>
<video:title>On Bach&apos;s Goldberg Variations</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b07a206ac645a8268d5bdcab7c9466b55607efbf.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>82</video:duration>
<video:publication_date>2023-12-15T15:58:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-17T13:17:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJICG</loc>
<video:video>
<video:title>On Szymanowski: Piano Works</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ac967ca05a090167d75f87ff3f22330ab22e5381.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>985</video:duration>
<video:publication_date>2023-12-14T15:56:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-15T10:32:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJIC8</loc>
<video:video>
<video:title>On Schubert&apos;s Trout Quintet</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7ebd99ebc738c4ccbd478492c78d79e36c3ab7cf.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>437</video:duration>
<video:publication_date>2023-12-12T05:05:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-14T15:21:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6</loc>
<video:video>
<video:title>In Conversation: Anne-Sophie Mutter &amp; John Williams</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df29f0d40ca743556442542c10ee1dcf741afff2.jpg</video:thumbnail_loc>
<video:description>John Williams’ Violin Concerto No. 2 was written for and recorded by the venerated composer’s friend and frequent collaborator Anne-Sophie Mutter. Her impassioned world premiere performance was given with the Boston Symphony Orchestra, conducted by Williams, in Tanglewood. In this conversation, John Williams and Anne-Sophie Mutter talk about the story behind the Violin Concerto No. 2, their inspiring collaboration and working with the Boston Symphony Orchestra. 
“I can only think of this piece as being about Anne-Sophie. I took my inspiration and energy directly from this great artist herself.” – John Williams</video:description>
<video:duration>1530</video:duration>
<video:publication_date>2022-06-01T17:02:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-13T06:51:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP30CG</loc>
<video:video>
<video:title>Veni domine - Advent &amp; Christmas at the Sistine Chapel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1f15dd78f3940cfbb0aa64d6aa9471b481599011.jpg</video:thumbnail_loc>
<video:description>Founded around the year 600, the Papal Choir of the Sistine Chapel, in which men and boys perform together still today, is considered the oldest vocal ensemble still active in the world. The music of this Advent and Christmas concert harks back to the era when Michelangelo created the magnificent ceiling paintings for the chapel. Together with the works of art by Botticelli and Perugino, they form an unsurpassable visual background for a programme that presents the art of polyphonic music from the Middle Ages and Renaissance at its peak. Among the composers is Giovanni Pierluigi da Palestrina, who himself served as the chapel&apos;s choirmaster.</video:description>
<video:duration>3085</video:duration>
<video:publication_date>2022-10-26T13:48:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T13:44:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3GDO</loc>
<video:video>
<video:title>Solti conducts Hänsel und Gretel </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/937f4a75ebcd72dec698facf02bda6ad815d2478.jpg</video:thumbnail_loc>
<video:description>Many children experience their first encounter with the world of opera with a visit to Engelbert Humperdinck&apos;s fairy-tale setting of Hansel and Gretel, which has established itself as a popular classic of the Christmas season. In his masterpiece, the composer combines folksong-like melodies with Wagnerian orchestral grandeur and imaginative characterization. In this affectionate film version directed by August Everding, Brigitte Fassbender and Edita Gruberová prove delightful in the title roles, while Hermann Prey and Helga Dernesch lead the rest of the cast. The Wiener Philharmoniker and George Solti bring all their experience in Wagner to bear in conveying all the glowing colours of Humperdinck&apos;s glorious score.  </video:description>
<video:duration>6529</video:duration>
<video:publication_date>2022-12-19T07:47:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T13:43:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0D8</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Symphony No. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/29d9563466e33982839e87d3b27101162240d750.jpg</video:thumbnail_loc>
<video:description>When Tchaikovsky came to write his Symphony No. 5, he was at the peak of his success and was undoubtedly Russia’s most famous composer. The 1888 premiere was only a moderate success, but the symphony’s quality – completed a decade after the fourth – was immediately recognized, and it now counts as one of the most beloved of all works in the symphonic repertoire. This performance by Herbert von Karajan and the Berliner Philharmoniker, filmed in the Philharmonie in 1973, captures the conductor at his peak, conveying not only the work’s drama and passion, but also a strong sense of the formal mastery that binds the piece together.</video:description>
<video:duration>2922</video:duration>
<video:publication_date>2023-11-07T10:42:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T10:06:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ0D0</loc>
<video:video>
<video:title>Karajan conducts Tchaikovsky: Symphony No. 4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/384c0dc53ff14d401d795209adab0512e9b099c4.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan conducted the Berliner Philharmoniker in Tchaikovsky’s three final symphonies in a series performances in 1974, filmed in concert at the Philharmonie in Berlin. The first of that final triptych, the Fourth, was slow to achieve its present popularity but is now firmly established as a repertoire favourite, immediately recognizable thanks to the “Fate” theme with which it opens and which reappears in dramatic style in three of the four movements. Karajan conducts the work with a thrilling sense of drama and authority, while also giving full expression to the lyricism and – in the pizzicato-dominated Scherzo – wit that offer relief from the intensity.</video:description>
<video:duration>2604</video:duration>
<video:publication_date>2023-11-07T10:30:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T10:06:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJECO</loc>
<video:video>
<video:title>On Johann Sebastian Bach</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06d403b9fe248920f9fa87b3f4f5ca2361a3c0ce.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>296</video:duration>
<video:publication_date>2023-12-06T07:51:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-06T08:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCE0</loc>
<video:video>
<video:title>Szymanowski: Piano Sonata in C Minor, Op. 8: III. Tempo di Minuetto</video:title>
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<video:live>no</video:live>
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<video:video>
<video:title>On Debussy and Szymanowski</video:title>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCE8</loc>
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<video:title>On Chopin&apos;s Polonaises</video:title>
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<video:live>no</video:live>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCD8</loc>
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<video:title>On Chopin&apos;s Piano Concertos</video:title>
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<video:live>no</video:live>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCDO</loc>
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<video:title>Debussy: Pour le piano, CD 95: II. Sarabande</video:title>
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<video:description></video:description>
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<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-12-05T17:15:57Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJEC0</loc>
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<video:title>Chopin: Polonaise No. 1 in C Sharp Minor, Op. 26</video:title>
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<video:live>no</video:live>
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<lastmod>2023-12-05T17:15:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCD0</loc>
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<video:title>Vali: Persian Folk Songs, 7. Folk Song from Khorasan (Excerpt)</video:title>
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<lastmod>2023-12-05T08:43:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCCO</loc>
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<video:title>On &quot;Home&quot;</video:title>
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<video:live>no</video:live>
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<lastmod>2023-12-05T08:43:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJCCG</loc>
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<video:title>On Mozart&apos;s Violin Concertos</video:title>
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<video:live>no</video:live>
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<lastmod>2023-12-05T08:42:40Z</lastmod>
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<url>
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<video:title>The History of Rudolfinum in Prague</video:title>
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<lastmod>2023-12-05T07:32:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJAC8</loc>
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<video:title>Schubert: Fantasy in C Major, Op. 15, D. 760 &quot;Wanderer&quot;: II. Adagio</video:title>
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<lastmod>2023-11-30T16:58:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8DO</loc>
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<video:title>On Debussy</video:title>
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<video:live>no</video:live>
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<lastmod>2023-11-30T16:53:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8CO</loc>
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<video:title>On Chopin&apos;s Piano Concerto No. 1</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
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<lastmod>2023-11-30T16:52:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8D0</loc>
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<video:title>On Chopin&apos;s Ballades</video:title>
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<video:description></video:description>
<video:duration>298</video:duration>
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<video:live>no</video:live>
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<lastmod>2023-11-30T16:50:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJAC0</loc>
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<video:title>Mozart: Rondo in A Minor, K. 511</video:title>
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<video:description></video:description>
<video:duration>612</video:duration>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-30T16:49:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8E0</loc>
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<video:title>Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio</video:title>
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<video:live>no</video:live>
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<lastmod>2023-11-30T16:48:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJACG</loc>
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<video:title>Mozart: Allegro in D Major, K. 626b/16</video:title>
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<lastmod>2023-11-30T16:47:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8D8</loc>
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<video:title>Debussy: Suite bergamasque, CD. 82: III. Clair de Lune</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-21T16:20:03Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-30T16:46:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8DG</loc>
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<video:title>Debussy: Children&apos;s Corner, L. 113: VI. Golliwog&apos;s Cakewalk</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-21T16:27:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-11-30T16:45:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8CG</loc>
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<video:title>Chopin: Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso (excerpt)</video:title>
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<video:description></video:description>
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<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-30T16:44:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJAD0</loc>
<video:video>
<video:title>Chopin: Impromptu No. 1 in A Flat Major, Op. 29</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-22T16:00:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-30T16:42:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ8C8</loc>
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<video:title>Chopin: Ballade No. 1 in G Minor, Op. 23 (excerpt)</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-21T15:37:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-28T10:08:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GDG</loc>
<video:video>
<video:title>Liszt: Piano Sonata in B Minor, S. 178: Lento assai</video:title>
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<video:description></video:description>
<video:duration>210</video:duration>
<video:publication_date>2023-06-17T07:39:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-27T15:35:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJAE0</loc>
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<video:title>On Robert Schumann&apos;s Piano Concerto</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-26T08:10:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-27T15:31:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJADO</loc>
<video:video>
<video:title>On Messiaen&apos;s Quartet for the End of Time</video:title>
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<video:description></video:description>
<video:duration>116</video:duration>
<video:publication_date>2023-11-24T17:03:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-25T08:26:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJAD8</loc>
<video:video>
<video:title>On Nightfall</video:title>
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<video:live>no</video:live>
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<lastmod>2023-11-24T17:34:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0E8</loc>
<video:video>
<video:title>Get to know Jonathan Tetelman</video:title>
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<video:live>no</video:live>
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<lastmod>2023-11-24T11:31:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ2DO</loc>
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<video:title>Bernstein conducts Mahler: Wunderhorn Songs – with Lucia Popp </video:title>
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<video:description>For this 1984 live performance of Mahler&apos;s settings of poems from &quot;Des Knaben Wunderhorn&quot; – a selection of folk poems compiled by Achim von Arnim and Clemens Brentano – Leonard Bernstein conducts the Israel Philharmonic alongside the celebrated Slovak soprano Lucia Popp and the Finnish baritone Walton Groenroos. The Wunderhorn songs are the most important songs of Mahler&apos;s earlier career and all but two of the were composed between 1892 and 1895 (&quot;Revelge&quot; and &quot;Der Tambourg&apos;sell&quot; followed in 1899). They range from folksy wit to moving meditations on death and loss and their innovative music and character seeped through into his second, third and fourth symphonies.  </video:description>
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<lastmod>2023-11-23T21:58:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CCG</loc>
<video:video>
<video:title>Berlioz: Nature immense, impénétrable et fière</video:title>
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<video:title>Tchaikovsky: Kuda, kuda, kuda vi udalilis</video:title>
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<lastmod>2023-11-23T15:00:21Z</lastmod>
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<video:title>Gounod: Ah! lève-toi, soleil!</video:title>
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<lastmod>2023-11-23T14:59:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3EDG</loc>
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<video:title>Bernstein Conducts Brahms: Violin Concerto – with Gidon Kremer</video:title>
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<video:description>Following in the footsteps of Beethoven&apos;s Violin Concerto – also in D major – Brahms&apos;s own violin concerto of 1878 is set out on a symphonic scale with an overarching sense of lyricism dominating. The solo part, composed for Brahms&apos;s old friend Joseph Joachim, weaves in and out of the orchestral texture as rarely before, with virtuosity never used as an end in itself, even in the rousing finale. The violinist in this performance is the Latvian virtuoso Gidon Kremer, one of three exciting young soloists – along with Krystian Zimerman and Mischa Maisky – who were chosen by Leonard Bernstein to feature in the complete survey of Brahms&apos;s orchestral works he filmed with the Wiener Philharmoniker in Vienna&apos;s Musikverein in the early 1980s. </video:description>
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<video:title>Mussorgsky: Pictures at an Exhibition: Promenade &amp; The Old Castle (Arr. for Piano)</video:title>
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<lastmod>2023-11-18T08:13:24Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ6E0</loc>
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<video:title>Reminiscence (Yellow Lounge, 2015)</video:title>
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<lastmod>2023-11-17T14:01:48Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4DG</loc>
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<video:title>Mussorgsky: Pictures at an Exhibition: Promenade &amp; Ballet of the Unhatched Chicks (Arr. for Piano)</video:title>
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<lastmod>2023-11-17T13:03:42Z</lastmod>
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<video:title>Beethoven: Bagatelle No. 25 in A Minor, WoO 59 &quot;Für Elise&quot;</video:title>
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<video:publication_date>2023-11-15T15:50:58Z</video:publication_date>
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<lastmod>2023-11-17T10:34:45Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ6D8</loc>
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<video:title>Pärt: Für Alina (Version 2)</video:title>
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<lastmod>2023-11-17T10:34:17Z</lastmod>
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<lastmod>2023-11-17T10:33:10Z</lastmod>
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<video:title>Satie: Gnossiennes, I. Lent</video:title>
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<lastmod>2023-11-17T10:32:37Z</lastmod>
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<video:title>Debussy: Suite bergamasque, CD. 82: III. Clair de Lune</video:title>
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<lastmod>2023-11-17T10:32:13Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4E8</loc>
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<video:title>Grieg: Lyric Pieces, Book III, Op. 43: No. 6 To Spring</video:title>
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<lastmod>2023-11-17T10:30:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4E0</loc>
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<video:title>Mussorgsky: Pictures at an Exhibition: The Hut on Fowls&apos; Legs (Baba-Yaga) (Arr. for Piano)</video:title>
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<video:publication_date>2023-11-15T14:29:45Z</video:publication_date>
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<lastmod>2023-11-17T10:30:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4D0</loc>
<video:video>
<video:title>On Beethoven&apos;s Sonatas in C Major</video:title>
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<video:publication_date>2023-11-15T11:05:22Z</video:publication_date>
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<lastmod>2023-11-17T10:25:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4CG</loc>
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<video:title>On Mozart: Piano Concertos Nos. 20 &amp; 21</video:title>
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<video:publication_date>2023-11-14T04:38:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-11-14T08:19:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ4C8</loc>
<video:video>
<video:title>Bernstein: West Side Story: Somewhere</video:title>
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<video:live>no</video:live>
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<lastmod>2023-11-11T06:20:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0CG</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 1</video:title>
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<video:publication_date>2023-09-08T11:59:41Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-11-09T17:14:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0CO</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 2</video:title>
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<video:duration>413</video:duration>
<video:publication_date>2023-09-08T12:18:22Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-11-09T17:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0D0</loc>
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<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 3 </video:title>
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<video:description></video:description>
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<video:publication_date>2023-09-08T12:21:59Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-11-09T17:13:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38D8</loc>
<video:video>
<video:title>Silvestrov: Two Dialogues with Postscript: I. Wedding Waltz</video:title>
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<video:publication_date>2023-01-15T18:23:53Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-11-08T07:36:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJGCO</loc>
<video:video>
<video:title>Yellow Lounge: Menahem Pressler </video:title>
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<video:description>In 2018, Menahem Pressler, 94 years young, appeared in Deutsche Grammophon&apos;s Yellow Lounge, performing a set of favourite works by Debussy – plus a Chopin Nocturne – in the Säälchen in east Berlin&apos;s Friedrichshain. The legendary pianist was pianist of the Beaux Arts Trio for over half a century and, after it was disbanded in 2008, returned to solo activities in his 80s, releasing a solo album with the Yellow Label in the same year as this concert.</video:description>
<video:duration>2233</video:duration>
<video:publication_date>2023-06-08T10:12:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-11-01T10:48:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2E0</loc>
<video:video>
<video:title>Seong-Jin Cho Performs Chopin&apos;s Second Piano Concerto</video:title>
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<video:description>Seong-Jin Cho brings one of his signature works to the Konzerthaus Berlin. The charismatic Korean pianist is joined by the European Union Youth Orchestra and conductor Gianandrea Noseda in Chopin’s second Piano Concerto, capturing the composition’s heartfelt passion and dramatic contrasts. Composed while still a student at Warsaw’s High School for Music, Chopin channelled his jaw-dropping virtuosity as a pianist and deep feeling for poetic lyricism into a work of spellbinding beauty. The winner of the XVII International Chopin Piano Competition crowns his sublime Chopin performance with an ideal encore, the slow movement from Beethoven’s “Pathétique” Sonata.</video:description>
<video:duration>2413</video:duration>
<video:publication_date>2023-01-30T15:42:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-11-01T10:47:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2DG</loc>
<video:video>
<video:title>The Final Tour—The Emerson Quartet plays Mendelssohn, Brahms &amp; Dvořák</video:title>
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<video:description>At the start of their Farewell Tour, the Emerson Quartet comes to Prague&apos;s Rudolfinum to perform three great works from the quartet repertoire. The 20-year-old Mendelssohn&apos;s Quartet Op. 12 is followed by Brahms&apos;s Third Quartet, while the programme concludes with Dvořák&apos;s final masterpiece in the genre, completed shortly after his return to Bohemia from America and featuring one of his most beautiful slow movements. The Farewell Tour marks the final chapter for one of the most important quartets of the last half century, which has seen the group win multiple awards – including an unprecedented nine Grammys – and commission and premiere many important new works.  </video:description>
<video:duration>6002</video:duration>
<video:publication_date>2023-05-17T11:01:17Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-10-31T12:27:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ICO</loc>
<video:video>
<video:title>Alice Sara Ott plays Beethoven&apos;s Piano Concerto No. 3</video:title>
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<video:description>Alice Sara Ott joins the London Symphony Orchestra and conductor Natalie Stutzmann for this performance – recorded at London&apos;s Barbican Hall in November 2022 – of Beethoven&apos;s dramatic and virtuosic Piano Concerto No. 3 of 1800. Cast in one of the composer&apos;s favourite keys, C minor, the work mixes dark passion with lyricism; a powerful first movement is followed by a sublime Largo and then a rondo finale whose gripping first theme returns between brilliant contrasting episodes, before a thrilling coda brings the work to a close. Ott captures the works many facets here in a performance praised at the time for &quot;playing of enormous grace and delicacy&quot; (Bachtrack) and offers as an encore one of Beethoven&apos;s best-loved miniatures, &quot;Für Elise&quot;.  </video:description>
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<video:publication_date>2023-10-30T11:15:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-10-30T15:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6D8</loc>
<video:video>
<video:title>Bruce Liu: Chopin Recital at the Théâtre des Champs-Elysées</video:title>
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<video:description>Following his triumph at the 2021 International Chopin Competition in Warsaw, the Paris-born Canadian-Chinese pianist Bruce Liu performs Chopin at a highly-anticipated recital at the Théâtre des Champs-Elysées in the French capital. With a programme carefully chosen to display the composer&apos;s many facets – from the brilliance of the early &quot;La ci darem la mano&quot; Variations and the Andante spianato et Grande polonaise brillante to the drama and lyrical beauty of the Second Sonata and Ballade No. 2 – Liu demonstrates the breadth of his virtuosity. The concert concludes with four encores demanded by the ecstatic audience, including two favourite pieces by Rameau.</video:description>
<video:duration>5994</video:duration>
<video:publication_date>2023-02-23T13:07:36Z</video:publication_date>
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<lastmod>2023-10-22T15:17:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38CO</loc>
<video:video>
<video:title>Nadine Sierra stars in Donizetti&apos;s Lucia di Lammermoor </video:title>
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<video:description>The role of Lucia di Lammermoor, who finally loses her mind in the conflict between two hostile families, is a pinnacle of the bel canto repertoire, famous for the extended &quot;mad scene&quot; in Act III. It&apos;s a role that American soprano Nadine Sierra has introduced into her repertoire to great critical and public acclaim. Before causing a sensation as Lucia at the Bavarian State Opera and the Met in 2022, she interpreted the role at the Teatro San Carlo in Naples, where Donizetti&apos;s opera had its premiere in 1835. In the period costumes of this production by film director Gianni Amelio, the soprano showcases her brilliant coloratura, pin-point top notes, and a voice of beguiling warmth – all complemented by acting of compelling intensity. </video:description>
<video:duration>8720</video:duration>
<video:publication_date>2022-11-09T17:25:16Z</video:publication_date>
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<lastmod>2023-10-11T15:11:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ECO</loc>
<video:video>
<video:title>Bernstein conducts Brahms: Double Concerto – with Kremer &amp; Maisky</video:title>
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<video:description>Brahms&apos;s Double Concerto with an all-star line-up: Leonard Bernstein conducts the Wiener Philharmoniker in this performance from 1982 with two soloists, Gidon Kremer and Mischa Maisky, then at the start of their international careers. Composed in 1887 after a request from cellist Robert Hausmann, the Double Concerto was conceived by Brahms in part as a gesture of reconciliation towards his old friend the violinist Joseph Joachim and is filled with allusions to music Brahms associated with Joachim. The reception of the work was initially cool, but today, thanks in large part to the help of such superb soloist pairings as here, it has become firmly established in the repertoire.</video:description>
<video:duration>2334</video:duration>
<video:publication_date>2023-10-05T10:28:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-10-09T10:24:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJC</loc>
<video:video>
<video:title>Jan Lisiecki performs Beethoven&apos;s Piano Concertos </video:title>
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<video:description>Jan Lisiecki made his Carnegie Hall debut with the Fourth Piano Concerto and led from the piano for the first time at the Suntory Hall in Tokyo with the same work, so it&apos;s clear he has a clear bond with Beethoven. He jumped in at four days&apos; notice to play the full cycle of the composer&apos;s piano concertos with the Academy of St Martin in the Fields in these performances captured here from Berlin&apos;s Konzerthaus. With clear communication and intimate knowledge of the works, soloist and orchestra, led from the Concertmaster&apos;s chair by Tomo Keller, prove an ideal match in concerts that celebrated Beethoven in style in the run-up to his 250th-anniversary celebrations. </video:description>
<video:duration>11257</video:duration>
<video:publication_date>2022-05-06T11:49:35Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-10-05T14:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJECG</loc>
<video:video>
<video:title>Bruce Liu plays Chopin, Ravel &amp; Liszt</video:title>
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<video:description>In a recital from the Fondation Louis Vuitton, Canadian-Chinese virtuoso and winner of the 2021 International Chopin Piano Competition in Warsaw Bruce Liu presents a scintillating programme of music by three of the most important composers for his instrument. He begins with Chopin: the early Rondo à la mazur, the alternately lyrical and fiery Ballade No. 2 and the bravura Variations on &quot;Là ci darem la mano&quot; from Mozart&apos;s Don Giovanni. Then follow the crystalline brilliance and beautifully mixed colours of Ravel&apos;s Miroirs and, as a grand finale, Liszt&apos;s barnstorming Réminiscences de Don Juan, in which themes from Mozart&apos;s opera are incorporated into one of the most demanding showpieces in the repertoire.</video:description>
<video:duration>6901</video:duration>
<video:publication_date>2023-05-11T16:05:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-09-25T07:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3CC8</loc>
<video:video>
<video:title>Kubelík conducts Beethoven: Symphony No. 3 &quot;Eroica&quot; </video:title>
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<video:description>Rafael Kubelík (was born into a musical family in Prague and although he held major conducting posts in Chicago and London it was his long tenure with the Munich-based Bavarian Radio Symphony Orchestra that really made his (and their) name. The great Austro-German symphonic repertoire was the bedrock of his career, and this majestic but deeply humane account of Beethoven&apos;s &quot;Eroica&quot; symphony is a relatively rare instance of him recording with the Berlin Philharmonic; at that point widely regarded as the finest orchestra in the world. It&apos;s a commanding, intensely serious account – but never so powerful that Kubelík’s personal warmth, compassion and sense of poetry can’t find full expression.</video:description>
<video:duration>3273</video:duration>
<video:publication_date>2023-09-04T13:09:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-24T07:19:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ32CG</loc>
<video:video>
<video:title>Busoni Competition 2023: Anthony Ratinov &amp; Zitong Wang</video:title>
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<video:description>The first pair of pianists to make it through to the Chamber Music Finals of the 64th Ferruccio Busoni International Piano Competition – Anthony Ratinov and Zitong Wang – are given the chance to shine in performance with the Isidore String Quartet, while also present a further 30-minute solo programme.  </video:description>
<video:duration>7971</video:duration>
<video:publication_date>2023-09-13T08:23:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-18T14:39:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ0C0</loc>
<video:video>
<video:title>Puccini: Manon Lescaut / Act 1: &quot;Donna non vidi mai&quot;</video:title>
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<video:description></video:description>
<video:duration>129</video:duration>
<video:publication_date>2023-09-05T16:23:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-14T09:47:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3IE8</loc>
<video:video>
<video:title>Puccini: Turandot / Act 3: &quot;Nessun dorma&quot;</video:title>
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<video:description></video:description>
<video:duration>79</video:duration>
<video:publication_date>2023-09-05T16:20:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-14T09:46:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3IE0</loc>
<video:video>
<video:title>Puccini: Tosca / Act 3: &quot;E lucevan le stelle&quot;</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-09-05T15:25:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-06T08:12:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ID8</loc>
<video:video>
<video:title>Bach: Partita No. 2 in D Minor, BWV 1004: IV. Gigue</video:title>
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<video:description></video:description>
<video:duration>153</video:duration>
<video:publication_date>2023-08-09T21:31:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-05T15:16:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ID0</loc>
<video:video>
<video:title>Bach: Partita No. 2 in D Minor, BWV 1004: I. Allemande</video:title>
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<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2023-08-09T21:18:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-05T15:15:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38D8</loc>
<video:video>
<video:title>Tilson Thomas conducts Tchaikovsky &amp; Shostakovich – with Yuja Wang</video:title>
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<video:description>Yuja Wang joins the London Symphony Orchestra and Michael Tilson Thomas for this concert filmed in the orchestra&apos;s second London home, LSO St Luke&apos;s. She performs Shostakovich&apos;s playful Piano Concerto No. 2 – a work of unusual high spirits, composed especially for his son Maxim and presented to him for his 19th birthday. To complete the programme, Tilson Thomas presents a touching postcard from America in Copland&apos;s Our Town as well as Tchaikovsky&apos;s rousing Second Symphony, which incorporates Ukrainian folk melodies to thrilling effect – particularly in the roller coaster finale.</video:description>
<video:duration>4327</video:duration>
<video:publication_date>2023-08-21T07:33:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-04T14:12:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38D0</loc>
<video:video>
<video:title>Tilson Thomas conducts Rachmaninoff &amp; Beethoven – with Yuja Wang</video:title>
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<video:description>Michael Tilson Thomas is at the helm of the London Symphony Orchestra for two of the best-loved works in the whole repertoire. Yuja Wang is the soloist in Rachmaninoff&apos;s irresistible Piano Concerto No.2, bringing her characteristic virtuosity and brilliance to the melody-soaked score that marked the composer&apos;s breakthrough after a bout of depression. Beethoven&apos;s Fifth Symphony, meanwhile, needs little introduction: a work that keeps the listener gripped from its famous first notes through to its thrilling finale. And, as an appetizer, Grieg&apos;s moving song &quot;The Last Spring&quot;, here in its orchestral guise as one of the Two Elegiac Melodies, Op. 34.  </video:description>
<video:duration>5267</video:duration>
<video:publication_date>2023-08-21T07:13:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-04T14:10:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3ADG</loc>
<video:video>
<video:title>Busoni Competition 2023: Ron Maxim Huang</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06dda6b7922a85df9e4e65e2be2cda7291aad6a4.jpg</video:thumbnail_loc>
<video:description>The road to the finals: we present a selection of Ron Maxim Huang&apos;s performances from the Solo Final and Semi Final rounds of the 64th Ferruccio Busoni International Piano Competition. </video:description>
<video:duration>2188</video:duration>
<video:publication_date>2023-08-31T15:04:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:12:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3AD0</loc>
<video:video>
<video:title>Busoni Competition 2023: Ryota Yamazaki</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/943d93200d7868b4101fd05874a647176c812ccb.jpg</video:thumbnail_loc>
<video:description>The road to the finals: we present a selection of Ryota Yamazaki’s performances from the Solo Final and Semi Final rounds of the 64th Ferruccio Busoni International Piano Competition . </video:description>
<video:duration>2609</video:duration>
<video:publication_date>2023-08-31T09:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:09:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38E8</loc>
<video:video>
<video:title>Busoni Competition 2023: Anthony Ratinov</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/91c7ae2e94eb81cb16216d55965c7172fc4dd8bf.jpg</video:thumbnail_loc>
<video:description>The road to the finals: we present a selection of Anthony Ratinov’s performances from the Solo Final and Semi Final rounds of the 64th Ferruccio Busoni International Piano Competition. </video:description>
<video:duration>2069</video:duration>
<video:publication_date>2023-08-29T15:33:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:09:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ3AC0</loc>
<video:video>
<video:title>Busoni Competition 2023: Zitong Wang</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dc7e8101a2f35c0209eebde8c97082f62946ff1f.jpg</video:thumbnail_loc>
<video:description>The road to the finals: we present a selection of Zitong Wang&apos;s performances from the Solo Final and Semi Final rounds of the 64th Ferruccio Busoni International Piano Competition. </video:description>
<video:duration>2148</video:duration>
<video:publication_date>2023-08-29T15:38:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:08:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CCG</loc>
<video:video>
<video:title>Paavo Järvi conducts Mozart &amp; Schumann – with Víkingur Ólafsson</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f357bc89ee65655d466a1d8109d21411de7ca53c.jpg</video:thumbnail_loc>
<video:description>During the long months of the pandemic, Amsterdam&apos;s famous Royal Concertgebouw Orchestra could only stage concerts for online streaming, without a live audience. All the more moving for those involved, then, was this performance in April 2021, where a limited number of spectators were allowed inside as part of a pilot project. Pianist Víkingur Ólafsson proves to be an original interpreter of Mozart&apos;s 24th Piano Concerto, the performance of which is followed by the Third Symphony by Robert Schumann, a composer whose music is especially close to conductor Paavo Järvi&apos;s heart. &quot;Järvi interpreted Schumann with so much energy and poetry&quot;, wrote a local critic, &quot;that the audience thanked him with cheers, whistles and foot-tapping.&quot;</video:description>
<video:duration>4511</video:duration>
<video:publication_date>2022-11-18T15:55:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T15:37:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36E8</loc>
<video:video>
<video:title>Ferruccio Busoni International Piano Competition: Emanuil Ivanov</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/025e6a84f3392689d4053bbbf86387e93dc64f70.jpg</video:thumbnail_loc>
<video:description>On his way to the First Prize at the Ferruccio Busoni International Piano Competition in 2019, Emanuil Ivanov impressed the distinguished jury with performances of music ranging from Bach (arr. Busoni) to Adès. This selection of highlights, however, features his accounts of Liszt&apos;s hell-raising Dante Sonata and of Brahms&apos;s virtuosic Variations and Fugue on a Theme by Handel, Op. 24, from the solo rounds, as well as his scintillating performance of Saint-Saëns&apos;s Piano Concerto No. 2 from the Grand Finale. </video:description>
<video:duration>4052</video:duration>
<video:publication_date>2023-08-16T08:56:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T09:30:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38C8</loc>
<video:video>
<video:title>Ferruccio Busoni International Piano Competition: Ivan Krpan</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a1c3ebd6b82cc5f37dfcbc68c5ad958861472761.jpg</video:thumbnail_loc>
<video:description>On his way to the First Prize at the Ferruccio Busoni International Piano Competition in 2017, Ivan Krpan impressed the distinguished jury with performances of music ranging from from Baroque to contemporary. This selection of highlights features his accounts of music by Busoni himself and Brahms (his Variations on a Theme of Robert Schumann) from the solo rounds, as well as his performance, in the Grand Finale, of Beethoven&apos;s majestic &quot;Emperor&quot; Concerto.  </video:description>
<video:duration>3975</video:duration>
<video:publication_date>2023-08-16T10:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T09:30:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ38CG</loc>
<video:video>
<video:title>Ferruccio Busoni International Piano Competition: Chloe Jiyeong Mun</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7d6b5432f0afbc017acfc56f1029a1051878157e.jpg</video:thumbnail_loc>
<video:description>On her way to the First Prize at the Ferruccio Busoni International Piano Competition in 2015, Chloe Jiyeong Mun impressed the distinguished jury with performances of some of the most demanding and exacting piano works in the repertoire; &quot;I have rediscovered in her the naturalness of musicality that I thought had disappeared,&quot; noted jury president Jörg Demus at the time. This selection of highlights features her accounts of Chopin&apos;s sparkling Andante spianato et Grande polonaise brillante and one of Haydn&apos;s best-known piano sonatas from the solo rounds, as well as her account, in the Grand Finale, of Beethoven&apos;s poetic Piano Concerto No. 4.  </video:description>
<video:duration>3858</video:duration>
<video:publication_date>2023-08-16T12:06:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T09:30:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36DG</loc>
<video:video>
<video:title>Luisi conducts Nielsen: Symphony No. 2 &amp; Hymnus Amoris </video:title>
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<video:description>For Carl Nielsen, everything about life could become music – even a trip to the pub. A country walk, a set of cartoons on the wall of an inn … somehow it all bubbled up into the exuberant The Four Temperaments. For some listeners, Nielsen&apos;s Second is the happiest of all his symphonies, and in Fabio Luisi&apos;s gloriously vibrant reading it&apos;s a natural climax to a programme that begins with the swirling seabirds and windswept vistas of Nielsen&apos;s Faroe Islands overture, and then features two of Denmark&apos;s finest choirs in the extraordinary Hymnus Amoris. One of the young Nielsen&apos;s breakthrough works, it&apos;s a lush choral tale of love in all its beauty, tenderness and passion.</video:description>
<video:duration>4554</video:duration>
<video:publication_date>2023-08-10T13:44:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-14T12:30:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ36CO</loc>
<video:video>
<video:title>Luisi conducts Nielsen: Symphony No. 6 &amp; Aladdin Suite</video:title>
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<video:description>From his earliest boyhood, Carl Nielsen felt the life-force in everything – and as a theatre musician, he loved the stage too, so the sparkling colours of his exuberant Aladdin Suite are a suitably theatrical upbeat to his Sixth and final symphony. He called it his &quot;Simple Symphony&quot; but even faced with personal tragedy Nielsen created beauty, and the music’s sunlit surface and playful melodies conceal a much darker drama, in one of the 20th-century&apos;s most powerful (and poignant) masterpieces. Fabio Luisi&apos;s interpretations of Nielsen symphonies with the Danish National Symphony Orchestra have caused a sensation for their freshness, immediacy, and explosive, life-affirming energy. This performance of the Sixth is no exception.</video:description>
<video:duration>4078</video:duration>
<video:publication_date>2023-08-10T12:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-14T10:22:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJAD0</loc>
<video:video>
<video:title>Yehudi Menuhin 100th-Anniversary Concert</video:title>
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<video:description>The legendary violinist Yehudi Menuhin died in 1999 in Berlin, a city in which he scored his first artistic successes as a child prodigy and where, after the end of World War II, he strove to help bring about a new understanding between nations. In 2016, to celebrate the 100th anniversary of his birth, the Konzerthausorchester honoured the great musician with a programme including Elgar&apos;s Violin Concerto, which Menuhin recorded as a teenager under the composer&apos;s direction. The soloist is Daniel Hope, one of Menuhin&apos;s most famous students, with Iván Fischer on the podium. The concert concludes with the Concerto for Orchestra by Bartók, a musician who, like Menuhin, was characterized by an unflinching humanism.</video:description>
<video:duration>6070</video:duration>
<video:publication_date>2022-08-18T12:50:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-14T09:28:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ2C0</loc>
<video:video>
<video:title>Europakonzert 2002 from Palermo – with Claudio Abbado &amp; Gil Shaham</video:title>
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<video:description>The 2002 Europakonzert saw the Berliner Philharmoniker travel to the Sicilian capital Palermo, performing a programme built around three works central to its repertoire in the city&apos;s Teatro Massimo – the largest opera house in Italy. Beethoven&apos;s brooding &quot;Egmont&quot; Overture opens the concert, before American violinist Gil Shaham joins the orchestra as soloist in Brahms&apos;s expansive violin concerto. Dvořák&apos;s ever-popular &quot;New World&quot; Symphony follows, instilled with an exciting sense of drama in Claudio Abbado&apos;s interpretation, before the conductor leads a thrilling performance of a work well suited to the occasion: Verdi&apos;s Overture to I vespri siciliani. </video:description>
<video:duration>6690</video:duration>
<video:publication_date>2023-01-19T10:56:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-09T09:10:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ34DG</loc>
<video:video>
<video:title>Solti conducts Bruckner: Symphony No. 7</video:title>
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<video:description>The air shimmers, and a radiant melody begins its long ascent to heaven. Bruckner claimed that the opening of his Seventh Symphony came to him in a dream, and it&apos;s one of the loveliest beginnings in all of 19th-century music. But it&apos;s just the start of an epic journey: through faith and doubt, tragedy and joy, to a final triumphant affirmation. Sir Georg Solti and the Chicago Symphony were one of the most potent conductor-orchestra partnerships of the 20th century, and they were never more compelling – or more beautiful – than in the Austro-German late romantics. Captured in the majestic surroundings of London&apos;s Royal Albert Hall, this performance has the electricity (and sense of occasion) of a great orchestra on tour.</video:description>
<video:duration>4437</video:duration>
<video:publication_date>2023-07-21T11:26:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-02T14:53:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR3I</loc>
<video:video>
<video:title>Kissin plays Beethoven: Sonatas, Bagatelles &amp; Variations </video:title>
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<video:description>Evgeny Kissin first appeared at the Verbier Festival in 1994 and has been a regular guest at the Swiss festival ever since. In this recital, the Russian pianist focuses on Beethoven&apos;s works for solo piano, some of the first masterpieces ever written for the instrument. He brings his decades-long experience on the concert platform to bear on three of the composer&apos;s best-known sonatas – the &quot;Pathétique&quot;, &quot;The Tempest&quot; and the &quot;Waldstein&quot; – a selection of his bagatelles, the virtuosic &quot;Eroica&quot; Variations and the Variations on the theme that was later to become the March from &quot;The Ruins of Athens&quot; – something of a party piece for the pianist over the years.  </video:description>
<video:duration>6378</video:duration>
<video:publication_date>2022-05-25T12:23:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-07-26T05:40:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSR0</loc>
<video:video>
<video:title>Kissin &amp; Kavakos play Beethoven&apos;s Kreutzer Sonata</video:title>
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<video:description>It&apos;s a rare opportunity to see pianist Evgeny Kissin and violinist Leonidas Kavakos perform together, but the experience was to be enjoyed in the Swiss Alps at the Verbier Festival in 2019. Each year, renowned soloists and up-and-coming talents gather to perform in various venues and display the highest level of artistry. That is certainly the case in this performance of the Kreutzer Sonata by Ludwig van Beethoven. Composed in the same year as he wrote the Heiligenstadt Testament out of despair of his advancing deafness, the Kreutzer Sonata exceeds anything that had previously existed in the genre in terms of structure, melody and technical requirements. </video:description>
<video:duration>2487</video:duration>
<video:publication_date>2022-04-21T10:20:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-07-26T05:40:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30E0</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Lieder eines fahrenden Gesellen </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e0ec18cd42c3e0ddad86f251c9e32ee687d6ebd.jpg</video:thumbnail_loc>
<video:description>Not long before his death, Leonard Bernstein recorded an important complement to his complete filmed survey of Mahler&apos;s Symphonies: filmed performances of the composer&apos;s three great song cycles, with American baritone Thomas Hampson. Here they present the early Lieder eines fahrenden Gesellen (&quot;Songs of a Wayfarer&quot;). The composer&apos;s earliest song cycle, it was written between 1883 and 1885 and reflected Mahler&apos;s passion for a singer he had fallen in love with at the time. First composed in a version with piano and orchestrated in the following decade, it is closely related in terms of melodic material to the First Symphony, composed in 1888.</video:description>
<video:duration>1149</video:duration>
<video:publication_date>2023-07-05T12:52:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-07-10T09:50:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQ30DO</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Kindertotenlieder – with Thomas Hampson</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ce79d7268c1856a4c6ac4817b065da61734c2a4f.jpg</video:thumbnail_loc>
<video:description>Not long before his death, Leonard Bernstein recorded an important complement to his complete filmed survey of Mahler&apos;s Symphonies: filmed performances of the composer&apos;s three great song cycles, with American baritone Thomas Hampson. Here they present the harrowing Kindertotenlieder (&quot;Songs on the Death of Children&quot;), settings of poems by Friedrich Rückert, written after the death of his two children. Mahler completed them in 1904 and lost one of his own young daughters three years later.</video:description>
<video:duration>1875</video:duration>
<video:publication_date>2023-07-05T12:38:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-07-10T09:49:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ0</loc>
<video:video>
<video:title>Grigory Sokolov: A Conversation That Never Was</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f33af8814959b132bdbdeb654f481f99f57088e7.jpg</video:thumbnail_loc>
<video:description>Although his career put him in the limelight since adolescence, Sokolov&apos;s individual identity remains hidden by the intensely private artist, who refuses most interviews or recordings and distrusts what others say about him. All the more reason to celebrate filmmaker Nadezhda Zhdanova&apos;s recent documentary, which features incredibly rare interviews with the great man himself, and takes a detailed look at his life story and career. From rehearsal and concert footage to little-known facts about his past, meet Sokolov on his own terms.</video:description>
<video:duration>3529</video:duration>
<video:publication_date>2022-10-18T11:23:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:47:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCC0</loc>
<video:video>
<video:title>Abbado conducts Mahler, Berg and Schubert – with Renée Fleming </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/18bac2525c6e1d1f9c365e6e8fa9f49759fbf39f.jpg</video:thumbnail_loc>
<video:description>Gustav Mahler&apos;s enigmatic Seventh Symphony was long overshadowed by his other contributions to the genre, while Alban Berg&apos;s Altenberg Lieder even caused a scandal at their premiere. Claudio Abbado brings together both works for this concert from the 2005 Lucerne Festival. He and his Lucerne Festival Orchestra are joined by superstar soprano Renée Fleming, who performs not only the Alternberg-Lieder, but also three of Schubert&apos;s most famous songs, in orchestral arrangements by Britten and Reger. </video:description>
<video:duration>6151</video:duration>
<video:publication_date>2022-09-08T11:05:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:35:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8E8</loc>
<video:video>
<video:title>Abbado conducts Russian Classics – with Hélène Grimaud</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ac1429c9796a16f6e1a1eb9596a8c72a3ecff13.jpg</video:thumbnail_loc>
<video:description>Because of his expertise in Italian, French, and German-Austrian repertoire, it is easy to overlook the fact that Claudio Abbado was also a passionate interpreter of Russian music, as demonstrated by this 2008 concert from the Lucerne Festival. With his virtuoso Lucerne Festival Orchestra, he conducts Tchaikovsky&apos;s rarely performed, grippingly naturalistic Shakespearean fantasy The Tempest as wells as the suite from Stravinsky&apos;s breakthrough ballet, The Firebird. Rachmaninov&apos;s broodingly Romantic Second Piano Concerto completes the programme, with French pianist Hélène Grimaud as virtuosic soloist.   </video:description>
<video:duration>5256</video:duration>
<video:publication_date>2022-08-10T14:10:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:28:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQG</loc>
<video:video>
<video:title>Rachmaninoff: Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace (Alla breve)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/adbc68903b00239f6007c56fd6948f5526394392.jpg</video:thumbnail_loc>
<video:description>Destination Rachmaninov – Departure is the first of two albums comprising Trifonov’s cycle of the great Russian composer’s piano concertos recorded with the Philadelphia Orchestra. “I realised when we first worked together how much respect the Philadelphia players have for Rachmaninov’s music and how much knowledge of his idiom,” Trifonov recalls. “It was a terrific idea to record with such a great orchestra and a real honour to share the journey with them.” Rachmaninov would have thought the same. Having settled in the US as an exile from Soviet Russia, he wrote to a friend in Moscow: “The best orchestras in America are in Philadelphia (with which I make records) and New York. He who hasn’t heard these can’t know what an orchestra is.”</video:description>
<video:duration>613</video:duration>
<video:publication_date>2022-05-10T13:39:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T16:47:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32C8</loc>
<video:video>
<video:title>Rachmaninoff: Cello Sonata in G Minor, Op. 19: III. Andante</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/50343965c002b0814aba847495c9aacffb2156f6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>321</video:duration>
<video:publication_date>2022-12-07T05:07:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T16:47:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36DG</loc>
<video:video>
<video:title>On Rachmaninoff No. 3 &amp; Prokofiev No. 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f8968a3879aff3921712fd8dd11352ab137b973f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>411</video:duration>
<video:publication_date>2023-01-05T14:57:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T16:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSSG</loc>
<video:video>
<video:title>Provocative Prokofiev: Daniil Trifonov performs in Moscow</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7bee782e96d7e0b1b2889a0bececb64995888a51.png</video:thumbnail_loc>
<video:description>The young Sergei Prokofiev loved to provoke his audience as a pianist, as well as a composer. His first piano concerto is characterised by unleashed playfulness; his First Symphony dares to brazenly reinterpret Haydn&apos;s compositional style, while the Fifth Symphony is no stranger to clever wit, equally impressive in its tonal force and emotional depth. These works are performed as part of a guest appearance at the 2012 Moscow Easter Festival by the Mariinsky Theatre Orchestra from St. Petersburg, where the composer began his music studies at the age of 13. Pianist Daniil Trifonov and conductor Valery Gergiev bring these works to life as two of the most expert Prokofiev interpreters in the classical world.</video:description>
<video:duration>4612</video:duration>
<video:publication_date>2022-04-21T14:05:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T07:31:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GE8</loc>
<video:video>
<video:title>On Rachmaninoff</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bbc36ef9f19f6f1d4615c62338d4da086c30f142.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>818</video:duration>
<video:publication_date>2023-06-21T15:00:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-26T11:28:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJID0</loc>
<video:video>
<video:title>Karajan conducts Bach – with Anne-Sophie Mutter</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0c1f3613f7dfe98a61d4c82a5836bb98d1c15e2c.jpg</video:thumbnail_loc>
<video:description>For the Berliner Philharmoniker&apos;s 1984 New Year&apos;s Eve concert, Herbert von Karajan turned to Bach on the eve of his 300th-anniversary year. Conducting from the harpsichord, Karajan is seen here more as a first among equals than in his usual role as maestro, directing performances of unapologetic grandeur. For the first work on the programme, the Violin Concerto in E major, BWV 1042, orchestra and conductor are joined by Anne-Sophie Mutter, who had begun working with Karajan in her early teens several years earlier. The concert concludes with the Magnificat, BWV 243, featuring the RIAS-Kammerchor and a fine quartet of soloists.</video:description>
<video:duration>3353</video:duration>
<video:publication_date>2023-06-22T20:25:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-26T06:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJ4</loc>
<video:video>
<video:title>Yuja Wang plays Adams: Must the Devil Have All the Good Tunes?</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0cea2bb3a4095ca930b3de9d22d242709fb1f1df.jpg</video:thumbnail_loc>
<video:description>Three trailblazing artists unite in this premiere at the Walt Disney Hall in Los Angeles. Gustavo Dudamel and Yuja Wang join forces to perform John Adams’ third composition for solo piano and orchestra, that once again highlights the composer’s great ability to combine vast soundscapes with vivid narratives. The three parts connect seamlessly and tightly interweave the ensemble with the part of the piano that makes full use of the keyboard with block chords, shifting rhythms, and alternating parallel and contrary passages. Wang perfectly balances lyricism with rhythm, virtuosity with playfulness, and lightness with explosiveness – highlighting the contrasting qualities that make it clear: the devil lies in the details.</video:description>
<video:duration>1671</video:duration>
<video:publication_date>2022-05-31T13:37:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-24T17:21:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJIC0</loc>
<video:video>
<video:title>Nadine Sierra: Make Our Planet Great</video:title>
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<video:description>Nadine Sierra, one of the most exciting operatic stars of her generation, presents a concert of arias from Paris. Staged to help raise funds for the Fondation Positive Planet, the programme has a global scope and features the soprano singing in six different languages. With support from conductor Mathieu Herzog and his Appassionato orchestra, she performs music from operatic roles by Puccini, Verdi, Gounod and Mozart, as well as music by Bernstein, Giménez and – in the form of the beautiful &quot;Melodia sentimental&quot; – Villa-Lobos.</video:description>
<video:duration>5653</video:duration>
<video:publication_date>2023-06-21T11:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-22T07:37:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0D0</loc>
<video:video>
<video:title>Raphaël Feuillâtre: Adiós Nonino</video:title>
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<video:description>Acclaimed guitarist and Deutsche Grammophon artist Raphaël Feuillâtre presents an intimate recital from the Musikwoche Hitzacker festival, showcasing his virtuosity in repertoire from the Baroque to the 20th century.</video:description>
<video:duration>4268</video:duration>
<video:publication_date>2023-06-20T10:19:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-21T08:05:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GD0</loc>
<video:video>
<video:title>Summer (from &apos;Kikujiro&apos;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0e93c1f8cbc3dea27d41c67a7259e9b4a975f9b3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>243</video:duration>
<video:publication_date>2023-06-17T06:51:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-20T04:26:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6E0</loc>
<video:video>
<video:title>Lang Lang – Live at Carnegie Hall</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b1471fc6b6a5079c695d5332d5d3a7a0ab7568a.jpg</video:thumbnail_loc>
<video:description>Few concert halls have been so strongly identified with legendary performances by great pianists for as long as Carnegie Hall, and this film documents another performer being added to that illustrious history: the barely 21-year-old Lang Lang, making his New York debut. Supplemented by intimate behind-the-scenes footage, if offers a unique insight to the preparation for and execution of a concert with which Lang Lang added another milestone to his international career. </video:description>
<video:duration>3458</video:duration>
<video:publication_date>2022-11-16T10:05:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-17T10:24:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36</loc>
<video:video>
<video:title>The Making of the Centenary Ring – Pierre Boulez &amp; Patrice Chéreau</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36053152a89133ff5fbbe6aa84c9b355c237efdd.jpg</video:thumbnail_loc>
<video:description>A century after the first complete performance of Richard Wagner’s Ring des Nibelungen, director Patrice Chéreau and conductor Pierre Boulez, in 1976, staged what was then the most controversial Ring production in Bayreuth Festival history. In Wagner’s self-designed Festspielhaus, the French duo changed how the Ring would be staged forever, much to the discontent of critics and audiences at the time. By the end of the last performance in 1980, however, the production had become a classic. Going behind the scenes of this production, this film is filled with footage of rehearsals, decision-making processes, preparations, interviews and festival history.</video:description>
<video:duration>3236</video:duration>
<video:publication_date>2022-07-07T12:16:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-16T17:28:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJAC0</loc>
<video:video>
<video:title>Mitsuko Uchida plays Mozart: Piano Concertos Nos. 13 &amp; 20</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a91cc57dbd2d2c9c178a20106d71b1c51af9139e.jpg</video:thumbnail_loc>
<video:description>In this concert filmed in Salzburg in March 2001, Mitsuko Uchida directs two contrasting Mozart piano concerto from the keyboard. The Piano Concerto No. 13 in C major was among the first that Mozart composed for his Viennese subscription concerts and mixes high spirits with moments of melancholy and reflection – not just in the Andante slow movement, but also in a striking Adagio episode in the finale. The Piano Concerto No. 20 in D minor – the key of Don Giovanni and the Requiem – looks forward to Beethoven in its drama and passion. Performing with the Camerata Salzburg, Uchida brings her experience as a celebrated Mozartian to bear in performances that capture all the works&apos; colour and contrast.</video:description>
<video:duration>4194</video:duration>
<video:publication_date>2023-03-22T11:46:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-14T22:01:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ0</loc>
<video:video>
<video:title>Paris Violon</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/55ccbf300f4cafd5bd00e722ea7ebbc902239fe2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2022-10-30T19:35:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-14T13:50:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6DO</loc>
<video:video>
<video:title>On Cimarosa&apos;s Sonata No. 42 (Talk&amp;Play)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3241f95c502a6c1c85547c3ac182d9d9a54de6cc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2022-11-15T22:47:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-14T13:50:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ6</loc>
<video:video>
<video:title>Shostakovich: 3 Duets for 2 Violins &amp; Piano, Op. 97d: I. Prelude (Version for 2 Violins &amp; Orchestra)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/abcbb2b84d20c7ae028a1acbd61371a69a1d60f7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>142</video:duration>
<video:publication_date>2022-11-01T17:55:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:09:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38E8</loc>
<video:video>
<video:title>Water</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1314ee4d69f0eadcec8236bba0220d0da0e34501.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>213</video:duration>
<video:publication_date>2023-01-15T21:20:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:08:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8C0</loc>
<video:video>
<video:title>On Encores: In 27 Pieces</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b9c563a0f067e4df4b889f2124823b5ccf706d54.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>877</video:duration>
<video:publication_date>2022-11-16T15:44:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:07:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6E8</loc>
<video:video>
<video:title>Sink</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ed0336f63b336b3bdefbcb4a3ffebf439d2ee45f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>122</video:duration>
<video:publication_date>2022-11-16T15:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:07:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3AC0</loc>
<video:video>
<video:title>Bartók: Romanian Folk Dances</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/43eeadd6c6387bca0e714f579f065e8a78cdb4a8.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>217</video:duration>
<video:publication_date>2023-01-15T21:40:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:06:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ADO</loc>
<video:video>
<video:title>On Silvestrov&apos;s Silent Songs</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8a5d27cee01df7ca9a1555109b7c51282ad5ca95.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>415</video:duration>
<video:publication_date>2023-01-22T00:05:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T07:54:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GC8</loc>
<video:video>
<video:title>On Beethoven and Beyond</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fc8c8c2819b068b059629cf43e7daf7301a5856e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1015</video:duration>
<video:publication_date>2023-05-18T02:57:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-18T06:24:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3GC0</loc>
<video:video>
<video:title>On Beethoven and Beyond</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df0f0764b2b91d640099d8644ec3367939be26c5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>434</video:duration>
<video:publication_date>2023-05-18T02:24:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-18T03:04:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP36DO</loc>
<video:video>
<video:title>Barenboim plays Beethoven: Pathétique, Moonlight, Appassionata</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83672463a3501d83e45c047074c890d9d86ee37e.jpg</video:thumbnail_loc>
<video:description>Daniel Barenboim has been playing Beethoven&apos;s complete piano sonatas since he was a teenager, and he has performed – and recorded – them innumerable times. This unparalleled experience, as well as his perspective as a celebrated conductor of Beethoven&apos;s works, imbues the pianist-conductor&apos;s performances with an irresistible authority. His performances of three of the composer&apos;s best known sonatas – running the gamut from drama and passion to meditative stillness – are captured here in the intimate space of Berlin&apos;s Pierre Boulez Saal. </video:description>
<video:duration>3732</video:duration>
<video:publication_date>2022-11-07T08:04:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-17T11:37:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJED8</loc>
<video:video>
<video:title>Garanča sings Berio&apos;s Folk Songs – Europakonzert 2022 from Liepāja</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/444731c2d15f10df66fb6bbb97021d38614fa1dd.jpg</video:thumbnail_loc>
<video:description>The 2022 Europakonzert saw the Berliner Philharmoniker travel to the Liepāja on the west coast of Latvia. And in this, the central performance from the concert, star Latvian mezzo-soprano Elīna Garanča joins the orchestra and its chief conductor Kirill Petrenko for Berio&apos;s remarkable Folk Songs. Originally composed with a chamber accompaniment in 1964 and then rearranged for large orchestra in 1973, the work brings together arrangements of folk songs from five different countries to striking effect – and constitutes a showcase of vocal technique and temperament.</video:description>
<video:duration>1550</video:duration>
<video:publication_date>2023-05-15T13:59:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-17T07:04:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJ2</loc>
<video:video>
<video:title>Debussy: Suite bergamasque, CD. 82: III. Clair de Lune</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/90f9a912cbe3fda9fd3d5944dd26abf9a38cef1d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>401</video:duration>
<video:publication_date>2022-11-10T05:35:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-11T13:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ECO</loc>
<video:video>
<video:title>On Clair de Lune</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c9a101f764c2c76765c23c3cb76e414b13b8cbe7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>299</video:duration>
<video:publication_date>2023-05-08T14:40:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-09T06:36:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ECG</loc>
<video:video>
<video:title>Carl Nielsen – Between Heaven and Earth </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/92e1808bfdd67d92bea0c239329d03fac0cc6a99.jpg</video:thumbnail_loc>
<video:description>Director Magdalena Zięba-Schwind sets out to present a psychological portrait of the life of Danish composer Carl Nielsen in the context of the turbulent times he lived through – covering the turn of the 20th century and the World War I. In so doing she poses a fundamental question: who was this son of a provincial house painter whose workers&apos; and children&apos;s songs are as popular as ever today? Shot on location in in Fyn and Copenhagen, the film features contributions from artists including Fabio Luisi, Herbert Blomstedt and members of the Danish String Quartet.</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2023-05-02T13:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-04T14:33:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C8</loc>
<video:video>
<video:title>Reaching New Heights – Ticciati presents Strauss’s Alpine Symphony</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c23154a13a6e26b050734224f0d2cc4c0007c4d3.jpg</video:thumbnail_loc>
<video:description>A new benchmark in climbing was set when Reinhold Messner reached the summit of Mount Everest with Peter Habeler – for the very first time without the use of supplementary oxygen. The Deutsche Symphonie-Orchester Berlin and its chief conductor Robin Ticciati also break new ground in this production recorded at Berlin&apos;s Tempodrom, where they present Richard Strauss&apos;s An Alpine Symphony as a musical mountain tour with Messner himself as guide. The alpine philosophy of the legendary climber and explorer is interwoven with the music create a cinematic dialogue, with the orchestra arranged in 360 degrees around Ticciati, opening new perspectives on the music and on man&apos;s existential encounter with nature.</video:description>
<video:duration>3399</video:duration>
<video:publication_date>2022-07-01T08:21:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-04T12:42:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3E</loc>
<video:video>
<video:title>Honeck conducts Grieg, Mozart &amp; Beethoven – with Rudolf Buchbinder </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7213e5c10f67af50a72b9473697750561b787870.jpg</video:thumbnail_loc>
<video:description>Few pianists have mastered the piano repertoire as completely and with as much authority as Rudolf Buchbinder, who here brings his experience to bear on Mozart&apos;s dramatic 20th Piano Concerto, performed with the Czech Philharmonic Orchestra under the direction of Manfred Honeck. Beginning the programme – filmed without an audience in Prague&apos;s Rudolfinum – are famous excerpts from Grieg&apos;s folk-inspired Peer Gynt Suites, while Beethoven&apos;s irresistibly buoyant First Symphony provides a rousing conclusion.  </video:description>
<video:duration>4191</video:duration>
<video:publication_date>2022-05-03T09:22:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-04T08:58:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30</loc>
<video:video>
<video:title>Americans in Pyongyang</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22228d3cdd42ebd08652437eba20763a8d21872f.jpg</video:thumbnail_loc>
<video:description>At the start of 2008, the New York Philharmonic made history as the first ever American orchestra to perform in the Democratic People’s Republic of Korea. For 48 hours, two hundred orchestra members and more than one hundred journalists landed in the world’s most isolated and secluded country, despite the country technically still being at war with the United States. Performing Gershwin’s An American in Paris and Dvořák’s ‘New World’ Symphony, the subtly nuanced concert is coupled with masterclasses at the conservatory and bus journeys through empty streets. The musicians navigate a whole new culture and allow the music to build bridges and create understanding between one another.</video:description>
<video:duration>3169</video:duration>
<video:publication_date>2022-06-28T15:35:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-03T11:18:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJAC8</loc>
<video:video>
<video:title>Seiji Ozawa at the Matsumoto Festival: Beethoven Symphonies Nos. 2 &amp; 7</video:title>
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<video:description>In these performances, filmed in 2015 and 2016 at the festival he founded in 1992, Seiji Ozawa conducts two favourite Beethoven symphonies: the high-spirited, Haydnesque Symphony No. 2 and the grandly conceived Seventh. Ozawa conducts the Saito Kinen Orchestra, which traces its history back to 1984 and forms afresh each year to play at the festival. The membership of the celebrated orchestra is drawn in large part from former students of the Toho Gakuen School of Music, founded by the late Hideo Saito, as well as including many other outstanding Japanese musicians. </video:description>
<video:duration>4974</video:duration>
<video:publication_date>2022-08-11T14:55:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2023-05-02T14:48:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJCC0</loc>
<video:video>
<video:title>Europakonzert 1998 from Stockholm – with Claudio Abbado</video:title>
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<video:description>The 1998 Europakonzert saw the Berliner Philharmoniker and Claudio Abbado travel to the Swedish capital, Stockholm, to perform in the Vasa Museum, which since 1990 has housed the impeccably preserved 17th-century ship of that name, lost on her maiden voyage in 1628. And the first two works on the programme prove especially apt: Wagner&apos;s Overture to The Flying Dutchman and Tchaikovsky&apos;s rarely heard tone poem based on Shakespeare&apos;s The Tempest. The second half of the programme includes Debussy&apos;s Nocturnes and, with the Swedish Radio Choir and the Eric Ericson Chamber Choir, Verdi&apos;s imposing Quattro pezzi sacri.</video:description>
<video:duration>5961</video:duration>
<video:publication_date>2023-04-19T10:28:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-04-24T10:27:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0DO</loc>
<video:video>
<video:title>Gardiner conducts Brahms: Symphony No. 1 &amp; Choral Works</video:title>
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<video:description>John Eliot Gardiner has long been a champion of Brahms&apos;s choral works, and many of them, after all, reveal the composer&apos;s great familiarity with Baroque music, which Gardiner has been so intensively involved with since the beginning of his career. This first concert in the conductor&apos;s Brahms cycle with the Concertgebouw Orchestra features, among other works, the moving setting of Hölderlin&apos;s Schicksalslied, in which the blissful world of the gods is juxtaposed with the suffering and travails of humanity. The second half of the programme consists of Brahms&apos;s rousing First Symphony. Completed only after years of toil and doubt, it finally established the composer&apos;s reputation as a worthy heir as a symphonist to Beethoven. </video:description>
<video:duration>5662</video:duration>
<video:publication_date>2023-01-18T14:08:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-04-17T14:38:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ2</loc>
<video:video>
<video:title>Georg Zeppenfeld talks about Bayreuth&apos;s Parsifal from 2016</video:title>
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<video:description></video:description>
<video:duration>302</video:duration>
<video:publication_date>2022-05-20T08:31:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-04-12T09:42:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6C0</loc>
<video:video>
<video:title>Philippe Jordan talks about Bayreuth&apos;s Meistersinger from 2017</video:title>
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<video:description></video:description>
<video:duration>872</video:duration>
<video:publication_date>2022-11-15T15:12:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-04-12T09:40:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6CG</loc>
<video:video>
<video:title>Marek Janowski talks about Castorf&apos;s Ring Cycle from Bayreuth</video:title>
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<video:description></video:description>
<video:duration>1135</video:duration>
<video:publication_date>2022-11-15T15:35:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-04-12T09:39:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6D0</loc>
<video:video>
<video:title>Bruce Liu: Chopin Recital at the Salon Frédéric Chopin</video:title>
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<video:description>From the Salon Frédéric Chopin at Paris&apos;s Place Vendôme, Bruce Liu – winner of the 2021 International Chopin Piano Competition – presents an intimate recital of the composer&apos;s music. The Ballades Nos. 2 and 3 form the heart of the programme, the one contrasting lilting lyricism with stormy outbursts, the other building from a quiet, understated opening to a triumphant conclusion. The ballades are bookended by two early works, the spritely Rondo à la mazur and the dazzlingly virtuosic Variations on &quot;Là ci darem la mano&quot;. And Liu continues in virtuosic vein for two encores: Chopin&apos;s &quot;Black Key&quot; Etude in G-Flat and the breathtaking Etude &quot;La Campanella&quot; by Chopin&apos;s friend and rival Franz Liszt.</video:description>
<video:duration>3244</video:duration>
<video:publication_date>2023-02-23T11:27:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-04-04T14:37:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3CC8</loc>
<video:video>
<video:title>Royal Concertgebouw Orchestra Opening Night – with Víkingur Ólafsson</video:title>
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<video:description>The Royal Concertgebouw Orchestra&apos;s opening concert of the 2022/2023 season is bookended by rousing American music: John Adams&apos;s Short Ride in a Fast Machine is a breathtakingly fast-paced piece that demands virtuosity and playfulness from the entire orchestra; the Symphonic Dances from West Side Story brings together the most beautiful numbers from Bernstein&apos;s immortal musical – from lyrical melodies to irresistible rhythms. Víkingur Ólafsson – one of the most engaging and innovative artists of his generation – joins the orchestra for the concert&apos;s central work: Grieg&apos;s romantic piano concerto, another piece that is ideally suited to the special atmosphere of the open-air stage in Amsterdam&apos;s Westerpark.</video:description>
<video:duration>3527</video:duration>
<video:publication_date>2022-11-18T09:49:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-30T18:21:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6C0</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra at the Alhambra</video:title>
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<video:description>After planned concert in Gizeh, Cairo had to be cancelled due to tensions in the region, this much-anticipated concert was moved to the Alhambra in Granada, Spain – a Unesco World Heritage Site built during a time of religious tolerance. Daniel Barenboim conducts a programme featuring three works of the core 19th-century repertoire alongside Bottesini&apos;s Fantasia on a theme by Rossini, arranged as a showcase for two of the orchestra&apos;s star members, Nabil Shehata from Egypt and Kyril Zlotnikov from Israel, demonstrating the harmony between different backgrounds that the orchestra – founded by Barenboim and Edward Said – represents.</video:description>
<video:duration>6183</video:duration>
<video:publication_date>2023-02-22T09:05:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T08:59:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ6C8</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – Live in Geneva</video:title>
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<video:description>Five years after its foundation by Daniel Barenboim and Edward Said, the West-Eastern Divan Orchestra perform a programme built on two pillars of the repertory in Geneva&apos;s Victoria Hall. Barenboim himself is the soloist in Beethoven&apos;s Piano Concerto No. 3, a work of rare drama, beauty and – especially in the final movement – sparkling virtuosity. After it comes the rich melody and orchestral sumptuousness of Tchaikovsky&apos;s grandly Romantic Symphony No. 5. Two encores, meanwhile, serve up melancholy and then drama, concluding this impressive showcase of an ensemble bringing together young musicians of Arab and Israeli backgrounds to promote harmony in a climate of political instability.</video:description>
<video:duration>5536</video:duration>
<video:publication_date>2023-02-22T09:33:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T08:56:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJIDO</loc>
<video:video>
<video:title>Wagner: Parsifal – with Elīna Garanča &amp; Jonas Kaufmann</video:title>
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<video:description>Philippe Jordan is on the podium as a dream cast comes together for Kirill Serebrennikov&apos;s new production of Wagner&apos;s Parsifal, unveiled in April 2021 at the Wiener Staatsoper. Ludovic Tézier (Amfortas), Georg Zeppenfeld (Gurnemanz) und Wolfgang Koch (Klingsor) all bring their roles to this theatre for the first time. They are joined by Jonas Kaufmann as Wagner&apos;s &quot;pure fool&quot;, while former Wiener Staatsoper ensemble member Elīna Garanča sings Kundry&apos;s – one of the most fascinating and dramatically challenging roles in the whole Wagner repertory – for the first time. </video:description>
<video:duration>14783</video:duration>
<video:publication_date>2022-10-24T06:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T07:26:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJCDG</loc>
<video:video>
<video:title>Boulez conducts Bartók – with Gidon Kremer &amp; Yuri Bashmet </video:title>
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<video:description>Pierre Boulez directs the Berliner Philharmoniker in a celebration of music by Béla Bartók with a programme offering a comprehensive portrait of the great Hungarian composer. We begin with the delicate late-Romantic First Violin Concerto from the early period and continue with the energetic ballet The Miraculous Mandarin from the middle period, followed by the elegiac viola concerto from the late period. &quot;There are no better soloists,&quot; wrote the Berliner Tagespiegel of violinist Gidon Kremer and violist Yuri Bashmet, who shine alongside Boulez, who was himself one of the most important composers of the modern era and felt a special affinity for Bartók&apos;s music.</video:description>
<video:duration>6182</video:duration>
<video:publication_date>2022-09-16T14:42:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T06:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJGE8</loc>
<video:video>
<video:title>Böhm conducts Mozart&apos;s Requiem – Gundula Janowitz, Christa Ludwig </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ecc1d1f5839a72fbc054e13dfa3f8973ff97de4.jpg</video:thumbnail_loc>
<video:description>The crème de la crème of Mozart singing, a highly esteemed conductor and one of Austria&apos;s most beautiful sacred buildings make this recording a very special experience. Under the direction of Karl Böhm, the Vienna Symphony Orchestra, the Vienna State Opera Chorus and a quartet of vocal soloists led by the angelically pure-voiced Gundula Janowitz come together in Vienna&apos;s Piaristenkirche for Mozart&apos;s Requiem – a work that casts its special spell right from its melancholy and consoling first bars. The interpretation was recorded with the greatest care over a period of no fewer than four days, with the surrounding roads closed to traffic. </video:description>
<video:duration>3862</video:duration>
<video:publication_date>2022-10-14T09:24:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T06:51:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34</loc>
<video:video>
<video:title>UNIQUE: One Artist, One Monument, One Concert</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6e5aaa0b622e007c366e2706d4b3edfe11f9473d.jpg</video:thumbnail_loc>
<video:description>Set against the backdrop of the Neolithic Carnac stones in Brittany, this visually striking video centres on French-Serbian virtuoso violinist Nemanja Radulović. Combining eras, cultures, and genres, together with his Ensemble Double Sens, made up of French and Serbian musicians, and Les Trilles du Diable, Radulović leads a programme that traces a range of music, from Bach to Bloch, the Four Seasons to Scheherazade, and includes traditional Serbian pieces. Part documentary, part concert, the film applies pop-culture imagination to the presentation of classical music performances coupled with insights, commentary, and personal anecdotes from the virtuoso himself.</video:description>
<video:duration>5566</video:duration>
<video:publication_date>2022-07-04T15:09:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:57:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJC</loc>
<video:video>
<video:title>The World of the Ring – Siegfried</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a09fedd52e6e96e04553351d94f6eb319b6ed516.jpg</video:thumbnail_loc>
<video:description>Director Eric Schulz presents a four-part introduction to Wagner&apos;s tetralogy Der Ring des Nibelungen – arguably the most monumental single work in the history of western music. With extracts from several famous productions and contributions from leading musicologists and musicians – including conductor Christian Thielemann – Schulz explores the multiple levels of this extraordinary work, addressing each of its constituent operas in turn.

The third instalment explores Siegfried, the opera that introduces us to the drama&apos;s great flawed hero.</video:description>
<video:duration>5319</video:duration>
<video:publication_date>2022-11-04T08:54:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:54:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJE</loc>
<video:video>
<video:title>The World of the Ring – Götterdämmerung</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e4a0367cf8b3684336e9fd8e0be8566b1ebe786e.jpg</video:thumbnail_loc>
<video:description>Director Eric Schulz presents a four-part introduction to Wagner&apos;s tetralogy Der Ring des Nibelungen – arguably the most monumental single work in the history of western music. With extracts from several famous productions and contributions from leading musicologists and musicians – including conductor Christian Thielemann – Schulz explores the multiple levels of this extraordinary work, addressing each of its constituent operas in turn.

The fourth instalment examines the final grand work in the tetralogy, Götterdämmerung, at whose cataclysmic climax we come full circle as the ring – and the gold from which it was forged – are returned to the Rhine.</video:description>
<video:duration>5392</video:duration>
<video:publication_date>2022-11-04T09:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJA</loc>
<video:video>
<video:title>The World of the Ring – Die Walküre</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df4b58aff161a733aa8063dc0b9d23ea0447a1dc.jpg</video:thumbnail_loc>
<video:description>Director Eric Schulz presents a four-part introduction to Wagner&apos;s tetralogy Der Ring des Nibelungen – arguably the most monumental single work in the history of western music. With extracts from several famous productions and contributions from leading musicologists and musicians – including conductor Christian Thielemann – Schulz explores the multiple levels of this extraordinary work, addressing each of its constituent operas in turn.

The second instalment delves into the world of Die Walküre, in which Wagner introduces the human protagonists of the drama.</video:description>
<video:duration>5383</video:duration>
<video:publication_date>2022-11-04T08:40:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:53:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ8</loc>
<video:video>
<video:title>The World of the Ring – Das Rheingold</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/01bfe4a707fea1e16eb71269b863da16004d9e40.jpg</video:thumbnail_loc>
<video:description>Director Eric Schulz presents a four-part introduction to Wagner&apos;s tetralogy Der Ring des Nibelungen – arguably the most monumental single work in the history of western music. With extracts from several famous productions and contributions from leading musicologists and musicians – including conductor Christian Thielemann – Schulz explores the multiple levels of this extraordinary work, addressing each of its constituent operas in turn.

The first instalment examines the &quot;Preliminary evening&quot; of the whole drama, the fiercely concentrated and polemical Das Rheingold.</video:description>
<video:duration>5398</video:duration>
<video:publication_date>2022-11-03T07:47:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:52:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ34</loc>
<video:video>
<video:title>Refuge in Music</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06fd4c3b5932d74a1f0bac9c8810590559eec86f.jpg</video:thumbnail_loc>
<video:description>This documentary tells the story of a very special project spearheaded by mezzo soprano Anne Sofie von Otter and violinist Daniel Hope to rediscover and perform the music composed in the Theresienstadt Ghetto, where the prisoners included musicians and composers – part of a cynical public relations initiative by the Nazis. The film includes concert footage as well as first-hand accounts from two musicians who survived: the jazz guitarist Coco Schumann and the pianist Alice Herz-Sommer.</video:description>
<video:duration>3507</video:duration>
<video:publication_date>2022-09-23T09:24:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D0</loc>
<video:video>
<video:title>The Peace Concert: The Wiener Philharmoniker in Versailles</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/91925cd8ad8984c3d578987e7e44d1712b9455da.jpg</video:thumbnail_loc>
<video:description>100 years since the end of the First World War, the Wiener Philharmoniker and an all-star line-up join forces in Versailles, where the peace treaty was signed in 1919. Performing works by composers from countries who would have been at war with one another at the time, the concert is a moving display of international musicians and audiences coming together to listen and cooperate, evoking a sense of a society at peace. To commemorate the occasion, Chinese pianist and top-class vocal soloists join conductor Franz Welser-Möst on stage to perform a musical journey of war and peace from Mozart to Holst and Ravel and to Ives.</video:description>
<video:duration>5822</video:duration>
<video:publication_date>2022-06-20T14:02:47Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2023-03-22T06:59:05Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38E8</loc>
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<video:title>Daniel Barenboim, Michael Barenboim &amp; Kian Soltani: Beethoven Trios</video:title>
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<video:description>Beethoven&apos;s piano trios are often overshadowed by his string quartets, but the composer was very fond of the combination of piano, violin and cello – significantly he chose to publish three thrillingly inventive Piano Trios as his Opus 1, and his last public appearance was at the piano in a performance of his expansive &quot;Archduke&quot; Trio. Few musicians can rival Daniel Barenboim for his overview of the composer&apos;s work, and here Beethoven forms the focus for the trio he founded in 2016 with his son Michael Barenboim and the cellist Kian Soltani. Together they traverse Beethoven&apos;s complete trios from the witty early essays in the genre to the weighty late works in performances taken from two concerts in Berlin&apos;s Pierre Boulez Saal.  </video:description>
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<lastmod>2023-03-20T18:33:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJI</loc>
<video:video>
<video:title>Night Music: Jan Lisiecki in Würzburg</video:title>
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<video:description>The nighttime has long been an inspiration to countless composers – its characteristics serve as a perfect bed for both wistful and occasionally tumultuous composition. It can be dreamy or comforting, but sometimes it’s frightening, full of dark secrets. Performing from the impressive Imperial Hall at the Würzburg Residence, Jan Lisiecki presents a piano recital that focuses on works that have either been written in dedication to or over the duration of the night. The young Canadian pianist brings the spirits of the night, both good and evil to life, navigating through the works of Mozart, Schumann, Ravel, Rachmaninoff, and Chopin.</video:description>
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<video:publication_date>2022-05-09T12:43:30Z</video:publication_date>
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<lastmod>2023-03-19T19:33:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3E</loc>
<video:video>
<video:title>Multiple Identities - Encounters with Daniel Barenboim</video:title>
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<video:description>Daniel Barenboim wears many hats, both personally and professionally. This film traces the first 50 years of Barenboim’s tremendous career, through memories of conducting and performing with the Chicago Symphony Orchestra and Staatskapelle Berlin; of rehearsing with the West-Eastern Divan Orchestra; of trips to Buenos Aires, Weimar, and Jerusalem; and of times shared with friends, family, and musical counterparts. This year-long journey alongside the maestro accompanies his conversations with Edward Said and Pierre Boulez, his collaborations with Cecilia Bartoli, Yo-Yo Ma, and Waltraud Meier, and confirms that at the centre of all that he is, all that he does and all with which he identifies, is the music.</video:description>
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<video:publication_date>2022-10-10T10:19:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-16T06:45:54Z</lastmod>
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<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DG</loc>
<video:video>
<video:title>Europakonzert 2013 from Prague – with Magdalena Kožená</video:title>
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<video:description>In 2013, the Berliner Philharmoniker return to the city where the tradition of the annual Europakonzert, founded by Claudio Abbado in 1991, first began: Prague. The concert programme is always tailored to the venues, whose architecture provides an impressive backdrop. This year, the orchestra and audience take their seats in the magnificent Spanish Hall in the Prague Castle. Under the direction of Simon Rattle, experience the music of Ralph Vaughan Williams, Antonín Dvořák and Ludwig van Beethoven. Czech Mezzo-Soprano Magdalena Kožená interprets the Biblical Songs by Dvořák, who taught at the Prague Conservatory. The highlight of the concert is Beethoven&apos;s Sixth Symphony.</video:description>
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<video:publication_date>2022-07-07T12:53:22Z</video:publication_date>
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<lastmod>2023-03-14T12:12:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSRJE</loc>
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<video:title>Herbert von Karajan Memorial Concert with Claudio Abbado</video:title>
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<video:description>Marking the tenth anniversary of Herbert von Karajan&apos;s death, the Berliner Philharmoniker performs a memorial concert in the Salzburg Cathedral in 1999 under the direction of Claudio Abbado. In honour of their longtime principal conductor, the legendary Requiem by Wolfgang Amadeus Mozart is performed together with the Swedish Radio Choir and a first-class ensemble of soloists. For Abbado, Karajan was like a mentor, nurturing him as a young conductor and inviting him to the Salzburg Festival. A phenomenal performance of Mozart&apos;s Requiem pays tribute to Karajan in his hometown. Surrounded by myths, it is Mozart&apos;s last work before his death and perhaps the most personal piece he ever wrote.</video:description>
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<video:publication_date>2022-06-08T14:59:00Z</video:publication_date>
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<lastmod>2023-03-14T08:24:04Z</lastmod>
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<video:title>Obradors: Canciones clássicas españolas: El vito (Arr. Cuello)</video:title>
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<lastmod>2023-02-28T20:59:33Z</lastmod>
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<video:title>Ginastera: Estancia: IV. Danza final (Malambo)</video:title>
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<lastmod>2023-02-28T20:57:01Z</lastmod>
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<video:title>Chopin: Piano Sonata No. 3 in B Minor, Op. 58: III. Largo</video:title>
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<lastmod>2023-02-28T20:41:57Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3G</loc>
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<video:title>Vivaldi: The Four Seasons </video:title>
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<video:description>&quot;Admittedly, Vivaldi isn’t so very different from Mozart in terms of his purely technical difficulty: these pieces contain no hurdle that a good music student couldn’t clear as a teenager. But art involves more than just playing a piece quickly, cleanly and accurately. Art consists in investing the score with a soul. Vivaldi’s Four Seasons is a unique celebration of life, a veritable riot of colour. It takes a sensitive violinist to bring out this riot of colour in the form of a tone-painting.&quot; Anne-Sophie Mutter, 11/2008</video:description>
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<lastmod>2023-02-28T20:37:35Z</lastmod>
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<video:title>Castellanos: Veinte cantos populares españolas / II: 8. El vito</video:title>
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<lastmod>2023-02-28T20:36:50Z</lastmod>
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<video:title>Mozart: Piano Concerto No. 23 in A Major, K.488: II. Adagio</video:title>
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<lastmod>2023-02-28T20:33:42Z</lastmod>
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<video:title>Bernstein: West Side Story: Mambo</video:title>
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<lastmod>2023-02-28T20:33:00Z</lastmod>
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<video:title>Bounce Bounce</video:title>
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<video:publication_date>2022-11-13T01:22:24Z</video:publication_date>
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<lastmod>2023-02-28T20:32:16Z</lastmod>
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<video:title>Draw a Map</video:title>
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<lastmod>2023-02-28T20:31:42Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJIC8</loc>
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<video:title>Einaudi: I Giorni</video:title>
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<video:publication_date>2022-12-04T09:06:15Z</video:publication_date>
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<lastmod>2023-02-28T20:30:58Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3I</loc>
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<video:title>Schumann: Fantasiestücke, Op. 73: 2. Lebhaft, leicht</video:title>
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<video:description>Every so often, a musical encounter sees a truly astonishing &quot;musico-biological&quot; process take place. The meeting of the pianist Hélène Grimaud and the cellist Sol Gabetta last summer at the Menuhin Festival in Gstaad was one such rare encounter. Two charismatic stars made music together: two performers who play with such a combination of passion and intelligence that time after time they made the classics sound as contemporary as if composed today. </video:description>
<video:duration>192</video:duration>
<video:publication_date>2022-07-08T10:24:23Z</video:publication_date>
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<lastmod>2023-02-28T20:29:24Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR38</loc>
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<video:title>Shostakovich: Sonata for Violoncello and Piano, Op. 40: II. Allegro</video:title>
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<video:live>no</video:live>
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<lastmod>2023-02-28T20:28:19Z</lastmod>
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<video:title>Purcell: Dido and Aeneas: When I am laid in earth</video:title>
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<video:publication_date>2022-10-24T22:19:05Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-28T20:27:28Z</lastmod>
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<video:title>Schubert: Des Fischers Liebesglück, D.933</video:title>
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<video:publication_date>2022-10-29T20:13:08Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-28T20:22:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSR3A</loc>
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<video:title>Vivaldi: La fida ninfa: Alma opressa</video:title>
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<video:description></video:description>
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<video:publication_date>2022-10-28T22:56:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-28T20:21:58Z</lastmod>
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<video:title>Monteverdi: Lamento della ninfa</video:title>
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<lastmod>2023-02-28T20:21:25Z</lastmod>
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<video:title>Lehár: Dein ist mein ganzes Herz</video:title>
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<lastmod>2023-02-28T20:19:17Z</lastmod>
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<video:title>Lasst mich rein, ich hör Musik</video:title>
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<lastmod>2023-02-28T20:17:12Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30E8</loc>
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<video:title>Chopin: Polonaise No. 3 in A Major, Op. 40 No. 1 &apos;Military&apos; </video:title>
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<lastmod>2023-02-28T20:15:17Z</lastmod>
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<video:title>Traditional Bulgarian: Bučimiš</video:title>
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<lastmod>2023-02-28T20:14:07Z</lastmod>
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<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34CO</loc>
<video:video>
<video:title>Purcell: Music for a while</video:title>
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<video:duration>633</video:duration>
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<video:live>no</video:live>
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<lastmod>2023-02-25T09:59:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32E8</loc>
<video:video>
<video:title>Mozart: Ave verum corpus, K. 618 (Arr. for English Horn, Strings and Organ</video:title>
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<video:description></video:description>
<video:duration>178</video:duration>
<video:publication_date>2022-12-10T08:04:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-25T09:53:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34C8</loc>
<video:video>
<video:title>Bellini: Eccomi... Oh! Quante volte </video:title>
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<video:description></video:description>
<video:duration>530</video:duration>
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<video:live>no</video:live>
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<lastmod>2023-02-25T09:52:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJIE0</loc>
<video:video>
<video:title>Schnittke: Tango (Arr. for Violin and Accordion)</video:title>
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<video:duration>224</video:duration>
<video:publication_date>2022-12-05T06:11:54Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-02-25T09:50:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJIDO</loc>
<video:video>
<video:title>Schnittke: Polka (Arr. for Violin and Accordion)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9a503f3005444d2a2332a137d57cde3a60286abb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>158</video:duration>
<video:publication_date>2022-12-04T16:14:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:50:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32DO</loc>
<video:video>
<video:title>Mozart: Rondo in C Major, K. 373 (Adapt. for Oboe and Orchestra)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2a9dfa12e62a330e33b36991296a7e2de2f31830.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>374</video:duration>
<video:publication_date>2022-12-10T07:33:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:48:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8CO</loc>
<video:video>
<video:title>Glass: Tissue No. 7</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/82250383e9bd71ba0e0c21b878c4e32f96555353.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>209</video:duration>
<video:publication_date>2022-11-18T03:12:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:46:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32C0</loc>
<video:video>
<video:title>Strauss: Drei Lieder, Op. 29, TrV 172: I. Traum durch die Dämmerung</video:title>
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<video:description></video:description>
<video:duration>157</video:duration>
<video:publication_date>2022-12-07T04:50:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:45:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30D8</loc>
<video:video>
<video:title>Origins</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a73cecef31bb81d412cc05937a972b5e0eab81ae.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>244</video:duration>
<video:publication_date>2022-12-05T10:57:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:43:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP30D0</loc>
<video:video>
<video:title>Prelude 6</video:title>
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<video:description></video:description>
<video:duration>173</video:duration>
<video:publication_date>2022-12-05T10:30:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:43:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJIDG</loc>
<video:video>
<video:title>Elgar: Chanson de Nuit, Op. 15, No. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6e2115e33e3b17cd8d326665ab3b4196419f8e16.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>244</video:duration>
<video:publication_date>2022-12-04T15:54:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:40:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJID8</loc>
<video:video>
<video:title>Bernstein: West Side Story Suite: America (Version for Solo Violin and String Orchestra)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2741b5a1155d34e3b2cb66ad53758428511d84d8.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>120</video:duration>
<video:publication_date>2022-12-04T15:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:32:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJID0</loc>
<video:video>
<video:title>Weill: September Song (Version for Violin and Chamber Orchestra) </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a52238ea636a1aa28fe61b0eb385ed5a6b72b68f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>154</video:duration>
<video:publication_date>2022-12-04T09:46:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T09:27:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3EDG</loc>
<video:video>
<video:title>Hilary Hahn plays Dvořák: Violin Concerto in A Minor</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/887df7a8a37c067f5b7566b2e4ff485530f5137b.jpg</video:thumbnail_loc>
<video:description>The great American violinist Hilary Hahn was in the middle of a year-long sabbatical away from classical music when the Corona pandemic hit, leading to the cancellation of many more concerts. So this account of Dvořák&apos;s Violin Concerto was among the artist&apos;s first performances in nearly two years. In an interview, Hahn tells of her realization that she would never again want to give up making music together with colleagues so long a period. The virtuoso performs Dvořák&apos;s underappreciated work with corresponding urgency – with lyrical intensity and irresistibly expressive tone. She is accompanied by the Frankfurt Radio Symphony under the direction of its chief conductor, Andrés Orozco-Estrada. </video:description>
<video:duration>2146</video:duration>
<video:publication_date>2022-12-08T14:42:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T06:58:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSPJ0E8</loc>
<video:video>
<video:title>Gardiner conducts Brahms: Symphony No. 3 &amp; Choral Works </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/271dd2b2fc95ca7167c29f6043b3dde80f5b407c.jpg</video:thumbnail_loc>
<video:description>In juxtaposing symphonies and choral works in his Brahms cycle with the Concertgebouw Orchestra, John Eliot Gardiner allows some of the composer&apos;s little-known vocal works to receive the attention they deserve. In this third programme in the series, choral pieces written over the course of nearly 30 years of Brahms&apos;s career frame the Third Symphony. Arguably less popular than its stablemates, the third is characterized by a dramaturgical arc spanning all its four movements, as the Clara Schumann rightly noted: &quot;All the movements [are] as if from one cast, each one a jewel!&quot; – and none is more jewel-like than the enchanting poco allegretto, arguably one of the most beautiful movements in the entire symphonic repertoire.</video:description>
<video:duration>6482</video:duration>
<video:publication_date>2023-01-18T19:00:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-25T06:52:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8CG</loc>
<video:video>
<video:title>Pärt: Vater Unser (Version for Cello and Piano)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83a7421f1c6fa403bda86bc2b117c1e7bc8e4980.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>151</video:duration>
<video:publication_date>2022-11-18T02:56:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:50:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJICG</loc>
<video:video>
<video:title>Gershwin: The Man I Love (Version for Solo Violin, Jazz Trio and String Orchestra)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11b4bc19d560d518a5a5bc552ee274972ab36502.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>355</video:duration>
<video:publication_date>2022-12-04T09:23:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:48:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJICO</loc>
<video:video>
<video:title>Cooke: A Change is Gonna Come (Version for Voice, Solo Violin and Piano)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e76bf33a8853ca4a15e1d503f12cad5fd259d944.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>220</video:duration>
<video:publication_date>2022-12-04T09:32:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:47:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJAD8</loc>
<video:video>
<video:title>Spring 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3ca07be11f6223fa3e2c7f606ed7c8948ed4de3f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>167</video:duration>
<video:publication_date>2022-11-22T00:10:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:43:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJADG</loc>
<video:video>
<video:title>Autumn 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5d7800824da4ed40bfb8b75a0b60ddac6e6c35c6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>113</video:duration>
<video:publication_date>2022-11-22T04:10:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:42:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJAD0</loc>
<video:video>
<video:title>Summer 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0fa2ba8d05a82bd8dc8d6117456d26ccfe2dbc9d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>203</video:duration>
<video:publication_date>2022-11-21T23:56:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:39:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CD0</loc>
<video:video>
<video:title>Silvestrov: Melodies of the Moments - Cycle VII: III. Musical Moment</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3b4bd5338c62f0bac350973c18bf306d54ab01cb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>171</video:duration>
<video:publication_date>2023-02-16T11:36:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CD8</loc>
<video:video>
<video:title>Silvestrov: Melodies of the Moments - Cycle III: I. Lullaby</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/682038673539dcdad8ea69557d4976571ad6420a.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>225</video:duration>
<video:publication_date>2023-02-16T17:51:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:33:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3CDG</loc>
<video:video>
<video:title>Skoryk: Melody (from &quot;The High Pass&quot;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c89adcc0a8558137e0570cc046453fa343625859.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>178</video:duration>
<video:publication_date>2023-02-16T17:54:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:30:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJ4</loc>
<video:video>
<video:title>El Sistema</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ea2df52a780ced7876532480592eef11184d3e0d.jpg</video:thumbnail_loc>
<video:description>Venezuela&apos;s unique system of music education takes children from violent slums and turns some of them into world-class musicians. &quot;El Sistema&quot; shows how Venezuelan visionary Jose Antonio Abreu changed the lives of hundreds of thousands of children over the past three decades. This lyrical and moving documentary takes us from the rubbish dumps and barrios of Caracas to the world&apos;s finest concert halls. Children from streets dominated by the gun battles of gang warfare are taken into music schools, given access to music, and taught through the model of the symphony orchestra how to build a better society. Paul Smaczny and Maria Stodtmeier&apos;s film finds hope and joy in unlikely places.</video:description>
<video:duration>6001</video:duration>
<video:publication_date>2022-10-19T14:29:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T07:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJG</loc>
<video:video>
<video:title>Dietrich Fischer-Dieskau: Last Words</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/043993afb3a400a36e42bf6f1923a45557487dca.jpg</video:thumbnail_loc>
<video:description>The great German baritone Dietrich Fischer-Dieskau is remembered today as one of the most important performers of the second half of the 20th century, a singer who almost singlehandedly forced a reassessment of art song as a genre. But not only did he have a repertoire of more than 3,000 songs, his also career covered a huge range of operatic roles. Here in conversation the great baritone reveals for the last time on camera the secrets of his career. His &quot;Last Words&quot; offer unprecedented insights into the extraordinary artistic life of one of the most famous and prolific lieder singer of our time.</video:description>
<video:duration>3221</video:duration>
<video:publication_date>2022-09-15T11:19:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T07:38:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ACG</loc>
<video:video>
<video:title>On Credo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/329c482ce0e02b2e95dcedc56d875bd312b84528.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>311</video:duration>
<video:publication_date>2023-01-17T07:49:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:36:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3ACO</loc>
<video:video>
<video:title>On Reflection</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e3b662a2f000b51509bb9c5c649c6e3ce9dda591.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>342</video:duration>
<video:publication_date>2023-01-17T08:14:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:35:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6D8</loc>
<video:video>
<video:title>On Schoenberg / Sibelius: Violin Concertos</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2edbe807223d765bfbce5ae7e91bcb950485d024.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>323</video:duration>
<video:publication_date>2022-11-15T20:26:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:35:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38C0</loc>
<video:video>
<video:title>On Sonatas &amp; Etudes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fea9af5f0f17b6d37fa7965099bb76afd68c6bfb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>245</video:duration>
<video:publication_date>2023-01-06T14:51:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:34:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCC8</loc>
<video:video>
<video:title>On Resonances</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/12174deec163b225928c152ba4399ca0f1149f9f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>439</video:duration>
<video:publication_date>2022-11-25T04:54:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:33:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38DO</loc>
<video:video>
<video:title>On Mozart</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1a6cddf6811b6504432560f9649775f01e789a46.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2023-01-15T21:07:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:32:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6D0</loc>
<video:video>
<video:title>On Silfra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/495e8356cc30f9b7f51aecdac62bee890c3266eb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>312</video:duration>
<video:publication_date>2022-11-15T20:06:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:32:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38CG</loc>
<video:video>
<video:title>On Duo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e6af6fc82121e09eef7eaeb914cb7e7910100ca.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>465</video:duration>
<video:publication_date>2023-01-15T17:24:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:31:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3AC8</loc>
<video:video>
<video:title>On Brahms Piano Concertos</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73e4931f729fc455f0d1cfc5e6e6b72493edd269.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>425</video:duration>
<video:publication_date>2023-01-17T07:25:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:24:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJI</loc>
<video:video>
<video:title>On Stravinsky and Stokowski</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1d3867ac36b07ab37a3fb665f6f5bcb01446cdc3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2022-11-10T21:18:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:01:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34D8</loc>
<video:video>
<video:title>On Let it Snow (EN)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f266c436c451a9e8536a9918571e869ec0183aa3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>399</video:duration>
<video:publication_date>2022-12-11T16:20:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:00:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34DG</loc>
<video:video>
<video:title>On Let it Snow (DE)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13bb9d87f2e92278bc88ac74151a6e9dafc65885.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>457</video:duration>
<video:publication_date>2022-12-11T16:26:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:00:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8E0</loc>
<video:video>
<video:title>On Vivaldi Recomposed</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61b7a76166568c71ef1ddb7c94005f0a465458d9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>159</video:duration>
<video:publication_date>2022-11-18T13:33:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:59:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36E8</loc>
<video:video>
<video:title>On Ravel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b8f90ec4cb4ec10d628ae40536798ed92299a77e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>354</video:duration>
<video:publication_date>2023-01-06T12:58:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:56:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38E0</loc>
<video:video>
<video:title>On Water</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b174e4a5f372ebdd571d68f97d689d1e8b49f0b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2023-01-15T21:12:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:56:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCE0</loc>
<video:video>
<video:title>On Piano</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcff5e3c8f9b8c540415f83d8c9d49a62745c64e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2022-12-01T22:25:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:55:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJEE0</loc>
<video:video>
<video:title>On Moonlight</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3465f2ea01b52644b639b39f1ab0209aa5eee76c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2022-12-03T14:17:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:54:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP36CG</loc>
<video:video>
<video:title>On I Am Hera</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c2467bd00a3367f35325c7fc920fbac8790bb12.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>285</video:duration>
<video:publication_date>2023-01-04T17:29:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:25:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0C0</loc>
<video:video>
<video:title>On Schubert&apos;s Piano Sonatas</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4c7fe9f45847dc8442a5d920fc73e3f9937dc33.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-11-10T21:47:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:20:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8C8</loc>
<video:video>
<video:title>On Mozart and Vieuxtemps - Violin Concertos</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/592980d1b75cb27488a213b2331793b5eabd4647.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>208</video:duration>
<video:publication_date>2022-11-16T17:11:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJG</loc>
<video:video>
<video:title>On my New Piano</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c2a398a0a621973ba5d5d6f7502264fbde5acd6.jpg</video:thumbnail_loc>
<video:description>Barenboim was inspired to create a new piano after playing Franz Liszt’s restored grand piano during a trip to Siena in September 2011. Struck by the vital differences in sound of an instrument constructed with straight, parallel strings rather than the diagonal crossed ones of a contemporary instrument, he set out to create a brand new instrument that combines the best of the old and the new and offers a real alternative for pianists and music-lovers in the 21st century.</video:description>
<video:duration>324</video:duration>
<video:publication_date>2022-11-08T12:16:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:19:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3C</loc>
<video:video>
<video:title>Barenboim on Beethoven&apos;s Piano Sonatas (IV)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/52d4d9c5822225025acb0a64e955681d7710dbf5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>615</video:duration>
<video:publication_date>2022-11-08T16:13:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:16:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3A</loc>
<video:video>
<video:title>Barenboim on Beethoven&apos;s Piano Sonatas (III)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11d224901847fe491bb96b7b4db4463ccb00bb63.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>920</video:duration>
<video:publication_date>2022-11-08T16:09:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:16:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS38</loc>
<video:video>
<video:title>Barenboim on Beethoven’s Piano Sonatas (II)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a8069ceca17b929e47f4c658947db4356f23a65.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>734</video:duration>
<video:publication_date>2022-11-08T16:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:16:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS36</loc>
<video:video>
<video:title>Barenboim on Beethoven’s Piano Sonatas (I)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/639f8d2ac8666a2c41c35f4337a27e0977495871.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>628</video:duration>
<video:publication_date>2022-11-08T15:48:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:15:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJI</loc>
<video:video>
<video:title>Barenboim in Conversation: On the Meaning of Music</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/016ca9ea187053db46b1d821d28843b559e55823.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>883</video:duration>
<video:publication_date>2022-11-08T14:45:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:11:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS30</loc>
<video:video>
<video:title>Barenboim in Conversation: On how to Engage with the Audience</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/762b73abb133f9b117b69c470753ecba8f8ca1dc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1044</video:duration>
<video:publication_date>2022-11-08T15:12:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:10:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS32</loc>
<video:video>
<video:title>Barenboim in Conversation: On Beethoven and the Inner Ear</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c57bd4d35cdb22dcb2350abab18ea57f431267b3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>795</video:duration>
<video:publication_date>2022-11-08T15:30:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:08:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS34</loc>
<video:video>
<video:title>Barenboim in Conversation: On Language, Music and Purpose</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3fdf8d9e9f9a047525783e39a3197cfa9c656334.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1000</video:duration>
<video:publication_date>2022-11-08T15:34:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:08:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4DO</loc>
<video:video>
<video:title>On Paris</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a2c3401e0a8ad35f163b13dd1ca7859da0402ff8.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>483</video:duration>
<video:publication_date>2022-11-13T02:58:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:06:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4C0</loc>
<video:video>
<video:title>On Chausson&apos;s Poème (Talk&amp;Play)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/155288bd48e7d56fc083d147ba4af65321de3b93.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>280</video:duration>
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<lastmod>2023-02-19T07:06:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4C8</loc>
<video:video>
<video:title>On Rautavaara&apos;s Deux Sérénades (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>290</video:duration>
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</video:video>
<lastmod>2023-02-19T07:06:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ2E8</loc>
<video:video>
<video:title>On Prokofiev&apos;s Violin Concerto No. 1 (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>232</video:duration>
<video:publication_date>2022-11-12T21:40:43Z</video:publication_date>
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</video:video>
<lastmod>2023-02-19T07:05:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4D8</loc>
<video:video>
<video:title>On Sarasate&apos;s Carmen Fantasy (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>389</video:duration>
<video:publication_date>2022-11-13T02:17:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJEDO</loc>
<video:video>
<video:title>Alice Sara Ott: Nightfall</video:title>
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<video:description>In this solo recital, filmed in Copenhagen&apos;s Koncerthuset, pianist Alice Sara Ott presents music by Chopin alongside repertoire from her acclaimed DG album &quot;Nightfall&quot;. She begins with two movements from Debussy’s Suite bergamasque – the spacious Prélude and lyrical Clair de lune – and continues with the suitably dreamlike Rêverie. Next come three minimalist works by Debussy&apos;s contemporary Erik Satie: the tranquil Gymnopédie No.1 and two of the orientally inflected Gnossiennes. Staying with her &quot;Nightfall&quot; theme, Ott then presents two of Chopin&apos;s beautifully expressive Nocturnes, before ending with the pianistic fireworks of his First Ballade.</video:description>
<video:duration>3343</video:duration>
<video:publication_date>2022-09-30T10:37:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-18T07:11:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ2DG</loc>
<video:video>
<video:title>Debussy: La fille aux cheveux de lin</video:title>
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<video:description></video:description>
<video:duration>151</video:duration>
<video:publication_date>2022-11-12T18:05:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJ2</loc>
<video:video>
<video:title>Rameau: Les Boréades: The Arts and the Hours (Transcr. Ólafsson)</video:title>
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<video:description>At the centre of his 2020 album is an interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call it ‘The Arts and the Hours’,</video:description>
<video:duration>287</video:duration>
<video:publication_date>2022-07-22T08:01:33Z</video:publication_date>
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<lastmod>2023-02-15T11:26:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0DG</loc>
<video:video>
<video:title>Rameau: Les tendres plaintes</video:title>
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<video:description></video:description>
<video:duration>157</video:duration>
<video:publication_date>2022-11-11T15:37:31Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:21:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJ4</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav.</video:title>
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<video:description></video:description>
<video:duration>160</video:duration>
<video:publication_date>2022-11-10T06:01:38Z</video:publication_date>
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<lastmod>2023-02-15T11:20:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0DO</loc>
<video:video>
<video:title>Rameau: Pieces de clavecin en concerts: II. La Cupis</video:title>
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<video:duration>253</video:duration>
<video:publication_date>2022-11-11T15:42:29Z</video:publication_date>
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</video:video>
<lastmod>2023-02-15T11:15:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3G</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga</video:title>
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<video:description></video:description>
<video:duration>142</video:duration>
<video:publication_date>2022-11-09T20:29:26Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:14:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3E</loc>
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<video:title>Bach: Goldberg Variations, BWV 988: Variatio 26 a 2 Clav.</video:title>
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<video:duration>105</video:duration>
<video:publication_date>2022-11-09T20:18:12Z</video:publication_date>
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<lastmod>2023-02-15T11:14:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJ0</loc>
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<video:title>Bach: Goldberg Variations, BWV 988: Variatio 25 a 2 Clav. Adagio</video:title>
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<video:description></video:description>
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<video:publication_date>2022-11-09T21:21:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:13:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSS3I</loc>
<video:video>
<video:title>Bach: Goldberg Variations, BWV 988: Aria</video:title>
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<video:description></video:description>
<video:duration>347</video:duration>
<video:publication_date>2022-11-09T20:48:31Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:12:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0D0</loc>
<video:video>
<video:title>Mozart: Rondo in D Major, K. 485</video:title>
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<video:description></video:description>
<video:duration>224</video:duration>
<video:publication_date>2022-11-11T15:17:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0D8</loc>
<video:video>
<video:title>Cimarosa: Sonata No. 42 in D Minor (Arr. Ólafsson)</video:title>
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<video:description></video:description>
<video:duration>144</video:duration>
<video:publication_date>2022-11-11T15:30:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:07:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSRJ2</loc>
<video:video>
<video:title>Schubert: Gretchen am Spinnrade, D.118 (Adapt. for Cello and Orchestra)</video:title>
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<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2022-10-30T19:59:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:06:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ3I</loc>
<video:video>
<video:title>Mozart: Piano Sonata No. 14 in C Minor, K. 457: I. Molto allegro</video:title>
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<video:description></video:description>
<video:duration>236</video:duration>
<video:publication_date>2022-10-12T12:34:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJ8</loc>
<video:video>
<video:title>Snider: Penelope: IV. The Lotus Eaters</video:title>
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<video:description></video:description>
<video:duration>361</video:duration>
<video:publication_date>2022-11-10T18:38:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:04:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0CO</loc>
<video:video>
<video:title>Galuppi: Piano Sonata No. 9 in F Minor: I. Andante spiritoso</video:title>
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<video:description></video:description>
<video:duration>125</video:duration>
<video:publication_date>2022-11-11T15:13:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:56:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJE</loc>
<video:video>
<video:title>Feed the Birds - from &quot;Mary Poppins&quot;</video:title>
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<video:description></video:description>
<video:duration>268</video:duration>
<video:publication_date>2022-11-10T19:54:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:51:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJG</loc>
<video:video>
<video:title>Rainbow Connection - from &quot;The Muppet Movie&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/319598ead78dbcd35d02c422ce477a66049e147f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>249</video:duration>
<video:publication_date>2022-11-10T20:12:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:49:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSJC</loc>
<video:video>
<video:title>Beauty and the Beast</video:title>
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<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2022-11-10T19:47:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:48:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3ACO</loc>
<video:video>
<video:title>Rudolf Buchbinder performs concertos by Beethoven &amp; Haydn</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/78be63f41bb0d430c69b79fecf9b5f8169ef65d8.jpg</video:thumbnail_loc>
<video:description>It&apos;s not at all easy to explain what musical humour actually is; but one recognizes it immediately in the final movements of the piano concertos by Haydn and Beethoven performed here. And few pianists are as firmly rooted in the piano repertoire of the Viennese Classical period as Rudolf Buchbinder, who makes the humorous elements – toying with expectations, surprising accents and sudden changes of key – sparkle with verve or emerge with understatement. In this concert with the Munich Philharmonic, Buchbinder, who often needs little more than with a wink or a smile as he plays to mark the orchestral entries, performs the double role of soloist and musical director.  </video:description>
<video:duration>3321</video:duration>
<video:publication_date>2022-11-14T08:30:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-12T10:04:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJC</loc>
<video:video>
<video:title>Rolando Villazón – Once Upon a Time in Mexico</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83998d08d52069e80e79874636e3e7325e6469e7.jpg</video:thumbnail_loc>
<video:description>Rolando Villazón is a force, a spirit, and an instrument of what the greatness of humankind can be. His infectious energy, wholehearted nature, and absolute passion for what he does – not to mention the beauty of his voice – has catapulted him onto the biggest stages and secured his place within the world of opera. A lover of the stage, of performance, of music, and of people, there is powerful allure in his craft, but an even greater charm in his being. This film traces Villazón reliving childhood memories in his hometown of Mexico City and documents some of his performance highlights as a leading tenor in Berlin, Salzburg, and New York, alongside other great artists, including Daniel Barenboim, Placido Domingo, and Anna Netrebko.</video:description>
<video:duration>3562</video:duration>
<video:publication_date>2022-09-14T12:09:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-12T09:46:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJI</loc>
<video:video>
<video:title>Andris Nelsons conducts Beethoven, Debussy &amp; Wagner</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b8e0280b1c209bebc51d4dea12cd449c286bcc8.jpg</video:thumbnail_loc>
<video:description>Andris Nelsons directs the Munich Philharmonic in this uplifting programme from the Gasteig featuring dances, vivid scenery and poetic inspiration. Starting with Ravel&apos;s orchestration of Debussy&apos;s early Tarantelle styrienne, the concert has as its central work Beethoven&apos;s Sixth Symphony, the composer&apos;s celebrated portrayal of a lyrical landscape which travels through a panorama of sounds, from flowing water and birdsong to the building violence of a storm – and the joyous celebration of its passing. Wagner&apos;s Siegfried Idyll, originally composed as a birthday gift for his wife Cosima and employing motifs from his opera Siegfried, is also characterised by a sense of calm and contemplation that reflects its personal nature.</video:description>
<video:duration>4950</video:duration>
<video:publication_date>2022-04-26T13:20:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-27T09:24:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJ8D8</loc>
<video:video>
<video:title>Andrè Schuen sings Lieder by Mahler &amp; Schubert</video:title>
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<video:description>The young baritone Andrè Schuen has built an outstanding operatic career in recent years, not least in major Mozart roles. But the singer from Tyrol is also a captivating interpreter of the Romantic lied repertoire, as his releases on Deutsche Grammophon have shown. In this concert at the Ettersburg Palace in Weimar, Schuen and his permanent piano partner Daniel Heide perform two cycles by Gustav Mahler, with a small Schubert selection programmed in between. Mahler&apos;s depictions of loneliness, longing, and closeness to nature spoke at the time directly to an audience affected by the pandemic, themes also touched on by the Schubert songs – settings, like the second Mahler set performed here, of poems by Friedrich Rückert.</video:description>
<video:duration>3531</video:duration>
<video:publication_date>2022-08-03T09:13:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-01-20T13:41:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP3A</loc>
<video:video>
<video:title>Gewandhausorchester 275th Anniversary Gala: Bruckner Symphony No. 7</video:title>
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<video:description>Only a few weeks into his new role as musical director, Andris Nelsons conducted a gala concert to mark the 275th anniversary of the founding of the Gewandhausorchester in Leipzig. One of the most important recent projects between the orchestra and Nelsons was a cycle of Anton Bruckner’s symphonies and it was the Austrian composer&apos;s Seventh Symphony that was chosen to mark the special occasion. Arguably his most famous composition, it was premiered in Leipzig in 1884. The slow movement was composed during the time of Richard Wagner&apos;s final illness – and Wagner died while Bruckner was still working on it – and makes memorable use of Wagner tubas, instruments which the older composer had developed for use in his Ring cycle.  </video:description>
<video:duration>4537</video:duration>
<video:publication_date>2022-05-02T15:36:09Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-01-20T11:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCC0</loc>
<video:video>
<video:title>On Memory</video:title>
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<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2022-11-25T04:32:34Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-17T07:35:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38C8</loc>
<video:video>
<video:title>On The Messenger</video:title>
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<video:description></video:description>
<video:duration>388</video:duration>
<video:publication_date>2023-01-15T17:21:07Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-01-17T07:34:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP32DG</loc>
<video:video>
<video:title>Puccini: La Bohème: Quando me&apos;n vò (Musette&apos;s Waltz)</video:title>
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<video:description></video:description>
<video:duration>199</video:duration>
<video:publication_date>2022-12-08T09:27:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:12:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCCO</loc>
<video:video>
<video:title>Saint-Saëns: Samson et Dalila: Mon coeur s&apos;ouvre à ta voix</video:title>
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<video:description></video:description>
<video:duration>387</video:duration>
<video:publication_date>2022-11-26T12:46:57Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:11:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJCCG</loc>
<video:video>
<video:title>Mascagni: Cavalleria Rusticana: Voi lo sapete, o mamma</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2022-11-26T08:22:10Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-01-16T17:10:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP3C</loc>
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<video:title>Mozart: Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai </video:title>
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<video:description>Since 2010 Hélène Grimaud has refrained from recoring Mozart. One might almost think there simply hasn’t been room for his music in her multifaceted repertoire, and the pianist does confess that her younger self found the “lightness of being” she associated with his piano works unfulfilling. Now, however, for her latest concept album The Messenger, she has created a pianistic dialogue between Mozart and the Ukrainian-born contemporary composer Valentin Silvestrov. Hélène Grimaud performs Mozart&apos;s Piano Concerto No. 20 in D Minor, K 466: III. Rondo. Allegro assai accompanied by the Camerata Salzburg.</video:description>
<video:duration>455</video:duration>
<video:publication_date>2022-07-08T07:56:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-15T17:46:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJGD0</loc>
<video:video>
<video:title>Adam: Cantique de Noël </video:title>
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<video:duration>329</video:duration>
<video:publication_date>2022-12-03T16:05:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:05:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJIE8</loc>
<video:video>
<video:title>A Child Is Born (Arr. for Solo Violin and Strings)</video:title>
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<video:description></video:description>
<video:duration>335</video:duration>
<video:publication_date>2022-12-05T06:19:40Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:03:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ8E8</loc>
<video:video>
<video:title>A Catalogue of Afternoons</video:title>
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<video:description></video:description>
<video:duration>105</video:duration>
<video:publication_date>2022-11-18T13:47:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:00:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSOJGDO</loc>
<video:video>
<video:title>Max Raabe – Live in Berlin</video:title>
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<video:description>Funny, sexy, soulful, and cool – the music of the 1920s and 30s helped the decades roar and they remain just as charming today. Few have been as committed to and successful with the German music of that time as Max Raabe, who along with his Palast Orchester makes these century-old songs sound as fresh and as lively as they did when first performed. Raabe’s irresistible trademarks are a seductive voice, a meaningfully understated facial expression, the impressively rolled Rs, and virtuoso whistling interludes. In this 2006 concert, the stage blazes with the sounds of brass and strings, thrilling the audience with international classics and musical rarities in the sold-out Waldbühne in Berlin.</video:description>
<video:duration>6898</video:duration>
<video:publication_date>2022-10-10T07:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-07T19:28:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ6DG</loc>
<video:video>
<video:title>On Bartók&apos;s 3 Hungarian Folksongs from Csìk (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2022-11-15T22:13:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-23T14:10:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJA</loc>
<video:video>
<video:title>Tchaikovsky: Children&apos;s Album, Op. 39, TH 141: 21. Sweet Dreams</video:title>
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<video:description>Lang Lang’s ‘Piano Book’ became an instant hit around the world following its release on World Piano Day in March 2019. Reflecting Lang Lang’s determination to pass on what he’s learned to a new generation, ‘Piano Book’ offers a collection of pieces which first inspired him to play the piano and led him on his path to international stardom. ‘Piano Book – Encore Edition’, a super deluxe digital edition, opens a new chapter in the ‘Piano Book’ by releasing Lang Lang’s fresh recording of “Sweet Dreams” from Tchaikovsky’s “Children’s Album”, one of six brand-new tracks exclusive to this edition. </video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-08-26T13:37:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-22T15:38:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4CO</loc>
<video:video>
<video:title>On Eclipse</video:title>
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<video:description></video:description>
<video:duration>831</video:duration>
<video:publication_date>2022-11-13T01:51:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:31:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ2E0</loc>
<video:video>
<video:title>On Mozart&apos;s Laudate Dominum (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>106</video:duration>
<video:publication_date>2022-11-12T21:31:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:30:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ2DO</loc>
<video:video>
<video:title>On Kaldalóns&apos; Ave Maria (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>171</video:duration>
<video:publication_date>2022-11-12T20:32:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:28:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4DG</loc>
<video:video>
<video:title>On Ginastera&apos;s Violin Concerto (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>428</video:duration>
<video:publication_date>2022-11-13T02:29:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ4D0</loc>
<video:video>
<video:title>On Dvořák&apos;s Violin Concerto (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>334</video:duration>
<video:publication_date>2022-11-13T02:12:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:26:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSPJE</loc>
<video:video>
<video:title>In Conversation: Mutter, Barenboim and Ma on Beethoven&apos;s Triple Concerto</video:title>
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<video:description>Anne-Sophie Mutter, Yo-Yo Ma &amp; Daniel Barenboim, three of today’s most renowned classical artists and Beethoven interpreters, celebrate the 250th anniversary of Beethoven’s birth with a recording of the Triple Concerto. The recording was made at a concert in Berlin October 2019 – to mark the West-Eastern Divan’s 20th birthday. In a third anniversary it is 40 years since the appearance of the legendary Triple Concerto recording made by Mutter and Ma under Herbert von Karajan in 1980. In this conversation, Daniel Barenboim, Anne-Sophie Mutter, and Yo-Yo Ma discuss Beethoven’s Triple Concerto, reflecting on the composer&apos;s timeless artistry and the remarkable history of the West-Eastern Divan Orchestra. </video:description>
<video:duration>655</video:duration>
<video:publication_date>2022-09-14T20:23:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T11:16:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSP38</loc>
<video:video>
<video:title>Hilary Hahn &amp; the Berliner Philharmoniker at Suntory Hall</video:title>
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<video:description>One day before her 21st birthday, Hilary Hahn performs with the Berliner Philharmoniker at the Suntory Hall in Tokyo, which was built on the model of the orchestra&apos;s home in Berlin. Mariss Jansons conducts this concert in Japan, in which the the poetic soundscapes of Dvořák&apos;s lyrical Symphony No.8 are preceded by Shostakovich&apos;s technically demanding First Violin Concerto. Hahn shines as a soloist and leaves no doubt that she belongs to the next generation of top violinists following the likes of the work&apos;s dedicatee, David Oistrakh. The American violinist made her acclaimed debut with the Philharmonic with the same violin concerto just a few months previously.</video:description>
<video:duration>5931</video:duration>
<video:publication_date>2022-05-02T14:17:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-20T15:13:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP34D0</loc>
<video:video>
<video:title>On Lost and Found</video:title>
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<video:description></video:description>
<video:duration>199</video:duration>
<video:publication_date>2022-12-11T13:08:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-11T15:15:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSOJ0E8</loc>
<video:video>
<video:title>Bach: Concerto in D Minor, BWV 974: II. Adagio</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bc1c9336df64eb0bc4c1f8b29791e61010f6ee46.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>253</video:duration>
<video:publication_date>2022-11-11T16:01:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-19T05:55:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQJE</loc>
<video:video>
<video:title>Island Of Doom</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9956b9192d75bdf1e99aa271d06a82bb9561fcb1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2022-10-24T21:04:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-10T20:18:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSQ32</loc>
<video:video>
<video:title>Fauré: Sicilienne, Op. 78</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2feaa7508e1908869ba8df5a58d4900ee9e41fbe.jpg</video:thumbnail_loc>
<video:description>“Wouldn’t it be possible to produce something at home that sounded just as good as in the concert hall?” Idling the time away in his Berlin apartment during the cultural and social lockdowns was just as much out of the question for Daniel Hope as spontaneous home concerts with unsatisfactory cell phone sound: After all, according to the violinist, “isn’t classical music all about sound, about really listening?” And so, with the support of the TV broadcaster ARTE, he developed a special concert format and transformed his living room into a high-tech TV studio.</video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-09-22T12:15:15Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-10T18:58:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8</loc>
<video:video>
<video:title>Homage to Mozart – Víkingur Ólafsson &amp; Christoph Eschenbach</video:title>
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<video:description>Bringing his artistic residency at the Konzerthaus in Berlin to an end, Víkingur Ólafsson pays homage to Mozart together with Christoph Eschenbach, who leads the Konzerthausorchester through the Austrian composer’s Piano Concerto in A Major. Written at the same time as The Marriage of Figaro, when Mozart was in demand as a composer of vocal music, the concerto is one of his most beloved. It’s chamber-like atmosphere and highly contrasting moods are heightened by the intimate encore that sees Eschenbach join the Icelandic pianist at the piano for a four-handed piano sonata, as well as solo performances of works from Ólafsson’s third album Debussy Rameau. </video:description>
<video:duration>3322</video:duration>
<video:publication_date>2022-05-16T12:43:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-10-19T21:37:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSSG</loc>
<video:video>
<video:title>Bach: Contrapunctus 14, BWV 1080, 19 (Compl. Trifonov)</video:title>
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<video:description>Johann Sebastian Bach did not live to finish The Art of Fugue’s final contrapunctus, and a number of musicians have attempted conjectural completions. For this recording, Daniil Trifonov, himself an accomplished composer, has created a seamless, stylistically respectful conclusion worthy of Bach’s genius. It reflects the extent to which he has absorbed and internalised every nook and cranny of Bach’s valedictory masterpiece.
Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion”. </video:description>
<video:duration>646</video:duration>
<video:publication_date>2022-05-18T12:44:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-09-21T10:07:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/video/video_APKM8PBFBSP38</loc>
<video:video>
<video:title>Mahler: &quot;Alles Vergängliche&quot; - Live from Walt Disney Concert Hall / 2019</video:title>
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<video:description></video:description>
<video:duration>308</video:duration>
<video:publication_date>2022-07-07T14:12:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-09-14T16:51:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPN</loc>
<video:video>
<video:title>Yubeen Kim, Nicolas Altstaedt &amp; Verbier Festival Chamber Orchestra</video:title>
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<video:description>Beim Tongyeong International Music Festival vereinen sich Yubeen Kim, Nicolas Altstaedt und das Verbier Festival Chamber Orchestra in einem Konzert, das Eleganz und klassische Tradition des 18. und 19. Jahrhunderts in den Mittelpunkt stellt. Altstaedt leitet vom Violoncello aus Tschaikowskys fein virtuose Rokoko-Variationen, bevor Kim mit C. P. E. Bachs Flötenkonzert d-Moll in den Mittelpunkt tritt und Haydns Sinfonie Nr. 70 den Abend lebhaft beschließt.</video:description>
<video:duration>4243</video:duration>
<video:publication_date>2026-04-02T07:32:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T11:28:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1O</loc>
<video:video>
<video:title>Faust, Melnikov und Queyras: Schumann-Konzerte</video:title>
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<video:description>Isabelle Faust, Alexander Melnikov und Jean-Guihen Queyras widmen sich gemeinsam mit dem Freiburger Barockorchester unter Pablo Heras-Casado Schumanns konzertanten Werken. Klavier-, Violin- und Violoncellokonzert stehen neben der Ouvertüre, Scherzo und Finale und eröffnen eine Klangwelt von besonderer Transparenz und Farbigkeit im Spiel auf historischen Instrumenten. Die gefeierten Einspielungen dieser herausragenden Besetzung fanden große Beachtung für ihre Frische; hier, live im Konzert, entfaltet sich derselbe Entdeckergeist mit mitreißender Unmittelbarkeit und expressiver Intensität.</video:description>
<video:duration>7304</video:duration>
<video:publication_date>2026-03-30T12:50:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:48:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3ADG</loc>
<video:video>
<video:title>Giuseppe Verdi: Macbeth – Eine Einführung</video:title>
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<video:description>Dieser Film bietet eine Einführung in die Zürcher Macbeth-Inszenierung von 2001 am Opernhaus Zürich unter der musikalischen Leitung von Franz Welser-Möst und in der Regie von David Pountney. Die Sopranistin Paoletta Marrocu (Lady Macbeth) und der Bariton Thomas Hampson (Macbeth) geben gemeinsam mit Welser-Möst, Pountney und der Kostümbildnerin Marie-Jeanne Lecca Einblicke in Werk und Aufführung und sprechen über Figuren, musikalische Gestaltung und szenische Umsetzung. Der Film verbindet Probenmomente mit Kommentaren der Beteiligten und beleuchtet die künstlerischen Entscheidungen, die diese Inszenierung prägen.</video:description>
<video:duration>2671</video:duration>
<video:publication_date>2026-03-30T12:43:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:29:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1N</loc>
<video:video>
<video:title>Joe Henderson Trio in der Philharmonie im Gasteig</video:title>
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<video:description>Dieser Mitschnitt aus der Philharmonie im Gasteig in München von 1993 zeigt Joe Henderson im Trio mit Dave Holland und Al Foster. Ohne Klavier oder Gitarre, die das harmonische Fundament ausfüllen könnten, richtet sich der Fokus ganz auf das unmittelbare Zusammenspiel von Saxophon, Bass und Schlagzeug; die Musik bleibt offen, beweglich und im ständigen Fluss. Hendersons eigene Stücke stehen neben Standards von Gershwin und Strayhorn und bewegen sich zwischen lyrischen Momenten und swingender Energie, getragen von einem eingespielten Trio, das hörbar aufeinander reagiert.</video:description>
<video:duration>4254</video:duration>
<video:publication_date>2026-03-30T12:06:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:28:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1M</loc>
<video:video>
<video:title>Michael Endres spielt Schubert, Godowsky &amp; Gulda</video:title>
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<video:description>Im Rahmen des Münchner Klaviersommers entstand 1993 in der Philharmonie im Gasteig ein Klavierabend mit Michael Endres, der Wiener Musik aus unterschiedlichen Epochen in den Blick nimmt. Den ersten Teil bildet Schuberts Klaviersonate A-Dur D 959, deren vier Sätze vom eröffnenden Allegro über das nach innen gerichtete Andantino bis zum weit gespannten Finale führen. Nach der Pause stehen Godowskys Symphonische Metamorphosen über Themen aus der „Fledermaus“ von Johann Strauss auf dem Programm, während Friedrich Gulda mit seinem Präludium und seiner Fuge als Gründer des Festivals gewürdigt wird.</video:description>
<video:duration>2991</video:duration>
<video:publication_date>2026-03-30T09:35:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:24:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1P</loc>
<video:video>
<video:title>Jean-Guihen Queyras: Mitten wir im Leben sind – Bach Cellosuiten</video:title>
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<video:description>Anne Teresa De Keersmaekers Mitten wir im Leben sind bietet eine eindrucksvolle Begegnung von Tanz und Musik zu Bachs sechs Cellosuiten. Live auf der Bühne gespielt von Jean-Guihen Queyras, entfalten sich die Suiten im Zusammenspiel mit einer Choreografie für fünf Tänzerinnen und Tänzer, darunter De Keersmaeker selbst, in der sich Bewegung und Musik fortwährend begegnen, voneinander lösen und neu zueinander finden. Anstatt die Partitur zu illustrieren, greifen die Tänzerinnen und Tänzer Struktur, Rhythmus und Energie der Musik auf und entwickeln daraus einen lebendigen Dialog zwischen Körper und Klang. So entsteht ein Werk von großer Präsenz und Intensität, das dazu einlädt, Bachs Musik auf neue, unmittelbar körperliche Weise zu erleben.</video:description>
<video:duration>6625</video:duration>
<video:publication_date>2026-03-30T13:00:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T14:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3ADO</loc>
<video:video>
<video:title>Tye: In pace, in idipsum</video:title>
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<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2026-03-31T13:19:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T08:47:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3AE0</loc>
<video:video>
<video:title>Great Arias – La belle Hélène: &quot;Amour divin&quot; &amp; &quot;L&apos;invocation à Vénus&quot;</video:title>
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<video:description></video:description>
<video:duration>606</video:duration>
<video:publication_date>2026-03-31T13:43:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T08:39:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8DO</loc>
<video:video>
<video:title>Palestrinas Chor-Musik in der Sixtinischen Kapelle</video:title>
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<video:description>Wohl kein anderes Vokal-Ensemble verfügt über einen schöneren Heimatort als der Sistine Chapel choir, der als ältester Chor der Welt internationales Renommee genießt. Die namensgebende Kapelle im apostolischen Palast der Vatikanstadt zieht seit dem 16. Jahrhundert Gläubige wie Kunstsinnige magnetisch an. Die hier aufgeführte Musik Giovanni Pierluigi da Palestrinas, der in den 1550er Jahren selbst Mitglied der dem Papst zugeordneten Kapelle war, ist nur wenige Jahrzehnte nach den berühmten Fresken Michelangelo Buonarrottis entstanden. Durch die Verbindung von Palestrinas a capella-Musik in einzigartiger Akustik und authentischer Wiedergabe mit den herrlichen Deckengemälden ist hier ein ungewöhnliches audio-visuelles Dokument zu erleben.</video:description>
<video:duration>3016</video:duration>
<video:publication_date>2022-08-04T09:49:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-31T12:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPM</loc>
<video:video>
<video:title>Paavo Järvi &amp; Jean-Yves Thibaudet: Chatschaturjan &amp; Stravinsky</video:title>
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<video:description>Im Concertgebouw vereinen sich Jean-Yves Thibaudet, Paavo Järvi und das Royal Concertgebouw Orchestra in einem mitreißenden Programm mit Werken des 20. Jahrhunderts. Den Auftakt bildet Ester Mägis Vesper (1990) – ein konzentriertes, ruhig entwickeltes Stück aus der estnischen Musiktradition. Chatschaturjans Klavierkonzert von 1936 folgt mit unverwechselbarer Klangfarbe und markanter Rhythmik und rückt Thibaudet in den Mittelpunkt. Den Abschluss bildet Strawinskys Petruschka, 1911 für die Ballets Russes in Paris komponiert, mit seiner schillernden Jahrmarktswelt und den rasch wechselnden Stimmungen.</video:description>
<video:duration>5152</video:duration>
<video:publication_date>2026-03-30T08:08:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-31T09:46:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3AD8</loc>
<video:video>
<video:title>Jóhannsson: The Theory of Everything</video:title>
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<video:description></video:description>
<video:duration>79</video:duration>
<video:publication_date>2026-03-30T10:39:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-30T13:38:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30</loc>
<video:video>
<video:title>Sergei Babayan &amp; Gábor Tákacs-Nagy spielen Werke von Mozart &amp; Brahms</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f78d46398b8864b6e2a1ab322bfbb6b473eef3ec.jpg</video:thumbnail_loc>
<video:description>Sergei Babayan wird für sein intensives, klangfarbenreiches Klavierspiel verehrt. Beim Verbier Festival 2019 ist er als Solist mit Mozarts Jenamy Klavierkonzert zu erleben. Begleitet wird der Pianist von dem Verbier Festival Chamber Orchestra unter der Leitung von Gábor Tákacs-Nagy, einem erfahrenen Spezialisten auf dem Gebiet der Kammermusik. &quot;Vergiss nie das Kind in dir. Denn Musik ist voller Kontraste und Emotionen&quot;, sagte Tákacs-Nagy einst. So wird auch Johannes Brahms‘ Zweite Sinfonie zum Genuss, bei der meist das Podium vollbesetzt ist. In diesem Konzert hingegen, zeichnet sie sich durch Leichtigkeit und Transparenz aus.</video:description>
<video:duration>4812</video:duration>
<video:publication_date>2022-06-10T12:01:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T16:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1L</loc>
<video:video>
<video:title>Jacques Loussier: Trompetenkonzert</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cc24d966b9538c0b471997090314f046f81554ff.png</video:thumbnail_loc>
<video:description>In diesem Mitschnitt aus der Philharmonie im Gasteig in München ist Jacques Loussiers Konzert für Trompete und Kammerorchester zu hören. Mit Bernard Soustrot als Solisten und den Münchner Symphonikern unter der Leitung von Jean-Pierre Wallez entsteht ein Werk in drei Sätzen, das die Trompete ins Zentrum rückt. Loussier, bekannt für seine Verbindung von Jazz und Klassik, entwickelt hier eine eigene Tonsprache, die sich auch in dieser Live-Aufführung deutlich zeigt.</video:description>
<video:duration>1451</video:duration>
<video:publication_date>2026-03-26T14:24:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:49:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1I</loc>
<video:video>
<video:title>Jacques Loussier: Konzert für Violine und Schlagzeug</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/849fb4ed6ca69f526665151465386e3d68649055.png</video:thumbnail_loc>
<video:description>Beim Münchner Klaviersommer 1993 ist Jacques Loussiers Konzert für Violine und Schlagzeug zu erleben – ein Werk an der Schnittstelle von Jazz und Klassik. Mit Jean-Pierre Wallez an der Violine und André Arpino am Schlagzeug entsteht ein lebendiges Zusammenspiel zweier sehr unterschiedlicher Klangwelten, geprägt von rhythmischem Drive und improvisatorischen Momenten. Loussier leitet die Münchner Symphoniker in einer Musik, die sich mühelos zwischen Groove und orchestraler Farbe bewegt und dabei ganz von seiner unverwechselbaren Handschrift lebt.</video:description>
<video:duration>1988</video:duration>
<video:publication_date>2026-03-24T15:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:48:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1H</loc>
<video:video>
<video:title>Jacques Loussier: Konzert für Klavierquartett und Orchester &quot;Playades&quot;</video:title>
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<video:description>Beim Münchner Klaviersommer 1993 trifft Jacques Loussier auf die Münchner Symphoniker unter Jean-Pierre Wallez – mit seinem Konzert für Klavierquartett und Orchester „Playades“. Gemeinsam mit Jean Virot, Vincent Charbonnier und André Arpino verbindet Loussier hier spielerisch Jazz und Klassik: klare Formen, groovende Rhythmen und viel Raum für improvisatorische Freiheit. Die Übergänge wirken mühelos, der Puls bleibt entspannt, und das Zusammenspiel lebt von einem feinen Gespür füreinander. Musik, die sich nicht festlegen lässt – und gerade daraus ihren Reiz bezieht.</video:description>
<video:duration>1633</video:duration>
<video:publication_date>2026-03-24T15:10:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:47:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1K</loc>
<video:video>
<video:title>Emile Naoumoff: Klavierabend</video:title>
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<video:description>Emile Naoumoff ist in diesem Mitschnitt aus der Philharmonie im Gasteig in München von 1996 mit einem Programm zu erleben, das persönliche Verbindungen und musikalische Traditionen in den Mittelpunkt rückt. Neben eigenen Werken wie Valse pour Nadia und Las Brisas stehen Kompositionen von Nadia Boulanger, mit der ihn eine enge künstlerische Beziehung verband. Bachs Passacaglia und Fuge c-Moll erklingt in Naoumoffs eigener Bearbeitung, während Glenn Goulds unvollendete Klaviersonate einen seltenen Einblick in dessen kompositorisches Schaffen bietet. Françaix’ Cinq „Bis“ setzen mit Witz und Esprit den Schlusspunkt.</video:description>
<video:duration>3715</video:duration>
<video:publication_date>2026-03-26T11:14:54Z</video:publication_date>
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<lastmod>2026-03-27T12:46:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPO</loc>
<video:video>
<video:title>Natalie Dessay: Konzertarien von Mozart</video:title>
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<video:description>Natalie Dessay steht im Mittelpunkt eines Mozart-Programms mit Konzertarien und Opernszenen, ergänzt durch sinfonische Werke des Orchestre de l’Opéra de Lyon unter Theodor Guschlbauer. Mozarts Konzertarien bündeln die dramatische Intensität einer ganzen Oper in einer einzigen Szene: Liebesbekenntnisse, Aufbegehren und Verletzlichkeit verbinden sich mit virtuoser Brillanz. Sie verlangen technische Beweglichkeit und Ausdruckskraft – Qualitäten, die mit Dessays Kunst eng verbunden sind. Die „Pariser“ Sinfonie und die g-Moll-Sinfonie Nr. 40 runden das Programm ab.</video:description>
<video:duration>5760</video:duration>
<video:publication_date>2026-03-24T10:16:17Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-27T12:43:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9L</loc>
<video:video>
<video:title>Yellowjackets in der Philharmonie im Gasteig</video:title>
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<video:description>Eine Band, die fast fünf Jahrzehnte zusammen spielt, entwickelt ihren eigenen Klang – und sammelt unterwegs Geschichten, die man hört. Die Yellowjackets, legendäre Jazz-Fusion-Formation aus Los Angeles, hatten in den 1990er-Jahren längst ihren Stil gefunden, und der Klaviersommer 1993 in München zeigt sie auf einem Höhepunkt ihres Schaffens. Die klassische Besetzung mit Russell Ferrante, Bob Mintzer, Will Kennedy und Jimmy Haslip präsentiert ein energiegeladenes Set aus eigenem Repertoire, darunter Stücke ihrer damals neuen Alben Greenhouse und Like a River.</video:description>
<video:duration>5912</video:duration>
<video:publication_date>2025-11-18T11:02:45Z</video:publication_date>
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<lastmod>2026-03-27T10:58:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4DO</loc>
<video:video>
<video:title>Yuja Wang &amp; Gustavo Dudamel: Rachmaninow-Werke für Klavier &amp; Orchester</video:title>
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<video:description>Nach ihrem gefeierten Rachmaninow-Marathon in New York stellte Yuja Wang auch in Los Angeles die ihr eigene funkelnde Virtuosität und instinktive Musikalität in allen Werken des Komponisten für Klavier und Orchester unter Beweis. Die Aufführungen unter der Leitung von Gustavo Dudamel, die im Verlauf einer Konzertreihe in der Walt Disney Concert Hall im Februar 2023 aufgezeichnet wurden, zeigen die unvergleichliche Kunstfertigkeit der Pianistin. Die Entstehungszeit der Werke erstreckt sich fast über die gesamte Laufbahn Rachmaninows. Das Ausdrucksspektrum reicht von der frühen Brillanz des ersten Konzerts über die unwiderstehliche Romantik des zweiten und dritten bis zur lebhaften Virtuosität des vierten Konzerts und der Paganini-Rhapsodie.</video:description>
<video:duration>9240</video:duration>
<video:publication_date>2023-06-26T06:02:24Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-27T10:07:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCDG</loc>
<video:video>
<video:title>Trifonov, Nézet-Séguin &amp; NYO-USA All-Stars: Gershwin &amp; Schostakowitsch</video:title>
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<video:description>Daniil Trifonov ist Solist und Yannick Nézet-Séguin der Dirigent in diesem ganz besonderen Konzert aus der Carnegie Hall, gemeinsam mit den NYO-USA All-Stars, einem All-Star-Ensemble, das sich aus Absolventen des renommierten National Youth Orchestra of the United States of America (NYO-USA) der Carnegie Hall zusammensetzt. Der mehrfach preisgekrönte Pianist spielt Gershwins Klavierkonzert in F, während die außergewöhnlichen jungen Profis des Orchesters in einer der monumentalsten Sinfonien des 20. Jahrhunderts, Schostakowitschs Sinfonie Nr. 7 &quot;Leningrader&quot;, ihr Können unter Beweis stellen.</video:description>
<video:duration>7263</video:duration>
<video:publication_date>2024-03-25T10:18:28Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-27T10:04:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6CO</loc>
<video:video>
<video:title>Die Meistersinger von Nürnberg (Bayreuth 2025)</video:title>
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<video:description>Kaum ein Ereignis im Opernkalender wird mit so großer Spannung erwartet wie die jährliche Neuproduktion der Bayreuther Festspiele. 2025 inszeniert der mehrfach preisgekrönte und in allen Genres des Musiktheaters erfahrene Regisseur Matthias Davids Wagners Die Meistersinger von Nürnberg. Daniele Gatti dirigiert eine internationale Besetzung, zu der Georg Zeppenfeld als Hans Sachs, Michael Spyres als Walther von Stolzing und die schwedische Sopranistin Christina Nilsson als Eva gehören. Die Produktion lässt eine frische und vitale Perspektive auf eines der inspirierendsten Werke Wagners erwarten. Die einzige Komödie aus der reifen Zeit des Komponisten stellt grundlegende Fragen über Kunst, Inspiration und das Wesen der wahren Kreativität.</video:description>
<video:duration>17064</video:duration>
<video:publication_date>2025-07-30T15:11:59Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T15:01:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3AC8</loc>
<video:video>
<video:title>J.S. Bach: Kantate BWV 131: III. Chorus Ich harre des Herrn</video:title>
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<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2026-03-25T10:26:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-26T12:54:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3ACO</loc>
<video:video>
<video:title>Lawes: How long will thou forget me, O Lord, for ever?</video:title>
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<video:description></video:description>
<video:duration>145</video:duration>
<video:publication_date>2026-03-25T12:54:34Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T11:06:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3ACG</loc>
<video:video>
<video:title>J.S. Bach: Johannes Passion, BWV 245: 30. Aria „Es ist vollbracht!“</video:title>
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<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2026-03-25T11:00:53Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T11:05:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38D8</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla und Gabriela Montero: Tchaikovsky &amp; Weinberg</video:title>
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<video:description>Als „Entdeckung für ein ganzes Leben“ bezeichnet Mirga Gražinytė-Tyla die Musik von Mieczysław Weinberg. Kaum ein Pult-Star setzt sich heute so leidenschaftlich für das Werk des originellen Schostakowitsch-Zeitgenossen ein wie sie. Weinbergs Dritte Sinfonie aus dem Jahr 1949 klang wahrscheinlich selten so ausdrucksvoll wie in diesem Konzert des Royal Concertgebouw Orchestras von 2023. Gražinytė-Tyla, für die jeder Auftritt ein persönliches Bekenntnis darstellt, kombiniert Weinbergs Symphonie mit einem neuen Werk ihrer litauischen Landsfrau Raminta Šerkšnytė. In einer Aufführung von Tschaikowskys erstem Klavierkonzert musiziert die Dirigentin mit einer künstlerischen Seelenverwandten, der temperamentvollen Pianistin Gabriela Montero.</video:description>
<video:duration>6124</video:duration>
<video:publication_date>2025-02-05T14:01:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T00:07:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8D0</loc>
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<video:title>Schubert: Erlkönig, D. 328 (Adapt. für Cello und Orchester)</video:title>
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<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2022-11-18T03:43:33Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T14:41:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJE</loc>
<video:video>
<video:title>Martha Argerich &amp; Daniel Barenboim: Mozart, Schubert &amp; Stravinsky</video:title>
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<video:description>Seit den 1990er Jahren bilden Martha Argerich und Daniel Barenboim, die beide aus Argentinien stammen und sich seit der Kindheit kennen, ein vierhändig musizierendes Dream-Team. Von dem Reiz der &quot;so unterschiedlichen und doch miteinander vertrauten Künstlertemperamente&quot; schrieb einmal ein Kritiker des Tagesspiegel. Ihre stilistische Flexibilität konnten Argerich und Barenboim, der seiner Kollegin oft auch als Dirigent zur Seite steht, bei einem gemeinsamen Auftritt in der Berliner Philharmonie unter Beweis stellen. Hier trifft die Geisteshelle von Mozarts D-Dur-Sonate für zwei Klaviere auf die Traumverlorenheit in einem Variationenzyklus Schuberts und die rhythmische Elementargewalt in Strawinskys Le Sacre du Printemps.</video:description>
<video:duration>4970</video:duration>
<video:publication_date>2022-05-06T12:16:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T13:36:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJEC8</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Andris Nelsons mit Sibelius &amp; Schostakowitsch</video:title>
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<video:description>Verbindet man die Kunstfertigkeit der Geigerin Anne-Sophie Mutter mit der epischen Vision und dem Engagement des lettischen Dirigenten Andris Nelsons, kann das Ergebnis nur zünden. Im März 2015 kamen sie mit dem Royal Concertgebouw Orchestra zusammen, um Sibelius&apos; Violinkonzert aufzuführen. Das Ergebnis, so die Süddeutsche Zeitung, war Sibelius „auf acht Zylindern” gespielt. Im Anschluss folget eine monumentale Aufführung von Schostakowitschs Zehnter Symphonie, die weithin als eine von Nelsons&apos; charakteristischen Interpretationen gilt. In der großartigen Akustik des Amsterdamer Concertgebouw ist das Konzert von erschütternder Wirkung: „Weltklasse (…) aus Amsterdam”, schrieb der begeisterte Kritiker der Südwest-Presse.</video:description>
<video:duration>6170</video:duration>
<video:publication_date>2024-03-14T10:00:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:56:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1O</loc>
<video:video>
<video:title>Thomas: Hamlet</video:title>
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<video:description>The 19th-century made Shakespeare entirely its own. Ambroise Thomas&apos;s operatic version of Hamlet focuses on the Prince&apos;s tragic love for Ophelia, and there&apos;s a startling twist in the tale. But while Shakespearean purists might object, the result is a masterpiece of French Romantic opera: tense, passionate and filled with simply glorious singing. This innovative 2018 staging from Paris could hardly make a more dazzling case, with a dream pairing of Sabine Devieilhe as Ophélie and Stéphane Degout as Hamlet, while Louis Langrée – unsurpassed in this repertoire – directs the period instrument forces of the Orchestre de Champs-Élysées.</video:description>
<video:duration>10249</video:duration>
<video:publication_date>2025-09-08T08:56:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:46:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34E0</loc>
<video:video>
<video:title>Rising Stars: Elisabeth Brauß, Pianistin</video:title>
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<video:description>Die deutsche Pianistin Elisabeth Brauß, international von der Kritik gefeiert und für drei Jahre als eine von sechs Musikern für das renommierte BBC New Generation Artist Scheme ausgewählt, gibt ein Recital für die STAGE+-Reihe „Rising Stars”. Brauß spielt Mozarts melancholisches Rondo KV 511 – schon bald sollte er am Don Giovanni sitzen – und Brahms’ exquisite späte Klavierstücke Opus 119. Zum Schluss bringt sie etwas Seltenes zu Gehör: den Zyklus In einer Nacht des jungen Hindemith, aphoristische Kompositionen von gläserner Zartheit.</video:description>
<video:duration>3362</video:duration>
<video:publication_date>2023-07-31T09:19:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:12:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4C0</loc>
<video:video>
<video:title>Rising Stars: Robert Neumann, Piano</video:title>
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<video:description>Der junge Robert Neumann tritt in der STAGE+-Reihe „Rising Stars“ mit Werken auf, die einst jungen Männern in den Sinn kamen: Skrjabins an Kontrapunkten reicher Klaviersonate Nr. 3, einem in der romantischen Tradition stehenden Frühwerk des Komponisten, der keineswegs kindlichen, obgleich mit nur 13 Jahren geschriebenen zweiten „Kurfürstensonate“ von Beethoven und schließlich einer eigenen Bearbeitung der lebhaften Rumänischen Tänze von Bartók, die 1905 mit einer musikethnologischen Wanderung durchs ländliche Ungarn ihren geistigen Anfang nahmen und ein Jahrzehnt später in Siebenbürgen Gestalt wurden. Im Interview spricht der mehrfach international und national preisgekrönte Pianist zwischen seinen Darbietungen über sich und die Musik.</video:description>
<video:duration>3728</video:duration>
<video:publication_date>2023-11-24T13:22:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:12:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCCG</loc>
<video:video>
<video:title>Gerhard Oppitz spielt Bach und Liszt</video:title>
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<video:description>Durch seinen Lehrer Wilhelm Kempff ist der in Bayern gebürtige Gerhard Oppitz eng mit der großen deutsch-österreichischen Klaviertradition verbunden. Der Pianist ist nicht nur ein überragender Virtuose, sondern auch ein denkender Musiker, und beide Qualitäten kommen in diesem 1985 im Herkulessaal in München aufgezeichneten Konzert zum Ausdruck. Zu Beginn präsentiert Oppitz harmonisch außergewöhnlich gewagte Musik von Johann Sebastian Bach. Es folgt – in Gestalt der Klaviervariationen über &quot;Weinen, Klagen, Sorgen, Zagen&quot; – Liszts große Hommage an den bedeutendsten aller Barockkomponisten. So reichen sich, in den tiefgründigen Interpretationen eines kenntnisreichen und vielseitigen Künstlers, zwei Genies über die Jahrhunderte hinweg die Hand.</video:description>
<video:duration>1913</video:duration>
<video:publication_date>2025-05-27T02:58:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHJ</loc>
<video:video>
<video:title>Chick Corea und Friends</video:title>
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<video:description>1992 steht Chick Corea in der Philharmonie im Gasteig mit Steve Gadd, Eddie Gomez und Bob Berg auf der Bühne. Coreas „Waltse for Dave“, „Sicily“ und das zweiteilige „Quartet“ begegnen Dizzy Gillespies „Humpty Dumpty“, Sammy Fains „That Old Feeling“ und Thelonious Monks „Straight, No Chaser“. Bergs fokussierter Tenor, Gomez’ beweglicher Bass und Gadds trocken gesetzter Groove geben der Musik Kontur, während Corea am Flügel zwischen perkussiver Schärfe und kantabler Linie wechselt.</video:description>
<video:duration>6308</video:duration>
<video:publication_date>2026-02-27T10:23:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPO</loc>
<video:video>
<video:title>Die Chick Corea Elektric Band in der Philharmonie im Gasteig</video:title>
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<video:description>Als die Chick Corea Elektric Band 1987 beim Münchener Klaviersommer auftrat, war sie auf dem Höhepunkt ihrer Energie. Mit Frank Gambale, Eric Marienthal, John Patitucci und Dave Weckl entfaltet Corea ein Set, das zwischen präzise verzahnten Grooves und weit geöffneten Improvisationsräumen changiert. Stücke wie Rumble, Light Years oder The Dragon stehen neben Patituccis Starlight und geben jedem der Beteiligten Raum, ohne den kollektiven Drive aus dem Blick zu verlieren. Ein lebendiges Dokument einer Band, die den Jazz-Fusion-Sound der Zeit entscheidend geprägt hat.</video:description>
<video:duration>5654</video:duration>
<video:publication_date>2026-01-05T12:42:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-03-25T08:07:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1G</loc>
<video:video>
<video:title>Die Chick Corea Akoustic Band in der Philharmonie im Gasteig</video:title>
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<video:description>1989 war die Chick Corea Akoustic Band längst eine feste Größe im modernen Jazz. In der reduzierten Besetzung von Klavier, Bass und Schlagzeug konzentrieren sich Chick Corea, John Patitucci und Dave Weckl ganz auf Swing, Interaktion und das gemeinsame Atmen der Musik. Das Konzert aus der Philharmonie im Gasteig verbindet Klassiker wie Coltranes „Chasin’ the Trane“, Bud Powells „How Deep Is the Ocean“ oder Ellingtons „Sophisticated Lady“ mit Corea-Kompositionen wie „Morning Sprite“, den beiden Stücken aus den Three Quartets und einer weit ausschwingenden Version von „Spain“. Kammermusikalisch, aufmerksam und voller Spielfreude – ein Trio auf Augenhöhe.</video:description>
<video:duration>6229</video:duration>
<video:publication_date>2026-01-08T11:48:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36CG</loc>
<video:video>
<video:title>Chick Corea &amp; Friedrich Gulda: The Meeting, Teil 3</video:title>
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<video:description>Chick Corea und Friedrich Gulda spielen im letzten Teil ihres legendären „Meetings“ beim Münchner Klaviersommer opulente Improvisationen über die Jazz-Standards „Someday My Prince Will Come“ und „Put Your Little Foot Out“. Im Finale der Veranstaltung eröffnen sie einen Dialog mit der Welt der klassischen Musik. Das unvergessliche Konzert-Ereignis, das im Rahmen des zweiten Festival-Jahrgangs 1982 aufgezeichnet wurde, endet mit improvisierten musikalischen Reflexionen über Brahms´ Wiegenlied, dessen Melodie zu den populärsten Erfindungen des Komponisten gehört.</video:description>
<video:duration>3300</video:duration>
<video:publication_date>2025-01-21T15:49:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36CO</loc>
<video:video>
<video:title>Chick Corea, Friedrich Gulda &amp; Nicolas Economou: „On Three Pianos”</video:title>
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<video:description>Dieses Konzert, das 1982 beim zweiten Jahrgang des Münchner Klaviersommers aufgezeichnet wurde, bringt den bahnbrechenden Geist der Veranstaltungsreihe auf faszinierende Weise zum Ausdruck. Drei Pianisten mit sehr unterschiedlichem Hintergrund und Temperament treffen aufeinander: Friedrich Gulda, der Initiator des Festivals, der zypriotische Virtuose Nicolas Economou und die Jazzlegende Chick Corea. Die Musiker treten nicht nur als Solisten, sondern auch im Trio auf, um gemeinsam zu improvisieren – unter anderem über berühmte Werke des klassischen Repertoires. Das Ergebnis ist ein faszinierendes, mitreißendes Zusammentreffen, das Traditionen hinterfragt und vertraute Grenzen überschreitet.</video:description>
<video:duration>1789</video:duration>
<video:publication_date>2025-01-21T15:55:19Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GDG</loc>
<video:video>
<video:title>Economou spielt Schumann: Kreisleriana, Papillons und Arabeske</video:title>
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<video:description>„Ich fließe nur so über vor Musik“… Schumanns Kreisleriana-Zyklus taucht in die Gedankenwelt eines unübertroffen fantasievollen Genies ein; eines äußerst sensiblen Komponisten, dessen ganze Welt aus Musik zu bestehen schien. Das poetische, verspielte und passagenweise ungeheuerliche Werk bildet das Herzstück dieser Aufnahme von Nicolas Economou. Der faszinierende griechisch-zypriotische Pianist, der 1969 beim Tschaikowsky-Wettbewerb in Moskau die Welt in Erstaunen versetzte, starb im Alter von nur 40 Jahren. Die Arabeske Op.18 und die schillernden Papillons komplettieren dieses Schumann-Programm eines einzigartigen Pianisten, der viel zu früh von uns gegangen ist.</video:description>
<video:duration>3304</video:duration>
<video:publication_date>2025-03-10T12:39:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJAD0</loc>
<video:video>
<video:title>Martha Argerich &amp; Friends</video:title>
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<video:description>Die große Martha Argerich umgeben von Freunden beim Münchner Klaviersommer 1982: Nelson Freire spielt Debussy, Chopin und eigene Kompositionen, bevor er sich mit der Jahrhundertpianistin für zwei poetische Darbietungen zusammentut, Ravels La Valse und Rachmaninows Suite Nr. 2. Gleich darauf spielt Argerich Musik von Mozart mit dem zypriotischen Pianisten Nicolas Economou. Und dann folgen ihre zauberhaften Zugaben mit dem Cellisten Mischa Maisky, Schumanns verspielte, tief romantische Drei Fantasiestücke. Ein unvergessliches musikalisches Erlebnis.</video:description>
<video:duration>5052</video:duration>
<video:publication_date>2024-02-09T15:07:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8C0</loc>
<video:video>
<video:title>Economou spielt Chopin: Scherzo Nr. 2 &amp; 4 Balladen</video:title>
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<video:description>Schon der Begriff Ballade suggeriert eine außermusikalische Erzählung: etwas Heroisches, das lange im Zuhörer nachhallt. Chopin – den Exilanten, Träumer, Visionär und Virtuosen – inspirierte die Form zu vier seiner originellsten und poetischsten Werke. Beim Münchner Klaviersommer bildeten sie 1984 das Zentrum im leidenschaftlichen Rezital von Nicolas Economou. Der außergewöhnliche griechische Pianist, der 1969 durch seine Teilnahme am Tschaikowsky-Wettbewerb bekannt wurde, ist hier auf dem Höhepunkt seiner Karriere zu hören. Ein Chopin-Scherzo und eine Zugabe von Bach rahmen diesen Auftritt eines unvergleichlich begabten Pianisten und großen musikalischen Geschichten-Erzählers ein, der heute sehr vermisst wird.</video:description>
<video:duration>2840</video:duration>
<video:publication_date>2025-05-08T08:53:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ECG</loc>
<video:video>
<video:title>Chick Corea &amp; Nicolas Economou: Auf zwei Klavieren</video:title>
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<video:description>Der 1981 gegründete Münchner Klaviersommer war wie kein anderes Klavierfestival darauf ausgerichtet, Grenzen zu überschreiten und traditionelle Überzeugungen in Frage zu stellen. Niemals wurde diese Absicht besser verwirklicht als in den Konzerten, die Musiker aus der Welt der klassischen Musik und des Jazz zusammenbrachten – zwei Welten, in denen der Festival-Gründer  Friedrich Gulda gleichermaßen beheimatet war. Dieses Konzert aus dem Jahr 1982 inszeniert eine denkwürdige Begegnung zwischen der Jazzlegende Chick Corea und dem brillanten, tragisch früh verstorbenen zypriotischen Pianisten Nicolas Economou. Bei diesem denkwürdigen musikalischen Treffen von zwei bemerkenswerten Persönlichkeiten sprühen in der Hitze des Gefechts die Funken.</video:description>
<video:duration>3741</video:duration>
<video:publication_date>2025-03-03T13:48:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1O</loc>
<video:video>
<video:title>Alexei Sultanov spielt Tchaikovskis Klavierkonzert Nr. 1</video:title>
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<video:description>Im Sommer 1990 wurde in der Philharmonie im Gasteig ein besonderes Konzert des Munich Klaviersommers aufgezeichnet: der junge russische Pianist Alexei Sultanov, frisch gekrönt vom Erfolg beim Van Cliburn Wettbewerb 1989, spielte Tschaikowskys Klavierkonzert Nr. 1 mit dem Moscow State Symphony Orchestra unter Pavel Kogan. Der erst Zwanzigjährige zeigte dabei all das, was sein Spiel auszeichnete – funkelnde Virtuosität, furchtlose Intensität und eine unverwechselbare musikalische Persönlichkeit, die beim Publikum einen bleibenden Eindruck hinterließ.</video:description>
<video:duration>2024</video:duration>
<video:publication_date>2025-10-23T09:43:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4DO</loc>
<video:video>
<video:title>Keith Jarrett Trio: Standards II</video:title>
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<video:description>„Was wäre, wenn wir alle Nebenfiguren der Musik selbst wären?“, fragte sich Keith Jarrett in den frühen 1980er Jahren. Das Ergebnis war das von ihm gegründete Standards Trio, mit dem Jarrett, der Bassist Gary Peacock und der Schlagzeuger Jack DeJohnette den Post-Bop-Jazz in den 1980er und 1990er Jahren definierte. „Wir kommen an, machen den Soundcheck, essen hinter der Bühne zu Abend, unterhalten uns“, sagt Jarrett. „Und dann gehen wir auf die Bühne – und spielen.“ Genau das tun die Künstler in dieser glorreichen und abenteuerlichen Reise quer durch das Great American Songbook von Victor Young bis Hoagy Carmichael. Das Konzert wurde Mitte der 90er Jahre in Tokio live aufgenommen und zeigt das Trio im Vollbesitz seiner Kräfte.</video:description>
<video:duration>6025</video:duration>
<video:publication_date>2025-04-16T13:37:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4D8</loc>
<video:video>
<video:title>Keith Jarrett Trio: Live im Open Theater East</video:title>
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<video:description>1993 spielte Keith Jarretts Standards Trio bereits seit zehn Jahren zusammen. In diesem Jahrzehnt hatte das Ensemble die Einstellung zum Great American Songbook – dem Kanon US-amerikanischer Evergreens – revolutioniert und sich an der Spitze der weltweiten Renaissance des akustischen Jazz etabliert. Dieses Live-Set aus dem Open Theater East in Tokio zeigt das Trio in Feierlaune. Bei einem lebhaften Open-Air-Konzert spielt die klassische Standards-Besetzung – mit Gary Peacock am Bass und Jack DeJohnette am Schlagzeug – Werke von Dave Brubeck, Sonny Rollins, Miles Davis und Jarrett. Und selbstverständlich dürfen auch Standards von Jule Styne, Frank Loesser und Jimmy Van Heusen nicht fehlen.</video:description>
<video:duration>7764</video:duration>
<video:publication_date>2025-04-16T13:22:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:03:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3EE0</loc>
<video:video>
<video:title>John Eliot Gardiner dirigiert Brahms: 4. Sinfonie, 2. Klavierkonzert</video:title>
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<video:description>Zwischen den Jahren 2021 und 2023 realisierten einer der renommiertesten Dirigenten und eines der traditionsreichsten Orchester einen Brahms-Zyklus, der auch für die Deutsche Grammophon eingespielt wurde. Dabei kommen die vier Sinfonien, die beiden Klavierkonzerte sowie einige Chorwerke mit dem Royal Concertgebouw Orchestra unter der Leitung von John Eliot Gardiner zur Aufführung. In diesem Konzert stehen das zweite Klavierkonzert mit dem britischen Pianisten Stephen Hough und die Vierte Sinfonie auf dem Programm. Während das Klavierkonzert über einen der schönsten langsamen Sätze mit einem ergreifenden Cello-Solo verfügt, erreicht Brahms&apos; letzte Symphonie eine ins Tragische gesteigerte Ausdruckstiefe.</video:description>
<video:duration>5988</video:duration>
<video:publication_date>2023-02-22T08:43:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:03:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0E0</loc>
<video:video>
<video:title>John Eliot Gardiner dirigiert Brahms: 2. Sinfonie, 1. Klavierkonzert</video:title>
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<video:description>John Eliot Gardiners Zyklus mit dem Royal Concertgebouw Orchestra kontextualisiert die Sinfonien von Johannes Brahms durch die Gegenüberstellung mit zentralen Werken des Komponisten aus anderen Gattungen. In diesem im Mai 2022 aufgenommenen zweiten Konzert der Reihe kombiniert der britische Dirigent die sonnige Zweite Symphonie in D-Dur mit dem leidenschaftlichen Ersten Klavierkonzert in d-Moll. Die Aufführungen profitieren auch von Gardiners jahrzehntelanger Arbeit als Pionier der historischen Aufführungspraxis. An der Seite des Dirigenten und des Orchesters tritt der mit zahlreichen Preisen ausgezeichnete Pianist Stephen Hough als Solist des Klavierkonzerts auf, das zu den technisch anspruchsvollsten des Repertoires gehört.</video:description>
<video:duration>6165</video:duration>
<video:publication_date>2023-01-18T15:14:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0D0</loc>
<video:video>
<video:title>Emil Gilels im Recital: Mozart und Beethoven</video:title>
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<video:description>In diesem Recital aus dem Jahr 1971 interpretiert der Tastengigant Emil Gilels Werke von zwei Komponisten, die ihm besonders am Herzen lagen: Mozart und Beethoven. Das Konzert fand im Rahmen des Festivals Carinthischer Sommer in der Stiftskirche Ossiach statt. Von Mozart spielte der Pianist die kraftvolle Sonate in a-Moll, KV 310, die Variationen über die Opernarie „Salve tu, Domine“ und die faszinierende Fantasie in d-Moll; von Beethoven die brillante „Waldstein“-Sonate sowie die visionäre späte Sonate in A-Dur, Op. 101. Zwei Zugaben von Mendelssohn und Schumann vervollständigen ein fesselndes Programm, das Emil Gilels auf dem Höhepunkt seines Könnens zeigt.</video:description>
<video:duration>5546</video:duration>
<video:publication_date>2025-03-31T12:48:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38</loc>
<video:video>
<video:title>Arthur Rubinstein spielt Brahms&apos; Klavierkonzert Nr. 1</video:title>
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<video:description>Artur Rubinstein hat gelegentlich Johannes Brahms als seinen Lieblingskomponisten bezeichnete. Mit dessen Musik war Rubinstein aus erster Hand vertraut, da er seit seinem 10. Lebensjahr von Joseph Joachim, dem engen Freund und künstlerischen Partner von Brahms, protegiert wurde. Als ebenso staunenswert erscheint es, dass der Pianist das d-Moll-Klavierkonzert bereits im Teenager-Alter lernte, wie dass er es, wie diese Aufzeichnung bezeugt, noch mit 81 Jahren meisterlich beherrschte. Rubinstein interpretiert das durch seine emotionale Wucht und seinen symphonischen Zuschnitt faszinierende Werk in dieser Aufzeichnung aus dem Jahr 1973 mit dem Royal Concertgebouw Orchestra und dessen damaligem Chefdirigenten Bernard Haitink.</video:description>
<video:duration>2943</video:duration>
<video:publication_date>2022-05-11T10:38:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36</loc>
<video:video>
<video:title>Rubinstein spielt Beethovens Klavierkonzert Nr. 3</video:title>
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<video:description>Sein erstes öffentliches Konzert gab Artur Rubinstein im Alter von sieben, sein letztes im Alter von 89 Jahren. Der 1887 geborene polnisch-amerikanische Pianist jüdischer Herkunft vermittelte in seiner beispiellos langen Karriere zwischen 19. und 20. Jahrhundert, zwischen Osteuropa, Westeuropa und Nordamerika und hielt in der Zeit der Weltkriege und politischen Verwerfungen einem universellen humanistischen Erbe die Treue. Dieses wird vielleicht von keinem zweiten Komponisten so idealtypisch verkörpert wie von Beethoven, dessen Drittes Klavierkonzert Rubinstein unter der Leitung von Bernard Haitink am 27. August 1973 mit dem Royal Concertgebouw Orchestra spielte. Beim Amsterdamer Orchester hatte der Pianist bereits 1925 debütiert.</video:description>
<video:duration>2208</video:duration>
<video:publication_date>2022-05-11T09:39:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3EC0</loc>
<video:video>
<video:title>Rubinstein spielt Brahms, Schubert und Chopin</video:title>
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<video:description>Fast acht Dekaden währte diese Karriere, die noch vor 1900 in Berlin unter der Obhut von Joseph Joachim ihren Anfang nahm. Arthur Rubinstein war da zehn Jahre alt, ein Wunderkind. Der polnisch-amerikanische Pianist vereinte in sich sagenhaftes Können, Charme, Temperament und später auch Weisheit. In diesem Konzert, das nur drei Jahre vor seinem Abschied von der Bühne gefilmt wurde, ist der „glückhafte Virtuose”, wie ihn Thomas Mann einst nannte, im Concertgebouw in Amsterdam mit Musik von Brahms, Schubert und Chopin zu erleben.</video:description>
<video:duration>1654</video:duration>
<video:publication_date>2023-09-22T06:29:04Z</video:publication_date>
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<lastmod>2026-03-25T08:01:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCE0</loc>
<video:video>
<video:title>Arthur Rubinstein in London: Chopin, Grieg &amp; Saint-Saëns</video:title>
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<video:description>Mehr als ein Dreivierteljahrhundert, nachdem der 13-jährige Arthur Rubinstein als Solist von Saint-Saëns&apos; mitreißendem Zweitem Klavierkonzert in Berlin triumphierte, kehrt der legendäre Pianist in dieser Aufführung mit dem London Symphony Orchestra und André Previn zu dem Werk zurück. Die unvergleichliche Aufnahmesitzung in der Londoner Fairfield Hall umfasst in der Interpretation des mittlerweile 88 Jahre alten Rubinstein zwei weitere Paradestücke des romantischen Konzertrepertoires von Grieg und Chopin. Nobilität, Tiefgründigkeit und eindrucksvolle Technik, die in dieser Aufnahme im Überfluss zum Ausdruck kommen, machten den Musiker zu einem der bedeutendsten – und beliebtesten – Pianisten des 20. Jahrhunderts.</video:description>
<video:duration>5723</video:duration>
<video:publication_date>2022-09-23T11:42:52Z</video:publication_date>
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</video:video>
<lastmod>2026-03-25T08:01:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJIC8</loc>
<video:video>
<video:title>Krystian Zimerman: das Chopin-Recital 1987</video:title>
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<video:description>1987 in Wien: Krystian Zimerman spielt ein legendäres Recital. Der polnische Pianist – Gewinner des Chopin-Wettbewerbs in Warschau zwölf Jahre zuvor – präsentiert die vier poetischen und technisch anspruchsvollen Balladen Chopins im Rahmen eines Programms, das auch des Komponisten b-Moll-Scherzo, sein Nocturne, die Fantasie in f-Moll und die Barcarolle zu Gehör bringt. Kaum ein anderer Klavierspieler seiner Generation modelliert Klänge von solcher Farbigkeit, Fülle und Kraft.</video:description>
<video:duration>4269</video:duration>
<video:publication_date>2022-10-14T11:23:20Z</video:publication_date>
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<lastmod>2026-03-25T08:00:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4</loc>
<video:video>
<video:title>Beethovens Klavierkonzerte mit Krystian Zimerman und Simon Rattle</video:title>
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<video:description>Anlässlich von Beethovens 250. Geburtstag spielt Krystian Zimerman mit dem London Symphony Orchestra und unter der Leitung von Simon Rattle alle fünf Klavierkonzerte des Komponisten. Sie entstanden zwischen 1795 und 1809 und zählen zu den bedeutendsten Werken Beethovens, der mit ihnen eine bahnbrechende Entwicklung der Gattung vollzog: Die Zahl der Themen nimmt zu, das Orchester erhält eine dem Solo-Instrument gleichberechtigte Rolle und die harmonischen Beziehungen zwischen den Formteilen werden komplexer. Im Verlauf des Zyklus wird zudem der Übergang von der Klassik zur Romantik erkennbar.</video:description>
<video:duration>11320</video:duration>
<video:publication_date>2022-04-22T13:11:31Z</video:publication_date>
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<lastmod>2026-03-25T08:00:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GD8</loc>
<video:video>
<video:title>Beethovens Klavierkonzerte mit Krystian Zimerman und Leonard Bernstein</video:title>
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<video:description>Beethovens Klavierkonzerte stellen einen der wichtigsten Zyklen der Wiener Klassik dar und dokumentieren die Entwicklung des Komponisten von seiner frühen bis zur mittleren Schaffensperiode. Den polnischen Meisterpianisten Krystian Zimerman verband eine innige künstlerische Beziehung mit Leonard Bernstein. Gemeinsam planten sie, als eines der letzten großen Aufnahme-Projekte des Dirigenten, die Einspielung der Reihe von der wegen Bernsteins Tod nur noch die Konzerte 3-5 realisiert werden konnten. Da der unersetzliche Dirigent nicht durch einen Kollegen vertreten werden sollte, übernahm Zimerman die Leitung bei den ersten beiden Gattungsbeiträgen selbst. Entstanden ist eine einmalig schöne und mitreißende Gesamt-Aufnahme des Zyklus.</video:description>
<video:duration>11884</video:duration>
<video:publication_date>2022-12-16T12:09:06Z</video:publication_date>
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<lastmod>2026-03-25T08:00:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2D0</loc>
<video:video>
<video:title>Krystian Zimerman und Leonard Bernstein mit Brahms&apos; 2. Klavierkonzert</video:title>
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<video:description>Die Aufzeichnung der beiden Klavierkonzerte von Brahms ist das bedeutendste Dokument der Zusammenarbeit von Leonard Bernstein und Krystian Zimerman; neben dem Beethoven-Zyklus, der wegen Bernsteins Tod nicht abgeschlossen werden konnte. Der Pianist spielt den Beginn des zweiten Konzerts nach dem einleitenden Horn-Solo mit großer Wucht, um im langsamen Satz zarte Töne anklingen zu lassen und im Finale mit leichthändig perlender Virtuosität zu verzaubern. Das Werk erreicht mit seiner Dauer von 50 Minuten und vier statt der in Solokonzerten üblichen drei Sätzen sinfonische Dimensionen. Ein ideales Werk also für Bernstein und die Wiener Philharmoniker, die auch als Interpreten von Brahms&apos; Sinfonien Maßstäbe gesetzt haben.</video:description>
<video:duration>3261</video:duration>
<video:publication_date>2023-01-25T08:44:11Z</video:publication_date>
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<lastmod>2026-03-25T08:00:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2D8</loc>
<video:video>
<video:title>Krystian Zimerman und Leonard Bernstein mit Brahms&apos; 1. Klavierkonzert</video:title>
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<video:description>Im Umfeld von Johannes Brahms&apos; 150. Geburtstag im Jahr 1983 realisierte Leonard Bernstein mit den Wiener Philharmonikern Aufzeichnungen der großen Orchesterwerke des Komponisten. Den Solo-Part in den beiden Klavierkonzerten übernahm der polnische Pianist Krystian Zimerman – einer der Lieblingsmusiker Bernsteins in dessen späten Lebensjahren. Der Sinn des Dirigenten für symphonische Zusammenhänge und Zimermans majestätische Technik machen diese Aufführung des Ersten Klavierkonzerts zu einem großen Ereignis. Und selten sind zwei Musiker der gewaltigen und nur mühsam beherrschten Leidenschaft in Brahms´ erstem Werk für großes Orchester mit so großer Emphase gerecht geworden, ohne die komplexe Struktur aus dem Auge zu verlieren.</video:description>
<video:duration>3460</video:duration>
<video:publication_date>2023-01-25T09:12:32Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:59:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJAD8</loc>
<video:video>
<video:title>Lang Lang spielt Bachs Goldberg-Variationen</video:title>
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<video:description>Lang Lang beherrschte Bachs Goldberg-Variationen bereits als Teenager auswendig. Aus Respekt verzichtete er aber viele Jahre lang auf eine öffentliche Aufführung. Für die Deutsche Grammophon-Einspielung studierte er Bachs einschüchternd komplexe Variationen neu ein und befragte Experten der historischen Aufführungspraxis wie Nikolaus Harnoncourt und Andreas Staier zu Tempogestaltung und Kunst des Verzierens. Entstanden ist dabei eine ganz neue Perspektive auf das legendäre Werk, die sich durch Kenntnis und Frische der Musikalität gleichermaßen auszeichnet. Das hier in Aufzeichnung vorliegende Konzert in der Thomaskirche in Leipzig – wo Bach lange als Kantor wirkte – bezeichnet der chinesische Pianist als „unglaublich emotionale Erfahrung ”.</video:description>
<video:duration>5712</video:duration>
<video:publication_date>2022-08-18T15:07:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:59:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJG</loc>
<video:video>
<video:title>Mendelssohns 200. Geburtstag - mit Lang Lang und Riccardo Chailly</video:title>
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<video:description>Von Mendelssohn-Bartholdys Erstem Klavierkonzert sagte Lang Lang einmal, es sei &quot;ungeheuer farbenfroh – so, als ob jeden Augenblick der Frühling um die Ecke käme&quot;. Durch seinen hellen Geist und die Frische und Schnelligkeit seiner Auffassung ist der weltberühmte Pianist prädestiniert für die Musik Mendelssohns, die sich durch dieselben Qualitäten auszeichnet. In diesem vom Leipziger Gewandhausorchester zum 200. Geburtstag des Komponisten ausgerichteten Konzert sind auch eine Ouvertüre, die Dritte, Schottische Sinfonie und einige kürzere Stücke zu hören. Am Dirigentenpult steht mit dem damaligen Gewandhauskapellmeister Riccardo Chailly ein Nachfolger Mendelssohns, der dieselbe Position zwischen 1835 und 1847 bekleidete.</video:description>
<video:duration>5309</video:duration>
<video:publication_date>2022-05-19T09:05:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ECO</loc>
<video:video>
<video:title>Lang Lang in Paris: Fauré, Schumann &amp; Chopin</video:title>
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<video:description>„Hut ab, ihr Herren, ein Genie!“ Schumanns berühmte Worte über Frédéric Chopin sind in die Geschichte eingegangen. Werke beider Komponisten, die in der Frühromantik gemeinsam die Klaviermusik revolutionierten, stehen im Mittelpunkt von Lang Langs Recital in der Philharmonie de Paris: Schumanns fantastischer Kreisleriana-Zyklus trifft auf Mazurken und eine Polonaise, in denen Chopin den Geist Polens in eine Musik einbrachte, die zugleich eindringlich, ergreifend und – im Fall der Polonaise – mitreißend ist. Das Programm, das mit der originalen Klavierfassung von Faurés wunderschöner Pavane beginnt, liefert Lang Lang eine großartige Möglichkeit, seine Leidenschaft, Virtuosität und Sensibilität zu demonstrieren.</video:description>
<video:duration>6902</video:duration>
<video:publication_date>2025-04-09T09:49:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:58:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJIE0</loc>
<video:video>
<video:title>Lang Lang – Live aus der Carnegie Hall</video:title>
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<video:description>Dass Lang Lang viel mehr ist als ein Pianist der glitzernden Technik und des publikumswirksamen Tastendonners zeigte sich bereits in seinem Carnegie-Hall-Debüt 2003. Schuberts Wanderer-Phantasie ist zwar technisch so schwer, dass der Komponist selbst sie nicht spielen konnte; gleichzeitig verlangt sie als eigenwillige Verwandlung der klassischen Sonatenform analytisches Verständnis und musikalische Reife. Aus dem international gefeierten Konzert erklingen hier auch Liszts Réminiscences du Don Juan. In seiner exorbitant virtuosen Überschreibung von Mozarts Don Giovanni macht sich der Komponist einen ganz eigenen Reim auf die Höllenfahrt-Musik und das Duett „La ci darem la mano” (Reich mir die Hand).</video:description>
<video:duration>2485</video:duration>
<video:publication_date>2022-10-24T08:17:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:57:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0DG</loc>
<video:video>
<video:title>Hélène Grimaud: Memory</video:title>
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<video:description>Hélène Grimaud präsentiert in dieser Aufzeichnung mit „Memory” den ersten Teil eines sehr besonderen Solo-Konzerts in zwei Teilen. Schauplatz ist das Benediktiner-Kloster Polling, das in der wunderschönen Natur Südwestbayerns liegt; eine Weltgegend, in der die Pianistin eine ihrer spirituellen Heimaten gefunden hat. „Memory” enthält Musik aus ihrem gleichnamigen Album der Deutschen Grammophon. Grimaud zeigt ihre unverwechselbare Sensibilität und ihren poetischen Anschlag in einer persönlichen Auswahl nachdenklicher und atmosphärischer Werke von Satie, Debussy, Chopin sowie Valentin Silvestrov. Die Musik des ukrainischen Komponisten fasziniert die Pianistin seit Jahrzehnten.</video:description>
<video:duration>2848</video:duration>
<video:publication_date>2023-01-17T15:39:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:57:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJAD8</loc>
<video:video>
<video:title>Hélène Grimaud und Mitglieder des Orchestre de Paris spielen Schumann</video:title>
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<video:description>Man hat die Pianistin Hélène Grimaud als „Renaissance-Frau” bezeichnet. Denn ihre malerische, leidenschaftliche Sensibilität lässt alles, was sie spielt, in den schönsten Farbe leuchten. Nie ist sie mehr sie selbst, als wenn sie als Kammermusikerin auftritt. Dieses wunderschön gefilmte Konzert aus dem Jahr 2001 fängt den kommunikativen Geist ein, der in der Interaktion zwischen vertrauten Musiker:innen herrscht. Grimaud spielt mit Mitgliedern des Orchestre de Paris in der Pariser Cité de la Musique Schumanns Klavierquintett und zwei herrliche Miniaturen. Gemeinsam gelingen ihnen ideale Interpretationen Schumanns, dessen Fantasie am stärksten war, wenn das Klavier in einer Welt hochromantischer Emotionen nur der Erste unter Gleichen ist.</video:description>
<video:duration>3336</video:duration>
<video:publication_date>2024-10-23T11:35:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:56:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0D8</loc>
<video:video>
<video:title>Hélène Grimaud und die Camerata Salzburg spielen Mozart und Schumann</video:title>
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<video:description>Hélène Grimaud und die Camerata Salzburg vereinigen ihre Kräfte für ein Programm in der Hamburger Elbphilharmonie, das mit zwei Meisterwerken Mozarts beginnt – Werke in Molltonarten, die für die Pianistin „sinnbildlich für Begegnungen mit dem Schicksal” stehen. Grimaud tritt als Solistin im dramatischen Klavierkonzert in d-Moll KV 466 auf, bevor das Orchester unter der Leitung von Konzertmeister Giovanni Guzzo Mozarts 40. Sinfonie in Angriff nimmt. In der zweiten Hälfte interpretieren die Pianistin und das Orchester Schumanns Klavierkonzert, das in einer Aufführung von berührender Intimität erklingt. Als Zugabe spielt Grimaud ein Werk des Komponisten Valentin Silvestrov, der sie ebenfalls seit Langem durch ihre Karriere begleitet.</video:description>
<video:duration>6175</video:duration>
<video:publication_date>2023-01-16T13:52:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:56:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GE0</loc>
<video:video>
<video:title>Maurizio Pollini spielt Beethovens 5. Klavierkonzert</video:title>
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<video:description>Im Rückblick bezeichnete Maurizio Pollini den Dirigenten Karl Böhm einmal als einen „ehrlichen, noblen und bescheidenen Mann”, in dem „das Erbe großer Interpreten” weitergewirkt habe. Pollini verkörpert natürlich längst selbst dieses Erbe, und seine gemeinsamen Auftritte mit Böhm und den Wiener Philharmonikern genießen den Status legendärer Interpretationen. Zu den Höhepunkten der Kooperation gehört diese Aufführung von Beethovens Fünftem und letztem Klavierkonzert, dessen Solo-Part der Komponist und Pianist wegen seiner Schwerhörigkeit nicht mehr selbst öffentlich spielte. Mit seinen imposant-feierlichen Ecksätzen und dem wunderbar lyrischen Adagio bildet das Werk einen würdigen Abschluss von Beethovens Klavierkonzert-Zyklus.</video:description>
<video:duration>2487</video:duration>
<video:publication_date>2022-12-19T09:26:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:55:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GE8</loc>
<video:video>
<video:title>Maurizio Pollini spielt Beethovens 3. Klavierkonzert</video:title>
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<video:description>Der Pianist Maurizio Pollini und der fast 50 Jahre ältere Dirigent Karl Böhm entstammten verschiedenen Generationen und wurden durch sehr unterschiedliche Traditionen geprägt. Dennoch verstanden sie sich künstlerisch blendend, wie eine Reihe von Einspielungen beweist. Neben Mozart und Brahms standen auch Werke von Beethoven auf den gemeinsamen Programmen. Beethovens Drittes Klavierkonzert ist das einzige des Komponisten in einer Moll-Tonart. Pollinis und Böhms Konzentration auf die Tiefenstrukturen des Konzerts machen den langsamen Satz und das Finale mit seiner genialen Wendung nach C-Dur zu einem Ereignis.</video:description>
<video:duration>2180</video:duration>
<video:publication_date>2022-12-19T09:37:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:55:00Z</lastmod>
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<url>
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<video:video>
<video:title>Yoshi Oïda inszeniert Brittens Curlew River</video:title>
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<video:description>Eine trostlose Landschaft, eine trauernde Mutter und ein Fährmann, der die Wahrheit gesehen hat: Als Benjamin Britten ein altes japanisches Noh-Stück in seine Heimat East Anglia verlegte, weitete sich das Regionale zum Universellen. Sein Musikdrama Curlew River, das zwischen Oper, Ritual und eindringlicher Meditation über Liebe und Verlust changiert, ist einzigartig. In Aix-en-Provence brachten es 1998 Künstler:Innen, von denen einige der japanischen und andere der westlichen Tradition verpflichtet sind, gemeinsam zur Aufführung. Regisseur Yoshi Oïda und das hervorragende internationale Team realisierten eine zugleich aktuelle und zeitlose Interpretation. Diese Live-Aufzeichnung fängt den Moment mit unvergesslicher Unmittelbarkeit ein.</video:description>
<video:duration>4611</video:duration>
<video:publication_date>2024-11-29T13:19:52Z</video:publication_date>
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<lastmod>2026-03-25T07:54:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2CO</loc>
<video:video>
<video:title>Maurizio Pollini und Claudio Abbado mit Brahms&apos; 2. Klavierkonzert</video:title>
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<video:description>„Wenn man von einem mediterranen Brahms-Bild sprechen kann, dann bezüglich dieser glänzenden Aufnahme”, schrieb ein Kritiker über diese Aufzeichnung von Brahms´ Zweitem Klavierkonzert. „Mediterran” fällt als Begriff wohl vor allem deshalb, weil die Italiener Claudio Abbado und Maurizio Pollini als Dirigent und Solist auftreten und die monumentale Komposition mit eleganter Phrasierung und transparenter Klanglichkeit interpretieren. Abbado und Pollini, die seit den 1960er Jahren eng befreundet waren, bildeten über Jahrzehnte ein Dream-Team der Klassikwelt. Neben mediterranem Schwung zeigen die Musiker in diesem Konzert mit den Wiener Philharmonikern allerdings auch die emotionale Dringlichkeit, die das gewichtige Werk verlangt.</video:description>
<video:duration>3016</video:duration>
<video:publication_date>2023-01-24T16:49:27Z</video:publication_date>
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<lastmod>2026-03-25T07:54:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCC8</loc>
<video:video>
<video:title>Abbado dirigiert Beethovens 4. Klavierkonzert - mit Maurizio Pollini</video:title>
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<video:description>Maurizio Pollini und Claudio Abbado verband eine enge Freundschaft, die durch das gemeinsame Musizieren, aber auch durch das geteilte politische Engagement zum Ausdruck kam. Zum Glück trafen die beiden Künstler auch in Luzern wieder zusammen, wo Abbado in seinem letzten Lebensabschnitt der Klassikwelt noch einmal zahlreiche Sternstunden bescherte. Der langsame Satz aus Beethovens Viertem Klavierkonzert gehört zu den ungewöhnlichsten der Gattung: Schroffer Gestus des Orchesters und lyrische Innigkeit des Solo-Parts stehen zunächst unversöhnlich gegeneinander, bis die stille Einrede des Individuums das Kollektiv bezwungen hat. Eine Aufnahme aus dem zweiten Jahr, in dem Abbado mit seinem neu gegründeten Lucerne Festival Orchestra auftrat.</video:description>
<video:duration>2093</video:duration>
<video:publication_date>2022-09-09T12:34:26Z</video:publication_date>
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<lastmod>2026-03-25T07:54:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCE8</loc>
<video:video>
<video:title>Bachs Johannes-Passion mit Andrea Marcon und La Cetra Barockorchester</video:title>
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<video:description>Die jährliche Aufführung einer Bach-Passion ist immer einer der  Höhepunkte des Festival de Pâques im schönen Aix-en-Provence. 2024 ist es die dramatische und intensive Johannes-Passion, die vor 300 Jahren zum ersten Mal erklang. Der renommierte Barockspezialist Andrea Marcon dirigiert das La Cetra Barockorchester Basel, das La Cetra Vocal Ensemble und eine herausragenden Solistenriege, die einen musikalischen Höhepunkt am Karfreitag verspricht.</video:description>
<video:duration>7095</video:duration>
<video:publication_date>2024-03-30T20:07:35Z</video:publication_date>
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<lastmod>2026-03-25T07:53:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1K</loc>
<video:video>
<video:title>Semyon Bychkov und Yuja Wang mit Rachmaninoff und Janáček</video:title>
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<video:description>Dieses Konzert aus dem Jahr 2022 im Prager Rudolfinum vereint die Tschechische Philharmonie und Semyon Bychkov mit Yuja Wang, einer der prägenden Pianistinnen ihrer Generation. Sie eröffnet das Programm mit Rachmaninows erstem Klavierkonzert, einer frühen Komposition von markantem rhythmischem Impuls und weit ausschwingender Lyrik, die hier mit Klarheit und Präzision gestaltet wird. Den zweiten Teil des Abends bildet Janáčeks Glagolitische Messe – ein Werk kompromissloser Ausdruckskraft und eigener klanglicher Sprache. Gemeinsam mit dem Prager Philharmonischen Chor und einem hochkarätigen Solistenensemble verleihen Bychkov und das Orchester der archaischen Energie und rituellen Wucht dieser Partitur eindringliche Gestalt.</video:description>
<video:duration>4794</video:duration>
<video:publication_date>2026-01-12T11:23:08Z</video:publication_date>
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<lastmod>2026-03-25T07:53:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4C8</loc>
<video:video>
<video:title>Yuja Wang spielt Rachmaninows Klavierkonzert Nr. 2</video:title>
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<video:description>Yuja Wang stellt ihre faszinierende Virtuosität und unanfechtbare Musikalität in einem der Paradestücke des pianistischen Repertoires unter Beweis: Rachmaninows nachdenkliches, leidenschaftliches und schließlich im Jubel endendes Zweites Klavierkonzert war das erste Werk, das der Komponist nach seiner durch den katastrophalen Misserfolg seiner Ersten Sinfonie verursachten Depression schrieb. Die unvergleichlich eingängigen Melodien und der atemberaubende Solo-Part machten das Konzert sofort zu einem Hit – und bis heute zu einem Lieblingsstück von Interpret*innen und Publikum. In dieser Aufführung, die im Herbst 2021 in der Fondation Louis Vuitton aufgezeichnet wurde, musiziert Yuja Wang mit Valery Gergiev und dem Mariinsky Orchestra.</video:description>
<video:duration>2204</video:duration>
<video:publication_date>2023-02-03T14:40:08Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CG</loc>
<video:video>
<video:title>Yuja Wang in Berlin: Rachmaninow, Skrjabin &amp; Prokofjew</video:title>
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<video:description>Yuja Wang fesselt von der ersten Note dieses Recitals an die Aufmerksamkeit des Publikums und lässt sie bis zum Ende nicht wieder los. Die Tür zur klassischen Musik Europas öffnete sich für sie, als sie als Kind ihrer Mutter, einer Tänzerin, bei Proben zu Tschaikowskys Schwanensee zusah; und die Werke von Rachmaninoff, Scriabin und Prokofiev begleiten die mit zahlreichen Preisen ausgezeichnete Pianistin seit dem Beginn ihrer sensationellen Karriere. Wang, die in Peking geboren wurde, in Kanada aufwuchs und inzwischen in fast überall auf der Welt zu Hause ist, spielt in der Berliner Philharmonie ein russisches Programm und fasziniert dabei mit grenzenloser Fantasie, atemberaubender Technik, staunenswerter Kraft.</video:description>
<video:duration>3631</video:duration>
<video:publication_date>2022-07-01T10:49:16Z</video:publication_date>
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<lastmod>2026-03-25T07:52:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32C8</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten VIII</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>5605</video:duration>
<video:publication_date>2025-06-05T10:22:51Z</video:publication_date>
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<lastmod>2026-03-25T07:51:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32C0</loc>
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<video:title>Fabian Müller: Beethovens Klaviersonaten VII</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>4925</video:duration>
<video:publication_date>2025-06-05T09:56:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:51:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30E8</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten VI</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>5506</video:duration>
<video:publication_date>2025-05-13T13:01:16Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:51:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30E0</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten V</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>5437</video:duration>
<video:publication_date>2025-05-13T12:50:27Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30DO</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten IV</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>5793</video:duration>
<video:publication_date>2025-03-20T16:59:35Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8E0</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten II</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>5634</video:duration>
<video:publication_date>2025-02-21T14:18:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:50:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34DO</loc>
<video:video>
<video:title>Mikhail Pletnev spielt Chopin und Skrjabin</video:title>
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<video:description>Seit über vier Jahrzehnten genießt Mikhail Pletnev den Ruf, einer der faszinierendsten Pianisten seiner Zeit zu sein, ein Künstler, der tadellose Technik mit einem forschenden musikalischen Geist verbindet. In dieser Produktion kommen seine Qualitäten voll zum Tragen. Einerseits bei Chopins 24 Präludien, die zum Teil von seiner Liebe zu Bach inspiriert sind und ein Kaleidoskop musikalischer Stimmungen und Empfindungen bilden sowie auf der anderen Seite die seltener zu hörenden Préludes von Skrjabin, die ihrerseits von Chopin inspiriert wurden. Sie bieten einen faszinierenden Einblick in die frühe Musiksprache des visionären Komponisten. Zusammen bilden sie ein unwiderstehliches Programm, vorgetragen von einem Meister am Klavier.</video:description>
<video:duration>5058</video:duration>
<video:publication_date>2025-11-17T09:36:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34</loc>
<video:video>
<video:title>Europakonzert 2003 aus Lissabon – mit Pierre Boulez &amp; Maria João Pires</video:title>
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<video:description>Pierre Boulez eilte der Ruf eines strengen Avantgardisten voraus. Dabei waren seine Interpretationen nicht nur von Präzision und Strukturbewusstsein, sondern auch von Eleganz und Klangsinnlichkeit geprägt. Dies zeigt sich 2003 auch im Europakonzert der Berliner Philharmoniker, mit denen Boulez als zentraler Gastdirigent zwischen 1961 und 2010 regelmäßig musizierte. Auf dem Programm stehen Orchesterwerke von Ravel, Bartók und Debussy sowie Mozarts 20. Klavierkonzert. Schauplatz ist das im 16. Jahrhundert erbaute Hieronymuskloster in der Nähe von Lissabon, Solistin die in der portugiesischen Hauptstadt geborene Pianistin Maria João Pires, die wegen ihres feinsinnigen Spiels als ideale Mozart-Interpretin gilt.</video:description>
<video:duration>6040</video:duration>
<video:publication_date>2022-05-23T09:43:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:45:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4D0</loc>
<video:video>
<video:title>Keith Jarrett Trio: Tokio &apos;96</video:title>
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<video:description>„Auf irgendeine Weise kanalisiere ich die gegebene Situation – und weiß dann vorher nie, was als Ergebnis herauskommen wird“, erklärte Keith Jarrett. Obwohl sein Standards Trio bei dieser Session Mitte der 90er Jahre bereits länger als zehn Jahre zusammen musizierte, klang es selten so spontan – und unverwechselbar – wie hier. Wie immer stehen auch bei diesem Set, das im Rahmen einer Tournee in Tokio aufgezeichnet wurde, die großen Tin Pan Alley-Standards im Mittelpunkt: Musik von Harold Arlen, Jimmy Van Heusen, Richard Rodgers und anderen. Aber es gibt auch zusätzliches Material, darunter ein glühendes „All The Things You Are“ und eine mitreißende Version von Ray Bryants „Tonk“.</video:description>
<video:duration>6111</video:duration>
<video:publication_date>2025-04-16T13:08:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:45:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9M</loc>
<video:video>
<video:title>Nobuyuki Tsujii spielt Tschaikowski, Beethoven, Chopin und Rachmaninow</video:title>
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<video:description>In der legendären Suntory Hall in Tokio widmet sich Nobuyuki Tsujii einem Programm, das die Romantik von ihren ersten Aufbrüchen bis zu ihrem glanzvollen Höhepunkt verfolgt. Den Auftakt bildet Beethovens „Waldstein“-Sonate, ein Schlüsselwerk seiner mittleren Schaffensphase, das sich von klassischen Vorbildern löst und neue emotionale wie harmonische Wege beschreitet. Chopins poetische Nocturnes op. 27 und die kraftvolle „Heroische“ Polonaise zeigen zwei Seiten seines Wesens, während die Klavierfassungen von drei Rachmaninow-Liedern einen lyrischen Kontrast bieten. Den Abschluss bildet Mikhail Pletnevs brillante Bearbeitung aus Tschaikowskis Nussknacker – ein funkelndes Finale eines außergewöhnlichen Programms.</video:description>
<video:duration>4551</video:duration>
<video:publication_date>2025-12-15T10:22:16Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:43:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38CG</loc>
<video:video>
<video:title>Friedrich Gulda: Solo Flight</video:title>
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<video:description>In einem Live-Mitschnitt aus dem Amerikahaus München zeigt Gulda die Vielseitigkeit seines Klavierspiels an verschiedenen Instrumenten: Drei Präludien und Fugen aus Bachs „Wohltemperiertem Klavier” spielt er auf einem Clavichord; und seine Bearbeitung von Schuberts „Der Wanderer” auf einem Flügel. Das Programm wird durch Debussys „Reflects dans l’eau” und eine Auswahl von Guldas eigenen Kompositionen komplettiert.</video:description>
<video:duration>3355</video:duration>
<video:publication_date>2025-01-29T16:07:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:43:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1K</loc>
<video:video>
<video:title>Alice Sara Ott und Alexandre Bloch: Debussy, Ravel, Lutosławski</video:title>
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<video:description>Mit einem Feuerwerk orchestraler Farben begrüßen Dirigent Alexandre Bloch und das LSO das neue Jahr: Während Debussy mit seinem Prélude à l&apos;après-midi d&apos;un faune zuvor ungekannte Welten klanglicher Sinnlichkeit betrat, beleuchtete Lutosławskis schillerndes Konzert für Orchester den sonst grauen Himmel der polnischen Nachkriegszeit. Die beiden Meisterwerke umrahmen einen Auftritt der Pianistin Alice Sara Ott, die vom Publikum des Barbican Centre besonders geschätzt wird. Ott interpretiert Maurice Ravels sonnendurchflutetes, Jazz-affines G-Dur-Konzert. Mit einem weiteren Paradestück Ravels endet das Konzert: La Valse ist die Beschwörung einer Welt, die am Abgrund steht und eine Musik, die die Ohren begeistert und den Geist berauscht.</video:description>
<video:duration>5430</video:duration>
<video:publication_date>2026-01-05T10:12:27Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:42:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHO</loc>
<video:video>
<video:title>Julius Asal: Siena Tapes</video:title>
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<video:description>Im ConcertLab in Utrecht – einem einzigartigen Raum, der geschaffen wurde, um Musikaufführungen auf eine neue, immersive Art zu filmen und zu präsentieren – stellt Julius Asal sein neues Album „Siena Tapes“ vor. Im Mittelpunkt dieses abenteuerlichen und kreativen Programms steht die Musik von Maurice Ravel, verbunden durch Improvisationen Julius Asals sowie Stücke des Komponisten und Produzenten Christian Badzura. Das Ergebnis ist ein fesselndes, bezauberndes musikalisches Gesamtkunstwerk, das Ravels Werke in einem frischen, spannenden Licht erscheinen lässt – atemberaubend eingefangen im maßgeschneiderten Aufnahme- und Aufführungsraum des ConcertLabs.</video:description>
<video:duration>2266</video:duration>
<video:publication_date>2025-09-04T09:26:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:41:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3AD0</loc>
<video:video>
<video:title>Katia und Marielle Labèque spielen Bernsteins West Side Story</video:title>
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<video:description>Niemand anderes als Leonard Bernstein persönlich regte Irwin Kostal in den 1980er Jahren an, für Katia und Marielle Labèque ein Arrangement seines Musicals West Side Story zu schreiben. Kostal gehörte zu den besten Kennern des unvergänglichen Bühnen-Hits, weil er bereits die Instrumentierung für die Uraufführung des auf Shakespeares Romeo und Julia basierenden Stücks erstellt hatte. Das schwesterliche Klavierduo, das seit Jahrzehnten das internationale Klassikpublikum begeistert und hier mit zwei Perkussionisten auftritt, verfügt über die für Bernsteins Musik essentielle Verbindung von Klangsinn und rhythmischer Verve. Diese in jedem Moment zündende Wiedergabe wurde in der neuen Philharmonie in Paris aufgezeichnet.</video:description>
<video:duration>2623</video:duration>
<video:publication_date>2022-11-14T09:00:40Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:41:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1M</loc>
<video:video>
<video:title>Yuja Wang und die NYO-USA All-Stars: Tschaikowskis 1. Klavierkonzert</video:title>
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<video:description>Die 135. Konzertsaison der Carnegie Hall beginnt mit einem spannenden Programm voller beliebter Stücke, das in Partnerschaft mit Rolex gefilmt worden ist. Mit dabei sind die NYO-USA All-Stars, ein Orchester junger Profimusiker:innen, die alle Absolvent:innen der Carnegie Hall sind, Dirigent Daniel Harding und Rolex-Botschafterin Yuja Wang. Im Mittelpunkt steht Tschaikowskis Klavierkonzert Nr. 1, welches die Superstar-Pianistin vom Klavier aus dirigieren wird. Den Rahmen bilden zwei Klassiker des 20. Jahrhunderts: Bernsteins Symphonische Tänze aus West Side Story und Strawinskys Feuervogel-Suite. Alles in allem ein unverzichtbares Konzert aus einem der größten Veranstaltungsorte der klassischen Musikwelt.</video:description>
<video:duration>4406</video:duration>
<video:publication_date>2025-11-07T13:53:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:39:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9N</loc>
<video:video>
<video:title>Bordertalk – European Jazz Trio trifft Jiří Stivín</video:title>
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<video:description>Beim Münchener Klaviersommer 1997 trifft das European Jazz Trio auf den tschechischen Multiinstrumentalisten Jiří Stivín – und der Titel „Bordertalk“ ist Programm. Gerd Dudek am Saxophon, Rob van den Broeck am Klavier und Ali Haurand am Bass entwickeln einen wachen, dialogischen Trioklang, der Stivíns Wechsel zwischen Flöte und Saxophon viel Raum lässt. Eigenkompositionen, Blues-Anklänge und freiere Passagen gehen mühelos ineinander über. Ein musikalisches Gespräch über Grenzen hinweg – europäisch verwurzelt, improvisatorisch offen und getragen von spürbarer Spielfreude.</video:description>
<video:duration>4563</video:duration>
<video:publication_date>2026-02-20T13:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-23T16:13:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHH</loc>
<video:video>
<video:title>Daniel Kramer: Jazz Piano Solo</video:title>
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<video:description>Beim Münchener Klaviersommer 1997 steht Daniel Kramer allein am Klavier und lässt das Instrument sprechen. Sein Soloprogramm bewegt sich mühelos zwischen Standards, Blues-Anklängen und eigenen Stücken – von Gershwins „Nice Work If You Can Get It“ über ein Medley aus „Smoke Gets in Your Eyes“ und „Whispering“ bis zu einer Boogie-Woogie-Fantasie mit „St. Louis Blues“. Kompositionen wie „Associations“, „Tango“ oder „Mozart Mood“ zeigen einen Pianisten, der stilistische Wechsel genießt und die Freiheit der Improvisation auskostet.</video:description>
<video:duration>3719</video:duration>
<video:publication_date>2026-02-24T12:26:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-23T16:04:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32C8</loc>
<video:video>
<video:title>Karajan dirigiert Verdis Requiem</video:title>
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<video:description>Herbert von Karajan war in Konzert wie Oper als Verdi-Interpret unübertroffen und insbesondere das Requiem war ein Markstein seiner langen Karriere. Diese Aufführung aus dem Jahr 1984 mit den Wiener Philharmonikern zählt zu den Höhepunkten seiner lebenslangen Auseinandersetzung mit einem Meisterwerk, das als »Oper in liturgischem Gewand« beschrieben wurde. Karajan bestimmte die Besetzung. Und das Quartett der Solisten ist schlichtweg fabelhaft. Zu erleben sind Anna Tomowa-Sintow, Agnes Baltsa, José Carreras und José van Dam, hinzu kommen die Chöre aus Wien und Sofia.</video:description>
<video:duration>5467</video:duration>
<video:publication_date>2024-04-25T09:27:33Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-19T19:32:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38DO</loc>
<video:video>
<video:title>Lopes-Graça: No. 8, Da &quot;Canção da roda&quot;, do Paúl</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2026-03-17T13:32:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T14:25:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38DG</loc>
<video:video>
<video:title>Bizet: Chants du Rhin, WD 52: VI. Le retour</video:title>
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<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2026-03-17T13:16:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T14:25:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30E0</loc>
<video:video>
<video:title>Chen: Infinite Cloister of Flowers and Sins</video:title>
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<video:description></video:description>
<video:duration>384</video:duration>
<video:publication_date>2026-02-05T16:05:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:30:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30D0</loc>
<video:video>
<video:title>Chen: Circle Dance of the Evernight Castle</video:title>
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<video:description></video:description>
<video:duration>372</video:duration>
<video:publication_date>2026-02-05T12:59:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:30:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGC0</loc>
<video:video>
<video:title>Beethoven: Violin Sonata No. 5 in F Major, Op. 24: I. Allegro</video:title>
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<video:description></video:description>
<video:duration>599</video:duration>
<video:publication_date>2025-12-05T14:50:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:21:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHP</loc>
<video:video>
<video:title>Penderecki dirigiert Penderecki: Sinfonietta Nr. 1, Violakonzert</video:title>
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<video:description>1994 in der Alten Oper Frankfurt aufgezeichnet, dokumentiert dieses Konzert Krzysztof Penderecki am Pult der Sinfonietta Cracovia mit einem Programm eigener Werke. Im Mittelpunkt steht die Sinfonietta Nr. 1, ergänzt durch drei konzertante Kompositionen: das Capriccio für Oboe und Streicher, das Bratschenkonzert und das Konzert für Flöte und Kammerorchester. Irena Grafenauer, Mariusz Pędziałek und Tabea Zimmermann übernehmen die Solopartien in Musik, die Pendereckis Tonsprache jener Jahre mit prägnanter Form und markanter Klangfarbe widerspiegelt.</video:description>
<video:duration>4223</video:duration>
<video:publication_date>2026-03-12T08:34:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-16T10:45:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPG</loc>
<video:video>
<video:title>Wynton Marsalis: „In This House, On This Morning“</video:title>
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<video:description>1992 bringt Wynton Marsalis „In This House, On This Morning“ in die Philharmonie im Gasteig – eine groß angelegte Komposition, die den Ablauf eines Gottesdienstes aufgreift und in die Sprache des Jazz überführt. Stationen wie „Call to Prayer“, „Processional“, „Benediction“ und „Pot Blessed Dinner“ verbinden notierte Passagen mit improvisierten Beiträgen und kollektiven Antworten. Mit Wycliffe Gordon, Eric Reed, Wessel Anderson, Todd Williams, Reginald Veal und Herlin Riley greift Marsalis auf Gospel-Tradition, Blues-Färbung und den Puls von New Orleans zurück und spannt den Bogen von Andacht bis zu mitreißender Entfaltung.</video:description>
<video:duration>7092</video:duration>
<video:publication_date>2026-03-12T12:33:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-16T10:44:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38CO</loc>
<video:video>
<video:title>Charles Wood: O Thou, the Central Orb</video:title>
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<video:description></video:description>
<video:duration>258</video:duration>
<video:publication_date>2026-03-05T16:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T14:46:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38C0</loc>
<video:video>
<video:title>Mozart: Rondo in a-Moll, K. 511</video:title>
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<video:description></video:description>
<video:duration>593</video:duration>
<video:publication_date>2026-03-05T15:09:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:28:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38C8</loc>
<video:video>
<video:title>Lopes-Graça: Glosa No 7: De uma cantiga bailada ribatejana</video:title>
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<video:description></video:description>
<video:duration>67</video:duration>
<video:publication_date>2026-03-05T15:28:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:26:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38CG</loc>
<video:video>
<video:title>Gounod, J.S. Bach: Ave Maria, CG 89a (After Prelude in C Major, BWV 846)</video:title>
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<video:description></video:description>
<video:duration>173</video:duration>
<video:publication_date>2026-03-05T15:36:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-13T13:25:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36D8</loc>
<video:video>
<video:title>Claudio Abbado dirigiert Mahler und Schönberg</video:title>
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<video:description>Claudio Abbado als Dirigent des von ihm selbst gegründeten Gustav-Mahler-Jugendorchesters und mit zwei Komponisten, die im Zentrum seines künstlerischen Schaffens standen: Diese Konstellation, die im April 2006 im großen Musikvereinssaal in Wien zusammenfand, führte zu einer Sternstunde, die Sie hier nacherleben können. Schönbergs wunderbar spätromantisches Werk Pelleas und Melisande und Mahlers eher schlanke und klassische Vierte Sinfonie sind innerhalb weniger Jahre entstanden und zeigen den Reichtum der Wiener Musik an der Wende vom 19. zum 20. Jahrhundert. Der Film beginnt mit einer aufschlussreichen Einführung in Schönbergs sinfonische Dichtung, die sich durch klangliche Üppigkeit und kammermusikalische Intimität zugleich auszeichnet.</video:description>
<video:duration>6169</video:duration>
<video:publication_date>2022-11-06T17:49:06Z</video:publication_date>
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<lastmod>2026-03-13T13:18:54Z</lastmod>
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<video:title>Premieres Revisited: Andreas Ottensamer dirigiert Mozarts Requiem</video:title>
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<video:description>Kaum eine Komposition ist von so vielen Geheimnissen umrankt wie Mozarts Requiem, das unvollendete Abschiedswerk des Wiener Klassikers. Erst im 20. Jahrhundert konnten die Mythen aufgeklärt werden, die sich um die Entstehungsgeschichte gebildet hatten. Als Auftraggeber stellte sich schließlich Graf von Walsegg heraus. Das von ihm geplante Gedenkkonzert für seine verstorbene Ehefrau wurde im Dezember 1793, zwei Jahre nach Mozarts Tod, in der Stiftskirche in Wiener Neustadt realisiert. Von dieser Veranstaltung lassen sich die Mitwirkenden dieses Konzerts inspireren, das ebenfalls in der niederösterreichischen Stadt aufgeführt wird. Unter der Leitung von Andreas Ottensamer erklingt außerdem Mozarts großartige letzte, die „Jupiter“-Sinfonie.</video:description>
<video:duration>5471</video:duration>
<video:publication_date>2025-12-11T14:31:38Z</video:publication_date>
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<lastmod>2026-03-12T14:48:28Z</lastmod>
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<video:title>Das Shai Maestro Trio – Live aus Paris</video:title>
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<video:description>Als Teil des ECM-Explorations-Wochenendes in der Philharmonie de Paris im April 2025 präsentiert das Shai Maestro Trio ein Programm, das Material aus dem Album Human mit neuen Stücken und freier Improvisation verbindet. Shai Maestro, Jorge Roeder und Ofri Nehemya bewegen sich mühelos zwischen der stillen Innenschau von „The Dream Thief“ und „Aba“ und den suchenden Klangräumen von „Human“, „Gloria“ und „Mystery and Illusions“. Ein Porträt eines Trios, dessen fein austariertes Zusammenspiel eine weite, ständig in Bewegung bleibende musikalische Landschaft eröffnet – und ein Programm, das mit einem Encore mit einem ganz besonderen Gast abgerundet wird.</video:description>
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<video:publication_date>2026-01-22T09:46:20Z</video:publication_date>
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<lastmod>2026-03-12T14:32:48Z</lastmod>
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<video:title>Abbado dirigiert Bruckners Symphonie Nr. 7</video:title>
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<video:description>In diesem Konzert aus dem Jahr 2005 ist Claudio Abbado am Pult seines handverlesenen Lucerne Festival Orchestra zu erleben, in Anton Bruckners imposanter Siebter Symphonie. Das Werk war der erste große Publikumserfolg des österreichischen Komponisten. In seinem Zentrum steht ein bewegendes Adagio, eine Hommage an den von Bruckner verehrten Richard Wagner, der während der Komposition der Symphonie starb. Abbado galt als Kenner und Könner in Sachen Bruckner, entsprechend hoch waren die Erwartungen an seine Interpretation in Luzern – er enttäuschte sie nicht.</video:description>
<video:duration>3957</video:duration>
<video:publication_date>2023-06-15T13:23:07Z</video:publication_date>
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<lastmod>2026-03-12T08:53:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36E8</loc>
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<video:title>Schumann: Waldszenen, Op. 82: 7. Vogel als Prophet</video:title>
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<video:publication_date>2026-03-05T14:22:23Z</video:publication_date>
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<lastmod>2026-03-11T12:28:30Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36E0</loc>
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<video:title>Schumann: Waldszenen, Op. 82: 3. Einsame Blumen</video:title>
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<video:publication_date>2026-03-05T14:15:04Z</video:publication_date>
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<lastmod>2026-03-11T12:28:25Z</lastmod>
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<video:title>Pink Sakura</video:title>
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<video:description>“A soundtrack to my life” – this is how Eunike Tanzil sums up The First of Everything, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Recorded with the Deutsches Symphonie-Orchester, the album is conducted by Anna Handler and features both Eunike Tanzil (piano) and Sophie Kauer (cello) as soloists. “It was my childhood dream to have my debut album recorded by a large orchestra,” says Eunike. “I feel very grateful and honoured that I’m part of this incredible project with so many great musicians.”</video:description>
<video:duration>201</video:duration>
<video:publication_date>2025-09-11T09:08:50Z</video:publication_date>
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<lastmod>2026-03-11T08:50:22Z</lastmod>
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<video:title>Remembering</video:title>
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<video:description>“A soundtrack to my life” – this is how Eunike Tanzil sums up The First of Everything, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Its 12 tracks trace a journey of significant personal firsts and reveal Eunike’s gift for storytelling in music that ranges from minimalistic writing to sweeping cinematic statements.
Recorded with the Deutsches Symphonie-Orchester Berlin, the album is conducted by Anna Handler and features both Eunike Tanzil (piano) and Sophie Kauer (cello) as soloists.</video:description>
<video:duration>234</video:duration>
<video:publication_date>2025-09-11T10:07:52Z</video:publication_date>
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<lastmod>2026-03-11T08:49:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHN</loc>
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<video:title>Burkard Schliessmann: Klavierabend</video:title>
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<video:description>Burkard Schliessmanns Rezital in der Philharmonie im Gasteig 1993 stellt Werke ins Zentrum, die die Ausdrucks- und Klangmöglichkeiten des Klaviers bis an ihre Grenzen führen. Busonis Übertragung von Bachs d-Moll-Chaconne überträgt die strenge Polyphonie des Originals auf den großen Konzertflügel und erweitert sie ins Sinfonische. Skrjabins Dritte Sonate sowie ausgewählte Préludes op. 74 verdichten die Sprache bis ins Nervöse, mit schroffen Kontrasten und gesteigerter Harmonik. Chopins Vierte Ballade zählt zu den leidenschaftlichsten Schöpfungen der romantischen Klavierliteratur und verlangt gleichermaßen gestalterische Übersicht wie klangliche Intensität.</video:description>
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<video:publication_date>2026-03-06T12:08:18Z</video:publication_date>
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<lastmod>2026-03-10T13:17:01Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9P</loc>
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<video:title>Maya Plissetskaya &amp; Nicolas Economou: Dance Impressions</video:title>
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<video:description>Diese 1990 im Studio entstandene Aufnahme zeigt die große Primaballerina Maya Plissezkaja im unmittelbaren Dialog mit dem Pianisten Nicolas Economou. Statt zu einer festgelegten Partitur zu tanzen, formt sie Stimmung und Dramaturgie im Moment, während Economou am Klavier mit einer Folge von Improvisationen auf ihre Bewegungen und Stimmungen reagiert. So entsteht ein spontanes Wechselspiel von Tanz und Musik, in dem beide Künste einander prägen und vorantreiben.</video:description>
<video:duration>1830</video:duration>
<video:publication_date>2026-02-24T09:18:20Z</video:publication_date>
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<lastmod>2026-03-10T12:55:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHI</loc>
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<video:title>Ahmad Jamal Trio</video:title>
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<video:description>Ahmad Jamal steht 1993 in der Philharmonie im Gasteig mit John Heard und Yoron Israel auf der Bühne – ein Trio mit Sinn für Raum und Zurückhaltung. Standards von Jerome Kern, Duke Ellington, Victor Young und Jimmy McHugh treffen auf eigene Stücke wie „Bellows“, „Acorn“ und „Swahililand“. „All the Things You Are“ ist auf sein harmonisches Gerüst konzentriert, „Chloe“ bleibt in gedämpften, nächtlichen Farben, „My Foolish Heart“ ruhig im Puls. Heards tragfähiger Bass und Israels präzise Beckenarbeit schärfen das Zusammenspiel, während Jamal vom Klavier aus Dynamik und Stille genau austariert.</video:description>
<video:duration>4295</video:duration>
<video:publication_date>2026-02-27T08:26:54Z</video:publication_date>
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<lastmod>2026-03-09T23:52:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHK</loc>
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<video:title>Vince Jones und seine Band</video:title>
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<video:description>1992 ist Vince Jones mit seiner Band in der Philharmonie im Gasteig zu Gast – als Sänger und Trompeter mit rauer, unverstellter Präsenz. Eigene Songs wie „Brother This Is Your Life“, „Future Girl“, „Jettison“ und „Blue“ prägen das Programm, ergänzt durch Oscar Levants „Blame It on My Youth“ sowie Mose Allisons „Lost Mind“ und „Don’t Worry About a Thing“. Mit „Big City“ und „I Love You More Than Ever“ kommt eine deutliche Soul-Färbung hinzu. Barney McAll setzt am Klavier klare Akzente, Lloyd Swanton verankert den Bass, Andrew Gander hält den Puls beweglich.</video:description>
<video:duration>4251</video:duration>
<video:publication_date>2026-02-27T14:17:17Z</video:publication_date>
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<lastmod>2026-03-09T23:40:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHO</loc>
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<video:title>Eunike Tanzil: Pink Sakura Showcase</video:title>
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<video:description>Klassische Musik findet nur selten ihren Weg in eine Eisdiele, doch Eunike Tanzil – die indonesische Pianistin und Komponistin, die klassisches Handwerk mit einem ausgeprägt filmischen Gespür für Klangfarben verbindet – hat ein Faible für erste Male. Nach der Veröffentlichung ihres Albums „The First of Everything“, auf dem ihre Musik in orchestralen Fassungen zu hören ist, tauscht sie den Konzertsaal gegen die Berliner Eisdiele amatō und präsentiert ihre Stücke hier in intimen Soloversionen. Zum Abschluss lädt sie das Publikum mit ihrem beliebten Format „Hum me a melody“ dazu ein, ihr Melodien vorzusummen, die sie dann spontan aufgreift und zu emotional aufgeladenen Improvisationen formt.</video:description>
<video:duration>1639</video:duration>
<video:publication_date>2025-12-11T11:11:33Z</video:publication_date>
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<lastmod>2026-03-09T15:58:19Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34E8</loc>
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<video:title>Sawallisch dirigiert Wagner: Der fliegende Holländer</video:title>
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<video:description>Es wird oft gesagt, dass Wagner mit seinen Musikdramen die Filmkunst vorweggenommen habe. Falls das stimmt, sind nur wenige Interpretationen seiner Vision so nahegekommen wie diese Verfilmung des „fliegenden Holländers” aus dem Jahr 1975. Die Produktion der Bayerischen Staatsoper wird vom meisterhaften Wagner-Dirigenten Wolfgang Sawallisch geleitet, und Donald McIntyre zeigt eine überragende Leistung in der Titelrolle. Die Inszenierung begeistert durch ihre spektakuläre gothische Ausstattung und die packende und zugleich glaubwürdige Regie von Václav Kašlík, einer Legende der tschechischen „New Wave”-Bewegung. Zu erleben ist eine Produktion, die Wagners Konzeption der Oper als „Gesamtkunstwerk” auf bestechende Weise gerecht wird.</video:description>
<video:duration>7095</video:duration>
<video:publication_date>2025-01-16T12:10:00Z</video:publication_date>
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<lastmod>2026-03-09T15:17:16Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHN</loc>
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<video:title>Donizetti: Lucia di Lammermoor – mit Nadine Sierra &amp; Javier Camarena</video:title>
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<video:description>Der gefeierte Regisseur Simon Stone debütierte in der Saison 2021–22 mit einer Neu-Inszenierung von Donizettis Lucia di Lammermoor an der Metropolitan Opera. Bei Stone spielt die Belcanto-Tragödie im amerikanischen Rust Belt der Gegenwart. In dieser Aufführung gelingt der Sopranistin Nadine Sierra eine atemberaubende Darstellung der gequälten Titelheldin. An ihrer Seite stehen der Tenor Javier Camarena als Lucias Geliebter Edgardo und der Bariton Artur Ruciński als egoistischer und manipulativer Enrico auf der Bühne. Unter der Leitung des Donizetti-Spezialisten Riccardo Frizza vervollständigt Bassbariton Christian Van Horn das Ensemble dieser fesselnden Neuproduktion als Priester Raimondo, Lucias wohlmeinender Beschützer.</video:description>
<video:duration>9031</video:duration>
<video:publication_date>2026-03-09T09:14:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-09T10:14:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6E0</loc>
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<video:title>Verdi-Gala in Parma – mit Carreras, Domingo, Mehta &amp; mehr</video:title>
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<video:description>Von Giuseppe Verdis 28 Bühnenwerken begeistern bis heute zahlreiche das Opernpublikum in aller Welt. Anlässlich der 100. Wiederkehr von Verdis Tod findet 2001 unter der Leitung von Zubin Mehta eine Gala in Parma statt, die einige der schönsten Passagen aus den Werken des Opernkomponisten präsentiert. Von der dritten Oper Nabucco bis zum genialen Abschiedswerk Falstaff zeigt sich dabei eine Entwicklung, in der sich Verdi seinen unerschöpflichen Melodienreichtum bewahrte und zugleich zu immer stringenteren dramaturgischen Formen fand. Zu den Klängen des Orchestra del Maggio Musicale Fiorentino singen in dieser Aufzeichnung unter anderem Ruggero Raimondi, Plácido Domingo und José Carreras – Legenden der Verdi-Interpretation schon zu Lebzeiten.</video:description>
<video:duration>6795</video:duration>
<video:publication_date>2022-07-27T12:49:38Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-09T09:03:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36DO</loc>
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<video:title>Jóhannsson: Be Over (From &quot;The Shadow Play&quot;)</video:title>
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<video:description></video:description>
<video:duration>80</video:duration>
<video:publication_date>2026-03-05T13:07:01Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-05T15:04:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34DO</loc>
<video:video>
<video:title>Über My London</video:title>
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<video:description></video:description>
<video:duration>104</video:duration>
<video:publication_date>2026-02-26T15:25:31Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T15:01:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36D8</loc>
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<video:title>Mozart: Fantasia in C Minor, K. 475</video:title>
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<video:duration>677</video:duration>
<video:publication_date>2026-03-04T12:13:10Z</video:publication_date>
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<lastmod>2026-03-05T13:02:53Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36D0</loc>
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<video:title>Mozart: Adagio für Glasharmonika in C-Dur, K. 356</video:title>
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<lastmod>2026-03-05T12:59:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36CO</loc>
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<video:title>Rachmaninow: Klaviersonate Nr. 1 in d-Moll I. Allegro moderato</video:title>
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<lastmod>2026-03-05T10:08:10Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34E0</loc>
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<video:title>Tahmoures Pournazeri: Chera Rafti (Arr. Dimitri Weissenberg)</video:title>
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<lastmod>2026-03-04T18:27:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36CG</loc>
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<video:title>Schumann: Kinderszenen, Op. 15: 7. Träumerei</video:title>
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<lastmod>2026-03-04T10:20:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36C8</loc>
<video:video>
<video:title>Rachmaninow: 13 Präludien Nr. 5 in G-Dur, Op. 32</video:title>
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<video:live>no</video:live>
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<lastmod>2026-03-04T10:19:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36C0</loc>
<video:video>
<video:title>Beethoven: Klaviersonate Nr. 29 in B-Dur, Op. 106 &quot;Hammerklavier&quot;</video:title>
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<video:publication_date>2026-03-03T14:56:04Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-04T10:19:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34E8</loc>
<video:video>
<video:title>Bach: Wachet auf, ruft uns die Stimme, BWV 645 (Bearb. Busoni)</video:title>
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<video:duration>233</video:duration>
<video:publication_date>2026-03-03T14:44:12Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9O</loc>
<video:video>
<video:title>Eliane Elias Trio In Concert</video:title>
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<video:description>1991 steht Eliane Elias in der Philharmonie im Gasteig mit Jay Randall Anderson und Adam Nussbaum auf der Bühne. Eigene Stücke wie „Campari and Soda“, „Cross Currents“ und „Implosive“ stehen neben Klassikern aus Brasilien und dem amerikanischen Songbook. Von Antônio Carlos Jobim erklingen ein Medley aus „Waters of March“ und „Água de Beber“ sowie „Desafinado“, ergänzt durch Jerome Kerns „The Way You Look Tonight“ und Amilton Godóis „Choro“. Anderson hält den Bass beweglich, Nussbaum gestaltet den Puls mit feiner Präzision, während Elias am Klavier mit klarer Artikulation und sicherem Swing führt.</video:description>
<video:duration>3859</video:duration>
<video:publication_date>2026-02-20T14:25:48Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T22:08:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGD0</loc>
<video:video>
<video:title>Albéniz: Suite Española No. 1, Op. 47: No. 5, Asturias</video:title>
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<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. 

The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>422</video:duration>
<video:publication_date>2025-12-08T13:48:10Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-03T16:14:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34CO</loc>
<video:video>
<video:title>Fauré: Trois Romances sans paroles, Op. 17 (kiwa LIVE presents / Live from Seoul)</video:title>
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<video:description></video:description>
<video:duration>539</video:duration>
<video:publication_date>2026-02-24T15:34:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T11:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34CG</loc>
<video:video>
<video:title>Scriabin: 24 Präludien, Op. 11 Nr. 11 in H-Dur. Allegro assai</video:title>
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<video:description></video:description>
<video:duration>106</video:duration>
<video:publication_date>2026-02-24T15:04:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T11:26:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ0</loc>
<video:video>
<video:title>Bach: Orgelsonate Nr. 4, BWV 528: II. Andante [Adagio] (Transkr. Stradal)</video:title>
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<video:description>Watch pianist Víkingur Ólafsson (“Artist of the Year” at the Gramophone Awards 2019) perform the Andante from Bach&apos;s Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album &apos;J. S. Bach - Works &amp; Reworks&apos;. The video was directed by Magnús Leifsson.</video:description>
<video:duration>327</video:duration>
<video:publication_date>2022-07-12T14:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-02T12:18:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2E0</loc>
<video:video>
<video:title>Bernstein dirigiert Schumann: Sinfonie Nr. 2 und Cellokonzert</video:title>
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<video:description>Leonard Bernstein dirigiert Schumanns Symphonie Nr. 2 und Cellokonzert in Aufführungen aus dem Jahr 1985, die als Teil eines Gesamtzyklus der Orchesterwerke des Komponisten gefilmt wurden. Wie bei den Zyklen mit Werken Mahlers, Beethovens und Brahms’ steht Bernstein hier am Pult der Wiener Philharmoniker. Der Solist des Cellokonzerts – eines ungewöhnlichen, zugleich schweren Stücks mit vielen Charakterwechseln – ist der junge Mischa Maisky, der seinen Hörer:innen die eigenwillige Schumann’sche Welt mühelos eröffnet. Bernstein und das Orchester bieten ihrerseits eine expressive Interpretation der Symphonie. Das C-Dur-Werk begriff Schumann als „Widerstand des Geistes“ gegen seine Depression, es gipfelt in einem Finale voll Optimismus.</video:description>
<video:duration>4424</video:duration>
<video:publication_date>2023-11-22T10:40:30Z</video:publication_date>
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<lastmod>2026-03-02T10:46:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34DG</loc>
<video:video>
<video:title>Great Arias – Hamlet: &quot;Et maintenant écoutez ma chanson&quot;</video:title>
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<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2026-02-26T10:03:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:23:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34D8</loc>
<video:video>
<video:title>Great Arias – Die Entführung aus dem Serail: &quot;Martern aller Arten&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/908734497e06593a9d2f77f27f86bbee9477fa1f.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-02-26T09:47:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:15:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34D0</loc>
<video:video>
<video:title>Über die Siena Tapes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/33072794f37fd32c295504f309b49181922d9849.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>425</video:duration>
<video:publication_date>2026-02-26T09:44:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:15:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHG</loc>
<video:video>
<video:title>Chick Corea: Remembering Bud Powell</video:title>
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<video:description>1996 in der Philharmonie im Gasteig aufgenommen, widmet sich Chick Corea hier einem der prägenden Pianisten des Bebop. Gemeinsam mit Joshua Redman, Wallace Roney, Christian McBride und Roy Haynes lässt er Bud Powells kompromisslos lyrische Handschrift neu aufleben – von „Un Poco Loco“ und „Tempus Fugit“ bis „Bouncin’ with Bud“. Dabei bleibt die Musik kein Denkmal, sondern wird im Zusammenspiel geöffnet und weitergedacht; Coreas eigenes „Affinity“ fügt sich selbstverständlich in diesen Dialog ein.</video:description>
<video:duration>7179</video:duration>
<video:publication_date>2026-02-24T09:38:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-26T10:54:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34D8</loc>
<video:video>
<video:title>Roberto De Simone: Alles ist Fake</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e745538ef54a47332be940ae98c118b9f822083.jpg</video:thumbnail_loc>
<video:description>Ehemaliger künstlerischer Leiter des Teatro San Carlo, ehemaliger Direktor des Konservatoriums San Pietro a Majella, Musikethnologe, Mythologe, Dramatiker, Komponist, Regisseur und innovativer Geist des Musiktheaters... Roberto De Simone, der 1933 in Neapel geboren wurde, ist eine wahrhaft enzyklopädische Persönlichkeit. Die Dokumentation „All is Fake&quot;, die Will Boettger und René Pandis mit dem Theater- und Musikensemble Media Aetas realisiert haben, ist eine rituelle Reise in die spirituelle Topographie de Simones. In diesem Film werden, passend zu seinem Protagonisten, ganz unterschiedliche Phänomene miteinander verwoben – vom Musiktheater bis zur phantastischen, magischen und religiösen Vielfalt einer aussterbenden traditionellen Welt.</video:description>
<video:duration>3600</video:duration>
<video:publication_date>2025-07-07T12:13:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-26T09:45:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9M</loc>
<video:video>
<video:title>Branford Marsalis Quartet in der Philharmonie im Gasteig</video:title>
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<video:description>In einer 1990 in der Philharmonie im Gasteig entstandenen Aufnahme zeigt sich das Branford Marsalis Quartet als eines der prägenden Ensembles seiner Generation. Mit Kenny Kirkland am Klavier, Robert Hurst am Bass und Jeff „Tain“ Watts am Schlagzeug verbindet die Band rhythmische Schärfe mit Offenheit und Swing. Eigenkompositionen wie „Wolverine“ und „Random Abstract“ stehen neben Kirklands „Mr. J. C.“ und dem Standard „Yesterdays“. Das ist moderner Jazz mit Fokus, Elastizität und der selbstverständlichen Autorität einer Band auf dem Höhepunkt ihres Zusammenspiels.</video:description>
<video:duration>4180</video:duration>
<video:publication_date>2026-02-17T12:36:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T21:22:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30E8</loc>
<video:video>
<video:title>The Making of El Niño - The Nativity</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0b2f8f6ade7873223270c596b09cc015cfe1d55a.jpeg</video:thumbnail_loc>
<video:description>Diese Dokumentation blickt auf die Entstehung von John Adams’ El Niño zurück, eines Schlüsselwerks an der Schwelle zum neuen Jahrtausend. Ausgehend von der Pariser Uraufführungsproduktion kommen John Adams, Peter Sellars, Kent Nagano und Dawn Upshaw zu Wort und sprechen über ein „Weihnachtsoratorium“, das den vertrauten Stoff mit moderner Lyrik, Bewegung und filmischen Mitteln neu deutete. Probenbilder und Aufführungsausschnitte vermitteln dabei die Atmosphäre des Experiments und der Überzeugung, aus der El Niño hervorging – und halten den Moment fest, in dem ein neues Werk Gestalt annimmt.</video:description>
<video:duration>1686</video:duration>
<video:publication_date>2026-02-10T13:05:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T21:06:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPN</loc>
<video:video>
<video:title>Rolando Villazón inszeniert Mozarts Die Zauberflöte</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5a53c128b29a747aafe13486c4682e5e1b28320.jpg</video:thumbnail_loc>
<video:description>Mozarts Musik in Salzburg zu erleben, ist immer etwas ganz Besonderes. Den Komponisten drängte es zwar früh, seine Heimatstadt zu verlassen; doch nirgendswo sonst pflegt man sein Erbe mit so viel Liebe – und Fantasie. In der Woche von Mozarts 270. Geburtstag inszeniert Rolando Villazón, der zu den größten Persönlichkeiten der Opernwelt gehört, „Die Zauberflöte“. Im wunderschönen Salzburger Haus für Mozart spielt das Mozarteumorchester unter der Leitung von Roberto González-Monjas. Exquisit ist auch das Vokal-Ensemble dieser vitalen Neu-Propduktion: In der beliebtesten Märchen-Oper der Musikgeschichte sind Franz-Josef Selig als Sarastro und Kathryn Lewek als Königin der Nacht zu erleben.</video:description>
<video:duration>9900</video:duration>
<video:publication_date>2026-01-29T09:07:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T11:05:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCC0</loc>
<video:video>
<video:title>Velvet Revolution Concert 2021 – mit Jakub Hrůša und Lukáš Vondráček</video:title>
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<video:description>Der Dirigent Jakub Hrůša und der Pianist Lukáš Vondráček waren 2021 die Gäste des Konzertes der „Samtenen Revolution“, das von der Tschechischen Philharmonie seit 2020 jährlich zur Erinnerung an den gewaltfreien Politikwechsel 1989 veranstaltet wird. Eröffnet wird das Konzert mit einem der beliebtesten Werke Rachmaninows, dem Klavierkonzert Nr. 2, mit Vondráček als virtuosem Solisten. Es folgt Leoš Janáčeks frühe, von der Volksmusik inspirierte, Suite für Orchester aus dem Jahr 1891. Mit Witold Lutosławskis Konzert für Orchester endet das Programm: ein mitreißendes orchestrales Prunkstück aus der Mitte des Jahrhunderts, das den Höhepunkt der Auseinandersetzung des Komponisten mit den Volksmusiktraditionen seiner Heimat Polen markiert.</video:description>
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<video:title>Thomas, Brocal: Reflection No. 1 (Paix - Shanti)</video:title>
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<lastmod>2026-02-24T15:49:08Z</lastmod>
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<video:title>Saint-Saëns: Der Karneval der Tiere, R. 125 Nr. 13 Der Schwan</video:title>
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<video:title>Zimmer &amp; Jackman: Up is Down - aus &quot;Fluch der Karibik&quot;</video:title>
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<video:description>Kian Soltani has always been a big fan of movies, now he takes this passion one step further and creates an unprecedented album with his own arrangements of great blockbuster hits. Epic soundscapes from Hans Zimmer&apos;s &apos;Pirates of the Caribbean&apos;, Howard Shores &apos;Lord of the Rings&apos; and other soundtracks. Cello Unlimited is precisely that – a collection of the most iconic movie soundtracks from the last 20 years, played on Kian’s cello and his cello only! All tracks are specially arranged for the cello and every voice is played by Kian himself.</video:description>
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<video:publication_date>2022-09-22T11:40:39Z</video:publication_date>
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<lastmod>2026-02-24T14:39:22Z</lastmod>
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<video:title>Gounod: Ave Maria (Bearb. C. Thomas)</video:title>
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<lastmod>2026-02-24T09:29:41Z</lastmod>
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<video:title>Chopin: Nocturne in c-Moll, Andante sostenuto, B. 108 (Bearb. C. Thomas)</video:title>
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<lastmod>2026-02-24T09:29:26Z</lastmod>
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<video:title>Chopin: 24 Präludien, Op. 28: Nr. 4 in e-Moll. Largo (Bearb. Franchomme)</video:title>
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<lastmod>2026-02-24T09:29:18Z</lastmod>
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<video:title>Chopin: Klavierkonzert Nr. 1 in e-Moll, op. 11: II. Larghetto (Auszug)</video:title>
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<lastmod>2026-02-24T09:29:06Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS32D0</loc>
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<video:title>Chopin: Nocturne in h-Moll, Nr. 20 Op. posth. – Lento con gran espressione</video:title>
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<lastmod>2026-02-24T09:28:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS32CO</loc>
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<video:title>Chopin: Cellosonate in g-Moll, Op. 65: III. Largo</video:title>
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<lastmod>2026-02-24T09:28:44Z</lastmod>
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<video:title>Chopin: Klaviersonate Nr. 2 in b-moll, Op. 35: III. Marche funèbre (Bearb. Franchomme)</video:title>
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<lastmod>2026-02-24T09:28:35Z</lastmod>
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<video:title>La Bohème</video:title>
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<video:publication_date>2026-02-18T13:19:02Z</video:publication_date>
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<lastmod>2026-02-24T09:28:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1M</loc>
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<video:title>Seong-Jin Cho und Gianandrea Noseda: Chopin, Borodin, Strawinsky</video:title>
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<video:description>Schöner geht es nicht: Das London Symphony Orchestra und der begnadete Chopin-Interpret Seong-Jin Cho spielen unter der Leitung von Gianandrea Noseda das leidenschaftliche Zweite Klavierkonzert des polnischen Komponisten. Zwischen dem LSO, seinem Ersten Gastdirigenten und dem koreanischen Pianisten hat sich durch gefeierte gemeinsame Auftritte eine besonders enge Beziehung entwickelt. Heute Abend wird Chopins strahlendes Konzert von zwei russischen Werken eingerahmt, die dem in St. Petersburg ausgebildeten Noseda sehr am Herzen liegen: Strawinskys farbenreicher Tschaikowski-Hommage und der hochromantischen, epischen und packenden Zweiten Sinfonie von Borodin.</video:description>
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<video:publication_date>2026-02-19T11:17:54Z</video:publication_date>
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<lastmod>2026-02-20T09:10:34Z</lastmod>
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<url>
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<video:title>Betty Carter und ihr Trio in der Philharmonie im Gasteig</video:title>
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<video:description>In einer 1992 in der Philharmonie im Gasteig entstandenen Aufnahme ist Betty Carter ganz in ihrem Element: Standards werden nicht reproduziert, sondern im Augenblick neu gedacht. Mit Cyrus Chestnut, Jon Roland Ariel und Clarence Penn an ihrer Seite entstehen weit gespannte Formen, verschobene Akzente und überraschende Wendungen. Ob „Autumn Leaves“, „Ev’ry Time We Say Goodbye“ oder eigene Stücke wie „Open the Door“ und „Tight“ – nichts bleibt bloßes Repertoire. Jazz als offener Dialog: risikofreudig, verspielt und ganz im Hier und Jetzt.</video:description>
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<lastmod>2026-02-19T13:50:39Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS32C0</loc>
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<video:title>Great Arias – La forza del destino: &quot;Morir! Tremenda cosa&quot; &amp; &quot;Urna fatale del mio destino&quot;</video:title>
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<lastmod>2026-02-19T13:11:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30D8</loc>
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<video:title>Premieres Revisited: Haydns Tageszeiten-Sinfonien</video:title>
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<video:description>Morgen, Mittag, Abend: drei Tageszeiten – und drei frühe Sinfonien, mit denen sich Joseph Haydn 1761 vermutlich erstmals am Hof der Esterházy vorstellte. Mehr als 250 Jahre später kehren Giovanni Antonini und Il Giardino Armonico an den Ort dieses musikalischen Aufbruchs zurück und spielen die Werke im Haydn-Saal des Schlosses Esterházy in Eisenstadt. Neben den Aufführungen erzählt der Film von Haydns Arbeitsalltag als junger Kapellmeister und von kuriosen Kapiteln seiner Nachgeschichte. So entsteht ein lebendiges Porträt Haydns in seinen frühen Esterházy-Jahren – und des Ortes, der ihn geprägt hat.</video:description>
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<video:publication_date>2026-02-05T14:34:59Z</video:publication_date>
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<lastmod>2026-02-19T10:35:00Z</lastmod>
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<video:title>Peltokoski dirigiert Wagner: Der Ring – Ein Orchesterabenteuer</video:title>
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<video:description>Tarmo Peltokoski und das Hong Kong Philharmonic Orchestra interpretieren in diesem Konzert Henk de Vliegers „Orchestral Adventure“, ein brillantes Destillat aus Wagners monumentalem „Ring“. In konzentrierter orchestraler Form sind hier die Höhepunkte eines Opernzyklus zu erleben, der zu den bewegendsten und packendsten Werken der Musikgeschichte gehört.</video:description>
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<video:publication_date>2025-06-30T15:31:14Z</video:publication_date>
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<lastmod>2026-02-18T11:12:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GC8</loc>
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<video:title>Yunchan Lim in Seoul: Mendelssohn, Tschaikowski und Mussorgsky</video:title>
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<video:description>Als Yunchan Lim für dieses Konzert aus dem Seoul Arts Center, das im Juni 2024 gefilmt wurde, nach Seoul kam, wurde er wie ein Rockstar empfangen. Der junge Pianist, der nach seinem Triumph beim Van-Cliburn-Wettbewerb im Jahr 2022 berühmt wurde, hat sich als eines der aufregendsten Talente der klassischen Musik etabliert. Mit seinem Auftritt hier zeigt er sofort, warum. Er bringt seine charakteristische Mischung aus Musikalität, atemberaubender Technik und inspirierender Interpretation in die Musik von drei sehr unterschiedlichen Komponisten der Romantik ein: zwei beliebte Lieder ohne Worte von Mendelssohn, gefolgt von zwei Meisterwerken der beschreibenden Musik, Tschaikowskis Die Jahreszeiten und Mussorgskys Bilder einer Ausstellung.</video:description>
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<video:publication_date>2024-11-17T07:44:11Z</video:publication_date>
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<lastmod>2026-02-17T10:04:43Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3EC8</loc>
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<video:title>György Kurtág: Der Streichholzmann</video:title>
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<video:description>„Die entblößten Strukturen halten die leere Luft aufrecht“. György Kurtág ist nicht nur eine der stärksten kreativen Stimmen des modernen Europas; er schuf auch eine neue Art des Zuhörens: In seiner musikalischen Sprache kann die Stille ebenso bedeutungsvoll sein wie der Klang, und selbst die kleinste Geste eröffnet neue Welten. Dieser preisgekrönte Film von 1996 bietet einen unvergleichlichen, zutiefst bewegenden Einblick in die kreative Vorstellungskraft des Musikers. Das Porträt umfasst neben Interviews mit Kurtág sowie seltenem Aufführungs- und Probenmaterial auch Beiträge von György Ligeti, Claudio Abbado, dem Pianisten Zoltán Kocsis und Márta, der verstorbenen Ehefrau (und künstlerischen Mitarbeiterin) des Komponisten.</video:description>
<video:duration>3375</video:duration>
<video:publication_date>2024-09-11T15:35:43Z</video:publication_date>
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<lastmod>2026-02-17T01:16:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCD8</loc>
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<video:title>Nézet-Séguin und das COE: Brahms&apos; Sinfonien Nr. 3 &amp; 4</video:title>
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<video:description>Yannick Nézet-Séguin und das Chamber Orchestra of Europe setzen ihren 2022 begonnenen Brahms-Zyklus in Baden-Baden fort und bringen die Sinfonien Nr. 3 und Nr. 4 auf die Bühne des Festspielhauses: lyrisch und intim ist die eine, radikal konzipiert und leidenschaftlich die andere. Unmittelbarkeit und jeglicher Verzicht auf historischen Ballast sind zu erwarten in diesen Lesarten des kanadischen Dirigenten, „kein dunkler, schwerer, deutscher Klang, sondern Transparenz, helle Farben und deutlich artikulierte Phrasierungen”, wie die Neue Musikzeitung 2022 anmerkt.</video:description>
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<video:publication_date>2024-01-04T15:25:20Z</video:publication_date>
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<lastmod>2026-02-16T10:06:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3E</loc>
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<video:title>Musical Moment: Kian Soltani &amp; Aaron Pilsan</video:title>
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<video:description>Sie sind ein eingespieltes Team: Der Cellist Kian Soltani gibt mit dem Pianisten Aaron Pilsan ein breit gefächertes Recital mit Musik von Schubert und Dvořák bis Schostakowitsch und Piazzolla. Im Mittelpunkt des Konzerts im Berliner Meistersaal stehen die ikonische Cellosonate von Schostakowitsch und Piazzollas Le grand tango. Schostakowitschs Sonate entstand in dessen jungen, unbeschwerten Jahren als er verliebt war und höchstens eine leise Vorahnung unheilvollerer Zeiten hegte. Das spiegelt sich für Soltani in den drei kontrastierenden Sätzen. Mit Piazzollas Le grand tango, den der sogenannte König des Tangos einst für den legendären Cellisten Rostropowitsch komponiert hat, lassen Soltani und Pilsan ihr Konzert fulminant ausklingen.</video:description>
<video:duration>3301</video:duration>
<video:publication_date>2022-06-14T14:29:23Z</video:publication_date>
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<lastmod>2026-02-16T10:03:19Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6DO</loc>
<video:video>
<video:title>Nézet-Séguin dirigiert Wagner: Die Walküre und Pélleas et Mélisande</video:title>
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<video:description>Romantik und Beginn der Moderne lassen Yannick Nézet-Séguin und das Orchestre Métropolitain auf dem Festival de Lanaudière erklingen. Zunächst spielen sie die von Erich Leinsdorf eingerichtete Suite aus Debussys einzig vollendeter Oper Pélleas et Mélisande, bevor sie den ersten Akt der Walküre mit einer Reihe von hervorragenden Wagnerianern anstimmen. Die Walküre, der zweite Teil von Wagners Ring, stellt die menschlichen Charaktere dieses Opernklassikers vor, und im ersten Akt werden die in verbotener Liebe entflammten Zwillinge Siegmund und Sieglinde wiedervereint.</video:description>
<video:duration>6639</video:duration>
<video:publication_date>2024-01-10T13:34:35Z</video:publication_date>
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<lastmod>2026-02-16T09:52:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1J</loc>
<video:video>
<video:title>Anne-Sophie Mutter spielt Saint-Saëns &amp; John Williams</video:title>
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<video:description>Für die langanhaltende Konzertreihe unter freiem Himmel am Odeonsplatz leitet hier Lahav Shani die Münchner Philharmoniker. Ein abwechslungsreiches Programm reicht von Strawinskys rhythmischer Energie über Dukas’ funkelnde Klangmagie bis zu Webers lyrischer Eleganz. Violinistin Anne-Sophie Mutter brilliert in Saint-Saëns’ virtuosem Introduction et Rondo capriccioso und präsentiert zudem eine feine Auswahl aus den Werken ihres Freundes und Weggefährten John Williams.</video:description>
<video:duration>4780</video:duration>
<video:publication_date>2025-08-14T12:18:17Z</video:publication_date>
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<lastmod>2026-02-16T08:27:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJACG</loc>
<video:video>
<video:title>Yuja Wang spielt Rachmaninows Klavierkonzert Nr. 2</video:title>
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<video:description>Yuja Wang, brillant und virtuos, ist die Solistin dieses Freiluftkonzerts auf dem Münchner Odeonsplatz. Gemeinsam mit den Münchner Philharmonikern unter der Leitung des jungen Dirigenten Lorenzo Viotti spielt sie Repertoire, das längst ihr Markenzeichen ist: Rachmaninow, diesmal das Klavierkonzert Nr. 2. Lang sind die Melodielinien in diesem Werk und leidenschaftlich die Gefühle – dem Komponisten ist ein Durchbruch gelungen: Seine Schaffenskrise nach den vernichtenden Kritiken zu seiner Ersten Symphonie ist überwunden. Der Pianistin, die Emphase ebenso beherrscht wie Leichtigkeit, scheint es wie auf die Finger komponiert. Und danach wird das Publikum umgarnt mit Klassikhits von Rimski-Korsakow, Chabrier und Ravel – und auch zwei Zugaben.</video:description>
<video:duration>5250</video:duration>
<video:publication_date>2023-03-30T15:18:35Z</video:publication_date>
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<lastmod>2026-02-16T08:27:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CDG</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Franz Welser-Möst: Brahms&apos; Klavierkonzert Nr. 1</video:title>
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<video:description>Brahms&apos; an Klangfacetten reiches Erstes Klavierkonzert wird hier live dargeboten aus der Mandel Concert Hall in Cleveland vom Cleveland Orchestra unter der Leitung von Franz Welser-Möst – am Klavier Daniil Trifonov. Virtuosität, poetisches Feingefühl und schieres Durchhaltevermögen fordert diese „maskierte Symphonie” dem Solisten ab. Es war das erste Orchesterkonzert von Brahms und der aufstrebende Komponist gab 1859 selbst die Uraufführung.</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2024-01-24T10:20:36Z</video:publication_date>
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<lastmod>2026-02-16T08:27:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1J</loc>
<video:video>
<video:title>Joana Mallwitz dirigiert Strauss: Der Rosenkavalier – mit Diana Damrau</video:title>
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<video:description>Diese Aufzeichnung aus dem Opernhaus Zürich zeigt eine mit Spannung erwartete Neuproduktion:  Joana Mallwitz dirigiert Richard Strauss&apos; und Hugo von Hofmannsthals bittersüße – und ergreifende – musikalische Komödie Der Rosenkavalier. In der Inszenierung von Lydia Steier, die für ihre intelligenten Werk-Befragungen bekannt ist, agiert ein fantastisches Ensemble: Diana Damrau singt (mit freundlicher Genehmigung von Warner Classics) die Marschallin. Diese beschließt am Ende, auf ihr Liebesglück zu verzichten und der Romanze zwischen Sophie (Emily Pogorelc) und Octavian (Angela Brower) ihren Lauf zu lassen – vor dem Happy-End muss allerdings dem hemmungslosen, arroganten Baron Ochs (Günther Groissböck) noch eine Lektion erteilt werden.</video:description>
<video:duration>12173</video:duration>
<video:publication_date>2025-10-24T20:33:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-02-14T16:34:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP32</loc>
<video:video>
<video:title>Anna – Stage of Emotions</video:title>
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<video:description>Anna – Stage of Emotions is part documentary, part abstract and visually stunning response to some of the powerful themes that define opera music: from love and hope to death and despair. It captures Anna Netrebko’s portrayals of five operatic heroines – Aida, Lisa, Dido, Cio-Cio San and Isolde – all of whom are brought to life individually thanks to the director’s unique visual language and style. Interwoven with the five music videos shot largely in the majestic setting of La Scala’s famous auditorium is an insightful interview with Anna Netrebko, discussing both the roles and her own life.</video:description>
<video:duration>2055</video:duration>
<video:publication_date>2022-06-29T09:19:18Z</video:publication_date>
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<lastmod>2026-02-13T15:08:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJE</loc>
<video:video>
<video:title>Sergei Babayan &amp; Daniil Trifonov spielen Schumann und Bach</video:title>
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<video:description>Daniil Trifonov und sein Lehrer Sergei Babayan brillieren beim Verbier Festival 2019 mit pianistischer Virtuosität und einer außergewöhnlichen Tiefe des gegenseitigen musikalischen Verständnisses. In Schumanns Andante und Variationen für zwei Klaviere fangen sie jede Nuance der quecksilbrigen Stimmungswechsel in der Musik ein. Anschließend werden die Pianisten vom Verbier Festival Chamber Orchestra unter Gábor Takács-Nagy bei Bachs c-Moll-Konzert für zwei Klaviere begleitet.</video:description>
<video:duration>2051</video:duration>
<video:publication_date>2022-05-18T09:05:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-02-13T14:52:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34</loc>
<video:video>
<video:title>Daniil Trifonov interpretiert Klavierwerke des 20. Jahrhunderts</video:title>
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<video:description>Daniil Trifonov sei &quot;ohne Zweifel der erstaunlichste Pianist unserer Zeit&quot;, schrieb The Times. Beim Verbier Festival 2019 widmet sich der Grammy-Preisträger Werken des 20. Jahrhundert für Klavier solo. Trifonov fesselt das Publikum mit seinem atemberaubenden Klavierspiel derart, dass er nicht nur ausgemachte Fans für die Musik von Alban Berg, Béla Bartók oder John Corigliano fasziniert. Die musikalische Reise beginnt mit der Zweiten Wiener Schule und Bergs Klaviersonate Nr. 1 und reicht bis Coriglianos Fantasia on an Ostinato for Solo Piano von 1985, das an Beethovens 7. Sinfonie erinnert. Das vielleicht schönste Kompliment erhielt Trifonov von Martha Argerich, die sagte, er verfüge über &quot;alles und noch mehr&quot;.</video:description>
<video:duration>3444</video:duration>
<video:publication_date>2022-05-11T09:26:26Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-13T14:51:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0CG</loc>
<video:video>
<video:title>Sounds and Silence – Reisen mit Manfred Eicher</video:title>
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<video:description>„Sounds and Silence” ist ein musikalisches Roadmovie über die Laufbahn eines leidenschaftlich für die Musik engagierten Mannes, das mit dem Berner Filmpreis des Jahres 2009 ausgezeichnet und für den Schweizer Filmpreis nominiert wurde. An der Seite von Manfred Eicher, dem Gründer des Musiklabels ECM, reisen wir in  eine Welt der Klänge und Geräusche – und begegnen dabei Musikern, Komponisten und anderen Menschen, die mit dem herausragenden Entdecker und Vermittler zeitgenössischer Musik verbunden sind. Das Porträt zeigt ein Leben, das von Ruhe, Hektik, Arbeit, Selbstzweifeln, Freude und Leidenschaft geprägt ist. Ein sinnlicher, beeindruckender und meditativer Film, dem es auf außergewöhnliche Weise gelingt, den Zauber der Musik einzufangen.</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2024-11-11T15:17:35Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-13T09:07:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30DO</loc>
<video:video>
<video:title>Bernstein: Serenade After Plato&apos;s &quot;Symposium&quot;: III. Erixymachus. Presto</video:title>
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<video:description></video:description>
<video:duration>100</video:duration>
<video:publication_date>2026-02-05T15:09:04Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T13:30:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9G</loc>
<video:video>
<video:title>Evelyn Glennie im Konzert</video:title>
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<video:description>Evelyn Glennie hat früh begonnen, das Bild des Solo-Perkussionskonzerts neu zu denken, und dieses Konzert von 1991 aus der Philharmonie im Gasteig gibt einen Einblick in ihre Handschrift. Gemeinsam mit dem Pianisten Philip Smith präsentiert sie ein Programm zeitgenössischer Werke, das von der rituellen Intensität von Rzewskis „To the Earth“ über die konzentrierte Lyrik von Keiko Abes „Michi“ bis zur dramatischen Geste von John McLeods „The Song of Dionysius“ reicht. Mit Rosauros Marimbakonzert öffnet sich der Abend zu einer extrovertierten Klangwelt. Glennie zeigt das Schlagwerk nicht als Effektinstrument, sondern als Träger von Farbe, Rhythmus und Ausdruck – und erweitert die Vorstellung, was dieses Instrumentarium leisten kann.</video:description>
<video:duration>3902</video:duration>
<video:publication_date>2026-02-03T16:08:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-02-12T10:33:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0C0</loc>
<video:video>
<video:title>Nagano dirigiert Adams: El Niño</video:title>
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<video:description>&quot;Erschüttert den Himmel…&quot; An der Schwelle zum 21. Jahrhundert haben John Adams und Peter Sellars die Geburt Christi neu inszeniert, indem sie sakrale Texte mit moderner Poesie verwoben und mit der Energie und Direktheit des zeitgenössischen Tanzes und Films aufgeladen haben. Das Ergebnis war El Niño, ein &quot;Geburtsoratorium&quot;, das sich schnell als eines der meistbesprochenen (und bewegendsten) Kunstwerke des neuen Jahrtausends etablierte. Dieser Film dokumentiert den Moment seiner Entstehung: die historische Uraufführung in Paris mit den von den Schöpfern ausgewählten Darstellern (darunter die verstorbene und unvergessliche Lorraine Hunt Lieberson). Eine unverzichtbare Aufzeichnung der Geburt eines Meisterwerks.</video:description>
<video:duration>7111</video:duration>
<video:publication_date>2024-08-08T11:57:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-12T10:17:20Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9H</loc>
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<video:title>Das Gonzalo Rubalcaba Quartet in der Philharmonie im Gasteig</video:title>
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<video:description>Diese 1991 in der Philharmonie im Gasteig entstandene Aufzeichnung zeigt Gonzalo Rubalcaba in einer Phase, in der sich sein Ruf als einer der eigenständigsten Pianisten des Jazz gerade festigte. Mit seinem Quartett verbindet er afro-kubanische Prägung, modernes Jazzvokabular und den klassischen Songbook-Geist zu einem Stil von großer rhythmischer Energie und klanglicher Feinheit. Eigene Stücke stehen neben neu beleuchteten Standards wie „Bésame Mucho“, Charlie Parkers „Moose the Mooch“ und Jerome Kerns „Smoke Gets in Your Eyes“, getragen vom wendigen Zusammenspiel mit Reinaldo Melian, Felipe Cabrera und Julio Barretto. Jazz, der Tradition ernst nimmt und zugleich unverkennbar persönlich bleibt.</video:description>
<video:duration>4235</video:duration>
<video:publication_date>2026-02-05T15:39:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-12T10:13:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9J</loc>
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<video:title>Herbie Hancock &amp; Wayne Shorter in der Philharmonie im Gasteig</video:title>
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<video:description>Diese 1991 in der Philharmonie im Gasteig entstandene Aufzeichnung vereint vier Musiker, deren Zusammenarbeit den modernen Jazz entscheidend geprägt hat. Wayne Shorter und Herbie Hancock führen das Quartett mit großer Selbstverständlichkeit durch Musik, die zwischen lyrischer Innenschau und offener, suchender Improvisation changiert, getragen vom hochreaktiven Zusammenspiel von Stanley Clarke und Omar Hakim. Das Programm reicht von Mingus’ elegischem „Goodbye Pork Pie Hat“ und Monks nächtlichem „’Round Midnight“ bis zu zentralen Stücken aus dem Kosmos von Shorter und Hancock wie „Virgo Rising“, „The Sorcerer“ und „Maiden Voyage“. Jazz auf Augenhöhe – wach, gelassen und voller gemeinsamer Geschichte.</video:description>
<video:duration>4263</video:duration>
<video:publication_date>2026-02-10T08:58:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:11:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9I</loc>
<video:video>
<video:title>Andreas Fröhlich spielt Bach-Busoni und Brahms</video:title>
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<video:description>Diese 1992 in der Philharmonie im Gasteig entstandene Aufzeichnung zeigt Andreas Fröhlich mit Musik, die große formale Spannweite und innere Konzentration verbindet. Busonis Klavierbearbeitung der Chaconne aus Bachs d-Moll-Partita weitet den berühmten Satz zu einem nahezu symphonischen Klangraum, bevor Fröhlich drei der frühen Balladen aus Brahms’ Opus 10 spielt – Werke von dichter Erzählkraft und konzentrierter Lyrik. Früh in seiner Laufbahn präsentiert sich der deutsche Pianist in Repertoire, das eine langjährige Auseinandersetzung mit den großen Werken der deutsch-österreichischen Tradition erkennen lässt.</video:description>
<video:duration>2121</video:duration>
<video:publication_date>2026-02-10T08:33:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-12T10:05:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6D8</loc>
<video:video>
<video:title>Fabien Gabel dirigiert Poulenc &amp; Strauss—mit Katia &amp; Marielle Labèque</video:title>
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<video:description>Auch 2025 startet das Grafenegg Festival mit einem spannenden Programm: Poulencs Konzert für zwei Klaviere trifft auf Strauss’ gewaltige Alpensinfonie. Fabien Gabel dirigiert das Tonkünstler-Orchester Niederösterreich, Solistinnen sind Katia und Marielle Labèque – ein gefeiertes Duo seit über 50 Jahren. Eine Sensation ist die europäische Erstaufführung von Ravels Prélude et Danse aus der Kantate Sémiramis, die 2025 in New York wiederentdeckt und uraufgeführt wurde. Strauss’ Alpensinfonie, die einen Tag in den Bergen schildert und die Beziehung des Menschen zur Natur erkundet, ist wie geschaffen für die Freilichtbühne des Wolkenturms – ein bewegender Abschluss des Abends.</video:description>
<video:duration>5178</video:duration>
<video:publication_date>2025-08-20T08:27:35Z</video:publication_date>
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<lastmod>2026-02-12T09:07:12Z</lastmod>
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<video:title>Lully: Atys</video:title>
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<video:description>„Atys tötet die Frau, die er liebt!“ Lullys mythologische Oper Atys sollte allegorisch den glanzvollen Hof Ludwigs XIV. feiern; im Kern aber handelt das Stück von einer zum Scheitern verurteilten Liebe und einem von den Göttern verfluchten Helden. 1987 sorgten Barockspezialist William Christie und  Regisseur Jean-Marie Villégier mit ihrer Produktion des Werks für eine Sensation, die maßgeblich zur Wiederentdeckung des genialen Komponisten beitrug: Nahezu perfekt – und als Fest für die Augen und die Ohren – verband sich das szenische Barock-Spektakel mit der historisch informierten Interpretation der Musik. Diese Aufführung aus dem Jahr 2011 ermöglicht es, die bahnbrechende Produktion in ihrer ganzen Schönheit und Emotionalität zu erleben.</video:description>
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<video:publication_date>2025-10-08T12:01:58Z</video:publication_date>
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<lastmod>2026-02-11T21:45:48Z</lastmod>
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<video:title>On Mahler&apos;s Adagietto from Symphony No. 5</video:title>
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<video:duration>331</video:duration>
<video:publication_date>2026-01-29T11:20:59Z</video:publication_date>
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<lastmod>2026-02-11T09:28:59Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30DG</loc>
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<video:title>The Story of the Nightingale - Respighi: Pini di Roma</video:title>
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<video:publication_date>2026-02-05T14:54:09Z</video:publication_date>
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<lastmod>2026-02-11T09:28:49Z</lastmod>
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<video:title>Aristo Sham in Seoul: Bach, Busoni &amp; Brahms</video:title>
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<video:description>Der Pianist Aristo Sham, Goldmedaillengewinner des Van-Cliburn-Wettbewerbs 2025, ist im Seoul Arts Center zu erleben. Sein Programm spannt einen weiten Bogen über die Musikgeschichte: Busonis Transkriptionen von Bach, Brahms und Chopin zeigen, wie ein Komponist des 20. Jahrhunderts die Klassiker neu deutet. Im zweiten Teil wendet sich Sham Brahms selbst zu – von der nachdenklichen Intimität der Klavierstücke bis zur jugendlichen Energie der Sonate Nr. 1 C-Dur. Ein Konzert, das Einblick in die Vielseitigkeit und Reife eines bemerkenswerten jungen Pianisten gibt.</video:description>
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<video:publication_date>2025-11-26T15:32:49Z</video:publication_date>
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<lastmod>2026-02-11T08:26:52Z</lastmod>
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<video:title>Iván Fischer dirigiert Mozarts Don Giovanni – mit André Schuen</video:title>
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<video:description>Eine schönere Konstellation lässt sich kaum denken: Mozarts Don Giovanni wird von Iván Fischer und seinem exzellenten Budapest Festival Orchestra in der atemberaubenden Kulisse des Teatro Olimpico von Palladio aufgeführt. Die Erwartungen an diese Inszenierung von Mozarts düsterem Meisterwerk waren 2025 beim Festival in Vicenza hoch, wurden von der Realität aber noch übertroffen. In seiner lebenslangen Beschäftigung mit Mozart hat Iván Fischer, der hier auch Regie führte, eine sehr persönliche Sichtweise entwickelt; und mit den Sängerinnen und Sängern dieser Produktion, zu denen André Schuen in der Titelrolle und Maria Bengtsson als Donna Anna gehören, kongeniale Mitstreiter gefunden.</video:description>
<video:duration>10518</video:duration>
<video:publication_date>2026-02-02T07:17:08Z</video:publication_date>
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<lastmod>2026-02-10T14:06:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJAE8</loc>
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<video:title>Welser-Möst dirigiert Rossini: Il Turco in Italia- mit Cecilia Bartoli</video:title>
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<video:description>Ein romantischer Dichter, ein Zigeunermädchen, eine temperamentvolle junge Frau und ein osmanischer Pascha: Wenn diese Figuren unter dem blauen Himmel Neapels zusammentreffen, entsteht eine Opera buffa, die genau so spritzig und farcenhaft ist, wie man es von Rossini auf dem absoluten Höhepunkt seines Könnens erwartet. Il Turco in Italia ist ein überschwänglicher, sonniger  (und ausgesprochen pikanter) Spaß. Cesare Lievis entzückende, bonbonfarbene Inszenierung aus dem Jahr 2002 am Opernhaus Zürich hat eine Besetzung zu bieten, die zum Sterben schön ist: Keine Geringere als Cecilia Bartoli glänzt als kapriziöse Fiorilla, und der Opern-Veteran Ruggiero Raimondi strahlt als Türke Selim Charisma und Wärme aus.</video:description>
<video:duration>8067</video:duration>
<video:publication_date>2024-10-30T11:14:25Z</video:publication_date>
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<lastmod>2026-02-09T16:27:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPI</loc>
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<video:title>Das Aris Quartett spielt Beethovens „Rasumowsky“-Quartette</video:title>
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<video:description>Gefilmt im Wiener Rasumowsky-Palais – jenen Räumen, in denen Beethovens Opus 59 einst für seinen Auftraggeber Graf Rasumowsky entstand – spielt das Aris Quartett alle drei „Rasumowsky“-Quartette an ihrem historischen Schauplatz. Die 1806 komponierten Werke sprengten den bisherigen Rahmen des Genres: weit ausgreifend, kühn strukturiert und von neuer emotionaler Spannweite. Das vielfach ausgezeichnete Aris Quartett spielt diese bahnbrechenden Werke nicht nur, sondern spricht auch darüber, was sie zu einem Meilenstein in der Geschichte einer ganzen Gattung macht.</video:description>
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<video:publication_date>2026-02-09T07:46:18Z</video:publication_date>
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<lastmod>2026-02-09T10:45:17Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2E8</loc>
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<video:title>Pretty Yende und Nadine Sierra in der Philharmonie de Paris</video:title>
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<video:description>Mit dem Ensemble Les Frivolités Parisiennes und dem Dirigenten Giacomo Sagripanti gestalten zwei der talentiertesten Sopranistinnen unserer Zeit ein abwechslungsreiches Programm mit Arien und Duetten, die die Herausforderungen und Freuden des Lebens thematisieren und feiern.  Das Konzert, das am 6. März 2023 in der Philharmonie de Paris live aufgenommen wurde, präsentiert Musik von Rossini bis Bernstein und bietet sowohl Lieblingsstücke des Publikums als auch Raritäten.</video:description>
<video:duration>6566</video:duration>
<video:publication_date>2023-05-04T07:49:34Z</video:publication_date>
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<lastmod>2026-02-09T08:08:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCD8</loc>
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<video:title>Nadine Sierra &amp; Bryn Terfel in Donizettis L&apos;elisir d&apos;amore</video:title>
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<video:description>Nadine Sierra und Bryn Terfel sind die Stars in Laurent Pellys sonniger Inszenierung von Donizettis beliebtester Komödie L&apos;elisir d&apos;amore am Royal Opera House in London. Sierra glänzt als die temperamentvolle Adina, das Objekt der Zuneigung des naiven Nemorino, während Terfel sein unvergleichliches Charisma und komisches Timing in die Rolle des Dulcamara einbringt, des Quacksalbers, der eine Lösung anbietet, die nicht ganz das ist, was sie zu sein scheint - mit unerwarteten Resultaten. Begleitet werden sie von dem Royal Opera Orchestra unter der Leitung von Sesto Quatrini, die sich in glänzender Form befanden. So wurde die Produktion dieses Opernfavoriten ein unwiderstehliches Ereignis.</video:description>
<video:duration>8376</video:duration>
<video:publication_date>2024-05-13T12:48:34Z</video:publication_date>
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<lastmod>2026-02-09T08:08:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9J</loc>
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<video:title>Barrie Kosky inszeniert Mozart: Le nozze di Figaro</video:title>
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<video:description>Im zweiten Teil seines Mozart/Da Ponte-Zyklus an der Wiener Staatsoper bringt Regisseur Barrie Kosky den Haushalt der Almavivas mit großem Elan auf die Bühne. Die Handlung findet hier in einer farbenfrohen Welt aus Rokoko-Architektur und Kostümen der 1970er Jahre statt. Die Wiener Zeitung bezeichnete die Interpretation unter der Leitung von Philippe Jordan als „ideale Mischung aus eleganter Lyrik und konzentriertem Ausdruck”. Wie diese Aufzeichnung zeigt, konnte nicht einmal eine Krise hinter den Kulissen das junge Ensemble aufhalten: nachdem Ying Fang kurz vor der Aufführung eine Stimmbandblutung erlitten hatte, verkörperte sie die Rolle der Susanna auf der Bühne, während Maria Nazarova aus dem Orchestergraben sang.</video:description>
<video:duration>11038</video:duration>
<video:publication_date>2025-09-08T14:39:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-09T08:07:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1O</loc>
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<video:title>Giordano: Fedora - mit Jonathan Tetelman &amp; Vida Miknevičiūtė</video:title>
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<video:description>In der mit Spannung erwarteten Neuproduktion von Giordanos Fedora an der Deutschen Oper Berlin stehen die Weltstars Jonathan Tetelman und Vida Miknevičiūtė gemeinsam auf der Bühne. Fedora ist ein Paradestück des Verismo, das Elemente internationaler Spionage und Intrigen mit großer romantischer Emotionalität und einer Musik von unwiderstehlicher melodischer Kraft verbindet. Christof Loy setzt seine Reihe gefeierter Inszenierungen italienischer Opern des frühen 20. Jahrhunderts an der Deutschen Oper fort. Die für diesen Regisseur charakteristische Mischung aus Intelligenz und Stilbewusstsein verspricht, ebenso wie das Weltklasse-Ensemble unter der Leitung von John Fiore, ein packendes Opernerlebnis für Kenner und Newcomer.</video:description>
<video:duration>6770</video:duration>
<video:publication_date>2025-12-05T12:30:48Z</video:publication_date>
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<lastmod>2026-02-06T08:29:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ICG</loc>
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<video:title>Yunchan Lim spielt Bachs Goldberg-Variationen</video:title>
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<video:description>Ein Jahr nach seinem Debüt in der berühmten New Yorker Carnegie Hall interpretiert der koreanische Pianist Yunchan Lim am selben Ort eines der größten Meisterwerke der Klaviermusik: Bachs unergründliche Goldberg-Variationen. Die wunderschöne, in sich ruhende Arie des Werks – die sowohl zu Beginn als auch am Ende des Werks erklingt – bildet die Grundlage für 30 Variationen, die Bachs unerschöpfliche kompositorische Fantasie unter Beweis stellen. Sie verlangen vom Interpreten, durch technische Perfektion und musikalischer Intelligenz die Musik zum Tanzen zu bringen. Die Aussicht, den jungen, atemberaubend talentierten Pianisten mit diesem Werk zu hören, machte das Konzert zu einem der Ereignisse der Saison.</video:description>
<video:duration>5195</video:duration>
<video:publication_date>2026-02-02T10:51:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-05T14:03:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJICO</loc>
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<video:title>Über Čiurlionis</video:title>
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<video:duration>960</video:duration>
<video:publication_date>2025-05-04T13:33:55Z</video:publication_date>
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<lastmod>2026-02-05T13:28:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ECG</loc>
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<video:title>Mirga Gražinytė-Tyla dirigiert Bruckner, Gražinis und Lili Boulanger</video:title>
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<video:description>Die Erhabenheit Anton Bruckners trifft auf die Leidenschaft eines vernachlässigten französischen Genies - eine Lobeshymne trifft auf den ungezähmten Geist des litauischen Volksliedes. Dies ist ein unerwartetes Programm, Mirga Gražinytė-Tyla ist aber eine Dirigentin, die über die Konventionen hinausdenkt und nie glücklicher ist, als wenn sie starke musikalische Persönlichkeiten zusammenbringt und dabei beobachtet, wie sie gegenseitig Funken schlagen. Jetzt, für einen Abend in Paris, umrahmen Lili Boulangers ergreifende Psalmvertonung und Bruckners mächtige Sechste Symphonie kraftvolle Chorsätze von Bruckner und Romualdas Gražinis. Ein Abend voller Abenteuer und Begeisterung mit dem Chor und dem Philharmonischen Orchester von Radio France.</video:description>
<video:duration>4912</video:duration>
<video:publication_date>2024-12-16T14:52:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-05T13:27:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1G</loc>
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<video:title>Il Giardino Armonico: Französischer Barock</video:title>
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<video:description>Märchenhafte Visionen, exotische Fantasien und eine Musik, die die Grenzen der menschlichen Vorstellungskraft erkundet: Die Welt des französischen Barock war wilder und wunderbarer, als man aus den Geschichtsbüchern erfährt. Wer könnte die Epoche schöner zum Leben erwecken als Giovanni Antonini und sein Ensemble Il Giardino Armonico? Diesen leidenschaftlichen Musiker*innen gelingt es grandios, der Musik des 17. und 18. Jahrhunderts zu neuem Glanz zu verhelfen. Die Musik von Visée, Marais, Telemann und Couperin wird hier von einem wunderschönen visuellen Spektakel illuminiert: Prachtvolle Kostüme und eigens choreografierte Tänze lassen die musikalische Welt von Versailles in ihrer ganzen Eleganz und Üppigkeit auferstehen.</video:description>
<video:duration>3583</video:duration>
<video:publication_date>2025-09-23T12:19:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-05T13:10:16Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30CO</loc>
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<video:title>Great Arias – La forza del destino: &quot;La vita è inferno&quot;</video:title>
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<video:duration>601</video:duration>
<video:publication_date>2026-02-05T10:13:50Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-02-05T11:07:03Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30C8</loc>
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<video:title>Great Arias – Eugene Onegin: &quot;You wrote to me&quot; &amp; &quot;Can this be the same Tatyana?&quot;</video:title>
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<video:duration>600</video:duration>
<video:publication_date>2026-01-29T11:10:49Z</video:publication_date>
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<lastmod>2026-02-05T11:06:40Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1M</loc>
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<video:title>Verdi: Aida</video:title>
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<video:description>Verdis Aida ist an der Royal Opera House in einer modernen Inszenierung von Robert Carsen zu erleben, die die privaten Konflikte der Oper in eine nüchtern gezeichnete Gegenwart rückt. Macht, Ritual und Kontrolle bilden den Hintergrund für ein Drama, das von zerrissenen Loyalitäten und unmöglichen Entscheidungen lebt. Elena Stikhina singt die Titelpartie, an ihrer Seite Francesco Meli als Radamès und Agnieszka Rehlis als Amneris; am Pult steht Antonio Pappano mit Chor und Orchester der Royal Opera House. Entdecken Sie eine Aida, die durch Atmosphäre und Spannung fesselt und Verdis Drama mit neuer Unmittelbarkeit erfahrbar macht.</video:description>
<video:duration>9445</video:duration>
<video:publication_date>2026-01-19T11:28:35Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T10:36:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS30C0</loc>
<video:video>
<video:title>Mahler: Adagietto from Symphony No. 5 (Arr. Iain Farrington)</video:title>
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<video:description></video:description>
<video:duration>560</video:duration>
<video:publication_date>2026-01-22T14:45:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T14:00:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0C8</loc>
<video:video>
<video:title>Kurtág in Jerusalem</video:title>
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<video:description>Dieser außergewöhnliche Film aus dem Jahr 1996 begleitet György Kurtág, einen der größten lebenden Komponisten der Welt, auf seiner Reise nach Jerusalem. In einer Reihe von Meisterkursen am Jerusalem Music Centre teilt er seine Weisheit mit jungen Musiker:innen. Das Verständnis seiner Werke vermittelt Kurtág als engagierter Lehrer, dem es weniger um die instrumentale Technik als um die Kunst der sorgfältigen Interpretation geht. Im Anschluss an den Meisterkurs geben die Schüler ein Konzert, in dem die Wirkung von Kurtágs Unterricht unmittelbar zum Ausdruck kommt. So ergibt sich ein faszinierender Einblick in die Persönlichkeit des Komponisten, sein Werk und seine Fähigkeit, die Musiker:innen der nächsten Generation zu inspirieren.</video:description>
<video:duration>3047</video:duration>
<video:publication_date>2024-11-11T15:07:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T12:05:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJED0</loc>
<video:video>
<video:title>Márta und György Kurtág im Konzert</video:title>
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<video:description>Als Márta und György Kurtág 1996 das Jerusalem Music Centre besuchten, gaben sie ihre Erkenntnisse, Erfahrungen und Weisheiten auf vielfältige Weise an die nächsten Generationen weiter. Am ersten Tag arbeitete György Kurtág mit jungen Musiker:innen in Meisterkursen an seinen Werken. Ein „Meisterkurs” ganz eigener Art war dann das unvergessliche Konzert am zweiten Tag, in dem der Komponist und seine Frau Márta Auszüge aus Kurtágs Werk Játékok und eine Auswahl seiner ergreifend schönen Bach-Bearbeitungen für vier Hände interpretierten.</video:description>
<video:duration>2994</video:duration>
<video:publication_date>2024-11-11T09:49:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T12:03:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJIE0</loc>
<video:video>
<video:title>Wild Renaissance</video:title>
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<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2026-01-16T13:29:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T10:22:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPM</loc>
<video:video>
<video:title>Neujahrskonzert aus Venedig – mit Jonathan Tetelman</video:title>
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<video:description>Live aus dem Teatro La Fenice in Venedig eröffnet dieses Neujahrskonzert das Jahr mit Tenor Jonathan Tetelman und Sopranistin Rosa Feola, angeführt von Michele Mariotti am Pult von Chor und Orchester des Hauses. Die Auswahl schöpft aus dem Kern der italienischen Operntradition und verbindet Ouvertüren, orchestrale Zwischenspiele, Chorszenen und prägende Arien von Rossini, Bellini, Verdi, Puccini und anderen. Ein schwungvoller Jahresauftakt von einer der traditionsreichsten Bühnen Italiens, gestaltet von Künstlern mit inniger Nähe zu diesem Repertoire.</video:description>
<video:duration>6707</video:duration>
<video:publication_date>2026-01-02T23:41:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">RS FR AT LU MC LI BE CH IT</video:restriction>
</video:video>
<lastmod>2026-02-04T09:18:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHM</loc>
<video:video>
<video:title>Jakub Hrůša dirigiert Brahms – mit Renaud Capuçon und Julia Hagen</video:title>
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<video:description>Als Gäste beim Rheingau Musik Festival spielen Jakub Hrůša und die Bamberger Symphoniker die beiden letzten Meisterwerke, die Brahms für Orchester geschrieben hat: die großartig leidenschaftliche Vierte Sinfonie und das Doppelkonzert, das Brahms nach einem Streit als Friedensangebot für seinen Freund, den Geiger Joseph Joachim komponierte. Und tatsächlich interpretierte Joachim bei der vom Komponisten dirigierten Uraufführung im Jahr 1887 eine der beiden Solo-Partien, die in diesem Konzert vom Geiger Renaud Capuçon und von der Cellistin Julia Hagen übernommen werden. Hrůša und sein brillantes Orchester widmen sich anschließend der letzten Sinfonie von Brahms, in der sich Lyrik und Dramatik mit erschütternder Wirkung verbinden.</video:description>
<video:duration>5453</video:duration>
<video:publication_date>2025-07-21T04:52:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-28T09:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJGE0</loc>
<video:video>
<video:title>Pollini spielt Mozart: Klavierkonzerte Nr. 19 &amp; 23</video:title>
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<video:description>Maurizio Pollini, die Wiener Philharmoniker und der große Karl Böhm pflegten eine lange und fruchtbare Partnerschaft, ihre gemeinsame Diskografie umfasst Konzerte von Mozart, Beethoven und Brahms. In dieser Aufführung aus dem Goldenen Saal des Wiener Musikvereins sind die Musiker in zwei beliebten Klavierkonzerten von Mozart zu erleben: das F-Dur-Klavierkonzert KV 459 aus dem Jahr 1784, einem von sechs Konzerten, die der Komponist für seine eigene Reihe von Abonnementkonzerten schrieb; und das A-Dur-Klavierkonzert KV 488, das zur gleichen Zeit wie die Oper Le nozze die Figaro komponiert wurde.</video:description>
<video:duration>3563</video:duration>
<video:publication_date>2022-10-13T15:22:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-27T09:37:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1O</loc>
<video:video>
<video:title>Horst Stein und die Staatskapelle Dresden spielen Mozart</video:title>
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<video:description>Im Zentrum dieses Konzerts von 1991 im Salzburger Mozarteum steht die Sächsische Staatskapelle Dresden unter der Leitung von Horst Stein mit einem Mozart-Programm von bemerkenswerter Spannweite. Kurt Nikkanen übernimmt den Solopart im dritten Violinkonzert, während Ruth Ziesak in zwei Konzertarien Mozarts Sinn für dramatische Zuspitzung auf kleinem Raum hörbar macht. Gerahmt wird das Programm von zwei Sinfonien aus unterschiedlichen Schaffensphasen: der frühen D-Dur-Sinfonie KV 133 und der selbstbewusst angelegten C-Dur-Sinfonie KV 425, der sogenannten „Linz“-Sinfonie. Ein Abend, der Mozarts Vielseitigkeit aus symphonischer, konzertanter und vokaler Perspektive beleuchtet.</video:description>
<video:duration>6373</video:duration>
<video:publication_date>2026-01-22T10:43:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T10:10:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D8</loc>
<video:video>
<video:title>András Schiff spielt und dirigiert Meisterwerke von Mozart</video:title>
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<video:description>Für András Schiff sind Mozarts Klavierkonzerte &quot;Opern ohne Bühne und ohne Sänger&quot;. Da liegt der Gedanke nahe, beide Gattungen miteinander zu verschränken, wie Schiff es bei diesem Auftritt mit seiner 1999 gegründeten Capella Barca in Vicenza tut. Mozarts 20. Klavierkonzert folgt hier ohne Unterbrechung auf die Don Giovanni- Ouvertüre. Beide Werke stehen, wie die ebenfalls aufgeführte chromatische Fantasie und Fuge von Bach, in d-Moll; einer Tonart, die beim Komponisten stets düstere Gedanken und Todesahnungen symbolisiert. Schiff, einer der großen musikalischen Muttersprachler des deutsch-österreichisch-ungarischen Repertoires, ist in dieser Aufzeichnung auch in Gesprächen und als Dirigent von Mozarts 35. Sinfonie zu erleben.</video:description>
<video:duration>4436</video:duration>
<video:publication_date>2022-06-29T08:37:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1N</loc>
<video:video>
<video:title>Eddie Daniels spielt Mozarts Klarinettenkonzert</video:title>
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<video:description>Zu den besonders geschätzten Werken des Klarinettenrepertoires gehört Mozarts letztes Stück für dieses Instrument. Eddie Daniels, vor allem als prägende Figur des Jazz bekannt, ist seit langem auch im klassischen Bereich zuhause und wendet sich hier Mozarts Partitur in einer Aufführung von 1993 aus der Philharmonie im Gasteig zu. Begleitet von den Münchner Symphonikern unter Jean-Pierre Wallez zeigt ein anschließendes Encore Daniels von seiner improvisatorischen Seite und erinnert an die stilistische Offenheit, die sein künstlerisches Profil prägt.</video:description>
<video:duration>2092</video:duration>
<video:publication_date>2026-01-22T10:26:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:41:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9G</loc>
<video:video>
<video:title>Puccini: La Rondine – mit Angel Blue &amp; Jonathan Tetelman</video:title>
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<video:description>In dieser atemberaubenden Live-HD-Übertragung aus dem Jahr 2024 spielt die Sopranistin Angel Blue die elegante Kurtisane Magda in Puccinis bittersüßer Tragödie „La Rondine“ und steht dabei gemeinsam mit dem Tenor Jonathan Tetelman, der sein Debüt an der Met gibt, als ihr idealistischer junger Liebhaber Ruggero auf der Bühne. Speranza Scappucci dirigiert eine glanzvolle Inszenierung von Nicolas Joël, der das Publikum in die wilden Zwanzigerjahre nach Paris und an die französische Riviera entführt.</video:description>
<video:duration>6849</video:duration>
<video:publication_date>2026-01-26T07:27:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:41:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJEE0</loc>
<video:video>
<video:title>Great Arias – Die Entführung aus dem Serail: Solche hergelaufne Laffen &amp; O wie will ich triumphieren</video:title>
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<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2025-12-05T09:55:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-23T15:51:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJI</loc>
<video:video>
<video:title>„So What?!”: Ein Porträt des Pianisten Friedrich Gulda</video:title>
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<video:description>Friedrich Gulda war einer der großen Pianisten des 20. Jahrhunderts, zugleich ein „Enfant terrible” des Klassik-Establishments – und in jeder Hinsicht eine Künstlerpersönlichkeit, an der kein Weg vorbeiführte. Dieses umfassende postume Porträt zeigt Gulda von seinen vielen verschiedenen Seiten und webt aus Archivmaterial, das von seiner frühesten Jugend bis in seine letzten Monate reicht, ein Gesamtbild. So ist das würdige Vermächtnis eines faszinierenden Künstlers entstanden. Um Guldas Verbot eines öffentlichen Nachrufs zu respektieren, verzichtet der Film vollständig auf Kommentare Dritter. Das gesamte Porträt basiert also auf Aussagen des Pianisten und wird von Guldas eigener Stimme sowie der von seinem „alter ego” Ulrich Mühe erzählt.</video:description>
<video:duration>3524</video:duration>
<video:publication_date>2022-09-21T09:57:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T12:15:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6E8</loc>
<video:video>
<video:title>Solti dirigiert Haydn: Die Schöpfung</video:title>
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<video:description>Haydns Oratorium Die Schöpfung ist eines der ewigen Wunder der klassischen Musik: ein Werk von visionärer Kraft und lebensbejahender Frische, das von einem Komponisten an der Schwelle zu seinem 70. Geburtstag geschrieben wurde. Sir Georg Solti stand selbst kurz vor dem Ende seiner langen und außergewöhnlichen Karriere, als er unter Studiobedingungen diese einzigartige Aufnahme im Herkulessaal in München realisierte. Inspirierendere Mitstreiter als das Symphonieorchester und dem Chor des Bayerischen Rundfunks hätten ihm dabei wohl kaum zur Verfügung stehen können. Mit einem Trio handverlesener Solist*innen entstand eine Aufführung, die als Begegnung zwischen zwei unbezwingbar kreativen musikalischen Geister unvergesslich bleiben wird.</video:description>
<video:duration>5955</video:duration>
<video:publication_date>2024-09-12T11:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T11:27:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1L</loc>
<video:video>
<video:title>Herbie Hancock Headhunter II</video:title>
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<video:description>Ende der 1980er Jahre stand der Name Headhunters längst für Jazz-Funk mit maximaler Beweglichkeit und Spielfreude. Dieses Konzert von 1989 aus dem Carl-Orff-Saal im Gasteig, Teil des Münchener Klaviersommers, zeigt Herbie Hancock mit seiner Band in genau diesem Geist. Zwischen den treibenden Grooves von „Chameleon“ und „Hang Up Your Hang Ups“, der dunkleren Spannung von „Spider“ und der schwebenden Lyrik von „Maiden Voyage“ entfaltet sich ein elektrischer Sound voller Energie. Eine besondere Note erhält der Abend durch den Auftritt von Friedrich Gulda, Festivalgründer und musikalischer Grenzgänger, dessen Präsenz den neugierigen, offenen Charakter dieser Begegnung unterstreicht. Funky, experimentierfreudig und ganz auf den Moment gespielt.</video:description>
<video:duration>5913</video:duration>
<video:publication_date>2026-01-19T11:09:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T09:33:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1I</loc>
<video:video>
<video:title>George Benson &amp; McCoy Tyner mit seinem Trio – live in München</video:title>
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<video:description>Zwei grosse Namen, ein gemeinsamer Abend: Beim Münchener Klaviersommer 1989 treffen George Benson und McCoy Tyner aufeinander – Gitarrist und Sänger hier, Pianist dort, beide mit jahrzehntelanger Prägung des modernen Jazz. Unterstützt von Avery Sharpe und Aaron Scott entfaltet sich ein Set, das mit Selbstverständlichkeit zwischen Tradition und Gegenwart wechselt. Monk-Klassiker wie „Monk’s Dream“ und „’Round Midnight“ stehen neben Evergreens wie „Stella by Starlight“, dazu Bensons „Alligator Boogaloo“ und ein unerwarteter Ausflug zu Lennon und McCartney. Kein Gipfeltreffen mit grosser Geste, sondern Jazz als Gespräch: entspannt, souverän und ganz aus dem Moment heraus gespielt.</video:description>
<video:duration>3210</video:duration>
<video:publication_date>2026-01-08T12:56:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T09:18:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38DG</loc>
<video:video>
<video:title>Über Bachs Brandenburgisches Konzert Nr. 6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5778c36bcfcaf3e630bc167aac1821e0db2c175f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1117</video:duration>
<video:publication_date>2024-07-02T14:49:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38D8</loc>
<video:video>
<video:title>Über Bachs Brandenburgisches Konzert Nr. 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2da16c3463bdd01235822e9c7994099349b42aa4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1114</video:duration>
<video:publication_date>2024-07-02T14:46:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38D0</loc>
<video:video>
<video:title>Über Bachs Brandenburgisches Konzert Nr. 4</video:title>
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<lastmod>2026-01-21T14:58:23Z</lastmod>
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<video:title>Über Bachs Brandenburgisches Konzert Nr. 3</video:title>
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<video:publication_date>2024-07-02T14:39:54Z</video:publication_date>
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<lastmod>2026-01-21T14:58:09Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38CG</loc>
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<video:title>Über Bachs Brandenburgisches Konzert Nr. 2</video:title>
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<video:publication_date>2024-07-02T14:37:42Z</video:publication_date>
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<lastmod>2026-01-21T14:57:39Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38C8</loc>
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<video:title>Über Bachs Brandenburgisches Konzert Nr. 1</video:title>
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<video:publication_date>2024-07-02T14:32:14Z</video:publication_date>
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<lastmod>2026-01-21T14:57:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ0</loc>
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<video:title>Thomas Quasthoff singt Schubert: Die Winterreise -mit Daniel Barenboim</video:title>
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<video:description>Unter den in nur 31 Lebensjahren entstandenen über 60 Werken Franz Schuberts ist die kurz vor dem Tod des Komponisten geschriebene Winterreise eines der bedeutendsten. Der Zyklus, der auf 24 Gedichten von Wilhelm Müller basiert, schildert die Wanderungen eines einsamen Reisenden im Winter, ruft die Bilder einer kalten und dunklen Landschaft hervor und bringt die Einsamkeit einer  verfolgten Seele auf unübertreffliche Weise zum Ausdruck. Der Grammy-prämierte Bassbariton Thomas Quasthoff und Daniel Barenboim am Klavier interpretieren das Werk so, wie Schubert es sich gewünscht hätte: ohne übertriebene Gefühlsausbrüche treffen sie direkt ins Herz dieser ergreifenden Musik.</video:description>
<video:duration>4947</video:duration>
<video:publication_date>2022-04-21T08:24:56Z</video:publication_date>
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<lastmod>2026-01-21T13:53:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9I</loc>
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<video:title>Brigitte Fassbaender singt Schubert: Die Winterreise</video:title>
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<video:description>„Fremd bin ich eingezogen, fremd zieh´ ich wieder aus, ...“ Schuberts Winterreise, die mit diesen Worten beginnt, beschreibt einen einsamen Weg in das verwundete Herz der deutschen Romantik. Kein Sänger, keine Sängerin kann die in Schuberts Lied-Zyklus entworfene Seelenlandschaft vollständig erforschen. Doch wenn sich eine Künstlerin vom Format Brigitte Fassbaenders dem Werk widmet, darf man mit einer musikalischen Sternstunde rechnen. Diese unvergessliche Interpretation, die der Mezzosopranistin an einem Sommerabend 1990 in München gelang, ist intensiver und bewegender als jede Studioaufnahme. Fassbaenders ungewöhnlich einfühlsamer musikalischer Partner ist Markus Hinterhäuser, der damals am Anfang seiner internationalen Karriere stand.</video:description>
<video:duration>4417</video:duration>
<video:publication_date>2025-10-24T09:34:23Z</video:publication_date>
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<lastmod>2026-01-21T13:53:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CCO</loc>
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<video:title>Francisco Araiza singt Schubert: Die Winterreise</video:title>
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<video:description>Ein einsamer Wanderer, eine eingefrorene Landschaft und ein verwundetes Herz: Schuberts Winterreise verwandelt Elemente der Romantik in eine schonungslose Studie der menschlichen Seele. In diesem stimmungsvollen Film treten der großartige Tenor Francisco Araiza und sein langjähriger musikalischer Partner, der Pianist Jean Lemaire, in der mittelalterlichen Kapelle der Alten Pfarr in Wolfegg auf. Sie liegt abgelegen inmitten der sanften Hügel und Wälder Süddeutschlands – in einer Landschaft also, die immer noch stark an die Szenerie erinnert, die Schubert und seine Dichter inspirierte. So erklingt der größte aller romantischen Liederzyklen vor einer äußerst romantischen Kulisse: „Fremd bin ich eingezogen, fremd zieh´ ich wieder aus...“</video:description>
<video:duration>5339</video:duration>
<video:publication_date>2025-02-25T10:46:11Z</video:publication_date>
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<lastmod>2026-01-21T13:52:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34DG</loc>
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<video:title>Pablo Heras-Casado dirigiert Magnificat-Vertonungen von JS &amp; CPE Bach</video:title>
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<video:description>Bei der Eröffnung der Internationalen Barocktage im herrlichen Stift Melk kann man sich auf ein packendes Konzerterlebnis freuen: Pablo Heras-Casado, der Concentus Musicus Wien, das Collegium Vocale 1704 sowie hochkarätige Vokalsolisten interpretieren zwei großartige Vertonungen des Magnificats. Die erste schrieb Johann Sebastian Bach 1723 als erste große Komposition auf einen lateinischen Text. Nach der 1733 erfolgten Revision wurde sie zu einem seiner beliebtesten Werke. Von Johann Sebastians zweitältestem Sohn Carl Philipp Emanuel stammt das zweite, 1749 entstandene Magnificat des Programms. Es ist nicht weniger brillant und spiegelt auf reizvolle Weise den neuen musikalischen Stil wider, der sich inzwischen durchgesetzt hatte.</video:description>
<video:duration>4021</video:duration>
<video:publication_date>2025-09-29T08:31:42Z</video:publication_date>
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<lastmod>2026-01-21T13:13:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJADG</loc>
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<video:title>Harnoncourt dirigiert Bachs Johannes-Passion</video:title>
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<video:description>Bachs Johannes-Passion im Grazer Dom anlässlich des 300-jährigen Jubiläums des Komponisten 1985 wird von einer wahren Autorität der Bach-Interpretation aufgeführt, von Nikolaus Harnoncourt, der sich mit seinem 1953 gegründeten Originalklangensemble Concentus Musicus Wien auf den Weg machte, das Bach’sche Œuvre aus seiner Zeit heraus zu begreifen. Hier leitet Harnoncourt eine Aufführung von feiner Prägnanz; und sie überrascht – nicht nur durch den Knabenchor (zu erleben sind die renommierten Tölzer), sondern auch, weil die Sopran- und Alt-Solos von Mitgliedern des Chors gesungen werden.</video:description>
<video:duration>6818</video:duration>
<video:publication_date>2023-04-05T15:29:31Z</video:publication_date>
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<lastmod>2026-01-21T13:12:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4DO</loc>
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<video:title>Harnoncourt dirigiert Bach: Kaffeekantate &amp; Orchestersuite Nr. 3</video:title>
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<video:description>Nikolaus Harnoncourt und sein Concentus Musicus Wien interpretieren Bachs weltliche Kantate „Schweigt stille, plaudert nicht”, besser bekannt als „Kaffeekantate”. Es singen Janet Perry, Peter Schreier und Robert Holl. Wie alle weltlichen Kantaten Bachs wurde auch diese für einen bestimmten Anlass komponiert und wohl zuerst im Zimmermann’schen Kaffeehaus in Leipzig aufgeführt. Kaffeetrinken kam damals groß in Mode und eben darüber amüsiert sich die Dichtung des Stücks, das im Grunde eine heitere Mini-Oper ist: Der mürrische Herr Schlendrian versucht Tochter Liesgen das Kaffeetrinken auszutreiben – doch Liesgen ist listig und lacht zuletzt. Das Programm wird von der Orchestersuite Nr. 3 und dem Konzert für Violine und Oboe ergänzt.</video:description>
<video:duration>3941</video:duration>
<video:publication_date>2023-12-08T15:07:41Z</video:publication_date>
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<lastmod>2026-01-21T13:11:48Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3IC0</loc>
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<video:title>Harnoncourt dirigiert Bachs Weihnachtsoratorium</video:title>
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<video:description>Bachs Weihnachtsoratorium ist wegen seiner Verbindung von Feierlichkeit, Tiefgründigkeit und Schwung die beliebteste Musik zum Weihnachtsfest. Diese Aufführung fand 1982 in der wunderschönen Barockkirche im oberösterreichischen Waldhausen statt. Nikolaus Harnoncourt und das von ihm gegründete Originalklang-Ensemble Concentus Musicus Wien musizieren mit dem Tölzer Knabenchor, aus dessen Reihen auch die hohen Solostimmen besetzt werden. Peter Schreier, den mit Harnoncourt eine enge künstlerische Partnerschaft verband, verleiht der Rolle des Evangelisten stimmlichen Glanz und bestechende Artikulation. Der 2019 verstorbene Sänger war der international zentrale lyrische Tenor der zweiten Hälfte des 20. Jahrhunderts.</video:description>
<video:duration>9215</video:duration>
<video:publication_date>2022-12-19T10:19:20Z</video:publication_date>
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<lastmod>2026-01-21T13:09:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30D0</loc>
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<video:title>Nikolaus Harnoncourt dirigiert Bach: Adventkonzert aus Stift Melk</video:title>
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<video:description>Nikolaus Harnoncourt und sein Concentus Musicus Wien präsentieren in der herrlichen Umgebung des Stiftes Melk in Österreich ein großartiges Programm mit beliebten Chorwerken von Johann Sebastian Bach. Vom Meisterkomponisten des Barock erklingen zwei der schönsten Kantaten und das feierliche Magnificat in D-Dur, BWV 243. Das im Dezember des Jahres 2000 live aufgezeichnete Konzert begeistert mit einem unschlagbaren Vokal-Quartett, zu dem einige der besten Sängerinnen und Sänger der Zeit wie die Sopranistin Christine Schäfer und der Tenor Ian Bostridge gehören. Der Arnold Schoenberg Chor komplettiert die Besetzung dieses inspirierenden Adventskonzerts.</video:description>
<video:duration>4882</video:duration>
<video:publication_date>2024-12-10T12:31:49Z</video:publication_date>
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<lastmod>2026-01-21T13:09:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1H</loc>
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<video:title>Roger Norrington dirigiert Schumanns Sinfonie Nr. 2</video:title>
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<video:description>Dieser Film ermöglicht eine ungewöhnlich direkte Begegnung mit Schumanns Zweiter Symphonie, aufgenommen im Jahr 2000 während der Proben der Camerata Salzburg unter der Leitung von Roger Norrington. Die Kamera ist nicht auf Distanz, sondern ganz nah am musikalischen Geschehen: Sie fängt den Moment des Suchens, Formens und Ausprobierens ein und bewahrt so eine besondere Frische und Offenheit. Norringtons klare, unverstellte Sicht auf Schumanns Partitur wird hier unmittelbar erfahrbar. Dem Probenmitschnitt ist eine ausführliche Einführung vorangestellt, in der sich der Dirigent direkt an das Orchester wendet und seine Gedanken zum Werk und zu Schumanns symphonischem Denken erläutert.</video:description>
<video:duration>3120</video:duration>
<video:publication_date>2026-01-08T12:48:53Z</video:publication_date>
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<lastmod>2026-01-21T07:51:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38DG</loc>
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<video:title>Maria João Pires &amp; Freunde: Schubertiaden: IV. Die Forelle</video:title>
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<video:description>Diese innovative Schubertiade, die in der Pariser Philharmonie gedreht wurde und hervorragendes Musizieren mit wunderschöner Szenografie verbindet, zeigt eine der besten Interpretinnen des Komponisten - die portugiesische Pianistin Maria João Pires – mit Freunden und jüngeren Kollegen. Pires steht im Mittelpunkt der Aufführungen der vierhändigen „Lebensstürme“ und des spritzigen „Forellen“-Quintetts, präsentiert ein beliebtes Impromptu und begleitet den jungen Bariton Thomas Humphreys bei einigen der schönsten Lieder des Komponisten. Die armenische Pianistin Lilit Grigoryan spielt die Moments musicaux D. 780, während die Sängerin Selma Uamusse ein erfrischendes Zwischenspiel mit Gesang und Improvisation bietet.</video:description>
<video:duration>7809</video:duration>
<video:publication_date>2024-07-24T14:51:57Z</video:publication_date>
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<lastmod>2026-01-19T14:36:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GE8</loc>
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<video:title>Maria João Pires &amp; Freunde: Schubertiaden: III. Trio und Fantasia</video:title>
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<video:description>„Was ich an Schubert mag, ist seine Art, die Dinge zu akzeptieren“, sagt die portugiesische Pianistin Maria João Pires. „Es ist schön, sich mit diesem Gefühl zu verbinden.“ Und in ihren speziell kuratierten Schubertiaden tut sie genau das - sie lädt Musikfreunde ein, Schuberts kreative Welt in all ihrem Reichtum zu erkunden. Hier, in der Philharmonie de Paris, ergänzen speziell entwickelte visuelle Elemente ein Programm, das von der Verspieltheit von Schuberts Militärmärschen bis zu den großen Visionen der Fantasie in f-Moll und dem zweiten Klaviertrio reicht. Der Cellist Antonio Meneses und der Geiger Gyula Stuller sind nur zwei der Künstler, die Pires bei dieser Feier der höchsten romantischen Fantasie zur Seite stehen.</video:description>
<video:duration>7989</video:duration>
<video:publication_date>2024-07-22T14:04:56Z</video:publication_date>
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<lastmod>2026-01-19T14:35:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GE0</loc>
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<video:title>Maria João Pires &amp; Freunde: Schubertiaden: II. Arpeggione</video:title>
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<video:description>Schuberts Arpeggione-Sonate ist ein wundervolles Paradoxon - Musik von grenzenloser Fantasie und Leben, konzipiert für ein Instrument, das heute nicht mehr existiert! In ihren Schubertiaden lädt die Pianistin Maria João Pires Musikfreunde ein, eben jenen Schubert zu entdecken, der weit unter der melodiösen Oberfläche seiner Musik liegt. Der Cellist Antonio Meneses spielt die Sonate, die im Mittelpunkt einer abendfüllenden musikalischen Erkundung in der Philharmonie de Paris steht, an der auch der Bariton Thomas Humphreys, der Pianist Thomas Enhco und Pires selbst beteiligt sind. Freuen Sie sich auf Schubert-Lieder und Solo-Klaviermusik sowie auf Improvisationen, die von diesem poetischsten aller musikalischen Köpfe inspiriert sind.</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2024-07-22T13:04:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-19T14:35:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3IC0</loc>
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<video:title>Maria João Pires &amp; Freunde: Schubertiaden: I. Der Tod und das Mädchen</video:title>
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<video:description>Für die große portugiesische Pianistin Maria João Pires geht es in der Musik von Franz Schubert um „Teilen, eine Art von Liebe, eine Reinheit“, und in ihren Schubertiaden feiert und erforscht sie diesen Sinn von Kammermusik als etwas Gemeinsames. In diesem Konzert aus der Philharmonie de Paris eröffnen zwei von Schuberts persönlichsten reifen Werken - das Quartett Der Tod und das Mädchen und die späte Klaviersonate D.960 - eine Welt der intimen Poesie. Umrahmt werden sie von Liedern des Baritons Thomas Humphreys, einer neuen Hommage an Schubert von Dai Fujikura und einer visuellen Kulisse, die speziell entwickelt wurde, um Schuberts fantasievolles Universum zu verstärken und zu ergänzen.</video:description>
<video:duration>7366</video:duration>
<video:publication_date>2024-07-22T14:41:01Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-19T14:34:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPP</loc>
<video:video>
<video:title>Mozart: Don Giovanni</video:title>
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<video:description>Kaspar Holten gelang mit seinem Don Giovanni 2014 einer der unbestrittenen Höhepunkte seiner Amtszeit als Operndirektor am Londoner Royal Opera House. Spektakulär ist der von der Künstlerin und Bühnenbildnerin Es Devlin entworfene „Gedankenpalast“, der sich drehen kann. Er bietet einen reichen visuellen Rahmen für Holtens Inszenierung, die tief in die Psychologie von Mozarts und Da Pontes Charaktere eindringt. Zum charismatischen Ensemble, das von Erwin Schrott in der Rolle des großen Verführers angeführt wird, gehören Louise Alder als Zerlina, Daniel Behle als Don Ottavio und Malin Byström als berührende Donna Anna. Dirigent dieser kraftvollen Wiederaufnahme aus dem Jahr 2019 ist Hartmut Haenchen.</video:description>
<video:duration>10725</video:duration>
<video:publication_date>2025-07-22T08:34:27Z</video:publication_date>
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<lastmod>2026-01-19T11:51:26Z</lastmod>
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<video:title>Offenbach: Les Contes d&apos;Hoffmann</video:title>
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<video:description>John Schlesingers prächtige und bewegende Inszenierung von Les Contes d&apos;Hoffmann aus dem Jahr 1980 erlangte am Londoner Royal Opera House den Status eines Klassikers. Der Film-erfahrene Meisterregisseur brachte ganz neuen Schwung in die wimmelnde, fantastische Welt, die Offenbach mit seinem letzten Meisterwerk schuf. 2016 verabschiedete sich die Produktion mit der hier vorliegenden Wiederaufnahme auf stil- und würdevolle Weise vom Publikum. Vittorio Grigolo als glückloser Dichter und Thomas Hampson als sein vielgesichtiger Erzfeind treffen auf ein unwiderstehliches Frauen-Trio: Sonya Yoncheva, Sofia Fomina und Christine Rice verkörpern die drei Objekte von Hoffmanns Leidenschaft mit funkelndem Glanz.</video:description>
<video:duration>10176</video:duration>
<video:publication_date>2025-07-22T10:50:28Z</video:publication_date>
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<lastmod>2026-01-19T11:50:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPG</loc>
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<video:title>Strauss: Der Rosenkavalier – mit Renée Fleming &amp; Elīna Garanča</video:title>
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<video:description>Mit dieser Aufführung verabschiedete sich die legendäre Sopranistin Renée Fleming von einer ihrer Lieblingsrollen, der eleganten, vom Vergehen der Zeit bedrängte Marschallin. An ihrer Seite beeindrucken die Mezzosopranistin Elīna Garanča als intensiv-ungestümer Octavian, die Sopranistin Erin Morley, die Sophie ihre strahlend schöne Sopranstimme verleiht, und der Bassist Günther Groissböck als überlebensgroßer Baron Ochs. Robert Carsens verlegt die Handlung des Rosenkavaliers in seiner wagemutigen Inszenierung ins Uraufführungsjahr der Oper. Mit Verve dirigiert Sebastian Weigle Strauss&apos; berühmte Partitur, die Wiener Walzer, musikalische Komik und die für den Komponisten charakteristische Palette orchestraler Farben vereint.</video:description>
<video:duration>12150</video:duration>
<video:publication_date>2025-09-18T15:39:26Z</video:publication_date>
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<lastmod>2026-01-16T13:47:20Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJIDO</loc>
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<video:title>Great Arias – La forza del destino: &quot;Son giunta! Grazie, oh Dio&quot;</video:title>
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<video:duration>601</video:duration>
<video:publication_date>2026-01-14T15:58:11Z</video:publication_date>
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<lastmod>2026-01-16T10:08:26Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJIDG</loc>
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<video:title>Great Arias – Eugene Onegin: &quot;No, there could never be&quot;</video:title>
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<video:duration>607</video:duration>
<video:publication_date>2026-01-14T14:04:49Z</video:publication_date>
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<lastmod>2026-01-16T10:08:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPL</loc>
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<video:title>Das Oscar Peterson Trio in der Philharmonie im Gasteig</video:title>
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<video:description>Aufgenommen in der Philharmonie im Gasteig beim Münchener Klaviersommer 1989 zeigt sich das Oscar Peterson Trio in einem weit gespannten Set zwischen Eigenkompositionen und bekannten Songs. Petersons eigene Stücke – vom entspannten Swing von Oasis Blue bis zur energiegeladenen Fahrt von Mississauga Rattler – stehen ganz selbstverständlich neben Titeln von Gershwin, Ellington und Victor Young. Medleys entwickeln sich ohne Eile, Motive wandern spielerisch zwischen Klavier, Bass und Schlagzeug, getragen von Bobby Durham und Steve Wallace mit großer Beweglichkeit. Die Aufnahme fängt ein Zusammenspiel ein, das Leichtigkeit, Drive und hörbare Freude am gemeinsamen Musizieren verbindet.</video:description>
<video:duration>7138</video:duration>
<video:publication_date>2025-12-12T15:10:03Z</video:publication_date>
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<lastmod>2026-01-15T16:27:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38DO</loc>
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<video:title>Rozhdestvensky dirigiert Tschaikowski: Eugene Onegin</video:title>
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<video:description>Tschaikowskis Oper Eugen Onegin, die auf Puschkins gleichnamigem Versroman von 1832 basiert, wurde von Studenten des Moskauer Konservatoriums uraufgeführt. In dieser bei den Baden-Badener Festspielen 1998 aufgezeichneten Produktion singt ebenfalls eine junge Besetzung. Den extra für das Projekt in Europa und Russland ausgewählten Talenten steht geballte Erfahrung gegenüber: Der legendäre russische Dirigent Gennadi Rozhdestvensky und Regisseur Nikolaus Lehnhoff, dessen strenge, ernsthafte Inszenierung direkt zum Kern des Werks vordringt. Die Oper mit dem Untertitel „lyrische Szenen“ gehört zu Tschaikowskis ergreifendsten und melodischsten Schöpfungen.</video:description>
<video:duration>9006</video:duration>
<video:publication_date>2025-02-07T12:41:28Z</video:publication_date>
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<lastmod>2026-01-15T15:06:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3IE0</loc>
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<video:title>Minkowski dirigiert Offenbach: La Belle Hélène - mit Felicity Lott</video:title>
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<video:description>Das antike Griechenland trifft in Offenbachs La belle Hélène auf die Champs-Elysées. Ein mythologisches Chaos entsteht - herrlich sexy, wahnsinnig albern und mitreißend tanzend durch Musik, die so sprudelnd (und berauschend) ist wie Champagner. Keine zwei Künstler haben der französischen Operette mehr Glanz verliehen als der Dirigent Marc Minkowski und der Regisseur Laurent Pelly und in dieser mittlerweile klassischen Produktion aus dem Jahr 2000 finden Pellys verrückte Bilder eine perfekte Ergänzung in der Frische und dem Flair von Minkowskis Orchester auf historischen Instrumenten. Auch die Besetzung ist zum Sterben schön - mit Laurent Naouri als Agamemnon und der großartigen Felicity Lott, die in der Titelrolle die Zeit ihres Lebens hat.</video:description>
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<video:publication_date>2024-08-05T15:10:48Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-15T14:59:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9J</loc>
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<video:title>Saint-Saëns: Samson et Dalila – mit Elīna Garanča &amp; Roberto Alagna</video:title>
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<video:description>Saint-Saëns&apos; Version der berühmten, in der Bibel überlieferten Geschichte von Samson und Dalila ist ein gewaltiges Epos, das viele Merkmale der Grand Opéra aufweist: atemberaubende Gesangspartien, mitreißende Chöre und eine fesselnde Handlung, die sich vor einem weiten, pseudohistorischen Hintergrund abspielt. In der Saison 2018/19 gelang Darko Tresnjak eine kühne Neu-Interpretation der Oper, die auch durch eine glanzvolle Besetzung beeindruckt: Unter der Leitung von Mark Elder verkörpert Roberto Alagna den heroischen Samson, der schließlich der verführerischen Macht Dalilas zum Opfer fällt. Die bezaubernde Elīna Garanča als Dalila und Bassbariton Laurent Naouri als finsterer Hohepriester komplettieren das Hauptrollen-Ensemble.</video:description>
<video:duration>8276</video:duration>
<video:publication_date>2025-10-02T10:28:47Z</video:publication_date>
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<lastmod>2026-01-15T14:58:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ED8</loc>
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<video:title>Benjamin Bernheim und Elsa Dreisig in Roméo et Juliette</video:title>
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<video:description>Gounods liebevolle Opernadaption von Shakespeares Geschichte der ungleichen Liebenden präsentiert in dieser Aufführung, die im Juni 2023 an der Opéra National de Paris gedreht wurde, zwei Opernstars. Benjamin Bernheim und Elsa Dreisig sind die ideale Besetzung für die Titelrollen und stehen an der Spitze eines hervorragenden Ensembles, während der aufregende Regisseur Thomas Jolly - bekannt für seine kühnen Shakespeare-Neuinterpretationen - eine wirkungsvolle Mischung aus stimmungsvollem historischem Design und moderner Sensibilität schafft. Mit dem erfahrenen Carlo Rizzi am Pult glänzt Gounods, mit Juwelen besetzte Partitur, mit so beliebten Arien wie Juliettes &quot;Je veux vivre&quot; und Roméos &quot;Ah lève-toi soleil!</video:description>
<video:duration>10244</video:duration>
<video:publication_date>2024-06-28T12:26:10Z</video:publication_date>
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<lastmod>2026-01-15T14:56:53Z</lastmod>
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<video:title>Verdi: La forza del destino</video:title>
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<video:description>Verdis Oper La forza del destino entfesselt einen reißenden Strom aus Liebe, Rache und Erlösung vor dem Hintergrund einer Welt in Flammen,. In den richtigen Händen kann dieses im Musiktheater des 19. Jahrhunderts kaum übertroffene Werk eine unwiderstehliche kathartische Erfahrung auslösen. 1998 erzeugten nur wenige Dirigenten der Welt mehr Elektrizität als Valery Gergiev an der Spitze seiner verjüngten Mariinsky-Truppe. Schließlich hatte Verdi die Operntragödie für St Petersburg komponiert und die wird hier in der Originalfassung aus 1862 aufgeführt. Elijah Moshinskys klassische Inszenierung hat sich wohl selten so bewährt wie in dieser Aufführung.</video:description>
<video:duration>9908</video:duration>
<video:publication_date>2024-10-31T12:19:59Z</video:publication_date>
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<lastmod>2026-01-14T15:57:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38C0</loc>
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<video:title>Internationaler Klavierwettbewerb Ferruccio Busoni: Jae Hong Park</video:title>
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<video:description>Es war der Koreaner Jae Hong Park, der 2021 auf seinem Weg an die Spitze des Internationalen Klavierwettbewerbs Ferruccio Busoni die hochkarätige Jury am meisten beeindruckte. Jahrhunderte durchmaß er musikalisch – vom Barock bis in die Gegenwart. Die Auswahl seiner Wettbewerbsdarbietungen aus den Solorunden fiel hier auf Busoni und Scarlatti. Aus dem großen Finale ist seine Interpretation des Klavierkonzerts Nr. 3 von Rachmaninow zu erleben – ein Meilenstein in der Karriere jedes Pianisten.</video:description>
<video:duration>3505</video:duration>
<video:publication_date>2023-08-16T10:03:36Z</video:publication_date>
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<lastmod>2026-01-13T14:25:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJACO</loc>
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<video:title>Fabio Luisi über Siegfried</video:title>
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<video:duration>924</video:duration>
<video:publication_date>2025-11-19T13:38:48Z</video:publication_date>
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<lastmod>2026-01-13T14:17:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJID0</loc>
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<video:title>Georg Solti dirigiert Bartóks Herzog Blaubarts Burg</video:title>
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<video:description>Mit nur zwei Charakteren und einer Spieldauer von weniger als einer Stunde ist Herzog Blaubarts Burg von Bartók eine der konzentriertesten und kraftvollsten Opern des Repertoires. Diese Verfilmung von 1981 wurde in und um Budapest produziert, sowohl im Studio als auch in einem verlassenen Steinbruch, dessen viele unwirtliche Winkel genau die richtige Kulisse bilden für Bartóks kühne Klangwelt. Zwei der größten ungarischen Sänger der damaligen Zeit, Kolos Kováts und Sylvia Sass, verkörpern Blaubart und seine Frau Judith. Georg Solti und das London Philharmonic Orchestra schaffen ein eindringliches orchestrales Fundament.</video:description>
<video:duration>3405</video:duration>
<video:publication_date>2022-10-18T08:37:59Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-13T14:11:43Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GE8</loc>
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<video:title>Chailly dirigiert Verdis Macbeth – mit Leo Nucci und Shirley Verrett</video:title>
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<video:description>Mit Macbeth wollte Verdi eine neue Art des Musiktheaters schaffen – eines, in dem die Konventionen der italienischen Oper zurücktreten hinter die dramatischen Erfordernisse von Shakespeares düsterer Tragödie über Mord und Macht. Der französische Regisseur Claude d’Anna folgte Verdis Vorbild in seiner Verfilmung von 1987 und sorgte für Aufsehen bei den Filmfestspielen von Cannes. „Ich wollte eher eine bühnenmäßige Lösung, weniger eine filmische“, erklärte er. Das gelang. Riccardo Chailly dirigiert die Musik, in der Leo Nucci den Macbeth und Shirley Verrett dessen Lady verkörpern.</video:description>
<video:duration>7928</video:duration>
<video:publication_date>2023-10-24T15:24:56Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-13T14:09:56Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGC8</loc>
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<video:title>Riccardo Muti</video:title>
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<video:description>Riccardo Muti zählt zu den prägenden Dirigenten seiner Generation, und dieser Film aus dem Jahr 2001 spürt der Überzeugung und Leidenschaft nach, die hinter seiner unverwechselbaren Präsenz am Pult stehen. Proben und Aufführungen mit den Wiener Philharmonikern, dem Ensemble der Mailänder Scala und weiteren europäischen Orchestern zeigen einen Musiker, der Disziplin, Klarheit und tiefes Vertrauen in musikalische Form verbindet – in Verdi und Mozart ebenso wie in Haydn und Bruckner. Gespräche und Backstage-Momente zeichnen den Weg eines Künstlers nach, der auf den grossen Opernbühnen ebenso zu Hause ist wie beim traditionsreichen Neujahrskonzert in Wien.</video:description>
<video:duration>3558</video:duration>
<video:publication_date>2025-12-08T11:09:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-13T11:34:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPN</loc>
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<video:title>Kissin, Argerich, Maisky &amp; Friends spielen Schostakowitsch</video:title>
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<video:description>Aus Anlass des 50. Todestages von Schostakowitsch präsentierte dieses Konzert die intimste, persönlichste und tiefgründigste Musik des großen russischen Komponisten. Neben Evgeny Kissin, der sozusagen als spiritus rector der Veranstaltung agiert, gehören Martha Argerich, Mischa Maisky, Antoine Tamestit und das großartige Quatuor Ébène zur unschlagbaren Besetzung. Auf die Cellosonate, das Klavierquintett und das Concertino für zwei Klaviere folgt zum bewegenden Abschluss des Konzerts mit der Bratschensonate das letzte Werk des Komponisten: Dessen Finale endet nach einer kaum verhüllten Zusammenfassung von Schostakowitschs musikalischem Schaffen in strahlendem C-Dur.</video:description>
<video:duration>6892</video:duration>
<video:expiration_date>2026-04-12T00:00:00Z</video:expiration_date>
<video:publication_date>2026-01-12T09:07:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-01-13T10:33:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPP</loc>
<video:video>
<video:title>Peter Popelka dirigiert Schönbergs Gurre-Lieder</video:title>
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<video:description>Kaum ein Werk markiert den Übergang in ein neues musikalisches Jahrhundert so eindrucksvoll wie Arnold Schönbergs Gurre-Lieder – ein spätromantisches Klangmonument an der Schwelle zur Moderne. Diese Aufführung aus dem Jahr 2024 im Goldenen Saal des Wiener Musikvereins vereint die Wiener Symphoniker, drei Chöre und ein hochkarätiges Solistenensemble unter der Leitung von Petr Popelka und setzt im Schönberg-Jubiläumsjahr ein starkes Zeichen. Vom glühenden Liebesgesang Waldemars und Toves bis zu den dunkleren, unheimlichen Passagen des Werks formt Popelka die gewaltigen Klangmassen mit Sinn für Struktur und dramatische Zuspitzung. Ein monumentaler Abend, der Schönbergs Gurre-Lieder in ihrer ganzen expressive Spannweite erlebbar macht.</video:description>
<video:duration>6570</video:duration>
<video:publication_date>2026-01-08T10:12:04Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-01-12T12:25:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9O</loc>
<video:video>
<video:title>Penderecki dirigiert Penderecki: Sinfonie Nr. 7</video:title>
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<video:description>In January 2000, Cannes became the setting for a major moment in Krzysztof Penderecki’s late career: his Symphony No. 7, Seven Gates of Jerusalem, was performed there just as he was honoured with MIDEM’s Composer of the Year award. The work had received its French premiere the previous evening and unfolds on a monumental scale, uniting solo voices, choir and orchestra in a seven-part meditation on psalms and prophetic visions. Its blend of ceremonial power and stark introspection marks it as one of Penderecki’s defining statements.</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2025-11-24T15:44:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-01-08T14:19:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2</loc>
<video:video>
<video:title>Gemeinsame Sache: Barenboim &amp; das West-Eastern Divan Orchestra</video:title>
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<video:description>Benannt nach Goethes Gedichtsammlung, die seinerzeit ein Vorbild für den Dialog zwischen den Kulturen war, tritt Barenboims brückenschlagendes West-Eastern Divan Orchestra im Rahmen seiner internationalen Tournee 2006 in Berlin auf. Mit Werken Beethovens, die den Kampf einer Ehefrau um die Freiheit ihres politisch inhaftierten Mannes schildern und die Brüderlichkeit feiern, inspiriert durch die Ideale der französischen Revolution von Freiheit und Gleichheit, entspricht das Programm der Mission des Orchesters. Durch die Kombination von Vorspiel und Liebestod aus Wagners Tristan und Isolde zum Abschluss bietet die Aufführung ein Symbol für die Suche nach einer Lösung, eine perfekte musikalische Metapher für alles, wofür das Orchester steht.</video:description>
<video:duration>7122</video:duration>
<video:publication_date>2022-05-13T10:32:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-01-08T10:50:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38CG</loc>
<video:video>
<video:title>Silvester 2022: Andris Nelsons dirigiert Beethoven: Sinfonie Nr. 9</video:title>
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<video:description>Seit mehr als hundert Jahren führt das Gewandhausorchester Beethovens Neunte Sinfonie zum Jahreswechsel in Leipzig auf. In diesem am 31. Dezember des Jahres 2022 aufgezeichneten Konzert setzt der amtierende Gewandhauskapellmeister Andris Nelsons die Silvester-Tradition souverän fort. Ein hervorragendes Solisten-Ensemble und nicht weniger als drei Leipziger Chöre tragen mit ihren Stimmen zu einem mitreißenden musikalischen Fest bei.</video:description>
<video:duration>4604</video:duration>
<video:publication_date>2023-01-11T11:15:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-31T16:03:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1P</loc>
<video:video>
<video:title>Massenet: Cinderella - mit Isabel Leonard &amp; Emily D&apos;Angelo</video:title>
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<video:description>Sehen Sie hier die gekürzte, englischsprachige Fassung der bezaubernden Märchenoper Cinderella, mit der Jules Massenet eine besonders schöne Version der „Vom-Tellerwäscher-zum-Millionär“-Fabel glückte. Emmanuel Villaume dirigiert Laurent Pellys witzige, einfallsreiche Inszenierung, in der die wunderbare Mezzosopranistin Isabel Leonard die Titelrolle der Prinzessin übernimmt. Zum brillanten Ensemble gehören außerdem: Die Mezzosopranistin Emily D&apos;Angelo als verliebter Prinz Charming, die Sopranistin Jessica Pratt als temperamentvolle gute Fee, die Mezzosopranistin Stephanie Blythe als böse Madame de la Haltière und der Bassbariton Laurent Naouri, der Cinderellas mitfühlenden und (zu) sanftmütigen Vater Pandolfe verkörpert.</video:description>
<video:duration>6004</video:duration>
<video:publication_date>2025-12-26T19:05:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-26T19:07:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGDO</loc>
<video:video>
<video:title>Brigitte Fassbaender: „Don&apos;t Stop Wondering”</video:title>
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<video:description>Weltweit als Sängerin und Opernregisseurin gefeiert, steht Brigitte Fassbaender im Spannungsfeld zwischen Tradition und Erneuerung. Aus einer Künstlerfamilie stammend, hat sie ihren Weg konsequent selbst gesucht und eine Laufbahn geprägt, die ebenso sehr von Entschlossenheit wie von Begabung erzählt. Der Film folgt dieser Entwicklung in Gesprächen, Erinnerungen und Reflexionen; dabei kommen auch ihre Familie und die Prägung der frühen Jahre, einschließlich der problematischen Rolle ihres Vaters in der NS-Zeit, zur Sprache. So entsteht weniger ein rückwärtsgewandtes Porträt als ein intimer Blick auf Brigitte Fassbaender in ihrem Element: die Künstlerin bei der Arbeit.</video:description>
<video:duration>3183</video:duration>
<video:publication_date>2025-12-15T13:13:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T16:21:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHM</loc>
<video:video>
<video:title>Respighi: La Fiamma</video:title>
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<video:description>Christof Loy widmet sich an der Deutschen Oper Berlin erneut den opulenten Bühnenwerken des frühen 20. Jahrhunderts und bringt mit Respighis selten gespielter »La fiamma« ein weiteres Beispiel dieser Epoche auf die Bühne. Mächtige Chorszenen und weit ausgreifende Tableaus treiben ein Drama aus Verdacht, Begehren und öffentlicher Hysterie voran, getragen von Carlo Rizzis musikalischer Leitung und einem Ensemble um Olesya Golovneva und Georgy Vasiliev. Respighis Partitur verbindet impressionistische Farbigkeit, russische Einflüsse und eine neu belebte Renaissance-Sprache.</video:description>
<video:duration>8083</video:duration>
<video:publication_date>2025-12-05T13:15:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T16:04:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPK</loc>
<video:video>
<video:title>Ornette Coleman &amp; Prime Time in der Philharmonie im Gasteig</video:title>
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<video:description>Aufgenommen in der Philharmonie im Gasteig beim Münchener Klaviersommer 1991, ist Ornette Coleman hier mit seinem elektrischen Ensemble Prime Time zu hören. Das Programm greift auf zentrale Stücke aus Colemans später Schaffensphase zurück, darunter Song X, Virgin Beauty und Dancing in Your Head, und lässt Raum für weit ausgreifende Improvisationen. Treibende Grooves gehen fließend in offene Passagen über, getragen vom charakteristischen Klang der Band mit zwei E-Gitarren, Bass, Keyboards, Tabla und Schlagzeug. Ein kurzer Verweis auf Bach deutet Colemans anhaltendes Interesse an Form und Struktur an – ohne den freien Fluss der Musik zu unterbrechen.</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2025-12-12T14:17:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T15:50:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0D8</loc>
<video:video>
<video:title>Daniil Trifonov: „The Magics of Music“</video:title>
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<video:description>Daniil Trifonov: The Magics of Music zeichnet ein nahes Porträt eines Ausnahmepianisten zu Beginn seiner Laufbahn. Christopher Nupens Film aus dem Jahr 2015 begleitet Trifonov kurz nach seinen Siegen beim Rubinstein- und Tschaikowsky-Wettbewerb – ein Moment, an dem sich seine Karriere rasant entfaltete. Mit der Kamera dicht am Geschehen zeigt der Film Proben, Auftritte und Gespräche, in denen Trifonovs Fantasie, Disziplin und stille Intensität sichtbar werden. Ergänzt durch seltenes Material aus Recitals, frühen Kompositionen und der Uraufführung seines eigenen Klavierkonzerts entsteht das Bild einer außergewöhnlichen musikalischen Persönlichkeit.</video:description>
<video:duration>3549</video:duration>
<video:publication_date>2025-10-23T13:09:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-23T12:58:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCCG</loc>
<video:video>
<video:title>Gardiner dirigiert Gluck: Alceste</video:title>
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<video:description>Glucks Oper Alceste löste eine Revolution aus. In der eindringlichen und unmittelbaren Darstellung von Gefühlen vollzog sich der Abschied von barocken Konventionen und der Beginn einer neuen Art des Musiktheaters. Mehr als zwei Jahrhunderte nach ihrer Entstehung trifft diese Tragödie einer Frau, die bereit ist, ihr Leben für die Liebe zu geben, immer noch mitten ins Herz. Mit Bravour interpretiert Anne Sofie von Otter die Titelpartie in dieser kraftvollen Inszenierung des Regisseurs Robert Wilson, die im Jahr 2000 am Théâtre du Châtelet in Paris herauskam. In weiteren Hauptrollen sind Paul Groves und Ludovic Tézier zu hören, und John Eliot Gardiner dirigiert die English Baroque Soloists, die auf historischen Instrumenten spielen.</video:description>
<video:duration>7993</video:duration>
<video:publication_date>2024-10-30T12:14:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:33:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30C0</loc>
<video:video>
<video:title>Puccinis Tosca mit Anna Netrebko</video:title>
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<video:description>Anna Netrebko ist die Heldin dieses Evergreens von Puccini: In dem Opernthriller an der Wiener Staatsoper spielt sie die Diva Floria Tosca und folgt dem Pfad all jener legendären Sopranistinnen, die seit 1958 in der klassischen Inszenierung von Margarethe Wallmann zu sehen waren. Tenor Yusif Eyvazov verkörpert ihren Geliebten, den hitzköpfigen Revolutionär Cavaradossi, während Bariton Wolfgang Koch in der Partie des Baron Scarpia als bösartiger Polizeichef zu erleben ist, der noch aus dem Jenseits das Schicksal der Liebenden zu einem dramatischen Ende bringt.</video:description>
<video:duration>7558</video:duration>
<video:publication_date>2022-10-24T10:37:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:28:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3IC0</loc>
<video:video>
<video:title>Karajan dirigiert Madama Butterfly – mit Freni und Domingo</video:title>
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<video:description>„Zauberer, Kurator des Erhabenen, Meisterchoreograf“, so würdigte das Wall Street Journal Jean-Pierre Ponnelle (1932-1988). Der innovative Regisseur machte die Oper fernsehfähig – auch Puccinis große japanische Tragödie Madama Butterfly. Die TV-Produktion aus dem Jahr 1974 wartet mit einer herausragenden Besetzung auf. Mirella Freni verkörpert Cio-Cio-San, Plácido Domingo den Pinkerton, Herbert von Karajan steht am Pult der Wiener Philharmoniker. Die filmische Inszenierung mit ihren Rückblenden, inneren Monologen und Spezialeffekten fesselt. Für Ponnelle war sie eine „Hommage an das Genie Puccinis“ und „dessen genialisch-italienische Musikalität“, die er bewunderte. Butterflys Schicksal verleiht er eine unvergessliche Unmittelbarkeit.</video:description>
<video:duration>8799</video:duration>
<video:publication_date>2023-10-25T10:10:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:20:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJACO</loc>
<video:video>
<video:title>Wagner &amp; Brahms zum 125. Geburtstag der Berliner Philharmoniker</video:title>
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<video:description>Mit dem Europakonzert am 1. Mai feiern die Berliner Philharmoniker jedes Jahr ihren Geburtstag in einer Kulturstadt Europas. Zum 125. Jubiläum begehen sie ihren Gründungstag in ihrer Heimatstadt Berlin im Kabelwerk Oberspree, einem eindrucksvollen Industriedenkmal des späten 19. Jahrhunderts. Sir Simon Rattle dirigiert Werke, die mit der Gründungszeit des Orchesters eng verknüpft sind: Richard Wagners Vorspiel aus Parsifal wurde 1882 kurz nach der Uraufführung vom Philharmonischen Orchester dargeboten. Zudem führte Johannes Brahms einst selbst seine Werke mit dem Orchester auf. Bevor dessen Vierte Sinfonie als krönender Abschluss erklingt, gastieren die Solisten Lisa Batiashvili und Truls Mørk mit Brahms‘ Doppelkonzert.</video:description>
<video:duration>6145</video:duration>
<video:publication_date>2022-08-17T09:16:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T12:57:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJEE0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla dirigiert Weinberg: Die Passagierin</video:title>
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<video:description>Obwohl bereits 1968 komponiert, wurde Mieczyław Weinbergs Oper &quot;Die Passagierin&quot; erst 2010 erstmals vollständig inszeniert. Das Werk, das auf einem Roman der KZ-Überlebenden Zofia Posmysz aus dem Jahr 1962 basiert, wurde schnell als eine der wichtigsten Opern der zweiten Hälfte des 20. Jahrhunderts bekannt - Mit einer Thematik, die heute wichtiger den je ist. Die erste Inszenierung von David Pountney hat inzwischen Klassikerstatus erlangt und wird hier zum ersten Mal am Madrider Teatro Real gezeigt, dirigiert von Mirga Gražinytè-Tyla, die maßgeblich an der jüngsten Weinberg-Renaissance beteiligt ist.</video:description>
<video:duration>9818</video:duration>
<video:publication_date>2024-07-02T13:04:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T12:52:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1H</loc>
<video:video>
<video:title>Adventskonzert mit Benjamin Bernheim, Elsa Dreisig &amp; Daniel Hope</video:title>
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<video:description>Das alljährliche Adventskonzert aus der Dresdner Frauenkirche hat sich längst als fester Höhepunkt im musikalischen Kalender etabliert. Auch in diesem Jahr verspricht das Konzert ein besonderes Erlebnis zu werden: Unter der Leitung von Nicholas Collon musizieren Elsa Dreisig, Benjamin Bernheim und Daniel Hope gemeinsam mit der Staatskapelle Dresden, dem Kreuzchor Dresden und dem Chor der Sächsischen Staatsoper Dresden. Das Programm vereint stimmungsvolle Meisterwerke und festliche Klassiker – von Bach und Mozart bis Richard Strauss und Arnold Schönberg – und bietet damit einen besonderen musikalischen Auftakt zur Adventszeit.</video:description>
<video:duration>3339</video:duration>
<video:publication_date>2025-12-22T07:25:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T11:43:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJID0</loc>
<video:video>
<video:title>Ravel Recomposed: Boléro feat. Christine and the Queens</video:title>
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<video:description></video:description>
<video:duration>343</video:duration>
<video:publication_date>2025-12-19T11:25:59Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T09:58:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8DG</loc>
<video:video>
<video:title>Ravel: Il est bon, l&apos;enfant, il est sage (Aus L&apos;enfant et les sortilèges, M. 71) (Bearb. Le Masne)</video:title>
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<video:description>His Album &quot;Ravel Recomposed&quot; presents Victor le Masne’s affectionate take on music by one of the greatest of all French composers. Fresh from his role as Composer and Musical Director of the 2024 Paris Olympics and Paralympics, Le Masne brings vibrant colours and contemporary reflections to music he has loved since childhood. The fusion of styles and genres on Ravel Recomposed embraces everything from classical and jazz to the Grammy®-winning composer-producer-multi-instrumentalist’s distinctive brand of French Touch electro-dance music.</video:description>
<video:duration>405</video:duration>
<video:publication_date>2025-11-18T10:43:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T13:58:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGDG</loc>
<video:video>
<video:title>Über Ludovico Einaudis Fly</video:title>
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<video:description>Lang Lang comments: „ Many young people today discover piano through the music they already love — from games, movies, or anime. 
  
Six years after the release of his celebrated Piano Book album, Lang Lang returns with &apos;Piano Book 2&apos;. This new volume of short and accessible piano works offers a fresh selection that ranges from iconic classical compositions and contemporary pieces to music from TV, film, and gaming soundtracks.
 
Lang Lang refers to the 32 tracks on his new album as “miniature masterpieces”. They were carefully selected based on messages from fans, school syllabus content, and his own teaching experience – as well as works especially close to his heart – with subtle nods to modern media and streaming culture.</video:description>
<video:duration>121</video:duration>
<video:publication_date>2025-12-12T14:01:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T11:03:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGE0</loc>
<video:video>
<video:title>Zubin Mehta: „A World Full of Music“</video:title>
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<video:description>„Zubin Mehta: Eine Welt voller Musik“ zeichnet das Porträt eines der prägenden Dirigenten des späten 20. Jahrhunderts. In einem entspannten Gespräch in seinem Haus in Los Angeles blickt Mehta auf seine Laufbahn zurück und spricht über die Arbeit mit Orchestern und Sängern sowie über die besonderen Anforderungen eines Berufs, den er selbst als „mystisch“ bezeichnet hat. Diese Passagen sind mit Proben- und Aufführungsausschnitten verwoben und geben Einblick in seine Arbeitsweise und sein Verhältnis zu den Musikern. Der Film folgt keiner chronologischen Biografie, sondern eröffnet eine persönliche Perspektive auf das Musizieren, geprägt von Erfahrung, Neugier und anhaltender Offenheit.</video:description>
<video:duration>3421</video:duration>
<video:publication_date>2025-12-15T13:39:47Z</video:publication_date>
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<lastmod>2025-12-19T07:38:27Z</lastmod>
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<video:video>
<video:title>Das Chilingirian String Quartet mit Nobuko Imai: Haydn &amp; Beethoven</video:title>
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<video:description>In diesem 2001 aufgezeichneten Konzert aus der Londoner Wigmore Hall musiziert das Chilingirian String Quartet gemeinsam mit der Bratschistin Nobuko Imai, deren lange internationale Laufbahn von Kooperationen mit führenden Kammermusikformationen geprägt ist. Auf dem Programm stehen zwei Werke, die markante Punkte im klassischen Repertoire setzen: Haydns Op. 77 Nr. 1, eine seiner letzten Auseinandersetzungen mit der Quartettform, und Beethovens Quintett in C-Dur op. 29 – sein einziges originales Werk für diese Besetzung und bis heute eine seltenere Wahl im Konzertsaal. Ein Zusammentreffen profilierter Künstlerinnen und Künstler in einem der intimsten Kammermusikräume Europas.</video:description>
<video:duration>3519</video:duration>
<video:publication_date>2025-12-04T13:34:48Z</video:publication_date>
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<lastmod>2025-12-19T01:55:09Z</lastmod>
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<url>
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<video:video>
<video:title>Mutter spielt Penderecki: Violinkonzert Nr. 2 – Uraufführung</video:title>
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<video:description>Die Uraufführung von Krzysztof Pendereckis Violinkonzert Nr. 2 „Metamorphosen“ markierte im Juni 1995 einen besonderen Moment im Leipziger Gewandhaus. Penderecki war anwesend, als das Werk erklang – ein Konzert, das er für Anne-Sophie Mutter komponiert und ihr gewidmet hatte. Geprägt von seinem späten Stil, dunkel lyrisch, weit ausschwingend und in der mitteleuropäischen Tradition verwurzelt, entfaltet die Partitur große emotionale Spannung. Zusammen mit Mariss Jansons und dem MDR-Sinfonieorchester bringt Mutter ein Werk zur Geltung, das zwischen Intimität und Intensität pendelt und doch unverkennbar Penderecki bleibt.</video:description>
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<video:publication_date>2025-11-27T11:50:31Z</video:publication_date>
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<lastmod>2025-12-18T20:05:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9M</loc>
<video:video>
<video:title>Strauss: Ariadne auf Naxos</video:title>
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<video:description>Diese Aufzeichnung aus der Semperoper Dresden von 1999 zeigt Strauss’ Ariadne auf Naxos in all ihrem Witz und ihrer Mischung aus großer Oper und turbulenter Theaterwelt. Colin Davis dirigiert die Sächsische Staatskapelle Dresden, während Marco Arturo Marelli die Kollision zwischen ernster Kunst und quirliger Commedia als vergnügliches Bühnenspiel ausstellt. Susan Anthony führt das Ensemble als Primadonna an, flankiert von Íride Martínez’ funkelnder Zerbinetta, Sophie Kochs leidenschaftlichem Komponisten und Jon Villars als überraschend heldischem Bacchus. Mit den Bühnenbildern von Dagmar Niefind-Marelli und dem Licht von Friedwald Degen entsteht ein farbiges, lebendiges Porträt dieser hybriden Strauss-Oper.</video:description>
<video:duration>7366</video:duration>
<video:publication_date>2025-11-24T09:36:43Z</video:publication_date>
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<lastmod>2025-12-18T19:34:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHI</loc>
<video:video>
<video:title>Das George-Shearing-Duo in der Philharmonie im Gasteig</video:title>
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<video:description>Aufgezeichnet 1992 in der Philharmonie im Gasteig, zeigt dieses Konzert des Munich Klaviersommers George Shearing und Neil Swainson in einem Duo-Format, das jeder Linie und jedem harmonischen Verlauf Raum lässt. Das Programm reicht vom traditionellen „Kommt ein Vogel geflogen“ über Stücke von Eddie Harris, Brubeck, Mancini und Bud Powell bis zu Swainsons „Horizon“ und Shearing-Klassikern wie „Lullaby of Birdland“. Zugaben von Ellington und Garner runden einen Abend ab, der die vertraute Leichtigkeit und subtile Klangkunst dieser langjährigen Partnerschaft spürbar macht.</video:description>
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<video:publication_date>2025-12-01T16:20:16Z</video:publication_date>
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<lastmod>2025-12-18T19:23:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHJ</loc>
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<video:title>Eddie Daniels &amp; Gary Burton Quartet: „A Tribute to Benny Goodman“</video:title>
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<video:description>Aufgezeichnet im Gasteig im Jahr 1992, vereint dieses Konzert des Münchener Klaviersommers Klarinettist Eddie Daniels mit dem Gary-Burton-Quartett zu einer temperamentvollen Hommage an Benny Goodman und Lionel Hampton. Mit Burtons Vibraphon und Daniels’ beweglicher Klarinette im Zentrum stürzt sich das Programm in Klassiker der Swing-Ära – von „Stompin’ at the Savoy“ und „Moonglow“ bis „Sing, Sing, Sing“ – sowie Goodmans augenzwinkernder Bearbeitung von Webers „Aufforderung zum Tanz“. Gemeinsam mit Makoto Ozone, Marc Johnson und Martin Richards entsteht ein energiegeladenes und charmantes Jazzfest.</video:description>
<video:duration>4196</video:duration>
<video:publication_date>2025-12-01T17:26:33Z</video:publication_date>
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<lastmod>2025-12-18T19:19:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPH</loc>
<video:video>
<video:title>Andreas Boyde spielt Beethoven &amp; Berg</video:title>
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<video:description>Aufgenommen beim Münchner Klaviersommer 1992 spielt Andreas Boyde zwei Werke von deutlich unterschiedlichem Charakter: Beethovens Klaviersonate op. 81a „Les Adieux“ und Alban Bergs Klaviersonate op. 1. Beethovens Werk, an der Schwelle zur mittleren Schaffensphase entstanden, verbindet formale Klarheit mit gesteigerter persönlicher Ausdruckskraft. Bergs einsätzige Sonate, mehr als ein Jahrhundert später komponiert, verdichtet spätromantische Harmonik zu einer konzentrierten modernen Aussage. Boyde wurde von Joachim Kaiser als eines der bedeutendsten pianistischen Talente der ehemaligen DDR bezeichnet – und diese Aufführung zeigt, warum.</video:description>
<video:duration>1943</video:duration>
<video:publication_date>2025-12-12T10:43:44Z</video:publication_date>
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<lastmod>2025-12-18T08:44:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32DO</loc>
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<video:title>Gala aus Berlin 2024 – Trifonov spielt Brahms´ Klavierkonzert Nr. 2</video:title>
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<video:description>Gemeinsam mit den Berliner Philharmonikern und ihrem Chefdirigenten Kirill Petrenko erklimmt Daniil Trifonov einen der großen Gipfel des romantischen Klavierrepertoires: Brahms&apos; Klavierkonzert Nr. 2 in B-Dur. Trotz des symphonischen Ausmaßes offenbart das Werk Brahms&apos; intime, kammermusikalische Empfindsamkeit, insbesondere im exquisiten Andante, in dem das berühmtes Cello-Solo erklingt. Die musikalischen und technischen Herausforderungen des Solo-Parts beherrschen heute nur wenige Pianist*innen so souverän wie der weltweit gefeierte Trifonov, dessen Kunst durch die Verbindung von Virtuosität und Musikalität beeindruckt. Diese Aufführung wurde im Rahmen des Silvesterkonzerts 2024 der Berliner Philharmoniker aufgenommen.</video:description>
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<video:publication_date>2025-01-02T10:59:28Z</video:publication_date>
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<lastmod>2025-12-17T18:08:44Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJIC0</loc>
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<video:title>Tchaikovsky: Album for the Young, Op. 39: 21. Sweet Dreams (Douce reverie)</video:title>
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<lastmod>2025-12-17T15:19:38Z</lastmod>
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<video:title>Tschaikowski: Der Nussknacker &quot;Tanz der Zuckerfee&quot;</video:title>
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<lastmod>2025-12-17T13:53:34Z</lastmod>
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<video:title>White Christmas</video:title>
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<lastmod>2025-12-17T13:30:14Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP30CG</loc>
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<video:title>White Christmas (Arr. for Solo Violin and Strings)</video:title>
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<lastmod>2025-12-17T13:29:58Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ8E8</loc>
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<video:title>Veni Domine: Advent &amp; Christmas at the Sistine Chapel - Über den Chor</video:title>
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<video:publication_date>2024-12-13T16:13:00Z</video:publication_date>
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<lastmod>2025-12-17T13:29:36Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ8E0</loc>
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<video:title>Veni Domine Advent &amp; Christmas at the Sistine Chapel - Über das Album</video:title>
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<lastmod>2025-12-17T13:29:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP30C8</loc>
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<video:title>The Christmas Song (Arr. for Solo Violin and Strings)</video:title>
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<video:publication_date>2022-12-05T06:34:33Z</video:publication_date>
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<lastmod>2025-12-17T13:28:55Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3EC8</loc>
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<video:title>Über Bachs Weihnachtsoratorium</video:title>
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<video:publication_date>2023-05-01T06:48:06Z</video:publication_date>
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<lastmod>2025-12-17T13:28:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP30C0</loc>
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<video:title>Maybe This Christmas (Arr. for Solo Violin and Strings)</video:title>
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<video:publication_date>2022-12-05T06:28:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-17T13:28:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJICG</loc>
<video:video>
<video:title>Ein Interview mit Laurent Pelly</video:title>
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<video:duration>241</video:duration>
<video:publication_date>2025-12-16T12:50:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-17T12:48:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJIC8</loc>
<video:video>
<video:title>Hinter den Kulissen bei Cinderella</video:title>
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<video:duration>179</video:duration>
<video:publication_date>2025-12-16T12:50:14Z</video:publication_date>
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<lastmod>2025-12-17T12:48:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGE8</loc>
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<video:title>Über das Paris Recital</video:title>
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<video:publication_date>2025-12-16T10:31:06Z</video:publication_date>
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<lastmod>2025-12-17T12:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CE0</loc>
<video:video>
<video:title>Über das Konzert auf dem Edinburgh International Festival 2025</video:title>
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<video:duration>227</video:duration>
<video:publication_date>2025-08-11T14:21:19Z</video:publication_date>
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<lastmod>2025-12-16T20:57:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9G</loc>
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<video:title>Monteverdi Choir und English Baroque Soloists: Bach, Purcell &amp; Händel</video:title>
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<video:description>Dieses vom Edinburgh International Festival übertragene Konzert präsentiert den Monteverdi Choir und die English Baroque Soloists unter der Leitung von Jonathan Sells. Die Ensembles interpretieren ein Repertoire, das sie sich in den über 60 Jahren seit ihrer Gründung auf unübertroffene Weise angeeignet haben. Das Konzert beginnt mit einer herrlichen Hymne und den bewegenden Funeral Sentences von Purcell – und führt über eine Auswahl großartiger Motetten von Johann Sebastian Bach und ein Klagelied von dessen Cousin Johann Christoph zu einer der kostbarsten Juwelen des Chorrepertoires: In seinem 1707 in Italien entstandenen Dixit Dominus schwelgte der junge Händel in den musikalischen Möglichkeiten, die ihm sein grenzenloses Talent eröffnete.</video:description>
<video:duration>5442</video:duration>
<video:publication_date>2025-08-11T09:05:05Z</video:publication_date>
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<lastmod>2025-12-16T20:57:50Z</lastmod>
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<video:title>Boulanger: 3 Stücke für Cello und Klavier: Nr. 3, Vite et nerveusement rythmé</video:title>
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<video:publication_date>2023-05-12T15:22:44Z</video:publication_date>
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<lastmod>2025-12-16T14:57:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9P</loc>
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<video:title>Friedrich Gulda: „Mozart for the People Vol. 2&quot;</video:title>
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<video:description>„Mozart für das Volk“ nannte der Pianist Friedrich Gulda seine Serie von Recitals, mit denen er 1981 in München, Mailand und Paris auftrat. Jeder Aspekt dieses Konzerts – von Guldas legerer Kleidung bis zum modernistischen Ambiente des Münchner Amerikahauses – sollte die von Gulda als „scheißreaktionäre Künstlerlemuren“ bezeichneten Traditionalisten der Klassikszene provozieren. Doch das Mozart-Spiel des Pianisten ist alles andere als frivol. In dieser Aufzeichnung sind geisteshelle, sublime Darbietungen von zwei der eindrucksvollsten Sonaten aus Mozarts Spätwerk sowie die großartige Fantasie in c-Moll KV 475 zu hören. Hier begegnen sich ein Komponist und ein wahrhaft geistesverwandter Interpret auf dem Höhepunkt ihrer Schaffenskraft.</video:description>
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<video:publication_date>2025-10-29T17:17:35Z</video:publication_date>
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<lastmod>2025-12-16T14:35:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GE8</loc>
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<video:title>Über Bryce Dessners Klavierkonzert</video:title>
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<video:duration>516</video:duration>
<video:publication_date>2025-09-12T12:42:54Z</video:publication_date>
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<lastmod>2025-12-16T13:02:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36C8</loc>
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<video:title>John Eliot Gardiner dirigiert Bachs Weihnachtsoratorium</video:title>
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<video:description>Über die Musik von Johann Sebastian Bach sagte John Eliot Gardiner einmal: „Der Horizont seiner Kunst, seiner Vorstellungskraft und seiner Fähigkeit, verschiedene Impulse kreativ zu verarbeiten, ist offenbar grenzenlos&quot;. Die Werke des langjährigen Thomaskantors stehen im Mittelpunkt des Repertoires des Dirigenten. In diesen Live-Aufführungen - gefilmt bei zwei Konzerten im Dezember 2022 - führt Gardiner das Weihnachtsoratorium mit den Ensembles auf, die er gründete und mit denen er die Revolution der modernen Bach-Aufführungspraxis anführte. Obwohl seit der Uraufführung inzwischen fast 300 Jahre vergangen sind, ist das durch seine Beschwingtheit und gedankliche Tiefe verzaubernde Werk die beliebteste Musik zur Weihnachtszeit geblieben.</video:description>
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<video:publication_date>2022-12-16T09:58:32Z</video:publication_date>
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<lastmod>2025-12-14T16:47:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2E0</loc>
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<video:title>Mozarts Il re pastore – Konzert zum 250-jährigen Jubiläum</video:title>
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<video:description>Nach genau 250 Jahren kehrt Mozarts frühe Oper Il re pastore (Der König als Hirte) an den Ort ihrer Uraufführung zurück: in den Rittersaal der alten Residenz in Salzburg, dem ehemaligen Sitz des Erzbischofs. In dieser außergewöhnlichen konzertanten Jubiläumsaufführung tritt Rolando Villazón als König Alessandro auf. Die Rolle des Hirten Aminta, in dem der König seinen rechtmäßigen Nachfolger erkennt, übernimmt die amerikanische Sopranistin Emily Pogorelc. Das hochkarätige Ensemble und die von ihrem dynamischen Konzertmeister Giovanni Guzzo geleitete Camerata Salzburg werden garantiert für eine unvergessliche Aufführung dieser bezaubernden Oper sorgen – als angemessen feierliche Hommage an das 19-jährige Genie, das sie komponierte.</video:description>
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<video:publication_date>2025-04-25T13:21:52Z</video:publication_date>
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<lastmod>2025-12-12T16:03:51Z</lastmod>
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<video:title>Tschaikowski: Der Nussknacker</video:title>
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<video:description>Tschaikowskis Der Nussknacker, 1892 uraufgeführt und nach einer Erzählung von E.T.A. Hoffmann gestaltet, zählt zu den Höhepunkten seines Spätwerks. Melodische Fülle und ein feines Gespür für Orchesterfarben prägen die Partitur; Nummern wie der „Blumenwalzer“, das „Pas de deux“ oder der ätherische „Tanz der Zuckerfee“ mit seiner damals neuartigen Celesta gehören längst zum Repertoire. Diese Produktion des Mariinski-Theaters knüpft an die lange russische Nussknacker-Tradition an und entfaltet die märchenhafte Welt des Balletts mit stilvoller Klarheit.</video:description>
<video:duration>6210</video:duration>
<video:publication_date>2022-07-14T10:14:51Z</video:publication_date>
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<lastmod>2025-12-12T09:26:48Z</lastmod>
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<url>
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<video:title>Nézet-Séguin dirigiert den Messiah – Basilique Notre-Dame de Montréal</video:title>
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<video:description>Yannick Nézet-Séguin leitet Choeur und Orchestre Métropolitain de Montréal sowie exzellente Solist:innen aus Kanada in Händels beliebtem Messiah. Ein überaus festlicher Rahmen wurde für dieses ebenso festliche Konzert gewählt, die neogotische Basilique Notre-Dame im historischen Zentrum der frankokanadischen Metropole. Das dreiteilige Oratorium über Leben und Wirken des Heilands mit dem berühmten ekstatischen „Halleluja” wird in reich nuancierter Klangfülle artikuliert – ein lebendiger Auftakt zur Weihnachtszeit.</video:description>
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<lastmod>2025-12-12T09:03:33Z</lastmod>
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<video:title>Lisa Batiashvili &amp; Friends spielen Brahms&apos; 1. Klavierquartett</video:title>
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<video:description>Beim Kuhmo Chamber Music Festival 2002 spielen Pierre-Laurent Aimard, Lisa Batiashvili, Vladimir Mendelssohn und Sonia Wieder-Atherton Brahms’ Klavierquartett Nr. 1 – ein Werk, das von verinnerlichter Lyrik bis zum mitreissenden Schwung des ‘Rondo alla zingarese’ reicht. In der unmittelbaren Akustik des Kuhmo-Hauses begegnen sich hier vier Musikerpersönlichkeiten unterschiedlicher Prägung: Aimard, bereits fest etabliert, Batiashvili am Beginn ihrer Laufbahn sowie Mendelssohn und Wieder-Atherton mit langjähriger Kammermusikerfahrung.</video:description>
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<video:publication_date>2025-12-04T13:00:53Z</video:publication_date>
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<lastmod>2025-12-12T09:01:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHN</loc>
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<video:title>Lionel Hampton und His Golden Men of Jazz</video:title>
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<video:description>Beim Münchener Klaviersommer 1993 versammelt Lionel Hampton eine beeindruckende Runde von Jazzgrössen um sich – darunter Clark Terry, Harry &apos;Sweets&apos; Edison, Al Grey, Benny Golson, Junior Mance, Jimmy Woode und Panama Francis. Zwischen Vibrafon, Schlagzeug und Gesang pendelnd, führt Hampton durch ein Programm, das von Klassikern wie „How High the Moon“ und „I Remember Clifford“ bis zu eigenen Titeln wie „Hamp“ und „Hey! Ba-Ba-Re-Bob“ reicht. Ein mitreissendes Treffen legendärer Musiker auf der Bühne.</video:description>
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<video:publication_date>2025-12-08T12:24:48Z</video:publication_date>
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<lastmod>2025-12-11T15:55:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ2C8</loc>
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<video:title>Paisiellos Nina – eine Einführung</video:title>
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<video:description>Der Film gewährt Einblicke in die Zürcher Produktion von Paisiellos »Nina« aus dem Jahr 2002 – ein Werk, dessen Mischung aus Anmut und offener Gefühlswelt einst ganz Europa begeisterte. Ádám Fischer, Cesare Lievi und Roberto De Simone sowie Mitglieder des Ensembles – darunter Cecilia Bartoli und ein junger Jonas Kaufmann – sprechen über Paisiellos Stil und die Probenarbeit. Backstage-Momente und musikalische Ausschnitte zeigen, wie die Inszenierung Gestalt annahm: ein Porträt von Künstlern, die ein lange übersehenes Werk neu entdecken.</video:description>
<video:duration>2767</video:duration>
<video:publication_date>2025-10-27T14:27:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-11T15:05:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHJ</loc>
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<video:title>Joana Mallwitz &amp; Alice Sara Ott: Ravel, Dessner, Meredith &amp; Beethoven</video:title>
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<video:description>Das Konzerthausorchester Berlin und seine Chefdirigentin Joana Mallwitz beginnen die neue Saison mit einem Programm, das Tradition und Innovation auf faszinierende Weise miteinander verbindet. Ravels beliebtem Boléro folgt das Klavierkonzert des US-amerikanischen Komponisten Bryce Dessner – ein Werk, dem der Guardian „reine Brillanz und Überschwang“ bescheinigte. Solistin ist Alice Sara Ott, für die das Konzert geschrieben wurde. In der zweiten Hälfte des Programms trifft Anna Merediths bewegendes Werk Nautilus auf Beethovens bahnbrechende Erste Sinfonie. Die letztere markiert den Beginn eines neuen Beethoven-Projekts, das Mallwitz mit ihrem Orchester bis 2027 fortsetzt. Dann wird sich der Todestag des Komponisten zum 200. Mal jähren.</video:description>
<video:duration>5207</video:duration>
<video:publication_date>2025-09-10T14:54:56Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-11T14:31:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGD8</loc>
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<video:title>Great Arias - Die Entführung aus dem Serail: &quot;Wenn der Freude Tränen fließen&quot;</video:title>
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<video:duration>505</video:duration>
<video:publication_date>2025-12-10T15:34:38Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-11T11:47:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1N</loc>
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<video:title>Friedrich Gulda &amp; The Paradise Trio beim Paradise Dance Party</video:title>
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<video:description>Beim von ihm gegründeten, stilübergreifenden Munich Klaviersommer konnte Friedrich Gulda seine Leidenschaft für Grenzgänge zwischen den Genres frei ausleben. Das Konzert von 1995 mit dem Paradise Trio zeigt ihn im lebendigen Austausch zwischen unterschiedlichen musikalischen Welten und langjährigen Weggefährten. Und danach setzt Gulda den Abend fort: mit einer nächtlichen Techno-Session gemeinsam mit DJ Vertigo und dem Trio, die auf unverwechselbare Weise Clubkultur und Festivalatmosphäre verbindet.</video:description>
<video:duration>6354</video:duration>
<video:publication_date>2025-10-20T14:29:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-10T14:07:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJECO</loc>
<video:video>
<video:title>New York Philharmonic in Pyongyang</video:title>
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<video:description>The New York Philharmonic makes history with this unprecedented concert from February 2008, which saw the orchestra and conductor Lorin Maazel perform in North Korea alongside Korean musicians. After the two country&apos;s respective national anthems, Maazel conducts a programme of entertaining favourites bringing together European and North American musical traditions, performed with a flair that brought standing ovations from the audience.</video:description>
<video:duration>5203</video:duration>
<video:publication_date>2022-09-27T16:49:11Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-10T13:47:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGCO</loc>
<video:video>
<video:title>Albéniz: Suite Española No. 1, Op. 47: No. 3, Malagueña. Allegretto</video:title>
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<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. 

The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-12-08T11:33:24Z</video:publication_date>
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<lastmod>2025-12-10T09:56:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJGCG</loc>
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<video:title>Albéniz: Suite Española No. 1, Op. 47: No. 7, Castilla (Seguidillas)</video:title>
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<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>231</video:duration>
<video:publication_date>2025-12-08T11:10:05Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:56:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9L</loc>
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<video:title>Friedrich Gulda: „Mostly Mozart“</video:title>
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<video:description>Aufgenommen in der Philharmonie im Gasteig beim Münchener Klaviersommer in 1990, zeigt dieses Recital Friedrich Gulda von einer seiner eindrucksvollsten Seiten: als kompromisslosen Klassizisten. Seit jeher bekannt für seinen Eigensinn und seine Ausflüge in den Jazz, kehrt Gulda hier mit entwaffnender Klarheit und Intensität zu Mozart zurück – einem Komponisten, den er über alles verehrte. Von der dunkel schillernden Fantasie d-Moll über die leuchtende Sonate F-Dur bis zu den leidenschaftlichen c-Moll-Werken verbindet sein Spiel geistige Präzision mit seltener Spontaneität und macht spürbar, dass hinter dem Provokateur einer der wahrhaftigsten Mozart-Interpreten seiner Zeit stand.</video:description>
<video:duration>3353</video:duration>
<video:publication_date>2025-10-27T15:16:11Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:19:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0CG</loc>
<video:video>
<video:title>Der Wanderer – Friedrich Gulda</video:title>
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<video:description>Friedrich Gulda war ein Künstler, der sich nie einordnen ließ – ein musikalischer Freigeist, der zwischen Genie und Provokation wanderte. Der Wanderer – Friedrich Gulda (1981) zeichnet das faszinierende Porträt eines Pianisten, der sich jeder Schublade entzog: mal vollendeter Mozart-Interpret, mal eigenwilliger Jazz-Experimentator, der sich mit Witz, Wut und Lust dem etablierten Musikbetrieb widersetzte. János Darvas begleitet Gulda auf seinem Weg zwischen künstlerischer Strenge und anarchischer Befreiung – ein Film über den Mut, konsequent man selbst zu sein.</video:description>
<video:duration>3610</video:duration>
<video:publication_date>2025-10-23T09:12:00Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T15:36:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1G</loc>
<video:video>
<video:title>Friedrich Gulda: Preview of Things to Come</video:title>
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<video:description>Friedrich Gulda war ein Einzelgänger, Provokateur und Pianist von außergewöhnlichem Talent. Nie war er glücklicher als wenn er zwischen Genres hin- und herspringen und mit Künstlern aus den Bereichen Jazz, Fusion und Pop spielen konnte. Er schuf den Münchener Klaviersommer als kreativen Schmelztiegel – einen Treffpunkt musikalischer Geister – und in diesem Konzert vom Juli 1989 ist Gulda selbst Moderator und Interpret in einem typisch eklektischen Programm. Es beginnt mit Agnes Baltsas unvergleichlichem Mozart, bevor es in Guldas eigenes Fusion-Projekt &quot;A Preview of Things to Come&quot; übergeht – mit seinem langjährigen Weggefährten, der österreichischen Jazzlegende Joe Zawinul, sowie Zawinuls eigenem hochkarätig besetzten Syndicate.</video:description>
<video:duration>3575</video:duration>
<video:publication_date>2025-08-12T15:52:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T15:25:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9L</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Günther Rabl: Landschaft mit Pianist</video:title>
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<video:description>Die absolute Unvorhersehbarkeit kennzeichnete die Auftritte des Österreichers Friedrich Gulda, der Klaviervirtuose, Komponist, Improvisator, Crossover-Pionier und Enfant terrible in Personalunion war. Beim Münchner Klaviersommer sorgte er immer wieder für augen- und ohrenöffnende Ereignisse. In diesem Konzert, das 1987 im Münchner Carl-Orff-Saal gefilmt wurde, interpretiert der Pianist die einstündige Fantasie Landschaft mit Pianist für Klavier und Tonband von Gunther Rabl. Das elektroakustische Werk hat der Freund und ehemalige Mitarbeiter extra für Gulda komponiert. Zum Glück wurde dieser unwiederholbare Moment, die einen der mutigsten und umstrittensten Musiker des späten 20. Jahrhunderts zeigt, für die Nachwelt aufgezeichnet.</video:description>
<video:duration>2717</video:duration>
<video:publication_date>2025-07-01T11:48:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:46:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPG</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Limpe Fuchs: Consonanza Personale</video:title>
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<video:description>„Für mich war es sehr wichtig, die traditionelle Musik hinter mir zu lassen“, erklärte die Performancekünstlerin Limpe Fuchs. Ihre Experimente an den äußeren Grenzen des Klangs prädestinierten sie für eine kreative Partnerschaft mit Friedrich Gulda. Der geniale Pianist und Provokateur gründete den Münchner Klaviersommer als Treffpunkt für die innovativsten musikalischen Köpfe. Die von Gulda als „consonanza personale“ bezeichnete künstlerische Zusammenarbeit zeigt sich bei diesem Auftfritt aus dem Jahr 1986 auf besonders schöne Weise. Dabei transzendieren beide Künstler souverän die Konventionen ihrer Rollen als Perkussinististin bzw. als Pianist. Entstanden ist so ein halb-improvisiertes und ganz und gar originelles Ereignis.</video:description>
<video:duration>1789</video:duration>
<video:publication_date>2025-07-11T08:04:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1L</loc>
<video:video>
<video:title>Ursula Anders &amp; Friedrich Gulda: Goethe-Lieder</video:title>
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<video:description>Einige künstlerische Partnerschaften scheint das Schicksal vorherbestimmt zu haben: Der österreichische Pianist Friedrich Gulda und die in München geborene Sopranistin und Perkussionistin Ursula Anders waren Partner im Leben, in der Kunst und im Geiste – musikalische Entdeckernaturen, die ganz bei sich selbst waren, wenn sie sich gegenseitig an die Grenzen des Ausdrucks brachten. Dieses kurze Schubert-Konzert, das die beiden 1980 gemeinsam in Linz aufführten, umgibt eine außergewöhnliche Atmosphäre – man spürt eine Erfahrenheit und Überzeugungskraft, die in Schuberts tiefgründiger Musik ein ideales Gegenüber finden. Schubert trifft Goethe, und Gulda trifft Anders. Das Ergebis dieses Zusammentreffens sollte man nicht verpassen.</video:description>
<video:duration>733</video:duration>
<video:publication_date>2025-10-16T14:33:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:45:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1K</loc>
<video:video>
<video:title>Avishai Cohen: „Ashes to Gold“ – Live in Paris</video:title>
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<video:description>Dieses Konzert von Avishai Cohen wurde im April 2025 im Rahmen der ECM Explorations-Serie in der Philharmonie de Paris gefilmt. Mit seiner Band präsentiert der Musiker ein Set rund um „Ashes to Gold“, einer sehr persönlichen Reaktion auf die Ereignisse des 7. Oktober 2023 und deren Folgen für die Region. Die 2024 vom Label ECM veröffentlichte Suite wird in dieser live-Aufnahme von weiteren Meisterwerken von Cohen eingerahmt: „Will I Die, Miss? Will I Die“ aus dem 2017 erschienenen Album „Cross My Palm With Silver“ und dem eindringlichen Arrangement des langsamen Satzes aus Ravels G-Dur-Klavierkonzert. Ein unvergleichlicher Auftritt eines Jazzmeisters, dessen Musik unmittelbar zu Herzen geht.</video:description>
<video:duration>3956</video:duration>
<video:publication_date>2025-11-03T16:01:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T13:00:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHH</loc>
<video:video>
<video:title>Riccardo Chailly dirigiert Mussorgskis Boris Godunow</video:title>
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<video:description>Nur wenige Werke haben die russische Oper so nachhaltig geprägt wie Mussorgskys Boris Godunow. In der kompromisslosen Fassung von 1869 bleibt die Unmittelbarkeit seines ursprünglichen Entwurfs spürbar – ein Drama, in dem persönliche Schuld und politische Unruhe untrennbar verbunden sind. An der Mailänder Scala dirigiert Riccardo Chailly eine Inszenierung von Kasper Holten, entstanden mit Bühnenbildnerin Es Devlin, deren weitläufige Projektionen und kartografische Bildwelten die historische Schwere eindrucksvoll andeuten. Ildar Abdrazakov führt das Ensemble als gequälter Zar an, mit Ain Anger als Pimen und Dmitry Golovnin als Grigorij, getragen vom Chor und Orchester der Scala, die Mussorgskys weit ausgreifendes Panorama machtvoll entfalten.</video:description>
<video:duration>9237</video:duration>
<video:publication_date>2025-12-01T14:30:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT JP</video:restriction>
</video:video>
<lastmod>2025-12-08T18:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9K</loc>
<video:video>
<video:title>Michel Camilo Quintet in der Philharmonie im Gasteig</video:title>
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<video:description>Ob Tito Puente, Dizzy Gillespie, Wynton Marsalis oder Béla Fleck: Es fällt einem kaum eine Jazz-Größe des späten 20. Jahrhunderts ein, die nicht mit dem legendären Fusion-Pianisten Michel Camilo konzertiert hat. Der aus der Dominikanischen Republik stammende, unwiderstehliche Musiker ist immer dann ganz bei sich selbst, wenn er mit engen Freunden spielt. Das beweist auch dieses Konzert, das an einem Münchner Sommerabend des Jahres 1991 aufgezeichnet wurde. In einem erlesenen Quintett, zu dem auch sein langjähriger künstlerischer Partner Cliff Almond gehört, interpretiert Camilo bei diesem einmaligen Auftritt neben Standards von Gillespie und Kenny Dorham auch eine großzügige Auswahl eigener Kompositionen.</video:description>
<video:duration>4920</video:duration>
<video:publication_date>2025-10-24T12:43:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-08T14:34:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHP</loc>
<video:video>
<video:title>Nelsons beim Schostakowitsch Festival Leipzig: Leningrader Sinfonie</video:title>
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<video:description>In diesem Konzert, das beim Schostakowitsch Festival Leipzig im Mai 2025 aufgezeichnet wurde, ist eine der großartigsten Sinfonien des 20. Jahrhunderts zu hören: Andris Nelsons vereinigt seine beiden Ensembles – das Gewandhausorchester und das Boston Symphony Orchestra – für eine Aufführung von Schostakowitschs Siebter Sinfonie zu einem einzigen Klangkörper. Der Komponist schrieb das Werk während einer der schrecklichsten Phasen des Zweiten Weltkriegs im von deutschen Truppen belagerten Leningrad. Eine legendäre Aufführung des Werks fand im heutigen St. Petersburg unter unvorstellbaren Bedingungen statt. Mehr als 80 Jahre später – und 50 Jahre nach Schostakowitschs Tod – hat die Sinfonie nichts von ihrer erschütternden Wirkung verloren.</video:description>
<video:duration>5261</video:duration>
<video:publication_date>2025-12-08T09:38:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2025-12-08T10:13:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJECO</loc>
<video:video>
<video:title>Eugene Onegin: Bei den Proben an der Met</video:title>
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<video:description></video:description>
<video:duration>898</video:duration>
<video:publication_date>2025-12-02T16:16:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:13:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJEDO</loc>
<video:video>
<video:title>Hinter den Kulissen bei Grounded</video:title>
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<video:description></video:description>
<video:duration>994</video:duration>
<video:publication_date>2025-12-04T13:09:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJEDG</loc>
<video:video>
<video:title>Hinter den Kulissen bei Der Rosenkavalier</video:title>
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<video:description></video:description>
<video:duration>1542</video:duration>
<video:publication_date>2025-12-04T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJED8</loc>
<video:video>
<video:title>Hinter den Kulissen bei Rusalka</video:title>
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<video:description></video:description>
<video:duration>423</video:duration>
<video:publication_date>2025-12-03T11:00:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJED0</loc>
<video:video>
<video:title>Hinter den Kulissen bei Thaïs</video:title>
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<video:description></video:description>
<video:duration>473</video:duration>
<video:publication_date>2025-12-03T10:40:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJEE8</loc>
<video:video>
<video:title>Great Arias – Orphée et Eurydice: &quot;J&apos;ai perdu mon Eurydice&quot; &amp; &quot;Objet de mon amour&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/28f53e4ca7653b3eb8842c98a125cfec73bf74c3.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>608</video:duration>
<video:publication_date>2025-12-05T10:07:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:05:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1N</loc>
<video:video>
<video:title>Verdi: La Traviata - mit Nadine Sierra &amp; Stephen Costello</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/04417a7a3b541278bf704f4db8d42e32abde5f3e.jpg</video:thumbnail_loc>
<video:description>In der Saison 2022–23 interpretierte Nadine Sierra an der Metropolitan Opera eine der wichtigsten Sopranpartien überhaupt: die der Kurtisane Violetta Valéry in Verdis zeitloser Tragödie La Traviata. In dieser Aufführung, die im Rahmen der Live in HD-Serie des Opernhauses aufgezeichnet wurde, tritt Sierra an der Seite des Tenors Stephen Costello auf, der Violettas leidenschaftlichen, ungestümen Liebhaber Alfredo verkörpert. In Michael Mayers eindringlicher Inszenierung komplettiert Bariton Luca Salsi das Terzett der Hauptfiguren als Alfredos Vater Giorgio Germont, an dessen Klassenbewusstsein das Glück der Liebenden scheitert. Dirigent Daniele Callegari bringt Verdis so melodien-reiche wie ergreifende Partitur mustergültig zur Geltung.</video:description>
<video:duration>8031</video:duration>
<video:publication_date>2025-12-01T09:14:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T14:55:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0C8</loc>
<video:video>
<video:title>Chick Corea: Piano Solo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/14a47d40bd0e23d3c429cb90bdec7e8213bda018.jpg</video:thumbnail_loc>
<video:description>Für dieses Solokonzert des Münchner Klaviersommers 1983 setzt sich Chick Corea alleine ans Klavier: eine Gelegenheit, seiner Fantasie und Virtuosität völlig freien Lauf zu lassen. Wie nicht anders zu erwarten, nutzt er die unzähligen Möglichkeiten seines Instruments aus und zeigt in seinen Improvisationen und eigenen Werken die ganze Bandbreite seiner Einflüsse und Inspirationen: von der klassischen Musik (einschließlich des visionären Alexander Skrjabin, von dem hier ein Präludium enthalten ist) bis hin zu Vorläufern aus der Welt des Jazz und Bebop. Das Ergebnis ist eine atemberaubende Demonstration eines Genies auf seinem Höhepunkt: ein Muss für Jazz- und Klavierliebhaber gleichermaßen.</video:description>
<video:duration>2675</video:duration>
<video:publication_date>2025-03-24T15:09:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T13:00:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8DG</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Sinfonie Nr. 2 (1973)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dcec32ed4537d5c5810952ba42d6e2cd246736c5.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan nahm Brahms’ Symphonien-Zyklus 1973 live in der Berliner Philharmonie auf. Die vier Werke, die alle innerhalb eines Jahrzehnts uraufgeführt wurden, stellen eine Meisterleistung des Komponisten dar, von der bahnbrechenden Symphonie Nr. 1, jahrzehntelang Qual und Gedankenspiel, bis hin zur leidenschaftlichen Vierten, Inbegriff kunstvoller kompositorischer Verfahren. Alle vier Werke interpretiert Karajan mit der ihm eigenen Konzentration und musikalischen Vorstellungskraft – ein unverzichtbares audiovisuelles Dokument seiner Kunst.</video:description>
<video:duration>2481</video:duration>
<video:publication_date>2025-05-15T08:09:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T16:57:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCD0</loc>
<video:video>
<video:title>Allerheiligenkonzert 1986: Abbado dirigiert Schubert und Mozart</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/889839395d2e85bbd8877ca584850249df386a73.jpg</video:thumbnail_loc>
<video:description>Das Wienerische hatte Claudio Abbado schon während des Studiums geprägt, als Student in der Dirigierklasse des legendären Hans Swarowsky. Hier nun ist der italienische Dirigent im Rahmen einer Wiener Institution zu erleben: Beim Allerheiligenkonzert des Wiener Staatsopernchors steht er am Pult der Wiener Philharmoniker in einer Darbietung von Schuberts später Es-Dur-Messe und einer Reihe kürzerer geistlicher Werke von Mozart. Große Sängerinnen und Sänger der 1980er-Jahre stehen auf der Bühne des Musikvereins, etwa Jerry Hadley, Marjana Lipovšek und die junge Karita Mattila.</video:description>
<video:duration>4861</video:duration>
<video:publication_date>2024-02-26T10:12:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T16:47:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8CO</loc>
<video:video>
<video:title>Gulda spielt Mozart</video:title>
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<video:description>Nur wenige große Pianisten haben die Gemüter so erhitzt wie Friedrich Gulda. Manch Kritiker bezeichnete den jazzbegeisterten österreichischen Außenseiter als „musikalischen Terroristen“. Doch in einem Punkt waren sich alle einig: Gulda war einer der besten modernen Interpreten Mozarts. Sein Recital auf dem Münchner Klaviersommer 1995 zeigt Gulda nur fünf Jahre vor seinem vorzeitigen Tod auf dem Höhepunkt seines Könnens in zwei Klaviersonaten jenes Komponisten, den er für den „Meister aller Meister“ hielt. Er spielt Mozarts Klaviersonaten Nr. 13 und 18 sowie die d-Moll-Fantasie KV 397. Sorgfältig ausgewählte Auszüge aus weiteren Sonaten bilden den Rahmen für ein Programm, das für jeden Liebhaber von Klaviermusik ein absolutes Muss ist.</video:description>
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<video:video>
<video:title>Über Wagners Leitmotifs</video:title>
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<lastmod>2025-12-04T11:02:47Z</lastmod>
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<video:title>Hinter den Kulissen bei Götterdämmerung</video:title>
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<lastmod>2025-12-04T11:02:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCE0</loc>
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<video:title>Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major &quot;Raindrop Prelude&quot;</video:title>
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<lastmod>2025-12-04T11:00:57Z</lastmod>
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<video:title>Pärt: Für Alina</video:title>
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<lastmod>2025-12-04T10:42:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCDO</loc>
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<video:title>Ravel Recomposed: Assez vif, très rythmé (From String Quartet in F Major, M. 35)</video:title>
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<video:description>&apos;Ravel Recomposed&apos; presents Victor le Masne’s affectionate take on music by one of the greatest of all French composers. Fresh from his role as Composer and Musical Director of the 2024 Paris Olympics and Paralympics, Le Masne brings vibrant colours and contemporary reflections to music he has loved since childhood. The fusion of styles and genres on Ravel Recomposed embraces everything from classical and jazz to the Grammy®-winning composer-producer-multi-instrumentalist’s distinctive brand of French Touch electro-dance music.</video:description>
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<video:publication_date>2025-12-01T11:27:15Z</video:publication_date>
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<lastmod>2025-12-04T10:37:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9O</loc>
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<video:title>Mussorgski: Chowanschtschina</video:title>
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<video:description>Nur wenige russische Opern wirken so aktuell wie Mussorgskys Chowanschtschina. Religiöser Fanatismus und Intrigen, die das Musikdrama unter der Herrschaft Peters des Großen zeigt, bestimmen auch das heutige, ganz andere, aber ebenso unruhige politische Klima. Stein Winges kühne Inszenierung verdeutlicht diese Parallelen und verwandelt das Werk in eine Oper für das 21. Jahrhundert. Die von der Kritik gelobte Produktion, die 2007 Premiere feierte, ist hier in einer Wiederaufnahme des Jahres 2011 zu erleben. Michael Boder dirigiert Mussorgskys unvollendete Partitur in der von Schostakowitsch ergänzten Fassung. Neben dem russisch-sprachigen Ensemble beeindruckt auch der Chor des Liceu mit seinem so leidenschaftlichen wie idiomatischen Gesang.</video:description>
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<video:publication_date>2025-10-07T15:58:09Z</video:publication_date>
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<lastmod>2025-12-04T09:53:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3AE8</loc>
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<video:title>Yellow Lounge: Snorri Hallgrímsson</video:title>
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<video:description>Im interaktiven Immersive Room des DRIVE Volkswagen Group Forum in Berlin-Mitte präsentiert der isländische Komponist, Produzent und Multiinstrumentalist Snorri Hallgrímsson Musik aus seiner Deutsche Grammophon Debüt-EP, „Longer shadows, softer stones“. Wie gewohnt bei DGs Yellow Lounge - die Club-meets-Classics-Reihe des Labels - wird die Musik durch Visuals des Videokünstlers Philip Geist ergänzt, die eine einzigartig entspannte Atmosphäre schaffen, in der das Publikum in Snorris eindringliche, unvergessliche Klangwelt eintauchen kann.</video:description>
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<video:publication_date>2025-02-18T15:13:42Z</video:publication_date>
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<lastmod>2025-12-03T15:23:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8DO</loc>
<video:video>
<video:title>Hinter den Kulissen bei La Cenerentola</video:title>
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<video:publication_date>2025-11-18T13:24:37Z</video:publication_date>
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<lastmod>2025-12-03T10:22:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJECG</loc>
<video:video>
<video:title>Hinter den Kulissen bei Roberto Devereux</video:title>
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<lastmod>2025-12-03T10:18:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJEC8</loc>
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<video:title>Hinter den Kulissen bei Samson et Dalila</video:title>
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<lastmod>2025-12-03T10:16:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJEC0</loc>
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<video:title>Hinter den Kulissen bei Dialogues des Carmélites</video:title>
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<lastmod>2025-12-03T10:15:55Z</lastmod>
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<video:title>Hinter den Kulissen bei La Traviata</video:title>
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<video:live>no</video:live>
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<lastmod>2025-12-03T10:14:15Z</lastmod>
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<video:title>Yannick Nézet-Séguin über Carmen</video:title>
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<lastmod>2025-12-03T10:13:47Z</lastmod>
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<video:title>Hinter den Kulissen bei Carmen</video:title>
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<lastmod>2025-12-03T10:12:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJAD0</loc>
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<video:title>Hinter den Kulissen bei Die Walküre</video:title>
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<lastmod>2025-12-03T10:10:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJAC8</loc>
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<video:title>Das Rheingold: Bei den Proben an der Met</video:title>
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<video:publication_date>2025-11-18T15:14:05Z</video:publication_date>
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<lastmod>2025-12-02T16:09:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJACG</loc>
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<video:title>Jay Hunter Morris über Siegfried</video:title>
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<lastmod>2025-12-02T13:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJAC0</loc>
<video:video>
<video:title>Bryn Terfel über Das Rheingold</video:title>
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<video:description></video:description>
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<video:publication_date>2025-11-18T15:03:27Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T13:52:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CD8</loc>
<video:video>
<video:title>Let&apos;s Record! Peltokoski und Die Deutsche Kammerphilharmonie Bremen</video:title>
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<video:description>Tarmo Peltokoski ist am Pult der Deutschen Kammerphilharmonie Bremen zu erleben, die ihn 2022 zum ersten Principal Guest Conductor ernannte. Hier dirigiert er drei Mozart-Werke: die Symphonie Nr. 35, nach Sigmund Haffner benannt, für den sie auch geschrieben wurde; die „Linzer”, die Mozart auf Reisen „über hals und kopf” zu Papier brachte, weil er keine Symphonie dabeihatte; und die melancholische Symphonie Nr. 40. „Let’s Record!” heißt das Format dieses Konzertfilms, es ist zugleich Devise: Dirigent und Musiker ließen sich auf das Wagnis ein, die Darbietungen während eines einzigen Durchlaufs aufzuzeichnen. Die Inspiration des Augenblicks ist so festgehalten, nach intensiver Auseinandersetzung von Dirigent und Orchester mit den Werken!</video:description>
<video:duration>4368</video:duration>
<video:publication_date>2023-10-23T08:38:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-12-02T12:57:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCCG</loc>
<video:video>
<video:title>Lang Langs Carnegie-Hall-Debüt</video:title>
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<video:description>Diese Dokumentation aus dem Jahr 2024 blickt zurück auf Lang Langs Solo-Debüt in der Carnegie Hall 2003 – ein Abend, der weithin als sein internationaler Durchbruch gilt. Der Film verknüpft das Konzert mit der persönlichen Geschichte, die ihm vorausging: einer strengen Ausbildung, hohen Erwartungen und einem komplizierten Verhältnis zum Vater. Als beide am Schluss gemeinsam ein chinesisches Volkslied improvisieren, erhält der Moment eine besondere Symbolkraft. Beiträge von Christoph Eschenbach, Tan Dun und Gary Graffman beleuchten die Bedeutung des Ereignisses; Claire Huangci und Bruce Liu steuern Beobachtungen aus der Perspektive einer jüngeren Pianistengeneration bei.</video:description>
<video:duration>3112</video:duration>
<video:publication_date>2025-11-24T13:08:01Z</video:publication_date>
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<video:live>no</video:live>
<video:restriction relationship="deny">DE FR</video:restriction>
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<lastmod>2025-11-28T15:16:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCDG</loc>
<video:video>
<video:title>„Caruso for All: The Story of the Gramophone“</video:title>
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<video:description>„Caruso for All: The Story of the Gramophone“ blickt zurück auf die Zeit, in der der aufgezeichnete Klang das musikalische Leben grundlegend veränderte. Der Film erzählt von Emil Berliners Erfindung der Schallplatte und dem Aufbruch einer neuen Industrie, die Stimmen in die Wohnzimmer der Welt brachte und Enrico Caruso zum ersten globalen Aufnahmestar machte. Mit seltenem Archivmaterial und Einblicken von Berliners Enkel Oliver zeichnet die Dokumentation die Aufbruchsstimmung einer Epoche nach, in der Technik das Hören – und die Musikgeschichte – neu definierte.</video:description>
<video:duration>3415</video:duration>
<video:publication_date>2025-11-27T12:19:11Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-28T15:15:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9N</loc>
<video:video>
<video:title>Take 6 in Concert</video:title>
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<video:description>Der großartige, 2024 verstorbene Quincy Jones erklärte Take 6 einmal zu dem Ensemble mit den besten Sängern des Planeten. Seit mehr als vier Jahrzehnten setzt dieses All-Star-Vokalsextett weltweit Maßstäbe im A-cappella-Gospelgesang. 1990, als dieser fröhliche Abend beim Münchner Klaviersommer aufgezeichnet wurde, standen die Künstler allerdings als Newcomer noch am Anfang ihrer sensationellen internationalen Karriere. Gerade erst hatten sie mit ihrem Debütalbum Take 6 bei den Grammy Awards gewonnen. Erleben Sie hier ein phänomenales, live gefilmtes und „large-as-life“-Konzert mit Jazz-Standards, Gospel-Klassikern ... und einigen Überraschungen.</video:description>
<video:duration>4301</video:duration>
<video:publication_date>2025-11-24T11:00:00Z</video:publication_date>
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<lastmod>2025-11-28T14:40:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9P</loc>
<video:video>
<video:title>Wolfgang Sawallisch &amp; das Philadelphia Orchestra: Rautavaara &amp; Strauss</video:title>
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<video:description>Im Jahr 2000 gastierten Wolfgang Sawallisch und das Philadelphia Orchestra, einer der traditionsreichsten Klangkörper der USA, in der Kölner Philharmonie – mit einem Programm, das zwei sehr unterschiedliche Arten des musikalischen Erzählens verbindet. Die Europäische Erstaufführung von Einojuhani Rautavaaras Sinfonie Nr. 8 „The Journey“ entfaltet weite Klangräume und einen ruhigen inneren Antrieb. Richard Strauss’Sinfonia domestica richtet den Blick dagegen auf den familiären Alltag, den er in ein farbig ausgeleuchtetes symphonisches Panorama überführt.</video:description>
<video:duration>4367</video:duration>
<video:publication_date>2025-11-24T16:02:02Z</video:publication_date>
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<lastmod>2025-11-28T14:07:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1J</loc>
<video:video>
<video:title>Rimski-Korsakow: Die Nacht vor Weihnachten</video:title>
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<video:description>Rimski-Korsakows Oper Die Nacht vor Weihnachten, die auf Gogols gleichnamiger Erzählung basiert, erlebte im Uraufführungsjahr 1895 einen schlechten Start: Als Reaktion auf Kontroversen um die Darstellung von Kaiserin Katharina II. boykottierte der Komponist die eigene Premiere. Seitdem wurde das Werk nur selten aufgeführt. Doch Rimsky sprach zurecht von der „interessanten Musik”, die seine Oper enthalte. So hatte der meisterhafte Instrumentator einen Part für die gerade erst erfundene Celesta komponiert, die zu einem wesentlichen Element seiner Klangwelt werden sollte. An der Oper Frankfurt singt in dieser preisgekrönten Inszenierung des Starregisseurs Christof Loy ein hervorragendes Ensemble unter der Leitung von Sebastian Weigle.</video:description>
<video:duration>9204</video:duration>
<video:publication_date>2025-10-16T12:39:07Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-28T09:14:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1P</loc>
<video:video>
<video:title>Semyon Bychkov und Seong-Jin Cho mit Tschaikowski und Ravel</video:title>
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<video:description>Die Tschechische Philharmonie wird seit langem für ihr Traditionsbewusstsein und die Schönheit ihres Klangs gefeiert. Unter der Leitung von Semyon Bychkov, der seit 2018 als Chefdirigent amtiert, hat das Orchester mit großem Erfolg neues Repertoire erobert. Erleben Sie das großartige Ensemble, wenn es im historisch bedeutenden Prager Rudolfinum die 130. Saison eröffnet. Auf dem Programm steht mit Tschaikowskis leidenschaftlicher Fünfter Symphonie eines von Bychkovs Paradestücken. Außerdem interpretiert der außergewöhnliche koreanische Pianist Seong-Jin Cho Ravels glitzerndes, vom Jazz inspiriertes Klavierkonzert in G-Dur. Man darf sich auf ein Konzert freuen, das die Seele berührt und die Ohren verzaubert.</video:description>
<video:duration>5154</video:duration>
<video:publication_date>2025-10-02T13:53:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T16:45:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCC8</loc>
<video:video>
<video:title>Finding Gratitude</video:title>
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<video:description></video:description>
<video:duration>270</video:duration>
<video:publication_date>2025-11-24T10:41:50Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-27T14:02:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCC0</loc>
<video:video>
<video:title>Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: Nos. 7 - 15 &quot;Old Dance Tunes&quot;</video:title>
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<video:description>In this 80th anniversary year of the composer’s death (on 26 September 1945), Várjon, who records on our partner label CAvi music, plays a group of &quot;Old Dance Tunes&quot; from his countryman Bartók&apos;s collection of 15 Hungarian Peasant Songs for Piano, Sz. 71.</video:description>
<video:duration>348</video:duration>
<video:publication_date>2025-11-24T09:35:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T14:02:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCD8</loc>
<video:video>
<video:title>Great Arias – La belle Hélène: &quot;C&apos;est le ciel qui m&apos;envoi&quot;</video:title>
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<video:description></video:description>
<video:duration>608</video:duration>
<video:publication_date>2025-11-25T15:17:34Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T16:58:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJCD0</loc>
<video:video>
<video:title>Bach: In dulci jubilo, BWV 729.2</video:title>
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<video:description></video:description>
<video:duration>142</video:duration>
<video:publication_date>2025-11-25T15:00:53Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T10:01:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34D0</loc>
<video:video>
<video:title>Bartók: Im Freiens, Sz. 81: V. Hetzjagd (Festspielhaus Baden-Baden, 2025)</video:title>
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<video:description></video:description>
<video:duration>118</video:duration>
<video:publication_date>2025-07-07T09:53:31Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:58:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3EE0</loc>
<video:video>
<video:title>Zeffirellis La traviata – mit Teresa Stratas und Plácido Domingo</video:title>
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<video:description>Märchenhafte Schönheit und Liebe zum Detail zeichnen die Inszenierungen von Franco Zeffirelli aus. Kreativität und einzigartige Begabung krönen die Besetzung der New Yorker Metropolitan Opera. Hier kommt alles zusammen: Zeffirelli führt Regie in dieser Verfilmung von Verdis La traviata aus dem Jahr 1982, während die Met Sänger von Weltklasse stellt. Zeffirellis prachtvolles Paris des 19. Jahrhunderts bietet eine wahrhaft opulente Kulisse für Teresa Stratas als begehrte Violetta und Plácido Domingo als Geliebten Alfredo. Zwei Stars stehen vor der Kamera in einem seltenen Opernfilm voll der Leidenschaft und Unmittelbarkeit des ganz großen Theaters.</video:description>
<video:duration>6366</video:duration>
<video:publication_date>2023-10-12T08:51:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:48:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPL</loc>
<video:video>
<video:title>Wagner: Die Walküre – mit Bryn Terfel, Jonas Kaufmann &amp; Deborah Voigt</video:title>
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<video:description>Etwa 20 Jahre nach der letzten vollständigen Produktion von Wagners Tetralogie Der Ring des Nibelungen an der Metropolitan Opera feierte im Laufe der Spielzeiten 2010–11 und 2011–12 Robert Lepages sensationelle Inszenierung in New York Premiere. Lepage glückte es durch die Kombination von modernster Technologie und souveräner Erzählkunst, Wagners Vision ins 21. Jahrhundert zu übertragen. Im zweiten Teil des Epos, Die Walküre, betritt die Handlung die Menschen-Welt. Unter James Levines Leitung verkörpern der Tenor Jonas Kaufmann und die Sopranistin Eva-Maria Westbroek Siegmund und Sieglinde, die Zwillingskinder von Wotan. Bassbariton Bryn Terfel tritt als Wotan, die Sopranistin Deborah Voigt als dessen Lieblingstochter Brünnhilde auf.</video:description>
<video:duration>14408</video:duration>
<video:publication_date>2025-09-19T07:19:10Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:48:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPK</loc>
<video:video>
<video:title>Wagner: Siegfried – mit Jay Hunter Morris &amp; Bryn Terfel</video:title>
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<video:description>Etwa 20 Jahre nach der letzten vollständigen Produktion von Wagners Tetralogie Der Ring des Nibelungen an der Metropolitan Opera feierte im Laufe der Spielzeiten 2010–11 und 2011–12 Robert Lepages sensationelle Inszenierung in New York Premiere. Lepage glückte es durch die Kombination von modernster Technologie und souveräner Erzählkunst, Wagners Vision ins 21. Jahrhundert zu übertragen. Der Tenor Jay Hunter Morris ist der furchtlose Titel-Held in der dritten Oper des Zyklus´. Unter der Leitung des Dirigenten Fabio Luisi übernehmen die Sopranistin Deborah Voigt und der Bassbariton Bryn Terfel die Hauptrollen der Brünnhilde und des Wanderers, als der Göttervater Wotan in diesem Teil des Epos´ auftritt.</video:description>
<video:duration>14336</video:duration>
<video:publication_date>2025-09-19T07:03:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPJ</loc>
<video:video>
<video:title>Wagner: Rheingold – mit Bryn Terfel &amp; Eric Owens</video:title>
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<video:description>Etwa 20 Jahre nach der letzten vollständigen Produktion von Wagners Tetralogie Der Ring des Nibelungen an der Metropolitan Opera feierte im Laufe der Spielzeiten 2010–11 und 2011–12 Robert Lepages sensationelle Inszenierung in New York Premiere. Lepage glückte es durch die Kombination von modernster Technologie und souveräner Erzählkunst, Wagners Vision ins 21. Jahrhundert zu übertragen. Das vierteilige Epos endet mit einem kataklysmischen Finale, in dem alle Fäden der epischen Handlung zusammenlaufen. Am Ende soll das Selbst-Opfer einer Frau die Welt erlösen. Die Sopranistin Deborah Voigt und der Tenor Jay Hunter Morris agieren als Brünnhilde und Siegfried unter der Leitung von Fabio Luisi.</video:description>
<video:duration>9749</video:duration>
<video:publication_date>2025-09-18T16:34:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPI</loc>
<video:video>
<video:title>Wagner: Götterdämmerung  – mit Deborah Voigt &amp; Jay Hunter Morris</video:title>
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<video:description>Etwa 20 Jahre nach der letzten vollständigen Produktion von Wagners Tetralogie Der Ring des Nibelungen an der Metropolitan Opera feierte im Laufe der Spielzeiten 2010–11 und 2011–12 Robert Lepages sensationelle Inszenierung in New York Premiere. Lepage glückte es durch die Kombination von modernster Technologie und souveräner Erzählkunst, Wagners Vision ins 21. Jahrhundert zu übertragen. Das vierteilige Epos endet mit einem kataklysmischen Finale, in dem alle Fäden der epischen Handlung zusammenlaufen. Am Ende soll das Selbst-Opfer einer Frau die Welt erlösen. Die Sopranistin Deborah Voigt und der Tenor Jay Hunter Morris agieren als Brünnhilde und Siegfried unter der Leitung von Fabio Luisi.</video:description>
<video:duration>16243</video:duration>
<video:publication_date>2025-09-18T16:09:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPH</loc>
<video:video>
<video:title>Tschaikowski: Eugen Onegin – mit Renée Fleming &amp; Dmitri Hvorostovsky</video:title>
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<video:description>Vom Schmerz unerwiderter Liebe erzählt diese unvergessliche Produktion von Tschaikowskys Eugen Onegin mit unübertroffener Intensität. Die Sopranistin Renée Fleming verkörpert die schüchterne Tatjana mit schauspielerischer und stimmlicher Leuchtkraft; und dem weltgewandten Titelhelden, in den sich Tatjana verliebt, verleiht Bariton Dmitri Hvorostovsky sein umwerfendes Charisma. Die Handlung kulminiert in einer der ergreifendsten Schlussszenen der Operngeschichte. Das vokale Star-Ensemble und Dirigent Valery Gergiev machen diese Interpretation von Tschaikowskys leidenschaftlichem Werk zu einer Aufführung für die Ewigkeit.</video:description>
<video:duration>9394</video:duration>
<video:publication_date>2025-09-18T15:58:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHP</loc>
<video:video>
<video:title>Rossini: La Cenerentola – mit Elīna Garanča &amp; Lawrence Brownlee</video:title>
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<video:description>Rossini war wie kein anderer Komponist dazu prädestiniert, das zauberhafte Märchen von Aschenputtel in funkelnde Musik zu verwandeln. Seine geschundene Heldin Angelina (Mezzosopranistin Elīna Garanča) muss sich nicht nur mit bösen Stiefschwestern herumschlagen, sondern auch mit einem exaltierten, geradezu grotesken Vater (Bariton Alessandro Corbelli). In dieser Version sorgt der Identitätstausch zwischen dem Prinzen (Tenor Lawrence Brownlee) und seinem Diener (Bariton Simone Alberghini) zu endlosen, köstlichen Verwirrungen. Cesare Lievis Inszenierung besitzt die Poesie eines bezaubernden Bilderbuchs, und unter den Händen des Dirigenten Maurizio Benini klingt die Oper so leicht und delikat wie ein wunderbares musikalisches Soufflé.</video:description>
<video:duration>9822</video:duration>
<video:publication_date>2025-09-18T15:34:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:46:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9I</loc>
<video:video>
<video:title>Poulenc: Dialogues des Carmélites</video:title>
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<video:description>John Dexter brachte 1977 als erster Regisseur Poulencs Meisterwerk Dialogues des Carmélites auf die Bühne der Metropolitan Opera. Seit damals ist die Inszenierung eine Lieblingsproduktion des Met-Publikums geblieben. Diese Wiederaufnahme aus dem Jahr 2019 präsentiert unter der Leitung von Musikdirektor Yannick Nézet-Séguin eine besonders hochkarätige Besetzung: Isabel Leonard verkörpert die Hauptrolle der Blanche de la Force, die sich einem Karmeliterinnenkloster anschließt, um den Schrecken der Französischen Revolution zu entkommen. Zum Ensemble gehören außerdem Karita Mattila als Madame de Croissy, Erin Morley, Adrianne Pieczonka und Karen Cargill als Blanches Klosterschwestern sowie David Portillo als Chevalier de la Force.</video:description>
<video:duration>10124</video:duration>
<video:publication_date>2025-10-02T09:14:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:46:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHO</loc>
<video:video>
<video:title>Massenet: Thaïs – mit Renée Fleming &amp; Thomas Hampson</video:title>
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<video:description>Wenn die schönste und begehrteste Kurtisane der Welt auf einen asketischen Mönch trifft, der sein Leben Gott gewidmet hat, müssen zwangsläufig die erotischen Funken sprühen; und wenn sich diese Begegnung in einer prächtigen, aber selten aufgeführten Oper von Massenet ereignet, darf man ein Fest für die Augen und für die Ohren erwarten. Die in Christian Lacroix´ elegante Kleider gehüllte Sopranistin Renée Fleming ist die perfekte Interpretin der glamourösen Thaïs, Bariton Thomas Hampson eine ebenso ideale Besetzung für den von Skrupeln gequälten Mann Gottes. John Cox´ brillante Inszenierung bildet einen perfekten Rahmen für die musikdramatische Darstellung eines Konflikts, der so alt ist wie die Zivilisation selbst.</video:description>
<video:duration>8293</video:duration>
<video:publication_date>2025-09-18T14:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHN</loc>
<video:video>
<video:title>Dvořák: Rusalka – mit Renée Fleming &amp; Piotr Beczała</video:title>
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<video:description>Die Premiere von Richard Eyres atemberaubender Inszenierung von Bizets Oper war in New York am Silvesterabend 2009 der »talk of the town“. Im Zentrum steht die Mezzosopranistin Elīna Garanča in der Rolle der ikonischen Verführerin Carmen – einer von  allen Männern begehrten Frau, die sich selbst bis zum bitteren Ende treu bleibt. Der Tenor Roberto Alagna verkörpert den Soldaten Don José, der alles für seine Liebe opfert, um schließlich von Carmen verstoßen zu werden, als der Stierkämpfer Escamillo (Bariton Teddy Tahu Rhodes) ihr Interesse weckt. Die szenischen Arrangements des Star-Choreografen Christopher Wheeldon und Yannick Nézet-Séguins inspiriertes Dirigat bringen alle Facetten von Bizets Meisterwerk auf bestechende Weise zum Leuchten.</video:description>
<video:duration>9935</video:duration>
<video:publication_date>2025-09-18T10:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:36Z</lastmod>
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<url>
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<video:title>Donizetti: Roberto Devereux – mit Sondra Radvanovsky</video:title>
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<video:description>Die dramatische, herzzerreißende Liebesgeschichte zwischen Königin Elisabeth I. und dem Earl of Essex inszeniert Regisseur David McVicars in seiner atmosphärischen Met-Produktion als Theaterstück im Theaterstück, das sich vor den Augen des gesamten Königshofs abspielt. Glanzvoll verkörpert Sondra Radvanovskys die alternde Monarchin, die zwischen ihren Pflichten als Herrscherin Englands und ihren Gefühlen als Liebende hin- und hergerissen wird. Als wankelmütiger Roberto Devereux, dem Earl of Essex, steht Matthew Polenzani au der Bühne. Die Mezzosopranistin Elīna Garanča als Sara und der Bariton Mariusz Kwiecień als deren Ehemann komplettieren unter der Leitung von Maurizio Benini das Quartett der Hauptdarsteller*innen.</video:description>
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<video:publication_date>2025-10-02T08:07:42Z</video:publication_date>
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<lastmod>2025-11-26T09:45:25Z</lastmod>
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<url>
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<video:title>Bizet: Carmen – mit Elīna Garanča &amp; Roberto Alagna</video:title>
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<video:description>Die Premiere von Richard Eyres atemberaubender Inszenierung von Bizets Oper war in New York am Silvesterabend 2009 der »talk of the town“. Im Zentrum steht die Mezzosopranistin Elīna Garanča in der Rolle der ikonischen Verführerin Carmen – einer von  allen Männern begehrten Frau, die sich selbst bis zum bitteren Ende treu bleibt. Der Tenor Roberto Alagna verkörpert den Soldaten Don José, der alles für seine Liebe opfert, um schließlich von Carmen verstoßen zu werden, als der Stierkämpfer Escamillo (Bariton Teddy Tahu Rhodes) ihr Interesse weckt. Die szenischen Arrangements des Star-Choreografen Christopher Wheeldon und Yannick Nézet-Séguins inspiriertes Dirigat bringen alle Facetten von Bizets Meisterwerk auf bestechende Weise zum Leuchten.</video:description>
<video:duration>9782</video:duration>
<video:publication_date>2025-09-18T08:40:19Z</video:publication_date>
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<lastmod>2025-11-26T09:45:09Z</lastmod>
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<url>
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<video:title>Benjamin Bernheim in Offenbachs Les Contes d’Hoffmann</video:title>
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<video:description>Der französische Tenor Benjamin Bernheim ist in dieser Salzburger Neuproduktion von Offenbachs Les Contes d’Hoffmann in einer seiner Paraderollen zu erleben. Er verkörpert den Dichter Hoffmann in seinem Liebesrausch, während uns die Inszenierung unter der Regie von Mariame Clément durch eine Reihe von fantastischen Episoden führt: von Paris nach München und Venedig. Kate Lindsey ist die Muse, die Hoffmann begleitet, Christian Van Horn sein Widersacher in vierfacher Gestalt, während die Sopranistin Kathryn Lewek in die Personifikationen seiner Begierden schlüpft. Offenbach-Spezialist Marc Minkowski dirigiert die Oper am Pult der Wiener Philharmoniker.</video:description>
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<video:publication_date>2024-08-28T08:05:32Z</video:publication_date>
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<lastmod>2025-11-25T10:36:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ6CO</loc>
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<video:title>Brahms: Violinsonate Nr. 1 in G-Dur, Op. 78</video:title>
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<video:description>In Zusammenarbeit mit dem Brahms-Institut der Musikhochschule Lübeck präsentiert STAGE+ eine Reihe von Videos, in denen Originalmanuskripte von Brahms in Echtzeit neben klassischen Aufnahmen aus dem Katalog der Deutschen Grammophon zu sehen sind.</video:description>
<video:duration>113</video:duration>
<video:publication_date>2025-11-05T10:14:06Z</video:publication_date>
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<lastmod>2025-11-25T09:25:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GC8</loc>
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<video:title>Mirga Gražinytė-Tyla dirigiert Britten und Čiurlionis</video:title>
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<video:description>Dieses von Mirga Gražinytė-Tyla in der Philharmonie von Vilnius dirigierte Konzert ist ein doppeltes Fest: Gefeiert wird zugleich das Meer und der 150. Geburtstag des großen litauischen Komponisten und Künstlers Mikalojus Čiurlionis im Jahr 2025. Das Konzert endet mit einem von Čiurlionis bedeutendsten Werken, der prächtigen Tondichtung The Sea. Sie entstand 1907, vier Jahre vor dem frühen Tod des Komponisten im Alter von 36 Jahren. Mit einer weiteren berühmten Beschwörung des Meeres – den Sea Interludes aus Benjamin Brittens Oper Peter Grimes von 1945 – beginnt das Konzert. Self-Portrait with Čiurlionis, das im Zentrum des Programms erklingt, stammt vom kanadischen Komponisten Joel Hoffman und würdigt Čiurlionis aus zeitgenössischer Sicht.</video:description>
<video:duration>5778</video:duration>
<video:publication_date>2025-04-28T16:31:58Z</video:publication_date>
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<lastmod>2025-11-24T15:34:49Z</lastmod>
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<url>
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<video:title>Hilary Hahn: Ein Porträt</video:title>
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<video:description>Dieser Film von Benedikt Mirow aus dem Jahr 2005 zeigt eine der großen Musikerinnen unserer Zeit auf dem Höhepunkt ihrer frühen Karriere. Bereits damals wurde Hilary Hahn, die sich schnell zu einer Ikone der Klassikwelt entwickeln sollte, als „Jahrhunderttalent“ bezeichnet. Der Film zeigt, wie die Geigerin zwischen den Metropolen der Welt von einem Konzert zum nächsten jettet – und dabei immer die Professionalität eines Popstars ausstrahlt. Der Film begleitet Hahn unter anderem ins Hong Kong Cultural Centre, in die Berliner Philharmonie und in die berühmten Abbey Road Studios in London. So entsteht das intime Porträt einer kosmopolitischen jungen Musikerin, die klassische Werke mit frischer Intensität zu interpretieren vermag.</video:description>
<video:duration>3455</video:duration>
<video:publication_date>2025-03-12T13:49:20Z</video:publication_date>
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<lastmod>2025-11-24T13:15:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJAE8</loc>
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<video:title>Great Arias – Hamlet: &quot;Vains regrets!&quot; &amp; &quot;J&apos;ai pu frapper le misérable&quot;</video:title>
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<video:duration>570</video:duration>
<video:publication_date>2025-11-21T09:36:50Z</video:publication_date>
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<lastmod>2025-11-24T10:58:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1O</loc>
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<video:title>Claudio Abbado und die Berliner Philharmoniker: Debussy, Rihm, Britten</video:title>
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<video:description>In den späten Jahren seiner Amtszeit als Chefdirigent der Berliner Philharmoniker hatte Claudio Abbado das Profil des Orchesters entscheidend erweitert: Ausgehend von seinem legendären Klang und seiner Virtuosität öffnete er neue Horizonte jenseits der klassischen mitteleuropäischen Tradition. Dieses 2000 in Köln aufgezeichnete Konzert zeigt ihn auf der Höhe seiner Kunst – mit Debussy und Ravel als Wegweisern in schillernde, nächtliche Klangwelten und Philip Langridge sowie Stefan Dohr als Solisten in Brittens Serenade. Den Auftakt bildet Wolfgang Rihms eindringliche Reflexion über die deutsche Geschichte, kurz nach ihrer Berliner Uraufführung.</video:description>
<video:duration>4763</video:duration>
<video:publication_date>2025-11-06T14:12:16Z</video:publication_date>
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<lastmod>2025-11-24T09:23:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9K</loc>
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<video:title>Joachim Kühn im Festsaal Bayerischer Hof</video:title>
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<video:description>Der Pianist Joachim Kühn gilt als musikalischer Weltbürger – ein Künstler, dessen Spiel sich jeder Schublade entzieht. Seit seinen frühen Jahren als prominenter Vertreter des Free Jazz in der DDR und seiner spektakulären Flucht in den Westen gehört er zu den prägenden Stimmen des europäischen Jazz. Beim Münchener Klaviersommer war er ein idealer Gast: Dieses Solo-Recital aus dem stilvollen Ambiente des Bayerischen Hofs zeigt Kühn kurz vor der Jahrtausendwende in bester Form – mit einem Programm, das von Bach bis zu seinem langjährigen Idol Ornette Coleman reicht.</video:description>
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<video:publication_date>2025-11-13T14:48:23Z</video:publication_date>
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<lastmod>2025-11-24T09:21:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0D0</loc>
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<video:title>Daniil Trifonov in Castelfranco</video:title>
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<video:description>Mit nur 23 Jahren hatte Daniil Trifonov bereits die Tschaikowsky- und Rubinstein-Wettbewerbe gewonnen – doch Auszeichnungen erzählen nur einen Teil seiner Geschichte. In Daniil Trifonov in Castelfranco (2013) begegnen wir einem Pianisten, der die Grenzen zwischen Komponieren, Improvisieren und Interpretieren mühelos auflöst. Der Film fängt einen Moment ein, in dem Trifonovs kometenhafter Aufstieg von einer erstaunlichen Innerlichkeit begleitet wird – ein Porträt eines Genies in Bewegung und eines jungen Künstlers, der bereits dabei ist, das Klavierspiel, das Denken und das Träumen neu zu erfinden.</video:description>
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<video:publication_date>2025-10-23T13:04:02Z</video:publication_date>
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<lastmod>2025-11-21T14:35:24Z</lastmod>
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<url>
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<video:title>Gluck: Orphée et Eurydice in der Fassung von Berlioz</video:title>
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<video:description>Christoph Willibald Glucks Opern, in denen die französischen und italienischen Gattungstraditionen einer tiefgreifenden Reform unterzogen wurden, gerieten nach dem Tod des Komponisten in Vergessenheit. Hector Berlioz initiierte in Paris eine Renaissance, die mit dem überwältigend schönen Werk Orphée et Eurydice begann. Dabei schrieb der französische Komponist die Kastratenrolle des Orpheus´ für die Mezzosopranistin Pauline Viardot um. In dieser stilvollen Inszenierung von Aurélien Bory, die 2018 an der Opéra Comique aufgezeichnet wurde, übernimmt die junge Sängerin Marianne Crebassa die Hauptrolle. Die Besetzung komplettieren die Sängerinnen Hélène Guilmette und Lea Desandre sowie Raphaël Pichon und sein glänzendes Ensemble Pygmalion.</video:description>
<video:duration>5922</video:duration>
<video:publication_date>2025-10-16T10:32:24Z</video:publication_date>
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<lastmod>2025-11-21T14:20:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9H</loc>
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<video:title>The Manhattan Transfer in der Philharmonie im Gasteig</video:title>
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<video:description>„Wir haben nie behauptet, eine Popgruppe zu sein“, sagt Janis Siegel von The Manhattan Transfer. „Wir haben auch nie behauptet, eine Jazzgruppe zu sein. Wir sind ein Vokal-Ensemble“. Es lässt sich tatsächlich nicht bestreiten, dass dieses New Yorker Vokalquartett über eine außergewöhnliche, die vertrauten Genre-Grenzen übergreifende Anziehungskraft verfügt. „Exzellenz gibt es in allen musikalischen Stilrichtungen“ erklärte das Gründungsmitglied Alan Paul einmal. Das beweist auch dieser von wunderbarem Swing und dem unverwechslbaren Jazz-Fusion-Sound der Gruppe geprägte Auftritt beim Münchner Klaviersommer des Jahres 1991. Ein abendfüllendes Fest der Stimmen, dessen Spektrum vom Lounge-Jazz bis zu Latin-Grooves reicht.</video:description>
<video:duration>6620</video:duration>
<video:publication_date>2025-10-23T11:44:54Z</video:publication_date>
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<lastmod>2025-11-21T13:59:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPM</loc>
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<video:title>Maxim Vengerov spielt Tschaikowskys Violinkonzert</video:title>
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<video:description>Im Sommer 1990 fühlte sich das Ende des Kalten Krieges noch wie ein Wunder an – und ein vergleichbares ungläubiges Staunen riefen die großen sowjetischen Orchester und Künstler*innen hervor, die nun im Westen auftreten konnten. Diese Münchner Aufführung von Tschaikowskys unvergänglichem Violinkonzert mit dem Moscow State Symphony Orchestra gibt die Atmosphäre dieser einzigartigen Zeit wieder. Auf der Bühen standen zwei glänzende Repräsentanten der russischen Musik im 21. Jahrhundert, die sich damals auf dem Höhepunkt ihrer jugendlichen Schaffenskraft befanden. Der Dirigent Pavel Kogan war noch in seinen Dreißigern, und Maxim Vengerov gerade einmal 16 Jahre alt. Zum Abschluss schenkte Vengerov dem Publikum eine umwerfende Paganini-Zugabe.</video:description>
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<video:publication_date>2025-09-22T08:17:48Z</video:publication_date>
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<lastmod>2025-11-21T13:30:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8D8</loc>
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<video:title>Beethoven: Klaviersonate Nr. 30 op. 109 in E-Dur: I. Vivace ma non troppo – Adagio espressivo</video:title>
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<video:duration>240</video:duration>
<video:publication_date>2025-11-18T10:19:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-21T09:49:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8CO</loc>
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<video:title>Einaudi: Fly</video:title>
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<video:duration>237</video:duration>
<video:publication_date>2025-11-18T09:52:39Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-21T09:47:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJAE0</loc>
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<video:title>Max Raabe &amp; Palast Orchester - MTV Unplugged: Hinter den Kulissen</video:title>
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<video:publication_date>2025-11-20T15:00:37Z</video:publication_date>
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<lastmod>2025-11-21T09:41:33Z</lastmod>
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<video:title>Über Opus 109</video:title>
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<video:duration>646</video:duration>
<video:publication_date>2025-11-05T16:19:51Z</video:publication_date>
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<lastmod>2025-11-21T07:31:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0CO</loc>
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<video:title>Víkingur Ólafsson: „My Favourite Melodies“</video:title>
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<video:description>Der Pianist Víkingur Ólafsson spricht über Musik, die ihn seit Jahren begleitet – von isländischen Liedern bis zu Bach, Mozart, Rameau und Philip Glass. Er erzählt, welche Werke ihn besonders anziehen, wie sich ihre Bedeutung im Spiel wandelt und warum sich überraschende Linien zwischen Volksweisen, barocker Fantasie und moderner Minimal Music ergeben. Im Wechsel von Gespräch und Klavier wird ein lebendiges Porträt des Grammy-prämierten Pianisten und seiner unerschöpflichen Neugier sichtbar.</video:description>
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<video:publication_date>2025-10-23T09:17:19Z</video:publication_date>
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<lastmod>2025-11-21T07:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGE8</loc>
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<video:title>Waldbühne 1996: Eine italienische Nacht – mit Claudio Abbado</video:title>
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<video:description>Claudio Abbado feiert die italienische Oper auf einer der schönsten Freilichtbühnen Europas, der Berliner Waldbühne. Begleitet von den Berliner Philharmonikern singen die Sopranistin Angela Gheorghiu, der Tenor Sergej Larin und der Bassbariton Bryn Terfel Arien und Duette aus Opern von Verdi und Bellini, zu hören ist auch der Rundfunkchor Berlin – eine italienische Nacht an der Spree, kein anderer hätte sie so dirigieren können. Abbado verabschiedet sein Publikum mit Paul Lincke in die Berliner Luft.</video:description>
<video:duration>6434</video:duration>
<video:publication_date>2023-06-19T13:18:59Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-20T20:06:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9G</loc>
<video:video>
<video:title>Die All Stars des Newport Jazz Festivals</video:title>
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<video:description>Die Kooperation von zwei großartigen Festivals führt zu einer unvergesslichen Nacht! Seit 1954 treten beim Newport Jazz Festival die größten Stars des Jazz zusammen auf. Derselbe Geist inspirierte – im Sinne einer magischen Begegnung ganz unterschiedlicher musikalischer Persönlichkeiten und Stile – auch den Münchner Klaviersommer. 1991 brachte George Wein, der geniale Gründer des amerikanischen Festivals, seine All Stars nach Deutschland. So kam es zu diesem ansteckend gut gelaunten und beneidenswert entspannten Konzert. Zu den All Stars, die Anfang der 1990er Jahre ihr Comeback gefeiert hatten, gehörten in München der Trompeter Warren Vaché, der Saxophonist Lew Tabackin und George Wein persönlich am Keyboard.</video:description>
<video:duration>7427</video:duration>
<video:publication_date>2025-11-10T14:52:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T14:40:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1I</loc>
<video:video>
<video:title>Max Raabe &amp; Palast Orchester – MTV Unplugged</video:title>
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<video:description>Die Idee war gewagt, das Ergebnis aber ein einzigartiges Event: In der Serie MTV Unplugged musizierten 2019 Max Raabe und sein legendäres Palast Orchester mit einigen der größten Stars der aktuellen europäischen Popmusik. Raabe und seine Band, die für ihre grandiosen Beschwörungen des Geists (und Sounds) der 1920er Jahre in Berlin gefeiert werden, trafen unter anderem auf LEA, Lordi, Namika und den Rapper Samy Deluxe. Der ideale Schauplatz des abendfüllenden, von unwiderstehlichem Swing beseelten Auftritts war das seit 1913 existierende Berliner Tanzlokal Clärchens Ballhaus. Ein so unterhaltsames wie einmaliges Konzert, bei dem sich völlig unterschiedliche musikalische Stile auf begeisternde Weise miteinander verbinden.</video:description>
<video:duration>5989</video:duration>
<video:publication_date>2025-11-03T09:28:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T14:12:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8D0</loc>
<video:video>
<video:title>Skrjabin: 24 Préludes, Op. 11: Nr. 21 in B-Dur. Andante</video:title>
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<video:description></video:description>
<video:duration>82</video:duration>
<video:publication_date>2025-11-18T09:56:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-20T09:26:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJEE8</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Mutter’s Virtuosi—Bach, Bologne, Previn &amp; Vivaldi</video:title>
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<video:description>Anne-Sophie Mutter und ihre handverlesenen Mutter&apos;s Virtuosi sind im legendären Wiener Musikverein zu erleben. Das Programm entspricht den Künstler:innen, es ist vielseitig und verlangt nach technischer Meisterschaft. Das Barock wird lebendig, mit Bachs berühmtem Violinkonzert in a-Moll und dem Brandenburgischen Konzert Nr. 3 sowie Vivaldis Konzert in F-Dur für drei Violinen. Die Klassik erklingt mit dem Werk eines faszinierenden Multitalents seiner Epoche, Mutter spielt das A-Dur-Konzert von Joseph Bologne, Chevalier de Saint-Georges. In der Gegenwart schließlich endet der Auftritt, zu hören ist André Previns Nonett aus dem Jahr 2014. Eigens für die Geigerin und ihr herausragendes Ensemble hatte der Komponist diese Musik geschrieben.</video:description>
<video:duration>5747</video:duration>
<video:publication_date>2023-07-10T15:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-19T16:15:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGC0</loc>
<video:video>
<video:title>„Towards the Light“ – Porträt von Alexander Skrjabin</video:title>
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<video:description>Wer war Alexander Skrjabin? Ein virtuoser Pianist, dessen Musik unbekanntes Terrain eroberte? Ein Visionär und Mystiker, der in einer vom Untergang bedrohten Welt schillernde Prophezeiungen formulierte? Oder einfach ein genialer Komponist, der mit seiner Fantasie, Wildheit und Sinnlichkeit bis an die Grenzen der spätromantischen Kunst vorstieß? Im biografischen Dokumentarfilm „Towards the Light“ versuchen die Pianisten Vladimir Ashkenazy und Vladimir Horowitz, der Dirigent Mikhail Pletnev und Skrjabins Tochter Marina, diese Fragen zu beantworten. Das Porträt umfasst extra für diesen Anlass gedrehte Sequenzen und Archivmaterial – unter anderem eine der wenigen erhaltenen Aufnahmen, in denen Skrjabin seine eigene Musik spielt.</video:description>
<video:duration>3496</video:duration>
<video:publication_date>2025-03-19T17:09:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T16:07:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36D8</loc>
<video:video>
<video:title>Beethoven: Ah! Perfido!</video:title>
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<video:description></video:description>
<video:duration>875</video:duration>
<video:publication_date>2025-07-11T12:57:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T16:03:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32D8</loc>
<video:video>
<video:title>Mein Leben mit Richard Strauss</video:title>
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<video:description></video:description>
<video:duration>3324</video:duration>
<video:publication_date>2025-06-20T12:40:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE CH AT</video:restriction>
</video:video>
<lastmod>2025-11-18T16:02:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9G</loc>
<video:video>
<video:title>András Schiff spielt Chopins Préludes Op. 28</video:title>
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<video:description>Das Anhören der 24 Préludes von Chopins gleicht dem Blättern in einem geheimen Tagebuch der Romantik. Liszt verglich die außergewöhnlichen Miniaturen mit den „Präludien eines großen zeitgenössischen Dichters, der die Seele in goldene Träume wiegt und sie in die Höhen des Ideals erhebt.“ Für András Schiff eröffnen die Préludes ganze Welten der Fantasie. Seine hier vorliegende, so gedankenreiche wie emotionale Interpretation des vollständigen Zyklus wurde live im Conservatoire National Supérieur d&apos;Art Dramatique in Chopins Wahlheimat Paris aufgezeichnet. Zur Authentizität des Konzerts trägt bei, dass Schiff auf einem restaurierten Pleyel-Flügel von 1860 spielt, der den vom Komponisten verwendeten Instrumenten ähneln dürfte.</video:description>
<video:duration>2322</video:duration>
<video:publication_date>2025-10-23T11:30:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T14:09:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38E0</loc>
<video:video>
<video:title>Julius Asal in Seoul: Skrjabin, Scarlatti &amp; Brahms</video:title>
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<video:description>Julius Asal, seit Oktober 2023 exklusiv bei der Deutschen Grammophon unter Vertrag, präsentiert live aus dem Seoul Arts Center ein Rezital, in dem er Repertoire aus seinem gefeierten ersten Album für das Yellow Label einer der großen Klaviersonaten des romantischen Repertoires gegenüberstellt. In der ersten Hälfte spielt er Werke von Skrjabin und Scarlatti, die durch kurze, von Asal selbst geschaffene Übergänge zu einem überzeugenden musikalischen Ganzen verwoben werden. In der zweiten Hälfte steht die monumentale Klaviersonate Nr. 3 des damals 20-jährigen Brahms auf dem Programm, die in fünf Sätzen die Technik, die Ausdauer sowie das Einfühlungsvermögen und die Musikalität eines jeden Interpreten auf die Probe stellt.</video:description>
<video:duration>7498</video:duration>
<video:publication_date>2024-08-16T13:33:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:38:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CC0</loc>
<video:video>
<video:title>Seong-Jin Cho &amp; Andris Nelsons in Seoul: Mendelssohn &amp; Schumann</video:title>
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<video:description>Im Rahmen der Feierlichkeiten zum 125-jährigen Bestehen von Deutsche Grammophon bringen Andris Nelsons und das Gewandhausorchester im Seoul Arts Center Werke von Felix Mendelssohn Bartholdy (einst selbst Kapellmeister in Leipzig) und Robert Schumann zur Aufführung. Zu hören sind »Das Märchen von der schönen Melusine«, eine Konzertouvertüre Mendelssohns, und seine stimmungsvolle Symphonie Nr. 3, die »Schottische« genannt und von eben dieser Landschaft 1829 inspiriert, doch erst 1842 uraufgeführt. Drei Jahre später vollendete Robert Schumann sein beliebtes romantisches Klavierkonzert, hier gespielt von dem gefeierten südkoreanischen Pianisten Seong-Jin Cho.</video:description>
<video:duration>5945</video:duration>
<video:publication_date>2023-11-20T19:15:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:31:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3AE8</loc>
<video:video>
<video:title>Víkingur Ólafsson in Seoul: Bachs Goldberg-Variationen</video:title>
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<video:description>Es ist die Veröffentlichung des Herbstes 2023 schlechthin – Víkingur Ólafssons Einspielung der Goldberg-Variationen von Johann Sebastian Bach, Nachfolgerin seines preisgekrönten Bach-Albums von 2018 und ein Projekt, mit dem sich der isländische Pianist einen lang gehegten Wunsch erfüllt. Der berühmte Virtuose geht auf Welttournee und spielt Bachs monumentales Klavierwerk quer über die Kontinente – seine nächste Saison ist ganz dieser Musik gewidmet. Hier ist er in der Hauptstadt Südkoreas zu erleben, oder über den Livestream auf STAGE+.</video:description>
<video:duration>4947</video:duration>
<video:publication_date>2023-12-17T17:49:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:30:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8DO</loc>
<video:video>
<video:title>Renaud Capuçon &amp; Kit Armstrong in Seoul: Violinsonaten von Mozart</video:title>
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<video:description>Für ihr Album mit Mozarts Sonaten für Klavier und Violine wurden Renaud Capuçon und Kit Armstrong schon von der Kritik gefeiert. Nun treffen sie, mit diesem Repertoire, im Seoul Arts Center erneut aufeinander. Sie spielen gemeinsam fünf beliebte Sonaten, die fast ein Jahrzehnt des Lebens von Mozart abdecken. Renaud Capuçon beschreibt die musikalische Beziehung mit Kit Armstrong als „wirklich inspirierend. Alles funktioniert auf völlig unkomplizierte und natürliche Weise.“ Und Kit Armstrong äußerte sich über das Projekt folgendermaßen: „Wenn ich höre, wie Renaud Mozarts Melodien mit all der Üppigkeit und Raffinesse spielt, die modernes Geigenspiel zu bieten hat, bin ich überzeugt: Es ist schön, und das ist, was zählt.“</video:description>
<video:duration>5314</video:duration>
<video:publication_date>2024-04-08T13:20:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:29:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3IC8</loc>
<video:video>
<video:title>Bomsori, Hrůša &amp; die Bamberger Symphoniker in Seoul: Bruch &amp; Beethoven</video:title>
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<video:description>Dieses im Seoul Arts Center aufgezeichnete Konzert präsentiert die Bamberger Symphoniker, eines der renommiertesten Orchester Deutschlands, unter der Leitung ihres Chefdirigenten Jakub Hrůša. Das Konzert führt mitten ins Herz der deutschen Musik des 19. Jahrhunderts und beginnt mit der selten gespielten Ouvertüre zu Wagners erster Oper „Die Feen“, die der Komponist als 21-Jähriger schrieb. Danach betritt die brillante Geigerin Bomsori als Solistin im beliebten Ersten Violinkonzert von Max Bruch die Bühne. In der zweiten Hälfte des Konzerts dirigiert Hrůša ein Paradestück seines Orchesters: Beethovens unwiderstehlich energetische Siebte Symphonie, die Wagner persönlich als „Apotheose des Tanzes“ bezeichnet hat.</video:description>
<video:duration>6118</video:duration>
<video:publication_date>2025-06-18T14:59:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:27:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJACG</loc>
<video:video>
<video:title>Mischa und Lily Maisky: Konzert aus Seoul</video:title>
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<video:description>Mischa und Lily Maisky treten gemeinsam in einem mit Spannung erwarteten Konzert im Seoul Arts Center auf. Das Rezital stellt einen wichtigen Meilenstein in der Genesung des Cellisten nach einer schweren Krankheit dar, mit einem speziell zusammengestellten Programm zur Feier des 20-jährigen Jubiläums des ersten gemeinsamen Auftritts mit seiner Tochter. In der ersten Hälfte des Programms erklingen Werke, die sie schon in ihrem ersten gemeinsamen Konzert spielten. Die folgenden, wunderbar romantischen Stücke von Brahms und Schumann werden dagegen zum ersten Mal vom Duo gemeinsam aufgeführt. So darf man sich auf ein sehr besonderes und bewegendes Fest-Konzert freuen, mit dem eine außergewöhnliche musikalische Partnerschaft gefeiert wird.</video:description>
<video:duration>6897</video:duration>
<video:publication_date>2025-06-26T13:12:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:26:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJIE8</loc>
<video:video>
<video:title>Yannick Nézet-Séguin und Beatrice Rana – Klavierduette</video:title>
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<video:description>Yannick Nézet-Séguin und Beatrice Rana geben einen Klavierabend zu vier Händen. Nachdem sie Orchesterwerke mit dem COE auf die Bühne Baden-Badens brachten – Nézet-Séguin dort als Dirigent –, weicht die große Geste nun intimem Spiel in dem selten aufgeführten Zyklus Bilder aus Osten von Robert Schumann und Brahms&apos; Walzerminiaturen. Zuvor ist das märchenhafte Ma mère l&apos;oye von Ravel zu hören, danach die ergreifende späte Fantasie in f-Moll von Franz Schubert. „Die beiden verstehen sich blind”, schreibt die FAZ über die Pianisten.</video:description>
<video:duration>5079</video:duration>
<video:publication_date>2023-06-29T13:53:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:17:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJIDG</loc>
<video:video>
<video:title>Nézet-Séguin und das COE: Brahms &amp; Clara Schumann – mit Beatrice Rana</video:title>
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<video:description>Zum Auftakt seines umjubelten Baden-Badener Brahms-Zyklus bringt Yannick Nézet-Séguin am Pult des Chamber Orchestra of Europe den symphonischen Erstling des Komponisten auf die Bühne. Über zwei Dekaden hatte Brahms gebraucht, um die Symphonie Nr. 1 zu vollenden, zu überwältigend war das Vorbild des Symphonikers Beethoven, aus dessen Schatten der „Komponist der Zukunft” nun trat. In der ersten Hälfte des Programms werden Dirigent und Orchester von der gefeierten italienischen Pianistin Beatrice Rana begleitet im Klavierkonzert von Clara Schumann, der Brahms ein Leben lang in tiefer Freundschaft verbunden war.</video:description>
<video:duration>4714</video:duration>
<video:publication_date>2023-06-29T08:59:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:16:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJIE0</loc>
<video:video>
<video:title>Nézet-Séguin und das COE: Brahms &amp; Robert Schumann – mit Beatrice Rana</video:title>
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<video:description>Yannick Nézet-Séguin und das Chamber Orchestra of Europe setzen ihren Brahms-Zyklus mit der Symphonie Nr. 2 des Komponisten fort. Inspiriert von der Umgebung, in der sie entstand – dem Wörthersee –, ist sie die sonnigste seiner Symphonien, eine sommerliche Pastorale. Brahms vollendete sie in Baden-Baden, und eben dort wird sie nun aufgeführt. Nachdem Nézet-Séguin die Erste Symphonie mit Clara Schumanns Klavierkonzert kombinierte, führt er die Zweite Symphonie mit dem Klavierkonzert ihres Mannes auf. Das Werk ist eine Liebeserklärung Schumanns an seine Frau. Hier wird sie angestimmt von Beatrice Rana, einer Pianistin von „unbändiger Virtuosität” und einer „musikalischen Intelligenz”, die andere in den Schatten stellt, so die New York Times.</video:description>
<video:duration>5547</video:duration>
<video:publication_date>2023-06-29T10:03:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4D0</loc>
<video:video>
<video:title>Manfred Honeck und María Dueñas mit Werken von Schmidt und Beethoven</video:title>
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<video:description>Solistin dieses Konzerts, das im Januar 2023 im Musikverein in Wien aufgezeichnet wurde, ist die zum Zeitpunkt der Aufnahme erst 20 Jahre alte Geigerin María Dueñas. Die kürzlich von der Deutschen Grammophon verpflichtete Spanierin schrieb für Beethovens lyrisches, höchst anspruchsvolles Violinkonzert einige eigene virtuose Kadenzen. Die Aufführung des Werks – Herzstück von Dueñas´ Debütalbum beim Yellow Label – wird von Manfred Honeck am Pult der Wiener Symphoniker dirigiert. In der zweiten Hälfte des Konzerts interpretieren Honeck und das Orchester die bewegende Vierte und letzte Sinfonie von Franz Schmidt. Der österreichische Komponist widmete das 1934 im Musikverein uraufgeführte elegische Meisterwerk dem Gedenken an seine Tochter.</video:description>
<video:duration>7050</video:duration>
<video:publication_date>2023-05-26T08:41:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:11:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2DG</loc>
<video:video>
<video:title>Joana Mallwitz dirigiert Strawinskys Le Sacre du printemps</video:title>
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<video:description>Im ersten „Expeditionskonzert“ der Hauptstadt – einem neuen Format, das Joana Mallwitz in ihrer ersten Saison als Chefdirigentin und Künstlerische Leiterin des Konzerthausorchesters Berlin vorstellt – spricht die inspirierende Musikerin über die unterschiedlichen Facetten von Strawinskys Le Sacre du printemps. Anhand von musikalischen Skizzen am Klavier und mit dem Orchester geht sie der Frage nach, was diese Komposition, die bei ihrer Uraufführung 1913 in Paris zum Skandal wurde, zu einem der wichtigsten Werke der Moderne macht. Auch 110 Jahre später kann die Musik noch schockieren, wie Mallwitz am Pult mit ihrer auf die Einführung folgenden grandiosen Darbietung beweist.</video:description>
<video:duration>5394</video:duration>
<video:publication_date>2024-01-15T15:41:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:08:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6E8</loc>
<video:video>
<video:title>Joana Mallwitz dirigiert Mendelssohns Sinfonie Nr. 4 &quot;Italienische&quot;</video:title>
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<video:description>In ihrem zweiten „Expeditionskonzert“ – einem neuen Format, das Joana Mallwitz in der Hauptstadt zum Auftakt ihrer Saison als Chefdirigentin und Künstlerische Leiterin des Konzerthausorchesters Berlin vorgestellt hat – widmet sich die innovative Dirigentin Mendelssohns Vierter Symphonie. Reiseeindrücke in Italien inspirierten die Klänge. Anhand von musikalischen Skizzen am Klavier und mit dem Orchester spürt Mallwitz der Lebenslust eines jungen Komponisten nach, der 1830 das Land mit Noten erfasst. Bis heute ist sein „musikalisches Tagebuch“ ein populärer Klassiker in den Konzertsälen dieser Welt. Warum das so ist, verdeutlicht Mallwitz am Pult mit einer auf ihre Moderation folgenden feurigen Darbietung.</video:description>
<video:duration>5585</video:duration>
<video:publication_date>2024-03-13T10:43:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:08:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3IDO</loc>
<video:video>
<video:title>Marie Awadis: Études Mélodiques – The Kühlhaus Sessions</video:title>
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<video:description>Die armenische Komponistin und Pianistin Marie Awadis präsentiert im Berliner Kühlhaus die Musik aus ihrem kommenden Debütalbum bei der Deutschen Grammophon, das ihre 12 „Études Mélodiques“ enthält. Sie spielt einige Werke solo am Klavier und vier der Études in neuen Versionen für Klavier und Streicherensemble - zwei davon hat sie speziell für diesen Film arrangiert und hier zum ersten Mal aufgeführt und aufgenommen. Die Aufführungen werden durch ein innovatives visuelles Konzept (produziert von Yoél Culiner) ergänzt, das für jedes Stück eine angemessene Atmosphäre schafft, um seine besondere melodische und poetische Kraft zu unterstreichen.</video:description>
<video:duration>3822</video:duration>
<video:publication_date>2024-10-10T10:17:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:02:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ID0</loc>
<video:video>
<video:title>Alice Sara Ott &amp; Friends: Messiaens Quatuor pour la fin du temps</video:title>
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<video:description>Drei ihrer engsten musikalischen Freunde – Sebastian Manz (Klarinette), Thomas Reif (Violine) und Sebastian Klinger (Cello) – begleiten die Pianistin Alice Sara Ott in einem der eindrucksvollsten Werke der Kammermusik, im Quatuor pour la fin du temps von Olivier Messiaen. Doch dies ist weit mehr als eine Aufführung begabter Musiker. Unter der Regie von Andrew Staples wird es zur Reise in die Psyche des Komponisten. Der britische Sänger und Filmemacher nutzt das Medium Licht, um Messiaens synästhetisches Erleben von Klängen zu visualisieren und eine Brücke zum Entstehungsort der Komposition zu schlagen, ins deutsche Kriegsgefangenenlager Stalag VIII-A in Görlitz.</video:description>
<video:duration>3093</video:duration>
<video:publication_date>2023-11-27T09:51:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T12:52:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CD0</loc>
<video:video>
<video:title>DG125-Gala – Mallwitz, Blechacz, Bomsori, Soltani, Liu und Schuen</video:title>
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<video:description>Im Rahmen der Feierlichkeiten zum 125-jährigen Bestehen der Deutschen Grammophon treten für dieses Galakonzert in Berlin hochkarätige Stars des Labels auf die Bühne. Joana Mallwitz dirigiert das Konzerthausorchester Berlin und brillante DG-Künstler:innen einer neuen Generation von Spitzenmusiker:innen: Bomsori, Kian Soltani und Rafał Blechacz bringen Beethovens Tripelkonzert zu Gehör, Andrè Schuen singt Mahlers Lieder eines fahrenden Gesellen und Bruce Liu stimmt gemeinsam mit dem RIAS Kammerchor die Chorfantasie von Beethoven an. Weitere Werke von Beethoven und Brahms runden das Programm ab für ein unvergessliches Fest.</video:description>
<video:duration>6292</video:duration>
<video:publication_date>2023-12-07T14:28:46Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T12:51:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ED0</loc>
<video:video>
<video:title>Daniil Trifonov in Tokio: Rameau, Mozart, Mendelssohn &amp; Beethoven</video:title>
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<video:description>Daniil Trifonov, der für dieses Konzert im April 2024 in der legendären Suntory Hall in Tokio live gefilmt wurde, präsentiert ein mitreißendes Rezital, das in einer der größten Herausforderungen des Klavierrepertoires gipfelt: Beethovens gewaltige &quot;Hammerklavier&quot;-Sonate von 1818 - ein revolutionäres Werk, das zu seiner Zeit alle Regeln für die Länge und die technischen Anforderungen einer Klaviersonate brach. Zum Abschluss des Programms spielt der Pianist eine Suite des französischen Barockmeisters Jean-Philippe Rameau, eine der beliebtesten Klaviersonaten Mozarts, sowie die virtuosen Variations sérieuses op. 54, die Felix Mendelssohn 1842 als Antwort auf die damals üblichen &quot;brillanten&quot; Variationen komponierte.</video:description>
<video:duration>8325</video:duration>
<video:publication_date>2024-09-04T12:27:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T12:50:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GDO</loc>
<video:video>
<video:title>Über The First of Everything</video:title>
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<video:description>In April last year Eunike Tanzil signed to Deutsche Grammophon, becoming the first female Asian composer to join the Yellow Label. Now the LA based Indonesian composer-pianist-producer has recorded her debut album, The First of Everything. Musical snapshots of a series of significant firsts in her life, its 12 tracks reveal the gift for storytelling that is central to her work, sharing her creativity and improvisational skills.
“It was my childhood dream to have my debut album recorded by a large orchestra. I feel very grateful and honoured that I’m part of this incredible project with so many great musicians.”</video:description>
<video:duration>548</video:duration>
<video:publication_date>2025-09-11T11:57:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-15T04:06:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1P</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Herbie Hancock: Klavier Solo und Duett</video:title>
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<video:description>Herbie Hancock und Friedrich Gulda – zwei Künstler, die sich nie an Regeln hielten, sondern eigene Wege suchten und damit die Grenzen ihrer Genres sprengten. Der Jazz-Pionier Hancock und der klassische Freigeist Gulda waren Seelenverwandte, deren Begegnungen auf der Bühne Funken schlugen. Beim Munich Klaviersommer 1989 zeigen sie, wie sich tiefes musikalisches Verständnis und spontane Kreativität vereinen lassen – in einem Programm, das von Bach bis Miles Davis reicht und Raum lässt für Guldas unverwechselbare Klangwelten.</video:description>
<video:duration>4107</video:duration>
<video:publication_date>2025-11-06T14:25:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-15T02:21:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0D0</loc>
<video:video>
<video:title>Chopin: 12 Etüden, op. 10 - Nr. 11 in Es-Dur „Arpeggio“</video:title>
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<video:description></video:description>
<video:duration>155</video:duration>
<video:publication_date>2024-11-13T12:32:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T15:24:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0CO</loc>
<video:video>
<video:title>Chopin: 12 Etüden, Op. 25 - Nr. 1 in As-Dur „Äolsharfe“</video:title>
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<video:description></video:description>
<video:duration>137</video:duration>
<video:publication_date>2024-11-13T12:25:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T15:23:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0C0</loc>
<video:video>
<video:title>Paganini: 24 Caprice Nr. 24 in a-Moll</video:title>
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<video:description></video:description>
<video:duration>431</video:duration>
<video:publication_date>2024-11-08T15:21:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T15:23:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3IDG</loc>
<video:video>
<video:title>Ruh</video:title>
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<video:description></video:description>
<video:duration>152</video:duration>
<video:publication_date>2024-10-30T10:53:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T15:19:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4D0</loc>
<video:video>
<video:title>Über die Goethe-Lieder &amp; Opus Anders</video:title>
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<video:description></video:description>
<video:duration>140</video:duration>
<video:publication_date>2025-11-03T15:36:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T15:14:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9J</loc>
<video:video>
<video:title>Friedrich Gulda: „Mozart No End and the Paradise Band“</video:title>
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<video:description>Der österreichische Pianist Friedrich Gulda liebte seinen Ruf als Grenzgänger – ebenso zu Hause im Jazz wie in den Extremen musikalischer Freiheit. Doch kaum ein Künstler seiner Generation verehrte Mozart inniger oder verstand ihn tiefer. Dieses 1990 im Wiener Konzerthaus aufgezeichnete Recital ist ein sehr persönliches, eigenwilliges Bekenntnis: Nach einem Satz aus dem Krönungskonzert und der kraftvollen c-Moll-Fantasie begegnet Gulda dem großen Improvisator auf Augenhöhe – gemeinsam mit seiner handverlesenen Paradise Band, in einer Jazz-Fusion von verblüffender Spielfreude und Originalität.</video:description>
<video:duration>2517</video:duration>
<video:publication_date>2025-11-13T13:48:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T15:11:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ID8</loc>
<video:video>
<video:title>Tschaikowsky: Die Jahreszeiten, op. 37a: X. Oktober. Herbstlied</video:title>
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<video:description></video:description>
<video:duration>347</video:duration>
<video:publication_date>2024-10-29T15:27:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:59:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ID0</loc>
<video:video>
<video:title>Moonlit</video:title>
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<video:description></video:description>
<video:duration>219</video:duration>
<video:publication_date>2024-10-29T13:06:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:58:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ICO</loc>
<video:video>
<video:title>Kreisler: Caprice viennois, Op. 2 (Bearb. Fougeray)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7d9dd52db71d7a77eb6296568be4013537b17e64.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>285</video:duration>
<video:publication_date>2024-10-28T15:08:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:51:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3IC0</loc>
<video:video>
<video:title>Vivaldi: Storm in Janoska Style</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7f392aaeb0d5547be2818aa99faafdb2671dd932.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>201</video:duration>
<video:publication_date>2024-10-16T08:00:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T14:45:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1J</loc>
<video:video>
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<video:title>Donizetti: La fille du régiment</video:title>
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<video:description>La Fille du régiment wurde 1840 an der Opéra-Comique in Paris aus der Taufe gehoben und erlebte 1914 am selben Ort seine 1000. Aufführung. Die bis heute populäre Oper markierte einen Höhepunkt in Donizettis glänzender Karriere in der französischen Hauptstadt. Das vor einprägsamen Melodien nur so sprühende Werk verlangt von den Sänger*innen ein hohes Maß an vokaler Virtuosität. Diese Aufführung fand 2021 beim Donizetti Opera Festival in Bergamo statt, der Heimatstadt des Komponisten. Großartig interpretieren Sopranistin Sara Blanch und Tenor John Osborn unter der Leitung von Michele Spotti die romantischen Hauptfiguren. Regisseur Luis Ernesto Doñas bringt die komische Brillanz von Donizettis Meisterwerk glänzend auf die Bühne.</video:description>
<video:duration>8659</video:duration>
<video:publication_date>2025-10-08T09:44:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-13T13:24:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38D0</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – Live aus Salzburg</video:title>
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<video:description>Bei diesem Konzert zeigen Daniel Barenboim und sein West-Eastern Divan Orchestra die Entwicklung der Instrumentalmusik von der Wiener Klassik bis in die Romantik. Auf Beethovens Prometheus-Ouvertüre folgt Brahms Doppelkonzert, zu dem sich der Komponist durch seine produktive, aber nicht konfliktfreie Freundschaft mit dem Violin-Virtuosen Joseph Joachim inspirieren ließ. César Franck gelang mit seiner d-Moll-Sinfonie, in der alle Sätze durch ein gemeinsames Thema miteinander verbunden sind, einer der wichtigsten Gattungsbeiträge des französischen Repertoires. Als Solisten glänzen mit Temperament und differenzierter Gestaltung der Cellist Kian Soltani und Michael Barenboim, der 2003 die Konzertmeister-Position des Divan-Orchesters übernahm.</video:description>
<video:duration>5932</video:duration>
<video:publication_date>2022-11-10T08:59:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T13:13:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34E0</loc>
<video:video>
<video:title>Tobias Kratzer inszeniert Gounod&apos;s Faust - mit Benjamin Bernheim</video:title>
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<video:description>Mit dem Tenor Benjamin Bernheim ist vor einigen Jahren ein neuer Stern am Musikhimmel aufgestiegen, der besonders hell in französischen und italienischen Opern des 19. Jahrhunderts strahlt. Der Titelheld in Charles Gounods auf Goethes Theaterstück basierendem Faust gehört zu den Paraderollen des Sängers, der durch lyrischen Schmelz, unverwechselbares Timbre und perfekte Spitzentöne begeistert. Regisseur Tobias Kratzer gelingt es nach seinem erfolgreichen Bayreuther Tannhäuser erneut, das Unkonventionelle und Gegenwärtige mit dem Unterhaltsamen zu verbinden. In seiner Inszenierung an der Pariser Opéra, die auch durch den spektakulären Einsatz von Video-Technik fasziniert, legt er den Schwerpunkt auf den Jugendwahn unserer Gesellschaft.</video:description>
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<video:publication_date>2022-11-02T11:30:36Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-13T11:56:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ6E8</loc>
<video:video>
<video:title>There was a Ship</video:title>
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<video:description>British composer and multi-instrumentalist Roger Eno has released his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.
 
The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>172</video:duration>
<video:publication_date>2025-11-11T08:44:08Z</video:publication_date>
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<lastmod>2025-11-13T10:35:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8C0</loc>
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<video:title>Beethoven: Klaviersonate Nr. 30 in E-Dur, Op. 109: III. Andante molto cantabile ed espressivo</video:title>
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<video:description>The Icelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time.
Following his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics&apos; Annual Prize, the pianist now presents his new album Opus 109.
At its heart is Beethoven&apos;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer&apos;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.</video:description>
<video:duration>108</video:duration>
<video:publication_date>2025-11-11T10:39:46Z</video:publication_date>
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<lastmod>2025-11-13T10:35:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38E0</loc>
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<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – mit Lang Lang</video:title>
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<video:description>Spanisch ist die Muttersprache von Daniel Barenboim, und das von ihm gegründete West-Eastern Divan Orchestra hat seit langem seinen Hauptsitz in Sevilla. Kein Wunder, dass die Musik dieser Region besonders authentisch klingt, wenn sie von diesem Dirigenten und seinem großartigen Klangkörper interpretiert wird. Debussy und Ravel, von denen Spanien-inspirierte Werke erklingen, liebten Manuel de Fallas Musik besonders. Dessen Nächte aus spanischen Gärten stammen vom einzigen „echten” Spanier dieses Programms der Salzburger Festspielen. Pianist Lang Lang schenkt dem zu wenig bekannten, wunderbar stimmungsvollem Stück seinen delikaten Anschlag und sein großes Einfühlungsvermögen.</video:description>
<video:duration>7030</video:duration>
<video:publication_date>2022-11-11T12:56:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-11-13T08:09:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ICG</loc>
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<video:title>Daniel Barenboim und das West-Eastern Divan Orchestra—live aus Ravello</video:title>
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<video:description>Ursprünglich sollte dieses Konzert im Rahmen einer Tournee des West-Eastern Divan Orchestra 2008 im historischen Römischen Theater von Amman in Jordanien zu erleben sein. 6000 Menschen hätten ihm beiwohnen können. Aufgrund von Sicherheitsbedenken wurde es dann an die italienische Amalfiküste verlegt und beim Ravello Festival gegeben. Das Programm ist Richard Wagner gewidmet: Daniel Barenboim dirigiert das Vorspiel zu den Meistersingern von Nürnberg sowie Tristan und Isoldes Vorspiel und Liebestod und den ersten Akt der Walküre, der im Duett der in Liebe entflammten Zwillinge Siegmund und Sieglinde gipfelt, hier gesungen von Simon O&apos;Neill und Waltraud Meier.</video:description>
<video:duration>5853</video:duration>
<video:publication_date>2022-12-21T13:37:26Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-13T08:08:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGDO</loc>
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<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – Live aus Ramallah</video:title>
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<video:description>Das West-Eastern Divan Orchestra wurde gegründet, damit junge israelische und palästinensische Musiker zusammenkommen. Doch undenkbar schien es anfänglich, in Palästina aufzutreten. Sechs Jahre sollten ins Land gehen, dann war der Weg gebahnt, trotz nahezu unüberwindlicher politischer und organisatorischer Hürden. Der Vorhang ging auf im Westjordanland; Daniel Barenboim und seine Musiker spielten im Kulturpalast in Ramallah Mozarts Sinfonia concertante KV 297b und Beethovens Symphonie Nr. 5 – ein historisches Ereignis.</video:description>
<video:duration>5478</video:duration>
<video:publication_date>2023-06-15T14:00:21Z</video:publication_date>
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<lastmod>2025-11-13T08:08:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJGE0</loc>
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<video:title>Oscuros</video:title>
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<lastmod>2025-11-12T15:57:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJGDO</loc>
<video:video>
<video:title>The Bright Door</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP30CO</loc>
<video:video>
<video:title>In The Garden - aus &quot;Mrs Dalloway&quot;</video:title>
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<video:description></video:description>
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<video:publication_date>2022-12-05T07:24:04Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:28:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGC8</loc>
<video:video>
<video:title>Saudade da Gaia</video:title>
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<video:publication_date>2022-12-03T15:11:47Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:27:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJEC8</loc>
<video:video>
<video:title>Chess</video:title>
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<video:description></video:description>
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<video:publication_date>2022-12-01T23:01:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:27:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJEC0</loc>
<video:video>
<video:title>Flickornas Rum</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:27:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCE8</loc>
<video:video>
<video:title>Thank You For The Music</video:title>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:26:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJAE8</loc>
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<video:title>Vivaldi: II. Largo (Bearb. van der Heijden)</video:title>
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<video:publication_date>2022-11-25T04:03:05Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:26:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJAE0</loc>
<video:video>
<video:title>Saint-Saëns: XIII. The Swan (Bearb. van der Heijden)</video:title>
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<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-11-24T21:53:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:25:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4</loc>
<video:video>
<video:title>On The Nature Of Daylight</video:title>
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<video:description></video:description>
<video:duration>397</video:duration>
<video:publication_date>2022-10-30T20:12:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:24:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36</loc>
<video:video>
<video:title>Rachveli: City Memories</video:title>
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<video:description></video:description>
<video:duration>207</video:duration>
<video:publication_date>2022-10-25T14:51:12Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:24:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3E</loc>
<video:video>
<video:title>Williams: Across The Stars Love Theme - aus &quot;Star Wars: Attack Of The Clones&quot;</video:title>
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<video:description>Legendary film composer John Williams conducts a brand-new album of many of his beloved movie themes in stunning new adaptations, written especially for his superstar violinist friend and collaborator Anne-Sophie Mutter. Recorded in Hollywood, “Across the Stars” includes familiar themes from “Star Wars”, such as “Luke and Leia” from “Return of the Jedi” or from “Harry Potter”, “The Adventures of Tintin” and “Memoirs of a Geisha”. “Across the Stars (Love Theme)”, from “Star Wars: Attack of the Clones”, gives the album its name and is featured in this video.</video:description>
<video:duration>318</video:duration>
<video:publication_date>2022-07-08T08:37:59Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-12T15:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4DG</loc>
<video:video>
<video:title>Brahms: Sieben Lieder für gemischten Chor, Op. 62: 1.-4.</video:title>
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<video:description></video:description>
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<video:publication_date>2025-11-04T11:28:01Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T12:41:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0DO</loc>
<video:video>
<video:title>Brahms: Chorale Präludium: Es ist ein Ros&apos; entsprungen (Arr. Mandyczewski)</video:title>
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<video:description></video:description>
<video:duration>110</video:duration>
<video:publication_date>2024-11-21T11:25:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T12:35:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8CG</loc>
<video:video>
<video:title>Great Arias – L&apos;elisir d&apos;amore: &quot;Quanto è bella&quot; &amp; &quot;Una furtiva Iagrima&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e67bfb77d6bce25f7a599c115fd11be90dd8652.jpeg</video:thumbnail_loc>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T09:40:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHO</loc>
<video:video>
<video:title>Yannick Nézet-Séguin und Seong-Jin Cho: Bruckner und Beethoven</video:title>
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<video:description>Yannick Nézet-Séguin und das Lucerne Festival Orchestra setzen ihren Bruckner-Zyklus mit der mitreißenden Vierten, der besonders populären &quot;romantischen&quot; Sinfonie fort. In der ersten Konzerthälfte kehrt Seong-Jin Cho als Solist in Beethovens Drittem Klavierkonzert zum Festival zurück – einem idealen Stück für die unbegrenzten gestalterischen Möglichkeiten des südkoreanischen Pianisten. Das Werk beginnt in der für die Tonart c-Moll typischen dramatischen Stimmung, löst sich aber am Ende in schillerndes C-Dur auf. Weil das aus lauter glänzenden Instrumentalist:innen zusammengestellte Lucerne Festival Orchestra Interpretationen auf höchstem Niveau garantiert, darf man sich auf ein unvergessliches Konzert-Erlebnis freuen.</video:description>
<video:duration>6829</video:duration>
<video:publication_date>2025-11-10T12:56:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T13:28:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36D8</loc>
<video:video>
<video:title>Brahms: 6 Klavierstücke, Op. 118: 2. Intermezzo in A-Dur. Andante teneramente</video:title>
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<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-01-05T14:41:38Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-10T11:50:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9K</loc>
<video:video>
<video:title>Barrie Kosky inszeniert Mozart: Don Giovanni</video:title>
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<video:description>Obwohl Don Giovanni offiziell eine komische Oper ist, erforscht das Werk das gesamte Spektrum menschlicher Emotionen: Liebe und Hass, Angst, Wut und Vergebung. Der gefeierte Regisseur Barrie Kosky konzentrierte sich zum Auftakt seines Zyklus mit allen drei Mozart/Da Ponte-Opern an der Wiener Staatsoper ganz auf die faszinierenden Charaktere des Stücks – vom Antihelden Don Giovanni und seinem Gehilfen Leporello bis zu den Frauen, die Giovanni erbarmungslos verfolgt. Für Kosky sind „Charaktere wie Don Giovanni wie Spiegel, in denen wir uns selbst sehen; und manchmal ist das Bild, das wir da sehen, wenig appetitlich.“ Unter der Leitung von Philippe Jordan singt ein hochkarätiges Ensemble mit Kyle Ketelsen in der Titelrolle.</video:description>
<video:duration>10168</video:duration>
<video:publication_date>2025-09-08T15:18:28Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-10T10:44:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3CDO</loc>
<video:video>
<video:title>Rolando Villazón &amp; Friends: ¡Cincuentañero!</video:title>
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<video:description>Rolando Villazón, international bekannter Sänger, Regisseur und Autor - und künstlerischer Leiter der jährlichen Mozartwoche - ist Ehrengast eines Galakonzerts im Salzburger „Haus für Mozart“. Das Konzert, das im Februar 2022, dem Vorabend von Villazóns 50. Geburtstag, live aufgezeichnet wurde, bietet neben Musik von Mozart auch Ausschnitte aus Oper, Operette und Zarzuela sowie eine Auswahl an Lieblingsliedern aus Europa und Lateinamerika. Villazón wird auf der Bühne von einer Reihe von Stargästen begleitet, darunter Plácido Domingo, Magdalena Kožená und Regula Mühlemann. Giedrė Šlekytė dirigiert die Spieler der Camerata Salzburg, und die österreichische Journalistin und TV-Moderatorin Barbara Rett moderiert den Abend.</video:description>
<video:duration>6005</video:duration>
<video:publication_date>2024-06-21T11:35:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T10:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ6DO</loc>
<video:video>
<video:title>Blache: Habari Gani</video:title>
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<video:description></video:description>
<video:duration>222</video:duration>
<video:publication_date>2025-11-07T11:04:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T09:56:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GCG</loc>
<video:video>
<video:title>Puccinis Tosca mit Raina Kabaivanska &amp; Plácido Domingo</video:title>
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<video:description>Tosca ist ein packender Opern-Thriller um Liebe und Politik, der sich fast in Echtzeit im Juni 1800 abspielt: Die von der psychologisch kundigen und immer wieder mächtig aufbrausenden Musik Puccinis angetriebene Handlung findet innerhalb von nur zwei Tagen an genau bezeichneten realen Orten der ewigen Stadt Rom statt. Dieser Film aus 1976 bringt das Musikdrama an zwei Originalschauplätze zurück. Der erste Akt wurde in der Barockkirche Sant’Andrea della Valle, der letzte in der in der Antike erbauten Engelsburg aufgenommen, von der sich die Titelheldin am Ende in die Tiefe stürzt. Raina Kabaivanska, Plácido Domingo und Sherrill Milnes haben in den Hauptrollen nicht nur wunderbare Stimmen, sondern auch Filmstar-Qualitäten zu bieten.</video:description>
<video:duration>6997</video:duration>
<video:publication_date>2022-12-14T15:45:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T09:53:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0C0</loc>
<video:video>
<video:title>Víkingur Ólafsson &amp; Franz Welser-Möst mit Ravel, Mussorgski &amp; Farrenc</video:title>
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<video:description>Französische Musik und ein russisches Meisterwerk stehen auf dem Programm des Cleveland Orchestra unter der Leitung von Franz Welser-Möst, in dem Víkingur Ólafsson pianistisch brilliert. Zu Beginn spielen Dirigent und Orchester die dramatische Dritte Symphonie von Louise Farrenc, eine künstlerisch anspruchsvolle Komposition, die erst jetzt, fast 200 Jahre nach ihrer Entstehung, wieder ins Repertoire aufgenommen wird. Ravels Kunst der fantasievollen Orchestrierung zeigt sich danach nicht nur in Mussorgskis Klavierzyklus Bilder einer Ausstellung, sondern auch in seinem eigenen Klavierkonzert in G-Dur, dem Herzstück des Abends – Musik fantastischer Texturen, die der Isländer mit ebenso feinem wie kristallklarem Anschlag zum Leuchten bringt.</video:description>
<video:duration>5793</video:duration>
<video:publication_date>2024-02-22T09:10:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-09T07:22:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ6E0</loc>
<video:video>
<video:title>Bartók: Allegro barbaro, Sz. 49</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2025-11-07T11:17:09Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-07T15:47:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9N</loc>
<video:video>
<video:title>Max Raabe und das Palast Orchester – Eine Nacht in Berlin</video:title>
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<video:description>In wenigen Theatern ist der Berliner Geist der 20er Jahre so lebendig geblieben wie im Admiralspalast mit seiner Belle Époque-Architektur – und niemand interpretiert die Musik dieser Zeit so authentisch wie das Palast Orchester und sein unwiderstehlich charismatischer Leiter (und Gründer) Max Raabe. Im November 2014 feierten der Sänger und das Ensemble ihre damals bereits fast 30 Jahre bestehende, sensationell erfolgreiche Zusammenarbeit mit einem einzigartigen Konzert. Unter dem Titel Eine Nacht in Berlin verbinden sich alte und neue Highlights des Repertoires mit opulenten Film-Sequenzen. Erleben Sie in diesem Konzertfilm eine hinreißend elegante, kultivierte und bittersüße Darstellung eines dem Untergang geweihten goldenen Zeitalters.</video:description>
<video:duration>5657</video:duration>
<video:publication_date>2025-10-29T11:16:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-07T08:37:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9J</loc>
<video:video>
<video:title>Das Michel Camilo Trio in der Philharmonie im Gasteig</video:title>
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<video:description>An „Blitze, die am Himmel zucken und wieder verschwinden“ erinnerte einen Kritiker das Erlebnis, den in Santa Domingo geborenen Latin-Jazz-Pianisten Michel Camilo in Bestform zu hören. An einem heißen Sommertag des Jahres 1994 vibrierte in München die Luft, als Camilo mit zwei seiner bevorzugten künstlerischen Partner – dem Bassisten Michael Bowie und dem Schlagzeuger Cliff Almond – eine großzügige Auswahl seiner eigenen Paradestücke interpretierte. Sehen Sie bei diesem inspirierten, nur im Hinblick auf die Besetzung „kleinen“ Auftritt, wie das Trio eine unwiderstehliche kreative Spannung aufbaut und entfesselt.</video:description>
<video:duration>4755</video:duration>
<video:publication_date>2025-10-24T09:59:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T12:46:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1P</loc>
<video:video>
<video:title>Anna Gourari spielt Rachmaninow, Hindemith, Chopin &amp; Tschaikowski</video:title>
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<video:description>Noch in ihren frühen Zwanzigern galt die russische Pianistin Anna Gourari bereits als eine der vielversprechendsten Künstlerinnen ihrer Generation, als sie 1992 beim Munich Klaviersommer in der Philharmonie im Gasteig auftrat. Ihr Programm spannt einen leuchtenden Bogen durch ein Jahrhundert pianistischen Ausdrucks: von der stürmischen Virtuosität von Rachmaninows Étude-Tableau in c-Moll über den feinsinnigen Humor Hindemiths in Nachtstück und Ragtime aus der Suite op. 26. Mit Chopins schimmerndem Nocturne Nr. 3 und dem leidenschaftlichen Scherzo Nr. 2 sowie Tschaikowskis poetischen Weißen Nächten aus Die Jahreszeiten zeichnet Gourari das Bild romantischer Empfindsamkeit – neu belebt durch jugendliche Brillanz und poetische Tiefe.</video:description>
<video:duration>2229</video:duration>
<video:publication_date>2025-10-23T11:14:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T12:43:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3EE8</loc>
<video:video>
<video:title>Yannick Nézet-Séguin und Beatrice Rana: Bruckner &amp; Clara Schumann</video:title>
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<video:description>Anton Bruckners siebte Sinfonie ist seit langem die beliebteste aller seiner Sinfonien - ein hochfliegendes, tief empfundenes spirituelles Epos, das von der Schönheit der Natur erstrahlt. Mit anderen Worten: Es ist wie geschaffen für das Lucerne Festival und sein hervorragendes, handverlesenes Festivalorchester. Diese Aufführung unter Yannick Nézet-Séguin dürfte einer der Höhepunkte der Bruckner-Jubiläumsfeierlichkeiten 2024 sein. Ergänzt wird das Programm von Clara Schumanns jugendlichem Klavierkonzert, welches eine intimere Art von Romantik offenbart. Gespielt wird es von der italienischen Pianistin Beatrice Rana. Nur wenige lebende Interpreten bringen mehr Eloquenz und Einsicht mit als die &quot;wirklich nachdenkliche&quot; (Gramophone) Rana.</video:description>
<video:duration>6158</video:duration>
<video:publication_date>2024-09-06T11:35:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T11:00:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4E8</loc>
<video:video>
<video:title>First Snow</video:title>
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<video:description>Composer and pianist Cameron Segal releases his original piece First Snow, which captures the quiet wonder and gentle excitement of the season’s first snowfall. The soft touch of hammers on felted strings evokes a sense of relaxation and a gentle anticipation for the calm, cozy winter ahead. Released as part of DG’s Winter Calm series, the peaceful, reflective piano piece invites the listener to slow down and savour the moment.</video:description>
<video:duration>187</video:duration>
<video:publication_date>2025-11-04T15:15:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4E0</loc>
<video:video>
<video:title>Spell</video:title>
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<video:description>British composer and multi-instrumentalist Roger Eno announces his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.
 
The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>143</video:duration>
<video:publication_date>2025-11-04T14:50:43Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4DO</loc>
<video:video>
<video:title>Stewart: Invention #1: Double Down for 2 Violins</video:title>
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<video:description></video:description>
<video:duration>426</video:duration>
<video:publication_date>2025-11-04T13:47:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ4D8</loc>
<video:video>
<video:title>Über Sadness and Sorrow (Aus &quot;Naruto&quot;)</video:title>
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<video:description>Six years after the release of his celebrated Piano Book album, Lang Lang returns with &apos;Piano Book 2&apos;. Lang Lang comments: „ Many young people today discover piano through the music they already love — from games, movies, or anime. That’s why we included Sadness &amp; Sorrow from Naruto(…)&quot;. This new volume of short and accessible piano works offers a fresh selection that ranges from iconic classical compositions and contemporary pieces to music from TV, film, and gaming soundtracks.</video:description>
<video:duration>103</video:duration>
<video:publication_date>2025-11-04T11:24:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:45:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ6CG</loc>
<video:video>
<video:title>Wagner: Wesendonck Lieder WWV 91, No. 1 Der Engel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e37af69ddb2cd8cc36c678ea482cc93c4e44aaa1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>185</video:duration>
<video:publication_date>2025-11-04T16:05:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:43:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ6C0</loc>
<video:video>
<video:title>Wagner: Präludium aus Tristan und Isolde, WWV 90 (Bearb. Humperdinck)</video:title>
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<video:description></video:description>
<video:duration>445</video:duration>
<video:publication_date>2025-11-04T15:58:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:43:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ2E0</loc>
<video:video>
<video:title>Hamelin: Hexensabbat</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f03ae1e4257f250c657cdd748f09026f2b4db58c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>582</video:duration>
<video:publication_date>2025-11-03T10:25:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:41:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ICO</loc>
<video:video>
<video:title>Strohl: Solitude</video:title>
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<video:description>Recording on our partner label CAvi Music, Austrian cellist Marilies Guschlbauer and German pianist Julia Rinderle announce their upcoming album, on which they perform works by six “Grandes Dames”: Clara Schumann, Fanny Hensel, Lera Auerbach, Amy Beach, Flora Geisselbrecht, and Rita Strohl.

The duo first started collaborating in Berlin in the fall of 2020 and have been performing regular recitals ever since in Germany and abroad. Both musicians are particularly committed to unearthing, exploring, and performing works by female composers; thus, they often perform rare works in concert.</video:description>
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<video:publication_date>2025-09-22T09:58:41Z</video:publication_date>
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<lastmod>2025-11-05T16:35:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ2E8</loc>
<video:video>
<video:title>Charles Wood: Expectans expectavi</video:title>
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<video:duration>264</video:duration>
<video:publication_date>2025-11-03T10:32:33Z</video:publication_date>
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<lastmod>2025-11-05T10:16:58Z</lastmod>
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<url>
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<video:video>
<video:title>Nézet-Séguin dirigiert Lili Boulanger und Bruckner</video:title>
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<video:description>Yannick Nézet-Séguin dirigiert das virtuose Lucerne Festival Orchestra in einem Programm mit Bruckner und einer der größten deutsch-österreichischen Sinfonien, dem das letzte vollendete Werk einer Komponistin vorausgeht, deren früher Tod im Alter von nur 24 Jahren das 20. Jahrhunderts beraubte. Diese Komponistin ist Lili Boulanger, deren düsteres, melancholisches D&apos;un Soir triste den stimmungsvollen Auftakt des Konzerts bildet. Es folgt Bruckners gewaltige Sinfonie Nr. 8. Einst &quot;die Apokalyptische&quot; genannt, verkörpert sie den Weg der romantischen Sinfonie von der Dunkelheit zum jubelnden Licht, mit einem der großartigsten langsamen Sätze des Komponisten - einem erhabenen, fast halbstündigen Adagio - und einem ergreifenden Schlusssatz.</video:description>
<video:duration>6499</video:duration>
<video:publication_date>2024-06-18T09:32:47Z</video:publication_date>
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<lastmod>2025-11-05T07:58:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1O</loc>
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<video:title>Antonio Pappano &amp; Seong-Jin Cho: Prokofjew, Schostakowitsch, Beethoven</video:title>
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<video:description>Für seine zweite vollständige Saison als Chef des London Symphony Orchestra engagierte Antonio Pappano Seong-Jin Cho für die LSO Artist Portrait series. Mit gutem Grund, denn dieser junge, meisterhafte koreanische Pianist hat in London und anderen eruopäischen Städten ebenso für Furore gesorgt wie in Asien und Amerika. In der Woche, mit der das LSO die Saison 2025-26 eröffnet, interpretiert der Musiker das explosive, elektrisierende Zweite Klavierkonzert von Prokofjew. Das gesamte, live aus dem Londoner Barbican Centre übertragene Programm sprüht nur so vor Energie. Es reicht vom schwarzen Humor der Neunten Sinfonie von Schostakowitsch bis zur Tragik und zum Triumph, die Beethovens Fünfte und berühmteste Sinfonie zum Ausdruck bringt.</video:description>
<video:duration>6295</video:duration>
<video:publication_date>2025-09-23T13:34:17Z</video:publication_date>
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<lastmod>2025-11-04T13:52:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ2DG</loc>
<video:video>
<video:title>Great Arias – Alceste: &quot;Ah, divinités implacables&quot;</video:title>
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<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2025-10-31T11:19:04Z</video:publication_date>
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<lastmod>2025-11-04T13:10:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCCO</loc>
<video:video>
<video:title>Gala aus Berlin 2006 – mit Simon Rattle und Mitsuko Uchida</video:title>
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<video:description>Musik von Richard Strauss und dem von Strauss über alles verehrten Mozart ist bei dieser Silvestergala 2006 zu hören, dargeboten von den Berliner Philharmonikern unter Leitung ihres Dirigenten Simon Rattle. Das Konzert beginnt mit der opulent farbenreichen Tondichtung Don Juan des jungen Strauss, einem mitreißenden Porträt eben jener legendären Figur, die in Mozarts Don Giovanni verewigt wurde. Nachdem Mitsuko Uchida das dramatisch melancholische Klavierkonzert in d-Moll, KV 466, von Mozart gespielt hat, dirigiert Rattle Trio und Finale aus Strauss’ Rosenkavalier – einer »Mozart-Oper«, wie der Komponist selbst versprach – mit Solistinnen wie Magdalena Kožená und Camilla Nylund. Ein unvergesslicher Abend, den zwei Zugaben krönen.</video:description>
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<video:publication_date>2023-04-20T14:14:25Z</video:publication_date>
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<lastmod>2025-11-03T16:31:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1O</loc>
<video:video>
<video:title>Pretty Yende: Operngala</video:title>
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<video:description>Das Festival Cap Rocat präsentiert jedes Jahr großartige Aufführungen in einer atemberaubenden Kulisse: Die Konzerte finden in der historischen Festung Cap Rocat direkt an Mallorcas Mittelmeerküste statt. Zu den schönsten Traditionen des Festivals gehören Galas mit großen Stars aus der Opernwelt. In diesem Jahr gastiert die hinreißende Sopranistin Pretty Yende mit einigen der schönsten Arien aus Opern, in denen sie bereits aufgetreten ist oder in denen sie in naher Zukunft auftreten wird. An der Seite des erfahrenen Dirigenten Riccardo Frizza und des Symphony Orchestras of the Balearic Islands interpretiert die südafrikanische Sängerin herrliche Kompositionen von Bellini und Verdi, Berlioz, Gounod und Dvořák.</video:description>
<video:duration>5233</video:duration>
<video:publication_date>2025-08-19T14:07:18Z</video:publication_date>
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<lastmod>2025-11-03T10:02:32Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1M</loc>
<video:video>
<video:title>Ursula Anders &amp; Friedrich Gulda: Opus Anders</video:title>
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<video:description>In the German soprano and percussionist Ursula Anders, the pianist Friedrich Gulda found an artistic partner whose commitment to breaking taboos matched his own. And in Gulda, Anders found a creative collaborator who understood her on levels that went far beyond the merely musical. Opus Anders was created by Gulda in 1980 as a celebration of Anders&apos;s artistry. It&apos;s simultaneously a recital, and a piece of fearlessly transgressive performance art: an unsparing double-portrait in which Gulda and Anders strip themselves naked – literally, as well as figuratively – in pursuit of musical and emotional truth. Uncompromising, bold, and wholly inimitable. This performance contains nudity.</video:description>
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<video:publication_date>2025-10-17T12:20:18Z</video:publication_date>
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<lastmod>2025-10-31T15:06:02Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9O</loc>
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<video:title>Friedrich Gulda: „Mozart for the People&quot;</video:title>
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<video:description>Für den österreichischen Pianisten Friedrich Gulda war die Musik ein Reich unendlicher Möglichkeiten. Wegen seiner Experimente mit Jazz, Crossover und avantgardistischer Performancekunst wurde er von einigen Kritikern als „musikalischer Terrorist” bezeichnet. Dabei besaß für Gulda vor allem ein Komponist den Status eines Heiligen: Wolfgang Amadeus Mozart, dessen nonkonformistischen, unendlich kreativen Geist er sich zum Vorbild nahm. Guldas Mozart-Interpretationen sind nach wie vor eine Klasse für sich. Diese Aufführung von zwei Sonaten aus der mittleren Schaffensphase des Komponisten wurde 1981 im Amerikahaus in München live aufgezeichnet. Sie macht verständlich, warum der Pianist Mozart für den „Größten der Großen“ hielt.</video:description>
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<video:publication_date>2025-10-29T17:07:14Z</video:publication_date>
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<lastmod>2025-10-31T14:06:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJA</loc>
<video:video>
<video:title>Probier&apos;s mal mit Gemütlichkeit - aus &quot;Das Dschungelbuch&quot;</video:title>
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<video:duration>158</video:duration>
<video:publication_date>2022-11-10T19:18:24Z</video:publication_date>
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<lastmod>2025-10-30T17:55:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGD0</loc>
<video:video>
<video:title>Über Yuja x Hockney</video:title>
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<video:publication_date>2025-03-31T13:18:37Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T17:54:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJECG</loc>
<video:video>
<video:title>Über die Zusammenarbeit mit Turnage und sein neues Gitarrenkonzert „Sco“</video:title>
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<video:duration>125</video:duration>
<video:publication_date>2025-03-11T17:07:25Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T17:53:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJADO</loc>
<video:video>
<video:title>Über Weinbergs Die Passagierin</video:title>
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<video:publication_date>2025-01-31T08:38:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T17:52:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCC0</loc>
<video:video>
<video:title>Über Skrjabin, Scarlatti und Brahms</video:title>
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<video:duration>484</video:duration>
<video:publication_date>2025-02-13T14:03:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-30T17:51:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJEC8</loc>
<video:video>
<video:title>Über sein Gitarrenkonzert „Sco“</video:title>
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<video:duration>112</video:duration>
<video:publication_date>2025-03-11T17:03:11Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ED8</loc>
<video:video>
<video:title>Daley: Grandmother Moon</video:title>
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<video:description></video:description>
<video:duration>242</video:duration>
<video:publication_date>2025-08-28T13:49:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:45:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6E8</loc>
<video:video>
<video:title>Bernstein dirigiert Brahms: Sinfonie Nr. 3</video:title>
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<video:description>Keine Sinfonie von Brahms ist so farbenprächtig – und persönlich – wie seine Dritte. Mit ihr schuf er eine leuchtende romantische Landschaft, die mal von Stürmen umweht, und mal in das Licht des Sonnenuntergangs getaucht wird. Zudem ist das Werk vom persönlichen Motto des Komponisten geprägt, das sogar als Tonfolge erklingt: F-A-F: “Frei aber froh“. Perfekte Musik also für einen Dirigenten wie Leonard Bernsteins, der ein Extrovertierter mit glühender Seele und zugleich ein Träumer war. Bernsteins ganz besondere Verbindung mit den Wiener Philharmonikern bewährt sich in diesem Funken-sprühenden Konzert aus dem Jahr 1981, das zusätzlich eine hoch dramatische Interpretation von Beethovens vulkanischer Egmont-Ouvertüre bietet.</video:description>
<video:duration>4263</video:duration>
<video:publication_date>2025-05-02T09:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-30T14:49:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6E0</loc>
<video:video>
<video:title>Bernstein dirigiert Brahms: Sinfonie Nr. 4 und Tragische Ouvertüre</video:title>
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<video:description>An den Blick in einen Brunnen um Mitternacht erinnerte Brahms&apos; vierte und letzte Sinfonie den berühmten Wiener Kritiker Eduard Hanslick– je dunkler die Nacht, desto heller spiegeln sich die Sterne im Wasser. Sternenglanz strahlt auch Leonard Bernsteins Interpretation der Vierten mit den Wiener Philharmonikern aus: Einer der charismatischsten Dirigenten der Welt traf auf ein Orchester, das von Brahms&apos; Tradition durchdrungen war. Als das Konzert 1981 aufgezeichnet wurde, hatten Bernstein und das Orchester bereits seit fast zwei Jahrzehnten regelmäßig zusammengearbeitet und sich gegenseitig inspiriert. So entstand eine Aufführung, die von tiefer Einsicht, Leidenschaft und wahrer symphonischer Kraft erfüllt ist.</video:description>
<video:duration>3877</video:duration>
<video:publication_date>2025-05-02T09:25:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T14:49:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ICG</loc>
<video:video>
<video:title>Julius Asal &amp; Fabio Luisi mit Skrjabins Klavierkonzert</video:title>
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<video:description>Das Danish National Symphony Orchestra schließt im Rahmen der Feierlichkeiten zu seinem 100-jährigen Bestehen seinen gefeierten Skrjabin-Zyklus unter der Leitung von Chefdirigent Fabio Luisi ab. Auf dem Programm steht das außergewöhnliche, mitreißende Klavierkonzert des früh verstorbenen russischen Komponisten. Es ist stiliistisch noch der Romantik verpflichtet, weist zugleich aber auf die harmonischen und formalen Experimente des späteren Skrjabin voraus. Als Solist bringt Julius Asal die besten Voraussetzungen für die Bewältigung dieser berauschenden Musik mit: Er vereint pianistische Virtuosität mit der musikalischen Sensibilität eines Komponisten und Improvisators.</video:description>
<video:duration>1791</video:duration>
<video:publication_date>2025-10-29T16:18:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-29T18:26:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9L</loc>
<video:video>
<video:title>Volker Banfield spielt Ligetis Klavierkonzert und Strauss&apos; Burleske</video:title>
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<video:description>György Ligetis Klavierkonzert repräsentiert, so der Komponist selbst, „gefrorene Zeit – ein Objekt im imaginären Raum, das durch Musik in unserer Vorstellung hervorgerufen wird“. Die endgültige Version des Werks war gerade ein Jahr alt, als sie 1989 beim Münchner Klaviersommer von zwei der größten Fürsprecher Ligetis aufgeführt wurde: dem Pianisten Volker Banfield und dem Dirigenten Elgar Howarth, der die Münchner Philharmoniker leitete. Wie jedes Konzert des Klaviersommers hat auch dieses eine Überraschung zu bieten: Als unwiderstehliche „Zugabe“ interpretieren Howarth und Banfield Richard Strauss´ hochvirtuose Burleske, den jugendlichen Geniestreich des Münchner Lokalmatadors.</video:description>
<video:duration>3328</video:duration>
<video:publication_date>2025-08-26T15:33:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-29T09:54:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJG</loc>
<video:video>
<video:title>On The Nature Of Daylight (Entropy)</video:title>
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<video:publication_date>2022-10-24T21:25:06Z</video:publication_date>
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<video:title>Keith Jarrett Trio: Standards I</video:title>
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<video:description>Musik von Richard Rodgers, Victor Young oder Billie Holiday – es ist kein Zufall, dass Keith Jarrett, Gary Peacock (Bass) und Jack DeJohnette (Schlagzeug) unter dem Namen des Standards Trio für Furore sorgten. 1996 präsentierte das Ensemble seine bahnbrechende Version des akustischen Jazz in der Bunkamura Orchard Hall in Tokio. Und es war keine Überraschung, dass die Musiker ihre unverwechselbar originellen Interpretationen des Great American Songbook ins Zentrum des Programms stellten. Das Konzert wurde im Jahr 2008 anlässlich des 25-jährigen Jubiläums des Trios veröffentlicht und zeigt drei Musiker, die sich unermüdlich gegenseitig befeuerten. Zum Programm gehören Jarretts eigene Stücke „Rider“, „So Tender“ und „Prism“.</video:description>
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<video:publication_date>2025-04-16T13:29:36Z</video:publication_date>
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<lastmod>2025-10-28T14:56:58Z</lastmod>
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<video:title>Beethoven: Rondo a capriccio, op. 129 &quot;Rage over a Lost Penny&quot;</video:title>
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<lastmod>2025-10-28T14:46:37Z</lastmod>
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<video:title>Schubert: Klaviersonate Nr. 6 In e-Moll, D.566: I. Moderato</video:title>
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<lastmod>2025-10-28T14:46:07Z</lastmod>
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<video:title>Pärt: Variations for the Healing of Arinushka</video:title>
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<lastmod>2025-10-28T14:45:57Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0DO</loc>
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<video:title>Chopin: Nocturne Nr. 2 in Es-Dur, op. 9 Nr. 2</video:title>
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<video:publication_date>2025-10-24T11:31:31Z</video:publication_date>
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<lastmod>2025-10-28T14:42:46Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ICG</loc>
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<video:title>Rolando Villazóns „Liebestrank” im wilden Westen</video:title>
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<video:description>Werfen Sie einen Blick hinter die Kulissen, während Rolando Villazón seine ambitionierte Inszenierung von Donizettis L&apos;elisir d&apos;amore für die Pfingstfestspiele 2012 in Baden-Baden vorbereitet. Die Opera buffa wird zum Stück im Stück und die Handlung geradewegs in die Westernwelt der 1940er-Jahre verlegt. Darsteller, Crew und Regisseur haben so einige Herausforderungen zu meistern. Und der Zuschauer darf teilhaben an diesem spannenden Prozess, in dem die Produktion ihren Anfang nimmt und zu einem erfolgreichen Abschluss findet.</video:description>
<video:duration>1711</video:duration>
<video:publication_date>2023-06-30T13:54:05Z</video:publication_date>
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<lastmod>2025-10-28T13:05:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30C8</loc>
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<video:title>Notre-Dame de Paris – All-Star Wiedereröffnungs-Konzert</video:title>
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<video:description>Weltweit bekannte Musikstars kommen zusammen für dieses beispiellose Konzert als Teil der großen Feierlichkeiten zur Wiedereröffnung der Pariser Notre-Dame-Kathedrale, die fünf Jahre nach ihrer Zerstörung durch einen Brand in ihrer ursprünglichen Pracht wiederhergestellt wurde. Das Konzert, das als Dankeschön für diejenigen inszeniert wird, die am Wiederaufbau der Kathedrale beteiligt waren, präsentiert eine Vielfalt an Talenten – darunter aus der Welt der klassischen Musik Gustavo Dudamel, Lang Lang,  Benjamin Bernheim, Yo-Yo Ma, Olivier Latry und viele mehr! Ein unvergesslicher Anlass, der einen historischen und glücklichen Tag in der fast 900-jährigen Geschichte dieses prächtigen Gebäudes feiert.</video:description>
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<video:publication_date>2024-12-09T09:41:00Z</video:publication_date>
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<lastmod>2025-10-27T16:36:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6D0</loc>
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<video:title>Andris Nelsons dirigiert Sinfonien von Mahler und Schostakowitsch</video:title>
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<video:description>Mit diesem Konzert der Salzburger Festspiele setzt Andris Nelsons seinen Mahler-Zyklus mit den Wiener Philharmonikern fort. Auf dem Programm steht der letzte vollendete sinfonische Satz des Komponisten: das von großer Expressivität geprägte Adagio aus der unvollendeten Zehnten Sinfonie. Im selben Konzert erklingt die ebenfalls Zehnte Sinfonie von Schostakowitsch, dessen Todestag sich 2025 zum 50. Mal jährt. Sie wurde als das erste große Werk des Komponisten nach Stalins Tod uraufgeführt und galt von Anfang an als verschlüsselte Auseinandersetzung mit dem brutalen Regime des Diktators. Die Konstellation der beiden Werke bietet ein faszinierendes Ereignis, das man nicht verpassen sollte.</video:description>
<video:duration>5317</video:duration>
<video:publication_date>2025-08-12T09:53:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-27T16:34:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36D0</loc>
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<video:title>Luisi dirigiert Nielsen: Symphonie Nr. 4 und Klarinettenkonzert</video:title>
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<video:description>„Musik ist Leben”, erklärte Nielsen, „auch sie ist unauslöschlich!” Als der Erste Weltkrieg in Europa wütet, kanalisiert Nielsen all das, was er sieht und fühlt, in ein Meisterwerk, das die Kraft des Lebens gegen die Mächte der Zerstörung stemmt. Mit ihren bedrohlichen Pauken, lyrischen Bläsern und rhythmisch markanten Streichern ist die Vierte die bedeutendste Arbeit des Dänen, hier zu erleben mit Fabio Luisi und dem DNSO zusammen mit einem weiteren Nielsen-Klassiker, dem Klarinettenkonzert op. 57, solistisch dargeboten von Johnny Teyssier. Während die Tondichtung Pan und Syrinx eine überraschende Seite des Komponisten offenbart: eine Vision des antiken Griechenlands in den Farben nordischer Morgenröte.</video:description>
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<video:publication_date>2023-08-10T12:17:47Z</video:publication_date>
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<lastmod>2025-10-27T15:01:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0DG</loc>
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<video:title>Summer Fantasy (aus &apos;Justice Online&apos;)</video:title>
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<video:publication_date>2025-10-24T10:25:05Z</video:publication_date>
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<lastmod>2025-10-27T13:45:10Z</lastmod>
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<video:title>Tõnu Kaljuste dirigiert Pärt: Te Deum</video:title>
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<video:description>Arvo Pärt wird manchmal als „heiliger Minimalist” bezeichnet. Das Te Deum aus dem Jahr 1985 ist zwar ganz unbestreitbar eine sakrale Komposition; das mächtige, hoch emotionale Loblied für drei Chöre und Orchester ist aber alles andere als minimalistisch. Diese Aufführung, die vor der Jahrtausendwende in der beeindruckenden St.-Nikolaus-Kirche der estnischen Hauptstadt Tallinn aufgezeichnet wurde, dringt bis zur Seele des Werks vor. Kein Wunder, gehörte doch der Dirigent Tõnu Kaljuste zu Pärts Lieblingsinterpreten. Das Te Deum bezeichnete der Komponist selbst als „Suche nach etwas, dessen Existenz man bezweifelt, das aber doch so real ist, dass es nicht nur in uns, sondern auch jenseits unseres Seins existiert”.</video:description>
<video:duration>3371</video:duration>
<video:publication_date>2025-09-11T14:43:49Z</video:publication_date>
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<lastmod>2025-10-27T12:46:25Z</lastmod>
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<video:title>Friedrich Gulda: Ich liebe Mozart, und ich liebe Barbara</video:title>
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<video:description>Über keinen Pianisten haben die Kritiker so heftig gestritten wie über Friedrich Gulda, den jazzbegeisterten österreichischen Einzelgänger, den manche sogar für einen „musikalischen Terroristen” hielten. Unbestritten ist jedoch, dass er im 20.Jahrhundert einer der wunderbarsten Interpreten Mozarts war. Dieses Konzert vom Münchner Klaviersommer ist typisch für Guldas eklektischen Geschmack: Unvergleichlichen Interpretationen von zwei reifen Meisterwerken Mozarts folgt ein typisch freigeistiges, halb improvisiertes Set mit der Jazzorganistin Barbara Dennerlein. Eigentlich kann so ein Programm gar nicht funktionieren, aber irgendwie funktionierte es an diesem Münchner Sommerabend 1990 auf besonders schöne Weise.</video:description>
<video:duration>3819</video:duration>
<video:publication_date>2025-09-08T10:02:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-27T10:35:22Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4E0</loc>
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<video:title>Keith Jarrett: Klavier Solo Live</video:title>
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<video:description>Dieses Konzert im Tokyo Bunka Kaikan fand am 30. Oktober 2002 statt und war bereits Keith Jarretts 150. Auftritt in Japan – in einem Land, in dem der Musiker immer eine besondere Verbindung zu seinem Publikum zu finden schien. Es markierte außerdem Jarretts Rückkehr in den Konzertsaal als Solist, nachdem er sich von einer längeren Krankheit erholt hatte. Eine Reihe von kurzen, epigrammatischen Soli zeigt die unvergleichlichen Improvisationsfähigkeiten des Künstlers und deutet zugleich eine stilistische Neu-Orientierung an: Die Stücke sind kurz und bündig, aber zugleich von Jarretts Fantasie, seinem Witz und seiner profunden Kenntnis des klassischen Kanons geprägt. Drei typische Jarrett-Zugaben beschließen ein sehr persönliches Programm.</video:description>
<video:duration>6634</video:duration>
<video:publication_date>2025-04-16T13:46:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-27T09:16:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1L</loc>
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<video:title>Grounded – mit Emily D&apos;Angelo</video:title>
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<video:description>Jeanine Tesori kann als profilierteste Komponistin des amerikanischen Musiktheaters gelten. Nach mehreren Broadway-Erfolgen schrieb sie 2024 Geschichte: die Oper „Grounded“ – libretto von George Brant – war das erste Werk einer Komponistin, das zur Eröffnung einer Saison an der Met aufgeführt wurde. Sie basiert auf Brants Theaterstück über eine Kampfpilotin, die wegen ihrer ungeplanten Schwangerschaft „on the ground“ arbeiten muss: Sie übernimmt die Steuerung einer unbemannten Reaper-Drohne. In dieser Aufführung interpretieren Emily D’Angelo und Ben Bliss die Hauptrollen. Michael Mayer evoziert in seiner packenden Inszenierung die Welt der Hightech-Kriegsführung mit virtuos bespielten LED-Bildschirmen. (Foto: Paola Kudacki / Met Opera)</video:description>
<video:duration>7190</video:duration>
<video:publication_date>2025-10-27T08:33:08Z</video:publication_date>
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<lastmod>2025-10-27T09:14:09Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0C8</loc>
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<video:title>Gluck the Reformer</video:title>
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<video:description>Gluck the Reformer zeichnet ein lebendiges Porträt des Komponisten Christoph Willibald Gluck – des musikalischen Visionärs, der die Oper von barocker Ornamentik befreite und ihr emotionale Wahrhaftigkeit verlieh. In Gesprächen mit William Christie, Sir John Eliot Gardiner, Bariton Rodney Gilfry, Sopranistin Juliette Galstian und Regisseur Claus Guth beleuchtet der Film Glucks künstlerischen Aufbruch zwischen Orfeo ed Euridice und Alceste. Entstanden ist ein ebenso kluges wie packendes Plädoyer für die Kraft der Einfachheit – und für den Komponisten, der den Weg zu Mozart ebnete.</video:description>
<video:duration>3501</video:duration>
<video:publication_date>2025-10-23T08:50:04Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-24T13:50:31Z</lastmod>
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<video:title>Bryn Terfel in der Hauptrolle in Donizettis Don Pasquale</video:title>
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<video:description>Komödie und Meisterwerk zugleich ist Donizettis Don Pasquale aus dem Jahr 1843. Beides verlangt nach herausragenden Darstellern. In Damiano Michielettos intelligenter Inszenierung am Londoner Royal Opera House treten sie auf: zuvorderst Bryn Terfel in der Titelpartie. Famos verkörpert er den leichtgläubigen alten Junggesellen, der Norina (Olga Peretyatko) heiraten will, die jedoch seinen Neffen (Ioan Hotea) liebt. Voller Witz und doch zeitgemäß bringt der italienische Regisseur den Stoff auf die Bühne. In seiner Glanzleistung Gesang und Schauspiel ebenbürtig untermalt das Orchester unter der Leitung von Evelino Pidò das heiter tiefgründige Geschehen.</video:description>
<video:duration>7959</video:duration>
<video:publication_date>2023-10-18T14:09:21Z</video:publication_date>
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<lastmod>2025-10-24T07:28:55Z</lastmod>
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<video:title>Elīna Garanča in Saint-Saëns&apos; Samson et Dalila</video:title>
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<video:description>Mezzo-Star Elīna Garanča trifft auf den jungen südkoreanischen Tenor SeokJong Baek in Saint-Saëns’ biblischem Blockbuster Samson et Dalila. Diese Orient-Oper in drei Akten bietet monumentale Chöre und berühmte Arien, etwa Dalilas „Mon coeur s’ouvre à ta voix”, und gipfelt zum Schluss im Bacchanal, das Regisseur Richard Jones allerdings ganz anders auffasst als gemeinhin üblich. Seine Inszenierung aus dem Jahr 2022 am Londoner Royal Opera House bedient sich unterschiedlichster visueller Referenzen, um das Drama herauszuarbeiten. Im Graben durchdringt Antonio Pappano die melodiöse Partitur, sinnlich, imposant und beschwörend. Und wieder einmal bringt der berühmte Chor der Royal Opera die Akustik seines prachtvollen Hauses zur Geltung.</video:description>
<video:duration>8045</video:duration>
<video:publication_date>2023-10-20T07:24:21Z</video:publication_date>
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<lastmod>2025-10-24T07:28:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36E8</loc>
<video:video>
<video:title>Antonio Pappano dirigiert Beethovens Fidelio – mit Lise Davidsen</video:title>
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<video:description>Jahre seines Lebens widmete Beethoven seiner einzigen Oper und Fidelio wurde ein zeitloses Werk. In jeder Epoche findet das Ideendrama Widerhall, doch wirkt es um so mächtiger, wenn es in seiner eigenen Ära verankert ist. Die bildgewaltige Inszenierung von Tobias Kratzer an der Royal Opera in London spielt in revolutionären Tagen und – einem kühnen Einfall folgend – zugleich in unserer Gegenwart. Lise Davidsen besticht als mutige Leonore in einer grandiosen Darbietung, die bezeichnend ist für den Spirit des ganzen Ensembles – mit einem Georg Zeppenfeld als mitfühlendem Rocco beispielsweise oder einem Akzente setzenden Antonio Pappano am Pult seines Orchesters.</video:description>
<video:duration>8017</video:duration>
<video:publication_date>2024-05-27T14:55:50Z</video:publication_date>
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<lastmod>2025-10-24T07:26:49Z</lastmod>
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<video:title>Andris Nelsons &amp; Daniil Trifonov beim Schostakowitsch Festival Leipzig</video:title>
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<video:description>Zur Eröffnung des Schostakowitsch-Festivals 2025 präsentieren das Leipziger Gewandhausorchester, Gewandhauskapellmeister Andris Nelsons und Starpianist Daniil Trifonov ein kontrastreiches Programm, das vollständig dem russischen Komponisten gewidmet ist. Nach der mitreißenden Festlichen Ouvertüre tritt Trifonov im Zweiten Klavierkonzert auf, das Schostakowitsch zum 19. Geburtstag seines Sohns Maxim schrieb, der damals Klavier studierte. Im Anschluss erklingt die mächtige, erst 25 Jahre nach ihrer Vollendung veröffentlichte Vierte Sinfonie. Das von Gustav Mahler inspirierte Werk zeichnet sich formal und emotional durch Monumentalität aus – und konnte 1936, anders als geplant, aus politischen Gründen nicht uraufgeführt werden.</video:description>
<video:duration>6800</video:duration>
<video:publication_date>2025-10-15T14:43:53Z</video:publication_date>
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<video:restriction relationship="deny">DE FR JP</video:restriction>
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<lastmod>2025-10-23T15:18:36Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGC0</loc>
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<video:title>Luisi dirigiert Skrjabin: Sinfonie Nr. 3</video:title>
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<video:description>„Als göttlich” bezeichnete Skrjabin seine gewaltige dritte Symphonie. Der Dichter Boris Pasternak, der den Entstehungsprozess der Komposition belauschte, verglich sie mit einem Artilleriebeschuss mitten im Wald. Welche Assoziationen „Le divin poème” auch immer auslöst; in der Interpretation von Fabio Luisi und seinem hervorragenden Kopenhagener Orchester entpuppt sich das Werk als eine der bedeutendsten Symphonien des 20. Jahrhunderts. Als Monument des romantischen Geistes steht sie in der Tradition von Rachmaninow und Mahler.</video:description>
<video:duration>2961</video:duration>
<video:publication_date>2024-11-14T12:23:31Z</video:publication_date>
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<lastmod>2025-10-23T14:36:03Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1K</loc>
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<video:title>Rimski-Korsakow: Das Märchen vom Zaren Saltan</video:title>
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<video:description>Anlässlich des hundertsten Geburtstags von Alexander Puschkin komponierte Rimski-Korsakow 1899 die Oper Das Märchen vom Zaren Saltan. Sie basiert auf einer folkloristischen Erzählung des großen russischen Dichters, die von Liebe, Eifersucht und Zauberei handelt. Obwohl die Oper heute nur noch selten aufgeführt wird, kennen alle Klassikfans den „Hummelflug”, der 1900, im Jahr der Uraufführung, sofort zum Hit wurde. Aber dieses Evergreen ist bei weitem nicht der einzige Höhepunkt der farbenreichen Partitur. Dmitri Tcherniakov gelang 2019 eine wunderbar originelle Inszenierung, in der sowohl der Humor als auch die psychologische Tiefe des Werks zur Geltung kommen. Alain Altinoglu dirigiert ein überwiegend russischsprachiges Ensemble.</video:description>
<video:duration>9441</video:duration>
<video:publication_date>2025-10-16T13:18:05Z</video:publication_date>
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<lastmod>2025-10-23T08:29:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPP</loc>
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<video:title>de&apos; Cavalieri: Rappresentatione di Anima, et di Corpo</video:title>
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<video:description>Der heute kaum noch bekannte Emilio de&apos; Cavalieri war im Rom und Florenz des späten 16. Jahrhunderts nicht nur ein Diplomat im Dienste der mächtigen Medici-Familie – sondern auch ein Komponist. Sein bahnbrechendes, 1600 in Rom uraufgeführtes Werk Rappresentatione di Anima, et di Corpo gilt als das erste vollständig vertonte Theaterstück der Musikgeschichte. Regisseur Robert Carsen versetzt die jahrhundertealten moralischen Fragen des selten gespielten Stücks in seiner visuell beeindruckenden Inszenierung in eine stilvoll dargestellte moderne Welt. Am Theater an der Wien dirigiert Giovanni Antonini sein renommiertes, auf historischen Instrumenten spielendes Ensemble Il Giardino Armonico und ein hervorragendes junges Ensemble.</video:description>
<video:duration>6048</video:duration>
<video:publication_date>2025-10-16T08:37:21Z</video:publication_date>
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<lastmod>2025-10-23T08:03:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1H</loc>
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<video:title>Gaveaux: Léonore, ou L&apos;amour conjugal</video:title>
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<video:description>Pierre Gaveaux&apos; 1798 uraufgeführte Oper Léonore, ou L&apos;amour conjugal basiert auf derselben literarischen Vorlage wie Beethovens Fidelio. Oriol Tomas´ Inszenierung, die 2017 an der Opera Lafayette herauskam, präsentiert die erste moderne Aufführung des französischen Werks. Für Fidelio-Kenner sind Parallelen unübersehbar: Beide Opern erzählen eine romantische Rettungs-Geschichte im Zeitalter der Revolution. Aber Gaveaux&apos; Partitur umfasst ein ganz eigenes stilistisches Spektrum, das vom Charme der Opéra-comique bis zum atmosphärischen Chiaroscuro des Barock reicht. Das hervorragende Ensemble wird von der Sopranistin Kimy McLaren angeführt; und Ryan Brown dirigiert das Orchester der Opera Lafayette. das auf historischen Instrumenten spielt.</video:description>
<video:duration>4923</video:duration>
<video:publication_date>2025-10-16T10:21:07Z</video:publication_date>
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<lastmod>2025-10-23T08:00:48Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1G</loc>
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<video:title>Dean: Hamlet</video:title>
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<video:description>Familiäre Konflikte, Mord, Rache und die unerträgliche Schwere des Daseins: Shakespeares Tragödie Hamlet verhandelt auf unübertroffene Weise zentrale Themen der menschlichen Existenz – und die Frage „Sein oder Nichtsein“ gehört bis heute zu den berühmtesten Zeilen der westlichen Kultur. Brett Dean verwandelte in seiner Adaption, die auf einem Libretto von Matthew Jocelyn basiert, Shakespeares Stück in ein einzigartiges musikalisches Drama. 2017 bescherten Vladimir Jurowski am Pult des London Philharmonic Orchestra und ein hochkarätiges englischsprachiges Ensemble – mit Allan Clayton, Barbara Hannigan und Sarah Connolly in den Hauptrollen – der zugleich düsteren, witzigen und zutiefst menschlichen Oper eine triumphale Uraufführung.</video:description>
<video:duration>9823</video:duration>
<video:publication_date>2025-10-16T09:28:45Z</video:publication_date>
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<lastmod>2025-10-23T07:58:56Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1M</loc>
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<video:title>Gulda Non-Stop</video:title>
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<video:description>„Ich bin der wichtigste kreative Wiener Musiker der zweiten Hälfte unseres Jahrhunderts“, sagte Friedrich Gulda einmal; und wenn man sich bei diesem österreichischen Pianisten, Freigeist und Provokateur über eine Sache einig sein konnte, dann war es seine unschlagbare Offenheit. Wie kompromisslos Gulda seiner genialen Intuition folgte, zeigt diese Aufzeichnung vom Münchner Klaviersommer des Jahres 1990: In einer Pausen-losen, 90-minütigen musikalischen Tour de Force spielte sich der Pianist durch die Zentralregionen seines klassischen Repertoires: Das Programm umfasste Musik von Bach, Mozart, Chopin, Debussy, Johann Strauss, außerdem Wiener Volkslieder und – natürlich – auch Werke, die wir Guldas eigener, unnachahmlichen Fantasie verdanken.</video:description>
<video:duration>5495</video:duration>
<video:publication_date>2025-09-04T15:54:13Z</video:publication_date>
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<lastmod>2025-10-23T07:10:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ0C0</loc>
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<video:title>Bach: The Well-Tempered Clavier I: Prelude No. 9 in E Major, BWV 854</video:title>
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<video:description>The Icelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time. 
Following his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics&apos; Annual Prize, the pianist now presents his new album Opus 109. 
At its heart is Beethoven&apos;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer&apos;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.</video:description>
<video:duration>104</video:duration>
<video:publication_date>2025-10-13T12:20:45Z</video:publication_date>
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<lastmod>2025-10-20T13:39:25Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34E8</loc>
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<video:title>Jonas Kaufmann and Marlis Petersen in Korngolds Die tote Stadt</video:title>
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<video:description>Die tote Stadt war einst ein Welterfolg. Vom jungen Erich Wolfgang Korngold geschrieben, wurde sie 1920 auf die Bühne gebracht, doch die Ereignisse der Geschichte ließen sie später ein Schattendasein fristen. Diese preisgekrönte Inszenierung von Simon Stone macht dem ein Ende und verschafft dem Werk einen festen Platz im Opernkanon des 21. Jahrhunderts. 2019 wird die Produktion an der Bayerischen Staatsoper aufgeführt – in Starbesetzung: Jonas Kaufmann und Marlis Petersen sind in den Hauptrollen als Paul beziehungsweise Marie/Marietta zu erleben. Stones Auslegung verwandelt Korngolds Psychodrama in eine einfühlsame Studie über Liebe und Verlust. Unter dem Dirigat von Kirill Petrenko ist dies vielleicht auch die klangschönste Tote Stadt.</video:description>
<video:duration>8581</video:duration>
<video:publication_date>2024-05-08T14:19:09Z</video:publication_date>
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<lastmod>2025-10-20T12:26:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCC8</loc>
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<video:title>Gardiner dirigiert Gluck: Orphée et Eurydice</video:title>
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<video:description>Die Macht der Musik, der Schmerz des Verlustes und der Preis, den wir für die Liebe zahlen: Die Figuren in Orphée et Eurydice mögen aus einer uralten Zeit stammen; aber die Themen des Dramas bleiben ewig jung – und Gluck drückt sie in seiner berühmtesten Oper mit einer Unmittelbarkeit und Beseeltheit aus, die sich heute so frisch anfühlt wie in der Entstehungszeit. Regisseur Robert Wilson und Dirigent John Eliot Gardiner brachten im Jahr 2000 Berlioz&apos; Adaption dieser bahnbrechenden Partitur zu neuem Leben. Die minimalistische Inszenierung verbindet sich mit dem Farbenreichtum des Orchestre Révolutionnaire et Romantique, das auf historischen Instrumenten spielt. In der Rolle des Orpheus brilliert die junge Magdalena Kožená.</video:description>
<video:duration>5968</video:duration>
<video:publication_date>2024-10-30T11:59:29Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-20T12:20:27Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9H</loc>
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<video:title>Puccini: Turandot</video:title>
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<video:description>Die Prinzessin mit dem eiskalten Herzen und der namenlose Fremde, der bereit ist, für die Liebe sein Leben aufs Spiel zu setzen… Puccinis Turandot ist ein faszinierendes Märchen in einem mythischen, imaginären China, das niemand – und schon gar nicht Puccini – mit dem realen verwechselte. Mit seinen rassistischen Stereotypen ist es für heutiges Publikum unbestreitbar problematisch. Regisseur Robert Wilson verzichtete jedoch in seiner atemberaubenden Inszenierung von 2018 für das Teatro Real in Madrid auf alles Dekorative und erschuf eine Welt aus Farben, Schatten und Licht. Puccinis herrliche Musik entfaltet darin ihre volle Wirkung – mit dem grandiosen Gesang von Irène Theorin als Turandot und Gregory Kunde als Calaf.</video:description>
<video:duration>7327</video:duration>
<video:publication_date>2025-06-30T09:45:22Z</video:publication_date>
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<lastmod>2025-10-20T12:19:22Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0C0</loc>
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<video:title>Karl Böhm dirigiert Die Fledermaus</video:title>
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<video:description>Seit langem gilt Die Fledermaus von Johann Strauss (Sohn) unangefochten als großartigste aller Wiener Operetten. Man kann sich heute kaum noch vorstellen, dass diese aberwitzige Farce, die unter Einsatz von reichlich Champagner von Verwechslungen und romantischen Tändeleien erzählt, nicht immer schon ein Hit war. Ebenso wenig kann man sich eine luxuriösere Besetzung oder eine liebevollere Inszenierung vorstellen, als sie diese Verfilmung der legendären Produktion aus der Wiener Staatsoper bietet. Für puren Genuss sorgen der 2025 verstorbene Regisseur Otto Schenk, die von Karl Böhm dirigierten Wiener Philharmoniker, Gundula Janowitz als temperamentvolle Rosalinde und der große Wagner-Tenor Wolfgang Windgassen als feierwütiger Prinz Orlofsky.</video:description>
<video:duration>8229</video:duration>
<video:publication_date>2025-03-24T14:47:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T12:06:19Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4E8</loc>
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<video:title>Kleiber dirigiert Die Fledermaus</video:title>
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<video:description>Die Verve, mit der hier Johann Strauß&apos; Fledermaus eingeleitet wird, bringt die Korken zum Knallen. „Keiner kann … ein Orchester, kann Sänger, kann ein Ensemble mehr zum Tanzen bringen“, jubelt die Kritik. Gemeint ist Carlos Kleiber, Inbegriff des Alt-Wiener Flairs der Nachkriegszeit. In diesem Livemitschnitt der Bayerischen Staatsoper von 1987 leitet er mühelos und voller Elan Pamela Coburn und Eberhard Waechter als Rosalinde beziehungsweise Eisenstein sowie die einzigartige Brigitte Fassbaender als Orlofsky. Man spürt förmlich, wie die Luft vor Aufregung prickelt und das Münchner Publikum jede Minute der prachtvollen Inszenierung von Otto Schenk genießt.</video:description>
<video:duration>9445</video:duration>
<video:publication_date>2023-12-14T10:15:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T12:05:51Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHN</loc>
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<video:title>Wagner: Tristan und Isolde</video:title>
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<video:description>Seit John Christie Mitte der 1930er Jahre das Opernfestival in Glyndebourne gegründet hatte, trämte er davon, dort Werke von Wagner szenisch aufzuführen. 70 Jahre später ging dieser Traum mit Nikolaus Lehnhoffs visionärer Inszenierung von Tristan und Isolde in Erfüllung: Lehnhoff, der sich von der Bayreuther Nachkriegstradition inspirieren ließ, zeigt Wagners zum Tode verurteiltes Liebespaar in einer leuchtenden und zugleich abstrakten Welt. Diese Aufzeichnung aus dem Jahr 2007 dokumentiert die erste Wiederaufnahme der Produktion. Nina Stemme, René Pape und Robert Gambill gehören zur hochkarätigen Besetzung, und Dirigent Jiří Bělohlávek entlockt dem unüberhörbar inspirierten London Philharmonic Orchestra Klänge von hinreißender Schönheit.</video:description>
<video:duration>14388</video:duration>
<video:publication_date>2025-07-10T11:17:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T10:25:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJID8</loc>
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<video:title>Strauss: Die Frau ohne Schatten</video:title>
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<video:description>Richard Strauss und sein Librettist Hugo von Hofmannsthal konzipierten Die Frau ohne Schatten als ihr gemeinsames Meisterwerk. Entstanden ist eine reich gewebte Allegorie, die von der schattenlosen Märchenkaiserin und ihrer Suche nach Menschlichkeit erzählt. Das Werk ist von der Zauberflöte – sowie von Dutzenden anderen Texten der Weltliteratur – inspiriert und ermöglicht ganz unterschiedliche szenische Umsetzungen. Krzysztof Warlikowskis stilvolle Inszenierung aus dem Jahr 2013 war einer der Höhepunkte in Kirill Petrenkos Ära am Nationaltheater. Mit hervorragenden Solisten wie Adrianne Pieczonka als Kaiserin und Johan Botha als Kaiser gelang dem Dirigenten eine mustergültige Interpretation des mächtigen und packenden Werks.</video:description>
<video:duration>12240</video:duration>
<video:publication_date>2025-06-19T14:47:49Z</video:publication_date>
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<lastmod>2025-10-20T10:09:47Z</lastmod>
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<video:title>Verdi: Macbeth—Asmik Grigorian, Jonathan Tetelman &amp; Vladislav Sulimsky</video:title>
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<video:description>Krzysztof Warlikowski führt uns in das dunkle Herz von Verdis packendem frühen Shakespeare-Meisterwerk. Seine Inszenierung dringt tief in die Psychologie von Macbeth und seiner Frau ein – und erforscht die Gründe ihres unstillbaren Hungers nach Macht. Vladislav Sulimsky als unerbittlicher Macbeth und die großartig intensive Asmik Grigorian als Lady Macbeth verleihen der fesselnden Vision des Regisseurs Glaubwürdigkeit; und der Tenor Jonathan Tetelman komplettiert als Macduff eine Starbesetzung, wie man sie so nur bei den Salzburger Festspielen erleben kann. Mit den bestens aufgelegten Wiener Philharmonikern unter der Leitung von Philippe Jordan ergibt sich eine unschlagbar eindringliche und spannende Verdi-Produktion.</video:description>
<video:duration>8791</video:duration>
<video:publication_date>2025-07-22T13:27:57Z</video:publication_date>
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<lastmod>2025-10-20T10:09:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3AC0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla dirigiert Weinberg: Der Idiot</video:title>
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<video:description>Seit Jahren interpretiert Mirga Gražinytė-Tyla die Werke des Komponisten Mieczysław Weinberg. In dieser Salzburger Neuproduktion dirigiert sie Der Idiot, seine siebte und letzte Oper, deren Stoff auf Dostojewskis gleichnamigem tiefgründigen Roman basiert. Die kraftvolle Musik, „ein Meisterwerk der musikalischen Erzählung“, offenbart Gražinytė-Tylas bemerkenswertes Können, hier am Pult einer herausragenden Besetzung. Und auch die Inszenierung des polnischen Regisseurs Krzysztof Warlikowski markiert einen Wendepunkt in der kurzen Aufführungsgeschichte der Oper, die Mitte der Achtzigerjahre entstand und erst 2013 ihre Premiere feierte.</video:description>
<video:duration>11768</video:duration>
<video:publication_date>2024-08-26T08:31:26Z</video:publication_date>
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<lastmod>2025-10-20T10:09:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36D8</loc>
<video:video>
<video:title>Solti dirigiert Verdi: Falstaff</video:title>
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<video:description>„Die ganze Welt ist ein Witz”, singt Sir John Falstaff, als der 79-jährige Verdi seine Karriere mit einem von Sonnenstrahlen überglänzten Ausbruch von Freude und Humor beendet. Eine gelungene Aufführung von „Falstaff” ist eine der schönsten lebensbejahenden Erfahrungen, die die Welt der Oper zu bieten hat. In dieser aufwendigen Studio-Inszenierung, die 1979 in Berlin aufgezeichnet wurde, begegnen sich zwei Legenden der Nachkriegsoper: Der Regisseur Götz Friedrich und der vitale Georg Solti, der die Wiener Philharmoniker und ein großartiges Ensemble dirigiert. Aber was wäre Falstaff ohne einen begeisternden Interpreten der Titelrolle? Der fantastische französische Bariton Gabriel Bacquier verleiht Falstaff hinreißenden Witz und große Wärme.</video:description>
<video:duration>7727</video:duration>
<video:publication_date>2025-01-22T17:05:51Z</video:publication_date>
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<lastmod>2025-10-20T10:02:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3G</loc>
<video:video>
<video:title>Karl Böhm dirigiert Elektra</video:title>
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<video:description>Als enger Vertrauter des Komponisten dirigierte Karl Böhm die Uraufführung von zwei Richard Strauss-Opern und setzte sich mit unermüdlicher Leidenschaft auch für dessen andere Bühnenwerke ein. Die letzte Aufnahme des mittlerweile 86 Jahre alten Dirigenten war die der Elektra, die als Tonspur für Götz Friedrichs psychologisch intensiven Opernfilm verwendet wurde. Mit Leonie Rysanek, Astrid Varnay und Catarina Ligendza standen drei der großen Wagner- und Strauss-Sängerinnen für die packende Vertonung von Hugo von Hofmannsthals Version der antiken Geschichte zur Verfügung. Sein künstlerisches Vermächtnis konnte Karl Böhm mit den Wiener Philharmonikern verwirklichen, die den Musiker im Jahre 1967 zu ihrem ersten Ehrendirigenten ernannten.</video:description>
<video:duration>7129</video:duration>
<video:publication_date>2022-05-03T09:23:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T10:01:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJIC8</loc>
<video:video>
<video:title>Puccini: Suor Angelica</video:title>
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<video:description>Puccini beschäftigte sich in seinem Kurzopern-Trio Il Trittico auf ganz unterschiedliche Weise mit Fragen der Moral und Sittlichkeit. Suor Angelica ist das leidenschaftliche, wunde Herz der Trilogie. Die in einem Kloster angesiedelte Handlung erzählt von einer jungen Frau, die ihrer Familie, ihres Kindes und aller Hoffnung auf Erlösung beraubt wird. Die Geschichte, in der nur Frauen auftreten, inspirierte den Komponisten zu einer besonders innigen Musik. In Denis Kriefs fantasievoller Inszenierung, die 2020 am Teatro del Maggio Musicale Fiorentino Premiere feierte, verkörperte Maria José Siri Puccinis herzkranke Heldin mit leuchtender Stimme und ergreifender Darstellung – und wurde, wie das gesamte glänzende Ensemble, vom Publikum gefeiert.</video:description>
<video:duration>3636</video:duration>
<video:publication_date>2025-06-19T08:57:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T09:51:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJICG</loc>
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<video:title>Puccini: Gianni Schicchi</video:title>
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<video:description>„O mio babbino caro“... Kein Opernkomponist trifft so zielgenau ins Herz des Publikums wie Puccini – in der farcenhaften Welt von Gianni Schicchi ist allerdings nichts so, wie es scheint. Die komische Geschichte um intrigante Anwälte, streitende Verwandte und junge Liebende ist eines der ungewöhnlichsten – und zugleich populärsten – Meisterwerke des Komponisten. Diese neue Produktion am Teatro del Maggio Musicale Fiorentino erzählt die Oper auf brillante Weise neu. Regisseur Denis Krief verlegt die Handlung in die Ära von La Dolce Vita, in die sinnliche, sonnenverwöhnte Welt der 1960er Jahre in Italien. Bruno de Simone steht als unbändiger Titelheld Gianni Schicchi an der Spitze eines glänzenden Ensembles.</video:description>
<video:duration>3402</video:duration>
<video:publication_date>2025-06-19T11:22:32Z</video:publication_date>
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<lastmod>2025-10-20T09:51:22Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9I</loc>
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<video:title>Verdi: Rigoletto</video:title>
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<video:description>Am Hofe von Mantua dreht sich alles ums Vergnügen. Doch der junge, attraktive Herzog sucht nicht Liebe, sondern nur Lust, und die Witze des buckligen Hofnarren Rigoletto haben einen boshaften Unterton. In Verdis musikalischem Drama Rigoletto kulminieren eine Affäre, ein Fluch und ein grausamer Scherz in einem Rache-Komplott, das auf schockierende Weise außer Kontrolle gerät. Der in einem fieberhaften kreativen Schub komponierte, packende Belcanto-Thriller zeigt Verdi im Vollbesitz seiner Kräfte; und in kaum einer anderen Oper gibt es so viele geniale Melodien. In dieser aufwendigen, teilweise in der Gangster-Welt angesiedelten Inszenierung aus Florenz brilliert der großartige Tenor Javier Camerena als skrupelloser Frauenheld.</video:description>
<video:duration>7827</video:duration>
<video:publication_date>2025-08-21T11:31:26Z</video:publication_date>
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<lastmod>2025-10-20T09:41:30Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8CO</loc>
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<video:title>Chailly dirigiert Verdis Macbeth</video:title>
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<video:description>Zur Eröffnung der Spielzeit 2021/22 dirigierte Riccardo Chailly an der Mailänder Scala Verdis Macbeth, die fulminante erste Shakespeare-Oper des Komponisten. Der amerikanische Regisseur Davide Livermore verbindet in seiner beeindruckenden, modernen Inszenierung zeitgenössische Kleidung mit einprägsamen Videoprojektionen. Der italienische Bariton Luca Salsi interpretiert die Titelrolle des tragischen Generals, der mit Gewalt den schottischen Thron erobert. Macbeths Machtgier wird von seiner skrupellosen Frau angeheizt, die hier von Anna Netrebko verkörpert wird. Das Star-Ensemble wird vom Bass Ildar Abdrazakov in der Partie von Macbeths hintergangenem Freund Banquo und vom italienischen Tenor Francesco Meli als Macduff komplettiert.</video:description>
<video:duration>10435</video:duration>
<video:publication_date>2023-03-03T12:24:52Z</video:publication_date>
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<lastmod>2025-10-20T09:39:11Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38E0</loc>
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<video:title>Welser-Möst dirigiert Johann Strauss II: Simplicius</video:title>
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<video:description>Wenn Johann Strauss für die Opernbühne schrieb, fiel ihm immer wieder immer etwas Neues ein. So wird die Handlung seiner Operette Simplicius von 1887 alle überraschen, die eine champagnergetränkte Farce erwarten. Das Drama um Liebe, Glauben und Spionage, das in den Wirren des Dreißigjährigen Krieges spielt, könnte man als eine „Operetta seria“ bezeichnen. Strauss&apos; melodisches Genie allerdings leuchtet so hell wie eh und je. Zu seiner umwerfend fantasievollen Züricher Inszenierung ließ sich Regisseur David Pountney von Hieronymus Boschs Gemälden inspirieren. Dem Ensemble um den jungen Tenor Piotr Beczala in der Hauptrolle gelingt unter der Leitung von Franz Welser-Möst ein spektakuläres Plädoyer für ein unterschätztes Meisterwerk.</video:description>
<video:duration>7880</video:duration>
<video:publication_date>2025-02-07T13:20:41Z</video:publication_date>
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<lastmod>2025-10-20T09:24:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30DG</loc>
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<video:title>Welser-Möst dirigiert Verdi: Macbeth – mit Thomas Hampson</video:title>
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<video:description>Verdi liebte die poetische Kraft und den Einfallsreichtum Shakespeares. Als er die Schauspieltragödie Macbeth in eine italienische Oper verwandelte, definierte er das Genre praktisch neu. So muss die Interpretin der Lady Macbeth nicht nur musikalisch, sondern auch schauspielerisch über außergewöhnliche Fähigkeiten verfügen. Diese fantasievolle Inszenierung David Pountneys und Franz Welser-Mösts eindringliches Dirigat am Opernhaus Zürich hätten den Komponisten sicher beglückt. Vor allem aber hätte ihn die junge sardische Sopranistin Paoletta Marrocu als Lady Macbeth begeistert. Das Gramophone Magazine verglich die Sängerin mit Maria Callas und bescheinigte ihr eine „von der ersten bis zur letzten Minute wirklich umwerfende Leistung”.</video:description>
<video:duration>8330</video:duration>
<video:publication_date>2024-12-10T13:22:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-20T09:24:08Z</lastmod>
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<video:title>Cecilia Bartoli und Jonas Kaufmann in Paisiellos Nina</video:title>
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<video:description>Verrückt nach Liebe: Mozart war ein Fan der Opern von Giovanni Paisiello und Nina eroberte in den Jahren nach ihrer Uraufführung 1789 Europa im Sturm. Die Mischung aus Melodie, Verspieltheit und Pathos ist auch heute noch wirkungsvoll, und die stilvolle Neuinszenierung von Cesare Lievi für das Opernhaus Zürich brachte Paisiello 2002 eine neue Generation von Bewunderern. Der Dirigent Adam Fischer bringt die ganze Frische und Emotionalität des Werks zur Geltung, und mit einer Besetzung, die Cecilia Bartoli auf dem Höhepunkt ihres Könnens als liebeskranke Nina sowie einen jungen Jonas Kaufmann umfasst, hat Paisiello noch nie so überzeugend geklungen.</video:description>
<video:duration>7229</video:duration>
<video:publication_date>2024-08-09T10:12:41Z</video:publication_date>
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<lastmod>2025-10-20T09:20:18Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36C0</loc>
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<video:title>Valentin Schwarz inszeniert den Ring: Siegfried (Bayreuth 2022)</video:title>
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<video:description>Die neue Produktion von Wagners Der Ring des Nibelungen bei den Bayreuther Festspielen war das Opern-Ereignis des Festspielsommers 2022. Der junge Regisseur Valentin Schwarz siedelt die mythische Handlung in unserer Gegenwart an und erzählt eine packende Familiensaga in der Welt der Reichen und Mächtigen. Die musikalische Leitung liegt in den Händen von Cornelius Meister.

Im Siegfried werden die tragikomischen Aspekte in der Beziehung zwischen dem Titelhelden und seinem Ziehvater Mime hervorgehoben. Auch für den Drachen-Kampf und die Befreiung Brünnhildes aus dem Feuerkreis findet die Inszenierung originelle und neuartige Bilder. Als Siegfried glänzt Andreas Schager mit müheloser Höhe und Durchhaltevermögen.</video:description>
<video:duration>14640</video:duration>
<video:publication_date>2022-12-03T21:03:02Z</video:publication_date>
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<lastmod>2025-10-20T09:04:07Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30</loc>
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<video:title>Valentin Schwarz inszeniert den Ring: Götterdämmerung (Bayreuth 2022)</video:title>
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<video:description>Die neue Produktion von Wagners Der Ring des Nibelungen bei den Bayreuther Festspielen war das Opern-Ereignis des Festspielsommers 2022. Der junge Regisseur Valentin Schwarz siedelt die mythische Handlung in unserer Gegenwart an und erzählt eine packende Familiensaga in der Welt der Reichen und Mächtigen. 
Der letzte Teil der Tetralogie: Siegfried lässt seine Geliebte Brünnhilde im Stich, lässt sich von den Gibichungen um den skrupellosen Hagen einspannen und erliegt den Avancen Gutrunes. Auch in der Götterdämmerung tritt in dieser Produktion ein Kind auf. Aus dem Pferd Granes macht Regisseur Schwarz einen menschlichen Gefährten Brünnhildes, der auch im schockierenden Schlussbild eine zentrale Rolle spielt.</video:description>
<video:duration>16440</video:duration>
<video:publication_date>2022-12-06T06:36:23Z</video:publication_date>
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<lastmod>2025-10-20T09:03:43Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34E8</loc>
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<video:title>Valentin Schwarz inszeniert den Ring: Die Walküre (Bayreuth 2022)</video:title>
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<video:description>Die neue Produktion von Wagners Der Ring des Nibelungen bei den Bayreuther Festspielen war das Opern-Ereignis des Festspielsommers 2022. Der junge Regisseur Valentin Schwarz siedelt die mythische Handlung in unserer Gegenwart an und erzählt eine packende Familiensaga in der Welt der Reichen und Mächtigen. Die musikalische Leitung liegt in den Händen von Cornelius Meister.

In zweiten Teil der Tetralogie zeigt Regisseur Schwarz eine abgründige und traumatisierende Beziehung zwischen Göttervater Wotan und seiner „Lieblingstochter” Brünnhilde. Lise Davidsen und Klaus Florian Vogt werden für ihre Darstellung des Geschwister- und Liebespaars Sieglinde und Siegmund vom Publikum stürmisch gefeiert.</video:description>
<video:duration>13987</video:duration>
<video:publication_date>2022-12-01T14:14:57Z</video:publication_date>
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<lastmod>2025-10-20T09:03:20Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJGCG</loc>
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<video:title>Valentin Schwarz inszeniert den Ring: Das Rheingold (Bayreuth 2022)</video:title>
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<video:description>Die neue Produktion von Wagners Der Ring des Nibelungen bei den Bayreuther Festspielen war das Opern-Ereignis des Festspielsommers 2022. Der junge Regisseur Valentin Schwarz siedelt die mythische Handlung in unserer Gegenwart an und erzählt eine packende Familiensaga in der Welt der Reichen und Mächtigen. Die musikalische Leitung liegt in den Händen von Cornelius Meister.

In dieser Inszenierung sind die Gegenspieler Wotan und Alberich verfeindete Zwillingsbrüder. Am Anfang wird nicht das Gold aus dem Rhein, sondern ein Kind geraubt. Schließlich geht es bei Dynastien immer um die Frage, wer einmal die Macht erben wird.</video:description>
<video:duration>9213</video:duration>
<video:publication_date>2022-11-29T20:52:54Z</video:publication_date>
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<lastmod>2025-10-20T09:02:46Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHK</loc>
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<video:title>Wagner: Rienzi</video:title>
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<video:description>Mit seinem frühen Musikdrama Rienzi gelang es dem jungen Wagner, einen europäischen Bestseller über Macht, Rebellion und die Gewalt des Pöbels im mittelalterlichen Rom in eine der großartigstes aller Grands Opéras zu verwandeln. Der erste große Erfolg des Komponisten wird nur noch selten aufgeführt; sehr zu Unrecht, wie Jorge Lavellis Inszenierung zeigt, die 2013 im Théâtre du Capitole in Toulouse herauskam. Durch den Rückgriff auf französische und deutsche Theatertraditionen legt der Regisseur den Kern des Dramas auf effektvolle Weise frei. Pinchas Steinberg dirigiert mit authentischer Verve, und Torsten Kerl begeistert in der Titelrolle des Rienzi, dem Wagner mit dem Gebet &quot;Allmächt&apos;ger Vater&quot; eine seiner erhabensten Melodien anvertraute.</video:description>
<video:duration>10566</video:duration>
<video:publication_date>2025-07-07T14:26:00Z</video:publication_date>
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<lastmod>2025-10-17T15:32:46Z</lastmod>
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<video:video>
<video:title>Puccini: La Bohème</video:title>
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<video:description>Mit großer Spannung wurde 2017 Richard Jones&apos; neue Inszenierung von La Bohème am Royal Opera House, Covent Garden erwartet – und die Premiere übertraf die Erwartungen sogar noch. Jones gelang es, den Geist der jugendlichen Rebellion ebenso wie die romantische Intensität der beliebtesten aller Puccini-Opern einzufangen. Auch die späteren Wiederaufnahmen der von den Kritikern sofort zum Klassiker deklarierten Produktion begeisterten das Publikum. Diese Aufführung, die im Frühjahr 2020 live aufgezeichnet wurde, präsentiert eine besonders glanzvolle Besetzung: Die bulgarische Sopranistin Sonya Yoncheva, die Mimì auf unvergesslich sensbile Weise verkörpert, erweist sich als perfekte Partnerin für Charles Castronovos leidenschaftlichen Rodolfo.</video:description>
<video:duration>7180</video:duration>
<video:publication_date>2025-06-30T08:12:10Z</video:publication_date>
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<lastmod>2025-10-17T15:32:28Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9G</loc>
<video:video>
<video:title>Verdi: La traviata</video:title>
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<video:description>Die Uraufführung von La traviata sorgte für einen Skandal: Denn die einzige Oper Verdis, die in der Zeit des Komponisten selbst spielt, provozierte im 19. Jahrhundert mit der Geschichte der verbotenen Liebe der Pariser Kurtisane Violetta zu dem jungen Alfredo die Moralvorstellungen des Publikums. Pier Luigi Pizzi greift in seiner eindrucksvollen Inszenierung die Komplexitäten des Werks auf, indem er die Handlung im von den Nazis besetzten Paris ansiedelt – und verleiht der Liebesgeschichte damit eine noch größere Tragik und Dringlichkeit. In dieser Aufführung, die 2005 im Teatro Real in Madrid aufgezeichnet wurde, dirigiert Jesús López Cobos ein hervorragendes Ensemble, das von Norah Amsellem und José Bros angeführt wird.</video:description>
<video:duration>8238</video:duration>
<video:publication_date>2025-09-08T10:33:16Z</video:publication_date>
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<lastmod>2025-10-17T15:29:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPO</loc>
<video:video>
<video:title>Rossini: La pietra del paragone</video:title>
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<video:description>Rossinis Il Pietro di Paragone („Die Liebesprobe“) erinnert an Mozarts Così fan tutte: Beide Opern erzählen von rivalisierenden Liebhabern, exotischen Verkleidungen und einem raffinierten Liebes- Experiment. Aber Rossini vertonte die Geschichte natürlich in seinem eigenen, unverwechselbaren Stil. Die Mailänder Uraufführung der vitalen Romantikkomödie machte den Komponisten im September 1812 über Nacht berühmt. Diese Produktion der selten gespielten Oper lag in den Händen von zwei Meistern der spritzigen Rossini-Interpretation: Unterstützt von einem großartigen Ensemble glückte dem Dirigenten Alberto Zedda und dem Regisseur Pier Luigi Pizzi am Teatro Real in Madrid eine ebenso witzige wie fantasievolle Aktualisierung.</video:description>
<video:duration>10268</video:duration>
<video:publication_date>2025-08-12T15:01:07Z</video:publication_date>
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<lastmod>2025-10-17T15:28:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCC0</loc>
<video:video>
<video:title>Harnoncourt dirigiert Le nozze di Figaro</video:title>
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<video:description>Nur wenige Dirigenten der jüngeren Vergangenheit brachten die Seele von Mozarts Musik so bewegend zum Ausdruck wie der 2016 verstorbene Nikolaus Harnoncourt. Der Grandseigneur der historischen Aufführungspraxis überzeugte sowohl als Dirigent von Spezial-Ensembles der Alten Musik wie am Pult der größten modernen Orchester der Welt. 1996 leitete er die Truppen des Zürcher Opernhauses und ein exzellentes Ensemble in einer szenischen Produktion von Mozarts Le nozze di Figaro. Auf der Suche nach den ewigen Wahrheiten dieser größten aller komischen Opern lässt Jürgen Flimms Inszenierung die Handlung zwischen verschiedenen Epochen und Schauplätzen hin- und herwandern. Das Ergebnis ist so erhellend – und schön –, wie man es sich nur wünschen kann.</video:description>
<video:duration>11739</video:duration>
<video:publication_date>2024-10-30T11:41:32Z</video:publication_date>
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<lastmod>2025-10-17T15:20:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ID8</loc>
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<video:title>Harnoncourt dirigiert Mozart: Così fan Tutte - mit Cecilia Bartoli</video:title>
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<video:description>Zwei junge Liebespaare, ein zynischer alter Philosoph und ein respektloses Dienstmädchen: Die Ausgangslage für Così fan tutte könnte kaum einfacher sein. Doch Mozarts und Da Pontes große Komödie des menschlichen Herzens ist offen für tausend Interpretationen, von denen nur wenige so überzeugend sind wie diese Inszenierung von Jürgen Flimm am Opernhaus Zürich aus dem Jahr 2002. Flimms leichtfüßige Inszenierung gibt dem Dirigenten Nikolaus Harnoncourt - der in diesem Repertoire unübertroffen ist - und einer wahrhaft glorreichen Besetzung mit Cecilia Bartoli als leidenschaftlicher Fiordiligi und Liliana Nikiteanu als ihrer sorgloseren Schwester Dorabella grenzenlosen Spielraum. Mit Agnes Baltsa als Despina und Roberto Saccà als Ferrando.</video:description>
<video:duration>11525</video:duration>
<video:publication_date>2024-07-31T09:28:02Z</video:publication_date>
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<lastmod>2025-10-17T15:19:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ID0</loc>
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<video:title>Harnoncourt dirigiert Mozart: Don Giovanni - mit Cecilia Bartoli</video:title>
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<video:description>Mozarts Don Giovanni ist eine Oper, die Unendlichkeiten enthält: Die Abenteuer des großen Verführers, seines Dieners Leporello und der Frauen, denen er Unrecht getan hat, sind so ewig (und so faszinierend) wie die menschliche Natur selbst. Jürgen Flimms klassische Inszenierung für das Opernhaus Zürich lehnt sich an die Schatten unter der komischen Oberfläche an - und in dieser Aufführung von 2001 ist Rodney Gilfry ein wahrhaft aristokratischer Giovanni, mit der erhabenen italienischen Mezzosopranistin Cecilia Bartoli auf dem Höhepunkt ihrer stimmlichen und dramatischen Form als quecksilbrige Donna Elvira. Nikolaus Harnoncourt dirigiert mit seinem unübertroffenen Gespür für die Musik des 18. Jahrhunderts eine Partitur, die nie alt wird.</video:description>
<video:duration>11220</video:duration>
<video:publication_date>2024-07-30T14:33:32Z</video:publication_date>
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<lastmod>2025-10-17T15:19:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1H</loc>
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<video:title>Mozart: La clemenza di Tito</video:title>
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<video:description>Jede Aufführung von Mozarts letzter Opera seria La Clemenza de Tito ist etwas Besonderes – sogar beim Glyndebourne Festival, das seit seiner Gründung vor 90 Jahren für seine Mozart-Produktionen berühmt ist. Claus Guths psychologisch eindringliche Inszenierung war die erste Clemenza, die beim englischen Sommerfestival im neuen Jahrtausend herauskam. Zum glänzenden Eindruck der von Kritik und Publikum gefeierten Produktion trug auch das exzellente Ensemble bei: Richard Croft singt die Titelpartie mit strahlender Stimme, Anna Stéphany glückt eine berührende Darstellung des Sesto und Robin Ticciati dirigiert das auf historischen Instrumenten spielende Orchestra of the Age of Enlightenment mit unwiderstehlicher Sensibilität und großer Eleganz.</video:description>
<video:duration>8305</video:duration>
<video:publication_date>2025-07-22T10:19:09Z</video:publication_date>
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<lastmod>2025-10-17T15:16:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GD8</loc>
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<video:title>Juraj Valčuha dirigiert Verdis Don Carlo – mit Elīna Garanča</video:title>
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<video:description>Der slowakische Dirigent Juraj Valčuha leitet ein Sängerensemble der Spitzenklasse in Verdis Welt- und Familiendrama Don Carlo – hier im herrlichen Teatro di San Carlo in Neapel in fünf Akten auf Italienisch dargeboten. Der amerikanische Tenor Matthew Polenzani verkörpert den Don Carlo, zerrissen in seiner Liebe zu Elisabetta (Ailyn Pérez), die das Schicksal in eine Ehe mit seinem Vater zwingt, König Filippo II. (Michele Pertusi). Zwei große Sänger:innen der Gegenwart vervollständigen die Besetzung: Elīna Garanča als die schöne Prinzessin Eboli und Ludovic Tézier als Rodrigo. Claus Guths psychologisch scharfsinnige Regie erkundet Leidenschaft, Qual und Pflichtgefühl in einem Drama voll theatralischer Intensität und meisterhaften Klängen.</video:description>
<video:duration>13190</video:duration>
<video:publication_date>2023-10-20T13:42:42Z</video:publication_date>
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<lastmod>2025-10-17T15:15:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CDG</loc>
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<video:title>Castorfs Ring des Nibelungen: Siegfried (Bayreuth 2016)</video:title>
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<video:description>In prekärem Milieu zeigt Frank Castorf in seinem Ring die friedlose Kommunikation zwischen dem jungen Helden Siegfried und seinem Ziehvater Mime. Im Hintergrund der Szene sind auf einer Nachbildung des Mount Rushmore die Köpfe von Marx, Lenin, Stalin und Mao zu erkennen. Die mythische Natur- und Waldwelt des zweiten Aktes wird in dieser Produktion vom Berliner Alexanderplatz, das Schwert Nothung durch ein Maschinengewehr ersetzt. Während die Regie sowohl Zustimmung als auch Ablehnung hervorrief, wurden die Leistungen der Sängerinnen und Sänger fast überall gefeiert. So ist Christopher Ventris – in einer der schwersten Tenorpartien des Repertoires – &quot;ein bärenstarke[r] Siegfried mit großen Kraftreserven&quot; (BR Klassik).</video:description>
<video:duration>14173</video:duration>
<video:publication_date>2022-11-24T16:44:13Z</video:publication_date>
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<lastmod>2025-10-17T15:06:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38CO</loc>
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<video:title>Plácido Domingo singt die Hauptrolle in Mascagnis Cavalleria rusticana</video:title>
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<video:description>Franco Zeffirellis Operninszenierungen waren und sind ein Synonym für visuelle Schönheit und theatralische Pracht. Als der Regisseur diese Filmversion seiner klassischen Inszenierung von Mascagnis „Cavalleria rusticana” an der Mailänder Scala erstellte, schuf er eine ganz neue Interpretation des Werks in einem wahrhaft hinreißenden Stil. Der junge Plácido Domingo, der die männliche Hauptrolle übernahm, und Dirigent Georges Prêtre sind Idole aller Opernkenner. Doch der eigentliche Star ist Mascagnis Oper selbst. Für seine visuell beeindruckende filmische Umsetzung dieser leidenschaftlichsten aller Verismo-Tragödien kombinierte Zeffirelli Aufnahmen von Schauplätzen in Sizilien mit live aufgezeichneten Sequenzen aus der Scala.</video:description>
<video:duration>4173</video:duration>
<video:publication_date>2025-01-29T16:41:12Z</video:publication_date>
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<lastmod>2025-10-17T14:56:17Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38DG</loc>
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<video:title>Plácido Domingo in Pagliacci</video:title>
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<video:description>Plácido Domingo verkörpert den tragischen Clown Canio in Franco Zeffirellis aufwändiger, mit dem Emmy ausgezeichneter Verfilmung von Leoncavallos von Leidenschaft geprägtem Einakter Pagliacci (Der Bajazzo). Das herzzerreißende Werk, das traditionell mit Mascagnis Cavalleria Rusticana kombiniert wird, verschmilzt geschickt Theater und Wirklichkeit: Nachdem Canio von der Untreue seiner Frau erfahren hat, muss er in einer Komödie auftreten, die genau dieselbe Geschichte erzählt. Die Grenze zwischen Theater und Realität verschwimmt, bis sie schließlich ganz verschwindet – mit tragischen Folgen. Teresa Stratas als Nedda und Juan Pons als eifersüchtiger Tonio tragen zu einer ungewöhnlich intensiven Interpretation des Dramas bei.</video:description>
<video:duration>4268</video:duration>
<video:publication_date>2025-02-07T12:29:51Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T14:55:31Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6DG</loc>
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<video:title>Anna Netrebko und Yusif Eyvazov in Verdis Il trovatore</video:title>
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<video:description>Anna Netrebko und Yusif Eyvazov verkörpern die Hauptrollen in Franco Zeffirellis monumentaler Inszenierung von Il trovatore, Verdis leidenschaftlicher Geschichte über einen schicksalhaften Bruderzwist. Die Darbietung in der spektakulären italienischen Open-Air-Spielstätte wurde 2019 gefilmt, kurz vor dem Tod des begnadeten Regisseurs. Die Produktion, inklusive gewaltigem Chor, einem Wehrturm, der zur leuchtenden Kathedrale wird, ritterlichen Heerscharen und echten Pferden, gilt als die Arena-Inszenierung schlechthin, gekrönt vom Opernfestivaldebüt Netrebkos. Die renommierte Besetzung vervollständigen Bariton Luca Salsi als Conte di Luna und ein Star der Metropolitan Opera, Dolora Zajick als Azucena.</video:description>
<video:duration>9399</video:duration>
<video:publication_date>2024-01-09T16:32:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T14:54:54Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJECO</loc>
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<video:title>Karajan dirigiert La Bohème – mit Freni und Raimondi</video:title>
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<video:description>Herbert von Karajan höchst selbst dirigiert diese Verfilmung von Puccinis Opernklassiker La Bohème aus dem Jahr 1965. Gleich drei Premieren sind zu feiern: der erste von Karajan dirigierte Musikfilm, der erste von Unitel produzierte Opernfilm und die erste große Filmproduktion von Franco Zeffirelli. Die aufwendige Inszenierung, die sich auf Zeffirellis Mailänder Aufführung an der Scala 1963 gründet, wurde zum Klassiker des Genres. Die junge Mirella Freni steht an der Spitze einer hervorragenden Besetzung mit einigen der besten italienischen Sängerinnen und Sängern jener Zeit.</video:description>
<video:duration>6273</video:duration>
<video:publication_date>2023-05-12T14:28:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T14:54:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GDG</loc>
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<video:title>Elīna Garanča in Bizets Carmen</video:title>
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<video:description>Bei diesen 99. Opernfestspielen in der Arena von Verona singt Elīna Garanča eine der legendärsten Rollen für Mezzosopran: die verführerische Carmen aus dem gleichnamigen Welterfolg von Georges Bizet. Franco Zeffirellis klassische Inszenierung aus dem Jahr 1995 ist hier vereint mit seinen besten Einfällen aus der Wiederaufnahme von 2009 sowie szenischen Elementen, die zum ersten Mal überhaupt realisiert wurden. Intelligent, facettenreich, voll vokalem Ausdruck verkörpert die Lettin die Titelpartie, unterstützt von einer leidenschaftlichen Sängerriege: dem amerikanischen Tenor Brian Jagde als Don José, der italienischen Sopranistin Maria Teresa Leva als Micaëla und ihrem Landsmann, dem Bariton Claudio Sgura als Escamillo.</video:description>
<video:duration>10402</video:duration>
<video:publication_date>2023-10-20T15:16:25Z</video:publication_date>
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<lastmod>2025-10-17T14:53:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJID0</loc>
<video:video>
<video:title>Händel: Giulio Cesare</video:title>
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<video:description>Selbst innerhalb der großen Barock-Opern-Tradition des Glyndebourne Festivals ist David McVicars Inszenierung von Händels Giulio Cesare etwas ganz Besonderes. Der Regisseur erfindet barocke Konventionen auf wunderbar spielerische Weise neu und erzählt auf unterhaltsame, humorvolle und zugleich spektakuläre Weise vom Krieg, vom Imperialismus – und natürlich von der Liebe. In dieser Aufzeichnung aus dem Premieren-Jahr 2005 sind unter der Leitung des großartigen William Christie Sarah Connolly in der Titelrolle und die umwerfende Danielle de Niese als Kleopatra zu erleben. So ist, in Verbindung mit dem inspirierten Spiel des Orchesters auf historischen Instrumenten, ein Meilenstein der modernen Händel-Interpretation entstanden.</video:description>
<video:duration>13657</video:duration>
<video:publication_date>2025-06-19T12:53:43Z</video:publication_date>
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<lastmod>2025-10-17T14:41:43Z</lastmod>
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<video:title>Wagner: Das Liebesverbot</video:title>
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<video:description>Wagners frühe, nur selten gespielte komische Oper Das Liebesverbot feierte mit dieser Inszenierung des Regisseurs Kasper Holten 2016 ihr spanisches Debüt. Das Werk, das auf Shakespeares Komödie Maß für Maß basiert, schildert den Kampf zwischen sinnlicher Liebe und einer puritanischen, verlogenen Autorität und spiegelt damit die rebellische Stimmung des revolutionären Deutschlands wider. Obwohl die Partitur von Carl Maria von Weber sowie italienischer und französischer Musik beeinflusst ist, gibt sich die persönliche Tonsprache des genialen, frühreifen Komponisten deutlich zu erkennen. Ivor Bolton dirigiert ein glänzendes Ensemble, zu dem der britische Bariton Christopher Maltman und die hervorragende Wagner-Sopranistin Manuela Uhl gehören.</video:description>
<video:duration>9619</video:duration>
<video:publication_date>2025-06-20T08:01:18Z</video:publication_date>
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<lastmod>2025-10-17T14:40:59Z</lastmod>
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<url>
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<video:title>Mozart: Die Entführung aus dem Serail</video:title>
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<video:description>Seit inzwischen neun Jahrzehnten widmet sich das Glyndebourne Festival mit großer Liebe den Opern Mozarts. Dem Regisseur David McVicar glückte 2014 mit seiner Festival-Produktion eine der schönsten Inszenierungen von Mozarts Fluchtkomödie Die Entführung aus dem Serail. Die Figuren bewegen sich in einer Welt des subtil und sensibel dargestellten Orients, wie man ihn sich im 18. Jahrhundert vorstellte. Doch unter der exquisiten Oberfläche lodern die Leidenschaften mit erschreckender Kraft. Das Ensemble, zu dem Sally Matthews und Brenden Gunnell gehören, agiert intensiv und berührend. Und das Orchestra of the Age of Enlightenment verleiht der Musik unter der Leitung von Robin Ticciati einen betörenden Klang.</video:description>
<video:duration>9966</video:duration>
<video:publication_date>2025-06-12T13:45:16Z</video:publication_date>
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<lastmod>2025-10-17T14:40:38Z</lastmod>
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<video:title>Gounod: Faust</video:title>
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<video:description>Durch unvergessliche Melodien, eine mythische Geschichte und eine Paraderolle für den Teufel gehört Gounods Oper Faust zu den unvergänglichen Klassikern des europäischen Musiktheaters. David McVicars verlegt in seiner opulenten Inszenierung die Handlung um Liebe, Sünde und Erlösung in das Paris des 19. Jahrhunderts, schwelgt in Gounods Theatralik und lässt den Darstellern viel Raum für die Entfaltung ihrer Charaktere. Der Faust des charismatischen Michael Fabiano, der stimmlich glanzvolle Méphistophélès von Erwin Schrott und eine gewagte szenische Version des berühmten Balletts machen diese Produktion von 2019 zu einem unvergleichlichen, schaurig-schönen Erlebnis.</video:description>
<video:duration>10728</video:duration>
<video:publication_date>2025-06-25T08:16:00Z</video:publication_date>
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<lastmod>2025-10-17T14:38:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJAD8</loc>
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<video:title>Korngold: Das Wunder der Heliane</video:title>
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<video:description>Obwohl Erich Wolfgang Korngold die 1927 uraufgeführte Oper „Das Wunder der Heliane“ für sein größtes „Meisterwerk“ hielt, verschwand sie nach frühen Erfolgen fast vollständig von den Spielplänen. Im Dritten Reich wurde die Aufführung der Oper, wie die aller Werke des jüdischen Komponisten, verboten. Erst Christoph Loys geistreiche Inszenierung, die 2018 unter der Leitung von Marc Albrecht an der Deutschen Oper in Berlin herauskam, weckte das zeitlose Märchen und seine großartige Musik aus ihrem Dornröschenschlaf. Die Sopranistin Sara Jakubiak und der Tenor Brian Jagde zeigten sich den fast übermenschlichen Anforderungen der Hauptrollen gewachsen. Die triumphale Wiederentdeckung wurde von Publikum und Presse gefeiert.</video:description>
<video:duration>10053</video:duration>
<video:publication_date>2025-05-20T07:40:16Z</video:publication_date>
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<lastmod>2025-10-17T14:30:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJED0</loc>
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<video:title>Jonathan Tetelman &amp; Sara Jakubiak in Francesca da Rimini von Zandonai</video:title>
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<video:description>Riccardo Zandonais Oper Francesca da Rimini aus dem Jahr 1914 ist immer noch eine Rarität auf der Bühne. Dabei erweist sich diese Inszenierung von Christof Loy mit Sara Jakubiak und Jonathan Tetelman in den Hauptrollen als Francesca und ihr Geliebter Paolo &quot;il Bello&quot; als berauschendes spätromantisches Meisterwerk. Mit einem Libretto, das auf Gabriele D&apos;Annunzios gewagter und sinnlicher Nacherzählung einer Geschichte aus Dantes Inferno basiert, schafft Zandonai eine Mischung aus berauschender Raffinesse und Intensität, die von Carlo Rizzis Dirigat wunderbar eingefangen wird. Die konzentrierte Inszenierung - gefilmt in der Deutschen Oper Berlin vor einem leeren Theater während der Schließung im Jahr 2021 - verstärkt die Kraft des Dramas noch.</video:description>
<video:duration>8389</video:duration>
<video:publication_date>2024-03-19T15:37:53Z</video:publication_date>
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<lastmod>2025-10-17T14:29:27Z</lastmod>
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<video:title>Schreker: Der Schatzgräber</video:title>
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<video:description>Die Oper Der Schatzgräber war der größte Erfolg in Franz Schrekers Karriere. In den Jahren nach der Uraufführung, die 1920 in Frankfurt stattfand, wurde das Werk überall vor ausverkauften Häusern gespielt. Die Oper ist ein Fin-de-siècle-Märchen und zugleich ein symbolistisches Drama über die Liebe, das Schicksal und die Kraft der Kunst. An der Deutschen Oper in Berlin erwies sich Christof Loy 2022 als der ideale Regisseur für die längst fällige Wiederentdeckung des Musikdramas. Loy lässt die Handlung in einer visuell atemberaubenden Art-déco-Welt spielen – und dringt mit seinem psychologischen Tiefenblick zum dunklen Kern von Schrekers Musikdrama vor. Elisabet Strid und Daniel Johansson führen eine großartige Besetzung an.</video:description>
<video:duration>9915</video:duration>
<video:publication_date>2025-08-12T15:09:28Z</video:publication_date>
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<lastmod>2025-10-17T14:28:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1G</loc>
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<video:title>Zemlinsky: Der Zwerg</video:title>
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<video:description>Am prächtigen spanischen Hof erhält eine junge Prinzessin einen missgestalteten Zwerg als Geburtstagsgeschenk; doch auch das kleinste Herz kann gebrochen werden. Zemlinsky ließ sich zu seiner Adaption von Oscar Wildes Fabel durch seine hoffnungslose Liebe zu Alma Schindler (der späteren Alma Mahler) inspirieren – und komponierte eine der berührendsten (und schönsten) spätromantischen deutschen Opern. Tobias Kratzer gelingt es in seiner erschütternden, psychologisch komplexen Inszenierung für die Deutsche Oper Berlin, die verschiedenen Schichten aus Fantasie, Autobiografie und Allegorie aufzufächern und zum Herz des Werks vorzudringen. Donald Runnicles dirigiert Zemlinskys hinreißende Partitur mit Souveränität und Einfühlungsvermögen.</video:description>
<video:duration>5707</video:duration>
<video:publication_date>2025-09-02T11:43:18Z</video:publication_date>
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<lastmod>2025-10-17T14:23:35Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9G</loc>
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<video:title>Strauss: Intermezzo</video:title>
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<video:description>Der berühmte Komponist Robert Storch lebt mit seiner temperamentvollen Frau Christine in einer schönen Villa in den Alpen. Das Szenario hat natürlich nichts mit Richard Strauss und seiner Frau Pauline zu tun, oder doch? Die unwiderstehliche Prämisse von Strauss&apos; spritziger Familienkomödie Intermezzo ist ihr unmittelbarer Bezug zum Leben des Komponisten. Eine gute Inszenierung dieser singulären Oper erfordert einen Regisseur mit Fingerspitzengefühl und psychologischem Scharfsinn – genau die Eigenschaften also, die Tobias Kratzer in seine Inszenierung für die Deutsche Oper Berlin einbringt. Die von Donald Runnicles schwungvoll dirigierte Produktion bietet eine schonungslose und zugleich sehr menschliche Analyse einer Ehe.</video:description>
<video:duration>9487</video:duration>
<video:publication_date>2025-08-21T08:49:59Z</video:publication_date>
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<lastmod>2025-10-17T14:05:24Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1L</loc>
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<video:title>Verdi: Il trovatore</video:title>
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<video:description>Die Freilichtbühne am Bodensee ist schon für sich genommen ein Wunderwerk. Jede Opernaufführung muss hier mit der majestätischen Kulisse der bayerischen Alpen konkurrieren; und nur wenige Inszenierungen haben diese Herausforderung so eindrucksvoll bewältigt wie Robert Carsens Interpretation von Verdis blutigem Thriller Il Trovatore. Ein riesiges Industrie-Labyrinth bildet in der Produktion aus dem Jahr 2006 den Rahmen für Verdis großes Opernmelodram – und wird damit selbst zu einem Akteur des Geschehens. Wie immer in Bregenz wird das überwältigende szenische Spektakel von einer musikalischen Leistung auf Weltklasse-Niveau ergänzt. Unter der Leitung von Thomas Rösner singt und spielt ein hochkarätiges Ensemble.</video:description>
<video:duration>8283</video:duration>
<video:publication_date>2025-08-19T10:23:42Z</video:publication_date>
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<lastmod>2025-10-17T13:51:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJGDG</loc>
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<video:title>Mozart: Idomeneo</video:title>
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<video:description>„Nie lebte einer, der noch elender war, und kein Mensch kan sein schweres Los erleichtern.“ Mit seiner Oper über König Idomeneo und seinen verhängnisvollen Schwur gelang Mozart eines der letzten und mächtigsten Werke der Opera-Seria-Tradition. Der Komponist vertonte die Tragödie, die von Krieg, Schicksal und menschlicher Liebe handelt, mit Musik von flammender Inspiration und Kraft. Regisseur Robert Carsen inszenierte das Werk in seiner Produktion für das Teatro Real in Madrid mit Originalität, Poesie und Empathie. Unter der Leitung des erfahrenen Mozart-Dirigenten Ivor Bolton glänzt ein souveränes und intensiv agierendes Ensemble, zu dem Eric Cutler und Anett Frisch gehören.</video:description>
<video:duration>10196</video:duration>
<video:publication_date>2025-06-16T15:13:28Z</video:publication_date>
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<lastmod>2025-10-17T13:49:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32DG</loc>
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<video:title>Händels Ariodante – mit Emily D’Angelo</video:title>
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<video:description>Emily D’Angelo singt die Titelrolle in Händels Ariodante in dieser Neuinszenierung von Robert Carsen - aufgeführt im prunkvollen Palais Garnier in Paris. Die 1735 in London uraufgeführte Oper, deren Handlung auf Ariostos Epos Orlando furioso fußt, enthält einige der farb- und facettenreichsten dramatischen Musiken Händels. Der barocke Opernhit erzählt die Geschichte von Ariodante, seiner Verlobten Ginevra und dem intriganten Polinesso, der die beiden auseinanderbringen will. Carsens Inszenierung zeichnet sich hier durch ein besonderes Gespür für Drama und Ästhetik aus. Zu den großartigen Darstellern auf der Bühne gesellt sich „The English Concert“ im Orchestergraben, welches von dem renommierten Händel-Dirigenten Harry Bicket geleitet wird.</video:description>
<video:duration>11882</video:duration>
<video:publication_date>2023-10-26T14:29:22Z</video:publication_date>
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<lastmod>2025-10-17T13:48:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHI</loc>
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<video:title>Barenboim dirigiert Rimski-Korsakow: Die Zarenbraut</video:title>
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<video:description>Nikolai Rimski-Korsakows Oper Die Zarenbraut spielt in grauer Vorzeit und vermittelt doch eine sehr aktuelle Botschaft. Das in diesem unterschätzten Meisterwerk erzählte Drama über Liebe, Politik und Verrat stellt eindringlich die Frage, was es bedeutet, ein Russe und – viel wichtiger noch – ein Mensch zu sein. Regisseur Dmitri Tcherniakov verlegte in seiner erschreckend vorausschauenden Neuinterpretation aus dem Jahr 2013 die Geschichte aus der Zarenzeit in einen modernen Überwachungsstaat. An der Berliner Staatsoper verkörpert Olga Peretyatko unter der Leitung von Daniel Barenboim kraftvoll die weibliche Hauptfigur, die in einer Welt des technologischen Totalitarismus und zwischen Liebe und Macht gefangen ist.</video:description>
<video:duration>9113</video:duration>
<video:publication_date>2025-07-07T13:21:36Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T13:03:29Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJIE0</loc>
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<video:title>Berg: Lulu</video:title>
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<video:description>Gelungene Aufführungen von Alban Bergs Oper Lulu gehören zu den überwältigendsten Erfahrungen, die man im Theater des 20. Jahrhunderts erleben kann. In diesem Musikdrama verwandelt sich die skandalöse Heldin aus Frank Wedekinds Theaterstück in eine Figur von mythischer Kraft. Am Nationaltheater München widmete sich 2015 ein Weltklasse-Team diesem einzigartigen Werk, das an alle Beteiligten höchste Ansprüche stellt: Der visionäre Regisseur Dmitri Tcherniakov, der Dirigent Kirill Petrenko – und Marlis Petersen, die für ihre konkurrenzlos kraftvolle Verkörperung der Titelrolle vom Magazin Opernwelt zur Sängerin des Jahres gekürt wurde.</video:description>
<video:duration>10710</video:duration>
<video:publication_date>2025-06-20T11:44:16Z</video:publication_date>
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<lastmod>2025-10-17T13:01:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJC</loc>
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<video:title>Wagner: Der fliegende Holländer (Bayreuth 2021)</video:title>
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<video:description>Drei mit Spannung erwartete Debüts machten diese Produktion von Wagners Fliegendem Holländer bei den Bayreuther Festspielen zu einem Ausnahme-Ereignis: Nach ihrem Sensations-Erfolg als Salome in Salzburg interpretierte die Sopranistin Asmik Grigorian die Senta mit Ausdrucks- und Durchschlagskraft; der Regisseur Dmitri Tcherniakov ergänzte die Geschichte vom die Weltmeere durchquerenden Holländer um eine spannende Vorgeschichte; und die Ukrainerin Oksana Lyniv trat als erste Dirigentin in der langen Festival-Geschichte am grünen Hügel auf – und wurde von Publikum wie Presse gefeiert.</video:description>
<video:duration>8876</video:duration>
<video:publication_date>2022-04-25T09:49:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T12:52:12Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHK</loc>
<video:video>
<video:title>Donizetti: Le convenienze ed inconvenienze teatrali (Viva la Mamma!)</video:title>
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<video:description>Wenn an einem Provinz-Theater eine neue Oper geprobt wird, kann – wie sich in Donizettis früher Komödie zeigt – ziemlich viel schiefgehen. Schon der Titel – „Die Sitten und Unsitten des Theaters” – signalisiert die Freude, mit der sich der Komponist über seine eigene Berufswelt lustig macht. Diese Inszenierung, die 2017 an der Opéra National de Lyon Premiere feierte, stammt von Laurent Pelly, einem der besten Regisseure überdrehter Opern-Komödien. An der Spitze des von Lorenzo Viotti dirigierten Ensembles steht die gefeierte Koloratursopranistin Patrizia Ciofi als Primadonna. Die unzufriedene Seconda Donna wird von der jungen Sopranistin Clara Meloni, deren furchterregende Mutter vom renommierten Bassbariton Laurent Naouri verkörpert.</video:description>
<video:duration>6840</video:duration>
<video:publication_date>2025-10-08T14:54:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-17T12:48:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1K</loc>
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<video:title>Verdi: Falstaff</video:title>
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<video:description>„Tutto nel mondo è burla“: Die ganze Welt ist ein Spaß. Mit diesen Worten schließt sich der Vorhang über Verdis letzter Oper Falstaff, eine der warmherzigsten und weisesten Komödien der Musikgeschichte. So endete die Karriere eines der bedeutendsten Opernkomponisten mit einem lebensbejahenden Lachen. Jede Inszenierung des Werks ist ein Ereignis, aber für diese temperamentvolle Inszenierung aus dem Jahr 2019 gilt das ganz besonders. Denn Regisseur Laurent Pelly ist ein wahrer Meister des Komödien-Fachs. Im Teatro Real in Madrid bringen Dirigent Daniele Rustioni und ein wunderbar passioniertes Ensemble das Pathos, den Witz und die große Menschlichkeit von Verdis letzter (und lustigster) Oper zum Leuchten.</video:description>
<video:duration>7699</video:duration>
<video:publication_date>2025-08-19T08:44:45Z</video:publication_date>
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<lastmod>2025-10-17T12:47:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3IC8</loc>
<video:video>
<video:title>Abbado dirigiert Il barbiere di Siviglia</video:title>
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<video:description>Mehr als zwei Jahrhunderte lang hat Rossinis Adaption von Beaumarchais’ Bühnenwerk Le barbier de Séville Menschen in aller Welt amüsiert, begeistert und verblüfft. Die komische Oper in zwei Akten, 1816 uraufgeführt, ist ein echter Klassiker, nicht zuletzt durch den gewitzten Figaro, Babier und Held dieser Geschichte. Jean-Pierre Ponnelles Verfilmung von 1972 basiert auf seiner eigenen Salzburger Inszenierung und wurde in der Mailänder Scala produziert. Hermann Prey singt den Figaro, Teresa Berganza glänzt mit hinreißenden Koloraturen als Rosina und Luigi Alva gibt den leidenschaftlich entflammten Grafen. Am Pult Maestro Abbado, der den ganzen Farbenreichtum von Rossinis Musik in seinem Dirigat entfaltet.</video:description>
<video:duration>8469</video:duration>
<video:publication_date>2023-10-25T14:53:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-10-17T12:42:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3EE8</loc>
<video:video>
<video:title>Karl Böhm dirigiert Le nozze di Figaro</video:title>
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<video:description>Diese fantasievolle TV-Produktion von Mozarts turbulenter Komödie stammt aus dem Jahr 1976 und bringt Karl Böhm, die Wiener Philharmoniker und eine Mehrgenerationenbesetzung zusammen. Hermann Prey verkörpert den Figaro, Mirella Freni die Susanna, Dietrich Fischer-Dieskau den Grafen, unnachahmlich in der Diktion, Kiri Te Kanawa die Gräfin und Maria Ewing den Cherubino. Karl Böhm war damals bereits über 80 Jahre alt, ein Grandseigneur der Klassik, bekannt und durchaus gefürchtet für seine Präzision und Strenge bei der Arbeit. Hier stellte er seine Erfahrung in den Dienst einer Inszenierung, in der Jean-Pierre Ponnelle Regie führte – „beides, Musik und Szene, deckte sich”, urteilte die Presse. „Es war, als erlebte man das Werk neu.”</video:description>
<video:duration>10992</video:duration>
<video:publication_date>2023-10-12T13:30:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-17T12:41:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2E8</loc>
<video:video>
<video:title>Harnoncourt dirigert Monteverdi: L&apos;incoronazione di Poppea</video:title>
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<video:description>Der Monteverdi-Zyklus am Opernhaus Zürich Mitte der 1970er-Jahre erregte Aufsehen und setzte neue Maßstäbe für die Aufführung Alter Musik mit historischen Instrumenten. Nikolaus Harnoncourt etablierte sich als bedeutender Operndirigent und Regisseur Jean-Pierre Ponnelle zeigte, wie modern und frisch die Werke des ersten großen Opernkomponisten der Musikgeschichte sein können. Hier verwirklichen sie Monteverdis revolutionäre L&apos;incoronazione di Poppea, ein frühbarockes Meisterwerk, das auf historisch belegte Figuren zurückgreift und die amourösen und politischen Machenschaften der schönsten Frau von Rom schildert.</video:description>
<video:duration>9798</video:duration>
<video:publication_date>2023-11-22T14:43:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-10-17T12:39:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJEDG</loc>
<video:video>
<video:title>Harnoncourt dirigiert Monteverdis Il ritorno d’Ulisse</video:title>
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<video:description>Mitte der 1970er Jahre sorgte der Monteverdi-Zyklus des Opernhauses Zürich nicht zuletzt deshalb für Furore, weil er im Musiktheater neue Maßstäbe für die Aufführung Alter Musik mit historischen Instrumenten setzte. Nikolaus Harnoncourt etablierte sich in der Folge als bedeutender Operndirigent, und sein langjähriger Lieblingsregisseur Jean-Pierre Ponnelle bewies, wie modern und frisch die Werke des ersten großen Opernkomponisten der Musikgeschichte wirken können. Die intensive Vorbereitung und Auseinandersetzung mit den historischen Quellen führte zu einer herausragenden Produktion von Il ritorno d’Ulisse in patria sua, der großartigen letzten Oper, die von Monteverdi überliefert ist.</video:description>
<video:duration>9276</video:duration>
<video:publication_date>2024-11-11T14:12:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-10-17T12:38:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJEDO</loc>
<video:video>
<video:title>Levine dirigiert Mozarts La clemenza di Tito</video:title>
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<video:description>Viele Kenner schreiben dem Regisseur Jean-Pierre Ponnelle das Verdienst zu, Mozarts La clemenza di Tito zu ihrem angemessenen Platz als spätes Meisterwerk des Repertoires verholfen zu haben. Durch seine Inszenierung wurde die tiefe Menschlichkeit erkennbar, die in der letzten Oper des Komponisten trotz der konventionellen Fassade der Opera-Seria-Tradition zum Ausdruck kommt. Mit der aufwändigen Adaption seiner Salzburger Festspielinszenierung für das Fernsehen realisierte Ponelle eine Produktion, in der eine hervorragende Besetzung inmitten authentischer, spektakulärer römischer Schauplätze agiert: In den Gärten und Ruinen der Hadriansvilla, den Caracalla-Thermen und dem Forum Romanum.</video:description>
<video:duration>8320</video:duration>
<video:publication_date>2024-11-11T14:24:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-17T12:37:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ICG</loc>
<video:video>
<video:title>Abbado dirigiert La Cenerentola</video:title>
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<video:description>Eine bemerkenswert moderne Note verleiht Rossini dem Märchen vom Aschenputtel: Ganz ohne gute Fee und übernatürlichen Zauber kommt sein Dramma giocoso aus, allein aus der Kraft der Liebe erwächst die Magie. Wie geschaffen ist solch Stoff für den französischen Regisseur Jean-Pierre Ponnelle. Seine Verfilmung aus dem Jahr 1981 basiert auf seiner Scala-Produktion und schöpft die Möglichkeiten des Mediums voll aus. Dabei verbindet sich Ponnelles Einfallsreichtum mit dem Können des jungen Claudio Abbado. Der ließ im Orchestergraben die Funken sprühen. „Ein Feuerwerk an optischen Pointen“, urteilt Die Presse und schwärmt gleich darauf von den „akustischen Finessen“. Die auch Frederica von Stade in der Titelpartie zu verdanken sind.</video:description>
<video:duration>9206</video:duration>
<video:publication_date>2023-10-25T15:27:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:37:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GE0</loc>
<video:video>
<video:title>Chailly dirigiert Verdis Rigoletto – mit Luciano Pavarotti</video:title>
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<video:description>Luciano Pavarotti als Herzog von Mantua in Jean-Pierre Ponnelles aufwendiger Verfilmung von Verdis Rigoletto, gedreht an historischen Schauplätzen in Parma, Mantua und Sabbioneta. Der italienische Tenor scheint wie geschaffen für die Rolle des adeligen Schürzenjägers, der die schöne Gilda (Edita Gruberová) verführt, Tochter des zynischen Hofnarren Rigoletto, den hier der schwedische Bariton Ingvar Wixell meisterhaft verkörpert. Verdis Melodramma von 1851 – für viele sein erstes wahres Meisterwerk – wird zum Schaustück der Gefühle unter der Regie des berühmten Franzosen. Die Wiener Philharmoniker unter der Leitung von Riccardo Chailly vollenden musikalisch die emotionale Achterbahnfahrt.</video:description>
<video:duration>7066</video:duration>
<video:publication_date>2023-10-24T11:06:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:36:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30CO</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; John Williams im Gespräch</video:title>
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<video:description></video:description>
<video:duration>666</video:duration>
<video:publication_date>2023-12-21T14:27:59Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T12:27:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPM</loc>
<video:video>
<video:title>Janáček: Aus einem Totenhaus</video:title>
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<video:description>Wahrscheinlich konnte es nur Leos Janáček gelingen, Dostojewskis schonungslose Erinnerungen an das Leben in einem sibirischen Arbeitslager in ein Bekenntnis zum menschlichen Geist zu verwandeln: „In jeder Kreatur ein Funke Gottes“, schrieb der Komponist in die Partitur. Aus einem Totenhaus ist eine Hymne an das Leben und eine unheroische Oper, die in einer von Not und Schmerz erfüllten Welt das Edle im Menschen entdeckt. In München dringt ein großartiges künstlerisches Team zum zutiefst empathischen Herzen des Werks vor. Frank Castorfs Inszenierung ist eine so kühne wie einfühlsame Aktualisierung, die durch ein hervorragendes Ensemble und Simone Youngs passioniertes Dirigat beflügelt wird.</video:description>
<video:duration>5801</video:duration>
<video:publication_date>2025-10-15T12:32:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-10-17T10:23:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPK</loc>
<video:video>
<video:title>Händel: Rinaldo</video:title>
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<video:description>Der 1711 uraufgeführte Rinaldo ist die erste Oper, die Händel extra für die Londoner Bühne schrieb – und seit jeher ein fester Bestandteil der großen Renaissance, die er als Opernkomponist im 20. Jahrhundert erlebte. Die Oper, die auf Tassos Epos La Gerusalemme liberate basiert, erzählt eine Liebesgeschichte vor dem Hintergrund des Ersten Kreuzzugs. Händel verwendete zwar einige eigene, früher entstandene Stücke, lieferte aber dennoch ein Werk wie aus einem Guss. Pier Luigi Pizzis extravagante Inszenierung besticht durch eindrucksvolle Lichteffekte und fantasievolle Kostüme. Das Orchester des Maggio Musicale Fiorentino begleitet unter der Leitung von Federico Maria Sardelli ein großartiges, überwiegend italienisches Ensemble.</video:description>
<video:duration>7877</video:duration>
<video:publication_date>2025-10-15T11:55:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T09:41:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHI</loc>
<video:video>
<video:title>Donizetti: Poliuto</video:title>
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<video:description>Gaetano Donizetti starb im Alter von nur 50 Jahren – und hinterließ doch etwa 70 Opern, von denen heute allerdings nur noch wenige außerhalb Italiens aufgeführt werden. Zu diesen kaum gespielten Werken gehört die 1838 für das Teatro San Carlo in Neapel komponierte tragische Oper Poliuto, die wegen ihres religiösen Themas Konflikte mit der Zensur auslöste. Mariame Cléments Inszenierung in Glyndebourne war 2015 die sehr späte britische Erstaufführung der Oper – und wurde für die Exzellenz der musikalischen Darbietungen unter der Leitung des Dirigenten Enrique Mazzola von der Presse gefeiert. Der amerikanische Star-Tenor Michael Fabiano verkörpert die Titelrolle, die puertoricanische Sopranistin Ana María Martínez Poliutos Frau Paolina.</video:description>
<video:duration>6995</video:duration>
<video:publication_date>2025-10-08T11:23:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-17T09:38:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9L</loc>
<video:video>
<video:title>Chabrier: L&apos;Étoile</video:title>
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<video:description>1877 sorgte der französische Komponist Emmanuel Chabrier mit seiner komischen Oper L&apos;Étoile für Furore, die in den Pariser Bouffes-Parisiens uraufgeführt wurde. Die Bouffes-Parisiens waren das Theater von Jacques Offenbach, an dessen Operettenstil Chabrier auf charmant-witzige Weise anknüpfte. Für die Wiederentdeckung des viel zu lange vernachlässigten Werks lässt sich kein geeigneterer Regisseur denken als Laurent Pelly, der sowohl die Eleganz als auch die überdrehte Komik der leichten Oper des 19. Jahrhunderts liebt. Unter der Leitung von Patrick Fournillier glänzen in dieser Produktion aus dem Jahr 2014 Stéphanie d&apos;Oustrac in der Hosenrolle des Lazuli, Hélène Guilmette als Prinzessin Laoula und Christophe Mortagne als König Ouf I.</video:description>
<video:duration>6899</video:duration>
<video:publication_date>2025-10-02T12:13:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:34:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPO</loc>
<video:video>
<video:title>Korngold: Violanta</video:title>
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<video:description>Korngolds Oper Violanta sorgte bei der Uraufführung 1916 nicht nur deshalb für Furore, weil sie von einem gerade einmal 17 Jahre alten Komponisten stammte; sondern auch, weil diesem eine maximal prächtige und leidenschaftliche spätromantische Oper gelungen war. Das Drama um verbotene Leidenschaft und Rache im Venedig der Renaissance inspirierte Korngold zu einer faszinierend emotionalen und farbenreichen Musik. Pier-Luigi Pizzis Inszenierung, die 2020 am Teatro Regio di Torino herauskam, trifft das Wesen des Werks perfekt; und Annemarie Kremer trägt als Titelheldin ebenso wie die modernen Kostüme und abstrakten Bühenbilder zur glanzvollen Wiederentdeckung einer Oper bei, die zu den erstaunlichsten Musikdramen des 20. Jahrhunderts gehört.</video:description>
<video:duration>5310</video:duration>
<video:publication_date>2025-10-16T07:50:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:32:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPN</loc>
<video:video>
<video:title>Landi: La Morte d&apos;Orfeo</video:title>
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<video:description>Mit dem Tod Pierre Audis, der 2025 im Alter von 67 Jahren starb, verlor die Opernwelt einen ihrer größten Visionäre. Mit einer eleganten Inszenierung von Stefano Landis „pastoraler Tragikomödie” aus dem Jahr 1619 verabschiedete er sich von seinem Amt als künstlerischer Leiter der Niederländischen Nationaloper – und kehrte zugleich zum Orpheus-Mythos zurück. Fast 30 Jahre zuvor hatte Audi nämlich Monteverdis viel bekannteren L&apos;Orfeo inszeniert. Landis fünf-aktige Oper gilt als bahnbrechendes Werk aus der frühen Zeit der Operngeschichte. In dieser Aufführung musizieren die jungen, enagierten Mitglieder des Ensembles mit Dirigent Christophe Rousset und dessem großartigen, auf historischen Instrumenten spielenden Ensemble Les Talens Lyriques.</video:description>
<video:duration>6685</video:duration>
<video:publication_date>2025-10-15T13:09:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPL</loc>
<video:video>
<video:title>Händel: Tamerlano</video:title>
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<video:description>In dieser grandiosen Produktion von Händels packender Tragödie Tamerlano am Teatro Real verkörpert Plácido Domingo – als eine Art türkischer King Lear – den Sultan Bajazet, der zwischen Stolz, Liebe und Loyalität hin- und hergerissen wird. Domingo steht an der Spitze einer fantastischen Besetzung, zu der außerdem Sara Mingardo, Monica Bacelli und Ingela Bohlin gehören. So gelingt unter der Leitung des Barockspezialisten Paul McCreesh eine so idiomatische wie strahlende Interpretation der Partitur. Graham Vicks effektvolle Inszenierung und die extravagante Ausstattung des Bühnen- und Kostümbildners Richard Hudson tragen zur kongenialen Reliaiserung der Oper bei, die zu den gelungesten dramatischen Werken Händels zählt.</video:description>
<video:duration>13088</video:duration>
<video:publication_date>2025-10-15T12:14:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:22:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPJ</loc>
<video:video>
<video:title>Gounod: La nonne sanglante</video:title>
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<video:description>Diese Aufzeichnung bietet die seltene Gelegenheit, Gounods gotisches Musikdrama La nonne sanglante zu erleben. Der Komponist vollendete seine zweite Oper, die von Liebe, Geistern und Familienfehden erzählt, einige Jahre vor seinen heute bekanntesten Bühnenstücken Faust und Roméo et Juliette. David Bobées elegante Inszenierung des Werks, das auf Matthew Lewis&apos; Roman The Monk basiert, war die erste moderne Wiederaufführung der Oper. Das erfolgreiche Plädoyer für die kostbare Rarität ist auch den großartigen musikalischen Protagonist*innen zu verdanken: Michael Spyres brilliert an der Seite eines französischen Ensembles in der Heldenrolle, und Laurence Equilbey inspiriert das von ihr gegründete Insula Orchestra zu einer Glanzleistung.</video:description>
<video:duration>8351</video:duration>
<video:publication_date>2025-10-15T11:39:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:14:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPI</loc>
<video:video>
<video:title>Barber: Vanessa</video:title>
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<video:description>Für seine erste Oper Vanessa erhielt Samuel Barber 1958 sogleich den Pulitzer-Preis. Der bedeutende Dirigent Sir Malcolm Sargent nannte sie einmal „die opernhafteste Oper, die je von einem Amerikaner geschrieben wurde”. Das von großer lyrischer Kraft geprägte Werk gehört zweifellos zu den reizvollsten Musikdramen des 20. Jahrhunderts. Es basiert auf einem Libretto von Barbers Komponisten-Kollegen Gian Carlo Menotti und erzählt eine herzzerreißende Geschichte über eine nur vermeintlich wiedergefundene Liebe. In Keith Warners gefeierter Inszenierung, die 2018 beim Glyndebourne Festival Premiere feierte, singt die Sopranistin Emma Bell die Titelrolle. Dirigent Jakub Hrůša animiert das London Philharmonic Orchestra zu einer Glanzleistung.</video:description>
<video:duration>7588</video:duration>
<video:publication_date>2025-10-15T11:08:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:13:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPH</loc>
<video:video>
<video:title>Albéniz: Merlin</video:title>
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<video:description>Merlin von Isaac Albéniz, den man heute vor allem als Komponist von Klavierwerken kennt, wurde 1902 fertiggestellt, 1950 uraufgeführt und 1998 zum ersten Mal in der englischen Originalfassung präsentiert, allerdings nur konzertant. Diese Aufführung, die 2003 im Teatro Real in Madrid gefilmt wurde, ist die erste Aufnahme einer szenischen Produktion des vollständigen Werks. Die von Wagner beeinflusste Oper basiert auf einem Libretto von Albéniz´ Gönner Francis Money-Coutts. José de Eusebio, der die Partitur selbst aus verschiedenen Quellen rekonstruiert hat, dirigiert ein hervorragendes Ensemble, zu dem Eva Marton und der junge Stuart Skelton gehören. John Dew bringt in seiner Inszenierung den Zauber der Artus-Sage zum Leuchten.</video:description>
<video:duration>8889</video:duration>
<video:publication_date>2025-10-15T10:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:12:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3IDG</loc>
<video:video>
<video:title>Berlioz: Symphonie fantastique, H. 48: V. Songe d&apos;une nuit de sabbat</video:title>
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<video:description>Conductor Nicolò Umberto Foron and the Deutsches Symphonie-Orchester release their album featuring Berlioz’s Symphonie fantastique and Lili Boulanger’s D’un soir triste. 
Foron comments on the repertoire: “While both composers were in their 20s when composing these pieces, they showcase a distinct maturity of form and feeling. In my interpretation, I sought to emphasize their shared intensity: Berlioz’s fever journey and hallucination, and Boulanger’s luminous, restrained contemplation of the end. This recording may therefore be heard as a dialogue across a century between two young composers grappling with what inspiration means to them personally, under very different historical and emotional circumstances.”</video:description>
<video:duration>598</video:duration>
<video:publication_date>2025-09-26T14:29:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-16T14:12:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GC0</loc>
<video:video>
<video:title>Davies dirigiert Weill: Aufstieg und Fall der Stadt Mahagonny</video:title>
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<video:description>Es hat 68 Jahre gedauert, bis [Aufstieg und Fall der Stadt] Mahagonny zu den Salzburger Festspielen kam, aber dann es kam mit Stil. In Peter Zadeks kühner Inszenierung von 1998 bevölkern die Bewohner von Brechts und Weills Sündenstadt die riesige Bühne des Großen Festspielhauses, und Dirigent Dennis Russell Davies bringt kompromisslosen Elan und Härte in das Spiel des Radio-Symphonieorchesters Wien. Aber Weill hat immer darauf bestanden, dass Mahagonny eine &quot;epische Oper&quot; ist, und Salzburg geizt nicht mit diesen Worten. Catherine Malfitano und Jerry Hadley führen eine Besetzung an, in der Dame Gywyneth Jones als Witwe Begbick die Hauptrolle spielt: Darbietungen, die genauso überdimensioniert und fesselnd sind, wie von Weill gefordert.</video:description>
<video:duration>9355</video:duration>
<video:publication_date>2024-07-10T12:41:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-16T09:53:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPP</loc>
<video:video>
<video:title>Herbie Manns Jasil Brazz</video:title>
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<video:description>Dem Flötisten Herbie Mann gelang beim Münchner Klaviersommer des Jahres 1990 mit der Live-Interpretation seines drei Jahre zuvor entstandenen Albums Jasil Brazz eines jener Jazzkonzerte, die Kultstatus erlangten. Jazz-Puristen hatten das lateinamerikanisch inspirierte Crossover-Projekt zunächst skeptisch beurteilt; aber Mann selbst erklärte, ihm habe „die brasilianische Musik gezeigt, dass die Musik auch ohne den Einsatz zahlreicher Trommeln spannend und dramatisch bleibt”. In diesem Konzert agierte der Künstler an der Spitze eines wahrhaft herausragenden Sextetts; und die Leidenschaft, mit der sich die Musiker lateinamerikanischen Standards und Manns eigenen Kompositionen widmeten, machte den Abend zu einem unvergesslichen Ereignis.</video:description>
<video:duration>4391</video:duration>
<video:publication_date>2025-09-23T10:00:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-15T12:23:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1I</loc>
<video:video>
<video:title>Haydn im Schloss Esterházy: „Le matin“, „Le midi“ und „Le soir“</video:title>
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<video:description>Mit diesen drei großartigen frühen Sinfonien feierte Joseph Haydn 1761 wahrscheinlich sein Debüt am Hofe des Fürsten Esterházy – jede von ihnen sollte die Fähigkeiten der hervorragenden Musiker zur Geltung bringen, die im berühmten Fürstenorchester spielten. Die musikalische Tagesreise beginnt mit „Le matin“ (dem Morgen), führt über die ausgelassene Stimmung von „Le midi“ (dem Mittag) und endet mit „Le soir“ (dem Abend), der in der Darstellung eines Sturms gipfelt. Charme und Schönheit dieser Musik sind für uns genauso unwiderstehlich wie für das Uraufführungs-Publikum vor über 260 Jahren – vor allem, wenn sie von so renommierten Haydn-Experten wie Giovanni Antonini und seinem Ensemble Il Giardino Armonico interpretiert wird.</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2025-10-13T12:06:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2025-10-15T09:40:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3IE8</loc>
<video:video>
<video:title>Maurizio Pollini im Gespräch mit Jörg Widmann</video:title>
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<video:description></video:description>
<video:duration>1922</video:duration>
<video:publication_date>2025-10-13T11:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T16:16:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1M</loc>
<video:video>
<video:title>Georgijs Osokins im Recital: Pärt, Bach, Scarlatti und Schubert</video:title>
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<video:description>Der wahrscheinlich originellste lettische Pianist erweist dem größten lebenden Komponisten Estlands die Ehre: Georgijs Osokins widmet Arvo Pärt zu dessen 90. Geburtstag eine Hommage. Der perfekte Ort für diese Würdigung ist das Arvo Pärt Centre in der Stadt Laulasmaa, wo der Komponist nach seiner Rückkehr aus Deutschland lebte. Osokins, der kürzlich bei der Deutschen Grammophon unter Vertrag genommen wurde, spielt selbstverständlich Musik von Pärt (unter anderem die berühmten Fratres); aber auch von Bach, Scarlatti und Schubert. Im Rahmen des Nargenfestival erforscht einer der interessantesten Pianisten der Gegenwart Pärts Inspirationsquellen auf einer musikalischen Reise, die mehrere Jahrhunderte europäischer Musik durchquert.</video:description>
<video:duration>4794</video:duration>
<video:publication_date>2025-09-15T09:18:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T15:04:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9L</loc>
<video:video>
<video:title>Purcell: King Arthur</video:title>
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<video:description>Es hat schon viele Nacherzählungen der Legende von König Artus gegeben; aber keine ist unterhaltsamer – oder betörender – als Purcells und Drydens bezaubernde, 1691 uraufgeführte &quot;Semi-Oper&quot; King Arthur. Das prächtige musikalische Spektakel verlangt nach einer äußerst fantasievollen und bildgewaltigen Umsetzung; und genau eine solche glückte Sven-Eric Bechtolf und Julian Crouch mit ihrer wilden, spektakulären Interpretation für die Berliner Staatsoper, die 2017 ihre Premiere feierte. Die Kritiker waren begeistert, zumal Dirigent René Jacobs sein erlesenes Ensemble zu einer ebenso inspirierten wie idiomatischen musikalischen Interpretation animierte.</video:description>
<video:duration>10221</video:duration>
<video:publication_date>2025-07-29T09:32:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T09:49:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1J</loc>
<video:video>
<video:title>Barenboim dirigiert Wagner: Parsifal</video:title>
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<video:description>Wagners letzte Oper Parsifal ist ein Meisterwerk wie kein anderes. Mit ihr verwirklichte der Komponist seine lang gehegte Idee, Religion und Sinnlichkeit in einer sehr menschlichen Geschichte über die erlösende Kraft von Hoffnung und Liebe zu vereinen. Dmitri Tcherniakov gelang es in dieser Inszenierung, die 2013 an der Staatsoper Berlin herauskam, die Botschaft des Werks gleichzeitig in Frage zu stellen und zu verstärken, und in Daniel Barenboims Dirigat spiegelt sich die Erfahrung eines ganzen Musikerlebens wider. Mit einer hervorragenden Besetzung und der Staatskapelle Berlin in Weltklasseform glückte so eine nachdenklich stimmende, bewegende Interpretation eines einzigartig nachdenklich stimmenden und bewegenden Werks.</video:description>
<video:duration>15107</video:duration>
<video:publication_date>2025-06-25T10:28:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T09:47:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPG</loc>
<video:video>
<video:title>Donizetti: Don Pasquale</video:title>
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<video:description>Was soll der alte Junggeselle Don Pasquale auch sonst tun? Ernesto, sein einziger Erbe, verliebt sich in die junge Norina, die der Onkel völlig ungeeignet findet. Daraufhin beschließt Don Pasquale, selbst zu heiraten und einen würdigeren Erben zu zeugen. Donizettis letzte Opera buffa ist deshalb so großartig, weil die Partitur neben der spritzigen Komödie um Ernestos und Norinas Rache-Intrige auch Momente des tief empfundenen Gefühls umfasst. Daniel Slaters stilvolle Inszenierung feierte in Genf Premiere. Unter der Leitung des Belcanto-Spezialisten Evelino Pidò agiert ein Star-Ensemble, das von Simone Alaimo in der Titelpartie und der Koloratursopranistin Patrizia Ciofi in der Rolle der temperamentvollen Norina angeführt wird.</video:description>
<video:duration>7612</video:duration>
<video:publication_date>2025-10-09T13:49:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T09:09:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9H</loc>
<video:video>
<video:title>Weber: Oberon</video:title>
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<video:description>Als sich Carl Maria von Weber als großer Meister der frühromantischen deutschen Oper der fantastischen Welt Shakespeares widmete, musste einfach etwas Außergewöhnliches entstehen – und außergewöhnlich ist Webers letzte Oper Oberon zweifellos. Die einzigartige Kombination aus Pantomime, Shakespeare-Hommage und orientalischer Fantasie verlangt nach einer Darbietung, die ebenso hinreißend und fantasievoll ist wie Webers zauberhafte Musik – und die Inszenierung des Regisseurs Nikolaus Habjan aus dem Jahr 2017 hat tatsächlich lauter visuelle Wunder zu bieten. Julian Prégardien singt die Rolle des Feenkönigs, und Ivor Bolton dirigiert die wahrhaft magische Partitur mit Souveränität und Einfühlungsvermögen.</video:description>
<video:duration>10202</video:duration>
<video:publication_date>2025-09-08T12:21:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T08:44:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GCG</loc>
<video:video>
<video:title>Mehta conducts Wagner: Tristan und Isolde</video:title>
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<video:description>Bei Wagners Tristan und Isolde gibt es keine halben Sachen: Jede Aufführung verlangt höchsten Einsatz, und den erhält sie in dieser Produktion der Bayerischen Staatsoper von 1998. Keine Stadt hat einen längeren Tristan-Stammbaum als München, aber Peter Konwitschnys einfallsreiche, aktualisierte Inszenierung ist von dieser Tradition eher befreit als gehemmt. Es ist ein kühner Rahmen für eine großartige Besetzung, und das Gramophone Magazin beschreibt Waltraud Meiers Isolde als &quot;fesselnd&quot;. Jon Frederic West, Kurt Moll und Marjana Lipvosek stehen ihr an Intensität in nichts nach. Unter dem Dirigat von Zubin Mehta und mit dem Bayerischen Staatsorchester in glänzender Form.</video:description>
<video:duration>14434</video:duration>
<video:publication_date>2024-07-10T15:05:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T08:43:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHL</loc>
<video:video>
<video:title>Pavarotti: „The Lost Concert”</video:title>
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<video:description>Zum ersten Mal ist hier ein bisher unveröffentlichtes Konzert des größten Tenors der Welt zu sehen – exklusiv auf STAGE+. Im Alter von 19 Jahren reiste Pavarotti 1955 mit seinem Vater zum Festival Llangollen International Musical Eisteddfod, nahm dort mit der Società Chorale G. Rossini an einem Wettbewerb teil – und gewann. Später bezeichnete Pavarotti diesen Moment als wichtige Inspiration für seinen Traum, ein professioneller Sänger zu werden. Vierzig Jahre später löste der Tenor 1995 sein Versprechen ein, in das walisische Dorf zurückzukehren – und begeisterte 4.500 Zuschauer mit einem triumphalen Auftritt.</video:description>
<video:duration>4638</video:duration>
<video:publication_date>2025-10-12T19:25:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-12T19:27:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3IE0</loc>
<video:video>
<video:title>Chopin: Nocturne Nr. 8 in Des-Dur, op. 27 Nr. 2</video:title>
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<video:description></video:description>
<video:duration>294</video:duration>
<video:publication_date>2025-10-09T14:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-10T08:43:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3IDO</loc>
<video:video>
<video:title>Chopin: Scherzo Nr. 2 in b-Moll, op. 31</video:title>
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<video:description></video:description>
<video:duration>287</video:duration>
<video:publication_date>2025-10-09T13:45:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-10T08:42:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHG</loc>
<video:video>
<video:title>D&apos;Albert: Tiefland</video:title>
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<video:description>Der Komponist und Pianist Eugen D&apos;Albert (1864–1932) war ein durch und durch kosmopolitischer Musiker, der bei so unterschiedlichen Persönlichkeiten wie Arthur Sullivan, Hans Richter und Franz Liszt studierte. Tiefland, seine erfolgreichste Oper, wurde kurz nach der Prager Uraufführung 1903 in ganz Europa und in New York gespielt. Das sowohl von Wagner als auch von der italienischen Verismo-Tradition beeinflusste Musikdrama erzählt eine leidenschaftliche Geschichte über das Leben und die Liebe auf dem Lande. Sehen Sie hier Michael Ungers Inszenierung, die 2018 an der Sarasota Opera Premiere feierte. Unter der Leitung von David Neely verkörpert Sopranistin Kara Shay Thomson die einst auch von Maria Callas gesungene Hauptrolle.</video:description>
<video:duration>8590</video:duration>
<video:publication_date>2025-10-08T08:54:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:41:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9P</loc>
<video:video>
<video:title>Britten: The Rape of Lucretia</video:title>
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<video:description>The Rape of Lucretia ist eines der düstersten Werke von Benjamin Britten. Die Geschichte stammt zwar aus dem alten Rom, doch die in ihr verhandelten Themen sind zeitlos: Loyalität und Vertrauen, Angst, Sünde, Verrat und Gewalt. Diese von der Kritik gefeierte Produktion aus dem Jahr 2015 war die erste Aufführung der Kammeroper beim Glyndebourne Festival, seit das Werk 1946 am selben Ort uraufgeführt wurde. Fiona Shaws kraftvolle, aufs Wesentliche konzentrierte Inszenierung ermöglicht es den großartigen britischen Sänger*innen – mit Christine Rice als erschütternder Lucretia an der Spitze – die emotionale Abgündigkeit des Werks aufzudecken. Unter der Leitung von Leo Hussain musizieren Mitglieder des London Philharmonic Orchestra.</video:description>
<video:duration>6847</video:duration>
<video:publication_date>2025-10-08T07:48:01Z</video:publication_date>
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<lastmod>2025-10-09T15:41:17Z</lastmod>
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<video:title>Britten: Billy Budd</video:title>
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<video:description>Nicht einmal der unendlich weite Horizont des Meeres kann etwas gegen die klaustrophobische Stimmung ausrichten, die an Bord dieses britischen Kriegsschiffs herrscht. Hochkochende Emotionen bedrohen die Schiffsgemeinschaft in ihrer Existenz. Die Oper Billy Bud, die 1951 beim Festival of Britain uraufgeführt wurde, ist eines der packendsten Bühnenwerke Benjamin Brittens. Deborah Warners visuell beeindruckende Inszenierung entstand anlässlich des 200-jährigen Jubiläums des Teatro Real in Madrid. Britten-Spezialist Ivor Bolton dirigiert ein hochkarätiges Ensemble: Jacques Imbrailo als Titelheld, Brindley Sherratt als Claggart und Tenor Toby Spence in der Partie des Captain Vere, die Britten für seinen Lebensgefährten Peter Pears schrieb.</video:description>
<video:duration>10512</video:duration>
<video:publication_date>2025-10-02T11:21:54Z</video:publication_date>
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<lastmod>2025-10-09T15:40:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9N</loc>
<video:video>
<video:title>Massenet: Cendrillon</video:title>
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<video:description>Kaum eine Geschichte ist so bekannt wie die von Aschenputtel. Mit dem unverkennbaren französischen Akzent des Originalmärchens von Perrault hat Jules Massenet die Figuren in seiner funkelnden Opernversion auf die Bühne gebracht: Aschenputtel (bzw. Cendrillon), ihre schrecklichen Stiefschwestern, die böse Stiefmutter, die gute Fee und den Prinzen. Fiona Shaws Glyndebourne-Inszenierung fängt den Zauber der Belle Époque ein und erzählt die Geschichte zugleich ganz Gegenwarts-nah. An der Spitze des Ensembles glänzt Danielle de Niese als Titelheldin, während Mezzosopranistin Kate Lindsey die Hosenrolle des Prinzen übernimmt. Unter der Leitung des renommierten Dirigenten John Wilson ist das London Philharmonic Orchestra zu erleben.</video:description>
<video:duration>8665</video:duration>
<video:publication_date>2025-10-07T15:14:19Z</video:publication_date>
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<lastmod>2025-10-09T15:39:46Z</lastmod>
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<url>
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<video:video>
<video:title>Mascagni: L&apos;Amico Fritz</video:title>
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<video:description>Nur ein Jahr nach dem Einakter Cavalleria rusticana bestätigte Pietro Mascagni 1891 mit der romantischen Komödie L&apos;Amico Fritz seinen Ruf, einer der besten italienischen Opernkomponisten seit Verdi zu sein. Dabei verzichtete er in seinem neuen Werk auf die Melodramatik der Cavalleria, zugunsten einer tiefgründigen psychologischen Darstellung der beiden Liebenden Fritz und Suzel. Rosetta Cucchi verlegte 2022 die Handlung in ihrer eindrucksvollen Inszenierung für das Maggio Musicale in Florenz ins Little Italy des 20. Jahrhunderts. Unter der Leitung von Riccardo Frizza und an der Seite eines überwiegend italienischen Ensembles glänzen der amerikanische Tenor Charles Castronovo und die georgische Sopranistin Salome Jicia in den Hauptrollen.</video:description>
<video:duration>6195</video:duration>
<video:publication_date>2025-10-07T14:38:50Z</video:publication_date>
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<lastmod>2025-10-09T15:39:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34D8</loc>
<video:video>
<video:title>Böhm dirigiert Beethoven: Fidelio</video:title>
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<video:description>Ein unschuldiger Mann wartet im Kerker auf den sicheren Tod. Doch jemand weiß von seiner aussichtslosen Situation; vielleicht besitzt der neue Gefängniswärter Fidelio den Schlüssel zu Florestans Schicksal? Beethoven erklärte, seine einzige Oper Fidelio bedeute ihm mehr als alle seine anderen Kompositionen. Selten wurde dieses bewegende Seelen-Drama mit mehr Autorität dargeboten als in dieser Aufführung von 1969 aus dem damaligen West-Berlin. Sie fand mit der kraftvollen Gwyneth Jones in der Titelrolle und unter der Leitung von Karl Böhm statt, einem Titanen unter den deutschen Nachkriegsdirigenten. Gustav Rudolf Sellners Inszenierung, die für die Film-Aufnahme bearbeitet wurde, hat nichts von ihrer düsteren Erhabenheit verloren.</video:description>
<video:duration>6783</video:duration>
<video:publication_date>2025-01-15T12:47:13Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-09T15:33:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJAE0</loc>
<video:video>
<video:title>Wagner: Die Meistersinger von Nürnberg</video:title>
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<video:description>Diese Inszenierung, die 2022 in Berlin Premiere feierte, verlegt die Handlung von Wagners Oper Die Meistersinger von Nürnberg in ein Privatkonservatorium. Dessen Inhaber plant, es in öffentlichen Besitz zu überführen; und der Sieger der Gesangsprüfung, die am nächsten Tag stattfinden wird, soll nicht nur die Instituts-Leitung übernehmen, sondern auch die Hand seiner Tochter Eva gewinnen. Diese allerdings hat eine heimliche Affäre mit dem Dozenten und Therapeuten Hans Sachs. Die unkonventionelle Produktion, in der Johan Reuter als Sachs, Heidi Stober als Eva und Klaus Florian Vogt als Walter glänzen, stellt tiefgründige Fragen über Kunst, Tradition und echte Liebe – und erreicht zugleich eine unwiderstehlich erhabene Wirkung.</video:description>
<video:duration>16858</video:duration>
<video:publication_date>2025-05-22T15:13:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-09T15:27:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHL</loc>
<video:video>
<video:title>Strauss: Arabella</video:title>
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<video:description>Im Wien der 1860er Jahre will die aristokratische Familie Waldner zwei Töchter verheiraten; das Geld reicht allerdings nur für eine Mitgift. Doch in der Karnevalszeit können Märchen manchmal tatsächlich wahr werden… Arabella, die letzte gemeinsame Oper von Richard Strauss und Hugo von Hofmannsthal, porträtiert eine Gesellschaft im Umbruch; und Regisseur Tobias Kratzer zeigt in seiner anderthalb Jahrhunderte durchquerenden Berliner Inszenierung von 2023 eine Welt, in der sich ständig die Werte wandeln. In einer der gelungensten Strauss-Produktionen der letzten Jahre, die ein ganz neues, verblüffendes Happy End zu bieten hat, singt Sara Jakubiak unter der Leitung von Donald Runnicles die Titelrolle.</video:description>
<video:duration>9591</video:duration>
<video:publication_date>2025-09-17T15:16:02Z</video:publication_date>
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<lastmod>2025-10-09T15:17:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJACO</loc>
<video:video>
<video:title>Chopin: Études, op. 10: Nr. 12 in c-Moll &quot;Revolutionsetüde&quot;</video:title>
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<video:description></video:description>
<video:duration>153</video:duration>
<video:publication_date>2023-11-22T15:53:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-09T14:11:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ID8</loc>
<video:video>
<video:title>From a Convenient Grass</video:title>
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<video:description>The Importance of Birds&apos; is the new inspiring project from Icelandic composer, producer and multi-Instrumentalist Snorri Hallgrímsson. He has written and produced seven original tracks for an EP that is an observation and reflection on the fragility and finiteness of life and the relationships with those closest to us and how they are ever changing and growing as time marches on. Hallgrímsson&apos;s tracks create a soundworld of subtle beauty, consisting of poignant but uplifting solo piano lines, at times underpinned by warm, gently shifting string arrangements and layers of electronica that ebb and flow, bearing us ever further along a winding musical path. &quot;Hallgrímsson has an innate understanding of using space and quiet to make a point.&quot;</video:description>
<video:duration>241</video:duration>
<video:publication_date>2025-09-25T13:54:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-09T13:35:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1L</loc>
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<video:title>Eröffnungskonzert des 19. Chopin-Wettbewerbs: Bruce Liu and Friends</video:title>
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<video:description>Zur Eröffnung des 19. Internationalen Chopin-Wettbewerbs konzertieren nicht weniger als vier Pianist*innen in Warschau, die in der Vergangenheit beim renommierten Wettstreit gewinnen konnten. Die große Feier des Tastenzaubers beginnt mit Bruce Liu, der Camille Saint-Saëns&apos; brillantes Fünftes Klavierkonzert interpretiert. Anschlließend widmen sich Yulianna Avdeeva und Garrick Ohlsson Poulencs wunderbar geistreichem Konzert für zwei Klaviere. Zum Finale bilden alle drei mit Dang Thai Son das Solo-Quartett in Bachs Konzert für vier Klaviere. Unter der Leitung von Andrzej Boreyko begleitet das Sinfonieorchester der Nationalphilharmonie Warschau, das den Abend mit einer neuen Orchestrierung von Chopins schwungvoller A-Dur- Polonaise eröffnet.</video:description>
<video:duration>5140</video:duration>
<video:publication_date>2025-10-08T08:16:54Z</video:publication_date>
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<lastmod>2025-10-09T11:53:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3EDO</loc>
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<video:title>Nadine Sierra und Francesco Meli in La Traviata</video:title>
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<video:description>Nadine Sierra spielt die Hauptrolle und Zubin Mehta dirigiert in dieser Aufführung von Davide Livermores stilvoll aktualisierter Inszenierung von Verdis klassischem Schmachtstück La traviata. Mit der Verlegung der Handlung in das von Protesten geprägte Paris des Jahres 1968 will der Regisseur &quot;nicht provozieren..., sondern die Geschichte näher erzählen, den Reichtum und die Modernität von Verdis Meisterwerk entfalten.&quot; Dabei hilft ihm nicht nur Sierras herzzerreißende Darstellung der Violetta, sondern auch zwei hervorragende italienische Sänger an ihrer Seite: Francesco Meli singt Alfredo, ihren Geliebten, während Leo Nucci Alfredos Vater verkörpert, dessen Eingreifen die letztlich unvermeidliche Tragödie noch verstärkt.</video:description>
<video:duration>8798</video:duration>
<video:publication_date>2024-07-02T10:40:01Z</video:publication_date>
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<lastmod>2025-10-07T14:52:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJADO</loc>
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<video:title>Puccini: Il tabarro</video:title>
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<video:description>Eine einstündige, äußerst verdichtete und schockierend realistische Verismo-Oper ist Il tabarro, der erste Teil von Puccinis Il trittico. Der Komponist zeigt sich hier nicht nur wie üblich als genialer Erfinder einprägsamer Melodien, sondern besticht auch durch seine Fähigkeit, eine spezifische Atmosphäre zu erschaffen – in diesem Fall die harte Welt der Lastkahnarbeiter am Pariser Seineufer. Diese Produktion des Teatro del Maggio Musicale erzählt packend die tragisch endende Geschichte von Giorgetta, der Frau des Kahnbesitzers Michele, die sich in den attraktiven Güterpacker Luigi verliebt. Die hochkarätige Besetzung mit italienischen Sängerinnen und Sängern in den Hauptrollen bringt Puccinis Werk zu kraftvoller, erschütternder Wirkung.</video:description>
<video:duration>3261</video:duration>
<video:publication_date>2025-05-21T09:19:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-07T14:51:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9I</loc>
<video:video>
<video:title>Barrie Kosky inszeniert Mozart: Così fan tutte</video:title>
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<video:description>Im Finale seines Mozart/Da Ponte-Zyklus an der Wiener Staatsoper wendet sich Regisseur Barrie Kosky der Welt des Theaters selbst zu. In Koskys fantasievoller Inszenierung ist Don Alfonso – der Zyniker, der die Machenschaften des Stücks in Gang setzt – ein Theaterregisseur. Er probt ein Stück, in dem die beiden Paare der Oper im Mittelpunkt der Handlung stehen. Die Komödie entfaltet sich, wie immer bei Kosky, mit großer Spielfreude und besticht durch die überzeugenden Darstellungen eines hochkarätigen Ensembles. Christopher Maltman (Don Alfonso), Federica Lombardi (Fiordiligi) und Emily D&apos;Angelo (Dorabella) singen in dieser hochgelobten Aufführung unter der Leitung von Philippe Jordan, der vom Hammerklavier aus dirigiert.</video:description>
<video:duration>10991</video:duration>
<video:publication_date>2025-09-08T13:36:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-06T09:19:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJACO</loc>
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<video:title>Rustioni dirigiert Verdi: Falstaff</video:title>
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<video:description>Daniele Rustioni dirigiert in dieser Produktion von Verdis letztem Opernwerk, ein herausragendes Ensemble, das von dem Oscar- und Golden Globe-nominierten Regisseur Luca Guadagnino im Teatro Filarmonico di Verona aufgenommen wurde. Die Aufführung fängt mit ihren ausgefeilten Charakterisierungen in wunderschön gestalteten historischen Kulissen all den sprühenden Witz und die sanfte Weisheit ein, die diese Oper so beliebt gemacht haben, während eine rein italienische Besetzung von Hauptdarstellern - angeführt von Alberto Mastromarinos überlebensgroßem Falstaff - die Komödie mit unwiderstehlichem Stil zum Leben erweckt.</video:description>
<video:duration>7945</video:duration>
<video:publication_date>2024-02-06T12:39:53Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-06T06:49:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32C8</loc>
<video:video>
<video:title>Daniil Trifonov in Salzburg: Schumann, Mozart, Tchaikovski &amp; Skrjabin</video:title>
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<video:description>Fantasievoll und hoch virtuos ist das Programm, das Daniil Trifonov bei den Salzburger Festspielen 2023 präsentiert. Er beginnt mit Tschaikowskys charmantem Kinderalbum, einer Reihe von brillanten musikalischen Vignetten. Als nächstes folgen zwei Fantasien: Schumanns große Fantasie in C-Dur, op. 17, 1836 komponiert und Franz Liszt gewidmet, ist ein der Schlüsselwerk der musikalischen Romantik, während Mozarts Fantasie in c-Moll, KV 475, zu den unkonventionellsten - und fesselndsten - Werken des Komponisten gehört. Den Abschluss des Programms bildet Skrjabins konzentrierte und kraftvolle Klaviersonate Nr. 5, die im Dezember 1907 in nur sechs Tagen zu Papier gebracht wurde.</video:description>
<video:duration>4817</video:duration>
<video:publication_date>2024-07-04T12:52:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-05T06:28:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34DG</loc>
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<video:title>Andris Nelsons dirigiert Mahler: Sinfonie Nr. 9 in Salzburg</video:title>
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<video:description>Andris Nelsons setzt seine Reise zu allen Mahler-Symphonien mit den Wiener Philharmonikern fort. Diesmal mit der abschließenden Neunten Symphonie, die live von den Salzburger Festspielen übertragen wird. Das Werk aus dem Jahr 1909, zwei Jahre vor Mahlers Tod im Jahr 1911 vollendet, stellt den Höhepunkt eines sparsameren, &quot;späten&quot; Mahler-Stils dar, in dem destillierte, intensive Schönheit verwendet wird, um das emotional turbulente Leben des Komponisten und sein wachsendes Bewusstsein für seine Sterblichkeit auszudrücken. Die Wiener Philharmoniker brachten das Werk 1912 posthum zur Uraufführung, und ihre neue Aufführung mit einem der führenden Dirigenten unserer Zeit verspricht ein unvergessliches Ereignis zu werden.</video:description>
<video:duration>5465</video:duration>
<video:publication_date>2024-08-15T13:32:28Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-05T06:27:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ACO</loc>
<video:video>
<video:title>Nézet-Séguin dirigiert Berlioz: Symphonie fantastique</video:title>
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<video:description>Yannick Nézet-Séguin leitet die Wiener Philharmoniker bei dieser Aufführung eines der bahnbrechendsten Werke in der Geschichte der klassischen Musik: Berlioz’ Symphonie fantastique von 1830. Das Werk, das die Regeln der symphonischen Gattung neu definierte, ebnete den Weg für eine neue Richtung in der musikalischen Romantik, indem es über fünf Sätze hinweg die opiumgeschwängerten Gespinste eines Künstlers beschreibt. Es festigte damit Berlioz’ Ruf als einer der revolutionärsten Künstler seiner Generation. Mit dieser Weltklasse-Kombination aus Dirigent und Orchester steht eine Aufführung bevor, die Brillanz und Wildheit auferleben lässt.</video:description>
<video:duration>3801</video:duration>
<video:publication_date>2024-09-06T11:12:23Z</video:publication_date>
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<lastmod>2025-10-05T06:23:04Z</lastmod>
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<video:title>Der Jahrhundertring: Siegfried (Bayreuth 1980)</video:title>
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<video:description>Ambivalent bleibt in Wagners Ring des Nibelungen, ob die Figur des Siegfried tatsächlich durch Furchtlosigkeit und Heldentum die Hoffnung auf die Weltrettung symbolisiert, oder ob seine Brutalität und Amoralität zentraler Bestandteil des Verhängnisses sind. In Patrice Chéreaus Inszenierung ist Siegfried auch als ein Vorbote des Faschismus zu lesen. Die politische Interpretation bildet aber neben mythischen, psychologischen und märchenhaften Elementen nur eine Ebene der vielschichtigen, die Handlung teilweise in der Entstehungszeit des Werks ansiedelnden, Deutung. Manfred Jung als Siegfried, Gwyneth Jones als Brünnhilde und Donald McIntyre als Wotan in der Gestalt des Wanderers sorgen für vokalen Glanz und darstellerische Expressivität.</video:description>
<video:duration>13806</video:duration>
<video:publication_date>2022-11-01T12:30:58Z</video:publication_date>
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<lastmod>2025-10-03T14:15:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34C0</loc>
<video:video>
<video:title>Der Jahrhundertring: Götterdämmerung (Bayreuth 1979)</video:title>
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<video:description>Bei Patrice Chéreau wendet sich der Chor zu den letzten Tönen der Götterdämmerung von der Szene ab und dem Zuschauerraum zu: Die Frage, ob nach der Abdankung der alten Ordnung Hoffnung auf eine bessere Zukunft besteht, wird an das Publikum weitergeleitet. War die Produktion zunächst auf wütende Ablehnung gestoßen, so stand am Ende ein 90-minütiger Applaus. Zum Glück zeichnete Regisseur Brian Large den &quot;Jahrhundertring&quot; im Jahr der Dernière auf. Neben Chéreaus Inszenierung – großer Wurf und Meisterleistung der Detailarbeit zugleich – sorgte auch Pierre Boulez‘ musikalische Leitung für Furore: Sein durch zügige Tempi, Transparenz und dramaturgische Straffheit gekennzeichnetes Dirigat stellt einen Meilenstein der Wagner-Interpretation dar.</video:description>
<video:duration>15053</video:duration>
<video:publication_date>2022-10-31T18:32:53Z</video:publication_date>
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<lastmod>2025-10-03T14:15:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30D0</loc>
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<video:title>Der Jahrhundertring: Die Walküre (Bayreuth 1980)</video:title>
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<video:description>Zu den schönsten Bildern des &quot;Jahrhundertrings&quot; gehört der Walkürenfelsen im Schlussakt der zweiten Oper des Zyklus, der erst im Zuge einer Überarbeitung der Inszenierung entstand: Bühnenbildner Richard Peduzzi orientierte sich bei diesem märchenhaft-monumentalen Bau an Arnold Böcklins Toteninsel-Gemälde. Patrice Chéreau, der seine Laufbahn als Sprechtheater-Regisseur begonnen hatte, animierte Jeannine Altmeyer (Sieglinde) und Peter Hofmann (Siegmund) zu einer schauspielerisch ungewöhnlich intensiven Darstellung des Geschwister- und Liebespaares. Kontrovers diskutiert wurde, dass bei Chéreau Göttervater Wotan nicht nur, wie im Original, moralisch für den Tod Siegmunds verantwortlich ist, sondern diesen mit seinem Speer selbst durchbohrt.</video:description>
<video:duration>13150</video:duration>
<video:publication_date>2022-10-27T10:49:47Z</video:publication_date>
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<lastmod>2025-10-03T14:14:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30CO</loc>
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<video:title>Der Jahrhundertring: Das Rheingold (Bayreuth 1980)</video:title>
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<video:description>Als &quot;Jahrhundertring&quot; wird die zwischen 1976 und 1980 aufgeführte Bayreuther Inszenierung von Wagners Tetralogie aus zwei Gründen bezeichnet: Zum einen kam sie hundert Jahre nach der Eröffnung der Festspiele heraus; zum anderen erwies sich die von Patrice Chéreau und Pierre Boulez verantwortete Produktion in szenischer wie musikalischer Hinsicht als wahrscheinlich wirkmächtigste Interpretation des Stücks im 20. Jahrhundert. Bevor dieser Ring zum Triumph wurde, war er im Premierenjahr ein Skandal. &quot;Dem Altgedienten verging Hören und Sehen&quot; (Spiegel). Kritik erntete bereits das erste Bild des Rheingold: Statt mit der unberührten Natur wird das Publikum mit einem Stauwehr konfrontiert, das Industrialisierung und Kapitalismus symbolisiert.</video:description>
<video:duration>8773</video:duration>
<video:publication_date>2022-10-27T10:07:12Z</video:publication_date>
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<lastmod>2025-10-03T14:14:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJIE8</loc>
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<video:title>Wagner: Parsifal (Bayreuth 1981)</video:title>
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<video:description>Zwischen 1953 und 2002 waren bei den Bayreuther Festspielen fast in jeder Saison Inszenierungen von Wolfgang Wagner zu sehen. Der langjährige Festival-Chef hatte nach dem Ende des Zweiten Weltkriegs mit seinem Bruder Wieland die Ästhetik des sogenannten »Neu-Bayreuths« definiert, die sich durch eine innovative Bild- und Lichtsymbolik auszeichnet. Die hier dokumentierte Produktion des Parsifal bleibt dieser Linie treu und wird durch die Mitwirkung von Bayreuth-erfahrenen Stars zugleich zu einem Sängerfest: Neben Siegfried Jerusalem in der Titelpartie und Bernd Weikl als Amfortas singt der Bassist Hans Sotin die Rolle des Gurnemanz, die er über einen Zeitraum von 24 Jahren fast in jedem Sommer auf dem grünen Hügel interpretierte.</video:description>
<video:duration>13973</video:duration>
<video:publication_date>2022-10-24T09:05:18Z</video:publication_date>
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<lastmod>2025-10-03T14:13:33Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34C8</loc>
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<video:title>Wagner: Die Meistersinger von Nürnberg (Bayreuth 1984)</video:title>
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<video:description>Insgesamt drei Mal hat Wolfgang Wagner, der nach dem Zweiten Weltkrieg die Festspiel-Leitung mit seinem Bruder Wieland übernommen hatte, in Bayreuth Die Meistersinger von Nürnberg inszeniert. In der mittleren dieser Produktionen von 1981 gelang es ihm, der einzigen Komödie seines Großvaters den nationalistischen Stachel zu ziehen, sich ganz auf die menschlichen Beziehungen zu konzentrieren und sogar eine Versöhnung zwischen den Kontrahenten Sachs und Beckmesser herbeizuführen. In diesen Rollen bieten sich Bernd Weikl und Hermann Prey, zwei der profiliertesten Sänger ihrer Generation, einen hinreißenden Wettstreit. Dritter im männlichen Hauptpartien-Trio ist Siegfried Jerusalem, der als Wagner-Tenor überall auf der Welt für Furore sorgte.</video:description>
<video:duration>16241</video:duration>
<video:publication_date>2022-10-31T18:34:49Z</video:publication_date>
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<lastmod>2025-10-03T14:13:01Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CE8</loc>
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<video:title>Wagner: Der fliegende Holländer (Bayreuth 1985)</video:title>
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<video:description>So hatte man Wagners Fliegenden Holländer noch nie gesehen: Regisseur Harry Kupfer zeigte 1978 bei den Bayreuther Festspielen die Geschichte um den ruhelos um die Welt reisenden Titelhelden ganz aus der Perspektive der weiblichen Hauptfigur Senta. Im Bühnenbild von Peter Sykora, das sich mehrmals auf magische Weise verwandelt, erscheint das Geschehen auf der Grenze von Wachheit und Traum, Realität und Halluzination. Durch die psychologische Tiefenschärfe der Personenführung und die auch schauspielerisch überzeigenden Leistungen von Lisbeth Balslev und Simon Estes erreicht die Produktion die Intensität eines Ingmar-Bergman-Films. Harry Kupfer setzte einige Jahre später seine Arbeit in Bayreuth mit einer erfolgreichen Ring-Inszenierung fort.</video:description>
<video:duration>8212</video:duration>
<video:publication_date>2022-11-28T10:18:00Z</video:publication_date>
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<lastmod>2025-10-03T14:12:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ED8</loc>
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<video:title>Maisky spielt Haydn: Violinkonzerte – bearbeitet für Cello &amp; Orchester</video:title>
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<video:description>Im Fresken geschmückten Festsaal von Schloss Hetzendorf im Südwesten Wiens spielen Mischa Maisky und die Wiener Symphoniker Joseph Haydns Violinkonzert in G-Dur sowie sein Adagio des Violinkonzerts in C-Dur in Bearbeitungen für Cello und Orchester. Beide Werke schrieb der junge Komponist vermutlich in den 1760er-Jahren, das eine wohl vor, das andere, nachdem er den Dienst bei Fürst Esterházy angetreten hatte. Haydn ist hier nicht der Klassik verpflichtet, sondern ganz dem Spätbarock verbunden und einem wunderbar kantablen Spiel, wie geschaffen für den Cello-Virtuosen.</video:description>
<video:duration>1709</video:duration>
<video:publication_date>2023-10-06T07:11:31Z</video:publication_date>
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<lastmod>2025-10-03T14:11:18Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32E0</loc>
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<video:title>Wagner: Lohengrin (Bayreuth 1990)</video:title>
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<video:description>Wenige Jahre nach seinem Film Fitzcarraldo – in dem es um den Bau eines Opernhauses im peruanischen Dschungel geht – inszenierte der Filmregisseur Werner Herzog bei den Bayreuther Festspielen Wagners Lohengrin. Den Filmregisseur verbindet mit dem Komponisten die Überzeugung, dass in der Kunst immer das eigentlich Unmögliche verwirklicht werden muss und keine Herausforderung und kein Abenteuer gescheut werden darf. In seiner erst zweiten Opern-Inszenierung erzählt Herzog die mittelalterliche Geschichte um den Schwanenritter mit wunderbar poetischen Bildern in einer märchenhaften Atmosphäre. Neben Paul Frey in der Titelrolle beeindruckt die amerikanische Sopranistin Cheryl Studer als Elsa mit Innigkeit und großer Stimmschönheit.</video:description>
<video:duration>12928</video:duration>
<video:publication_date>2022-10-31T17:33:10Z</video:publication_date>
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<lastmod>2025-10-03T14:10:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8D8</loc>
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<video:title>Waldbühne 1993: Russische Nacht – mit Seiji Ozawa</video:title>
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<video:description>1993 dirigierte Seiji Ozawa das jährliche Konzert der Berliner Philharmoniker in der Waldbühne. Das Programm präsentiert Werke des russischen Repertoires, die wegen ihrer Farbenpracht und brillanten Orchestrierung besonders beliebt sind. Von Tschaikowski erklingt die Nussknacker-Suite und die mitreißende Ouvertüre von 1812, von Strawinsky Highlights aus dem bahnbrechenden Ballett Der Feuervogel. Das Konzert umfasst außerdem Musik von Borodin, Rimski-Korsakow und vier Zugaben: Nach Khachaturians rasantem Säbeltanz, einem Satz von Tchaikowskis Serenade für Streichorchester und Johann Strauss&apos; Radetzky-Marsch beendet, wie in jedem Jahr, Paul Linckes Berliner Luft das Programm.</video:description>
<video:duration>5884</video:duration>
<video:publication_date>2023-03-15T13:29:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-03T14:10:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCCG</loc>
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<video:title>Europakonzert 1996 aus St. Petersburg – mit Claudio Abbado</video:title>
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<video:description>Für das Europakonzert 1996 reisten die Berliner Philharmoniker und Claudio Abbado gen Osten. Im einzigartigen St. Petersburger Mariinski-Theater spielten sie ein russisch-deutsches Programm. Das Konzert eröffnet mit Auszügen aus Prokofjews berühmtem Ballett Romeo und Julia, danach singt der ukrainische Bass Anatoli Kotcherga die Kavatine des Aleko aus der gleichnamigen ersten Oper des jungen Rachmaninow. Der damalige Konzertmeister der Berliner Philharmoniker, Kolja Blacher, ist Solist in den zwei Romanzen für Violine und Orchester von Beethoven. Und schließlich dirigiert Abbado die Siebte des Komponisten, ein mitreißender Abschluss, auf den als Zugabe der verträumte Blumenwalzer aus Tschaikowskys Nussknacker folgt.</video:description>
<video:duration>5411</video:duration>
<video:publication_date>2023-04-20T11:41:35Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-03T14:09:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3A</loc>
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<video:title>Pierre Boulez dirigiert Bruckner&apos;s 8th Sinfonie</video:title>
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<video:description>Anlässlich seiner Aufführung von Bruckners Achter Sinfonie mit den Wiener Philharmonikern erklärte Pierre Boulez, bei diesem Stück könne das Orchester ihm mehr geben als er dem Orchester. Auch wenn die Bescheidenheit den französischen Komponisten und Dirigenten ehrt: Der Reiz dieser Interpretation besteht gerade im Zusammentreffen eines Klangkörpers, der das Werk einst uraufgeführt und danach regelmäßig gespielt hat, mit einem Dirigenten, der sich der Sinfonie mit frischem Blick und aus der Perspektive der Moderne nähert. Das hier dokumentierte Konzert findet zum 100. Todestag Bruckners in der Stiftskirche St. Florian statt.</video:description>
<video:duration>4766</video:duration>
<video:publication_date>2022-05-11T10:59:12Z</video:publication_date>
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<lastmod>2025-10-03T14:08:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJG</loc>
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<video:title>250 Jahre Mozart – Das Festkonzert von Riccardo Muti</video:title>
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<video:description>&quot;Mozart ist ein Gottesbeweis&quot; sagte Riccardo Muti einmal in einem Interview. Zu den Feierlichkeiten zum 250. Geburtstag des Komponisten im Jahr 2006 trägte der italienische Dirigent mit einem Festkonzert an der Seite der Wiener Philharmoniker bei. Schauplatz ist das Große Festspielhaus in Salzburg, der Heimatstadt des Komponisten. Dessen Genialität zeigt sich nicht zuletzt in seiner Fähigkeit, in allen zu seiner Zeit geläufigen Gattungen Meisterwerke zu schreiben. So ist er auch in diesem Konzert als Komponist von Sinfonien, Opern und Solo-Konzerten zu erleben. Mit Mitsuko Uchida, Thomas Hampson, Gidon Kremer und Yuri Bashmet stehen Solist:innen zur Verfügung, die für einen so originellen wie idiomatischen Mozart-Stil bekannt sind.</video:description>
<video:duration>6532</video:duration>
<video:publication_date>2022-06-17T06:46:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-03T13:56:46Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJIDG</loc>
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<video:title>Harnoncourt dirigiert Le Nozze di Figaro</video:title>
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<video:description>Claus Guths Inszenierung von Le Nozze di Figaro gehörte 2006 wegen ihrer eleganten Ausstattung und der psychologisch dichten Personenführung zu den größten Erfolgen der Salzburger Festspiele, die im Mozart-Jahr in einem ungewöhnlichen Kraftakt alle Bühnenwerke des Komponisten zur Aufführung brachten. Die Produktion gehörte auch zu den späten Höhepunkten in der künstlerischen Laufbahn des Dirigenten Nikolaus Harnoncourt. Einen &quot;Triumpf für Mozart&quot; verzeichnete die Rezension der Salzburger Nachrichten. Einen Sensationserfolg feierte nicht nur Star-Sopranistin Anna Netrebko als Susanna, sondern auch Christine Schäfer, die die Rolle des Cherubino mit vokaler wie schauspielerischer Innigkeit gestaltete.</video:description>
<video:duration>12120</video:duration>
<video:publication_date>2022-10-18T13:50:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-03T13:54:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GC0</loc>
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<video:title>Anna Netrebko &amp; Piotr Beczała in La Bohème—Salzburger Festspiele 2012</video:title>
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<video:description>Puccinis Evergreen über Liebe und Verlust in Salzburg – der Moment einer glanzvollen Erstaufführung bei den Festspielen war gekommen. Damiano Michielettos Inszenierung evozierte 2012 ein düsteres, doch glaubwürdiges und modernes Paris; er hatte das Schauspiel in die Gegenwart versetzt. Anna Netrebko ist hier in einer ihrer Paraderollen zu erleben, der Mimì, während der polnische Tenor Piotr Beczała den Rodolfo verkörpert und die georgische Sopranistin Nino Machaidze die Musetta. Am Pult der Wiener Philharmoniker steht Daniele Gatti. Diese Bohème vermochte zu überraschen im 21. Jahrhundert. Das Festspielpublikum dankte mit tosendem Applaus.</video:description>
<video:duration>7448</video:duration>
<video:publication_date>2023-10-16T08:09:24Z</video:publication_date>
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<lastmod>2025-10-03T13:45:40Z</lastmod>
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<url>
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<video:title>Semyon Bychkov und Lisa Batiashvili mit Beethoven und Strauss</video:title>
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<video:description>In diesem Programm der Tschechischen Philharmonie unter der Leitung ihres Chefdirigenten Semyon Bychkov trifft Beethovens lyrisch-beseeltes Violinkonzert auf Richard Strauss&apos; mitreißende Alpensinfonie. Als Solistin brilliert Lisa Batiashvili, die als eine der versiertesten Geiger:innen unserer Zeit über ideale Voraussetzungen für die Herausforderungen des Beethoven-Konzerts verfügt. Das ganze Potential des Orchesters wird dann in der Alpensinfonie entfesselt, in der sich die Erzählung eines alpinen Wandertages mit philosophischen Fragen über das Verhältnis des Menschen zur Natur verbindet. Mit seiner letzten Sinfonischen Dichtung schrieb Strauss eines der packendsten und technisch anspruchsvollsten Werke des Orchester-Repertoires.</video:description>
<video:duration>6382</video:duration>
<video:publication_date>2023-05-04T08:59:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-03T11:23:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6E8</loc>
<video:video>
<video:title>Semyon Bychkov und Daniil Trifonov mit Schostakowitsch und Dvořák</video:title>
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<video:description>Die Tschechische Philharmonie präsentiert zur Eröffnung der Saison 2020/21 ein Programm zum 100. Geburtstag von Václav Neumann, der das Orchester als Chefdirigent zwischen 1968 und 1989 prägte. Sein aktuell amtierender Nachfolger Semyon Bychkov interpretiert zunächst mit dem Pianisten Daniil Trifonov und der Trompeterin Selina Ott Schostakowitschs Konzert für Klavier, Trompete und Streicher – ein Werk, das abwechselnd verschroben und sarkastisch ist, im wunderschönen langsamen Satz aber auch durch berührende Lyrik fasziniert. In der zweiten Konzert-Hälfte widmen sich Bychkov und das Orchester Dvořáks kraftvoller Achter Sinfonie.</video:description>
<video:duration>4543</video:duration>
<video:publication_date>2023-03-01T10:55:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-03T11:21:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPO</loc>
<video:video>
<video:title>Detlev Eisinger: Werke von Scarlatti und Schuman</video:title>
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<video:description>Robert Schumanns Carnaval ist ein zentrales Werk der romantischen Klaviermusik. Es entwirft ein Kaleidoskop aus Fantasien und Farben – und ist das Selbstporträt eines Träumers, der in seinem Kampf gegen die „Philister“ (also Spießbürger) keine Regeln gelten ließ als die eigenen. Selten ist das Wunderwerk so kongenial interpretiert worden wie in der vorliegenden Aufführung von Detlev Eisinger beim Münchner Klaviersommer des Jahres 1990. Mehr als jedes andere Konzert wird dieser Auftritt mit der Karriere des bayerischen Pianisten verbunden. Eisinger spielt den Carnaval mit einer außergewöhnlichen Mischung aus Spontaneität und Intelligenz – und lässt Schumanns Werk auf drei ebenso originelle Sonaten von Scarlatti folgen.</video:description>
<video:duration>2396</video:duration>
<video:publication_date>2025-09-23T09:33:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T15:22:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9L</loc>
<video:video>
<video:title>Gulda, Hancock, Zawinul: The Salzburg Concert</video:title>
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<video:description>Some critics called Friedrich Gulda a &quot;musical terrorist&quot;. But he was one of the supreme modern interpreters of Mozart, the composer he regarded as the &quot;greatest of the greatest&quot;, and he launches this 1989 concert from Salzburg with an inimitable account of the Piano Sonata K. 333. And then…well, all bets are off as Gulda joins two fellow geniuses from very different worlds – Austrian jazz pianist Joe Zawinul and the legendary Herbie Hancock – for a computer-enhanced improvisation that pushes the boundaries of 1980s music technology, as well as the collective imagination of three true keyboard originals.</video:description>
<video:duration>4211</video:duration>
<video:publication_date>2025-09-09T07:52:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-02T14:06:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1I</loc>
<video:video>
<video:title>Hermann Prey singt romantische Balladen</video:title>
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<video:description>Die in die bewaldeten Ausläufer der Schwäbischen Alb eingebettete Kurstadt Bad Urach ist ein Ort, der die deutsche Romantik idealtypisch verkörpert. Die ihn umgebende Landschaft inspirierte Dichter und Komponisten des 19. Jahrhunderts so stark wie kaum eine andere. In der eindrucksvollen Festhalle der Stadt widmeten sich der legendäre Bariton Hermann Prey und der berühmte Schauspieler Nikolaus Paryla im Jahr 1988 einigen der schönsten deutschen Lieder und Gedichte. Dieser geradezu magische Liederabend präsentiert Balladen von Loewe, Schubert, Schumann, Brahms, Mendelssohn, Liszt, Strauss und Schoeck sowie Texte von Uhland, Kerner, Hauff und Schwab.</video:description>
<video:duration>4918</video:duration>
<video:publication_date>2025-09-02T13:15:07Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-02T14:06:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGD8</loc>
<video:video>
<video:title>Bach: Chaconne in D Moll (Transkr. für Klavier)</video:title>
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<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2022-12-03T16:25:01Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T12:21:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34DO</loc>
<video:video>
<video:title>Premieres Revisited: Sibelius 5. Sinfonie</video:title>
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<video:description>Im Zusammenhang mit seiner zyklischen Aufführung aller sieben Sibelius-Sinfonien mit dem Helsinki Philharmonic Orchestra blickt der Dirigent Jukka Pekka Saraste auf die Ursprünge der Fünften zurück. Dieser faszinierende Film erforscht die Inspirationsquellen der beliebtesten Sinfonie des finnischen Komponisten und erinnert an deren Uraufführung im Großen Saal der Universität Helsinki, die Sibelius an seinem 50. Geburtstag am 8. Dezember 1915 selbst dirigierte. Er war mit dem Ergebnis allerdings zutiefst unzufrieden und überarbeitete das Werk in den nächsten vier Jahren immer wieder, bis er die endgültige – und heute fast immer gespielte – Fassung vollendet hatte.</video:description>
<video:duration>3279</video:duration>
<video:publication_date>2025-07-07T12:59:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T06:56:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9J</loc>
<video:video>
<video:title>Puccini: Madama Butterfly</video:title>
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<video:description>Das 1834 gegründete Glyndebourne Festival brachte 2016 zum ersten Mal Puccinis Madama Butterfly auf die Bühne – und präsentierte eine Produktion in dem intelligenten und einfühlsamen Stil, den man von diesem Festival kennt. Regisseurin Annilese Miskimmon verlegt die Handlung in die Nachkriegszeit und verleiht der Geschichte vom Zusammenprall zweier Kulturen eine ganz neue Intensität; und Dirigent Omer Meir Wellber entdeckt unter der hinreißenden Oberfläche von Puccinis Partitur ungeahnte Tiefen. Als gefährlich verführerischer Pinkerton glänzt Joshua Guerrero, als Cio-Cio-San die Sopranistin Olga Busuioc, der ein Kritiker &quot;eine Darstellung von großer dramatischer Intensität und stimmlicher Brillanz&quot; bescheinigte.</video:description>
<video:duration>8378</video:duration>
<video:publication_date>2025-07-29T07:53:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-29T12:18:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1N</loc>
<video:video>
<video:title>Der Estonian Philharmonic Chamber Choir singt Pärt</video:title>
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<video:description>Im Jahr seines 90. Geburtstags feiert die Musikwelt den einzigartig ausdrucksstarken Komponisten Arvo Pärt, nach dessen Überzeugung „in uns der Augenblick und das Ewige miteinander ringen“. Seit seiner Gründung 1981 hat der Estonian Philharmonic Chamber Choir mit der Unterstützung Pärts eine großartige Aufführungstradition von dessen Musik entwickelt. Im April 2025 würdigte das Vokalensemble unter der Leitung seines Gründers Tõnu Kaljuste das Leben und Schaffen des Komponisten in der Pariser Philharmonie. Diese Aufzeichnung dokumentiert das Konzert, bei dem ausschließlich Werke des Jubilars auf dem Programm standen. Zeitgenössische Musik für die Ewigkeit ist hier in Interpretationen von unübertroffener Schönheit zu erleben.</video:description>
<video:duration>5025</video:duration>
<video:publication_date>2025-09-29T08:04:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-29T08:40:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCE0</loc>
<video:video>
<video:title>Tschaikowsky: 6 Pieces, Op. 51, TH 143 - 6. Valse Sentimentale</video:title>
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<video:description></video:description>
<video:duration>218</video:duration>
<video:publication_date>2025-03-05T16:24:07Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T12:38:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ICG</loc>
<video:video>
<video:title>Alembic Distillation</video:title>
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<video:description>This piece is part of Roger Eno&apos;s upcoming album &apos;Without Wind, Without Air&apos;.
British composer and multi-instrumentalist Roger Eno announces his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.

The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>202</video:duration>
<video:publication_date>2025-09-17T09:52:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T08:26:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1H</loc>
<video:video>
<video:title>Il Giardino Armonico: Italienischer Barock</video:title>
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<video:description>Die virtuose und vor Energie sprühende Musik von Antonio Vivaldi faszinierte bereits die Zeitgenossen – und begeistert das Publikum bis heute. Vivaldi war allerdings nicht das einzige Genie in der goldenen Ära des italienischen Barock. In diesem Film begeben sich Giovanni Antonini und sein Ensemble Il Giardino Armonico auf Nebenwege, um musikalische Wunder aus dem Italien des 17. und 18. Jahrhunderts zu entdecken. In Sizilien stoßen sie auf die hinreißend expressive Musik von Lokalmatadoren wie Dario Castello, Biagio Marini, Tarquinio Merula und Giovanni Battisti Spada: Sie waren Vorläufer oder Rivalen des venezianischen Meisters Vivaldi, von dem in diesem mitreißenden Programm drei besonders populäre Konzerte erklingen.</video:description>
<video:duration>3506</video:duration>
<video:publication_date>2025-09-23T13:16:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T07:58:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGE8</loc>
<video:video>
<video:title>Karajan im Vatikan: Mozarts Krönungsmesse &amp; Ave verum corpus</video:title>
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<video:description>Er sei der »Chefdirigent Europas«, hieß es mit einem Augenzwinkern. Doch tatsächlich machte Herbert von Karajan dieser Titulierung immer wieder alle Ehre. So auch am 29. Juni 1985, als er Mozarts Krönungsmesse im Petersdom in einer Messe dirigierte, die Johannes Paul II. las. Karajan selbst hatte den Gedanken aufgebracht, als der Papst Österreich besuchte. Nur das Beste war gut genug – und wurde nun geboten. Kathleen Battle und Ferruccio Furlanetto zählen zu den Gesangssolisten, während Karajan die Wiener Philharmoniker in diesem lebensbejahenden sakralen Meisterwerk leitet, ergänzt um die Motette Ave verum corpus - Musik, wie geschaffen für das größte Gotteshaus der Welt.</video:description>
<video:duration>3447</video:duration>
<video:publication_date>2024-04-11T09:12:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:33:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3AC8</loc>
<video:video>
<video:title>Renaud Capuçon und Alexandre Kantorow: Brahms-Violinsonaten</video:title>
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<video:description>Der Geiger Renaud Capuçon und sein Landsmann, der Pianist Alexandre Kantorow (Gewinner der Goldmedaille beim Tschaikowsky-Wettbewerb in Moskau 2019), spielen die Violinsonaten von Brahms. Die drei Werke entstanden zwischen 1878 und 1888, und jede für sich ist bezeichnend für das Können ihres Schöpfers und doch einzigartig. Zwischen Innigkeit und Melancholie changiert die Erste; sommerlich heiter gibt sich die Zweite; kämpferisch und vom Klavier bestimmt die Dritte. An der Seite des erfahrenen Capuçon gibt der junge Kantorow sein Debüt bei den Salzburger Festspielen 2023 aus dem Mozarteum – „unablässig hinreißend”, urteilt die Presse.</video:description>
<video:duration>4755</video:duration>
<video:publication_date>2023-11-21T15:57:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-09-25T16:22:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34DO</loc>
<video:video>
<video:title>Solti dirigiert Strauss: »Vier letzte Lieder« – mit Lucia Popp</video:title>
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<video:description>Die bedeutende slowakische Sopranistin Lucia Popp singt begleitet vom Chicago Symphony Orchestra unter Leitung von Georg Solti die »Vier letzten Lieder« von Richard Strauss, des Komponisten künstlerisches Vermächtnis, 1949 kurz von seinem Tod vollendet. Solti kannte Strauss und wurde eingeladen, die Musik bei dessen Begräbnis zu dirigieren. Der Abschied, der neben der Hoffnung aufs Jenseits in den schönen Liedern anklingt, mag ihm tatsächlich vor Augen gestanden sein. In dieser Darbietung aus der Orchestra Hall in Chicago kommt er durch die beseelte Vortragskunst von Lucia Popp warm getönt und anrührend zur Geltung – eine Aufführung, die in Erinnerung bleibt.</video:description>
<video:duration>1327</video:duration>
<video:publication_date>2023-07-21T11:43:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJAC8</loc>
<video:video>
<video:title>John Eliot Gardiner dirigiert Bachs h-Moll-Messe in Versailles</video:title>
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<video:description>J.S. Bachs h-Moll-Messe ist die Messe aller Messen. Für sein letztes großes Vokalwerk hat der Leipziger Thomaskantor aus dem Chorrepertoire seines Lebens geschöpft. Wer wäre besser berufen für diese Meisterleistung der abendländischen Musikgeschichte als John Eliot Gardiner? Seine Expertise ist unvergleichlich durch Jahrzehnte des Studiums dieser Partitur und unzählige bemerkenswerte Aufführungen. Damit nicht genug, seine erste Aufnahme mit dem Monteverdi Choir und den English Baroque Soloists stammt aus dem Jahr 1985 und setzt bis heute Standards. Hier sind er und seine Musiker im Frühjahr 2023 in der Schlosskapelle von Versailles zu erleben. Können und Leidenschaft entfalten ihre emotionale Kraft.</video:description>
<video:duration>6662</video:duration>
<video:publication_date>2023-06-07T08:15:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:02:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHJ</loc>
<video:video>
<video:title>Wagner: Der fliegende Holländer</video:title>
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<video:description>Der fliegende Holländer ist Wagners kürzeste Oper und zugleich die erste, mit der er seine Vision des musikalischen Dramas verwirklichen konnte. Selten wirkte das Werk so kraftvoll wie in dieser gewagten Wiener Inszenierung des Regisseurs Olivier Py – und selten klang sie so frisch wie in der Interpretation von Dirigent Marc Minkowski und den Musiciens de Louvre, die auf historischen Instrumenten spielen. Die Produktion kehrt zu Wagners ursprünglicher einaktiger Fassung zurück. in der die Geschichte, die von einem Geisterschiff und seinem ruhelosen Kapitän erzählt, in Schottland und nicht in Norwegen angesiedelt ist. Die eindringliche Inszenierung und das herausragende Ensemble führen zu einem packenden Opernerlebnis.</video:description>
<video:duration>8172</video:duration>
<video:publication_date>2025-07-07T13:43:43Z</video:publication_date>
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<lastmod>2025-09-25T15:53:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHM</loc>
<video:video>
<video:title>Wagner: Lohengrin</video:title>
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<video:description>Wagner bezeichnete Lohengrin als seine &quot;romantische Oper&quot;. Oberflächlich betrachtet erzählt das Werk eine ritterliche Legende: die tugendhafte Elsa wird von ihren bösen Widersachern angeklagt, bevor ihr schließlich ein geheimnisvoller Ritter in einem Boot zu Hilfe eilt, das von einem Schwan gezogen wird. Für das in Wahrheit sehr tiefgründige Stück lässt sich kein geeigneterer Regisseur denken als der Wagner-erfahrene Nikolaus Lehnhoff. Seine komplexe und zugleich kraftvolle Inszenierung, die 2006 in Baden-Baden Premiere feierte, kann als Meilenstein der Wagner-Interpretation im 21. Jahrhundert gelten. Dirigent Kent Nagano und ein Ensemble, zu dem Waltraud Meier und Klaus-Florian Vogt gehören, tragen zu einem unvergesslichen Ereignis bei.</video:description>
<video:duration>12377</video:duration>
<video:publication_date>2025-07-31T13:28:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T14:34:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJICG</loc>
<video:video>
<video:title>Strauß: Die Fledermaus,  Akt 2: Nr. 11, Finale - Im Feuerstrom der Reben</video:title>
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<video:description></video:description>
<video:duration>144</video:duration>
<video:publication_date>2025-04-30T14:27:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-24T15:59:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGE0</loc>
<video:video>
<video:title>Puccini: Madama Butterfly - 2. Akt „Addio fiorito asil”</video:title>
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<video:description></video:description>
<video:duration>111</video:duration>
<video:publication_date>2025-04-14T14:32:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-24T15:58:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9P</loc>
<video:video>
<video:title>Bellini: I Puritani</video:title>
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<video:description>In der Uraufführung von Bellinis I Puritani brillierten 1835 vier der berühmtesten Opernsänger der Welt, die in den folgenden Jahren wiederholt gemeinsam auftraten und unter dem Spitznamen „das Puritani-Quartett” für Furore sorgten. Fast zwei Jahrhunderte später präsentierte das Teatro Madrid eine ebenso hochkarätige Riege von Belcanto-Spezialisten. In Emilio Sagis ungewöhnlich eleganter Inszenierung von Bellinis letzter Oper glänzen unter der Leitung von Evelino Pidò die Sopranistin Diana Damrau und der Tenor Javier Camarena als unglückliches Liebespaar. Zum Ensemble dieser großartigen Aufführung aus dem Jahr 2016 gehören außerdem der Bariton Ludovic Tézier und der Bassbariton Nicolas Testé.</video:description>
<video:duration>10855</video:duration>
<video:publication_date>2025-09-17T09:53:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-23T07:57:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHJ</loc>
<video:video>
<video:title>Torroba: Luisa Fernanda</video:title>
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<video:description>Im Madrid des 19. Jahrhundert lodern die Flammen des Bürgerkriegs über Spanien – und die Liebe der dunkeläugigen Schönheit Luisa Fernanda steht im Konflikt mit ihrer politischen Loyalität. Federico Torrobas epische Zarzuela, die 1932 uraufgeführt wurde, gilt als Spaniens Nationaloper. Kein Wunder, dass das Werk zum Kernrepertoire des Teatro Real in Madrid gehört, wo diese opulente Aufführung im Jahr 2006 aufgezeichnet wurde. Jesus Lopez Cobos dirigiert ein Ensemble von Sängerinnen und Sängern, die mit der Zarzuela-Tradition bestens vertraut sind. Schöner als in dieser Produktion kann man das außerhalb Spaniens viel zu unbekannte Meisterwerk nicht kennenlernen – zumal Plácido Domingo die Rolle des liebeskranken Royalisten Vidal verkörpert.</video:description>
<video:duration>6209</video:duration>
<video:publication_date>2025-09-17T13:41:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-23T07:41:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GCG</loc>
<video:video>
<video:title>Pärt: Lamentate: Fragile e conciliante (Bearb. Osokins)</video:title>
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<video:description></video:description>
<video:duration>398</video:duration>
<video:publication_date>2025-09-05T10:56:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T15:51:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GD0</loc>
<video:video>
<video:title>Über Pärts Lamentate: Fragile e conciliante</video:title>
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<video:description>Commemorating the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki in 1945, this video was filmed in Lithuania in July 2025 - in Vilnius and Ignalina nuclear power station.
Celebrating the Estonian composer’s 90th birthday on 11 September 2025, Georgijs Osokins offers a fresh and invigorating interpretation of Pärt’s spiritual and deeply moving compositions. The music was recorded on a century-old Blue Steinway and unlocks a mesmerising range of overtones and an unparalleled depth of sound. Each piece tells a story, evoking emotions that resonate universally. This makes the album not just a musical experience but a profound journey for the soul.  

Producer: Eugene Wintour-Irverstag (Wintour Group)</video:description>
<video:duration>339</video:duration>
<video:publication_date>2025-09-09T13:48:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T15:50:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGD0</loc>
<video:video>
<video:title>Karajan dirigiert Verdis Requiem</video:title>
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<video:description>Herbert von Karajan steht am Pult von Orchester und Chor der Mailänder Scala in Verdis Requiem. Anlässlich des zehnten Todestages von Arturo Toscanini wurde diese Aufführung 1967 an zwei Tagen im Januar im legendären Opernhaus gefilmt. Zu hören ist das wohl beste Solistenquartett, das man sich wünschen kann: Es singen der junge Luciano Pavarotti (eingesprungen für Carlo Bergonzi), die Sopranistin Leontyne Price, die Mezzosopranistin Fiorenza Cossotto und der Bass Nicolai Ghiaurov. Der Film ist die fünfte und letzte Zusammenarbeit von Karajan mit Regisseur Henri-Georges Clouzot. Nicht nur dokumentiert er ein herausragendes Musikereignis, sondern durch Kameraführung und Schnittfolge auch einen innovativen Ansatz, Musik auf Film zu bannen.</video:description>
<video:duration>5078</video:duration>
<video:publication_date>2023-06-08T13:22:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T11:40:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJGDO</loc>
<video:video>
<video:title>Mozart: La Clemenza di Tito</video:title>
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<video:description>Mozarts letzte vollendete Oper war eine Auftragsarbeit, die der Komponist für Krönungsfeierlichkeiten in Prag schrieb. Aber da es sich um ein Werk von Mozart handelt, geht La Clemenza di Tito unendlich weit über die Rechtfertigung königlicher Autorität hinaus: Sie ist eine so noble wie tief bewegende Erforschung von Mut und Mitgefühl und erzählt vom Preis, den Menschen für ihre Macht bezahlen. Ursel und Karl-Ernst Herrmanns Inszenierung, die 2005 für die Opéra National de Paris entstand, verschmilzt das Zeitlose mit dem Intimen und trifft direkt ins Herz des großartigen Spätwerks. Unter der Leitung von Sylvain Cambreling werden Christoph Prégardien in der Titelrolle und Susan Graham als Sesto Mozarts Vision auf wunderbare Weise gerecht.</video:description>
<video:duration>8851</video:duration>
<video:publication_date>2025-06-16T15:26:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-09-22T11:26:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHK</loc>
<video:video>
<video:title>Strauss: Der Rosenkavalier</video:title>
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<video:description>Walzer, junge Liebe und das bittersüße Gefühl, dass einem die Zeit zwischen den Fingern zerrinnt: Richard Jones&apos; verzichtet in seiner verblüffend realistischen Rosenkavalier- Inszenierung beim Glyndebourne Festival auf den vertrauten Oberflächenglanz und dringt gerade deshalb zum Wesen des Märchens aus dem Wien des 18. Jahrhunderts vor. Die zunächst umstrittene Inszenierung, in der die musikalische Komödie von Strauss und Hofmannsthal in die Nachkriegszeit verlegt wird, gilt heute als Klassiker. Diese Aufführung aus dem Jahr 2014 ist großartig besetzt: Bewegend verkörpert Tara Erraught Octavian, wunderbar glaubwürdig Kate Royal die junge Marschallin. Robin Ticciati entlockt dem London Philharmonic Orchestra leuchtende Klänge.</video:description>
<video:duration>11457</video:duration>
<video:publication_date>2025-09-17T14:17:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T14:21:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHI</loc>
<video:video>
<video:title>Bizet: Carmen</video:title>
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<video:description>Ein Kritiker bezeichnete Dmitri Tcherniakovs Carmen- Inszenierung, die 2017 beim Festival von Aix-en-Provence Premiere feierte, als „umwerfend“. Ein anderer Kritiker schrieb, die Produktion werde unsere „Sicht auf Bizets Meisterwerk verändern“. Der Regisseur inszeniert die berühmte Tragödie als Theaterstück im Theaterstück – und nutzt die romantische Oper für eine scharfsinnige (und beunruhigende) Analyse zeitgenössischer Liebes-Beziehungen. Carmen trifft hier sozusagen auf die hypermoderne Welt der Serie The White Lotus. Wieder einmal präsentiert das französische Festival eine Weltklasse-Besetzung: Stéphanie d&apos;Oustrac brilliert als Carmen, Michael Fabiano als José, und Pablo Heras-Casado dirigiert das Orchestre de Paris.</video:description>
<video:duration>10201</video:duration>
<video:publication_date>2025-09-17T11:09:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T13:10:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHH</loc>
<video:video>
<video:title>Berlioz: Béatrice et Bénédict</video:title>
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<video:description>Shakespeare war für Hector Berlioz, wie für viele andere Schriftsteller, Künstler und Komponisten des 19. Jahrhunderts, eine wichtige Inspirationsquelle. Mit der Opéra comique Béatrice et Bénédict, deren Libretto der französische Komponist selbst schrieb, gelang Berlioz die erste bedeutende Oper nach Shakespeares Theaterstück Viel Lärm um nichts. Kongenial spiegelt die Partitur den sprühenden Witz und die menschliche Wärme der Vorlage. In Laurent Pellys eleganter, vitaler und humorvoller Inszenierung, die 2016 beim Glyndebourne Festival herauskam, agiert ein überwiegend junges, mitreißend dynamisches Ensemble. Unter der Leitung von Antonello Manacorda musiziert das blendend aufgelegte London Philharmonic Orchestra.</video:description>
<video:duration>7068</video:duration>
<video:publication_date>2025-09-17T10:48:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:43:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHG</loc>
<video:video>
<video:title>Bellini: I Puritani</video:title>
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<video:description>Wenige Monate, bevor Bellini 1835 im Alter von nur 33 Jahren starb, wurde die Oper I puritani in Paris uraufgeführt – und bald brach in ganz Europa das „Puritani-Fieber” aus. Die Oper spielt zwar in der Zeit des Englischen Bürgerkriegs und wurde von einem französischen Opernhaus in Auftrag gegeben – die erhaben lyrische Musik aber ist der reine italienische Belcanto. Mit dieser Produktion verabschiedete sich Jossi Wieler von seinem Amt als künstlerischer Leiter der Stuttgarter Oper. Die Kritk feierte nicht nur die in Zusammenarbeit mit Sergio Morabito entstandene Inszenierung, sondern auch das hervorragende Ensemble. Unter der Leitung von Manlio Benzi übernahmen Ana Durlovski und René Barbera die Hauptrollen der Elvira und des Arturo.</video:description>
<video:duration>11443</video:duration>
<video:publication_date>2025-09-17T10:29:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:22:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9O</loc>
<video:video>
<video:title>Beethoven: Fidelio</video:title>
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<video:description>Fidelio ist nicht nur Beethovens einzige Oper, sondern auch das letzte überlebende Werk aus dem einst so beliebten Genre der Revolutions-Oper. Die Handlung, in der sich das Private und Politische vermischen, bewegt sich von der Dunkelheit ins Licht. Beethoven komponierte die berüchtigt anspruchsvollen Gesangsspartien der Oper für einige der besten Sänger des 19. Jahrhunderts. Und diese Aufführung, die 2004 aufgezeichnet wurde, präsentiert eine ähnlich hochkarätige Besetzung: Auf dem Höhepunkt ihrer Karrieren singen Jonas Kaufmann und Camilla Nylund in Jürgen Flimms wunderschön ausgeleuchteter Inszenierung die Hauptrollen; und Dirigent Nikolaus Harnoncourt bringt das instrumentale Drama des Werks auf packende Weise zur Geltung.</video:description>
<video:duration>7661</video:duration>
<video:publication_date>2025-09-17T08:51:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:15:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3IC0</loc>
<video:video>
<video:title>Ravel: Prélude in A Minor, M. 65 (1913)</video:title>
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<video:description>This track is taken from the Album &quot;Siena Tapes&quot;. 
 
German pianist Julius Asal releases his second DG album Siena Tapes. The project features a selection of pieces by Ravel, a new composition by the producer of the album, Christian Badzura, as well as three new improvisational pieces Cascades I-III, written by Asal himself.
Originally conceived as a 150th-anniversary tribute to Ravel, the album grew into a very personal project during the writing and recording process. 

“In a miraculous way,” he notes, “Ravel had access to all sound colours. Even his more subtle works for piano contain shades and forces that you would usually find only in a complex symphony.”</video:description>
<video:duration>87</video:duration>
<video:publication_date>2025-09-15T09:33:05Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T08:54:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3IC8</loc>
<video:video>
<video:title>Debussy: Fêtes galantes I, CD 86: No. 1, En sourdine</video:title>
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<video:description>Set to the beautifully intrinsic poem of Rainer Maria Rilke and in time for autumn season, the young American soprano Emily Pogorelc gives an expressive and lyric rendition of this song. Lee Hoiby composed this song especially for the great soprano Leontyne Price whom he collaborated with on numerous occasions. “Autumn” is an unusually profound song that juxtaposes the notion of falling leaves and ultimate human silence on Earth and captures its essence in mesmerizing vocal lines and intense soundscapes.</video:description>
<video:duration>206</video:duration>
<video:publication_date>2025-09-15T13:05:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:28:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1G</loc>
<video:video>
<video:title>Mozart: Don Giovanni</video:title>
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<video:description>Don Giovanni gehört zu den Opern, die ihrem Publikum einen Spiegel vorhalten – und so kann sich jede Generation in Mozarts Meisterwerk auf eine ganz neue Weise wiederfinden. Da die Handlung ohnehin in Spanien spielt, siedelte sie der Regisseur Lluis Pasqual in einem Land an, das für das Publikum im Madrider Teatro Real großen Wiederkennungseffekt besitzt. In der gewagten und zugleich stilvollen Inszenierung aus dem Jahr 2005 spielt die Handlung in der Franco-Zeit. Der von Carlos Álvarez verkörperte Don Giovanni tritt als Playboy in einer Ausstattung auf, die sowohl dem Glanz als auch der unterschwelligen Dunkelheit von Mozarts unendlich faszinierendem Drama gerecht wird.</video:description>
<video:duration>10287</video:duration>
<video:publication_date>2025-07-22T09:42:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:02:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9I</loc>
<video:video>
<video:title>Puccini: La Bohème</video:title>
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<video:description>Nicht ohne Grund ist Puccinis La Bohème eine der beliebtesten Opern der Welt – nur selten ist das Gefühl, jung und verliebt zu sein, so ergreifend eingefangen worden wie in diesem Musikdrama. Giancarlo del Monacos am Teatro Real in Madrid entstandene, farbenprächtige Inszenierung von 2006 beschwört das Paris des 19. Jahrhunderts als magische „Stadt der Lichter“. Das Magazin Gramophone beschrieb die Inszenierung als „eine glorreiche Rehabilitation des traditionellen Regiestils in seiner fantasievollsten und kreativsten Form“. Und weil sich das passioniert agierende Ensemble die Seele aus dem Leib singt und Jesús López Cobos mit großer Wärme dirigiert, ist hier  eine Bohème zu erleben, wie man sie sich schöner nicht erträumen könnte.</video:description>
<video:duration>7005</video:duration>
<video:publication_date>2025-07-24T14:04:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-09-18T14:01:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1N</loc>
<video:video>
<video:title>Verdi: Un ballo in maschera</video:title>
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<video:description>Verdis Un ballo in maschera enthält alle Zutaten eines klassischen Thrillers: Verschwörungen, politische Intrigen und ein Mord-Komplott. Zugleich erzählt das Musikdrama von Loyalität, Hexerei und einer zum Scheitern verurteilten Liebe. Mario Martones Inszenierung, die 2008 am Teatro Real in Madrid herauskam, rückt den menschlichen Faktor in den Mittelpunkt; und Sergio Tramontis atmosphärisch dichte Bühnenbilder evozieren eine klaustrophobische Welt, in der die Leidenschaft noch tödlicher sein kann als die Politik. Unter der Leitung von Jesús López Cobos garantiert ein herausragendes Ensemble mit Marcelo Alvarez als Riccardo und Violeta Urmana als Amelia, dass der Gesang ebenso großartig – und packend – ist wie die Geschichte.</video:description>
<video:duration>8257</video:duration>
<video:publication_date>2025-08-19T12:38:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:58:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9N</loc>
<video:video>
<video:title>Weill: Aufstieg und Fall der Stadt Mahagonny</video:title>
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<video:description>„Zeig mir den Weg zur nächsten Whisky-Bar ...“ Die Stadt Mahagonny ist ein Ort der unendlichen Möglichkeiten und des ungezügelten Vergnügens; eine Stadt, in der man alles bekommt, was man für das nötige Geld kaufen kann. Bezahlt wird allerdings auch mit dem eigenen Gewissen. Kurt Weill und Bertolt Brecht konzipierten ihre große Weimarer Satire als unverschämt zynische und unwiderstehlich melodische Grand Opéra. Das für eine Aufführung geforderte musikalische und dramatische Engagement hat diese schillernde Produktion, die 2010 in Madrid herauskam, im Übermaß zu bieten. Pablo Heras-Casado dirigiert, und Willard White und Jane Henschel glänzen in den Hauptrollen als Trinity Moses und Leocadia Begbick.</video:description>
<video:duration>8265</video:duration>
<video:publication_date>2025-09-02T08:08:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:58:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9O</loc>
<video:video>
<video:title>Weill: Street Scene</video:title>
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<video:description>Die Handlung spielt in der Mitte des 20. Jahrhunderts, die Szene zeigt einen heißen Tag in einem New Yorker Mietshaus. Einige Bewohner träumen vom Glück, andere verzweifeln still. Und doch geht das von Chaos, Sehnsüchten und Tragödien geprägte Großstadtleben irgendwie weiter. Kurt Weills „Broadway-Oper” Street Scene ist ein Bühnenwerk wie kein anderes: Ein zutiefst menschliches Ensemble-Drama voller unvergesslicher Melodien. John Fulljames&apos; fantasievolle und bewegende Inszenierung am Teatro Real in Madrid reißt die Mauern zwischen den Figuren ein – und glänzt in dieser Aufzeichnung aus dem Jahr 2018 mit einer von Mary Bevan und Eric Greene angeführten hochkarätigen Besetzung.</video:description>
<video:duration>9560</video:duration>
<video:publication_date>2025-09-02T08:36:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:51:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1H</loc>
<video:video>
<video:title>Mascagni: Cavalleria Rusticana und Leoncavallo: Pagliacci</video:title>
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<video:description>Tödliche Leidenschaften flammen auf, als in einem Dorf Ostern gefeiert wird – und eine im Milieu des fahrenden Volks angesiedelte Komödie verwandelt sich plötzlich in ein gewalttätiges Drama. Mascagnis Cavalleria Rusticana und Leoncavallos Pagliacci sind als Opern-Duo schnell zum Inbegriff des italienischen Verismo geworden. In seiner gefeierten Madrider Inszenierung verschmolz Giancarlo del Monaco die beiden Musikdramen über Eifersucht und Tod zu einer einzigen Erzählung; und die halb abstrakten Bilder ermöglichen es dem brillanten, leidenschaftlich und kraftvoll agierenden Ensemble, direkt zum feurigen Kern des Dramas vorzudringen. So wird diese von Jesús López Cobos dirigierte Aufführung aus dem Jahr 2007 zu einem großartigen Ereignis.</video:description>
<video:duration>8998</video:duration>
<video:publication_date>2025-06-25T08:56:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:42:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4CO</loc>
<video:video>
<video:title>Enoch zu Guttenberg dirigiert Bach: Matthäus-Passion</video:title>
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<video:description>Erleben Sie hier eine Aufführung von Bachs gewaltiger Matthäus-Passion. Der Dirigent Enoch zu Guttenberg realisierte sie mit seiner Chorgemeinschaft Neubeuern und dem Bach Collegium München in der romanischen Kirche der südwestdeutschen Stadt Alpirsbach. Im Konzert kommt die lebenslange Beschäftigung mit Bach und seiner Musik zum Ausdruck, der Guttenbergs Interpretationen ihre fesselnde Dramatik und ihre unwiderstehliche Überzeugungskraft verdanken. Der Bariton Hermann Prey, der Tenor Claes-Håkan Ahnsjö und die Altistin Jard van Nes tragen dazu bei, dass die Aufführung dieses zentralen Werks der Kirchenmusik seit ihrer Aufzeichnung nichts von ihrer Intensität und Schönheit verloren hat.</video:description>
<video:duration>11042</video:duration>
<video:publication_date>2025-04-16T09:19:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T09:00:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36E0</loc>
<video:video>
<video:title>Premieres Revisited: Mendelssohns Sommernachtstraum</video:title>
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<video:description>Shakespeares zauberhafter Sommernachtstraum inspirierte den 17-jährigen Felix Mendelssohn zu einem seiner ersten unbestrittenen Meisterwerke: einer Ouvertüre zu diesem Thema, die den ganzen Sinn für Zauber und Unfug einfing. Erst viel später, im August 1843, beauftragte der König von Preußen Mendelssohn mit der Komposition der Bühnenmusik für das Stück. Auf der Ouvertüre aufbauend, wurde Mendelssohns Musik - darunter mit dem Hochzeitsmarsch eines seiner berühmtesten Werke - im Oktober desselben Jahres im Neuen Palais in Potsdam uraufgeführt. Und dorthin kehrt die Musik in diesem faszinierenden Film zurück.</video:description>
<video:duration>2620</video:duration>
<video:publication_date>2025-07-21T04:49:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:57:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHI</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla – Dvořáks Sinfonie Nr. 9 &quot;Aus der Neuen Welt&quot;</video:title>
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<video:description>Bei dem renommierten Gstaad Menuhin Festival, dirigiert Mirga Gražinytė-Tyla eines der beliebtesten Werke des sinfonischen Repertoires: Dvořáks Sinfonie Nr. 9 &quot;Aus der Neuen Welt&quot;. Das wohl bedeutendste Werk, das Dvořák während seiner dreijährigen Amtszeit als Direktor des neu gegründeten Nationalkonservatoriums in New York komponierte, vermischt Klänge aus Dvořáks neuer Heimat mit einer tief empfundenen Nostalgie für das Land, das er zurückgelassen hatte. Es ist ein Werk, das nichts von seiner Kraft verloren hat, aufzurütteln und zu bewegen - und die Kombination von Mirga Gražinytė-Tyla und dem handverlesenen Gstaad Festival Orchestra verspricht, diese Kraft völlig zu entfesseln.</video:description>
<video:duration>2600</video:duration>
<video:publication_date>2025-08-25T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:51:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1H</loc>
<video:video>
<video:title>Pavel Kogan dirigiert Schostakowitsch: Sinfonie Nr. 10</video:title>
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<video:description>Die sowjetische Kulturbürokratie bezeichnete Schostakowitschs Zehnte Sinfonie als „optimistische Tragödie“. Aber Schostakowitschs Musik ist immer komplexer und aufregender, als solche Schlagworte vermuten lassen. 1990, als der Eiserne Vorhang fiel, interpretierten das Moskauer Staatliche Akademische Sinfonieorchester und sein frisch ernannter Chefdirigent Pavel Kogan die epische Sinfonie beim Münchner Klaviersommer. Kogan sollte in den folgenden postsowjetischen Jahrzehnten den Charakter des berühmten Orchesters neu definieren. Die Atmosphäre ist in diesem Konzert, das mit mehreren Zugaben endet, ebenso spannungs-geladen wie das Orchester-Spiel. Erleben Sie hier einen folgenreichen Moment der russischen Musikgeschichte!</video:description>
<video:duration>4394</video:duration>
<video:publication_date>2025-09-02T12:43:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:43:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1P</loc>
<video:video>
<video:title>John McLaughlin und Katia Labèque in München</video:title>
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<video:description>Als führender Kopf des Mahavishnu Orchestras überschritt der britische Jazz-Fusion-Gitarrist John McLaughlin souverän alle Genregrenzen. So auch in seinem „mediterranen“ Gitarrenkonzert, einer sehr persönlichen, unverblümt romantischen und in allen Farben eines großen Sinfonieorchesters schillernden Hommage an Rodrigos Concierto di Aranjuez. Bei diesem Live-Auftritt im Rahmen des Münchner Klaviersommers 1989 ist McLaughlin selbst der Solist. Unter der Leitung von Victor Pablo-Perez spielt das Münchner Philharmonische Orchester. Als magische Zugabe interpretiert der Gitarrist eine Auswahl seiner Five Duos mit der Pianistin Katia Labèque – einer wahren Seelenverwandten und kreativen Schwester im Geiste.</video:description>
<video:duration>3338</video:duration>
<video:publication_date>2025-08-19T16:16:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:08:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCD0</loc>
<video:video>
<video:title>Über War Silence</video:title>
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<video:description></video:description>
<video:duration>715</video:duration>
<video:publication_date>2025-02-25T16:36:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T14:29:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GCO</loc>
<video:video>
<video:title>Reverie</video:title>
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<video:description>“A soundtrack to my life” – this is how ‪Eunike Tanzil sums up &apos;The First of Everything&apos;, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Its 12 tracks trace a journey of significant personal firsts and reveal Eunike’s gift for storytelling in music that ranges from minimalistic writing to sweeping cinematic statements. The suitably dreamy “Reverie”, on which Eunike plays piano and celesta, stems from a tiny motif by Ravel – “He’s my biggest inspiration in terms of classical composers, so this is my tribute to him.”</video:description>
<video:duration>178</video:duration>
<video:publication_date>2025-09-08T08:09:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T10:22:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3EDO</loc>
<video:video>
<video:title>Skye: American Mirror, Pt. 1</video:title>
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<video:description>This track, American Mirror, Part 1 by Derrick Skye, is a bold reflection on intercultural collaboration in American society. Rooted in West African, North African, Eastern European, and Appalachian musical traditions, this work weaves centuries of migration, identity, and connection into one powerful sound.

The composer Derrick Skye comments: “American Mirror reflects on the coming together of cultures in our society, which consists of many generations and descendants of refugees, immigrants, and enslaved people, and how intercultural collaborations are essential to the well-being of American society. (...)”</video:description>
<video:duration>851</video:duration>
<video:publication_date>2025-08-29T09:07:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T10:20:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GCO</loc>
<video:video>
<video:title>Über Joe Hisaishi in Wien</video:title>
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<video:description></video:description>
<video:duration>805</video:duration>
<video:publication_date>2023-06-16T13:11:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T09:47:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3EC8</loc>
<video:video>
<video:title>Über Solipsism Redux</video:title>
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<video:description>In 2015, Joep Beving released his debut album Solipsism, a record that opened the door to a new life filled with music, travel, performances and encounters. A decade later, he returns to that first work with Solipsism Redux, a new recording that reflects on how these compositions have changed and matured over time.

Excerpt from Stalker (1979), directed by Andrei Tarkovsky, used with permission from FSUE Mosfilm Cinema Concern.</video:description>
<video:duration>426</video:duration>
<video:publication_date>2025-08-21T14:28:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T09:35:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP32CO</loc>
<video:video>
<video:title>Oh Du Fröhliche</video:title>
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<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2022-12-08T06:21:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T15:11:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP32D0</loc>
<video:video>
<video:title>Über Frohe Weihnachten!</video:title>
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<video:description></video:description>
<video:duration>401</video:duration>
<video:publication_date>2022-12-08T06:49:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T15:05:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34C0</loc>
<video:video>
<video:title>Über Bruchs Violinkonzert Nr. 1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/343dfcb65567f64b9802ce9899b95bbd5ac0ee8c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>381</video:duration>
<video:publication_date>2025-07-02T09:52:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T12:57:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9M</loc>
<video:video>
<video:title>Chorgemeinschaft Neubeuern &amp; Enoch zu Guttenberg interpretieren Brahms</video:title>
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<video:description>Die ein- und mehrstimmigen Lieder von Johannes Brahms sind immer poetisch, kunstvoll und gelegentlich tiefgründiger als die Gedichte, auf denen sie basieren. Obwohl sie zu den intimsten – und wichtigsten – Kompositionen von Brahms gehören, stehen sie bis heute oft im Schatten seiner viel bekannteren Orchester- und Chorwerke. Beim Münchner Klaviersommer 1989 widmete sich die renommierte Chorgemeinschaft Neubeuern einen ganzen Abend lang diesen extra neu arrangierten Miniaturen, die durch einige von Brahms´ Stücken für Soloklavier miteinander verbunden wurden. So entstaht ein fesselndes und sehr persönliches Porträt des Künstlers unter der Leitung von Enoch zu Guttenberg, dem hoch angesehenen musikalischen Leiter des Chores.</video:description>
<video:duration>3547</video:duration>
<video:publication_date>2025-08-28T15:40:59Z</video:publication_date>
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<lastmod>2025-09-15T10:41:56Z</lastmod>
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<url>
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<video:video>
<video:title>Luna</video:title>
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<video:description></video:description>
<video:duration>361</video:duration>
<video:publication_date>2025-09-12T09:23:22Z</video:publication_date>
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<lastmod>2025-09-12T14:22:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3CE8</loc>
<video:video>
<video:title>Yellow Lounge: Ildar Abdrazakov &amp; Benjamin Bernheim</video:title>
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<video:description>Silent Green, die Kuppelhalle des ehemaligen Krematoriums in Berlin, bietet eine eindrucksvolle Kulisse für einen Opernabend besonderer Couleur. Der russische Bassist Ildar Abdrazakov und der französische Tenor Benjamin Bernheim, begleitet von der französischen Pianistin Sara Tysman, führen bewegende und bereichernde Stücke von einigen der bekanntesten Opern der klassischen Musikwelt auf. Unter dem Leitthema &quot;Vorstellungskraft&quot; erforschen sie dabei die vielfältigen Emotionen der Opernprotagonisten. Die Kunst der Grossen Bühne ist hier in der Yellow Lounge direkt, entspannt und aus nächster Nähe mit Intuition, Einfühlung und dem Beherrschen der Technik beider Sänger, sowie ihre unbedingte Spielfreude, erlebbar.</video:description>
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<video:publication_date>2024-06-24T09:14:10Z</video:publication_date>
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<lastmod>2025-09-12T06:09:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30CO</loc>
<video:video>
<video:title>Chick Corea &amp; McCoy Tyner – Thelonius Monk: Rhythm-A-Ning</video:title>
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<video:publication_date>2025-06-05T08:38:49Z</video:publication_date>
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<lastmod>2025-09-11T10:23:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJGE0</loc>
<video:video>
<video:title>Strauss: Elektra</video:title>
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<video:description>Richard Strauss´ Elektra ist wahrscheinlich die kraftvollste, konzentrierteste und schockierendste aller Opern über Besessenheit und Rache. Diese Produktion des Festival d’Aix-en-Provence aus dem Jahr 2013 war die letzte Inszenierung des großen Regisseurs Patrice Chéreau. Im Zentrum der fesselnden und schauspielerisch brillanten Aufführung steht Evelyn Herlitzius als unübertroffen intensive Interpretin der Titelpartie. Auch die Rollen von Elektras idealistischer Schwester Chrysothemis und der von Albträumen geplagten Mutter Klytaemnestra sind mit Adrianna Pieczonka und Waltraud Meier herausragend besetzt. So entsteht unter der souveränen Leitung von Esa-Pekka Salonen ein 100-minütiges Musikdrama von höchster Intensität.</video:description>
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<video:publication_date>2025-06-17T13:51:19Z</video:publication_date>
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<lastmod>2025-09-10T14:50:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJAD8</loc>
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<video:title>Richter dirigiert Bachs Matthäus-Passion</video:title>
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<video:description>Bachs Matthäus-Passion unter der Leitung von Karl Richter wurde mit zwei Chören, Richters Münchener Bach-Orchester und herausragenden Solisten wie Peter Schreier (Evangelist), Ernst Gerold Schramm (Jesus) und Siegmund Nimsgern (Judas) gefilmt. Für das Bühnenbild machte Regisseur Hugo Käch das Kreuz zum bestimmenden Motiv, in seiner gewaltigen Präsenz symbolisiert es Bedrohung, Macht und Schutz zugleich. Im Stil Richters aber spiegelt sich die Aufführungspraxis seiner Zeit: unbestechliche Ernsthaftigkeit im Zusammenspiel mit hoher Emotionalität.</video:description>
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<video:publication_date>2023-04-05T10:38:48Z</video:publication_date>
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<lastmod>2025-09-09T13:51:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJAD0</loc>
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<video:title>Richter dirigiert Bachs Johannes-Passion</video:title>
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<video:description>Karl Richter und seine Münchener Musiker führen die Johannes-Passion von J. S. Bach auf, dessen wohl früheste und überaus bewegende Passionsmusik, die so reich ist an dramatischen Kontrasten. Inspiriert von Texten aus dem Evangelium nach Johannes schuf Bach sein erstes großes Meisterwerk und gab am Karfreitag 1724 in Leipzig selbst die Uraufführung. Die Darbietung Richters mit einigen der besten Bach-Sänger:innen seiner Zeit wurde von dem schwedischen Regisseur Arne Arnbom im Marienmünster im bayerischen Dießen gefilmt. Der Neubau dieses barocken Gotteshauses begann übrigens im Jahrzehnt der Werkpremiere.</video:description>
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<video:publication_date>2023-04-05T09:05:43Z</video:publication_date>
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<lastmod>2025-09-09T13:50:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCE8</loc>
<video:video>
<video:title>Israel Philharmonic Orchestra: Galakonzert zum 60. Jubiläum</video:title>
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<video:description>Bei seinem 60. Geburtstag hatte das Israel Philharmonic Orchestra 1996 gleich sechs Star-Geiger aus verschiedenen Generationen zu Gast. Der damals bereits 76 Jahre alte Issac Stern spielte mit dem fast 50 Jahre jüngeren Gil Shaham Bachs Doppelkonzert in d-Moll, gleich vier Violin-Virtuosen interpretierten ein Vivaldi-Konzert. Bei der Interpretation von Johan Halvorsens virtuosen Händel-Variationen durch Itzhak Perlman und Pinchas Zukerman dürfte sich das Orchester mit dem Publikum aufs staunende Zuhören beschränken. In dirigentischer Hinsicht präsentierte der Festtag eine Doppelspitze: Daniel Barenboim leitete Webers Oberon-Ouvertüre, der langjährige Chefdirigent des Orchesters Zubin Mehta Brahms´ Sonnen-durchflutete Zweite Symphonie.</video:description>
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<video:publication_date>2022-09-26T09:27:07Z</video:publication_date>
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<lastmod>2025-09-09T13:40:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CC0</loc>
<video:video>
<video:title>Patterns / Solo - Pt.2</video:title>
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<video:publication_date>2025-07-31T15:01:14Z</video:publication_date>
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<lastmod>2025-09-09T13:39:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJEE0</loc>
<video:video>
<video:title>Waldbühne 1998: „Latin American Night” – mit Daniel Barenboim</video:title>
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<video:description>Die spanisch-sprachige Musikwelt liegt dem gebürtigen Argentinier Daniel Barenboim sowohl in ihren europäischen wie lateinamerikanischen Regionen besonders nahe. Das stimmungsvolle Konzert aus der Waldbühne, mit dem sich die Berliner Philharmoniker aus der Saison 1997/1998 verabschiedeten, beginnt mit Musik der Franzosen Ravel und Bizet, die sich vom spanischen Kolorit zu ihren berühmtesten Werken – Boléro und Carmen – inspirieren ließen. Danach kamen – sieht man von der obligatorischen „Berliner Luft” - Zugabe ab – nur noch Muttersprachler mit ihrem unübertrefflichen Rhythmus- und Klangfarben-Gespür zur Aufführung. Astor Piazzolla, den genialen Erfinder des Nuevo Tango, lernte Barenboim in der gemeinsamen Studienzeit in Paris kennen.</video:description>
<video:duration>7145</video:duration>
<video:publication_date>2022-09-30T11:44:08Z</video:publication_date>
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<lastmod>2025-09-09T13:36:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GC8</loc>
<video:video>
<video:title>Richter: Path 3 / Whose Name Is Written On Water - Pt. 1</video:title>
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<video:publication_date>2025-09-05T10:38:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-08T07:56:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3GC0</loc>
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<video:title>Liszt: Consolations, S. 172, Nr. 2 in E-Dur. Un poco più mosso</video:title>
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<lastmod>2025-09-08T07:56:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP34DO</loc>
<video:video>
<video:title>Danzi: Concertino in B-Dur für Klarinette und Fagott: 3. Allegretto (Transcr.)</video:title>
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<video:publication_date>2022-12-11T17:13:39Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-05T13:40:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0CG</loc>
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<video:title>Mozart: Ave verum corpus, K. 618 (Transkr. Liszt)</video:title>
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<video:publication_date>2022-11-11T14:59:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-05T13:06:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0C8</loc>
<video:video>
<video:title>Mozart: Ave verum corpus, K. 618 (Transkr. Liszt)</video:title>
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<video:duration>240</video:duration>
<video:publication_date>2022-11-11T14:48:18Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-05T13:05:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6DG</loc>
<video:video>
<video:title>Sir Duke</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2024-12-12T14:50:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T13:40:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6E0</loc>
<video:video>
<video:title>Teardrop</video:title>
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<video:description></video:description>
<video:duration>440</video:duration>
<video:publication_date>2024-12-12T14:54:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T13:39:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38CG</loc>
<video:video>
<video:title>Ein Abend mit Senesino – Max Emanuel Cencic &amp; Les Talens Lyriques</video:title>
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<video:description>Countertenor Max Emanuel Cencic betritt mit Experten für historische Aufführungspraxis, Les Talens Lyriques und Christophe Rousset, im wunderschönen Markgräflichen Opernhaus in Bayreuth die Bühne. In einem abwechslungsreichen Programm präsentiert Cencic Arien von Händel und Porpora, die für den legendären Kastraten Francesco Bernardi (bekannt als Senesino) geschrieben wurden. Gleichzeitig beleuchten Les Talens Lyriques die wichtige Stellung Hamburgs in der Welt der Barockoper, wo in der Oper am Gänsemarkt unter der Leitung des Komponisten Reinhard Keiser ein Schmelztiegel für Neuerungen aufkam und frühe Händel-Uraufführungen und Telemanns größte Erfolge stattfanden.</video:description>
<video:duration>5528</video:duration>
<video:publication_date>2024-09-23T12:55:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T11:20:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9P</loc>
<video:video>
<video:title>Weinberg: Die Passagierin</video:title>
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<video:description>Obwohl schon Schostakowitsch Weinbergs Oper Die Passagierin als „Meisterwerk“ bezeichnete, wurde die Bedeutung des erst 2006 uraufgeführten Werks sehr spät erkannt. Heute gilt es als eine der erschütterndsten Opern, die sich mit den Folgen des Holocaust auseinandersetzen. Die Handlung spielt auf einem Ozeandampfer, der einige Jahre nach dem Ende des Zweiten Weltkriegs nach Brasilien fährt. Auf dem Schiff begenet eine deutsche Passagierin mit dunkler Vergangenheit einer Frau, die sie für tot gehalten hatte. Aber Erinnerungen können täuschen, und nicht jede Geschichte hat ein glückliches Ende. Die von Nadja Loschky inszenierte Produktion, die 2020 in Graz Premiere feierte, beeindruckt durch musikalische und dramatische Kraft.</video:description>
<video:duration>9764</video:duration>
<video:publication_date>2025-09-02T10:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T10:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E0</loc>
<video:video>
<video:title>Liebe &amp; Sehnsucht – Claudio Abbado &amp; die Berliner Philharmoniker</video:title>
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<video:description>Die jährliche Silvester-Gala in der Berliner Philharmonie steht 1998 unter dem Motto »Liebe und Sehnsucht«. Bei diesem Thema lässt sich ein Konzertprogramm ohne die Musik von Mozart und Verdi eigentlich gar nicht denken. Die Berliner Philharmoniker begleiten unter der Leitung von Claudio Abbado eine eindrucksvolle Riege von Sänger*innen: Während Christine Schäfer und Simon Keenlyside zu den damals besten Mozart-Interpreten gehören, wurde der argentinische Tenor Marcelo Álvarez mit dem jungen Domingo verglichen. Die unvergleichliche Mirella Freni schließlich, eine Lieblingssängerin von Herbert von Karajan, gestaltet mit der Brief-Szene aus Tschaikowskys Oper Eugen Onegin einen Höhepunkt der Gala.</video:description>
<video:duration>5357</video:duration>
<video:publication_date>2022-06-22T12:27:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:33:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CE0</loc>
<video:video>
<video:title>Castorfs Ring des Nibelungen: Götterdämmerung (Bayreuth 2016)</video:title>
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<video:description>&quot;Das Öl ist das Äquivalent zu dem, was früher Gold war. Ein Reichtum, den wir nicht essen können.&quot;, merkte Regisseur Frank Castorf in einem Spiegel-Interview zum Grundeinfall seiner Ring-Inszenierung an. Im letzten Teil der Tetralogie geht die wilde Reise unter anderem zu den Buna-Chemiewerken in Schkopau und an die New Yorker Wallstreet. Die von B-Movies inspirierte Ästhetik der Produktion stieß zunächst auf Ablehnung, gewann aber über die Jahre viele Anhänger. Von einem &quot;Triumph&quot; Marek Janowskis sprach die Kritikerin der FAZ anlässlich der hier dokumentierten Aufführung der Götterdämmerung: &quot;Exakt, glasklar, mit Eloquenz und zugleich himmelstürmender Wucht zieht er die schnellen Affektwechsel […] des zweiten Aufzugs [durch].&quot;</video:description>
<video:duration>15350</video:duration>
<video:publication_date>2022-11-25T11:12:58Z</video:publication_date>
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<lastmod>2025-09-03T15:26:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CD0</loc>
<video:video>
<video:title>Castorfs Ring des Nibelungen: Die Walküre (Bayreuth 2016)</video:title>
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<video:description>Die Neuinszenierung des Rings, die im Jahr 2013 Premiere feierte, hat in den Bühnenbildern von Aleksandar Denić Spektakuläres zu bieten. Wie regelmäßig in den Inszenierungen Castorfs sorgen auch hier Live-Aufnahmen per Video für eine zusätzliche Dimension. Die Handlung der Walküre spielt zu Beginn dieser Produktion im 19. Jahrhundert und bewegt sich dann bis in die Stalinsche Zeit voraus. Geografischer Schauplatz ist das aserbaidschanische Baku. Neben dem Wildwest-Kapitalismus nimmt Castorf also auch den Kommunismus östlicher Prägung ins Visier. Die Hauptrollen sind auch im Rahmen der dritten Wiederaufnahme mit Christopher Ventris, Heidi Melton und Catherine Foster glänzend besetzt.</video:description>
<video:duration>13049</video:duration>
<video:publication_date>2022-11-21T07:55:00Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:26:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ADO</loc>
<video:video>
<video:title>Castorfs Ring des Nibelungen: Das Rheingold (Bayreuth 2016)</video:title>
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<video:description>Die Bayreuther Inszenierung der Ring-Tetralogie übernimmt im Jahr 2013 Frank Castorf, der das deutschsprachige Theater der Nach-Wende-Zeit mit intellektueller und politischer Schärfe, überbordendem Assoziationsreichtum und einer nicht selten derben Komik revolutioniert hat. Die vorliegende Aufzeichnung stammt aus dem Jahr 2016, als Dirigent Marek Janowski im Rahmen seines Festspiel-Debüts die musikalische Leitung übernommen hatte. Da Castorf in seiner Deutung das Rheingold durch das Öl als zentrale Ware eines entfesselten Kapitalismus ersetzt, beginnt der erste Abend des Zyklus in einer Tankstelle an der Route 66, die als Straße zwischen dem Westen und dem Osten der USA seit den 1920er Jahren eine wichtige Rolle im Handel spielte.</video:description>
<video:duration>9136</video:duration>
<video:publication_date>2022-11-15T16:37:49Z</video:publication_date>
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<lastmod>2025-09-03T15:25:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3IC8</loc>
<video:video>
<video:title>Nézet-Séguin dirigiert Wagner: Das Rheingold</video:title>
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<video:description>Yannick Nézet-Séguin und das Rotterdam Philharmonic Orchestra begeben sich gemeinsam auf eine der größten musikalischen Reisen überhaupt: durch Wagners vierteiliges Opern-Epos Der Ring des Nibelungen. Und diese Reise beginnt hier mit Das Rheingold - von Wagner als „Vorabend“ des Zyklus bezeichnet - eine polemische Kritik an korrumpierter Macht und Gier, die den Grundstein für die folgende große Tragödie legt. An der Seite von Nézet-Séguin und dem Orchester steht ein internationales Ensemble von hervorragenden Wagnerianern - angeführt von Michael Volle als Wotan - die Wagners fesselndes Drama auf unwiderstehliche Weise zum Leben erwecken.</video:description>
<video:duration>9656</video:duration>
<video:publication_date>2024-07-23T14:02:38Z</video:publication_date>
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<lastmod>2025-09-03T15:24:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CCG</loc>
<video:video>
<video:title>Gardel: Por Una Cabeza</video:title>
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<video:duration>260</video:duration>
<video:publication_date>2025-08-04T11:15:39Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T15:20:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30D8</loc>
<video:video>
<video:title>Enoch zu Guttenberg dirigiert Bachs h-Moll-Messe</video:title>
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<video:description>Wie jede Interpretation von Bachs monumentaler h-Moll-Messe ist auch diese Aufführung aus dem Jahr 1998 ein ganz besonderes Ereignis. Aufgezeichnet wurde sie in der Wieskirche, der Wallfahrtskirche des Klosters Steingaden bei Schongau in Bayern. Die Architektur dieser prächtigen Kulisse bringt den Überschwang des deutschen Spätbarocks auf besonders eindrucksvolle Weise zum Ausdruck. Enoch zu Guttenberg hat sich sein ganzes Leben lang mit Bach beschäftigt und dirigiert die Chorgemeinschaft Neubeuern und das Orchester der KlangVverwaltung mit einer Mischung aus Autorität und Leidenschaft, die sich auch auf die hervorragenden Solist:Innen überträgt. Das Ergebnis ist eine Aufführung, die man auf keinen Fall verpassen sollte.</video:description>
<video:duration>6370</video:duration>
<video:publication_date>2024-12-10T12:55:08Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T15:16:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2DG</loc>
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<video:title>Enoch zu Guttenberg dirigiert Bach: Johannes-Passion</video:title>
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<video:description>Enoch zu Guttenberg wurde für seine leidenschaftlichen Interpretation von Bachs Werken gefeiert. In dieser Aufzeichnung widmet sich der Dirigent mit der 1967 von ihm gegründeten Chorgemeinschaft Neubeuern und dem Bach Collegium München der dramatischen und tief bewegenden Johannes-Passion. Die Aufführung, die in der herrlichen Barockkirche in Gößweinstein nördlich von Nürnberg stattfand, besticht durch eine hervorragende Besetzung der Solo-Partien, zu der die Mezzosopranistin Natalie Stutzmann, der Tenor Claes-Håkan Ahnsjö und der Bariton Thomas Quasthoff. Alle Mitwirkenden tragen dazu bei, die kraftvolle, höchst individuelle Vision des Dirigenten umzusetzen.</video:description>
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<video:publication_date>2025-04-10T12:21:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T15:13:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3I</loc>
<video:video>
<video:title>Musical Moment: Mao Fujita mit einem Klavier-Rezital in Berlin</video:title>
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<video:description>Mao Fujita, der 2019 die Silbermedaille beim Tschaikowsky-Klavierwettbewerb gewann, ist in dieser Aufnahme mit einem Beitrag zur Musical Moments-Reihe der Deutschen Grammophon zu erleben. Bei seinem einzigartig intensiven Auftritt verbindet sich staunenswertes technisches Können mit ungewöhnlicher Sensibilität. Der Pianist kontrastiert innige Melodien mit energetischen, tänzerischen Momenten und begeistert mit souverän ausgeführten Oktav-Passagen, rasanten Skalen, Tremolos und Trillern. Der zweite Satz von Mozarts B-Dur-Klaviersonate ist als einziger im Schaffen des Komponisten mit der Spielanweisung „amoroso“ versehen – eine passende Kennzeichnung für den jungen, aufstrebenden japanischen Pianisten.</video:description>
<video:duration>3556</video:duration>
<video:publication_date>2022-05-03T12:30:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T15:10:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3AE0</loc>
<video:video>
<video:title>Rachmaninow: Cello Sonate in G-moll, op. 19: II. Allegro scherzando – mit Isata Kanneh-Mason</video:title>
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<video:duration>359</video:duration>
<video:publication_date>2025-07-31T13:41:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T14:35:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ADO</loc>
<video:video>
<video:title>Parry: Myfanwy (Bearb. Kanneh-Mason)</video:title>
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<video:duration>220</video:duration>
<video:publication_date>2025-07-31T12:56:29Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-03T14:35:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3AD0</loc>
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<video:title>Mendelssohn: Lieder ohne Worte, op. 109 – mit Isata Kanneh-Mason</video:title>
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<video:duration>256</video:duration>
<video:publication_date>2025-07-30T15:31:14Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-03T14:35:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3AE8</loc>
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<video:title>Barber: Cello Sonate, op. 6: II. Adagio - Presto – mit Isata Kanneh-Mason</video:title>
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<video:duration>252</video:duration>
<video:publication_date>2025-07-31T13:54:22Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-03T14:35:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3IE8</loc>
<video:video>
<video:title>Rising Stars: Asya Fateyeva, Saxophon</video:title>
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<video:description>Talent und Aufgeschlossenheit zeichnen Asya Fateyeva aus. Die Saxofonistin, die 1990 in Kertsch auf der Krim zur Welt kam, ist nun in der STAGE+-Reihe „Rising Stars” zu erleben. Begleitet von Luise Enzian an der Barockharfe, spielt sie Arrangements für ihr Instrument, Melodien aus dem deutschen und italienischen Barock ebenso wie Musik der Gegenwart, etwa „Hope Is a Dangerous Thing for a Woman Like Me to Have” der amerikanischen Singer-Songwriterin Lana Del Rey. Der Erfindung von Adolphe Sax macht Fateyeva alle Ehre. Sie ist eine der Besten ihres Fachs.</video:description>
<video:duration>3448</video:duration>
<video:publication_date>2023-11-02T12:53:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-09-03T14:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3A</loc>
<video:video>
<video:title>Momente der Besinnung: Albrecht Mayer und Kimiko Imani</video:title>
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<video:description>Im Berliner Meistersaal treffen sich der renommierte Oboist Albrecht Mayer und die ungemein vielseitige Pianistin Kimiko Imani, um einen bilderreichen und nachdenklichen „Musical Moment“ mit ihren Zuschauer*innen zu teilen. Die Musiker präsentieren eine Auswahl von Serenaden, Fantasien und Zwiegesprächen, die in farbenfrohe Naturlandschaften und ferne Kulturen lockt und der Fantasie des Publikums erlaubt, weit über die vier Wände des Aufführungsraums hinauszureisen. Die als „Geisterkonzert“ bezeichnete Zusammenkunft ist von Momenten der Zärtlichkeit und von musikalischen Gedanken und Emotionen geprägt, die sich miteinander verweben und in die Tiefen der Introspektion führen.</video:description>
<video:duration>2456</video:duration>
<video:publication_date>2022-06-14T12:54:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:18:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34D0</loc>
<video:video>
<video:title>Wagner: Die Walküre (Bayreuth 2010)</video:title>
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<video:description>Der große Wagner-Spezialist Christian Thielemann steht am Pult dieser Bayreuther Aufführung der Walküre aus dem Jahr 2010, die Teil des Rings unter der Regie von Tankred Dorst ist. Seit 2006 wurde die Tetralogie gezeigt, im Jahr dieser Aufführung war sie ein letztes Mal zu sehen. In eine märchenhafte Zeit, zutiefst mythisch und mächtig, ist das Geschehen versetzt und doch scheinen die Götter auf die Gegenwart zu treffen. Albert Dohmen singt den Wotan, während die in Liebe entflammten Zwillinge von Tenor Johan Botha und Sopranistin Edith Haller verkörpert werden.</video:description>
<video:duration>14117</video:duration>
<video:publication_date>2023-07-20T14:21:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:12:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32CG</loc>
<video:video>
<video:title>Das Kammerorchester Basel: Bachs Weihnachtsoratorium (I, II, V &amp; VI)</video:title>
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<video:description>Das Kammerochester Basel interpretiert mit dem Deutschen Kammerchor und einer hochkarätigen Solistenbesetzung eines der großartigsten Werke, die für die Weihnachtszeit komponiert worden sind: Bachs Weihnachtsoratorium. Diese Aufführung von vier von den sechs Kantaten des Oratoriums wird vom Pult des Konzertmeisterin Julia Schröder dirigiert und ruft sowohl Freude als auch Besinnlichkeit hervor. Die unterschiedlichen Charaktere der verschiedenen Teilen kommen durch die kammermusikalische Interaktion der Interpret*innen auf besonders schöne Weise zur Geltung. Das in der historischen Martinskirche in Basel aufgezeichnete Konzert hebt durch den Ausdruck fröhlicher Festlichkeit rechtzeitig zum Jahresende die Stimmung.</video:description>
<video:duration>6390</video:duration>
<video:publication_date>2024-12-16T10:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:07:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30CG</loc>
<video:video>
<video:title>Wilfried Hiller – Ein musikalischer Geschichtenerzähler</video:title>
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<video:description>Wilfried Hiller komponierte zwei der erfolgreichsten deutschsprachigen Opern der Nachkriegszeit: Der Goggolori und Das Traumfresserchen. In dieser Sendung, die auch dokumentarisches Material über das Leben und die Musik des Komponisten enthält, kommt er selbst im Interview zu Wort. Der Film umfasst außerdem Ausschnitte aus einem Konzert, das im Rahmen des Münchner Klaviersommers aufgezeichnet wurde, und Auszüge aus den großen Werken, die Hiller gemeinsam mit dem berühmten Schriftsteller Michael Ende schuf. Unter der Leitung von Michael Helmrath sind die Bayerische Kammerphilharmonie und einige Solistinnen und Solisten zu erleben.</video:description>
<video:duration>3329</video:duration>
<video:publication_date>2025-06-04T12:59:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
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<lastmod>2025-09-03T10:21:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3EE0</loc>
<video:video>
<video:title>J.S. Bach: Das Wohltemperierte Klavier, Band 1: Präludium &amp; Fuge Nr. 15 in G-Dur, BWV 860/2</video:title>
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<video:description></video:description>
<video:duration>54</video:duration>
<video:publication_date>2025-09-02T10:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-02T12:55:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9H</loc>
<video:video>
<video:title>Verdi: Oberto</video:title>
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<video:description>Eine betrogene Braut, ein eifersüchtiger Liebhaber, ein rachsüchtiger Vater: Verdis allererste Oper Oberto enthält alle Zutaten eines großen romantischen Melodramas. Das zu Lebzeiten des Komponisten als Mißerfolg gewertete Werk wurde in den letzten Jahrzehnten durch zeitgenössische Inszenierungen rehabilitiert. Tatsächlich zeigt sich im Leidenschafts- und Rache-Drama, das im mittelalterlichen Italien spielt, die Frische und Dringlichkeit von Verdis jugendlicher Fantasie. In dieser Inszenierung des Teatro Arriaga, die 2007 Premiere feierte, stehen die Emotionen im Mittelpunkt. Zum passioniert agierenden Ensemble gehören Evelyn Herlitzius als verlassene Braut Leonora und Ildar Abdrazakov in Verdis erster großer Titelrolle.</video:description>
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<video:title>Tschaikowski: Die Zauberin</video:title>
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<video:description>Tschaikowskis Oper Die Zauberin wird heute (zumindest im Westen) nur noch selten aufgeführt. Dabei galt dieses im mittelalterlichen Russland spielende Musikdrama über Liebe, Gesellschaft und die Kunst selbst zu Lebzeiten des Komponisten als eines seiner ambitioniertesten Bühnenwerke. Diese Produktion der Oper Frankfurt aus dem Jahr 2022 widmet sich der Oper mit der angemessenen Aufmerksamkeit und Fantasie: Vasily Barkhatovs mutige Inszenierung geht der Psychologie der Parabel mit surrealistischen und märchenhaften Bildern auf den Grund; und unter der mitreißenden Leitung des Dirigenten Valentin Uryupin brillieren Asmik Grigorian in der Titelrolle der Wirtin Nastasia und Alexander Mikhailov als deren Geliebter Juri.</video:description>
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<lastmod>2025-09-01T11:25:39Z</lastmod>
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<video:title>Verdi: La traviata</video:title>
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<video:description>La traviata ist eine Tragödie über Liebe, Verlust und gesellschaftliche Konventionen und die einzige Oper Verdis, die in der Gegenwart des Komponisten angesiedelt ist. Tom Cairns stilvolle und empathische Inszenierung feierte 2014 in Glyndebourne Premiere. Wie die Handlung der Oper sind auch die Bilder dieser Produktion gleichzeitig zeitgenössisch und zeitlos – sie zeigen das menschliche Drama hinter der glamourösen Oberfläche. Und da wir es mit einer Aufführung des Glyndebourne Festivals zu tun haben, ist das Ensemble fantastisch: Unter der Leitung des erfahrenen Dirigenten Mark Elder werden die Rollen des Alfredo und der Violetta von Michael Fabiano und Venera Gimadieva verkörpert. Als „exquisit” bezeichnete ein Kritiker die Aufführung.</video:description>
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<video:publication_date>2025-08-19T11:39:51Z</video:publication_date>
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<lastmod>2025-09-01T11:13:05Z</lastmod>
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<video:title>Rossini: La Gazzetta</video:title>
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<video:description>Partneranzeigen, weltweite Reisen und sozialer Aufstieg – die Themen von Rossinis neapolitanischer Komödie La Gazzetta (1816) wirken erstaunlich modern, obwohl diese Komödie über Partnervermittlung auf einer Farce von Goldoni aus dem 18. Jahrhundert basiert. Stellen Sie sich nun vor, dass sie von Dario Fo, dem Nobelpreisträger und Genie des italienischen Nachkriegstheaters, aktualisiert und mit einer neuen, scharfsinnigen Wendung versehen wurde und Sie verstehen, warum diese Produktion aus Barcelona aus dem Jahr 2005 für so viel Aufsehen sorgte. Das Ergebnis ist genauso lebhaft, wie man es erwarten würde. „Es ist schwer vorstellbar, dass dieses Stück besser gesungen oder gespielt werden kann“, kommentierte die Financial Times.</video:description>
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<video:publication_date>2025-08-12T11:32:42Z</video:publication_date>
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<lastmod>2025-09-01T10:36:56Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ECO</loc>
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<video:title>Tschaikowski: Nussknacker-Suite, op. 71a - Suite, I. Marsch (Bearb. Pletnev)</video:title>
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<lastmod>2025-09-01T08:06:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3EDG</loc>
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<video:title>J.S. Bach: Das Wohltemperierte Klavier, Buch 1: Präludium und Fuge Nr. 12 in f-Moll, BWV 857/1</video:title>
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<video:publication_date>2025-08-28T14:06:46Z</video:publication_date>
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<lastmod>2025-08-29T12:15:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ED0</loc>
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<video:title>J.S. Bach: Das Wohltemperierte Klavier, Band 1: Präludium &amp; Fuge Nr. 15 in G-Dur, BWV 860/2</video:title>
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<video:duration>176</video:duration>
<video:publication_date>2025-08-28T13:34:56Z</video:publication_date>
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<lastmod>2025-08-29T12:15:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ECG</loc>
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<video:title>Burgon: Nunc dimittis (1979 Version)</video:title>
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<video:duration>192</video:duration>
<video:publication_date>2025-08-28T12:07:53Z</video:publication_date>
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<lastmod>2025-08-29T12:14:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6CO</loc>
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<video:title>Waldbühne 2002: „World Encores” – mit Vadim Repin &amp; Mariss Jansons</video:title>
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<video:description>Die bekannteste aller Zugaben beim Saisonabschlusskonzert der Berliner Philharmoniker in der Waldbühne ist Paul Linkes Berliner Luft. Nicht alle Tage gibt das Spitzenorchester jedoch eine Zugabe nach der anderen. 2002 präsentiert das Orchester unter dem Dirigat von Mariss Jansons und gemeinsam mit dem Geiger Vadim Repin ein abendfüllendes Programm ausschließlich mit Zugaben. Der Abend hält neben Werken mit Solovioline von Wieniawski, Paganini oder Kreisler, Opernmusik von Wagner, Massenet oder Mascagni sowie beliebte Stücke für Neujahrskonzerte von Ziehrer und Lumbye bereit. Mit Virtuosität und Witz gelingt Vadim Repin sein Debüt bei den Berliner Philharmonikern im idyllischen Ambiente der Berliner Waldbühne.</video:description>
<video:duration>5481</video:duration>
<video:publication_date>2022-07-19T14:32:34Z</video:publication_date>
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<lastmod>2025-08-28T11:57:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9K</loc>
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<video:title>Stan Getz in Concert</video:title>
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<video:description>Jazz-Fas muss man den Tenor-Saxophonisten Stan Getz (1927-1991) nicht vorstellen: Sein sanfter, bittersüßer, absolut individueller Ton brachte dem Virtuosen, dessen Zusammenarbeit mit Dizzy Gillespie und Oscar Peterson legendär war, den Spitznamen „The Sound“ ein. Nur wenige Monate vor seinem Tod gastierte der Musiker im Sommer 1990 mit einem angemessen hochkarätig besetzten Sextett in München. Zum Ensemble gehörten der brillante Pianist Kenny Barron und die Schlagzeugerin Terri Lyne Carrington. Das Programm durchquert das gesamte Great American Songbook und umfasst außerdem einige der schönsten Titel von Getz&apos; selbst; Erleben sie den unvergesslichen Schwanengesang von einem der größten Jazz-Saxophonisten aller Zeiten.</video:description>
<video:duration>6195</video:duration>
<video:publication_date>2025-08-26T13:58:50Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-27T15:28:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJAC8</loc>
<video:video>
<video:title>Joep Beving: Solipsism Redux</video:title>
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<video:description>Zehn Jahre nach der Veröffentlichung bei der Deutschen Grammophon kehrt Joep Beving zur Musik seines kultisch verehrten Debütalbums Solipsism zurück. Im innovationsfreudigen ConcertLab Studio in Utrecht präsentiert der Künstler eine frische, überarbeitete Version der atmosphärischen, introspektiven Musik des Albums, die das Publikum überall auf der Welt von Beginn an so stark faszinierte. Solipsism Redux wird zweifellos die Fans des Originals ebenso inspirieren und bewegen wie die Hörer, die Bevings einzigartiger Klangwelt zum ersten Mal begegnen.</video:description>
<video:duration>3348</video:duration>
<video:publication_date>2025-08-26T10:11:09Z</video:publication_date>
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<lastmod>2025-08-27T10:11:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CDG</loc>
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<video:title>„Freunde, das Leben ist lebenswert“ – Franz Lehár-Gala</video:title>
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<video:description>Franz Lehar wird manchmal als König der „Silbernen Operettenära“ Wiens bezeichnet. Diese Stuttgarter Lehár-Gala ist allerdings pures Gold – sie beginnt naturgemäß mit dem Walzer „Gold und Silber“ und endet mit der einprägsamsten aller Operettenmelodien: Dem „Vilja-Lied“ aus Die lustige Witwe. Dazwischen erklingen alte Richard-Tauber-Schlager – hier gesungen vom charismatischen mexikanischen Tenor Francesco Araiza – sowie weniger bekannte (aber ebenso hinreißende) Nummern aus den Operetten Paganini, Der Zarewitsch, Das Land des Lächelns, Wiener Frauen und Giuditta. Das vokale Staraufgebot dirigiert der Lehár-Spezialist Roland Seiffarth mit unnachahmlichem Wiener Schwung.</video:description>
<video:duration>3695</video:duration>
<video:publication_date>2025-02-26T11:09:22Z</video:publication_date>
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<lastmod>2025-08-27T09:49:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1H</loc>
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<video:title>Joe Zawinul und Syndicate</video:title>
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<video:description>Der am Wiener Konservatorium ausgebildete Pianist Joe Zawinul war eine prägende und Gemeinschafts-bildende Figur der österreichischen Jazz-Szene und ihrer Fusion-Experimente. Dieses 1989 in München aufgenommene Konzert von Zawinuls damals neuer Band Syndicate (übersetzt etwa: Interessengemeinschaft) wird dem Namen der Gruppe gerecht: Zur Besetzung gehören nämlich Scott Henderson (Gitarre und Gesang), Bill Summers (Percussion) und die Sängerin Leata Galloway. Die schon bei Solo-Auftritten begeisternden Künstler*innen lassen sich von der Persönlichkeit und Musikalität ihrer Kolleg*innen zu noch eindrucksvolleren Leistungen inspirieren. Erleben Sie ein großartiges Programm, das von Thelonious Monk bis zu authentischem Latin-Jazz reicht.</video:description>
<video:duration>3968</video:duration>
<video:publication_date>2025-08-13T08:57:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-25T09:48:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9I</loc>
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<video:title>Leonid Chizhik: Piano Solo</video:title>
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<video:description>&quot;Für mich ist der Jazz eine Form des Denkens&quot;, sagte der in Moldawien geborene Jazzpianist Leonid Chizhik. Viele Jahre wurde der Künstler vom Sowjet-Regime daran gehindert, ins Ausland zu reisen oder überhaupt Jazz zu spielen. Als er schließlich doch im Westen auftreten konnte, begeisterte er so unterschiedliche Musiker wie Herbie Hancock und Gidon Kremer mit seiner unverwechselbaren Stimme. Diverse Einflüsse, die von Schostakowitsch bis Art Tatum reichen, verschmolz der Künstler zu einer sehr persönlichen Tonsprache. Dieses faszinierende Konzert vom Münchner Klaviersommer war einer der ersten Soloauftritte Chizhiks jenseits des eisernen Vorhangs und trug zum internationalen Durchbruch des Pianisten bei.</video:description>
<video:duration>3767</video:duration>
<video:publication_date>2025-06-30T12:56:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-25T09:41:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9K</loc>
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<video:title>Gerhard Oppitz und Gianluigi Gelmetti: Beethovens Chorfantasie</video:title>
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<video:description>Beethovens Chorfantasie ist eines der ungewöhnlichsten – und unterhaltsamsten – Meisterwerke des Komponisten: Sie ist eine Mischung aus Klavierkonzert und virtuoser Variationenfolge und weist im Schlussabschnitt unüberhörbar auf die Ode an die Freude aus der Neunten Sinfonie voraus. Außerdem erlaubt es kaum ein anderes Werk, sich Beethovens legendäre Fähigkeiten als Improvisator vorzustellen. Ein ideales Stück also für den Pianisten Gerhard Oppitz, der auch durch seine frühen Lehrjahre bei Wilhelm Kempff tief in der deutschen Tradition verwurzelt ist. Gemeinsam mit dem Dirigenten Gianluigi Gelmetti und dem Orchester und den Chören des SWR wird Oppitz das Werk in der wunderschönen Amanduskirche in Bad Urach interpretieren.</video:description>
<video:duration>1255</video:duration>
<video:publication_date>2025-07-01T11:24:16Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-25T09:35:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9J</loc>
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<video:title>Dimitris Sgouros: Live in der Philharmonie im Gasteig</video:title>
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<video:description>Der Grieche Dimitris Sgouros, der bereits als Wunderkind für Furore sorgte, war einer der letzten Pianisten, die vom großen Arthur Rubinstein persönlich gefördert wurden. Dass Sgouros über eine schillernde, furchtlose Virtuosität verfügt, zeigt dieses spektakuläre, 1988 in München aufgezeichnete Recital. Im späten Teenager-Alter interpretiert der Pianist Liszts Rigoletto-Paraphrase, Balakirevs Islamey und Schulz-Evlers glitzernde Fantasie über den Donau-Walzer – alles Paradestücke des hoch virtuosen Repertoires. Die Aufführungen von Chopins dritter Klaviersonate und Miniaturen von de Falla, Skrjabin und Rachmaninoff lassen neben der großartigen Technik auch die bestechende musikalische Intelligenz des Pianisten erkennen.</video:description>
<video:duration>3975</video:duration>
<video:publication_date>2025-06-30T13:46:20Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-25T09:25:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPI</loc>
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<video:title>Das Borodin-Quartett spielt Schostakowitsch: 1. und 8. Streichquartett</video:title>
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<video:description>Schostakowitsch schrieb sein Erstes Streichquartett erst, nachdem er bereits fünf Sinfonien vollendet und seine unverwechselbare Tonsprache ausgebildet hatte. Die Frische und formale Originalität des Gattungsdebüts legten den Grundstein für einen Zyklus, der zu den bedeutendsten Leistungen der Kammermusik im 20. Jahrhundert gehört; und das überwältigende Achte Streichquartett zählt zweifellos zu den besten Werken des Komponisten. Das Borodin-Quartett verband als herausragendes russisches Ensemble seiner Zeit eine enge persönliche Beziehung mit Schostakowitsch. Diese Aufnahmen vom Kuhmo Chamber Music Festival 2002 in Finnland bezeugen eine Souveränität, die auf einer jahrzehntelangen Beschäftigung mit der Musik des Komponisten basiert.</video:description>
<video:duration>2298</video:duration>
<video:publication_date>2025-08-06T12:47:11Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-25T08:09:56Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPJ</loc>
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<video:title>Borodin-Streichquartett spielt Schostakowitsch: Streichquartett Nr. 15</video:title>
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<video:description>Ursprünglich wollte Schostakowitsch insgesamt 24 Streichquartette komponieren. Das 15. Werk des Zyklus – das ausschließlich aus langsamen Sätzen besteht – sollte allerdings sein letzter Beitrag zur anspruchsvollsten aller Gattungen bleiben. Wegen seines schlechten Gesundheitszustands konnte der Komponist die Standing Ovations, die das Werk bei seiner Uraufführung im November 1974 erntete, nur mit Mühe entgegennehmen; und etwa neun Monate später war er tot. Es gab und gibt nur wenige Ensembles, die Schostakowitschs Musik mit größerer Souveränität und stärkerem Engagement spielen als das Borodin-Quartet. Sehen Sie hier eine ergreifende Aufführung des Abschiedswerks, die 2002 beim Kuhmo Chamber Music Festival aufgezeichnet wurde.</video:description>
<video:duration>2423</video:duration>
<video:publication_date>2025-08-06T13:42:02Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-25T08:07:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32E8</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 9. Sinfonie</video:title>
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<video:description>Für Leonard Bernstein stellte Gustav Mahlers Neunte (und letzte vollendete) Symphonie ein mehrfaches »Lebewohl« dar. In den vier Sätzen des Werks würde er sich, so der Dirigent in einer Einführung, nacheinander von der Liebe, vom bäuerlichen und städtischen Leben und schließlich von der Existenz selbst verabschieden. Bernsteins Identifikation mit dem Werk, das Mahler im Bewusstsein seiner schweren Krankheit schrieb, führt auch in dieser Einspielung mit den Wiener Philharmonikern zu einer ungewöhnlich intensiven und in jeder Minute nacherlebten Interpretation. Kaum ein zweiter Dirigent hat die fast unhörbar leise und wie auf der Schwelle zum Verschwinden komponierte Schlusspassage so eindringlich gestaltet.</video:description>
<video:duration>4990</video:duration>
<video:publication_date>2022-10-31T18:16:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32DO</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 8. Sinfonie</video:title>
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<video:description>Leonard Bernstein dirigiert Mahlers gewaltige Symphonie Nr. 8 in einer Aufführung aus dem Wiener Konzerthaus, dessen Bühne vergrößert werden musste, um die Besetzung unterzubringen: acht Solisten, zwei Chöre, ein Kinderchor und ein erweitertes Orchester. Die Aufführung aus dem Jahr 1975, die auf Bernsteins Darbietung der Symphonie bei den Salzburger Festspielen folgte, zeigt den wohl größten Mahler-Dirigenten seiner Zeit in einer einzigartigen Aufnahme, inspiriert und leidenschaftlich in einem Werk voller Extreme – ein unvergesslicher Moment.</video:description>
<video:duration>5177</video:duration>
<video:publication_date>2022-10-31T17:23:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32DG</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 7. Sinfonie</video:title>
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<video:description>Lange galt die Siebte Sinfonie wegen ihrer Mischung unterschiedlichster Stil- und Ausdrucksebenen als problematischstes Werk von Gustav Mahler. Leonard Bernstein allerdings faszinierte an der Musik Mahlers gerade das Aufeinanderprallen von Gegensätzen und die Spannung zwischen entgegengesetzten Extremen, die auch sein eigenes künstlerisches Profil als Komponist und Dirigent bestimmten. Kein Wunder also, dass in dieser Aufzeichnung mit den Wiener Philharmonikern die verschattete Atmosphäre des Beginns ebenso bestechend zum Ausdruck kommt wie die poetische Stimmung der Nachtmusiken und der Jubel des Finales mit seinen Anklängen an die Welten des Zirkus und der Oper.</video:description>
<video:duration>5031</video:duration>
<video:publication_date>2022-10-31T17:16:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32D8</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 6. Sinfonie</video:title>
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<video:description>Dass Leonard Bernstein der bedeutendste Mahler-Dirigent in der zweiten Hälfte des 20. Jahrhunderts war, beweist der audiovisuell aufgezeichnete Zyklus mit allen Symphonien des Komponisten auf eindrucksvolle Weise. Dunkles Herzstück der Werkgruppe ist die &quot;tragische&quot; Sechste Symphonie, die alle denkbaren Tiefen auslotet und Höhen erklimmt, bevor sie in einer fast unerträglichen Verzweiflung endet. An der Seite seiner geliebten Wiener Philharmoniker besticht Bernstein durch emotionale Großzügigkeit, Souveränität und einen unfehlbaren Instinkt für die Struktur dieser Musik.  So gelingt der idealen Partnerschaft zwischen Dirigent und Orchester eine unwiderstehlich effektvolle und unvergessliche Interpretation.</video:description>
<video:duration>5107</video:duration>
<video:publication_date>2022-10-31T16:53:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32CO</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 4. Sinfonie</video:title>
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<video:description>Von 1964 bis zu seinem Tod 1990 hat Leonard Bernstein bei fast 200 Konzerten und unzähligen Aufnahmen am Pult der Wiener Philharmoniker gestanden, die den Dirigenten zu ihrem Ehrenmitglied ernannten. Bei seinem in den 1970er Jahren verwirklichten audio-visuellen Mahler-Zyklus stand ihm das Orchester bei allen Symphonien außer der Zweiten zur Verfügung. Mahlers Vierte Symphonie gilt wegen ihrer schlanken Besetzung, ihrer vergleichsweise kurzen Dauer und der Beschränkung auf vier Sätze als klassizistisches Werk. Das Sopran-Solo im Finale, das eine kindliche Vision des »himmlischen Lebens« zum Ausdruck bringt, besetzte Bernstein manchmal mit einem Knaben-Sopran. Hier singt Edith Mathis, deren Stimme durch Klarheit und Reinheit berührt.</video:description>
<video:duration>3587</video:duration>
<video:publication_date>2022-10-31T16:37:09Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34D8</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 3. Sinfonie  – mit Christa Ludwig</video:title>
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<video:description>Ihren ursprünglichen Satz-Titeln zufolge sollte Gustav Mahlers Dritte nacheinander vom Sommer, von Blumen, Tieren, Engeln, Menschen und der Liebe erzählen. Auch wenn der Komponist dieses Programm später wieder zurückzog: Als weltumspannende spirituelle Reise und pantheistische Vision zieht das Werk sein Publikum immer wieder in seinen Bann. Vor allem, wenn wie hier, mit Leonard Bernstein und den Wiener Philharmonikern ein Dream Team der Mahler-Interpretation zur Verfügung steht. Die Mezzo-Sopranistin Christa Ludwig, die zu den engsten künstlerischen Partnerinnen Leonard Bernsteins gehörte, ist in dieser Aufnahme mit einer tief empfundenen Deutung des vierten Satzes zu hören, in dem Mahler ein Gedicht von Nietzsche vertonte.</video:description>
<video:duration>6433</video:duration>
<video:publication_date>2022-11-01T11:05:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3C</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: die Auferstehungs-Symphonie</video:title>
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<video:description>Leonard Bernstein leitet das London Symphony Orchestra und den Edinburgh Festival Chorus in dieser legendären Darbietung von Mahlers „Auferstehungssymphonie“. Die Dreharbeiten in der Kathedrale von Ely waren ein gewaltiges Unterfangen, und ihre filmische Neuinszenierung spielt eine zentrale Rolle in Bradley Coopers hochgelobtem Bernstein-Biopic Maestro von 2023. Aus gutem Grund: Die einstige Aufführung wartet mit all der Inbrunst und geistigen Freiheit auf, die Mahlers Musik innewohnt und Bernsteins Musizieren ausmacht. Die Wesensverwandtschaft von Komponist und Dirigent manifestiert sich in diesem Werk.</video:description>
<video:duration>5436</video:duration>
<video:publication_date>2022-05-23T14:00:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34CG</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 10. Sinfonie – Adagio</video:title>
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<video:description>Leonard Bernstein was among those conductors skeptical of the various five-movement performing versions of Mahler&apos;s unfinished Tenth Symphony. He confined himself instead to the first movement, an Adagio of almost unearthly beauty and near unbearable expressive intensity. It is a work of farewell – Mahler knew about the seriousness of his final illness – and of departure at the same time: the movement contains some of the most radical and modern passages to be found in the composer&apos;s oeuvre. As with all but one of the audio-visual recordings of his great Mahler cycle, Bernstein here had the Wiener Philharmoniker at his disposal – Mahler&apos;s own orchestra at the turn of the 20th century.</video:description>
<video:duration>1732</video:duration>
<video:publication_date>2022-10-31T18:35:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:48:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32C8</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 1. Sinfonie</video:title>
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<video:description>Leonard Bernstein war ein Protagonist der sogenannten »Mahler-Renaissance« und wesentlich dafür verantwortlich, dass die Werke des lange Zeit umstrittenen Komponisten ihren heutigen Platz im Repertoire der großen Orchester erhielten. Zudem war er der erste Dirigent, der den kompletten Zyklus der vollendeten Symphonien in audio-visuellen Aufnahmen einspielte. Die Spannung zwischen romantischen und modernen Elementen führte Bernstein darauf zurück, dass Mahler mit einem Bein im 19. und mit dem anderen im 20. Jahrhundert gestanden habe. Mit den Wiener Philharmonikern, die selbst vom Dirigenten Mahler tief geprägt wurden, lässt er in dieser Aufführung die Erste Symphonie und mit ihr die Welt der Wunderhorn-Lieder lebendig werden.</video:description>
<video:duration>3420</video:duration>
<video:publication_date>2022-10-31T15:24:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:48:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34CO</loc>
<video:video>
<video:title>Pretty Yende und Benjamin Bernheim in La Traviata</video:title>
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<video:description>Die südafrikanische Sopranistin Pretty Yende und der französische Tenor Benjamin Bernheim verkörpern Violetta und Alfredo in Verdis La traviata an der Opéra de Paris in einer Produktion von Simon Stone aus dem Jahr 2019. Intelligent, hinreißend, verstörend ist dieser Stoff der Vergangenheit in einer Inszenierung der Gegenwart: Stone hat die altvertraute Liebesgeschichte ins digitale Zeitalter verlegt, Handy, Instant Messaging und Markenglamour inklusive, doch ganz ohne Klamauk. Die Darsteller verstehen damit umzugehen: „Yende und Bernheim, das ist das neue Traumpaar der Pariser Oper”, urteilt die Presse.</video:description>
<video:duration>8338</video:duration>
<video:publication_date>2022-10-31T19:41:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:44:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8CG</loc>
<video:video>
<video:title>Wagner: Lohengrin (Bayreuth 2018)</video:title>
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<video:description>Die Neuinszenierung des amerikanischen Regisseurs Yuval Sharon von Lohengrin wird bei den Bayreuther Festspielen 2018 umjubelt. The New York Times lobt &quot;den herausragenden Piotr Beczala&quot; als Lohengrin, &quot;Anja Harteros [gibt] ihr beeindruckendes Bayreuth-Debüt&quot; als Elsa, und Ortrud wird &quot;mit dominanter Präsenz von der unvergleichlichen Waltraud Meier gespielt&quot;. Die renommierten Künstler Neo Rauch und Rosa Loy schaffen &quot;atemberaubende Bilder&quot;, und die gesamte Aufführung wird von Dirigent Christian Thielemann mit &quot;packender Musikalität&quot; geleitet.</video:description>
<video:duration>12540</video:duration>
<video:publication_date>2022-07-29T11:20:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPG</loc>
<video:video>
<video:title>Barrie Kosky über Bayreuths Meistersinger von 2017</video:title>
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<video:description>Australian opera director Barrie Kosky sits down to discuss his work for the 2017 Bayreuth Festival production of Wagner&apos;s Meistersinger von Nürnberg.</video:description>
<video:duration>409</video:duration>
<video:publication_date>2022-04-26T15:00:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:35:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJA</loc>
<video:video>
<video:title>Wagner: Die Meistersinger von Nürnberg (Bayreuth 2017)</video:title>
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<video:description>Der Regisseur Barry Kosky beherrscht das leichte Fach mit derselben Meisterschaft wie das schwere. Kein Wunder also, dass auch seine Bayreuther Meistersinger-Inszenierung eine ganz neue Sicht auf ein bekanntes Werk freilegt und als Höhepunkt in der jüngeren Festspielgeschichte gilt. In der virtuos konzipierten Eingangsszene werden zentrale Figuren der Opernhandlung als Mitglieder des Komponisten-Haushalts eingeführt, im späteren Verlauf thematisiert Kosky auch das Thema des Wagnerschen Antisemitismus. Über die von Philippe Jordan dirigierte Premiere schrieb die Kritikerin des Tagesspiegel: &quot;Oper at its best: Familienaufstellung und Phantasmagorie, Manie und Magie, Kasperletheater, Verführungskunst, Traumaforschung.&quot;</video:description>
<video:duration>17033</video:duration>
<video:publication_date>2022-04-25T09:47:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CG</loc>
<video:video>
<video:title>Thielemann dirigiert Lohengrin – mit Anna Netrebko &amp; Piotr Beczała</video:title>
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<video:description>Die ganze Klassikwelt fieberte dem ersten Auftritt von Anna Netrebko in einer Wagner-Rolle entgegen. Die Publikumsreaktion auf die Dresdner Lohengrin-Aufführung im Mai 2016 fasste die Kritikerin der Faz mit den Worten „der Applaus endet nie” zusammen. Die in der Partie der Elsa geforderten stimmlichen Mittel – Leuchtkraft, Durchhaltevermögen und lyrische Innigkeit – besitzt Netrebko wie kaum eine zweite Sängerin unserer Zeit. Der Sopranistin und dem ebenfalls im Wagner-Fach debütierenden Tenor Piotr Beczała stand mit Christian Thielemann ein in diesem Repertoire unübertroffener Dirigent zur Seite. So ereignete sich in der Semperoper Dresden ein Opernfest, das glücklicherweise in der hier vorliegenden Aufzeichnung dokumentiert wurde.</video:description>
<video:duration>12895</video:duration>
<video:publication_date>2022-06-24T12:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:12:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8</loc>
<video:video>
<video:title>Wagner: Tannhäuser (Bayreuth 2019)</video:title>
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<video:description>Als Roadmovie mit einer aus Außenseitern und Aussteigern zusammengesetzten Truppe beginnt Tobias Kratzers Tannhäuser-Inszenierung, die 2019 in Bayreuth herauskam. Kratzer orientiert sich an Wagners Parole &quot;Frei im Wollen, frei im Tun, frei im Genießen&quot; und thematisiert auch die Festspielgeschichte. Der Kritiker der FAZ fand das &quot;so geschmackvoll, einfallsreich, pointiert und witzig, dass die Zuschauer gefesselt folgen und lachen müssen, auch wenn es am Ende bitterernst wird.&quot; Während Tenor Stephen Gould seit Jahren ein hoch geschätzter Stammgast der Festspiele ist, feiern Valery Gergiev und die am Beginn einer Weltkarriere stehende Sopranistin Lise Davidsen in dieser Produktion ihre mit Spannung erwarteten Bayreuth-Debüts.</video:description>
<video:duration>10987</video:duration>
<video:publication_date>2022-04-25T09:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:56:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJG</loc>
<video:video>
<video:title>Wagner: Parsifal (Bayreuth 2016)</video:title>
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<video:description>In der dritten Bayreuther Parsifal-Inszenierung des 21. Jahrhunderts zeigt Regisseur Uwe Eric Laufenberg Wagners letzte Oper mit eindrücklichen, zum Teil kosmischen Bildern im Kontext internationaler Religions-Konflikte. Das von Publikum wie Presse gefeierte Solistenensemble wurde von Klaus Florian Vogt, Elena Pankratova und Georg Zeppenfeld angeführt. Als relativ kurzfristig eingesprungener Dirigent und Festspiel-Debütant bringt Hartmut Haenchen seine in Jahrzehnten erworbene Parsifal-Expertise ein: &quot;Die Sänger werden vom Orchester auf Händen getragen: wortklar, dramatisch zugespitzt die Diktion, durchsichtig der Orchestersatz, klangsinnlich weich konturiert, mit fließenden Übergängen, zügigen Tempi, leuchtenden Aufgipfelungen.&quot; (FAZ)</video:description>
<video:duration>14816</video:duration>
<video:publication_date>2022-04-26T12:17:06Z</video:publication_date>
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<lastmod>2025-08-21T14:55:23Z</lastmod>
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<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 2015)</video:title>
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<video:description>Eine in ihrer Düsternis faszinierende Deutung von Tristan und Isolde legt Festspielleiterin Katharina Wagner 2015 in Bayreuth vor. Die musikalische Leitung der hier dokumentierten Produktion übernimmt Christian Thielemann. Katharina Wagner zeigt das Liebespaar in einer bedrohlichen Überwachungs-Architektur, in den Fieberträumen des dritten Akts erscheint Isolde Tristan in Gestalt surrealistischer Hologramme. Die Titelrollen sind mit der begeisternden Sing-Darstellerin Evelyn Herlitzius und Stephen Gould besetzt, der zu den zentralen Heldentenören unserer Zeit gehört. Der Spiegel vergab für die Leistung des Paares &quot;volle Punktzahl&quot; und bescheinigte dem Dirigat Thielemanns eine &quot;akribische[..] Eleganz, die derzeit wohl niemand toppen kann.&quot;</video:description>
<video:duration>14915</video:duration>
<video:publication_date>2022-07-29T12:44:13Z</video:publication_date>
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<lastmod>2025-08-21T14:48:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6DO</loc>
<video:video>
<video:title>Giuseppe Verdis Attila am Mariinsky Theater in St. Petersburg</video:title>
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<video:description>Mit dieser üppig ausgestatteten Produktion legt das Mariinsky Theater ein Plädoyer für Giuseppe Verdis wenig bekannte Oper Attila ein. Der Titelheld in Verdis neuntem Bühnenwerk ist ein Hunnen-König des Mittelalters, der sich auf seinem Eroberungs-Feldzug in Italien in die Tochter seines Gegners verliebt. Die Oper wurde von Zeitgenossen auch als Kommentar zur italienischen Unabhängigkeitsbewegung gedeutet. In der männlichen Hauptpartie glänzt Bassist Ildar Abdrazakov, der die Rolle mit großem Erfolg auch an der Metropolitan Opera in New York interpretiert hat. Die Leitung liegt in den Händen von Valery Gergiev, der dem Mariinsky Theater als künstlerischer Leiter seit 1988 zu neuerlicher Weltgeltung verholfen hat.</video:description>
<video:duration>6392</video:duration>
<video:publication_date>2022-07-27T12:04:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-21T14:42:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E0</loc>
<video:video>
<video:title>Daniel Barenboim dirigiert Bizets Carmen – mit Rolando Villazón</video:title>
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<video:description>Eine der aufregendsten Frauen-Gestalten der Operngeschichte, eine atemberaubende Handlung und die unvergleichliche Dichte von unwiderstehlichen Melodien zeichnen George Bizets Carmen aus. Tragischerweise erlebte der Komponist den Erfolg seiner Oper nicht mehr mit; er starb kurz nach der ungünstig aufgenommenen Uraufführung im Alter von 36 Jahren. Martin Kušejs Inszenierung an der Berliner Staatsoper, die sich aktuell bereits 16 Jahre im Repertoire gehalten hat, fasziniert durch Düsternis und eine Atmosphäre der Ausweglosigkeit. Höchstes musikalische Niveau garantieren Dirigent Daniel Barenboim, die mit vokalem wie darstellerischem Charme einnehmende Marina Domashenko in der Titelrolle und Rolando Villazon, laut Faz „ein perfekter José“.</video:description>
<video:duration>11115</video:duration>
<video:publication_date>2022-07-11T14:10:50Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-21T13:34:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPK</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Franz Welser-Möst: Prokofjew &amp; Richard Strauss</video:title>
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<video:description>Zwei brillante Werke, die im Abstand von zehn Jahren komponiert wurden, aber unterschiedlicher kaum sein könnten: Prokofjews Klavierkonzert Nr. 3 fängt mit seinen lebhaften Rhythmen und kantigen Melodien den Geist des 20. Jahrhunderts ein. Richard Strauss&apos; Suite aus seiner Oper „Der Rosenkavalier” von 1911 hingegen wirft einen nostalgischen Blick auf die Handlung im 18. Jahrhundert. Beide Werke sind Paradestücke, die sich perfekt für die Open-Air-Bühne eignen: Prokofjews Konzert ist ein Geschenk für einen Virtuosen wie Daniil Trifonov und die Suite des in München geborenen Strauss bietet einem virtuosen Orchester wie dem Symphonieorchester des Bayerischen Rundfunks eine unwiderstehliche Gelegenheit, sein Können unter Beweis zu stellen.</video:description>
<video:duration>5037</video:duration>
<video:publication_date>2025-08-20T14:39:06Z</video:publication_date>
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<video:live>no</video:live>
<video:restriction relationship="deny">KR</video:restriction>
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<lastmod>2025-08-21T11:05:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1O</loc>
<video:video>
<video:title>John McLaughlin Trio in München</video:title>
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<video:description>Nach seiner Zeit beim Mahavishnu Orchestra wagte der britische Jazz-Fusion-Gitarrist John McLaughlin Ende der 1980er Jahre etwas Neues – mit dem deutschen Bassisten Kai Eckhardt-Karpeh und dem legendären indischen Perkussionisten Trilok Gurtu bildete er ein Trio, das bei Konzerten und mit Aufnahmen begeisterte. Das eklektische Repertoire der Gruppe, das Jazz-Standards und eigene Improvisationen umfasste, passte perfekt zum freien Geist von Friedrich Guldas Münchner Klaviersommer-Festival. 1989 gastierte das Ensemble mit diesem fantasievollen Auftritt in der Philharmonie im Gasteig – und präsentierte sozusagen eine Live-Vorschau auf das großartige Album Live at the Royal Festival Hall, das nur wenige Wochen später aufgenommen wurde.</video:description>
<video:duration>4962</video:duration>
<video:publication_date>2025-08-19T15:36:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-21T10:57:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CD0</loc>
<video:video>
<video:title>Horowitz in Moskau</video:title>
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<video:description>Nach 60 Jahren Abwesenheit kehrte der Pianist Vladimir Horowitz 1986 - nur drei Jahre vor seinem Tod - in seine Heimat Russland zurück, um im Staatlichen Tschaikowsky-Konservatorium ein Konzert zu geben. Dieses Konzert ist als historische Heimkehr eines der größten und berühmtesten Musiker des 20. Jahrhunderts in die Musikgeschichte eingegangen. Mit Hilfe von Interviews mit Peter Gelb, Martha Argerich, Daniil Trifonov und Sophie Pacini erkundet dieser Dokumentarfilm die Hintergründe des Ereignisses und seinen einzigartigen historischen Kontext und untersucht, was es so besonders machte.</video:description>
<video:duration>3131</video:duration>
<video:publication_date>2024-08-15T11:38:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-20T11:03:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3EC0</loc>
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<video:title>Martha Argerich in Warschau</video:title>
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<video:description>Der Auftritt der 24-jährigen Martha Argerich beim Chopin-Klavierwettbewerb 1965 in Warschau war der Beginn einer unvergleichlichen Karriere. Ihr schärfster Konkurrent war Arthur Moreira Lima aus Brasilien, und über weite Strecken des Wettbewerbs war ihr Sieg alles andere als sicher. Erst mit ihrem letzten Auftritt in Chopins erstem Klavierkonzert wurde jedoch eine Legende geboren. Der Film enthält Ausschnitte aus dem dramatischen musikalischen Duell zwischen Argerich und Moreira Lima sowie aus Argerichs Interpretation von Chopins erstem Klavierkonzert in Warschau 45 Jahre später. Außerdem kommen enge Freunde von Martha Argerich zu Wort, darunter der Dirigent Daniel Barenboim, sowie Moreira Lima selbst.</video:description>
<video:duration>3125</video:duration>
<video:publication_date>2024-09-04T15:14:04Z</video:publication_date>
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<lastmod>2025-08-20T11:02:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJIC8</loc>
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<video:title>Tanglewood wird 75 – Anne-Sophie Mutter, John Williams &amp; Co.</video:title>
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<video:description>Zur Feier des 75-jährigen Bestehens von Tanglewood kommen musikalische Stars mit einigen der bedeutendsten Prominenten des Festivals zusammen. Das Tanglewood Music Centre Orchestra ist ebenso zu erleben wie das Boston Symphony Orchestra und das Boston Pops – am Pult John Williams, Keith Lockhart und Andris Nelsons, an den Instrumenten Anne-Sophie Mutter, Yo-Yo Ma, Emanuel Ax und Peter Serkin, während James Taylor singt. Evergreens stehen auf dem Programm, Auszüge aus dem Great American Songbook sowie Musik von Aaron Copland und Leonard Bernstein, zwei Komponisten, die Tanglewoods Anfänge maßgeblich prägten.</video:description>
<video:duration>6675</video:duration>
<video:publication_date>2023-06-22T11:10:19Z</video:publication_date>
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<lastmod>2025-08-20T10:52:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8DG</loc>
<video:video>
<video:title>Marc-André Hamelin &amp; David Robertson mit Gershwin, Ellington &amp; Copland</video:title>
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<video:description>Der Pianist Marc-André Hamelin, der regelmäßig beim Cleveland Orchestra gastiert, verbindet seine atemberaubende Virtuosität mit den unbändigen Jazz-Rhythmen von Gershwins Rhapsody in Blue, die hier im Zentrum einer Reise durch das musikalische Herzland Amerikas erklingt. Eine weitere Station ist das Stück New World A-Comin&apos;, mit dem Duke Ellington die hoffnungsvolle Vision einer Zukunft „ohne Krieg, ohne Gier, ohne Kategorisierung“ schuf. Dirigent David Robertson umrahmt die pianistischen Feuerwerke mit Suiten aus Coplands Kompositionen Appalachian Spring und The Tender Land; epischen Werken, die weite Landschaften und offene Herzen heraufbeschwören.</video:description>
<video:duration>5193</video:duration>
<video:publication_date>2025-05-13T13:14:02Z</video:publication_date>
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<lastmod>2025-08-20T10:32:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3AC8</loc>
<video:video>
<video:title>Frieder Bernius dirigiert Schumann: Szenen aus Goethes Faust</video:title>
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<video:description>Als das größte Meisterwerk der deutschen Literatur auf die Phantasie von Robert Schumann traf, musste einfach etwas Außergewöhnliches entstehen: Schumann glückte mit seinen Szenen aus Goethes Faust, einer Mischung aus Oper und Kantate, eine einzigartige Komposition. Die Musik ist vom ersten bis zum letzten Ton von dem poetischen, leidenschaftlichen Geist dieses originellsten aller romantischen Komponisten durchglüht. Diese Aufführung, die 1999 in der wunderschönen, 500 Jahre alten Amanduskirche in Bad Urach aufgezeichnet wurde, präsentiert ein Orchester, einen Chor und Solisten, die mit der Tradition der deutschen Romantik innig vertraut sind – und bietet einen in diesem Repertoire seltenen Auftritt des jungen Jonas Kaufmann.</video:description>
<video:duration>6537</video:duration>
<video:publication_date>2025-02-12T13:52:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-18T11:53:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CE8</loc>
<video:video>
<video:title>Über Italy</video:title>
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<video:description></video:description>
<video:duration>392</video:duration>
<video:publication_date>2025-08-14T09:10:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-15T10:17:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPL</loc>
<video:video>
<video:title>Avi Avital – Between Worlds: Italy</video:title>
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<video:description>Im dritten und letzten Programm der von Avi Avital initiierten und kuratierten Reihe Between Worlds steht Italien im Mittelpunkt. Gemeinsam mit der aus Apulien stammenden Sängerin Alessia Tondo bringen die Mitglieder des Between Worlds Ensemble traditionelle Musik sowie Werke italienischer Komponisten vom Barock bis zur Gegenwart in Originalversionen und eigens für dieses Projekt entstandenen Bearbeitungen zur Aufführung.</video:description>
<video:duration>4893</video:duration>
<video:publication_date>2025-08-07T10:26:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-15T10:10:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3EC0</loc>
<video:video>
<video:title>Drifting</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2025-08-14T14:30:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T15:34:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ECO</loc>
<video:video>
<video:title>Barenboim dirigiert Così fan tutte – Regie: Doris Dörrie</video:title>
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<video:description>„Ich verstehe nichts davon”, gestand die Filmregisseurin und Schriftstellerin Doris Dörrie, als sie eingeladen wurde, Mozarts Così fan tutte an der Berliner Staatsoper zu inszenieren. Und doch gelang es ihr, Mozarts spätem, einst dem Spott ausgesetzten Meisterwerk einen neuen Dreh zu geben. Ihre farbenfrohe Inszenierung verlegt die Handlung der Oper in die freizügigen 1970er-Jahre und untergräbt doch nicht den Ernst der Botschaft. „Alles ist Dörries Einfallsreichtum zu verdanken”, so die International Herald Tribune, „sie lotet die Emotionen aus und schraubt zugleich die Komik hoch.” Auch musikalisch ist die Aufführung in besten Händen: Daniel Barenboim dirigiert ein erstklassiges Ensemble.</video:description>
<video:duration>10737</video:duration>
<video:publication_date>2022-12-07T07:45:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T14:34:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34D0</loc>
<video:video>
<video:title>Wagner: Götterdämmerung (Bayreuth 1997)</video:title>
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<video:description>Alfred Kirchners Bayreuther Inszenierung von Wagners Ring des Nibelungen zeichnete sich durch eine zeitenthobene, mystische Stimmung aus, zu der auch die phantasievollen Kostüme und symbolistischen Bühnenbilder der Künstlerin Rosalie beitrugen. Unter der Leitung von James Levine, der für die souveräne Disposition und die Schönheit des Orchesterklangs gelobt wurde, singen in der Götterdämmerung einige zentrale Wagner-Interpret*innen: Deborah Polaski übernahm bereits zum zweiten Mal bei einem Bayreuther Ring die Rolle der Brünnhilde, und als Waltraute war Hanna Schwarz zu erleben, die 23 Jahre lang regelmäßig auf dem Grünen Hügel auftrat. Heldentenor Wolfgang Schmidt stand als Siegfried noch an dem Beginn seiner Bayreuth-Karriere.</video:description>
<video:duration>16614</video:duration>
<video:publication_date>2022-10-31T20:07:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T14:33:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32CG</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 1995)</video:title>
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<video:description>Diese Inszenierung von Tristan und Isolde gehört zu den Produktionen der Bayreuther Festspiele, die anfangs auf Kritik und Protest von Publikum und Kritik stießen, und sich später zu Kult-Aufführungen entwickelten. Daniel Barenboim, der seine zweite Bayreuther Tristan-Premiere dirigierte, hatte sich mit Heiner Müller den wahrscheinlich bedeutendsten Dichter-Regisseur (Ost)-Deutschlands als Partner gewünscht. Müller betont in den betörend beleuchteten Bühnenbildern von Erich Wonder die apokalyptischen Aspekte des Werks und trennt die Liebenden immer wieder durch eine unüberwindlich erscheinende Distanz. Waltraud Meier und Siegfried Jerusalem beglaubigen die szenische Radikalität durch ihren leidenschaftlichen und souveränen Gesang.</video:description>
<video:duration>14190</video:duration>
<video:publication_date>2022-10-31T16:03:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T14:31:57Z</lastmod>
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<url>
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<video:title>Wagner: Tristan und Isolde (Bayreuth 1983)</video:title>
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<video:description>Zwischen 1981 und 1999 war Daniel Barenboim der zentrale Dirigent bei den Bayreuther Festspielen. Sein Debüt am grünen Hügel, dem Aufführungen von Parsifal, den Meistersingern und dem Ring folgen sollten, feierte er mit der ersten der zwei von ihm geleiteten Neu-Produktionen der Oper Tristan und Isolde. Mit René Kollo, Hanna Schwarz und Matti Salminen standen Barenboim längst bewährte Bayreuth-Kräfte, mit der ungewöhnlich lyrisch und beseelt singenden Johanna Meier eine ideale Isolde zur Verfügung. Jean-Pierre Ponnelle gelang eine psychologisch präzise Personenführung und eines der legendären Bilder der szenischen Wagner-Interpretation: Unter einem riesigen Baum erscheint dem sterbenden Tristan Isolde als innere Vision.</video:description>
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<video:publication_date>2022-10-31T16:49:39Z</video:publication_date>
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<lastmod>2025-08-14T14:22:19Z</lastmod>
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<video:title>Das Jacques Loussier Trio spielt Bach</video:title>
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<video:description>Als das Jacques Loussier Trio im Sommer 1989 dieses legendäre Konzert beim Münchner Klaviersommer gaben, begeisterte das Ensemble bereits seit drei Jahrzehnten mit seinen Jazz-Versionen der Musik von Johann Sebastian Bach. Dennoch wirkt der Auftritt in keiner Sekunde routiniert. Vitalität und pure Lebensfreude beseelen diese Interpretationen des Italienischen Konzerts, des Fünften Brandenburgischen Konzerts und mehrerer kürzerer Bach-Werke. Ein unwiderstehlicher Groove prägt die Musik des Trios, das hier in der Besetzung der zweiten Generation mit Vincent Charbonnier (Bass) und André Arpino (Schlagzeug) auftritt. Dieses kostbare Live-Konzert wirkt sogar spontaner, fröhlicher und ungezwungener als einige Studioaufnahmen des Ensembles.</video:description>
<video:duration>5568</video:duration>
<video:publication_date>2025-08-13T09:31:56Z</video:publication_date>
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<lastmod>2025-08-14T10:49:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPM</loc>
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<video:title>Rossini: La Cenerentola</video:title>
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<video:description>La Cenerentola ist eine der liebevollsten und beliebtesten Opern Rossinis – und eine Cinderella-Geschichte der besonderen Art: Sie erzählt die bekannte „Vom Tellerwäscher zum Millionär“-Geschichte ohne gute Feen oder Zaubersprüche, bietet dafür aber vokale Feuerwerke und satirischen Witz. Peter Halls klassische Glyndebourne-Inszenierung ist von Einfallsreichtum und Wärme beseelt, beleuchtet aber auch die dunkleren Momente der Handlung. In der vorliegenden Aufzeichnung aus dem Jahr 2005 ist unter der brillanten Leitung von Vladimir Jurowski eine unschlagbare Besetzung zu erleben. Von einer „in jeder Hinsicht wunderbaren Aufführung“ berichtete die Zeitschrift Gramophone.</video:description>
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<video:publication_date>2025-08-12T08:46:06Z</video:publication_date>
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<lastmod>2025-08-14T10:44:05Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHG</loc>
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<video:title>Rossini: Il barbiere di Siviglia</video:title>
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<video:description>Ein Liebhaber, seine Geliebte, deren eifersüchtiger Vormund und ein Faktotum, das alles tut, um der Liebe zum Sieg zu verhelfen: Rossinis Il barbiere di Siviglia ist die perfekte Opera buffa. Sie könnte für Glyndebourne geschrieben worden sein – das englische Sommerfestival, das seit fast neun Jahrzehnten für seine Mozart- und Rossini-Produktionen gefeiert wird. Annabel Ardens vitale Inszenierung verhilft der Geschichte zu einem zeitgemäßen visuellen Update und entlässt die eigensinnigen Figuren in die Freiheit. Bei diesem Fest der Stimmen brillieren Danielle de Niese als launische Rosina, Taylor Stayton als Almaviva und der deutsche Bariton Björn Bürger als überschwänglicher Figaro.</video:description>
<video:duration>9905</video:duration>
<video:publication_date>2025-07-31T08:51:10Z</video:publication_date>
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<lastmod>2025-08-13T12:18:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJAC0</loc>
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<video:title>Avi Avital und Between Worlds: Iberia</video:title>
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<video:description>Avi Avital und sein Ensemble Between Worlds präsentieren in dieser Live-Aufzeichnung vom November 2022 das erste von drei Programmen im Pierre Boulez Saal. Das 2014 gegründete Ensemble, in dem klassisch ausgebildete Musiker zusammenspielen, die ebenso im nicht-klassischen Repertoire zu Hause sind, erforscht Volksmusik-Traditionen von den Rändern Europas. In diesem Konzert werden Avital und seine Gruppe von Marina Heredia, einer der führenden Interpretinnen des zeitgenössischen Flamenco-Gesangs, sowie den Musikern José Quevedo „Bolita” und Paquito Gonzalez unterstützt. Das Programm ist Musik von der iberischen Halbinsel gewidmet.</video:description>
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<video:publication_date>2025-07-07T09:32:59Z</video:publication_date>
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<lastmod>2025-08-13T12:10:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHL</loc>
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<video:title>Rossini: Il Viaggio a Reims</video:title>
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<video:description>Auf ihrem Weg zu Krönungsfeierlichkeiten in Reims treffen einige ungewöhnliche (und sehr redefreudige) Reisende in einem Gasthaus aufeinander. Die Folgen sind … nun ja, sagen wir einfach, dass Rossini keine Hemmungen zeigte, sich ordentlich auszutoben. Il Viaggio a Reims ist kein ernstes Drama, sonder eine Gala-Oper, eine Feier der Melodie und des Witzes. Alain Maratrat gelang 2005 am Théâtre du Châtelet eine kongeniale Inszenierung; und die Musik wird von Valery Gergiev und seinem Mariinsky-Ensemble in dieser funkelnden halbszenischen Produktion mit hinreißendem Elan interpretiert. Wenn Pariser Eleganz auf stimmliche Feuerkraft trifft, muss das Ergebnis ein unwiderstehlich unterhaltsames Ereignis sein.</video:description>
<video:duration>7750</video:duration>
<video:publication_date>2025-07-31T12:57:43Z</video:publication_date>
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<lastmod>2025-08-13T12:02:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CD0</loc>
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<video:title>Glazunov: Violinkonzert in a-Moll, op. 82, I. Moderato</video:title>
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<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2025-08-04T12:30:23Z</video:publication_date>
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<lastmod>2025-08-13T12:00:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHK</loc>
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<video:title>Rossini: Il Turco in Italia</video:title>
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<video:description>Man nehme den Abenteuergeist des Festivals d’Aix-en-Provence und kombiniere ihn mit dem theatralischen Flair des britischen Regisseurs Christopher Alden; dann lasse man diese Mischung auf Il Turco in Italia los, eine Farce über den Zusammenprall der Kulturen mit viel Herz und einer metatextuellen Wendung – das Ergebnis wird eine ebenso geistreiche wie unterhaltsame Inszenierung von Rossinis bekanntester Opera buffa sein. Marc Minkowski dirigiert, und die historischen Instrumente der Musiciens de Louvre flößen der originellen Partitur neue Frische und Vitalität ein. Olga Peretyatko und Adrian Sâmpetrean, der den osmanischen Pascha Selim verkörpert, führen eine hervorragend zusammengestellte und durchweg glänzende Besetzung an.</video:description>
<video:duration>10438</video:duration>
<video:publication_date>2025-07-31T12:46:28Z</video:publication_date>
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<lastmod>2025-08-13T11:54:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHH</loc>
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<video:title>Rossini: Il barbiere di Siviglia</video:title>
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<video:description>Rossinis Il barbiere di Siviglia ist die perfekte italienische Musik-Komödie – sie ist schnell, spritzig, sehr, sehr lustig und besitzt ein Herz, das so warm ist wie die spanische Sonne. Dabei war Beaumarchais, auf dessen Theaterstück die Oper basiert, Franzose. Am Théâtre des Champs-Élysées in Paris brachte Laurent Pelly den Barbier 2017 mit seiner von französischem Geist geprägten Inszenierung also zurück zu seinen Wurzeln. Das auf historischen Instrumenten spielende Orchester agiert unter der Leitung von Jérémie Rhorer so temperamentvoll wie Florian Sempey als Figaro und Catherine Trottman als vitale Rosina. Alles in Allem also: Eine Aufführung, die wie Champagner sprudelt.</video:description>
<video:duration>9543</video:duration>
<video:publication_date>2025-07-31T09:23:19Z</video:publication_date>
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<lastmod>2025-08-13T11:44:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3IDO</loc>
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<video:title>Avi Avital und Between Worlds: Black Sea</video:title>
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<video:description>Für das zweite Programm der Reihe Between Worlds, das der Region des Schwarzen Meeres gewidmet ist, hat Mandolinist Avi Avital den Männerchor des Ensembles Rustavi eingeladen, das die reiche Tradition der Volksmusik und Volkstänze Georgiens und hat in den vergangenen Jahrzehnten weltweit fast 5000 Konzerte gegeben. Außerdem zu hören sind neue Arrangements und Bearbeitungen von Werken georgischer und türkischer Komponisten.</video:description>
<video:duration>6980</video:duration>
<video:publication_date>2025-07-16T13:00:29Z</video:publication_date>
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<lastmod>2025-08-12T13:58:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38CO</loc>
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<video:title>Rudolf Buchbinder und Yutaka Sado mit Gershwin und Schönberg</video:title>
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<video:description>Beim Eröffnungskonzert des 2024 Grafenegg Festivals präsentiert Festivalleiter Rudolf Buchbinder gemeinsam mit dem Tonkünstler-Orchester Niederösterreich unter dem Dirigenten Yutaka Sado auf der Open-Air-Bühne des Wolkenturms ein Programm, das zwei große, aber sehr gegensätzliche Persönlichkeiten der Musik des 20 Jahrhunderts gegenüberstellt.
Zum Auftakt spielt Buchbinder Gershwins Klavierkonzert in F - eine bemerkenswerte Verschmelzung der musikalischen Sprache des Jazz mit der Form der westlichen Klassik -, während in der zweiten Hälfte die spätromantische Tondichtung Pelleas und Melisande von Arnold Schönberg erklingt, einem Komponisten, der später zur Galionsfigur der musikalischen Moderne wurde und ein großer Bewunderer Gershwins war.</video:description>
<video:duration>4824</video:duration>
<video:publication_date>2025-08-07T12:15:29Z</video:publication_date>
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<lastmod>2025-08-08T12:06:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJEE0</loc>
<video:video>
<video:title>Yellow Lounge: Avi Avital &amp; Marie Awadis</video:title>
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<video:description>Die Yellow Lounge - die bahnbrechende Club-meets-Classics-Reihe der Deutschen Grammophon - geht ins Atomino, den kultigen Club im historischen Chemnitz im Osten Deutschlands. Der in Zusammenarbeit mit Volkswagen veranstaltete Abend, bei dem Avi Avital und Marie Awadis kontrastreiche Sets mit Musik aus ihren kommenden und bereits erschienenen Alben präsentieren, wird wie immer durch die visuellen Effekte von VJ Philip Geist ergänzt, die die einzigartige Atmosphäre der Yellow Lounge schaffen.</video:description>
<video:duration>4441</video:duration>
<video:publication_date>2025-07-07T08:19:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-08T10:34:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHP</loc>
<video:video>
<video:title>Konstantin Wecker und Wolfgang Dauner im Konzert</video:title>
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<video:description>Der Singer-Songwriter Konstantin Wecker und der Keyboarder und Komponist Wolfgang Dauner gehörten zu den originellsten Persönlichkeiten im deutschen Kabarett und Jazz der Nachkriegszeit. Bei ihren gemeinsamen Konzerten inspirierten sich die beiden unbändig kreativen Freigeister aus Süddeutschland gegenseitig und entfesselten eine unwiderstehliche musikalische Kraft. Es lag Spannung in der Luft, als die beiden Musiker 1988 beim Klaviersommer-Festival in Weckers Heimatstadt München konzertierten. Mit ihrem regelmäßigen Mitstreiter, dem legendären luxemburgischen Trompeter Felice Civitareale, spielten die Künstler Weckers Musik in fantasievollen, mitreißenden Arrangements.</video:description>
<video:duration>2033</video:duration>
<video:publication_date>2025-08-05T15:42:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-07T13:31:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34DO</loc>
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<video:title>Nikolaus Harnoncourt dirigiert Monteverdis Orfeo</video:title>
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<video:description>Der Monteverdi-Zyklus an der Zürcher Oper machte Mitte der 1970er Jahre Furore und stellte die Weichen für eine ganz neue Art, in der mit historischen Instrumenten die alte Musik auf die Bühne kommen kann. Nikolaus Harnoncourt etablierte sich als zentraler Dirigent des Musiktheaters, und sein langjähriger Lieblingsregisseur Jean-Pierre Ponnelle stellte unter Beweis, wie modern und erfrischend die Werke des ersten genialen Opernkomponisten der Musikgeschichte wirken können. Den Auftakt machte Orfeo, in dem die tragische Geschichte des antiken Sängers erzählt wird. In dieser liebevollen Filmaufzeichnung lässt sich auch heute noch dieser revolutionäre Moment in der Geschichte des neueren Musiktheaters nacherleben.</video:description>
<video:duration>6154</video:duration>
<video:publication_date>2022-11-02T10:37:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-07T09:30:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPH</loc>
<video:video>
<video:title>Nicolai Petrov spielt Schumann: Sinfonische Etüden op. 13</video:title>
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<video:description>Mit seinen Sinfonischen Etüden gelang es Robert Schumann, die Kraft und Klangfülle eines ganzen Orchesters auf der Klaviertastatur einzufangen – sie sind das genresprengende, epochale Meisterwerk eines jungen, grenzenlos fantasievollen Komponisten. Das Werk ist, mit anderen Worten, ein perfektes Stück für den hoch angesehenen Pianisten Nicolai Petrov. Dem russischen Virtuosen, dessen Interpretationen in der großen romantischen Tradition wurzeln, startete mit seinen Erfolgen beim Van Cliburn- und beim Queen Elisabeth-Wettbewerb in eine Weltkarriere. Dieser Auftritt in der Philharmonie am Gasteig, der 1988 beim Münchner Klaviersommer live aufgezeichnet wurde, zeigt den Pianisten im Vollbesitz seiner beeindruckenden Fähigkeiten.</video:description>
<video:duration>2056</video:duration>
<video:publication_date>2025-08-06T10:16:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-08-06T13:25:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPG</loc>
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<video:title>Modern Jazz Quartet</video:title>
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<video:description>Nur wenige Jazz-Gruppen der Nachkriegszeit hatten einen so weitreichenden Einfluss wie das Modern Jazz Quartet, das sich mit bemerkenswerter Freiheit dem gesamten Erbe (nicht nur) der westlichen Musik widmete. Kammermusikalische Expertise und der Geist der Innovation machten das Ensemble zu einem idealen Protagonisten des Münchner Klaviersommer-Festivals, wie diese Aufzeichnung aus dem Jahr 1988 beweist. In der Philharmonie am Gasteig gastierte das MJQ in der legendären Besetzung seiner späten Schaffensperiode: John Lewis, Milt Jackson, Percy Heath und Connie Kay präsentierten ein so souveränes wie elegantes Programm, das von Ellington- und Strayhorn-Standards bis zu Lewis&apos; und Jacksons eigenen Kompositionen reichte.</video:description>
<video:duration>3696</video:duration>
<video:publication_date>2025-08-06T09:35:32Z</video:publication_date>
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<lastmod>2025-08-06T13:23:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCDO</loc>
<video:video>
<video:title>Into the Cold Dawn – Dmitri Schostakowitsch</video:title>
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<video:description>„Into the Cold Dawn ” erzählt das Leben Dmitri Schostakowitschs aus der Perspektive eines Filmregisseurs, der von Armin Mueller-Stahl dargestellt wird. Beim Schneiden seines Films über den Komponisten betrachtet er Spielfilme, für die Schostakowitsch während Stalins Herrschaft die Musik schrieb. Der Regisseur trifft sich zu Gesprächen mit Familienmitgliedern und Weggefährten des Komponisten wie Mstislav Rostropovich. Außerdem werden zentrale Ereignisse aus Schostakowitschs Leben mit Marionetten nachgespielt. Am Ende seiner Recherche stellt der Regisseur fest, dass ihm kein eindeutiges Porträt des Komponisten gelingen kann – zu widersprüchlich sind die Aussagen seiner Interviewpartner.</video:description>
<video:duration>4800</video:duration>
<video:publication_date>2022-12-01T16:14:28Z</video:publication_date>
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<lastmod>2025-08-06T07:54:02Z</lastmod>
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<url>
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<video:title>Elīna Garanča &amp; Michael Fabiano in Cavalleria rusticana</video:title>
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<video:description>Eine ausgezeichnete Solistenbesetzung ist in der konzertanten Aufführung von Mascagnis Erstling Cavalleria rusticana zu erleben, live dargeboten auf dem Festival Cap Rocat auf Mallorca. Der heißblütige Einakter über Untreue und Vergeltung – dessen Uraufführung als Geburtsstunde des Verismo gilt – wird von Henrik Nánási dirigiert und zeigt Elīna Garanča als Santuzza, das junge entehrte und geschmähte Bauernmädchen. Der amerikanische Tenor Michael Fabiano verkörpert ihren treulosen Liebhaber Turiddu, während der italienische Bariton Luca Salsi den Fuhrmann Alfio gibt, der seine betrogene Liebe zu rächen versteht.</video:description>
<video:duration>4563</video:duration>
<video:publication_date>2024-01-08T12:25:34Z</video:publication_date>
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<lastmod>2025-08-06T07:53:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38CO</loc>
<video:video>
<video:title>Nadine Sierra &amp; Francesco Demuro: Operngala</video:title>
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<video:description>Nadine Sierra trifft auf Francesco Demuro für eine Operngala der Sonderklasse, filmisch dokumentiert auf dem Festival Cap Rocat an der spektakulären Küste Mallorcas. Begleitet vom Orquesta Sinfónica de Baleares unter der Leitung von Pablo Mielgo interpretieren die Sopranistin und der Tenor einige der beliebtesten Arien und Duette der Kunstform, etwa aus Lucia di Lammermoor oder La traviata, Turandot, West Side Story und aus manchem mehr, auch der Liedgesang kommt zur Geltung – ein unvergessliches Finale des Festivals.</video:description>
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<video:publication_date>2024-01-04T11:03:16Z</video:publication_date>
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<lastmod>2025-08-06T07:53:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPH</loc>
<video:video>
<video:title>Lisette Oropesa: Operngala</video:title>
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<video:description>Das Festival Cap Rocat präsentiert in diesem mitreißenden Galakonzert einen Weltstar der Klassikszene: Die Sopranistin Lisette Oropesa ist nicht nur mit einer großartigen Stimme gesegnet, sondern verfügt auch über wunderbare Musikalität und eine glänzende Technik. Unter der Leitung des Dirigenten Pablo Mielgo interpretiert die Sängerin an der Seite des Symphony Orchestra of the Balearic Islands Höhepunkte aus den goldenen Jahren der französischen und italienischen Oper. Die Auswahl, die vom Belcanto Rossinis, Bellinis und Donizettis bis zur Romantik Massenets und Verdis reicht, ermöglicht Oropesa, ihren Ruhm als eine der herausragenden Sängerinnen ihrer Generation zu untermauern.</video:description>
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<video:publication_date>2025-07-11T08:19:46Z</video:publication_date>
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<lastmod>2025-08-06T07:52:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8D0</loc>
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<video:title>Paul Gulda, Marina Milic und Roland Batik</video:title>
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<video:description>In den 1980er Jahren gelang es den Veranstaltern des Münchner Klaviersommers immer wieder, die interessantesten und wagemutigsten Pianist:innen der Welt aufzuspüren –, die dann regelmäßig die hohen Erwartungen noch übertrafen. In diesem Konzert, das 1983 im Kongresssaal aufgezeichnet wurde, spielt die serbische Pianistin Marina Milic Werke von Bach und Skrjabin. Den Kontrapunkt bildet ein unverwechselbar phantasievolles Set des Duos Roland Batik und Paul Gulda, das in den 1980er Jahren die österreichische Klavierszene aufmischte. Nachdem Batik eine eigene Improvisation vorgestellt hat, präsentieren die beiden Musiker eine extravagante Interpretation von Ravels La Valse, dem schwindelerregenden Porträt einer Welt am Abgrund.</video:description>
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<video:publication_date>2025-05-12T10:23:15Z</video:publication_date>
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<lastmod>2025-08-05T15:03:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ICO</loc>
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<video:title>Klavier-Rezital von Cristina Ortiz</video:title>
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<video:description>Die von der Zeitschrift Gramophone für ihre „Sensibilität und Fantasie“ gelobte Pianistin Cristina Ortiz hat sich immer mit der Tradition der europäischen Romantik identifiziert. Zugleich blieb sie im fruchtbaren musikalischen Boden ihrer Heimat Brasilien verwurzelt. Dieses Rezital, das während des Münchner Klaviersommers 1997 im Carl-Orff-Saal aufgezeichnet wurde, zeigt die Musikerin auf dem Höhepunkt ihrer internationalen Karriere. Die Musik-Auswahl umfasst Miniaturen von Mompou bis Brahms und kann als eine Art Selbstporträt der Pianistin verstanden werden. Natürlich stehen Stücke von Villa-Lobos auf dem Programm, aber auch Werke von Debussy, Albéniz und Mendelssohn – lauter Komponisten, zu denen sich Ortiz besonders hingezogen fühlt.</video:description>
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<video:publication_date>2025-03-19T15:12:47Z</video:publication_date>
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<lastmod>2025-08-05T14:47:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32</loc>
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<video:title>Gala aus Berlin 2016 – mit Daniil Trifonov</video:title>
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<video:description>&quot;Diabolische Tastenläufe, apollinische Ruhe&quot; attestiert Der Tagesspiegel Daniil Trifonov für dessen Interpretation von Sergej Rachmaninows Drittem Klavierkonzert. Der russische Pianist gibt mit dem technisch vielleicht anspruchsvollsten Klavierkonzert sein Debüt bei den Berliner Philharmonikern, nachdem bereits sein Carnegie Hall Debüt – ebenfalls mit Werken von Rachmaninow – von Publikum wie Kritiker:innen bejubelt wurde. Zwei rasante Werke von Dmitri Kabalewski rahmen das Galaprogramm zum Jahreswechsel ein. Zusätzlich zu den Slawischen Tänzen von Dvořák machen die Berliner Philharmoniker mit Simon Rattle am Pult einen Abstecher ins England der 20er Jahre: William Waltons Orchesterstücke &quot;Façade&quot; sorgen für eine Prise britischen Humors.</video:description>
<video:duration>5450</video:duration>
<video:publication_date>2022-05-10T15:42:57Z</video:publication_date>
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<lastmod>2025-08-05T14:07:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36D0</loc>
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<video:title>Gielen dirigiert Beethoven: Missa Solemnis</video:title>
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<video:description>In seinem letzten Lebens-Jahrzehnt blickte Beethoven in die Unendlichkeit: Fünf Jahre lang arbeitete er an der gewaltigsten Messvertonung seit Bach. „Von Herzen - möge sie zu Herzen gehen“, erklärte der Komponist selbst zu seiner Missa Solemnis. Dieses live in der majestätischen Amanduskirche in Bad Urach aufgezeichnete Konzert aus dem Jahr 1987 vermittelt die Tiefgründigkeit des Werks auf vollendete Weise. Der 2019 verstorbene Dirigent Michael Gielen, sein böhmisches Vokal- und sein bayerisches Instrumental-Ensemble sowie ein großartiges Solisten-Quartett musizieren im Geist einer künstlerischen wie spirituellen Traditions-Verbundenheit.</video:description>
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<video:publication_date>2025-01-22T12:03:07Z</video:publication_date>
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<lastmod>2025-08-05T12:40:55Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CD8</loc>
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<video:title>Mascagni: Cavalleria rusticana: Intermezzo (Bearb. Holt)</video:title>
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<video:publication_date>2025-08-04T13:17:41Z</video:publication_date>
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<lastmod>2025-08-05T09:51:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CDG</loc>
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<video:title>Mendelssohn: Violin Concerto in e-Moll, op. 64, I. Allegro molto appassionato</video:title>
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<video:publication_date>2025-08-04T13:41:02Z</video:publication_date>
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<lastmod>2025-08-05T09:41:35Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CDO</loc>
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<video:title>Vaughan Williams: The Lark Ascending</video:title>
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<lastmod>2025-08-05T09:41:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CCO</loc>
<video:video>
<video:title>Über My First Decade</video:title>
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<video:publication_date>2025-08-04T11:31:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-05T09:40:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9N</loc>
<video:video>
<video:title>Nobuyuki Tsujii spielt Beethoven, Liszt &amp; Chopin</video:title>
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<video:description>Nobuyuki Tsujiis atemberaubender Auftritt gehörte zu den Höhepunkten des Verbier Festivals im Jahr 2022. Beim wie immer hochkarätig besetzten Alpenfestival präsentierte der japanische Pianist, der seit seiner Geburt blind ist, ein sowohl technisch als auch musikalisch exorbitant anspruchsvolles Programm. Im Zentrum des Konzerts standen Beethovens &quot;Mondschein&quot;- und Chopins Dritte Sonate, zwei Werke, die auf extremen Kontrasten basieren. Die träumerischen Melodien aus Liszts Consolation Nr. 3 und Chopins Barcarolle sowie die teuflische Virtuosität des Ersten Mephisto-Walzers von Liszt fügten dem Konzert weitere Facetten hinzu. Mit seinem unerschöpflichen Können löste der Pianist beim Publikum stürmische Begeisterung aus.</video:description>
<video:duration>5159</video:duration>
<video:publication_date>2025-08-01T13:15:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-04T11:06:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ACG</loc>
<video:video>
<video:title>Same Boat - with Zak Abel</video:title>
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<video:duration>190</video:duration>
<video:publication_date>2025-07-30T14:59:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-08-03T13:35:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3CC8</loc>
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<video:title>Non-Eternal - Pt. 3</video:title>
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<video:duration>223</video:duration>
<video:publication_date>2025-08-01T11:17:48Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-08-01T14:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32DG</loc>
<video:video>
<video:title>&quot;Prima la musica, dopo le parole?&quot; – Marcel Reich-Ranicki &amp; Joachim Kaiser im Streitgespräch</video:title>
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<video:duration>7083</video:duration>
<video:publication_date>2025-06-20T13:10:42Z</video:publication_date>
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<video:live>no</video:live>
<video:restriction relationship="allow">DE CH AT</video:restriction>
</video:video>
<lastmod>2025-08-01T12:44:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36DO</loc>
<video:video>
<video:title>Ljóssins knörr – mit Álfheiður Erla Guðmundsdóttir &amp; Reykjavík Orkestra</video:title>
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<video:duration>313</video:duration>
<video:publication_date>2025-07-17T12:28:37Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T17:51:56Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9M</loc>
<video:video>
<video:title>Heinrich Schiff: Solo-Werke von Bach, Henze und Lutosławski</video:title>
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<video:description>Musikalische Neugier und stilistische Vielseitigkeit charakterisierten den österreichischen Cellisten Heinrich Schiff, der 2016 im Alter von 65 Jahren starb. Diese Qualitäten zeigte der Künstler auch in einem beeindruckenden Solo-Recital, das 1988 in München aufgezeichnet wurde. Bachs sechs Suiten für Violoncello solo beschäftigten Schiff während seines gesamten künstlerischen Lebens. Eine meisterhafte Interpretation der Dritten Suite erklingt am Ende des Konzerts. Zuvor interpretiert der Cellist mit größter Souveränität Werke der zeitgenössischen Musik: Lutosławskis originelle Hommage an den Schweizer Mäzen Paul Sacher und die Serenade für Violoncello solo von Hans Werner Henze.</video:description>
<video:duration>1849</video:duration>
<video:publication_date>2025-07-29T10:54:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-31T12:53:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9O</loc>
<video:video>
<video:title>Natalia Trull spielt Chopin: Zweite Klaviersonate</video:title>
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<video:description>Die in St. Petersburg ausgebildete Pianistin Natalia Trull ist eine Klaviervirtuosin der russischen Schule, die besonders für ihre souveränen Prokofjew- und Chopin-Interpretationen gefeiert wird. Als sie 1988 im Rahmen des Münchner Klaviersommers auftrat, lagen ihr Triumph beim Internationalen Klavierwettbewerb in Belgrad (1983) und ihr Gewinn der Silbermedaille beim Internationalen Tschaikowski-Wettbewerb (1986) noch nicht lange zurück. Bei ihrem Recital in der Philharmonie im Gasteig stand Chopins Zweite Sonate im Mittelpunkt, die berühmte Sonate mit dem Trauermarsch. Trulls Interpretation knüpft an eine Tradition an, die über die Zeit Rachmaninows hinaus bis ins 19. Jahrhundert zurückreicht.</video:description>
<video:duration>1417</video:duration>
<video:publication_date>2025-07-29T11:30:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-31T12:52:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ADG</loc>
<video:video>
<video:title>J.S. Bach: Komm, süsser Tod (Bearb. für 5 Cellos)</video:title>
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<video:description></video:description>
<video:duration>191</video:duration>
<video:publication_date>2025-07-30T16:00:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T11:59:33Z</lastmod>
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<video:title>Hamilton: Cry Me a River (Bearb. Kanneh-Mason &amp; Baker)</video:title>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3ACO</loc>
<video:video>
<video:title>Star of the County Down (Bearb. Kanneh-Mason)</video:title>
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<lastmod>2025-07-31T11:59:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3AC8</loc>
<video:video>
<video:title>I Saw Three Ships (Bearb. Baker)</video:title>
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<lastmod>2025-07-31T11:58:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3AC0</loc>
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<video:title>Have Yourself A Merry Little Christmas (Bearb. Baker)</video:title>
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<video:duration>210</video:duration>
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<lastmod>2025-07-31T11:58:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9N</loc>
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<video:title>Heinrich Schiff &amp; Paul Gulda: Werke von Schnittke, Martinů &amp; Piazzolla</video:title>
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<video:description>Als meisterhafter Interpret des klassischen Cello-Repertoires engagierte sich Heinrich Schiff zugleich intensiv für die zeitgenössische Musik. Astor Piazzolla und Alfred Schnittke lebten beide noch, als Schiff im Sommer 1988 beim Münchner Klaviersommer mit dem brillanten jungen österreichischen Pianisten Paul Gulda auftrat. Das freigeistige, Genre-Grenzen sprengende Festival hatte Pauls so unwiderstehlicher wie umstrittener Vater Friedrich Gulda gegründet. Über dieses Konzert muss man allerdings nicht streiten: Intelligent und einfühlsam werden die Werke der schon zu Lebzeiten legendären Komponisten Schnittke und Piazzolla interpretiert; und als Zugabe erklingen Martinůs temperamentvolle Variationen über ein Thema von Rossini.</video:description>
<video:duration>2412</video:duration>
<video:publication_date>2025-07-29T11:15:39Z</video:publication_date>
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<lastmod>2025-07-31T10:27:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHH</loc>
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<video:title>Puccini: La Bohème</video:title>
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<video:description>Puccinis Oper La Bohème erzählt von mittellosen Künstlern, die in ihrem Kampf ums Überleben Humor und Liebe finden – und spiegelt damit die eigenen Erfahrungen des Komponisten als ebenfalls mittelloser Student wider. „Die Geschichte ist universell. Man muss nur verstehen, wie es sich anfühlt, jung und verliebt zu sein“, sagt Regisseurin Orpha Phelan. Ihre vom Publikum gefeierte, den Stoff aktualisierende Inszenierung entstand für das Musiktheater Malmö. Mit einem erfrischend jugendlichen Ensemble, das von Joachim Bäckström als leidenschaftlichem Rodolfo und Olesya Golovneva als sehr moderner, anrührender Mimì angeführt wird, trifft diese Aufführung direkt ins Herz von Puccinis Oper.</video:description>
<video:duration>7079</video:duration>
<video:publication_date>2025-07-07T09:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-31T07:47:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CD8</loc>
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<video:title>Wagner: Tannhäuser (Bayreuth 1978)</video:title>
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<video:description>Außer den Brüdern Wieland und Wolfgang Wagner hat seit dem Ende des Zweiten Weltkriegs niemand so oft bei den Bayreuther Festspielen Regie geführt wie Götz Friedrich. Den Tannhäuser, die erste seiner drei Produktionen auf dem Grünen Hügel, entwickelt er ganz aus den inneren Widersprüchen der Titelfigur. Venus und Elisabeth werden von derselben Sängerin dargestellt – eine Herausforderung, der sich die auch als Bayreuther Brünnhilde gefeierte Gwyneth Jones auf beeindruckende Weise gewachsen zeigt. Wegen ihrer politischen Akzentsetzung wurde die Inszenierung bei der ersten Aufführung ausgebuht, gilt aber heute als ein Highlight der Festspielgeschichte. Götz Friedrich siedelte wenige Monate nach der Premiere aus der DDR in den Westen über.</video:description>
<video:duration>11357</video:duration>
<video:publication_date>2022-11-24T10:16:43Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T14:07:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38E8</loc>
<video:video>
<video:title>Wells &amp; Vinícius: Whisperings - mit Seven Eyes</video:title>
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<video:description></video:description>
<video:duration>183</video:duration>
<video:publication_date>2025-07-29T15:50:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:35:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38E0</loc>
<video:video>
<video:title>Wells &amp; Vinícius: Icarus - mit Seven Eyes</video:title>
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<video:description></video:description>
<video:duration>239</video:duration>
<video:publication_date>2025-07-29T15:18:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-30T08:35:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38DO</loc>
<video:video>
<video:title>Liszt: Consolation No. 3, S. 172/3 (Bearb. Swert) – mit James Baillieu</video:title>
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<video:description></video:description>
<video:duration>232</video:duration>
<video:publication_date>2025-07-29T15:11:56Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-30T08:35:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38DG</loc>
<video:video>
<video:title>Cassadó: Requiebros – mit Isata-Kanneh Mason</video:title>
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<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2025-07-29T14:48:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-30T08:35:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38D8</loc>
<video:video>
<video:title>Song Of The Birds (Bearb. Casals) – mit Isata Kanneh-Mason</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0eb5c4d4b47e8b7a823b1b886b7ec8f3c05c8880.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>170</video:duration>
<video:publication_date>2025-07-29T14:37:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:28:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38D0</loc>
<video:video>
<video:title>Bloch: Abodah (God&apos;s Worship) (Bearb. für Cello)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27eaee7c1ba20df6b5baeb1ea01d581c4eb89d80.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>172</video:duration>
<video:publication_date>2025-07-29T14:25:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:28:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38CO</loc>
<video:video>
<video:title>Fauré: Après un rêve, op. 7, Nr. 1 (Bearb. für Cello &amp; Klavier) – mit Isata Kanneh-Mason</video:title>
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<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2025-07-29T13:49:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-30T08:27:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38CG</loc>
<video:video>
<video:title>Cohen: Hallelujah (Bearb. für Cello &amp; Streicher)</video:title>
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<video:description></video:description>
<video:duration>212</video:duration>
<video:publication_date>2025-07-29T13:35:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-30T08:27:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34CG</loc>
<video:video>
<video:title>Wagner: Die Meistersinger von Nürnberg (Bayreuth 2008)</video:title>
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<video:description>Die heutige Festival-Chefin Katharina Wagner debütierte mit der hier dokumentierten Inszenierung der Meistersinger von Nürnberg bei den von ihrem Urgroßvater gegründeten Bayreuther Festspielen als Regisseurin. Ihrem bereits vorher erworbenen Ruf, unkonventionelle und radikale Neu-Deutungen zu riskieren, wurde sie auch in ihrer Heimatstadt gerecht: Sie erzählt die Handlung als Konflikt zwischen traditionellen und innovativen Strömungen in der Welt der bildenden Kunst. Klaus Florian Vogt, der wie der Dirigent Sebastian Weigle in dieser Produktion seinen Einstand auf dem grünen Hügel feierte, ist seither als Titelheld der Opern Lohengrin und Parsifal sowie als Siegmund zu einem der erfolgreichsten und beliebtesten Sänger in Bayreuth avanciert.</video:description>
<video:duration>16571</video:duration>
<video:publication_date>2023-07-20T12:55:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:12:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34CO</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 2009)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2024c2df7fe10386a7bf34a7439fb7106d7a19a8.png</video:thumbnail_loc>
<video:description>Seit den 1990er Jahren sorgte Christoph Marthaler mit seiner kongenialen Bühnen- und Kostümbildnerin Anna Viebrock mit hoch musikalischen und stimmungsvollen Schauspiel- und Opern-Inszenierungen für Furore. Da war es nur eine Frage der Zeit, dass dieses Regie-Team auch zu den Bayreuther Festspielen eingeladen wurde. Marthalers Stil der radikalen Entschleunigung erwies sich als ideal geeignet für Richard Wagners Oper Tristan und Isolde, deren Neuproduktion in Viebrocks nüchternen und dennoch poetischen Bühnenbildern 2005 herauskam. In der hier dokumentierten Wiederaufnahme des Jahres 2009 sang neben Robert Dean Smith und Iréne Theorin in den Titelpartien Robert Holl, einer der zentralen Bassisten seiner Generation, die Rolle des König Marke.</video:description>
<video:duration>15272</video:duration>
<video:publication_date>2023-07-20T13:44:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:11:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCE8</loc>
<video:video>
<video:title>Wagner: Parsifal (Bayreuth 2023)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/428f402e83f2dd3a6c63fee2e489f0263a7303aa.png</video:thumbnail_loc>
<video:description>Jede Bayreuther Neuinszenierung des Parsifal ist ein großes Opernereignis, insbesondere wenn sie in dem Theater aufgeführt wird, für das das „Bühnenweihfestspiel” konzipiert wurde. Doch dieser Parsifal von Jay Scheib dürfte in Sachen Innovation neue Wege aufzeigen – der US-Regisseur und Professor am Massachusetts Institute of Technology setzt in seiner Produktion auf Augmented Reality. Unter der Leitung von Pablo Heras-Casado, welcher erstmals in Bayreuth dirigiert, debütiert ebenfalls Mezzosopranistin Elīna Garanča als Kundry.</video:description>
<video:duration>15271</video:duration>
<video:publication_date>2023-07-27T15:08:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-07-29T20:06:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJEDG</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde (Bayreuth 2024)</video:title>
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<video:description>Die jährliche Neuinszenierung bei den Bayreuther Festspielen ist eines der wichtigsten Ereignisse im Opernkalender. So auch 2024, wenn Wagners Tristan und Isolde, bei den, vom Komponisten 1876 gegründeten, Festspielen neu inszeniert wird. Der Tristan, ein revolutionäres Werk des Musiktheaters, stellt jeden Regisseur vor eine faszinierende Mischung aus Herausforderungen und Möglichkeiten, denen sich der innovative isländische Regisseur Thorleifur Örn Arnarsson bei seinem Bayreuth-Debüt stellen wird. Die musikalische Leitung der Inszenierung hat Semyon Bychkov, der ein Ensemble dirigiert, das von Camilla Nylund, die zum ersten Mal auf dem &quot;Grünen Hügel&quot; die Isolde singt, und dem Bayreuth-Stammgast Andreas Schager als Tristan angeführt wird.</video:description>
<video:duration>14849</video:duration>
<video:publication_date>2024-07-27T07:15:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:03:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGC0</loc>
<video:video>
<video:title>Rising Stars: Der Cellist Jaemin Han</video:title>
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<video:description>Die Weltöffentlichkeit richtete erstmals ihr Augenmerk auf Jaemin Han, als er den Internationalen George-Enescu-Wettbewerb gewann – als jüngster Preisträger überhaupt. Nun ist der südkoreanische Cellist zu Gast in der Reihe Rising Stars und spielt Musik, die 2022 aufgenommen wurde; gerade einmal 16 Jahre war er da alt. Ein abwechslungsreiches Programm ist zu hören – von Chopins früher Introduction et Polonaise brillante zur virtuosen Sonate vom ungarischen Altmeister für Neue Musik György Ligeti bis hin zu Mark Summers improvisatorischem Julie-O. Kunst und Können kommen zum Ausdruck in diesen Darbietungen, während die begleitenden Interviews Einblicke in das Leben des talentierten Musikers geben.</video:description>
<video:duration>3244</video:duration>
<video:publication_date>2023-05-17T15:21:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:26:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGCO</loc>
<video:video>
<video:title>Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 (Arr. für Klavier zu vier Händen)</video:title>
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<video:description></video:description>
<video:duration>196</video:duration>
<video:publication_date>2022-12-03T15:52:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-29T10:06:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGE8</loc>
<video:video>
<video:title>Bach: Cantata BWV 147: Jesus bleibet meine Freude (Arr. für Klavier)</video:title>
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<video:description></video:description>
<video:duration>211</video:duration>
<video:publication_date>2022-12-03T17:44:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-29T10:06:22Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0E0</loc>
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<video:title>Hahn: Le ruban dénoué: Nr. 1, Décrets indolents du hasard</video:title>
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<video:duration>97</video:duration>
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<lastmod>2025-07-29T10:05:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0E8</loc>
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<video:title>Godard: Jocelyn, Op. 100: Berceuse (Arr. Sandré für Klavier zu 4 Händen)</video:title>
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<video:duration>171</video:duration>
<video:publication_date>2024-11-21T14:09:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-29T10:05:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3EC0</loc>
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<video:title>John Storgårds dirigiert Nielsen, Sibelius &amp; eine Uraufführung von Say</video:title>
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<video:description>Im zweiten Werk, das Fazil Say für Lucas und Arthur Jussen geschrieben hat, verbinden sich griffige Jazz-Rhythmen mit eindrücklichen Melodien und originellen Instrumental-Effekten. Die Jussen-Brüder – das aktuell zweifellos erfolgreichste junge Pianisten-Duo – verhelfen dem Stück in der hier zu erlebenden Uraufführung mit Leidenschaft zum Erfolg. Zudem stellen die Münchner Philharmoniker und Dirigent John Storgårds die geniale Darstellung einer Morgendämmerung in Nielsens Tondichtung Helios die Abenddämmerung von Sibelius gegenüber, der bald nach der Vollendung seiner beiden letzten Sinfonien als Komponist für immer verstummte. In diesen Werken ist er aber noch einmal als suggestiver Magier unvergleichlicher Stimmungsbilder zu erleben.  </video:description>
<video:duration>5568</video:duration>
<video:publication_date>2022-11-28T13:54:44Z</video:publication_date>
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<lastmod>2025-07-29T10:03:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32CO</loc>
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<video:title>Andris Nelsons und Lucas &amp; Arthur Jussen: Mahler, Mendelssohn &amp; Dvořák</video:title>
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<video:description>Lucas und Arthur Jussen spielen zusammen mit dem Gewandhausorchester Leipzig und Gewandhauskapellmeister Andris Nelsons eine seltene Aufführung des brillanten Konzerts für zwei Klaviere und Orchester des 14-jährigen Felix Mendelssohn, der von 1835 und 1847 selbst Gewandhauskapellmeister war. Zum Abschluss des Programms präsentieren Orchester und Dirigent eine weitere Rarität - den wunderschönen „Blumine“-Satz, der für die Originalversion von Mahlers Symphonie Nr. 1 komponiert wurde, zusammen mit Dvořáks lebensbejahender Symphonie Nr. 8, einem Werk, in dem sich die symphonischen Fähigkeiten und die melodische Begabung des Komponisten zu einem unwiderstehlichen Effekt verschmelzen.</video:description>
<video:duration>5436</video:duration>
<video:publication_date>2025-03-06T07:39:22Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-29T10:02:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32E8</loc>
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<video:title>&quot;Singen macht glücklich&quot; – Meisterkurs Inge Borkh</video:title>
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<video:description>Oliver Beckers außergewöhnlicher Film lässt uns an einer transformativen Erfahrung teilhaben: Wir begleiten eine Gruppe von Sängerinnen und Sängern, die das Glück hatten, bei einem Meisterkurs mit der legendären Sopranistin Inge Borkh zu arbeiten. Der bei den Richard-Strauss-Tagen in Garmisch-Partenkirchen im Jahr 2001 gedrehte Film zeigt, wie die berühmte Strauss-Interpretin Lieder von Strauss und Mahler probt. Interviews mit Borkh und den jungen Teilnehmer*innen der Meisterklasse verschaffen einen Einblick in die spezifischen Anforderungen der Liedgestaltung und lassen erahnen, was es bedeutet, das Leben einer Sängerin oder eines Sängers zu führen.</video:description>
<video:duration>3488</video:duration>
<video:publication_date>2025-06-27T09:03:27Z</video:publication_date>
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<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-07-29T08:57:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38C8</loc>
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<video:title>Mozart: Non siate ritrosi (Arie aus Così fan tutte) – mit Andrè Schuen</video:title>
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<video:description></video:description>
<video:duration>154</video:duration>
<video:publication_date>2025-07-25T11:56:00Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-25T12:44:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJADG</loc>
<video:video>
<video:title>Gianandrea Noseda dirigiert Verdis Requiem - mit Maria Agresta</video:title>
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<video:description>Der sowohl in der Oper wie im Konzertsaal erfolgreiche Gianandrea Noseda gehört zu den wichtigsten italienischen Dirigenten seiner Generation. Wie für Nosedas Landsmänner Toscanini, Abbado und Muti ist Verdis zu Ehren des Dichters Allessandro Manzoni komponiertes und im Jahr 1874 uraufgeführtes Requiem ein unverzichtbar zentrales Werk seines Repertoires. Beim Verbier Festival stand Noseda 2013 ein glanzvolles, von der Sopranistin Maria Agresta angeführtes Solisten-Ensemble zur Verfügung. Das Festival-eigene Orchester und der Chor des Teatro Regio aus Turin trugen zu einer eindrucksvollen und bewegenden Darbietung der Totenmesse bei, in der beklemmende Evokationen des Schreckens neben lyrischen Passagen von überirdischer Schönheit stehen.  </video:description>
<video:duration>4803</video:duration>
<video:publication_date>2022-08-23T14:33:03Z</video:publication_date>
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<lastmod>2025-07-25T10:54:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0DG</loc>
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<video:title>Anne-Sophie Mutter, John Williams &amp; Friends: Beethoven und Williams</video:title>
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<video:description>Die Stargeigerin Anne-Sophie Mutter beschließt die musikalischen Feierlichkeiten zu ihrem 60. Geburtstag mit einem Konzert in der Heinz Hall, begleitet vom Pittsburgh Symphony Orchestra. Zu Gast sind der legendäre Hollywoodkomponist und Dirigent John Williams, Mutters langjähriger Freund Yefim Bronfman am Klavier, ihr Protegé Pablo Ferrández am Cello und die renommierte finnische Dirigentin Susanna Mälkki. Zunächst spielen Mutter, Ferrández und Bronfman unter der Leitung von Mälkki Beethovens Tripelkonzert. Dann folgt Mutters unvergleichliche Darbietung von Williams’ Filmmusiken unter der Leitung des Komponisten.</video:description>
<video:duration>6874</video:duration>
<video:publication_date>2023-12-31T14:36:02Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-24T10:49:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9G</loc>
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<video:title>Puccini: La fanciulla del West</video:title>
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<video:description>Puccinis La fanciulla del West, die im Kalifornien des Jahres 1849 spielt, ist eine Oper wie keine andere. In der Zeit des legendären Goldrauschs findet sich Minnie, das „Mädchen aus dem Westen“, als fast einzige Frau in einer Männergesellschaft wieder. Diese Produktion des Teatro di San Carlo in Neapel, die 2017 Premiere feierte, schwelgt geradezu in der Farbigkeit und Leidenschaft des Werks. Auch wenn sich die atemberaubenden Bühnenbilder des Regisseurs Hugo de Ana am klassischen Western orientieren, befinden wir uns zugleich unüberhörbar in Neapel, der Heimat des Belcanto. Entsprechend stilvoll und beseelt ist der Gesang. Juraj Valčuha dirigiert, und Emily Magee steht als freigeistige Titelheldin an der Spitze einer Starbesetzung.</video:description>
<video:duration>8609</video:duration>
<video:publication_date>2025-06-30T09:07:51Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T09:04:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3IE8</loc>
<video:video>
<video:title>Christie dirigiert Gluck: Iphigénie en Tauride</video:title>
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<video:description>Die Göttin Diana bewahrte Iphigenie vor einem grausamen Schicksal  – doch nun steht die junge Prinzessin in einem fernen Land vor einer noch schrecklicheren Entscheidung. Gluck, der vergessene Revolutionär der Oper des 18. Jahrhunderts, inspirierte mit seiner Tragödie Iphigénie en Tauride von 1779, die kompromisslose Emotionalität und dramatische Kraft vereint, Komponisten von Mozart bis Berlioz. Für das Opernhaus Zürich haben Regisseur Claus Guth und William Christie, Musikexperte für das 18. Jahrhundert, das Werk 2001 auf seine zeitlosen, mythischen Grundzüge reduziert. Juliette Galstian und Rodney Gilfry führen eine handverlesene Besetzung in einer Inszenierung an, die von Ritualen, Erhabenheit und entfesselter Leidenschaft geprägt ist.</video:description>
<video:duration>6468</video:duration>
<video:publication_date>2024-08-06T12:23:30Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T08:45:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR38C0</loc>
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<video:title>Über Mendelssohns Sommernachtstraum</video:title>
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<video:description></video:description>
<video:duration>282</video:duration>
<video:publication_date>2025-07-23T11:50:36Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T08:39:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36C8</loc>
<video:video>
<video:title>Daniil Trifonov in Barcelona: Tschaikowski, Barber und Chopin</video:title>
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<video:description>Auf der Bühne des wunderschönen Palau de la Música Catalana in Barcelona präsentiert Daniil Trifonov ein Programm, das Werke der beiden großen Romantiker Tschaikowski und Chopin mit einem amerikanischen Klassiker des 20. Jahrhunderts kombiniert: Samuel Barbers Klaviersonate, die 1949 von Vladimir Horowitz uraufgeführt wurde. Am Anfang und am Ende des Konzerts erklingt Musik von Tschaikowski. Seiner phantasievollen, in der Studienzeit entstandenen Klaviersonate in cis-Moll steht die Suite aus dem Ballett Dornröschen gegenüber, die Mikhail Pletnev kongenial für Klavier bearbeitet hat. Eine Auswahl von Chopins betörenden Walzern komplettiert ein Programm, das die ganze Bandbreite von Trifonovs atemberaubendem Können zeigt.</video:description>
<video:duration>6426</video:duration>
<video:publication_date>2025-03-06T13:07:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T07:58:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34CG</loc>
<video:video>
<video:title>Über Iberia</video:title>
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<video:description></video:description>
<video:duration>398</video:duration>
<video:publication_date>2025-07-04T14:44:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T12:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36E8</loc>
<video:video>
<video:title>Über Black Sea</video:title>
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<video:description></video:description>
<video:duration>384</video:duration>
<video:publication_date>2025-07-22T09:51:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T12:46:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1K</loc>
<video:video>
<video:title>Carlos Santana und Wayne Shorter</video:title>
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<video:description>Der Münchner Klaviersommer war ein Festival, das alle traditionellen Genre-Grenzen ignorierte – und mit Konzerten begeisterte, bei denen sich geniale Künstler aus Klassik und Jazz gegenseitig inspirierten. So brannte erwartungsgemäß in einer heißen Münchner Sommer-Nacht des Jahres 1988 die Luft, als der Saxophonist Wayne Shorter und der phänomenale Latin-Jazz-Gitarrist Carlos Santana gemeinsam musizierten: Mit einer Weltklasse-Band, zu der Persönlichkeiten wie Patrice Rushen an den Keyboards und Ndugu Chancler am Schlagzeug gehörten, ließen die beiden Künstler die Funken sprühen. Erleben Sie hier die Aufzeichnung eines mitreißenden Konzerts, das die großen Erwartungen sogar noch übertraf.</video:description>
<video:duration>7459</video:duration>
<video:publication_date>2025-07-22T12:40:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T09:19:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1J</loc>
<video:video>
<video:title>Bobby McFerrin trifft Herbie Hancock</video:title>
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<video:description>In den 1980er Jahren war der Münchner Klaviersommer berühmt dafür, einzigartige gemeinsame Auftritte von musikalischen Legenden zu präsentieren – und in diesem Jahrzehnt gab es kaum größere Jazz-Legenden als den weltberühmten Bobby McFerrin und den Pianisten und Bandleader Herbie Hancock. Dieses Konzert in München fand nur zwei Jahre nach der Zusammenarbeit der beiden Musiker bei Hancocks bahnbrechendem Filmprojekt Round Midnight statt. Der Auftritt gipfelt in einem von Thelonious Monk inspirierten Duett, nachdem McFerrin eine Sequenz ausgedehnter freier Improvisationen vorgetragen hat – mit der für diesen Künstler typischen Mischung aus Vitalität, Überschwang und unerschöpflichem Erfindungsreichtum.</video:description>
<video:duration>1978</video:duration>
<video:publication_date>2025-07-22T12:09:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-23T09:17:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34CO</loc>
<video:video>
<video:title>Über Songs of the Bird</video:title>
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<video:description></video:description>
<video:duration>349</video:duration>
<video:publication_date>2025-07-04T14:50:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-22T09:50:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36DG</loc>
<video:video>
<video:title>Friedrich Gulda &amp; Joe Zawinul: Piano Duo</video:title>
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<video:description></video:description>
<video:duration>494</video:duration>
<video:publication_date>2025-07-11T12:59:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-18T20:16:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36D0</loc>
<video:video>
<video:title>Palestrina: Tu es Petrus a 6: I. Tu es Petrus</video:title>
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<video:description></video:description>
<video:duration>224</video:duration>
<video:publication_date>2025-07-09T14:28:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-18T18:16:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32D8</loc>
<video:video>
<video:title>Antonio Pappano &amp; Lisa Batiashvili: Mozart &amp; Strauss </video:title>
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<video:description>Wolfgang Amadeus Mozart und Richard Strauss haben vieles gemeinsam: zwei ehemalige Wunderkinder, die von demselben unbändigen Gespür für Melodie und Witz übersprudeln. Strauss&apos; gewaltige musikalische Autobiographie Ein Heldenleben hat einen anderen Stellenwert als der schrille Till Eulenspiegel - aber beide nehmen sich manchmal nicht zu ernst! Mozarts fünftes Violinkonzert hingegen zeigt den jugendlichen Komponisten in seiner üppigsten Form - ein reizvolles Paradestück für eine so stilvolle (und einfallsreiche) Solistin wie Lisa Batiashvili. Der neue Chefdirigent des LSO, Antonio Pappano, bringt seinen ganzen Sinn für Theater in ein Programm ein, das überlebensgroß ist.</video:description>
<video:duration>6136</video:duration>
<video:publication_date>2025-05-27T18:15:26Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-18T10:56:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2D8</loc>
<video:video>
<video:title>Lisa Batiashvili, Gautier Capuçon und Zubin Mehta spielen Brahms </video:title>
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<video:description>Aus der Isarphilharmonie in München dirigiert Zubin Mehta ein reines Brahms-Konzert mit den Münchner Philharmonikern und zwei Solisten von Weltrang: Lisa Batiashvili und Gautier Capuçon. Zunächst steht Brahms’ Doppelkonzert auf dem Programm, ein pulsierendes Werk von 1887, das der Komponist als Geste der Versöhnung für seinen alten Freund Joseph Joachim schrieb, mit dem er sich einige Jahre zuvor entzweit hatte. Es folgt die vier Jahre zuvor entstandene Dritte Symphonie. „Das Herz geht einem auf“, begeisterte sich der Komponistenkollege Antonín Dvořák über die melodische Schönheit der Musik. Und vielleicht hatte sich der Komponist eben das gewünscht von dieser Arbeit eines Sommers, in dem er für eine junge Frau schwärmte.</video:description>
<video:duration>5138</video:duration>
<video:publication_date>2024-01-24T08:48:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-17T14:59:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPI</loc>
<video:video>
<video:title>Shchedrin spielt Shchedrin: 12 Präludien aus dem Polyphonic Notebook</video:title>
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<video:description>Es ist nicht übertrieben, Rodion Shchedrin als lebende Legende zu bezeichnen: Der wahrscheinlich bedeutendste russische Komponist seit dem Tod von Schostakowitsch verbindet sein Bewusstsein für die musikalische Tradition mit einem spielerischen, oft auch subversiven Humor. In der Blütezeit seiner Karriere war der Musiker auch ein charismatischer Pianist von bemerkenswerter Flexibilität – und der maßgebliche Interpret seiner eigenen Werke. Shchedrins Solo-Auftritte gehörten im Jahr 1985 zu den Höhepunkten des herrlich eklektischen Münchner Klaviersommers. In diesem Konzert spielt er zwölf der 25 Präludien aus seinem Polyphonic Notebook mit der für ihn typischen Mischung aus Intelligenz, Diskretion, Poesie und Witz.</video:description>
<video:duration>1512</video:duration>
<video:publication_date>2025-07-11T10:30:51Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-17T14:35:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPJ</loc>
<video:video>
<video:title>Wagner: Tristan und Isolde </video:title>
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<video:description></video:description>
<video:duration>13359</video:duration>
<video:publication_date>2025-07-11T12:18:49Z</video:publication_date>
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</video:video>
<lastmod>2025-07-16T13:43:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJAC0</loc>
<video:video>
<video:title>Gala aus Berlin 1997 – Ein Hoch auf Carmen</video:title>
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<video:description>In der Silvestergala 1997 begrüßt Claudio Abbado am Pult der Berliner Philharmoniker fünf wahrlich einzigartige Größen des Gesangs: Anne Sofie von Otter, Bryn Terfel, Véronique Gens, Roberto Alagna und Stella Doufexis. Die erfolgreichen jungen Stars der Opernwelt feiern die freiheitsliebende Carmen in dieser Nacht – mit Auszügen aus Bizets gleichnamiger Oper. Doch damit nicht genug: Der Pianist Mikhail Pletnev spielt Rachmaninows Paganini-Rhapsodie und der Geiger Gil Shaham Sarasates Carmen-Fantasie. Und zuletzt entlässt Abbado sein Publikum mit Ravels Rapsodie espagnole in einen andalusischen Traum.</video:description>
<video:duration>5512</video:duration>
<video:publication_date>2024-02-05T09:14:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-16T09:35:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ID8</loc>
<video:video>
<video:title>Richard Strauss: Orchesterlieder IV, „Winterliebe“</video:title>
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<video:description>„Ergehst du dich im Abendlicht – Das ist die Zeit der Dichterwonne...“; Richard Strauss war der Vollender einer langen Tradition des deutschen Liedes – und wenn er seine Gedicht-Vertonungen in die leuchtenden Farben des spätromantischen Orchesters kleidete, gab er seiner eigenen Seele eine Stimme. 1994 präsentierten Roberto Abbado und das Münchner Rundfunkorchester in Strauss&apos; Wahlheimat Garmisch-Partenkirchen eine so noch nie aufgeführte Auswahl von Orchesterliedern des Komponisten. In diesem Konzert, das viele Publikumshits und Raritäten umfasst, sind herausragende Strauss-Interpret:innen des späten 20. Jahrhunderts wie Franz Hawlata und die große bayerische Sopranistin Mechthild Gessendorf zu erleben.</video:description>
<video:duration>3211</video:duration>
<video:publication_date>2025-03-19T15:45:17Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-16T09:25:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3IDG</loc>
<video:video>
<video:title>Richard Strauss: Orchesterlieder I, „Frühlingsfeier“</video:title>
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<video:description>Mit den Worten „Habe Dank!“ endet jede Strophe des Liedes „Zueignung“ von Richard Strauss, der in diesem Jugendwerk in der doppelten Freude der Liebe und der musikalischen Kreativität schwelgt. Von den Anfängen bis zum Ende seines künstlerischen Lebens schrieb der Komponist Lieder, und im vorliegenden Konzert aus dem Jahr 1994 werden sie von fünf der schönsten Strauss-Stimmen des ausgehenden 20. Jahrhunderts interpretiert. Aufführungsort der kostbaren vokalen Miniaturen ist Garmisch-Partenkirchen, die in die bayerischen Alpen eingebettete Wahlheimat des Komponisten. Dirigent Roberto Abbado und das Münchner Rundfunkorchester beleuchten jede Nuance der von Strauss selbst instrumentierten farbenreichen Orchesterfassungen.</video:description>
<video:duration>3197</video:duration>
<video:publication_date>2025-03-19T16:08:31Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:24:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3CE0</loc>
<video:video>
<video:title>Barenboim dirigiert Liszt, Schumann, Beethoven and Wagner</video:title>
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<video:description>Daniel Barenboim ist einer der vielseitigsten und umfassendsten Musiker seiner Generation. In diesem Konzert kommen viele Facetten seines musikalischen Lebens zusammen. Er dirigiert die Berliner Philharmoniker in einem Programm mit zentralen Werken des 19. Jahrhunderts in der Berliner Staatsoper - deren Generalmusikdirektor er von 1992 bis 2023 war. Das Hörnerquartett in Schumanns mitreißendem Konzertstück bringt Spieler der Berliner Philharmoniker mit den damaligen Solohörnern der Staatskapelle Berlin und des Chicago Symphony Orchestra (dessen Chefdirigent Barenboim damals war) zusammen. Das Ergebnis ist ein Konzert, das sich sehen lassen kann.</video:description>
<video:duration>4520</video:duration>
<video:publication_date>2024-06-21T12:34:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:19:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38C8</loc>
<video:video>
<video:title>Gavrilov spielt Chopin: 4 Balladen</video:title>
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<video:description>Andrei Gavrilov sorgte in den späten 1970er Jahren für Furore, als er den Internationalen Tschaikowski-Wettbewerb gewann. Seiner Karriere im Westen legte allerdings der KGB Jahre lang Steine in den Weg. Nachdem sich Gavrilov später als einer der interessantesten Pianisten seiner Generation etabliert hatte, zog er sich ab 1993 weitgehend von der Bühne zurück und gab nur noch gelegentlich Konzerte. Die hier dokumentierten Interpretationen von Chopins Vier Balladen, denen der Künstler beim Münchner Klaviersommer 1997 drei Zugaben folgen ließ, zeigt die unverminderte Überzeugungskraft von Gavrilovs musikalischer Vision in beeindruckender Weise.</video:description>
<video:duration>2629</video:duration>
<video:publication_date>2025-01-29T15:15:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:49:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38C0</loc>
<video:video>
<video:title>Gavrilov spielt Beethoven: Klaviersonaten Nr. 6 und Nr. 7</video:title>
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<video:description>Dem russischen Pianisten Andrei Gavrilov bescheinigte die Zeitschrift Gramophone ein „unendliches Potenzial“ und „eine Technik, aus der Legenden gemacht werden“. Der Durchbruch zum internationalen Ruhm gelang Gavrilov, als er 1974 im Alter von nur 18 Jahren den internationalen Tschaikowski-Wettbewerb gewann. In der Diskografie des Musikers, die von Bach bis zu Skrjabin reicht, kommt die Musik Beethovens nur am Rande vor. Gerade deshalb ist diese Interpretation von zwei frühen Sonaten des Komponisten so wertvoll. Die 1997 live im Münchner Gasteig aufgezeichnete Aufführung zeigt Gavrilovs Affinität zu den Wiener Klassikern ebenso wie seine von der Romantik geprägte Intuition und einen nahezu unübertroffenen Reichtum an pianistischen Farben.</video:description>
<video:duration>2269</video:duration>
<video:publication_date>2025-01-29T15:08:29Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:49:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DG</loc>
<video:video>
<video:title>Hommage der Wiener Sängerknaben zum Mozarts 250. Geburtstag</video:title>
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<video:description>So jung ihre Mitglieder auch sind, so alt und ehrwürdig ist mit einer inzwischen mehr als halbtausendjährigen Geschichte die Institution der Wiener Sängerknaben. Anders als Haydn und Schubert gehörte der Salzburger Mozart zwar nicht zu deren Mitgliedern, er hat aber mit dem Ensemble musiziert. So dürfte ein Beitrag der Sängerknaben zum 250. Jahrestag des Komponisten, der 2006 in der ganzen Welt gefeiert wurde, nicht fehlen. Im Wiener Stephansdom – Schauplatz von Mozarts Trauung und Aussegnung – erwies sich die bereits 1792 zur Inthronisation Kaiser Franz II. aufgeführte Krönungsmesse als ideale Festtags-Musik. Sandrine Piau sang die von Koloraturen und traumhaften Holzbläser-Soli geprägte Arie »Et incarnatus est« aus der c-Moll-Messe.</video:description>
<video:duration>4073</video:duration>
<video:publication_date>2022-06-21T13:55:14Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:41:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32C8</loc>
<video:video>
<video:title>Richter: Dream 11 / Moth-Like Stars - Pt. 2</video:title>
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<video:description></video:description>
<video:duration>192</video:duration>
<video:publication_date>2025-06-11T14:55:16Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:14:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CDO</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Klavierkonzert Nr. 1 </video:title>
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<video:description>Herbert von Karajan am Pult der Berliner Philharmoniker in einem der berühmtesten Instrumentalkonzerte überhaupt – Tschaikowskys Klavierkonzert Nr. 1, dargeboten von Alexis Weissenberg, dem Meisterpianisten aus Sofia, der sich trotz seines Könnens ein Jahrzehnt lang von der Bühne verabschiedete und von Karajan zurückgeholt wurde. Die Aufführung wurde 1967 in der Berliner Philharmonie unter der Regie von Åke Falck gedreht, ein faszinierendes Dokument, das durch seine innovative filmische Inszenierung von Musik den Geschmack des großen Dirigenten traf. Darüber hinaus hielt es fest, wie dessen Lesart das Konzert transformierte.</video:description>
<video:duration>2372</video:duration>
<video:publication_date>2023-09-19T14:58:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-15T14:02:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4CO</loc>
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<video:title>Karajan dirigiert Rachmaninow: Klavierkonzert Nr. 2 </video:title>
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<video:description>Alexis Weissenberg ist der Solist in dieser Aufführung von einem der bekanntesten Klavierkonzerte des Repertoires, Rachmaninows mitreißend melodischem und durch und durch romantischem Klavierkonzert Nr. 2. Im ästhetischen Einvernehmen finden Herbert von Karajan, die Berliner Philharmoniker und der bulgarische Klaviervirtuose zu sattem Klang und intensivem Ausdruck. Karajan selbst ist der Regisseur dieses Mitschnitts aus der Berliner Philharmonie, den er mit innovativen Einfällen auf Film bannt.</video:description>
<video:duration>2282</video:duration>
<video:publication_date>2023-12-01T11:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:02:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8</loc>
<video:video>
<video:title>John Eliot Gardiner dirigiert Berlioz&apos; L&apos;enfance du Christ</video:title>
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<video:description>Bei der ersten Aufführung in ihrer neuen Londoner Heimat führen der Monteverdi Choir und das Orchestre Révolutionnaire et Romantique unter der Leitung von Sir John Eliot Gardiner eines der wichtigsten Werke von Hector Berlioz auf. L&apos;Enfance du Christ erzählt die Geschichte von König Herodes und der Flucht von Maria, Joseph und Jesus nach Ägypten. Das Werk, das vor allem für den Abschied der Hirten bekannt ist, ist von höchster Schönheit und wurde auch von anderen romantischen Komponisten geschätzt. Zusammen mit dem Trinity Boys Choir und einer erlesenen Auswahl internationaler Solisten findet das Konzert in der kultigen Kirche St. Martin-in-the-Fields statt und eröffnet die festliche Jahreszeit mit Wärme, Heiterkeit und altmodischem Charme.</video:description>
<video:duration>6177</video:duration>
<video:publication_date>2022-06-15T15:32:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:59:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJID0</loc>
<video:video>
<video:title>Shchedrin: Hommage à Chopin</video:title>
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<video:description> </video:description>
<video:duration>950</video:duration>
<video:publication_date>2025-05-08T09:16:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:37:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8CO</loc>
<video:video>
<video:title>Paul Gulda und Roland Batik: Impressionen</video:title>
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<video:description>Nichts scheint unmöglich, wenn die Pianisten Roland Batik und Paul Gulda zusammen auftreten. Batik – ein Schüler und Erbe des genialen Wiener Klavier-Exzentrikers Friedrich Gulda – fühlt sich bei Mozart ebenso wohl wie in dem von ihm gegründeten Jazz-Trio. Paul Gulda ist der Sohn von Friedrich und knüpft an dessen Vision eines innovativen, Grenzen-sprengenden Klavierspiels an. Die Funken-sprühende Kooperation der beiden Musiker sorgte in der Konzertszene der 1980er Jahre für Furore. Erwarten Sie also das Unerwartbare in diesem spektakulären Auftritt, der beim Münchner Klaviersommer 1983 aufgezeichnet wurde. Die beiden musikalischen Freigeister spielen Meisterwerke von Brahms und Mozart und mitreißende, vom Jazz inspirierte Improvisationen.</video:description>
<video:duration>3518</video:duration>
<video:publication_date>2025-05-12T09:57:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:34:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38C0</loc>
<video:video>
<video:title>Joe Hisaishi: Viola Saga – mit Antoine Tamestit</video:title>
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<video:description>Der Bratschist Antoine Tamestit spielt gemeinsam mit den Wiener Symphonikern die Ersteinspielung von Joe Hisaishis Viola Saga, die vom Komponisten selbst dirigiert wird. Wenige Monate nach seinem gefeierten ersten Wien-Konzert im berühmten Wiener Konzerthaus während der Aufnahmen zum Album gefilmt, zeigt dieses neue Bratschenkonzert eine andere Seite von Hisaishis Kunst - jenseits der Filmmusik, mit der er erstmals internationale Anerkennung fand. Diese Aufführung vereint ihn mit einem der berühmtesten Bratschen-Solisten unserer Zeit, dessen warmer Klang und unübertroffene Technik für sich stehen.</video:description>
<video:duration>2351</video:duration>
<video:publication_date>2024-07-01T08:17:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-14T18:07:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4DG</loc>
<video:video>
<video:title>John Eliot Gardiner dirigiert Haydn und Mozart </video:title>
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<video:description>In diesem Konzert, das im Januar 2023 in der Londoner Kirche St. Martin-in-the-Fields aufgezeichnet wurde, treffen zwei der aufregendsten Instrumentalisten der Gegenwart auf John Eliot Gardiner und seine English Baroque Soloists. Isabelle Faust und Antoine Tamestit erweisen sich als ideale Solisten in Mozarts unvergleichlicher Sinfonia Concertante von 1779, die während einer Europatournee des Komponisten entstand. Umrahmt wird das zentrale Werk von zwei Symphonien: Haydn schrieb seine von farbenprächtigen Bläser-Passagen geprägte 84. Sinfonie für eine Veranstaltungsreihe in Paris; und Mozart gab über seine großangelegte, meisterliche Linzer Sinfonie zu Protokoll, er habe sie im Herbst 1783 innerhalb weniger Tage komponiert.</video:description>
<video:duration>6328</video:duration>
<video:publication_date>2023-05-16T13:21:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-14T18:07:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHL</loc>
<video:video>
<video:title>Joe Zawinul: Solo</video:title>
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<video:description>Joe Zawinul war ein Gigant des österreichischen Jazz: Der Musiker, der am Wiener Konservatorium ausgebildet worden war, arbeitete mit Miles Davis, Friedrich Gulda und Cannonball Adderley zusammen. In den 1970er und 1980er Jahren stand er mit seiner Jazz-Fusion-Gruppe Weather Report an der Spitze einer kleinen Revolution und definierte dabei die Grenzen der Genres neu. Aber niemand wird 28 Mal vom Down Beat Magazine als &quot;Bester elektrischer Keyboarder&quot; ausgezeichnet, der nicht auch ernsthafte Solokonzerte spielt. Beim Münchner Klaviersommer war Zawinul 1985 auf dem Höhepunkt seiner Kreativität. Während einer epischen, 60-minütigen Sequenz von Keyboard-Improvisationen brillierte er virtuos auf einer ganzen Reihe von hochmodernen Synthesizern.</video:description>
<video:duration>3402</video:duration>
<video:publication_date>2025-07-10T09:44:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T12:11:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHG</loc>
<video:video>
<video:title>Gardiner dirigiert Monteverdi: L&apos;Orfeo</video:title>
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<video:description>Als Claudio Monteverdi 1607 L&apos;Orfeo komponierte, war die Kunstform der Oper gerade erst erfunden worden – welches geeignetere Thema für die noch junge Gattung hätte es also geben können als die Tragödie des unübertroffenen Musikers Orpheus, dessen Melodien sogar die Qualen des Hades stillen konnten? Anlässlich des 450. Geburtstags von Monteverdi im Jahre 2017 beauftragte das Teatro La Fenice in Venedig Sir John Eliot Gardiner, die English Baroque Soloists und den Monteverdi Choir, alle drei erhaltenen Opern Monteverdis aufzuführen. Gardiner konnte sich bei dieser konzertanten Interpretation auf seine langjährige Beschäftigung mit der Musik des Komponisten stützen – zum ersten Mal hatte er L&apos;Orfeo bereits 1967 dirigiert.</video:description>
<video:duration>7156</video:duration>
<video:publication_date>2025-07-07T08:56:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T10:20:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9O</loc>
<video:video>
<video:title>Gardiner dirigiert Monteverdi: Il ritorno d&apos;Ulisse in patria</video:title>
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<video:description>Ein Verbannter kehrt zurück, Usurpatoren werden besiegt, und nach langjähriger Trennung sind ein Mann und seine Frau endlich wieder miteinander vereint. Die Handlung von Monteverdis Oper Il ritorno d&apos;Ulisse in patria, die auf Homers Odyssee basiert, stammt aus der griechischen Antike. Doch die verhandelten Themen sind so universell und beständig wie die Menschheit selbst. Monteverdis bahnbrechende, oft nachgeahmte, aber nie übertroffene Oper hat sich durch die Jahrhunderte ihre Kraft bewahrt. Diese konzertante Aufführung, die im Teatro la Fenice zum 450. Geburtstag des Komponisten stattfand, präsentiert ein glanzvolles Vokal-Ensemble unter der Leitung des unübertroffenen Monteverdi-Interpreten Sir John Eliot Gardiner.</video:description>
<video:duration>11728</video:duration>
<video:publication_date>2025-07-07T08:11:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T10:19:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9P</loc>
<video:video>
<video:title>Gardiner dirigiert Monteverdi: L&apos;incoronazione di Poppea</video:title>
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<video:description>Macht korrumpiert, aber Lust korrumpiert vielleicht sogar noch stärker. Die Oper L&apos;incoronazione di Poppea erzählt auf mahnende und zugleich gefährlich verführerische Weise von den Intrigen am Hof des Kaisers Nero und vom unaufhaltsamen Aufstieg von dessen Mätresse Poppea. Monteverdis letzte vollendete Oper ist zugleich seine sinnlichste und hat fast 400 Jahre nach ihrer Entstehung nichts von ihrer Kraft – und Schönheit – verloren. In dieser konzertanten Aufführung zum 450. Geburtstag des Komponisten im Jahr 2017 sang ein Weltklasse-Ensemble an der Seite des Monteverdi Choirs. Die musikalische Leitung im Teatro la Fenice übernahm Sir John Eliot Gardiner, einer der bedeutendsten Monteverdi-Interpreten unserer Zeit.</video:description>
<video:duration>11542</video:duration>
<video:publication_date>2025-07-07T08:32:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T10:18:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36CG</loc>
<video:video>
<video:title>Roth: Night Prayer</video:title>
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<video:description></video:description>
<video:duration>216</video:duration>
<video:publication_date>2025-07-09T14:08:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T12:03:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36CO</loc>
<video:video>
<video:title>Schubert: Klaviersonate Nr. 20 in A-Dur, D. 959: II. Andantino</video:title>
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<video:description></video:description>
<video:duration>522</video:duration>
<video:publication_date>2025-07-09T14:23:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T12:00:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36C8</loc>
<video:video>
<video:title>Schubert: Moments musicaux, D. 780: Nr. 3 in f-Moll. Allegro moderato</video:title>
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<video:description></video:description>
<video:duration>103</video:duration>
<video:publication_date>2025-07-09T10:22:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T11:59:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34DG</loc>
<video:video>
<video:title>Das Klavier spielt sich selbst: Welte-Mignon und die mechanische Musik</video:title>
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<video:description>Im Jahr 1904 war die Vorstellung des Welte-Mignon-Reproduktionsklaviers eine Sensation. Am Anfang des 20. Jahrhunderts ermöglichte es die neue Technologie einigen der größten Komponisten und Musiker – von denen es sonst keine Aufzeichnungen gibt – ihre Interpretationen für die Nachwelt festzuhalten. Oliver Beckers faszinierender Dokumentarfilm, der historisches Filmmaterial und Interviews umfasst, erkundet die Ursprünge und die Geschichte dieser frühen Aufnahmetechnik – und zeigt, welche Folgen sie für Komponisten und Interpreten hatte.</video:description>
<video:duration>2517</video:duration>
<video:publication_date>2025-07-07T12:31:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T09:47:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34C8</loc>
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<video:title>Beethoven: Klavierkonzert Nr. 5 in Es Dur, III. Rondo. Allegro (Live aus Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>670</video:duration>
<video:publication_date>2025-07-03T14:26:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34E0</loc>
<video:video>
<video:title>Scrjabin: 2 Poèmes, Op. 69: Nr. 1, Allegretto (Live aus Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>130</video:duration>
<video:publication_date>2025-07-08T15:28:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:26:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR36C0</loc>
<video:video>
<video:title>Mompou: Scènes d’enfants: Nr. 5, Jeunes filles au Jardin (Live aus Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>174</video:duration>
<video:publication_date>2025-07-08T16:02:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:25:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR34E8</loc>
<video:video>
<video:title>Scrjabin: 3 Morceaux, Op. 45: Nr. 1, Feuillet d&apos;album (Live aus Tongyeong / 2022)</video:title>
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<video:description></video:description>
<video:duration>86</video:duration>
<video:publication_date>2025-07-08T15:48:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:25:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0CG</loc>
<video:video>
<video:title>Lise Davidsen: Weihnachten aus Norwegen</video:title>
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<video:description>Die norwegische Sopranistin Lise Davidsen, gefragt auf den Bühnen dieser Welt, singt eine stimmungsvolle Auswahl weihnachtlicher Lieder im Folketeateret in Oslo. Neben traditionellen Weihnachtsliedern aus Europa, insbesondere aus Norwegen, ist Musik von Bach, Humperdinck und Hugo Wolf zu hören. Ob in silbriger Höhe oder samtiger Mezzotiefe, Lise Davidsens Stimme begeistert durch ihre mühelose und unprätentiöse Kunstfertigkeit – ein farbenreiches Fest der Klänge zur Weihnachtszeit.</video:description>
<video:duration>3087</video:duration>
<video:publication_date>2023-12-23T18:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">NO</video:restriction>
</video:video>
<lastmod>2025-07-08T09:36:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1I</loc>
<video:video>
<video:title>Mozart: Die Zauberflöte</video:title>
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<video:description>Die Zauberflöte, Mozarts letztes Opernmeisterwerk, vereint Poesie und Zauber mit der Philosophie der Aufklärung. Denn in diesem farbenprächtigen Märchen, in dem die Mächte der Finsternis gegen Wahrheit, Güte und Licht antreten, gewinnt am Ende die wahre Liebe. Für das Glyndebourne Festival brachte das Regie-Duo Barbe et Doucet Mozarts geniales Werk 2019 mit frischem Witz und tieferer Bedeutung auf die Bühne. Die Inszenierung bietet mit ihrem überbordendem Einfallsreichtum einen perfekten Rahmen für die herausragenden Leistungen der Sängerinnen und Sänger. Für wunderbare Klänge sorgt das auf historischen Instrumenten spielende Orchestra of the Age of Enlightenment unter der Leitung des Dirigenten Ryan Wigglesworth.</video:description>
<video:duration>10072</video:duration>
<video:publication_date>2025-06-25T09:33:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-08T06:48:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJGE8</loc>
<video:video>
<video:title>Dvořák: Rusalka</video:title>
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<video:description>Dvořáks tschechische Nacherzählung des berühmten Märchens von der kleinen Meerjungfrau ist von der Atmosphäre der böhmischen Landschaft beseelt: Einer Welt der Wälder, der volkstümlichen Bräuche und der vom Mondlicht beschienenen Teiche. Das Werk passt also ideal zum sommerlichen Weltklasse-Festival in Glyndebourne, das im tiefen Süden Englands in wunderbarer Natur stattfindet. Melly Stills Rusalka-Inszenierung aus dem Jahr 2019 begeistert durch ihre prächtigen, fantasievollen Bilder und das magische Spiel mit Licht und Schatten, das sich in der feinsinnigen Spielweise des London Philharmonic Orchestra unter der Leitung von Robin Ticciati widerspiegelt. Im Zentrum des großartigen Ensembles steht Sally Matthews als Rusalka.</video:description>
<video:duration>9204</video:duration>
<video:publication_date>2025-06-18T14:47:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-08T06:46:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJIC0</loc>
<video:video>
<video:title>Mozart: Così fan tutte</video:title>
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<video:description>Seit seiner Gründung durch emigrierte Musiker in den 1930er Jahren hat sich das sommerliche Opernfestival in Glyndebourne auf dem englischen Lande auf Mozart spezialisiert. Dabei ist steht in jedem Jahr mindestens eine der drei großen Opern auf dem Programm, die Mozart in Zusammenarbeit mit dem Librettisten Lorenzo da Ponte schuf. Im Jahr 2006 wurde Nicholas Hytners tiefgründige Inszenierung von Così fan tutte, die durch historische Kostüme und von der Sonne geküsste Bilder bezaubert, sofort zu einem Klassiker. Mit dem Dirigenten Iván Fischer, dem Orchestra of the Age of Enlightenment und Sänger*innen wie Topi Lehtipuu und Miah Persson hat diese „Schule für Liebende“ einige überraschende Lektionen zu bieten.</video:description>
<video:duration>10865</video:duration>
<video:publication_date>2025-06-19T08:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-07T17:36:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32D0</loc>
<video:video>
<video:title> Korngold: Die stumme Serenade, Op. 36: Nr. 23, Ohne Dich (Transkr. Sonnenmoser)</video:title>
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<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2025-06-20T10:00:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T11:42:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6</loc>
<video:video>
<video:title>Vivaldi in Versailles: Avi Avital &amp; das Venice Baroque Orchestra</video:title>
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<video:description>Werke von Antonio Vivaldi für die Mandoline, das Venice Baroque Orchestra und das Ambiente des Schlosses von Versailles mit seinen Gemälden von Veronese und den kostbaren Geschenken, die die Republik Venedig Ludwig XIV. machte, versetzen das Publikum dieser Konzertaufzeichnung direkt in die Barockzeit. Der virtuose Mandolinist Avi Avital bringt mit Werken aus seinem Album Vivaldi – einer Hommage an den italienischen Komponisten und an Venedig, die Heimat des Barock – das 18. Jahrhundert in die Gegenwart und verhilft mit mitreißender Technik, faszinierender Klangfülle und differenzierter Interpretationskunst der in der Musikgeschichte oft stiefmütterlich behandelten Mandoline zu einer längst überfälligen Renaissance.</video:description>
<video:duration>2608</video:duration>
<video:publication_date>2022-05-05T12:15:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T09:33:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGE0</loc>
<video:video>
<video:title>Alice Sara Ott: Nocturne</video:title>
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<video:description>Tauchen Sie ein in die betörende Welt der Nocturnes von John Field, die hier wunderbar von der weltberühmten Pianistin Alice Sara Ott interpretiert werden. Der Film des Regisseurs und Tenors Andrew Staples ermöglicht einen ungewöhnlichen Einblick in die Gedankenwelt einer Künstlerin während des kreativen Prozesses. Das Zusammenspiel zwischen den historischen Schauplätzen und den maßgeschneiderten digitalen Landschaften des Münchner Hyperbowl-LED-Studios schafft eine Atmosphäre, in der das Ungreifbare lebendig und real wird. Dieser Film ist mehr als eine Konzertaufzeichnung; er begleitet die Reise einer Künstlerin durch die Musik eines vernachlässigten Komponisten, dem wir eines der beliebtesten musikalischen Genres verdanken: das Nocturne.</video:description>
<video:duration>2956</video:duration>
<video:publication_date>2025-02-16T14:11:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T07:57:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3GD0</loc>
<video:video>
<video:title>Über Études Mélodiques</video:title>
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<video:description></video:description>
<video:duration>408</video:duration>
<video:publication_date>2024-10-10T14:08:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-01T10:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3GCO</loc>
<video:video>
<video:title>Études Mélodiques: Hinter den Kulissen</video:title>
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<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2024-10-10T14:04:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-01T10:09:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2CG</loc>
<video:video>
<video:title>Kleiber dirigiert Brahms&apos; Sinfonie Nr. 2 &amp; Mozarts Sinfonie Nr. 36</video:title>
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<video:description>Bemerkenswert schmal war das Konzertrepertoire von Carlos Kleiber, doch seine wiederholte, geradezu manische Auseinandersetzung mit wenigen einzelnen Kompositionen schenkte der Musikwelt einmalige Interpretationen. Die Zweite Symphonie von Brahms zählt zu diesen Werken, an ihr entzündete sich Kleibers Genie und seine Lesart erlangte Kultstatus – hier bewahrt als Livemitschnitt von 1991 aus Wien. Im Durchdringen der kompositorischen Architektur offenbart Kleiber die melancholische Stimmung und dramatische Zuspitzung einer nur vordergründig heiter harmonischen Klangwelt. Ebenso aufschlussreich ist seine folgende Interpretation von Mozarts brillanter „Linzer Symphonie“. Ein unvergessliches Konzert eines unvergleichlichen Dirigenten.</video:description>
<video:duration>4422</video:duration>
<video:publication_date>2023-01-24T16:39:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T13:17:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ED8</loc>
<video:video>
<video:title>Maisky spielt Bach: Cellosuite Nr. 1</video:title>
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<video:description>Mischa Maisky ist der einzige lebende Cellist, der sowohl bei Rostropowitsch als auch bei Gregor Piatigorsky studiert hat. Bachs Sechs Suiten sind für den Musiker nicht nur die schönsten Werke, die jemals für unbegleitetes Cello komponiert worden sind; für ihn kommt in ihnen das Leben selbst zum Ausdruck. „Es gibt keine den Menschen bekannte Emotion, die nicht in Bachs Musik vorkommt“, erklärt Maisky. „Sie umfasst alles, und wir müssen nur tief genug graben, um es zu finden und auszudrücken.“ In diesen Interpretationen der Suiten, die 1986 für das deutsche Fernsehen aufgezeichnet wurden, wird Maisky dem selbst gestellten Anspruch gerecht: Ein unübertrefflich erhabenes Erlebnis für einen großen Cellisten und sein Publikum zu kreieren.</video:description>
<video:duration>1214</video:duration>
<video:publication_date>2025-03-05T15:32:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T08:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32DO</loc>
<video:video>
<video:title>Saraste über seine Lieblingssinfonien von Sibelius</video:title>
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<video:description></video:description>
<video:duration>255</video:duration>
<video:publication_date>2025-06-25T15:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T07:57:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32CO</loc>
<video:video>
<video:title>Bewegt – Bewegend – Enoch zu Guttenberg</video:title>
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<video:description>Enoch zu Guttenberg war ein herausragender Interpret der großen Oratorien und symphonischen Werke, die zwischen Barock und Spätromantik entstanden. Sein unverwechselbarer Stil zeichnete sich durch die Versöhnung von Gegensätzen aus: Elemente der historischen Aufführungspraxis vereinte er mit moderner, vitaler Ausdruckskraft. Zu Guttenbergs Erfolg basierte auch auf der fast 40- jährigen Arbeit mit der Chorgemeinschaft Neubeuern, die er aus einer ländlichen Liedertafel zu einem Ensemble von Weltrang formte. Eine ebenso beeindruckende Lebensleistung stellt die Kooperation mit dem Orchester der KlangVerwaltung dar, zu dessen Mitbegründern der Dirigent 1997 gehörte.</video:description>
<video:duration>3532</video:duration>
<video:publication_date>2025-06-20T08:12:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-06-30T05:57:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32D0</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Vierte Sinfonie </video:title>
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<video:description>Ein großes Tal, halb im Sonnenlicht, halb im tiefen Schatten. Das ist eines der Bilder, die Sibelius&apos; Fantasie beflügelt haben sollen, als er seine vierte Symphonie komponierte: ein Werk, das furchtlos in den Abgrund starrt, um eine hart erkämpfte, sehr persönliche Art von Hoffnung zu finden. Für Jukka-Pekka Saraste ist es ein Meisterwerk mit „kosmischen Dimensionen“ und ein natürlicher Ausklang seines Helsinki-Sibelius-Zyklus. </video:description>
<video:duration>2087</video:duration>
<video:publication_date>2025-04-23T07:40:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-27T14:42:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32E0</loc>
<video:video>
<video:title>Eine Konversation über Il re pastore</video:title>
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<video:description></video:description>
<video:duration>1839</video:duration>
<video:publication_date>2025-06-26T15:11:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-27T11:11:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1L</loc>
<video:video>
<video:title>Joe Zawinul und Weather Update</video:title>
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<video:description>In der legendären Band Weather Update (früher Weather Update genannt= kam der österreichische Jazzpianist Joe Zawinul, der am Wiener Konservatorium ausgebildet wurde, mit einigen der originellsten und unwiderstehlichsten Stimmen des amerikanischen Nachkriegsjazz zusammen. Die spektakuläre Free-Fusion-Formation definierte in den 1970er und 1980er Jahren die Grenzen des Jazz neu und wurde mehrfach mit dem Down Beat-Award ausgezeichnet. Dieses Set, das 1986 in der Philharmonie am Gasteig live aufgezeichnet wurde, zeigt die Band am Ende ihres einflussreichen Weges. Das von Zawinul angeführte Ensemble, zu der auch Peter Erskine am Schlagzeug und Victor Bailey am Bass gehören, spielt Stücke aus This is This!, dem letzten Album von Weather Report.</video:description>
<video:duration>3563</video:duration>
<video:publication_date>2025-06-25T12:58:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T13:47:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1M</loc>
<video:video>
<video:title>Isaac Steiner: Vom Barock bis heute</video:title>
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<video:description>In den 1980er Jahren gehörte es zu den Markenzeichen des Münchner Klaviersommers, einmalige Partnerschaften zu ermöglichen: Bei Live-Auftritten musizierten Künstler aus den vermeintlich gegensätzlichen Welten von Klassik und Jazz gemeinsam; und das Publikum spürte, dass es diese Begegnungen nur an diesem Ort und zu diesem Zeitpunkt geben konnte. Der Pianist Isaac Steiner war fest davon überzeugt, dass die Improvisation für die klassische Musik ebenso essentiell ist wie für den Jazz. In einem inspirierenden Konzert stellte er das Prinzip im Jahr 1985 auf die Probe. Mit Rudi Roth und Gary Todd, zwei Giganten der deutschen Jazzszene, begab er sich auf eine funken-sprühende, aufregende Reise durch drei Jahrhunderte der Melodie.</video:description>
<video:duration>3232</video:duration>
<video:publication_date>2025-06-25T13:43:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T10:21:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1K</loc>
<video:video>
<video:title>James &quot;Blood&quot; Ulmer und Phalanx</video:title>
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<video:description>Phalanx sei &quot;Nichts für schwache Nerven&quot; – so urteilte die Washington Post über das Elektro-Jazz-Projekt, das in den 1980ern einige Jahre lang von dem Saxophonisten George Adams und dem Gitarristen und Sänger James &quot;Blood&quot; Ulmer geleitet wurde. Musikalisch stehen die beiden Künstler in der Tradition von Miles Davis, Charles Mingus und Art Blakey – aber mit Phalanx verwirklichten sie einen unverwechselbar persönlichen, elektrisch angetriebenen und mit Soul-Elementen angereicherten Stil. Dieser Funken-sprühende, wilde und unglaublich originelle Auftritt stammt aus der Anfangs-Zeit der Zusammenarbeit und wurde 1985 in München live aufgezeichnet.</video:description>
<video:duration>3831</video:duration>
<video:publication_date>2025-06-25T12:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T10:18:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38DG</loc>
<video:video>
<video:title>Lang Lang &amp; das China Philharmonic Orchestra spielen Mozart in Peking</video:title>
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<video:description>1980 berichtete der durchaus auch kritische Dokumentarfilm „Von Mao zu Mozart” über die Anfänge einer am Westen orientierten Musikkultur in China. 26 Jahre später zeigte das hier dokumentierte Konzert aus dem Konzertsaal nahe der legendären »Verbotenen Stadt«, wie rasant die Entwicklung inzwischen vorangeschritten ist. Das Programm ist, im Jahr von dessen 250. Geburtstag 2006, wiederum Mozart gewidmet. Mit dem China Philharmonic Orchestra verfügt das Land, aus dem auch Dirigent und Solisten stammen, über einen international anerkannten Klangkörper. Nach der 25. Sinfonie und Ausschnitten aus Opern beschließt der chinesische Weltstar Lang Lang mit Mozarts 24. Klavierkonzert und mehreren Zugaben dieses bemerkenswerte Programm.</video:description>
<video:duration>5216</video:duration>
<video:publication_date>2022-11-10T10:32:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:05:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ICO</loc>
<video:video>
<video:title>Rising Stars: Der Pianist Fabian Müller</video:title>
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<video:description>Im Rahmen unserer neuen Rising Stars-Reihe stellen wir Ihnen den deutschen Pianisten Fabian Müller vor. Vom Fachmagazin Gramophone für sein „überzeugendes und künstlerisch unverwechselbares“ Musizieren gelobt, spielt er eine Auswahl seiner Lieblingswerke von Brahms, Beethoven und Rachmaninow und spricht über sein Leben, seine Arbeit und seine persönlichen Interessen.

Bereits 2017 sorgte er beim Internationalen Musikwettbewerb der ARD in München für Aufsehen, wo er fünf Preise gewann, darunter den Publikumspreis. Seitdem konnte er sich als einer der bemerkenswertesten deutschen Pianisten seiner Generation etablieren, veröffentlichte zwei Alben und trat regelmäßig mit großen deutschen Orchestern auf.</video:description>
<video:duration>2590</video:duration>
<video:publication_date>2023-01-02T12:34:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:04:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJECG</loc>
<video:video>
<video:title>Anne-Sophie Mutter und Riccardo Muti mit Tschaikowski und Brahms </video:title>
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<video:description>Dieses Konzert von 2015 markiert den 30. Jahrestag von Anne-Sophie Mutters erster Salzburger Aufführung von Tschaikowskys Violinkonzert unter der Leitung ihres großen Mentors Herbert von Karajan. In dieser Aufführung dirigiert Ricardo Muti die Wiener Philharmoniker, in Mutters Interpretation des Violinkonzerts ist eine unverkennbare emotionale Strömung zu spüren - mehr noch in ihrer Zugabe, einer überragenden Interpretation von Bachs d-Moll-Sarabande, die sie dem Andenken Karajans gewidmet hat. Muti folgt mit einer leuchtenden Darbietung von Brahms&apos; sonnenbeschienener zweiter Symphonie, begleitet von dem Orchester, das sie 1877 uraufgeführt hat.</video:description>
<video:duration>5787</video:duration>
<video:publication_date>2024-03-14T11:16:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:04:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJIE8</loc>
<video:video>
<video:title>Debussy: Pelléas et Mélisande</video:title>
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<video:description>„Sie war ein so stilles Geschöpf, in ein Geheimnis gehüllt wie wir alle...“ In einem alten Schloss sehnt sich die Prinzessin Mélisande nach Liebe – findet aber nichts als Kummer. Dmitri Tcherniakov vertreibt in seiner Zürcher Inszenierung von 2016 den Nebel, der Debussys symbolistische Oper umhüllt. Er präsentiert die Geschichte als eine moderne, poetische und kompromisslos ehrliche Analyse von Trauma, Erinnerung und dem Leiden, das Menschen jenen zufügen, die sie lieben. Durch ihre minimalistische Ausstattung und die Besetzung mit Corinne Winters und Jacques Imbrailo in den Hauptrollen der zum Unglück verurteilten Liebenden ist diese Produktion ein Meilenstein der jüngeren europäischen Inszenierungsgeschichte.</video:description>
<video:duration>9899</video:duration>
<video:publication_date>2025-06-23T09:28:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T07:50:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8C8</loc>
<video:video>
<video:title>Musical Moment: Pumeza Matshikiza &amp; James Baillieu</video:title>
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<video:description>Pumeza Matshikiza gibt im Rahmen der Musical Moments-Reihe der Deutschen Grammophon ein faszinierendes Recital mit Liedern und Arien. Begleitet vom renommierten Pianisten James Baillieu präsentiert die südafrikanische Sopranistin ein stimmungs- und abwechslungsreiches Programm. Mit dem leuchtenden und warmen Klang ihrer Stimme erzählt sie Geschichten über Liebe, Eifersucht und Lebensfreude. Mit Werken von Hahn, Obradors und Fauré begibt sich das Programm auf eine intime musikalische Reise. So zahlreich wie die Herkunftsländer der Komponisten sind auch die Sprachen, zu denen venezianische Dialekte, Französisch, Spanisch, Tschechisch, Swahili und Xhosa gehören. 
Pumeza Matshikiza tritt mit freundlicher Genehmigung von Decca Classics auf.</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2022-07-29T08:22:42Z</video:publication_date>
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<lastmod>2025-06-25T12:59:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0DG</loc>
<video:video>
<video:title>McCoy Tyner: Klavier Solo</video:title>
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<video:description>Der amerikanische Jazzpianist McCoy Tyner hat sich dem Publikum vor allem durch seine genreprägende Zusammenarbeit mit John Coltrane eingeprägt. Dabei war seine Solokarriere, die fast sieben Jahrzehnte umspannte, mindestens ebenso außergewöhnlich. Dieses Konzert wurde 1983 im Rahmen des Münchner Klaviersommers live aufgezeichnet und zeigt den großen Musiker auf dem Höhepunkt seines Ruhms und seiner Vorstellungskraft. Mit der ihm eigenen Klarheit, Poesie und Verve bringt er eine Reihe überschwänglich einfallsreicher Soloimprovisationen auf die Bühne. Erleben Sie den unwiderstehlich vitalen Auftritt eines einzigartigen Meisters des Jazz, der zu den originellsten – und einflussreichsten – Pianisten des 20. Jahrhunderts gehörte.</video:description>
<video:duration>3055</video:duration>
<video:publication_date>2025-03-31T13:58:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-25T12:26:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJACG</loc>
<video:video>
<video:title>Galakonzert in St. Petersburg – mit Netrebko und Hvorostovsky</video:title>
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<video:description>Sankt Petersburg war einst die Hauptstadt eines Kaiserreichs und ein Fenster Russlands zum Westen und bis heute sind die Sankt Petersburger Philharmoniker das ehrwürdigste Orchester des Landes. Diese Gala aus dem Jahr 2003, am Vorabend des 300-jährigen Jubiläums der Metropole aufgeführt, zeugt in seinen Klängen vom Geist des Kosmopolitismus. Unter der Leitung von Juri Temirkanow spielen die Philharmoniker Musik von Tschaikowsky sowie Werke von Saint-Saëns, Ravel und Bruch – Mischa Maisky bringt dessen Kol Nidrei zu Gehör – sowie eine wunderbare Auswahl an Opernhighlights, gesanglich dargeboten von zwei unbestrittenen Könnern ihres Fachs: der Sopranistin Anna Netrebko und dem Bariton Dmitri Hvorostovsky, der 2017 mit nur 55 Jahren starb.</video:description>
<video:duration>6702</video:duration>
<video:publication_date>2024-02-06T08:18:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-06-25T12:06:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2E8</loc>
<video:video>
<video:title>Anouar Brahem in Paris – mit Django Bates, Dave Holland &amp; Anja Lechner</video:title>
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<video:description>Anouar Brahem, der unübertroffene Meister des arabischen Lauten-Instruments Oud, präsentiert mit drei geschätzten Kolleg:innen Musik aus seinem neuen ECM-Album „After the Last Sky“. Das Konzert, das in der Philharmonie de Paris aufgezeichnet wird, findet im Rahmen einer Europatournee im April 2025 statt. Acht Jahre nach seinem letzten ECM-Projekt erweitert Brahem in „After the Last Sky“ sein Ensemble zum ersten Mal um ein Cello. Anja Lechner ist in der klassischen Musik ebenso versiert wie in der Improvisation. Neben dem Pianisten Django Bates und dem Bassisten Dave Holland übernimmt die Cellistin eine tragende Rolle in Brahems Musik, die in eine einzigartige Welt des faszinierenden Klangs entführt.</video:description>
<video:duration>5649</video:duration>
<video:publication_date>2025-05-28T08:18:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T08:57:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2D8</loc>
<video:video>
<video:title>Vivaldi: Konzert Nr. 1 in E-Dur für Solo-Violine, RV 269 &quot;La Primavera&quot;: I. Allegro</video:title>
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<video:description></video:description>
<video:duration>212</video:duration>
<video:publication_date>2023-11-07T15:31:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:56:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2C8</loc>
<video:video>
<video:title>Über Prokofjew</video:title>
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<video:description></video:description>
<video:duration>400</video:duration>
<video:publication_date>2023-11-03T15:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:56:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2CO</loc>
<video:video>
<video:title>Über Beau Soir - im Gespräch mit Richard Dubugnon</video:title>
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<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-11-07T14:39:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJICO</loc>
<video:video>
<video:title>Kreisler: Liebesleid</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-12-14T17:47:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJID0</loc>
<video:video>
<video:title>Kern: Roberta: Yesterdays</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-12-14T17:52:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2CG</loc>
<video:video>
<video:title>Fauré: Après un Rêve Op. 7, Nr. 1 (Bearb. für Violine und Klavier)</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-11-07T14:19:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2D0</loc>
<video:video>
<video:title>Bach: Violinkonzert Nr. 1 in a-Moll, BWV 1041: I. Allegro moderato</video:title>
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<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2023-11-07T15:11:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:50:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8E0</loc>
<video:video>
<video:title>Abbado dirigiert Mahlers 6. Sinfonie</video:title>
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<video:description>Seit seiner Studienzeit war Claudio Abbado die Musik Gustav Mahlers innig vertraut. Sie stellte einen Schwerpunkt in seiner Arbeit an der Spitze der Berliner Philharmoniker dar. Nach seinem Abschied aus Berlin gründete er das Lucerne Festival Orchestra, deren Mitglieder zum Teil bereits seit Jahrzehnten mit dem Dirigenten zusammengearbeitet hatten. In Luzern beschäftigten sich Abbado und seine Mitstreiter noch einmal intensiv mit Mahler. Hier ist dessen Sechste Symphonie zu hören, die wegen ihrer düsteren Weltsicht den (inoffiziellen) Beinamen der »tragischen« trägt. Zur beklemmenden Atmosphäre, die sich nur im zärtlichen langsamen Satz lichtet, tragen ein wie aus dem Jenseits herüberklingendes Glockengeläut und brachiale Hammerschläge bei.</video:description>
<video:duration>5338</video:duration>
<video:publication_date>2022-08-08T12:37:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3A</loc>
<video:video>
<video:title>Abbado dirigiert Mahlers 5. Sinfonie</video:title>
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<video:description>In seinem letzten Lebensjahrzehnt realisierte Claudio Abbado mit seinem Lucerne Festival Orchestra noch einmal einen Zyklus, in dessen Rahmen außer der Achten alle vollendeten Sinfonien Gustav Mahlers aufgeführt wurden. Abbados Zuneigung zur Musik des Komponisten hatte sich in seinen Studienjahren in Wien gefestigt und in seiner Zeit als Assistent des Mahler-Enthusiasten Leonard Bernstein noch einmal vertieft. Wer aus Mahlers Fünfter Sinfonie vor allem das berühmte Adagietto kennt, kann in der hier dokumentierten Aufführung von 2004 zahlreiche Entdeckungen machen: Trompetenfanfaren und Trauermarsch im ersten Satz, die wunderschöne Hornepisode im Scherzo und die triumphale Schlusspassage des Finales.</video:description>
<video:duration>4416</video:duration>
<video:publication_date>2022-05-23T13:49:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8DG</loc>
<video:video>
<video:title>Abbado dirigiert Mahlers 3. Sinfonie</video:title>
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<video:description>Am Ende des 20. Jahrhunderts sorgte man sich um den schwer erkrankten Claudio Abbado. Zum Glück erholte sich der italienische Dirigent wieder, gründete mit dem Lucerne Festival Orchestra ein neues Weltklasse-Ensemble und bescherte der Musikwelt in seiner späten Schaffensphase zahlreiche unvergessliche Sternstunden. Noch einmal wandte er sich mit Gustav Mahler einem Komponisten zu, dessen Musik ihm immer besonders am Herzen lag. Die monumentale Dritte Symphonie, die Sie in dieser Aufzeichnung erleben können, ist ein pantheistisches Natur- und Lebens-Panorama, das mit einer unwiderstehlichen Hymne an die Liebe endet. Im vierten Satz ist die schwedische Sängerin Anna Larsson als Interpretin von Mahlers betörender Nietzsche-Vertonung zu hören.</video:description>
<video:duration>6084</video:duration>
<video:publication_date>2022-08-03T15:49:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPG</loc>
<video:video>
<video:title>Abbado dirigiert Mahlers 2. Sinfonie</video:title>
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<video:description>Mit der Gründung des Lucerne Festival Orchestra erfüllte sich ein Herzenswunsch Claudio Abbados. Nach seinem Abschied von der Position des Chefdirigenten der Berliner Philharmoniker ergab sich für ihn die Möglichkeit, mit Künstlerfreund:innen sinfonische Musik auf allerhöchstem Niveau zu realisieren. &quot;Kreativität, Individualität, Elan und Metiererfahrung in einzigartiger Höhe&quot; bescheinigte ein Kritiker der Berliner Zeitung dem aus Solist:innen, Kammer- und Orchestermusiker:innen zusammengesetzten Ensemble. Im Inaugurationsjahr 2003 erklingt mit der monumentalen Zweiten Sinfonie Gustav Mahlers, die in dieser Aufzeichnung zu erleben ist, eines der Lieblingswerke des italienischen Dirigenten.</video:description>
<video:duration>5156</video:duration>
<video:publication_date>2022-04-20T15:50:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30C0</loc>
<video:video>
<video:title>Über &quot;Frühling&quot;</video:title>
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<video:description></video:description>
<video:duration>73</video:duration>
<video:publication_date>2023-12-21T14:01:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:09:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0DG</loc>
<video:video>
<video:title>Über Chopins Etüden Op. 10 &amp; 25</video:title>
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<video:description></video:description>
<video:duration>304</video:duration>
<video:publication_date>2024-11-14T16:39:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:07:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCDO</loc>
<video:video>
<video:title>Hélène Grimaud: Ein Brief an Clara</video:title>
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<video:description>Nur wenige Paare der Musikgeschichte faszinieren die Nachwelt so dauerhaft wie Robert und Clara Schumann. In dieser Dokumentation des Münchner Regisseurs Benedict Mirow erkundet Hélène Grimaud das gemeinsame Leben der Schumanns anhand von deren Musik. In den eigens für den Film aufgezeichneten Interpretationen musiziert die Pianistin mit dem Dirigenten Esa-Pekka Salonen, dem Oboisten Albrecht Mayer, dem Cellisten Truls Mørk, der Mezzosopranistin Anne Sofie von Otter und der Staatskapelle Dresden. Der 2006 anlässlich des 150. Todestages von Robert Schumann entstandene Film ist reich an biografischen Einblicken und präsentiert Werke der Schumanns und von Brahms  in Aufführungen von einigen ihrer passioniertesten Interpreten.</video:description>
<video:duration>2743</video:duration>
<video:publication_date>2025-03-03T13:03:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T13:33:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0DO</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Siebte Sinfonie</video:title>
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<video:description>Sibelius&apos;s Seventh Symphony was his last and his shortest: a remarkable single-movement work woven together into an imposing, moving epic, and which started life as a symphonic fantasy – premiered in 1924 – before Sibelius gave it its official symphonic designation. It was the only one of Sibelius&apos;s symphonies not to be premiered by the Helsinki Philharmonic Orchestra, and, as this performance as part of the orchestra&apos;s complete cycle under Jukka-Pekka Saraste shows, there is no orchestra to match them for an instinctive approach to the music of Finland&apos;s best-loved composer.</video:description>
<video:duration>1394</video:duration>
<video:publication_date>2025-04-02T14:49:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6C0</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Sechste Sinfonie </video:title>
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<video:description>Jukka-Pekka Saraste dirigiert als Fortsetzung seines gefeierten Zyklus mit allen Sinfonien von Jean Sibelius dessen letzten beiden Beiträge zu dieser Gattung. Mit zwei eindringlich schönen und stimmungsvollen Meisterwerken schloß der Komponist eine Gruppe ab, die als Revolution in der Kunst des Sinfonie-Schreibens gelten kann. Wie im gesamten Zyklus steht Saraste auch bei der Interpretation der leuchtenden, von der Natur inspirierten Sechsten und der epischen, einsätzigen Siebten am Pult des Helsinki Philharmonic Orchestras. Das Ensemble hat, von einer Ausnahme abgesehen, alle Sinfonien von Finnlands beliebtestem Komponisten uraufgeführt und verfügt über eine ununterbrochene und beispiellose Sibelius-Tradition.</video:description>
<video:duration>1825</video:duration>
<video:publication_date>2024-12-10T08:47:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4E8</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Fünfte Sinfonie</video:title>
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<video:description>In der Entstehungszeit seiner Fünften Sinfonie wurde Jean Sibelius´ Fantasie von einer Natur-Wahrnehmung beflügelt: eine Gruppe von Schwänen stieg vor dem Hintergrund des nordischen Sonnenuntergangs zum Himmel auf. Das Werk ist eine der mächtigsten sinfonischen Schöpfungen des 20. Jahrhunderts. Jeder Takt ist mit elementarer Kraft aufgeladen – von der Evokation des Sonnenaufgangs zu Beginn bis zur letzten, gewaltigen Schlusspassage. In der vorliegenden Aufzeichnung interpretieren Jukka-Pekka Saraste und das Helsinki Philharmonic Orchestra diesen Meilenstein des Repertoires im Rahmen ihres kompletten Sibelius-Zyklus. Derselbe Klangkörper hatte die Sinfonie 1915 bereits uraufgeführt.</video:description>
<video:duration>2059</video:duration>
<video:publication_date>2025-03-31T13:13:46Z</video:publication_date>
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<lastmod>2025-06-24T11:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJEC0</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Dritte Sinfonie</video:title>
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<video:description>Die zwischen 1904 und 1907 komponierte Dritte Sinfonie von Sibelius beginnt inmitten von Meeresnebeln und führt über einen ganz anderen Weg ins Sonnenlicht als die beiden mitreißenden, hochromantischen ersten Sinfonien des Komponisten. Sibelius gelang ein Werk von trügerischer Schlichtheit und sanftem Temperament, das sich mit bemerkenswerter Ökonomie aus einem anfänglich unscheinbaren motivischen Material entwickelt. Das Stück wurde im September 1907 in der finnischen Hauptstadt vom Helsinki Philharmonic Orchestra uraufgeführt. Im Rahmen eines gefeierten Zyklus´ mit allen Sibelius-Sinfonien interpretiert dasselbe Ensemble 125 Jahre später die Komposition unter seinem derzeitigen Chefdirigenten Jukka-Pekka Saraste.</video:description>
<video:duration>1744</video:duration>
<video:publication_date>2024-11-06T12:59:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-06-24T11:19:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCE8</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Zweite Sinfonie</video:title>
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<video:description>Mit der packenden Zweiten Sinfonie setzen Jukka-Pekka Saraste und das Helsinki Philharmonic Orchestra ihren von der Kritik hochgelobten Sibelius-Zyklus fort. Dasselbe Orchester hatte das Werk am 8. März 1902 uraufgeführt. Die Komposition Werk beginnt in pastoraler Ruhe und steigert sich schließlich zu einer gewaltigen Hymne aus Trauer und Triumph. Sibelius begann mit der Komposition 1901 während eines Italienaufenthalts und vollendete sie ein Jahr später. Die Sinfonie triumphierte sofort beim Publikum, spaltete aber zunächst die Meinung der Kritiker. Heute genießt sie als eines der beliebtesten Werke des Komponisten allgemeine Bewunderung und entfaltet in Interpretationen wie der hier dokumentierten eine wahrhaft elementare Kraft.</video:description>
<video:duration>2578</video:duration>
<video:publication_date>2024-11-06T12:53:04Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:19:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCDG</loc>
<video:video>
<video:title>Jukka-Pekka Saraste dirigiert Sibelius&apos; Erste Sinfonie</video:title>
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<video:description>Ein Donnergrollen und der Gesang einer Klarinette: Mit den ersten Tönen seiner ersten Symphonie schuf Jean Sibelius eine völlig neue musikalische Welt. Obwohl sich der Komponist im Folgenden bei den Farben Wagners und Tschaikowskys bedient, ist die Stimme dieser elementaren, mythischen und kompromisslosen Musik unverkennbar Sibelius´ eigene. Der Beginn eines Sibelius-Zyklus ist immer ein aufregender Moment; aber nur wenige Interpreten dringen so tief in die Bedeutung und die Wunder dieser Sinfonie ein wie Jukka-Pekka Saraste und das Helsinki Philharmonic Orchestra.</video:description>
<video:duration>2285</video:duration>
<video:publication_date>2024-11-06T10:20:01Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:18:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2CG</loc>
<video:video>
<video:title>Santtu-Matias Rouvali &amp; Bomsori mit Tschaikowski</video:title>
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<video:description>In diesem Pariser Konzert aus dem September 2023 sind die junge koreanische Geigerin Bomsori und das Orchestre Philharmonique de Radio France unter Santtu-Matias Rouvali zu erleben. Bomsori spielt eines der großen Violinkonzerte des Repertoires, Tschaikowskis Violinkonzert in D-Dur op. 35. Poesie, Sehnsucht und Traurigkeit finden darin zueinander. Bomsori erzählt davon auf ihrer Geige in der ihr eigenen brillant virtuosen, alle schwierigen Läufe mit Leichtigkeit meisternden, doch nie manierierten Kunstfertigkeit. </video:description>
<video:duration>2607</video:duration>
<video:publication_date>2024-02-06T07:57:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T10:30:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6CG</loc>
<video:video>
<video:title>Makoto Ozone: Solo</video:title>
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<video:description>Bei Künstlern wie Makoto Ozone spricht schon der Name Bände. Kaum zu glauben, dass die Karriere des Pianisten bereits sechs Jahrzehnte umspannt. Sie reicht von frühen Auftritten als Wunderkind bis zu seinem heutigen Ruhm als ewig jugendlicher Elder Statesman des japanischen Jazz. Dieses Konzert wurde 1984 beim Münchner Klaviersommer aufgezeichnet und strahlt eine unwiderstehliche Frische aus. Der junge Ozone, der kurz zuvor sein Debütalbum veröffentlich hatte, spielte ausschließlich eigene Kompositionen – mit Ausnahme einer wunderbar originellen Hommage an seinen persönlichen Helden Miles Davis. Atemberaubend sind die Souveränität und Imaginationskraft des Musikers.</video:description>
<video:duration>2811</video:duration>
<video:publication_date>2025-04-16T14:50:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-24T10:16:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJIE0</loc>
<video:video>
<video:title>Über Beethovens Klaviersonate Nr. 7</video:title>
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<video:description></video:description>
<video:duration>221</video:duration>
<video:publication_date>2025-05-14T08:35:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:34:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJIE8</loc>
<video:video>
<video:title>Über Beethovens Pastoralsonate</video:title>
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<video:description></video:description>
<video:duration>201</video:duration>
<video:publication_date>2025-05-14T08:37:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30D0</loc>
<video:video>
<video:title>Über Beethoven&apos;s Mondscheinsonate</video:title>
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<video:description></video:description>
<video:duration>263</video:duration>
<video:publication_date>2025-06-06T12:58:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCCG</loc>
<video:video>
<video:title>Über Beethovens Les adieux</video:title>
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<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2025-02-24T12:27:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJIDO</loc>
<video:video>
<video:title>Über Beethovens Hammerklaviersonate</video:title>
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<video:description></video:description>
<video:duration>198</video:duration>
<video:publication_date>2025-05-14T08:31:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJADG</loc>
<video:video>
<video:title>Verdi: Aida</video:title>
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<video:description>In seiner Inszenierung für das Opernhaus Zürich verlegte Nicolas Joël 2006 die Handlung von Verdis ägyptischem Musikdrama Aida in die Entstehungszeit des Stücks: Der Komponist schrieb es als Auftragswerk für die Eröffnung des Suezkanals. Spektakulär sind die prächtigen, in die Farben der Zeit Napoleons III. getauchten Bühnenbilder von Ezio Frigerio. Die betörende Vision des Regisseurs wird von einer hervorragenden Besetzung beglaubigt: Neben Nina Stemme als &quot;ausdrucksstarker und hervorragend gesungener Aida&quot; (Gramophone) glänzt der Tenor Salvatore Licitra als Radamès. Im Orchestergraben entfaltet Adám Fischer die Größe und Majestät von Verdis Partitur und trägt damit zu einer Produktion bei, die man nicht verpassen sollte.</video:description>
<video:duration>9135</video:duration>
<video:publication_date>2025-05-20T07:52:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T20:04:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCDG</loc>
<video:video>
<video:title>Sitkovetsky, Caussé und Maisky spielen Bach: Goldberg-Variationen</video:title>
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<video:description>Bach schrieb seine grandiosen Goldberg-Variationen für ein Tasteninstrument. Das Werk ist aber von einer so unerschöpflichen Vorstellungskraft beseelt, dass es sich auch für ein Ensemble von mehreren Interpreten eignet. Erst recht, wenn es sich bei diesen Interpreten um Künstler wie den Geiger Dmitry Sitkovetsky, den Bratscher Gérard Caussé und den Cellisten Mischa Maisky handelt. Das Ergebnis spricht jedenfalls für sich. Sitkovetsky schrieb sein Arrangement für Streichtrio, das sich inzwischen als beliebte Alternative zur Originalbesetzung etabliert hat, anlässlich des 300. Geburtstags von Bach und widmete es Glenn Gould. In dieser Konzertaufzeichnung aus München ist eine der allerersten öffentlichen Aufführungen der Fassung zu erleben.</video:description>
<video:duration>3668</video:duration>
<video:publication_date>2025-06-04T13:36:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T14:15:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3GE0</loc>
<video:video>
<video:title>Die Nachtigall (Orch. Kamil Rachimov)</video:title>
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<video:description></video:description>
<video:duration>252</video:duration>
<video:publication_date>2024-10-15T15:14:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T12:01:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0D0</loc>
<video:video>
<video:title>Hera Hyesang Park, Aigul Akhmetshina &amp; Freddie De Tommaso: Solti Gala</video:title>
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<video:description>Mit diesem Galakonzert verhelfen die Sopranistin Hera Hyesang Park, die Mezzosopranistin Aigul Akhmetshina, der Tenor Freddie De Tommaso und der Bariton Paul Grant der renommierten Georg Solti Accademia zu einer angemessen großartigen Feier ihres 20-jährigen Bestehens. Die Sängerinnen und Sänger sind ausnahmslos ehemalige Mitglieder der Accademia und präsentieren ein unwiderstehliches Programm mit beliebten Arien, Duetten und Ensembles von Rossini bis Korngold. Veranstaltungsort ist die frisch renovierte Budapester Oper, an der Solti in den 1930er Jahren als Korrepetitor tätig war. Das Orchester des Hauses und Dirigent János Jovács tragen ebenfalls zu einem Ereignis bei, das man auf keinen Fall verpassen sollte. </video:description>
<video:duration>5407</video:duration>
<video:publication_date>2024-10-24T18:32:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T12:01:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6C8</loc>
<video:video>
<video:title>Eine Reise durch Monteverdis Italien: Mantua </video:title>
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<video:description>In den prunkvollen Gemächern der Gonzaga erklingt die Musik Monteverdis in dieser Darbietung des Monteverdi Choir aus der Spiegelgalerie des Palazzo Ducale in Mantua. Die Herzöge von Mantua waren im Europa des 16. und frühen 17. Jahrhunderts Mäzene großer Dichter, Künstler und Musiker. Auch Monteverdi schrieb seine Musik in ihrem Palast, etwa seine Favola in Musica L’Orfeo, die dort zur Aufführung kam. In dem Konzert des berühmten Vokalensembles sind lyrische Vertonungen zu hören mit Texten von Ottavio Rinuccini und Scipione Agnelli sowie Petrarca, Vater des italienischen Humanismus.</video:description>
<video:duration>4025</video:duration>
<video:publication_date>2024-04-15T11:46:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T07:52:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJICO</loc>
<video:video>
<video:title>Anthony und Joseph Paratore: Piano Duo</video:title>
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<video:description>Dieses Konzert des virtuosen Klavierduos Anthony und Joseph Paratore, das 1986 beim Münchner Klaviersommer aufgezeichnet wurde, beginnt eindrucksvoll mit Alban Bergs ungeheuer anspruchsvoller Bearbeitung von Arnold Schönbergs Erster Kammersinfonie, einem Schlüsselwerk des frühen 20. Jahrhunderts. Die Erkundung der musikalischen Moderne wird mit dem Werk Maske fortgesetzt, das Wolfgang Rihm den Brüdern im Jahr 1985 widmete. Es folgen Strawinskys neoklassisches Konzert für zwei Klaviere von 1935 und Debussys bahnbrechendes Prélude à l&apos;Après-midi d&apos;un faune, das 1894 uraufgeführt wurde. Zum Abschluss entzündet das Duo mit Lutosławskis brillanten, kühnen Variationen über ein Thema von Paganini ein pianistisches Feuerwerk.</video:description>
<video:duration>4394</video:duration>
<video:publication_date>2025-06-19T12:12:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-20T14:14:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJIDO</loc>
<video:video>
<video:title>Über Christmas from Norway</video:title>
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<video:description></video:description>
<video:duration>190</video:duration>
<video:publication_date>2023-12-21T13:14:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-19T13:46:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ4C0</loc>
<video:video>
<video:title>Über &quot;Im Abendrot&quot;</video:title>
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<video:description></video:description>
<video:duration>186</video:duration>
<video:publication_date>2023-11-10T16:25:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-19T13:46:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJIE8</loc>
<video:video>
<video:title>Über &quot;Beim Schlafengehen&quot;</video:title>
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<video:description></video:description>
<video:duration>127</video:duration>
<video:publication_date>2023-12-21T13:58:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-19T13:45:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJIE0</loc>
<video:video>
<video:title>Über Lise Davidsen</video:title>
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<video:publication_date>2023-12-21T13:54:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-19T13:45:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32CG</loc>
<video:video>
<video:title>Schumann: 3 Romanzen, Op. 94 - Nr. 1, Nicht schnell </video:title>
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<video:publication_date>2025-06-17T14:52:07Z</video:publication_date>
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<lastmod>2025-06-19T08:58:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR32C0</loc>
<video:video>
<video:title>Haydn: Fantasia (Capriccio) in C-Dur, Hob. XVII:4</video:title>
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<video:duration>390</video:duration>
<video:publication_date>2025-06-11T11:10:09Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T14:57:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30E8</loc>
<video:video>
<video:title>Nowhere Again, Kinder</video:title>
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<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2025-06-11T11:00:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T14:20:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30E0</loc>
<video:video>
<video:title>Berlioz: Rêverie et caprice, H. 88</video:title>
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<video:description></video:description>
<video:duration>514</video:duration>
<video:publication_date>2025-06-11T10:50:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T14:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4C8</loc>
<video:video>
<video:title>Böhm dirigiert Mozart: Sinfonie Nr. 36 &amp; Eine kleine Nachtmusik</video:title>
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<video:description>Karl Böhm verkörpert für viele Kenner auf unnachahmliche Weise einen spezifisch österreichischen Musiker-Typus in der zweiten Hälfte des 20. Jahrhunderts. Der Dirigent lebte und atmete vor allem die Musik Mozarts wie kaum ein anderer. Eine ähnlich eindrucksvolle Tradition und Expertise kann man auch den Wiener Philharmonikern attestieren. Und so offeriert dieses Mozart-Programm, in dem die brillante „Linzer“ Sinfonie, der Publikumshit „Eine kleine Nachtmusik“, die Serenata notturna KV 239 und das Menuett KV 409 erklingen, ein einzigartiges musikalisches Menü. Das Konzert wurde im wunderbaren, geschichtsträchtigen Wiener Musikverein aufgezeichnet.</video:description>
<video:duration>4371</video:duration>
<video:publication_date>2025-04-11T11:49:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T10:49:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34CG</loc>
<video:video>
<video:title>Maisky spielt Strauss´ Cello-Sonate, Op. 6</video:title>
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<video:description>Richard Strauss hatte eine von Zauber und Schönheit erfüllte Jugend. Die Cellosonate Op. 6, die er im Alter von nur 19 Jahren komponierte, spiegelt seinen romantischen Geist in vollendeter Weise wider. Auch wenn der Einfluss durch die Vorbilder des Komponisten spürbar ist, hören wir den Klang eines jungen Genies, das zum Flug ansetzt und mit einer unverwechselbar eigenen Stimme zu singen beginnt. Das Stück passt perfekt zum herrlichen Ton und zum passionierten Geist von Mischa Maisky. Diese Aufführung wurde 2003 live bei den jährlich veranstalteten Richard-Strauss-Tagen in Garmisch-Partenkirchen aufgezeichnet. Maisky konzertiert hier mit einem nicht weniger passionierten Kammermusiker: dem Pianisten Pavel Gililov.</video:description>
<video:duration>1506</video:duration>
<video:publication_date>2025-01-07T13:55:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T10:00:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30D8</loc>
<video:video>
<video:title>Über Beethoven&apos;s letzte Klaviersonate Nr.32</video:title>
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<video:description></video:description>
<video:duration>310</video:duration>
<video:publication_date>2025-06-06T13:12:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-17T08:35:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCE8</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 2 (1971)</video:title>
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<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>1937</video:duration>
<video:publication_date>2025-06-06T10:25:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:49:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJEC0</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 3 &quot;Eroica&quot; (1971)</video:title>
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<video:description> Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>2951</video:duration>
<video:publication_date>2025-06-06T11:39:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:49:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJEC8</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 4 (1971)</video:title>
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<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>1972</video:duration>
<video:publication_date>2025-06-06T11:59:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:49:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJECG</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 5 (1972)</video:title>
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<video:description></video:description>
<video:duration>1904</video:duration>
<video:publication_date>2025-06-06T12:20:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:49:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJECO</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 6 &quot;Pastorale&quot; (1967)</video:title>
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<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>2223</video:duration>
<video:publication_date>2025-06-06T12:44:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJED0</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 7 (1971)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/081804b4f8d27e7ea0fb8a3b1909a1bec58bc841.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>2072</video:duration>
<video:publication_date>2025-06-06T12:56:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCE0</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 1 (1971)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e257659a6bfa91935ee28f1f45ef701a25ee0c4b.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>1445</video:duration>
<video:publication_date>2025-06-06T09:08:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJEDG</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 9 (1968)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/888fd108dbd441b969729eb8e7ec701d75141fd4.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>3911</video:duration>
<video:publication_date>2025-06-06T13:30:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:47:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJED8</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 8 (1971)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9a8105c4abf8f2d2508dc4e433a1b2b60e3e2b23.jpg</video:thumbnail_loc>
<video:description>Herbert von Karajan hat im Laufe seiner langen Karriere gleich mehrmals den gesamten Beethoven-Zyklus eingespielt. Drei Tonaufnahmen entstanden mit den Berliner Philharmonikern. Die vorliegende audiovisuelle Produktion wurde über vier Jahre zwischen 1968 und 1972 von vier verschiedenen Regisseuren gedreht (darunter Karajan selbst für die Symphonien Nr. 4, 5 und 9). Sie dokumentiert seine reife Lesart dieser Musik und zeigt den Dirigenten mit seinem überragenden Orchester, das er mehr als drei Jahrzehnte lang prägte. In der Neunten ist ein Quartett großer Stimmen dieser Ära zu erleben.</video:description>
<video:duration>1575</video:duration>
<video:publication_date>2025-06-06T13:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:36:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCDO</loc>
<video:video>
<video:title>Nicolas Economou spielt Bach</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06643f86d1a7a899f173c6b697c5e971c8fea6cc.jpg</video:thumbnail_loc>
<video:description>Der zypriotische Pianist Nicolas Economou wurde als gerade 16-Jähriger international bekannt, als er 1969 beim Internationalen Tschaikowsky-Klavierwettbewerb für Furore sorgte. Während seiner kurzen Karriere – der Musiker starb im Alter von 40 Jahren – wurde Economou vor allem für Interpretationen des virtuosen romantischen Repertoires gefeiert. Aber der Pianist brillierte in allem, was er spielte, wie auch dieses 1985 im Münchner Herkulessaal aufgezeichnete Rezital beweist. Auf dem Programm stand das erste Buch von Bachs 48 Präludien und Fugen, die als das „Alte Testament des Klaviers“ bezeichnet werden. Hier ist diese unvergängliche Musik in einer einzigartig einfühlsamen und beglückenden Interpretation zu erleben.</video:description>
<video:duration>1441</video:duration>
<video:publication_date>2025-06-04T14:13:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-13T14:59:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCD8</loc>
<video:video>
<video:title>Akira Imai spielt zeitgenössische japanische Klaviermusik</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35606036adbdbb3a82702325512a84cab85d9ea1.jpg</video:thumbnail_loc>
<video:description>Der angesehene japanische Pianist Akira Imai wuchs in einer Zeit auf, in der sich die Musikwelt seines Heimatlandes zunehmend für westliche Einflüsse und Techniken öffnete. Der bewundernswert poetische und intelligente Musiker, der bei dem bedeutenden Pianisten Paul Badura-Skoda in Wien studierte, ist nicht zuletzt als souveräner Beethoven-Interpret bekannt. In diesem faszinierenden Rezital, das 1985 im Amerikahaus in München aufgezeichnet wurde, widmete sich Imai allerdings mit Werken von Mutsuo Shishido, Akira Miyoshi und Makoto Moroi ganz der japanischen Klaviermusik der Nachkriegszeit. Im Zentrum des Programms steht die große, 1961 entstandene Klaviersonate des Nadia Boulanger-Schülers Akio Yashiro.</video:description>
<video:duration>2859</video:duration>
<video:publication_date>2025-06-04T08:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-12T08:46:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GC0</loc>
<video:video>
<video:title>Maisky spielt Bach: Cellosuite Nr. 6</video:title>
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<video:description>Mischa Maisky ist der einzige lebende Cellist, der sowohl bei Rostropowitsch als auch bei Gregor Piatigorsky studiert hat. Bachs Sechs Suiten sind für den Musiker nicht nur die schönsten Werke, die jemals für unbegleitetes Cello komponiert worden sind; für ihn kommt in ihnen das Leben selbst zum Ausdruck. „Es gibt keine den Menschen bekannte Emotion, die nicht in Bachs Musik vorkommt“, erklärt Maisky. „Sie umfasst alles, und wir müssen nur tief genug graben, um es zu finden und auszudrücken.“ In diesen Interpretationen der Suiten, die 1986 für das deutsche Fernsehen aufgezeichnet wurden, wird Maisky dem selbst gestellten Anspruch gerecht: Ein unübertrefflich erhabenes Erlebnis für einen großen Cellisten und sein Publikum zu kreieren.</video:description>
<video:duration>2225</video:duration>
<video:publication_date>2025-03-05T15:58:31Z</video:publication_date>
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<lastmod>2025-06-12T07:38:54Z</lastmod>
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<video:video>
<video:title>Maisky spielt Bach: Cellosuite Nr. 5</video:title>
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<video:description>Mischa Maisky ist der einzige lebende Cellist, der sowohl bei Rostropowitsch als auch bei Gregor Piatigorsky studiert hat. Bachs Sechs Suiten sind für den Musiker nicht nur die schönsten Werke, die jemals für unbegleitetes Cello komponiert worden sind; für ihn kommt in ihnen das Leben selbst zum Ausdruck. „Es gibt keine den Menschen bekannte Emotion, die nicht in Bachs Musik vorkommt“, erklärt Maisky. „Sie umfasst alles, und wir müssen nur tief genug graben, um es zu finden und auszudrücken.“ In diesen Interpretationen der Suiten, die 1986 für das deutsche Fernsehen aufgezeichnet wurden, wird Maisky dem selbst gestellten Anspruch gerecht: Ein unübertrefflich erhabenes Erlebnis für einen großen Cellisten und sein Publikum zu kreieren.</video:description>
<video:duration>1714</video:duration>
<video:publication_date>2025-03-05T15:55:04Z</video:publication_date>
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<lastmod>2025-06-12T07:38:42Z</lastmod>
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<url>
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<video:video>
<video:title>Maisky spielt Bach: Cellosuite Nr. 4</video:title>
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<video:description>Mischa Maisky ist der einzige lebende Cellist, der sowohl bei Rostropowitsch als auch bei Gregor Piatigorsky studiert hat. Bachs Sechs Suiten sind für den Musiker nicht nur die schönsten Werke, die jemals für unbegleitetes Cello komponiert worden sind; für ihn kommt in ihnen das Leben selbst zum Ausdruck. „Es gibt keine den Menschen bekannte Emotion, die nicht in Bachs Musik vorkommt“, erklärt Maisky. „Sie umfasst alles, und wir müssen nur tief genug graben, um es zu finden und auszudrücken.“ In diesen Interpretationen der Suiten, die 1986 für das deutsche Fernsehen aufgezeichnet wurden, wird Maisky dem selbst gestellten Anspruch gerecht: Ein unübertrefflich erhabenes Erlebnis für einen großen Cellisten und sein Publikum zu kreieren.</video:description>
<video:duration>1716</video:duration>
<video:publication_date>2025-03-05T15:51:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-06-12T07:38:28Z</lastmod>
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<video:video>
<video:title>Maisky spielt Bach: Cellosuite Nr. 3</video:title>
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<video:description>Mischa Maisky ist der einzige lebende Cellist, der sowohl bei Rostropowitsch als auch bei Gregor Piatigorsky studiert hat. Bachs Sechs Suiten sind für den Musiker nicht nur die schönsten Werke, die jemals für unbegleitetes Cello komponiert worden sind; für ihn kommt in ihnen das Leben selbst zum Ausdruck. „Es gibt keine den Menschen bekannte Emotion, die nicht in Bachs Musik vorkommt“, erklärt Maisky. „Sie umfasst alles, und wir müssen nur tief genug graben, um es zu finden und auszudrücken.“ In diesen Interpretationen der Suiten, die 1986 für das deutsche Fernsehen aufgezeichnet wurden, wird Maisky dem selbst gestellten Anspruch gerecht: Ein unübertrefflich erhabenes Erlebnis für einen großen Cellisten und sein Publikum zu kreieren.</video:description>
<video:duration>1606</video:duration>
<video:publication_date>2025-03-05T15:47:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-12T07:38:15Z</lastmod>
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<video:title>Maisky spielt Bach: Cellosuite Nr. 2</video:title>
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<video:description>Mischa Maisky ist der einzige lebende Cellist, der sowohl bei Rostropowitsch als auch bei Gregor Piatigorsky studiert hat. Bachs Sechs Suiten sind für den Musiker nicht nur die schönsten Werke, die jemals für unbegleitetes Cello komponiert worden sind; für ihn kommt in ihnen das Leben selbst zum Ausdruck. „Es gibt keine den Menschen bekannte Emotion, die nicht in Bachs Musik vorkommt“, erklärt Maisky. „Sie umfasst alles, und wir müssen nur tief genug graben, um es zu finden und auszudrücken.“ In diesen Interpretationen der Suiten, die 1986 für das deutsche Fernsehen aufgezeichnet wurden, wird Maisky dem selbst gestellten Anspruch gerecht: Ein unübertrefflich erhabenes Erlebnis für einen großen Cellisten und sein Publikum zu kreieren.</video:description>
<video:duration>1466</video:duration>
<video:publication_date>2025-03-05T15:38:12Z</video:publication_date>
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<lastmod>2025-06-12T07:37:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30DO</loc>
<video:video>
<video:title>Saint-Saëns: Caprice andalous, Op. 122</video:title>
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<video:description></video:description>
<video:duration>666</video:duration>
<video:publication_date>2025-06-10T16:40:04Z</video:publication_date>
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<lastmod>2025-06-11T09:49:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6C8</loc>
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<video:title>Mischa Maisky – Zwei Leben für die Musik</video:title>
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<video:description>Als einziger Musiker der Welt, der bei den beiden Jahrhundertcellisten Mstislav Rostropovich und Gregor Piatigorsky studiert hat, ist Mischa Maisky selbst einer der größten Cellisten unserer Zeit. Dieses intime Porträt erkundet das Leben und die künstlerische Arbeit des in der Sowjetunion geborenen israelischen Musikers und präsentiert die Aufzeichnung eines Konzerts, das im Rahmen der Richard-Strauss-Tage in Garmisch-Partenkirchen stattfand. Mit dem Pianisten Pavel Gililov interpretiert Maisky Werke von Strauss und Brahms und lässt im Interview-Teil des Films Erinnerungen an seine Kindheit und Ausbildung, seine Beziehung zum Cello, die Erfahrungen in der Sowjetunion und seine jahrzehntelange internationale Karriere Revue passieren.</video:description>
<video:duration>3593</video:duration>
<video:publication_date>2022-11-15T15:22:23Z</video:publication_date>
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<lastmod>2025-06-10T13:58:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30DG</loc>
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<video:title>Messiaen: Quatuor pour la fin du temps: I. Liturgie de cristal</video:title>
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<video:publication_date>2025-06-06T16:15:01Z</video:publication_date>
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<lastmod>2025-06-10T07:00:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCD0</loc>
<video:video>
<video:title>Yosuke Yamashita und Hozan Yamamoto in Concert</video:title>
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<video:description>Zwei Giganten der japanischen Musik trafen 1985 in München in einem einzigartigen Konzert aufeinander: Während der Pianist und Komponist Yosuke Yamashita wahrscheinlich der einflußreichste Musiker des japanischen Free Jazz ist, war Hozan Yamamoto der Meister einer sehr alten Kunst. Der Shakuhachi-Virtuose verblüffte das japanische Publikum, indem er mit seinem traditionelle Instrument die aufregenden und schönen neuen Welten des Jazz, des Crossover und der internationalen Avantgarde eroberte. Das Münchner Konzert spannt einen Bogen von Thelonious Monk zu gemeinsamen Improvisationen und übertrifft durch die verblüffende Originalität, Energie und Tiefgründigkeit der beiden Musiker alle Erwartungen.</video:description>
<video:duration>5462</video:duration>
<video:publication_date>2025-05-27T19:27:57Z</video:publication_date>
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<lastmod>2025-06-06T12:09:11Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30C8</loc>
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<video:title>Mstislav Rostropovich – Das musikalische Gewissen</video:title>
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<video:description>Dieser faszinierende Film widmet sich einer der herausragenden Musikerpersönlichkeiten des 20. Jahrhunderts: Dem großen Cellisten und Dirigenten Mstislav Rostropovich. Die zu dessen 80. Geburtstag im März 2007 entstandene Dokumentation zeigt eines der letzten Interviews mit dem Künstler sowie ausführliche Gespräche mit Kulturschaffenden, die ihn kannten und mit ihm gearbeitet haben. So entsteht das einzigartige Porträt eines Musikers, der sein außergewöhnliches Leben in vollen Zügen genossen hat.</video:description>
<video:duration>1708</video:duration>
<video:publication_date>2025-06-04T12:42:57Z</video:publication_date>
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<lastmod>2025-06-05T09:19:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCCO</loc>
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<video:title>Rodion Shchedrin and Friends</video:title>
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<video:description>In diesem Konzert treffen drei überragende Pianisten aufeinander, die zwar aus ganz unterschiedlichen musikalischen Welten stammten, aber durch Freundschaft, gegenseitigen Respekt und den Geist unbändiger Kreativität miteinander verbunden waren. Rodion Shchedrin, der bedeutendste russische Pianist und Komponist seit Schostakowitsch; Chick Corea, die alle Genre-Grenzen sprengende Jazz-Legende; und der 1994 tragisch früh verstorbene Nicolas Economou, der einer der herausragenden Virtuosen seiner Generation war. Nur bei diesem Konzert, das 1985 live in München aufgezeichnet wurde, traten sie gemeinsam auf – und bereiteten dem Publikum mit epischen Improvisationen und ihrer puren, ungehemmten Musikalität ein unvergessliches Fest.</video:description>
<video:duration>2736</video:duration>
<video:publication_date>2025-05-27T19:11:57Z</video:publication_date>
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<lastmod>2025-06-05T08:15:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30C0</loc>
<video:video>
<video:title>Einblick in eine Probe mit Daniil Trifonov und Sergei Babayan</video:title>
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<video:publication_date>2025-06-04T09:12:22Z</video:publication_date>
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<lastmod>2025-06-04T11:29:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GE0</loc>
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<video:title>Sven Helbig: Requiem A </video:title>
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<video:description>Sven Helbigs neunteiliges „Requiem A“ – der Buchstabe „A“ im Titel steht für „Anfang“ – wurde zum 80. Jahrestag der Zerstörung Dresdens und des Endes des Zweiten Weltkriegs komponiert. Diese Aufzeichnung dokumentiert die Uraufführung der Komposition in der Dresdner Kreuzkirche. Ein kraftvolles Werk für unsere Zeit ist dieses Requiem,  das einen Weg aus der Trauer zurück ins Leben bahnt. Mit der Kombination von liturgischen mit neu geschriebenen Texten, in poetischen Bildern und mit Schlüsselwörtern wie „Aufbruch“, „Asche“ und „Atmen“ ruft das Werk zu Versöhnung und Neubeginn auf. Integraler Bestandteil der Aufführung sind eindrucksvolle, live auf eine Leinwand projizierte Visualisierungen des isländischen Filmkünstlers Máni M. Sigfusson.</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2025-05-12T11:15:12Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-03T14:49:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCC0</loc>
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<video:title>Gerhard Oppitz &amp; Nicolas Economou spielen Rachmaninow</video:title>
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<video:description>Rachmaninow entwarf sein letztes bedeutendes Werk, die Symphonischen Tänze Op.45, für die Farben eines großen Symphonieorchesters. Aber zeitgleich erstellte er selbst eine Version für zwei Klaviere. Da der Komponist einer der größten Pianisten des 20. Jahrhunderts war, ist auch diese, für beide Interpreten exorbitant virtuose Fassung ein aufregendes Erlebnis – und ein ideales Werk für Gerhard Oppitz und den tragisch früh verstorbenen Nicolas Economou. Die auch als Klavier-.Duo gefeierten und miteinander befreundeten Pianisten zeigen sich bei diesem Auftritt im Münchner Amerikahaus auf dem Höhepunkt ihrer Schaffenskraft.</video:description>
<video:duration>2110</video:duration>
<video:publication_date>2025-05-27T02:42:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-05-28T19:46:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJAE8</loc>
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<video:title>Gerhard Oppitz &amp; Gottfried Schneider spielen Violinsonaten von Mozart</video:title>
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<video:description>Die bis heute unterschätzten Sonaten für Geige und Klavier stellen einen Höhepunkt in Mozarts kammermusikalischem Schaffen dar. Dem Komponisten gelangen für diese Instrumente, die er beide meisterlich beherrschte, unerschöpflich einfallsreiche, persönliche und kostbare Werke, Weil der Pianist Gerhard Oppitz und der Geiger Gottfried Schneider in derselben deutsch-österreichischen Tradition ausgebildet wurden, interpretieren sie diese Musik mit unübertrefflicher Natürlichkeit. Dieses reizvolle, 1985 aufgezeichnete Recital der beiden damals etwa 30 Jahre alten Künstler verfügt auch durch das Rokoko-Ambiente des Augsburger Schaezlerpalais´ über einen ganz besonderen Zauber – zumal Mozart diesen Ort selbst kannte.</video:description>
<video:duration>4993</video:duration>
<video:publication_date>2025-05-27T02:17:19Z</video:publication_date>
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<lastmod>2025-05-28T19:45:17Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJCC8</loc>
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<video:title>Eliot Fisk Guitar Solo: Bach</video:title>
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<video:description>Bachs unergründlich geniale d-Moll-Partita für Violine solo wird seit langem auch auf anderen Instrumenten interpretiert. Besonders die Bearbeitungen der kolossalen Chaconne, mit der das vier-sätzige Werk endet, bilden inzwischen eine faszinierende Tradition. Der amerikanische Gitarrenvirtuose Eliot Fisk ist auch durch bedeutende Lehrer wie Andrès Segovia und den Cembalisten Ralph Kirkpatrick tief in der klassischen Tradition verwurzelt. Fisks Transkription der Partita ist eine meisterhafte Neuinterpretation dieses überragenden Werks: Sie ist perfekt auf die Möglichkeiten der Gitarre zugeschnitten und doch von tiefem Respekt für Bachs Genie beseelt. Die Aufführung wurde im bezaubernd eleganten Herkulessaal in München aufgezeichnet.</video:description>
<video:duration>1379</video:duration>
<video:publication_date>2025-05-27T02:47:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-05-28T19:44:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4CG</loc>
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<video:title>Rising Stars: Der Countertenor Cameron Shahbazi</video:title>
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<video:description>Der iranisch-kanadische Countertenor Cameron Shahbazi gehört zu den aufregendsten aufstrebenden Stars der Opernwelt. Der Sänger wird für seine „volle, voluminöse” Stimme gelobt und von der Kritik für seine Interpretationen in einem Repertoire gefeiert, das vom Barock bis zur Musik des 20. Jahrhunderts und der Gegenwart reicht. Als Teil der Rising Star-Reihe auf STAGE+ präsentiert Shahbazi das Programm RE|imagine. Die persönliche Auswahl von Werken, die dem Künstler besonders am Herzen liegen, umfasst Arien italienischer Barockopern ebenso wie Volksmusik und populäre iranische Lieder.</video:description>
<video:duration>2912</video:duration>
<video:publication_date>2023-02-06T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-05-28T14:24:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8DG</loc>
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<video:title>Rising Stars: Der Gitarrist Raphaël Feuillâtre</video:title>
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<video:description>Seinen internationalen Durchbruch feierte Raphaël Feuillâtre 2018. Damals gewann der junge Gitarrist den renommierten internationalen Wettbewerb der Guitar Foundation of America (GFA). Viele Preise sollten folgen, und schon im September 2022 stand Feuillâtre bei Deutsche Grammophon als Exklusivkünstler unter Vertrag. In diesem Showcase, Teil der Reihe Rising Stars auf STAGE+, stellt er die farbenreiche Klangwelt seiner Kunst vor, mit Kompositionen des französischen und deutschen Barock bis hin zur Musik seines einstigen Lehrers, dem früh verstorbenen bedeutenden Roland Dyens.</video:description>
<video:duration>3133</video:duration>
<video:publication_date>2023-03-15T16:28:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-05-28T14:23:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GCO</loc>
<video:video>
<video:title>Daniel Harding dirigiert Verdis Requiem</video:title>
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<video:description>Daniel Harding dirigiert das Orchester der Accademia Nazionale di Santa Cecilia in Verdis Requiem in dieser ganz besonderen Aufführung, die live aus der spektakulären Umgebung der Basilica di San Paolo fuori le Mura in Rom übertragen wird. In dem 1874 vollendeten Requiem setzt Verdi sein ganzes Können in Sachen Dramatik und Charakterisierung ein, um ein Werk zu schaffen, das zugleich zutiefst spirituell und mitreißend dramatisch ist - und zu den beliebtesten Werken des gesamten Chorrepertoires gehört. Eine Weltklasse-Besetzung von Solisten und ein Dirigent, der für seine Präzision und Kraft bekannt ist, versprechen eine unvergessliche Aufführung.</video:description>
<video:duration>5400</video:duration>
<video:publication_date>2024-11-26T09:05:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-27T07:10:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8E0</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Sinfonie Nr. 4 (1973) </video:title>
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<video:description>Herbert von Karajan nahm Brahms’ Symphonien-Zyklus 1973 live in der Berliner Philharmonie auf. Die vier Werke, die alle innerhalb eines Jahrzehnts uraufgeführt wurden, stellen eine Meisterleistung des Komponisten dar, von der bahnbrechenden Symphonie Nr. 1, jahrzehntelang Qual und Gedankenspiel, bis hin zur leidenschaftlichen Vierten, Inbegriff kunstvoller kompositorischer Verfahren. Alle vier Werke interpretiert Karajan mit der ihm eigenen Konzentration und musikalischen Vorstellungskraft – ein unverzichtbares audiovisuelles Dokument seiner Kunst.</video:description>
<video:duration>2518</video:duration>
<video:publication_date>2025-05-15T08:16:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-05-26T20:14:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8DO</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Sinfonie Nr. 3 (1973) </video:title>
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<video:description>Herbert von Karajan nahm Brahms’ Symphonien-Zyklus 1973 live in der Berliner Philharmonie auf. Die vier Werke, die alle innerhalb eines Jahrzehnts uraufgeführt wurden, stellen eine Meisterleistung des Komponisten dar, von der bahnbrechenden Symphonie Nr. 1, jahrzehntelang Qual und Gedankenspiel, bis hin zur leidenschaftlichen Vierten, Inbegriff kunstvoller kompositorischer Verfahren. Alle vier Werke interpretiert Karajan mit der ihm eigenen Konzentration und musikalischen Vorstellungskraft – ein unverzichtbares audiovisuelles Dokument seiner Kunst.</video:description>
<video:duration>2008</video:duration>
<video:publication_date>2025-05-15T08:12:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8D8</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Sinfonie Nr. 1 (1973) </video:title>
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<video:description>Herbert von Karajan nahm Brahms’ Symphonien-Zyklus 1973 live in der Berliner Philharmonie auf. Die vier Werke, die alle innerhalb eines Jahrzehnts uraufgeführt wurden, stellen eine Meisterleistung des Komponisten dar, von der bahnbrechenden Symphonie Nr. 1, jahrzehntelang Qual und Gedankenspiel, bis hin zur leidenschaftlichen Vierten, Inbegriff kunstvoller kompositorischer Verfahren. Alle vier Werke interpretiert Karajan mit der ihm eigenen Konzentration und musikalischen Vorstellungskraft – ein unverzichtbares audiovisuelles Dokument seiner Kunst.</video:description>
<video:duration>2750</video:duration>
<video:publication_date>2025-05-15T08:04:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:03:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30E8</loc>
<video:video>
<video:title>Bernstein dirigiert Mahlers Rückert-Lieder – mit Thomas Hampson</video:title>
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<video:description>Kurz vor seinem Tod nimmt Leonard Bernstein einen wichtigen Nachtrag zu seiner gefilmten Gesamteinspielung der Mahler-Symphonien auf: die drei großen Liederzyklen des Komponisten, gesungen von dem amerikanischen Bariton Thomas Hampson. Hier präsentieren sie die Rückert-Lieder. Mahler schrieb sie im noch jungen 20. Jahrhundert in seinem Komponierhäuschen am Wörthersee. Einen Zyklus hatte er dabei nicht im Sinn und auch keine Reihenfolge, gleichwohl werden die Lieder oft zusammen in der Orchesterfassung dargeboten. Die Quintessenz der Mahler’schen Sprache kommt darin zum Ausdruck, wobei „Ich bin der Welt abhanden gekommen” wohl sein berühmtestes Lied überhaupt ist.</video:description>
<video:duration>1477</video:duration>
<video:publication_date>2023-07-05T13:04:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-22T09:55:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJACO</loc>
<video:video>
<video:title>David Lively spielt Bach</video:title>
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<video:description>Der vielseitige Pianist David Lively, zu dessen Lehrern Claudio Arrau, Wilhelm Kempff und Nadia Boulanger zählten, startete als Preisträger des Concours Reine Elisabeth in Brüssel im Jahre 1972 in eine eindrucksvolle Karriere. Sein Repertoire umfasst, neben vielem anderen, neue Musik, romantische Raritäten und frühe Musik für Tasteninstrumente. Bei diesem Auftritt im Rahmen des Münchner Klaviersommers 1985 zeigt der Pianist seine musikalische Intelligenz und makellose Technik in Auszügen aus der „Kunst der Fuge“, einem der anspruchsvollsten Werke von Johann Sebastian Bach.</video:description>
<video:duration>1492</video:duration>
<video:publication_date>2025-05-19T16:05:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-21T10:08:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJAD0</loc>
<video:video>
<video:title>Daniel Chorzempa spielt Orgel und Klavier: Reger und Liszt</video:title>
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<video:description>Daniel Chorzempa war zwar vor allem als Organist bekannt, begann seine Konzertkarriere aber als Pianist in Europa. Beim Münchner Klaviersommer spielte der amerikanische Musiker auf beiden Instrumenten. Auf dem Programm standen zwei imposante Kompositionen, die als Hommage an J. S. Bach geschrieben wurden. Max Reger verwandelt in seinem Werk Variationen und Fuge von 1904 die Melodie eines Duetts aus Bachs Kantate Nr. 128 in verschiedene Gestalten – bevor eine komplexe Schlussfuge erklingt. Liszts Werk, dessen Originalversion ein halbes Jahrhundert früher komponiert wurde, basiert auf der Notation von Bachs Namen (also den Tönen B, A, C und H) und ist in der hier vorgestellten Bearbeitung ein beeindruckendes Paradestück für die Orgel.</video:description>
<video:duration>2964</video:duration>
<video:publication_date>2025-05-19T16:11:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-21T10:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GCO</loc>
<video:video>
<video:title>Brian Eno &amp; Roger Eno live auf der Akropolis</video:title>
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<video:description>Das Schaffen der Brüder Brian und Roger Eno summiert sich auf Welterfolge in den Genres des Glam Rock, des Pop, der Ambient und der Film-Musik und zeichnet sich durch grenzüberschreitende Experimente mit neuen Instrumenten und audio-visuellen Inszenierungen aus. Die Musiker arbeiten bereits seit langem zusammen, veröffentlichten aber mit Mixing Colours erst 2020 ein komplett gemeinsam konzipiertes Album. Ein Jahr später folgte ein Konzert an einem der geschichtsträchtigsten und atmosphärisch eindrucksvollsten Aufführungsorte: Im Amphitheater des Herodes Atticus verbindet sich die einzigartige Musik der Brüder mit spektakulären Visualisierungen und dem Blick auf den Akropolis-Felsen in Athen zu einem grandiosen Erlebnis.  </video:description>
<video:duration>4310</video:duration>
<video:publication_date>2023-03-20T14:06:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-20T12:18:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6C8</loc>
<video:video>
<video:title>Cecil Taylor: Klavier Solo</video:title>
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<video:description>&quot;Ich arbeite mit den Kräften, aus denen die Musik entsteht, aber ich selbst habe nicht viel mit ihnen zu tun&quot;, erklärte Cecil Taylor im Jahr 2000 in einem Interview. &quot;Je mehr man versucht, die Magie zu finden, desto weniger existiert das eigene Ego – und schließlich verneigt man sich vor der Magie.&quot; Magie liegt tatsächlich in der Luft bei diesem außerordentlichen einstündigen Live-Set vom Münchner Klaviersommer 1984. In zwei großartigen Solo-Improvisationen lässt sich der Pianist, der den Free Jazz neu definierte, in die Seele schauen. Der 2018 verstorbene Künstler war nicht unumstritten, aber immer unvorhersehbar – und zeigt sich hier auf dem Höhepunkt seines Könnens.</video:description>
<video:duration>3338</video:duration>
<video:publication_date>2025-04-16T14:46:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T09:05:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4C0</loc>
<video:video>
<video:title>Gianluigi Gelmetti dirigiert Beethovens Christus am Ölberge</video:title>
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<video:description>Christus am Ölberge, Beethovens einziges Oratorium, wurde lange Zeit nicht zu den Meisterwerken des Komponisten gezählt. Das lag auch an Franz Xaver Hubers Libretto, das oft – und nicht zuletzt vom Komponisten selbst – kritisiert wurde. Wie diese schöne, von Gianluigi Gelmetti dirigierte Aufführung in der 500 Jahre alten gotischen Amanduskirche in Süddeutschland zeigt, sollte die Komposition viel öfter gespielt werden. Das Oratorium, das Beethoven in einem Schaffensrausch zwischen Ende 1802 und Anfang 1803 schrieb, erzählt auf ergreifende Weise, wie Jesus im Garten von Gethsemane seine Kreuzigung erwartet. Es ist ein Werk, in dem sich Beethoven von seiner menschlichsten Seite zeigt.</video:description>
<video:duration>3348</video:duration>
<video:publication_date>2025-04-10T13:35:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T08:39:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJID8</loc>
<video:video>
<video:title>Aaron Copland: Fanfare für Amerika</video:title>
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<video:description>Aaron Copland wird oft als der „Dekan der amerikanischen Musik“ bezeichnet. In seinem Leben, das sich fast über das gesamte 20. Jahrhundert erstreckte, kam er der Idee eines genuin amerikanischen Klangs näher als jeder andere Komponist. In diesem Dokumentarfilm erzählen der Dirigent Hugh Wolff und der Forscher Howard Pollack Coplands Biografie und erkunden die Entstehung von Werken wie dem Lincoln Portrait, El Sálon México und den Eight Poems of Emily Dickinson. Das Porträt umfasst Interviews mit dem Komponisten, extra für den Film aufgenommene Interpretationen seiner Werke und selten gezeigte Archivfilme. Zu letzteren gehört eine Aufführung des Klarinettenkonzerts mit dem Widmungsträger Benny Goodman, das Copland selbst dirigiert.</video:description>
<video:duration>3519</video:duration>
<video:publication_date>2025-05-08T09:24:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T08:34:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJID8</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Symphonie Nr. 2</video:title>
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<video:description>Brahms&apos; Erste Symphonie war für ihn ein Kampf; jahrelang rang er um die symphonische Form. Bei der Zweiten jedoch atmete er durch, zog sich an den Wörthersee zurück und schuf Musik voll Wärme und Kantabilität. Beethoven, Bruckner, Brahms – diese Trias bildete den Mittelpunkt von Karajans symphonischen Interpretationen. Brahms&apos; Zweite Symphonie, die er 1986 mit den Berliner Philharmonikern einspielte, ist wie von Sonnenlicht erfüllt. Die Musik scheint ihm zuzufliegen wie einst dem Komponisten die Melodien in seinem Kärntner Refugium. Aber auch Ernst zieht ein. Voll Kraft und Brillanz kommt das Finale daher und weist die Lesart als einen echten Karajan aus.  </video:description>
<video:duration>2604</video:duration>
<video:publication_date>2024-04-19T12:29:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T15:37:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJID0</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Sinfonie Nr. 1</video:title>
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<video:description>Jeder Esel höre das gleich, soll Brahms geantwortet haben, als Zeitgenossen auf die Verwandtschaft zwischen seiner Ersten und Beethovens Neunter verwiesen. In Beethovens Schuld zu stehen wird nur selten derart selbstverständlich verkündet. Für Herbert von Karajan zählte Brahms mit Beethoven und Bruckner zu jenen, deren Werke in den deutsch-österreichischen Symphonienkanon gehören. Gerade der Ersten widmete er sich mit großer Ernsthaftigkeit. In seiner langen Karriere war sie einer der Eckpfeiler seines Repertoires. In dieser Aufführung aus dem Jahr 1987 leitet er die Berliner Philharmoniker – ein Musikerlebnis von besonderer Intensität, aus der seine Erfahrung spricht.</video:description>
<video:duration>2844</video:duration>
<video:publication_date>2024-04-19T12:16:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T15:37:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ8CG</loc>
<video:video>
<video:title>Nézet-Séguin dirigiert Wagner: Die Walküre</video:title>
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<video:description>Ein verzweifelter, im Wald umher irrender Mann findet auf der Flucht vor einem wilden Sturm Obdach in einer Hütte – und kann nicht ahnen, dass ihn eine verbotene Liebe erwartet, die kosmische Folgen haben wird: Ein Bruder findet seine Schwester, ein Vater verrät seinen Sohn und eine Göttin entdeckt ihre Menschlichkeit: Der zweite Teil von Wagners Ring-Zyklus ist das Herzstück des gesamten monumentalen Dramas. Diese konzertante Aufführung, die 2024 in Rotterdam aufgezeichnet wurde, präsentiert einige der besten Wagner-Stimmen des 21. Jahrhunderts: Stanislas de Barbeyrac ist als Siegmund, Tamara Wilson als Brünnhilde zu erleben. Das von Yannick Nézet-Séguin dirigierte Konzert bezeichnete ein Kritiker als &quot;herzzerreißend&quot;.</video:description>
<video:duration>14205</video:duration>
<video:publication_date>2025-05-12T08:59:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T12:02:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2DO</loc>
<video:video>
<video:title>Economou spielt Shchedrin: Klaviersonate Nr. 1</video:title>
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<video:description>Der großartige – und tragisch früh verstorbene – zypriotische Pianist Nicolas Economou gastierte regelmäßig beim Münchner Klaviersommer. Friedrich Guldas außergewöhnliches Festival erkundete Gemeinsamkeiten zwischen den Welten der klassischen Musik und des Jazz. Der Komponist Rodion Shchedrin lotete ebenfalls immme wieder die Grenzen der traditionellen Konzertmusik aus – wie in der hier aufgeführten, prägnanten Ersten Klaviersonate. In dem 1962 entstandenen Werk folgt einem spielerischen ersten ein kontemplativer zweiter Satz und ein wildes Toccata-Finale. Economou widmet sich dieser Musik mit der für ihn typischen Virtuosität und Überzeugungskraft.</video:description>
<video:duration>769</video:duration>
<video:publication_date>2025-04-10T12:55:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:44:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4CG</loc>
<video:video>
<video:title>Böhm dirigiert Mozart: Sinfonie Nr. 1, KV 16</video:title>
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<video:description>Mozart komponierte seine erste Sinfonie zwischen 1764 und 1765 in London, als er gerade einmal acht Jahre alt war. Obwohl das Werk sowohl von der Musik seines Freundes Johann Christian Bach als auch vom damals dominanten Stil der italienischen Opera buffa beeinflusst wurde, ist die erstaunliche Frühreife des jungen Komponisten unüberhörbar; zumal er in einer Gattung experimentierte, die noch in den Kinderschuhen steckte. Karl Böhm und die Wiener Philharmoniker – ein Dreamteam der Mozart-Interptretation – führten das Werk des Achtjährigen 1978 ausgesprochen erwachsen und liebevoll auf. Das Konzert wurde im legendären Musikverein Wien aufgezeichnet.</video:description>
<video:duration>822</video:duration>
<video:publication_date>2025-04-14T13:53:22Z</video:publication_date>
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<lastmod>2025-05-15T11:29:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2C8</loc>
<video:video>
<video:title>The Lounge Lizards: Live in München </video:title>
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<video:description>„Hey, you kids!“, ruft John Lurie dem lebhaften Publikum in der ausverkauften Münchner Alabamahalle zu – und definiert damit die Stimmung dieser explosiven Session des Jazz-Quintetts The Lounge Lizards. Der Saxophonist leitete das geradezu hemmungslos kreative Ensemble zwischen 1978 und 1998 gemeinsam mit seinem Bruder, dem Pianisten Evan Lurie. An jenem Abend im Jahr 1982 gehörten Peter Zummo (Posaune), Tony Garnier (Bass) und Dougie Bowne am Schlagzeug zur Besetzung. Auf der Setlist tauchen neben Standards von Eric Dolphy und Duke Ellington selbstverständlich auch Luries eigene humorvolle Kompositionen auf. Die klassischen No-Wave-Grooves dieses Films werden Sie direkt in die Atmosphäre des einmaligen Konzerts versetzen.</video:description>
<video:duration>3502</video:duration>
<video:publication_date>2025-04-07T14:25:15Z</video:publication_date>
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<lastmod>2025-05-15T11:26:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGDO</loc>
<video:video>
<video:title>Schostakowitsch in Großaufnahme</video:title>
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<video:description>Humor, Sarkasmus, der Sinn für das Groteske – und nicht zuletzt ein großer Pessimismus – sind Eigenschaften, die nicht nur Schostakowitschs Persönlichkeit prägten, sondern auch in seiner Musik zu finden sind. Das zeigt der Film von Oliver Becker, der den Komponisten so authentisch wie möglich zu porträtieren versucht. Schostakowitsch soll weder als Opportunist denunziert noch als Dissident verherrlicht werden. Stattdessen wird in sieben Kapiteln die zum Teil immer noch im Dunkeln liegende Geschichte eines der großen Komponisten des 20. Jahrhunderts in all ihrer Widersprüchlichkeit rekonstruiert. Dem Film gelingt das faszinierende Porträt eines Künstlers, der seine Karriere inmitten beispielloser politischer Turbulenzen verwirklichen musste.</video:description>
<video:duration>3511</video:duration>
<video:publication_date>2025-04-10T13:48:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-05-15T10:44:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6C0</loc>
<video:video>
<video:title>Chick Corea und Steve Kujala</video:title>
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<video:description>Chick Corea war der geborene Kommunikator und ein ebenso begnadeter Team-Player. &quot;Ich stellte fest, dass ich nicht geheimnisvoll, esoterisch und unkommunikativ sein wollte&quot;, sagte er 1972 in einem Interview. &quot;Musik, die sehr direkt, einfach und fröhlich ist, hat auf Menschen eine befreiende Wirkung – und das ist genau die Art von Wirkung, die ich ausüben möchte.&quot; In dem großartigen jungen Flötisten Steve Kujala fand Corea einen idealen Partner. In diesem Konzert, das 1985 beim Münchner Klaviersommer live mitgeschnitten wurde, spielen die beiden Musiker nicht nur Stücke aus ihrem damals neuen Album &quot;Voyage&quot;, sondern auch große, ausschweifende Improvisationen. Sehen Sie hier das Dokument einer einzigartig kreativen Jazz-Partnerschaft.</video:description>
<video:duration>4390</video:duration>
<video:publication_date>2025-04-16T14:37:44Z</video:publication_date>
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<lastmod>2025-05-14T12:12:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8C0</loc>
<video:video>
<video:title>Musical Moment: Emily D&apos;Angelo &amp; Sophia Muñoz</video:title>
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<video:description>Die kanadische Mezzosopranistin Emily D&apos;Angelo präsentiert zusammen mit der Pianistin Sophia Muñoz im Berliner Tanzsaal an der Panke ein abwechslungsreiches, Komponist*innen aus Vergangenheit und Gegenwart gewidmetes Programm. Zu diesen gehören die hoch talentierte, aber lange ignorierte Florence Price und die ebenso bedeutenden Pionierinnen Fanny Mendelssohn Hensel und Clara Schumann. Das Duo begibt sich auf eine Entdeckungsreise, die bis ins 21. Jahrhundert führt. Eine Auswahl spätromantischer Lieder von Alexander Zemlinsky und Arnold Schönberg steht einem von Odysseus´ treuer Ehefrau Penelope inspiriertem Lied von Cecilia Livingston und einem Auszug aus Missy Mazzolis multimedialer Kammeroper Song from the Uproar gegenüber. </video:description>
<video:duration>2769</video:duration>
<video:publication_date>2022-07-28T13:17:43Z</video:publication_date>
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<lastmod>2025-05-13T11:01:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6DG</loc>
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<video:title>Bernstein dirigiert Brahms: Sinfonie Nr. 1 &amp; Akademische Festouvertüre</video:title>
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<video:description>Leonard Bernstein und die Wiener Philharmoniker interpretieren die Erste Sinfonie von Brahms – ein Werk, in dem sich der Komponist sowohl von seiner heroischen als auch von seiner spielerischen Seite zeigte. Kaum einem Dirigenten entsprach die von Zeitgenossen als „Beethovens Zehnte« bezeichnete Sinfonie mit ihrer von der Tragödie zum Triumph führenden Dramaturgie so sehr wie Leonard Bernstein. Besonders glücklich war der Musiker, wenn er als Gastdirigent mit dem bedeutendsten Wiener Orchester auftreten konnte, und dieses Gefühl beruhte auf Gegenseitigkeit. In diesem Konzert, das im Jahr 1981 im Wiener Musikverein aufgezeichnet wurde, folgt Brahms&apos; fröhliche Akademische Festouvertüre als reizvoller Epilog auf das epische Drama der Sinfonie.</video:description>
<video:duration>4131</video:duration>
<video:publication_date>2025-05-02T09:09:55Z</video:publication_date>
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<lastmod>2025-05-09T14:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJIDG</loc>
<video:video>
<video:title>Über das Lied – Dieter Borchmeyer im Gespräch mit Dietrich Fischer-Dieskau</video:title>
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<video:duration>1408</video:duration>
<video:publication_date>2025-05-08T09:30:58Z</video:publication_date>
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<lastmod>2025-05-09T10:12:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCDG</loc>
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<video:title>Meister-Singer mit Dietrich Fischer-Dieskau</video:title>
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<video:description>Der deutsche Bariton Dietrich Fischer-Dieskau war ein Gigant im Musikleben der zweiten Hälfte des 20. Jahrhunderts: ein Künstler, der die Maßstäbe für die Interpretation insbesondere des deutschen Kunstliedes neu definierte. Nach seiner 45 Jahre langen Karriere als Sänger blieb Fischer-Dieskau als Dirigent, Rezitator, Buchautor und Lehrer aktiv. Dieser Film dokumentiert vier Tage, an denen er seine unerschöpflichen Kenntnisse und seine künstlerische Weisheit an acht Student*innen der Musik- und Singschule Heidelberg weitergibt, die ihrerseits ihre Eindrücke von der Arbeit mit dem großen Bariton schildern. Im Mittelpunkt steht dessen Erfahrung mit den Liedern von Komponisten wie Franz Schubert, Hugo Wolf, Johannes Brahms und Gustav Mahler.</video:description>
<video:duration>3490</video:duration>
<video:publication_date>2025-02-27T18:55:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-05-09T09:56:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3EC0</loc>
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<video:title>Böhm dirigiert Mozart: Sinfonie Nr. 28 </video:title>
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<video:description>In dieser, im September 1970 gefilmten, Aufführung dirigiert Karl Böhm die Wiener Philharmoniker in Mozarts früher Sinfonie Nr. 28, einer der letzten seiner Sinfonien aus der Salzburger Zeit. Böhms tiefe Liebe und Kenntnis Mozarts wurde zum Teil durch seine Arbeit mit Richard Strauss inspiriert - seine Aufführungen des Komponisten in seinen späteren Jahren wurden zu einem Inbegriff für instinktive Musikalität und Autorität - besonders in Zusammenarbeit mit den unvergleichlichen Musikern der Wiener Philharmoniker.</video:description>
<video:duration>1205</video:duration>
<video:publication_date>2024-06-24T13:35:56Z</video:publication_date>
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<lastmod>2025-05-06T07:19:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36C8</loc>
<video:video>
<video:title>Die Sammlung der Deutschen Grammophon im Deutschen Technikmuseum, Berlin</video:title>
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<video:duration>410</video:duration>
<video:publication_date>2024-06-10T06:46:30Z</video:publication_date>
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<lastmod>2025-05-06T05:32:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6DO</loc>
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<video:title>Bernstein dirigiert Brahms: Sinfonie Nr. 2</video:title>
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<video:description>Auf den ersten Blick schienen sie gar nicht zueinander zu passen: Leonard Bernstein – der Held des Broadways, der zum Superstar-Maestro wurde – und die Wiener Philharmoniker, das ehrwürdigste (und stolzeste) Orchester Mitteleuropas. Aber irgendwie funkte es in dieser Beziehung; und so erzeugt fast jede Aufnahme von Bernstein und den Wiener Philharmonikern eine ganz besondere Atmosphäre und den Eindruck einer von Freude und gegenseitiger Zuneigung geprägten Partnerschaft. Wie sehr der Dirigent und das Orchester sich an der Kunst des anderen erfreuten, zeigt auch diese Aufführung von Brahms&apos; lyrischer Zweiter Sinfonie aus dem Jahr 1982. Zur Magie des Konzerts trägt die großartige historische Kulisse des Wiener Musikvereins bei.</video:description>
<video:duration>3163</video:duration>
<video:publication_date>2025-05-02T09:18:43Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-05-05T13:07:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GDO</loc>
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<video:title>Chick Corea und Nicolas Economou: Lieder für Kinder</video:title>
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<video:description>Mit Nicolas Economou und Chick Corea traten im Sommer 1982 zwei Pianisten-Komponisten der Extraklasse im Münchner Amerikahaus gemeinsam auf. Economou spielte seine bezaubernden Etüden für Kinder, Corea eine Auswahl aus seinen Children&apos;s Songs. Zum Abschluss interpretierten die beiden Geistesverwandten Coreas Duet for Two Pianos. Das Konzert war bis zum Bersten mit Kreativität, Virtuosität und Witz gefüllt; und die Aufzeichnung erinnert an zwei unbändig musikantische Künstler, die lustvoll zwischen verschiedenen Welten hin- und herreisten, und heute sehr vermisst werden – Economou starb 1993 im Alter von nur 40 Jahren.</video:description>
<video:duration>3140</video:duration>
<video:publication_date>2025-03-10T12:50:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-04-28T11:59:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38D0</loc>
<video:video>
<video:title>Yuja x Hockney</video:title>
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<video:description>In diesem sehr besonderen Konzert trifft eine außergewöhnliche Pianistin auf die Werke eines nicht weniger außergewöhnlichen bildenden Künstlers: Im Londoner Lightroom interpretiert Yuja Wang Kompositionen von Bach bis Berio, die sie als spezifische Kommentare zu Kunstwerken von David Hockney ausgewählt hat. Letztere werden, während die Pianistin spielt, in atemberaubenden 360-Grad-Projektionen gezeigt. So werden in einem Grenzen-sprengenden audiovisuellen Ereignis Verbindungen zwischen den Sinnen, zwischen Kunst und Musik und zwischen zwei bedeutenden kreativen Persönlichkeiten der Gegenwart erkennbar.</video:description>
<video:duration>3696</video:duration>
<video:publication_date>2025-03-30T13:00:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-04-28T07:43:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6E0</loc>
<video:video>
<video:title>Yellow Lounge in Hong Kong - Rafał Blechacz &amp; Bomsori</video:title>
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<video:description>Die &quot;Classics meets Club&quot; Serie Yellow Lounge der Deutschen Grammophon hatte 2019 ihren ersten Live-Event in Hongkong. In der Cocktail-Bar Ping Pong 129 sind die beiden gefeierten Exklusiv-Künstler, die koreanische Geigerin Bomsori und der polnische Pianist Rafal Blechacz gemeinsam aufgetreten. Beide verbindet eine lange musikalische Freundschaft und so umfasste das Konzert sowohl Werke ihres Duo-Albums aus demselben Jahr, als auch 2 Sätze aus Mozarts wohl berühmtester Violinsonate.</video:description>
<video:duration>3797</video:duration>
<video:publication_date>2024-01-16T15:34:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T17:35:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36DG</loc>
<video:video>
<video:title>Heinrich Schiff interpretiert Guldas Cellokonzert</video:title>
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<video:description>Friedrich Gulda widmete sein Konzert für Cello und Blasorchester aus dem Jahr 1980 Heinrich Schiff. In dieser Aufzeichnung vom Münchner Klaviersommer 1988 präsentieren die beiden Musiker das witzige, packende und in vielen Passagen auch bewegende Werk in einer idealtypischen Aufführung. Das Konzert spiegelt Guldas ikonoklastischen, vielseitigen und unersättlichen Musikgeschmack wider und bietet eine wilde Stilmischung, die vom Rock über Volks- und Zirkusmusik bis zu Wagner und zur Moderne des 20. Jahrhunderts reicht. Zu erleben ist ein Werk, das – ganz wie sein Komponist – mit großer Lust alle konventionellen Regeln bricht.</video:description>
<video:duration>1929</video:duration>
<video:publication_date>2025-01-29T14:22:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:28:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34C0</loc>
<video:video>
<video:title>Gulda spielt Beethoven: Klavierkonzert Nr. 5 </video:title>
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<video:description>Der furchtlose österreichische Virtuose und Komponist Friedrich Gulda hat mit seinen alle Genregrenzen überschreitenden Auftritten bei Puristen Empörung ausgelöst, ist dabei aber dem lebendigen, kreativen Herz der Musik wohl näher gekommen als fast alle anderen Pianisten seiner Zeit. In diesem Konzert des Münchner Klaviersommers 1989, das Gulda vom Instrument aus dirigiert, betritt er mit Totenkopfmütze und im T-Shirt die Bühne, um Beethovens letztes Klavierkonzert mit lebensbejahender Vitalität und absoluter Integrität zu interpretieren. Laut Grammophone erleben wir die Aufführung „eines Künstlers, der sich seiner Vision völlig sicher ist und uns herausfordert, die stilistischen Tabus unseres Musikverständnisses zu überdenken”.</video:description>
<video:duration>2299</video:duration>
<video:publication_date>2025-01-03T11:01:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:27:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32E8</loc>
<video:video>
<video:title>Gulda spielt Gulda: Concerto For Myself</video:title>
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<video:description>»Ich bin der wichtigste kreative Wiener Musiker der zweiten Hälfte unseres Jahrhunderts«, erklärte Friedrich Gulda einmal ohne falsche Bescheidenheit. »Larger than life« war dieser unnachahmliche österreichische Pianist und Komponist in allem, was er tat. Sein Klavierkonzert ist unglaublich unterhaltsam und widersetzt sich als große, unverschämt melodiöse Kollision von romantischem Pastiche, Lounge-Jazz und Guldas unvergleichlich eigenwilliger und zugleich klassischen Virtuosität jeder Kategorisierung. Gulda spielt das Werk in dieser Live-Aufführung von 1988, bei der es sich möglicherweise um die Weltpremiere handelt. Das Zusammenspiel mit den Münchner Philharmonikern begeistert durch Harmonie im Geist improvisatorischer Freiheit.</video:description>
<video:duration>2681</video:duration>
<video:publication_date>2025-01-03T10:49:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:27:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6D0</loc>
<video:video>
<video:title>Gulda spielt Chopin</video:title>
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<video:description>In den mittleren Jahren seiner Karriere hielt Friedrich Gulda von der Romantik Abstand. Wie er dem Musikkritiker Joachim Kaiser erklärte, wollte er den „Schlendrian“ vermeiden, der in der Darbietung von gefühlsbetonter Musik drohen kann. Da staunte die Klassikwelt, als der österreichische Pianist Mitte der 1980er Jahre – er galt inzwischen längst als originellster und souveränster Beethoven-Interpret seiner Zeit – zu Werken von Frédéric Chopin zurückkehrte. In dieser Aufzeichnung von 1986 zeigt Gulda mit kraftvoll-unsentimentalem und dennoch emotional mitreißendem Spiel einen ganz neuen Blick auf die Musik des polnischen Komponisten.</video:description>
<video:duration>2356</video:duration>
<video:publication_date>2022-07-20T14:54:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-04-24T15:23:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJICO</loc>
<video:video>
<video:title>Gulda spielt Mozarts Klavierkonzerte Nr. 20 &amp; 26 </video:title>
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<video:description>Friedrich Gulda rebellierte unerschrocken gegen die Routinen des Klassikbetriebs und war zugleich einer der leidenschaftlichsten, dabei gänzlich unsentimentalen Interpreten der Werke von Mozart, dem wahrscheinlich beliebtesten Komponisten der Musikwelt. Bei dem hier dokumentierten Auftritt im Jahr 1986 mit den Münchner Philharmonikern trat Gulda wie üblich ohne traditionelle Konzertkleidung, dafür mit der unvermeidlichen Mütze und nicht nur als Pianist, sondern auch als schwungvoller musikalischer Leiter in Erscheinung. Zu den Höhepunkten der Aufnahme gehört der dramatisch bewegte Mittelteil aus dem langsamen Satz des 20. Klavier-Konzerts in d-Moll und das von Gulda kontrast- und geistreich gespielte Finale des Krönungskonzerts.</video:description>
<video:duration>3943</video:duration>
<video:publication_date>2022-10-17T16:05:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:21:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38E8</loc>
<video:video>
<video:title>Friedrich Gulda: Öffentliche Musikmeditation</video:title>
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<video:description>Der österreichische Pianist Friedrich Gulda war eine der faszinierendsten Musikerpersönlichkeiten der zweiten Hälfte des 20. Jahrhunderts. Da er ein Wunderkind war, schien der Weg zu einer konventionellen Virtuosen-Laufbahn vorgezeichnet. Aber Guldas musikalischer Appetit war alles andere als konventionell. So wurde er zum Initiator des 1981 zum ersten Mal ausgerichteten Münchner Klaviersommers. Das Format ermöglichte es dem Musiker, seine Liebe zum Jazz, zum Experiment und zur Grenzüberschreitung auszuleben. Selten wurde seine musikalische Utopie so hinreißend verwirklicht wie in dieser frei gestalteten „öffentlichen Musikmeditation“ aus dem Gründungsjahr des Festivals, in der Gulda singt und auf verschiedenen Instrumenten spielt.</video:description>
<video:duration>1590</video:duration>
<video:publication_date>2025-02-07T15:27:59Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T14:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3EC8</loc>
<video:video>
<video:title>Chick Corea: The Meeting Solo, Teil 2</video:title>
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<video:description>Im zweiten Set des legendären Zusammentreffens von Chick Corea und Friedrich Gulda beim Münchner Klaviersommer 1982 übernimmt der legendäre Jazzpianist alleine die Bühne und demonstriert seine erstaunlichen, nahezu grenzenlosen Fähigkeiten als Improvisator. Als Grundlage der ersten Improvisation dient Corea der Standard „Round Midnight“ von Thelonius Monk aus dem Jahr 1943. Im weiteren Verlauf des Auftritts lässt der Musiker seiner Fantasie dann völlig freien Lauf und brilliert mit einer aus dem Moment entstehenden Tour de Force der Kreativität und schierer pianistischer Virtuosität. So entsteht ein unvergessliches Ereignis, in dem sich das Spielerische und Nachdenkliche mit einer geradezu hypnotischen Intensität verbinden.</video:description>
<video:duration>2999</video:duration>
<video:publication_date>2025-03-03T13:11:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T13:46:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CE8</loc>
<video:video>
<video:title>Friedrich Gulda: The Meeting Solo, Teil 1</video:title>
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<video:description>Bereits beim zweiten Jahrgang des Münchner Klaviersommers ereignete sich das außergewöhnliche Zusammentreffen zwischen dem Festival-Gründer Friedrich Gulda und Chick Corea. Das Konzert verwirklichte die Intentionen des Klaviersommers mit seiner alle Genre-Grenzen sprengenden Kreativität auf perfekte Weise. Jeder der beiden Pianisten trat in einem der Sets alleine auf, bevor beide im Finale gemeinsam musizierten. In der hier vorliegenden Aufzeichnung eröffnet der Pianist das erste Set mit Mozarts berühmter Sonate in C-Dur, KV 330, die er mit eigener Musik verschränkt. Zum krönenden Abschluss glänzt Gulda mit einer virtuosen Version des Lieds „Die Reblaus“, das durch den österreichischen Schauspieler Hans Moser berühmt wurde.</video:description>
<video:duration>2603</video:duration>
<video:publication_date>2025-03-03T12:31:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T13:45:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2C0</loc>
<video:video>
<video:title>Economou spielt Mozart: Klaviersonate F-Dur, KV 332</video:title>
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<video:description>Den Pianisten Nicolas Economou, der im Alter von 40 Jahren herzzerreißend früh verstarb, zeichnete eine ungewöhnliche Vielseitigkeit aus: Im Duett mit einer Jazzlegende wie Chick Corea fühlte er sich ebenso wohl wie im hochromantischen Virtuosen-Repertoire, mit dem er 1969 beim Internationalen Tschaikowsky-Wettbewerb die Musikwelt eroberte. Aber der Pianist war auch ein hinreißender Mozart-Interpret, wie diese wunderbar persönliche Aufführung der geliebten F-Dur-Sonate KV 332 beweist. Sie stand 1983 bei einem Konzert des Klaviersommers in Economous Wahlheimat München auf dem Programm.</video:description>
<video:duration>854</video:duration>
<video:publication_date>2025-04-07T14:16:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:08:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0E8</loc>
<video:video>
<video:title>Economou spielt Liszt: Klaviersonate in h-Moll</video:title>
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<video:description>Als „wichtigste, originellste, gewaltigste und intelligenteste Sonatenkomposition nach Beethoven und Schubert“ bezeichnete Alfred Brendel Liszts mächtige Klaviersonate in h-Moll. Wenige Interpreten spielten das epochale Werk mit so großer Noblesse wie der griechisch-zypriotische Pianist Nicolas Economou. Der Musiker hatte 1969 beim Tschaikowsky-Wettbewerb in Moskau für Furore gesorgt und erwarb später die Wertschätzung von so unterschiedlichen Kolleg:innen wie Martha Argerich und Chick Corea. Diese Aufzeichnung aus dem Münchner Kongresssaal stammt aus dem Jahr 1983 – und entstand damit etwa ein Jahrzehnt vor dem tragisch frühen Tod des außergewöhnlichen Pianisten, der bei einem Autounfall im Alter von nur 40 Jahren ums Leben kam.</video:description>
<video:duration>1782</video:duration>
<video:publication_date>2025-04-07T14:10:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:07:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0D8</loc>
<video:video>
<video:title>Michel Béroff im Recital: Schönberg und Debussy</video:title>
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<video:description>Der französische Pianist Michel Béroff, der zunächst durch seine Messiaen-Interpretationen Aufsehen erregte, verfügt über einen ungewöhnlich weiten künstlerischen und intellektuellen Horizont. Seit mehr als 50 Jahren wird er als herausragende Persönlichkeit des französischen Klavierspiels bewundert, 1983 konzertierte Béroff, zu dessen Schülern Seong-Jin Cho gehört, mit einem ungewöhnlich spannungsreichen Programm beim Münchner Klaviersommer: Der konzentrierten Darbietung von Schönbergs Klavierstücken op. 19 stand eine wunderbar fantasievoll interpretierte Auswahl von Debussys Préludes gegenüber. So liegt in dieser Aufzeichnung die Musik von zwei Giganten des 20. Jahrhunderts in den Händen eines so virtuosen wie diskreten Meisters.</video:description>
<video:duration>1555</video:duration>
<video:publication_date>2025-03-31T13:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:05:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34CO</loc>
<video:video>
<video:title>Nelson Freire im Konzert: Schumann &amp; Chopin</video:title>
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<video:description>„Chopins Werke sind unter Blumen eingesenkte Kanonen“, schrieb Robert Schumann über die Musik seines fast gleich alten Kollegen. In diesem Rezital des 2021 verstorbenen Nelson Freire, das 1983 im Saal der Kongresshalle in München mitgeschnitten wurde, greifen die beiden romantischen Meister-Komponisten nach den Sternen. Schumanns als Beethoven-Hommage konzipierte Fantasie Op. 17 spielt Freire mit einer Souveränität, die nur vom Reichtum seiner Fantasie übertroffen wird. Auch Chopin lag dem großen brasilianischen Virtuosen ganz besonders am Herzen. In diesem Konzert sind zwei der mächtigsten ein-sätzigen Meisterwerke des Komponisten sowie dessen exquisite Berceuse Op. 57 in äußerst einfühlsamen Interpretationen zu erleben.</video:description>
<video:duration>2988</video:duration>
<video:publication_date>2025-01-07T14:19:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T11:59:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ED0</loc>
<video:video>
<video:title>Yannick Nézet-Séguin und Angel Blue mit Bruckner und Strauss</video:title>
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<video:description>Jede Rückkehr von Yannik Nézet-Séguin zum Rotterdam Philharmonic Orchestra bestätigt die Exzellenz dieser Partnerschaft. Seit 2018 amtiert der Musiker als Ehrendirigent des Orchesters, dessen Chefdirigent er zuvor ein Jahrzehnt lang gewesen war. Romantische Meisterwerke stehen auf diesem Programm, das mit Richard Strauss&apos; Vier letzten Liedern beginnt. Sie erstrahlen im herbstlichen Glanz der letzten Lebensjahre des Komponisten – und sind ideale Stücke für die Stimme der großartigen US-amerikanischen Sopranistin Angel Blue. Danach erklingt Bruckners außergewöhnliche Dritte Sinfonie; in dem von Wagner inspirierten und ihm gewidmeten Werk kommt die reife musikalische Persönlichkeit des Komponisten kraftvoll zum Vorschein.</video:description>
<video:duration>6142</video:duration>
<video:publication_date>2025-04-23T06:39:55Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T11:52:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGE8</loc>
<video:video>
<video:title>Price: Klavierquintett a-moll: IV. Scherzo: Allegro – Coda</video:title>
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<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2025-04-22T14:13:03Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:35:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJIC0</loc>
<video:video>
<video:title>Price: Klavierquintett a-moll: III. Juba: Allegro</video:title>
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<video:description></video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-04-22T14:34:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:27:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJIC8</loc>
<video:video>
<video:title>Fauré: Mandoline, op. 58 Nr. 1 </video:title>
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<video:description></video:description>
<video:duration>109</video:duration>
<video:publication_date>2025-04-22T14:50:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:27:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0E0</loc>
<video:video>
<video:title>Böhm dirigiert Mozart: Sinfonie Nr. 39</video:title>
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<video:description>Karl Böhm verkörperte wie kaum ein zweiter Dirigent die österreichisch-deutsche Musiktradition. Er wurde 1894 als Bürger der Habsburg-Monarchie geboren – und stand noch am Pult, als die Ära der Compact Disc bereits begonnen hatte. Dass seine Energie und sein Einfühlungsvermögen mit dem Alter noch zunahmen, beweist der bahnbrechende Zyklus mit Mozarts Sinfonien aus den 1960er Jahren. Das Magazin Gramophone bezeichnete die Aufnahmen als „funkelnd“, „elegant“ und „kraftvoll“. Diese Aufführung der Sinfonie Nr. 39 wurde 1969 in Wien im Rahmen eines Projekts aufgezeichnet, das Böhms Interpretationen von Mozarts Sinfonien filmisch dokumentieren sollte. Zu erleben ist ein überragender Dirigent, der bei Mozarts Werken ganz in seinem Element war.</video:description>
<video:duration>1585</video:duration>
<video:publication_date>2025-04-07T14:06:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-16T07:26:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2CG</loc>
<video:video>
<video:title>Bernstein dirigiert Beethovens Die Geschöpfe des Prometheus</video:title>
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<video:description>Kein Wunder, dass Beethoven von Prometheus fasziniert war: Schließlich entrissen beide Männer den Göttern das Feuer und beglückten die Menschheit mit dem furchtlosen und unbändigen Geist der Kreativität. Beethovens einzige Ballettmusik gehört zu den originellsten Meisterwerken seiner frühen Schaffens-Jahre und passt perfekt zum überschwänglichen Temperament von Leonard Bernstein. Die Partnerschaft zwischen dem amerikanischen Dirigenten und den Wiener Philharmonikern war auch deshalb bemerkenswert, weil kaum jemand sie erwartet hätte. In diesem Konzert von 1978, das im Musikverein aufgezeichnet wurde, erklingt eine weitere Beethoven-Rarität – die Ouvertüre zur Festspiel-Musik über König Stephan, den ersten Monarchen des ungarischen Reiches.</video:description>
<video:duration>1991</video:duration>
<video:publication_date>2025-04-07T14:35:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T13:05:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3AD8</loc>
<video:video>
<video:title>Oksana Lyniv dirigiert Mozart, Silvestrov, Haydn - mit Alice Sara Ott</video:title>
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<video:description>Mit Spielfreude und geistiger Wendigkeit stürzen sich Oksana Lyniv und Alice Sara Ott in diesem Programm der Münchner Philharmoniker in Mozarts 13. Klavierkonzert. Mozart ist auch der Dialogpartner in The Messenger von Lynivs ukrainischem Landsmann Valentin Silvestrov, das Motive aus der Zeit der Wiener Klassik mit einer meditativen Atmosphäre umhüllt. Haydns 96. Sinfonie verdankt ihren Beinamen »Das Mirakel« einer Anekdote: Bei einer Londoner Aufführung sollen Zuhörer von ihren Plätzen aufgestanden, zur Bühne gegangen und dadurch vor einem herabstürzenden Kronleuchter gerettet worden sein. Die unbestätigte Geschichte ist mindestens gut erfunden, denn die Anziehungskraft von Haydns fantasievoller Musik ist einfach unwiderstehlich. </video:description>
<video:duration>3784</video:duration>
<video:publication_date>2022-11-14T10:02:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T11:05:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ32CG</loc>
<video:video>
<video:title>Das Spring Festival in Tokio – 20. Jubiläum</video:title>
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<video:description>Es ist das größte Festival für klassische Musik in Japan und beginnt alljährlich, wenn der Frühling einzieht und mehr als tausend Kirschbäume den märchenhaften Ueno-Park in ein Blütenmeer verwandeln – das Spring Festival in Tokio. 2005 gegründet, bietet es von Mitte März bis Mitte April ein herausragendes und abwechslungsreiches Programm mit internationalen und japanischen Künstler:innen – in Oper oder Rezital, Kammermusik oder Konzert, und auch informelle Open-Air-Aufführungen und -Events sind angekündigt.</video:description>
<video:duration>1152</video:duration>
<video:publication_date>2024-04-02T09:45:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T10:47:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GDO</loc>
<video:video>
<video:title>Benjamin Bernheim und Julie Fuchs in Gounods Roméo et Juliette</video:title>
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<video:description>Es ist eine Traumbesetzung für diese populäre Oper: Mit Benjamin Bernheim und Julie Fuchs singen zwei französischsprachige Stars die Titelrollen in Roméo et Juliette. Gounods 1867 in Paris uraufgeführtes Werk war auf Anhieb ein Erfolg. Das berühmteste Liebesdrama aller Zeiten gehört auch hier ganz den Liebenden, mit Juliettes „Je veux vivre”, Roméos „Ah! Lève toi, soleil!” oder dem bewegenden Liebesduett zum Schluss – immer betören Bernheim und Fuchs mit ihrem lyrischen Gesang. Ted Huffmans minimalistische Inszenierung aus dem Jahr 2023 am Opernhaus Zürich lässt ihnen Raum, während die Philharmonia Zürich unter der Leitung von Roberto Forés Veses voll Leidenschaft begleitet.</video:description>
<video:duration>8506</video:duration>
<video:publication_date>2023-10-23T09:58:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-04-11T10:56:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ICO</loc>
<video:video>
<video:title>Harnoncourt dirigiert Weber: Der Freischütz</video:title>
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<video:description>Tief im deutschen Wald rühren sich dunkle Mächte. Webers Meisterwerk Der Freischütz eröffnete ein neues Kapitel in der Oper des 19. Jahrhunderts. Mit seinen Jagdchören und der gotischen Atmosphäre bleibt diese Geschichte eines jungen Jägers, der von dämonischen Mächten umgarnt wird, einer der großen Opernkrimis. Es ist ein natürliches Terrain für einen Dirigenten mit Nikolaus Harnoncourts Sinn für Geschichte und Farben. Ruth Berghaus&apos; kraftvolle modernistische Neuinterpretation war einer der Höhepunkte seiner langen kreativen Beziehung zum Opernhaus Zürich. Die schwedische Sopranistin Inga Nielsen (Agathe) und der große deutsche Tenor Peter Seiffert (Max) führen in dieser Aufführung aus dem Jahr 1999 eine weltberühmte Besetzung an.</video:description>
<video:duration>9454</video:duration>
<video:publication_date>2024-07-30T12:21:00Z</video:publication_date>
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<lastmod>2025-04-11T10:54:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJACO</loc>
<video:video>
<video:title>Welser-Möst dirigiert Berg: Lulu </video:title>
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<video:description>Im Theater des 20. Jahrhunderts gibt es nichts, das Bergs letzter Oper Lulu gleicht. Das Psychodrama über eine Frau und ihre Sexualität in einer korrupten Welt und die von berstender Kraft und schillernder Sinnlichkeit erfüllte Musik verbinden sich zu einem verstörenden und zugleich verführerischen Drama. In der von der Presse gelobten Inszenierung des Opernhauses Zürich aus dem Jahr 2001 überzeugte die Sopranistin Laura Aikin in der Rolle der moralisch ambivalenten Titelheldin, und Franz Welser-Möst entlockte dem Orchester eine glänzende Interpretation. Mit seinen Verweisen auf die Popkultur und das Weimarer Kabarett beleuchtete Regisseur Sven-Erich Bechtolf die dunklen Aspekte einer Oper, die nichts von ihrer Faszination verloren hat.</video:description>
<video:duration>7762</video:duration>
<video:publication_date>2024-10-22T13:05:01Z</video:publication_date>
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<lastmod>2025-04-11T10:53:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GCG</loc>
<video:video>
<video:title>Harnoncourt dirigiert Mozart: Sinfonie Nr. 31 „Paris“</video:title>
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<video:description>Als der junge Mozart nach Paris kam, wollte er das kenntnisreiche Publikum beeindrucken – und tatsächlich setzte zu seiner Freude schon nach wenigen Takten seiner „Pariser“ Sinfonie der Applaus ein. Im Wiener Musikverein fängt Nikolaus Harnoncourt zwei Jahrhunderte später mit den Wiener Philharmonikern den Wagemut des Komponisten auf kongeniale Weise ein. Der bahnbrechende Erforscher der Aufführungspraxis des 18. Jahrhunderts bezeichnete Mozarts Musik als „dramatisch, dynamisch, häufig direkt und in höchstem Maße emotional“. Harnoncourts Dirigat ergibt mit dem golden leuchtenden Klang und der bestechenden Phrasierung dieses großen Wiener Orchesters ein Mozart-Spiel von unvergleichlicher Autorität, Frische und stilistischer Authentizität.</video:description>
<video:duration>1170</video:duration>
<video:publication_date>2025-03-10T11:44:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:18:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GCO</loc>
<video:video>
<video:title>Harnoncourt dirigiert Schubert: Sinfonie Nr. 4 „Tragische“</video:title>
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<video:description>Schubert selbst bezeichnete seine Vierte Symphonie in c-Moll als „tragisch“; aber weil dieses Werk von Schubert stammt, umfasst es das gesamte Spektrum menschlicher Emotionen: Auch Zärtlichkeit, Humor und übersprudelnde Freude kommen in herrlichen Melodien zum Ausdruck. Kein Orchester ist mit Schuberts Stil so innig vertraut wie die Wiener Philharmoniker – und kein Dirigent vereinigte die Ideen der historischer Aufführungspraxis mit der Wiener Tradition so anmutig und wie der 2016 verstorbene Nikolaus Harnoncourt. Diese Aufführung wurde 1984 im wunderschönen Musikverein Wiens aufgezeichnet und dokumentiert eine nahezu idealtypische Übereinstimmung von musikalischen Herzen und Köpfen in jener Stadt, die Franz Schubert seine Heimat nannte.</video:description>
<video:duration>2112</video:duration>
<video:publication_date>2025-03-10T12:12:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:17:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3EC0</loc>
<video:video>
<video:title>Richter dirigiert Bachs h-Moll-Messe</video:title>
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<video:description>Karl Richter, der Münchener Bach-Chor und das Münchener Bach-Orchester interpretieren Bachs gewaltige h-Moll-Messe – eine der größten Leistungen des Komponisten. Die Erfahrungen eines ganzen Lebens von unvergleichlicher Kreativität gipfelten in einem der beeindruckendsten musikalischen Monumente des Glaubens. Diese Aufführung wurde 1969 in dem stimmungsvollen, etwa 30 km südwestlich von München liegenden Marienmünster in Dießen am Ammersee aufgezeichnet. Unter Richters Händen, der von Solist*innen wie Gundula Janowitz und Hermann Prey unterstützt wird, kommt die Monumentalität des Werkes auf eine Weise zur Geltung, die bis heute nichts von ihrer bewegenden Kraft verloren hat.</video:description>
<video:duration>7791</video:duration>
<video:publication_date>2025-03-03T12:52:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:17:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJEE0</loc>
<video:video>
<video:title>Böhm dirigiert Mozarts Die Entführung aus dem Serail</video:title>
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<video:description>Der legendäre Mozart-Interpret Karl Böhm dirigiert diese zum Klassiker avancierte Produktion der Entführung aus dem Serail, die 1980 an der Bayerischen Staatsoper aufgezeichnet wurde. Regisseur August Everding deutete Mozarts populäres Singspiel als sonnige komische Oper, ohne die vom Komponisten geforderte „Tiefe” zu vernachlässigen. So sind die komischen Figuren keine Karikaturen, sondern werden in ihrer ganzen Menschlichkeit erkennbar. Durch die Besetzung mit Edita Gruberová als Konstanze, Franciso Araiza als Belmonte und Martti Talvela als Osmin wird die Inszenierung außerdem zu einem Fest des Gesangs.</video:description>
<video:duration>8809</video:duration>
<video:publication_date>2024-11-11T14:35:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:16:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGDG</loc>
<video:video>
<video:title>Wagner: Parsifal - Akt III: “Höchsten Heiles Wunder!”</video:title>
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<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2025-04-08T14:11:44Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T13:24:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32E8</loc>
<video:video>
<video:title>Kit Armstrong: Keyboard Music Chronicles 1620–1720 Contrast</video:title>
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<video:description>Nur wenige Künstler würden ein derart ambitioniertes Projekt in Angriff nehmen, doch Kit Armstrong wagt es: Er erforscht und vergleicht pianistisch Jahrhunderte der Klaviermusik, eine künstlerische Meisterleistung und zugleich ein Beweis seiner musikwissenschaftlichen Wissbegier. In diesem Konzert widmet er sich den stilistischen Gegensätzen verschiedener Schulen des Barocks. Zunächst steht J. S. Bach im Fokus mit lutherischen Choralvorspielen, dann mit dem brillanten G-Dur-Konzert nach Vivaldi, BWV 980, und der Chromatischen Fantasie und Fuge. Dazwischen erklingen Händels Suite Nr. 5 sowie Werke englischer und französischer Komponisten. </video:description>
<video:duration>5019</video:duration>
<video:publication_date>2023-07-14T06:38:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-04-09T09:59:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34C0</loc>
<video:video>
<video:title>Kit Armstrong: Keyboard Music Chronicles 1720–1820 Enlightenment</video:title>
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<video:description>Nur wenige Künstler würden ein derart ambitioniertes Projekt in Angriff nehmen, doch Kit Armstrong wagt es: Er erforscht und vergleicht pianistisch Jahrhunderte der Klaviermusik, eine künstlerische Meisterleistung und zugleich ein Beweis seiner musikwissenschaftlichen Wissbegier. In diesem Konzert der Reihe zeichnet er die musikalischen Entwicklungen in der Zeit der Aufklärung nach: Von Johann Sebastian Bachs revolutionärem Wohltemperierten Klavier über den Sturm und Drang in Haydns und die vollendete Balance in Mozarts Musik bis zur Protoromantik in den Fantasien von Carl Philipp Emanuel Bach und zu Beethovens Mondschein- Sonate.</video:description>
<video:duration>5246</video:duration>
<video:publication_date>2023-07-14T11:19:01Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:59:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6DO</loc>
<video:video>
<video:title>Kit Armstrong: Keyboard Music Chronicles 1820–1920 Visions </video:title>
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<video:description>Nur wenige Künstler würden ein derart ambitioniertes Projekt in Angriff nehmen, doch Kit Armstrong wagt es: Er erforscht und vergleicht pianistisch Jahrhunderte der Klaviermusik, eine künstlerische Meisterleistung und zugleich ein Beweis seiner musikwissenschaftlichen Wissbegier. In diesem Konzert widmet sich der Pianist Werken, die zwischen 1820 und 1920 entstanden sind; in einer Zeit rasanter Entwicklungen und Umwälzungen, wie sich in der Stückauswahl des Programms zeigt: sie reicht von Chopins eindringlichen Nocturnes über Werke von Debussy und Liszt bis zu Schönbergs Sechs kleinen Klavierstücken, Op. 19 und Leo Ornsteins avantgardistischem Suicide in an Airplane von 1913.</video:description>
<video:duration>5475</video:duration>
<video:publication_date>2023-07-14T11:55:24Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:59:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6DG</loc>
<video:video>
<video:title>Jan Lisiecki and Friends spielen Kammermusik von Brahms </video:title>
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<video:description>Jan Lisiecki und hervorragende japanische Instrumentalisten interpretieren in diesem Konzert zwei der schönsten Kammermusikwerke von Brahms. Der kanadische Pianist steht im Mittelpunkt des umfangreichen Zweiten Klavierquartetts, das 1861 vollendet und im folgenden Jahr mit Brahms selbst am Klavier uraufgeführt wurde – ein ergreifend lyrisches Werk, in dem der Komponist kammermusikalische Intimität mit symphonischem Anspruch verbindet. Das etwa dreißig Jahre später entstandene Zweite Streichquintett sollte nach der ursprünglichen Absicht von Brahms dessen letztes Werk bleiben. In ihm zeigt sich die Ökonomie und Meisterschaft seines Spätstils. Der wunderschöne Adagio-Satz ist von einer berührenden Melancholie beseelt.</video:description>
<video:duration>6059</video:duration>
<video:publication_date>2023-07-13T14:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8E0</loc>
<video:video>
<video:title>Buchbinder spielt Beethoven: Klaviersonaten &quot;Pathétique&quot; &amp; &quot;Waldstein&quot;</video:title>
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<video:description>In diesem Jahr feiert das Tokyo Spring Festival, Japans größtes Festival für klassische Musik, seinen 20. Geburtstag. Ein zentraler Baustein im Festival-Programm 2024 ist der komplette Zyklus der Klaviersonaten von Ludwig van Beethoven, die von einem der größten Beethoven-Interpreten unserer Zeit gespielt werden, dem österreichischen Pianisten Rudolf Buchbinder. Für das erste von zwei, live auf STAGE+ übertragenen, Konzerten hat er die berühmten Sonaten „Pathétique“ und „Waldstein“ ausgewählt. 3 weitere Werke, darunter die Klaviersonate Op. 22 komplettieren das Programm.</video:description>
<video:duration>5329</video:duration>
<video:publication_date>2024-03-27T12:55:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8E8</loc>
<video:video>
<video:title>Buchbinder spielt Beethoven: Die letzten drei Klaviersonaten</video:title>
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<video:description>In diesem Jahr feiert das Tokyo Spring Festival, Japans größtes Festival für klassische Musik, seinen 20. Geburtstag. Ein zentraler Baustein im Festival-Programm 2024 ist der komplette Zyklus der Klaviersonaten von Ludwig van Beethoven, die von einem der größten Beethoven-Interpreten unserer Zeit gespielt werden, dem österreichischen Pianisten Rudolf Buchbinder. Im zweiten Live-Stream auf STAGE+ widmet sich Rudolf Buchbinder den drei letzten Sonaten des großen Komponisten, in denen sich einige der persönlichsten, bewegendsten und manchmal sogar experimentellsten Stellen seines Schaffens finden.</video:description>
<video:duration>4211</video:duration>
<video:publication_date>2024-03-28T09:51:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJED0</loc>
<video:video>
<video:title>Yuja Wang und Gautier Capuçon spielen Chopin</video:title>
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<video:description>Yuja Wang und Gautier Capuçon, Freunde und virtuose Kollegen, spielen 2020 bei diesem Konzert in der Philharmonie de Paris Werke für Cello und Klavier von Frédéric Chopin. Die späte Cellosonate und die frühe Introduction et Polonaise brillante Op. 3 zählen zu den wenigen Stücken des Komponisten, die nicht für Klavier solo geschrieben wurden. Sie weisen dennoch brillante Klavierpassagen auf, während Chopins herausragende melodische Begabung einen idealen Ausdruck im Cello findet.</video:description>
<video:duration>2442</video:duration>
<video:publication_date>2023-05-15T10:43:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:15:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8D8</loc>
<video:video>
<video:title>Daniel Harding dirigiert Tosca – mit Buratto, Tetelman &amp; Tézier</video:title>
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<video:description>Zum Auftakt seiner Amtszeit als neuer Musikdirektor des Orchesters und Chors der Accademia Nazionale di Santa Cecilia in Rom dirigiert Daniel Harding zum ersten Mal in seiner Laufbahn Puccinis beliebten Opernthriller – und betont mit seiner leidenschaftlichen Interpretation die Dramatik des Werks. Die konzertante Aufführung, die auch zu den Feierlichkeiten zum 100. Todestag des Komponisten beiträgt, präsentiert eine Traumbesetzung: Der gefeierte Tenor Jonathan Tetelman singt Cavaradossi an der Seite von Eleonora Buratto in der Rolle seiner Geliebten Tosca. Der französische Bariton Ludovic Tézier verkörpert den brutalen Polizeichef Baron Scarpia, der dem Liebespaar zum Verhängnis wird. </video:description>
<video:duration>7534</video:duration>
<video:publication_date>2024-10-24T18:03:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT</video:restriction>
</video:video>
<lastmod>2025-04-08T09:55:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6CG</loc>
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<video:title>Berlin-Gala zum 120. Geburtstag der Deutschen Grammophon mit Lang Lang</video:title>
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<video:description>Sehen Sie hier die Live-Aufzeichnung eines Festkonzerts, das zum 120-jährigen Jubiläum der Deutschen Grammophon in der Berliner Philharmonie ausgerichtet wurde. Lang Lang trifft in einer Interpretation von Mozarts Klavierkonzert in c-Moll auf Manfred Honeck und die Staatskapelle Berlin. In diesem höchst anspruchsvollen und auf Beethoven vorausweisendem Gattungsbeitrag lässt Mozart dem dramatischen ersten Satz ein wunderschönes, zartes Larghetto und einen kraftvollen Variationensatz als Finale folgen. Von Beethoven erklingen zwei der insgesamt vier Ouvertüren, die der Komponist für verschiedene Fassungen seiner einzigen Oper Fidelio schrieb. Einen Höhepunkt bildet auch Chopins von Lang Lang als Zugabe gespielter Grande valse brillante.</video:description>
<video:duration>3800</video:duration>
<video:publication_date>2023-02-22T10:23:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CCO</loc>
<video:video>
<video:title>Konzert in der verbotenen Stadt – mit Daniil Trifonov u.a. </video:title>
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<video:description>17 Jahre nach der letzten Klassik-Veranstaltung am Ort ereignete sich 2018 dieses Konzert in der Mythen-umwobenen Verbotenen Stadt in Peking, mit dem zugleich der 120. Geburtstag der Deutschen Grammophon gefeiert wurde. Es lässt sich kaum eine spektakulärere Kulisse als die Palastanlage aus dem 15. Jahrhundert denken; und bestechend ist die Interpreten-Riege, die an der Seite des Shanghai Symphony Orchestras musiziert: Daniil Trifonov in Rachmaninows herrlich spätromantischem Zweiten Klavierkonzert, die Geigerin Mari Samuelsen in einem atmosphärischen Stück von Max Richter und ein namhaftes Vokalsolisten-Trio mit dem Wiener Singverein in Carl Orffs Carmina Burana, das in seiner archaischen Wucht bestens in die eindrucksvolle Kulisse passt.</video:description>
<video:duration>6796</video:duration>
<video:publication_date>2022-11-18T16:44:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:31:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32DO</loc>
<video:video>
<video:title>DG125 – John Williams in Tokio</video:title>
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<video:description>Seine Konzerte in Wien und Berlin waren ein Ereignis, nun ist der legendäre Filmkomponist John Williams in Tokio zu erleben. Der Auftritt beim Seiji Ozawa Matsumoto Festival wurde für das 125. Jubiläum der Deutschen Grammophon in der Suntory Hall gefilmt. Williams steht am Pult des Saito Kinen Orchestra mit Musik aus Superman, Schindlers Liste, Star Wars und Harry Potter. Zu Ehren des Mannes, der Hollywood durch seine Klänge prägte, bringt sein musikalischer Weggefährte Stéphane Denève vorab Melodien aus E. T. und Far and Away. Ein musikalischer Tribut an Maestro Ozawa ist auch zu hören, sowie Sound the Bells!, ein Stück, das Williams 1993 schrieb, beeindruckt von den gewaltigen Glocken, die sich in japanischen Tempeln finden.</video:description>
<video:duration>6502</video:duration>
<video:publication_date>2024-09-02T13:23:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:30:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34CG</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Sound and Design</video:title>
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<video:description></video:description>
<video:duration>781</video:duration>
<video:publication_date>2024-05-16T14:20:27Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34C8</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Recording History </video:title>
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<video:description></video:description>
<video:duration>1030</video:duration>
<video:publication_date>2024-05-16T14:13:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:29:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJECG</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Early Days and a 125th Birthday </video:title>
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<video:description></video:description>
<video:duration>739</video:duration>
<video:publication_date>2023-12-05T17:22:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:28:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJIDG</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories - Artists and Microphones</video:title>
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<video:description></video:description>
<video:duration>812</video:duration>
<video:publication_date>2023-12-15T16:21:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-04-07T14:28:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38C0</loc>
<video:video>
<video:title>The Sound of Art: Deutsche Grammophon Stories – Shaping the Future</video:title>
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<video:description></video:description>
<video:duration>852</video:duration>
<video:publication_date>2024-07-01T12:23:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:28:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DO</loc>
<video:video>
<video:title>Mutter, Ma &amp; Barenboim spielen Beethovens Tripelkonzert</video:title>
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<video:description>Beethovens Tripelkonzert für Geige, Cello, Klavier und Orchester eignet sich durch seine einprägsamen Themen, den lyrisch getragenen Mittelsatz und das beschwingte Finale bestens für Gipfeltreffen bedeutender Solo-Musiker*innen an Festtagen des Konzertkalenders. Diese Aufführung mit Anne-Sophie Mutter, Yo-Yo Ma und Daniel Barenboim stand mit drei Jubiläen in Verbindung: Im Vorjahr von Beethovens 250. Geburtstag jährte sich die berühmte Aufnahme mit Mutter und Ma unter der Leitung von Karajan zum 40. und die Gründung des West-Eastern Divan Orchestra zum 20. Mal. Die Friedensmission des aus Musiker*innen aus dem Nahen Osten bestehenden Klangkörpers kommt in der Humanität von Beethovens Tonsprache auf besonders bezwingende Weise zum Ausdruck.</video:description>
<video:duration>2486</video:duration>
<video:publication_date>2022-06-29T12:44:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T12:29:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJG</loc>
<video:video>
<video:title>Daniel Lozakovich spielt Beethovens Violinkonzert </video:title>
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<video:description>Noch keine 16 Jahre war der schwedische Geiger Daniel Lozakovich jung, als er einen Exklusiv-Vertrag bei der Deutschen Grammophon erhielt. Der Musiker verfügt nicht nur über offenbar unbegrenzte technische Möglichkeiten, sondern auch über einen ungewöhnlich reifen Zugang zu den großen Werken des Repertoires. Nach seinem Label-Einstand mit Bach und einem Tschaikowsky-Album folgte als dritte Einspielung die hier vorliegende Aufnahme von Beethovens Violinkonzert, in der Lozakovich durch makellose Intonation und interpretatorische Tiefgründigkeit beeindruckt. Die künstlerischen Partner des Geigers sind in dieser Live-Aufzeichnung die Münchner Philharmoniker und deren Chefdirigent Valery Gergiev, der zu den wichtigen Mentoren Lozakovichs gehört.</video:description>
<video:duration>3225</video:duration>
<video:publication_date>2022-05-06T12:43:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T12:26:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGD8</loc>
<video:video>
<video:title>Der Sänger Thomas Quasthoff</video:title>
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<video:description>Als der Bassbariton Thomas Quasthoff 2012 seinen Rückzug aus der Öffentlichkeit ankündigte, gehörte er seit vielen Jahren zu den weltweit führenden Lied- und Oratoriensängern. Als Opfer der Contergan-Krise mied der Künstler zunächst das Musiktheater und übernahm erst spät in seiner Karriere einige ausgewählte Opern-Rollen. In diesem Porträt aus dem Jahr 1994 interpretiert Quasthoff Musik von Bach, Brahms, Mahler und Loewe. Daneben dokumentiert der Film die akribische Vorbereitung auf eine Schubert- Aufnahme und die gemeinsame Arbeit mit dem Komponisten Aribert Reimann an einem anspruchsvollen, extra für den Sänger geschriebenen Werk. Zudem spricht der Musiker nachdenklich und charmant über sein Leben, seine Karriere und seine Zukunftspläne.</video:description>
<video:duration>3516</video:duration>
<video:publication_date>2025-03-31T13:51:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T08:45:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32C0</loc>
<video:video>
<video:title>Zeitalter der Angst: Bernstein dirigiert seine Zweite Symphonie </video:title>
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<video:description>Bei einem Leonard-Bernstein-Festival in London leitete der Jahrhundert-Dirigent und Komponist 1986 auch eine Darbietung seiner 1949 uraufgeführten Zweiten Symphonie. Deren Titel „Age of Anxiety“ bezieht sich auf das gleichnamige Gedicht von W.H. Auden, das wie die Musik „unsere schwierige und problematische Suche nach dem Glauben“ thematisiert (Bernstein). Die Symphonie beginnt mit einem zarten Klarinetten-Duett, dem Variationen-Reihen, feurige Jazz-Einlagen, eine imposante Kadenz des Klaviers und schließlich eine grandiose Schluss-Wirkung folgen. Den autobiografisch angelegten Klavierpart gestaltet Krystian Zimerman, der sich auch in gefeierten Beethoven- und Brahms-Aufnahmen als idealer musikalischer Partner Bernsteins erwiesen hat.</video:description>
<video:duration>2543</video:duration>
<video:publication_date>2022-10-31T14:55:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-04T14:57:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6CO</loc>
<video:video>
<video:title>Lang Lang &amp; Andris Nelsons: Saint-Saëns&apos; Klavierkonzert Nr. 2 </video:title>
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<video:description>Starpianist Lang Lang ist der Solist in Saint-Saëns’ Klavierkonzert Nr. 2, das Andris Nelsons am Pult des Gewandhausorchesters dirigiert. Saint-Saëns schrieb das Konzert 1868 in nur 17 Tagen. Die ungewöhnliche Struktur des Stücks gefiel zunächst nicht jedem, es beginne mit Bach und ende mit Offenbach, mäkelte ein Kritiker. Doch das Publikum war anderer Meinung. Auch für Lang Lang ist es ein „großartiges romantisches Meisterwerk“, mit sowohl langsamen Kadenzen als auch schnellen Passagen, einem an Mendelssohns Sommernachtstraum erinnernden Scherzo und dem hoch virtuosen dritten Satz. Solche Vielfalt ist auch im restlichen Programm zu erleben, das seltene Bach-Orchestrationen von Mahler, Elgar und Reger zu Gehör bringt.</video:description>
<video:duration>5405</video:duration>
<video:publication_date>2024-03-29T15:55:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-04-04T10:10:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CD8</loc>
<video:video>
<video:title>Rising Stars: Theodore Platt, Bariton</video:title>
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<video:description>In dieser Folge der Reihe Rising Stars zeigt der britisch-russische Bariton Theodore Platt auf STAGE+ sein vielseitiges Talent. An der Seite des Pianisten Keval Shah präsentiert der Sänger ein Programm mit Liedern in nicht weniger als fünf Sprachen. Zu den Höhepunkten gehört eine Szene aus Benjamin Brittens Billy Budd, die Platt in einer der großen Baritonrollen der englischen Oper zeigt: in der des titelgebenden, unschuldigen Matrosen. Die Aufführungen werden wie immer von Interviews unterbrochen, die einen Einblick in die Überzeugungen und das Kunstverständnis eines aufstrebenden Sängers bieten – als perfekte Ergänzung zu den eindrucksvollen Interpretationen.</video:description>
<video:duration>2197</video:duration>
<video:publication_date>2025-02-26T10:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T14:17:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3AC8</loc>
<video:video>
<video:title>Nobuyuki Tsujii spielt Bach, Liszt, Ravel und Kapustin</video:title>
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<video:description>Der japanische Pianist Nobuyuki Tsujii, bekannt als Nobu, zeichnet den Wandel der Tastenmusik nach und bringt in Werken vom 18. bis zum 20. Jahrhundert eine Vielzahl von Stilen und Einflüssen zu Gehör. Zunächst Tänzerisches mit Bachs sonniger Französischer Suite Nr. 5, dann Volksmusikalisches mit Liszts Années de pèlerinage, deren zweites Jahr der Komponist durch die hier gespielten Charakterstücke „Venezia e Napoli“ ergänzte. In der zweiten Hälfte des Konzerts führt uns Nobu ins 20. Jahrhundert, zart und impressionistisch bahnt es sich an mit Ravels Pavane pour une infante défunte, bevor mit den virtuosen Konzertetüden op. 40 von Kapustin in klassischen Formen der Jazz anklingt.  </video:description>
<video:duration>5032</video:duration>
<video:publication_date>2024-07-24T08:39:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T12:23:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0CO</loc>
<video:video>
<video:title>Willi Boskosky und die Wiener Philharmoniker: Wien nach Noten II</video:title>
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<video:description>Kein Orchester bringt seine Heimatstadt so schön zum Klingen wie die Wiener Philharmoniker; und kein Dirigent verstand den Geist Wiens besser als Willi Boskosky: 24 Jahre lang stand er am Pult des legendären Neujahrskonzerts. Im zweiten Teil dieses zauberhaften filmischen Wien-Porträts begleiten Boskovsky und die Philharmoniker die Zuschauer auf einer visuellen Tour durch die Stadt. Sie führt aus der Ruhe des Wienerwaldes zum Trubel auf der prächtigen Ringstraße. Dazu ist selbstverständlich die Musik der Familie Strauss und ihrer Wiener Zeitgenossen zu hören. Walzer, Polkas und andere Lieblingsmelodien erklingen im authentischen – und unwiderstehlichen – Wiener Stil.</video:description>
<video:duration>3718</video:duration>
<video:publication_date>2025-03-31T12:29:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T10:36:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0CG</loc>
<video:video>
<video:title>Willi Boskosky und die Wiener Philharmoniker: Wien nach Noten I</video:title>
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<video:description>Kein Dirigent wird stärker mit der Musik der Strauß-Familie identifiziert als Willi Boskosky, der fast ein Vierteljahrhundert lang alle Neujahrskonzerte der Wiener Philharmoniker leitete. Boskovsky beherrschte den schwer definierbaren, unwiderstehlichen Wiener Stil auf einzigartige Weise. In diesem Fernsehfilm aus dem Jahr 1973 bilden Werke von Johann und Josef Straus sowie ihres weniger berühmten Zeitgenossen Ziehrer den Soundtrack zu einer magischen visuellen Reise durch die Kaiserstadt. Die Kamera führt das Publikum von vorstädtischen Weingärten zu aristokratischen Palästen – und wird dabei von Boskovskys unnachahmlichen Interpretationen des Donau-Walzers, der Pizzicato-Polka und vielen, vielen weiteren Musikstücken begleitet.</video:description>
<video:duration>3630</video:duration>
<video:publication_date>2025-03-31T12:10:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T10:35:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3IDG</loc>
<video:video>
<video:title>Anoushka Shankar - Hommage an Yehudi Menuhin</video:title>
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<video:description>Im Rahmen der Feierlichkeiten des Konzerthauses Berlin zum 100. Geburtstag von Yehudi Menuhin präsentierte Anoushka Shankar ein besonderes Programm mit indischer Musik, bei dem sowohl populäre Lieder als auch traditionelle Raggas erklangen. Ravi Shankar, der Vater der Künstlerin, war ein enger Freund des großen Geigers. Zur Veranstaltung lud Shankar die Violin-Virtuosin Patricia Kopatschinskaja ein, die für ihre grenzüberschreitenden Konzert-Auftritte bekannt ist. Gemeinsam mit internationalen Kolleg*innen erschließen die Musikerinnen eine neue Dimension von Virtuosität und musikalischem Zusammenspiel.</video:description>
<video:duration>3725</video:duration>
<video:publication_date>2023-01-04T14:55:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T12:52:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CD8</loc>
<video:video>
<video:title>Der Rosenkavalier – Herbert von Karajan</video:title>
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<video:description>Die Eröffnung des Großen Festspielhauses in Salzburg im Jahr 1960 trug dazu bei, die Salzburger Festspiele wieder zu einem wichtigen Akteur in der internationalen Musikszene zu machen. Dirigent Herbert von Karajan war nicht nur maßgeblich an dieser Entwicklung beteiligt, sondern dirigierte auch die erste Oper, die in dem neuen Theater aufgeführt wurde, den Rosenkavalier, der von zwei der Gründerväter der Festspiele, Richard Strauss und Hugo von Hofmannsthal, geschaffen wurde. Der Dokumentarfilm führt Interviews mit Künstlern wie Franz Welser-Möst, Anna Prohaska und Günther Groissböck und begleitet André Heller bei der Erfüllung eines lang gehegten Traums: Er inszeniert den Rosenkavalier an der Berliner Staatsoper neu.</video:description>
<video:duration>3281</video:duration>
<video:publication_date>2024-08-19T12:03:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T12:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34D0</loc>
<video:video>
<video:title>Das Juilliard String Quartet spielt Beethoven und Widmann</video:title>
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<video:description>Als „das Streichquartett der Streichquartette“ hat Jörg Widmann Beethovens Opus 130 bezeichnet. In seinem eigenen Achten und Zehnten Quartett nimmt er Bezug auf dieses späte Werk des Wiener Klassikers, insbesondere auf den berühmten, mit „Cavatina“ überschriebenen langsamen Satz. Das New Yorker Juilliard String Quartet umrahmt Widmanns „Studien über Beethoven“ mit dem historischen Vorbild – sowohl in der traditionellen Fassung als auch mit der ursprünglich als Finale geplanten Großen Fuge.</video:description>
<video:duration>6305</video:duration>
<video:publication_date>2025-03-31T13:08:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T11:45:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJA</loc>
<video:video>
<video:title>Tanglewood Musikfestival 2021: John Williams &amp; Anne-Sophie Mutter</video:title>
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<video:description>45 Jahre nach der Uraufführung seines ersten beschenkt uns der legendäre Komponist John Williams mit einem zweiten Violinkonzert. Er schrieb es für seine enge Freundin, die Weltklasse-Geigerin Anne-Sophie Mutter, die am Entstehungsprozess beteiligt war. Williams und Mutter bringen das monumentale und bahnbrechende Werk, in dem auch die Affinität der Geigerin zum Jazz zum Tragen kommt, beim Tanglewood Festival zur Uraufführung. Abgerundet wird das Programm des Boston Symphony Orchestra durch Stücke der amerikanischen Komponistin und Geigerin Jessie Montgomery, Aaron Coplands sowie die Suite aus Strawinskys Ballett The Firebird unter der Leitung von Andris Nelsons, dem Musikdirektor des Orchesters.</video:description>
<video:duration>5298</video:duration>
<video:publication_date>2022-06-01T13:37:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T09:49:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36C0</loc>
<video:video>
<video:title>Anton Mejias im Konzert: Bach und Lasser</video:title>
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<video:description>Johann Sebastian Bach fasziniert den jungen finnisch-kubanischen Pianisten Anton Mejias, der in der internationalen Klassik-Szene als eines der spannendsten Talente gilt, seit seiner Kindheit. In diesem Konzert, das 2024 im Dresdner Palais im Großen Garten aufgezeichnet wurde, spielt der Musiker das zweite Buch aus Bachs „Wohltemperiertem Klavier“. Die Stücke dieser bahnbrechenden Sammlung, die Mejias bereits im Alter von zehn Jahren vollständig einstudierte, erklingen im Wechsel mit den 12 Präludien, aus denen Philip Lassers hier uraufgeführtes Werk „The Art of Memory“ besteht. Das Ergebnis ist ein faszinierender, erhellender Dialog zwischen Tradition und Gegenwart, der die Begabung des jungen Pianisten eindrucksvoll unter Beweis stellt.</video:description>
<video:duration>8122</video:duration>
<video:publication_date>2025-03-24T13:56:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T07:06:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3G</loc>
<video:video>
<video:title>Gala aus Berlin 2009 – mit Simon Rattle &amp; Lang Lang </video:title>
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<video:description>Lang Lang, Klaviervirtuose und Inspiration für Klavierschüler:innen weltweit, gastiert 2009 beim Galakonzert der Berliner Philharmoniker unter dem Dirigat von Sir Simon Rattle. Zwei russische Komponisten Sergej Rachmaninow und Peter Tschaikowsky standen auf dem Programm. Rachmaninow befand sich nach der missglückten Uraufführung seiner Ersten Sinfonie in einer tiefen Schaffenskrise, die er nur mit ärztlicher Behandlung bewältigte und so die Arbeit an seinem Zweiten Klavierkonzert aufnehmen konnte. Bei dessen Uraufführung wurde es als Erfolg weltweit gefeiert. Lang Lang meistert den technisch herausfordernden Solopart mit Bravour. Weltbekannt ist zudem Tschaikowskys Ballett Der Nussknacker, dessen märchenhafte Musik in eine Traumwelt führt.</video:description>
<video:duration>5980</video:duration>
<video:publication_date>2022-05-11T15:40:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-31T14:48:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGCO</loc>
<video:video>
<video:title>On Johannes Brahms: The Piano Concertos</video:title>
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<video:description></video:description>
<video:duration>2532</video:duration>
<video:publication_date>2025-03-28T13:24:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-31T10:48:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32DG</loc>
<video:video>
<video:title>Seong-Jin Cho spielt Ravel: Meisterwerke für Klavier</video:title>
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<video:description>Ravels Kompositionen enthalten einige der größten Meisterwerke, die in der ersten Hälfte des 20. Jahrhunderts für das Klavier geschrieben wurden. Wenige Pianisten von heute sind besser dafür gerüstet, als Seong-Jin Cho - ein Musiker, dessen Kunst scheinbar mühelose technische Brillanz mit Sensibilität, Fantasie und unfehlbarer Musikalität verbindet. Vom Konzert in der legendären New Yorker Carnegie Hall gefilmt, präsentiert er hier drei beliebte Klaviermeisterwerke von Ravel – Gaspard de la nuit, Valses nobles et sentimentales und Le Tombeau de Couperin – neben dem zarten Prélude in a-Moll.</video:description>
<video:duration>4302</video:duration>
<video:publication_date>2025-03-26T14:21:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-28T08:53:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3IE0</loc>
<video:video>
<video:title>Richard Strauss: Orchesterlieder II, „Befreit“</video:title>
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<video:description>Richard Strauss war ein Meister der leuchtenden Orchestrierung, aber er war auch ein überragender Liedkomponist, der aus dem Kanon der großen deutschen Lyrik und der Tradition von Schubert und Schumann unendlich viel Inspiration schöpfte. Diese live aufgezeichnete Aufführung von Orchesterliedern fand 1994 in Garmisch-Partenkirchen statt, der Wahlheimat des Komponisten. Mit dem Münchner Rundfunkorchester und unter der Leitung von Roberto Abbado interpretieren vier herausragende Sopranistinnen Wiegenlieder, Naturvisionen und Vertonungen von Gedichten Clemens Brentanos. Eine Rarität ist das ebenfalls aufgeführte Werk Die heiligen drei Könige – Strauss´ ausgedehnte, unnachahmlich farbenprächtige Nacherzählung der Weihnachtsgeschichte.</video:description>
<video:duration>3035</video:duration>
<video:publication_date>2025-03-19T16:47:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T17:39:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3IDO</loc>
<video:video>
<video:title>Richard Strauss: Orchesterlieder III, „Im Abendrot“</video:title>
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<video:description>Als Richard Strauss am Ende einer langen Karriere auf ein ganzes Leben als Liedkomponist zurückblickte, nahm er zwei Lerchen wahr, die in der beginnenden Dämmerung zum Himmel aufstiegen. Strauss&apos; Vier letzte Lieder sind nicht nur der leuchtende Sonnenuntergang eines großen schöpferischen Lebens, sondern auch die wahrscheinlich beliebtesten aller Orchesterlieder. Die visionären und ekstatischen Hölderlin-Hymnen sind allerdings nicht weniger faszinierend. Die beiden komplementären Liederzyklen werden in diesem Konzert, das 1994 in Garmisch-Partenkirchen live aufgezeichnet wurde, von Pamela Coburn und Ruth Falcon gesungen. Die beiden amerikanischen Sopranistinnen zählten zu den herausragenden Strauss-Interpretinnen ihrer Generation.</video:description>
<video:duration>2655</video:duration>
<video:publication_date>2025-03-19T16:40:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T17:34:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJGC8</loc>
<video:video>
<video:title>La voce in bellezza</video:title>
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<video:description>Im Zürcher Opernstudio werden die begabtesten jungen Sängerinnen und Sänger aus allen Kontinenten ein Jahr lang auf die grossen Opernbühnen der Welt vorbereitet. Der mexikanische Startenor Francisco Araiza hilft ihnen bei der Suche nach der eigenen musikalischen Persönlichkeit. «Lass mich deine Stimme hören», sagt Araiza, «und ich sag dir, wer du bist.» Der Film zeigt, wie die jungen Menschen all die Dramen von unerfüllter Liebe und Verletzlichkeit, von Vertrauen und Verrat zum Klingen bringen und entführt das Publikum in den poetischen Raum, den sie mit ihren Stimmen eröffnen.</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2025-03-24T13:54:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T11:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJAE0</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten III</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagen jeweils nachmittags zu hören.</video:description>
<video:duration>5515</video:duration>
<video:publication_date>2025-03-14T11:28:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-26T15:53:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GD8</loc>
<video:video>
<video:title>Economou spielt Beethoven: Sechs Bagatellen, Op. 126</video:title>
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<video:description>Ob man unter einer Bagatelle ein Spiel, einen Scherz oder eine unprätentiöse Miniatur versteht – unbestritten ist, dass Beethovens Bagatellen kleine, makellos konstruierte Klavierstücke sind, die zugleich ganze musikalische Welten umfassen. Für den zypriotischen Pianisten und musikalischen Universalgelehrten Nicolas Economou waren diese Werke eine Quelle tiefer Faszination und Freude – was in der hier vorliegenden Interpretation aus dem Sommer 1982 in jedem Moment spürbar ist. Economou war bei seinem Auftritt im Münchner Kongresssaal erst 28 Jahre alt. Weil er danach nur noch elf Jahre leben sollte, ist jedes Dokument seines künstlerischen Schaffens eine Kostbarkeit; und diese Aufzeichnung bildet keine Ausnahme.</video:description>
<video:duration>1215</video:duration>
<video:publication_date>2025-03-10T12:26:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-26T11:06:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ID0</loc>
<video:video>
<video:title>Dag Achatz spielt Strawinskys Le Sacre du printemps</video:title>
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<video:description>Seine Kreativität als schöpferischer Komponist bringt der schwedische Klaviervirtuose Dag Achatz auch als Interpret in alle seine Auftritte ein. Das wird in dieser Aufführung seiner Solo-Klavierversion von Strawinskys Le Sacre du printemps besonders deutlich. Mit ihr steigert er noch einmal die Fassung für zwei Klaviere, die der russische Komponist selbst von seinem revolutionären Ballett schuf. Achatz verwandelt Strawinskys explosive Rhythmen und leuchtende Texturen in eine elektrisierende, wilde und intelligente Bewährungsprobe für seine unvergleichliche pianistische Virtuosität. „Die steigende Erregung gegen Ende ist außergewöhnlich“, schrieb ein Kritiker über Achatz&apos; Studio- Aufnahme; diese Live-Aufführung von 1984 ist noch glanzvoller.</video:description>
<video:duration>1889</video:duration>
<video:publication_date>2025-03-19T15:36:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T11:59:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3IE8</loc>
<video:video>
<video:title>Kremer spielt Vivaldi: Die vier Jahreszeiten</video:title>
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<video:description>In dieser Aufzeichnung aus der schönen Barockbibliothek des Klosters Polling bei München spielt Gidon Kremer eines der beliebtesten Werke der klassischen Musik: Vivaldis Vier Jahreszeiten umfassen die ersten vier von zwölf Konzerten, die 1825 unter dem Titel „Il cimento dell&apos;armonia e dell&apos;inventione“ (Der Wettstreit zwischen Harmonie und Erfindung) veröffentlicht wurden. Jede Jahreszeit beschreibt Vivaldi mit unerschöpflichem Erfindungsreichtum, wunderbar einprägsamen Melodien und brillanten Details – von zwitschernden Vögeln bis zu bellenden Hunden, von dramatischen Stürmen bis zu klirrender Kälte. Kremers von Fantasie und Virtuosität geprägte Interpretation aus dem Jahr 1981 hat bis heute nichts von ihrer Frische und Direktheit verloren.</video:description>
<video:duration>2589</video:duration>
<video:publication_date>2025-03-19T16:59:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T10:57:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJID8</loc>
<video:video>
<video:title>Boulez dirigiert Mahlers Auferstehungssinfonie</video:title>
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<video:description>Außer mit zeitgenössischen Werken und der Musik der klassischen Moderne hat sich der große französische Dirigent Pierre Boulez auch immer wieder intensiv mit den Sinfonien Mahlers beschäftigt. Die Strukturen der Partituren sind von wenigen Orchesterleitern so klar dargestellt worden wie von ihm. Zu seinem 80. Geburtstag – ein Alter, dass man dem wachen und dynamischen Dirigenten wirklich nicht anmerkte – interpretierte er 2005 Mahlers in einem ergreifenden Schluss-Chor gipfelnde Zweite Sinfonie ohne alle Sentimentalität und doch mit großer Wirkung. Alternierend mit Daniel Barenboim realisierte Boulez zwei Jahre nach dieser Aufführung einen Mahler-Zyklus mit der Staatskapelle Berlin, die auch in dieser Aufzeichnung zu erleben ist.</video:description>
<video:duration>5352</video:duration>
<video:publication_date>2022-10-18T10:34:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T10:07:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJEE8</loc>
<video:video>
<video:title>Über Puccinis Oper &apos;Tosca&apos;</video:title>
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<video:description></video:description>
<video:duration>441</video:duration>
<video:publication_date>2025-03-19T14:54:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-24T10:35:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCDG</loc>
<video:video>
<video:title>Die Musik von Howard Shore: Der Herr der Ringe</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/00fdfdea2f3ed2efa9885d5630efdbc920f84476.jpg</video:thumbnail_loc>
<video:description>Das mitreißende Werk von Howard Shore, Grandseigneur cineastischer Vertonungen, wird von dem Orchestre Philharmonique und Chœur de Radio France unter der Leitung von Ludwig Wicki aufgeführt. Auszüge aus Filmmusiken von „Die Fliege” (1986) oder „Naked Lunch” (1991) sind ebenso zu hören wie die Klänge aus Peter Jacksons erstem Teil seiner epischen Verfilmung von Tolkiens Herr der Ringe. Doch nicht nur im Kinosaal, auch im Konzerthaus bewies Shore sein Können. Zum ersten Mal überhaupt werden hier zwei Werke in Frankreich aufgeführt: seine Fanfare für Orgel und Blechbläser und The Forest, sein Konzert für Gitarre und Orchester, solistisch gekrönt von Gitarrengott Miloš.</video:description>
<video:duration>6603</video:duration>
<video:publication_date>2024-06-28T09:36:59Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-03-21T14:16:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4</loc>
<video:video>
<video:title>Dragon Songs</video:title>
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<video:description>Lang Lang ist weit mehr als ein Superstar der Klassikszene; er steht für eine ehrgeizige Nation, die mit Stolz auf ihre im Westen erfolgreichen Kinder blickt. Für Millionen von Klavierstudenten in China ist der Musiker ein Idol. Während er aber als Starpianist in den größten Konzertsälen der Welt das klassische westliche Repertoire aufführt, fühlt er sich als Chinese auch verpflichtet, die Musik seines Herkunftslands zu spielen. Der Film folgt Lang Lang auf der Reise zu seinen Wurzeln: Nachdem er China acht Jahre für seine internationale Karriere verlassen hat, kehrt er nun zurück, um sich zu erholen, Familie und Freunde zu besuchen und seinen persönlichen Bezug zur chinesischen Musik zu verdeutlichen.</video:description>
<video:duration>3432</video:duration>
<video:publication_date>2022-05-23T14:56:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-20T14:07:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3IDO</loc>
<video:video>
<video:title>Hélène Grimaud: Mit den Wölfen leben</video:title>
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<video:description>Mit diesem Film gelang Regisseur Reiner Moritz ein sehr persönliches Porträt Hélène Grimauds, die zu den profiliertesten Pianistinnen ihrer Generation gehört. Der Film blickt nicht nur auf die Kindheit der Künstlerin zurück und widmet sich ihrer Gegenwart, in der sie zu Auftritten rund um den Globus reist, sondern zeigt sie auch in ihrer Rolle als Naturschützerin und Gründerin des Wolf Conservation Center in New York. Das Ergebnis ist ein Film, der Grimauds außergewöhnliche musikalische Fähigkeiten im Kontext ihrer Persönlichkeit und ihrer Erfahrungen betrachtet. Umfangreiche Konzertausschnitte ergänzen das Porträt, das einen faszinierenden Einblick in das Leben einer der angesehensten Pianistinnen der Welt ermöglicht.</video:description>
<video:duration>3457</video:duration>
<video:publication_date>2024-11-06T11:30:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-19T15:32:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3GD0</loc>
<video:video>
<video:title>Luisi dirigiert Skrjabin: Sinfonie Nr. 2</video:title>
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<video:description>Seit Fabio Luisi 2017 als Chefdirigent beim Danish National Symphony Orchestra amtiert, ist die Partnerschaft zu einem Inbegriff des musikalischen Abenteuers geworden. Interpretationen von Giganten des symphonischen Repertoires von Nielsen bis Schönberg klangen so, als wäre die Tinte auf den Partituren noch feucht. Mit dieser Aufführung der mitreißenden zweiten Sinfonie, die in Kopenhagens spektakulärem DR Koncerthuset aufgezeichnet wurde, kommt ein Zyklus mit Werken von Alexander Skrjabin zum Abschluss. Freuen Sie sich auf die Energie und die packende Dramatik, die zu den Markenzeichen von Luisi und dem DNSO geworden sind. Egal, ob Sie diese Sinfonie bereits kennen oder nicht: Diese Aufführung wird für Sie eine Offenbarung sein.</video:description>
<video:duration>3126</video:duration>
<video:publication_date>2025-03-10T12:19:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T16:11:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJEDO</loc>
<video:video>
<video:title>Ausschnitte aus &apos;Bach trifft auf Gubaidulina&apos;</video:title>
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<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2025-03-13T16:22:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:04:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJEDG</loc>
<video:video>
<video:title>Über Sofia Gubaidulinas Violinkonzert </video:title>
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<video:description></video:description>
<video:duration>428</video:duration>
<video:publication_date>2025-03-13T15:30:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:04:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJED8</loc>
<video:video>
<video:title>Über Bach trifft auf Gubaidulina</video:title>
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<video:description></video:description>
<video:duration>434</video:duration>
<video:publication_date>2025-03-13T15:24:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:03:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJEE0</loc>
<video:video>
<video:title>Über Beethovens Klaviersonate Nr. 10</video:title>
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<video:description></video:description>
<video:duration>174</video:duration>
<video:publication_date>2025-03-14T16:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-14T17:00:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJECO</loc>
<video:video>
<video:title>Über Paganinis 24 Capricen</video:title>
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<video:description>Nach ihrem preisgekrönten Debüt präsentiert die spanische Geigerin María Dueñas ihr zweites Album für Deutsche Grammophon. Im Zentrum stehen die legendären 24 Capricen von Niccolò Paganini, berühmt als eines der anspruchsvollsten Werke, das je für die Violine geschrieben wurde. &quot;Die 24 Capricen von Paganini sind ein Meilenstein für jeden Geiger&quot;, sagt Dueñas. Der Zyklus ist bekannt für seine atemberaubende Finesse und Virtuosität und zeichnet sich zugleich durch seine musikalische Vielfalt und Tiefe aus. Um auch &quot;die sangliche Qualität der Capricen herauszuarbeiten&quot;, ist es Dueñas‘ Wunsch, &quot;die Musik hinter der Technik zum Vorschein&quot; zu bringen.</video:description>
<video:duration>195</video:duration>
<video:publication_date>2025-03-12T11:01:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T18:23:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ8C8</loc>
<video:video>
<video:title>Where The River Goes</video:title>
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<video:description></video:description>
<video:duration>465</video:duration>
<video:publication_date>2024-12-12T15:00:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:31:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6C0</loc>
<video:video>
<video:title>Tempest</video:title>
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<video:description></video:description>
<video:duration>122</video:duration>
<video:publication_date>2024-12-11T12:38:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:29:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6C8</loc>
<video:video>
<video:title>Compassion</video:title>
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<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2024-12-11T13:13:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ID8</loc>
<video:video>
<video:title>Benjamin Bernheim in Offenbachs Les Contes d’Hoffmann</video:title>
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<video:description>Die Darbietung war ein grandioser Erfolg: Zum ersten Mal war Benjamin Bernheim in der Titelrolle von Offenbachs fantastischer letzter Oper zu sehen. „Ein wahrer Glücksgriff”, urteilten die Rezensenten über den französischen Tenor. Die Hamburger Inszenierung von Daniele Finzi Pasca aus dem Jahr 2021 ist „ein Fest der Poesie und Farben, der Fantasie und des Humors”, so die Kritik. Darüber hinaus ist eine hervorragende Besetzung zu erleben, etwa die Sopranistin Olga Peretyatko in den vier Frauenrollen, der Bassbariton Luca Pisaroni, der die finsteren Gegenspieler Hoffmanns verkörpert, und die Mezzosopranistin Angela Brower als Muse und Nicklausse. Der Hamburgische Generalmusikdirektor und Chefdirigent Kent Nagano leitet sein Orchester.</video:description>
<video:duration>10890</video:duration>
<video:publication_date>2023-01-04T09:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-03-13T11:03:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3I</loc>
<video:video>
<video:title>Atemberaubende Virtuosität: Die Geigerin Bomsori in Warschau</video:title>
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<video:description>Die bei zahlreichen Wettbewerben mit Preisen ausgezeichnete südkoreanische Geigerin Bomsori wird für Ihren vollen Ton, ihre Ausdruckskraft und ihre souveräne Gelassenheit selbst bei halsbrecherischen technischen Schwierigkeiten gefeiert. In diesem Konzert mit dem NFM Wrocław Philharmonic Orchestra interpretiert die Musikerin unter der Leitung von Giancarlo Guerrero einige der anspruchsvollsten Stücke ihres Repertoires, von denen zwei auf Opern basieren: Henryk Wieniawski wählte Themen aus Gounods Faust und Filmkomponist Franz Waxman schrieb eine Fantasie über Melodien aus Bizets Carmen, die zu den Paradestücken des Jahrhundertgeigers Jascha Heifetz gehörte. </video:description>
<video:duration>3266</video:duration>
<video:publication_date>2022-05-12T09:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJIE0</loc>
<video:video>
<video:title>Moderne Meisterwerke: Olivier Messiaen</video:title>
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<video:description>Auch wenn sich Pierre Boulez in seinem eigenen kreativen Leben vom Einfluss seines früheren Lehrers Olivier Messiaen emanzipierte, waren seine Aufführungen von dessen Musik doch immer ganz besondere Ereignisse. 1990 dirigierte Boulez in Frankfurt die hervorragenden jungen Musiker der Jungen Deutschen Philharmonie in der schillernden „Chronochromie” und interpretierte mit seinem eigenen Ensemble Intercontemporain und dem Pianisten Pierre-Laurent Aimard die vom Vogelgesang inspirierten „Oiseaux Exotiques”. Eine Einführung des Musikwissenschaftlers Michael Nupen ergänzt diese einzigartige Würdigung von zwei Persönlichkeiten, die zu den größten französischen Komponisten der Nachkriegszeit gehörten.</video:description>
<video:duration>3428</video:duration>
<video:publication_date>2024-12-02T10:57:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJIE8</loc>
<video:video>
<video:title>Moderne Meisterwerke: Edgar Varèse</video:title>
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<video:description>„Ich träume von einer ganz neuen Welt ungeahnter Klänge”, erklärte Edgard Varèse einmal. Wer könnte diese erstaunliche, alle Gattungen sprengenden Klangwelten besser interpretieren als Pierre Boulez? Boulez war der vielleicht einzige Komponist der französischen Nachkriegsmusik, dessen klangliche Vorstellungskraft derjenigen von Varèse nahekam. In diesem 1990 in der Alten Oper Frankfurt aufgezeichneten Konzert interpretiert Boulez mit der Jungen Deutschen Philharmonie das Orchesterwerk „Amériques” und leitet das Ensemble Intercontemporain in mustergültigen Aufführungen von „Ionisation”, „Offrandes” und „Octandre”. Zunächst jedoch führt der Musikwissenschaftler Michael Nupen fachkundig in die unübertroffen innovative Musik Varèses ein.</video:description>
<video:duration>3339</video:duration>
<video:publication_date>2024-12-02T11:03:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:00:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2CO</loc>
<video:video>
<video:title>Cold Front</video:title>
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<video:description></video:description>
<video:duration>308</video:duration>
<video:publication_date>2024-11-27T12:04:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:50:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2CG</loc>
<video:video>
<video:title>Soudain, le vide</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/08cb5f719c611da83d8392b796d01b580620a38b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>196</video:duration>
<video:publication_date>2024-11-27T12:01:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:49:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGCG</loc>
<video:video>
<video:title>Harnoncourt dirigiert Bach: Brandenburgische Konzerte Nr. 1-6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3741428ac956a344bd76feaddb3de7613e89c87f.jpg</video:thumbnail_loc>
<video:description>Nikolaus Harnoncourt gründete den Concentus Musicus Wien 1953. Barockmusik anders aufzuführen, eben das schwebte ihm vor und so vertiefte er sich in die historisch informierte Aufführungspraxis und spielte auf historischen Instrumenten. Drei Dekaden später drehte er gemeinsam mit seinem Ensemble diesen Film: Die sechs Brandenburgischen Konzerte von Bach aus dem Jahr 1721 stehen hier im Fokus, sie gehören zu den wichtigsten Instrumentalkonzerten der Zeit. Jedes Werk ist für eine andere Besetzung virtuoser Solisten geschrieben. Die Aufführungen, die im Bibliothekssaal von Kloster Wiblingen gefilmt wurden, einem Meisterwerk des Rokoko, bieten nicht nur epochale Musik, sondern auch eine bewegende Momentaufnahme von Harnoncourts Kunst.</video:description>
<video:duration>6159</video:duration>
<video:publication_date>2023-06-05T13:13:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:19:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2C0</loc>
<video:video>
<video:title>Bach: Zweistimmige Inventionen in C- &amp; D-Dur</video:title>
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<video:description></video:description>
<video:duration>129</video:duration>
<video:publication_date>2023-11-03T14:34:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:18:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2C8</loc>
<video:video>
<video:title>Bach: Violinpartita Nr. 2 d-Moll, BWV 1004: I. Allemanda</video:title>
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<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2024-11-27T11:50:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:14:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GD0</loc>
<video:video>
<video:title>Rolando Villazón in der Titelpartie von Monteverdis L’Orfeo </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/781ba49420bfddf217e4284dcad78baab25ce142.jpg</video:thumbnail_loc>
<video:description>Rolando Villazón ist auf dem Festival Bayreuth Baroque in der Titelrolle des Sängers Orpheus in Monteverdis meisterhafter Oper zu erleben. Die Produktion – live aus einem UNESCO-Weltkulturerbe, dem Markgräflichen Opernhaus in Oberfranken – wartet mit einer einzigartigen Besetzung von Barockspezialisten auf, in ihrer Mitte der mexikanische Tenor. Der innovative Musiker Panos Iliopoulos ergänzt Monteverdis Partitur um heutige Klänge, während die Inszenierung unter der Regie von Thanos Papakonstantinou die ganze Kraft und Tragik dieses bewegenden Werks entfaltet, von dem es heißt, dass es die Geburtsstunde der Oper markiert.</video:description>
<video:duration>7068</video:duration>
<video:publication_date>2023-10-20T09:44:14Z</video:publication_date>
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<video:title>Bach: Konzert g-Moll, BWV 975 (nach Vivaldi RV 316): II. Largo</video:title>
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<lastmod>2025-03-13T09:55:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJAE8</loc>
<video:video>
<video:title>Field: Nocturne Nr. 2 in C Minor, H. 25</video:title>
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<video:publication_date>2025-02-13T11:09:43Z</video:publication_date>
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<lastmod>2025-03-12T14:07:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4CO</loc>
<video:video>
<video:title> Field: Nocturne Nr. 9 in e-Moll, H. 46</video:title>
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<video:publication_date>2024-12-05T16:02:23Z</video:publication_date>
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<lastmod>2025-03-12T14:07:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJACO</loc>
<video:video>
<video:title>Field: Nocturne Nr. 14 in G-Dur, H. 58</video:title>
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<video:description></video:description>
<video:duration>154</video:duration>
<video:publication_date>2025-01-10T16:25:48Z</video:publication_date>
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<lastmod>2025-03-12T14:06:56Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJEC0</loc>
<video:video>
<video:title>Fauré: Le secret, Op. 23 Nr. 3</video:title>
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<video:description></video:description>
<video:duration>157</video:duration>
<video:publication_date>2025-03-06T14:34:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-03-12T13:28:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2DO</loc>
<video:video>
<video:title>Arvo</video:title>
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<video:description></video:description>
<video:duration>328</video:duration>
<video:publication_date>2024-11-27T12:51:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-03-11T15:45:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJADG</loc>
<video:video>
<video:title>Rattle dirigiert Tippett, Turnage &amp; Vaughan Williams—mit John Scofield</video:title>
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<video:description>Im Londoner Barbican Centre dirigiert Sir Simon Rattle das London Symphony Orchestra in einem Programm mit britischer Musik des 20. und 21. Jahrhunderts. Die kraftvollen Ritual Dances aus Michael Tippetts mystischer und mythischer Oper Midsummer Marriage treffen auf Vaughan Williams&apos; sowohl mitreißende als auch bewegende Fünfte Symphonie. Dazwischen erklingt die Uraufführung eines neuen Werks von Mark-Anthony Turnage. Das zur Feier von Rattles 70. Geburtstag in Auftrag gegebene Gitarrenkonzert schrieb der Komponist für den legendären Jazzgitarristen John Scofield. Im Ganzen ergibt das ein Programm, das Orchester, Dirigent – und einen Starsolisten – in einer aufregenden Bandbreite von Musikstilen zu präsentieren verspricht.</video:description>
<video:duration>6488</video:duration>
<video:publication_date>2025-01-16T15:54:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJAE0</loc>
<video:video>
<video:title>Offenes Land – Treffen mit John Abercrombie</video:title>
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<video:description>Wunderbar authentisch und hautnah am Protagonisten, schafft der Film &quot;open land&quot; eine unvergessliche Begegnung mit der im August 2017 verstorbenen Jazzlegende John Abercrombie. Poetisch und atmosphärisch dicht wie die Musik Abercrombies, erlaubt dieses subtile und sehr persönliche Portrait einzigartige Einblicke in das Leben und das Werk dieses besondern Künstlers. Ein erfrischendes Filmdokument, gedreht mit einfachsten Mitteln und minimalstem Budget.</video:description>
<video:duration>5409</video:duration>
<video:publication_date>2025-02-07T15:36:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:17:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4D8</loc>
<video:video>
<video:title>The Song Is You</video:title>
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<video:description></video:description>
<video:duration>286</video:duration>
<video:publication_date>2024-12-11T12:11:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:04:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4E0</loc>
<video:video>
<video:title>A Time to Remember</video:title>
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<video:description></video:description>
<video:duration>303</video:duration>
<video:publication_date>2024-12-11T12:17:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:03:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJECO</loc>
<video:video>
<video:title>Über Chopin: Complete Waltzes</video:title>
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<video:description></video:description>
<video:duration>617</video:duration>
<video:publication_date>2022-12-02T14:55:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T10:55:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CC8</loc>
<video:video>
<video:title>Ukrainian Freedom Orchestra und Keri-Lynn Wilson: Beethovens Neunte</video:title>
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<video:description>Am Tag nach dem dritten Jahrestag des russischen Angriffs auf die Ukraine spielt das Ukrainian Freedom Orchestra, das sich aus Flüchtlingsmusikern und ukrainischen Mitgliedern führender europäischer Orchester zusammensetzt, gemeinsam mit ukrainischen Solisten und der Dirigentin Keri-Lynn Wilson ein Werk, das wie kaum ein anderes für die Ideale der Freiheit und Brüderlichkeit steht: Beethovens Neunte Symphonie. Bei diesem ganz besonderen Konzert im Teatr Wielki in Warschau erklingt Friedrich Schillers &quot;Ode an die Freude“ im vierten Satz auf Ukrainisch.</video:description>
<video:duration>4388</video:duration>
<video:publication_date>2025-03-06T08:19:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-10T13:12:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CD0</loc>
<video:video>
<video:title>Araiza singt Schumanns Dichterliebe</video:title>
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<video:description>In den 1980er und 1990er Jahren war Francisco Araiza als einer der führenden Interpreten Mozarts und des lyrischen italienischen Repertoires berühmt – aber auch als hervorragender Liedsänger. Mit  seinem langjährigen Klavier-Begleiter Jean Lemaire bildete der Tenor eines der besten Lied-Duos des ausgehenden 20. Jahrhunderts. In diesem Film, der unter Studiobedingungen in der Renaissance-Pracht des Grafenschlosses in Wolfegg gedreht wurde, interpretieren beide Musiker Schumanns Dichterliebe. Schöner dargeboten als hier, inmitten der romantischen Landschaft Schwabens, lässt sich der zauberhafte, abwechselnd intime, ironische und herzzerreißende Zyklus über Liebe, Verlust und Kunst kaum denken.</video:description>
<video:duration>2256</video:duration>
<video:publication_date>2025-02-25T10:54:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-03-08T19:32:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCE8</loc>
<video:video>
<video:title>Saint-Saëns: Introduction et rondo capriccioso, Op. 28</video:title>
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<video:description></video:description>
<video:duration>596</video:duration>
<video:publication_date>2025-03-05T16:46:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-06T13:39:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ADO</loc>
<video:video>
<video:title>Kremer, Kashkashian &amp; Harnoncourt: Mozart Sinfonia Concertante KV 364</video:title>
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<video:description>Der Geiger Gidon Kremer und der Dirigent Nikolaus Harnoncourt ergänzen ihren immer noch aktuellen Zyklus der gesamten Mozart-Violinkonzerte, der 1983 im legendären Wiener Musikverein aufgenommen wurde, mit der Bratschistin Kim Kashkashian für eines der großen Meisterwerke der Salzburger Zeit: die Sinfonia Concertante KV 364. Das Werk, das zwei Solisten in einem ständigen Fluss von Dialog, Harmonie und Kontrapunkt zusammenbringt, zeigt nicht nur den 23-jährigen Mozart in seiner vollendetsten Form, sondern ist auch ein Geschenk für fantasievolle Interpreten, wie Kremer und Kashkashian hier ausgiebig beweisen.</video:description>
<video:duration>2009</video:duration>
<video:publication_date>2025-02-13T16:18:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T18:34:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CCG</loc>
<video:video>
<video:title>Hogwood dirigiert Sinfonien und Konzerte von C.P.E. Bach</video:title>
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<video:description>Carl Philipp Emmanuel war der älteste überlebende Sohn Johann Sebastian Bachs – und galt im 18. Jahrhundert vielen seiner Zeitgenossen sogar als der größere Komponist. Für den bedeutenden englischen Dirigenten und Historiker Christopher Hogwood hat CPE Bach seine Vernachlässigung durch den aktuellen Klassik-Betrieb nicht verdient. In diesem Konzert feiern Hogwood und das Bach Collegium München das Genie des Komponisten, der nicht nur großartige Sinfonien, sondern auch wunderbar ausdrucksstarke Solo-Konzerte schrieb. In einem vor dem Auftritt aufgezeichneten, eloquenten Interview legt der Dirigent ein historisch kenntnisreiches Plädoyer für einen Komponisten ein, dessen Musik sowohl Haydn als auch Mozart bewunderten.</video:description>
<video:duration>6460</video:duration>
<video:publication_date>2025-02-24T11:38:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T16:28:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32DO</loc>
<video:video>
<video:title>Karajan dirigiert das Silvesterkonzert 1988 – mit Evgeny Kissin</video:title>
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<video:description>Dieses Silvesterkonzert, gefilmt im Juli 1989, war eines der letzten von Karajan aufgenommenen Konzerte. Als Solist für Tschaikowskis immergrünes Klavierkonzert Nr. 1 lud er den 17-jährigen Evgeny Kissin ein. Gemeinsam - und mit luxuriöser Unterstützung der Berliner Philharmoniker - präsentieren sie eine Interpretation dieses beliebten Werks, die Virtuosität und Leidenschaft mit einem seltenen Sinn für Größe und Kontrolle verbindet, in einer Aufführung, die in die Legende der klassischen Musik eingegangen ist. Und da Karajan zum Auftakt mit Prokofjews verspielter &quot;klassischer&quot; Sinfonie für Auflockerung sorgte, war das Ergebnis in der Tat ein denkwürdiges Ereignis.</video:description>
<video:duration>3561</video:duration>
<video:publication_date>2024-04-26T13:00:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T15:30:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CE0</loc>
<video:video>
<video:title>Bernstein dirigiert Brahms´ Serenade Nr. 2 A-Dur, Op. 16</video:title>
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<video:description>Es ist kaum zu glauben, aber die beiden Orchesterserenaden von Brahms‘ werden vom Konzertbetrieb auch heute noch vernachlässigt und selten aufgeführt. Dabei sind sie von der Poesie, dem Witz und der romantischen Fantasie eines jungen Genies erfüllt, das nur zum Vergnügen komponierte. In dieser bahnbrechenden Interpretation der zweiten Serenade spielen Leonard Bernstein und die Wiener Philharmoniker zum Tanz auf. Bernstein bringt seine Zärtlichkeit, das Orchester seinen in Jahrzehnten gereiften Stil ein, wenn dieses in der Musik des 19. Jahrhunderts einzigartige Werk erklingt. So legen sie gemeinsam ein beeindruckendes Plädoyer für eine Komposition ein, die zu Brahms‘ originellsten und persönlichsten Meisterwerken gehört.</video:description>
<video:duration>2158</video:duration>
<video:publication_date>2025-02-27T18:45:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T12:13:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJADG</loc>
<video:video>
<video:title>András Schiff über Chopin</video:title>
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<video:description>In diesem Film, den die BBC anlässlich des 150. Todestages von Frédéric Chopin im Jahr 1999 produzierte, legt András Schiff ein überzeugendes Plädoyer für die Bedeutung des polnischen Komponisten ein. Für den Pianisten ist Chopin „einer der größten Komponisten aller Zeiten«, der auf dem Niveau von Bach, Haydn, Mozart, Beethoven und Schubert stehe. In Erzählungen aus dem ungewöhnlichen Leben des Musikers und Aufführungen von dessen Werken spürt Schiff den Einflüssen nach, die Chopin – sowohl als Interpret als auch als Komponist – insbesondere auf die Entwicklung der Klaviermusik ausübte. So entsteht ein intensives und kraftvolles Porträt, das die bleibende Bedeutung eines großen Künstlers unter Beweis stellt.</video:description>
<video:duration>3084</video:duration>
<video:publication_date>2025-01-29T16:54:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T12:09:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3CDO</loc>
<video:video>
<video:title>Bernstein dirigiert Brahms´ Haydn-Variationen</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e73ff841bca5735346bf8f881ed5a722720793f.jpg</video:thumbnail_loc>
<video:description>Brahms war kein gebürtiger Wiener, aber seit seiner Übersiedelung in die Kaiserstadt identifizierte er sich mit deren Kultur. Für Leonard Bernstein – ebenfalls ein Komponist und Dirigent mit großer Affinität zur österreichischen Hauptstadt – war Brahms ein „norddeutscher Klassizist, den es nach Wien verschlagen hatte, und der von Donau-, Karpaten- und Zigeunerleidenschaften inspiriert wurde“. Diese packende Interpretation von Brahms‘ Haydn-Variationen mit den Wiener Philharmonikern bestätigt die These. Die Aufführung, die 1972 im goldenen Saal des Musikvereins aufgezeichnet wurde, zeigt ein Treffen verwandter Seelen – Brahms’ Haydn-Hommage wird von einem einzigartigen Orchester und einem unvergleichlichen Dirigenten auf die Bühne gebracht.</video:description>
<video:duration>1296</video:duration>
<video:publication_date>2025-02-27T18:40:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T10:14:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ACG</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violinkonzert Nr. 1</video:title>
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<video:description>Innovation trifft auf Tradition in diesen Mozart-Aufführungen aus den 1980ern. Am Pult der Wiener Philharmoniker steht Nikolaus Harnoncourt, der bei den Musikern des ehrwürdigen Orchesters zu Beginn auf Widerstand stößt. Doch dann lauschen sie seinem Mozart, dem „romantischsten aller Komponisten”, der, wie Harnoncourt erklärt, Musik schuf, die „dramatisch, dynamisch, oft auffallend und überaus emotional” ist. Und auch der Geiger Gidon Kremer stimmt sich ein. Harnoncourt war einer dieser seltenen Persönlichkeiten mit einer unverkennbaren Handschrift, sagt er über den großen Dirigenten.</video:description>
<video:duration>1516</video:duration>
<video:publication_date>2025-02-13T15:48:28Z</video:publication_date>
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<lastmod>2025-02-27T19:20:19Z</lastmod>
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<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violinkonzert Nr. 3</video:title>
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<video:description>Innovation trifft auf Tradition in diesen Mozart-Aufführungen aus den 1980ern. Am Pult der Wiener Philharmoniker steht Nikolaus Harnoncourt, der bei den Musikern des ehrwürdigen Orchesters zu Beginn auf Widerstand stößt. Doch dann lauschen sie seinem Mozart, dem „romantischsten aller Komponisten”, der, wie Harnoncourt erklärt, Musik schuf, die „dramatisch, dynamisch, oft auffallend und überaus emotional” ist. Und auch der Geiger Gidon Kremer stimmt sich ein. Harnoncourt war einer dieser seltenen Persönlichkeiten mit einer unverkennbaren Handschrift, sagt er über den großen Dirigenten.</video:description>
<video:duration>1540</video:duration>
<video:publication_date>2025-02-13T15:58:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-27T19:19:23Z</lastmod>
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<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violinkonzert Nr. 5</video:title>
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<video:description>Innovation trifft auf Tradition in diesen Mozart-Aufführungen aus den 1980ern. Am Pult der Wiener Philharmoniker steht Nikolaus Harnoncourt, der bei den Musikern des ehrwürdigen Orchesters zu Beginn auf Widerstand stößt. Doch dann lauschen sie seinem Mozart, dem „romantischsten aller Komponisten”, der, wie Harnoncourt erklärt, Musik schuf, die „dramatisch, dynamisch, oft auffallend und überaus emotional” ist. Und auch der Geiger Gidon Kremer stimmt sich ein. Harnoncourt war einer dieser seltenen Persönlichkeiten mit einer unverkennbaren Handschrift, sagt er über den großen Dirigenten.</video:description>
<video:duration>1799</video:duration>
<video:publication_date>2025-02-13T16:06:10Z</video:publication_date>
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<lastmod>2025-02-27T19:18:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36C0</loc>
<video:video>
<video:title>Karajan dirigiert Bizet: Carmen</video:title>
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<video:description>Herbert von Karajan war in vielerlei Hinsicht ein Pionier. Nur wenige große Dirigenten des 20. Jahrhunderts nutzten die Möglichkeiten von Film und Fernsehen so schnell wie er. Selbst heute noch wirkt dieser Film von Karajans Salzburger Festspielproduktion von Bizets Carmen aus dem Jahr 1967 seiner Zeit voraus - eine wunderbar farbenfrohe Neuinterpretation der ursprünglichen Inszenierung, die die Unmittelbarkeit einer Live-Theateraufführung mit einem wahrhaft filmischen Flair verbindet. Das Herzstück ist jedoch eine Besetzung, die die Bühne praktisch in Brand setzt, mit zwei unbestrittenen Größen - der amerikanischen Mezzosopranistin Grace Bumbry als Carmen und dem unnachahmlichen Jon Vickers - als Don José.</video:description>
<video:duration>9713</video:duration>
<video:publication_date>2024-05-13T12:13:35Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-27T13:19:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCD8</loc>
<video:video>
<video:title>Ngwenyama: Flow: III. Quark Scherzo</video:title>
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<video:description></video:description>
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<video:publication_date>2025-02-25T16:42:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-27T11:40:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCCO</loc>
<video:video>
<video:title>Über Music of the Angels</video:title>
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<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2025-02-25T16:21:04Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T10:59:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ID0</loc>
<video:video>
<video:title>Pianomania! Daniil Trifonov spielt Schumanns Klavierkonzert</video:title>
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<video:description>Bei diesem Konzert der Gulbenkian Foundation in Lissabon interpretiert der einzigartig talentierte Pianist Daniil Trifonov im Jahr 2018 eines der grundlegenden Werke der musikalischen Romantik: Robert Schumann verband in seinem Klavierkonzert von 1845 seine charakteristische lyrische Innerlichkeit bruchlos mit der effektvollen Vituosität, die das Genre verlangt. Außerdem dirigiert Hannu Lintu in diesem Programm des Gulbenkian Orchestra Werke von zwei Komponisten, die wie er aus Finnland stammen: Einojuhani Rautavaaras atmosphärischen Cantus Arcticus und die packende Zweite Sinfonie von Sibelius.</video:description>
<video:duration>6510</video:duration>
<video:publication_date>2023-01-04T07:23:05Z</video:publication_date>
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<lastmod>2025-02-25T17:14:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCDG</loc>
<video:video>
<video:title>Verschlossene Heimat: Prokofjew&apos;s Sowjetisches Tagebuch 1927</video:title>
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<video:description>Nach zehn Jahren im Ausland reist der russische Komponist und Pianist Sergej Prokofjew 1927 auf Einladung der Sowjetunion in seine Heimat zurück. Details dieser Reise hält er in einem Tagebuch fest. 62 Jahre später wird es entdeckt, für Oliver Becker wird es zum Ausgangspunkt seines Films. Die Reise war ein Wendepunkt in Prokofjews Leben und der Auslöser für seine tragikumwobene Rückkehr in sein Heimatland 1936. Becker beschäftigt sich sowohl mit dem beruflichen als auch privaten Ringen des Komponisten, der 1953 frühzeitig aus einem Leben zwischen musikalischem Genie und menschlicher Schwäche schied. Es wirken mit: Prokofjews Sohn Sviatoslav, der sowjetische Kulturverwalter Tichon Chrennikow, und der Komponist Karen Chatschaturjan.</video:description>
<video:duration>3510</video:duration>
<video:publication_date>2022-11-28T10:54:33Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T16:46:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGC8</loc>
<video:video>
<video:title>Yevgeny Svetlanov und Vadim Repin: Prokofjew</video:title>
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<video:description>Yevgeny Svetlanov und das Staatliche Sinfonieorchester der UdSSR führten 1991, im Jahr des Zusammenbruchs der Sowjetunion, ein bemerkenswertes Prokofjew-Programm auf. Das in der Alten Oper in Frankfurt aufgezeichnete Konzert beginnt mit einer von geistreichen Interpretation von Prokofjews Erster Sinfonie. Großartig kommt dabei die brillant-parodistische Nachahmung der Wiener Klassik zur Geltung, der das Werk den Beinamen einer »klassischen« Sinfonie verdankt. Danach glänzt der Geiger Vadim Repin als Solist in Prokofjews virtuosem Ersten Violinkonzert, das im selben Jahr 1917 komponiert wurde – in einem Jahr, in dem der russische Komponist trotz der großen politischen Unruhen in seinem Heimatland mehrere bleibende Meisterwerke schuf.</video:description>
<video:duration>2478</video:duration>
<video:publication_date>2024-11-14T12:33:26Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-25T16:45:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30C8</loc>
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<video:title>Wagner: Wesendonck-Lieder, WWV91: IV. Schmerzen (Orch. Mottl)</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-12-21T14:07:37Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:17:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30CG</loc>
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<video:title>Wagner: Wesendonck-Lieder, WWV91: III. Im Treibhaus (Orch. Mottl)</video:title>
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<video:description></video:description>
<video:duration>375</video:duration>
<video:publication_date>2023-12-21T14:14:16Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:16:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4DO</loc>
<video:video>
<video:title>I Told You In October</video:title>
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<video:description></video:description>
<video:duration>261</video:duration>
<video:publication_date>2024-12-11T12:16:06Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:12:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3AE8</loc>
<video:video>
<video:title>Renaud Capuçon mit Faurés Requiem und Frank Martins Polyptyque</video:title>
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<video:description>Renaud Capuçon ist sowohl Geiger als auch Dirigent in diesem Programm, das sich um zwei ungewöhnliche geistliche Werke dreht. In dem 1890 vollendeten Requiem von Gabriel Fauré verzichtet der Komponist auf Feuer und Schwefel und konzentriert sich auf eine Botschaft des Trostes und des Friedens, die von einem Chor, einem Orchester und nur zwei Solisten - hier die Sopranistin Siobhan Stagg und der Bariton Benjamin Appl - in einem seiner beliebtesten Werke vermittelt wird. Fast ein Jahrhundert später komponierte der Schweizer Komponist Frank Martin das Auftragswerk Polyptyque, ein geistliches Konzert, das die Passion Christi hörbar macht und von Yehudi Menuhin uraufgeführt wurde.</video:description>
<video:duration>4727</video:duration>
<video:publication_date>2024-07-18T10:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-02-25T15:09:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32C0</loc>
<video:video>
<video:title>Peter Gregson: Quartets</video:title>
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<video:description>Peter Gregson nennt das Streichquartett ein „köstlich ausdrucksstarkes Medium”. Seine vier eigenen Quartette – ein „Quartett der Quartette” – testen die Grenzen sowohl des Mediums als auch der Ausdruckskraft, indem sie eine Vielzahl zeitgenössischer Techniken in diese traditionelle Form einbringen. Die Aufführung ausgewählter Sätze aus allen vier Kompositionen wurde 2022 im Berliner Meistersaal gefilmt. Gregson begleitet die Streicher elektronisch in den Quartetten und am Cello in einer bislang unveröffentlichten Fassung seiner Allemande 3.1 aus seinen freien Rekompositionen von Bachs Cellosuiten.</video:description>
<video:duration>2888</video:duration>
<video:publication_date>2023-07-05T13:39:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T12:16:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJED0</loc>
<video:video>
<video:title>Gustavo Dudamel dirigiert Gustav Mahlers Achte Symphonie</video:title>
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<video:description>„Können Sie sich eine Sinfonie vorstellen, die von Anfang bis Ende durchgesungen wird?”, fragte Mahler, als er sein monumentalstes Werk schrieb. Die visionäre Poesie und unbestreitbare Größe der Achten Sinfonie durchquert ein ganzes Universum von Emotionen und reicht von Momenten intimer Reflexion bis zu überwältigenden Klang-Entfesselungen. In dieser Aufführung vereinigen sich unter der Leitung von Gustavo Dudamel das Los Angeles Philharmonic Orchestra, das Simón Bolívar Symphony Orchestra und venezolanische Chorsänger*innen und definieren so einen neuen Standard des interkulturellen Musizierens. Mit über 1.400 Mitwirkenden auf der Bühne wird das Konzert dem inoffiziellen Beinamen des Werks – „Sinfonie der Tausend” – mehr als gerecht.</video:description>
<video:duration>5412</video:duration>
<video:publication_date>2022-09-28T13:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T10:52:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ8E8</loc>
<video:video>
<video:title>The Little Drummer Boy </video:title>
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<video:description>Leonard Bernstein spricht über Gustav Mahler und erläutert das Leben, die Musik und die verdrängte jüdische Identität des österreichischen  Komponisten und Dirigenten. Schwerpunktthemen in Mahlers Schaffen sind das Militär und der Trommler, der Tambourgeselle, der zum Galgen geschleppt wird. In den zahlreichen Musikbeispielen wirken Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp und Walton Grönroos als Solisten mit. Es spielen das Israel Philharmonic und das London Symphony Orchestra sowie die Wiener Philharmoniker unter der Leitung von Leonard Bernstein.</video:description>
<video:duration>5096</video:duration>
<video:publication_date>2023-11-22T10:54:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T10:48:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCD0</loc>
<video:video>
<video:title>Oramo dirigiert Rautavaara, Prokofiev &amp; Sibelius - mit Olli Mustonen</video:title>
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<video:description>Sibelius’ Fünfte Sinfonie ist mit ihrem Sonnenaufgang und der sich aufschwingenden „Schwanenhymne” eines der großen Meisterwerke der finnischen Musik. Das Stück liegt Sakari Oramo seit Beginn seiner Dirigenten-Karriere besonders am Herzen. In diesem Konzert aus dem Jahr 2000 ist er als Musikdirektor des ebenfalls Sibelius-erfahrenen City of Birmingham Symphony Orchestras auf Tournee zu erleben. Im außerdem aufgeführten schillernden 3. Klavierkonzert Prokofjews sprühen die Funken zwischen Oramo und seinem jungen Landsmann Olli Mustonen. Zum Auftakt erklingt das eindringliche Orchesterwerk Lintukoto vom 2016 verstorbenen Einojuhani Rautavaara, der unbestritten zu den bedeutendsten finnischen Komponisten seit Sibelius gehört.</video:description>
<video:duration>4915</video:duration>
<video:publication_date>2024-11-01T11:48:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-24T13:02:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4</loc>
<video:video>
<video:title>Franz Schrekers Farben mit Christoph Eschenbach &amp; Matthias Goerne</video:title>
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<video:description>Franz Schreker dringt mit seinen unmittelbaren, schillernden und multidimensionalen Werken tief in die menschliche Psyche und die Komplexität menschlicher Gefühle ein. Bahnbrechend war seine Behandlung von Farbe und Klang, die bei ihm eine ebenso zentrale Rolle spielen wie Melodik, Harmonik und Rhythmus. Die Verbindung von Impressionismus, Expressionismus, Naturalismus und Symbolismus; die innovative Anverwandlung der musikalischen Traditionen Wiens; das delikate Zusammenspiel von opernhafter Verve und radikalen instrumentalen Farben: Alle diese Facetten werden von Christoph Eschenbach und Matthias Goerne im Konzerthaus in Berlin, der Heimatstadt Schrekers vor seinem Tod im Jahre 1934, auf eindrucksvolle Weise zur Wirkung gebracht. </video:description>
<video:duration>2979</video:duration>
<video:publication_date>2022-05-13T13:07:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T15:43:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8C0</loc>
<video:video>
<video:title>Konzert für Menschlichkeit</video:title>
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<video:description>Unter der Schirmherrschaft von Bundespräsident Frank-Walter Steinmeier organisiert das DRK-Düsseldorf ein großes Benefizkonzert in der Düsseldorfer Tonhalle unter dem Titel „Konzert für Menschlichkeit“. Das Kyiv Symphony Orchestra spielt unter Mitwirkung weltberühmter Stars wie Rolando Villazón, Daniel Hope, Albrecht Mayer, Daniel Müller-Schott und Charlotte Melkonian und unter der Leitung von Stephan Frucht Meisterwerke der Klassik. Das Repertoire an diesem Abend reicht von Mozart und Bach über Dvořák bis Max Richter. Moderator des Konzertes ist „Tagesschau“-Sprecher Constantin Schreiber.</video:description>
<video:duration>6623</video:duration>
<video:publication_date>2025-01-07T13:26:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-21T14:55:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJCC8</loc>
<video:video>
<video:title>„Beethoven&apos;s Nine“ – Ode an die Menschlichkeit</video:title>
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<video:description>Anfang 2023 fing der Filmemacher Larry Weinstein an, einen Dokumentarfilm über Beethovens neunte Symphonie zu drehen. Es sollte darum gehen, wie weit wir in den 200 Jahren seit ihrer Entstehung gekommen sind. Doch als das Weltgeschehen Larry in seinen eigenen Film hineinzieht, wird die Frage zu einer sehr persönlichen. Beethovens Neun ist ein Dokumentarfilm über Musik, aber auch über Krieg und Hoffnung. Er begleitet neun einzigartige Menschen bei ihrem Versuch, das Vermächtnis von Beethovens Neunter besser zu verstehen, die eigenen Kämpfe des Komponisten, die Inspiration, die Musik bieten kann, und die Art und Weise, wie die Menschheit selbst in den dunkelsten Zeiten nach Hoffnung sucht.</video:description>
<video:duration>4970</video:duration>
<video:publication_date>2025-02-21T10:41:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T13:50:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8DO</loc>
<video:video>
<video:title>Fabian Müller: Beethovens Klaviersonaten I</video:title>
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<video:description>Schon anlässlich seines Pierre Boulez Saal-Debüts im Januar 2022 bewies Fabian Müller mit seiner Interpretation von Beethovens monumentaler „Hammerklaviersonate“, dass er zu den herausragenden Pianisten seiner Generation zählt. Nun stellt sich der ARD-Preisträger, der 1990 in der Beethoven-Stadt Bonn geboren wurde, der Herausforderung, sämtliche Sonaten des Komponisten in einem Konzertzyklus zu präsentieren. Die 32 Werke, die Hans von Bülow einst als „Neues Testament“ der Klaviermusik bezeichnete – Bachs Wohltemperiertes Klavier war als „Altes Testament“ bekannt – sind an acht Sonntagnachmittagen live zu hören.</video:description>
<video:duration>5205</video:duration>
<video:publication_date>2024-12-14T09:29:19Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-20T09:27:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3AD8</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violinkonzert Nr. 4</video:title>
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<video:description>Innovation trifft auf Tradition in diesen Mozart-Aufführungen aus den 1980ern. Am Pult der Wiener Philharmoniker steht Nikolaus Harnoncourt, der bei den Musikern des ehrwürdigen Orchesters zu Beginn auf Widerstand stößt. Doch dann lauschen sie seinem Mozart, dem „romantischsten aller Komponisten”, der, wie Harnoncourt erklärt, Musik schuf, die „dramatisch, dynamisch, oft auffallend und überaus emotional” ist. Und auch der Geiger Gidon Kremer stimmt sich ein. Harnoncourt war einer dieser seltenen Persönlichkeiten mit einer unverkennbaren Handschrift, sagt er über den großen Dirigenten.</video:description>
<video:duration>1416</video:duration>
<video:publication_date>2025-02-13T16:02:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-19T14:46:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3ACO</loc>
<video:video>
<video:title>Gidon Kremer &amp; Nikolaus Harnoncourt: Mozart Violinkonzert Nr. 2</video:title>
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<video:description>Innovation trifft auf Tradition in diesen Mozart-Aufführungen aus den 1980ern. Am Pult der Wiener Philharmoniker steht Nikolaus Harnoncourt, der bei den Musikern des ehrwürdigen Orchesters zu Beginn auf Widerstand stößt. Doch dann lauschen sie seinem Mozart, dem „romantischsten aller Komponisten”, der, wie Harnoncourt erklärt, Musik schuf, die „dramatisch, dynamisch, oft auffallend und überaus emotional” ist. Und auch der Geiger Gidon Kremer stimmt sich ein. Harnoncourt war einer dieser seltenen Persönlichkeiten mit einer unverkennbaren Handschrift, sagt er über den großen Dirigenten.</video:description>
<video:duration>1244</video:duration>
<video:publication_date>2025-02-13T15:53:41Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-19T14:33:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4C0</loc>
<video:video>
<video:title>Über Faurés Nocturnes &amp; Barcarolles</video:title>
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<video:description></video:description>
<video:duration>132</video:duration>
<video:publication_date>2024-12-03T13:23:16Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-18T09:10:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4C8</loc>
<video:video>
<video:title>Über Beethovens Hammerklavier-Sonaten</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2024-12-03T13:25:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-18T09:09:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4E8</loc>
<video:video>
<video:title>Michael Volle über Bayreuths Meistersinger von 2017</video:title>
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<video:description></video:description>
<video:duration>613</video:duration>
<video:publication_date>2022-11-15T14:33:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T18:32:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3AC0</loc>
<video:video>
<video:title>Boulez dirigiert Boulez: Dialogue de l&apos;ombre double &amp; Répons</video:title>
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<video:description>Als explosive Kraft der europäischen Musik war Pierre Boulez ein Meister der schöpferischen Zerstörung. Er sprengte Traditionen in die Luft, um dem Neuen in Gedanken und Taten Raum zu verschaffen. Bei den Salzburger Festspielen trat Boulez 1992 nicht an einem der klassischen Festival-Orte, sondern im modernen Industrieraum des Lehrbauhofs auf. Hier nutzte er die elektronischen Ressourcen seines Pariser IRCAM-Instituts für maßstäbliche Interpretationen von zwei Kompositionen: Während das streng konzipierte Klarinetten-Stück Dialogue de l&apos;ombre double aus Boulez´ reifer Schaffensperiode stammt, ist  Répons von 1985 eines seiner dynamischsten Werke. Die Aufzeichnung zeigt einen Giganten der zeitgenössischen Musik im Vollbesitz seiner Kräfte.</video:description>
<video:duration>3900</video:duration>
<video:publication_date>2025-02-12T13:31:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T14:04:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38DO</loc>
<video:video>
<video:title>Hélène Grimaud &amp; Konstantin Krimmel: Lieder von Brahms und Silvestrov</video:title>
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<video:description>Der junge Bariton Konstantin Krimmel und die Pianistin Hélène Grimaud setzen mit diesem Programm, aufgenommen im Juni 2024 im Konzerthaus Dortmund, ihre von der Kritik gefeierte Zusammenarbeit fort. Gemeinsam entstanden bereits zwei erfolgreiche Alben bei der Deutschen Grammophon. Und es ist genau dieses Repertoire, das hier zu hören ist: Brahms&apos; Lieder und Gesänge op. 32 - eine der persönlichsten und nachdenklichsten Liedersammlungen des Komponisten - werden einer Auswahl der stimmungsvollen Stillen Lieder des ukrainischen Komponisten Valentin Silvestrov gegenübergestellt, einem Komponisten, den Grimaud während eines Großteils ihrer Karriere gefördert hat.</video:description>
<video:duration>5181</video:duration>
<video:publication_date>2024-08-05T09:00:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T11:20:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34C0</loc>
<video:video>
<video:title>Karajan dirigiert das Silvesterkonzert 1983</video:title>
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<video:description>Für Millionen Menschen weltweit waren Herbert von Karajan und die Berliner Philharmoniker in den Achtzigerjahren das Gesicht der klassischen Musik. Ihre Compilations – oft Bestseller – brachten orchestrale Klänge in die vier Wände selbst jener Menschen, die mit Klassik kaum vertraut waren. Und auch das populärste Repertoire bekam Tiefe durch die Verve und Finesse des Meisters und seines Orchesters – hier zu erleben mit klangvollen Favoriten von Rossini, Smetana, Sibelius und der Strauss-Dynastie. Dieses Silvesterkonzert, wie in jedem Jahr ein Höhepunkt im Berliner Musikkalender, versetzt ins Jahr 1983.</video:description>
<video:duration>3193</video:duration>
<video:publication_date>2024-04-26T14:01:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-02-17T09:31:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJIC0</loc>
<video:video>
<video:title>Peter Waters &amp; Barbara Hendricks: Fauré</video:title>
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<video:description>Der australische Pianist Peter Waters und sein Jazz-Ensemble, das Treya Quartet, haben mit ihren einfühlsamen Jazz-Arrangements von Liedern Gabriel Faurés viel Lob geerntet. Die wunderschön gefilmte Dokumentation „Fauré: Liebeslieder” ermöglicht einen Vergleich dieser Bearbeitungen mit den Originalversionen, die von der gefeierten amerikanischen Sopranistin Barbara Hendricks gesungen werden. Begleitet wird sie dabei von Waters, der außerdem auch im Quartett mit Paolo Fresu (Trompete), Tony Overwater (Kontrabass) und Gilbert Paeffgen (Trommel/Schlagzeug) musiziert. Erläuterungen der Idee, Faurés Lieder in einem Jazz-Setting zu präsentieren und Hendricks Reflexionen über die Ausdruckskraft des Gesangs ergänzen die Interpretationen.</video:description>
<video:duration>3527</video:duration>
<video:publication_date>2024-12-02T09:40:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T13:59:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGC8</loc>
<video:video>
<video:title>Yutaka Sado dirigiert die Berliner Philharmoniker</video:title>
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<video:description>Es ist ein Debüt – Yutaka Sado steht am Pult der Berliner Philharmoniker. Der einstige Assistent von sowohl Bernstein als auch Ozawa wurde mit den wichtigsten Preisen seines Fachs ausgezeichnet, darunter der Grand Prix des 39. Concours international de jeunes chefs d’orchestre und der Grand Prix der Leonard Bernstein Jerusalem International Music Competition. Fesselnd und charismatisch nennt ihn die Kritik – und behält recht.</video:description>
<video:duration>5441</video:duration>
<video:publication_date>2023-05-31T08:36:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T13:07:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36C8</loc>
<video:video>
<video:title>Nelsons dirigiert Mahler: Sinfonie Nr. 2 „Auferstehungssymphonie”</video:title>
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<video:description>Vom gleichsam sturmgepeitschten existenziellen Ringen zu Beginn bis zur furiosen Erlösung am Schluss ist Mahlers „Auferstehungssymphonie” in ihrer kolossalen Klanglichkeit ein Prüfstein für jeden Dirigenten und jedes Orchester: ein monumentales musikalisches Panorama über Leben und Tod, das keinen unberührt lässt, schon gar nicht in dieser leidenschaftlichen Aufführung der Salzburger Festspiele 2018. Andris Nelsons steht am Pult der Wiener Philharmoniker, es singen die Solisten Ekaterina Gubanova und Lucy Crowe sowie der Chor des Bayerischen Rundfunks – eine intensiv dramatische Reise. Kraftvoll, kontrastreich und voller Dynamik, urteilt die Kritik.</video:description>
<video:duration>5580</video:duration>
<video:publication_date>2023-08-02T14:06:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:51:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0C8</loc>
<video:video>
<video:title>Lisa Batiashvili and Friends spielen Schuberts Forellen-Quintett</video:title>
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<video:description>Lisa Batiashvili ist nicht nur eine Königin des solistischen Geigenspiels, sondern auch eine passionierte Kammermusikerin. Im Schlosshotel Elmau – seit seiner Eröffnung 1916 ein Zentrum für Aufführungen von klassischer Musik auf höchstem Niveau – kommt die georgische Virtuosin mit einigen vertrauten Instrumentalist*innen für eine Interpretation von Schuberts Forellen-Quintett zusammen. Der vierte Satz ist eine Variationenfolge auf das gleichnamige Klavierlied. Die Melodie hat Schubert so genial erfunden, dass sie bald in den Rang eines Volkslieds aufstieg. Das sehr virtuose und trotz einiger Moll-Passagen beglückend heitere Werk hebt in einer so souveränen Aufführung wie dieser auch in schweren Pandemie-Zeiten die Stimmung beträchtlich.</video:description>
<video:duration>2677</video:duration>
<video:publication_date>2023-01-10T10:05:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:44:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCDO</loc>
<video:video>
<video:title>Hélène Grimaud in Berlin: Bach, Beethoven, Brahms &amp; Rachmaninoff</video:title>
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<video:description>Ein Kritiker, der bei diesem Konzert der französischen Pianistin Hélène Grimaud anwesend war, schrieb: „Sie spielt nicht nur Klavier. Sie fühlt und lebt es. Jede einzelne Note beweist ihre Hingabe an die Perfektion”. Grimaud war noch ein „Rising Star”, als sie im Dezember 2000 im Kammermusiksaal der Berliner Philharmonie auftrat. Aber ihre unverwechselbare und sehr persönliche Art des Musizierens, die sich durch Spontaneität, einen ungewöhnlichen Reichtum an Farben und technische Perfektion auszeichnet, war bereits voll ausgeprägt. Das stilistisch breit gefächerte Programm – Bach und Rachmaninow umrahmen Sonaten von Brahms und Beethoven – ist typisch für diese Pianistin, deren Technik nur von ihrer Fantasie übertroffen wird.</video:description>
<video:duration>4782</video:duration>
<video:publication_date>2024-11-06T10:48:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:12:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34C8</loc>
<video:video>
<video:title>Liszt, Strauss und Kendall mit Antonio Pappano und Alice Sara Ott</video:title>
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<video:description>Sogar für Richard Strauss’ Verhältnisse sind die Fanfaren, die „Also sprach Zarathustra” eröffnen, eine spektakuläre Ansage – der Sonnenaufgang einer neuen Ära kommt hier mit geradezu welterschütternder Grandiosität zum Ausdruck. Unüberhörbar ist in diesem ersten Konzert, das Antonio Pappano als designierter Chefdirigent mit dem LSO bestritt, die von Vorfreude beseelte Energie einer neuen Partnerschaft. Vor der symphonischen Dichtung von Strauss erklingen eine Liszt-Rarität mit der brillanten Pianistin Alice Sara Ott und ein neues Werk von einem der meistdiskutierten jungen britischen Komponisten. Das gesamte Konzert ist von Pappanos unverwechselbarer Art des musikalischen Geschichtenerzählens geprägt.</video:description>
<video:duration>4948</video:duration>
<video:publication_date>2025-01-06T11:35:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:08:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8D0</loc>
<video:video>
<video:title>Víkingur Ólafsson in Reykjavík mit Bachs Goldberg-Variationen</video:title>
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<video:description>Auf seiner Welttournee über sechs Kontinente widmet sich Víkingur Ólafsson ausschließlich Bachs Goldberg-Variationen. Hier führt ihn seine Reise in den berühmten Harpa-Konzertsaal seiner Heimatstadt Reykjavík. Eine „Enzyklopädie des Denkens und Träumens auf dem Klavier“ seien die Variationen, sagt der isländische Pianist. Dutzende Male hat er sie aufgeführt und mit jeder Aufführung aufs Neue erkundet: „Wenn man mit diesem Werk auf Tournee geht, steht man im unmittelbaren Dialog mit sich selbst, mit Bach und dem Universum. Mit dem Publikum, der Umgebung, der Akustik und natürlich mit dem Klavier. Im Namen von Bach stürzt man sich förmlich von den Klippen.“ Seine hochgelobte Einspielung des Repertoires ist im Herbst 2023 erschienen.</video:description>
<video:duration>4733</video:duration>
<video:publication_date>2024-06-10T11:46:44Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-13T11:36:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3IE8</loc>
<video:video>
<video:title>Seong-Jin Cho: The Handel Project </video:title>
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<video:description>In dieser Aufzeichnung vom September 2022 präsentiert Pianist Seong-Jin Cho das Repertoire seines neuen Deutsche-Grammophon-Albums „The Handel Project”. Bei einem Konzertauftritt in der Berliner Siemensvilla widmet sich Cho einer Auswahl von Solowerken des Komponisten für Tasteninstrumente, die selten auf einem modernen Flügel zu hören sind. Dabei stellt er zwei Suiten aus dem Jahr 1720 Brahms´ monumentalen Händel-Variationen gegenüber. Die wunderschöne Sarabande aus Suite Nr. 7 und das Menuett in g-Moll, das in der Bearbeitung von Wilhelm Kempff erklingt, runden das Programm ab.</video:description>
<video:duration>3510</video:duration>
<video:publication_date>2023-02-09T10:00:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:34:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJADO</loc>
<video:video>
<video:title>Seong-Jin Cho spielt Ravel </video:title>
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<video:description>In der wunderschönen Siemens-Villa in Berlin präsentiert Seong-Jin Cho dem geladenen Publikum in dieser Aufzeichnung ein Programm mit Musik von Maurice Ravel. Dem französischen Komponisten widmet der Pianist auch sein kommendes Album bei der Deutschen Grammophon. Die Auswahl der Werke reicht von der eindringlichen Pavane pour une infante defunte und der zarten Sonatine über das spritzige Jeux d’eau und Auszüge aus Miroirs bis zu exquisiten Hommagen an Borodin, Chabrier, Couperin und Haydn. Das Programm vermittelt einen glänzenden Überblick über Ravels betörende Kunst, die ideal zur raffinierten Virtuosität dieses Pianisten passt.</video:description>
<video:duration>3464</video:duration>
<video:publication_date>2025-01-13T15:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:34:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6D0</loc>
<video:video>
<video:title>Yuja Wang und das MCO: Gershwin, Strawinsky, Mozart &amp; Dvořák</video:title>
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<video:description>Nicht nur als Pianistin, auch als Dirigentin ist die außerordentliche Yuja Wang in diesem Konzert zu erleben, und zwar mit dem Mahler Chamber Orchestra laus dem Wiener Musikverein. Serenaden von Mozart und Dvořák stehen auf dem Programm, und am Klavier bringt die Musikerin zwei Klassiker des 20. Jahrhunderts zu Gehör: Strawinskys Konzert für Klavier und Blasinstrumente – eine eigenwillige Kombination, die der Komponist Anfang der 1920er-Jahre in Paris erdachte – sowie Gershwins unvergleichliche Rhapsody in Blue von 1924. Die „echte amerikanische Musik“ begründete in ihrer Verbindung aus Jazz und Klassik den Weltruhm von Gershwin, hier zu hören in der brillianten Jazz-Orchestrierung von Ferde Grofé.</video:description>
<video:duration>5951</video:duration>
<video:publication_date>2024-05-30T09:24:46Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:33:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C0</loc>
<video:video>
<video:title>BACH: The Art of Life</video:title>
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<video:description>In der Berliner Philharmonie fesselt der Pianist Daniil Trifonov sein Publikum vom ersten Moment an und gewährt einen tiefen Einblick in Johann Sebastian Bachs Die Kunst der Fuge. Wegen seiner manuellen Herausforderungen und der vom Interpreten verlangten Flexibilität ist das Werk relativ selten im Konzertsaal zu hören. Trifonov bewältigt die fast mathematisch konzipierten und doch emotional eindringlichen 14 Fugen und vier Kanons mit technischer Souveränität, stilistischer Expertise und exquisiter Anschlags-Kultur. Den nicht mehr vollendeten letzten Kontrapunkt präsentiert Trofonov in einer eigenen Vervollständigung und schließt mit Bachs d-Moll- Chaconne in der atemberaubend virtuosen Version für die linke Hand von Johannes Brahms.</video:description>
<video:duration>6214</video:duration>
<video:publication_date>2022-06-30T09:22:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:32:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30C8</loc>
<video:video>
<video:title>Grigory Sokolov spielt Mozart und Beethoven</video:title>
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<video:description>Von Mozarts ungewöhnlich düsterer d-Moll-Fantasie bis zu Beethovens letzter, in transzendente Dimensionen vorstoßender Klaviersonate: in seinem Programm von 2017 stellt Grigory Sokolov sein einzigartiges Können ganz in den Dienst der Wiener Klassik – bis im längst Kultstatus genießenden ausgedehnten Zugaben-Teil auch Werke des französischen Barocks und des Impressionismus´ sowie der deutschen Romantik erklingen. Sokolovs samtweicher Anschlag, seine offenbar endlosen technischen Ressourcen und seine Fähigkeit zur geradezu meditativen Versenkung in die Musik rufen auch bei seinem Auftritt in Turin die Begeisterung und das Staunen des Publikums hervor.</video:description>
<video:duration>8349</video:duration>
<video:publication_date>2022-10-25T13:24:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:31:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CO</loc>
<video:video>
<video:title>Grigory Sokolov spielt Schubert &amp; Beethoven</video:title>
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<video:description>Viele Kenner halten Grigory Sokolov für den bedeutendsten Pianisten unserer Zeit. Kein Wunder, dass die über den gesamten Globus verteilten Fans den wenigen vom Musiker freigegebenen Live-Aufnahmen mit Spannung entgegenfiebern. Sehen Sie hier ein Konzert aus der Berliner Philharmonie, als Sokolov neben durch Zartheit und Melodienreichtum bestrickenden Stücken Schuberts und Beethovens Hammerklaviersonate spielt. So exorbitant sind die technischen und musikalischen Herausforderungen des Werks, dass fast 20 Jahre vergingen, bis sich mit Franz Liszt der größte Pianist der Romantik an die erste öffentliche Aufführung wagte. Im Zugaben-Teil bezaubert Sokolov mit Werken aus dem französischen Barock und dem 2. Intermezzo op. 117 von Brahms.  </video:description>
<video:duration>8617</video:duration>
<video:publication_date>2022-07-05T14:37:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:30:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8CO</loc>
<video:video>
<video:title>Martha Argerich und Charles Dutoit: Ravels Klavierkonzert in G-Dur </video:title>
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<video:description>Seit ihrer ersten, umjubelten Aufnahme des Werks mit Claudio Abbado und den Berliner Philharmonikern für die Deutsche Grammophon ist Ravels brillantes, vom Jazz inspiriertes G-Dur-Klavierkonzert ein Paradestück Martha Argerichs. Die raffinierten Rhythmen, perlenden Läufe und hinreißenden Melodien scheinen wie geschaffen für die außerordentlichen Fähigkeiten der legendären argentinischen Pianistin. Das zeigt auch diese mitreißende Aufführung mit dem Dirigenten Charles Dutoit und dem Orchestre National de France, die im September 1990 in der Alten Oper Frankfurt aufgezeichnet wurde. </video:description>
<video:duration>1380</video:duration>
<video:publication_date>2024-10-10T08:31:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:27:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32</loc>
<video:video>
<video:title>Schumann-Gipfel: Das Gewandhausorchester mit Argerich und Chailly</video:title>
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<video:description>Als sich 2006 der Todestag Robert Schumanns zum 150. Mal jährt, darf eine Hommage der Stadt Leipzig nicht fehlen. Hier hatte der Komponist zwischen 1828 und 1844 Studien- und frühe Ehejahre verbracht. Im Konzert des Gewandhausorchesters ist unter der Leitung von Gewandhauskapellmeister Riccardo Chailly mit Martha Argerich eine der profiliertesten und leidenschaftlichsten Schumann-Interpretinnen im unvergänglichen Klavierkonzert zu erleben. Dass der deutsche Romantiker europaweit einflussreich ist, zeigen Orchesterversionen von Klavierwerken aus der Feder der Schumann-Bewunderer Tschaikowsky und Ravel. Zum Abschluss des Abends erklingt die Vierte Sinfonie, in der sich Poesie und Originalität mit formaler Schlüssigkeit verbinden.</video:description>
<video:duration>5589</video:duration>
<video:publication_date>2022-05-20T10:07:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJA</loc>
<video:video>
<video:title>Beginn einer Pilgerreise: Bachs Weihnachtsoratorium in Weimar</video:title>
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<video:description>»Ich glaube an Gott durch die Stärke und Überzeugungskraft von Bachs Musik«, bekannte John Eliot Gardiner einmal in einem Interview des Berliner Tagesspiegel. Bach als Fixpunkt seines breiten Repertoires verdeutlichte die spektakuläre »Pilgerreise«, die Gardiner mit den von ihm gegründeten Instrumental-und Vokalensembles zum 250. Todesjahr des Komponisten unternahm, um dessen sämtliche erhaltene Kantaten innerhalb eines Kirchenjahres aufzuführen. Die heute bereits legendäre Tournee begann im Dezember 1999 mit der hier dokumentierten Interpretation des Weihnachtsoratoriums in der Herderkirche in Weimar. Erleben Sie hier den federnden, unverwechselbar expressiven Bach-Stil von Gardiner und seinen Mitstreitern.</video:description>
<video:duration>8659</video:duration>
<video:publication_date>2022-06-15T15:45:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T10:16:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJACG</loc>
<video:video>
<video:title>Yuja Wang &amp; Víkingur Ólafsson: Live aus Berlin </video:title>
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<video:description>In der Berliner Philharmonie treten zwei Weltstars der Klassik, die zu den bemerkenswertesten Pianist:Innen ihrer Generation gehören, zusammen auf: Yuja Wang und Víkingur Ólafsson finden sich bei einem einzigartigen musikalischen Gipfeltreffen ein. Als Teil einer größeren Tournee, bei der die beiden erstmalig gemeinsam die Konzertbühne betreten, präsentieren sie ein Programm mit zwei Klassikern des vierhändigen Klavier-Repertoires: Schuberts eindringliche Fantasie in f-Moll und Rachmaninoffs kraftvolle Symphonische Tänze in der Version für zwei Klaviere. Außerdem sind John Adams’ Meisterwerk Hallelujah Junction aus dem Jahr 1996 und weitere Kompositionen des 20. Jahrhunderts zu erleben. Aufgezeichnet am 30. Oktober 2024.  </video:description>
<video:duration>5979</video:duration>
<video:publication_date>2025-02-03T11:12:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T13:05:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3C</loc>
<video:video>
<video:title>Spektakuläre Freilicht-Aufführung: Daniel Hope musiziert in Prag</video:title>
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<video:description>Spektakulär ist die Kulisse bei diesem Konzert in Prag: Eine schwimmende Bühne auf der Moldau bildete das ideale »Bühnenbild« für Smetanas berühmte, nach dem Fluss benannte symphonische Dichtung. Der tschechische Komponist Jiří Slavíks dirigiert seine originelle Bearbeitung des Stücks in einer Interpretation des Epoque Orchestras selbst. Es folgt der Auftritt des großartigen Geigers Daniel Hope, der dem Konzert seinen Namen gab – »Hope for Prague« – und seinem Namen alle Ehre macht: Denn die Aufführung von Max Richters raffinierter, so energetischer wie besinnlicher Neu-Komposition von Vivaldis Vier Jahreszeiten findet nach dem ersten Corona-Lockdown im Sommer 2020 und damit in der Stimmung einer vorsichtigen Hoffnung statt.</video:description>
<video:duration>4120</video:duration>
<video:publication_date>2022-05-11T12:34:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:45:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJED8</loc>
<video:video>
<video:title>David Garrett - ICONIC</video:title>
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<video:description>Star-Geiger David Garrett wählte für dieses Konzert auf Sizilien einen besonders spektakulären Ort aus: das antike Theater von Taormina, im Schatten des Ätna. Dort präsentierte er das Repertoire seines erfolgreichen ICONIC-Albums, auf dem er zurück zu seinen klassischen Wurzeln findet. Meisterwerke von Vivaldi, Schumann, Saint-Saëns, Kreisler und vielen anderen Komponisten wurde allesamt neu arrangiert. Begleitet wird Garrett von seinem Gitarristen und Arrangeur Franck van der Heijden, dem Bassisten Rogier van Wegberg und dem Orchestra del Teatro Vittorio Emanuele di Messina unter der Leitung von Gianna Fratta. Einen besonderen Gastauftritt hat Matteo Bocelli.</video:description>
<video:duration>6524</video:duration>
<video:publication_date>2024-04-22T08:24:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:43:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32DG</loc>
<video:video>
<video:title>Antonello Manacorda dirigiert Mendelssohns Ein Sommernachtstraum</video:title>
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<video:description>Mendelssohn komponierte seine berühmte Sommernachtstraum-Ouvertüre bereits als Teenager, konnte sie aber erst 16 Jahre später in die Begleitmusik zu Shakespeares fantastische Komödie einfließen lassen. Die Bühnenmusik wurde im Auftrag von König Friedrich Wilhelm IV. von Preußen komponiert und wird in dieser Sondervorstellung im Theater des Neuen Palais in Potsdam aufgeführt, genau dem Ort der Uraufführung im Oktober 1843. An der Seite der Kammerakademie Potsdam und ihres Chefdirigenten Antonella Manacorda singen die Solistinnen Jeanine De Bique und Christiane Karg, die auch in Berlioz&apos; exquisitem Les nuits d&apos;été auftreten, einem Werk, dass nur zwei Jahre vor Mendelssohns Sommernachtstraum geschaffen wurde.</video:description>
<video:duration>4553</video:duration>
<video:publication_date>2024-08-21T11:42:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:42:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4CO</loc>
<video:video>
<video:title>Solti dirigiert Bruckner: Sinfonie Nr. 2</video:title>
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<video:description>Bruckners Sinfonien als „Kathedralen aus Klang” zu bezeichnen, ist fast schon ein Klischee; besonders im Fall der Zweiten Symphonie, der vielleicht persönlichsten Hommage des Komponisten an die Wiener Klassik. Doch bei dieser Live-Aufführung im prächtigen romanischen Dom von Speyer in Bayern, bei der Sir Georg Solti das Radio-Sinfonieorchester Stuttgart dirigiert, gibt es eine unverkennbare Synergie zwischen Bild und Musik. Die Aufnahme entstand in einem Ambiente, das von der süddeutschen katholischen Tradition geprägt ist, die Bruckner so sehr liebte. Wie immer dirigiert Solti auch hier mit unbändiger Energie. Das Ergebnis ist ein nahezu perfektes Zusammentreffen von Musik und Architektur.</video:description>
<video:duration>3427</video:duration>
<video:publication_date>2024-09-03T08:19:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:39:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJC</loc>
<video:video>
<video:title>Gala aus Berlin 2011 – mit Simon Rattle &amp; Menahem Pressler</video:title>
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<video:description>Menahem Pressler war Jahrzehnte-lang der Pianist des berühmten Beaux Arts Trios, bevor ihm eine von der gesamten Klassik-Welt bewunderte späte Karriere als Solist gelang. Im Alter von 90 Jahren debütierte er im Januar 2014 bei den Berliner Philharmonikern, im selben Jahr kehrte er anlässlich des Silvesterkonzerts mit einer unwiderstehlich feinsinnigen Interpretation von Mozarts 23. Klavierkonzert zum Orchester zurück. Chefdirigent Simon Rattle eröffnete den Abend mit der rhythmisch und harmonisch raffinierten Musik von Jean-Philippe Rameau, den der Dirigent einmal als einen seiner Lieblingskomponisten bezeichnete. Auf tänzerisch beschwingte Werke von Dvořák und Kodály folgten die bei diesem Anlass unverzichtbaren mitreißenden Zugaben. </video:description>
<video:duration>5510</video:duration>
<video:publication_date>2022-06-08T10:46:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:08:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ0E0</loc>
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<video:title>12 Fragen für Renaud Capuçon</video:title>
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<video:publication_date>2023-09-18T13:59:46Z</video:publication_date>
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<lastmod>2025-02-07T10:18:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJAD0</loc>
<video:video>
<video:title>Über Liszts Totentanz und Strauss&apos; Also sprach Zarathustra</video:title>
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<video:duration>160</video:duration>
<video:publication_date>2025-01-20T12:44:02Z</video:publication_date>
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<lastmod>2025-02-07T10:14:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3IC8</loc>
<video:video>
<video:title>Über Dvořák und Berlioz</video:title>
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<video:duration>496</video:duration>
<video:publication_date>2024-10-18T07:09:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-02-07T10:14:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3AC8</loc>
<video:video>
<video:title>Schubert: Impromptu Op. 142 Nr. 1 f-Moll</video:title>
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<video:description></video:description>
<video:duration>254</video:duration>
<video:publication_date>2024-07-14T17:18:24Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ0DO</loc>
<video:video>
<video:title>Franck: Messe, Op. 12: 5. Panis Angelicus</video:title>
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<video:description></video:description>
<video:duration>244</video:duration>
<video:publication_date>2023-09-14T09:44:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:13:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ0DG</loc>
<video:video>
<video:title>Saint-Saens: Oratorio de Noël, Op. 12: 4. Domine, ego credidi</video:title>
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<video:description></video:description>
<video:duration>219</video:duration>
<video:publication_date>2023-09-14T09:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:11:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34E0</loc>
<video:video>
<video:title>Stanislav Bunin im Konzert: Chopin, Debussy und Poulenc</video:title>
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<video:description>Es war eine Sensation, als der in Russland geborene Pianist Stanislav Bunin beim XI. Internationalen Chopin-Wettbewerb in Warschau die Goldmedaille gewann und bereits im Alter von neunzehn Jahren zu einem der schillerndsten Repräsentanten einer neuen Generation von Chopin-Interpreten wurde. Bunin ist in der großen russischen Klaviertradition verwurzelt, begeistert aber zugleich mit einer sehr persönlichen Vision. Dieses Konzert aus dem Jahr 1987 in der Münchner Philharmonie im Gasteig zeigt ihn auf dem Höhepunkt seiner frühen Schaffensperiode. Im Zentrum des Programms steht (natürlich) Chopin, es erklingen aber auch Miniaturen der französischen Komponisten Poulenc und Debussy, mit denen Bunin ebenfalls eine ganz besondere Beziehung verband.</video:description>
<video:duration>5259</video:duration>
<video:publication_date>2025-01-16T11:31:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-05T09:28:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30D8</loc>
<video:video>
<video:title>Dragon Songs – Lang Lang spielt Melodien aus China </video:title>
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<video:description>Lang Lang besinnt sich auf die eigenen Wurzeln in diesem Film von Benedict Mirow. Der Regisseur verknüpft beliebte chinesische Melodien mit Interviewsequenzen, in denen der Pianist über die Stücke spricht und verrät, was sie ihm bedeuten. Meistermusiker des Zentralen Musikkonservatoriums in Peking sind zu Gast; Lang Lang selbst hat dort im zarten Alter von nur neun Jahren eine halbe Dekade lang studiert. „Einen Teil der Musik haben wir im Auditorium aufgenommen”, erzählt er. „Ich war sehr nervös, weil ich dort alle meine Klavierprüfungen ablegen musste. »Keine falschen Noten!«, schoss es mir in den Kopf, noch bevor es losging.”</video:description>
<video:duration>3558</video:duration>
<video:publication_date>2023-07-04T15:02:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T20:07:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCDO</loc>
<video:video>
<video:title>Sir Simon Rattle dirigiert Hippolyte et Aricie </video:title>
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<video:description>Simon Rattle verliebte sich bereits im Teenager-Alter in die harmonisch und rhythmisch unglaublich reiche und phantasievolle Musik von Jean-Philippe Rameau. 2018 dirigierte er an der Berliner Staatsoper eine spektakuläre Produktion von Hippolyte et Aricie, der ersten Oper des französischen Komponisten. Die aus der griechischen Antike stammende Geschichte erzählt von der Liebe der Titelfiguren, die von Hippolytes Stiefmutter Phèdre hintertrieben wird. Für die Ausstattung konnte der berühmte Künstler Ólafur Elíasson gewonnen werden, der für schillernde Kostüme und eindrucksvolle Schatten-, Licht-, Spiegel- und Nebeleffekte sorgte. Das Vokalensemble wird von den international gefeierten Sängerinnen Magdalena Kožená und Anna Prohaska angeführt.</video:description>
<video:duration>9173</video:duration>
<video:publication_date>2022-09-19T17:03:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T15:30:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DO</loc>
<video:video>
<video:title>Festliches Konzert mit dem Freiburger Barockorchester</video:title>
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<video:description>Viele Menschen haben als Kinder das Singen mit Weihnachtsliedern gelernt, und wenige Menschen können sich das Dezember-Fest ohne Musik vorstellen. Das Freiburger Barock-Orchester, das sich seit den späten 1980er Jahren den Ruf eines der exzellentesten Alte-Musik-Ensembles erworben hat, spielt in 1999, Werke, die in direkter oder entfernterer Beziehung zu Weihnachten stehen, alle aber von Tiefgründigkeit und Festlichkeit geprägt sind. Natürlich sind Ausschnitte aus Bachs Weihnachts-Oratorium und Händels Messiah dabei zu hören. Neben instrumentalen Stücken wie der ergreifenden Air aus Bachs 3. Orchester-Suite stehen im Freiburger Münster auch vokale Kompositionen mit Sopranistin Barbara Bonney und Bariton Matthias Goerne auf dem Programm.</video:description>
<video:duration>2713</video:duration>
<video:publication_date>2022-06-22T09:05:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T15:29:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJIDO</loc>
<video:video>
<video:title>Ingo Metzmacher dirigiert das Requiem von Hans Werner Henze</video:title>
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<video:description>Nur wenige moderne Komponisten hatten eine so intensive Beziehung sowohl zur Vergangenheit als auch zur (sehr realen) Gegenwart wie Hans Werner Henze – und kaum einer besaß ein so feines Gespür für Schönheit. Sein zugleich archetypisches und absolut originelles Requiem von 1993 besteht aus neun Konzerten für Trompete, Klavier und Kammerorchester. Ohne Worte spricht es, wie der Komponist selbst erklärte, „von den Ängsten und Nöten der Menschen dieser Zeit, von Krankheit und Tod, von der Liebe und von der Einsamkeit”. Der Film zeigt diesen Meilenstein der jüngeren Musikgeschichte in der Frankfurter Uraufführung vom Februar 1993, deren Protagonisten der Pianist Ueli Wiget und der unvergleichliche Trompeter Håkan Hardenberger waren.</video:description>
<video:duration>4181</video:duration>
<video:publication_date>2024-12-02T10:38:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:48:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38DG</loc>
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<video:title>Payare dirigiert Liszt, Ravel &amp; Schostakowitsch—mit Víkingur Ólafsson</video:title>
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<video:description>Rafael Payare dirigiert das Orchestre symphonique de Montréal in Ravels schillerndem Klavierkonzert in G-Dur und zwei mitreißenden Orchesterfavoriten. Solist des Abends ist Víkingur Ólafsson. Wie geschaffen ist das nur vordergründig heiter impressionistische Werk  des Franzosen für das so kristalline wie analytische Spiel des Isländers. Payare, Absolvent des berühmten venezolanischen El Sistema und seit 2022 Musikdirektor des Orchesters wagt einen harten Kontrast mit Schostakowitschs beklemmender Symphonie Nr. 10 – mit ihrer gewaltvollen Klangsprache im zweiten Satz soll sie ein Porträt Stalins zeichnen. Nicht im Konkreten, sondern an sich wird das Leben mit seinen wechselnden Stimmungen in Liszts Les Préludes symphonisch erdichtet</video:description>
<video:duration>7259</video:duration>
<video:publication_date>2023-08-21T08:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:43:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3GC8</loc>
<video:video>
<video:title>Bruce Liu &amp; Dalia Stasevska mit Chopin, Gubaidulina &amp; Sibelius</video:title>
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<video:description>In Chopins Klavierkonzert Nr. 2 gipfelt dieses faszinierende Programm des Orchestre symphonique de Montréal unter der Leitung der Dirigentin Dalia Stasevska. Fast mühelos schlägt Bruce Liu die Emotion gewordenen Töne an. Der kanadisch-chinesische Pianist, der 2021 den Internationalen Chopin-Klavierwettbewerb in Warschau gewann, versteht sich auf den Meister. Zuvor aber ist Das Licht des Endes von Sofia Gubaidulina zu hören. Konflikt prägt dieses Stück, durch das Aufeinanderprallen „natürlicher” und „temperierter” Stimmung, bis es am Ende eine Wendung erfährt mit lichterfüllten Glockenspielklängen. Es folgt Sibelius’ bemerkenswerte Symphonie Nr. 6 – kein Orchestercocktail, sondern „reines Quellwasser”, wie der Komponist anmerkte.</video:description>
<video:duration>5922</video:duration>
<video:publication_date>2023-10-16T09:20:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:43:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30E8</loc>
<video:video>
<video:title>Pretty Yende und Benjamin Bernheim in Massenets Manon</video:title>
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<video:description>Die bezaubernde, vergnügungssüchtige und doch ehrlich liebende Titelheldin aus Abbé Prevosts Roman Manon Lescaut hat Komponisten wie Auber, Puccini und Hans Werner Henze zu musikalischen Bühnenwerken inspiriert. Jules Massenets besonders in Frankreich geliebte Vertonung wurde 1884 in Paris aus der Taufe gehoben und 2020 in derselben Stadt von Vincent Huguet neu inszeniert. Mit der Sopranistin Pretty Yende und dem Tenor Benjamin Bernheim ist ein durch stimmliche Schönheit und darstellerisches Talent begeisterndes Dream-Team der Klassik-Szene zu erleben. Huguet betont in seiner Deutung die düsteren Aspekte der Handlung, die mit dem Tod Manons in den Armen ihres Geliebten endet.</video:description>
<video:duration>10277</video:duration>
<video:publication_date>2022-10-31T13:24:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-02-04T14:41:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ECG</loc>
<video:video>
<video:title>Claudio Abbado – „Please call me Claudio…“</video:title>
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<video:description>Dieser Film von Beatrix Conrad, der im Januar 2024 anlässlich des 10. Todestages von Claudio Abbado veröffentlicht wird, reflektiert die bemerkenswerte Karriere des Dirigenten, der einige der prestigeträchtigsten Posten in der Welt der klassischen Musik innehatte und eine Vielzahl neuer Orchester gründete. Anhand von Interviews mit Musikern, die mit ihm zusammengearbeitet haben, bringt uns der Film den Menschen und Musiker Abbado näher und erkundet, wie sein Werk und sein Vermächtnis bei einer neuen Generation von Interpreten noch immer nachhallen.</video:description>
<video:duration>3125</video:duration>
<video:publication_date>2024-09-12T08:24:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:37:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6E0</loc>
<video:video>
<video:title>Vacláv Neumann dirigiert Mahler &amp; Dvořák – mit Thomas Allen </video:title>
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<video:description>Die besondere Energie, die zwischen Jugend und Reife entsteht, macht die Zusammenarbeit von einem erfahrenen Dirigenten mit jungen Musiker*innen immer zu einem besonders inspirierten und für alle bereichernden Ereignis. Als 1990 die Tyranneien in Mitteleuropa zerfielen, schloss sich der tschechische Maestro Vacláv Neumann mit dem Gustav Mahler Jugendorchester und dem angesehenen britischen Bariton Thomas Allen zusammen. Auf dem Programm standen Mahler „Lieder eines fahrenden Gesellen“ und Dvořáks letzte Sinfonie. Das in der Alten Oper Frankfurt aufgezeichnete Ergebnis beweist ein außergewöhnliches Gespür für den historischen Anlass; und Neumann vermittelt den hörbar inspirierten jungen Musiker*innen die Erfahrungen eines ganzen Lebens. </video:description>
<video:duration>3895</video:duration>
<video:publication_date>2024-09-12T09:21:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:37:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP34</loc>
<video:video>
<video:title>Abbado dirigiert Mahlers 9. Sinfonie in Santa Cecilia</video:title>
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<video:description>Die Erinnerung an Claudio Abbado verbindet sich mit kaum einem zweiten Werk so stark wie mit Gustav Mahlers Neunter Symphonie. Abbado besaß die Kenntnis des Wiener Tonfalls, die Vertrautheit mit der Verbindung aus Elegie und kühner Modernität, die Energie für die grotesken Aufschwünge in den Mittelsätzen und die innere Ruhe für das Ende der Symphonie, wenn die Musik immer leiser wird und schließlich verstummt. In der hier dokumentierten, von der Zeitung Il Tempo als »Triumph« bezeichneten Aufführung aus der Accademia Nazionale di Santa Cecilia in Rom finden die Erfahrenheit des großen italienischen Dirigenten und die frische Musikalität des von Abbado selbst 1986 gegründeten Gustav Mahler Jugendorchesters auf beglückende Weise zueinander. </video:description>
<video:duration>4983</video:duration>
<video:publication_date>2022-04-29T13:22:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:36:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4C0</loc>
<video:video>
<video:title>Woman.Life.Freedom.– Ein Benefizkonzert für die Menschenrechte im Iran</video:title>
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<video:description>Der iranisch-kanadische Countertenor Cameron Shahbazi präsentiert ein besonderes Konzert mit dem Ziel, das Bewusstsein für die Menschenrechts-Situation im Iran zu schärfen und für die Unterstützung der dort lebenden Menschen zu werben. Shahbazi wird von weiteren Musiker*innen mit iranischen Wurzeln und Interpret*innen unterstützt, die sich leidenschaftlich für die Sache engagieren. Zum vielseitigen Programm, das im Dezember 2022 in der Oper Frankfurt aufgezeichnet wurde, gehören Lesungen von Lyrik und Werke iranischer Komponist*innen. Die Musik thematisiert besonders eindrücklich die Leiden und Freiheitshoffnungen der Frauen im Iran.</video:description>
<video:duration>3875</video:duration>
<video:publication_date>2023-02-03T10:46:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:46:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CE8</loc>
<video:video>
<video:title>Musical Moment: Jonathan Tetelman singt Lieder und Oper</video:title>
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<video:description>Der chilenisch-amerikanische Tenor Jonathan Tetelman – seit Herbst 2021 Exklusivkünstler der Deutschen Grammophon – singt Arien und Lieder, begleitet von der Pianistin Sophia Muñoz und der Harfenistin Marion Ravot. In der intimen Atmosphäre des Berliner Tanzsaals an der Panke werden Romantik und Leidenschaft aufgeboten. Auf dem Programm: Musik von Verdi, Massenet und Bizet sowie populäre italienische Lieder. Auf den Opernbühnen dieser Welt hat sich Jonathan Tetelman längst einen Namen gemacht. „Ein Star schlechthin”, schrieb die New York Times über ihn. Hier kommt man ihm nahe.</video:description>
<video:duration>2230</video:duration>
<video:publication_date>2023-09-21T14:55:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-02-03T15:46:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30C0</loc>
<video:video>
<video:title>Moderne Meisterwerke: John Cage</video:title>
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<video:description>In der Musik des 20. Jahrhunderts gab es nur wenige so innovative, ikonoklastische und umstrittene Persönlichkeiten wie John Cage, der grundlegende Fragen zum Wesen von Musik und Kunst stellte. Das nach dem Tod von Cage 1992 in Frankfurt veranstaltete Festival, bei dem die hier vorgestellten Aufführungen aufgezeichnet wurden, hatte den Charakter einer Feier seines Lebens und seines Schaffens. David Tudor, der mehr als 40 Jahre lang Freund und musikalischer Partner des Komponisten war, interpretiert mit dem Ensemble Modern und unter der Leitung des Dirigenten Ingo Metzmacher zwei der wichtigsten Konzertwerke von Cage. Einen Einblick in dessen Biografie und Werk bietet Michael Nupens Einführung, die den Aufführungen vorausgeht.</video:description>
<video:duration>3491</video:duration>
<video:publication_date>2024-12-02T11:10:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:35:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJAE0</loc>
<video:video>
<video:title>Abbado dirigiert Debussy und Wagner – mit Bryn Terfel </video:title>
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<video:description>Seit seiner Kindheit liebte Claudio Abbado die Musik Claude Debussys. Kein Wunder also, dass beim ersten Konzert, dass der Dirigent mit dem von ihm gegründeten Lucerne Festival Orchestra bestritt, Werke des französischen Komponisten auf dem Programm standen. Neben der epochalen Tondichtung La mer, die in tausend Stimmungen und Farben schillert, bevor sie in einer großen Schlusswirkung kulminiert, ist auch eine Suite aus dem viel weniger bekannten »Mysterium« Le Martyre de Saint Sébastien nach Gabriele D’Annunzios Vorlage zu hören. Dem bewegenden Schlussgesang aus Wagners Walküre verleiht der walisische Bass-Bariton Bryn Terfel, der zu den Lieblingssängern Abbados gehörte, seine mächtige Stimme und unübertroffene Gestaltungskraft.</video:description>
<video:duration>5110</video:duration>
<video:publication_date>2022-09-06T08:52:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:22:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGE0</loc>
<video:video>
<video:title>Abbado dirigiert Verdis Requiem</video:title>
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<video:description>Anlässlich des 100. Todestages von Verdi dirigiert Claudio Abbado 2013 die Berliner Philharmoniker in einer mitreißenden Aufführung des monumentalen Requiems. Dem Komponisten selbst schien jede Theaterattitüde in der Ausgestaltung des Stoffes nicht angemessen und doch schwelgte er in seinem Können als meisterhafter Musikdramatiker, sodass Hans von Bülow seine Totenmesse einst abschätzig „Oper im Kirchengewande” nannte. Claudio Abbado verstand die Musik wie kein anderer und brachte sie mit herausragenden Sängerinnen und Sängern seiner Zeit zu Gehör, unterstützt vom schwedischen Rundfunkchor und dem Orfeón Donostiarra aus San Sebastián.</video:description>
<video:duration>5272</video:duration>
<video:publication_date>2023-06-16T14:11:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:16:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6DG</loc>
<video:video>
<video:title>Roberto Alagna &amp; Angela Gheorghiu: Gounods Roméo et Juliette</video:title>
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<video:description>Die sich bekriegenden Familien; die Ekstase der jungen Liebe: Shakespeares Romeo und Julia fasziniert seit langem Komponisten aller Epochen und Nationen. Doch keiner hat es je erfolgreicher ins Opernhaus gebracht als Charles Gounod - und kein Sängerpaar war wohl besser für die Titelrollen geeignet als das Dreamteam der Jahrtausendwende, Angela Gheorghiu und Roberto Alagna. Antonio Guadagnos Verfilmung von Roméo et Juliette aus dem Jahr 2002 ist genau das: eine prächtig produzierte Kinoversion, die vor der atemberaubenden mittelalterlichen Kulisse der Burg Zvikov in Böhmen gedreht wurde. Das Ergebnis verzaubert sowohl die Augen als auch das Herz.</video:description>
<video:duration>4391</video:duration>
<video:publication_date>2024-09-11T17:31:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:16:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36C0</loc>
<video:video>
<video:title>Nelsons dirigiert Mahler: Sinfonie Nr. 3 </video:title>
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<video:description>„Die Symphonie muss sein wie die Welt”, beschied Gustav Mahler: „Sie muss alles umfassen.” Nie kam er dieser Vision näher als mit seiner Dritten – und längsten – Symphonie: einer Hymne an Liebe und Natur, die ferne Bläser, Kinderlieder, Märsche und alpine Meditationen zugleich heraufbeschwört. In dem an Emotionen reichen Konzert der Salzburger Festspiele 2021 machen Andris Nelsons und die Wiener Philharmoniker das epische Wesen und den Sinn für das Wunderbare in diesen Klängen erlebbar. Mit zwei herausragenden Chören und der Altistin Violeta Urmana, Salzburger Publikumsliebling, ist die Aufführung zugleich ein Dokument eines einzigartigen Festspielmoments.</video:description>
<video:duration>6680</video:duration>
<video:publication_date>2023-08-02T13:41:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCC8</loc>
<video:video>
<video:title>Europakonzert 2000 aus Berlin – mit Claudio Abbado und Mikhail Pletnev</video:title>
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<video:description>Das erste Europakonzert des neuen Jahrtausends – Nummer zehn seit Beginn und somit auch deshalb ein Jubiläum – war ein Heimspiel für Claudio Abbado und die Berliner Philharmoniker. In der Berliner Philharmonie erklingt zum festlichen Anlass ein monumentales Meisterwerk: Beethovens Neunte. Und ein Spitzenquartett von Solisten ist zu erleben, aus Finnland, Litauen, den USA und Deutschland. Zuvor spielt Mikhail Pletnev begleitet vom Orchester unter Leitung seines Maestros das Zweite Klavierkonzert, Musik desselben, doch bei ihrer Entstehung noch jungen Komponisten.</video:description>
<video:duration>5824</video:duration>
<video:publication_date>2023-04-19T10:55:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJIDG</loc>
<video:video>
<video:title>Abbado dirigiert Beethoven: Sinfonie Nr. 9</video:title>
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<video:description>„Seid umschlungen, Millionen...” Claudio Abbado war ein Künstler, den große Intelligenz und zugleich tiefe Bescheidenheit auszeichneten; und von Anfang bis Ende seiner Amtszeit als Chefdirigent der Berliner Philharmoniker betrachtete er jede Aufführung als eine Möglichkeit, zu lernen und etwas Neues zu entdecken. Abbado selbst bezeichnete den Beethoven-Zyklus, den er kurz nach der Jahrtausendwende in Berlin und Rom realisierte, als „einen bedeutenden Fortschritt in Bezug auf Stil, Geist und Technik”. Aber in dieser unübertrefflichen Berliner Aufführung der Neunten Sinfonie mit einem Weltklasse-Quartett von Vokal-Solisten dominiert, passend zum euphorischen Charakter des Werks, der überwältigende Eindruck der Freude.</video:description>
<video:duration>4136</video:duration>
<video:publication_date>2024-12-02T10:12:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36DO</loc>
<video:video>
<video:title>Bernstein dirigiert Schumann: Sinfonie Nr. 1 B-Dur „Frühlingssinfonie”</video:title>
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<video:description>Eine Fanfare eröffnet Robert Schumanns „Frühlingssinfonie”, eine überschwängliche Kreation aus Poesie, Farbe und Lebensfreude, die wir einem verliebten Komponisten verdanken. Für Leonard Bernstein war dieses Werk das Tor zu einer ganz neuen Welt der romantischen Fantasie. Das vorliegende Konzert ist der erste Teil eines Zyklus mit den Symphonien Schumanns, die Bernstein 1984 mit den Wiener Philharmonikern realisierte. Die live aufgenommene Interpretation aus dem goldenen Saal des Wiener Musikvereins zeigt die Energie und Großzügigkeit, die man mit diesem kommunikativsten aller Maestri verbindet. Aber auch das ungewöhnlich schöne und spontane Spiel von Bernsteins geliebtem Wiener Orchester verleiht der Aufführung eine unverwechselbare Größe.</video:description>
<video:duration>2189</video:duration>
<video:publication_date>2025-01-29T14:36:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T15:02:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36E0</loc>
<video:video>
<video:title>Bernstein dirigiert Schumann: Sinfonie Nr. 3 „Rheinische Sinfonie”</video:title>
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<video:description>Die ungefilterte Energie von Leonard Bernstein, dem größten Showman der US-amerikanischen Klassikwelt, und die europäische Eleganz der Wiener Philharmoniker: Eine eigentlich unwahrscheinliche Kombination, die sich aber als großer Glücksfall herausstellte. Die gemeinsamen Auftritte haben immer für Furore gesorgt. Diese Aufführung von Schumanns mitreißender Beschwörung des Rheinlandes, die 1984 als Teil eines Zyklus mit allen Symphonien Schumanns stattfand, strahlt geradezu vor Zuneigung und Verve. Im vollbesetzten Wiener Musikverein ist das Engagement des Orchesters nicht nur hör-, sondern auch sichtbar, weil Regisseur Humphrey Burton den authentischen Nervenkitzel der Live-Aufführung in großartigen Bildern einfängt.</video:description>
<video:duration>2302</video:duration>
<video:publication_date>2025-01-29T14:44:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T14:55:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36E8</loc>
<video:video>
<video:title>Bernstein dirigiert Schumann: Sinfonie Nr. 4 d-Moll</video:title>
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<video:description>Schumanns Vierte Symphonie kann als seine originellste bezeichnet werden: Die präzedenzlos kühne und eigenwillige Musik nimmt uns auf eine Reise in die Poesie, Tragik und Zärtlichkeit der romantischen Seele mit. Das Werk könnte für den glühenden, rastlosen Geist von Leonard Bernstein komponiert worden sein. In den Wiener Philharmonikern mit ihrem strahlenden Klang fand der Dirigent seinen kongenialen Partner. Diese 1984 live im goldenen Saal des Wiener Musikvereins aufgezeichnete Interpretation gehört zu den Höhepunkten von Bernsteins Wiener Zyklus mit Schumanns Symphonien – und der Konzertfilm des legendären Regisseurs Humphrey Burton versetzt uns mitten in die Aufführung.</video:description>
<video:duration>2115</video:duration>
<video:publication_date>2025-01-29T14:52:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T13:04:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3AD0</loc>
<video:video>
<video:title>Der Ring des Nibelungen: Einführung</video:title>
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<video:description>Ausgehend von Patrice Chéreaus revolutionärer Inszenierung von Wagners Der Ring des Nibelungen in Bayreuth hat der Regisseur Thomas M. Salb eine faszinierende Einführung in das gewaltige vierteilige Epos des Komponisten geschaffen. Der Film enthält Beiträge von Chéreau, Pierre Boulez und anderen an der Produktion Beteiligten und bietet Einblicke nicht nur in das Werk selbst und seine Entstehung, sondern auch in die Gründung der Bayreuther Festspiele und die Entstehung des Festspielhauses sowie in die Herausforderungen, denen sich die Aufführenden und Interpreten des Werks stellen mussten. Das Ergebnis ist ein faszinierender, anregender Film, der sowohl Wagner-Kenner als auch Anfänger ansprechen dürfte.</video:description>
<video:duration>1801</video:duration>
<video:publication_date>2024-07-25T09:35:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:36:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJIC0</loc>
<video:video>
<video:title>Thielemann dirigiert Siegfried-Idyll – aus dem Haus Wahnfried </video:title>
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<video:description>Im Jahr 2020 mussten die Bayreuther Festspiele wegen der Corona-Krise in der vertrauten Form pausieren; dennoch erklang auch in diesem Sommer Musik von Richard Wagner in der Stadt, die wie keine zweite mit dem Namen des Komponisten verbunden ist. Wegen der pandemisch gebotenen Auflagen dürfte das Orchester nur in kleiner Besetzung antreten. Zum Glück hat Wagner mit dem Siegfried-Idyll, das er seiner zweiten Ehefrau Cosima zum Geburtstag schenkte, ein durch Innigkeit und kammermusikalische Transparenz beglückendes Stück für ein kleines Instrumental-Ensemble geschrieben. Im Bayreuther Wohnhaus der Familie, der Villa Wahnfried, übernimmt mit Christian Thielemann der renommierteste Wagner-Dirigent seiner Generation die musikalische Leitung.</video:description>
<video:duration>1232</video:duration>
<video:publication_date>2022-10-14T11:12:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:09:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6CG</loc>
<video:video>
<video:title>Wagner: Lohengrin (Bayreuth 2011)</video:title>
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<video:description>Andris Nelsons dirigiert den Lohengrin in einer anspruchsvollen Bayreuth-Produktion von Hans Neuenfels, Altmeister und Provokateur des Regietheaters. Auch mit dieser Inszenierung polarisierte er. Als „Ratten-Lohengrin“ ging sie in die Annalen ein. Das Skandalstück, in dem die menschliche Emotion zur Versuchsanordnung wird, ist heute längst Kult. Hier ist es in einem Mitschnitt von 2011 ein Jahr nach der Festspielpremiere zu sehen. Andris Nelsons leitet Chor und Orchester sowie die hervorragende Besetzung mit Klaus Florian Vogt in der Titelpartie und Annette Dasch als Elsa in einer fulminanten Darbietung, in der er den Klang „filigran-nuanciert, leicht und durchschimmernd“ gestaltet.</video:description>
<video:duration>12618</video:duration>
<video:publication_date>2023-12-20T10:04:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:02:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJAE8</loc>
<video:video>
<video:title>Die Musik und der Trost: Gardiner dirigiert Bach, Schütz und Schein</video:title>
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<video:description>Im Angesicht von Verlust erklingt Musik, die Trost spendet. John Eliot Gardiner, der Monteverdi Choir und die English Baroque Soloists präsentieren J. S. Bach und zwei seiner Wegbereiter, Heinrich Schütz und Johann Hermann Schein. Im Mittelpunkt des Programms stehen die Musikalischen Exequien von Schütz aus dem Jahr 1636 und Bachs frühes Geniewerk »Gottes Zeit ist die allerbeste Zeit«, auch bekannt als Actus tragicus, eine geistliche Kantate, die den Weg eines Menschen vom Tod ins Paradies beschreibt. Gardiners Konzert wurde im Juni 2022 nach einer ausgedehnten Tournee aufgenommen, einmal mehr übersetzt er hier seine außergewöhnliche Erfahrung als einer der bedeutendsten Barockexperten der letzten fünf Dekaden in bewegende Klänge.</video:description>
<video:duration>6045</video:duration>
<video:publication_date>2023-04-18T14:37:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-28T15:36:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8C8</loc>
<video:video>
<video:title>Boston Baroque: Haydns Die Schöpfung - mit Hera Hyesang Park</video:title>
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<video:description>Haydn wurde zu seinem großen biblischen Oratorium Die Schöpfung inspiriert, als er auf einer Reise nach London in den frühen 1790er Jahren einige von Händels groß angelegten Chorwerken hörte. Das Ergebnis ist eines seiner besten Werke, in dem er seine unübertroffene Begabung für Melodie, Wortmalerei und symphonische Struktur zu inspirierender Wirkung verbindet. Die Sopranistin Hera Hyesang Park wird hier von dem Tenor Paul Appleby und dem Bariton Nicholas Newton begleitet. Die Aufführung wird von den Kräften des Boston Baroque - einem der führenden historisch informierten Ensembles der USA - unter der Leitung ihres Gründers und musikalischen Leiters Martin Pearlman gestaltet.</video:description>
<video:duration>6208</video:duration>
<video:publication_date>2025-01-02T10:15:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T15:36:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJGC8</loc>
<video:video>
<video:title>Waldbühne 2003: „A Gershwin Night” – mit Seiji Ozawa</video:title>
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<video:description>Die Universalität der Tonsprache George Gershwins stellen in dieser Filmaufzeichnung ein deutsches Orchester und ein japanischer Dirigent unter Beweis. Die Berliner Philharmoniker und Seiji Ozawa, der mehrere Jahrzehnte seiner singulären Karriere in den USA verbrachte, zeigen an diesem stimmungsvollen Abend vor 20000 Zuschauer*innen, wie sehr ihnen die Musik des amerikanischen Komponisten zur musikalischen Natur geworden ist. Der europäische Ausflug in die amerikanische Musikwelt korrespondiert dabei reizvoll mit der Suite An American in Paris, Gershwins unsterblichem Stück zur umgekehrten Bewegungsrichtung. Als Solistenensemble sorgt das Marcus Roberts Trio mit Stilsicherheit und Lust zur Improvisation für authentisches Lokalkolorit.</video:description>
<video:duration>6601</video:duration>
<video:publication_date>2022-10-06T12:44:52Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:51:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCCO</loc>
<video:video>
<video:title>Waldbühne 1997: „St. Petersburg White Night” – mit Mehta &amp; Barenboim</video:title>
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<video:description>Wenn die Berliner Philharmoniker ihr jährliches Open-Air-Konzert in der Waldbühne Berlin geben, herrscht immer eine ausgelassene und doch auch feierliche Stimmung. Beim Konzert von 1997 standen Zubin Mehta als Dirigent und Daniel Barenboim als Solist in Tschaikowskis berühmten 1. Klavierkonzert im Mittelpunkt. Es war das Kernstück dieser &quot;Weißen Nacht von St. Petersburg&quot; - ein ganzer Abend, der der russischen Musik in ihrer schönsten und unterhaltsamsten Form gewidmet ist. Mit Mehta in glänzender Form und den Berliner Philharmonikern, die jede Note genießen, ist Glinkas atemlose Ouvertüre der Auftakt für ein mitreißendes Programm mit Werken von Glinka, Mussorgsky, Prokofjew und Rimski-Korsakow sowie Musik aus Tschaikowskys Schwanensee.</video:description>
<video:duration>5788</video:duration>
<video:publication_date>2024-02-26T08:32:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:51:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C8</loc>
<video:video>
<video:title>Waldbühne 2014: „A Midsummer Night” – with Gustavo Dudamel</video:title>
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<video:description>Der junge, charismatische Dirigent Gustavo Dudamel leitete 2014 bereits sein zweites Konzert in der Berliner Waldbühne mit den Berliner Philharmonikern. Im Jahr des 450. Geburtstags von William Shakespeare liegt der Fokus auf zwei von dem Dramatiker inspirierten Werken: Tschaikowskys Sturm-Fantasie und die Romeo und Julia Fantasie-Ouvertüre. Tschaikowskys Musik ist für Dudamel von besonderer Bedeutung, weil sie durch ihre bildhafte Tonsprache elementar in seiner Arbeit mit dem venezolanischen Jugendorchestern von El Sistema ist. Dudamel und den Berliner Philharmonikern gelingen mit Brahms Erster Sinfonie in der zweiten Hälfte eine schlüssige Ergänzung des romantischen Programms, sodass der Abend wahrhaftig zu einem &quot;Sommernachtstraum&quot; wird.</video:description>
<video:duration>6409</video:duration>
<video:publication_date>2022-06-20T10:29:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C0</loc>
<video:video>
<video:title>Waldbühne 2017: Rheinlegenden – mit Gustavo Dudamel</video:title>
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<video:description>Nach seinem Debüt bei den Berliner Philharmonikern 2008 in der Waldbühne, tritt Gustavo Dudamel 2017 bereits zum dritten Mal mit dem Orchester in der beliebten Freilicht-Bühne auf. Die Komponisten des Programms, Schumann und Wagner, waren fast gleich alt, kannten und respektierten sich, galten aber lange als Vertreter entgegengesetzter Stilrichtungen. Umso reizvoller gestaltet sich in dieser Aufnahme die Begegnung zwischen der schwungvollen und atmosphärisch dichten Rheinischen Symphonie mit Orchesterauszügen aus dem Ring des Nibelungen. Schließlich spielt sich Wagners Tetralogie teilweise in derselben Landschaft und in der Nähe desselben Flusses ab, die Schumann zu seiner Dritten Symphonie inspirierten.  </video:description>
<video:duration>5843</video:duration>
<video:publication_date>2022-06-20T07:58:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:40:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6</loc>
<video:video>
<video:title>Waldbühne 2016: Eine Tschechische Nacht – mit Lisa Batiashvili</video:title>
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<video:description>Von »himmlischer Natürlichkeit« sprach ein zeitgenössischer Kritiker, als er die Musik von Antonín Dvořák kennenlernte. Die Kennzeichnung passt gut zu dem hier vorliegenden, ganz der tschechischen Musik gewidmeten Waldbühnen-Konzert der Berliner Philharmoniker: Weil der Auftritt an der frischen Luft stattfand, und auch, weil die Stücke des Abends immer wieder Landschafts-Impressionen vors innere Auge des Publikums zaubern; wie Smetanas Moldau, die im anmutigen Fließen der Musik ein geniales Porträt des Flusses zeichnet. Außerdem dirigiert Yannick Nézet-Séguin zwei relativ selten aufgeführte Werke von Dvořák: Das virtuose und melodienreiche Violinkonzert mit der wunderbaren Geigerin Lisa Batiashvili und die schwungvolle Sechste Symphonie.  </video:description>
<video:duration>6447</video:duration>
<video:publication_date>2022-05-13T13:44:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:31:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E8</loc>
<video:video>
<video:title>Waldbühne 2015: „Lights, camera, action!” – mit Lang Lang </video:title>
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<video:description>Wie spannend die Begegnung traditioneller Orchester mit der Filmmusik sein kann, zeigten zuletzt die spektakulären Dirigier-Debüts von John Williams bei den Wiener und Berliner Philharmonikern. Simon Rattle, dem die früher im Klassikbetrieb üblichen Berührungsängste ohnehin fremd sind, hatte sich bereits 2015, im hier dokumentierten Waldbühnenkonzert, für den Oscar-prämierten Williams eingesetzt. Die Verwandtschaft von Soundtracks zu Filmen wie E.T und Star Wars mit der Romantik zeigte Filmmusik von Korngold, der seine Laufbahn als europäischer Opernkomponist begonnen hatte, und Griegs wunderbar kantables Klavierkonzert. Dessen technische Herausforderungen lagen bei Star-Pianist Lang Lang in den besten Händen.</video:description>
<video:duration>6488</video:duration>
<video:publication_date>2022-07-13T11:45:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:30:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR30</loc>
<video:video>
<video:title>Waldbühne 2004: „Tchaikovsky Night” – mit Lang Lang &amp; Simon Rattle</video:title>
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<video:description>Die Berliner Philharmoniker, Simon Rattle und der Ausnahme-Pianist Lang Lang haben sich in zahlreichen gemeinsamen Konzerten über die Jahre als Dream-Team der Klassik-Szene etabliert. Sehen Sie hier den Auftakt zu dieser Zusammenarbeit, der sich im Jahre 2004 in der eindrucksvollen Kulisse der Waldbühne vor 20000 Zuschauer*innen ereignete. Zu erleben ist Tschaikowskys 1. Klavierkonzert, in dem die exorbitant virtuosen Ecksätze ein wunderbar liedhaftes Andante einrahmen. Eine Interpretation dieses Werks markierte 1999 in Chicago den Durchbruch Lang Langs zum Weltruhm. Poetische Stimmungsbilder aus Tschaikowskys Nussknacker und Zugaben von Schostakowitsch sowie die bei diesem Anlass unverzichtbare Berliner Luft komplettieren das Programm. </video:description>
<video:duration>5833</video:duration>
<video:publication_date>2022-05-19T15:09:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:28:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6C8</loc>
<video:video>
<video:title>Waldbühne 2005: Französische Nacht – mit Simon Rattle </video:title>
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<video:description>Die Berliner Philharmoniker und ihr damaliger Chefdirigent Sir Simon Rattle verabschieden sich 2005 von ihrem Publikum aus der Berliner Waldbühne mit einem französischen Programm in die Sommerpause. Für einen authentischen und farbenreichen Abend sorgen nicht zuletzt die französischen Pianistinnen Katia und Marielle Labèque. Die Schwestern, deren Klavierspiel perfekt ineinanderfließt, interpretierten Poulencs Konzert für zwei Klaviere sowie Saint-Saëns‘ Karneval der Tiere. Darüber hinaus verzaubern die Philharmoniker mit beliebten Werken wie Ducas‘ Zauberlehrling, Saties Gymnopedie und Ravels Boléro das Publikum. Letzteres verfolgen die 23.000 Klassikfans gespannt und mit Wunderkerzen, die in der einfallenden Nacht funkeln.</video:description>
<video:duration>7159</video:duration>
<video:publication_date>2022-07-13T13:37:12Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:21:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34C0</loc>
<video:video>
<video:title>Leonard Bernstein und Krystian Zimerman interpretieren Brahms </video:title>
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<video:description>Es war ein einzigartiges Zusammentreffen in Wien im Jahr 1984, als Krystian Zimerman und Leonard Bernstein auf die Bühne und vor die Kameras traten, um Brahms&apos; Klavierkonzert Nr. 2 aufzuführen. Das Ergebnis war in der Tat ein magischer Moment der Musik und ein Meilenstein in Zimermans Karriere. In einem seiner seltenen Interviews und zum ersten Mal in einer TV-Dokumentation spricht der Pianist ausführlich über die Hintergründe der Konzertaufnahme und darüber, warum die Zusammenarbeit mit Bernstein sein künstlerisches Leben radikal verändert hat. Außerdem kommen in dem Film namhafte Kollegen wie Hélène Grimaud und Igor Levit sowie enge Vertraute Leonard Bernsteins, darunter die Dirigentin Marin Alsop, zu Wort.</video:description>
<video:duration>3138</video:duration>
<video:publication_date>2024-05-16T13:44:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-22T16:28:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3IE0</loc>
<video:video>
<video:title>Hélène Grimaud: 9/11 in London</video:title>
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<video:description>Der 11. September 20012 Es war ein Tag, der die Welt zum Stillstand brachte:. Doch für Hélène Grimaud, das Orchestre de Paris und den Dirigenten Christoph Eschenbach hieß es am selben Tag wegen eines lange geplanten  Auftritts bei den BBC Proms: „The show must go on” Die sichtlich betroffene Hélène Grimaud, die bei diesem Anlass ihr Debüt beim Festival gab, transformierte ihre Gefühle in eine zutiefst bewegende Interpretation von Beethovens Viertem Klavierkonzert, die in jeder Sekunde von Orchester und Dirigent unterstützt wurde. Diese Folge der Reihe „Magic Moments of Music” lässt das für alle Anwesenden unvergessliche Ereignis in Interviews und Originalaufnahmen des Konzerts noch einmal Revue passieren.</video:description>
<video:duration>3121</video:duration>
<video:publication_date>2024-11-06T11:41:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-22T16:27:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3AD8</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonie Nr. 9</video:title>
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<video:description>Nach dem Zweiten Weltkrieg stand der Name von Herbert von Karajan jahrzehntelang synonym für Beethovens Symphonien auf Schallplatte. Seine vier vollständig eingespielten Zyklen zählten zu den meistverkauften Aufnahmen erst der LP-, später der CD-Ära. Dass ihre technische Qualität der interpretatorischen Einsicht entsprach, machte Karajan zur Chefsache. Dieser Zyklus aus den Jahren 1982 bis 1986 mit den Berliner Philharmonikern und dem Wiener Singverein ist ein wunderbares Zeugnis seiner Musik: ein Erlebnis, das sich niemand entgehen lassen sollte, der sich für große Dirigate oder Beethoven interessiert.</video:description>
<video:duration>4089</video:duration>
<video:publication_date>2024-06-17T09:14:50Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-22T15:30:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJIDO</loc>
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<video:title>Karajan dirigiert Beethoven: Missa Solemnis (1985)</video:title>
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<video:description>»Von Herzen – möge es wieder zu Herzen gehen!«, entschied Beethoven über seine Missa solemnis. Seine große Vertonung der katholischen Messe hielt er für das »gelungenste« seiner »Geistes-Produkte«. Die Aufführung unter der Leitung von Herbert von Karajan aus dem Jahr 1985 hat etwas Ehrfurchtgebietendes und höchst Emotionales. Zudem bringt sie mit den Berliner Philharmonikern und dem Wiener Singverein zwei Ensembles zusammen, die Karajan liebte, sowie wunderbare Solisten, darunter der unvergleichliche José van Dam. Erst knapp zwei Jahrzehnte nach Karajans Tod wurde der Film veröffentlicht, die besondere Aura eines einmaligen musikalischen Moments ist hier verewigt.  </video:description>
<video:duration>4959</video:duration>
<video:publication_date>2024-04-23T07:50:29Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-22T15:30:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2E8</loc>
<video:video>
<video:title>Die Entstehung von „Pictures Reframed”</video:title>
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<video:description>Zwei Künstler aus sehr unterschiedlichen Welten trafen für die Neu-Interpretation eines russischen Meisterwerks zusammen; Der norwegische Pianist Leif Ove Andsnes und der südafrikanische Straßenkünstler Robin Rhode kreierten gemeinsam eine kühne neue Vision von Mussorgskys „Bilder einer Ausstellung”, die auf Tourneen durch die ganze Welt reiste. In diesem „Making of” treffen wir die beiden Künstler zu Beginn ihrer Gespräche in Berlin, folgen ihnen bei der Entwicklung des Projekts und erleben eine ungewöhnliche Zusammenarbeit, in deren Verlauf zwei künstlerische Visionen zusammenwachsen. So entsteht ein faszinierender Einblick in den kreativen Prozess und die Fähigkeit der großen Kunst, Grenzen und Disziplinen zu überschreiten.</video:description>
<video:duration>3481</video:duration>
<video:publication_date>2024-11-29T14:36:09Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T11:14:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJAD8</loc>
<video:video>
<video:title>Paganini: 24 Caprices, Nr. 9 in E Major &quot;La chasse&quot;. Allegretto</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2025-01-21T15:20:19Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-22T09:30:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3AE8</loc>
<video:video>
<video:title>Über Tristan und Isolde</video:title>
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<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2024-08-05T13:34:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:19:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3AC0</loc>
<video:video>
<video:title>Über Émigré</video:title>
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<video:description></video:description>
<video:duration>402</video:duration>
<video:publication_date>2024-07-12T14:21:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38E8</loc>
<video:video>
<video:title>Über Émigré</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e948d1379eb8c0dc90d007bdc2b060f8d1a3362.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>302</video:duration>
<video:publication_date>2024-07-12T14:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38E0</loc>
<video:video>
<video:title>Über Émigré</video:title>
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<video:description></video:description>
<video:duration>430</video:duration>
<video:publication_date>2024-07-09T12:10:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30DG</loc>
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<video:title>Über Ravels Klavierkonzert</video:title>
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<video:publication_date>2024-02-22T10:56:41Z</video:publication_date>
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<lastmod>2025-01-21T15:18:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36DO</loc>
<video:video>
<video:title>Dr. Clemens Trautmann im Gespräch mit Sarah Willis</video:title>
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<video:description></video:description>
<video:duration>1446</video:duration>
<video:publication_date>2024-06-24T14:28:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-21T15:17:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36D8</loc>
<video:video>
<video:title>Über das Doppelkonzert von Brahms </video:title>
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<video:description></video:description>
<video:duration>207</video:duration>
<video:publication_date>2024-06-21T13:42:55Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-21T15:17:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ4CO</loc>
<video:video>
<video:title>Über Skrjabin &amp; Suk</video:title>
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<video:description></video:description>
<video:duration>1339</video:duration>
<video:publication_date>2023-11-14T16:09:21Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-21T15:15:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CC0</loc>
<video:video>
<video:title>Über Tristan und Isolde</video:title>
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<video:description></video:description>
<video:duration>588</video:duration>
<video:publication_date>2024-08-05T14:00:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:13:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3AE0</loc>
<video:video>
<video:title>Über Tristan und Isolde</video:title>
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<video:description></video:description>
<video:duration>437</video:duration>
<video:publication_date>2024-08-05T13:24:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-21T15:12:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ADO</loc>
<video:video>
<video:title>Über Tristan und Isolde</video:title>
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<video:description></video:description>
<video:duration>685</video:duration>
<video:publication_date>2024-08-05T13:08:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-21T15:12:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3CE8</loc>
<video:video>
<video:title>Über TÁR</video:title>
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<video:description></video:description>
<video:duration>1672</video:duration>
<video:publication_date>2023-03-07T23:13:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:12:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CO</loc>
<video:video>
<video:title>Gala aus Berlin 2012 - mit Cecilia Bartoli &amp; Simon Rattle</video:title>
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<video:description>Zum riesigen Repertoire Simon Rattles gehören auch zahlreiche Werke des Barockzeitalters. Jean-Philippe Rameau, dessen Musik von einem unwiderstehlichen »Swing« gekennzeichnet sei, bezeichnete der Dirigent sogar einmal als seinen Lieblingskomponisten. Instrumentalwerken von Rameau stehen in dieser Aufzeichnung des Silvesterkonzerts der Berliner Philharmoniker aus dem Jahr 2012 Arien unter anderem von Händel gegenüber. Als Solistin glänzt Cecilia Bartoli, die das Publikum seit Jahrzehnten mit stimmlicher Akrobatik, makelloser Atemtechnik und schwebenden Pianissimi begeistert. Tänze von Dvořák und Brahms sowie Ravels betörende 2. Suite aus Daphnis et Chloé sorgen in der zweiten Konzerthälfte für einen beschwingten Jahresausklang.</video:description>
<video:duration>5340</video:duration>
<video:publication_date>2022-06-20T12:47:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-21T15:01:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8CG</loc>
<video:video>
<video:title>Gala aus Berlin 1999 – Große Finalsätze</video:title>
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<video:description>Die Berliner Philharmoniker und Claudio Abbado feiern das Ende des Jahrtausends mit einem einzigartigen Programm: Zu den mitreißenden und aufregenden Finalsätzen des Silvesterkonzerts gehört der von Beethovens atemberaubender Siebten Sinfonie und der Schluss aus Schönbergs grandioser früher Gurrelieder-Kantate, bei dem Schauspieler Klaus Maria Brandauer die Rolle des Sprechers übernimmt. Hits des Fin de siècle und Paul Linckes schwungvolle Berliner Luft komplettieren das Programm – mit welcher Musik könnte man besser ins neue Jahrhundert starten?</video:description>
<video:duration>6494</video:duration>
<video:publication_date>2023-03-02T11:44:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:00:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D8</loc>
<video:video>
<video:title>Gala aus Berlin 2001 – Einladung zum Tanz</video:title>
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<video:description>Im Jahr 2001 dirigiert Daniel Barenboim die Gala mit Ballett- und Tanzmusik, Walzern und Gavotten sowohl vom Pult als auch vom Klavier aus. Das beschwingte Silvester-Programm reist durch 300 Jahre Musik und zahlreiche Länder, zu denen Deutschland, Tschechien, Russland, Finnland und sogar Barenboims Heimat Argentinien gehören. Der Wirbel eingängiger und melodienreicher Werke umfasst ein großes Gefühlsspektrum und führt das Publikum in traumhafte Klanglandschaften, königliche Ballsäle, zu ausgelassenen Tanzvergnügungen und lateinamerikanischen Fiestas. Die Reaktion auf die drei Zugaben des musikalischen Jahres-Ausklangs macht klar: Das Publikum nimmt die Einladung zum Tanz durch die Berliner Philharmoniker aus vollem Herzen an.</video:description>
<video:duration>5792</video:duration>
<video:publication_date>2022-06-21T08:36:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T14:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJACG</loc>
<video:video>
<video:title>Bomsori spielt Mozarts Violinkonzerte beim Rheingau Musik Festival</video:title>
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<video:description>Geschmeidige Technik, Temperament und Eleganz – die Geigerin Bomsori verfügt über alle Eigenschaften, die es für die Mozart-Interpretation braucht. Vater Leopold hielt seinen Sohn für einen der besten Geiger seiner Zeit; allerdings wandte sich Mozart relativ früh vom Streichinstrument ab, um sich in seinen Wiener Jahren hauptsächlich auf das Klavier zu konzentrieren. So präsentieren die fünf zwischen 1773 und 1775 entstandenen Violinkonzerte mit melodischem Reichtum und unerschöpflicher Fantasie das Genie des noch nicht 20 Jahre alten Komponisten. Mit der Camerata Salzburg steht Bomsori bei ihrer Aufführung des gesamten – im großen A-Dur-Konzert gipfelnden – Zyklus im Rahmen des Rheingau Musik Festivals ein ideales Ensemble zur Seite.</video:description>
<video:duration>7030</video:duration>
<video:publication_date>2022-08-16T09:14:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-21T14:34:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4E0</loc>
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<video:title>Cecilia Bartoli in Rossinis Il barbiere di Siviglia</video:title>
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<video:description>Diese Aufzeichnung führt in die frühen Jahre der Karriere von Cecilia Bartoli, die als Sängerin seit langem einer der hellsten Sterne am Opernhimmel ist und seit 2012 auch als künstlerische Leiterin der Salzburger Pfingstfestspiele große Erfolge feiert. In Rossinis Il Barbiere di Siviglia ist sie hier in der Rolle der Rosina zu sehen, mit der sie bereits im Alter von 19 Jahren an der Oper in Rom debütierte. In der liebevollen Inszenierung von Michael Hampe, die 1988 bei den Schwetzinger Festspielen im wunderschönen Schlosstheater gezeigt wurde, glänzt Bartoli mit anmutigem Spiel und brillanten Koloraturen. Als Titelheld ist der kanadische Bariton Gino Quilico in einer seiner Paraderollen zu erleben.</video:description>
<video:duration>9474</video:duration>
<video:publication_date>2023-12-13T15:27:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-21T14:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38C8</loc>
<video:video>
<video:title>Mambo! - Gustavo Dudamel und das Simón Bolívar Youth Orchestra</video:title>
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<video:description>Es ist ein Konzert, das in das Reich der Musiklegenden eingegangen ist: Der damals 26-jährige Gustavo Dudamel dirigiert das Simón Bolívar Youth Orchestra in einem Vorzeigekonzert in der neu eröffneten Konzerthalle in Caracas. Das Programm mit lebhaften südamerikanischen Klassikern bringt das Beste aus den brillanten jungen Musikern heraus, die wie Dudamel, alle Mitglieder des &quot;El sistema&quot;-Musikausbildungssystems des Landes waren. Abgerundet wird das Programm durch das Venezualan Brass Ensemble, das zwei von Mitgliedern des Ensembles komponierte Werke aufführt. Das Konzert feiert eine bemerkenswerte Gruppe von Musikern, die die gesamte Musikwelt im Sturm erobert haben, und das einheimische Publikum gerät unwiderstehlich in Feierlaune.</video:description>
<video:duration>4212</video:duration>
<video:publication_date>2024-05-31T13:16:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-21T10:41:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJEE0</loc>
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<video:title>Renaud Capuçon &amp; Friends: Mozarts Streichquintette II</video:title>
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<video:description>Im Rahmen der Salzburger Mozartwoche 2014 hat Renaud Capuçon einige der weltbesten Streicher zusammengebracht – die Violinistin Alina Ibragimova, die Bratscher Gérard Caussé und Léa Hennino sowie den Cellisten Clemens Hagen. Zu hören sind in zwei Konzerten sämtliche Streichquintette von Mozart, darunter einige seiner schönsten Kammermusikwerke. Auf dem Programm dieses zweiten Auftritts stehen das Streichquintett in c-Moll, KV 406/516b (eine Bearbeitung einer früheren Bläserserenade), das einzigartig originelle späte Streichquintett in D-Dur, KV 593, und das berühmte Streichquintett in C-Dur, KV 515.</video:description>
<video:duration>5423</video:duration>
<video:publication_date>2023-05-17T09:55:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-16T16:47:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJEDO</loc>
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<video:title>Renaud Capuçon &amp; Friends: Mozarts Streichquintette I</video:title>
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<video:description>From the Salzburg Mozartwoche 2014, Renaud Capuçon brings together a stellar line-up of some of the world&apos;s finest string players to perform Mozart&apos;s complete String Quintets – which include some of the composer&apos;s finest chamber works. In this, the first of the two concerts, Capuçon is joined by fellow violinist Alina Ibragimova, viola players Gérard Caussé and Léa Hennino, and cellist Clemens Hagen to perform the early Quintet in B Flat, K. 174 alongside two later masterpieces: the Quintet in E Flat, K. 614, from Mozart&apos;s final year and the powerfully dramatic Quintet in G Minor, K. 516, widely acknowledged as one of the composer&apos;s masterpieces.</video:description>
<video:duration>5427</video:duration>
<video:publication_date>2023-05-17T09:22:32Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-16T16:47:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0CO</loc>
<video:video>
<video:title>Tarmo Peltokoski &amp; Daniel Lozakovich mit Sibelius und Bruckner</video:title>
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<video:description>Beim Eröffnungskonzert der 51. Saison des Hong Kong Philharmonic Orchestra steht Tarmo Peltokoski am Pult, begleitet vom schwedischen Virtuosen Daniel Lozakovich, der sein Debüt bei dem Orchester gibt. Eröffnet wird das Programm mit dem Violinkonzert von Sibelius, einem Werk, das zugleich erfrischend virtuos und zutiefst poetisch ist und fest in der Klangwelt des Komponisten verankert ist. In der zweiten Hälfte wenden sich Dirigent und Orchester der Musik von Anton Bruckner zu: seiner kraftvollen letzten Symphonie, der ultimativen Hommage an den starken Glauben, der ihn sein ganzes Leben lang begleitete, die aber unvollendet blieb.</video:description>
<video:duration>5749</video:duration>
<video:publication_date>2024-10-28T15:21:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-16T13:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32E0</loc>
<video:video>
<video:title>Rising Stars: Arsenii Moon, Klavier</video:title>
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<video:description>Der 24-jährige in St. Petersburg geborene Pianist, Gewinner des sowohl Ersten Preises, als auch des Michelangeli-Preises beim Internationalen Ferrucio-Busoni-Klavierwettbewerb 2023, nimmt an der Reihe „Rising Stars“ auf STAGE+ teil. Das Programm zeigt die verschiedenen Facetten seines bemerkenswerten Talents: vom Poetischen bis zum Virtuosen. Und wie immer in dieser Reihe werden die Performances - aufgenommen in hochmodernen 4K-Aufnahmen- durch Interviewmaterial ergänzt, in dem der Künstler und das, was ihn inspiriert und antreibt, vorgestellt werden.</video:description>
<video:duration>2125</video:duration>
<video:publication_date>2025-01-02T12:04:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-13T10:56:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2CO</loc>
<video:video>
<video:title>Bryn Terfel &amp; Friends: Songs of the Sea </video:title>
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<video:description>Er sei verrückt nach den 360 Meilen der nordwalisischen Küste, sagt Bryn Terfel. In seiner Auswahl von Liedern ist der berühmte Bassbariton dem Ruf des Meeres gefolgt. Shanties, Seemannslieder und maritime Volksweisen aus Wales, England, Irland, den Shetland-Inseln, der Bretagne und anderen Orten stehen auf seinem Programm. Terfel stimmt sie mit Freunden an, etwa der Folkband Calan, der Sängerin Eve Goodman, der Harfenistin Hannah Stone und dem Geiger Patrick Rimes. Das Konzert wurde in den pittoresken Acapela Studios im walisischen Pentyrch aufgenommen. „Willkommen in Wales, meinem Heimatland“, grüßt Terfel. „Ist man in Wales geboren, bleibt man seinem Land verbunden – wie die walisischen Seefahrer von einst.“</video:description>
<video:duration>3824</video:duration>
<video:publication_date>2024-02-29T14:17:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-10T15:43:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2CO</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 9</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, wobei die Aufführungen der letzten sechs Sinfonien in einer unvergesslichen Woche in der Philharmonie Berlin im Juni 2010 gefilmt wurden. In diesem Konzert wenden sich Dirigent und Orchester der letzten Symphonie, der Neunten zu, die beim Tod des Komponisten 1896 unvollendet blieb. Sie ist vielleicht der ultimative Ausdruck von Bruckners hingebungsvollem Glauben an die symphonische Form.</video:description>
<video:duration>3957</video:duration>
<video:publication_date>2024-08-28T12:57:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-09T12:42:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2D8</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 4</video:title>
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<video:description>Der Bruckner-Spezialist Christian Thielemann dirigiert die Staatskapelle Dresden bei den Pfingstfestspielen in Baden-Baden in Bruckners „romantischer“ Symphonie Nr. 4, die mit ihrem berühmten Beginn aus flirrenden Streichern und Hornrufen wohl das Werk mit dem größten Wiedererkennungswert unter Bruckners Werken ist. Thielemann bringt seine jahrzehntelange Erfahrung in diese Symphonie ein, während sich der polierte Klang der Staatskapelle Dresden als ideal für Bruckners luftige Klanglandschaften erweist - eine wahrhaft kostbare Aufführung.</video:description>
<video:duration>4510</video:duration>
<video:publication_date>2024-09-02T15:08:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-09T12:40:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30CO</loc>
<video:video>
<video:title>Rising Stars: Adélaïde Ferrière, Schlagzeug</video:title>
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<video:description>Die junge, in Dijon geborene und in Paris lebende Perkussionistin Adélaïde Ferrière beweist in der Reihe Rising Stars auf STAGE+, dass sie in der aktuellen Klassikszene eine der aufregendsten Vertreterinnen ihres Fachs ist. An der Seite der Pianistin Sarah Tysman spielt die Musikerin Meisterwerke des Barock von Vivaldi und Bach sowie Saint-Saëns&apos; betörenden „Danse Macabre“.  Auf diese Werke, die in fantasievollen Arrangements für Marimba und Klavier präsentiert werden, folgt mit Iannis Xenakis&apos; „Rebonds“ eine wahre Tour de Force des 20. Jahrhunderts. Zwischen den Auftritten stellt sich Ferrière am Veranstaltungsort in einem entspannten Interview vor und spricht über ihre künstlerischen Beweggründe.</video:description>
<video:duration>2220</video:duration>
<video:publication_date>2024-12-10T08:06:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-08T11:53:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJEE8</loc>
<video:video>
<video:title>Monteverdi: Vespro di Natale – mit La Cetra &amp; Andrea Marcon</video:title>
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<video:description>Die „Vespro di Natale” ist in den letzten Jahren zu einer festen Größe im Repertoire des Ensembles La Cetras und seines künstlerischen Leiters Andrea Marcon geworden. Das von Marcon konzipierte festliche Programm wurde sowohl immer wieder aufgeführt als auch als Album bei der Deutschen Grammophon veröffentlicht. Die Veranstaltung präsentiert Advents- und Weihnachtsmusik von Claudio Monteverdi und seinen Zeitgenossen wie Giovanni Gabrieli, und entführt das Publikum in das goldene Zeitalter der Kirchenmusik im Venedig des frühen 17. Jahrhunderts. Diese stimmungsvolle Aufführung, die Anfang Dezember 2024 in der wunderschönen Basler Martinskirche aufgezeichnet wurde, ist ein perfektes musikalisches Menü für die Weihnachtszeit.</video:description>
<video:duration>5347</video:duration>
<video:publication_date>2024-12-22T15:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-02T09:26:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ2</loc>
<video:video>
<video:title>Gala aus Berlin 2011 – mit Simon Rattle &amp; Evgeny Kissin </video:title>
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<video:description>Nur selten wird die Aufführung eines Werks im Konzertsaal durch Beifall unterbrochen, doch Evgeny Kissins packende Interpretation von Griegs Klavierkonzert lässt das Publikum in dieser Aufzeichnung schon nach dem Ende des ersten Satzes in Beifall ausbrechen. Die Begeisterung setzt sich beim so vitalen wie festlichen Programm mit Tänzen von Brahms, Dvořák, Strauss und Strawinsky fort. Die Beschwingtheit der Musik spiegelt sich in Simon Rattles leidenschaftlicher Gestik und Mimik. Die innerhalb von 50 Jahren komponierten Werke des Abends verdeutlichen in ihren stilistischen Unterschieden die Entwicklungen zwischen 1868 und 1918 und beweisen – passend zum Beginn eines neuen Jahres –, dass Innovation und Fortschritt niemals stillstehen.</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2022-06-15T11:02:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-31T09:33:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJED8</loc>
<video:video>
<video:title>Sonya Yoncheva: Weihnachten in Versailles</video:title>
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<video:description>Inmitten der eindrucksvollen barocken Pracht der Opéra Royal im Schloss von Versailles präsentierte die Sopranistin Sonya Yoncheva im Winter 2023 ein Programm mit populärer Musik zum Jahresende. Die Auswahl reicht von Weihnachtsliedern über Auszüge aus Opern und Oratorien wie Händels beliebtem Messias bis zu Irving Berlins Klassiker „White Christmas”. An der Seite des Orchesters und des Chors der Opéra Royal gestaltet die großartige Sängerin unter der Leitung des Dirigenten Stefan Plewniak ein unvergessliches Festtagskonzert, zu dem die einzigartige Atmosphäre dieses architektonischen Juwels aus dem Jahr 1770 entscheidend beiträgt.</video:description>
<video:duration>3769</video:duration>
<video:publication_date>2024-12-26T09:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-26T16:12:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ACO</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Arsenii Moon</video:title>
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<video:description>Der Weg ins Finale: Wir präsentieren eine Auswahl von Arsenii Moons Auftritten aus dem Solo- und Halbfinale des 64. Internationalen Klavierwettbewerbs Ferruccio Busoni.</video:description>
<video:duration>2557</video:duration>
<video:publication_date>2023-08-31T08:31:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T15:42:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJID8</loc>
<video:video>
<video:title>Abbado dirigiert Beethoven: Sinfonie Nr. 7</video:title>
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<video:description>Beethoven erklärte einmal, Musik sei „der Wein der Neuen Schöpfung”, und er selbst sei „Bacchus, der diesen herrlichen Wein für die Menschen aus der Rebe preßt”. Nie kam er diesem Ideal näher als in seiner Siebten Symphonie. Hören wir einen kosmischen Tanz? Oder doch „nur” den größten aller Sinfoniker, der in der puren, ungehemmten Freude an Klang und Bewegung schwelgt? Gegen Ende seiner Amtszeit als Chefdirigent der Berliner Philharmoniker dirigierte Claudio Abbado alle neun Beethoven-Sinfonien in Rom. Die Siebte sollte immer ein Höhepunkt des Zyklus sein – und ist es auch in dieser Live-Aufnahme, in der die Intelligenz, die intensive Schönheit und die unbändige Lebenskraft des Werks begeistern.</video:description>
<video:duration>2573</video:duration>
<video:publication_date>2024-12-02T10:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:38:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJID0</loc>
<video:video>
<video:title>Abbado dirigiert Beethoven: Sinfonie Nr. 6</video:title>
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<video:description>„Mehr Ausdruck der Empfindung als Malerei” schrieb Beethoven als Interpretations-Anweisung in die Partitur seiner „Pastorale”. Zum Glück aber gibt es ganz verschiedene Möglichkeiten, diese offenherzigste aller Sinfonien mit ihren Imitationen von Vogelstimmen und ihrer schwärmerischen Vision einer von der Phantasie verklärten Natur zu hören. Für einen so einfühlsamen Künstler wie Claudio Abbado besitzt die „Pastorale” einen ganz besonderen Zauber, und diese Aufführung vom Ende seiner einschneidenden Amtszeit als Chefdirigent der Berliner Philharmoniker atmet eine unvergleichliche Atmosphäre. Das Orchester und der Dirigent, die ein tiefes Verständnis füreinander entwickelt hatten, entdeckten in Beethovens Musik ganz neue Wunder.</video:description>
<video:duration>2634</video:duration>
<video:publication_date>2024-12-02T10:03:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:36:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJICO</loc>
<video:video>
<video:title>Abbado dirigiert Beethoven: Sinfonien Nr. 4 und 8</video:title>
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<video:description>Robert Schumann bezeichnete Beethovens vierte Sinfonie als „griechisch schlanke Maid”; als aber Claudio Abbado und die Berliner Philharmoniker das Werk 2001 als Teil ihres bahnbrechenden Beethoven-Zyklus in Rom aufführten, wirkte das Ergebnis keineswegs zimperlich. Nach einem guten Jahrzehnt gemeinsamer Arbeit klangen die Interpretationen des Chefdirigenten uns seines Orchesters wie aus einem Guss, und auch diese Aufführung glänzt durch Athletik und Expertise. In der reizvollen Kombination der Vierten mit der Achten Sinfonie, Beethovens kürzester, treffen zwei von konzentrierter Energie und lebensbejahendem Humor geprägte Meisterwerke aufeinander – und beweisen, dass tiefgründiges Musizieren nicht schwergewichtig sein muss.</video:description>
<video:duration>4203</video:duration>
<video:publication_date>2024-12-02T10:00:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:32:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJICG</loc>
<video:video>
<video:title>Abbado dirigiert Beethoven: Sinfonien Nr. 2 und 5</video:title>
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<video:description>Wenn schon in Beethovens Zweiter Sinfonie ein junges Genie seine Flügel ausbreitet: Was lässt sich dann noch über die Fünfte sagen – über dieses den Himmel erstürmende, von der Tragödie zum Triumph führende Epos, das zum Inbegriff der epochalen Sinfonik Beethovens geworden ist? Für eine neue Vision dieses Werks bedarf es eines außergewöhnlichen Dirigenten und eines großartigen Orchesters. Als Claudio Abbado und die Berliner Philharmoniker die Fünfte 2001 in Rom aufführten, ereignete sich tatsächlich eine Offenbarung. Nur wenige Musiker verbinden ein so tiefes Traditionsbewusstsein mit einem so kompromisslosen Wagemut. </video:description>
<video:duration>4663</video:duration>
<video:publication_date>2024-12-02T09:56:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:29:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJIC8</loc>
<video:video>
<video:title>Abbado dirigiert Beethoven: Sinfonien Nr. 1 und 3</video:title>
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<video:description>Auch die größte Reise beginnt mit einem einzigen Schritt. Am Anfang von Beethovens Erster Sinfonie erklingt eine fulminante harmonische Überraschung; und nur wenige Jahre später entfachte der Komponist schon mit den ersten Akkorden der Eroica eine Energie, die den Lauf der westlichen Kunst veränderte. „Ich versuche immer, die Musik neu zu sehen und zu fühlen”, sagte Claudio Abbado 2001, als er mit den Berliner Philharmonikern seinen Zyklus mit den Sinfonien des Wiener Klassikers in Rom eröffnete; und tatsächlich hatten seine Beethoven-Interpretationen noch nie so vital geklungen wie hier. Diese Aufführungen, die live im Auditorium Conciliazione aufgezeichnet wurden, sind sowohl eine Verheißung als auch ein aufregendes Erlebnis.</video:description>
<video:duration>5046</video:duration>
<video:publication_date>2024-12-02T09:51:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:27:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS30CG</loc>
<video:video>
<video:title>Mats Ek’s Sleeping Beauty</video:title>
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<video:description>Tchaikovsky’s greatest ballet score meets Swedish dance royalty in Mats Ek’s staging of The Sleeping Beauty – performed here in 1999 by Cullberg Ballet, the company (founded by Ek’s mother) for which this production was created. The tradition that Ek inherited was one of innovation, and his Sleeping Beauty – updated, pared back and stripped of its traditional Romantic opulence – caused controversy when it was first seen in 1996. Today, it’s regarded as a classic, driving straight to the poetic, sometimes troubled heart of the original fairy tale: a near-perfect modern visualisation of Tchaikovsky’s impassioned music.</video:description>
<video:duration>6412</video:duration>
<video:publication_date>2024-12-03T13:49:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:13:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4DG</loc>
<video:video>
<video:title>Solti dirigiert Schostakowitsch und Tschaikowski</video:title>
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<video:description>Diese beiden sehr unterschiedlichen russischen Sinfonien erzählen ungewöhnlich kraftvolle Geschichten. Die „Pathétique”, deren Name so viel wie „voller Gefühl” bedeutet, war Tschaikowskis letztes Meisterwerk; ein leidenschaftlich trauerndes Epos mit vielen herrlichen Melodien. Schostakowitschs Neunte erscheint als das exakte Gegenteil. Sie ist griffig, verspielt und von rabenschwarzem Humor geprägt. In Stalins Russland waren das gefährliche Eigenschaften. Nur wenige Dirigenten stießen so direkt in das Herz eines Stücks vor wie Sir Georg Solti. Diese Aufnahme mit dem Symphonieorchester des Bayerischen Rundfunks, die live in der Münchner Philharmonie im Gasteig aufgenommen wurde, zeigt Dirigent und Orchester in Bestform.</video:description>
<video:duration>4336</video:duration>
<video:publication_date>2024-09-06T14:35:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-20T21:53:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4DG</loc>
<video:video>
<video:title>Karajan dirigiert das Silvesterkonzert 1978 </video:title>
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<video:description>Unter ihrem langjährigen Chefdirigenten Herbert von Karajan waren sie berühmt für Beethoven und Bruckner, doch ebenso verstanden sich die Berliner Philharmoniker und ihr Stardirigent auf populäre Klassiker, wie dieses Silvesterkonzert von 1978 beweist. Hier bieten sie im eigenen Haus ein festlich heiteres Programm: Verdis Ouvertüre La forza del destino, Bizets L’Arlésienne-Suite Nr. 2, Liszts Ungarische Rhapsodie Nr. 2 und den Ungarischen Marsch aus Berlioz’ La Damnation de Faust. Mit dem schönen Intermezzo aus Mascagnis L’amico Fritz kehren die Musiker nach Italien zurück, bevor sie das neue Jahr mit der Ouvertüre aus der Leichten Kavallerie von Franz von Suppè begrüßen.</video:description>
<video:duration>3367</video:duration>
<video:publication_date>2023-12-07T10:58:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-19T09:47:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJAC8</loc>
<video:video>
<video:title>Über Beethovens Appassionata</video:title>
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<video:description></video:description>
<video:duration>231</video:duration>
<video:publication_date>2024-12-18T15:26:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-19T03:59:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E8</loc>
<video:video>
<video:title>Musical Moment: Benjamin Bernheim singt französische Lieder</video:title>
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<video:description>Kurz vor Benjamin Bernheims Debüt bei den Salzburger Festspielen im Jahr ihres 100. Geburtstages hat der französische Tenor sein Programm exklusiv für Deutsche Grammophon im Meistersaal Berlin dargeboten. Neben Berlioz&apos; Zyklus Les nuits d&apos;été hat Benjamin Bernheim Lieder von Duparc, Gounod und Hahn gesungen und wurde von Carrie-Ann Matheson am Klavier begleitet. Von der Kritik als &quot;der große französische lyrische Tenor, nach dem sich die Opernwelt sehnt&quot; (Chicago Tribune) gepriesen, zeigt Bernheim, wie sehr er in seinem Heimatrepertoire zu Hause ist. &quot;Er beherrscht die Kunst des Natürlichen - und singt dabei mit vollem Risiko&quot;, schrieb die Süddeutsche Zeitung nach seinem Salzburg-Debüt mit ebendiesem Repertoire.</video:description>
<video:duration>3314</video:duration>
<video:publication_date>2022-06-23T11:13:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-12-18T10:45:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJID8</loc>
<video:video>
<video:title>Rising Stars: Axelle Fanyo, Sopranistin </video:title>
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<video:description> Repertoire aus dem 20. Jahrhundert, abwechslungsreich und voller Denkanstöße, singt Axelle Fanyo in ihrer Darbietung für die STAGE+-Reihe „Rising Stars”. Die französische Sopranistin, 2021 Grand-Prix-Preisträgerin des Concours international de chant-piano Nadia et Lili Boulanger, hat Lieder von Ravel über Schönberg bis hin zu Gershwin, Weill und Bolcolm ausgewählt, aber auch das traditionelle Spiritual „Sometimes I Feel Like a Motherless Child”. Gemeinsam mit Freunden brilliert sie in einem unkonventionellen Programm und jedem wird klar, warum sie eine der vielversprechendsten jungen Sängerinnen ihrer Generation genannt wird.</video:description>
<video:duration>2999</video:duration>
<video:publication_date>2023-06-28T12:36:39Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-12-18T10:33:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJAC0</loc>
<video:video>
<video:title>Über Beethovens Klaviersonaten</video:title>
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<video:description></video:description>
<video:duration>429</video:duration>
<video:publication_date>2024-12-14T10:33:05Z</video:publication_date>
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<lastmod>2024-12-16T11:20:09Z</lastmod>
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<url>
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<video:video>
<video:title>Étude</video:title>
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<video:description></video:description>
<video:duration>352</video:duration>
<video:publication_date>2024-12-12T15:03:37Z</video:publication_date>
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<lastmod>2024-12-13T15:19:05Z</lastmod>
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<url>
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<video:video>
<video:title>Absinthe</video:title>
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<video:duration>325</video:duration>
<video:publication_date>2024-12-12T15:02:12Z</video:publication_date>
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<lastmod>2024-12-13T15:15:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ8C0</loc>
<video:video>
<video:title>Jinyang</video:title>
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<video:description></video:description>
<video:duration>307</video:duration>
<video:publication_date>2024-12-12T14:58:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:08:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6E8</loc>
<video:video>
<video:title>For 2 Akis</video:title>
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<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2024-12-12T14:56:48Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-12-13T15:06:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6DO</loc>
<video:video>
<video:title>This Is Not America</video:title>
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<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2024-12-12T14:51:45Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:43:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6D8</loc>
<video:video>
<video:title>Saint Vincent</video:title>
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<video:description></video:description>
<video:duration>325</video:duration>
<video:publication_date>2024-12-12T14:47:23Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:37:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6D0</loc>
<video:video>
<video:title>Promontoire</video:title>
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<video:description></video:description>
<video:duration>214</video:duration>
<video:publication_date>2024-12-12T14:45:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:34:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ED8</loc>
<video:video>
<video:title>Yuja Wang in Wien: Beethoven, Kapustin, Skrjabin u.a.</video:title>
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<video:description>Yuja Wang kann auf dem Klavier alles – und besonders aufregend wird es, wenn sie sich wie hier in diesem Klavierabend aus 2022 auf Entdeckungsreise im pianistischen Repertoire begibt. Beethovens Klassik tritt in der Gestalt seiner 18. Sonate auf ein von gewagten Harmonien geprägtes musikalisches Psychogramm von Skrjabin und spanisches Kolorit in stimmungsvollen Stücken von Albéniz. Die vom Publikum geforderte rekordverdächtige Anzahl Zugaben endet mit einer der schönsten Melodien der Musikgeschichte, die aus der Feder von Christoph Willibald Gluck stammt.</video:description>
<video:duration>5022</video:duration>
<video:publication_date>2023-01-17T12:03:50Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6CO</loc>
<video:video>
<video:title>Villefranque</video:title>
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<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2024-12-11T13:29:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:30:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6CG</loc>
<video:video>
<video:title>Mars</video:title>
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<video:description></video:description>
<video:duration>422</video:duration>
<video:publication_date>2024-12-11T13:24:18Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:27:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4E8</loc>
<video:video>
<video:title>It Walks And Walks</video:title>
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<video:description></video:description>
<video:duration>418</video:duration>
<video:publication_date>2024-12-11T12:36:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:16:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4DG</loc>
<video:video>
<video:title>Cruel But Fair</video:title>
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<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2024-12-11T12:13:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:05:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4D0</loc>
<video:video>
<video:title>Empty Hands</video:title>
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<video:description></video:description>
<video:duration>357</video:duration>
<video:publication_date>2024-12-11T12:08:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T13:57:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3IDG</loc>
<video:video>
<video:title>Yellow Lounge: Daniil Trifonov &amp; Kian Soltani </video:title>
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<video:description>Mit diesem Konzert aus Berlin kehren Daniil Trifonov und Kian Soltani zurück in die Yellow Lounge – die Klassik-trifft-Club-Reihe der Deutschen Grammophon. Trifonov präsentiert Werke aus seinem neuen Album &quot;My American Story&quot;. Soltani spielt, am Klavier begleitet von Julien Quentin, Lieder von Robert Schumann, dem Fokus seines neuen Albums.</video:description>
<video:duration>4804</video:duration>
<video:publication_date>2024-12-03T12:38:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-11T10:33:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6C0</loc>
<video:video>
<video:title>Yellow Lounge: Daniel Hope &amp; Marie Awadis</video:title>
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<video:description>Der Geiger Daniel Hope teilt sich die Bühne mit der armenischen Pianistin und Komponistin Marie Awadis in einer Clubnacht der Klassik live aus dem Säälchen im Berliner Friedrichshain. Hope wird, unterstützt von befreundeten Musikern, Werke aus seinem kommenden Album „Dance“ aufführen, während Awadis eine Auswahl ihrer Etüden vorträgt. Die beiden Auftritte werden visuell inszeniert von Philipp Geist.</video:description>
<video:duration>4338</video:duration>
<video:publication_date>2024-03-07T14:05:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-06T13:48:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4CG</loc>
<video:video>
<video:title>Über das Verbier-Recital 2024</video:title>
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<video:description></video:description>
<video:duration>363</video:duration>
<video:publication_date>2024-12-05T12:59:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-05T13:39:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2D0</loc>
<video:video>
<video:title>Once a Shoemaker</video:title>
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<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2024-11-27T12:09:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-03T13:57:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2DG</loc>
<video:video>
<video:title>Intent</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0c8fcc8df8505ed86eb0983fd2207ecf24873b88.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2024-11-27T12:29:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-03T13:56:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGCG</loc>
<video:video>
<video:title>Nézet-Séguin und das COE spielen Beethoven: Sinfonien Nr. 2 und 3</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cd74d8913345690a2e67f760430879ac115c1f99.jpg</video:thumbnail_loc>
<video:description>Im Sommer 2021 begaben sich das Chamber Orchestra of Europe und Yannick Nézet-Séguin zusammen auf die größte Reise, die es für einen Dirigenten und ein Orchester gibt: Sie interpretierten alle neun Sinfonien von Ludwig van Beethoven. Das Projekt war als Hommage zum 250. Geburtstag des Komponisten geplant worden, musste aber wegen der Pandemie verschoben werden. Als die Künstler schließlich doch in Baden-Baden zusammentrafen, um ihren Traum zu verwirklichen, entstand nur umso stärker das Gefühl eines gemeinsamen Abenteuers. Beethovens Zweite Sinfonie und seine Dritte, die „Eroica”, markieren einen Wendepunkt in der westlichen Musik und versprühen in diesen emotionsgeladenen Aufführungen unbändige Energie und Freude.</video:description>
<video:duration>5558</video:duration>
<video:publication_date>2024-11-22T12:56:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGCO</loc>
<video:video>
<video:title>Nézet-Séguin und das COE spielen Beethoven: Sinfonien Nr. 6 und 7</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36388cdeda6bf8595c522d2a1bd384fd93b7b9de.png</video:thumbnail_loc>
<video:description>Bis heute gibt es wenige Werke, die eine so rohe und ungehemmte Lebensfreude zum Ausdruck bringt wie Beethovens Siebte Sinfonie. Die ebenfalls unübertroffene „Pastorale” ist dagegen eine so heitere wie unwiderstehliche Hymne der Musik an die Natur. Die hier dokumentierte, von der Financial Times als „geisteshell und fröhlich” bezeichnete Aufführung des Werks war einer der Höhepunkte von Yannick Nézet-Séguins Beethoven-Zyklus im Juli 2021. Der Dirigent und sein geliebtes Chamber Orchestra of Europe lassen Beethovens Musik im Festspielhaus Baden-Baden so frisch klingen, als ob die Tinte auf der Partitur noch feucht wäre.</video:description>
<video:duration>5424</video:duration>
<video:publication_date>2024-11-22T13:03:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGD0</loc>
<video:video>
<video:title>Nézet-Séguin und das COE spielen Beethoven: Sinfonien Nr. 8, 4 und 5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b0cd8bd6d92f1c4e531cfe10c2b53e3aceeaaee.jpg</video:thumbnail_loc>
<video:description>In diesem Konzert, das im Juli 2021 in Baden-Baden aufgezeichnet wurde, treffen Beethovens kürzeste Sinfonie, die Achte, und seine klassischste, die Vierte, auf die revolutionäre Fünfte Sinfonie. Das emotionale Spektrum dieser Musik reicht von spielerischem Humor und tiefer Zärtlichkeit bis zu epischem Kampf und explosiver Kraft. Kaum jemand bringt Beethovens schillernde, universelle Vision so eindrucksvoll zum Klingen wie Yannick Nézet-Séguin und das Chamber Orchestra of Europe. Der Zyklus des Orchesters aus dem Jahr 1991 hat die Art und Weise, wie wir Beethoven hören, grundlegend verändert. Genau 30 Jahre später definieren diese elektrisierenden, von der Kritik hochgelobten Aufführungen die Sinfonien für das 21. Jahrhundert neu.</video:description>
<video:duration>6460</video:duration>
<video:publication_date>2024-11-22T13:11:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGD8</loc>
<video:video>
<video:title>Nézet-Séguin und das COE spielen Beethoven: Sinfonien Nr. 1 und 9</video:title>
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<video:description>Jede Aufführung von Beethovens Neunter Symphonie ist ein Ereignis. Als aber das Chamber Orchestra of Europe im Sommer 2021 mit seinem langjährigen Gastdirigenten (und Ehrenmitglied) Yannick Nézet-Séguin eine Gesamt-Aufführung von Beethovens Sinfonien realisierte, wurde tatsächlich Geschichte geschrieben: Für das Orchester war es die erste Aufnahme des Beethoven-Zyklus seit 1991, und zum ersten Mal überhaupt wurde dabei die neue, bei Breitkopf &amp; Härtel erschienene Ausgabe der Neunten verwendet. Nachdem in Baden-Baden die erste Sinfonie erklungen war, brachten ein hochkarätiges Solistenquartett und der virtuose Kammerchor Accentus gemeinsam mit Orchester und Dirigent den Zyklus mit Beethovens letzter Sinfonie zu einem packenden Abschluss.</video:description>
<video:duration>6204</video:duration>
<video:publication_date>2024-11-22T13:20:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2E0</loc>
<video:video>
<video:title>Meisterwerke der klassischen Musik entdecken: Beethovens Sinfonie Nr. 5</video:title>
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<video:description>Beethovens packende Sinfonie Nr. 5 in c-Moll ist die wohl bekannteste Sinfonie überhaupt und zugleich eines der aufregendsten Werke des klassischen Repertoires. Von Beginn an zieht das berühmte „Schicksalsmotiv” den Hörer in seinen Bann – und es entsteht ein Zauber, der bis zu den letzten grandiosen Takten des triumphalen Finales anhält. Der deutsche Beethoven-Experte Wulf Konold veranschaulicht in dieser aufschlussreichen Einführung am Klavier die raffinierten Variationen des Schicksalsmotivs sowie andere faszinierende Aspekte des Werks. Und der Musikwissenschaftler Armin Koch macht in seiner Analyse verständlich, warum die unvergleichlich mächtige Sinfonie bis heute nichts von ihrer Anziehungskraft verloren hat.</video:description>
<video:duration>1642</video:duration>
<video:publication_date>2024-11-29T14:28:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-29T15:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CCG</loc>
<video:video>
<video:title>Be My Home</video:title>
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<video:description></video:description>
<video:duration>294</video:duration>
<video:publication_date>2024-08-07T14:55:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-29T10:00:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGDO</loc>
<video:video>
<video:title>Andsnes spielt Mussorgsky: Bilder einer Ausstellung</video:title>
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<video:description>Mussorgskys „Bilder einer Ausstellung”, die von den Gemälden seines Freundes Viktor Hartmann inspiriert wurden, haben ihrerseits viele Künstler zu neuen Werken angeregt. Für eine Neu-Interpretation von Mussorgskys Meisterwerk tat sich der für seine unbeirrbare Eigenständigkeit bekannte norwegische Pianist Leif Ove Andsnes im Jahr 2009 mit dem südafrikanischen Künstler Robin Rhode zusammen. Dessen faszinierende Videobilder untermalen eine Live-Aufführung der »Bilder einer Ausstellung«, die Andsnes in einem Werftgebäude beim außergewöhnlichen Risør-Festival in Südnorwegen präsentierte. So entstand eine fesselnde, absolut originelle Kombination von Bild, Ton und Ort und eine erfrischend persönliche Interpretation eines beliebten Klassikers.</video:description>
<video:duration>2133</video:duration>
<video:publication_date>2024-11-22T14:18:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T13:19:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJGDG</loc>
<video:video>
<video:title>Kurt Masur dirigiert Strauss – mit Júlia Várady</video:title>
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<video:description>Die Wertschätzung, die Kurt Masur und das Gewandhausorchester Leipzig in den 1990er Jahren in Europa erfuhren, ist kaum zu überschätzen. Der Dirigent und das Orchester spielten nicht nur eine wichtige Rolle bei der Rückkehr Ostdeutschlands zur Demokratie und bei der Wiedervereinigung; sie führten auch das deutsche sinfonische Repertoire mit unvergleichlicher Autorität auf. Dieses Konzert mit Werken von Richard Strauss, der dem Orchester eng verbunden war, wurde 1992 in Frankfurt aufgenommen. Im „Till Eulenspiegel” zeigt sich der Komponist von seiner überschwänglichsten, in den „Metamorphosen” von seiner schwermütigsten Seite. Die Sopranistin Júlia Várady sang die Vier letzten Lieder mit leuchtendem Klang und großer emotionaler Intensität.</video:description>
<video:duration>3946</video:duration>
<video:publication_date>2024-11-22T14:10:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T12:33:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0D8</loc>
<video:video>
<video:title>POEMS: Eine Reise durch isländische Poesie – Viktor Orri Árnason &amp; Álfheiður Erla Guðmundsdóttir </video:title>
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<video:description>In diesem Film begleiten wir Viktor Orri Árnason und Álfheiður Erla Guðmundsdóttir auf einem musikalischen Roadtrip durch ihr Heimatland Island. Auf ihrer musikalischen Pilgerreise traten der Komponist und die Sopranistin an beeindruckenden Orten auf und erforschten die Poesie, die sie zu ihrem Ende 2023 bei der Deutschen Grammophon erschienen Album „Poems” inspirierte. Dabei wandten sie sich einigen der bedeutendsten isländischen Schriftsteller aus Vergangenheit und Gegenwart zu, die von den besuchten Schauplätzen tief geprägten wurden. Diese Orte, ob windgepeitschte Klippen oder ruhige Täler, stellen nun die Bühne für die musikalische Hommage Poems bereit.</video:description>
<video:duration>3969</video:duration>
<video:publication_date>2024-11-14T12:07:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T12:06:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ICG</loc>
<video:video>
<video:title>Solti: Die Reise eines Lebens</video:title>
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<video:description>Sir Georg Solti war zweifellos einer der bedeutendsten Dirigenten des 20. Jahrhunderts und eine zentrale Persönlichkeit des Musiklebens in Europa und in den Vereinigten Staaten, wo er 21 Jahre lang als Chefdirigent des Chicago Symphony Orchestras amtierte. Diese eindrucksvolle Dokumentation erzählt die Geschichte seines Lebens und seiner Karriere von den Anfängen in Budapest über Stationen unter anderem in München, London und Chicago bis zum Lebensabend des Künstlers. In seinen späten Jahren war Solti zum letzten Vertreter einer Generation von Dirigenten geworden, zu der auch Karajan und Bernstein gehörten. Aus umfangreichem Archivmaterial und vielen Interviews mit Freunden und Mitarbeitern entsteht das Porträt eines einzigartigen Musikers.</video:description>
<video:duration>3121</video:duration>
<video:publication_date>2024-10-22T11:24:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T06:33:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJAC8</loc>
<video:video>
<video:title>Solti dirigiert Kodály und Beethoven</video:title>
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<video:description>Dieses Konzert mit den Wiener Philharmonikern aus dem Jahr 1995 ist einer der letzten aufgezeichneten Auftritte von Georg Solti und präsentiert den Dirigenten mit Musik aus seiner ungarischen Heimat und Beethovens Siebter Symphonie. Solti, der 1912 in Budapest geboren wurde, studierte unter anderem bei dem bedeutenden Komponisten und Reformer Zoltán Kodály, zu dessen populärsten Werken die hier gespielte Háry János-Suite von 1927 gehört. Solti dirigiert noch in seinen letzten Lebensjahren so klarsichtig und präzise wie eh und je und bringt den Witz und den Farben-Reichtum von Kodálys Musik auf faszinierende Art zur Geltung. Auch Beethovens Symphonie verleiht der Dirigent großartige Spannung und einen ungewöhnlichen rhythmischen Schwung. </video:description>
<video:duration>3921</video:duration>
<video:publication_date>2024-10-15T15:03:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T06:30:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8D0</loc>
<video:video>
<video:title>Mozart-Stück wiederentdeckt: Serenade „Ganz kleine Nachtmusik“</video:title>
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<video:description>Mehr als 230 Jahre nach Mozarts Tod wurde ein spannendes Werk des Komponisten wiederentdeckt: Die Serenade in C-Dur KV 648, die sofort den Beinamen „Ganz kleine Nachtmusik“ erhielt. Mozart komponierte das Stück vermutlich als Teenager zwischen 1766 und 1769. In der Musikbibliothek der Stadtbibliothek Leipzig wurde eine Abschrift gefunden, die offenbar aus der Zeit um 1780 stammt. In der hier vorliegenden audiovisuellen Erstaufnahme aus dem Salzburger Mozarteum spielen vier junge Musiker:Innen das Stück. Dabei waren die Geigerin und der Geiger im Moment der Aufnahme etwa so alt wie Mozart zur Zeit der Komposition.</video:description>
<video:duration>1017</video:duration>
<video:publication_date>2024-10-11T10:11:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-27T19:40:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCD8</loc>
<video:video>
<video:title>Segerstam dirigiert Rautavaara: On the Last Frontier</video:title>
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<video:description>„Musik braucht Persönlichkeit”, sagt der Dirigent Leif Segerstam über Einojuhani Rautavaaras Chor-„Fantasie” On the Last Frontier. Die unverwechselbaren Charaktere dieser beiden vor kurzem verstorbenen und heute sehr vermissten Künstler machen dieses Konzert aus dem Jahr 1998 zu einem unvergesslichen Ereignis. Rautavaaras Werk basiert auf einem Roman von Edgar Allan Poe, der von einer Forschungsreise in die Antarktis erzählt. Die spirituelle, fast jenseitige Dimension der Dichtung inspirierte den Komponisten zu einer Musik von schwärmerischer Schönheit und visionärer Kraft. Segerstams Einfühlungsvermögen verleiht dieser Weltpremiere in der Finlandia Hall in Helsinki eine einzigartige emotionale Intensität.</video:description>
<video:duration>1725</video:duration>
<video:publication_date>2024-11-01T13:48:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-26T10:51:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3EE0</loc>
<video:video>
<video:title>Eine Reise durch Monteverdis Italien: Rom</video:title>
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<video:description>Der Monteverdi Choir und John Eliot Gardiner beenden ihre Reise durch Monteverdis Italien mit einem Besuch in der Galleria Borghese in Rom, wo die Musik des Komponisten neben Kunstwerken von Caravaggio, Bernini und Tizian zum Leben erweckt wird. John Eliot Gardiner moderiert die Aufführung selbst, während sein mehrfach preisgekrönter Chor Musik von den Madrigalen bis hin zu Auszügen aus L&apos;Orfeo vorträgt - ein reichhaltiges Fest der Musik und Kunst, das den Zuschauer tief in das Herz des Italiens der Renaissance führt.</video:description>
<video:duration>3205</video:duration>
<video:publication_date>2024-11-25T10:31:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-25T12:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36D0</loc>
<video:video>
<video:title>Andris Nelsons dirigiert Mahler: Sinfonie Nr. 7</video:title>
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<video:description>Die gemeinsamen Auftritte der Wiener Philharmoniker mit Andris Nelsons stellen mit Vorfreude erwartete Höhepunkte des internationalen Konzertkalenders dar. Nelsons hat inzwischen das traditionsreiche Neujahrskonzert dirigiert, welches als Aufnahme ebenso verfügbar ist wie der Zyklus mit allen Symphonien von Beethoven. Aktuell widmen sich Dirigent und Orchester in Wien, auf Tournee und bei den Salzburger Festspielen verschiedenen Werken von Gustav Mahler. Erleben Sie die Live-Übertragung der Siebten Symphonie, die durch eine mit Gitarre, Harfe und Mandoline ungewöhnlich instrumentierte Nachtmusik, ein spukhaftes Scherzo in der Mitte des Werks und ein im Triumph endendes Finale beeindruckt. In Kooperation mit Unitel und ORF</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2023-01-26T08:52:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T10:42:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3AE0</loc>
<video:video>
<video:title>Andris Nelsons dirigiert Mahler: Sinfonie Nr. 9 in Tokio</video:title>
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<video:description>In diesem sehr besonderen Festkonzert zum 30-jährigen Jubiläum des Seiji Ozawa Matsumoto-Festivals im Jahr 2022 dirigiert Andris Nelsons Mahlers Neunte und letzte vollendete Sinfonie. Unter seiner Leitung spielt das Saito Kinen Orchestra, dessen Bestzung in jedem Festival-Jahr neu zusammengestellt wird. Mahlers großes Abschiedswerk stand auch auf dem Programm, als Ozawa seine Amtszeit als Musikdirektor des Boston Symphony Orchestra nach 29 Jahren beendete. Dieselbe Position bekleidet seit 2014 Andris Nelsons, der sich auch in dieser Hinsicht als idealer Dirigent für dieses denkwürdige und berührende Konzert erweist.</video:description>
<video:duration>6357</video:duration>
<video:publication_date>2023-09-01T12:17:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T10:40:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38D0</loc>
<video:video>
<video:title>Furtwängler dirigiert Mozart: Don Giovanni</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8fd2ac46ec4767c35839d017e7986b56a74968a8.jpg</video:thumbnail_loc>
<video:description>Diese kraftvolle Darstellung von Mozarts Don Giovanni, die 1954 bei den Salzburger Festspielen aufgenommen wurde, ist die letzte gefilmte Aufführung des Dirigenten Wilhelm Furtwängler - einem der größten Dirigenten des 20. Jahrhunderts und lange Zeit Chefdirigent der Berliner Philharmoniker. Paul Czinner ist der Regisseur des Films, der Herbert Grafs schöne Bühneninszenierung sowie die unsterblichen Darstellungen von Cesare Siepis Don Giovanni, Lisa Della Casas Donna Elvira und Elisabeth Grümmers Donna Anna einfängt. Das Ergebnis ist ein faszinierendes und wichtiges Dokument sowie eine imposante und beeindruckende Aufführung von Mozarts stets faszinierender Oper.</video:description>
<video:duration>10641</video:duration>
<video:publication_date>2024-06-05T10:13:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T09:52:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJECO</loc>
<video:video>
<video:title>Rising Stars: Santiago Cañón-Valencia, Cello</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6003f87f175c6ba2c8f8a16f7501999540686560.jpg</video:thumbnail_loc>
<video:description>Der mit zahlreichen Preisen ausgezeichnete kolumbianische Cellist Santiago Cañón-Valencia kann bereits in jungem Alter auf eine beneidenswerte Karriere als international konzertierender Solist zurückblicken. In diesem Porträt der Reihe „Rising Stars” auf STAGE+ wird verständlich, warum der ehemalige New Generation Artist der BBC so gefragt ist. In seinem kreativen Leben ist Cañón-Valencia nicht nur als Cellist, sondern auch als Komponist, Maler und Fotograf tätig. Das musikalische Programm, das er mit der Pianistin Naoko Sonoda gestaltet, präsentiert eine abwechslungsreiche Auswahl von Werken des 20. Jahrhunderts sowie ein eigenes Stück des Künstlers. Insgesamt ergibt sich das faszinierende Porträt eines herausragenden Musikers.</video:description>
<video:duration>2874</video:duration>
<video:publication_date>2024-11-11T07:53:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-14T13:08:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0</loc>
<video:video>
<video:title>Bernstein dirigiert Tschaikowski: 5. Sinfonie </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/18738a34fc6ca617ba7d8a4413191cb850f1feb7.jpg</video:thumbnail_loc>
<video:description>Leonard Bernstein teilte mit Tschaikowsky leidenschaftliche Musikalität, emotionale Intensität und die Begabung, direkt zu den Herzen der Menschen zu sprechen. Kein Wunder, dass sich der amerikanische Musiker dem Komponisten besonders nahe fühlte und zu den wenigen Dirigenten gehörte, die alle Symphonien des Russen im Repertoire hatten. Hier ist Bernstein als passionierter Interpret von Tschaikowskys Fünfter Symphonie zu erleben, deren Form durch das in allen vier Sätzen auftauchende „Schicksalsthema“ charakterisiert ist. Anlass der unvergesslichen Interpretation mit dem Boston Symphony Orchestra war der 100. Geburtstag des Dirigenten Sergej Koussevitzky, den Bernstein selbst als einen seiner wichtigsten Mentoren bezeichnete.</video:description>
<video:duration>3142</video:duration>
<video:publication_date>2022-04-21T14:54:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-12T08:28:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3IE8</loc>
<video:video>
<video:title>Über &apos;My American Story: North&apos;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a5c1b069c2b9fb25b2d63ff2280847240f32798.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>332</video:duration>
<video:publication_date>2024-11-07T16:34:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2024-11-07T16:56:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJEC8</loc>
<video:video>
<video:title>Luisi dirigiert Skrjabins Poème de l’Extase und Brahms´ 3. Symphonie</video:title>
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<video:description>Brahms’ Dritte Symphonie beginnt inmitten eines sturmgepeitschten Himmels und endet mit einem der schönsten Sonnenuntergänge der romantischen Musik. Skrjabin versuchte dagegen mit seinem Poème de l’Extase, den gesamten Kosmos nach dem Bild der Kunst neu zu gestalten – und entfesselte einen im 20. Jahrhundert nahezu einzigartigen Farben-Zauber. Vielleicht konnte nur Fabio Luisi auf die Idee kommen, diese beiden Meisterwerke in einem Programm aufzuführen – und keinem Anderen würde dies mit so großer Poesie und einem so mitreißenden Elan gelingen. Das packende Konzert macht verständlich, warum Luisi und das Danish National Symphony Orchestra derzeit als eine der spannendsten Partnerschaften der Orchester-Welt diskutiert werden.</video:description>
<video:duration>3474</video:duration>
<video:publication_date>2024-11-06T13:14:19Z</video:publication_date>
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<lastmod>2024-11-07T12:21:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJECG</loc>
<video:video>
<video:title>Fabian Luisi dirigiert Skrjabins Prometheus - und Strauss und Wagner</video:title>
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<video:description>Mit seiner Tondichtung Prometheus wollte Skrjabin die Grenzen des bloßen Klangs sprengen – ihm schwebte ein Kunstwerk vor, in dem Töne und Farben zu einer neuartigen spirituellen Erfahrung verschmelzen. Das exzellente Danish National Symphony Orchestra und sein Chefdirigent Fabio Luisi verwirklichten diese phantastisch anmutende Vision in einer einzigartigen Aufführung aus dem Jahr 2023, die sowohl die Augen als auch die Ohren verzaubert. Dabei wetteifern die Farben, die Kopenhagens beeindruckendes DR Koncerthuset überfluten, mit der Vitalität der musikalischen Interpretation. Luisi und sein Orchester umrahmen Skrjabins Geniestreich mit zwei weiteren spätromantischen Meisterwerken von Wagner und Richard Strauss.</video:description>
<video:duration>4389</video:duration>
<video:publication_date>2024-11-06T13:24:46Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-11-07T12:17:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJCE0</loc>
<video:video>
<video:title>Luisi dirigiert Skrjabin: Sinfonie Nr. 1 &amp; Schönbergs Verklärte Nacht</video:title>
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<video:description>„Ruhm der Kunst! Ewiger Ruhm!” Wenn Fabio Luisi mit dem Danish National Symphony Orchestra auftritt, geht es oft spektakulär zu. Jedes Programm des Orchesters mit seinem Chefdirigenten entwickelt einen starken emotionalen Sog, und dieses Konzert ist keine Ausnahme. Es beginnt mit zwei einsamen Wanderern in einem dunklen Wald und endet mit einem mächtigen Chor, der seine Stimmen zum Himmel erhebt, um die Kunst zu preisen. Schönberg und Skrjabin scheint auf den ersten Blick nicht viel miteinander zu verbinden; aber Luisi und sein Kopenhagener Ensemble lieben die beiden hier gespielten Meisterwerke des Fin-de-Siècle spürbar und begeistern mit Interpretationen, die sich durch passioniertes Engagement und seltene Schönheit auszeichnen.</video:description>
<video:duration>5201</video:duration>
<video:publication_date>2024-11-06T12:21:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T12:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJAD0</loc>
<video:video>
<video:title>Hélène Grimaud und Christoph Eschenbach bei den Proms</video:title>
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<video:description>Bei den BBC Proms herrscht immer eine einzigartige Atmosphäre. Im Rahmen des legendären Sommermusikfestivals treten die größten Künstler:innen der Welt vor 5000 Zuschauern in der kolossalen Royal Albert Hall in London auf. Man könnte es für Pech halten, dass Hélène Grimaud ihr Debüt bei diesen Festspielen ausgerechnet am 11. September 2001 gab. Tatsächlich lässt der tragische Hintergrund ihre geistreiche und fantasievolle Interpretation von Beethovens Viertem Klavierkonzert als noch eindrucksvoller erscheinen. Christoph Eschenbachs Aufführung der Symphonie Fantastique mit dem großartigen Orchestre de Paris ist von derselben lebensbejahenden Energie beseelt. Unverkennbar ist die gesteigerte Emotionalität dieses sehr besonderen Konzerts.</video:description>
<video:duration>5813</video:duration>
<video:publication_date>2024-10-23T10:42:55Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T11:56:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ32E8</loc>
<video:video>
<video:title>TRANSITION II</video:title>
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<video:description></video:description>
<video:duration>183</video:duration>
<video:publication_date>2024-05-16T10:30:57Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:20:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ2D8</loc>
<video:video>
<video:title>Bach Reworks: ...And At The Hour Of Death (Arr. Badzura)</video:title>
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<video:description></video:description>
<video:duration>151</video:duration>
<video:publication_date>2022-11-12T17:55:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-11-07T10:19:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CE0</loc>
<video:video>
<video:title>Ararat</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2024-09-03T09:14:55Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:11:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJEDO</loc>
<video:video>
<video:title>Prelude 2</video:title>
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<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2022-12-03T14:05:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:08:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJEE8</loc>
<video:video>
<video:title>Moonlight</video:title>
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<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2022-12-03T14:30:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:08:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJED8</loc>
<video:video>
<video:title>Meredi: White Flowers Take Their Bath</video:title>
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<video:description></video:description>
<video:duration>204</video:duration>
<video:publication_date>2022-12-03T13:37:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-11-07T10:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCD8</loc>
<video:video>
<video:title>Masotto: Sol Levante</video:title>
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<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2022-11-27T09:59:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJEDG</loc>
<video:video>
<video:title>Helmersson: Timelapse</video:title>
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<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-12-03T13:47:05Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-11-07T10:07:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGC0</loc>
<video:video>
<video:title>Fragment</video:title>
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<video:description></video:description>
<video:duration>92</video:duration>
<video:publication_date>2022-12-03T14:43:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:04:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJED0</loc>
<video:video>
<video:title>Einaudi: Una Mattina (Arr. für Violine)</video:title>
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<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2022-12-03T13:27:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:03:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34CO</loc>
<video:video>
<video:title>Bells (with Voices)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c015dab5e94cf01537fdcc6b6114e6cf96b561f3.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>206</video:duration>
<video:publication_date>2024-05-21T18:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJIC0</loc>
<video:video>
<video:title>Arms Open Wide</video:title>
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<video:description></video:description>
<video:duration>303</video:duration>
<video:publication_date>2023-12-06T15:10:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:01:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJECG</loc>
<video:video>
<video:title>Eno: By This River (Arr. für Violine)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/29754f06681445ca9ec51b6ef0d46fd20ac297c4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>215</video:duration>
<video:publication_date>2022-12-02T06:31:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:01:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3GDO</loc>
<video:video>
<video:title>Móanóra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85b91bdfcb4ad9ebb4aaa6ca5fb035be990bef40.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>118</video:duration>
<video:publication_date>2024-10-15T12:20:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:00:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36C0</loc>
<video:video>
<video:title>Malasana</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d557244ef66c8ad97d1833f8689ad27a685af92e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>317</video:duration>
<video:publication_date>2022-12-18T03:19:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:59:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6E8</loc>
<video:video>
<video:title>Musical Moment: SIGNUM Saxophone Quartet – Echoes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d62b4e276cb8eb011c86c3b3b5a5e4b3a5a4215.jpg</video:thumbnail_loc>
<video:description>Das sensationelle SIGNUM saxophone quartet präsentiert in diesem Konzert aus dem Berliner Meistersaal Repertoire aus Echoes, ihrem Debütalbum bei Deutsche Grammophon. Echoes bietet mit Bearbeitungen von Werken so unterschiedlicher Komponisten wie Dowland, Albinoni, Fauré, Hindemith, Philip Glass und Peter Gregson eine große Bandbreite an Genres. Die Cellistin Hila Karni schließt sich dem Quartett für Max Richters On the Nature of Daylight an. Ungeachtet der Entstehungszeit der Werke stellen die vier Saxophonisten die musikalische Idee in den Fokus ihrer Interpretationen, die sie mit ihren einzigartigen, warmen Klangfarben ausdeuten. Sie spielen gleichermaßen Werke der Renaissance wie der Gegenwart und werden zurecht als Pioniere gefeiert.</video:description>
<video:duration>2658</video:duration>
<video:publication_date>2022-07-27T13:57:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:58:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GD0</loc>
<video:video>
<video:title>Hania und Dobrawa: Inner Symphonies</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d98073bab4fb870e4f79f29925d7c7642673d72.jpg</video:thumbnail_loc>
<video:description>Zutritt zu einer faszinierenden Klangwelt verschaffen die jungen polnischen Musikerinnen Hania Rani und Dobrawa Czocher mit ihrem gemeinsam komponierten Werk Inner Symphonies, das sie für die Deutsche Grammophon eingespielt haben und hier im raditionsreichen Słowacki-Theater in Krakau aufführen. Synthesiser-Klänge verbinden sich magisch mit den Tönen, die Rani auf dem Klavier und Czocher auf ihrem Cello hervorbringen. Die beiden Künstlerinnen, die sich seit ihrer Schulzeit kennen und eng befreundet sind, wollen mit ihrer in der Zeit der Pandemie geschriebenen Musik Hoffnung machen. Inner Symphonies endet mit dem Titel „Spring”. Schließlich sagte Ranis Großmutter in schweren Zeiten immer: „So viel steht fest: Der Frühling wird kommen.”</video:description>
<video:duration>2771</video:duration>
<video:publication_date>2022-12-15T10:45:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:54:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQG</loc>
<video:video>
<video:title>Recomposed By Max Richter: Vivaldi, Die vier Jahreszeiten</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a45e5a29a40476fbb31ccdcfaaf43ad193f5892f.jpg</video:thumbnail_loc>
<video:description>Max Richters Neu-Komposition von Antonio Vivaldis berühmten Vier Jahreszeiten hat sich inzwischen selbst zu einem Klassiker entwickelt. Auch deshalb, weil Geiger Daniel Hope in der Ersteinspielung den Solo-Part übernahm und das Stück seither immer wieder aufführt. Die von spannenden Klang-Experimenten und mitreißenden Rhythmen gekennzeichnete Bearbeitung entstand 2012 als erste Produktion der „recomposed“-Serie der Deutschen Grammophon. Richter bezeichnet sie als „experimentellen Hybrid [..], der immer &apos;Vivaldi’, aber auch zugleich immer ‘Richter’ [..] ist und den ursprünglichen Geist dieses großen Werks wahrt.“ Hier ist eine Aufführung aus dem Berliner Funkhaus Nalepastraße mit dem Ensemble L&apos;arte del mondo zu erleben.</video:description>
<video:duration>2623</video:duration>
<video:publication_date>2022-04-21T09:27:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38C0</loc>
<video:video>
<video:title>Max Richter: VOICES</video:title>
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<video:description>„Voices” ist Hommage an die Allgemeine Erklärung der Menschenrechte. Mit seinem Hoffnung gebenden Werk für „negatives Orchester” (Celli und Bässe überwiegen und sorgen für einen tiefen Grundklang), Chor, Elektronik, Sopran, Violine und Klavier möchte Richter einen musikalischen Raum schaffen, in dem mit Musiker und Publikum wieder mit den „inspirierenden Prinzipien” der Allgemeinen Erklärung der Menschenrechte in Verbindung treten können. Zusätzlich zur Musik hat der Komponist hunderte Stimmen auf der ganzen Welt eingefangen, die in ihren Muttersprachen Teile aus der Menschenrechtserklärung vortragen – das sind die „Voices”, denen das Stück seinen Namen verdankt.</video:description>
<video:duration>3586</video:duration>
<video:publication_date>2022-12-12T15:16:03Z</video:publication_date>
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<lastmod>2024-11-07T09:53:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ECG</loc>
<video:video>
<video:title>Max Richter: INFRA</video:title>
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<video:description>Infra ist die erste einer Reihe von Kollaborationen von Max Richter mit dem Royal Ballet, London und den britischen Choreographen Wayne McGregor. Nach der Uraufführung des Ballets 2008, das als direkte Reaktion auf die Bombenattentate am 7.7.2005 darstellt, ließ die Musik dem Komponisten Richter keine Ruhe. Er widmete sich seinen musikalischen Ideen erneut und komponierte sie zu einem vollen Album aus. Inspirationsquellen für Richter Schuberts Winterreise, ein Liederzyklus von Wilhelm Muller und T.S. Eliot&apos;s &quot;The Waste Land&quot;. Die für Klavier, Streichquartett und Electronics komponierte Musik von Infra repräsentiert unverkennbar den hypnotischen Sound von Max Richter.</video:description>
<video:duration>2044</video:duration>
<video:publication_date>2022-12-05T13:46:14Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:52:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36CO</loc>
<video:video>
<video:title>Hania &amp; Dobrawa, Roger Eno und Peter Gregson – Live aus London</video:title>
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<video:description>Sie stehen für das Zeitgenössische in der klassischen Musik. Vier bedeutende Künstler des New Repertoire bei Deutsche Grammophon stellen im angesagten Spiritland der Londoner Royal Festival Hall ihre neuesten Werke vor. Begleitet von einem Streichquintett spielt Roger Eno die zarten Stücke seines Soloalbums »The Turning Year«, während das erfolgreiche polnische Duo Hania Rani und Dobrawa Czocher die stets lyrische, teils melancholische Musik seines DG-Debüts »Inner Symphonies« anstimmt. Zum Schluss kommt Peter Gregson: In seiner Auswahl aus »Quartets: One – Four« wird das klassische Streichquartett durch Programmierung und Elektronik zum Klangexperiment.</video:description>
<video:duration>4506</video:duration>
<video:publication_date>2024-05-22T14:07:18Z</video:publication_date>
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<lastmod>2024-11-07T09:52:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6CG</loc>
<video:video>
<video:title>Cloud Gate Dance Theatre of Taiwan: Songs of the Wanderers</video:title>
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<video:description>Sie nennen ihn „Cloud Gate“ (Wolkentor: der Legende nach der älteste der rituellen Tänze Chinas, dessen Erbe mindestens 5.000 Jahre zurückreicht. Diese Tradition inspirierte den Choreographen Lin Hwai-min dazu, das Cloud Gate Dance Theatre of Taiwan zu gründen - und diese uralte Kunst an neue und wunderbare Orte zu bringen. In Songs of the Wanderers harkt ein junger Mann ein riesiges Reisfeld: Um ihn herum reagieren Tänzer auf die eindringlichen, leidenschaftlichen Klänge einer ganz anderen Tradition - georgische Volkslieder, gesungen vom weltberühmten Rustavi-Chor. Ost und West vereinen sich, um etwas Universelles - und Ewiges - zu schaffen.</video:description>
<video:duration>3470</video:duration>
<video:publication_date>2024-09-11T07:09:35Z</video:publication_date>
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<lastmod>2024-11-05T20:37:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJAE8</loc>
<video:video>
<video:title>András Schiff spielt Bach: die Französischen Suiten</video:title>
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<video:description>Für András Schiff verkörpert Johann Sebastian Bach den „Gipfel der europäischen Musikgeschichte“. Kein Wunder, dass die Aufführungen von dessen Werken auf besonders eindrucksvolle Weise das Wesen von Schiffs Musizier-Verständnis vor Ohren führen. In Leipzig, wo der Komponist lange Zeit als Thomaskantor wirkte, spielte der ungarische Pianist beim Bachfest des Jahres 2010 die sechs französischen Suiten. In den zwischen 1722 und 1724 entstandenen Werken verbindet sich kompositorische Dichte mit tänzerischer Grazie. Alle Stücke der Serie enden mit einer virtuosen Gigue. Zum Abschluss des Programms spielt Schiff mit dem schwungvollen Italienischen Konzert einen all-time-favorite des Klavier-Repertoires.</video:description>
<video:duration>7890</video:duration>
<video:publication_date>2022-09-06T08:56:16Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-11-05T09:59:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34D8</loc>
<video:video>
<video:title>Solti dirigiert Wagner: Beliebte Ouvertüren und Vorspiele</video:title>
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<video:description>Georg Solti, ein wahrer Wagner-Maestro, diente 22 Jahre lang dem mächtigen Chicago Symphony Orchestra als Chefdirigent. Hier ist er 1976 im eigenen Haus am Pult seines Ensembles mit einer Auswahl beliebter Wagner-Ouvertüren zu erleben. Wie ein gewaltiger Sturm fegt die Musik des Fliegenden Holländers zu Beginn über das Publikum hinweg. Gleich darauf wird es mit der Tannhäuser-Ouvertüre in eine mittelalterliche Welt zwischen Frömmigkeit und Verlangen entführt. Es folgt die berauschende Leidenschaft von Vorspiel und Liebestod aus Tristan und Isolde. Und zum Schluss: das Vorspiel zum ersten Akt aus Die Meistersinger von Nürnberg.</video:description>
<video:duration>3616</video:duration>
<video:publication_date>2023-07-21T10:02:42Z</video:publication_date>
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<lastmod>2024-11-04T15:14:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3IDG</loc>
<video:video>
<video:title>Solti dirigiert Mendelssohn: Sinfonien Nr. 3 &amp; 4 und Violinkonzert </video:title>
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<video:description>Georg Solti am Pult des Chicago Symphony Orchestra in Mendelssohns zwei berühmtesten Sinfonien, der „Schottischen” und der „Italienischen”, beide durch ausgedehnte Europareisen des Komponisten inspiriert. An seine Dritte setzte sich der Hamburger bereits 1829, erst zwölf Jahre später sollte er das Projekt vollenden; die Vierte war da lange geschrieben. Die Werke etablierten sich rasant im Repertoire: die „Schottische“ wegen ihres suggestiven, romantischen Charakters, die „Italienische” aufgrund ihrer unwiderstehlichen Vitalität. In diesen Aufführungen aus den Jahren 1976 und 1980 tauchen Solti und sein Orchester ganz in die Welt des Mendelssohn ein. Eröffnet wird das Programm mit seinem Violinkonzert von 1844, an der Geige Kyung Wha Chung.</video:description>
<video:duration>5957</video:duration>
<video:publication_date>2023-11-01T16:12:33Z</video:publication_date>
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<lastmod>2024-11-04T15:13:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36DO</loc>
<video:video>
<video:title>16. Concours Géza Anda 2024 - Mozart-Semifinal II</video:title>
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<video:description>Live vom Concours Géza Anda 2024 aus dem Stadthaus Winterthur spielen die letzten 3 von insgesamt 6 Halbfinalisten je ein Klavierkonzert von Mozart. Begleitet werden sie dabei vom Musikkollegium Winterthur unter Mikhail Pletnev.</video:description>
<video:duration>6762</video:duration>
<video:publication_date>2024-06-26T11:49:28Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T08:31:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3EDG</loc>
<video:video>
<video:title>Tschaikowsky: Die Jahreszeiten, op. 37a: VI. Juni. Barcarolle</video:title>
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<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2024-09-20T12:19:33Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-01T10:47:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36D0</loc>
<video:video>
<video:title>Karajan dirigiert Verdi: Otello </video:title>
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<video:description>Der Tenor Jon Vickers war ein Künstler mit übergroßem Charisma und einer wahrhaft goldenen Stimme, unfähig zu einer routinemäßigen Darbietung. Diese atemberaubende Verfilmung von Verdis Otello aus dem Jahr 1973 wäre schon allein wegen seiner Leistung in der Titelrolle sehenswert. Aber wenn man ihn dann noch mit Mirella Freni - die mit herzzerreißender Schönheit als Desdemona singt - zusammenbringt und sie beide in eine kühne filmische Neuinterpretation von Herbert von Karajans Salzburger Festspielinszenierung stellt, ist das Ergebnis glühend. Karajan und die Berliner Philharmoniker verleihen einer Tragödie, die viele für Verdis größte Leistung halten, ihren ganzen unvergleichlichen Glanz und Schwung.</video:description>
<video:duration>8394</video:duration>
<video:publication_date>2024-05-23T13:57:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-10-31T11:42:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ8E8</loc>
<video:video>
<video:title>Solti dirigiert Rossini: Beliebte Ouvertüren</video:title>
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<video:description>Georg Solti würde man sicherlich nicht unmittelbar mit Rossini in Verbindung bringen. Diese Interpretationen einiger besonders beliebter Ouvertüren des Belcanto-Meisters zeigen aber, wie gut Dirigent und Komponist zusammenpassen. Unwiderstehlich ist die Kombination von Rossinis brillanter, geistreicher Musik mit Soltis rhythmischer Präzision und seinem disziplinierten, punktgenauen Timing. Besonders deshalb, weil dem Dirigenten hier das Chicago Symphony Orchestra mit seinen hervorragenden Bläsersolisten zur Verfügung steht. Von den übermütigen Späßen in Il barbiere di Seviglia und L&apos;italiana in Algeri bis hin zum großen Drama Semiramide erklingt Rossini mit genau der Prägnanz und Verve, die man sich nur wünschen kann! </video:description>
<video:duration>3551</video:duration>
<video:publication_date>2024-10-14T14:17:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-10-26T20:41:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJAC0</loc>
<video:video>
<video:title>Solti dirigiert Bruckner: Sinfonie Nr. 6</video:title>
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<video:description>Während seiner glanzvollen 22-jährigen Amtszeit als Musikdirektor des Chicago Symphony Orchestras gelang es Georg Solti, an die eindrucksvolle Tradition des Orchesters anzuknüpfen und es als unwiderstehlich kraftvollen musikalischen Akteur in die CD-Ära zu führen. Im Mittelpunkt des gemeinsamen Repertoires stand die deutsch-österreichische Symphonik, zu deren letzten großen Vertretern Anton Bruckner gehörte. Diese Aufzeichnung präsentiert die Sechste Symphonie des Komponisten auf einem nur selten erreichten Niveau. Mit einer überzeugenden Konzeption und mitreißender Spielfreude beweisen Dirigent und Orchester eindrucksvoll, dass diese lange unterschätzte Symphonie zu den besten Werken des Komponisten gehört.</video:description>
<video:duration>3845</video:duration>
<video:publication_date>2024-10-15T10:18:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-26T20:39:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJEE8</loc>
<video:video>
<video:title>Hera Hyesang Park: Breathe</video:title>
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<video:description>Aus dem legendären Teatro Colón in Buenos Aires singt die Sopranistin Repertoire aus ihrem 2023 erschienenen Deutsche Grammophon Album Breathe. Mit Musik aus verschiedenen Jahrhunderten, aus der Gattung Oper und Lied, unterstreicht das Programm nicht nur Heras künstlerische Vielseitigkeit, sondern fügt sich auch zu einem überzeugenden musikalischen Ganzen zusammen, das in einem der größten Opernhäuser der Welt aufgeführt wird.</video:description>
<video:duration>5581</video:duration>
<video:publication_date>2024-06-24T09:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-21T12:54:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3EC8</loc>
<video:video>
<video:title>Sokolov spielt Purcell &amp; Mozart </video:title>
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<video:description>Das Tourneeprogramm 2023 des großen Grigory Sokolov wird hier bei zwei, in Spanien gefilmten, Konzerten festgehalten: im Kursaal Auditorium in Donostia, San Sebastián und im Palacio de Festivales in Santander. Das Programm führt den Pianisten zu selten gehörtem Repertoire des englischen Barockmeisters Henry Purcell. In der zweiten Hälfte wendet er sich mit Mozarts groß angelegter Sonate KV 333 und dem Adagio in h-Moll einem bekannteren Repertoire zu. Dann folgen, wie es inzwischen Tradition bei seinen Konzerten ist, die Zugaben, die hier Musik von Rameau, Chopin und Bach umfassen.</video:description>
<video:duration>6048</video:duration>
<video:publication_date>2024-10-16T09:50:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-18T14:31:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GDG</loc>
<video:video>
<video:title>Daniil Trifonov &amp; Charles Dutoit mit Dvořák &amp; Berlioz</video:title>
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<video:description>Die Tschechische Philharmonie eröffnet ihre neue Saison mit dem Besuch des Pianisten Daniil Trifonov. Er spielt gemeinsam mit dem Gastdirigenten Charles Dutoit eine Rarität von Dvořák: sein Klavierkonzert, das 1878 in Prag uraufgeführt wurde. Im zweiten Teil des Konzerts widmen sich Dutoit und die Philharmoniker einem der Inbegriffe der musikalischen Romantik: Berlioz&apos; Symphonie fantastique von 1830, ein Werk von wilder Fantasie, in dem die opiumgeschwängerten Tagträume eines Künstlers in den Alptraum eines Hexensabbats umschlagen; ein Marsch zum Schafott bringt das Stück zu einem mitreißenden Abschluss.</video:description>
<video:duration>6450</video:duration>
<video:publication_date>2024-10-02T14:46:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-18T06:12:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6D8</loc>
<video:video>
<video:title>Norrington conducts Haydn: &quot;Paris&quot; Symphonies Nos. 83 &amp; 84</video:title>
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<video:description>Zeitgenossen gaben Haydns 83. Sinfonie den Beinamen „La Poule“ („Die Henne“), weil sie eine besonders skurrile Melodie an das Picken eines Huhns erinnerte. Die Fantasie Haydns brannte selbst in dessen verspieltesten Momenten mit unauslöschlichem Feuer. In dieser Aufzeichnung aus dem Salzburger Mozarteum erklingen sowohl „La Poule“ als auch deren Gegenstück – die noble 84. Symphonie – mit unbändiger Vitalität, Engagement und Witz. Wenn Sir Roger Norrington und die Camerata Salzburg aufeinander treffen, musiziert ein Pionier der historisch informierten Aufführung mit einem auf modernen Instrumenten spielenden, im mitteleuropäischen Stil verwurzelten Ensemble. Das Ergebnis ist so anregend – und beglückend – wie man es sich nur wünschen kann.</video:description>
<video:duration>3545</video:duration>
<video:publication_date>2024-09-11T15:04:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:24:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6D0</loc>
<video:video>
<video:title>Norrington dirigiert Haydn: &quot;Pariser&quot; Sinfonien Nr. 85 &amp; 87</video:title>
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<video:description>Nur wenige große Pioniere der Alten Musik-Szene können sich mit der Originalität, Erfahrung und der ungekünstelten Lebensfreude messen, die Sir Roger Norrington in alles einbringt, was er dirigiert. Und ganz bestimmt kann man sich kaum einen geistreicheren Interpreten der beiden hier interpretierten „Pariser“ Sinfonien von Haydn vorstellen. Eine historisch informierte und rhetorisch versierte, zugleich explosive und kontrollierte Interpretation präsentieren die auf modernen Instrumenten spielenden Virtuosen der Salzburger Camerata. Die 85. Symphonie, die den Spitznamen „La Reine“ trägt, ist die majestätischste, die 87. die rasanteste der „Pariser“ Sinfonien. Beide Werke werden mit unwiderstehlicher Fantasie und größtem Schwung gespielt.</video:description>
<video:duration>3238</video:duration>
<video:publication_date>2024-09-11T14:29:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:16:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6CO</loc>
<video:video>
<video:title>Norrington dirigiert Haydn: die &quot;Pariser&quot; Sinfonien Nr. 82 &amp; 86</video:title>
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<video:description>Joseph Haydn war nie in Paris. Als er aber von einer einflussreichen Konzertgesellschaft der französischen Hauptstadt einen Auftrag erhielt, entflammte seine Fantasie. Das Ergebnis waren seine sechs „Pariser“ Symphonien. Sie sind wahrscheinlich die ersten Meisterwerke des symphonischen Repertoires, die weltweite Popularität erlangten; und auch heute noch ist ihre Mischung aus Innovation und purem kreativen Elan absolut unwiderstehlich. In dieser Aufführung aus dem Salzburger Mozarteum dirigiert Sir Roger Norrington, der Pionier der historischen Aufführungspraxis, mit der für ihn typischen Verbindung von wissenschaftlicher Expertise und Überschwang die großartige 86. und die brillante 82. Symphonie, die den Spitznamen „Der Bär“ trägt.</video:description>
<video:duration>3747</video:duration>
<video:publication_date>2024-09-11T14:02:54Z</video:publication_date>
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</video:video>
<lastmod>2024-10-15T05:15:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3GD8</loc>
<video:video>
<video:title>Über die Entdeckung von Mozarts Serenade C-Dur, KV. 648 &quot;Ganz kleine Nachtmusik&quot; </video:title>
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<video:description></video:description>
<video:duration>152</video:duration>
<video:publication_date>2024-10-11T10:37:36Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-10-11T19:07:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ0</loc>
<video:video>
<video:title>Michael &amp; Daniel Barenboim spielen Mozarts Violinsonaten - Teil 1</video:title>
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<video:description>In den 1780er Jahren hatte Wolfgang Amadeus Mozart die Gattung der Violinsonate in eine Form verwandelt, in der die zuvor untergeordnete Geige mit Eigenständigkeit und Virtuosität zur Geltung kommt. Nun werden die musikalischen Themen in einem ununterbrochenen Gespräch zwischen gleichberechtigten Partnern ausgetauscht. Die für einen solchen offenherzigen Dialog notwendige persönliche Vertrautheit wird selten auf schönere Weise erfahrbar als in diesem Zusammenspiel von Vater und Sohn Barenboim; dem renommierten Dirigenten und Pianisten Daniel und dem Geiger Michael. Das Duo interpretiert in einem Rezital im Pierre Boulez Saal die Gattungsbeiträge Nr. 32 und Nr. 33, die zu Mozarts bedeutenden späten Wiener Sonaten gehören. </video:description>
<video:duration>2994</video:duration>
<video:publication_date>2022-06-15T10:17:59Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:21:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ6</loc>
<video:video>
<video:title>Michael &amp; Daniel Barenboim spielen Mozarts Violinsonaten - Teil 2</video:title>
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<video:description>Für eine Aufführung der letzten von Mozarts drei späten Wiener Sonaten kehren Daniel Barenboim und sein Sohn Michael in den Pierre Boulez Saal zurück. Der Klavierpart der Violinsonate in A-Dur ist ungewöhnlich anspruchsvoll, korrespondiert aber wie in den anderen Gattungsbeiträgen dieser Zeit durch Eleganz und Versatilität mit der Stimme der Geige auf ideale Weise. Da sich beide Instrumente auf Augenhöhe begegnen, fordert die Komposition von beiden Musikern die Bereitschaft zum Zuhören und eine auf Vertrauen basierende Interaktion. Mit meisterhafter Kunstfertigkeit bewältigen die Barenboims die schnellen Tempi und den von Bach inspirierten Kontrapunkt von Mozarts genialem Kompositionsstil.</video:description>
<video:duration>2080</video:duration>
<video:publication_date>2022-06-15T14:43:24Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-10-10T15:20:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3G</loc>
<video:video>
<video:title>Musical Moment: Daniel Barenboim &amp; Streichquartett der Staatskapelle</video:title>
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<video:description>Bei seinem fünften Konzert im Rahmen der Musical Moments-Reihe der Deutschen Grammophon interpretiert Daniel Barenboim im Pierre Boulez Saal sowohl Solo-Werke von Schumann als auch dessen Klavierquintett. In letzterem stand ihm das seit 2016 zu einem homogenen und international erfolgreichen Ensemble zusammengewachsene Streichquartett der Staatskapelle zur Seite, das mit seinen vier Stimmführern gewissermaßen stellvertretend für das gesamte Orchester auftritt. Schumanns vier-sätziges Klavierquintett präsentiert einen abwechslungsreichen Dialog zwischen Klavier und Streichern und bringt Kraft und Dynamik der Instrumente auf beglückende Weise zur Geltung. Den Klavierpart übernahm bei der Uraufführung 1843 Schumanns Ehefrau Clara. </video:description>
<video:duration>2427</video:duration>
<video:publication_date>2022-06-15T08:23:34Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:19:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJICG</loc>
<video:video>
<video:title>Nobuyuki Tsujii spielt Bach, Chopin und Rachmaninow</video:title>
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<video:description>Der Pianist Nobuyuki Tsujii, präsentiert hier ein live im Februar 2024 in der Suntory Hallaufgenommenes Konzert mit Werken dreier Komponisten, die schon lange Mittelpunkt seines Repertoires stehen und ihm sehr am Herzen liegen. Er spielt Chopins vier Impromptus - darunter die berühmte Fantasie-Impromptu in cis-Moll - und Bachs sonnige Französische Suite Nr. 5. Rachmaninoffs früher Reihe von Moments Musicaux op. 16, die zusammen mit seiner eindringlichen Vocalise, schließen das Konzert ab. Alles in allem war es ein unvergesslicher Abend in der japanischen Hauptstadt.</video:description>
<video:duration>5263</video:duration>
<video:publication_date>2024-05-21T08:03:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T07:43:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6DO</loc>
<video:video>
<video:title>Das Lindsay String Quartet spielt Haydn, Tippett &amp; Elgar </video:title>
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<video:description>Bis 2005 stand das auch unter dem liebevollen Spitznamen „The Lindsays“ bekannte Lindsay String Quartet vier Jahrzehnte lang im Zentrum des kammermusikalischen Lebens Großbritanniens. Das weltweit tourende Ensemble entwickelte eine einzigartige Beziehung zu Sir Michael Tippett, dessen kraftvolles, in der Nachkriegszeit entstandenes drittes Quartett im Mittelpunkt dieser Aufnahme aus der unvergleichlichen Londoner Wigmore Hall steht. In klassischer Lindsays-Manier wird es von einem Werk Haydns – dem sogenannten „Reiter“-Quartett – und einem weiteren britischen Klassiker eingerahmt: dem poetischen e-Moll-Quartett von Sir Edward Elgar. Zum Zeitpunkt dieser Aufnahme waren The Lidsays wahrscheinlich der herausragende Interpret dieses Werks.</video:description>
<video:duration>5278</video:duration>
<video:publication_date>2024-09-11T19:19:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-30T09:01:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2DG</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 5</video:title>
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<video:description>Die Fünfte Symphonie gilt allgemein als Bruckners erstes unbestrittenes symphonisches Meisterwerk, in dem sich die Mühen seiner früheren Kompositionen in einem Werk auszahlen, das auf überzeugende Weise eine beispiellose Vision mit meisterhafter Technik verbindet. Und es gibt nur wenige Dirigenten, die für die Herausforderungen in Bezug auf Tempo, Intonation und Struktur besser gerüstet sind als Christian Thielemann, der seit langem als einer der besten Interpreten des deutsch-österreichischen Repertoires der zweiten Hälfte des 19. Jahrhunderts gilt. Unter der Leitung der hervorragenden Staatskapelle Dresden in der Semperoper Dresden enthüllt er wie kaum ein anderer das Geheimnis und die Majestät dieses bemerkenswerten Werks.</video:description>
<video:duration>5405</video:duration>
<video:publication_date>2024-09-02T15:46:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-28T21:29:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJADG</loc>
<video:video>
<video:title>Daniel Hope &amp; Zürcher Kammerorchester: Dance!</video:title>
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<video:description>Höfisches Menuett, seliger Walzer, melancholischer Tango, elektrisierender Mambo – das Programm, dass das Zürcher Kammerorchester unter Leitung von Stargeiger Daniel Hope auf die Bühne im Großen Saal des Berliner Konzerthauses bringt, durchtanzt Zeit und Raum. Daniel Hope führt durch 7 Jahrhunderte Musikgeschichte, es geht ihm um die universelle Bedeutung von Tanz und Rhythmus und um die Vielfalt, die darin zum Ausdruck kommt: „Das Schöne am Tanz ist: Ganz gleich wer man ist und woher man stammt, wenn man in einem Raum zusammenkommt, spüren mit großer Wahrscheinlichkeit alle im selben Moment den Rhythmus und kommen in Bewegung.” So entstand eine unwiderstehliche Musikauswahl, die von Hope und seinem Orchester mitreißend dargeboten wurde.</video:description>
<video:duration>5760</video:duration>
<video:publication_date>2024-03-05T20:12:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-27T11:22:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3GDO</loc>
<video:video>
<video:title>Bomsori &amp; Cristian Măcelaru mit Bruch, Strauss, Wagner &amp; Bonis</video:title>
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<video:description>Cristian Măcelaru dirigiert das WDR-Sinfonieorchester in einem faszinierenden Programm bestehend aus dem beliebten Violinkonzert von Max Bruch - mit Bomsori als Solistin - sowie Musik von Strauss, Wagner und Mel Bonis. Zwei frühe Tondichtungen von Strauss bilden den Abschluss des Konzerts, kontrastiert mit Bonis&apos; kurzer Charakterstudie zu Salomé (die nur vier Jahre nach Strauss&apos; eigener Oper zu diesem Thema veröffentlicht wurde) und der Originalfassung von Wagners Tannhäuser-Ouvertüre. Und wir bleiben in der Musik der deutschen Romantik mit dem zentralen Bruch-Konzert, dessen dramatischer erster Satz, bewegendes Adagio und mitreißendes Finale das Werk seit langem zu einem festen Favoriten bei Spielern und Publikum gemacht haben.</video:description>
<video:duration>6068</video:duration>
<video:publication_date>2024-09-23T10:20:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-26T23:37:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ECO</loc>
<video:video>
<video:title>Herbert von Karajan: Porträt einer Legende</video:title>
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<video:description>Herbert von Karajan war eine der faszinierendsten und komplexesten Musikerpersönlichkeiten des 20. Jahrhunderts, ein Dirigent, der die Welt der klassischen Musik der Nachkriegszeit wie ein Koloss beherrschte. Dieser Film enthüllt das Phänomen des Mannes und seiner Musik und streift dabei inspirierende - aber auch kontroverse - Aspekte seiner Karriere. Er gibt Einblicke von Musikern, die mit ihm gearbeitet haben, aber auch von Karajan selbst, der in Archivinterviews über Ereignisse in seinem Leben spricht und sie mit seiner Arbeit als Dirigent in Beziehung setzt. Das Ergebnis ist ein faszinierendes Porträt eines unvergleichlichen Musikers, dessen Werk auch Jahrzehnte nach seinem Tod noch kraftvoll nachwirkt.
</video:description>
<video:duration>5265</video:duration>
<video:publication_date>2024-09-12T08:38:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-26T08:08:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CC8</loc>
<video:video>
<video:title>Gidon Kremer und Martha Argerich: Memory of a Concert</video:title>
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<video:description>&quot;Wir sind kein Paar im traditionellen Sinne. Und genau das ist das Paradoxe - ein musikalisches Paar kann noch intimer miteinander werden als ein verliebtes Paar.&quot; So beschreibt Gidon Kremer seine musikalische Beziehung zu Martha Argerich, eine langjährige Zusammenarbeit zwischen zwei Künstlern - beide weltweit als lebende Legenden gefeiert -, die mit mehreren renommierten Preisen ausgezeichnet wurde. Im Jahr 2006 gingen sie auf Tournee und spielten Soli und Duette von Bartók und Schumann. Das letzte Konzert in der Berliner Philharmonie wurde für diesen Film aufgezeichnet, mit einem seltenen Soloauftritt von Martha Argerich, während Kremer einen bewegenden persönlichen Kommentar abgibt.</video:description>
<video:duration>3317</video:duration>
<video:publication_date>2024-08-06T14:08:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-25T15:04:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CCG</loc>
<video:video>
<video:title>Kubelík dirigiert Bruckner und Mozart</video:title>
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<video:description>Der tschechische Dirigent Rafael Kubelík war ein unauffälliges Genie. Doch seine Wurzeln - er entstammt einer großen Prager Musikerfamilie - sowie seine lange, umwälzende Leitung des Symphonieorchesters des Bayerischen Rundfunks gaben ihm ein tiefes Gespür für mitteleuropäisches Repertoire. Hier dirigiert er als Gast die Wiener Philharmoniker in zwei Symphonien, die von Landschaft und Kultur seiner Heimat geprägt sind. Er verleiht Mozarts „Prager“ Sinfonie Erhabenheit und ungezwungene Anmut und navigiert durch die alpinen Landschaften von Bruckners Vierten Sinfonie - mit dem Spitznamen „Romantische“ wohl das populärste Hauptwerk des Komponisten - mit einem natürlichen Sinn für Akzente, Atmosphäre und Maßstab.</video:description>
<video:duration>5539</video:duration>
<video:publication_date>2023-09-04T13:17:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-24T07:17:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ED8</loc>
<video:video>
<video:title>Jessye Norman und Kathleen Battle singen Spirituals</video:title>
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<video:description>Jessye Norman und Kathleen Battle schrieben Geschichte, als sie gemeinsam am 18. März 1990 auf der Bühne der Carnegie Hall standen. Im Publikum: die altgediente afroamerikanische Opernsängerin Marian Anderson, eine der großen Stimmen ihrer Generation, die 1939 wegen ihrer Hautfarbe nicht in der Constitution Hall singen durfte. Die damals zwölfjährige Jessye Norman hatte Andersons Biografie in sich aufgesogen, ebenso wie die Musik, die sie an diesem Abend zusammen mit ihrer großen Kollegin und Konkurrentin Kathleen Battle vortrug: Spirituals. Viele hatten Zweifel, aber das Konzert war ein Triumph - ein Triumph, dessen Hintergrund neu beleuchtet wird.</video:description>
<video:duration>3167</video:duration>
<video:publication_date>2024-09-12T09:36:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T09:12:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4D8</loc>
<video:video>
<video:title>Solti dirigiert Bruckner &amp; Strawinsky </video:title>
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<video:description>Nur wenige seiner Sinfonien kosteten Bruckner so viel Kraft und Nerven wie seine Dritte –, zugleich war er auf kaum eine andere am Ende so stolz. Denn Bruckners Idol Richard Wagner hatte ihre Originalität gelobt. Im letzten Jahrzehnt seiner bemerkenswerten Karriere dirigierte Sir Georg Solti mit mehr Einfühlungsvermögen als je zuvor und zeigte dabei eine Fantasie und eine feurige Energie, um die ihn halb so alte Maestri beneiden müssten. Diese Live-Aufnahme aus der Philharmonie am Gasteig in München zeigt Solti am Pult des Symphonieorchesters des Bayerischen Rundfunks. Das Ensemble ist perfekt auf Bruckners Klangwelt eingestellt und meistert Strawinskys schillernde, amerikanisch inspirierte Sinfonie in drei Sätzen mit derselben Brillanz.</video:description>
<video:duration>5196</video:duration>
<video:publication_date>2024-09-06T14:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T07:30:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4DO</loc>
<video:video>
<video:title>Solti dirigiert Mendelssohn und Schostakowitsch</video:title>
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<video:description>Mendelssohns „italienische” Sinfonie beginnt mit einem Ausbruch von purem Sonnenlicht, Schostakowitschs Zehnte dagegen unter ganz und gar dunklem Himmel. Aber beide Komponisten brennen darauf, sich mitzuteilen. Und dies war für Sir Georg Solti das entscheidende Kriterium. Der unübertrefflich energetische Dirigent machte nie Kompromisse im Hinblick auf das aufrichtige Engagement für die von ihm interpretierte Musik. In diesem Live-Mitschnitt aus der Philharmonie am Gasteig in München dirigiert Solti eines seiner Lieblingsorchester: das Symphonieorchester des Bayerischen Rundfunks. Damals wie heute ist das Ensemble für seinen strahlenden Klang und sein tiefes, instinktives Verständnis der symphonischen Tradition bekannt.</video:description>
<video:duration>5082</video:duration>
<video:publication_date>2024-09-06T14:47:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T07:26:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32D0</loc>
<video:video>
<video:title>Renaud Capuçon und Daniel Harding mit Escaich und Bruckner </video:title>
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<video:description>Im Wiener Musikverein präsentiert Renaud Capuçon gemeinsam mit den Münchner Philharmonikern und Daniel Harding am 24. April 2024 die österreichische Erstaufführung des neuen Violinkonzerts Nr. 2 seines Landsmanns Thierry Escaich. Ein Werk von großem Schwung und rhythmischer Vitalität, dass hier mit Bruckners Symphonie Nr. 4 &quot;Die Romantische&quot; gekoppelt ist, deren Eröffnung - mit dem Hornthema, das von flirrenden Streichern intoniert wird - den Rahmen für eines der beliebtesten Werke des Komponisten bildet und eine vertraute Visitenkarte für Harding ist, der in diesem Repertoire gefeiert wird.</video:description>
<video:duration>6345</video:duration>
<video:publication_date>2024-06-20T10:42:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-09-19T15:04:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36CO</loc>
<video:video>
<video:title>Daniil Trifonov: Dank der Musik</video:title>
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<video:description>Der Filmemacher Denis Sneguirev porträtiert den Pianisten Daniil Trifonov und folgt ihm auf einer intimen Reise von einem Pariser Jazz-Club in die Straßen von New York bis hin in die Ruhe und den Frieden der abgelegenen Wälder in der Nähe seines Hauses in Connecticut. Der Pianist, eines der aufregendsten und gefragtesten musikalischen Talente seiner Generation, reflektiert über sein Leben als Musiker und präsentiert ein Repertoire, das von Ravels formidablem Gaspard de la Nuit bis zu Tschaikowskys Album für die Jugend reicht.</video:description>
<video:duration>2569</video:duration>
<video:publication_date>2024-06-18T13:00:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T11:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38E0</loc>
<video:video>
<video:title>Velvet Revolution Concert 2023 – mit Janine Jansen &amp; Antonio Pappano</video:title>
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<video:description>In Gedenken an die „Samtene Revolution“ 1989 in Prag lädt die Tschechische Philharmonie und Janine Jansen als Gastsolistin zu ihrem alljährlichen Konzert aus dem Rudolfinum und Mendelssohns beliebtem Violinkonzert in e-Moll ein. „Der schöne Zwischenfall der Musik”, so Nietzsche über die Komposition, wird gerahmt von Brahms&apos; selten gehörter Nänie, einer weltlichen Kantate für Chor und Orchester aus dem Jahr 1881, die der Komponist auf den Tod des Malers Anselm Feuerbach schrieb. Das Konzert mit der Tschechischen Philharmonie unter Leitung von Antonio Pappano endet mit Dvořáks mitreißenden Slawischen Tänzen op. 72, die ursprünglich von Brahms&apos; Ungarischen Tänzen inspiriert wurden. Repertoire der Romantik in seiner ganzen Vielgestaltigkeit!</video:description>
<video:duration>6086</video:duration>
<video:publication_date>2024-02-15T07:56:46Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-09-19T08:21:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ED0</loc>
<video:video>
<video:title>Cloud Gate Dance Theatre of Taiwan – Meditation in Movement</video:title>
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<video:description>Der Legende nach ist Cloud Gate der Name des ältesten bekannten Tanzes in China, eines etwa 5.000 Jahre alten Ritualtanzes. 1973 übernahm der Choreograf Lin Hwai-min diesen klassischen Namen für die erste moderne Tanzkompanie in Taiwan oder China: Cloud Gate Dance Theatre. Seitdem hat die Kompanie im In- und Ausland für Furore gesorgt. In diesem Film spricht Lin Hwai-min über seinen eigenen künstlerischen Hintergrund und seinen bemerkenswerten choreografischen Stil, in dem sich Einflüsse aus Ost und West vermischen. Wir begleiten die Tänzerinnen und Tänzer der Kompanie beim Üben von Tai Chi, einem wichtigen Teil der kreativen Vorbereitung der Gruppe.
</video:description>
<video:duration>1321</video:duration>
<video:publication_date>2024-09-12T09:15:16Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T14:54:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2E0</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 9 </video:title>
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<video:description>Bruckners neunte Symphonie sollte an die von Beethoven anknüpfen und die Krönung seines Engagements für die prestigeträchtigste Gattung des 19. Jahrhunderts sein. Die anfängliche Ablehnung seiner Symphonie Nr. 8 führte jedoch zu einer Phase der Überarbeitung früherer Kompositionen, die ihn von seinem großen Abschlusswerk ablenkte, so dass es bei seinem Tod unvollendet blieb. Dem „lieben Gott“ gewidmet, stellt das Werk dennoch eine wirkungsvolle letzte symphonische Äußerung dar, und selbst in seiner unvollendeten dreisätzigen Form ist es ein enorm kraftvolles Werk - vor allem, wenn es hier in Baden-Baden von der Staatskapelle Dresden und dem Dirigenten Christian Thielemann aufgeführt wird.</video:description>
<video:duration>3936</video:duration>
<video:publication_date>2024-09-02T19:24:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-09-18T10:03:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4CG</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 8</video:title>
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<video:description>Bruckner selbst sah seine 8. Symphonie als seine größte Leistung an, und es war ein schwerer Schlag, als sie von dem Dirigenten Hermann Levi (dem ersten Dirigenten von Wagners Parsifal) abgelehnt wurde, der von ihrer gewaltigen Form und ihrem kreativen Wagemut verwirrt war. In ihrer revidierten Form wurde sie als eines der großen symphonischen Meisterwerke des späten 19. Jahrhunderts und als ein Werk von fast beispielloser kumulativer Kraft anerkannt. Und genau das kommt in dieser Aufführung durch Christian Thielemann und der Staatskapelle Dresden, die in der Semperoper Dresden gefilmt wurde, so deutlich zum Ausdruck - ein wirklich denkwürdiges Ereignis, das für die Nachwelt festgehalten wurde.</video:description>
<video:duration>5313</video:duration>
<video:publication_date>2024-09-03T07:22:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-09-18T10:01:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2DO</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner &amp; Wolf - mit Renée Fleming</video:title>
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<video:description>Christian Thielemanns gefeierter erster audiovisueller Zyklus von Bruckners Symphonien begann mit dieser Aufführung der Symphonie Nr. 7, die gleichzeitig sein erstes Konzert als Musikdirektor der Staatskapelle Dresden war - eines der ältesten und bedeutendsten Orchester Deutschlands und der Welt. Bruckners Werk - die einzige Symphonie, die noch zu seinen Lebzeiten eine triumphale Uraufführung erlebte - enthält in ihrem Adagio eine bewegende Hommage an Wagner, der sowohl von Bruckner als auch von Hugo Wolf verehrt wurde, dessen orchestrierte Lieder, vorgetragen von der großen Renée Fleming, das Programm abrunden.</video:description>
<video:duration>6343</video:duration>
<video:publication_date>2024-09-02T19:02:49Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:58:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4C8</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 6</video:title>
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<video:description>Im prachtvollen Ambiente der Semperoper in Dresden präsentieren die Staatskapelle Dresden und ihr damaliger Generalmusikdirektor Christian Thielemann Bruckners Symphonie Nr. 6. Dieses Werk, das lange Zeit im Schatten seiner imposanten Nachbarn stand, hat sich inzwischen als Favorit unter Dirigenten und Musikliebhabern etabliert, die seine relative Intimität und Leichtigkeit - aber auch seinen melodischen Reichtum - zu schätzen wissen. Hier, auf heimischem Boden, erweisen sich Thielemann und sein Orchester als überzeugende Interpreten in einer Aufführung, die eine erfrischende Mischung aus Kraft und Klarheit bietet.</video:description>
<video:duration>3764</video:duration>
<video:publication_date>2024-09-03T07:10:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-09-18T09:55:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4C0</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 3</video:title>
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<video:description>Christian Thielemann ist sowohl als Wagner- als auch als Bruckner-Interpret bekannt. Welcher Dirigent könnte also besser geeignet sein, eine Aufführung von Bruckners Symphonie Nr. 3 zu leiten, die Wagner gewidmet wurde, nachdem der jüngere Komponist in Bayreuth die Zustimmung des Meisters eingeholt hatte? In diesem Konzert in der Philharmonie am Gasteig dirigiert Thielemann die großartige Staatskapelle Dresden in einer Aufführung des Werks, die dessen unverwechselbare Mischung aus roher Kraft und Raffinesse einfängt.</video:description>
<video:duration>4030</video:duration>
<video:publication_date>2024-09-03T07:03:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:45:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2E8</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 2</video:title>
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<video:description>Eines der ältesten und traditionsreichsten Orchester Deutschlands, die Staatskapelle Dresden, gastierte 2019 in einem der jüngsten Konzertsäle des Landes, der kultigen Elbphilharmonie in Hamburg. Christian Thielemann, der damalige Musikdirektor des Orchesters, steht für die zweite Symphonie des Komponisten, Anton Bruckner, am Pult. Das Ergebnis ist ein denkwürdiges musikalisches Ereignis, bei dem das Werk, Bruckners klassischste Symphonie, mit seltener Eloquenz und Kraft daherkommt.</video:description>
<video:duration>3782</video:duration>
<video:publication_date>2024-09-03T06:58:20Z</video:publication_date>
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<lastmod>2024-09-18T08:50:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2D0</loc>
<video:video>
<video:title>Thielemann dirigiert Bruckner: Sinfonie Nr. 1</video:title>
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<video:description>Christian Thielemann dirigiert die Staatskapelle Dresden in der Philharmonie im Gasteig in München in Bruckners Symphonie Nr. 1 als Teil seiner ersten vollständigen audiovisuellen Einspielung der offiziell nummerierten Symphonien des visionären österreichischen Komponisten. Und wie nicht anders zu erwarten, bringt er eine überzeugende Autorität - gepaart mit dem geschliffenen Klang eines der renommiertesten Orchester der Welt - in ein Werk ein, in dem wir sehen, wie Bruckner die Kluft zwischen einer im 18. Jahrhundert verwurzelten symphonischen Welt und den imposanten Werken der Spätromantik zu überbrücken beginnt.</video:description>
<video:duration>3326</video:duration>
<video:publication_date>2024-09-02T15:05:53Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-09-18T08:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2CG</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 8</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, wobei die Aufführungen der letzten sechs Sinfonien in einer unvergesslichen Woche in der Philharmonie Berlin im Juni 2010 gefilmt wurden. Daniel Barenboim und das Orchester präsentieren In diesem Konzert ist die mächtige Achte. Für viele ist das Werk Bruckners größte Errungenschaft.</video:description>
<video:duration>5081</video:duration>
<video:publication_date>2024-08-28T12:52:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-09-18T08:37:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2C8</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 7</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, wobei die Aufführungen der letzten sechs Sinfonien in einer unvergesslichen Woche in der Philharmonie Berlin im Juni 2010 gefilmt wurden. In diesem Konzert spielen sie die Symphonie Nr. 7, deren zu Herzen gehendes Adagio sich als ein Denkmal für Wagner, Bruckners musikalisches Idol, entpuppte. </video:description>
<video:duration>4340</video:duration>
<video:publication_date>2024-08-28T12:44:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:35:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2C0</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 6</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, wobei die Aufführungen der letzten sechs Sinfonien in einer unvergesslichen Woche in der Philharmonie Berlin im Juni 2010 gefilmt wurden. In diesem Konzert wenden sich Orchester und Dirigent der Sechsten Symphonie zu. Obwohl sie lange Zeit vernachlässigt und unterschätzt wurde, hat sie sich in letzter Zeit wieder zu einem Favoriten unter Dirigenten und Publikum entwickelt.</video:description>
<video:duration>3529</video:duration>
<video:publication_date>2024-08-28T12:33:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0E8</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 5</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, wobei die Aufführungen der letzten sechs Sinfonien in einer unvergesslichen Woche in der Philharmonie Berlin im Juni 2010 gefilmt wurden. Die Symphonie Nr. 5 wurde in den Jahren 1875 und 1876 komponiert und ist eines der ehrgeizigsten, komplexesten, aber lohnendsten Werke des Komponisten, in das Barenboim seine ganze Erfahrung einbringt.</video:description>
<video:duration>4608</video:duration>
<video:publication_date>2024-08-28T12:26:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0E0</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3226b96ca34d93c9ab60a17e63c12ca7d5d5e050.jpg</video:thumbnail_loc>
<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, wobei die Aufführungen der letzten sechs Sinfonien in einer unvergesslichen Woche in der Philharmonie Berlin im Juni 2010 gefilmt wurden. Die „romantische“ Symphonie Nr. 4 wurde ursprünglich 1874 komponiert und sie erlebte 1881 ihre triumphale Uraufführung in Wien und ist seitdem, trotz vieler Umarbeitungen eines der beliebtesten Werke des Komponisten geblieben.</video:description>
<video:duration>4176</video:duration>
<video:publication_date>2024-08-28T12:19:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:16:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0DO</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 3</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, darunter Aufführungen der ersten drei Sinfonien auf ihrer Tournee in der Philharmonie de Paris im 2017. 
Barenboim dirigiert der Symphonie Nr. 3, die Bruckner Wagner gewidmet hat. Sie erlebte eine katastrophale Uraufführung in Wien, was zu umfangreichen Überarbeitungen führte, gilt aber heute als das erste Werk, in dem Bruckners reife symphonische Meisterschaft voll zum Ausdruck kommt.</video:description>
<video:duration>3896</video:duration>
<video:publication_date>2024-08-28T12:09:39Z</video:publication_date>
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<lastmod>2024-09-18T08:12:45Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0DG</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 2</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester- und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, darunter Aufführungen der ersten drei Sinfonien auf ihrer Tournee in der Philharmonie de Paris im Januar 2017. Die 2. Sinfonie wurde nach Bruckners Umzug nach Wien begonnen und im Jahr 1872 vollendet. Sie ist ein Werk, in dem die wachsende Beherrschung der Gattung durch den Komponisten deutlich wird.</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2024-08-28T12:01:10Z</video:publication_date>
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<lastmod>2024-09-18T08:08:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0D8</loc>
<video:video>
<video:title>Barenboim dirigiert Bruckner: Sinfonie Nr. 1</video:title>
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<video:description>Die Staatskapelle Berlin gehört mit ihrer über 450-jährigen Tradition zu den ältesten Orchestern der Welt und war über 30 Jahre lang untrennbar mit Daniel Barenboim verbunden, der von 1992 bis 2023 ihr Musikdirektor war. Gemeinsam erkundeten sie mit großem Erfolg das zentrale Orchester - und Opernrepertoire, nicht zuletzt die Sinfonien von Anton Bruckner, darunter Aufführungen der ersten drei Sinfonien auf ihrer Tournee in der Philharmonie de Paris im Januar 2017.
Hier präsentiert Barenboim die Symphonie Nr. 1 des Komponisten. Ursprünglich zwischen 1865 und 1866 komponiert, war sie ein kühner und lebendiger erster offizieller Versuch in einer Gattung, die Bruckner - damals bereits in seinen 40ern - zu seiner eigenen machen wollte.</video:description>
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<video:publication_date>2024-08-27T15:03:39Z</video:publication_date>
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<lastmod>2024-09-18T08:06:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4E0</loc>
<video:video>
<video:title>Seiji Ozawa &amp; das Boston Symphony Orchestra: Beethoven, Bartók &amp; Ives</video:title>
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<video:description>Seiji Ozawa war der dienstälteste Chefdirigent des Boston Symphony Orchestra. Während seiner 29-jährigen Amtszeit erreichte das berühmteste der „Big Five“-Orchester der USA einen wahrhaft globalen Ruf. In diesem Konzert, das 1991 auf einer Tournee in der Alten Oper Frankfurt mitgeschnitten wurde, zeigt sich die legendäre Partnerschaft in einem für Boston besonders charakteristischen Programm: Ein Stück klassischer Americana von Charles Ives trifft auf Beethovens verspielteste Sinfonie sowie auf Bartóks Konzert für Orchester. Das letzte Werk wurde für exakt dieses Orchester geschrieben und von ihm auch uraufgeführt. Hier kann man erleben, dass wenige Ensembles eine so tiefe Verbindung zu dieser Musik besitzen.</video:description>
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<video:publication_date>2024-09-09T07:04:25Z</video:publication_date>
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<lastmod>2024-09-17T08:26:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ6C8</loc>
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<video:title>Pierre Boulez dirigiert Schönberg, Strawinsky &amp; De Falla</video:title>
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<video:description>In der zweiten Hälfte seiner langen und außergewöhnlichen Karriere entwickelte sich Pierre Boulez zu einem der fesselndsten Vertreter der Musik des 20. Jahrhunderts – und am eindringlichsten war er, wenn sein eigenes, virtuoses Ensemble Intercontemporain dirigierte. Dieses Konzert aus dem Theater an der Wien wurde kurz vor dem 80. Geburtstag des Meisters aufgenommen. Schönbergs Pierrot Lunaire, den die Sopranistin Anja Silja in einer szenischen Version singt, kombiniert Boulez mit nahezu zeitgleich entstandenen Meisterwerken von Strawinsky und de Falla. Unter der Leitung eines Dirigenten, der alle Musik durch die Linse seiner eigenen schillernden Kreativität betrachtet, trifft die Wiener Moderne auf die Welt der Ballets Russes.</video:description>
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<video:publication_date>2024-09-10T19:46:03Z</video:publication_date>
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<lastmod>2024-09-17T08:20:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38D8</loc>
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<video:title>Peltokoski dirigiert Wagner, Strauss &amp; Bruckner – mit Elsa Dreisig</video:title>
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<video:description>Tarmo Peltokoski und das Orchestre national du Capitole de Toulouse beschließen das Granada Festival 2024 mit einem Programm, das die letzten Meisterwerke zweier großer Komponisten enthält: Anton Bruckner und Richard Strauss. Das Konzert beginnt allerdings mit Musik von Richard Wagner, den beide Männer sehr verehrten. Sein mitreißendes Vorspiel zu Die Meistersinger von Nürnberg eröffnet das Programm, bevor die Sopranistin Elsa Dreisig Strauss&apos; Vier letzte Lieder aufführt - sein heiterer Abschied vom Leben und von der Liebe. Im Gegensatz dazu wollte Bruckner mit seiner Neunten Symphonie dem Glauben, der ihn sein ganzes Leben lang getragen hatte, ein ultimatives Denkmal setzen, doch bei seinem Tod 1896 waren nur die ersten drei Sätze fertig.</video:description>
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<video:publication_date>2024-07-29T15:00:14Z</video:publication_date>
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<lastmod>2024-09-04T14:56:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3CE8</loc>
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<video:title>Cortège // FRAGMENTS II – Lili Boulanger (Live in Kopenhagen)</video:title>
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<video:publication_date>2024-09-03T09:41:50Z</video:publication_date>
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<lastmod>2024-09-03T15:26:48Z</lastmod>
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<video:title>Andris Nelsons dirigiert Barber, Schumann &amp; Mozart</video:title>
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<video:description>Zu Andris Nelsons Vorgängern als Gewandhauskapellmeister in Leipzig gehörte Felix Mendelssohn, der in dieser Funktion 1841 die Uraufführung von Schumanns „Frühlings-Sinfonie” dirigierte. Das schwung- und fantasievolle Werk ist auch in dieser Aufzeichnung eines Konzerts zu erleben, das noch ohne Publikum stattfinden musste. Mit ihrer Aufbruchsstimmung beschwor die Sinfonie die Hoffnung auf einen Pandemie-freien Frühling nach dem langen Corona-Winter. Auf Samuel Barbers elegisches Adagio for Strings folgt Mozarts 25. Klavierkonzert, dessen perlende Eleganz und Gestaltenvielfalt im Meisterpianisten Daniil Trifonov einen feinsinnigen und souveränen Interpreten und im Gewandhausorchester Leipzig ein ideales Instrumentalensemble findet. </video:description>
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<video:publication_date>2022-11-09T10:59:09Z</video:publication_date>
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<lastmod>2024-08-27T13:43:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ADG</loc>
<video:video>
<video:title>„Touching the Sound“: die unglaubliche Reise des Nobuyuki Tsujii</video:title>
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<video:description>Die Tatsache, dass Nobuyuki Tsujii von Geburt an blind ist, hat seine Fähigkeit, Klavier zu spielen, nie beeinträchtigt. Vor dem Hintergrund der Musik von Chopin, Beethoven, Rachmaninoff, Liszt und anderen sowie Nobuyukis eigenen ermutigenden Kompositionen ist dieser Film eine Inspiration für alle Menschen, die mit Behinderungen oder schweren Herausforderungen im Leben konfrontiert sind. Der im Mai 2013 gedrehte Film „Touching the Sound“ zeichnet Nobuyukis lebenslanges Streben nach, ein Pianist von Weltrang zu werden. Er umfasst seine jungen Jahre als Student, eine Amerikatournee, einen Besuch in den vom Erdbeben und Tsunami verwüsteten Gebieten Japans und endet mit seinem triumphalen Debüt bei den BBC Proms in London.</video:description>
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<video:publication_date>2024-08-02T14:48:32Z</video:publication_date>
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<lastmod>2024-08-26T17:24:14Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ8</loc>
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<video:title>Mozart: Vesperae solennes de confessore: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson)</video:title>
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<video:description>With his highly personal double album From Afar, Víkingur Ólafsson is offering a window into his musical life story. The album reflects Ólafsson’s musical DNA, from childhood memories growing up in Iceland to his contemporary inspirations, exploring such evocative themes as home, childhood and family. Recorded on both upright and grand pianos, the album captures two distinct sound worlds.</video:description>
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<video:publication_date>2022-10-23T21:41:02Z</video:publication_date>
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<lastmod>2024-08-23T13:29:20Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJACO</loc>
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<video:title>Winter 1</video:title>
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<video:description></video:description>
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<lastmod>2024-08-23T13:28:02Z</lastmod>
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<video:title>Bartók: Drei ungarische Volkslieder aus Csík, Sz. 35a</video:title>
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<lastmod>2024-08-23T13:27:11Z</lastmod>
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<video:title>Liszt: Liebeslied, S. 566 (Nach Schumanns Widmung, Op. 25 Nr. 1)</video:title>
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<lastmod>2024-08-23T13:10:38Z</lastmod>
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<video:title>Silvestrov: 3 Bagatelles, Op. 1: III. Moderato</video:title>
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<lastmod>2024-08-23T13:10:12Z</lastmod>
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<video:title>Silvestrov: The Messenger (For Piano Solo)</video:title>
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<lastmod>2024-08-23T13:09:33Z</lastmod>
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<video:title>Debussy: Suite bergamasque, CD. 82: III. Clair de Lune</video:title>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:09:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJGC8</loc>
<video:video>
<video:title>Spiegelbild - aus &quot;Mulan&quot;</video:title>
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<lastmod>2024-08-23T13:08:27Z</lastmod>
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<video:title>Mir ist so nach dir</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:07:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCC0</loc>
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<video:title>Rameau: Gavotte et six doubles: Gavotte</video:title>
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<lastmod>2024-08-23T13:05:48Z</lastmod>
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<video:title>La Mer</video:title>
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<lastmod>2024-08-23T13:05:24Z</lastmod>
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<video:title>Erstens küss ich nicht</video:title>
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<lastmod>2024-08-23T13:05:01Z</lastmod>
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<url>
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<video:title>Die Schöne und das Biest</video:title>
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<lastmod>2024-08-23T12:52:05Z</lastmod>
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<video:title>Howard: While You Live</video:title>
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<video:title>Traditional: Morning Nightcap (Arr. Lúnasa für Ensemble)</video:title>
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<video:description>After the highly acclaimed album “Destination Rachmaninov – Departure”, comprising Daniil Trifonov’s cycle of the great Russian composer’s piano concertos, the pianist concludes his Rachmaninov project with his second of two albums “Destination Rachmaninov – Arrival”. The recording includes Trifonov’s arrangement of Rachmaninov’s famous, beloved, heart-rending “Vocalise”, now available as an exclusively long version.
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<video:title>Massenet: Pourquoi me réveiller, ô souffle du printemps?</video:title>
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<lastmod>2024-08-23T07:58:12Z</lastmod>
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<video:title>Satie: Gnossiennes: No. 4, Lent</video:title>
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<lastmod>2024-08-23T07:57:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DO</loc>
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<video:title>Jóhann Jóhannsson: Live aus Berlin</video:title>
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<video:description>Der Tod des Komponisten Jóhann Jóhannsson im Alter von nur 48 Jahren riss im Februar 2018 eine schmerzhafte Lücke in die Musikwelt. Eine eindrucksvolle Karriere hatte den isländischen Musiker bis nach Hollywood katapultiert, wo er mit dem Golden Globe ausgezeichnet und zweimal für den Oscar nominiert wurde. Die innovative Verbindung von Streicher- und Klavier-Klang mit elektronischer Musik und Sound-Einspielungen macht auch diesen Live-Auftritt im Funkhaus Berlin aus dem Jahr 2016 zu einem unvergesslichen und durch seine trancehafte Atmosphäre fesselnden Ereignis. Einige Stücke wie „A Song for Europa“ und „Flight from the City“ sind auch aus dem Studio-Album Orphée bekannt, mit dem Jóhannsson bei der Deutschen Grammophon debütierte.</video:description>
<video:duration>5024</video:duration>
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<lastmod>2024-08-23T07:00:41Z</lastmod>
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<video:title>Weinberg: Aria, Op. 9</video:title>
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<video:publication_date>2024-08-19T14:57:58Z</video:publication_date>
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<lastmod>2024-08-21T17:01:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3CDO</loc>
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<video:title>Bruce Liu: Zwischen den Kulturen</video:title>
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<video:description>Die Aufnahmen dieses Dokumentarfilms sind zeitgleich mit Bruce Lius mit Spannung erwartetem Debüt am Théâtre des Champs-Elysées in Paris entstanden. Der Blick hinter die Kulissen zeigt den multikulturellen Hintergrund des kanadisch-chinesischen Pianisten, der 2021 den Internationalen Chopin-Wettbewerb gewann. Der Film umfasst ausführliche Passagen des Konzerts und Aufnahmen, die den Pianisten an seinem Wohnort Montreal zeigen. Außerdem ist Liu bei der Arbeit mit seinem Lehrer Đặng Thái Sơn zu erleben, der 1980 als erster asiatischer Pianist mit dem Ersten Preis des Chopin-Wettbewerbs ausgezeichnet wurde.</video:description>
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<lastmod>2024-08-14T10:36:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3EDO</loc>
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<video:title>Nézet-Séguin &amp; Trifonov spielen Rachmaninow</video:title>
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<video:description>Kein Klangkörper außerhalb Russlands hat eine engere Beziehung zu Sergej Rachmaninow als das Philadelphia Orchestra. Viele seiner Werke hat es uraufgeführt – auch die Rhapsodie über ein Thema von Paganini, ein Destillat von Rachmaninows variationenreichem Spätstil, hier gespielt von Daniil Trifonov, der nach den gemeinsamen, von der Kritik gefeierten Aufnahmen aller Werke für Klavier und Orchester des Komponisten, erneut mit dem Orchester und Yannick Nézet-Séguin zusammenkommt. Die Symphonischen Tänze, 1940 entstanden und somit das letzte große Werk des Komponisten, vervollständigen das Programm.</video:description>
<video:duration>3603</video:duration>
<video:publication_date>2024-01-15T14:23:48Z</video:publication_date>
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<lastmod>2024-08-13T09:39:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ECG</loc>
<video:video>
<video:title>Klassik unter den Sternen – Elīna Garanča, Jonathan Tetelman &amp; Friends</video:title>
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<video:description>Spektakulär ist die Kulisse für diese Operngala: Hoch über der Donau im barocken Stift Göttweig öffnet sich der Himmel für vokale Klangkunst – ob Belcanto, Verismo oder die lebhaften Lieder Südamerikas. Elīna Garanča und ihr Mann Karel Mark Chichon, der das Orchester der Volksoper Wien leitet, bieten sie gemeinsam mit dem chilenisch-amerikanischen Startenor Jonathan Tetelman sowie der spanischen Sopranistin Marina Monzó dar. Und auch Marie-Sophie Janke ist zu erleben, eine „ZukunftsStimme”. Die Mezzosopranistin gewann den ersten Preis des gleichnamigen Wettbewerbs für herausragende junge Talente.</video:description>
<video:duration>6218</video:duration>
<video:publication_date>2023-09-28T07:31:36Z</video:publication_date>
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<lastmod>2024-08-09T16:43:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJIC0</loc>
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<video:title>Karajan dirigiert Verdi: Don Carlo</video:title>
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<video:description>Spanien im 16. Jahrhundert: ein Ort der Intrigen, an dem Könige und Prinzen nur mehr Schachfiguren der Winkelzüge höherer und dunklerer Mächte sind. Verdis Don Carlo ist wohl seine größte Oper, und in dieser herausragenden Aufführung der Salzburger Festspiele des Jahres 1986 ist Karajan am Werk – im Doppelamt, als Regisseur und Dirigent. Die atemberaubende historische Inszenierung wird ergänzt durch eine ausgezeichnete Besetzung. Zur Höchstform laufen auf: José Carreras in der Titelpartie, Ferruccio Furlanetto als Philipp II. und Agnes Baltsa als Prinzessin Eboli. </video:description>
<video:duration>10704</video:duration>
<video:publication_date>2024-04-16T06:38:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-09T16:32:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3AD8</loc>
<video:video>
<video:title>Anna Netrebko &amp; Rolando Villazón singen La Traviata</video:title>
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<video:description>Die Neuinszenierung von La Traviata bei den Salzburger Festspielen 2005 erregte weltweites Aufsehen: Es war nicht das erste Mal, dass Anna Netrebko und Rolando Villazón gemeinsam auf der Bühne standen, doch mit dieser Inszenierung wurden sie zu Superstars. Jeder für sich ist brillant, aber unter der Regie von Willy Decker in seiner ikonischen Inszenierung glänzen sie vor allem als Paar und bieten eine seltene dramatische Chemie. Noch nie wurden Opernstars so hautnah und persönlich gezeigt, noch nie waren sie in den Medien so präsent. Ein magischer Moment der Musik, der durch unveröffentlichtes Probenmaterial und Interviews mit Anna Netrebko, Rolando Villazón, Thomas Hampson, Willy Decker und anderen zum Leben erweckt wird.</video:description>
<video:duration>3135</video:duration>
<video:publication_date>2024-07-25T12:16:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2024-08-09T08:42:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0CG</loc>
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<video:title>Andris Nelsons dirigiert Mahler: Sinfonie Nr. 6 </video:title>
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<video:description>Nur wenige Symphonien treffen eine so starke Aussage wie Mahlers „tragische“ Sechste – und diese Aufführung des ungewöhnlich umfangreichen und für ein riesiges Orchester geschriebenen Werks stellte angesichts der globalen Pandemie selbst eine tapfere künstlerische Aussage dar. Am Pult der Wiener Philharmoniker, deren Auftritte beim Festival ein strenges Testreglement ermöglichte, stand 2020 bei den Salzburger Festspielen Andris Nelsons. Seine Interpretation wurde für ihre Erhabenheit und spirituelle Großherzigkeit gelobt. Kraftvoll wurden die verschiedenen Stimmungen der Symphonie verwirklicht, von der Unerbittlichkeit der ersten beiden Sätze über die sehnsüchtige Lyrik des Andante bis zur tiefen Verzweiflung des Finales.</video:description>
<video:duration>5369</video:duration>
<video:publication_date>2023-01-11T09:48:10Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-07T09:25:29Z</lastmod>
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<video:title>Andris Nelsons dirigiert Mahler: Sinfonie Nr. 5 </video:title>
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<video:description>Andris Nelsons und die Wiener Philharmoniker widmen sich in diesem Konzert der Salzburger Festspiele 2022 Mahlers Fünfter Symphonie. Sie ist die erste der drei rein instrumentalen Symphonien aus der mittleren Schaffensperiode des Komponisten. Die Kritik lobte die makellose Qualität des Orchesterspiels und den instinktsicheren Zugriff des Dirigenten auf das Werk: Auf den geduldig musizierten Trauermarsch zu Beginn folgt ein Scherzo, das alle musikalischen Stimmungen Mahlers verwirklicht, und eine tief bewegende Interpretation des berühmten Adagietto. Keine „revolutionäre Mahler-Deutung”, urteilte ein Rezensent über das Finale, jedoch eine Darbietung, die von „größter Liebe und Leidenschaft” geprägt gewesen sei.</video:description>
<video:duration>5074</video:duration>
<video:publication_date>2023-01-11T10:09:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-07T09:25:11Z</lastmod>
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<video:title>Nelsons dirigiert Mahler: Sinfonie Nr. 4 – und Bergs Violinkonzert</video:title>
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<video:description>Andris Nelsons setzt seine Studie von Mahlers Œuvre fort und dirigiert die Wiener Philharmoniker in dessen Vierter live aus Salzburg. Die Beschäftigung des Komponisten mit Gedichten aus „Des Knaben Wunderhorn” endet mit diesem Werk zunächst, es ist das Schlussstück der „Wunderhorn”-Sinfonien – Musik mit Hintersinn und nur vordergründig heiter zwischen lebhaftem Kopfsatz und einem Finale, das „Das himmlische Leben” aus der Sammlung vertont. Christiane Karg singt das Sopransolo hier. Und davor spielen Orchester und Dirigent gemeinsam mit dem Geiger Augustin Hadelich das Violinkonzert von Berg, „Dem Andenken eines Engels” gewidmet, ein passender und erschütternder Ausklang.</video:description>
<video:duration>6571</video:duration>
<video:publication_date>2023-08-23T11:16:40Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-07T09:24:57Z</lastmod>
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<video:video>
<video:title>Großes Berliner Open-Air-Konzert mit Beethovens Neunter Symphonie</video:title>
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<video:description>Viele Aufführungen des großen Beethoven-Jahrs 2020 mussten Corona-bedingt abgesagt werden. Wann immer aber doch Musik des Wiener Klassikers erklang, spendete sie dem Publikum auf einzigartige Weise Trost; wahrscheinlich hat kein zweiter Komponist auch im Angesicht von Leid und Mühen so unbeirrbar an Humanität und Hoffnung festgehalten. Bei einem Open-Air-Konzert auf dem Berliner Bebelplatz stand in Darbietungen der Staatskapelle Berlin die Neunte Symphonie mit ihrer weltumarmenden „Ode an die Freude” den intimen Violin-Romanzen gegenüber. Daniel Barenboim ist einer der bedeutendsten Beethoven-Interpreten unserer Zeit und die Weltklasse-Geigerin Anne-Sophie Mutter bezaubert mit herrlich farbenreichem Ton seit Jahrzehnten das Publikum.</video:description>
<video:duration>6319</video:duration>
<video:publication_date>2022-06-29T13:57:02Z</video:publication_date>
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<lastmod>2024-08-05T13:46:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3IE0</loc>
<video:video>
<video:title>Joana Mallwitz dirigiert Prokofjew, Weill und Mahler</video:title>
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<video:description>Zur Eröffnung ihrer ersten Saison als Chefdirigentin und Künstlerische Leiterin des Konzerthausorchesters Berlin wählte Joana Mallwitz die ersten Symphonien von drei sehr unterschiedlichen Komponisten. Zunächst Prokofjew, die „Symphonie classique”, ein Werk des Übermuts und hier so tänzerisch dargeboten, dass ein Kritiker der Ausnahmedirigentin ein größeres Podest empfahl. Und schon wechselt die Tonsprache. Es folgt Kurt Weill. Ein Frühwerk von 1921, in gleichsam jugendlicher Erregung aufgeführt. Und schließlich Mahler. Emotionale Extreme prägen dessen Erste Symphonie, die Mallwitz erst leise, dann voll Elan in Töne fasst. </video:description>
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<video:publication_date>2023-12-04T10:22:09Z</video:publication_date>
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<lastmod>2024-08-02T08:18:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2E8</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 4</video:title>
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<video:description></video:description>
<video:duration>295</video:duration>
<video:publication_date>2023-11-09T16:43:08Z</video:publication_date>
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<lastmod>2024-07-30T09:49:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2E0</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 3 </video:title>
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<video:duration>357</video:duration>
<video:publication_date>2023-11-09T16:35:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-30T09:49:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2DO</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 2 </video:title>
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<video:description></video:description>
<video:duration>280</video:duration>
<video:publication_date>2023-11-09T16:22:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-30T09:48:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2DG</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: Master of Mahler Ep. 1</video:title>
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<video:description></video:description>
<video:duration>266</video:duration>
<video:publication_date>2023-11-09T16:14:36Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:47:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36</loc>
<video:video>
<video:title>Dvořák: Rusalka, Op. 114: Act I: Mesicku na nebi hlubokém</video:title>
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<video:description></video:description>
<video:duration>299</video:duration>
<video:publication_date>2022-09-24T05:13:27Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:44:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4E0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla dirigiert Weinberg, Schumann und Beethoven</video:title>
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<video:description>„Beim Dirigieren geht es darum, Musik mit Anderen zu teilen”, sagt Mirga Gražinytė-Tyla, die hier in einer Aufzeichnung vom Dezember 2020 zu erleben ist. Die Musik, die sie und die Deutsche Kammerphilharmonie Bremen bei diesem Anlass mit dem Publikum im Konzerthaus Dortmund »teilt«, stammt unter anderem von Mieczysław Weinberg. Für das lange vernachlässigte Schaffen des Komponisten setzt sich die Dirigentin seit langem engagiert ein. Auf Weinbergs Arie op. 9 folgt Schumanns Klavierkonzert. Der Pianist Kirill Gerstein übernimmt auch im zweiten Weinberg-Werk des Abends – dessen Siebter Symphonie für Cembalo und Streicher – den Solopart. Zum Abschluss des Konzerts interpretieren Orchester und Dirigentin Beethovens Dritte Leonoren-Ouvertüre.</video:description>
<video:duration>4900</video:duration>
<video:publication_date>2023-02-09T13:55:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:39:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS34</loc>
<video:video>
<video:title>Yellow Lounge: Internationaler Frauentag 2021</video:title>
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<video:description>Zum 100. Geburtstag des Internationalen Frauentages präsentiert die Yellow Lounge der Deutschen Grammophon vier führende Solistinnen von drei verschiedenen Kontinenten. In diesem ungewöhnlichen Konzert rückt die Classic-Meets-Club-Reihe des Yellow Label eine neue Generation von Frauen ins Zentrum, die in der Welt der klassischen Musik für Furore sorgen. Im Programm treten mit der Sopranistin Nadine Sierra, der Harfenistin Magdalena Hoffman, der Geigerin Bomsori und der Sopranistin Hera Hyesang Park vier hochbegabte Musikerinnen ins Rampenlicht. Sie alle werden von Sophia Muñoz am Klavier begleitet. Das feministische VJ-Kollektiv Trial and Theresa ergänzt die Musik mit visuellen Impressionen.</video:description>
<video:duration>4635</video:duration>
<video:publication_date>2022-06-10T17:03:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJEC0</loc>
<video:video>
<video:title>Yellow Lounge: María Dueñas &amp; Raphaël Feuillâtre</video:title>
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<video:description>Sie sorgen für Furore – die spanische Geigerin María Dueñas und der französische Gitarrist Raphaël Feuillâtre. Nun kommen die beiden jungen DG-Künstler:innen in Ostberlin zusammen, nicht im renommierten Konzerthaus, sondern im Club: Live aus dem Säälchen in Friedrichshain wird dieses Konzert übertragen. Neueste Interpretationen sind zu hören, Stücke von ihren Debütalben bei Deutsche Grammophon – und manch eine Überraschung!</video:description>
<video:duration>3824</video:duration>
<video:publication_date>2023-07-17T12:45:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJEC0</loc>
<video:video>
<video:title>Yellow Lounge: Daniel Hope &amp; Anja Lechner – Silvestrov </video:title>
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<video:description>Die Deutsche Grammophon präsentiert in der Yellow Lounge ein Konzert, das dem ukrainischen Komponisten Valentin Silvestrov zu seinem 85. Geburtstag am 30. September 2022 gewidmet war. Die Cellistin und ECM-Künstlerin Anja Lechner, die Silvestrov zu seinen Stücken Augenblicke der Stille und Traurigkeit inspirierte, spielt seit 20 Jahren in Konzerten und Aufnahmen die Musik des Komponisten. Im ersten Set dieses Konzerts tritt Lechner mit dem Pianisten Raúl da Costa auf, und im zweiten Set wird DG-Künstler Daniel Hope von Alexey Botvinov am Klavier begleitet. Auch das neue DG-Album von Daniel Hope enthält, aus Anlass von Silvestrovs Geburtstag, ausschließlich Werke des ukrainischen Komponisten.  </video:description>
<video:duration>4038</video:duration>
<video:publication_date>2023-07-20T10:32:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38DO</loc>
<video:video>
<video:title>Yellow Lounge: Alice Sara Ott und Julius Asal</video:title>
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<video:description>Pianistisch poetische Perfektion wird im variantenreichen Anschlag in zwei atmosphärisch dichten Programmen geboten. Alice Sara Ott, seit 2008 Exklusivkünstlerin der Deutschen Grammophon, spielt Werke von Beethoven, Bach, Chilly Gonzales, Arvo Pärt und anderen – Musik ihres Albums Echoes of Life. Danach setzt sich Julius Asal an sein Instrument, jüngstes Signing des Labels und eine „Entdeckung“, so Klassik HEUTE. Er bringt Scarlatti, Debussy, Scriabin, Rachmaninow und eigene Improvisationen zu Gehör. Bei dieser Yellow Lounge live aus dem Pop Kudamm in Berlin, visuell inszeniert von der Ex-Pfadfinderei, begegnet man zwei Könnern am Klavier. </video:description>
<video:duration>4372</video:duration>
<video:publication_date>2023-11-09T10:40:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJA</loc>
<video:video>
<video:title>Yellow Lounge: Albrecht Mayer &amp; die Bamberger Symphoniker</video:title>
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<video:description>Wenn die Jugendlichen nicht in den Konzertsaal kommen, dann kommt der Konzertsaal eben zu ihnen. Das Ziel, neue Fans zu gewinnen, wird in dieser Performance mit Werken von Elgar, Strauss, Ravel und Brahms und deren visueller Untermalung in den Räumen eines Supermarkts in Berlin erreicht. Ähnlich wie in Berlin selbst sind auch in diesem Yellow Lounge-Konzert die kontrapunktischen Aspekte offensichtlich, ergeben schließlich aber eine perfekte Harmonie. Albrecht Mayer und Jakub Hrůša führen mit den Bamberger Symphonikern ein Programm mit Nachkriegs-Werken aus ihrem Album Longing for Paradise auf und begeistern das Publikum einer Stadt, die einst selbst vom Krieg zerrissen worden war.</video:description>
<video:duration>2571</video:duration>
<video:publication_date>2022-05-16T13:54:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:27:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2C8</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla dirigiert Beethoven, Šerkšnytė und Walton</video:title>
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<video:description>Diese im Januar 2023 live aufgezeichnete Aufführung aus dem Konzerthaus Dortmund präsentiert ein für die Dirigentin Mirga Gražinytė-Tyla typisch abenteuerlustiges Programm, bei dem sie mit dem Orchestre Philharmonique de Radio France Musik von Raminta Šerkšnytė, Walton und Beethoven interpretiert. Zuerst erklingt Šerkšnytės 2010 in Auftrag gegebenes Stück Fires, das mit Beethovens Fünfter Sinfonie uraufgeführt wurde und sich auf Motive dieses Werks bezieht. Danach brilliert Daniil Trifonov in Beethovens schwungvollem Ersten Klavierkonzert, bevor eine sinfonische Suite aus Waltons Oper Troilus and Cressida das Programm abschließt. Das letzte Werk dirigiert Gražinytė-Tyla auch auf ihrem 2021 erschienenen Album „The British Project”.</video:description>
<video:duration>5452</video:duration>
<video:publication_date>2023-03-09T07:18:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:25:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C0</loc>
<video:video>
<video:title>Serenata Latina: Tenor Rolando Villazón &amp; Harfenist Xavier de Maistre</video:title>
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<video:description>Im wunderschönen Théâtre des Bouffes Parisiens hat sich Rolando Villazón mit dem französischen Star-Harfenisten Xavier de Maistre für ein Konzert mit intimen Arrangements lateinamerikanischer Lieder für Stimme und Harfe zusammengetan. Das lateinamerikanische Liedgut, in dem sich indigene, europäische und afrikanische Kulturen treffen, bietet eine reizvolle Collage aus Klängen, Rhythmen, Melodien und Erzählungen. Concerti schreibt in ihrer Fünf-Sterne-Rezension zum gleichnamigen Album: &quot;Sie [die Lieder] wirken authentisch, weil sich Xavier de Maistre und Rolando Villazón überragend gut ergänzen&quot;. &quot;Ein verlockender Vorgeschmack auf wenig bekanntes Repertoire, das eine weitere Erkundung wert ist&quot;, resümiert auch das Gramophone Magazine.</video:description>
<video:duration>3110</video:duration>
<video:publication_date>2022-06-23T14:04:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:23:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8C0</loc>
<video:video>
<video:title>Rising Stars: Der Geiger Hans Christian Aavik</video:title>
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<video:description>Der estnische Geiger Hans Christian Aavik, der 2022 den Ersten Preis beim internationalen Carl Nielsen-Wettbewerb gewann, wurde als „eines der aufregendsten jungen Talente Europas“ bezeichnet. In dieser Folge der Rising Stars-Reihe auf STAGE+ tritt Aavik mit der Pianistin Karolina Aavik, seiner regelmäßigen Kammermusik-Partnerin, auf. Auf dem Programm stehen zwei Werke des 20. Jahrhunderts, die innerhalb weniger Jahre entstanden sind: George Enescus Dritte Violinsonate von 1926 und Eduard Ojas sechs Jahre später geschriebene Aelita-Suite. Außerdem erklingt in einer Version für Geige und Klavier das Stück O Magnum Mysterium vom zeitgenössischen amerikanischen Komponisten Morten Lauridsen.</video:description>
<video:duration>2914</video:duration>
<video:publication_date>2023-03-02T07:20:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:45:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3AD8</loc>
<video:video>
<video:title>Rising Stars: Emily Pogorelc, Sopran</video:title>
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<video:description>Emily Pogorelc ist in der Reihe „Rising Stars” auf STAGE+ zu erleben mit einem Auftritt, der die ganze Bandbreite und Vielseitigkeit ihres Könnens offenbart. Die aufstrebende amerikanische Sopranistin ist seit 2021 Ensemblemitglied der Bayerischen Staatsoper in München und zudem zu Gast auf den bedeutenden Bühnen dieser Welt. Begleitet von Chris Reynolds am Klavier bietet sie hier ein Repertoire aus Operette und Lied, das drei Sprachen und fast zwei Jahrhunderte umfasst, und beweist einmal mehr, warum sie zu einer der gefragtesten jungen Künstlerinnen ihrer Generation zählt.</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2023-08-31T12:52:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:44:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3EC8</loc>
<video:video>
<video:title>Rising Stars: Aris Quartett </video:title>
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<video:description> Das preisgekrönte Aris Quartett spielt in der STAGE+-Reihe „Rising Stars” Musik der Geschwister Fanny Hensel und Felix Mendelssohn. Den Anfang macht Fanny Hensel mit ihrem fantasievollen Es-Dur-Quartett. Sie schrieb es 1834, doch erst über 150 Jahre später sollte es im Druck erscheinen. Frauen im 19. Jahrhundert war eine Karriere in der Musik trotz außerordentlicher Begabung nicht vergönnt. Mendelssohn aber schätzte den Austausch mit seiner hoch musikalischen Schwester und er litt, als sie starb. Sein dramatisches letztes Quartett schrieb er 1847 als Reaktion auf ihren plötzlichen Tod. Presto stimmt das Aris Quartett zum Schluss Mendelssohns „Lied ohne Worte” op. 102 Nr. 3 in einer Streicherbearbeitung an.</video:description>
<video:duration>3535</video:duration>
<video:publication_date>2023-09-25T14:03:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCD0</loc>
<video:video>
<video:title>Rising Stars: Die Sopranistin Anna El-Khashem </video:title>
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<video:description>Die bemerkenswerte Begabung der jungen, in St. Petersburg ausgebildeten Sopranistin Anna El-Khashem besticht unter den Talenten ihrer Generation. Unzählige große Debüts hat sie bereits gegeben, seitdem sie 2019 beim Gesangswettbewerb Neue Stimmen triumphierte. Auf dieser Bühne singt sie nun nicht nur Arien aus Opern von Rimski-Korsakow und Mozart – darunter übrigens eine ihrer Paraderollen, die Susanna aus Le nozze di Figaro –, sondern auch Lieder von Schumann, Tschaikowski und Rachmaninow.</video:description>
<video:duration>3070</video:duration>
<video:publication_date>2023-04-25T15:34:54Z</video:publication_date>
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<lastmod>2024-07-25T12:43:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3IDO</loc>
<video:video>
<video:title>Víkingur Ólafsson: Scenes from Afar </video:title>
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<video:description>Víkingur Ólafsson und seine Frau Halla Oddný Magnúsdóttir in den eigenen vier Wänden und die Kamera ist dabei, während das Paar ein Konzert in der Harpa Concert Hall in Reykjavík vorbereitet: Das Album From Afar ist entstanden, es ist Ólafssons persönlichste Veröffentlichung, eine Herzensangelegenheit, Repertoire dieser Aufnahme wird er im berühmten heimatlichen Konzertsaal zur Aufführung bringen. Im Dokumentarfilm spricht er über die Musik und auch über sein Leben auf Tourneen, über Auftritte an unterschiedlichsten Orten, über sein Publikum, seine Kritiker, das ewige Reisen und Nächte in Hotels. In diesem intimen Porträt kann der Zuschauer einen innovativen und aufgeschlossenen heutigen Musiker in seinem Alltag und Denken begleiten.</video:description>
<video:duration>2415</video:duration>
<video:publication_date>2023-08-21T10:01:54Z</video:publication_date>
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<lastmod>2024-07-25T12:41:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36CO</loc>
<video:video>
<video:title>Víkingur Ólafsson: From Afar </video:title>
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<video:description>In der intimen Umgebung des kleineren Konzertsaals im berühmten Konzerthaus Harpa in Reykjavík lädt Víkingur Ólafsson Sie ein, Repertoire aus seinem neuesten, von der Kritik gefeierten Deutsche-Grammophon-Album &quot;From Afar&quot; zu hören. Víkingur Ólafsson stellt die Stücke selbst vor und gibt persönliche Einblicke und Kommentare zu Musik von Bach, Kurtág, Brahms, Mozart und anderen.  </video:description>
<video:duration>3804</video:duration>
<video:publication_date>2023-03-15T10:47:00Z</video:publication_date>
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<lastmod>2024-07-25T12:41:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJEC8</loc>
<video:video>
<video:title>Musical Moment: María Dueñas in Berlin</video:title>
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<video:description>Die junge spanische Geigenvirtuosin María Dueñas gehört zu den aufregendsten Talenten der Klassik-Welt. Im legendären Berliner Meistersaal präsentiert sie einen besonders schönen Beitrag zum DG-Format Musical Moments. Zu Beginn erklingt mit der Sonate in A-Dur von César Franck ein Meisterwerk des romantischen Violinrepertoires, das der Komponist als Hochzeitsgeschenk für den bedeutenden belgischen Geiger Eugène Ysaÿe schrieb. Im Anschluss interpretiert Dueñas eine Auswahl kürzerer Werke: Liedern von Gabriel Fauré und Joan Manèn in Versionen für Violine und Klavier folgt ein neues Arrangement von &quot;Yo soy María&quot; aus Astor Piazzollas Tango-Oper María de Buenos Aires.</video:description>
<video:duration>2920</video:duration>
<video:publication_date>2023-05-11T14:28:27Z</video:publication_date>
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<lastmod>2024-07-25T12:40:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2</loc>
<video:video>
<video:title>Musical Moment: Seong-Jin Cho spielt Chopin und Szymanowski</video:title>
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<video:description>Zwei polnischen Komponisten gilt dieser Moment der Musik, Seong-Jin Cho spielt Frédéric Chopin und Karol Szymanowski. 2015 hatte der südkoreanische Pianist den Internationalen Chopin-Wettbewerb in Warschau gewonnen, hier legt er zwei schillernde Scherzi des Klaviervirtuosen vor und ergänzt sie durch ein Nocturne und einen Walzer. Szymanowskis Masques, 1915–1916 zu Papier gebracht, eröffnen das Programm. Drei literarische Gestalten werden porträtiert: Scheherazade, Geschichtenerzählerin aus Tausendundeine Nacht, der Narr Tantris, alias Tristan aus Tristan und Isolde, und Don Juan.  </video:description>
<video:duration>3196</video:duration>
<video:publication_date>2022-04-22T09:57:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:39:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP32</loc>
<video:video>
<video:title>Seong-Jin Cho spielt Brahms, Berg und Schubert im Meistersaal Berlin</video:title>
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<video:description>Der koreanische Pianist Seong-Jin Cho hat für sein Klavierrecital aus dem Meistersaal Berlin sowie für sein zeitgleich erscheinendes Album The Wanderer als zentrales Werk Schuberts Wandererfantasie ausgewählt. &quot;Es geht hier vor allem um Fantasie, um Vorstellungskraft, also um künstlerische Freiheit&quot;, erklärt Cho. Das Motiv des Wanderers wird dabei einerseits musikalisch anhand eines Themas und seiner Variationen und Entwicklungen verarbeitet. Andererseits spielt der freie Geist, der sich auf Reisen befindet, für ihn persönlich als weltweit gastierenden Musiker eine große Rolle. Komplettiert wir das Programm mit einem Stück von Brahms sowie Alban Bergs Klaviersonate Op. 1, ein einsätziges, außergewöhnlich intensives Werk.</video:description>
<video:duration>2455</video:duration>
<video:publication_date>2022-04-29T12:38:36Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-25T12:39:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C8</loc>
<video:video>
<video:title>Musical Moment: Magdalena Hoffmanns Reise durch die Nacht</video:title>
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<video:description>Die virtuose Harfenistin Magdalena Hoffmann präsentiert &quot;Night &amp; Dance&quot;, ein facettenreiches Recital mit Originalwerken und Transkriptionen für Harfe aus dem Berliner Meistersaal. Sie beginnt mit Respighis stimmungsvollem Notturno, ehe sie eines der zentralen Werke des Harfenrepertoires präsentiert: Brittens fünfsätzige Suite, die für den legendären walisischen Harfenisten Osian Ellis geschrieben wurde. Auf zwei Nocturnes von dem Komponisten John Field, der als Begründer des Genres gilt, folgen zwei kontrastierende Walzer Chopins. Anschließend interpretiert Hoffmann eine Transkription von Offenbachs berühmter Barcarolle, bevor sie von der Oper zum Jazz wechselt und mit Bernard Andrès&apos; Hommage an Duke Ellington das Recital ausklingen lässt.</video:description>
<video:duration>2499</video:duration>
<video:publication_date>2022-06-24T08:25:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:36:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6DG</loc>
<video:video>
<video:title>Musical Moment: Kit Armstrong spielt Werke von Byrd &amp; Bull</video:title>
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<video:description>Kit Armstrong präsentiert im Meistersaal Berlin ein Recital mit Werken zweier großer, englischer Komponisten: William Byrd und John Bull. Obwohl Byrd und Bull Zeitgenossen waren, unterscheiden sich ihre Kompositionsstile. Der Kontrast wird umso deutlicher, wenn die Werke – wie in diesem Recital – unmittelbar aufeinander folgen. Der 1992 in Los Angeles geborene Armstrong eröffnet so einen Einblick in den Wesenskern der Alten Musik Englands. &quot;William Byrd und John Bull schufen das Universum der Tastenmusik, wie es heute noch existiert&quot;, erläutert er. Alfred Brendel, der Armstrong seit 2005 als Lehrer und Mentor begleitet, schreibt ihm &quot;ein Verständnis für die großen Klavierwerke, das Frische und Subtilität, Emotion und Intellekt vereint&quot; zu.</video:description>
<video:duration>4000</video:duration>
<video:publication_date>2022-07-26T10:36:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CO</loc>
<video:video>
<video:title>Musical Moment: Hera Hyesang Parks musikalische Weltreise</video:title>
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<video:description>Mit Einladungen an so bedeutende Bühnen wie die New Yorker Met oder die Berliner Staatsoper sowie mit einem von der Londoner Times als „phänomenal“ bezeichneten Auftritt beim Glyndebourne Festival hat sich die junge Sopranistin Hera Hyesang Park als leuchtender Stern am Himmel der aktuellen Klassik-Szene etabliert. Als Exklusiv-Künstlerin der DG gestaltet sie einen wunderbar farbenreichen und stilistisch vielseitigen Beitrag zur Musical Moments-Reihe. Die Sängerin und ihre Begleiterin Sarah Tysman interpretieren nicht nur Klassiker wie Händels herzzerreißende Lamenti „Lascia ch’io pianga“ und „Piangerò“, sondern begeben sich auch, in den Welten der französischen Belle Èpoche und der fernöstlichen Musik, auf spannende Entdeckungsreisen. </video:description>
<video:duration>3362</video:duration>
<video:publication_date>2022-06-28T12:34:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:34:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS36</loc>
<video:video>
<video:title>Musical Moment: Bomsori und Rafał Blechacz </video:title>
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<video:description>Der polnische Pianist Rafał Blechacz und die koreanische Geigerin Bomsori begannen ihre kammermusikalische Zusammenarbeit im Jahr 2016. Anfang 2019 veröffentlichten sie dann ein Album mit polnischer und französischer Musik für Deutsche Grammophon, das ein Zeugnis ihrer beglückenden Zusammenarbeit und musikalischen Extraklasse ist. In diesem Recital laden Blechacz und Bomsori mit jeweils einer Sonate für Violine und Klavier von Mozart und Beethoven sowie faszinierenden Duo-Arrangements berühmter Solo-Klavierwerke von Liszt, Debussy und Chopin zu einem Konzert im Berliner Meistersaal ein. Dabei ist ihr Spiel nicht nur technisch perfekt, sondern auch hoch poetisch und sie sind im Moment des Konzerts stets bereitet Risiken einzugehen.</video:description>
<video:duration>3331</video:duration>
<video:publication_date>2022-06-13T12:06:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:33:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0</loc>
<video:video>
<video:title>Musical Moment: Avi Avital &amp; Ohad Ben-Ari</video:title>
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<video:description>„Kunst gibt mir Inspiration und spirituelle Nahrung“, sagte Avi Avital einmal. Weil beides gerade in schweren Zeiten dringend benötigt wird, ist der Künstler ein idealer Protagnonist der Musical Moments-Reihe. Avital hat mit seinen grandiosen Konzert-Auftritten und DG-Alben quasi im Alleingang das vermeintlich exotische Instrument der Mandoline im Bewusstsein eines Massenpublikums verankert. Tauchen Sie in dieser Aufzeichnung in die Welten der Wiener Klassik und der spanischen, italienischen und jüdischen Folklore ein. Mit einem original für Mandoline geschriebenen Werk Beethovens zeigen Avital und Pianist Ohad Ben-Ari, dass sich auch die bedeutendsten Komponisten für den verführerischen Klang des Instruments begeistert haben.</video:description>
<video:duration>2951</video:duration>
<video:publication_date>2022-05-12T13:50:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:33:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJI</loc>
<video:video>
<video:title>Musical Moment: Anna Prohaska &amp; Caspar Frantz</video:title>
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<video:description>In dieser Aufzeichnung gestaltet die österreichisch-britische Sopranistin Anna Prohaska mit dem Pianisten Caspar Frantz einen Beitrag zur DG-Reihe „Musical Moments“. Mit einer Auswahl besinnlicher Kunstlieder und Opernarien bringt das Duo Musik aus der Vergangenheit in die Gegenwart und Licht in dunkle Zeiten. Angesichts der globalen Pandemie wenden sich Prohaska und Frantz im Jahr 2020 der Musik als Quelle des Trostes zu. Die Kombination von dichtem Klavierpart und üppigem Gesang lässt eine Atmosphäre von Wärme und Liebe entstehen. Neben gemeinsamen Lieblingsstücken und einer wunderbar romantischen Arie aus Puccinis La Bohème interpretieren die Musiker auch bekannte Werke von Purcell, Weill, Bach, Mozart, Schubert und Schumann.</video:description>
<video:duration>3079</video:duration>
<video:publication_date>2022-06-17T09:04:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS38</loc>
<video:video>
<video:title>Musical Moment: Andreas Ottensamer &amp; das Schumann Quartett </video:title>
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<video:description>Bereits sieben von Mendelssohns Lieder ohne Worte hat Andreas Ottensamer für Klarinette und Klavier für sein Album Blue Hour arrangiert. Nun knüpft der Soloklarinettist der Berliner Philharmoniker mit neuen Arrangements ausgewählter Lieder ohne Worte für Klarinette und Streichquintett an den Erfolg des Albums an. Gemeinsam mit dem Schumann Quartett und dem Kontrabassisten sowie Philharmoniker-Kollegen Gunars Upatnieks erklingen Mendelssohns Lieder, die der Komponist ursprünglich für Klavier geschrieben hat. In der zweiten Hälfte des Programms spielt das Schumann Quartett das letzte von Schumanns drei Streichquartetten Op. 41 – seinen einzigen Werken dieses Genres. Sie wurden 1843 veröffentlicht und seinem Freund Mendelssohn gewidmet.</video:description>
<video:duration>3665</video:duration>
<video:publication_date>2022-06-13T12:43:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJG</loc>
<video:video>
<video:title>Musical Moment: Recital mit Andreas Ottensamer &amp; Julien Quentin</video:title>
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<video:description>Es sind melancholische, romantische und aufbauende Stücke, die der Klarinettist Andreas Ottensamer und der Pianist Julien Quentin für ihr Recital im Meistersaal Berlin zusammengestellt haben. Ottensamer selbst hat als Ergänzung seines Albums Blue Hour vier weitere Lieder ohne Worte von Mendelssohn für Klarinette und Klavier arrangiert, die er hier erstmals präsentiert. Darauf folgen Schumanns Fantasiestücke, ein absolutes Lieblingswerk. Je einen Satz spielen Ottensamer und Quentin zudem aus Sonaten von Poulenc, Brahms und Horovitz, wobei sie zum Werk des letzteren Komponisten eine besondere Verbindung haben: Ottensamer lernte Horovitz bei einem Konzert persönlich kennen, in dem der Klarinettist daraufhin als Zugabe dessen Sonatine spielte.</video:description>
<video:duration>2757</video:duration>
<video:publication_date>2022-06-09T09:49:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS32</loc>
<video:video>
<video:title>Musical Moment: Albrecht Mayer und Vital Julian Frey </video:title>
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<video:description>Der Oboist Albrecht Mayer und der Cembalist Vital Julian Frey nehmen ihr Publikum mit auf eine Reise in die Epoche des Barocks. Sie erkunden insbesondere Werke von zwei Meistern dieser Zeit: Johann Sebastian Bach und Antonio Vivaldi. Albrecht Mayer, der sich bereits auf einigen seiner Alben dem Barock gewidmet hat, darunter Bach – Konzerte und Transkriptionen sowie Tesori d’Italia, fasziniert auch in diesem Konzert aus der Siemensvilla mit seinem einzigartigen, farbenreichen Oboenklang. Albrecht Mayer zeigt seine virtuose Beherrschung des Instruments nicht nur in Oboenkonzerten und Triosonaten, sondern auch in berühmten, für Oboe d&apos;Amore transkribierten Arien, in denen er seine gesanglichen Qualitäten ausspielen kann.</video:description>
<video:duration>3571</video:duration>
<video:publication_date>2022-06-10T16:36:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:31:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3I</loc>
<video:video>
<video:title>Musical Moment: Elīna Garanča singt Lieder von Brahms &amp; Schumann </video:title>
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<video:description>Mit Elīna Garanča steht eine der bedeutendsten Sängerinnen der Gegenwart im Rampenlicht dieses Recitals. Die lettische Mezzosopranistin, die auf den Opernbühnen der Welt zuhause ist, trägt in der intimen Atmosphäre des Berliner Meistersaals Schumanns Liederzyklus Frauenliebe und Leben und eine Auswahl von Brahms-Liedern vor. Gemeinsam mit ihrem langjährigen Liedbegleiter Malcolm Martineau, zeigt Garanča ihr außergewöhnliches Können in diesem Genre. Ihre Fähigkeit, jede Nuance der Musik sowie des Textes zu vermitteln und so sämtliche Gefühlszustände auszuleuchten, ist bemerkenswert. Der 1840 komponierte Liederzyklus Schumanns liegt Garanča besonders am Herzen, weil dieser die Lebens- und Liebesgeschichte aus weiblicher Perspektive erzählt.</video:description>
<video:duration>2817</video:duration>
<video:publication_date>2022-06-15T09:19:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:30:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJ4</loc>
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<video:title>Musical Moment: Daniel Barenboim spielt Chopin</video:title>
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<video:description>Etüden, Nocturnes, Balladen – Frédéric Chopin hat diese Genres revolutioniert oder für das Klavier erst erfunden. Seine beiden Etüden-Zyklen waren die ersten, die technische Übungen in packende und tiefsinnige Musik verwandelten; seine Nocturnes erweiterten das Gattungsspektrum und etablierten sich als Bestandteil des klassischen Kanons; und Chopin war auch der Erste, der den zuvor nur von Dichtern verwendeten Begriff „Ballade“ auf die Klaviermusik anwendete. Alle diese Werke fordern die Verbindung von enormen technischen Fähigkeiten mit größter Musikalität; eine unwiderstehliche Kombination, die Daniel Barenboim in seinem vierten Beitrag zur DG- Reihe Musical Moments im Pierre Boulez Saal auf meisterhafte Weise demonstrierte. </video:description>
<video:duration>1979</video:duration>
<video:publication_date>2022-06-15T13:27:21Z</video:publication_date>
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<lastmod>2024-07-25T12:30:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3C</loc>
<video:video>
<video:title>Einbruch der Dunkelheit – Alice Sara Ott im Meistersaal</video:title>
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<video:description>Träume, Erinnerungen und transzendente Momente: Mit Präzision, Zärtlichkeit und dem Wechsel zwischen Drängen und Verweilen scheint Alice Sara Otts Klavierspiel eine zusätzliche zeitliche Dimension zu entfalten. Auf den magischen Moment fixiert, in dem der Tag zur Nacht wird, stellen Otts Interpretationen von Debussy, Satie und Chopin eine Balance zwischen Licht und Dunkelheit her und rufen gleichzeitig neuartige Assoziationen zu diesen beiden gegensätzlichen Begriffen hervor. Die Klanglandschaften dieses sorgfältig zusammengestellten Programms bringen ein Wechselspiel von Erinnerung, Reflexion und Phantasie hervor, das nicht nur durch die Harmonien, sondern auch durch die Farben und die zwischen ihnen liegenden Räume entsteht.</video:description>
<video:duration>2153</video:duration>
<video:publication_date>2022-05-03T08:43:16Z</video:publication_date>
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<lastmod>2024-07-25T12:27:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8DO</loc>
<video:video>
<video:title>Über SLEEP</video:title>
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<video:description></video:description>
<video:duration>369</video:duration>
<video:publication_date>2022-11-18T13:21:18Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:22:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3EC0</loc>
<video:video>
<video:title>Über SLEEP</video:title>
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<video:description></video:description>
<video:duration>1966</video:duration>
<video:publication_date>2023-04-20T09:45:07Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-23T12:22:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4E0</loc>
<video:video>
<video:title>Max Richter&apos;s SLEEP</video:title>
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<video:description>Der gefeierte Komponist und Musiker Max Richter arbeitete über zwei Jahre lang an seinem  achtstündigen Werk Sleep, das aus mehr als 200 Sätzen besteht. Bereits seit 1995 entwickelte er die Idee, ein, so Richter, „persönliches Wiegenlied für eine Welt in Aufruhr“ zu schreiben.  Das Projekt konzipierte er mit seiner Mitarbeiterin und Ehefrau, der BAFTA-prämierten Filmemacherin Yulia Mahr. Dieser einzigartige Film ermöglicht als Erforschung des Stücks eine intime und verbindende Erfahrung. Er untersucht den Prozess, der zu dem monumentalen Werk führte, erzählt die Geschichte von Richter und Mahr und präsentiert, anlässlich einer Open-Air-Konzertaufführung in Los Angeles, Live-Aufnahmen sowie persönliche Eindrücke von Zuschauern.</video:description>
<video:duration>5954</video:duration>
<video:publication_date>2022-11-14T09:20:46Z</video:publication_date>
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<lastmod>2024-07-23T12:22:16Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOG</loc>
<video:video>
<video:title>Max Richter – Recomposing Vivaldi</video:title>
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<video:description>Max Richters Überarbeitung von Vivaldis Vier Jahreszeiten ist viel mehr als eine Neukomposition, nämlich so etwas wie eine Wiederbelebung und eine Reinkarnation eines Barockstücks im 21. Jahrhundert. Die vier Violinkonzerte betrachtet Richter durch eine radikal neue Linse, dringt in das Herz der so wohlbekannten Sätze vor und gibt ihnen eine neue Gestalt, ohne seine Zuneigung zu dem Stück und zu den Rockstar-Qualitäten Vivaldis zu verheimlichen. Der Jahreszeiten-Zyklus ist wohl eines der berühmtesten Werke der klassischen Musik. Dieser Film informiert über die Lebensumstände von Antonio Vivaldi und – unter anderem aus der Perspektive des Hauptsolisten Daniel Hope und der des Komponisten – über die Entstehungsgeschichte von Richters Projekt.</video:description>
<video:duration>3286</video:duration>
<video:publication_date>2022-04-21T12:15:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:21:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8E0</loc>
<video:video>
<video:title>Jan Lisiecki spielt Etüden und Nocturnes von Chopin</video:title>
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<video:description>Im fast privat anmutenden Teatro Sannazaro in Neapel spielt Jan Lisiecki ein eigenwilliges Programm. Sein überraschendes Chopin-Recital verwebt die Etüden Op. 10 mit einer Auswahl von Nocturnes. Die meisterhaft ausgefeilten Lesarten des kanadischen Pianisten kontrastieren so Virtuosität mit Lyrismus – und zu Gehör kommt der ganze Facettenreichtum des großen polnischen Komponisten.</video:description>
<video:duration>5831</video:duration>
<video:publication_date>2023-03-29T14:50:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2C8</loc>
<video:video>
<video:title>Lang Lang &amp; Gina Alice in Saint-Saëns&apos; Karneval der Tiere </video:title>
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<video:description>Lang Lang und Gina Alice bringen mit dem Gewandhausorchester unter Andris Nelsons den Karneval der Tiere auf die Bühne, Saint-Saëns’ „große zoologische Fantasie“ für zwei Klaviere und Orchester. Das 14-sätzige musikalische Bestiarium schrieb Saint-Saëns 1886, doch dann ließ er die Partitur in der Schublade verschwinden, um seinen Ruf als „ernsthafter“ Künstler zu wahren. Nur den „Schwan“ gab er frei. Die humorvolle Suite eroberte erst nach seinem Tod die Bühnen dieser Welt und begeisterte das Publikum. „Hinter all dem Spaß stecken viele kluge Einfälle“, sagt Lang Lang. Für ihn ist die Komposition ein „großartiges romantisches Meisterwerk“, sie bot ihm zudem eine wunderbare Gelegenheit, mit seiner Frau Gina Alice zusammenzuarbeiten.</video:description>
<video:duration>1430</video:duration>
<video:publication_date>2024-02-12T12:42:37Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:59:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3G</loc>
<video:video>
<video:title>Lang Lang – mit Bach auf der Suche nach der inneren Stimme</video:title>
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<video:description>In einer Zeit persönlicher Umbrüche erfüllt sich Starpianist Lang Lang einen Traum und stellt sich einer der größten Herausforderungen des Repertoires: Bachs Goldberg-Variationen. Legendär ist der musikalische wie technische Anspruch des Zyklus, der 30 Variationen umfasst und fast 90 Minuten dauert. In einem intimen Prozess der Neu-entdeckung sucht Lang Mentoren und Bach-Experten auf und reist durch die Zeit und in verschiedene Städte, um eine tiefe Verbindung sowohl zum Komponisten als auch zu diesem einzigartigen Werk aufzunehmen. Erleben Sie, wie der Pianist über die Entstehung seiner Interpretation spricht und begegnen Sie dem „neuen“ Lang Lang, der sich durch größere Erfahrenheit, Nachdenklichkeit und  Offenherzigkeit auszeichnet.</video:description>
<video:duration>3507</video:duration>
<video:publication_date>2022-10-11T12:42:40Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:58:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ID8</loc>
<video:video>
<video:title>Kit Armstrong: »Meine Chroniken der Tastenmusik 1520-2023«</video:title>
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<video:description>Pianist Kit Armstrong präsentiert in Klang und Wort eine persönliche Geschichte der Tastenmusik. Seine Darbietungen von Schlüsselwerken aus fünf Jahrhunderten kommentiert er in kenntnisreichen Ausführungen über wichtige kulturelle, technische und philosophische Entwicklungen, die mit den Werken verbunden sind. Das Ergebnis ist ein tiefer Einblick in die Musik, die für das Klavier und seine Vorläufer geschrieben wurde.</video:description>
<video:duration>6385</video:duration>
<video:publication_date>2023-11-01T13:45:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:57:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6CO</loc>
<video:video>
<video:title>Joe Hisaishi in Wien</video:title>
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<video:description>Der Filmkomponist Joe Hisaishi ist eine lebende Legende. In diesem Konzert mit den Wiener Symphonikern, das Ende März 2023 aufgezeichnet wurde, dirigiert er neben seiner Zweiten Symphonie einige seiner bekanntesten Werke. Hisaishi hat viele seiner mehr als 100 Soundtracks für Hayao Miyazakis Studio Ghibli geschrieben. In seiner Musik verschmilzt der Komponist so unterschiedliche Stile wie Minimalismus, Elektronik, westliche und japanische klassische Musik zu einer ganz eigenen, unnachahmlichen Klangsprache. In diesem Konzert präsentiert Hisaishi unter anderem die Symphonische Suite aus Prinzessin Mononoke im Goldenen Saal des legendären Wiener Musikvereins – ein musikalisches Ereignis, das man sich nicht entgehen lassen sollte.</video:description>
<video:duration>5850</video:duration>
<video:publication_date>2023-06-18T19:15:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:55:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GC0</loc>
<video:video>
<video:title>Hélène Grimaud und Konstantin Krimmel: Lieder von Silvestrov &amp; Brahms</video:title>
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<video:description>Als besonderer Ort für eine einzigartige Begegnung erweist sich in dieser Aufzeichnung die unweit von Berlin gelegene Turbinenhalle am Stienitzsee. Dort, wo die unberührte Natur auf ein Industriedenkmal stößt, und in einem Raum, der früher von Maschinenlärm erfüllt war, kommen die Pianistin Hélène Grimaud und der junge Weltklasse-Bariton Konstantin Krimmel zusammen. Gemeinsam widmen sie sich der direktesten und intimsten musikalischen Gattung – dem Lied. Neben Brahms&apos; Liedern und Gesängen op. 32 erklingt eine Auswahl der meditativen Stillen Lieder von Valentin Silvestrov. Für die Musik des ukrainischen Komponisten engagiert sich Hélène Grimaud seit mehr als zwei Jahrzehnten. </video:description>
<video:duration>4985</video:duration>
<video:publication_date>2023-01-21T21:44:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:53:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRG</loc>
<video:video>
<video:title>Camille Thomas: Eine musikalische Reise von Versailles nach Paris</video:title>
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<video:description>Vom Dach des Institut Français in Paris lädt Sie die französisch-belgische Cellistin Camille Thomas zu einer intimen musikalischen Reise durch geschichtsträchtige Orte wie Versailles und Paris ein. Um in Zeiten der Not zu helfen, stimmt Thomas mit ihrem Stradivari-Instrument eine eindringliche Ode an die Kraft von Musik und Kultur und die Kreativität des Menschen an. Es erklingen Werke aus dem Album Voice of Hope: Arrangements von Liedern und Opernszenen von Purcell, Gluck, Mozart, Bellini, Donizetti, Massenet, Dvořák und Wagner. Vor dem Hintergrund wunderschöner historischer Kulissen erinnert der Film auf musikalisch wie visuell beeindruckende Weise an die Bedeutung der musikalischen Kommunikation.</video:description>
<video:duration>2594</video:duration>
<video:publication_date>2022-05-11T10:54:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:43:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38DO</loc>
<video:video>
<video:title>Andris Nelsons dirigiert Werke von Richard Strauss</video:title>
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<video:description>In diesem Richard Strauss-Programm stehen zwei der berühmtesten Tondichtungen des Komponisten neben einem Werk für Klavier und Orchester, um das viele Pianisten wegen der exorbitanten technischen Anforderungen einen großen Bogen schlagen. Nicht so Rudolf Buchbinder, der sich als Grandsigneur des Klavierspiels der jugendlichen Komposition liebevoll widmet. Dirigent Andris Nelsons, der dem Gewandhausorchester Leipzig und dem Boston Symphony Orchestra als musikalischer Leiter vorsteht, hat bei der Deutschen Grammophon 2022 eine umfangreiche Box mit Werken von Strauss veröffentlicht. Hier führt er in so temperamentvollen wie durchdachten Interpretationen mit den Leipzigern Don Juan und Also sprach Zarathustra auf.</video:description>
<video:duration>5009</video:duration>
<video:publication_date>2022-11-10T12:20:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:42:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3ACO</loc>
<video:video>
<video:title>Mondschein über Belgais</video:title>
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<video:description></video:description>
<video:duration>993</video:duration>
<video:publication_date>2024-07-14T19:37:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T05:23:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJIC8</loc>
<video:video>
<video:title>Bruce Liu spielt Chopin, Haydn, Beethoven, Prokofjew &amp; Kapustin</video:title>
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<video:description>Bruce Liu, einer der aufregendsten Jungstars der Klavierwelt, unterschrieb kurz nach seinem Sieg beim 18. Internationalen Chopin-Klavierwettbewerb im Jahr 2021 einen Vertrag als Exklusivkünstler bei der Deutsche Grammophon. In diesem abwechslungsreichen Recital präsentiert der kanadisch-chinesische Virtuose Chopins Klaviersonate Nr. 2 &quot;Trauermarsch&quot;. Neben Chopin - einem Werk, das zugleich leidenschaftlich, trauernd und quecksilbrig ist - spielt er Sonaten von Haydn, Beethoven und Prokofjew sowie die Variationen op. 41 des ukrainischen Außenseiters Nikolai Kapustin, der Jazz und klassische Stile zu einem aufregenden Effekt verschmolz.</video:description>
<video:duration>5442</video:duration>
<video:publication_date>2024-07-08T06:21:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">DE FR</video:restriction>
</video:video>
<lastmod>2024-07-22T15:17:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJGD8</loc>
<video:video>
<video:title>Benjamin Bernheim: Boulevard des Italiens</video:title>
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<video:description>Benjamin Bernheim brilliert im Amphithéâtre Olivier Messiaen in der Opéra Bastille mit Repertoire von seinem Album „Boulevard des Italiens”, 2022 bei Deutsche Grammophon erschienen. Am Klavier wird der Tenor von Félix Ramos begleitet, in Arien aus Massenets Manon und Verdis Don Carlos sowie französischen Fassungen von Arien aus Puccinis Tosca und Madama Butterfly. Auszüge aus selten dargebotenen französischen Opern von Cherubini und Mascagni ergänzen den Liederabend. In Interviewsequenzen spricht Bernheim über das originelle Konzept seines Albums.</video:description>
<video:duration>2720</video:duration>
<video:publication_date>2023-06-14T12:47:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:16:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38D8</loc>
<video:video>
<video:title>Weihnachten in Berlin mit Albrecht Mayer, Familie und Freund:innen</video:title>
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<video:description>Der Oboist Albrecht Mayer trifft mit einigen seiner engsten musikalischen Freundinnen und Freunden, zu denen die koreanische Sopranistin Hera Hyesang Park gehört, für ein ganz besonderes Weihnachtsfest zusammen. Dabei präsentiert er im historischen Berliner Tanzsaal an der Panke beliebte Weihnachtsmusik in neuen, kammermusikalischen Arrangements.</video:description>
<video:duration>2989</video:duration>
<video:publication_date>2022-12-24T08:04:17Z</video:publication_date>
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<lastmod>2024-07-22T15:13:21Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8C8</loc>
<video:video>
<video:title>Albrecht Mayer und die Berliner Barock Solisten spielen Bach</video:title>
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<video:description>Albrecht Mayer und die Berliner Barock Solisten präsentieren ein Programm, das der Musik von Johann Sebastian Bach und zwei seiner Söhne gewidmet ist. Außerdem wird Gottfried Heinrich Stölzls wunderschöne Arie „Bist du bei mir” aufgeführt, die lange für eine Komposition von Johann Sebastian Bach gehalten wurde. Vom Thomaskantor selbst erklingt ein neues Arrangement seines Vierten Cembalokonzerts, das meisterhafte Ricercare a 6 aus dem Musikalischen Opfer und die berühmte Air aus der Dritten Orchestersuite. Zum Programm gehören auch die Sinfonia in d-Moll von Bachs fünftem Sohn Johann Christoph Friedrich sowie das Arrangement eines Satzes aus dem Cembalokonzert in G-Dur von Carl Philip Emanuel.</video:description>
<video:duration>2766</video:duration>
<video:publication_date>2023-06-13T13:48:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-22T15:12:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJAE8</loc>
<video:video>
<video:title>Velvet Revolution Concert 2020 – mit Semyon Bychkov </video:title>
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<video:description>Semyon Bychkov stand 2020 in Prag für das erste Konzert, der seitdem jährlich, am 17. November stattfindenden, Konzertserie „Samtene Revolutions-Konzerte“ der Tschechischen Philharmonie am Pult des Rudolfinums, um den 1989 friedlich und gewaltfrei herbeigeführten Politikwechsel in der Tschechoslowakei zu feiern. Auf dem Programm stand eines der bedeutendsten Werke der tschechischen Orchestermusik: Bedrich Smetanas Má vlast (Mein Vaterland), das zwischen 1874 und 1879 entstand. Das aus sechs Tondichtungen bestehende Werk zeichnet ein musikalisches Bild Böhmens, darunter lebendige Porträts der Moldau und der Prager Burg Vyšehrad sowie Impressionen „Aus Böhmens Wäldern und Feldern“.</video:description>
<video:duration>5143</video:duration>
<video:publication_date>2024-02-20T15:57:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-22T12:38:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8D8</loc>
<video:video>
<video:title>Peter Schreier singt Beethoven: „An die ferne Geliebte“ und Lieder </video:title>
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<video:description>In dieser Aufführung, 1987 bei den Herbstlichen Musiktagen in Bad Urach aufgezeichnet, singt der Tenor Peter Schreier Lieder von Beethoven, am Klavier begleitet von Norman Shetler. Beethovens Lieder sind weit weniger bekannt als sein übriges Schaffen und doch zeigen sie den Komponisten von einer anderen Seite, charmant und innerlich. „An die ferne Geliebte“, im Frühjahr 1816 vollendet, ist ein Zyklus aus sechs Liedern, so eng miteinander verbunden wie in keinem weiteren Liederkreis der Romantik. Die Anfangsmelodie kehrt nicht nur zum Schluss wieder, sondern modelliert auch die anderen Melodien. In seiner erfolgreichen Karriere als führender lyrischer Tenor verband Schreier eine langjährige künstlerische Partnerschaft mit Shetler.</video:description>
<video:duration>4912</video:duration>
<video:publication_date>2024-01-24T16:24:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:36:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32D0</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Antonio Chen Guang und Ron Maxim Huang</video:title>
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<video:description>Antonio Chen Guang and Ron Maxim Huang – das dritte Pianistenpaar, das es in die Kammermusikfinale des 64. Concorso Pianistico Internazionale Ferruccio Busoni geschafft hat – zeigen ihr Können vom New Yorker Isidore String Quartet begleitet, sowie in einem weiteren 30-minütigen Soloprogramm.
</video:description>
<video:duration>6894</video:duration>
<video:publication_date>2023-09-14T10:21:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:35:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36D8</loc>
<video:video>
<video:title>Luisi dirigiert Nielsen: Symphonie Nr. 1 und „Helios”-Ouvertüre</video:title>
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<video:description>Schon als Junge sah Carl Nielsen die Welt mit anderen Augen und er scheute sich nicht, dies zu zeigen. Nielsens überschwänglicher symphonischer Erstling beginnt mit einem wahren Ausbruch jugendlichen Selbstbewusstseins – „stolz” zu spielen, lautet die Aufforderung an das Orchester. Es ist ein erfrischender Einstieg in Luisis energiegeladene, von der Kritik gerühmte Erkundung von Nielsens musikalischem Universum, wunderbar ergänzt durch die Unmittelbarkeit, die Farben und die schiere Freude von Frühling auf Fünen, des Komponisten Gruß an die Kindheit auf dem dänischen Land. Zwei der besten Chöre singen die Kantate. Zuvor jedoch ein musikalisches Abbild des Südens: weite Horizonte und mediterranes Licht in der glühenden „Helios”-Ouvertüre.</video:description>
<video:duration>4398</video:duration>
<video:publication_date>2023-08-10T12:49:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:35:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJCDO</loc>
<video:video>
<video:title>Wiener Sängerknaben: ein Konzert zum 525-jährigen Jubiläum</video:title>
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<video:description>Bis ins Jahr 1498 reicht die Geschichte der Wiener Sängerknaben zurück, nun wird sie im Wiener Musikverein anlässlich des 525-jährigen Jubiläums musikalisch erzählt. Gerald Wirth, künstlerischer Leiter des Chors seit 2001, dirigiert die Wiener Sängerknaben und vier weitere Chöre in Werken von der Renaissance bis zur Gegenwart. Insbesondere Österreicher stehen auf dem Programm, darunter Kompositionen von Haydn, Bruckner und Josef Strauss, aber auch außergewöhnliche Arrangements von Mozart und Schubert – zur Feier einer Institution, die die Welt verehrt.</video:description>
<video:duration>5139</video:duration>
<video:publication_date>2023-10-27T14:49:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ4CO</loc>
<video:video>
<video:title>Luisi dirigiert Nielsen: Sinfonie Nr. 5 &amp; Violinkonzert mit Bomsori</video:title>
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<video:description>Im vorletzten Konzert der Veranstaltungsreihe »Nielsen 2023« feiern das Danish National Symphony Orchestra und sein Chefdirigent Fabio Luisi die Musik des dänischen Komponisten Carl Nielsen. Das Programm kombiniert die beunruhigende Fünfte Sinfonie, die im Schatten des Ersten Weltkriegs entstand, mit dem Violinkonzert von 1911. Ungewöhnlicherweise bestehen beide Werke aus nur zwei Sätzen. Im Violinkonzert, das durch Kontraste und Nielsens unverwechselbare Melodien charakterisiert ist, brilliert die koreanische Virtuosin Bomsori. Das Werk bietet der Solistin nicht nur reichliche Gelegenheiten, ihren Sinn für Poesie, sondern auch ihre faszinierenden technischen Fähigkeiten unter Beweis zu stellen.</video:description>
<video:duration>4863</video:duration>
<video:publication_date>2023-05-16T15:25:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:32:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3EC8</loc>
<video:video>
<video:title>Balmorhea: The Wind</video:title>
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<video:description>Die kraftvolle und doch lebendige Umgebung der Chinati Arena in der weiten Landschaft von West-Texas dient als Kulisse für diese bewegende Live-Performance von The Wind, Balmorhea&apos;s erster Platte für Deutsche Grammophon. In zwölf Kapiteln lädt das Duo die Zuschauer:innen ein diese Musik an diesem einzigartigen Ort zu erleben, der sich vom Morgenlicht bis zur Abenddämmerung entfaltet. Die Arena, die der Künstler Donald Judd in den 1980er erwarb und nach ihrem früheren Leben als Turnhalle eines Armeestützpunktes umgestaltete, wird in dieser Aufnahme mit ihrem metallischen Knarren und Zittern zu einem eigenen Instrument. Diese subtile und bewegende Dokumentation beleuchtet die Bedeutung des Ortes für die musikalische Darbietung.</video:description>
<video:duration>3160</video:duration>
<video:publication_date>2022-12-02T14:45:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:27:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CC0</loc>
<video:video>
<video:title>Víkingur Ólafsson spielt Debussy, Rameau &amp; Mussorgsky</video:title>
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<video:description>Der Pianist Víkingur Ólafsson ist nicht zuletzt für sein ungewöhnliches Repertoire und dramaturgisch spannend konzipierte Programme bekannt. Dieses Recital wurde im Harpa, dem 2011 eröffneten eindrucksvollen Konzerthaus der isländischen Hauptstadt Reykjavík aufgezeichnet. Werke von Claude Debussy von seiner frühen bis zur spätesten Schaffensperiode erklingen neben Musik von zwei der wichtigsten Vorbilder des französischen Komponisten: An Rameau bewunderte er Raffinnesse und betörende Harmonik, an Mussorgsky die ungekünstelte Echtheit des Ausdrucks. Ólafsson vermag sowohl mit meditativer Intensität als auch pianistischer Wucht – die in Mussorgskys Bildern einer Ausstellung gefragt ist – einen großen Eindruck hervorzurufen.  </video:description>
<video:duration>6728</video:duration>
<video:publication_date>2022-11-18T09:14:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IS</video:restriction>
</video:video>
<lastmod>2024-07-22T12:27:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30D8</loc>
<video:video>
<video:title>Zubin Mehta dirigiert Weber, Beethoven &amp; Liszt – mit Lisa Batiashvili</video:title>
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<video:description>Zubin Mehta dirigiert in der Münchner Philharmonie am Gasteig ein Programm mit Werken von Weber, Liszt und Beethoven. Das Konzert beginnt im Zauberreich von Webers Oberon-Ouvertüre, die von dem aus drei Tönen bestehenden und vom Horn angestimmten Motiv des Elfenkönigs durchzogen wird. Auch in Liszts mitreißender Tondichtung Les Préludes kommt ein Drei-Ton- als Leitmotiv zur Anwendung. Beethovens revolutionäres Violinkonzert von 1806, das hier mit der Geigerin Lisa Batiashvili erklingt, fordert von der Solistin eine einzigartige Verbinung von Poesie und Virtuosität.</video:description>
<video:duration>4576</video:duration>
<video:publication_date>2022-10-27T12:03:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:26:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJGDG</loc>
<video:video>
<video:title>Paavo Järvi dirigiert Franz Schmidts Vierte Symphonie</video:title>
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<video:description>Paavo Järvi bewundert an Franz Schmidt dessen „unwiderstehliche“ und „unglaubliche harmonische Sprache“ und hält den Komponisten für eine der „großen Stimmen der deutschen romantischen Musik“. Die 1934 uraufgeführte, formal ungewöhnlich konzipierte und doch unmittelbar zugängliche Vierte und letzte Symphonie Schmidts beginnt und endet mit einem ausdrucksvollen Trompeten-Solo und bietet mit dem langsamen Satz eine ergreifende Trauermusik. Järvi beherrscht das gesamte symphonische Repertoire von der Klassik bis zur Moderne und erweist sich hier – als Dirigent des Frankfurter hr-Sinfonieorchesters – als engagierter Anwalt eines zu Unrecht wenig bekannten Werks, das Franz Schmidt selbst für sein „wahrstes und innerlichstes“ Stück bezeichnete.</video:description>
<video:duration>3311</video:duration>
<video:publication_date>2022-10-07T15:24:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:23:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJED8</loc>
<video:video>
<video:title>Jakub Hrůša und Lisa Batiashvili mit Saint-Saëns, Brahms &amp; Dvořák</video:title>
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<video:description>Das Debüt der gefeierten Geigerin Lisa Batiashvili bei der Tschechischen Philharmonie unter Leitung des Ersten Gastdirigenten Jakub Hrůša ist hier im Rudolfinum in Prag zu erleben. Batiashvili interpretiert das hochvirtuose dritte Violinkonzert von Saint-Saëns – nicht ohne Grund einst dem legendären spanischen Geiger Pablo de Sarasate gewidmet und von ihm auch uraufgeführt. Das Konzert wird ergänzt durch Variationen-Werke von Brahms und Dvořák, in denen Orchester und Dirigent brillieren. </video:description>
<video:duration>4414</video:duration>
<video:publication_date>2022-09-28T14:23:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:22:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E8</loc>
<video:video>
<video:title>Maurizio Pollini spielt die letzten drei Klaviersonaten Beethovens</video:title>
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<video:description>Für Maurizio Pollini gewinnt die Musik Beethovens mit jeder Aufführung an Vielfalt und Heiterkeit. Wie immer spielt der italienische Pianist auf seinem Fabbrini Steinway, der durch ein großes dynamisches Spektrum, glockenreine Höhen und satte Bässe besticht. Meisterhaft bewältigt er Beethovens drei letzte, technisch ungeheuer anspruchsvolle Klaviersonaten. Mit ihrem unbezweifelbaren Optimismus gehören sie zu den persönlichsten Werken des Komponisten, der zum Entstehungszeitpunkt bereits vollständig ertaubt war. Der 77 jährige Pollini, der vor keiner Herausforderung zurückschreckt, hat die Sonaten vor vierzig Jahren erstmals eingespielt und gibt sie in dieser Aufzeichnung aus dem Münchner Herkulessaal nochmals furios zum Besten.</video:description>
<video:duration>3533</video:duration>
<video:publication_date>2022-06-29T15:54:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSS3C</loc>
<video:video>
<video:title>Daniel Barenboim spielt Beethovens Diabelli-Variationen</video:title>
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<video:description>Kaum jemand ist mit der Musik von Beethoven so innig vertraut wie der renommierte Pianist und Dirigent Daniel Barenboim, für den die Beschäftigung mit dem Komponisten eine niemals endende Herausforderung darstellt. Nach einer konzentrierten Besinnung auf das Instrument und den Komponisten, mit dem seine Welt-Karriere begann, spielt Barenboim die Diabelli-Variationen,  Beethovens letztes großes Klavier-Werk. Obwohl der Komponist laut Barenboim zur Entstehungszeit vollständig von der Welt isoliert war, umfassen die 33 Variationen das gesamte Spektrum menschlicher Emotionen. Diese Emotionen hallen in der hier dokumentierten, ergreifenden Aufführung umso stärker nach, als die Türen des Pierre Boulez Saals in Berlin verschlossen bleiben mussten.</video:description>
<video:duration>3549</video:duration>
<video:publication_date>2022-06-14T13:42:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:08:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ2</loc>
<video:video>
<video:title>Die Berliner Philharmoniker &amp; Simon Rattle mit Anne-Sophie Mutter</video:title>
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<video:description>Die Berliner Philharmoniker und Sir Simon Rattle luden für die Galakonzerte 2015 die Geigerin Anne-Sophie Mutter als Solistin ein, die bei dem Orchester als 13-jährige debütierte als sie von Herbert von Karajan entdeckt wurde. Die mittlerweile mit zahlreichen internationalen Preisen ausgezeichnete Violinistin begeistert in diesem Konzert mit Camille Saint-Saëns‘ rasantem Introduction et Rondo capriccioso sowie mit Maurice Ravels virtuoser Rhapsodie Tzigane. Letztere ist für ihren folkloristischen Charakter und zugleich für ihre raffinierte Virtuosität bei Interpret:innen wie beim Publikum beliebt. Das Konzertprogramm bleibt französisch: Die Philharmoniker präsentieren Suiten für Ballett und Opern, bevor als Krönung Ravels La Valse erklingt.</video:description>
<video:duration>4979</video:duration>
<video:publication_date>2022-05-30T14:10:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:07:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6C0</loc>
<video:video>
<video:title>Bernstein dirigiert Beethoven&apos;s Missa Solemnis</video:title>
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<video:description>In den späten 1970er Jahren nahm Leonard Bernstein einen Beethoven-Zyklus in Angriff, dessen Konzerte vollständig aufgenommen wurden und neben den Mahler-Interpretationen im Zentrum seines dirigentischen Vermächtnisses stehen. Entstanden die Sinfonien mit den Wiener Philharmonikern, so wählte Bernstein für die Missa solemnis das Royal Concertgebouw Orchestra, zu dem er für diesen Anlass zum ersten Mal seit seinem Debüt 1950 zurückkehrte. Mit keinem Komponisten hat sich Bernstein so stark wie mit Beethoven identifiziert, der wiederum die Missa solemnis für sein wichtigstes Stück hielt. Entsprechend symbiotisch gelang die Aufführung: &quot;Es klang, als würde [Bernstein] das gesamte Werk im Moment der Aufführung improvisieren.&quot; (Classicstoday.com)</video:description>
<video:duration>5178</video:duration>
<video:publication_date>2022-07-13T12:34:38Z</video:publication_date>
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<lastmod>2024-07-22T12:06:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36</loc>
<video:video>
<video:title>Europakonzert 2017 aus Paphos – mit Mariss Jansons</video:title>
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<video:description>Das Europakonzert 2017 führt die Berliner Philharmoniker in die Hafenstadt Paphos auf Zypern, dem Geburtsort von Aphrodite. Die Göttin der Schönheit und Liebe sowie die Szenerie vor dem restaurierten Schloss von Paphos könnten nicht besser zum Europakonzert passen, das den Geburtstag des Orchesters am 1. Mai markiert. Mariss Jansons, der 2018 als langjähriger Freund der Berliner Philharmoniker zum Ehrenmitglied ernannt wurde, dirigiert Werke von Carl Maria von Weber und Antonín Dvořák. An seiner Seite glänzt der Solo-Klarinettist des Orchesters Andreas Ottensamer als Solist bei von Webers Klarinettenkonzert Nr. 1. Die Achte Sinfonie von Dvořák fügt sich mit ihrem naturverbundenen Charakter ideal in die Kulisse des Open-Air-Konzerts ein.</video:description>
<video:duration>5328</video:duration>
<video:publication_date>2022-05-23T10:56:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-22T12:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3E</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Missa Solemnis</video:title>
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<video:description>In Herbert von Karajans riesigem Repertoire stand die Musik Ludwig van Beethovens auf ganz besondere Weise im Zentrum. Den vollständigen Zyklus von dessen Sinfonien hat Karajan mit den Berliner Philharmonikern nicht seltener als dreimal eingespielt. Und auch die Missa solemnis, Beethovens gewichtigste geistliche Komposition, setzte er immer wieder aufs Programm. So auch bei den Salzburger Osterfestspielen 1979, als mit dem Wiener Singverein der Lieblingschor des Dirigenten zur Verfügung stand. Das Solistenquartett wurde von der bulgarischen Sopranistin Anna Tomowa-Sintow angeführt, die auch in Herbert von Karajans späten Produktionen von Mozarts Don Giovanni und Strauss´ Rosenkavalier in Hauptrollen auftrat. </video:description>
<video:duration>5271</video:duration>
<video:publication_date>2022-05-11T13:40:43Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-22T12:05:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJI</loc>
<video:video>
<video:title>Lang Lang und die dritte Dimension</video:title>
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<video:description>Die Mauern des Berghain sind berühmt dafür, der lautstärksten und mächtigsten Musik standzuhalten, selten aber beherbergen sie Klänge von Beethoven, Chopin, Prokofjew und Albéniz. In Berlin, der europäischen Hauptstadt der Underground-Kultur und -Musik, findet eine phantastische Darbietung des legendären Pianisten Lang Lang in den einzigartigen Räumen eines der renommiertesten Nachtclubs der Welt statt. Um die Intensität des Gesamterlebnisses zu steigern, wurde das neue Maßstäbe etablierende Konzert mit modernster 3D-Technologie gefilmt. Künstlerische Perfektion und mediale Avantgarde verbinden sich in einer grenzüberschreitenden und unvergesslichen Aufführung.</video:description>
<video:duration>1821</video:duration>
<video:publication_date>2022-05-19T13:55:48Z</video:publication_date>
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<lastmod>2024-07-22T12:03:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR38</loc>
<video:video>
<video:title>Das Israel Philharmonic Orchestra: Ein Weltklasseorchester wird 75</video:title>
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<video:description>1936 gründete eine Gruppe aus Europa emigrierter Musiker in Tel Aviv ein Ensemble, das ab 1947 als Israel Philharmonic Orchestra in der Klassik-Szene für Begeisterung sorgte. Zum 75-jährigen Jubiläum spielt der längst weltberühmte Klangkörper im eindrucksvollen Hangar 11 am Hafen von Tel Aviv ein Konzert mit dem Pianisten Evgeny Kissin sowie den Geigern Julian Rachlin und Vadim Repin; Musiker, deren Interpretationen von Virtuosität und Tiefgründigkeit gekennzeichnet sind. Am Pult steht Zubin Mehta, der als Chefdirigent zwischen 1977 und 2019 eine besonders ruhmreiche Ära des Orchesters prägte und zum Ausklang mit Beethovens Achter Sinfonie sein Ideal eines energetischen und zugleich kammermusikalischen Musizierens demonstriert.</video:description>
<video:duration>6456</video:duration>
<video:publication_date>2022-05-23T11:34:09Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-22T12:02:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30DO</loc>
<video:video>
<video:title>Tailleferre: Valse lente</video:title>
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<video:duration>211</video:duration>
<video:publication_date>2024-03-05T19:48:07Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:00:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJEE8</loc>
<video:video>
<video:title>Bach: Goldberg-Variationen, BWV 988: Variation 30</video:title>
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<video:duration>117</video:duration>
<video:publication_date>2023-12-06T10:00:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-22T11:59:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJEDO</loc>
<video:video>
<video:title>Bach: Goldberg-Variationen, BWV 988: Variation 15</video:title>
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<video:duration>338</video:duration>
<video:publication_date>2023-12-06T09:52:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-22T11:59:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJEDG</loc>
<video:video>
<video:title>Bach: Goldberg-Variationen, BWV 988: Variation 13</video:title>
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<video:duration>249</video:duration>
<video:publication_date>2023-12-06T09:48:01Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-22T11:59:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJED8</loc>
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<video:title>Bach: Goldberg-Variationen, BWV 988: Variation 1</video:title>
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<video:publication_date>2023-12-06T09:42:45Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-18T09:29:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJED0</loc>
<video:video>
<video:title>Bach: Goldberg-Variationen, BWV 988: Aria</video:title>
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<video:duration>246</video:duration>
<video:publication_date>2023-12-06T09:35:10Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-18T09:23:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJGCO</loc>
<video:video>
<video:title>Homage 1770</video:title>
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<video:duration>278</video:duration>
<video:publication_date>2023-12-06T14:29:56Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:22:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ0D8</loc>
<video:video>
<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 4</video:title>
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<video:description></video:description>
<video:duration>470</video:duration>
<video:publication_date>2023-09-08T12:24:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-18T09:19:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3AE8</loc>
<video:video>
<video:title>Pierre Boulez: Emotion und Analyse</video:title>
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<video:description>Pierre Boulez bezeichnete seine Beziehung zur Musik des Komponisten Béla Bartók einmal als „Sympathie zwischen Musikern“. Diese Dokumentation begleitet Boulez und die Berliner Philharmoniker während der Proben von Bartóks Konzert für Orchester, mit denen das Europakonzert des Orchesters im Jahr 2003 in Lissabon vorbereitet wurde. Der Film präsentiert faszinierende Gespräche, in denen Boulez neben den historischen Entstehungsbedingungen von Bartóks Spätwerk auch seinen eigenen Interpretationsstil und seine Arbeit als Dirigent und Komponist erläutert.</video:description>
<video:duration>3149</video:duration>
<video:publication_date>2023-02-06T18:42:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:18:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ6</loc>
<video:video>
<video:title>Bernstein: The Gift of Music</video:title>
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<video:description>Diese 90-minütige Hommage wurde für den 75. Geburtstag von Leonard Bernstein am 25. August 1993 produziert. Der Text des Films wird von der Hollywoodlegende Lauren Bacall gesprochen und basiert weitgehend auf Bernsteins Worten, die den Kontrapunkt zu dem eindrucksvoll reichhaltigen Bildmaterial bilden. Die Dokumentation basiert auf nahezu 120 Stunden Programm mit Leonard Bernstein, auf Fundstücken aus den umfangreichen Bernstein-Archiven und früheren Fernsehprojekten. Sie enthält zudem nie zuvor gezeigtes Material, zu dem als besonderes Highlight die möglicherweise früheste erhaltene Filmaufnahme des Musikers gehört: der Auftritt des gewieften 28-jährigen Maestros beim Prager Frühlingsfestival, bei dem Bernstein 1947 die USA repräsentierte.</video:description>
<video:duration>5092</video:duration>
<video:publication_date>2022-10-19T14:52:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:18:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8D8</loc>
<video:video>
<video:title>Say: Concerto For Cello &amp; Orchestra: II. Terror - Elegy</video:title>
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<video:description></video:description>
<video:duration>403</video:duration>
<video:publication_date>2022-11-18T04:07:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:17:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38</loc>
<video:video>
<video:title>Verdi: Falstaff, Act III: &quot;Dal labbro il canto estasiato vola&quot;</video:title>
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<video:description></video:description>
<video:duration>162</video:duration>
<video:publication_date>2022-09-24T06:16:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:16:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3A</loc>
<video:video>
<video:title>Verdi: Rigoletto, Act I: &quot;Questa o Quella&quot; </video:title>
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<video:description></video:description>
<video:duration>121</video:duration>
<video:publication_date>2022-09-24T06:55:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:16:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6CO</loc>
<video:video>
<video:title>Über Higdon / Tchaikovsky: Violinkonzerte</video:title>
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<video:description></video:description>
<video:duration>588</video:duration>
<video:publication_date>2022-11-15T19:44:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:15:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCD0</loc>
<video:video>
<video:title>Bernstein dirigiert Mahler: 5. Sinfonie </video:title>
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<video:description>Mahlers Musik ist Leonard Bernstein zufolge durch eine geradezu obsessive Beschäftigung mit dem Tod charakterisiert. Das zeigt sich nicht zuletzt in den zahlreichen Trauermärschen. Mit einem solchen, der von einem Trompetensolo eingeleitet wird, beginnt auch die Fünfte Symphonie. Sie leitet die Trilogie der rein instrumentalen Werke der mittleren Schaffensperiode ein. Die Dramaturgie des Werks führt schließlich aus der Düsternis zum triumphalen Finale und bezieht sich in dieser Hinsicht auf eine andere Fünfte – die von Beethoven. Das berühmte Adagietto, das Bernstein auch auf der Trauerfeier für den ermordeten Robert Kennedy dirigierte, führt dagegen als Intermezzo in die Welt eines lichten Traums.</video:description>
<video:duration>4402</video:duration>
<video:publication_date>2022-09-15T10:10:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-17T08:26:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36E0</loc>
<video:video>
<video:title>16. Concours Géza Anda 2024 - Finale</video:title>
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<video:description>Live aus der Tonhalle Zürich: Die drei Finalisten des Concours Géza Anda 2024 spielen gemeinsam mit Paavo Järvi und dem Tonhalle-Orchester Zürich vor einer hochkarätigen Jury, der unter anderem Koryphäen wie Martha Argerich, Robert Levin, Dénes Várjon, Lucas Debargue und Zlata Chochieva angehören, je ein Werk aus einer Liste von ausgewählten Konzerten von Bartók, Beethoven, Grieg oder Saint-Saëns.</video:description>
<video:duration>9891</video:duration>
<video:publication_date>2024-07-11T14:38:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-15T15:20:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3IDG</loc>
<video:video>
<video:title>Über Bach 300</video:title>
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<video:description></video:description>
<video:duration>532</video:duration>
<video:publication_date>2023-08-17T10:08:58Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-15T13:25:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGD0</loc>
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<video:title>Karajan dirigiert Mozart: Don Giovanni </video:title>
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<video:description>Die Salzburger Festspiele und Don Giovanni sind wie Synonyme. Mozarts und Da Pontes tragikomische Geschichte des großen Frauenhelden und seines Untergangs ist eine jener Opern, die mit jeder Aufführung mehr Tiefe offenbart. In Michael Hampes Inszenierung von 1987 paart sich höchster künstlerischer Ausdruck mit feinstem musikalischen Können: Herbert von Karajan leitet die Wiener Philharmoniker und eine Starbesetzung – Samuel Ramey als Don Giovanni, Ferruccio Furlanetto als Leporello, Júlia Várady als Donna Elvira, Anna Tomowa-Sintow als Donna Anna und Kathleen Battle als Zerlina. Nur selten ist solch eine Aufführung zu erleben – hier ist sie für immer festgehalten.   </video:description>
<video:duration>11456</video:duration>
<video:publication_date>2024-04-11T07:23:28Z</video:publication_date>
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<lastmod>2024-07-15T09:39:06Z</lastmod>
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<video:video>
<video:title>Daniil Trifonov und Jakub Hrůša mit Scriabin &amp; Suk </video:title>
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<video:description>Jakub Hrůša steht am Dirigentenpult des Prager Rudolfinums für zwei wichtige Werke, die um die Wende vom 19. zum 20. Jahrhundert entstanden sind. Als Solist brilliert Daniil Trifonov in Skrjabins einzigem Klavierkonzert; ein virtuoses Jugendwerk von 1896, das noch unter dem Einfluss der romantischen Komponisten steht. In der zweiten Konzert-Hälfte erklingt die außerordentliche Asrael-Symphonie von Josef Suk. Das ausgedehnte, fünfsätzige Werk entstand als Reaktion auf den Tod von zwei der wichtigsten Menschen im Leben des Komponisten: Seines Schwiegervaters Dvořák und seiner Frau Otilie Dvořáková, als deren Porträt das Adagio der Symphonie gilt.</video:description>
<video:duration>6612</video:duration>
<video:publication_date>2023-08-07T11:46:19Z</video:publication_date>
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<lastmod>2024-07-11T07:11:27Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ADG</loc>
<video:video>
<video:title>Lorenzo Viotti und Lisa Batiashvili mit Kodály, Bartók, Dvořák </video:title>
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<video:description>Gerade einmal Anfang 30 war zum Zeitpunkt dieser Aufnahme Lorenzo Viotti, der in der Oper und im Konzertsaal zu den erfolgreichsten Dirigenten der jungen Generation gehört. Am Pult der Münchner Philharmoniker erweist er sich als souveräner und eleganter Gestalter des osteuropäischen Repertoires: Kodálys Tänze aus Galánta bezaubern durch musikalischen Gestalten-Reichtum; Dvořák widerlegt mit seiner aufgewühlten und meisterlich konstruierten Siebten Sinfonie das Klischee vom immer heiteren und rein intuitiv schaffenden Komponisten; und Bartóks sehnsuchtsvolles Erstes Violinkonzert – das hier mit der wunderbar anmutigen Geigerin Lisa Batiashvili erklingt – ist einer der schönsten Beiträge des späteren Modernisten zur Spätromantik.</video:description>
<video:duration>4850</video:duration>
<video:publication_date>2022-11-14T15:06:20Z</video:publication_date>
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<lastmod>2024-07-11T07:09:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36E0</loc>
<video:video>
<video:title>Daniel Barenboim: Liszt-Konzert aus La Scala</video:title>
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<video:description>Daniel Barenboim hat viel mit Franz Liszt gemeinsam: Beide waren oder sind Weltreisende der Klassik mit imposanten Karrieren als Pianist und Dirigent und einem unvergleich weiten musikalischen und geistigen Horizont. An der Mailänder Scala, an der Barenboim ab 2005 Hauptgastdirigent und ab 2011 Musikdirektor war, ehrt der argentinische Pianist im Jahr 2007 den ungarischen Komponisten mit Werken, die durch italienische Erfahrungen inspiriert worden waren. Auf Stücke aus den Années de Pelerinage folgen virtuose Fantasien, die Liszt auf Themen aus Verdis Aida, Il Trovatore und Rigoletto komponiert hat. Welchen idealeren Ort könnte es für diese unsterblichen Melodien geben als das berühmteste Musiktheater im italienischen Mutterland der Oper?</video:description>
<video:duration>5114</video:duration>
<video:publication_date>2022-11-07T16:12:22Z</video:publication_date>
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<lastmod>2024-07-10T09:34:12Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJA</loc>
<video:video>
<video:title>Daniel Barenboim spielt und dirigiert Beethovens Klavierkonzerte</video:title>
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<video:description>Daniel Barenboim hat die fünf Klavierkonzerte Beethovens als junger Mann mit zwei der größten musikalischen Legenden der älteren Generation aufgenommen: Als Pianist unter der Leitung von Otto Klemperer und als Dirigent mit Artur Rubinstein. Inzwischen übernimmt er, der mit dem Zyklus vielleicht so vertraut ist wie kein zweiter Musiker unserer Zeit, zumeist beide Funktionen in Personalunion. So auch bei diesem Auftritt im Rahmen des Klavier-Festival Ruhr in der Bochumer Jahrhunderthalle. Barenboim tritt hier mit der Staatskapelle Berlin auf, die ihn im Jahre 2000 zu ihrem &quot;Dirigenten auf Lebenszeit&quot; ernannten. Die Barenboim-Ära an der Staatsoper der deutschen Hauptstadt währt bereits seit 1992. </video:description>
<video:duration>12094</video:duration>
<video:publication_date>2022-05-06T09:49:15Z</video:publication_date>
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<lastmod>2024-07-10T09:23:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36DG</loc>
<video:video>
<video:title>16. Concours Géza Anda 2024 - Mozart-Semifinal I</video:title>
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<video:description>Vom Concours Géza Anda 2024 aus dem Stadthaus Winterthur spielen die ersten 3 von insgesamt 6 Halbfinalisten je ein Klavierkonzert von Mozart. Begleitet werden sie dabei vom Musikkollegium Winterthur unter Mikhail Pletnev.</video:description>
<video:duration>6691</video:duration>
<video:publication_date>2024-06-26T11:22:15Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-09T09:50:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3IE0</loc>
<video:video>
<video:title>Jan Lisiecki und das Norwegian Chamber Orchestra </video:title>
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<video:description>Im Alter von gerade einmal 27 Jahren verfügt Jan Lisiecki über eine ungewöhnliche musikalische Reife. In diesem Konzert, mit dem das Norwegian Chamber Orchestra die Saison 2022 in Oslo eröffnete, setzt der kanadische Pianist nach seiner faszinierenden DG-Einspielung der Nocturnes seine Reise durch die Musik Chopins fort und interpretiert die beiden betörenden Klavierkonzerte – wobei er neben dem Solopart auch die musikalische Leitung übernimmt. Im Anschluss präsentiert das Orchester mit Schostakowitschs auswendig gespielter Kammersymphonie eines seiner Paradestücke und lässt Sie direkt in das Herz dieser überwältigenden Musik eintauchen. Das Konzert findet in der mit Wandgemälden Edvard Munchs geschmückten Aula der Universität Oslo statt.</video:description>
<video:duration>6334</video:duration>
<video:publication_date>2023-03-16T10:33:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-04T11:34:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ38DO</loc>
<video:video>
<video:title>Über Echoes of time</video:title>
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<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2024-07-04T09:25:48Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-07-04T09:34:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3AD0</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonien Nr. 5 &amp; 6</video:title>
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<video:description>Nach dem Zweiten Weltkrieg stand der Name von Herbert von Karajan jahrzehntelang synonym für Beethovens Symphonien auf Schallplatte. Seine vier vollständig eingespielten Zyklen zählten zu den meistverkauften Aufnahmen erst der LP-, später der CD-Ära. Dass ihre technische Qualität der interpretatorischen Einsicht entsprach, machte Karajan zur Chefsache. Dieser Zyklus aus den Jahren 1982 bis 1986 mit den Berliner Philharmonikern und dem Wiener Singverein ist ein wunderbares Zeugnis seiner Musik: ein Erlebnis, das sich niemand entgehen lassen sollte, der sich für große Dirigate oder Beethoven interessiert.</video:description>
<video:duration>4207</video:duration>
<video:publication_date>2024-06-17T08:53:35Z</video:publication_date>
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<lastmod>2024-07-03T16:05:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ADG</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonien Nr. 4 &amp; 7</video:title>
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<video:description>Nach dem Zweiten Weltkrieg stand der Name von Herbert von Karajan jahrzehntelang synonym für Beethovens Symphonien auf Schallplatte. Seine vier vollständig eingespielten Zyklen zählten zu den meistverkauften Aufnahmen erst der LP-, später der CD-Ära. Dass ihre technische Qualität der interpretatorischen Einsicht entsprach, machte Karajan zur Chefsache. Dieser Zyklus aus den Jahren 1982 bis 1986 mit den Berliner Philharmonikern und dem Wiener Singverein ist ein wunderbares Zeugnis seiner Musik: ein Erlebnis, das sich niemand entgehen lassen sollte, der sich für große Dirigate oder Beethoven interessiert.</video:description>
<video:duration>4197</video:duration>
<video:publication_date>2024-06-17T11:16:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-03T16:05:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3AE0</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonien Nr. 2 &amp; 8 </video:title>
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<video:description>Nach dem Zweiten Weltkrieg stand der Name von Herbert von Karajan jahrzehntelang synonym für Beethovens Symphonien auf Schallplatte. Seine vier vollständig eingespielten Zyklen zählten zu den meistverkauften Aufnahmen erst der LP-, später der CD-Ära. Dass ihre technische Qualität der interpretatorischen Einsicht entsprach, machte Karajan zur Chefsache. Dieser Zyklus aus den Jahren 1982 bis 1986 mit den Berliner Philharmonikern und dem Wiener Singverein ist ein wunderbares Zeugnis seiner Musik: ein Erlebnis, das sich niemand entgehen lassen sollte, der sich für große Dirigate oder Beethoven interessiert.</video:description>
<video:duration>3723</video:duration>
<video:publication_date>2024-06-17T11:47:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:04:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ADO</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven: Sinfonien Nr. 1 &amp; 3</video:title>
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<video:description>Nach dem Zweiten Weltkrieg stand der Name von Herbert von Karajan jahrzehntelang synonym für Beethovens Symphonien auf Schallplatte. Seine vier vollständig eingespielten Zyklen zählten zu den meistverkauften Aufnahmen erst der LP-, später der CD-Ära. Dass ihre technische Qualität der interpretatorischen Einsicht entsprach, machte Karajan zur Chefsache. Dieser Zyklus aus den Jahren 1982 bis 1986 mit den Berliner Philharmonikern und dem Wiener Singverein ist ein wunderbares Zeugnis seiner Musik: ein Erlebnis, das sich niemand entgehen lassen sollte, der sich für große Dirigate oder Beethoven interessiert.</video:description>
<video:duration>4650</video:duration>
<video:publication_date>2024-06-17T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:04:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJAC8</loc>
<video:video>
<video:title>Gala aus Berlin 1996 – mit Claudio Abbado und Maxim Vengerov</video:title>
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<video:description>Ein Zauber geht aus von den Klängen, die Claudio Abbado dirigiert, gerade bei leichteren Melodien. In der Silvesternacht 1996 leitete er die Berliner Philharmoniker in Liedern und Tänzen. Brahms’ Ungarische Tänze sind ebenso zu hören wie Ravels Meisterwerk La Valse. Schwung und Poesie vermählen sich. Und Stars treten aufs Berliner Parkett: Der Schwedische Rundfunkchor singt von Liebe, Sehnsucht, Lust und Leid in den Liebesliederwalzern von Brahms und Maxim Vengerov – damals gerade einmal 22 Jahre alt – bringt das Haus zum Beben mit der Tzigane von Ravel, dem die ungarische Geigerin Jelly d’Arányi die Musik in den Kopf gesetzt hatte.</video:description>
<video:duration>4377</video:duration>
<video:publication_date>2024-02-05T14:11:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T15:43:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36</loc>
<video:video>
<video:title>Yo-Yo Ma, Itzhak Perlman &amp; Daniel Barenboim spielen Beethoven</video:title>
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<video:description>Zusammen mit den Berliner Philharmonikern spielen Itzhak Perlman, Yo-Yo Ma und Daniel Barenboim zum ersten Mal als Trio ein reines Beethoven-Programm. Das selten gespielte Konzert für Violine, Violoncello und Klavier jongliert mit den unterschiedlichen Klangfarben der Soloinstrumente und des Orchesters sowie mit der Virtuosität der Solisten und der sorgfältigen Aufmerksamkeit des Dirigenten. In seiner Doppelrolle kommen Barenboims Diskretion und Leidenschaft voll zur Geltung, und mit zwei Händen, die die Arbeit von vier erledigen, synchronisiert er das Soloklavier, den gemischten Chor und das Orchester in Beethovens Chorfantasie, die oft als Vorläufer seiner Neunten Symphonie &quot;Ode an die Freude&quot; gilt.</video:description>
<video:duration>3604</video:duration>
<video:publication_date>2022-05-02T10:35:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T09:59:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJICG</loc>
<video:video>
<video:title>Karl Richter dirigiert Bachs Brandenburgische Konzerte</video:title>
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<video:description>Der Dirigent, Organist und Cembalist Karl Richter galt von den 1950er Jahren bis zu seinem frühen Tod 1981 vor allem wegen seiner Bach- und Händel-Aufführungen als unübertroffener Protagonist der internationalen Barockmusik-Szene. Später geriet er durch die Erfolge der historischen Aufführungspraxis und Dirigenten wie Nikolaus Harnoncourt und John Eliot Gardiner etwas in Vergessenheit. Längst ist es Zeit, Richters von Emotionalität und Tiefgründigkeit geprägte Interpretationen wiederzuentdecken. Erleben Sie den Dirigenten hier mit seinem exzellenten Münchener Bach Orchester in Bachs sechs Brandenburgischen Konzerten, die durch Festlichkeit, virtuose Soli verschiedener Instrumente und tänzerischen Esprit begeistern.</video:description>
<video:duration>6126</video:duration>
<video:publication_date>2022-10-17T11:02:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T09:10:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ0</loc>
<video:video>
<video:title>Kleiber dirigiert Beethoven: Sinfonie Nr. 4</video:title>
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<video:description>Bei seinen Auftritten strahlt Carlos Kleiber Freude an der Musik, Leidenschaft und Eleganz – also (scheinbare) Mühelosigkeit – aus; und doch ließ sich der große Dirigent bei steigendem Ruhm immer seltener zur Ausübung seines Berufs überreden. So hat Kleiber nur jeweils zwei Konzertprogramme mit den Berliner Philharmonikern und dem Chicago Symphony Orchestra und nur ein einziges mit dem legendären Concertgebouw in Amsterdam realisiert. Mit dem letzteren interpretierte der Dirigent 1983 neben Beethovens Siebter auch dessen hier nachzuerlebende Vierte Sinfonie. Das Werk kommt mit seinen schnellen Stimmungswechseln und geistreichen Pointen dem Genie Kleibers auf ideale Weise entgegen.</video:description>
<video:duration>2175</video:duration>
<video:publication_date>2022-05-30T13:02:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T08:39:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3ECO</loc>
<video:video>
<video:title>Die Musik von Howard Shore: Eastern Promises</video:title>
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<video:description>Dieses Konzert mag seinen Namen von David Cronenbergs Film aus dem Jahr 2007 haben, aber es zeigt auch die Fähigkeit des Komponisten Howard Shore, seine eigenen musikalischen Welten abseits der Leinwand zu erschaffen, mit vier Werken, die in Frankreich uraufgeführt werden. Zwei davon erweitern und vertiefen seine Filmmusiken - das Concertino aus Eastern Promises und die Song of Names Suite für Violine und Orchester - während die folgenden Konzerte für Klavier und Cello ursprünglich für den Konzertsaal produziert wurden. Drei hervorragende französische Instrumentalisten treten als Solisten auf die vom Orchestre Philharmonique de Radio France unter Bastien Stil auf höchstem Niveau unterstützt werden.</video:description>
<video:duration>5215</video:duration>
<video:publication_date>2024-06-28T08:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2024-07-02T11:02:26Z</lastmod>
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<video:title>Mahler: Das Lied von der Erde – Eine persönliche Einführung</video:title>
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<video:description>Ein Liederzyklus, eine Sinfonie oder etwas dazwischen? Leonard Bernstein, der wohl einflussreichste und wichtigste Mahler-Dirigent des 20. Jahrhunderts, nimmt sich zwischen den Proben für eine Aufführung von Das Lied von der Erde mit dem Israel Philharmonic Orchestra Zeit, um über einige der Fragen und Missverständnisse nachzudenken, die das letzte große Werk des Komponisten für Stimmen und Orchester umgeben.</video:description>
<video:duration>2527</video:duration>
<video:publication_date>2024-06-24T12:31:15Z</video:publication_date>
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<lastmod>2024-07-01T12:59:42Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36D0</loc>
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<video:title>Anne-Sophie Mutter - Begegnungen mit Mendelssohn</video:title>
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<video:description>Anne-Sophie Mutter ist eine der berühmtesten klassischen Musikerinnen ihrer Generation und eine der meistbewunderten Geigerinnen der Welt - und das seit ihrem Durchbruch mit Herbert von Karajan in den späten 1970er Jahren. Zu den vielen Auszeichnungen, die sie im Laufe ihrer Karriere erhalten hat, gehört auch der Leipziger Mendelssohn-Preis. In diesem Konzert, mit Kammermusikwerken des Komponisten, zeigt sie überdeutlich, warum der Komponist ihr so viel bedeutet. Das Ergebnis ist ein faszinierender Einblick - nicht nur in Mendelssohn und seine Musik, sondern auch in Mutters eigene Überzeugungen als Künstlerin.</video:description>
<video:duration>1099</video:duration>
<video:publication_date>2024-06-21T12:17:43Z</video:publication_date>
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<lastmod>2024-07-01T12:56:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36CG</loc>
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<video:title>Bruce Liu &amp; Gianandrea Noseda mit Rachmaninow und Rimski-Korsakow</video:title>
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<video:description>Bruce Liu ist begleitet vom Orchestra dell’Accademia Nazionale di Santa Cecilia unter der Leitung von Gianandrea Noseda beim Rheingau Musik Festival zu erleben. Der junge Pianist, Gewinner des Internationen Chopin-Wettbewerbs 2021, ist der virtuose Solist in Rachmaninows beliebtem Klavierkonzert Nr. 2, während der Mailänder Dirigent und das Symphonieorchester aus Rom Respighis 1906 entstandene Burleske und Rimski-Korsakows mitreißende Orchester-Fantasie Scheherazade auf die Bühne bringen.</video:description>
<video:duration>6538</video:duration>
<video:publication_date>2023-09-04T10:14:48Z</video:publication_date>
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<lastmod>2024-07-01T12:42:25Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ6D8</loc>
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<video:title>Bryn Terfel &amp; Carlos Núñez: Beethoven Celtique </video:title>
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<video:description>Auf dem Festival de Saint-Denis bringt der Bassbariton Bryn Terfel gemeinsam mit dem Gaïta-Spieler und Flötisten Carlos Núñez ein überraschendes Programm auf die Bühne: Beethovens Bearbeitungen von schottischen, irischen und walisischen Volksliedern. Beethoven arrangierte sie für Gesang und Klaviertrio und machte sie salonfähig für das 19. Jahrhundert, hier aber – in neuen Bearbeitungen von Benoît Menut und Pierre Chépélov – schließt sich der Kreis zu den keltischen Ursprüngen. Orchesterunterstützung kommt vom Orchestre National de Bretagne unter Grant Llewellyn.</video:description>
<video:duration>3808</video:duration>
<video:publication_date>2024-06-24T08:48:07Z</video:publication_date>
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<lastmod>2024-06-27T13:49:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJI</loc>
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<video:title>Zimmer: Chevaliers De Sangreal (aus &quot;The Da Vinci Code&quot;)</video:title>
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<video:description>Kian Soltani has always been a big fan of movies, now he takes this passion one step further and creates an unprecedented album with his own arrangements of great blockbuster hits. Epic soundscapes from Hans Zimmer&apos;s &apos;Pirates of the Caribbean&apos;, Howard Shores &apos;Lord of the Rings&apos; and other soundtracks. Cello Unlimited is precisely that – a collection of the most iconic movie soundtracks from the last 20 years, played on Kian’s cello and his cello only! All tracks are specially arranged for the cello and every voice is played by Kian himself.</video:description>
<video:duration>246</video:duration>
<video:publication_date>2022-06-16T12:09:02Z</video:publication_date>
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<lastmod>2024-06-26T13:39:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GE0</loc>
<video:video>
<video:title>Ashitaka and San (from &apos;Princess Mononoke&apos;)</video:title>
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<video:description></video:description>
<video:duration>269</video:duration>
<video:publication_date>2023-06-20T04:17:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-26T13:30:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GD8</loc>
<video:video>
<video:title>One Summer&apos;s Day (from &apos;Spirited Away&apos;)</video:title>
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<video:duration>246</video:duration>
<video:publication_date>2023-06-17T07:28:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-26T13:29:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8D0</loc>
<video:video>
<video:title>John Williams in Wien – mit Anne-Sophie Mutter   </video:title>
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<video:description>Im weltberühmten Goldenen Saal des Wiener Musikvereins lassen John Williams und die Wiener Philharmoniker die unwiderstehliche Magie des Films entstehen. Williams bezeichnete die Einladung, mit dem Orchester zu musizieren, als „eine der größten Ehren [s]eines Lebens“. Auf der Bühne des Musikvereins interpretierte Anne-Sophie Mutter an der Seite des Komponisten und Dirigenten eine Reihe von virtuosen Bearbeitungen, die Williams eigens für sie geschrieben hatte. Ein wahrhaft denkwürdiges Ereignis: Bei seiner ersten Zusammenarbeit mit einem der besten Orchester der Welt dirigierte der Filmkomponist, eine lebende Legende Hollywoods, einige seiner wichtigsten und die Maßstäbe des Genres erneuernde Musikstücke.</video:description>
<video:duration>7709</video:duration>
<video:publication_date>2022-08-01T11:57:48Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-26T13:18:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR0</loc>
<video:video>
<video:title>Ein neuer Chopin – Daniil Trifonov &amp; Mikhail Pletnev</video:title>
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<video:description>2017 tat sich Daniil Trifonov mit seinem russischen Landsmann, dem Dirigenten, Pianisten und Komponisten Mikhail Pletnev im Konzerthaus Dortmund zusammen. Die Aufführung und Einspielung von Pletnevs neuer Orchestrierung der beiden Klavierkonzerte von Chopin mit dem Mahler Chamber Orchestra erschließt neue Dimensionen dieser Gipfelwerke des romantischen Repertoires. Durch die Verbindung von Pletnevs intellektuell- analytischer Auffassung mit Trifonovs einzigartigem Talent und seinem unverwechselbaren »Touch« entsteht eine musikalische Zusammenarbeit auf höchstem Niveau. Christian Bergers Film erlaubt einen Blick hinter die Kulissen des künstlerischen Prozesses.</video:description>
<video:duration>3150</video:duration>
<video:publication_date>2022-05-11T10:31:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T09:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ACG</loc>
<video:video>
<video:title>Daníel Bjarnason dirigiert Musik von Jóhann Jóhannsson </video:title>
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<video:description>Daníel Bjarnason dirigiert das Iceland Symphony Orchestra in einem Programm zu Ehren von Jóhann Jóhannsson, der nicht nur einen Golden Globe gewann, sondern gleich zweifach für einen Oscar nominiert wurde, bevor er 2018 viel zu früh starb. Das Programm gipfelt in A Prayer to the Dynamo, einem Auftragswerk des Winnipeg Symphony Orchestra. Nicht zuletzt die Schriften von Henry Adams inspirierten Jóhannsson zu diesem großen Orchesterstück: In einem Gedicht hatte der Historiker seine Eindrücke von der Pariser Weltausstellung im Jahr 1900 festgehalten und über die Kraft der Maschine sinniert. Zu hören sind außerdem die Fanfare aus Jóhannssons Virðulegu forsetar und Odi et Amo aus seinem Theaterstück Englabörn.</video:description>
<video:duration>3201</video:duration>
<video:publication_date>2023-11-14T15:31:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-25T11:36:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CDO</loc>
<video:video>
<video:title>Bryn Terfel: Weihnachtskonzert aus der Kathedrale von Brecon</video:title>
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<video:description>In dieser Aufzeichnung präsentiert Sir Bryn Terfel ein besonderes Festkonzert aus der Brecon Cathedral in seinem Heimatland Wales. Das Repertoire besteht aus einer Mischung von Weihnachtsmusik, populären Stücken zur Winter-Saison sowie Liedern und Arien. Neben dem weltberühmten Sänger treten Musiker*innen wie die Harfenistin Hannah Stone, der Pianist Jeff Howard und die auf traditionelle walisische Folk-Musik spezialisierte Gruppe Calan auf. Die Besetzung wird von zwei jungen walisischen Stars – der Sopranistin Natalya Romaniw und dem Tenor Trystan Llyr Griffiths – komplettiert.</video:description>
<video:duration>4542</video:duration>
<video:publication_date>2022-11-25T08:12:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-06-25T11:33:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3IC0</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Herbert von Karajan: Beethoven</video:title>
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<video:description>Die Zusammenarbeit zwischen Herbert von Karajan und der jungen Anne-Sophie Mutter dauerte etwas mehr als ein Jahrzehnt, von den späten 1970er-Jahren bis zum Tod des Dirigenten 1989. Es war eine der faszinierendsten und fruchtbarsten musikalischen Partnerschaften der Zeit und führte zu unzähligen einzigartigen Aufführungen, festgehalten auf Schallplatte und Video. Eric Schulz&apos; Dokumentarfilm nimmt eine solche Aufführung in den Blick: Beethovens Violinkonzert, 1984 aufgezeichnet, doch erst nach 1989 veröffentlicht. Mit Beiträgen von Mutter und anderen Künstler:innen sowie seltenem Archivmaterial ist Schulz’ Film ein intimer Bericht über eine starke musikalische Verbindung und erzählt zugleich die Geschichte einer fesselnden Darbietung.</video:description>
<video:duration>3164</video:duration>
<video:publication_date>2023-06-23T08:10:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-06-20T09:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJC</loc>
<video:video>
<video:title>Kleiber dirigiert Beethoven: Sinfonie Nr. 7</video:title>
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<video:description>Nur ein knappes Dutzend Sinfonien hatte Carlos Kleiber im Repertoire. Doch alle seine Dirigate waren von einer Perfektion und Souveränität geprägt, die ihm auch die Bewunderung von Kollegen einbrachte, für die Konkurrenzdenken und Neid sonst keine Fremdworte waren. Immerhin vier Sinfonien von Beethoven findet man im Katalog von Kleibers Ton- und Bildaufnahmen. Die Siebte führte er in einer besonders gefeierten Deutung mit dem Royal Concertgebouw Orchestra im Jahr 1983 auf. Selten sind die rhythmische Energie, der große Bogen der Entwicklungen und die Details der Instrumentierung so tiefenscharf und mitreißend zu hören. Das Konzert gipfelte in einer entfesselten, stürmischen Wiedergabe des furiosen Finales – und in Ovationen des Publikums.</video:description>
<video:duration>2209</video:duration>
<video:publication_date>2022-05-16T15:26:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-19T19:47:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D0</loc>
<video:video>
<video:title>Anne-Sophie Mutter: The Club Concert</video:title>
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<video:description>Anne-Sophie Mutter bringt außer klassischer Musik auch ihre 300 Jahre alte Stradivari „Lord Dunn-Raven“ in den mit Graffitis geschmückten Berliner Club Neue Heimat in Friedrichshain. Nur wenige Meter von ihrem Publikum entfernt, trennen die Star-Geigerin hier doch gefühlte Welten von den großen Sälen der Klassik-Szene, in denen Mutter üblicherweise auftritt. Das Programm erlaubt einen Einblick in die Vielfalt der Musikgeschichte und den Reichtum des Violin-Repertoires. Mutter, die vom Pianisten Lambert Orkis und dem Ensemble Mutter’s Virtuosi aus ihrer Nachwuchs-Stiftung begleitet wird, reist mit Vivaldi, Tschaikowsky, Bach, Gershwin und Copland von der Vergangenheit in die Gegenwart und erobert der klassischen Musik eine „neue Heimat“.</video:description>
<video:duration>4135</video:duration>
<video:publication_date>2022-06-28T13:22:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-18T09:19:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJADO</loc>
<video:video>
<video:title>Mozart von Renaud Capuçon und dem Orchestre de Chambre de Lausanne </video:title>
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<video:description>Musik von Mozart steht auf dem Programm von Renaud Capuçon und dem Orchestre de Chambre de Lausanne live aus der Grange au Lac in Évian: die Violinkonzerte Nr. 3 und 5 und die Sinfonie Nr. 40 in g-Moll. Capuçon ist sowohl Solist als auch Dirigent der beiden Konzerte, die zu den schönsten der Salzburger Periode des Komponisten zählen und Teil eines großen Aufnahmeprojekts der Deutschen Grammophon sind. Gleich darauf steht er am Pult eines Welterfolgs: der düster rastlosen vorletzten Sinfonie des Meisters, ein singuläres Werk, das im Sommer 1788 in einem Wiener Vorort entstand – mitreißend und eindrucksvoll bildet es den Schluss.</video:description>
<video:duration>5257</video:duration>
<video:publication_date>2023-09-04T12:09:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-17T14:20:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6D8</loc>
<video:video>
<video:title>Abbado dirigiert Prokofjew &amp; Mahler - mit Yuja Wang</video:title>
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<video:description>Eine beglückende Begegnung der Generationen ereignete sich 2009 beim Lucerne Festival: Die 22 Jahre junge Pianistin Yuja Wang und der 76 Jahre alte Claudio Abbado interpretieren Prokofievs Drittes Klavierkonzert. Yuja Wang bewältigt die fast übermenschlichen technischen Anforderungen mit geradezu erschreckender Mühelosigkeit, zeigt sich aber auch den witzigen und lyrisch verträumten Passagen des Werks auf begeisternde Weise gewachsen. Abbado, der zum Zeitpunkt des Konzerts der vielleicht am meisten bewunderte Dirigent der Klassikszene war, führte anschließend sein formidables Lucerne Festival Orchestra mit leichter Hand und untrüglichem Sinn für Stimmungen durch Mahlers von der romantischen Wunderhorn-Welt geprägte Erste Symphonie.</video:description>
<video:duration>5552</video:duration>
<video:publication_date>2022-07-21T12:57:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-13T09:35:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0CO</loc>
<video:video>
<video:title>Fischer dirigiert Chopin, Schubert &amp; Mendelssohn - mit Rafał Blechacz</video:title>
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<video:description>Nur ein Jahr liegt zwischen der Geburt von Felix Mendelssohn Bartholdy und Frédéric Chopin. Die beiden sind kaum junge Männer, als sich erstmals ihre Wege kreuzen. 1828 beobachtet Chopin seinen Altersgenossen beim Dirigieren der Humboldt-Kantate in der Singakademie zu Berlin, doch er traut sich nicht, ihn anzusprechen. Mendelssohn war bereits eine Berühmtheit, vier Jahre zuvor hatte er seine Symphonie Nr. 1 vollendet. Chopin komponierte im Jahr nach dieser stillen Begegnung sein Klavierkonzert Nr. 2. Beide Jugendwerke sind hier zu hören – mit Rafał Blechacz als Solist in Chopins Konzert. Die Ouvertüre im italienischen Stil, D. 591 des 20-jährigen Schubert beschließt den Abend. Aufgezeichnet beim Mendelssohn-Fest 2023 von Lucerne Festival</video:description>
<video:duration>5672</video:duration>
<video:publication_date>2023-11-03T14:51:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-13T09:34:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36CG</loc>
<video:video>
<video:title>Waldbühne 2006: Tausendundeine Nacht – mit Neeme Järvi &amp; Janine Jansen</video:title>
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<video:description>Tausendundeine Nacht war das Thema des Waldbühnenkonzerts 2006 der Berliner Philharmoniker - eine Nacht des musikalischen Geschichtenerzählens unter dem Sternenhimmel des Berliner Amphitheaters. Das bedeutete Auszüge aus Rimski-Korsakows Scheherezade sowie eine Auswahl bekannter (Griegs Peer Gynt) und weniger bekannter Märchen (Nielsens Aladdin) - dirigiert mit charakteristischem Schwung und Charme von einem echten Favoriten unter den Gastdirigenten des BPO, Maestro Neeme Järvi, der von der niederländischen Geigerin Janine Jansen in zwei Werken begleitet wird: der Méditation aus Massenets Thaïs und Saint-Saëns&apos; glitzerndem Introduktion und Rondo Capriccioso. Man kann mit Fug und Recht behaupten, dass sie sich gegenseitig in den Bann ziehen.</video:description>
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<video:publication_date>2024-05-16T12:33:04Z</video:publication_date>
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<lastmod>2024-06-12T10:52:19Z</lastmod>
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<url>
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<video:video>
<video:title>Über den Concours Géza Anda 2024</video:title>
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<lastmod>2024-06-11T11:46:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34E0</loc>
<video:video>
<video:title>Über den Concours Géza Anda 2024</video:title>
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<lastmod>2024-06-11T11:45:37Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34E8</loc>
<video:video>
<video:title>Über den Concours Géza Anda 2024</video:title>
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<video:publication_date>2024-06-07T11:02:02Z</video:publication_date>
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<lastmod>2024-06-11T11:44:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ36C0</loc>
<video:video>
<video:title>Über den Concours Géza Anda 2024</video:title>
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<video:publication_date>2024-06-07T11:06:05Z</video:publication_date>
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<lastmod>2024-06-11T11:44:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34DO</loc>
<video:video>
<video:title>Über den Concours Géza Anda 2024</video:title>
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<video:duration>247</video:duration>
<video:publication_date>2024-06-07T10:57:09Z</video:publication_date>
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<lastmod>2024-06-11T11:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34D8</loc>
<video:video>
<video:title>Über den Concours Géza Anda 2024</video:title>
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<video:duration>234</video:duration>
<video:publication_date>2024-06-07T10:45:27Z</video:publication_date>
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<lastmod>2024-06-11T11:39:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJADO</loc>
<video:video>
<video:title>Long Yu dirigiert Aaron Zigmans neues Oratorium Émigré </video:title>
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<video:description>Long Yu dirigiert das New York Philharmonic Orchestra in dem neuen Oratorium Émigré des Komponisten Aaron Zigman. Die Texte des Grammy-Preisträgers Mark Campbell erzählen eine mitreißende Geschichte von Liebe und Verlust und folgen der Geschichte zweier Brüder, die 1938 aus Deutschland nach Shanghai fliehen und sich dort mit ihrem neuen Leben arrangieren. Die Komposition wurde von Long Yu, den Shanghai Symphony Orchestra und den New York Philharmonikern gemeinsam in Auftrag gegeben und die US-Premiere im Wu Tsai Theater in der David Geffen Hall von New York City gefilmt.</video:description>
<video:duration>6250</video:duration>
<video:publication_date>2024-05-15T15:25:13Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-03T15:16:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36DO</loc>
<video:video>
<video:title>Luisi dirigiert Nielsen: Symphonie Nr. 3 und Flötenkonzert</video:title>
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<video:description>Carl Nielsen war ein Naturmensch und in der dänischen Landschaft fand er eine unerschöpfliche Quelle der Inspiration. Seine „Sinfonia espansiva” ist eine große wortlose Hymne an die Schöpfung, mal lichtdurchflutet, mal schwärmerisch, mal explosiv. In dieser kraftvollen Interpretation von Fabio Luisi intonieren die Sopranistin Liv Redpath und der Bariton Johan Reuter die aus der Ferne einsetzenden Vokalisen. Ulla Miilmann hingegen ist die Solistin des brillanten Flötenkonzerts, ein Klassiker des Instruments, in den das Avantgardistische der 1920er-Jahre Eingang findet. Doch zum Auftakt eine Rarität: das Vorspiel zum zweiten Akt von Nielsens biblischer Oper Saul und David.</video:description>
<video:duration>4409</video:duration>
<video:publication_date>2023-08-10T15:17:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-06-03T12:00:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJICO</loc>
<video:video>
<video:title>Karajan dirigiert Verdi: Falstaff</video:title>
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<video:description>»Tutto nel mondo è burla« – die ganze Welt ist eine Posse. Mit diesen Worten endet nicht nur Verdis zugleich kluge wie entlarvende Komödie Falstaff, sondern auch die unglaubliche, sechs Jahrzehnte währende Karriere des 79-jährigen Opernkomponisten. Herbert von Karajan brachte die Oper 1982 auf die Bühne der Salzburger Festspiele, selbst nur wenig jünger als einst der Schöpfer der Musik. In den Hauptrollen der Shakespeare-Vertonung sind der erfahrene italienische Bariton Giuseppe Taddei als feister Ritter Sir John Falstaff und Christa Ludwig als Mrs. Quickly zu erleben. Mit Karajans werktreuer Regie und den prächtigen historischen Bühnenbildern des großen Günther Schneider-Siemssen ist die Aufführung ebenso schön anzusehen wie anzuhören. </video:description>
<video:duration>8049</video:duration>
<video:publication_date>2024-04-18T11:58:59Z</video:publication_date>
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<lastmod>2024-06-03T09:11:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSJC</loc>
<video:video>
<video:title>John Eliot Gardiner dirigiert Bachs Johannes-Passion</video:title>
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<video:description>Es gehört zu den größten Geschenken der Musikgeschichte, dass Bach die Leidensgeschichte von Jesus Christus gleich zweimal vertonte. Die von packender Dramatik geprägte Johannes-Passion spannt – vom grandiosen Eingangs-Chor bis zum ergreifenden Schluss-Choral – einen faszinierenden Spannungsbogen. Obwohl John Eliot Gardiner ein riesiges Repertoire beherrscht, kehrt er doch immer wieder zu Bach als dem Zentrum seines künstlerischen Selbstverständnisses zurück. Mit dieser so souveränen wie aufwühlenden Oxforder Aufführung vom April 2021 verleiht er mit seinen Vokal- und Instrumental-Ensembles der Hoffnung Ausdruck, sich auch unter den Bedingungen der Corona-Pandemie mit jenen Menschen „zu verbinden, von denen wir physisch getrennt sind.“</video:description>
<video:duration>7172</video:duration>
<video:publication_date>2022-06-15T15:55:52Z</video:publication_date>
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<lastmod>2024-06-03T09:10:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCCO</loc>
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<video:title>Kian Soltani spielt Debussy, Schumann, Schostakowitsch und Rachmaninow</video:title>
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<video:description>Mit dem Cellisten Kian Soltani und dem Pianistin Julien Quentin sind in dieser Aufzeichnung vom Verbier Festival zwei Star-Musiker zu erleben. Im Zentrum des Recitals stehen zwei großartige Cellosonaten des 20. Jahrhunderts. Debussy gab seinem Spätwerk ursprünglich den Titel „Pierrot ist wütend auf den Mond“ und brachte darin das Cello an die Grenzen der Expression. In der Musik verbindet sich rohe Kraft mit Humor und Jazz-Elementen. Schostakowitschs 1934 entstandene Sonate spiegelt eine bewegte Zeit im Leben des Komponisten wider. Zwischen diesen beiden Werken steht Schumanns leidenschaftliches Adagio und Allegro. Als Zugabe erklingt mit dem Andante von Rachmaninoff der langsame Satz aus einer weiteren Sonate des 20. Jahrhunderts.</video:description>
<video:duration>3298</video:duration>
<video:publication_date>2022-09-12T14:44:10Z</video:publication_date>
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<lastmod>2024-06-03T08:30:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ4D0</loc>
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<video:title>Renaud Capuçon &amp; Tarmo Peltokoski spielen Schoenberg, Strauss &amp; Wagner</video:title>
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<video:description>Im September 2024 wird Tarmo Peltokoski neuer Chefdirigent des Orchestre National du Capitole de Toulouse. Hier ist der junge finnische Dirigent bereits am Pult seines zukünftigen Ensembles zu erleben, in drei Schlüsselwerken des deutsch-österreichischen Repertoires, die den Übergang von der Romantik zur Moderne kennzeichnen. Zum Auftakt spielt Renaud Capuçon das Violinkonzert von Arnold Schönberg, die selbst dem großen Jascha Heifetz ob ihrer technischen Anforderungen als unspielbar galt. Anschließend bringen Orchester und Dirigent Also sprach Zarathustra von Richard Strauss auf die Bühne, eine symphonische Dichtung frei nach Friedrich Nietzsche. Schließlich erklingt das mitreißende Vorspiel zu Wagners Meistersinger von Nürnberg.</video:description>
<video:duration>5109</video:duration>
<video:publication_date>2024-01-08T14:06:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-05-31T08:03:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ2D0</loc>
<video:video>
<video:title>Bernstein dirigiert Beethoven: „Chorfantasie“ – mit Homero Francesch</video:title>
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<video:description>Leonard Bernstein dirigiert eines der experimentellsten Werke von Beethoven am Pult der Wiener Philharmoniker und des Jeunesse-Chors. Zu hören ist die „Chorfantasie“, die weithin als Vorstudie zur gewaltigen Neunten gilt, obwohl sie bereits 1808 geschrieben wurde, also 16 Jahre zuvor. Das c-Moll-Werk sprengte in Form und Orchestrierung alle Grenzen und Konventionen. Das imposante Klaviersolo zu Beginn soll der Komponist bei der Uraufführung am 22. Dezember 1808 im Theater an der Wien erdacht haben – aus dem Stegreif, die Improvisationskunst eines Genies war live zu erleben. Spontan und impulsiv verleiht auch der schweizerisch-uruguayische Pianist Homero Francesch der Musik in dieser Aufführung aus dem Jahr 1986 ihren Ausdruck.</video:description>
<video:duration>1331</video:duration>
<video:publication_date>2023-11-20T15:13:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-05-30T14:59:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36D8</loc>
<video:video>
<video:title>Kleiber dirigiert Beethoven, Mozart &amp; Brahms</video:title>
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<video:description>Er dirigiere nur, wenn der Kühlschrank leer sei, wurde behauptet. Doch die eher seltenen Auftritte des Carlos Kleiber waren so energisch, intuitiv und mitreißend musikalisch, dass jeder einzelne zu einem Ereignis wurde. Sein Dirigierstil galt als einzigartig. Dieses Konzert aus dem Jahr 1996 zeigt ihn im Münchner Herkulessaal am Pult des Bayerischen Staatsorchesters, dem er eng verbunden war. Beethoven, Mozart und Brahms stehen auf dem Programm. Die Musik ist vertraut, aber Kleibers Beziehung zu seinen Musikern sowie die klangliche Schönheit und lebensfrohe Vitalität seiner Interpretationen machen diese Darbietungen zu einem Erlebnis, das die Kompositionen von Neuem aus der Taufe zu heben scheint.</video:description>
<video:duration>4499</video:duration>
<video:publication_date>2024-05-24T08:42:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-05-30T13:04:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ6</loc>
<video:video>
<video:title>John Williams in Berlin</video:title>
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<video:description>Es war eines der großen Konzerte des Jahres in der deutschen Hauptstadt: John Williams, Legende der Filmmusik, dirigierte im Alter von 89 Jahren zum ersten Mal die Berliner Philharmoniker. Viele seiner berühmtesten Stücke brachte er zu Gehör, aus „Star Wars” oder „Superman”, „Harry Potter” oder „Indiana Jones” u.v.m. – Musik erklang, die die Fantasie von Generationen von Filmliebhabern entfacht hat, interpretiert von den einzigartigen Berliner Philharmonikern. Die Darbietung war ein Erfolg, tosend der Applaus, begeistert die Kritiker. Und auch der Livemitschnitt sollte Geschichte schreiben, zum ersten Mal führten Orchester und Williams die deutschen Albumcharts an.</video:description>
<video:duration>6944</video:duration>
<video:publication_date>2022-04-25T08:50:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-05-30T12:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCE0</loc>
<video:video>
<video:title>Anne-Sophie Mutter, André Previn &amp; Daniel Müller-Schott spielen Mozart</video:title>
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<video:description>Mozart schrieb seine Klaviertrios für das private Vergnügen, und Anne-Sophie Mutter nähert sich ihnen in demselben Geist. Mozart selbst trat im wunderschönen Teatro Bibiena in Mantua auf, und die intime Größe und die Rokoko-Eleganz dieses authentischen Aufführungsortes aus dem 18. Jahrhundert machen ihn zum perfekten Ort für Musik, die zwar bescheiden ist, aber die Welt anspricht. Für dieses Konzert aus dem Jahr 2006 hat Mutter ein All-Star-Ensemble aus mehreren Generationen zusammengestellt, in dem ihr ehemaliger Schützling, der junge deutsche Cellist Daniel Müller-Schott, sowie ihr langjähriger Begleiter am Klavier, André Previn, mitwirken. Dies ist Kammermusik in ihrer schönsten Form: in jeder Hinsicht die Musik von Freunden.</video:description>
<video:duration>3763</video:duration>
<video:publication_date>2024-03-01T11:29:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-28T13:44:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34C8</loc>
<video:video>
<video:title>Karajan dirigiert Wagner: Das Rheingold</video:title>
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<video:description>Wagners Ring-Zyklus verlangt nach einer epischen Vision. Unglaublicherweise ist dieser ambitionierte Film von Das Rheingold aus dem Jahr 1978, der auf der Inszenierung basiert, die Herbert von Karajan bei den Salzburger Festspielen dirigierte und inszenierte, der einzige erhaltene Film, in dem Karajan - einer der besten Wagner-Dirigenten aller Zeiten - eine szenische Aufführung eines von Wagners Musikdramen dirigiert. Karajans Regievision ist traditionell, aber wirkungsvoll, und mit einer Besetzung, zu der Thomas Stewart als Wotan, Brigitte Fassbaender als Fricka und Peter Schreier als schelmischer Loge sowie die Berliner Philharmoniker im Orchestergraben gehören, klingt sie ebenso eindrucksvoll wie sie aussieht.</video:description>
<video:duration>8730</video:duration>
<video:publication_date>2024-04-30T13:49:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-27T06:58:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ32D8</loc>
<video:video>
<video:title>Debussy: La fille aux cheveux de lin </video:title>
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<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2024-04-15T20:51:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-23T09:16:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJGE8</loc>
<video:video>
<video:title>Árnason: Rödd</video:title>
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<video:description></video:description>
<video:duration>276</video:duration>
<video:publication_date>2023-12-06T15:03:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-05-21T12:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR36C8</loc>
<video:video>
<video:title>Europakonzert 2004 aus Athen - mit Simon Rattle &amp; Daniel Barenboim</video:title>
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<video:description>Die Berliner Philharmoniker haben ihre Europakonzerte schon an vielen großen Orten und mit vielen berühmten Künstlern gespielt. Doch was das Spektakel und die historische Bedeutung angeht, gab es nur wenige Gelegenheiten, die mit dem Open-Air-Konzert 2004 im Herodes-Atticus-Theater in Athen mithalten konnten - einem 1.850 Jahre alten Amphitheater unterhalb der Akropolis. Zum ersten Mal in ihrer Laufbahn treffen zwei diese Künstlerpersönlichkeiten aufeinander: Simon Rattle dirigiert, und Daniel Barenboim ist der Solist in Brahms&apos; epischem Ersten Klavierkonzert, das vor 5.000 Zuhörern aufgeführt wird. Das Programm endet mit einer echten Rattle-Spezialität: Schönbergs Orchestrierung von Brahms&apos; erstem Klavierquartett.</video:description>
<video:duration>6105</video:duration>
<video:publication_date>2024-05-16T10:05:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-05-21T07:01:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34E0</loc>
<video:video>
<video:title>Karajan dirigiert Bruckner: Sinfonie Nr. 9 </video:title>
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<video:description>Für Anton Bruckner war seine unvollendete Neunte Symphonie sowohl ein Vertrag als auch ein Gespräch mit Gott. Herbert von Karajans Beziehung zu dieser mächtigsten der österreichischen romantischen Sinfonien war sehr persönlich: Er führte sie im Laufe seiner langen Karriere mindestens 38 Mal auf und fand dabei jedes Mal neue Einsichten und emotionale Wahrheiten, sein Mentor, Bernhard Paumgartner, nahm sogar an Bruckners Beerdigung teil. In dieser Aufnahme aus dem Jahr 1978 dirigiert Karajan seine geliebten Wiener Philharmoniker, ein Orchester mit einer Bruckner-Tradition, die bis in die Lebenszeit des Komponisten zurückreicht, und einem majestätischen, von innen heraus leuchtendem Klang, der perfekt zu Bruckners hochfliegender Vision passt.</video:description>
<video:duration>3538</video:duration>
<video:publication_date>2024-05-08T10:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-13T06:34:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34CG</loc>
<video:video>
<video:title>Karajan dirigiert Ouvertüren von Beethoven, Rossini, Wagner &amp; Weber</video:title>
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<video:description>Herbert von Karajan leitet die Berliner Philharmoniker bei diesem Programm mit beliebten Ouvertüren, die uns in die Zeit der Romantik führen. Wir beginnen mit Beethoven und den mitreißenden Ouvertüren zu den Dramen Coriolan und Egmont, bevor wir zu Rossinis aufregender Guillaume Tell-Ouvertüre übergehen. Wagners Tannhäuser-Ouvertüre mit ihrem feierlichen Bläserchoral, der mit den wirbelnden Leidenschaften der Venusberg-Musik&quot; kontrastiert wird, war schon immer ein Konzertfavorit, ebenso wie Webers Freischütz-Ouvertüre mit ihren einprägsamen Melodien und ihrer stimmungsvollen Orchestrierung. Wie nicht anders zu erwarten, zeigen Karajan und sein Orchester bei allen fünf Werken ihre charakteristische Leidenschaft, Vision und Virtuosität.</video:description>
<video:duration>3262</video:duration>
<video:publication_date>2024-05-02T09:18:29Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T15:04:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34D8</loc>
<video:video>
<video:title>Karajan dirigiert Debussy &amp; Ravel (1978)</video:title>
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<video:description>Wann immer Herbert von Karajan und die Berliner Philharmoniker sich französischer Musik zuwandten, waren die Ergebnisse von einer erstaunlichen und beispiellosen Klangschönheit. Das Orchesterspiel war von einem Niveau geprägt, das damals in diesem Repertoire selten zu hören war. So auch in diesem Programm, das 1978 in der Philharmonie aufgenommen wurde und zwei der beliebtesten Orchesterwerke Debussys enthält - das eindringliche, atmosphärische La Mer und das bahnbrechende Prélude à l&apos;après-midi d&apos;un faune - sowie die Zweite Suite aus Ravels Ballett Daphnis et Chloé, einem orchestralen Paradestück, das mit einem atemberaubenden Sonnenaufgang beginnt und in einem wirbelnden Tanz endet.</video:description>
<video:duration>3120</video:duration>
<video:publication_date>2024-05-02T14:37:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T15:03:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3AC0</loc>
<video:video>
<video:title>Daniel Barenboim dirigiert Le nozze di Figaro</video:title>
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<video:description>Selbst wenn wir von Mozart nichts außer seiner Oper Le nozze die Figaro kennen würden, müßten wir ihn für einen der größten Komponisten der Musikgeschichte halten. Die Kunst der Figuren-Charakterisierung, die Balance zwischen Heiterkeit und Ernst und der Wechsel zwischen genialen Melodien und dichten Ensembles machen das Stück zu einem ewigen Meisterwerk des Opern-Repertoires. Daniel Barenboim beweist in diesem Stream aus der Berliner Staatsoper seine in Jahrzehnten gereifte Expertise als Mozart-Dirigent, und Vincent Huguets Inszenierung erzählt die Geschichte als bunte Komödie aus dem 21. Jahrhundert. Zum Ensemble gehören mit den Sopranistinnen Elsa Dreisig und Nadine Sierra zwei der erfolgreichsten Sing-Darstellerinnen der Gegenwart. </video:description>
<video:duration>10820</video:duration>
<video:publication_date>2022-11-11T15:49:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T08:52:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJIE8</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Sinfonie Nr. 6</video:title>
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<video:description>Es war Tschaikowskis Bruder, der den Titel für dessen Sechste Symphonie vorschlug und sagte: »Pathétique« bedeutet einfach »voller Gefühl«. Inmitten all der Mythen und Geheimnisse, die sich um Tschaikowskis letztes Meisterwerk ranken, bleibt die glorreiche Inspiration und kompromisslose emotionale Ehrlichkeit dieser herzzerreißenden Musik unangefochten. Sowohl Herbert von Karajan als auch die Wiener Philharmoniker hatten eine besondere Beziehung zu Tschaikowskis Symphonien, im Fall des Orchesters reichte sie sogar zu Lebzeiten des Komponisten zurück. Das ist zu spüren in dieser Aufführung im Januar 1984 aus dem Goldenen Saal des Wiener Musikvereins.</video:description>
<video:duration>2899</video:duration>
<video:publication_date>2024-04-23T13:46:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJIE0</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Sinfonie Nr. 5</video:title>
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<video:description>Herz und Seele leiteten Tschaikowsky in seiner Fünften Symphonie, die 1888 in Sankt Petersburg uraufgeführt wurde. »Soll man sich dem Glauben in die Arme werfen?«, überschreibt er den langsamen Satz. In nur wenigen Wochen hatte der Komponist seine »Schicksals-Symphonie« in seinem Landhaus Frolowskoje zu Papier gebracht. Das Meisterwerk mit seinen emotionsgeladenen Melodien und seiner reichen Orchestrierung lebt vom virtuosen Spiel. Im März 1984 erfährt es solches Können in überbordender Umgebung: Herbert von Karajan leitet die Wiener Philharmoniker in einer Aufführung aus dem Wiener Musikverein.</video:description>
<video:duration>3057</video:duration>
<video:publication_date>2024-04-23T13:31:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR30CO</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Sinfonie Nr. 4</video:title>
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<video:description>Tschaikowski spiegelte sein Leben in seinen Symphonien und selten war er darin leidenschaftlicher als bei der Vierten. Die Komposition von 1877/78 ist ein Seelendrama und beginnt mit tragischer Fanfare. Um über seine Homosexualität hinwegzutäuschen, war Tschaikowski die Ehe mit Antonina Miljukowa eingegangen, was ihn in eine schwere Krise stürzte. Die Wiener Philharmoniker waren eines der ersten großen Orchester, die Tschaikowski im Westen aufführten. Seine letzten drei Symphonien wurden 1984 in Darbietungen unter der Leitung von Herbert von Karajan filmisch festgehalten. In diesem Werk ist ihr Spiel an emotionaler Tiefe und Klangschönheit kaum zu übertreffen.</video:description>
<video:duration>2707</video:duration>
<video:publication_date>2024-04-23T14:07:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30DG</loc>
<video:video>
<video:title>Hélène Grimaud spielt Schumanns Kreisleriana</video:title>
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<video:description>Hélène Grimaud ist mit dem zweiten Part ihrer Recitals in der Klosterbibliothek Polling zu erleben, einem einzigartigen Ort in Oberbayern, dem sich die Pianistin geistig verbunden fühlt. Dort spielt sie ein Schlüsselwerk der romantischen Klavierliteratur: die Kreisleriana von Robert Schumann. Die acht Soloklavierstücke wurden 1838 komponiert und spiegeln in ihren frappierenden Stimmungswechseln nicht nur den Charakter des fiktiven Kapellmeisters von E. T. A. Hoffmann, sondern auch den des Komponisten in seiner Sehnsucht nach seiner zukünftigen Frau Clara. Immer wieder hat sich die französische Pianistin mit der Kreisleriana beschäftigt. Einmal mehr bringt sie hier ihre Faszination und ihr außerordentliches Gespür für Poesie zum Ausdruck.</video:description>
<video:duration>2160</video:duration>
<video:publication_date>2023-07-04T15:15:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T12:20:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR30E0</loc>
<video:video>
<video:title>Karajan dirigiert Strauss: Don Quixote – with António Meneses</video:title>
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<video:description>Zeitgenossen stellten fest, dass Herbert von Karajan ein besonderes Faible für Richard Strauss&apos; Don Quixote hatte. Die symphonische Dichtung ist alles in einem – Konzert, musikalischer Spaß und Meditation über die Menschheit in ihrer Torheit und ihrem Streben. Karajan und sein hochvirtuoses Berliner Orchester erfassen sie. Nie hat Strauss&apos; Herde von Schafen und Hammeln poetischer geklungen! Doch mit der Wahl des damals jungen Antonio Meneses als Solist am Cello gibt Karajan der Interpretation eine berührende neue Dimension: Jugend und (große) Erfahrung kommen zusammen und spiegeln die Essenz des Werks.</video:description>
<video:duration>2711</video:duration>
<video:publication_date>2024-04-24T14:23:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T11:37:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR34CO</loc>
<video:video>
<video:title>Karajan dirigiert Strauss: Don Quixote – mit Mstislav Rostropovich</video:title>
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<video:description>Ursprünglich hat Richard Strauss den Solocellopart in seiner Tondichtung Don Quixote für die Solocellist:innen eines Orchesters konzipiert, doch er wird seit langem auch von vielen Star-Cellist:innen gespielt.Nur wenige von ihnen können mit der Berühmtheit Mstislav Rostropovichs mithalten, eine der großen musikalischen Persönlichkeiten des 20. Jahrhunderts und regelmäßiger Partner von Herbert von Karajan. Hier kommen sie mit den Berliner Philharmonikern zusammen, in einer klassischen Aufführung von Strauss&apos; brillanter Destillation von Schlüsselszenen aus Cervantes großem malerischen Roman. Rostropovich selbst verkörpert den berühmten reisenden Ritter, während der Bratschist des Orchesters Ulrich Koch seinen Knappen darstellt. </video:description>
<video:duration>2762</video:duration>
<video:publication_date>2024-05-02T12:13:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T07:51:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3A</loc>
<video:video>
<video:title>Anna - Stage Of Emotions: Hinter den Kulissen</video:title>
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<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2022-07-07T15:26:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T07:23:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR30DO</loc>
<video:video>
<video:title>Karajan dirigiert Mozarts Requiem</video:title>
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<video:description>Wolfgang Amadeus Mozart und Herbert von Karajan waren beide Söhne Salzburgs und beide fanden in Wien eine zweite musikalische Heimat. Der Film dokumentiert eine Aufführung Karajans mit den Wiener Philharmonikern und hervorragenden Solisten. Im Rahmen der Wiener Festwochen 1986 ist Mozarts unvollendetes Requiem zu erleben. Alles in Karajans Darbietung atmet ein Bewusstsein für Geschichte und große Tradition. Eine Aufführung solcher Grandeur, Erhabenheit und bewegender Schönheit ist selten. </video:description>
<video:duration>3366</video:duration>
<video:publication_date>2024-04-24T14:06:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-02T14:52:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGDO</loc>
<video:video>
<video:title>Karajan dirigiert Dvořák: Sinfonie Nr. 9 &quot;Aus der Neuen Welt&quot; </video:title>
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<video:description>Obwohl Dvořáks Neunte mit der ganzen kreativen Energie und melodischen Inspiration der Neuen Welt aufgeladen scheint, ist ihr Ursprung fest im Herzen Europas verankert. Die Wiener Philharmoniker sind berühmt für ihren leuchtenden Klang und ihr beschwingtes Gefühl für Tanzrhythmen. Kein anderes, nicht-tschechisches Orchester passt wohl besser zu Dvořáks Klängen. Karajan liebte sie – Musik wie Musiker. Grund genug, aus dem Vollen zu schöpfen. Doch auch Erhabenheit kommt auf. Karajan durchdringt die symphonische Struktur. Diese Darbietung aus dem Jahr 1985 aus dem Goldenen Saal des Wiener Musikvereins vermag zu fesseln. Zugleich ist da echte Wärme im Spiel.  </video:description>
<video:duration>2707</video:duration>
<video:publication_date>2024-04-11T08:50:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T09:16:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32C0</loc>
<video:video>
<video:title>Karajan dirigiert Debussy &amp; Ravel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1e2bfad5469211e67af34114fb2cab5a695893c4.jpg</video:thumbnail_loc>
<video:description>»So schön werden Sie sie vielleicht niemals wieder spielen hören. Aber Sie wissen jetzt, dass solche Schönheit möglich ist«, soll ein älterer Kritiker zu einem jüngeren Kollegen nach einem Auftritt von Herbert von Karajan in den Achtzigerjahren gesagt haben. Die Berliner Philharmoniker waren in Karajans letztem Lebensjahrzehnt Inbegriff ebendieser Klangschönheit. Das rein französische Programm aus dem Jahr 1985 beweist es einmal mehr. Drei Orchesterstücke von Debussy und Ravel zeigen den Dirigenten und seine Musiker von ihrer zarten, poetischen Seite.</video:description>
<video:duration>3194</video:duration>
<video:publication_date>2024-04-25T08:43:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T08:50:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR30D0</loc>
<video:video>
<video:title>Karajan dirigert Strauss: Eine Alpensinfonie</video:title>
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<video:description>Wasserfälle, Gletscher, Gewitter und Sturm – keine spätromantische Orchestermusik ist wohl farbenreicher als die Alpensinfonie von Richard Strauss. Dabei ist sie weit mehr als prächtige Kulisse. Herbert von Karajan kannte Strauss persönlich, und als Kind der Alpen war er einer der ersten Dirigenten, die die tiefere, spirituelle Seite von Strauss&apos; gewaltiger Hymne an die Natur durchdrangen, sodass ihre gedankliche Komplexität erfahrbar wurde. Die Berliner Philharmoniker warten hier mit ihrer unvergleichlichen Virtuosität in einer der technisch anspruchsvollsten Partituren des Orchesterrepertoires auf.</video:description>
<video:duration>3271</video:duration>
<video:publication_date>2024-04-23T14:27:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:50:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGC0</loc>
<video:video>
<video:title>Karajan dirigiert das Neujahrskonzert in Wien 1987</video:title>
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<video:description>An jedem ersten Tag des neuen Jahres richtet sich die Aufmerksamkeit der Welt auf den Goldenen Saal des Wiener Musikvereins und es erklingt das Neujahrskonzert der Wiener Philharmoniker mit Werken der Strauss-Dynastie und von deren Zeitgenossen. Ein glanzvolles Ereignis, das Herbert von Karajan nur ein einziges Mal adelte: am 1. Jänner 1987. Wie elektrisiert ist die Atmosphäre, Karajans souveräne Könnerschaft ist am Werk in altvertrauten Favoriten (An der schönen blauen Donau, Kaiserwalzer) und seltenen Preziosen (Sphärenklänge, Delirien). Unvergesslich die Interpretation vom Frühlingsstimmen-Walzer von Kathleen Battle. Champagner für die Ohren.  </video:description>
<video:duration>5829</video:duration>
<video:publication_date>2024-04-10T08:03:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2024-05-01T06:36:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32E8</loc>
<video:video>
<video:title>Karajan dirigiert das Silvesterkonzert 1985</video:title>
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<video:description>Das traditionelle Silvesterkonzert der Berliner Philharmoniker ist immer ein besonderer Moment in der Stadt an der Spree. Doch in den letzten Jahren von Herbert von Karajans Amtszeit als Chefdirigent des Orchesters war die Atmosphäre einzigartig. Karajan vermochte es, beliebte Klassiker – für manche nurmehr leichte Kost – kraft seines Könnens und seiner inspirierten Interpretation zum Ereignis zu machen. Weber, Puccini, Leoncavallo und Liszt bringt er in dieser Silvesternacht 1985 zu Gehör, bevor er sein begeistertes Publikum mit Ravels Boléro ins nächste Jahr entlässt. Das Neue, scheint der Maestro ihnen mitzugeben, ist schließlich die gekonnte Variation der Beständigkeit.</video:description>
<video:duration>3209</video:duration>
<video:publication_date>2024-04-26T13:07:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:36:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32D8</loc>
<video:video>
<video:title>Karajan dirigiert Beethoven &amp; Brahms: Berühmte Ouvertüren</video:title>
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<video:description>Große Symphonien und abendfüllende Opern machten Herbert von Karajan zum Weltstar, aber auch seine Compilations mit kürzeren Klassikern waren in den Siebziger- und Achtzigerjahren Bestseller. In ihnen verband sich der virtuose Zauber der Berliner Philharmoniker mit der beeindruckenden Autorität Karajans. In diesem Konzert aus dem Jahr 1985 eröffnen sich überraschende Beziehungen zwischen vier Ouvertüren von Beethoven und Brahms, darunter die mächtigen, wahrhaft symphonischen Darbietungen von Brahms&apos; »Tragischer Ouvertüre«, die wie ein einzeln stehender Symphoniensatz erscheint, und der überwältigenden »Leonoren-Ouvertüre« Nr. 3, die Beethoven für seine Oper Fidelio komponierte. Übrigens zog er sie zurück, sie war schlicht zu dramatisch!</video:description>
<video:duration>2885</video:duration>
<video:publication_date>2024-04-26T07:52:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T15:32:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR30E8</loc>
<video:video>
<video:title>Karajan dirigiert Strauss: Tod und Verklärung &amp; Metamorphosen</video:title>
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<video:description>Tod und Verklärung, Richard Strauss&apos; jugendliche Tondichtung, und Metamorphosen, seine erschütternde »Studie« über die Verheerungen des Zweiten Weltkrieges, stammen aus ganz unterschiedlichen Lebensaltern des Komponisten. Unter der Leitung von Herbert von Karajan, der Strauss persönlich kannte und das Kriegsgeschehen, dem sich die Metamorphosen widmen, selbst miterlebte, wurden sie jedoch zu einem klassischen Paar und zum Repertoire einer seiner besten Aufnahmen mit den Berliner Philharmonikern. Dieser Film dokumentiert eine Liveaufführung beim Allerheiligenkonzert 1984 in Berlin.</video:description>
<video:duration>3217</video:duration>
<video:publication_date>2024-04-25T08:20:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T15:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32E0</loc>
<video:video>
<video:title>Karajan dirigiert Strauss: Der Rosenkavalier</video:title>
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<video:description>Die Liebe siegt über alles, heißt es … doch was ist mit der Zeit? Richard Strauss&apos; Rosenkavalier versetzt in ein Fantasie-Wien – eine Traumwelt des 18. Jahrhunderts, in der eine silberne Rose das Leben auf den Kopf stellen kann und die Liebe zum Klang eines Walzers erblüht. 1984 gab es wohl nur wenige Dirigenten, die den orchestralen Klangfarbenreichtum dieser Oper besser verstanden als Herbert von Karajan. Im Doppelamt als Dirigent und Regisseur sorgte er dafür, dass auf den Salzburger Festspielen eine Inszenierung im Geiste des Komponisten gelang. Anna Tomowa-Sintows ergreifende Darstellung der Feldmarschallin krönt eine herausragende Besetzung.</video:description>
<video:duration>12587</video:duration>
<video:publication_date>2024-04-26T13:01:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T14:56:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32CO</loc>
<video:video>
<video:title>Berlin 750 Jahre: Karajan dirigert Mozart &amp; Strauss</video:title>
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<video:description>Als Berlin 1987 sein 750-jähriges Bestehen beging, konnten nur Hellsichtige wissen, was zwei Jahre später geschehen würde. Herbert von Karajan sollte es nicht mehr erleben, er starb nur wenige Monate vor dem Fall der Berliner Mauer. Die monumentale Qualität seines Konzerts zur Feier der Stadt machte es dennoch vorab zur Feier des Lebens. Zu hören sind Mozarts jugendliches Divertimento und Richard Strauss&apos; Also sprach Zarathustra mit der wohl berühmtesten Einleitung der Musikgeschichte, hier klanggültig dargeboten von den Berliner Philharmonikern. Der Partitur hatte Strauss den »Hymnus an die Sonne vorangestellt« – »Zu lange hat die Musik geträumt; jetzt wollen wir wachen. Nachtwandler waren wir, Tagwandler wollen wir werden.«</video:description>
<video:duration>4720</video:duration>
<video:publication_date>2024-04-25T10:51:21Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T14:25:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR32CG</loc>
<video:video>
<video:title>Karajan: Jubiläumskonzert – 100 Jahre Berliner Philharmoniker</video:title>
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<video:description>Als Herbert von Karajan im Juli 1989 starb, spielten viele Fernsehsender auf der ganzen Welt seine Aufnahme von Beethovens Symphonie Nr. 3. »Sinfonia Eroica, composta per festeggiare il sovvenire di un grand Uomo«, lautet der Untertitel ihrer Erstausgabe – zu Ehren eines »großen Mannes« war die Musik nun zu erleben. Karajan hat die »Eroica« 1982 auch anlässlich des hundertjährigen Bestehens der Berliner Philharmoniker aufgeführt. Feierlich, souverän und mit atemberaubender Präzision und Schönheit wird sie von seinem Orchester gespielt. So legte sie an jenem Jahrestag überdies Zeugnis ab von einer unverwechselbaren Beziehung zwischen dem Dirigenten und seinen Musikern.</video:description>
<video:duration>3238</video:duration>
<video:publication_date>2024-04-25T10:12:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T13:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJIDG</loc>
<video:video>
<video:title>Karajan dirigiert Dvořák: Sinfonie Nr. 8 </video:title>
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<video:description>Zwischen der Melancholie der Siebten und der Sehnsucht der Neunten liegt die farbenreiche Fröhlichkeit von Dvořáks Achter, »ein von den anderen Symphonien verschiedenes Werk«, wie der Komponist selbst sagte. Es ist Musik, die geradezu leuchtet – Sonnenschein, Vogelgezwitscher, die beschwingten Melodien einer böhmischen Welt. Kein anderes, nicht-tschechisches Orchester passt wohl besser zu Dvořáks Klängen als die Wiener Philharmoniker. Karajan dirigiert sie in seiner Aufführung von 1985 voller Zartheit und zugleich mit meisterhaft symphonischem Instinkt.</video:description>
<video:duration>2374</video:duration>
<video:publication_date>2024-04-19T12:53:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T13:34:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ2</loc>
<video:video>
<video:title>Claudio Abbado – Hearing the Silence</video:title>
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<video:description>Claudio Abbado war einer der bedeutendsten und angesehensten Dirigenten der Welt. Als engagierter Förderer junger musikalischer Talente war er maßgeblich an der Gründung mehrerer Klangkörper wie des Lucerne Festival Orchestra beteiligt. Regisseur Paul Smaczny begleitete die Karriere des Musikers über viele Jahre. In diesem Porträt, das anlässlich von Abbados 70. Geburtstag 2003 veröffentlicht wurde, spricht der Dirigent über sein Leben und seine Arbeit, seine Sicht auf die Musik und seine Lieblingskompositionen. Nie zuvor gezeigte Interviews werden von Probe- und Konzertaufnahmen, Gesprächen mit Freunden und Kollegen sowie von Archivmaterial ergänzt. So zeigt der Film den »schweigenden Denker« in einem neuen und überraschenden Licht.</video:description>
<video:duration>4014</video:duration>
<video:publication_date>2022-10-18T15:26:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-26T07:05:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGC8</loc>
<video:video>
<video:title>Karajan dirigiert Brahms: Ein deutsches Requiem </video:title>
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<video:description>»Selig sind, die da Leid tragen, denn sie sollen getröstet werden.« Brahms war nie wirklich gläubig. Und als er den Tod seiner Mutter betrauerte, schuf er eine untypische Totenmesse: Sein Deutsches Requiem ist kein religiöses Werk, sondern ein spirituelles, es tröstet und ermutigt die Lebenden. Ergreifend schön und persönlich ist die Musik. In Karajan brachte sie das Beste zum Vorschein. Die Solist:innen dieser Aufführung von 1985 – Kathleen Battle und José van Dam – sind zu jener Zeit zwei der berühmtesten Sänger:innen der Welt. Die Wiener Philharmoniker schwelgen im leuchtenden, warmen Klang. Das Ergebnis verzaubert.  </video:description>
<video:duration>4874</video:duration>
<video:publication_date>2024-04-10T10:51:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:33:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGCG</loc>
<video:video>
<video:title>Karajan dirigiert Mussorgsky: Bilder einer Ausstellung </video:title>
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<video:description>Die Hütte auf Hühnerfüßen, das Ballett der Küken in ihren Eierschalen, das große Tor von Kiew ... 1874 verewigte Modest Mussorgsky die Gemälde seines verstorbenen Freundes Viktor Hartmann in seinem Klavierzyklus Bilder einer Ausstellung. Maurice Ravel bearbeitete das Werk ein halbes Jahrhundert später und schuf eine durch und durch farbige Orchesterfassung: schillernd und die Fantasie mit jeder Note beflügelnd – ein echtes Paradestück für ein virtuoses Orchester und somit wie geschaffen für die Berliner Philharmoniker unter Herbert von Karajan. Selten wurde die Musik mit solcher Kraft, Präzision und Meisterschaft gespielt wie in dieser Darbietung von 1986. </video:description>
<video:duration>2136</video:duration>
<video:publication_date>2024-04-10T11:10:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:32:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGE0</loc>
<video:video>
<video:title>Karajan in Japan: Mozart, Strauss &amp; Respighi </video:title>
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<video:description>Wunderbar lebhaft ist dieses Programm. Herbert von Karajan eröffnet es mit einem Divertimento, das der froh gestimmte junge Mozart zu Papier brachte, um seine Salzburger Zeitgenossen zu erfreuen. Es folgt Richard Strauss&apos; stürmische Tondichtung Don Juan. Und schließlich durchfluten die stimmungsvollen Orchesterfarben aus Respighis Pini di Roma das Konzerthaus. Bravourös und mühelos wechseln Herbert von Karajan und die Berliner Philharmoniker von Mozarts Anmut zur virtuosen, satten Opulenz von Strauss und Respighi. Die  Aufführung wurde 1984 live auf einer Tournee in Japan mitgeschnitten.</video:description>
<video:duration>4597</video:duration>
<video:publication_date>2024-04-11T08:56:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:18:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGDG</loc>
<video:video>
<video:title>Karajan dirigiert Strauss: Ein Heldenleben</video:title>
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<video:description>Richard Strauss zeigte sich wahrhaft begeistert, als er erlebte, wie der junge Herbert von Karajan seine Musik dirigierte. Obgleich in den Achtzigerjahren viele Dirigenten mit Strauss vertraut waren, gab es nur wenige, die sich derart mit seinen Werken identifizierten und sie mit solchem Selbstverständnis und Flair zur Aufführung brachten. Ein Heldenleben war für Karajan während seiner jahrzehntelangen Arbeit mit den Berliner Philharmonikern gleichsam ein Markenzeichen. In dieser Darbietung – 1985 als Teil einer Reihe gefilmt, die Karajans Interpretationen der Tondichtungen des Komponisten dokumentiert – sind Dirigent und Orchester auf dem Höhepunkt ihrer Strauss&apos;schen Form: Zu hören ist Ein Heldenleben voll Schwung und Zärtlichkeit.  </video:description>
<video:duration>2923</video:duration>
<video:publication_date>2024-04-11T08:32:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:41:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGCO</loc>
<video:video>
<video:title>Karajan dirigiert Bruckner: Sinfonie Nr. 9 </video:title>
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<video:description>Bruckner widmete seine Neunte Symphonie »dem lieben Gott«. Sein gewaltiges, jedoch unvollendetes Meisterwerk ist zugleich Tragödie wie Gipfel seiner Karriere. Und so war es auch für einen so hingebungsvollen Bruckner-Interpreten wie Herbert von Karajan ein Werk, das bei jeder Aufführung neue Höhen und Tiefen offenbarte. »Absolut großartig«, urteilte Gramophone über seine Interpretation, voll »ehrfurchtgebietender Kraft und Geheimnis« und gekrönt vom »transformierenden Feuer« der Blechbläser der Berliner Philharmoniker. Eine überragende Leistung von einem der bedeutendsten Dirigenten-Orchester-Gespanne des 20. Jahrhunderts.</video:description>
<video:duration>3699</video:duration>
<video:publication_date>2024-04-11T06:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:39:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJGD8</loc>
<video:video>
<video:title>Karajan dirigiert Bruckner: Sinfonie Nr. 8</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c2c202d5b93d59afe258ce4f06bd4f6a8297a415.jpg</video:thumbnail_loc>
<video:description>Als Anton Bruckner seine Achte »ein Mysterium« nannte, bezog er sich auf das Spirituelle. Bis heute ist seine letzte vollendete Symphonie ein Höhepunkt des österreichisch-deutschen Symphonienkanons. Für Herbert von Karajan war das Werk eine lebenslange Entdeckungsreise. Sie gipfelte in dieser zutiefst bewegenden, nur ein Jahr vor seinem Tod aufgenommenen Aufführung mit seinen geliebten Wiener Philharmonikern. Wahrlich »überirdisch« sind Karajans Einsichten. Die Wiener Philharmoniker – Bruckner zu Lebzeiten alles andere als wohlgesonnen – leisten mit einem Spiel von unvergleichlicher Kraft und Schönheit noble Abbitte.  </video:description>
<video:duration>5170</video:duration>
<video:publication_date>2024-04-11T08:23:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:39:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0E0</loc>
<video:video>
<video:title>Bernstein dirigiert Tschaikowski: Sinfonie Nr. 4</video:title>
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<video:description>Leonard Bernstein leitet die New Yorker Philharmoniker in Tschaikowskis Vierter Symphonie. Die Aufführung wurde im April 1975 live in der Avery Fisher Hall mitgeschnitten. Das im Februar 1878 in Moskau uraufgeführte Werk entstand in einer Zeit schwerer persönlicher Krisen des Komponisten. Nicht von ungefähr beherrscht das „Schicksalsthema“ die Musik. Zu Beginn ist es zu hören und ergießt sich in dreien der vier Sätze in die Musik. Bernstein konnte nicht von ihr lassen. Oft brachte er sie auf die Bühne, schließlich auch 1989 bei seinem letzten Auftritt in der Avery Fisher Hall. Eine Interpretation, die die Kritik „fesselnd“ und „unter die Haut gehend“ nannte.</video:description>
<video:duration>2729</video:duration>
<video:publication_date>2023-11-07T11:26:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-19T20:08:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ8C0</loc>
<video:video>
<video:title>Leonard Bernstein dirigiert West Side Story </video:title>
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<video:description>Dieser Klassiker des Dokumentarfilms belegt die Entstehung einer legendären Aufnahme, als Leonard Bernstein die West Side Story samt Starbesetzung ins Studio brachte. Der Komponist dirigiert seine bahnbrechende Musik – fast drei Jahrzehnte nach ihrer Premiere am Broadway – und schwelgt in der Erinnerung an sein Meisterwerk. Und auch die Sänger:innen kommen zu Wort, unter anderem Grande Dame Kiri Te Kanawa und Startenor José Carreras. Glück und Strapaze einer Aufnahme zeigt dieser Film und bietet in seiner Unverblümtheit einen einzigartigen Einblick in deren Entstehungsprozess sowie in die Art und Weise, wie Bernstein an sein Werk heranging.</video:description>
<video:duration>5299</video:duration>
<video:publication_date>2023-11-20T10:09:27Z</video:publication_date>
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<lastmod>2024-04-18T09:21:19Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ADO</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Antonio Chen Guang</video:title>
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<video:description>Der Weg ins Finale: Wir präsentieren eine Auswahl von Antonio Chen Guangs Auftritten aus dem Solo- und Halbfinale des 64. Internationalen Ferruccio Busoni Klavierwettbewerbs.</video:description>
<video:duration>1600</video:duration>
<video:publication_date>2023-08-31T15:19:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2024-04-15T20:09:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0DO</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Sinfonie Nr. 6</video:title>
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<video:description>Am 16. Oktober 1893 wurde die Sechste Sinfonie von Tschaikowski in St. Petersburg uraufgeführt. Neun Tage später starb ihr Komponist. „Pathétique“ nannte sein Bruder treffend diese Musik der Leidenschaft. Für Tschaikowski selbst war sie ein Höhepunkt seines Schaffens. „Ich bin stolzer auf sie als auf alle meine anderen Kompositionen“, schrieb er seinem Neffen. Die Aufführung von Herbert von Karajan und den Berliner Philharmonikern, 1973 in Berlin gefilmt, vermittelt eindrucksvoll die ganze Dramatik, das Unheilvolle, die starke Emotion und eben auch das Pathos dieser düsteren h-Moll-Klänge. Sie münden in einen ungewöhnlich langsamen Schlusssatz. Das erstaunte Publikum der Uraufführung vermeinte, ein Requiem zu hören. Und behielt Recht.</video:description>
<video:duration>2772</video:duration>
<video:publication_date>2023-11-07T11:12:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-04-10T07:44:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3IDO</loc>
<video:video>
<video:title>Eine Reise durch Monteverdis Italien: Venedig</video:title>
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<video:description>Der Monteverdi Choir reist nach Venedig, um den großen italienischen Komponisten und seine letzten Jahre als Maestro di Cappella di San Marco zu würdigen. In der Basilica dei Frari, wo sich die Grabstätte Monteverdis befindet, bringt das Ensemble geistliche Musik zu Gehör. Werke aus der Sammlung Selva morale e spirituale (darunter das Beatus vir) und seine späte Messa a quattro voci da Cappella erklingen an diesem wunderbaren Ort mit seinen unzähligen Meisterwerken, darunter Gemälde von Tizian und Bellini oder Skulpturen von Donatello.</video:description>
<video:duration>3739</video:duration>
<video:publication_date>2023-11-30T15:19:35Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-04-08T15:31:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30E0</loc>
<video:video>
<video:title>Jay Scheib über Wagners Parsifal</video:title>
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<video:description></video:description>
<video:duration>642</video:duration>
<video:publication_date>2024-03-28T06:47:03Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:29:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ32C0</loc>
<video:video>
<video:title>Elīna Garanča über Wagners Parsifal</video:title>
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<video:description></video:description>
<video:duration>337</video:duration>
<video:publication_date>2024-03-28T06:57:25Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-03-28T10:29:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ30E8</loc>
<video:video>
<video:title>Andreas Schager über Wagners Parsifal</video:title>
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<video:description></video:description>
<video:duration>389</video:duration>
<video:publication_date>2024-03-28T06:53:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:28:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ32C8</loc>
<video:video>
<video:title>Pablo Heras-Casado über Wagners Parsifal</video:title>
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<video:description></video:description>
<video:duration>343</video:duration>
<video:publication_date>2024-03-28T07:02:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:28:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJEC8</loc>
<video:video>
<video:title>Bach: Italienisches Konzert in F-Dur, BWV 971: I. Allegro</video:title>
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<video:description></video:description>
<video:duration>235</video:duration>
<video:publication_date>2023-12-05T14:13:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-25T05:53:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJEE0</loc>
<video:video>
<video:title>Bach: Goldberg-Variationen, BWV 988: Variation 18</video:title>
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<video:description></video:description>
<video:duration>93</video:duration>
<video:publication_date>2023-12-06T09:55:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-03-25T05:52:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ0C8</loc>
<video:video>
<video:title>Lang Lang: My Favourite Melodies</video:title>
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<video:description>Was macht eine Melodie einprägsam, einladend, berührend? Eine Frage, die Lang Lang in diesem Film zu beantworten sucht – am Beispiel von Stücken wie Beethovens Für Elise, Debussys Clair de lune, Schumanns Träumerei, aber auch von Werken Bachs und beliebten Filmmusiken. Mit Aufführungen, die an besonderen Orten in Paris gefilmt wurden, bietet die Dokumentation einen faszinierenden Einblick in Lang Langs musikalische Welt und den magischen Kosmos der Klänge.</video:description>
<video:duration>3093</video:duration>
<video:publication_date>2023-09-08T11:26:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:06:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP0</loc>
<video:video>
<video:title>Maurizio Pollini: De main de maître</video:title>
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<video:description>Ehe Maurizio Pollini sich erstmals zu Filmaufnahmen bereit erklärte, vergingen 70 Jahre. Der große italienische Pianist macht sich auffallend rar. Kaum etwas ist über ihn bekannt, Konzerte oder Interviews gibt er nur gelegentlich. Das Porträt enthüllt einen erfahrenen Musiker, der mit Pionieren der Klassik-Szene eng befreundet ist, sein Repertoire sorgfältig auswählt und seine politischen Ansichten nicht verschweigt. Im Dokumentarfilm, der auf einem ausführlichen Interview mit Bruno Monsaingeon basiert, taucht Pollini tief in seine Erinnerungen ein. Er überwindet die Hemmung, über seine Kindheit zu sprechen und stellt sein Werk und Wirken vor. Dabei macht er stets deutlich: Was auch immer er tut, geschieht zu seinem eigenen Vergnügen.</video:description>
<video:duration>3222</video:duration>
<video:publication_date>2022-04-21T13:44:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:02:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36CO</loc>
<video:video>
<video:title>Through the Eyes of Yuja </video:title>
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<video:description>Yuja Wang steht an der Schnittstelle zwischen Orchester und Publikum, Instrument und Komponist, virtuoser Technik und gesundem Selbstbewusstsein. Mit mehr als 120 Auftritten im Jahr versteht sich die in Peking geborene Pianistin als Vermittlerin, die Musik zum Publikum transportiert und dabei selbst ständig in Bewegung ist. Reisen über Ozeane hinweg zu den Konzertsälen in den bedeutendsten Metropolen, Glanz und Glamour und die Zusammenarbeit mit den großartigsten Künstlern der Klassik-Welt stehen Müdigkeit, Druck, Einsamkeit und einem iPad gegenüber, das jeden Schritt diktiert. Dieser sehr persönliche Film begleitet die 27-jährige Yuja auf ihrer Suche nach Zugehörigkeit, nach dem Wesen ihrer Mission und nach ihrer Identität als Musikerin.</video:description>
<video:duration>2930</video:duration>
<video:publication_date>2023-01-05T13:40:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:01:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CG</loc>
<video:video>
<video:title>Grigory Sokolov mit Haydn-Sonaten &amp; Schubert-Impromptus</video:title>
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<video:description>Der russische Meisterpianist Grigory Sokolov, der für seine hingebungsvollen Interpretationen berühmt ist, präsentiert in dieser Aufzeichnung ein sorgfältig zusammengestelltes österreichisches Programm. Haydns spätere Sonaten zeigen den Stil der Wiener Klassik in Vollendung und finden hier in Schuberts Impromptus eine ideale Ergänzung, die als Fortschreibung der Sonaten-Gattung zu einer epischen Form des musikalischen Erzählens erscheinen. In dieser Aufzeichnung aus dem Haydnsaal des Schlosses Esterházy in Eisenstadt (wo Haydn fast 30 Jahre lang wirkte) bestätigt Sokolov mit meisterlicher Technik, musikalischer Schönheit und souveräner Virtuosität seinen Ruf als einer der besten Pianisten der Gegenwart.</video:description>
<video:duration>7661</video:duration>
<video:publication_date>2022-06-20T12:17:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T13:28:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6E0</loc>
<video:video>
<video:title>Musical Moment: Rafał Blechacz spielt Bach, Franck und Chopin</video:title>
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<video:description>Für dieses Konzert im Berliner Tanzsaal an der Panke hat Rafał Blechacz zentrale Werke des Klavier-Repertoires ausgewählt. Das Programm beginnt mit Bachs Partita in c-Moll. Deren sechs Sätze durchqueren das Spektrum von barocker Erhabenheit bis zu anmutig- tänzerischem Kontrapunkt und stellen Übersicht und Klangkultur eines jeden Interpreten auf die Probe. César Francks Komposition Prélude, Fugue et Variation steht ebenso in der Tradition Bachs wie die dritte Klaviersonate von Chopin; ein Werk, in dem sich der Komponist als Erfinder betörender Melodien und pianistischer Feuerwerke zeigt und durch die meisterhafte Beherrschung von Struktur und Kontrapunkt besticht. Das Programm wird durch einen Walzer von Chopin komplettiert.</video:description>
<video:duration>3788</video:duration>
<video:publication_date>2023-02-26T13:23:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T13:25:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8DO</loc>
<video:video>
<video:title>Joep Beving: Konzert zum World Piano Day 2022 </video:title>
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<video:description>In diesem extra für den World Piano Day des Jahres 2022 aufgezeichneten drei-teiligen Konzert spielt Joep Beving im niederländischen Bilthoven ein berührend intimes Programm. Die einfache Aufnahmetechnik – das erste Set wurde mit nur einer Handkamera gefilmt, das zweite zeigt den Wechsel zwischen zwei statischen Kameras – korrespondiert mit der umgebenden Natur und bringt das Publikum in einen ungewöhnlich direkten Kontakt mit der Musik und Bevings sehr persönlichen Interpretationen.</video:description>
<video:duration>3021</video:duration>
<video:publication_date>2023-03-16T15:49:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:53:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3EE8</loc>
<video:video>
<video:title>Evgeny Kissins Festspiel-Konzert mit Berg, Gershwin, Chopin u.a. </video:title>
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<video:description>Die Gegenüberstellung von Alban Berg und George Gershwin ist so überraschend wie vielversprechend – schließlich freundete sich Bergs Lehrer Schönberg in seinen amerikanischen Exiljahren mit Gershwin an, dessen Musik er sehr schätzte. Entstehungsgeschichtlich trennen Bergs Klaviersonate nur 15 Jahre von den drei raffiniert-eingängigen Preludes des Amerikaners. Evgeny Kissin durchdringt beide Werke – sowie Musik vom Sowjetischen Komponisten Tichon Chrennikow – mit präzisester Artikulation und analytischer Hellsicht im Jahr 2021 bei den Salzburger Festspielen. Im zweiten Teil des Abends folgt eine Auswahl von Stücken Chopins, in denen sich Kissin als Interpret herzergreifender Melodien und zugleich als großer Virtuose zeigen kann.</video:description>
<video:duration>6358</video:duration>
<video:publication_date>2022-12-12T08:25:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:51:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ8D0</loc>
<video:video>
<video:title>Lang Lang: Die Kölner Klavier-Session</video:title>
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<video:description>In einem intimen Setting spielt Lang Lang einige seiner Lieblingswerke im Kölner Palais im Park: Beethovens &quot;Für Elise&quot;, Debussys &quot;Clair de Lune&quot; und Auszüge aus Bachs &quot;Goldberg-Variationen&quot;. Zum sehr besonderen Abschluss der für TikTok Live aufgezeichneten Session spielt der Pianist gemeinsam mit seiner Frau Gina Alice Redlinger Brahms&apos; lyrischen As-Dur-Walzer.</video:description>
<video:duration>1526</video:duration>
<video:publication_date>2023-03-08T10:54:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:50:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJAD8</loc>
<video:video>
<video:title>María Dueñas und Mikko Franck spielen Mendelssohn und Webern</video:title>
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<video:description>María Dueñas ist die Solistin in diesem Konzert, das im Dezember 2023 in Paris aufgezeichnet wurde. Zunächst erklingt Anton Weberns bemerkenswerte Passacaglia, bevor die spanische Virtuosin gemeinsam mit dem Orchestre Philharmonique de Radio France Mendelssohns beliebtes Violinkonzert in e-Moll spielt, dessen berühmte Eröffnungsmelodie sofort von der Solistin eingeleitet wird. Es folgt die „Reformationssinfonie&quot;. Sie wurde 1830 zur Feier des 300. Jahrestages des Augsburger Bekenntnisses komponiert und zeichnet sich sowohl durch die Verwendung des &quot;Dresdner Amen&quot; aus, das später in Wagners Parsifal erklingen sollte, als auch durch die Verwendung von Luthers Choralmelodie &quot;Ein&apos; feste Burg ist unser Gott!&quot; als Grundlage für das Finale.</video:description>
<video:duration>4695</video:duration>
<video:publication_date>2024-03-18T10:18:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-20T15:28:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJECO</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Lambert Orkis spielen Brahms&apos; Violinsonaten</video:title>
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<video:description>Im Laufe ihrer Karriere hat Anne-Sophie Mutter eine einzigartige musikalische Beziehung zu dem Pianisten Lambert Orkis aufgebaut. Und während dieser langen Partnerschaft waren die drei Violinsonaten von Brahms - abwechselnd zart, gequält und leidenschaftlich romantisch - ständig Präsent Im Jahr 2009 haben die beiden ihre gemeinsame Interpretation auf Schallplatte aufgenommen: „Der Apfel war reif und musste einfach gepflückt werden”, so Mutter. Bei Brahms ist Reife natürlich alles, und für diese Verfilmung ihres Sonatenzyklus wählten die beiden den eleganten, aber intimen barocken Bibliotheksaal des Klosters Polling in Bayern - ein hinreißender visueller Kontrapunkt zu diesen suchenden, zu Herzen gehenden Interpretationen.</video:description>
<video:duration>4508</video:duration>
<video:publication_date>2024-03-14T13:01:58Z</video:publication_date>
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<lastmod>2024-03-15T20:16:45Z</lastmod>
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<url>
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<video:video>
<video:title>Anne-Sophie Mutter spielt Mozarts Violinkonzerte Nr. 1-5</video:title>
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<video:description>Der Zyklus sämtlicher Violinkonzerte von Mozart aus dem Jahr 2006 - aufgenommen in der Großen Aula der Universität Salzburg, wo Mozart selbst auftrat - war für Anne-Sophie Mutter ein leidenschaftliches Projekt, das sie, wie sie sagt, ins Leben rief, weil Mozarts Musik „mich zu Tränen rührt und meine Wirbelsäule kribbeln lässt”. Es brauchte eine Künstlerin von Mutters Format, um die volle Tiefe unter der anmutigen Oberfläche dieser bezaubernden Werke zu finden, und das Ergebnis ist ein Treffen zweier wirklich außergewöhnlicher musikalischer Köpfe. Begleitet wird sie dabei von der Camerata Salzburg, einem Kammerorchester aus Mozarts Heimatstadt.</video:description>
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<video:publication_date>2024-03-14T09:25:58Z</video:publication_date>
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</video:video>
<lastmod>2024-03-14T15:40:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ6D0</loc>
<video:video>
<video:title>Chopin: 24 Préludes, Op. 28: Nr. 6 in h-Moll. Lento Assai</video:title>
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<video:description></video:description>
<video:duration>136</video:duration>
<video:publication_date>2023-11-15T15:24:15Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:35:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ6E8</loc>
<video:video>
<video:title>Über Johannes Brahms &amp; Clara Schumann</video:title>
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<video:description></video:description>
<video:duration>341</video:duration>
<video:publication_date>2023-11-17T18:31:06Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-03-07T11:32:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GCG</loc>
<video:video>
<video:title>Über Weinbergs Sinfonietta Nr. 1</video:title>
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<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2023-05-31T09:18:40Z</video:publication_date>
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<lastmod>2024-03-07T11:30:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla – Die Suche nach dem Unerreichbaren</video:title>
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<video:description>Im Alter von nur 30 Jahren wurde Mirga Gražinytė-Tyla einstimmig zum music director des City of Birmingham Symphony Orchestra gewählt und folgte damit auf so große Dirigenten wie Andris Nelsons und Simon Rattle. Mit unstillbarer Neugier, Hartnäckigkeit, Konzentration und Geduld erfindet die junge litauische Musikerin die Rolle des Dirigenten immer wieder neu und lässt sich dabei von Traditionen und Konventionen nicht aufhalten. Ihr ansteckender Enthusiasmus, ihre unermüdliche Energie und ihre bemerkenswerte Fähigkeit zum Zuhören machen sie zu einem der größten Shootingstars der aktuellen Klassikwelt. Die Autor*innen dieses eindringlichen Film-Porträts begleiteten die außergewöhnliche Dirigentin über anderthalb Jahre.</video:description>
<video:duration>3247</video:duration>
<video:publication_date>2022-05-04T10:03:33Z</video:publication_date>
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<lastmod>2024-03-07T11:30:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3IC8</loc>
<video:video>
<video:title>Anne-Sophie Mutter – Vivace</video:title>
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<video:description>Der neue Dokumentarfilm von Sigrid Faltin, anlässlich des diesjährigen 60. Geburtstags von Anne-Sophie Mutter erschienen, zeichnet die glanzvolle Weltkarriere einer bahnbrechenden Geigerin nach, vom Moment an, als sie im Alter von nur 13 Jahren von Stardirigent Karajan entdeckt wurde. Der Film enthält eine Fülle von Archivmaterial, aktuelle Interviews und Gespräche mit Wegbegleitern, etwa Daniel Barenboim, John Williams, Jörg Widmann oder Lambert Orkis, aber auch Roger Federer, denn Spitzensport ist durchaus Mutters Sache. Mutter spricht über ihr Leben in und außerhalb der Musik und gewährt über den Austausch mit anderen einen Einblick in ein großes Künstlerleben.</video:description>
<video:duration>5445</video:duration>
<video:publication_date>2023-06-23T08:48:14Z</video:publication_date>
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<lastmod>2024-03-07T11:29:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3EDO</loc>
<video:video>
<video:title>Hilary Hahn spielt Sarasate und Ginastera</video:title>
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<video:description>Ein Paradestück und eine Rarität des Geigen-Repertoires spielt Hilary Hahn in dieser Aufzeichnung mit dem hr-Sinfonieorchester unter der Leitung von Andrés Orozco-Estrada. Pablo de Sarasate verwendete in seiner Carmen-Fantasie die beliebtesten Melodien aus Bizets Oper für eine Zurschaustellung exorbitant anspruchsvoller Geigentechniken, die wohl nur wenige so mühelos beherrschen wie die amerikanische Virtuosin. Nicht weniger schwer, aber viel weniger bekannt und eine veritable Entdeckung ist das Violinkonzert des bedeutenden Komponisten Alberto Ginastera, das mit einer ausgedehnten Solo-Kadenz und einem spukhaften Scherzo fasziniert. Beide Werke bilden gemeinsam mit Dvořáks Violinkonzert das Programm des Deutsche Grammophon-Albums Eclipse.</video:description>
<video:duration>2958</video:duration>
<video:publication_date>2022-12-09T14:57:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-03-07T11:27:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJEDG</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla dirigiert Weinbergs Sinfonietta Nr. 1</video:title>
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<video:description>In dieser Aufführung aus dem Jahr 2021 spielen Mirga Gražinytė-Tyla und die Königlichen Philharmoniker Stockholm die lebhafte Sinfonietta Nr. 1 von Mieczysław Weinberg – einem Komponisten, dessen jüngste Renaissance nicht zuletzt dem Engagement der litauischen Dirigentin zu verdanken ist. Die Sinfonietta entstand in Weinbergs produktiver Anfangszeit in Moskau. Er schrieb sie 1948, eben jenem Jahr, in dem seine Musik ins Visier der sowjetischen Staatsmacht geriet. In ihrer Mischung aus mitreißender Energie, melodischem Feuer und Introspektion nimmt sie spätere Klänge des Komponisten vorweg.</video:description>
<video:duration>1496</video:duration>
<video:publication_date>2023-05-15T15:21:08Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-03-07T11:25:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCDO</loc>
<video:video>
<video:title>Anne-Sophie Mutter, André Previn &amp; Lynn Harrell spielen Mendelssohn</video:title>
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<video:description>„Ich habe die Kammermusik immer geliebt und liebe sie immer mehr”, sagt die Geigerin Anne-Sophie Mutter. „Keine andere Musik ist so intim, erlaubt so viel Spontaneität und erfordert so schnelle Reflexe.” All diese Qualitäten sind in dieser Aufführung von Mendelssohns mitreißendem ersten Klaviertrio in funkelnder Fülle vorhanden - einer der Prüfsteine der romantischen Kammermusik und ein Werk, bei dem alle drei Spieler ein absolutes Verständnis teilen müssen. Die Cellistin Lynn Harrell und der Pianist André Previn sind zwei von Mutters engsten und ältesten Freunden, und das merkt man der Aufnahme an; dies ist ein echtes Treffen der Herzen und Köpfe im exquisiten Brahms-Saal des Wiener Musikvereins.</video:description>
<video:duration>3221</video:duration>
<video:publication_date>2024-03-01T09:20:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-03-04T11:08:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCC8</loc>
<video:video>
<video:title>Karajan Gedenkkonzert – mit Seiji Ozawa und Anne-Sophie Mutter</video:title>
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<video:description>Als &quot;Triumph der Erinnerung&quot; bezeichnete Die Welt dieses Konzert der Berliner Philharmoniker unter der Leitung von Seiji Ozawa im Wiener Musikverein. Das Konzert fand zum 100. Geburtstag von Herbert von Karajan statt und sowohl der Dirigent als auch die Solistin, Anne-Sophie Mutter, betrachteten Karajan als Mentor und Freund. Beide sind auch selbst herausragende Persönlichkeiten und beweisen dies in einem mitreißenden Konzert. Anne-Sophie Mutter lässt auf Beethovens Violinkonzert ihre persönliche Hommage an Karajan folgen, die Sarabande aus Bachs d-Moll-Partita, bevor Ozawa in Tschaikowskys &quot;Pathétique&quot;-Symphonie die volle Ausdruckskraft von Karajans altem Orchester entfesselt. Die Stille nach dem letzten Ton spricht lauter als alle Worte.</video:description>
<video:duration>6730</video:duration>
<video:publication_date>2024-02-22T12:58:32Z</video:publication_date>
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</video:video>
<lastmod>2024-02-28T10:25:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJCCG</loc>
<video:video>
<video:title>Europakonzert 2014 aus Berlin – mit Daniel Barenboim </video:title>
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<video:description>Das Europakonzert 2014 fiel in das Jahr, in dem sich Shakespeares Geburt zum 450. Mal jährte – Dies war ein idealer Grund für Daniel Barenboim ein Programm zu dirigieren, das dieses Genie feiert. Einen Künstler, dessen Menschlichkeit Grenzen überschritt. Die Figur des Falstaff dominiert die erste Hälfte: komisch, tragisch, spielerisch, aber immer unbändig lebendig - sei es durch den Witz und die Wärme von Nicolais reizvoller Ouvertüre oder die psychologische Tiefe von Elgars selten gespielter Tondichtung. In der zweiten Hälfte dieses Programms aus der Philharmonie Berlin, ist ein anderer Künstler an der Reihe, der Kulturen überschreitet: Tschaikowsky mit einer mitreißenden Aufführung seiner gewaltigen fünften Symphonie.</video:description>
<video:duration>6024</video:duration>
<video:publication_date>2024-02-23T14:25:18Z</video:publication_date>
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<lastmod>2024-02-26T09:36:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCD8</loc>
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<video:title>Europakonzert 1997 aus Versailles – mit Daniel Barenboim</video:title>
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<video:description>Kein Gastdirigent der Berliner Philharmoniker hat das Europakonzert des Orchesters, das jährlich an einem bedeutenden kulturellen Ort des Kontinents stattfindet, so oft geleitet wie Daniel Barenboim. Im Jahr 1997 findet die weltweit übertragene Veranstaltung im Schloss von Versailles statt. Passend zum Aufführungsort, der zu den schönsten Bauwerken des Barock-Zeitalters gehört, erklingt zum Auftakt Maurice Ravels Le tombeau de Couperin, eine hinreißende, so geistvolle wie melancholische Hommage an die französische Musik des 17. und 18. Jahrhunderts. Mozarts 13. Klavierkonzert, bei dem Barenboim auch den Solisten-Part übernimmt, und Beethovens aufwühlende Eroica komplettieren das Programm.</video:description>
<video:duration>5813</video:duration>
<video:publication_date>2022-09-15T10:59:20Z</video:publication_date>
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<lastmod>2024-02-26T08:07:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36DG</loc>
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<video:title>Claudio Abbado dirigiert Mahler: Lied von der Erde &amp; 10. Sinfonie</video:title>
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<video:description>Während Gustav Mahler als Interpret eigener Werke mehrmals mit den Berliner Philharmonikern auftrat, war Claudio Abbado der erste Chefdirigent, der mit dem Orchester fast das gesamte Schaffen Mahlers erarbeitete. Eine ideale Konstellation also für dieses Konzert zum 100. Todestag des Komponisten im Jahr 2011. In der Berliner Philharmonie stehen mit dem Lied von der Erde und dem Adagio aus der 10. Sinfonie das vorletzte vollendete und ein Teil aus dem unvollendeten letzten Werk Mahlers auf dem Programm. Beide beschwören eine Stimmung des Abschieds und sind doch auch von einer innovativen Kraft beseelt, die die Musik der Moderne stark beeinflusste. In den Solo-Partien machen Jonas Kaufmann und Anne Sofie von Otter das Mahler-Glück perfekt. </video:description>
<video:duration>5871</video:duration>
<video:publication_date>2022-11-07T06:58:17Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-02-22T07:46:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8DG</loc>
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<video:title>Gala aus Berlin 2005 – mit Emanuel Ax</video:title>
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<video:description>2006 feierte die Welt Mozarts 250. Geburtstag. Die Vorfreude darauf ist in dieser Gala zu spüren, die in der Silvesternacht 2005 in der Berliner Philharmonie gegeben wurde. Simon Rattle leitet die Berliner Philharmoniker und ein Team seiner engsten musikalischen Kollegen, darunter Magdalena Kožená, Camilla Nylund und Gerald Finley. Emanuel Ax spielt das letzte und bedeutendste der Salzburger Klavierkonzerte Mozarts, das Klavierkonzert Nr. 9 in Es-Dur, und Rattle dirigiert die „Prager“, die Symphonie Nr. 38 in D-Dur. Und dann kommt es zu einem Gipfeltreffen großer Stimmen für die lebensbejahende Schlussszene von Le nozze di Figaro: ein Segen für das alte Jahr und ein Toast aufs neue.</video:description>
<video:duration>6042</video:duration>
<video:publication_date>2024-01-25T13:36:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-02-12T08:42:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJICO</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Herbert von Karajan: Vivaldi Vier Jahreszeiten</video:title>
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<video:description>Anne-Sophie Mutter, Herbert von Karajan und die Berliner Philharmoniker auf der neu errichteten Bühne des Kammermusiksaals der Berliner Philharmonie: Am 28. Oktober 1987 – der Große Saal stand da schon ein Vierteljahrhundert – wurde die Spielstätte mit diesem Eröffnungskonzert eingeweiht. Wenige Monate vor seinem 80. Geburtstag dirigiert Karajan vom Cembalo aus ein Konzert, das in vielerlei Hinsicht auch seine Dekaden als Taktgeber der musikalischen Großstadt feiert. In Anne-Sophie Mutters Interpretation wird Vivaldis berühmter Zyklus zum Fest des Lebens, voll Leuchtkraft und Detail sind ihre Sololinien, Charakter hinter jedem Ton.</video:description>
<video:duration>2834</video:duration>
<video:publication_date>2023-06-22T17:54:56Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-02-02T06:33:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJICG</loc>
<video:video>
<video:title>Anne-Sophie Mutter &amp; Herbert von Karajan: Beethoven Violinkonzert</video:title>
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<video:description>Schon als Teenager machte Anne-Sophie Mutter eine gefeierte Tonaufnahme von Beethovens Violinkonzert mit Herbert von Karajan für Deutsche Grammophon. Das war in den späten 1970er-Jahren. Erst im Februar 1984 jedoch entstand diese Aufnahme, gefilmt von Karajans Chefkameramann Ernst Wild in der Berliner Philharmonie – übrigens unveröffentlicht bis zum Tod des Dirigenten im Jahr 1989. Der erfahrene Maestro wusste, dass Talent, ganz gleich wie groß, Zeit zur Entwicklung braucht. Anne-Sophie Mutter nutzte sie. Die musikalische Reife, technische Virtuosität und Präzision des jungen Stars sind atemberaubend.</video:description>
<video:duration>2940</video:duration>
<video:publication_date>2023-06-22T17:37:45Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-02T06:32:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJACO</loc>
<video:video>
<video:title>Bach 300 – mit Lang Lang, Daniel Hope und Albrecht Mayer</video:title>
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<video:description>Einige der berühmtesten Klassik-Stars versammeln sich in Leipzig zum 300-jährigen Jubiläum von Johann Sebastian Bachs Antritt als Kantor an der berühmten Thomaskirche der Stadt. In seinen mehr als 25 Jahren in diesem Amt schuf der Komponist viele seiner bedeutendsten Werke. Auf einer Open-Air-Bühne auf dem Leipziger Marktplatz musizieren unter anderem der Pianist Lang Lang, der Geiger Daniel Hope und der Oboist Albrecht Mayer sowie der Thomanerchor und das Gewandhausorchester unter der Leitung des aktuellen Thomaskantors Andreas Reize. Lassen Sie sich dieses garantiert unvergessliche Fest nicht entgehen!</video:description>
<video:duration>8066</video:duration>
<video:publication_date>2023-08-04T14:25:44Z</video:publication_date>
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<lastmod>2024-01-30T14:53:59Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0</loc>
<video:video>
<video:title>Making Of des Films Lang Lang – Die dritte Dimension</video:title>
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<video:description>Werfen Sie einen Blick hinter die Kulissen von Lang Langs einzigartigem, Epochen-überbrückendem, Generationen-übergreifendem und grenzüberschreitendem Auftritt im Berliner Berghain. Erfahren Sie in dieser in 3D gefilmten Dokumentation die Entstehungsgeschichte des Konzerts und erleben Sie, wie mit modernster Technik neue Maßstäbe in der Darstellung von Musik gesetzt und Werke von Beethoven, Chopin, Prokofjew und Albéniz zu neuem Leben erweckt werden.</video:description>
<video:duration>721</video:duration>
<video:publication_date>2022-05-19T14:47:01Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-30T05:18:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30</loc>
<video:video>
<video:title>Daniil Trifonov und Mikhail Pletnev: Chopins Klavierkonzerte</video:title>
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<video:description>In jungen Jahren schrieb Chopin zwei Klavierkonzerte, die ihm sogleich den Ruf eines Komponisten von großer Tiefe und Genialität einbrachten. Er komponierte die beiden von Poesie und Leidenschaft erfüllten Werke innerhalb eines Jahres, während er unsterblich in die polnische Sopranistin Konstancja Gładkowska verliebt war. Wie der Komponist ist auch Daniil Trifonov ein Musiker, den Reife und Taktgefühl auszeichnen. Indem er sich jeder Melodie mit liebevoller Aufmerksamkeit zuwendet und jede Note mit Emotion auflädt, wird er dem Glanz und der Virtuosität dieser Musik auf ideale Weise gerecht. Mikhail Pletnev erstellte neue Orchestrierungen der Konzerte, deren Uraufführung er im Konzerthaus Dortmund selbst dirigiert. </video:description>
<video:duration>5508</video:duration>
<video:publication_date>2022-05-10T15:34:44Z</video:publication_date>
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<lastmod>2024-01-29T10:26:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8CG</loc>
<video:video>
<video:title>Europakonzert 2006 aus Prag – mit Daniel Barenboim  </video:title>
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<video:description>Keine Stadt verkörpert den Geist Mitteleuropas mehr als Prag. Und kein Ort in Prag ist musikalisch so geschichtsträchtig wie das barocke Ständetheater – das Haus, für das Mozart Don Giovanni schrieb. In dieser Aufführung bildet es den Rahmen für das Europakonzert der Berliner Philharmoniker 2006, eine reine Mozart-Darbietung, dirigiert von Daniel Barenboim im 250. Jubiläumsjahr des Komponisten. Seine Symphonie Nr. 35 „Haffner“, 1782 entstanden, und seine „Linzer“, kurz darauf eilig vor Ankunft in der Stadt zu Papier gebracht, bilden die Eckpfeiler des Programms. Der Maestro selbst ist auch der Solist des Klavierkonzerts Nr. 22. Und der einstige Solohornist des Orchesters, Radek Baborák, gibt den Ton an im Ersten Hornkonzert.</video:description>
<video:duration>5880</video:duration>
<video:publication_date>2024-01-22T15:28:39Z</video:publication_date>
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<lastmod>2024-01-24T16:49:35Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C0</loc>
<video:video>
<video:title>Bernstein conducts Mahler: Das Lied von der Erde – with Christa Ludwig</video:title>
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<video:description>Die audiovisuelle Produktion von „Das Lied von der Erde“ und den Liedern aus „Des Knaben Wunderhorn“ hat Leonard Bernstein gemeinsam mit dem Israel Philharmonic Orchestra aufgenommen, ein Orchester, mit dem ihn damals schon eine jahrzehntelange künstlerische Freundschaft verband. Die Live-Einspielung des 1908 komponierten Werkes – halb Symphonie, halb Liederzyklus – entstand 1972 im Frederick Mann Auditorium in Tel Aviv. Begleitet wird Bernstein dabei von zwei der größten KünstlerInnen dieser Zeit: Tenor René Kollo und Mezzosopran Christa Ludwig, deren „Der Abschied“, ein herzzerreißendes Lebewohl, so lange andauert, wie die restlichen 5 Sätze zusammen.</video:description>
<video:duration>4038</video:duration>
<video:publication_date>2024-01-18T15:56:15Z</video:publication_date>
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<lastmod>2024-01-23T15:15:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C8</loc>
<video:video>
<video:title>Maria Dueñas in Julian Gargiulos Violinsonate “From the Window”</video:title>
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<video:description>Für ihre Aufnahme der Violinsonate Nr. 4 „From the Window“ hat sich María Dueñas mit dem Komponisten dieser Sonate, Julian Gargiulo, zusammengetan. Das Werk entstand in der Zeit des Covid-Lockdowns. Der Untertitel „From the Window“ ist eine Referenz auf die Gegebenheiten dieser Zeit, denn es war nur möglich, durch den Blick in die Fenster der Menschen eine Verbindung zu formen und ein gemeinschaftliches Gefühl zu spüren. Im 7. „Getting to Carnegie“ Wettbewerb hat Dueñas, wie die restlichen Finalisten, einen Satz des Werkes gespielt. Im stimmungsvollen Ehrbar Saal in Wien entstand nun die komplette Einspielung der Sonate – gemeinsam mit dem Komponisten.</video:description>
<video:duration>1128</video:duration>
<video:publication_date>2024-01-18T16:20:56Z</video:publication_date>
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<lastmod>2024-01-23T08:50:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30CG</loc>
<video:video>
<video:title>Rolando Villazón inszeniert und singt Donizettis „L&apos;elisir d&apos;amore”</video:title>
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<video:description>Im Festspielhaus Baden-Baden ist 2012 eine Inszenierung von L&apos;elisir d&apos;amore zu sehen, die es in sich hat. Rolando Villazón zeichnet verantwortlich, es ist sein zweites Projekt als Opernregisseur. Auf vielschichtige Weise interpretiert er die charmante Komödie Donizettis neu und macht sie zum Hit der Pfingstfestspiele. Die Rolle des liebeskranken Nemorino übernimmt er obendrein, während Miah Persson die begehrte Adina verkörpert. Der italienische Bass Ildebrando D&apos;Arcangelo ist als Dulcamara zu erleben und, so viel sei verraten, auch er spielt eine Doppelrolle. Pablo Heras-Casado und sein Balthasar-Neumann-Orchester führen mitreißend durch das zweiaktige „melodramma giocoso”.</video:description>
<video:duration>8116</video:duration>
<video:publication_date>2023-06-30T07:22:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-01-13T08:46:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30DG</loc>
<video:video>
<video:title>Seong-Jin Cho spielt Mozart und präsentiert eine Welt-Ersteinspielung</video:title>
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<video:description>Eine kleine Sensation präsentierten die Salzburger Mozartwoche und ihr künstlerischer Leiter Rolando Villazón bei ihrer digital veranstalteten Ausgabe des Jahres 2021: Ein Stück von Mozart, das sogar ins Köchelverzeichnis aufgenommen worden war, aber trotzdem noch nie öffentlich aufgeführt wurde. Das Allegro in D-Dur wechselte mehrfach den Besitzer, galt als verschollen und wurde 2018 schließlich der Stiftung Mozarteum Salzburg zum Kauf angeboten. Internationale Experten bestätigten, dass es keinen Zweifel an Mozarts Autorschaft geben kann. In dieser Aufzeichnung ist der phantastische junge Pianist Seong-Jin Cho zu erleben, dessen Spiel sich, durch eine „zärtliche Humanität” auszeichnet, wie Rolando Villazón erklärt.  </video:description>
<video:duration>3006</video:duration>
<video:publication_date>2022-10-28T10:44:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-13T06:55:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30E0</loc>
<video:video>
<video:title>Mirga Gražinytė-Tyla dirigiert Šerkšnytė, Haydn &amp; Beethoven</video:title>
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<video:description>Mirga Gražinytė-Tylas sensationelle Karriere erreichte 2016 mit ihrer Berufung zum Music Director des City of Birmingham Symphony Orchestra im Alter von 29 Jahren einen Höhepunkt. Im Juni 2020 dirigierte sie am Konzerthaus Dortmund, wo sie zeitgleich als Exklusivkünstlerin amtierte, ein Programm des Konzerthausorchesters Berlin. Mit dem anmutigen Ersten Cellokonzert von Haydn und der geistreich-genialischen Vierten Symphonie von Beethoven standen zwei Mutmacherstücke auf dem Programm – das Konzert wurde unter den Auflagen der Corona-Pandemie realisiert. Die Energie, Sorgfalt und feinsinnige Musikalität, mit der sich Gražinytė-Tyla und ihr Solist Kian Soltani den Werken widmeten, führten zu einem bewegenden Abend in schweren Zeiten.</video:description>
<video:duration>4501</video:duration>
<video:publication_date>2022-10-31T09:07:25Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-13T06:37:51Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3CE0</loc>
<video:video>
<video:title>Magier des Klangs: Ludovico Einaudi, Hauschka, Joep Beving und Hania Rani</video:title>
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<video:description>In diesem Dokumentarfilm taucht die Filmemacherin Anne-Kathri Peitz tief in die Welt der neuen Musik ein und trifft vier der erfolgreichsten Komponist*innen der Gegenwart: Ludovico Einaudi, Hauschka, Joep Beving und Hania Rani. Der Film erzählt von ihrer Biografie, zeigt sie in ihrem privaten Umfeld und bei Konzerten. Neben dem Publikum befragt die Regisseurin Soziologen, Neuro- und Musikwissenschaftler und sogar Marketingexperten. Aber vor allem kommen die Komponist*innen - diese Magier - selbst zu Wort.</video:description>
<video:duration>3210</video:duration>
<video:publication_date>2023-03-03T08:23:22Z</video:publication_date>
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<lastmod>2024-01-12T19:13:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ED0</loc>
<video:video>
<video:title>Pianomania! Rudolf Buchbinders „The Diabelli Project”</video:title>
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<video:description>Beethovens Diabelli-Variationen faszinieren Rudolf Buchbinder seit dem Beginn seiner Pianisten-Karriere. Es bleibt ja auch ein Rätsel der Musikgeschichte, wie der Wiener Klassiker aus einem relativ schlichten Walzer seines Kollegen Anton Diabelli ein Kompendium aller nur denkbaren Spiel- und Kompositions-Techniken entwickeln und dabei ein so weites atmosphärisches Spektrum entfalten konnte. Für das Beethoven-Jahr 2020 gab Buchbinder bei Komponist*innen Musik in Auftrag, die sich aus zeitgenössischer Perspektive auf das Werk beziehen. In der Gulbenkian Foundation in Lissabon spielt Buchbinder drei Werke dieser Gruppe – und neben weiteren Variationen auf Diabellis Walzer von Schubert und Liszt natürlich auch Beethovens Geniestreich selbst.</video:description>
<video:duration>4059</video:duration>
<video:publication_date>2022-12-07T10:35:39Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-01-12T06:27:01Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJEE8</loc>
<video:video>
<video:title>Eröffnungskonzert der Isarphilharmonie mit Daniil Trifonov </video:title>
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<video:description>Die Münchner Philharmoniker feiern die Eröffnung der als temporäre Heimat gebauten Isarphilharmonie im Oktober 2021 mit einem Programm, das 200 Jahre Musikgeschichte umfasst. Das Konzert unter Leitung des damaligen Chefdirigenten Valery Gergiev beginnt mit einem Auftragswerk, Thierry Escaichs Arising Dances, und wird mit Beethovens lyrischem Klavierkonzert Nr. 4 fortgesetzt, dessen Solopart Daniil Trifonov spielt. In der zweiten Hälfte steht Henri Dutilleuxs&apos; Métaboles von 1964 einem Auszug aus Rodion Shchedrins Chorsuite Sealed Angel von 1988 mit dem Philharmonischen Chor München gegenüber. Im angemessen mitreißenden Konzertfinale interpretieren Chor und Orchester gemeinsam die bezaubernde Suite Nr. 2 aus Ravels Daphnis et Chloé.</video:description>
<video:duration>6441</video:duration>
<video:publication_date>2022-10-05T12:37:02Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-11T16:17:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CCO</loc>
<video:video>
<video:title>Bernstein dirigiert Beethoven: Sinfonien Nr. 1-9 </video:title>
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<video:description>Bernsteins wegweisender Zyklus der Beethoven-Symphonien mit den Wiener Philharmonikern wurde zwischen 1977 und 1979 gefilmt und war das zweite große audiovisuelle Aufnahmeprojekt des Dirigenten. Die Aufführungen aus dem prachtvollen Goldenen Saal des Wiener Musikvereins zeigen einen Jahrhundertmusiker bei der Arbeit – wie er sein reifes Verständnis dieser zentralen Werke der Gattung in Interpretationen von gelassener Autorität und kraftvoller Entschlossenheit darlegt. Und in jedem Takt ist die Beziehung zu den Mitgliedern des Ensembles zu spüren.</video:description>
<video:duration>23955</video:duration>
<video:publication_date>2023-09-05T14:06:52Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-01-11T13:04:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32D8</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Großes Finale </video:title>
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<video:description>Drei Pianisten konkurrieren um den Hauptpreis beim großen Finale des 64. Internationalen Ferruccio Busoni Klavierwettbewerbs in Bozen. Aus Hunderten Bewerbern wurden sie ausgewählt: Anthony Ratinov, Arsenii Moon und Ryota Yamazaki spielen mit dem Orchestra Haydn unter der Leitung von Arvo Volmer konzertante Werke von Prokofjew, Rachmaninow und Tschaikowsky. Dann steht die Entscheidung fest. Arsenii Mun gebührt der erste Platz! Der 24-jährige St. Petersburger erhielt zudem den prestigeträchtigen Benedetti-Michelangeli-Preis, der nur im Falle eines einstimmigen Urteils der Jury verliehen wird.</video:description>
<video:duration>5648</video:duration>
<video:publication_date>2023-09-28T13:33:05Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-12-22T09:56:06Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32CO</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Arsenii Moon und Ryota Yamazaki</video:title>
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<video:description>Arsenii Moon und Ryota Yamazaki – das zweite Pianistenpaar, das es in die Kammermusikfinale des 64. Concorso Pianistico Internazionale Ferruccio Busoni geschafft hat – zeigen ihr Können vom New Yorker Isidore String Quartet begleitet, sowie in einem weiteren 30-minütigen Soloprogramm.</video:description>
<video:duration>8114</video:duration>
<video:publication_date>2023-09-13T10:18:36Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-12-22T09:55:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CE0</loc>
<video:video>
<video:title>Brendel spielt Liszt: Années de pèlerinage I &amp; II </video:title>
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<video:description>Alfred Brendel, ein unvergleichlich individueller Pianist des 20. Jahrhunderts, spielt die Charakterstücke aus Band I und II der bemerkenswerten Années de pèlerinage von Franz Liszt. „Pilgerjahre” nannte der Komponist sein romantisches Kompendium, inspiriert von Reisen durch die Schweiz und Italien. Es sind poetische, in Musik übersetzte Impressionen von Landschaft und Literatur – zwischen Gebirgswelt und Dantes Inferno. Künstlerisch sprengten sie Konventionen. Kaum einer verstand das besser als Alfred Brendel, der große Liszt-Interpret, hier zu erleben im Jahr 1986 in der Londoner Middle Temple Hall.</video:description>
<video:duration>6031</video:duration>
<video:publication_date>2023-09-19T15:06:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-20T08:56:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJID8</loc>
<video:video>
<video:title>Über Bachs Goldberg-Variationen</video:title>
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<video:description></video:description>
<video:duration>82</video:duration>
<video:publication_date>2023-12-15T15:58:48Z</video:publication_date>
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<lastmod>2023-12-17T13:17:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJICG</loc>
<video:video>
<video:title>Über Szymanowski: Piano Works</video:title>
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<lastmod>2023-12-15T10:32:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJIC8</loc>
<video:video>
<video:title>Über Schuberts Forellenquintett</video:title>
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<video:description></video:description>
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<lastmod>2023-12-14T15:21:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6</loc>
<video:video>
<video:title>Im Gespräch: Anne-Sophie Mutter &amp; John Williams</video:title>
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<video:description>John Williams’ Violin Concerto No. 2 was written for and recorded by the venerated composer’s friend and frequent collaborator Anne-Sophie Mutter. Her impassioned world premiere performance was given with the Boston Symphony Orchestra, conducted by Williams, in Tanglewood. In this conversation, John Williams and Anne-Sophie Mutter talk about the story behind the Violin Concerto No. 2, their inspiring collaboration and working with the Boston Symphony Orchestra. 
“I can only think of this piece as being about Anne-Sophie. I took my inspiration and energy directly from this great artist herself.” – John Williams</video:description>
<video:duration>1530</video:duration>
<video:publication_date>2022-06-01T17:02:07Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-12-13T06:51:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP30CG</loc>
<video:video>
<video:title>Chor der sixtinischen Kapelle: Advents- und Weihnachtskonzert</video:title>
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<video:description>Der um das Jahr 600 gegründete päpstliche Chor der sixtinischen Kapelle, in denen heute Knaben und Erwachsene gemeinsam auftreten, gilt als ältestes noch aktives Vokalensemble der Welt. Die Musik dieses Konzerts zur Advents- und Weihnachtszeit führt in die Epoche zurück, als Michelangelo die herrlichen Deckengemälde für die Kapelle schuf. Sie bilden mit den Kunstwerken von Botticelli und Perugino einen unübertrefflichen visuellen Hintergrund für die meditativen Gesänge des Konzerts. Das Programm präsentiert die Kunst der polyphonen Musik aus Mittelalter und Renaissance auf ihrem Höhepunkt. Zu den Komponisten gehört Giovanni Pierluigi da Palestrina, der selbst als Chormeister der Kapelle tätig war.</video:description>
<video:duration>3085</video:duration>
<video:publication_date>2022-10-26T13:48:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T13:44:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3GDO</loc>
<video:video>
<video:title>Georg Solti dirigiert Hänsel und Gretel</video:title>
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<video:description>Mit einem Besuch von Engelbert Humperdincks Märchen-Vertonung Hänsel und Gretel, die sich als beliebter Aufführungs-Klassiker der Weihnachtszeit etabliert hat, erleben viele Kinder ihre erste Begegnung mit der Welt der Oper. In seinem Meisterwerk verband der Komponist volksliedhafte Melodien mit Wagnerschem Klangzauber und phantasievoller Figurengestaltung. Als Titelpaar begeistern in der liebevollen Inszenierung von August Everding Brigitte Fassbender und Edita Gruberová mit ihren wunderschönen und charakterstarken Stimmen, und in weiteren Rollen treten Hermann Prey und Helga Dernesch auf. Die Wagner-erfahrenen Wiener Philharmoniker und Sir George Solti am Dirigenten-Pult sorgen für einen in vielen Farben leuchtenden Klangteppich.</video:description>
<video:duration>6529</video:duration>
<video:publication_date>2022-12-19T07:47:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T13:43:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0D8</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Sinfonie Nr. 5</video:title>
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<video:description>Tschaikowski schrieb die Fünfte Sinfonie auf dem Höhepunkt seines Erfolgs. Er war der berühmteste russische Komponist seiner Zeit, das stand außer Frage. Doch die Uraufführung des Werks 1888 in St. Petersburg fand ein laues Echo. Dabei ist die Komposition trotz ihrer exzessiven Gefühlsausbrüche gerade in formaler Hinsicht ein Musterstück akademischer Perfektion. Dass das Schicksalsmotiv in allen vier Sätzen wiederkehrt, trägt zu ihrer Einheitlichkeit bei. Die Interpretation von Herbert von Karajan am Pult der Berliner Philharmoniker, 1973 in der Philharmonie mitgeschnitten, demonstriert die formale Meisterschaft, die die Musik zusammenhält. Hier dargeboten, wohlgemerkt, in der ihr angemessenen und Karajan eigenen ungehemmten Emotionalität.</video:description>
<video:duration>2922</video:duration>
<video:publication_date>2023-11-07T10:42:35Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T10:06:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ0D0</loc>
<video:video>
<video:title>Karajan dirigiert Tschaikowski: Sinfonie Nr. 4</video:title>
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<video:description>Herbert von Karajan leitet die Berliner Philharmoniker 1973 in Tschaikowskis drei letzten Sinfonien, die in der Berliner Philharmonie in einer Reihe dargeboten wurden. Die Vierte machte den Anfang. Das Drama der Seele spiegelt sich in dieser Musik, Gestalt geworden im „Schicksalsthema“, das sie durchzieht. Der homosexuelle Komponist litt an seiner Selbstverleugnung in einer glücklosen Ehe, als er die Noten zu Papier brachte. Karajan dirigiert die Klänge mit einem tiefen Sinn für deren Dramatik, doch auch das Lyrische findet seinen Ausdruck. In den Melodien entfaltet sich, was Tschaikowski vor der Gesellschaft verbarg.</video:description>
<video:duration>2604</video:duration>
<video:publication_date>2023-11-07T10:30:07Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T10:06:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJECO</loc>
<video:video>
<video:title>Über Johann Sebastian Bach</video:title>
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<video:description></video:description>
<video:duration>296</video:duration>
<video:publication_date>2023-12-06T07:51:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-06T08:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCE0</loc>
<video:video>
<video:title>Szymanowski: Klaviersonate in c-Moll, Op. 8: III. Tempo di Minuetto</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-12-05T13:53:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T17:16:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCDG</loc>
<video:video>
<video:title>Über Debussy und Szymanowski</video:title>
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<video:description></video:description>
<video:duration>371</video:duration>
<video:publication_date>2023-12-05T13:41:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T17:16:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCE8</loc>
<video:video>
<video:title>Über Chopins Polonaises</video:title>
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<video:description></video:description>
<video:duration>204</video:duration>
<video:publication_date>2023-12-05T13:58:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T17:16:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCD8</loc>
<video:video>
<video:title>Über Chopins Klavierkonzerte</video:title>
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<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2023-12-05T13:33:14Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T17:16:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCDO</loc>
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<video:title>Debussy: Pour le piano, CD 95: II. Sarabande</video:title>
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<video:description></video:description>
<video:duration>232</video:duration>
<video:publication_date>2023-12-05T13:48:09Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T17:15:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJEC0</loc>
<video:video>
<video:title>Chopin: Polonaise Nr. 1 in cis-Moll, Op. 26</video:title>
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<video:description></video:description>
<video:duration>237</video:duration>
<video:publication_date>2023-12-05T14:05:49Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-12-05T17:15:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCD0</loc>
<video:video>
<video:title>Vali: Persian Folk Songs, 7. Folk Song from Khorasan (Exzerpt)</video:title>
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<video:description></video:description>
<video:duration>92</video:duration>
<video:publication_date>2023-12-05T06:55:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T08:43:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCCO</loc>
<video:video>
<video:title>Über &quot;Home&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/86f326f1db4aa20ac3faed0a4013b7d951d17219.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>269</video:duration>
<video:publication_date>2023-12-05T06:41:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T08:43:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJCCG</loc>
<video:video>
<video:title>Über Mozarts Violinkonzerte</video:title>
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<video:description></video:description>
<video:duration>173</video:duration>
<video:publication_date>2023-12-05T03:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T08:42:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ4DO</loc>
<video:video>
<video:title>Die Geschichte des Rudolfinum in Prag</video:title>
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<video:description></video:description>
<video:duration>752</video:duration>
<video:publication_date>2023-11-15T13:51:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-05T07:32:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJAC8</loc>
<video:video>
<video:title>Schubert: Fantasie in C-Dur, Op. 15, D. 760 &quot;Wanderer&quot;: II. Adagio</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/92d13d45789d2034ce817b493e2045d88c65b33a.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>426</video:duration>
<video:publication_date>2023-11-22T15:42:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-11-30T16:58:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ8DO</loc>
<video:video>
<video:title>Über Debussy</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fd9705e1902d6757919a4e4c194f631ecc453461.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2023-11-21T16:46:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-11-30T16:53:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ8CO</loc>
<video:video>
<video:title>Über Chopins 1. Klavierkonzert</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/530c6e6b8eb44a64a2314e8b113852509407bf65.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>557</video:duration>
<video:publication_date>2023-11-21T15:58:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-11-30T16:52:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ8D0</loc>
<video:video>
<video:title>Über Chopins Balladen</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/faef272ba6da2e30eb620276dd233e515133f2a5.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>298</video:duration>
<video:publication_date>2023-11-21T16:03:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-11-30T16:50:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJAC0</loc>
<video:video>
<video:title>Mozart: Rondo in a-Moll, K. 511</video:title>
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<video:description></video:description>
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<video:publication_date>2023-11-22T15:33:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-11-30T16:49:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ8E0</loc>
<video:video>
<video:title>Mozart: Klaviersonate Nr. 12 in F-Dur, K. 332: II. Adagio</video:title>
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<video:description></video:description>
<video:duration>261</video:duration>
<video:publication_date>2023-11-22T09:29:35Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-11-30T16:48:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJACG</loc>
<video:video>
<video:title>Mozart: Allegro in D-Dur, K. 626b/16</video:title>
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<video:description></video:description>
<video:duration>99</video:duration>
<video:publication_date>2023-11-22T15:47:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
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<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 1</video:title>
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<lastmod>2023-11-09T17:14:34Z</lastmod>
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<video:title>INSIGHTS – Bernstein: A Glimpse of his Genius Ep. 2</video:title>
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<lastmod>2023-11-09T17:13:11Z</lastmod>
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<video:title>Silvestrov: Two Dialogues with Postscript: I. Wedding Waltz</video:title>
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<lastmod>2023-11-08T07:36:00Z</lastmod>
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<video:title>Yellow Lounge: Menahem Pressler </video:title>
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<video:description>Er war 94 Jahre alt, als er 2018 diese klassische Clubnacht im Herzen Berlins bespielte: Menahem Pressler ist hier mit Werken von Debussy und einem Nocturne von Chopin im Säälchen zu erleben. Mehr als ein halbes Jahrhundert lang war der brillante Pianist Mitglied des berühmten Beaux Arts Trios. Als sich das Ensemble 2008 auflöste, reüssierte er mit über 80 Jahren als Solist. Im Jahr dieses bemerkenswerten Auftritts veröffentlichte er ein Soloalbum bei Deutsche Grammophon.</video:description>
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<lastmod>2023-11-01T10:48:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2E0</loc>
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<video:title>Seong-Jin Cho spielt Chopins Zweites Klavierkonzert</video:title>
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<video:description>Der charismatische koreanische Pianist Seong-Jin Cho spielt im Berliner Konzerthaus mit dem European Union Youth Orchestra und unter der Leitung des Dirigenten Gianandrea Noseda eines seiner Paradestücke: Chopins Zweites Klavierkonzert, das der Komponist noch während seines Studiums in Warschau komponierte und in das er seine Virtuosität als Pianist und sein großes Gespür für lyrische Poesie einfließen ließ . Cho, der den XVII. Internationalen Chopin-Wettbewerb gewann, trifft die Verbindung von Leidenschaft, Dramatik und faszinierender Schönheit, die das Werk auszeichnet. Zum Abschluss begeistert er das Publikum mit dem als Zugabe gespielten, wunderschönen langsamen Satz aus Beethovens „Pathétique“-Sonate.</video:description>
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<video:publication_date>2023-01-30T15:42:46Z</video:publication_date>
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<lastmod>2023-11-01T10:47:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2DG</loc>
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<video:title>Abschiedstournee des Emerson Quartets: Mendelssohn, Brahms &amp; Dvořák</video:title>
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<video:description>Zum Auftakt seiner Abschiedstournee präsentiert das Emerson Quartet im Prager Rudolfinum drei Schlüsselwerke der Quartettliteratur. Auf Mendelssohns Op. 12, vom Komponist als 20-Jährigem verfasst, folgen Brahms&apos; drittes Streichquartett und zum Abschluss des Programms Dvořáks letztes Meisterwerk dieser Gattung. Dvořák vollendete das für seinen schönen langsamen Satz bekannte Werk kurz nach seiner Rückkehr aus Amerika nach Böhmen. Die „Farewell Tour” markiert das letzte Kapitel in der Laufbahn eines der wichtigsten Quartette der letzten fünfzig Jahre. Das Ensemble hat zahlreiche Preise gewonnen, darunter neun Grammys, und viele wichtige eigene Auftragswerke uraufgeführt. </video:description>
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<video:publication_date>2023-05-17T11:01:17Z</video:publication_date>
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<lastmod>2023-10-31T12:27:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ICO</loc>
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<video:title>Alice Sara Ott spielt Beethovens Klavierkonzert Nr. 3</video:title>
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<video:description>Alice Sara Ott und das London Symphony Orchestra spielen unter der Leitung von Nathalie Stutzmann Beethovens Klavierkonzert Nr. 3. Die Interpretation wurde im November 2022 in der Londoner Barbican Hall aufgezeichnet. Das Klavierkonzert von symphonischem Zuschnitt steht in der „Schicksalstonart” c-Moll – dunkel im Ausdruck und doch lyrisch. Auf einen eindrucksvollen ersten Satz folgt ein erhabenes Largo. Beethoven wechselt hier die Tonart nach E-Dur. Wie ein „sanftes Ausatmen” wirken dessen erste Akkorde in Otts Lesart. Schon bald erklingt das Rondo im kontrastreichen Ausdrucksverlauf, bevor die mitreißende Coda das Werk abschließt. Eine Interpretation „von enormer Anmut und Zartheit”, urteilt Bachtrack über das Spiel der Pianistin.</video:description>
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<video:publication_date>2023-10-30T11:15:32Z</video:publication_date>
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<lastmod>2023-10-30T15:18:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6D8</loc>
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<video:title>Bruce Liu spielt Musik von Chopin im Théâtre des Champs-Elysées</video:title>
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<video:description>Bruce Liu, der 2021 mit dem Gewinn des ersten Preises beim Internationalen Chopin-Wettbewerb in Warschau triumphierte, spielt bei seinem mit Spannung erwarteten Konzert im Pariser Théâtre des Champs-Elysées Werke Chopins. Der kanadisch-chinesische Pianist zeigt in einem sorgfältig zusammengestellten Programm den Facetten-Reichtum des Komponisten: Die Brillanz der frühen „La ci darem la mano”-Variationen und des Werks Andante spianato et Grande polonaise brillante steht neben der Dramatik und lyrischen Schönheit der Zweiten Sonate und der Zweiten Ballade. Liu demonstriert seine Vielseitigkeit und eindrucksvolle Virtuosität. Das bejubelte Konzert endet mit vier vom Publikum geforderten Zugaben, zu denen zwei Stücke von Rameau gehören.</video:description>
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<video:publication_date>2023-02-23T13:07:36Z</video:publication_date>
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<lastmod>2023-10-22T15:17:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38CO</loc>
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<video:title>Nadine Sierra singt die Titelrolle in Donizettis Lucia di Lammermoor</video:title>
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<video:description>Die unglaublich virtuose Rolle der Lucia di Lammermoor, die im Konflikt zwischen zwei verfeindeten Familien schließlich den Verstand verliert, ist im doppelten Sinne eine „Wahnsinnspartie”. Schon lange hat mit ihr niemand so große Begeisterungsstürme entfesselt wie die amerikanische Sopranistin Nadine Sierra. Bevor sie 2022 an der Bayerischen Staatsoper und an der Met für Furore sorgte, interpretierte sie die Lucia am Teatro San Carlo in Neapel, wo Donizettis Oper 1835 ihre Uraufführung gefeiert hatte. In den historischen Kostümen einer Inszenierung des bekannten Film-Regisseurs Gianni Amelio verzaubert Sierra das Publikum mit brillanten Koloraturen, „himmlischen” Spitzentönen, der großen Wärme ihrer Stimme und darstellerischer Intensität. </video:description>
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<video:publication_date>2022-11-09T17:25:16Z</video:publication_date>
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<lastmod>2023-10-11T15:11:48Z</lastmod>
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<video:title>Bernstein conducts Brahms: Double Concerto – with Kremer &amp; Maisky</video:title>
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<video:description>Stars kommen zusammen für Brahms&apos; Doppelkonzert: In dieser Aufführung aus dem Jahr 1982 steht Leonard Bernstein am Pult der Wiener Philharmoniker. Als Solisten sind Gidon Kremer an der Geige und Mischa Maisky am Violoncello zu erleben. Das 1887 auf Wunsch des Cellisten Robert Hausmann komponierte Werk war Brahms&apos; letzte Orchesterkomposition und zugleich eine Geste der Versöhnung an seinen alten Freund Joseph Joachim, mit dem er sich einige Jahre zuvor entzweit hatte. In seiner Partitur verarbeitete er nun, was sie musikalisch verband. Das Werk fand zunächst ein geteiltes Echo. Anders heute, mit seiner herausragenden solistischen Doppelspitze begeistert es das Publikum.</video:description>
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<lastmod>2023-10-09T10:24:19Z</lastmod>
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<video:title>Beethovens Klavierkonzerte mit Jan Lisiecki </video:title>
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<video:description>Gerade die Verschiedenheit von Beethovens Klavierkonzerten macht für Jan Lisiecki den Reiz der Werkgruppe aus. Als Einspringer für den erkrankten Murray Perahia stellte sich der junge Pianist, der bereits im 16. Lebensjahr Exklusiv-Künstler bei der Deutschen Grammophon wurde, einer großen Herausforderung: Im Vorfeld von Beethovens 250. Todesjahr interpretierte er den Zyklus im Konzerthaus Berlin innerhalb von vier Tagen als Solist und musikalischer Leiter mit der legendären Academy of St Martin-in-the-Fields. Angesichts der musikalischen Reife und Originalität Lisieckis sprach der Kritiker des Berliner Tagesspiegel von einer »funkelnde[n] Aufführung, die erfrischend spontan wirkt – und doch gedanklich vollkommen durchgeformt ist.«</video:description>
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<video:publication_date>2022-05-06T11:49:35Z</video:publication_date>
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<lastmod>2023-10-05T14:39:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJECG</loc>
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<video:title>Bruce Liu spielt Musik von Chopin, Ravel und Liszt</video:title>
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<video:description>Der kanadisch-chinesische Pianist Bruce Liu gewann 2021 den Internationalen Chopin-Wettbewerb in Warschau. In dem hier aufgezeichneten Konzert aus der Fondation Louis Vuitton widmet sich der Virtuose drei zentralen Komponisten des Klavier-Repertoires. Im ersten Teil des Programms erklingen Werke von Chopin: Das frühe Rondo à la mazur, die abwechselnd meditative und feurige Zweite Ballade und die bravourösen Variationen über &quot;Là ci darem la mano&quot; aus Mozarts Don Giovanni. Auf Ravels brillante, kristalline und wunderbar farbenreiche Miroirs folgt mit Liszts grandiosen Réminiscences de Don Juan ein Paradestück des Repertoires, zu dem sich der Komponist von Themen aus Mozarts Oper inspirieren ließ.</video:description>
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<video:publication_date>2023-05-11T16:05:52Z</video:publication_date>
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<lastmod>2023-09-25T07:33:56Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3CC8</loc>
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<video:title>Kubelík dirigiert Beethoven: Symphonie Nr. 3 &quot;Eroica&quot;</video:title>
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<video:description>Das große österreichisch-deutsche symphonische Repertoire war ein Fundament von Rafael Kubelíks Karriere. Hier ist der international erfahrene Chefdirigent tschechischer Herkunft, der wie kein anderer dem Symphonieorchester des Bayerischen Rundfunks verbunden war, in einer majestätischen, doch zutiefst menschlichen Einspielung von Beethovens „Eroica” zu erleben – am Pult der Berliner Philharmoniker, was eine Seltenheit ist. Souverän und ernsthaft ist seine Lesart und doch zeugt sie von Kubelíks menschlicher Wärme, seinem Mitgefühl und Sinn für Poesie.</video:description>
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<video:publication_date>2023-09-04T13:09:37Z</video:publication_date>
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<lastmod>2023-09-24T07:19:45Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ32CG</loc>
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<video:title>Busoni-Wettbewerb 2023: Anthony Ratinov und Zitong Wang</video:title>
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<video:description>Anthony Ratinov und Zitong Wang – das erste Pianistenpaar, das es in die Kammermusikfinale des 64. Concorso Pianistico Internazionale Ferruccio Busoni geschafft hat – zeigen ihr Können vom New Yorker Isidore String Quartet begleitet, sowie in einem weiteren 30-minütigen Soloprogramm.</video:description>
<video:duration>7971</video:duration>
<video:publication_date>2023-09-13T08:23:16Z</video:publication_date>
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<lastmod>2023-09-18T14:39:09Z</lastmod>
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<video:title>Puccini: Manon Lescaut / Akt 1: &quot;Donna non vidi mai&quot;</video:title>
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<video:publication_date>2023-09-05T16:23:29Z</video:publication_date>
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<lastmod>2023-09-14T09:47:43Z</lastmod>
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<video:title>Puccini: Turandot / Akt 3: &quot;Nessun dorma&quot;</video:title>
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<lastmod>2023-09-14T09:46:36Z</lastmod>
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<video:title>Puccini: Tosca / Akt 3: &quot;E lucevan le stelle&quot;</video:title>
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<lastmod>2023-09-06T08:12:26Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ID8</loc>
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<video:title>Bach: Partita Nr. 2 in D Moll, BWV 1004: IV. Gigue</video:title>
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<lastmod>2023-09-05T15:16:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ID0</loc>
<video:video>
<video:title>Bach: Partita Nr. 2 in D Moll, BWV 1004: I. Allemande</video:title>
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<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2023-08-09T21:18:22Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-09-05T15:15:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38D8</loc>
<video:video>
<video:title>Tilson Thomas mit Tschaikowsky und Schostakowitsch – mit Yuja Wang</video:title>
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<video:description>Yuja Wang trifft auf das London Symphony Orchestra und Michael Tilson Thomas bei diesem Konzert, das in der zweiten Londoner Heimstätte des berühmten Klangkörpers aufgezeichnet wurde, im historischen LSO St Luke&apos;s. Wang spielt Schostakowitschs jugendlich elanvolles Klavierkonzert Nr. 2 – einst für Sohn Maxim zum 19. Geburtstag komponiert. Danach präsentiert Tilson Thomas Our Town von Aaron Copland, einen stimmungsvollen Gruß aus dem ländlichen Amerika, sowie Tschaikowskys Zweite Symphonie, in die ukrainische Volksmelodien und -tänze einflossen, nachdem der Komponist das Dorf Kamenka besucht hatte.</video:description>
<video:duration>4327</video:duration>
<video:publication_date>2023-08-21T07:33:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-04T14:12:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38D0</loc>
<video:video>
<video:title>Tilson Thomas dirigiert Rachmaninow und Beethoven – mit Yuja Wang</video:title>
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<video:description>Michael Tilson Thomas steht am Pult des London Symphony Orchestra in furiosen Darbietungen von zwei beliebten Werken. Yuja Wang spielt Rachmaninows Klavierkonzert Nr. 2, kaum zu bändigen in ihrem Temperament in dieser Musik des Durchbruchs, die der Komponist nach seiner Schaffenskrise zu Papier brachte. Und auch Beethovens Fünfte Symphonie erklingt und hält in Atem, von den berühmten vier Tönen zu Beginn bis zum mitreißenden Finale. Doch zuvor wird Griegs »Letzter Frühling« kredenzt, hier in seiner Orchesterfassung, klanglich reich und voll zärtlicher instrumentaler Lyrik, eine von zwei seiner elegischen Melodien, op. 34.</video:description>
<video:duration>5267</video:duration>
<video:publication_date>2023-08-21T07:13:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-04T14:10:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3ADG</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Ron Maxim Huang</video:title>
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<video:description>Der Weg ins Finale: Wir präsentieren eine Auswahl von Ron Maxim Huangs Auftritten aus dem Solo- und Halbfinale des 64. Internationalen Ferruccio Busoni Klavierwettbewerbs.</video:description>
<video:duration>2188</video:duration>
<video:publication_date>2023-08-31T15:04:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:12:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3AD0</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Ryota Yamazaki</video:title>
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<video:description>Der Weg ins Finale: Wir präsentieren eine Auswahl von Ryota Yamazakis Auftritten aus dem Solo- und Halbfinale des 64. Internationalen Ferruccio Busoni Klavierwettbewerbs.
</video:description>
<video:duration>2609</video:duration>
<video:publication_date>2023-08-31T09:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:09:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38E8</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Anthony Ratinov</video:title>
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<video:description>Der Weg ins Finale: Wir präsentieren eine Auswahl von Anthony Ratinovs Auftritten aus dem Solo- und Halbfinale des 64. Internationalen Ferruccio Busoni Klavierwettbewerbs.</video:description>
<video:duration>2069</video:duration>
<video:publication_date>2023-08-29T15:33:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:09:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ3AC0</loc>
<video:video>
<video:title>Busoni-Wettbewerb 2023: Zitong Wang</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dc7e8101a2f35c0209eebde8c97082f62946ff1f.jpg</video:thumbnail_loc>
<video:description>Der Weg ins Finale: Wir präsentieren eine Auswahl von Zitong Wangs Auftritten aus dem Solo- und Halbfinale des 64. Internationalen Ferruccio Busoni Klavierwettbewerbs.</video:description>
<video:duration>2148</video:duration>
<video:publication_date>2023-08-29T15:38:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-31T17:08:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CCG</loc>
<video:video>
<video:title>Jubel beim Pilotprojekt – Ólafsson &amp; Järvi mit Mozart &amp; Schumann</video:title>
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<video:description>Während der langen Monate der Pandemie konnte das berühmte Amsterdamer Royal Concertgebouw Orchestra nur Konzerte ohne live-Publikum veranstalten, die dann als Stream angeboten wurden. Umso bewegender war für alle Beteiligten die hier dokumentierte Aufführung aus dem April 2021, bei der im Rahmen eines Pilotprojekts eine begrenzte Anzahl von Zuschauer:innen zugelassen wurde. Der Pianist Víkingur Ólafsson erwies sich als origineller Interpret von Mozarts 24. Klavierkonzert. Anschließend erklingt die Dritte Sinfonie von Robert Schumann, dessen Musik Dirigent Paavo Järvi besonders am Herzen liegt: &quot;Järvi interpretierte Schumann mit so viel Energie und Poesie, dass das Publikum ihm mit Jubel, Pfeifen und Fußgetrappel dankte.&quot; (Volkskrant)</video:description>
<video:duration>4511</video:duration>
<video:publication_date>2022-11-18T15:55:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T15:37:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36E8</loc>
<video:video>
<video:title>Internationaler Klavierwettbewerb Ferruccio Busoni: Emanuil Ivanov</video:title>
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<video:description>Es war der Bulgare Emanuil Ivanov, der 2019 auf seinem Weg an die Spitze des Internationalen Klavierwettbewerbs Ferruccio Busoni die hochkarätige Jury am meisten beeindruckte. Werke von Bach (arr. Busoni) bis Adès brachte er zu Gehör. Die Auswahl von Wettbewerbsdarbietungen aus den Solorunden fiel hier auf einen wilden Höllenritt – Liszts »Dante-Sonate« – und Brahms’ virtuose Variationen und Fuge über ein Thema von Händel, op. 24. Aus dem großen Finale ist Ivanovs Interpretation des Klavierkonzerts Nr. 2 von Camille Saint-Saëns zu erleben.</video:description>
<video:duration>4052</video:duration>
<video:publication_date>2023-08-16T08:56:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T09:30:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38C8</loc>
<video:video>
<video:title>Internationaler Klavierwettbewerb Ferruccio Busoni: Ivan Krpan</video:title>
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<video:description>Es war der Kroate Ivan Krpan, der 2017 auf seinem Weg an die Spitze des Internationalen Klavierwettbewerbs Ferruccio Busoni die hochkarätige Jury am meisten beeindruckte. Jahrhunderte durchmaß er musikalisch – vom Barock bis in die Gegenwart. Die Auswahl seiner Wettbewerbsdarbietungen aus den Solorunden fiel hier auf Busoni und auf Brahms –die Variationen über ein Thema von Robert Schumann, op. 9. Aus dem großen Finale ist seine Interpretation des Klavierkonzerts Nr. 5 von Beethoven zu erleben.</video:description>
<video:duration>3975</video:duration>
<video:publication_date>2023-08-16T10:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T09:30:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ38CG</loc>
<video:video>
<video:title>Internationaler Klavierwettbewerb Ferruccio Busoni: Chloe Jiyeong Mun</video:title>
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<video:description>Es war die Koreanerin Chloe Jiyeong Mun, die 2015 auf ihrem Weg an die Spitze des Internationalen Klavierwettbewerbs Ferruccio Busoni die hochkarätige Jury am meisten beeindruckte: „Ich habe in ihr die Natürlichkeit der Musikalität wiederentdeckt, von der ich dachte, sie sei verschwunden”, schwärmte Jörg Demus nach ihrem Auftritt, der Vorsitzende der Jury. Die Auswahl ihrer Wettbewerbsdarbietungen aus den Solorunden fiel hier auf Chopins mitreißendes Opus 22, die Grande polonaise brillante in Es-Dur, der ein Andante spianato vorausgeht, und eine Klaviersonate von Haydn. Aus dem großen Finale ist ihre Interpretation des lyrisch zarten Klavierkonzerts Nr. 4 von Beethoven zu erleben.</video:description>
<video:duration>3858</video:duration>
<video:publication_date>2023-08-16T12:06:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-24T09:30:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36DG</loc>
<video:video>
<video:title>Luisi dirigiert Nielsen: Symphonie Nr. 2 und „Hymnus amoris”</video:title>
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<video:description>Für Carl Nielsen konnte alles im Leben zur Musik werden, selbst der Besuch einer Dorfschenke, dort entdeckte er die vier Karikaturen an der Wand, die ihn zu den „Vier Temperamenten” inspirierten, seiner Zweiten. Für manche Hörer ist sie Nielsens glücklichste Symphonie und in Fabio Luisis herrlicher Lesart wird sie wahrlich zu einem Höhepunkt des Programms, das mit Einer Fantasiereise zu den Färöern beginnt und dann zwei der besten Chöre Dänemarks in dem außergewöhnlichen Hymnus amoris vorstellt. Das bahnbrechende Werk des jungen Komponisten gilt der Macht der Liebe, wie sie der Mann empfindet – als Kind, in der Jugend, als gestandener Mensch und Greis.</video:description>
<video:duration>4554</video:duration>
<video:publication_date>2023-08-10T13:44:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-14T12:30:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ36CO</loc>
<video:video>
<video:title>Luisi dirigiert Nielsen: Symphonie Nr. 6 und Aladdin-Suite</video:title>
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<video:description>Von frühester Kindheit an spürte Carl Nielsen in allem die Lebenskraft, und als Komponist, der auch die Bühnenmusik liebte, gelang ihm eine geradezu überschwängliche, theatralische musikalische Gebärde in seiner Orchestersuite Aladdin – ein perfekter Auftakt zu seiner Sechsten – und letzten – Symphonie. Er nannte sie die „Einfache”, doch das Werk gibt Rätsel auf. Eine zunächst lichtdurchflutete Erscheinung und eingängig verspielte Melodien führen in schrille Dissonanz und bizarre Anarchie. Nielsen stelle hier den Sinn unser aller Existenz infrage, erklärt Fabio Luisi, der am Pult des Danish National Symphony Orchestra eine fulminante Lesart bietet. </video:description>
<video:duration>4078</video:duration>
<video:publication_date>2023-08-10T12:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-14T10:22:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJAD0</loc>
<video:video>
<video:title>Konzert zum 100. Jahrestag von Yehudi Menuhin</video:title>
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<video:description>1999 starb Yehudi Menuhin in Berlin; in einer Stadt, in der er bereits als Kind künstlerische Triumphe gefeiert hatte, und in der er sich nach dem Ende des Zweiten Weltkriegs, trotz der von den Deutschen über die Welt gebrachten Katastrophen, für eine neue Verständigung zwischen den Nationen einsetzte. Das Konzerthausorchester ehrte den großen Geiger zu seinem 100. Geburtstag 2016 mit einer Aufführung von Elgars Violinkonzert, das Menuhin als Teenager unter der Leitung des Komponisten eingespielt hatte. Als Solist ist Daniel Hope, als Dirigent der damalige Chefdirigent des Orchesters Iván Fischer zu erleben. Zum Abschluss erklingt das Konzert für Orchester von Bartók, der sich wie Menuhin durch einen unbeirrbaren Humanismus auszeichnete. </video:description>
<video:duration>6070</video:duration>
<video:publication_date>2022-08-18T12:50:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-14T09:28:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ2C0</loc>
<video:video>
<video:title>Das Europakonzert 2002 aus Palermo mit Claudio Abbado und Gil Shaham</video:title>
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<video:description>Für das Europakonzert des Jahres 2002 reisten die Berliner Philharmoniker in die sizilianische Hauptstadt Palermo, wo sie im Teatro Massimo ein Programm mit drei zentralen Werken ihres Repertoires aufführten. Im größten Opernhaus Italiens eröffnet Beethovens gedankenschwere Egmont-Ouvertüre das Konzert, bevor der amerikanische Geiger Gil Shaham als Solist in Brahms&apos; tiefgründigem Violinkonzert an der Seite des Orchesters zu erleben ist. Es folgt Dvořáks allseits beliebte „Neue-Welt“-Symphonie, die Claudio Abbado mit einem Sinn für packende Dramatik interpretiert. Zum Abschluss animiert der Dirigent zu einer mitreißenden Aufführung eines Werks, das perfekt zum Aufführungsort passt: Verdis Ouvertüre zu I vespri siciliani.    </video:description>
<video:duration>6690</video:duration>
<video:publication_date>2023-01-19T10:56:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-09T09:10:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ34DG</loc>
<video:video>
<video:title>Solti dirigiert Bruckner: Symphonie Nr. 7</video:title>
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<video:description>Die Luft flimmert und eine strahlende Melodie beginnt ihren langen Aufstieg gen Himmel. Bruckner behauptete, der Beginn seiner Siebten Symphonie wurde ihm im Traum diktiert. Was für ein Traum! Die Kantilene ist einer der schönsten Anfänge in der Musik des 19. Jahrhunderts und der Auftakt einer epischen Reise: durch Glaube und Zweifel, Tragödie und Freude bis hin zur triumphalen Erlösung. Sir Georg Solti und das Chicago Symphony Orchestra verknüpfte ein starkes Band, ein Einvernehmen, das gerade in Musik der österreichisch-deutschen Spätromantik seine Kraft entfaltete – hier wie in Szene gesetzt durch die majestätische Architektur der Londoner Royal Albert Hall.</video:description>
<video:duration>4437</video:duration>
<video:publication_date>2023-07-21T11:26:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-08-02T14:53:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR3I</loc>
<video:video>
<video:title>Evgeny Kissin spielt Beethoven Sonaten</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47444bbba1076ea5cdebf8807c40c913a6636b41.jpg</video:thumbnail_loc>
<video:description>1994 ist Evgeny Kissin erstmals beim Verbier Festival aufgetreten und gastiert seither regelmäßig bei dem Schweizer Festival. Das Recital mit dem russischen Pianisten steht ganz im Zeichen von Beethovens Werken für Soloklavier, die zu den ersten Meisterwerken des Instruments zählen. Neben drei seiner Sonaten – darunter jene mit den bekannten Beinamen Pathétique und Waldstein – erklingen ausgesuchte Variationen und Bagatellen des Komponisten. Evgeny Kissin fasziniert in seinem Spiel mit Virtuosität, Charme und lyrischer Musikalität und gilt als einer der führenden Beethoven-Interpreten seiner Generation.</video:description>
<video:duration>6378</video:duration>
<video:publication_date>2022-05-25T12:23:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-07-26T05:40:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSR0</loc>
<video:video>
<video:title>Kissin &amp; Kavakos interpretieren Beethovens Kreutzer-Sonate</video:title>
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<video:description>Selten bietet sich die Gelegenheit, den Pianisten Evgeny Kissin und den Violinisten Leonidas Kavakos gemeinsam zu erleben. Beim Verbier Festival 2019 in den Schweizer Alpen eröffnete sich eine solche. Dort treffen jedes Jahr renommierte Solist:innen und Nachwuchstalente aufeinander, um an unterschiedlichen Spielorten auf höchstem künstlerischen Niveau zu musizieren. Davon zeugt nicht zuletzt diese Aufführung der Kreutzer-Sonate von Ludwig van Beethoven. Im selben Jahr, in dem Beethoven aus der Verzweiflung an seiner fortschreitenden Taubheit heraus das Heiligenstädter Testament verfasste, komponierte er die Kreutzer-Sonate. Sie übersteigt von Aufbau, Melodie und technischen Anforderungen alles zuvor Dagewesene dieses Genres.</video:description>
<video:duration>2487</video:duration>
<video:publication_date>2022-04-21T10:20:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-07-26T05:40:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30E0</loc>
<video:video>
<video:title>Bernstein dirigiert Mahlers Lieder eines fahrenden Gesellen </video:title>
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<video:description>Kurz vor seinem Tod nimmt Leonard Bernstein einen wichtigen Nachtrag zu seiner gefilmten Gesamteinspielung der Mahler-Symphonien auf: die drei großen Liederzyklen des Komponisten, gesungen von dem amerikanischen Bariton Thomas Hampson, der noch am Anfang seiner Weltkarriere steht. Zu hören sind hier die »Lieder eines fahrenden Gesellen«. Der früheste Liederzyklus des Komponisten entstand zwischen 1883 und 1885 und übersetzt die Leidenschaft des 24-jährigen unglücklich verliebten Mahlers für eine Sopranistin am Kasseler Hoftheater in Musik; zunächst für Stimme und Klavier, knapp zehn Jahre später für Orchester. Mahlers musikalische Gedanken werden sich in seiner Ersten Symphonie wiederfinden.</video:description>
<video:duration>1149</video:duration>
<video:publication_date>2023-07-05T12:52:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-07-10T09:50:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQ30DO</loc>
<video:video>
<video:title>Bernstein dirigiert Mahlers Kindertotenlieder – mit Thomas Hampson</video:title>
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<video:description>Kurz vor seinem Tod nimmt Leonard Bernstein einen wichtigen Nachtrag zu seiner gefilmten Gesamteinspielung der Mahler-Symphonien auf: die drei großen Liederzyklen des Komponisten, gesungen von Thomas Hampson, der hier am Anfang seiner Weltkarriere steht. Die Mahler-Autorität Bernstein und der noch junge amerikanische Bariton Hampson bringen die erschütternden Kindertotenlieder zur Aufführung, vertonte Gedichte, die Friedrich Rückert niederschrieb, nachdem zwei seiner Kinder an Scharlach gestorben waren. Mahler vollendete seine Komposition 1904. Dunkle Vorahnung – drei Jahre später starb sein eigenes Töchterchen an Diphtherie.</video:description>
<video:duration>1875</video:duration>
<video:publication_date>2023-07-05T12:38:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-07-10T09:49:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ0</loc>
<video:video>
<video:title>Grigory Sokolov: A Conversation That Never Was</video:title>
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<video:description>Obwohl Grigory Sokolov seit seiner Jugend im Rampenlicht steht, blieb die private Identität des äußerst diskreten Künstler bisher verborgen. Der Pianist lehnt Interviews und Aufnahmen meistens ab und misstraut allem, was andere über ihn sagen. Umso mehr ist diese Dokumentation der Filmemacherin Nadezhda Zhdanova zu feiern, die einige der unglaublich wenigen Interviews mit dem bedeutenden Mann enthält und einen eingehenden und intensiven Blick auf dessen Biografie und Karriere wirft. In einem Film, der zu den vom Künstler selbst definierten Bedingungen entstand, können Sie Sokolov in Proben- und Konzertaufnahmen begegnen und bisher wenig bekannte Informationen über seine Vergangenheit erfahren.</video:description>
<video:duration>3529</video:duration>
<video:publication_date>2022-10-18T11:23:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:47:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCC0</loc>
<video:video>
<video:title>Abbado dirigiert Mahler, Berg und Schubert – mit Renée Fleming</video:title>
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<video:description>Gustav Mahlers Siebte Symphonie stand lange im Schatten seiner anderen Gattungsbeiträge, und Alban Bergs Altenberg-Lieder lösten bei ihrer Uraufführung sogar einen Skandal aus. Beide Werke dirigierte Claudio Abbado bei den Luzerner Festspielen 2005. Zur Seite stand ihm die wunderbare amerikanische Sängerin Renée Fleming, die außer Alban Bergs Komposition auch einige der schönsten Schubert-Lieder vortrug. Mahlers Siebte Symphonie, die zwei betörend poetische Nachtmusiken enthält, gipfelt in einem vor unterschiedlichsten Ideen geradezu überbordenden Finale. Ein Werk, das auf Interpreten angewiesen ist, die, wie Abbado und die Mitglieder des Lucerne Festival Orchestra, über Feinsinnigkeit, Virtuosität und Temperament zugleich verfügen.</video:description>
<video:duration>6151</video:duration>
<video:publication_date>2022-09-08T11:05:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:35:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8E8</loc>
<video:video>
<video:title>Abbado dirigiert russische Musik – mit Hélène Grimaud</video:title>
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<video:description>Wegen seiner Expertise im italienischen, französischen und deutsch-österreichischem Repertoire kann man leicht übersehen, dass Claudio Abbado auch ein passionierter Interpret russischer Musik war. In dieser Aufzeichnung aus Luzern ist der Dirigent mit der selten gespielten, packend naturalistischen Shakespeare-Fantasie Der Sturm, mit Rachmaninovs Zweitem Klavierkonzert, das zu den zugleich virtuosesten und melancholischsten Werken seiner Art gehört, und mit der von Abbado unnachahmlich elegant und stimmungsvoll gestalteten Feuervogel-Suite von Strawinsky zu erleben. Die Pianistin Hélène Grimaud, einer der großen Klassik-Stars unserer Zeit, stellt sich den technischen und emotionalen Herausforderungen des Rachmaninov-Konzerts.   </video:description>
<video:duration>5256</video:duration>
<video:publication_date>2022-08-10T14:10:22Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:28:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQG</loc>
<video:video>
<video:title>Rachmaninow: Klavierkonzert Nr. 4 in g-Moll, Op. 40: I. Allegro vivace (Alla breve)</video:title>
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<video:description>...</video:description>
<video:duration>613</video:duration>
<video:publication_date>2022-05-10T13:39:12Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-06-29T16:47:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP32C8</loc>
<video:video>
<video:title>Rachmaninow: Cellosonate in g-Moll, Op. 19: III. Andante</video:title>
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<video:description></video:description>
<video:duration>321</video:duration>
<video:publication_date>2022-12-07T05:07:07Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-06-29T16:47:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36DG</loc>
<video:video>
<video:title>Über Rachmaninow Nr. 3 &amp; Prokofjew Nr. 2</video:title>
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<video:description></video:description>
<video:duration>411</video:duration>
<video:publication_date>2023-01-05T14:57:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T16:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSSG</loc>
<video:video>
<video:title>Provokation &amp; Tiefgang: Prokofjew mit Trifonov &amp; Gergiev</video:title>
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<video:description>Der junge Sergej Prokofieff liebte es, als Pianist wie Komponist sein Publikum zu provozieren. Sein Erstes Klavierkonzert ist von entfesselter Spiellust gekennzeichnet, seine Erste Sinfonie wagt ein bis zur Frechheit unbekümmertes Update des Haydn&apos;schen Kompositionsstils. Geistreicher Witz ist auch der Fünften Sinfonie nicht fremd, die zugleich durch klangliche Wucht und emotionale Tiefe beeindruckt. Diese Werke spielt im Rahmen seines Gastspiels bei den Moskauer Osterfestspielen 2012 das Mariinsky Theatre Orchestra aus Petersburg, wo der Komponist 13-jährig sein Musikstudium aufgenommen hatte. Mit dem Pianisten Daniil Trifonov und Dirigent Valery Gergiev sind zwei der kompetentesten Prokofieff-Interpreten der Klassik-Welt zu erleben</video:description>
<video:duration>4612</video:duration>
<video:publication_date>2022-04-21T14:05:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T07:31:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GE8</loc>
<video:video>
<video:title>Über Rachmaninow</video:title>
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<video:description></video:description>
<video:duration>818</video:duration>
<video:publication_date>2023-06-21T15:00:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-26T11:28:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJID0</loc>
<video:video>
<video:title>Karajan dirigiert Bach – mit Anne-Sophie Mutter</video:title>
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<video:description>Karajan entschied sich für Bach im Silvesterkonzert der Berliner Philharmoniker 1984, denn das 300-jährige Jubiläum des Komponisten stand bevor. Vom Cembalo aus dirigierte er – als Erster unter Gleichen – eine Aufführung von unerschrockener Opulenz. Im Violinkonzert in E-Dur, BWV 1042, ist Anne-Sophie Mutter als junge Solistin zu erleben, ihre Zusammenarbeit mit Karajan war da erst wenige Jahre alt. Das Konzert schließt mit dem Magnificat, BWV 243, gesungen vom RIAS-Kammerchor und einem herausragenden Solistenquartett.</video:description>
<video:duration>3353</video:duration>
<video:publication_date>2023-06-22T20:25:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-26T06:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJ4</loc>
<video:video>
<video:title>Yuja Wang spielt Adams: Must the Devil Have All the Good Tunes?</video:title>
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<video:description>Drei großartige Künstler kooperieren in dieser Uraufführung aus der Walt Disney Hall in Los Angeles: Gustavo Dudamel und Yuja Wang vereinen ihre Kräfte, um John Adams´ dritte Komposition für Klavier und Orchester aus der Taufe zu heben. Das Werk beweist einmal mehr die Fähigkeit des Komponisten, monumentale Klanglandschaften mit lebendigen Erzählungen zu verbinden. In den drei Sätzen des Werks wird das Orchester eng mit dem Solo-Part verwoben, der mit blockhaften Akkorden, wechselnden Rhythmen und kontrapunktischen Passagen die Möglichkeiten des Klaviers voll ausschöpft. Wang kombiniert Lyrik mit Rhythmik, Virtuosität mit Verspieltheit und Leichtigkeit mit Explosivität – und betont die Gegensätze, die beweisen: Der Teufel steckt im Detail.</video:description>
<video:duration>1671</video:duration>
<video:publication_date>2022-05-31T13:37:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-24T17:21:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJIC0</loc>
<video:video>
<video:title>Nadine Sierra: Make Our Planet Great</video:title>
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<video:description>Kritik und Publikum sind sich einig, wenn sie Nadine Sierra auf der Bühne erleben: Die lyrische Sopranistin aus Florida ist ein Star ihrer Generation, schlichtweg phänomenal. Hier singt sie ein wunderbar abwechslungsreiches Programm aus Paris in nicht weniger als sechs Sprachen. Unter Leitung von Mathieu Herzog begleitet sie das Orchester Appassionato in Opernauszügen von Puccini, Verdi, Gounod und Mozart sowie Stücken von Bernstein, Giménez und – in einer poetischen „Melodia sentimental” – Villa-Lobos. Das Konzert ist auch ein musikalisches Plädoyer für unsere Erde, die Erlöse gingen teils an die französische Fondation Positive Planet.</video:description>
<video:duration>5653</video:duration>
<video:publication_date>2023-06-21T11:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-22T07:37:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0D0</loc>
<video:video>
<video:title>Raphaël Feuillâtre: Adiós Nonino</video:title>
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<video:description>Der gefeierte Gitarrist Raphaël Feuillâtre unterzeichnete im Jahr 2022 einen Exklusiv-Vertrag mit der Deutschen Grammophon. Beim Festival Musikwoche Hitzacker präsentiert er ein intimes Programm, in dem er seine Virtuosität im Repertoire vom Barock bis zum 20. Jahrhundert unter Beweis stellt.</video:description>
<video:duration>4268</video:duration>
<video:publication_date>2023-06-20T10:19:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-21T08:05:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GD0</loc>
<video:video>
<video:title>Summer (from &apos;Kikujiro&apos;)</video:title>
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<video:description></video:description>
<video:duration>243</video:duration>
<video:publication_date>2023-06-17T06:51:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-20T04:26:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6E0</loc>
<video:video>
<video:title>Lang Lang - Live aus der Carnegie Hall</video:title>
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<video:description>Kaum ein Konzertsaal wird seit so vielen Jahrzehnten so stark mit den Auftritten genialer Pianisten identifiziert wie die Carnegie Hall. Dieser Film dokumentiert das durch einen Blick hinter die Kulissen ergänzte New Yorker Debüt des kaum 21-jährigen weltbekannten chinesischen Pianisten Lang Lang, mit dem er seiner beeindruckenden, mit Rasanz und Stetigkeit erfolgten. internationalen Karriere einen weiteren Höhepunkt hinzufügte. </video:description>
<video:duration>3458</video:duration>
<video:publication_date>2022-11-16T10:05:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-17T10:24:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36</loc>
<video:video>
<video:title>Die Entstehung des „Jahrhundertrings” - Pierre Boulez und Patrice Chéreau</video:title>
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<video:description>Genau hundert Jahre nach der Uraufführung von Richard Wagners komplettem Ring des Nibelungen realisierten Regisseur Patrice Chéreau und Dirigent Pierre Boulez 1976 die bis dahin umstrittenste Ring-Produktion in der Geschichte der Bayreuther Festspiele. Im von Wagner selbst entworfenen Festspielhaus veränderten die beiden Franzosen für immer den Blick auf die szenischen und musikalischen Möglichkeiten des Werks – und provozierten den Protest von Kritik und Publikum. Zum Zeitpunkt der letzten Aufführungen im Jahr 1980 hatte sich die Produktion jedoch zu einer Kult-Inszenierung entwickelt. Dieser Film blickt mit Hilfe von Proben-Aufnahmen und Interviews hinter die Kulissen und informiert über Vorbereitungszeit und Entscheidungsprozesse.</video:description>
<video:duration>3236</video:duration>
<video:publication_date>2022-07-07T12:16:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-16T17:28:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJAC0</loc>
<video:video>
<video:title>Mitsuko Uchida spielt Mozarts Klavierkonzerte Nr. 13 und Nr. 20</video:title>
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<video:description>In diesem Konzert, das im März 2001 in Salzburg aufgezeichnet wurde, interpretiert Mitsuko Uchida zwei denkbar unterschiedliche Klavierkonzerte Mozarts. Das 13. Konzert gehört zu den ersten, die der Komponist für seine Wiener Abonnementkonzerte schrieb. In ihm kontrastiert die Stimmung der Ausgelassenheit mit Momenten der Melancholie und Besinnung; letztere prägen nicht nur das Andante, sondern auch eine eindringliche Adagio-Episode des Finales. Das 20. Klavierkonzert steht in d-Moll, der Tonart auch des Requiems, und lässt in seiner Dramatik und Leidenschaft an Beethoven denken. An der Seite der Camerata Salzburg vermittelt Uchida ihre Erfahrung als gefeierte Mozart-Interpretin, die alle Farben und Kontraste der Werke zum Leuchten bringt.</video:description>
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<video:title>Paris Violon</video:title>
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<lastmod>2023-06-14T13:50:36Z</lastmod>
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<video:title>Über Cimarosas Sonate Nr. 42  (Talk&amp;Play)</video:title>
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<lastmod>2023-06-14T13:50:18Z</lastmod>
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<video:title>Shostakovich: 3 Duette für 2 Violinen&amp;Klavier, Op. 97d: I. Prelude (Vers. für 2 Violinen&amp;Orchester)</video:title>
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<lastmod>2023-06-13T09:09:05Z</lastmod>
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<video:title>Water</video:title>
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<lastmod>2023-06-13T09:08:13Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8C0</loc>
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<video:title>Über Zugaben: In 27 Pieces</video:title>
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<lastmod>2023-06-13T09:07:32Z</lastmod>
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<video:title>Sink</video:title>
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<lastmod>2023-06-13T09:07:06Z</lastmod>
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<video:title>Bartók: Rumänische Volkstänze</video:title>
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<video:publication_date>2023-01-15T21:40:05Z</video:publication_date>
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<lastmod>2023-06-13T09:06:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ADO</loc>
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<video:title>Über Silvestrovs Silent Songs</video:title>
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<video:publication_date>2023-01-22T00:05:56Z</video:publication_date>
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<lastmod>2023-06-13T07:54:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GC8</loc>
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<video:title>Über Beethoven and Beyond</video:title>
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<video:publication_date>2023-05-18T02:57:37Z</video:publication_date>
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<lastmod>2023-05-18T06:24:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3GC0</loc>
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<video:title>Über Beethoven and Beyond</video:title>
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<lastmod>2023-05-18T03:04:39Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP36DO</loc>
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<video:title>Barenboim spielt berühmte Beethoven-Sonaten</video:title>
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<video:description>Seit seinem 17. Lebensjahr beherrscht Daniel Barenboim den gesamten Zyklus von Beethovens Klaviersonaten, den er immer wieder aufgeführt und mehrmals eingespielt hat. Der souveräne Überblick des Pianisten und Dirigenten ermöglicht eine ganz eigene Sicht auf die möglicherweise berühmtesten drei Sonaten, die in dieser Aufzeichnung festgehalten worden sind. Im für Aufführungen in kleinen Besetzungen idealen Boulez-Saal, den die Musikstadt Berlin dem unermüdlichen Engagement Barenboims zu verdanken hat, erklingen mit der „Pathétique”, der „Mondscheinsonate” und der „Appassionata” Gipfelwerke aus der mittleren Schaffensperiode Beethovens, in denen Leidenschaft und Pathos ebenso wenig fehlen wie meditative Tiefgründigkeit.</video:description>
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<video:publication_date>2022-11-07T08:04:44Z</video:publication_date>
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<lastmod>2023-05-17T11:37:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJED8</loc>
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<video:title>Elīna Garanča singt Berios Folk Songs beim Europakonzert 2022 </video:title>
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<video:description>Im Zentrum des Programms des Europakonzerts 2002, für das die Berliner Philharmoniker nach Liepāja an der Westküste Lettlands reisten, steht die lettische Star-Mezzosopranistin Elīna Garanča, die mit den Philharmonikern und deren Chefdirigent Kirill Petrenko die wunderbar charakteristischen Folk Songs von Luciano Berio interpretiert. Der Komponist veröffentlichte 1964 zunächst eine Fassung für Stimme und Kammerorchester, der er 1973 eine Version für großes Orchester folgen ließ. Berios originelle und effektvolle Bearbeitung von Volksliedern aus fünf verschiedenen Ländern ermöglicht der Solistin, sowohl ihre virtuose Gesangstechnik als auch ihr Temperament unter Beweis zu stellen.</video:description>
<video:duration>1550</video:duration>
<video:publication_date>2023-05-15T13:59:48Z</video:publication_date>
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<lastmod>2023-05-17T07:04:40Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJ2</loc>
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<video:title>Debussy: Suite bergamasque, CD. 82: III. Clair de Lune</video:title>
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<video:publication_date>2022-11-10T05:35:30Z</video:publication_date>
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<lastmod>2023-05-11T13:47:16Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ECO</loc>
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<video:title>Über Clair de Lune</video:title>
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<video:publication_date>2023-05-08T14:40:55Z</video:publication_date>
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<lastmod>2023-05-09T06:36:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ECG</loc>
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<video:title>Carl Nielsen – Between Heaven and Earth</video:title>
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<video:description>Die turbulente Zeit zwischen Jahrhundertwende und Erstem Weltkrieg ist das Setting für dieses psychologische Porträt des dänischen Komponisten Carl Nielsen, filmisch gezeichnet von der Regisseurin Magdalena Zięba-Schwind. Grundlegend ist ihre Fragestellung: Wer war dieser Sohn eines Provinzmalers, der bis heute berühmt ist, insbesondere wegen seiner Arbeiter- und Kinderlieder? Der Film wurde auf Fünen und in Kopenhagen gedreht, Künstler wie Fabio Luisi, Herbert Blomstedt und Musiker des Danish String Quartet sind zu erleben.</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2023-05-02T13:09:55Z</video:publication_date>
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<lastmod>2023-05-04T14:33:27Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C8</loc>
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<video:title>Eine Alpensinfonie – Robin Ticciati dirigiert Strauss</video:title>
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<video:description>Als Reinhold Messner mit Peter Habeler zum ersten Mal den Gipfel des Mount Everest ohne zusätzlichen Sauerstoff erreichte, wurde ein neuer Maßstab im Bergsteigen gesetzt. Auch das Deutsche Symphonie-Orchester Berlin und sein Chefdirigent Robin Ticciati betreten mit dieser im Berliner Tempodrom aufgenommenen Produktion Neuland: Sie präsentieren Strauss&apos; Alpensinfonie als geführte musikalische Bergtour mit Messner selbst. Verwoben mit der Musik tritt die alpine Lebensphilosophie des legendären Bergsteigers und Entdeckers in einen filmischen Dialog mit der Sinfonie in einer 360-Grad-Anordnung des Orchesters um Ticciati und eröffnet neue Perspektiven auf die Musik von Strauss und auf die existenzielle Begegnung des Menschen mit der Natur.</video:description>
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<video:publication_date>2022-07-01T08:21:13Z</video:publication_date>
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<lastmod>2023-05-04T12:42:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3E</loc>
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<video:title>Manfred Honeck und Rudolf Buchbinder mit Grieg, Mozart &amp; Beethoven</video:title>
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<video:description>Wenige Pianist*innen beherrschen das Klavier-Repertoire so lückenlos und mit so großer Souveränität wie Rudolf Buchbinder, der sich hier Mozarts dramatischem 20. Klavierkonzert mit der Tschechischen Philharmonie und unter der Leitung von Manfred Honeck widmet. Die Interpretation des Werks findet im Rudolfinum der Stadt Prag statt, die Mozart wegen dort errungener Erfolge besonders liebte. Zu Beginn erklingen Auszüge aus Griegs Peer Gynt-Suiten, die mit ihren eingängige Melodien eine Art Volksmusik zweiten Grades darstellen. Den Abschluss des Konzerts, das ohne Publikum stattfindet, schließt – anlässlich des Jubiläumsjahrs des Komponisten – mit Beethovens Erste Symphonie. </video:description>
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<video:publication_date>2022-05-03T09:22:37Z</video:publication_date>
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<lastmod>2023-05-04T08:58:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP30</loc>
<video:video>
<video:title>Amerikaner in Pjöngjang</video:title>
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<video:description>Anfang 2008 schreibt das New York Philharmonic Geschichte als erstes amerikanisches Orchester, das in der Demokratischen Volksrepublik Korea auftritt. 48 Stunden lang halten sich zweihundert Orchestermitglieder und mehr als hundert Journalisten im isoliertesten Land der Welt auf, obwohl sich dieses formal noch im Krieg mit den Vereinigten Staaten befindet. Der Film zeigt das subtil zusammengestellte Programm mit Gershwins An American in Paris und Dvořáks „Neuer Welt“-Symphonie, ergänzend sind Meisterkurse am Konservatorium und Busfahrten durch menschenleere Straßen dokumentiert. Die Künstler erkunden eine völlig neue Kultur und bauen mit ihrer Musik zugleich Brücken, die ein gegenseitiges Verstehen ermöglichen.</video:description>
<video:duration>3169</video:duration>
<video:publication_date>2022-06-28T15:35:27Z</video:publication_date>
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<lastmod>2023-05-03T11:18:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJAC8</loc>
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<video:title>Seiji Ozawa beim Matsumoto-Festival: Beethovens Sinfonien Nr. 2 &amp; 7</video:title>
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<video:description>Er steht in dem Ruf, die Klassik nach Japan getragen zu haben. Die Dirigentenlegende Seiji Ozawa bringt Beethoven auf die Bühne eines Festivals, das er 1992 selbst gegründet hat. Am Pult des Saito Kinen Orchestra führt Ozawa im hohen Alter die temperamentvolle, an Haydn erinnernde Sinfonie Nr. 2 auf und die energiegeladene Sinfonie Nr. 7. Das gefeierte Orchester formt sich in seiner fast 40-jährigen Geschichte anlässlich des Festivals jährlich neu. Ehemalige Studenten der Toho Gakuen School of Music, die einst Hideo Saito ins Leben rief, und herausragende Musiker des Landes kommen zusammen.</video:description>
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<video:publication_date>2022-08-11T14:55:49Z</video:publication_date>
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<lastmod>2023-05-02T14:48:07Z</lastmod>
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<video:title>Europakonzert 1998 aus Stockholm – mit Claudio Abbado</video:title>
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<video:description>Für das Europakonzert 1998 reisten die Berliner Philharmoniker und Claudio Abbado nach Stockholm ins Vasa-Museum, der imposanten Herberge des mächtigen schwedischen Kriegsschiffs, das 1628 schon bei seiner Jungfernfahrt sank und erst über 300 Jahre später geborgen wurde. Das Repertoire passt zum Schauplatz: Wagners Ouvertüre zum Fliegenden Holländer und Tschaikowskys selten gespielte sinfonische Fantasie nach Shakespeares Sturm. In der zweiten Hälfte des Programms sind Debussys Nocturnes zu hören und Verdis Quattro pezzi sacri, gesungen vom Rundfunkchor Stockholm und dem Eric Ericsons Kammarkör.</video:description>
<video:duration>5961</video:duration>
<video:publication_date>2023-04-19T10:28:25Z</video:publication_date>
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<lastmod>2023-04-24T10:27:12Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ0DO</loc>
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<video:title>John Eliot Gardiner dirigiert Brahms: 1. Sinfonie und Chorwerke</video:title>
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<video:description>John Eliot Gardiner liegen die Chorwerke von Brahms besonders am Herzen. Schließlich zeigt sich in ihnen die große Vertrautheit des Komponisten mit der Barockmusik, mit der sich der Dirigent seit dem Beginn seiner Karriere intensiv beschäftigt. In diesem Konzert aus Gardiners Brahms-Zyklus mit dem Concertgebouw-Orchester ist unter anderem die ergreifende Vertonung von Hölderlins Schicksalslied zu hören, in der die selige Götterwelt den Leiden und Mühen der Menschen gegenübergestellt wird. Am Ende des Programms steht Brahms´ Erste Sinfonie. Sie wurde erst nach einem jahrelangen, von Mühen und Zweifeln begleiteten Entstehungsprozess vollendet und begründete schließlich den Ruf des Komponisten als würdiger Erbe des Symphonikers Beethoven.</video:description>
<video:duration>5662</video:duration>
<video:publication_date>2023-01-18T14:08:28Z</video:publication_date>
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<lastmod>2023-04-17T14:38:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ2</loc>
<video:video>
<video:title>Georg Zeppenfeld über Bayreuths Parsifal von 2016</video:title>
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<video:description></video:description>
<video:duration>302</video:duration>
<video:publication_date>2022-05-20T08:31:17Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-04-12T09:42:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6C0</loc>
<video:video>
<video:title>Philippe Jordan über Bayreuths Meistersinger von 2017</video:title>
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<video:description></video:description>
<video:duration>872</video:duration>
<video:publication_date>2022-11-15T15:12:28Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-04-12T09:40:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6CG</loc>
<video:video>
<video:title>Marek Janowski über Castorfs Ringzyklus aus Bayreuth</video:title>
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<video:description></video:description>
<video:duration>1135</video:duration>
<video:publication_date>2022-11-15T15:35:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-04-12T09:39:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6D0</loc>
<video:video>
<video:title>Bruce Liu spielt Werke von Chopin im Salon Frédéric Chopin</video:title>
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<video:description>Im Salon Frédéric Chopin am Pariser Place Vendôme präsentiert Bruce Liu, Gewinner des Internationalen Chopin-Klavierwettbewerbs im Jahr 2021, ein intimes Konzert mit Werken des polnischen Komponisten. Die Zweite und die Dritte Ballade stehen im Zentrum des Programms. In der einen kontrastieren lyrische Passagen mit stürmischen Ausbrüchen, die andere führt von einer ruhigen, zurückhaltenden Einleitung zu einem triumphalen Schluss. Zwei frühe Werke rahmen die Balladen ein: Das Rondo à la mazur und die virtuosen Variationen über „Là ci darem la mano”. Und virtuos beendet Liu das Konzert auch mit zwei Zugaben. Auf Chopins „Schwarze-Tasten”-Etüde in Ges-Dur folgt das atemberaubende Stück La Campanella von Chopins Freund und Rivalen Franz Liszt.</video:description>
<video:duration>3244</video:duration>
<video:publication_date>2023-02-23T11:27:44Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-04-04T14:37:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3CC8</loc>
<video:video>
<video:title>Saisoneröffnung des Concertgebouworkest – mit Víkingur Ólafsson</video:title>
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<video:description>Mit mitreißender amerikanischer Musik beginnt und endet diese Aufzeichnung, die Highlights aus dem Eröffnungskonzert des Royal Concertgebouw Orchestras zur Saison 2022/2023 präsentiert: John Adams´ Short Ride in a Fast Machine ist ein atemberaubend rasantes Stück, das dem gesamten Orchester Virtuosität und Spiellust abverlangt; in den Symphonischen Tänzen sind die schönsten Nummern aus Bernsteins unsterblichem Musical West Side Story versammelt – von lyrischen Melodien bis zu rhythmisch griffigen Stücken. Bestens zum Ambiente der Open-Air-Bühne im Stadtviertel Westerpark passt auch Griegs herrlich romantisches Klavierkonzert, in dem mit Víkingur Ólafsson einer der charismatischsten Pianisten der jungen Generation zu hören ist.</video:description>
<video:duration>3527</video:duration>
<video:publication_date>2022-11-18T09:49:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-03-30T18:21:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6C0</loc>
<video:video>
<video:title>Daniel Barenboim und das West-Eastern Divan Orchestra in der Alhambra</video:title>
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<video:description>Nachdem der geplante Auftritt des West-Eastern Divan Orchestra in der ägyptischen Stadt Gizeh aufgrund von Spannungen in der Region abgesagt werden musste, wurde die mit Spannung erwartete Aufführung in die Alhambra im spanischen Granada verlegt. Die Burganlage gehört zum Weltkulturerbe der Unesco. Daniel Barenboim dirigiert neben drei Werken des Kernrepertoires Bottesinis Fantasie über ein Thema von Rossini. Das Stück wurde effektvoll für zwei international bekannte Mitglieder des Orchesters, Nabil Shehata und Kyril Zlotnikov, arrangiert. Das harmonische Zusammenspiel der aus Ägypten und Israel stammenden Solisten repräsentiert den politische Grenzen überwindenden Geist des von Barenboim und Edward Said gegründeten Ensembles.</video:description>
<video:duration>6183</video:duration>
<video:publication_date>2023-02-22T09:05:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T08:59:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJ6C8</loc>
<video:video>
<video:title>Daniel Barenboim &amp; West-Eastern Divan Orchestra – Live aus Genf</video:title>
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<video:description>Das West-Eastern Divan Orchestra spielte fünf Jahre nach seiner Gründung durch Daniel Barenboim und Edward Said in der Victoria Hall in Genf Werke des deutsch-österreichischen und russischen Kernrepertoires. Barenboim selbst tritt in Beethovens Drittem Klavierkonzert auf; ein Werk, das von ungewöhnlicher Dramatik und Schönheit geprägt ist und – besonders im Finale – durch funkelnde Virtuosität beeindruckt. Die folgende hoch romantische Fünfte Sinfonie von Tschaikowsky zeichnet sich durch Melodienreichtum und orchestrale Pracht aus. Zwei Zugaben beschließen diesen beeindruckenden Auftritt eines Ensembles, in dem junge arabische und israelische Musiker*innen trotz der Spannungen zwischen ihren Herkunftsländern harmonisch zusammenspielen.</video:description>
<video:duration>5536</video:duration>
<video:publication_date>2023-02-22T09:33:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-24T08:56:30Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJIDO</loc>
<video:video>
<video:title>Wagners Parsifal mit Elīna Garanča und Jonas Kaufmann</video:title>
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<video:description>Philippe Jordan dirigiert Kirill Serebrennikovs Neuinszenierung von Wagners Parsifal, die im April 2021 an der Wiener Staatsoper Premiere feiert. Zum vokalen Dreamteam gehören Ludovic Tézier (Amfortas), Georg Zeppenfeld (Gurnemanz) und Wolfgang Koch (Klingsor), die ihre Partien zum ersten Mal auf dieser Bühne verkörpern. Während Star-Tenor Jonas Kaufmann mit der Titelpartie des „reinen Tors” eine seiner Paraderollen interpretiert, debütiert Elīna Garanča, ehemaliges Ensemblemitglied der Wiener Staatsoper, als Kundry. Wagner schuf mit ihr eine der faszinierendsten und dramaturgisch komplexesten Gestalten seines Gesamtwerks.</video:description>
<video:duration>14783</video:duration>
<video:publication_date>2022-10-24T06:34:23Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T07:26:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJCDG</loc>
<video:video>
<video:title>Pierre Boulez dirigiert Bartók – mit Gidon Kremer &amp; Yuri Bashmet </video:title>
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<video:description>Pierre Boulez directs the Berliner Philharmoniker in a celebration of music by Béla Bartók with a programme offering a comprehensive portrait of the great Hungarian composer. We begin with the delicate late-Romantic First Violin Concerto from the early period and continue with the energetic ballet The Miraculous Mandarin from the middle period, followed by the elegiac viola concerto from the late period. &quot;There are no better soloists,&quot; wrote the Berliner Tagespiegel of violinist Gidon Kremer and violist Yuri Bashmet, who shine alongside Boulez, who was himself one of the most important composers of the modern era and felt a special affinity for Bartók&apos;s music.</video:description>
<video:duration>6182</video:duration>
<video:publication_date>2022-09-16T14:42:43Z</video:publication_date>
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<lastmod>2023-03-24T06:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJGE8</loc>
<video:video>
<video:title>Böhm dirigiert Mozarts Requiem – Gundula Janowitz, Christa Ludwig </video:title>
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<video:description>Die Crème de la Crème des Mozart-Gesangs, ein hochgeschätzter Dirigent und einer der schönsten Sakralbauten Österreichs machen diese Aufzeichnung zu einem ganz besonderen Erlebnis: Unter der Leitung von Karl Böhm interpretieren die Wiener Symphoniker, der Wiener Staatsopernchor und ein von der engelhaft rein singenden Gundula Janowitz angeführtes Vokalsolisten-Quartett in der Piaristenkirche in Wien Mozarts unvergängliches Requiem, das bereits mit seinen ersten zugleich traurigen und tröstlichen Takten in den Bann schlägt. Die Interpretation wurde mit größter Sorgfalt an nicht weniger als vier Aufnahme-Tagen eingespielt.</video:description>
<video:duration>3862</video:duration>
<video:publication_date>2022-10-14T09:24:25Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-03-24T06:51:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP34</loc>
<video:video>
<video:title>UNIQUE: Ein Künstler, ein Ort, ein Konzert</video:title>
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<video:description>Vor dem Hintergrund der neolithischen Carnac-Steine in der Bretagne nimmt dieses visuell beeindruckende Video den französisch-serbischen Geiger Nemanja Radulovic in den Blick. Mit seinen Ensembles Les Trilles du Diable und Double Sens, das aus französischen und serbischen Musikern besteh´t, fügt Radulovic Epochen, Kulturen und Genres zusammen. Präsentiert wird ein Programm von Bach bis Bloch, von den Vier Jahreszeiten bis zu Scheherazade sowie eine Reihe traditioneller serbischer Stücke. Als Kombination aus Dokumentation und Konzert verbindet dieser Film popkulturelle Bildwelten und Formen der klassischen Musikdarbietung und ergänzt sie durch Einblicke, Kommentare und persönliche Anekdoten des Virtuosen.</video:description>
<video:duration>5566</video:duration>
<video:publication_date>2022-07-04T15:09:28Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T07:57:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJC</loc>
<video:video>
<video:title>The World of the Ring – Siegfried</video:title>
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<video:description>In vier Teilen präsentiert Regisseur Eric Schulz eine Einführung in Wagners Tetralogie Der Ring des Nibelungen und damit in das wohl monumentalste Einzelwerk in der Geschichte der westlichen Musik. Mit Auszügen aus verschiedenen berühmten Inszenierungen und mit Beiträgen von führenden Musikwissenschaftler*innen und Musiker*innen, zu denen Dirigent Christian Thielemann gehört, erkundet Schulz die zahlreichen unterschiedlichen Ebenen dieses außergewöhnlichen Musikdramas. Dabei widmet sich der Film den vier Opern des Zyklus in chronologischer Reihenfolge.

Im dritten Teil geht es um die Oper Siegfried, die uns den großen, aber alles andere als unfehlbaren Helden des Dramas vorstellt.</video:description>
<video:duration>5319</video:duration>
<video:publication_date>2022-11-04T08:54:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T07:54:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJE</loc>
<video:video>
<video:title>The World of the Ring – Götterdämmerung</video:title>
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<video:description>In vier Teilen präsentiert Regisseur Eric Schulz eine Einführung in Wagners Tetralogie Der Ring des Nibelungen. Mit Auszügen aus verschiedenen berühmten Inszenierungen und mit Beiträgen von führenden Musikwissenschaftler*innen und Musiker*innen, zu denen Dirigent Christian Thielemann gehört, erkundet Schulz die zahlreichen unterschiedlichen Ebenen dieses außergewöhnlichen Musikdramas. Dabei widmet sich der Film den vier Opern des Zyklus in chronologischer Reihenfolge.

Der vierte Teil schließlich dreht sich um die Götterdämmerung, das große Schlussstück der Tetralogie. Auf dessen apokalyptischem Höhepunkt schließt sich der Kreis: Der Ring – und mit ihm das Gold, aus dem er geschmiedet wurde – wird dem Rhein von Brünnhilde zurückgegeben.</video:description>
<video:duration>5392</video:duration>
<video:publication_date>2022-11-04T09:02:30Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:53:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJA</loc>
<video:video>
<video:title>The World of the Ring – Die Walküre</video:title>
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<video:description>In vier Teilen präsentiert Regisseur Eric Schulz eine Einführung in Wagners Tetralogie Der Ring des Nibelungen und damit in das wohl monumentalste Einzelwerk in der Geschichte der westlichen Musik. Mit Auszügen aus verschiedenen berühmten Inszenierungen und mit Beiträgen von führenden Musikwissenschaftler*innen und Musiker*innen, zu denen Dirigent Christian Thielemann gehört, erkundet Schulz die zahlreichen unterschiedlichen Ebenen dieses außergewöhnlichen Musikdramas. Dabei widmet sich der Film den vier Opern des Zyklus in chronologischer Reihenfolge.

Der zweite Teil taucht in die Welt der Walküre ein, in der Wagner die menschlichen Protagonistinnen und Protagonisten des Dramas einführt.</video:description>
<video:duration>5383</video:duration>
<video:publication_date>2022-11-04T08:40:03Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:53:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ8</loc>
<video:video>
<video:title>The World of the Ring – Das Rheingold</video:title>
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<video:description>In vier Teilen präsentiert Regisseur Eric Schulz eine Einführung in Wagners Tetralogie Der Ring des Nibelungen und damit in das wohl monumentalste Einzelwerk in der Geschichte der westlichen Musik. Mit Auszügen aus verschiedenen berühmten Inszenierungen und mit Beiträgen von führenden Musikwissenschaftler*innen und Musiker*innen, zu denen Dirigent Christian Thielemann gehört, erkundet Schulz die zahlreichen unterschiedlichen Ebenen dieses außergewöhnlichen Musikdramas. Dabei widmet sich der Film den vier Opern des Zyklus in chronologischer Reihenfolge.

Der erste Teil analysiert den »Vorabend« des gesamten Dramas, das handlungsreiche und gesellschaftskritische Rheingold.</video:description>
<video:duration>5398</video:duration>
<video:publication_date>2022-11-03T07:47:35Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:52:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ34</loc>
<video:video>
<video:title>Musik als Zuflucht</video:title>
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<video:description>Von einem besonderen Projekt erzählt dieser Dokumentarfilm. Die Mezzosopranistin Anne Sofie von Otter und der Geiger Daniel Hope initiierten es. Nachgegangen wird der Musik, die in Theresienstadt entstand, dem inhumanen Vorzeigelager der Nationalsozialisten, in dem auch Musiker und Komponisten interniert waren. Der Film bringt Konzertmitschnitte zu Gehör und die Geschichten zweier Menschen, die das Grauen überlebten: Der Jazzgitarrist Coco Schumann und die Pianistin Alice Herz-Sommer erinnern sich. </video:description>
<video:duration>3507</video:duration>
<video:publication_date>2022-09-23T09:24:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-22T07:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D0</loc>
<video:video>
<video:title>Gedenkkonzert mit den Wiener Philharmonikern in Versailles</video:title>
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<video:description>100 Jahre nach dem Ende des Ersten Weltkrieges fand in Versailles, wo der Friedensvertrag unterschrieben worden war, dieses einzigartige Konzert statt. Die Komponisten der aufgeführten Werke stammten aus Ländern, die an der Urkatastrophe des 20. Jahrhunderts als Kriegsparteien beteiligt waren. Zugleich beschwört die Musik, in der alle Individuen aufeinander hören und miteinander kooperieren, den Zustand einer friedlichen Gesellschaft. In einer musikalischen Reise, die von der Zauberflöten-Ouvertüre bis zu Ives´ The Unanswered Question führte, sind die Wiener Philharmoniker unter der Leitung von Franz Welser-Möst, hochkarätige Vokalsolisten sowie – in Ravels Klavierkonzert für die linke Hand – die phänomenale Pianistin Yuja Wang zu erleben.</video:description>
<video:duration>5822</video:duration>
<video:publication_date>2022-06-20T14:02:47Z</video:publication_date>
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<lastmod>2023-03-22T06:59:05Z</lastmod>
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<url>
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<video:video>
<video:title>Daniel und Michael Barenboim &amp; Kian Soltani: Beethovens Klaviertrios</video:title>
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<video:description>Beethovens Klaviertrios stehen im Schatten seiner Streichquartette. Zu unrecht: Dem Komponisten lag die Besetzung für Klavier, Geige und Cello sehr am Herzen. Die frühen drei Gattungsbeiträge aus den 1790er Jahren gab er unter der bedeutsamen Opus-Nummer 1 heraus, und in seinem letzten öffentlichen Auftritt übernahm er den Klavier-Part in seinem Erzherzog-Trios. Daniel Barenboim verfügt über einen nahezu einzigartigen Überblick über das Gesamtwerk des Wiener Klassikers. Mit seinem Sohn Michael Barenboim und dem Cellisten Kian Soltani gründete er 2016 ein eigenes Trio. Gemeinsam durchqueren sie mit großer Spielfreude in zwei Konzerten Beethovens Repertoire für ihre Besetzung von den geistreichen Früh- bis zu den gewichtigen Spätwerken.</video:description>
<video:duration>13328</video:duration>
<video:publication_date>2022-11-11T13:33:43Z</video:publication_date>
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<lastmod>2023-03-20T18:33:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSPJI</loc>
<video:video>
<video:title>Night Music: Jan Lisiecki in Würzburg</video:title>
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<video:description>Seit Jahrhunderten regt die Nacht Komponisten zum Schreiben von Werken an – ihre Eigenschaften sind eine ideale Inspirationquelle für wehmütige und gelegentlich auch stürmische Kompositionen. Die Stimmung der Nacht kann verträumt oder beruhigend, aber manchmal auch beängstigend und voller dunkler Geheimnisse sein. Im eindrucksvollen Ambiente des Kaisersaals der Würzburger Residenz präsentiert Jan Lisiecki einen Klavierabend mit Werken, die entweder der Nacht gewidmet oder während der Nacht entstanden sind. Der junge kanadische Pianist erweckt deren gute und böse Geister zum Leben und bewegt sich traumwandlerisch durch die Werke von Mozart, Schumann, Ravel, Rachmaninow und Chopin.</video:description>
<video:duration>5562</video:duration>
<video:publication_date>2022-05-09T12:43:30Z</video:publication_date>
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<lastmod>2023-03-19T19:33:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3E</loc>
<video:video>
<video:title>Multiple Identitäten: Begegnungen mit Daniel Barenboim</video:title>
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<video:description>Daniel Barenboim besitzt viele Identitäten, sowohl privat als auch beruflich. Dieser Film von 2002 zeichnet die ersten 50 Jahre seiner unglaublichen Karriere nach. Erinnerungen Barenboims an Auftritte mit dem Chicago Symphony Orchestra und mit der Staatskapelle Berlin stehen neben Proben mit dem West-Eastern Divan Orchestra, Reisen nach Buenos Aires, Weimar und Jerusalem und Momenten des Musikers mit seiner Familie, mit Freunde und Kollegen. Der Film begleitet den Maestro während eines Jahres und dokumentiert Gespräche mit Edward Said oder Pierre Boulez und die Zusammenarbeit mit Cecilia Bartoli, Yo-Yo Ma und Waltraud Meier. Man erfährt, dass die Musik im Zentrum all dessen steht, was Daniel Barenboim tut und womit er sich identifiziert.</video:description>
<video:duration>5268</video:duration>
<video:publication_date>2022-10-10T10:19:42Z</video:publication_date>
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<lastmod>2023-03-16T06:45:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DG</loc>
<video:video>
<video:title>Europakonzert 2013 aus Prag - mit Magdalena Kožená</video:title>
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<video:description>2013 gastieren die Berliner Philharmoniker mit dem Europakonzert am 1. Mai in der Stadt, in der unter Claudio Abbado 1991 die Tradition des Europakonzerts begründet wurde: Prag. Das Konzertprogramm ist stets auf die Spielstätten abgestimmt, die durch ihre Architektur eine beeindruckende Kulisse bieten. In diesem Jahr nehmen Orchester und Publikum im prunkvollen &quot;Spanischen Saal&quot; in der Prager Burg Platz. Unter der Leitung von Sir Simon Rattle ist Musik von Ralph Vaughan Williams, Antonín Dvořák und Ludwig van Beethoven zu erleben. Die tschechische Mezzosopranistin Magdalena Kožená interpretiert die Biblischen Lieder von Dvořák, der am Konservatorium in Prag gelehrt hatte. Höhepunkt des Konzerts ist die Sechste Sinfonie von Beethoven.</video:description>
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<video:publication_date>2022-07-07T12:53:22Z</video:publication_date>
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<lastmod>2023-03-14T12:12:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSRJE</loc>
<video:video>
<video:title>Karajan Gedenkkonzert: Berliner Philharmoniker &amp; Claudio Abbado</video:title>
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<video:description>Anlässlich des zehnten Todestages von Herbert von Karajan geben die Berliner Philharmoniker 1999 unter der Leitung von Claudio Abbado ein Gedenkkonzert im Salzburger Dom. Zu Ehren ihres langjährigen Chefdirigenten wird das legendäre Requiem von Wolfgang Amadeus Mozart gemeinsam mit dem Schwedischen Rundfunkchor und einem erstklassigen Solistenensemble aufgeführt. Für Abbado war Karajan wie ein Mentor, der ihn als jungen Dirigenten förderte und zu den Salzburger Festspielen einlud. Mit einer phänomenalen Aufführung von Mozarts Requiem wurde Karajan in seiner Heimatstadt Tribut gezollt. Das von Mythen umgebene Werk ist Mozarts letztes Werk vor seinem Tod und vielleicht sein persönlichstes überhaupt.</video:description>
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<video:publication_date>2022-06-08T14:59:00Z</video:publication_date>
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<lastmod>2023-03-14T08:24:04Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCD0</loc>
<video:video>
<video:title>Obradors: Canciones clássicas españolas: El vito (Arr. Cuello)</video:title>
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<video:publication_date>2022-11-26T21:01:09Z</video:publication_date>
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<lastmod>2023-02-28T20:59:33Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGCG</loc>
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<video:title>Ginastera: Estancia: IV. Danza final (Malambo)</video:title>
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<video:publication_date>2022-12-03T15:31:17Z</video:publication_date>
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<lastmod>2023-02-28T20:57:01Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR30</loc>
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<video:title>Chopin: Klaviersonate No. 3 in b-Moll, Op. 58: III. Largo</video:title>
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<video:publication_date>2022-10-24T22:09:45Z</video:publication_date>
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<lastmod>2023-02-28T20:41:57Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3G</loc>
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<video:title>Vivaldi: The Four Seasons </video:title>
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<video:description>&quot;Admittedly, Vivaldi isn’t so very different from Mozart in terms of his purely technical difficulty: these pieces contain no hurdle that a good music student couldn’t clear as a teenager. But art involves more than just playing a piece quickly, cleanly and accurately. Art consists in investing the score with a soul. Vivaldi’s Four Seasons is a unique celebration of life, a veritable riot of colour. It takes a sensitive violinist to bring out this riot of colour in the form of a tone-painting.&quot; Anne-Sophie Mutter, 11/2008</video:description>
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<video:publication_date>2022-07-08T09:28:11Z</video:publication_date>
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<lastmod>2023-02-28T20:37:35Z</lastmod>
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<video:title>Castellanos: Veinte cantos populares españolas / II: 8. El vito</video:title>
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<lastmod>2023-02-28T20:36:50Z</lastmod>
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<video:title>Mozart: Klavierkonzert Nr. 23 in A Dur, K.488: II. Adagio</video:title>
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<lastmod>2023-02-28T20:33:42Z</lastmod>
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<video:title>Bernstein: West Side Story: Mambo</video:title>
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<lastmod>2023-02-28T20:33:00Z</lastmod>
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<video:title>Bounce Bounce</video:title>
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<video:publication_date>2022-11-13T01:22:24Z</video:publication_date>
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<lastmod>2023-02-28T20:32:16Z</lastmod>
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<video:title>Draw a Map</video:title>
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<lastmod>2023-02-28T20:31:42Z</lastmod>
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<video:title>Einaudi: I Giorni</video:title>
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<lastmod>2023-02-28T20:30:58Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3I</loc>
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<video:title>Schumann: Fantasiestücke, Op. 73: 2. Lebhaft, leicht</video:title>
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<video:description>Every so often, a musical encounter sees a truly astonishing &quot;musico-biological&quot; process take place. The meeting of the pianist Hélène Grimaud and the cellist Sol Gabetta last summer at the Menuhin Festival in Gstaad was one such rare encounter. Two charismatic stars made music together: two performers who play with such a combination of passion and intelligence that time after time they made the classics sound as contemporary as if composed today. </video:description>
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<video:publication_date>2022-07-08T10:24:23Z</video:publication_date>
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<lastmod>2023-02-28T20:29:24Z</lastmod>
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<video:title>Shostakovich: Sonate für Violoncello und Piano, Op. 40: II. Allegro</video:title>
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<lastmod>2023-02-28T20:28:19Z</lastmod>
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<video:video>
<video:title>Purcell: Dido and Aeneas: When I am laid in earth</video:title>
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<lastmod>2023-02-28T20:27:28Z</lastmod>
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<video:title>Schubert: Des Fischers Liebesglück, D.933</video:title>
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<video:live>no</video:live>
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<lastmod>2023-02-28T20:22:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSR3A</loc>
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<video:title>Vivaldi: La fida ninfa: Alma opressa</video:title>
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<lastmod>2023-02-28T20:21:58Z</lastmod>
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<url>
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<video:video>
<video:title>Monteverdi: Lamento della ninfa</video:title>
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<lastmod>2023-02-28T20:21:25Z</lastmod>
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<video:title>Lehár: Dein ist mein ganzes Herz</video:title>
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<lastmod>2023-02-28T20:19:17Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ4</loc>
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<video:title>Lasst mich rein, ich hör Musik</video:title>
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<video:description>Víkingur Ólafsson is an up-and-coming visionary pianist not only of technical sublimity but also of remarkable entrepreneurial abilities. Ólafsson has commissioned and premiered, to date, five new piano concertos from different young composers, and has collaborated on diverse musical projects with a broad range of artists and musicians. These include conductors Vladimir Ashkenazy and Rafael Payare, as well as his compatriot Björk and composers Mark Simpson and Philip Glass.</video:description>
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<video:description>Take Für Elise, the sound of countless ringtones and a piece you’ll hear in any school with a piano. “For me it is very romantic, and light, like a feather”, Lang Lang explains. “It has to come from nowhere and it has to touch people. It can’t just be treated as background music. I’ve tried to play the piece as the masterpiece that it is, and I hope that children who begin learning Für Elise will treat it the same way.”</video:description>
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<video:title>Bach: Das Wohltemperierte Klavier: 1. Teil, 1. Präludium in C-Dur, BWV 846</video:title>
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<video:description>With ‘Piano Book’, Lang Lang goes back to his first love - to the pieces that made him want to become a musician in the first place; a reflection on the music that influenced him most during his early childhood. Get inspired and dream away to your initial fantasy in life with the performance video of Bach’s Prelude in C.</video:description>
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<video:title>Vladimir&apos;s Blues</video:title>
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<lastmod>2023-02-26T08:03:26Z</lastmod>
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<video:title>All Human Beings</video:title>
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<video:title>Rameau: Le Rappel des Oiseaux</video:title>
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<video:title>Scarlatti: Sonate in d-Moll, Kk. 89: III. Allegro (Arr. für Mandoline und Basso continuo)</video:title>
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<video:title>Hilary Hahn spielt Dvořáks Violinkonzert in a-Moll, Op. 53</video:title>
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<video:title>Cooke: A Change is Gonna Come (Version for Voice, Solo Violin and Piano)</video:title>
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</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJ4</loc>
<video:video>
<video:title>El Sistema</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ea2df52a780ced7876532480592eef11184d3e0d.jpg</video:thumbnail_loc>
<video:description>Venezuelas einzigartiges System der Musikausbildung ermöglicht Kindern einen Ausweg aus von Armut und Gewalt geprägten Slums. Einigen von ihnen gelingt der Aufstieg zu Weltklassemusikern. Diese Dokumentation zeigt, wie das vom venezolanischen Visionär Jose Antonio Abreu gegründete „El Sistema” seit drei Jahrzehnten das Leben von Hunderttausenden von Kindern verändert hat. Der bewegende Dokumentarfilm von Paul Smaczny und Maria Stodtmeier führt uns von den Müllhalden und Barrios von Caracas in die größten Konzertsäle der Welt. Straßenkinder, die im Milieu gewalttätiger Bandenkriege aufwachsen, werden in Musikschulen aufgenommen und lernen am Modell des Sinfonieorchesters, wie sich eine bessere Gesellschaft gestalten lässt.</video:description>
<video:duration>6001</video:duration>
<video:publication_date>2022-10-19T14:29:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T07:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJG</loc>
<video:video>
<video:title>Dietrich Fischer-Dieskau: Letzte Worte</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/043993afb3a400a36e42bf6f1923a45557487dca.jpg</video:thumbnail_loc>
<video:description>Der große deutsche Bariton Dietrich Fischer-Dieskau gilt heute als einer der bedeutendsten Interpreten der zweiten Hälfte des 20. Jahrhunderts. Seine Reputation als Liedsänger ist mit einem Repertoire von über 3.000 Liedern derart hoch, dass man leicht in Vergessenheit geraten lassen könnte, wie umfangreich doch auch seine Liste an Opern Rollen ist. In dieser Unterhaltung, geführt mit dem preisgekrönten Filmemacher Bruno Monsaingeon, legt der deutsche Bariton zum letzten Mal vor der Kamera die Geheimnisse seiner außergewöhnlichen Karriere dar. Seine „Letzten Worte“ ermöglichen uns einen tiefen Einblick in das außergewöhnliche Künstlerleben eines der berühmtesten Liedsänger unserer Zeit.</video:description>
<video:duration>3221</video:duration>
<video:publication_date>2022-09-15T11:19:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T07:38:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ACG</loc>
<video:video>
<video:title>Über Credo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/329c482ce0e02b2e95dcedc56d875bd312b84528.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>311</video:duration>
<video:publication_date>2023-01-17T07:49:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:36:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3ACO</loc>
<video:video>
<video:title>Über Reflection</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e3b662a2f000b51509bb9c5c649c6e3ce9dda591.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>342</video:duration>
<video:publication_date>2023-01-17T08:14:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:35:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6D8</loc>
<video:video>
<video:title>Über Schoenberg / Sibelius: Violinkonzerte</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2edbe807223d765bfbce5ae7e91bcb950485d024.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>323</video:duration>
<video:publication_date>2022-11-15T20:26:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:35:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP38C0</loc>
<video:video>
<video:title>Über Sonatas &amp; Etudes</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fea9af5f0f17b6d37fa7965099bb76afd68c6bfb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>245</video:duration>
<video:publication_date>2023-01-06T14:51:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:34:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCC8</loc>
<video:video>
<video:title>Über Resonances</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/12174deec163b225928c152ba4399ca0f1149f9f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>439</video:duration>
<video:publication_date>2022-11-25T04:54:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:33:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP38DO</loc>
<video:video>
<video:title>Über Mozart</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1a6cddf6811b6504432560f9649775f01e789a46.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2023-01-15T21:07:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:32:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6D0</loc>
<video:video>
<video:title>Über Silfra</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/495e8356cc30f9b7f51aecdac62bee890c3266eb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>312</video:duration>
<video:publication_date>2022-11-15T20:06:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:32:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP38CG</loc>
<video:video>
<video:title>Über Duo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e6af6fc82121e09eef7eaeb914cb7e7910100ca.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>465</video:duration>
<video:publication_date>2023-01-15T17:24:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:31:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3AC8</loc>
<video:video>
<video:title>Über Brahms Piano Concertos</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73e4931f729fc455f0d1cfc5e6e6b72493edd269.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>425</video:duration>
<video:publication_date>2023-01-17T07:25:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:24:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJI</loc>
<video:video>
<video:title>Über Stravinsky und Stokowski</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1d3867ac36b07ab37a3fb665f6f5bcb01446cdc3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2022-11-10T21:18:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:01:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP34D8</loc>
<video:video>
<video:title>On Let it Snow (EN)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f266c436c451a9e8536a9918571e869ec0183aa3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>399</video:duration>
<video:publication_date>2022-12-11T16:20:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:00:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP34DG</loc>
<video:video>
<video:title>Über Let it Snow (DE)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13bb9d87f2e92278bc88ac74151a6e9dafc65885.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>457</video:duration>
<video:publication_date>2022-12-11T16:26:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:00:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8E0</loc>
<video:video>
<video:title>Über Vivaldi Recomposed</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61b7a76166568c71ef1ddb7c94005f0a465458d9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>159</video:duration>
<video:publication_date>2022-11-18T13:33:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:59:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36E8</loc>
<video:video>
<video:title>Über Ravel</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b8f90ec4cb4ec10d628ae40536798ed92299a77e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>354</video:duration>
<video:publication_date>2023-01-06T12:58:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:56:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP38E0</loc>
<video:video>
<video:title>Über Water</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b174e4a5f372ebdd571d68f97d689d1e8b49f0b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2023-01-15T21:12:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:56:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCE0</loc>
<video:video>
<video:title>Über Piano</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcff5e3c8f9b8c540415f83d8c9d49a62745c64e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2022-12-01T22:25:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:55:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJEE0</loc>
<video:video>
<video:title>Über Moonlight</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3465f2ea01b52644b639b39f1ab0209aa5eee76c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2022-12-03T14:17:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:54:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP36CG</loc>
<video:video>
<video:title>Über I Am Hera</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c2467bd00a3367f35325c7fc920fbac8790bb12.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>285</video:duration>
<video:publication_date>2023-01-04T17:29:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:25:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0C0</loc>
<video:video>
<video:title>Über Schubert&apos;s Klaviersonaten</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4c7fe9f45847dc8442a5d920fc73e3f9937dc33.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-11-10T21:47:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:20:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8C8</loc>
<video:video>
<video:title>Über Mozart und Vieuxtemps - Violinkonzerte</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/592980d1b75cb27488a213b2331793b5eabd4647.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>208</video:duration>
<video:publication_date>2022-11-16T17:11:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJG</loc>
<video:video>
<video:title>On my New Piano</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c2a398a0a621973ba5d5d6f7502264fbde5acd6.jpg</video:thumbnail_loc>
<video:description>Barenboim was inspired to create a new piano after playing Franz Liszt’s restored grand piano during a trip to Siena in September 2011. Struck by the vital differences in sound of an instrument constructed with straight, parallel strings rather than the diagonal crossed ones of a contemporary instrument, he set out to create a brand new instrument that combines the best of the old and the new and offers a real alternative for pianists and music-lovers in the 21st century.</video:description>
<video:duration>324</video:duration>
<video:publication_date>2022-11-08T12:16:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:19:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3C</loc>
<video:video>
<video:title>Barenboim über Beethovens Klaviersonaten (IV)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/52d4d9c5822225025acb0a64e955681d7710dbf5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>615</video:duration>
<video:publication_date>2022-11-08T16:13:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:16:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3A</loc>
<video:video>
<video:title>Barenboim über Beethovens Klaviersonaten (III)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11d224901847fe491bb96b7b4db4463ccb00bb63.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>920</video:duration>
<video:publication_date>2022-11-08T16:09:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:16:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS38</loc>
<video:video>
<video:title>Barenboim über Beethovens Klaviersonaten (II)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a8069ceca17b929e47f4c658947db4356f23a65.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>734</video:duration>
<video:publication_date>2022-11-08T16:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:16:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS36</loc>
<video:video>
<video:title>Barenboim über Beethovens Klaviersonaten (I)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/639f8d2ac8666a2c41c35f4337a27e0977495871.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>628</video:duration>
<video:publication_date>2022-11-08T15:48:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:15:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJI</loc>
<video:video>
<video:title>Barenboim in Conversation: On the Meaning of Music</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/016ca9ea187053db46b1d821d28843b559e55823.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>883</video:duration>
<video:publication_date>2022-11-08T14:45:27Z</video:publication_date>
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<url>
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<video:video>
<video:title>Barenboim in Conversation: On how to Engage with the Audience</video:title>
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<lastmod>2023-02-19T07:10:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS32</loc>
<video:video>
<video:title>Barenboim in Conversation: On Beethoven and the Inner Ear</video:title>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS34</loc>
<video:video>
<video:title>Barenboim in Conversation: On Language, Music and Purpose</video:title>
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<lastmod>2023-02-19T07:08:07Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4DO</loc>
<video:video>
<video:title>Über Paris</video:title>
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<lastmod>2023-02-19T07:06:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4C0</loc>
<video:video>
<video:title>Über Chaussons Poème (Talk&amp;Play)</video:title>
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</video:video>
<lastmod>2023-02-19T07:06:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4C8</loc>
<video:video>
<video:title>Über Rautavaaras Deux Sérénades (Talk&amp;Play)</video:title>
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</video:video>
<lastmod>2023-02-19T07:06:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ2E8</loc>
<video:video>
<video:title>Über Prokofievs Violinkonzert Nr. 1 (Talk&amp;Play)</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:05:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4D8</loc>
<video:video>
<video:title>Über Sarasates Carmen-Fantasie (Talk&amp;Play)</video:title>
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</video:video>
<lastmod>2023-02-19T07:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJEDO</loc>
<video:video>
<video:title>Alice Sara Ott: Nightfall</video:title>
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<video:description>In diesem Programm, das im Kopenhagener Koncerthuset aufgenommen wurde, interpretiert Alice Sara Ott Musik von Chopin und Werke von ihrem gefeierten DG-Album „Nightfall“. Die Pianistin beginnt mit zwei Sätzen aus Debussys Suite bergamasque – dem weite Landschaften durchquerenden Prélude und dem lyrischen Clair de lune – und fährt mit der angemessen traumwandlerisch gespielten Rêverie fort. Drei minimalistische Werke von Debussys Zeitgenossen Erik Satie folgen: die ruhige Gymnopédie No.1 und zwei der orientalisch angehauchten Gnossiennes. Ganz im Sinne des „Nightfall“-Mottos spielt Ott im Anschluss zwei wunderbar ausdrucksvolle Nocturnes von Chopin, bevor sie mit dessen Erster Ballade endet, einem wahren pianistischen Feuerwerk.</video:description>
<video:duration>3343</video:duration>
<video:publication_date>2022-09-30T10:37:13Z</video:publication_date>
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<lastmod>2023-02-18T07:11:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ2DG</loc>
<video:video>
<video:title>Debussy: La fille aux cheveux de lin</video:title>
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<lastmod>2023-02-15T11:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJ2</loc>
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<video:title>Rameau: Les Boréades: The Arts and the Hours (Transkr. Ólafsson)</video:title>
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<video:description>At the centre of his 2020 album is an interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call it ‘The Arts and the Hours’,</video:description>
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<lastmod>2023-02-15T11:26:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0DG</loc>
<video:video>
<video:title>Rameau: Les tendres plaintes</video:title>
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<lastmod>2023-02-15T11:21:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJ4</loc>
<video:video>
<video:title>Bach: Goldberg-Variationen, BWV 988: Variatio 26 a 2 Clav.</video:title>
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<lastmod>2023-02-15T11:20:33Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0DO</loc>
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<video:title>Rameau: Pieces de clavecin en concerts: II. La Cupis</video:title>
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<lastmod>2023-02-15T11:15:50Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3G</loc>
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<video:title>Bach: Goldberg-Variationen, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga</video:title>
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<lastmod>2023-02-15T11:14:43Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3E</loc>
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<video:title>Bach: Goldberg-Variationen, BWV 988: Variatio 26 a 2 Clav.</video:title>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJ0</loc>
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<video:title>Bach: Goldberg-Variationen, BWV 988: Variatio 25 a 2 Clav. Adagio</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:13:12Z</lastmod>
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<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSS3I</loc>
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<video:title>Bach: Goldberg-Variationen, BWV 988: Aria</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:12:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0D0</loc>
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<video:title>Mozart: Rondo in D-Dur, K. 485</video:title>
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<lastmod>2023-02-15T11:09:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0D8</loc>
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<video:title>Cimarosa: Sonate Nr. 42 in D-Moll (Arr. Ólafsson)</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:07:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSRJ2</loc>
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<video:title>Schubert: Gretchen am Spinnrade, D.118 (Adapt. für Cello und Orchester)</video:title>
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<video:description></video:description>
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<video:publication_date>2022-10-30T19:59:06Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:06:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ3I</loc>
<video:video>
<video:title>Mozart: Klaviersonate Nr. 14 in c-Moll, K. 457: I. Molto allegro</video:title>
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<video:description></video:description>
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<video:publication_date>2022-10-12T12:34:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:05:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJ8</loc>
<video:video>
<video:title>Snider: Penelope: IV. The Lotus Eaters</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:04:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0CO</loc>
<video:video>
<video:title>Galuppi: Klaviersonate Nr. 9 in f-Moll: I. Andante spiritoso</video:title>
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<video:description></video:description>
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<video:publication_date>2022-11-11T15:13:03Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-02-15T10:56:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJE</loc>
<video:video>
<video:title>Lied der Vogelfrau - aus &quot;Mary Poppins&quot;</video:title>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:51:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJG</loc>
<video:video>
<video:title>Glücks-Regenbogen - aus &quot;Muppet Movie&quot;</video:title>
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<video:publication_date>2022-11-10T20:12:26Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:49:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSJC</loc>
<video:video>
<video:title>Die Schöne und das Biest</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:48:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3ACO</loc>
<video:video>
<video:title>Rudolf Buchbinder spielt Klavierkonzerte von Beethoven und Haydn</video:title>
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<video:description>Es ist gar nicht leicht zu erklären, was musikalischer Humor eigentlich ist; aber man erkennt ihn sofort in den Finalsätzen der hier aufgeführten Klavierkonzerte von Haydn und Beethoven. Das liegt besonders daran, dass kaum jemand die gesamte Klaviermusik der Wiener Klassik so souverän beherrscht wie Rudolf Buchbinder, der die humoristischen Elemente – Spiel mit der Erwartungshaltung, überraschende Akzente und plötzliche Tonartwechsel – mit Verve oder Understatement zum Funkeln bringt. In diesem Konzert mit den Münchner Philharmonikern ist Buchbinder, der die Orchester-Einsätze während des Spielens gelegentlich mit einem Augenaufschlag oder Lächeln anzeigt, Solist und musikalischer Leiter in Personalunion.</video:description>
<video:duration>3321</video:duration>
<video:publication_date>2022-11-14T08:30:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-12T10:04:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJC</loc>
<video:video>
<video:title>Rolando Villazón – Es war einmal in Mexico</video:title>
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<video:description>Ansteckende Energie, rückhaltlose Hingabe, die absolute Leidenschaft für das, was er tut und, nicht zu vergessen, eine herrliche Stimme haben Rolando Villazón auf die bedeutendsten Bühnen katapultiert und einen Ehrenplatz in der Geschichte der Oper gesichert. Als Liebhaber des Theaters, des Auftritts, der Musik und des Menschen besticht er durch sein Handwerk, fast mehr aber noch durch den einzigartigen Charme seines Wesens. Dieser Film wirft einen Blick auf Villazóns Kindheit in Mexiko-Stadt und dokumentiert einige seiner großartigen Auftritte als führender Tenor in Berlin, Salzburg und New York, bei denen er von anderen großen Künstler*innen wie Daniel Barenboim, Placido Domingo und Anna Netrebko unterstützt wird.</video:description>
<video:duration>3562</video:duration>
<video:publication_date>2022-09-14T12:09:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-12T09:46:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJI</loc>
<video:video>
<video:title>Andris Nelsons dirigiert Beethoven, Debussy &amp; Wagner</video:title>
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<video:description>Als Kontrapunkt zu seiner dramatischen Fünften schuf Beethoven mit seiner Sechsten Symphonie, der Pastorale, ein lyrisches Landschaftspanorama, das als eine der schönsten instrumentalen Naturschilderungen in die Musikgeschichte eingegangen ist. Auch Wagners Siegfried-Idyll, aus dem Kenner einige Motive der gleichnamigen Oper heraushören können, ist von einer für diesen Komponisten eher ungewöhnlichen Ruhe und Zuständlichkeit geprägt. Beide Werke führte Andris Nelsons im Oktober 2020 mit den Münchner Philharmonikern auf. Nelsons gehört mit weltweiten Gastier-Aktivitäten und Chefpositionen in Boston und Leipzig zu den einflussreichsten und stilistisch flexibelsten Dirigenten seiner Generation.</video:description>
<video:duration>4950</video:duration>
<video:publication_date>2022-04-26T13:20:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-27T09:24:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJ8D8</loc>
<video:video>
<video:title>Andrè Schuen singt Lieder von Mahler und Schubert</video:title>
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<video:description>Dem jungen Bariton Andrè Schuen ist in den letzten Jahren nicht zuletzt als Protagonist in Mozart-Opern eine glänzende Karriere geglückt. Der in Tirol aufgewachsene Sänger ist aber auch ein durch Kultiviertheit und Ausdruckskraft bestechender Interpret des romantischen Liedrepertoires. Zwei Zyklen von Gustav Mahler stehen im Weimarer Schloss Ettersburg auf dem Programm, bei dem Schuen mit seinem ständigen Klavier-Partner Daniel Heide auftrat. Mahlers unwiderstehliche Darstellungen von Einsamkeit, Sehnsucht und Naturverbundenheit trafen die Stimmung des von der Pandemie betroffenen Publikums unmittelbar. Zusätzlich erklangen ergreifende Lieder von Schubert, die ebenso wie Mahlers zweiter Zyklus auf Gedichten von Friedrich Rückert basieren.</video:description>
<video:duration>3531</video:duration>
<video:publication_date>2022-08-03T09:13:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-20T13:41:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP3A</loc>
<video:video>
<video:title>Feierlicher Gewandhaus-Geburtstag: Bruckners Siebte Symphonie</video:title>
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<video:description>Zu den wichtigen Projekten des Gewandhausorchesters Leipzig mit seinem musikalischen Leiter Andris Nelsons gehört ein Zyklus mit den Symphonien von Anton Bruckner. Ein Höhepunkt der Serie ereignete sich 2018, als zum 275. Gründungsjubiläum des Orchesters mit der Siebten Symphonie Bruckners wahrscheinlich berühmteste Komposition aufgeführt wurde. Der langsame Satz gilt als Gedenkmusik für den in der Entstehungszeit des Werks verstorbenen Richard Wagner, dessen Lohengrin Nelsons mit sensationellem Erfolg in Bayreuth dirigiert hat. Für die Interpretation von Bruckner verfügt er über die ideale Balance von Energie und Geduld: „Als Hörer kann man mit dem Herzen folgen oder sich fallen lassen – die Musik fängt einen auf.” (br-Klassik)</video:description>
<video:duration>4537</video:duration>
<video:publication_date>2022-05-02T15:36:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-20T11:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCC0</loc>
<video:video>
<video:title>Über Memory</video:title>
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<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2022-11-25T04:32:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-17T07:35:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP38C8</loc>
<video:video>
<video:title>Über The Messenger</video:title>
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<video:description></video:description>
<video:duration>388</video:duration>
<video:publication_date>2023-01-15T17:21:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-17T07:34:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP32DG</loc>
<video:video>
<video:title>Puccini: La Bohème: Quando me&apos;n vò (Musette&apos;s Waltz)</video:title>
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<video:description></video:description>
<video:duration>199</video:duration>
<video:publication_date>2022-12-08T09:27:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:12:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCCO</loc>
<video:video>
<video:title>Saint-Saëns: Samson und Dalila: Mon coeur s&apos;ouvre à ta voix</video:title>
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<video:description></video:description>
<video:duration>387</video:duration>
<video:publication_date>2022-11-26T12:46:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:11:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJCCG</loc>
<video:video>
<video:title>Mascagni: Cavalleria Rusticana: Voi lo sapete, o mamma</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2022-11-26T08:22:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:10:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP3C</loc>
<video:video>
<video:title>Mozart: Klavierkonzert Nr. 20 in d-Moll, K. 466: III. Rondo. Allegro assai </video:title>
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<video:description>Since 2010 Hélène Grimaud has refrained from recoring Mozart. One might almost think there simply hasn’t been room for his music in her multifaceted repertoire, and the pianist does confess that her younger self found the “lightness of being” she associated with his piano works unfulfilling. Now, however, for her latest concept album The Messenger, she has created a pianistic dialogue between Mozart and the Ukrainian-born contemporary composer Valentin Silvestrov. Hélène Grimaud performs Mozart&apos;s Piano Concerto No. 20 in D Minor, K 466: III. Rondo. Allegro assai accompanied by the Camerata Salzburg.</video:description>
<video:duration>455</video:duration>
<video:publication_date>2022-07-08T07:56:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-15T17:46:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJGD0</loc>
<video:video>
<video:title>Adam: Cantique de Noël </video:title>
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<video:description></video:description>
<video:duration>329</video:duration>
<video:publication_date>2022-12-03T16:05:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:05:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJIE8</loc>
<video:video>
<video:title>A Child Is Born (Arr. for Solo Violin and Strings)</video:title>
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<video:description></video:description>
<video:duration>335</video:duration>
<video:publication_date>2022-12-05T06:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:03:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ8E8</loc>
<video:video>
<video:title>A Catalogue of Afternoons</video:title>
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<video:description></video:description>
<video:duration>105</video:duration>
<video:publication_date>2022-11-18T13:47:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:00:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSOJGDO</loc>
<video:video>
<video:title>Unwiderstehlicher Charme: Max Raabe mit Musik der 20er &amp; 30er Jahre</video:title>
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<video:description>Weil die Lieder der 1920er und 1930er Jahre witzig, sexy, gefühlvoll und gleichzeitig cool sind, haben sie bis heute nichts von ihrem Charme verloren. Für die deutsche Musik dieser Zeit – deren genialste Schöpfer oft jüdisch waren und von den Nationalsozialisten vertrieben wurden – hat sich kaum jemand so engagiert und erfolgreich eingesetzt wie Max Raabe. Seine unwiderstehlichen Markenzeichen sind eine verführerische Stimme, eine vielsagende Understatement-Mimik, das eindrucksvoll gerollte R und virtuose Pfeif-Einlagen. Der Entertainer und sein mit Bläser-Sound und Geigen-Soli prunkendes Palast Orchester begeisterten 2006 im riesigen und ausverkauften Rund der Berliner Waldbühne mit internationalen Klassikern und Raritäten ihr Publikum.</video:description>
<video:duration>6898</video:duration>
<video:publication_date>2022-10-10T07:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-07T19:28:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ6DG</loc>
<video:video>
<video:title>Über Bartóks Drei ungarische Volkslieder aus Csík (Talk&amp;Play)</video:title>
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<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2022-11-15T22:13:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-23T14:10:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJA</loc>
<video:video>
<video:title>Tschaikovski: Kinderalbum, Op. 39, TH 141: 21. Süße Träumerei</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e6cd0e802550c45f18a9d3fb87e6bc25d342b949.jpg</video:thumbnail_loc>
<video:description>Lang Lang’s ‘Piano Book’ became an instant hit around the world following its release on World Piano Day in March 2019. Reflecting Lang Lang’s determination to pass on what he’s learned to a new generation, ‘Piano Book’ offers a collection of pieces which first inspired him to play the piano and led him on his path to international stardom. ‘Piano Book – Encore Edition’, a super deluxe digital edition, opens a new chapter in the ‘Piano Book’ by releasing Lang Lang’s fresh recording of “Sweet Dreams” from Tchaikovsky’s “Children’s Album”, one of six brand-new tracks exclusive to this edition. </video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-08-26T13:37:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-22T15:38:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4CO</loc>
<video:video>
<video:title>Über Eclipse</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7426002c2feaa19f28452a8bef203986b477d7ef.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>831</video:duration>
<video:publication_date>2022-11-13T01:51:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:31:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ2E0</loc>
<video:video>
<video:title>Über Mozarts Laudate Dominum (Talk&amp;Play)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6b589c8a5912f89e461bd8db5f3b973e24d34ae.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>106</video:duration>
<video:publication_date>2022-11-12T21:31:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:30:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ2DO</loc>
<video:video>
<video:title>Über Kaldalóns Ave Maria (Talk&amp;Play)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0e50554172329939848e51d98264a0d7383bef2e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>171</video:duration>
<video:publication_date>2022-11-12T20:32:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:28:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4DG</loc>
<video:video>
<video:title>Über Ginasteras Violinkonzert (Talk&amp;Play)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ac8c1499889f8a2b7b4c09111f98a11fc3b0ff3d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>428</video:duration>
<video:publication_date>2022-11-13T02:29:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ4D0</loc>
<video:video>
<video:title>Über Dvořáks Violinkonzert (Talk&amp;Play)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e602d503b093f1ec7d30866ac45f3fb6c66b8f9b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>334</video:duration>
<video:publication_date>2022-11-13T02:12:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-21T16:26:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSPJE</loc>
<video:video>
<video:title>Im Gespräch: Mutter, Barenboim und Ma über Beethovens Tripelkonzert</video:title>
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<video:description>Anne-Sophie Mutter, Yo-Yo Ma &amp; Daniel Barenboim, three of today’s most renowned classical artists and Beethoven interpreters, celebrate the 250th anniversary of Beethoven’s birth with a recording of the Triple Concerto. The recording was made at a concert in Berlin October 2019 – to mark the West-Eastern Divan’s 20th birthday. In a third anniversary it is 40 years since the appearance of the legendary Triple Concerto recording made by Mutter and Ma under Herbert von Karajan in 1980. In this conversation, Daniel Barenboim, Anne-Sophie Mutter, and Yo-Yo Ma discuss Beethoven’s Triple Concerto, reflecting on the composer&apos;s timeless artistry and the remarkable history of the West-Eastern Divan Orchestra. </video:description>
<video:duration>655</video:duration>
<video:publication_date>2022-09-14T20:23:50Z</video:publication_date>
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<lastmod>2022-12-21T11:16:32Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSP38</loc>
<video:video>
<video:title>Hilary Hahn &amp; die Berliner Philharmoniker in der Suntory Hall</video:title>
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<video:description>Einen Tag vor ihrem 21. Geburtstag tritt Hilary Hahn mit den Berliner Philharmonikern in der nach dem Vorbild der Philharmonie Berlin erbauten Suntory Hall in Tokio auf. Mariss Jansons dirigiert das Konzert in Japan, das mit Dvořáks Achter Sinfonie einen Schwerpunkt auf slawische Musik setzt. Den poetischen Klanglandschaften in Dvořáks Werk ist das technisch höchst anspruchsvolle Erste Violinkonzert von Schostakowitsch vorangestellt. Hilary Hahn glänzt als Solistin und lässt keine Zweifel aufkommen, dass sie nach Virtuosen wie dem Widmungsträger David Oistrach der nächste Generation von Spitzengeiger:innen angehört. Wenige Monate zuvor gab die amerikanische Geigerin mit demselben Violinkonzert bei den Philharmonikern ihr umjubeltes Debüt.</video:description>
<video:duration>5931</video:duration>
<video:publication_date>2022-05-02T14:17:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-20T15:13:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP34D0</loc>
<video:video>
<video:title>Über Lost and Found</video:title>
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<video:description></video:description>
<video:duration>199</video:duration>
<video:publication_date>2022-12-11T13:08:52Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-12-11T15:15:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSOJ0E8</loc>
<video:video>
<video:title>Bach: Konzert in D-Moll, BWV 974: II. Adagio</video:title>
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<video:description></video:description>
<video:duration>253</video:duration>
<video:publication_date>2022-11-11T16:01:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-19T05:55:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQJE</loc>
<video:video>
<video:title>Island Of Doom</video:title>
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<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2022-10-24T21:04:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-10T20:18:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSQ32</loc>
<video:video>
<video:title>Fauré: Sicilienne, Op. 78</video:title>
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<video:description>“Wouldn’t it be possible to produce something at home that sounded just as good as in the concert hall?” Idling the time away in his Berlin apartment during the cultural and social lockdowns was just as much out of the question for Daniel Hope as spontaneous home concerts with unsatisfactory cell phone sound: After all, according to the violinist, “isn’t classical music all about sound, about really listening?” And so, with the support of the TV broadcaster ARTE, he developed a special concert format and transformed his living room into a high-tech TV studio.</video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-09-22T12:15:15Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-10T18:58:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/vod_concert_APNM8GRFDPHMASJKBSQJ8</loc>
<video:video>
<video:title>Hommage an Mozart – Víkingur Ólafsson &amp; Christoph Eschenbach</video:title>
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<video:description>Zum Ausklang seiner Künstler-Residenz am Konzerthaus Berlin erweist Víkingur Ólafsson Mozart seine Ehrerbietung. Gemeinsam mit dem Konzerthausorchester und Dirigent Christoph Eschenbach interpretiert der isländische Pianist das Klavierkonzert in A-Dur, das ungefähr zeitgleich mit der Oper Figaros Hochzeit entstand und mit seinen starken Stimmungs-Kontrasten und seiner nahezu kammermusikalischen Intimität zu den beliebtesten Gattungsbeiträgen des Komponisten gehört. Für die Zugabe, ein delikates Andante aus einer Mozart-Sonate zu vier Händen, gesellt sich Christoph Eschenbach ans Klavier zu Ólafsson, der außerdem Solo-Werke aus seinem dritten Album Debussy Rameau vorträgt.  </video:description>
<video:duration>3322</video:duration>
<video:publication_date>2022-05-16T12:43:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-10-19T21:37:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSSG</loc>
<video:video>
<video:title>Bach: Contrapunctus 14, BWV 1080, 19 (Compl. Trifonov)</video:title>
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<video:description>Johann Sebastian Bach did not live to finish The Art of Fugue’s final contrapunctus, and a number of musicians have attempted conjectural completions. For this recording, Daniil Trifonov, himself an accomplished composer, has created a seamless, stylistically respectful conclusion worthy of Bach’s genius. It reflects the extent to which he has absorbed and internalised every nook and cranny of Bach’s valedictory masterpiece.
Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion”. </video:description>
<video:duration>646</video:duration>
<video:publication_date>2022-05-18T12:44:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-09-21T10:07:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/de/video/video_APKM8PBFBSP38</loc>
<video:video>
<video:title>Mahler: &quot;Alles Vergängliche&quot; - Live aus der Walt Disney Concert Hall / 2019</video:title>
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<video:description></video:description>
<video:duration>308</video:duration>
<video:publication_date>2022-07-07T14:12:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-09-14T16:51:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPN</loc>
<video:video>
<video:title>アルトシュテットとキム・ユビンがヴェルビエ祝祭室内管と共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/69a5e35c26b74a698900d46e624f8ff174bf7a07.jpeg</video:thumbnail_loc>
<video:description>2026年3月下旬にトンヨン国際音楽祭で収録されたヴェルビエ祝祭室内管弦楽団の演奏会の模様をお届けします。世界中から精鋭が集う同楽団にソリストとして迎えられたのは、国際派チェリストのニコラ・アルトシュテットと若きフルート奏者のキム・ユビン。優美で技巧的なチャイコフスキーの「ロココの主題による変奏曲」でアルトシュテットが弾きぶりを披露し、キムはC.P.E.バッハがベルリン時代に残した傑作、フルート協奏曲を演奏します。コンサートの最後は、ハイドンの交響曲第70番の活気に満ちた響きで華やかに締めくくられることでしょう。古典主義の洗練された魅力を味わえるプログラムをぜひお楽しみください。</video:description>
<video:duration>4243</video:duration>
<video:publication_date>2026-04-02T07:32:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T11:28:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1O</loc>
<video:video>
<video:title>ファウスト、メルニコフ、ケラスが奏でるシューマンの協奏曲集</video:title>
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<video:description>ファウスト、メルニコフ、ケラスが奏でるシューマンの協奏曲集
ベルリン・フィルハーモニー</video:description>
<video:duration>7304</video:duration>
<video:publication_date>2026-03-30T12:50:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:48:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3ADG</loc>
<video:video>
<video:title>ヴェルディの歌劇《マクベス》を語る</video:title>
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<video:description>ヴェルディの歌劇《マクベス》を語る
チューリッヒ歌劇場</video:description>
<video:duration>2671</video:duration>
<video:publication_date>2026-03-30T12:43:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:29:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1N</loc>
<video:video>
<video:title>ジョー・ヘンダーソン・トリオのミュンヘン・ライブ</video:title>
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<video:description>ジョー・ヘンダーソン・トリオのミュンヘン・ライブ
ガスタイク・フィルハーモニー 1993年</video:description>
<video:duration>4254</video:duration>
<video:publication_date>2026-03-30T12:06:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:28:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1M</loc>
<video:video>
<video:title>ミヒャエル・エンドレスが奏でるシューベルト、ゴドフスキー、グルダ</video:title>
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<video:description>ミヒャエル・エンドレスが奏でるシューベルト、ゴドフスキー、グルダ
ミュンヘン・ピアノの夏 1993年</video:description>
<video:duration>2991</video:duration>
<video:publication_date>2026-03-30T09:35:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-02T07:24:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1P</loc>
<video:video>
<video:title>ジャン=ギアン・ケラスが弾く無伴奏チェロ組曲～「我ら人生のただ中にあって」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/275a1a24bf24c1a4c1f4a481d64f52a5c2bb8571.jpg</video:thumbnail_loc>
<video:description>This filmed performance of Anne Teresa De Keersmaeker’s Mitten wir im Leben sind offers a compelling encounter between dance and music, set to Bach’s six Cello Suites. Performed live on stage by Jean-Guihen Queyras, the suites unfold alongside a choreography for five dancers, including De Keersmaeker herself, in which movement and music continually meet, diverge and realign. Rather than illustrating the score, the dancers respond to its structure, rhythm and energy, creating a vivid dialogue between body and sound. The result is a work of striking presence and intensity, inviting the viewer to experience Bach’s music in a new and deeply physical way.</video:description>
<video:duration>6625</video:duration>
<video:publication_date>2026-03-30T13:00:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T14:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3ADO</loc>
<video:video>
<video:title>クリストファー・タイ :《平和のうちに、そのうちにこそ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a56fd2e8802e002cfb38846093909576830451a2.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2026-03-31T13:19:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T08:47:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3AE0</loc>
<video:video>
<video:title>名アリア集～《美しきエレーヌ》より〈神の愛よ〉＆〈ヴィーナスへの呼びかけ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/04144622106ea08e8811759fcc4f4e8e12e5275d.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>606</video:duration>
<video:publication_date>2026-03-31T13:43:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-04-01T08:39:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8DO</loc>
<video:video>
<video:title>システィーナ礼拝堂合唱団が復活祭を祝ってパレストリーナを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4c099c697a1babacd64baf32a78d45934e478328.jpg</video:thumbnail_loc>
<video:description>サン・ピエトロ大聖堂の一部であるシスティーナ礼拝堂は、ミケランジェロのフレスコ画で広くしられていますが、16世紀からバチカンにおける音楽の中心地でした。かつてはカストラートが活躍し、数多くの伝説が生まれましたが、ここでは、礼拝堂合唱団に所属していたパレストリーナの主要作、教皇マルチェルスのミサ曲が演奏されています。同作品は、ルネッサンス多声音楽の最高峰に数えられますが、まさにこの礼拝堂のために書かれたもので、映像は特別な雰囲気に溢れています。</video:description>
<video:duration>3016</video:duration>
<video:publication_date>2022-08-04T09:49:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-31T12:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPM</loc>
<video:video>
<video:title>ヤルヴィの指揮でティボーデがハチャトゥリアンのピアノ協奏曲を披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/14df00f0e35f83dc36e31f98dcc0d0d3a3335658.jpg</video:thumbnail_loc>
<video:description>2025年5月に本拠地アムステルダム・コンセルトヘボウで収録された、ロイヤル・コンセルトヘボウ管弦楽団の演奏会の模様をお届けします。同楽団と定期的に共演しているパーヴォ・ヤルヴィが指揮台に立ち、20世紀音楽を俯瞰するプログラムを披露しました。エストニアの女性作曲家、エステル・マギの1990年の作品《ヴェスペレ》が静寂と集中に満ちた音世界で聴衆を引き込んだ後、フランスの名手ジャン=イヴ・ティボーデが登場。力強いリズムと民族色に溢れるハチャトゥリアンのピアノ協奏曲で華麗なテクニックをご堪能ください。締めくくりを飾るストラヴィンスキーの名作《ペトルーシュカ》では、個性的なキャラクターや謝肉祭の情景を鮮やかに描き出すオーケストレーションの妙を存分に感じていただけることでしょう。</video:description>
<video:duration>5152</video:duration>
<video:publication_date>2026-03-30T08:08:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-31T09:46:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3AD8</loc>
<video:video>
<video:title>ヨハンソン /《博士と彼女のセオリー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e36eaeb30891e0d0822401c620decccb554c68ad.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>79</video:duration>
<video:publication_date>2026-03-30T10:39:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-30T13:38:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30</loc>
<video:video>
<video:title>セルゲイ・ババヤン＆ガボール・タカーチ=ナジ、モーツァルト、ブラームス演奏会</video:title>
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<video:description>ハンガリー人指揮者ガボール・タカーチ＝ナジ率いるヴェルビエ音楽祭室内管弦楽団によるモーツァルトとブラームスのプログラム。モーツァルトが熟練のピアニスト、ジュナミ夫人に捧げて作曲したピアノ協奏曲《ジュナミ》をセルゲイ・ババヤンが熟練のタッチで演奏するのも聴きどころです。またブラームスが交響曲の作曲家として成功の第一歩を記した第2番は、彼の残した作品の中で最も喜びに満ち“ブラームスの田園”とも呼ばれる名曲。1877年に避暑と作曲のために訪れた、南オーストリアのヴェルター湖畔を思わせる、軽やかで透明感のある演奏をお楽しみください。</video:description>
<video:duration>4812</video:duration>
<video:publication_date>2022-06-10T12:01:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T16:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1L</loc>
<video:video>
<video:title>ジャック・ルーシェ : トランペット協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cc24d966b9538c0b471997090314f046f81554ff.png</video:thumbnail_loc>
<video:description>ジャック・ルーシェ : トランペット協奏曲
ミュンヘン・ピアノの夏 1993年</video:description>
<video:duration>1451</video:duration>
<video:publication_date>2026-03-26T14:24:26Z</video:publication_date>
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<lastmod>2026-03-27T12:49:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1I</loc>
<video:video>
<video:title>ジャック・ルーシェ : ヴァイオリンと打楽器のための協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/849fb4ed6ca69f526665151465386e3d68649055.png</video:thumbnail_loc>
<video:description>ジャック・ルーシェ : ヴァイオリンと打楽器のための協奏曲
ミュンヘン・ピアノの夏 1993年</video:description>
<video:duration>1988</video:duration>
<video:publication_date>2026-03-24T15:20:44Z</video:publication_date>
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<lastmod>2026-03-27T12:48:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1H</loc>
<video:video>
<video:title>ジャック・ルーシェ : ピアノ四重奏のための協奏曲《プレイアデス》</video:title>
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<video:description>ジャック・ルーシェ : ピアノ四重奏のための協奏曲《プレイアデス》
ミュンヘン・ピアノの夏 1993年</video:description>
<video:duration>1633</video:duration>
<video:publication_date>2026-03-24T15:10:20Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T12:47:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E1K</loc>
<video:video>
<video:title>エミール・ナウモフのピアノ・リサイタル</video:title>
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<video:description>エミール・ナウモフのピアノ・リサイタル
ミュンヘン・ピアノの夏 1996年</video:description>
<video:duration>3715</video:duration>
<video:publication_date>2026-03-26T11:14:54Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-27T12:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPO</loc>
<video:video>
<video:title>ナタリー・デセイが誘うモーツァルト : コンサート・アリアの世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/38b58bf6abe641d54c9b887ccc5659847e3e070a.png</video:thumbnail_loc>
<video:description>2025年の11月に来日し、クラシック音楽の歌手としての“さよなら公演”を成功させたのもまだ記憶に新しい、フランスが生んだ不世出のコロラトゥーラ・ソプラノ、ナタリー・デセイ。その“伝説”の出発点であり、日本でのソロ・デビュー盤『フランス・オペラ・アリア集』より以前の1994年にレコーディングされ、本国では2つのディスク大賞に輝いた名盤『モーツァルト・コンサート・アリア集』を、その1年後に同じテオドール・グシュルバウアーが指揮するリヨン国立歌劇場管弦楽団の演奏 (ヴァイオリン、ファゴット、オーボエそれぞれのソロ奏者もディスクと同じ) で、再現した映像をお届けします。天才モーツァルトがアロイジア・ヴェーバーら当時の卓越した歌手のために書いた、華麗なる装飾技巧に彩られた名アリアをデセイの輝かしい歌唱でご堪能ください。なおプログラムの締めくくりには特別に交響曲作品の演奏もありますのでそちらもお楽しみに。</video:description>
<video:duration>5760</video:duration>
<video:publication_date>2026-03-24T10:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-03-27T12:43:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9L</loc>
<video:video>
<video:title>イエロージャケッツ・ライブ</video:title>
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<video:description>イエロージャケッツは、1981年に結成されたアメリカのジャズ・フュージョン・グループです。時代と共にメンバーチェンジを行ってきましたが、キーボードのラッセル・フェランテは常にこのバンドのサウンドを牽引してきました。本映像では1993年、ミュンヘンのガスタイクで行われたライブの模様をご覧いただけます。バンドの黄金期ともいえる時期の演奏であり、洗練されたジャズ・サウンドにメンバーの卓越した技巧が冴えわたっています。</video:description>
<video:duration>5912</video:duration>
<video:publication_date>2025-11-18T11:02:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T10:58:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4DO</loc>
<video:video>
<video:title>ユジャ・ワン plays ラフマニノフ～ピアノ協奏曲 (全曲) とパガニーニの主題による狂詩曲</video:title>
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<video:description>ニューヨークのカーネギーホールでヤニック・ネゼ=セガンが指揮するフィラデルフィア管弦楽団とラフマニノフのピアノ協奏曲全曲演奏会を成功させて絶賛されたユジャ・ワンが、本映像ではグスターボ・ドゥダメルの好サポートを得て、ロサンゼルスで同作曲家のピアノとオーケストラのための全作品を演奏。2月にウォルト・ディズニー・コンサートホールで行われたこの一連のコンサートで、彼女は生誕150周年を迎えたラフマニノフのまばゆいばかりの妙技と流麗な音楽性を鍵盤から紡ぎ出します。</video:description>
<video:duration>9240</video:duration>
<video:publication_date>2023-06-26T06:02:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T10:07:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCDG</loc>
<video:video>
<video:title>ネゼ=セガンとトリフォノフがガーシュウィンのピアノ協奏曲で共演</video:title>
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<video:description>本映像は指揮者にヤニック・ネゼ=セガン、ソリストにダニール・トリフォノフを迎えた特別なコンサートの模様です。カーネギーホールから生中継されたもので、オーケストラは全米ナショナル・ユース・オーケストラ (NYO-USA) の卒業生で構成されたオールスター・アンサンブル、「NYO-USAオールスターズ」。トリフォノフはガーシュウィンのピアノ協奏曲ヘ調のソリストを務め、オーケストラを構成する優れた若手プロフェッショナルたちが、20世紀を代表する交響曲のひとつ、ショスタコーヴィチの交響曲第7番《レニングラード》を演奏しています。</video:description>
<video:duration>7263</video:duration>
<video:publication_date>2024-03-25T10:18:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-27T10:04:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6CO</loc>
<video:video>
<video:title>バイロイト音楽祭2025 : 楽劇《ニュルンベルクのマイスタージンガー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3916551861c496f49f3b30a8c080fa05d53757b7.jpg</video:thumbnail_loc>
<video:description>バイロイト音楽祭の新演出は、毎年オペラ・ファンに最も待ち望まれているイベントのひとつですが、2025年は、ミュージカルの世界で数々の受賞歴を誇るマティアス・ダーヴィッツがワーグナー唯一の喜劇《ニュルンベルクのマイスタージンガー》に挑みます。指揮を務めるのは、イタリアの大指揮者ダニエレ・ガッティ。ハンス・ザックスを演じるゲオルク・ツェッペンフェルト、ヴァルター･フォン･シュトルツィング役のマイケル・スパイアーズ、そしてスウェーデン出身の若きソプラノ、クリスティーナ・ニルソン (エーファ役) など、国際色豊かなキャストが揃っています。芸術、霊感、創造性について根本的な問いを投げかける傑作に新たな息吹がふき込まれる、新鮮な舞台となることでしょう。</video:description>
<video:duration>17064</video:duration>
<video:publication_date>2025-07-30T15:11:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T15:01:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3AC8</loc>
<video:video>
<video:title>J.S.バッハ / カンタータ BWV 131 より第3曲 (合唱) : われは主を待ち望む</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/75b47496bb5cbbe281732e0591a782f061b7d2ef.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2026-03-25T10:26:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-03-26T12:54:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3ACO</loc>
<video:video>
<video:title>ローズ /《主よ、いつまでわたしを忘れられるのですか？いつまでもか》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c96852fc991e906e76fc280fbbfddf5a045ef408.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>145</video:duration>
<video:publication_date>2026-03-25T12:54:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T11:06:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3ACG</loc>
<video:video>
<video:title>J.S.バッハ : ヨハネ受難曲 BWV 245 より第30曲 (アリア) : こと果たされぬ！</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61fc42b3171b633e0d6c65d92da6c4b647c2cc60.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2026-03-25T11:00:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T11:05:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38D8</loc>
<video:video>
<video:title>グラジニーテ=ティーラがチャイコフスキーのピアノ協奏曲を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/526fff356fa28d3f52936b7a0d92ead305e07290.jpg</video:thumbnail_loc>
<video:description>ミルガ・グラジニーテ＝ティーラは女性指揮者として史上初めてドイツ・グラモフォンと専属契約を結び、ザルツブルク州立劇場の音楽総監督やバーミンガム市交響楽団の音楽監督を歴任してきたいま最も注目すべき指揮者のひとりです。今回は得意とするヴァインベルクの交響曲第3番やチャイコフスキーのピアノ協奏曲という多彩なプログラム。ソリストのガブリエラ・モンテーロは圧倒的な技術と音楽性の幅広さによって注目されているピアニストです。</video:description>
<video:duration>6124</video:duration>
<video:publication_date>2025-02-05T14:01:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-26T00:07:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8D0</loc>
<video:video>
<video:title>シューベルトの《魔王》(チェロとオーケストラのための編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e28e91ca05782c4c7adac5967543323187dc809a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2022-11-18T03:43:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T14:41:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJE</loc>
<video:video>
<video:title>アルゲリッチとバレンボイムが連弾＆2台ピアノで共演。メインは《春の祭典》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/32294496a9daa3b1c48ee1d4ac8d672be0cb5e16.jpg</video:thumbnail_loc>
<video:description>マルタ・アルゲリッチとダニエル・バレンボイムは、1990年代から連弾ないし２台ピアノでしばしば共演しています。当演奏会では、その夢のコンビがモーツァルト、シューベルト、ストラヴィンスキーの傑作を演奏。前半もさることながら、圧巻はやはり後半の《春の祭典》2台ピアノ版でしょう。バレンボイムは、オーケストラでもこの作品を頻繁に指揮していますが、ピアノ上では、彼の解釈のエッセンスが聞こえてくるようです。アルゲリッチの衰えを知らぬ技巧にも、感嘆させられます。</video:description>
<video:duration>4970</video:duration>
<video:publication_date>2022-05-06T12:16:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T13:36:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJEC8</loc>
<video:video>
<video:title>ムターとネルソンスによるシベリウス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/550914b42ecb42184d353a2c76d64c84333b6f14.jpg</video:thumbnail_loc>
<video:description>ムターによるシベリウスの協奏曲といえば、アンドレ・プレヴィンとの対話から生まれたシュターツカペレ・ドレスデンによる1995年の初録音盤CDの密度の高い演奏も忘れがたいのですが、2015年にネルソンスの指揮でロイヤル・コンセルトヘボウと本拠地で行ったコンサートのライヴ映像も鮮烈です。ぜひ、アンコールのバッハのパルティータと共に、情感のこもったストラディヴァリウスの音色を心ゆくまでお楽しみください。もちろん後半には、ネルソンスが得意とするショスタコーヴィチの第10番も控えておりますのでお聴き逃しなく。ちょうどドイツ・グラモフォンでボストン交響楽団と交響曲の全曲録音シリーズをスタートさせる直前の、注目の演奏です。</video:description>
<video:duration>6170</video:duration>
<video:publication_date>2024-03-14T10:00:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:56:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1O</loc>
<video:video>
<video:title>フランスの名指揮者ルイ・ラングレが挑むトマ :《ハムレット》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/71e5ce6a8008eb8cf6ecd4239e5a87b5a450bc5f.jpeg</video:thumbnail_loc>
<video:description>フランスの作曲家アンブロワース・トマ (1811～96) の《ハムレット》は、シェイクスピアの同名の戯曲を原作とし、オフィーリアの「狂乱の場」が有名です。オフィーリア役をフランスのソプラノ、サビーヌ・ドゥヴィエル、そしてタイトルロールをフランスの名バリトン、ステファヌ・ドゥグーが歌います。2024年までシンシナティ交響楽団の音楽監督を務めたフランスの名指揮者、ルイ・ラングレとシャンゼリゼ管弦楽団の演奏にもご注目ください。</video:description>
<video:duration>10249</video:duration>
<video:publication_date>2025-09-08T08:56:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:46:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34E0</loc>
<video:video>
<video:title>期待の新星ピアニスト、エリザベス・ブラウスの紹介</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06b036815789dc5fb0c8e71cc5f83f0a384a6b74.jpg</video:thumbnail_loc>
<video:description>ドイツ出身で期待の新星ピアニスト、エリザベス・ブラウスの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。1995年生まれ、ハノーファー音楽演劇大学でピアノの研鑽を積み、数々のコンクールで優勝を果たして才能を開花させ、既に多くのコンサートや音楽祭で聴衆の心を掴んでいるブラウスは、今後の活躍が大いに期待されています。ここではモーツァルトやブラームスといった“王道”から、新古典主義に移行しつつあった時代のヒンデミットの傑作を披露します。</video:description>
<video:duration>3362</video:duration>
<video:publication_date>2023-07-31T09:19:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:12:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4C0</loc>
<video:video>
<video:title>期待の新星ピアニスト、ロベルト・ノイマンの紹介</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/05525ff2689f85a212962de2568965b97d6645d1.jpg</video:thumbnail_loc>
<video:description>ドイツ国内外で数々の受賞歴を誇る新星ピアニスト、ロベルト・ノイマンの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。演奏されるのはスクリャービンの情熱的なピアノ・ソナタ第3番から、13歳のベートーヴェンがケルン選帝侯大司教に献呈したとされるソナタ、そして「ルーマニアの民俗ゲーム」と名付けられた、バルトークのルーマニア民俗舞曲の彼自身による編曲という意欲的なプログラムです。演奏の合間に挿入されるインタビューにもぜひご注目ください。</video:description>
<video:duration>3728</video:duration>
<video:publication_date>2023-11-24T13:22:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:12:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCCG</loc>
<video:video>
<video:title>ゲルハルト・オピッツが奏でるバッハとリスト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/59842330461c2d9028d22d1237b344aaa85f294f.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽の演奏において突出した存在として活躍し続けるピアニストのゲルハルト・オピッツ。本映像ではそんな彼の技術の高さ、表現力の幅広さ、そして解釈の奥深さ、すべてを存分に体感していただけるものとなっています。選ばれた作品はバッハの《半音階的幻想曲とフーガ》、そしてリストによる、バッハのカンタータ第12番による変奏曲です。磨き抜かれた音色の輝き、心を打つ歌心にきっと心を奪われることでしょう。</video:description>
<video:duration>1913</video:duration>
<video:publication_date>2025-05-27T02:58:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHJ</loc>
<video:video>
<video:title>チック・コリア・アンド・フレンズによるミュンヘン・ライブ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b815e5f5cf12a12642f596fae23c60f4fb5bb63.png</video:thumbnail_loc>
<video:description>チック・コリア・アンド・フレンズによるミュンヘン・ライブ
ガスタイク・フィルハーモニー 1992年</video:description>
<video:duration>6308</video:duration>
<video:publication_date>2026-02-27T10:23:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPO</loc>
<video:video>
<video:title>チック・コリア・エレクトリック・バンド～ライブ・イン・ミュンヘン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0e24579c23d8a2462b3c29fc8ba2a90b6d3345b6.png</video:thumbnail_loc>
<video:description>卓越した技術と奔放な音楽性によってジャズを牽引したピアニストのチック・コリア。「エレクトリック・バンド」は、1985年初頭に彼とジョン・パティトゥッチ、デイヴ・ウェックルとのトリオで結成されました。その後、メンバーの追加や変更が行われながら独自のサウンドを追求しました。本映像は1987年、ミュンヘン・ガスタイクで行われたライブの模様です。超絶技巧の応酬はもちろん、心をつかむメロディやハーモニーが次々と展開していきます。</video:description>
<video:duration>5654</video:duration>
<video:publication_date>2026-01-05T12:42:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:07:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1G</loc>
<video:video>
<video:title>チック・コリア・アコースティック・バンド : ライブ・イン・ミュンヘン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6399c44f9efd77aa2523c24538a968bb116230b4.png</video:thumbnail_loc>
<video:description>巨匠チック・コリアは1987年、自身の「エレクトリック・バンド」のメンバーであった超絶技巧の若手プレイヤー2人、ジョン・パティトゥッチ (ベース) とデイヴ・ウェックル (ドラム) をリズムセクションに迎えたアコースティックなピアノ・トリオを結成。「チック・コリア・アコースティック・バンド」としてライブ活動を始め、1989年3月には初のスタジオ・アルバム『スタンダーズ・アンド・モア』を発表して大成功を収めます。この映像は同年、3人でミュンヘンの風物詩的コンサートシリーズに登場した時のステージを捉えた貴重なものです。アルバムと同じコンセプトで《ソフィスティケイティド・レイディ》(※同盤にも収録) を筆頭とする名スタンダード・ナンバーに自作のオリジナル曲を加えた王道プログラムですが、特に躍動感溢れる《モーニング・スプライト》はこの伝説のバンドの代表曲であり、必見です。</video:description>
<video:duration>6229</video:duration>
<video:publication_date>2026-01-08T11:48:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36CG</loc>
<video:video>
<video:title>1982年、フリードリヒ・グルダとチック・コリアが夢の共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8aa7d2be852369c00f1c0e9b45b2a98743790359.jpg</video:thumbnail_loc>
<video:description>1982年、「ミュンヘン・サマー・ピアノ・フェスティバル」で、フリードリヒ・グルダとチック・コリアという傑出したピアニストの共演が実現。記念碑的な公演の模様をお届けします。50年以上のキャリアを持つグルダは、モーツァルト、ベートーヴェン、バッハのスペシャリストでありながら、50年代半ばからはジャズにも進出。ジャズとクラシックの壁を打ち破った音楽家となりました。コリアもまた、ジャンルやスタイルの壁を越えたピアニストです。グラミー賞を25回受賞し、ジャズはもちろん、ラテン、フュージョン、クラシックでも活躍していました。</video:description>
<video:duration>3300</video:duration>
<video:publication_date>2025-01-21T15:49:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36CO</loc>
<video:video>
<video:title>コリア、グルダ、エコノム～3台のピアノ共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ef01fe4c9e987eb4c8be133b2f806380e483b02.jpg</video:thumbnail_loc>
<video:description>フリードリヒ・グルダの発案によって、ミュンヘン・フィルの本拠地であるガスタイク・フィルハーモニーで1981年から1998年にかけて開催されたジャズ・コンサートシリーズ「ミュンヘン、ピアノの夏」の、1982年公演からのライヴ映像をお届けします。この年はグルダと20世紀ジャズ界の巨匠チック・コリア、ミュンヘン在住のニコラス・エコノム (1993年に40歳で事故死) の3人によるピアノ共演が大きな話題を呼びました。それぞれのソロ演奏もありましたが、やはり3台のピアノで (時に立ち上がってクラッピングなどを交えながら) 弾き継いでいく、圧巻の即興メドレーをご堪能ください。</video:description>
<video:duration>1789</video:duration>
<video:publication_date>2025-01-21T15:55:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:06:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GDG</loc>
<video:video>
<video:title>ニコラス・エコノムが奏でるシューマン《クライスレリアーナ》ほか</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ba70931e82b273b8ee7f684f106e62d8b9e90dcd.jpg</video:thumbnail_loc>
<video:description>1953年キプロス生まれのピアニスト、ニコラス・エコノムは16歳でチャイコフスキー・コンクールに出場して国際的な注目を集め、その後ミュンヘンを拠点に作曲や指揮の分野でも活躍しましたが、1993年に交通事故で早逝しています。29歳の全盛期にドイツ・グラモフォンで録音した名手アルゲリッチとの2台ピアノ・アルバム (チャイコフスキー＆ラフマニノフ) でも知られる彼が、同じ頃に地元の名ホールで行った演奏会の貴重なライヴ映像をお届けします。プログラムはシューマンが20代で集中的に書き上げた小品の数々。《クライスレリアーナ》はピアニステックな華やかさとリズムのしなやかさ、「アラベスク」はたゆたうロマンティシズム、そして《蝶々》では文字通り自由自在に飛び回る軽やかさと洒落っ気を、それぞれお楽しみください。</video:description>
<video:duration>3304</video:duration>
<video:publication_date>2025-03-10T12:39:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJAD0</loc>
<video:video>
<video:title>アルゲリッチと仲間たちが奏でる魅惑的なアンサンブルの世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/974023407857c627a9a38658ffffac42123d5f9c.jpg</video:thumbnail_loc>
<video:description>常に圧倒的な存在感を放ち、君臨しつつけるピアニスト、マルタ・アルゲリッチ。ソリストとして数々の偉業を成し遂げてきましたが、同時に彼女は室内楽を愛し、多くのピアニストとも共演してきました。本映像では、そんなアルゲリッチのアンサンブル・ピアニストとしての輝きを存分にお楽しみ頂けます。とりわけ彼女と厚い友情をはぐくんできたネルソン・フレイレとの共演は感動的で、ラフマニノフの「組曲第2番」をドラマティックに仕上げています。ミッシャ・マイスキーとの丁々発止の共演ももちろん見逃せません。</video:description>
<video:duration>5052</video:duration>
<video:publication_date>2024-02-09T15:07:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8C0</loc>
<video:video>
<video:title>ニコラス・エコノムの奏でるショパン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9dd917a86438446ea661485c4ad0c9de2ecee3b1.jpg</video:thumbnail_loc>
<video:description>ニコラス・エコノムは、16歳にしてチャイコフスキー国際コンクールに出場、スヴャトスラフ・リヒテル、チック・コリア、マルタ・アルゲリッチとの共演を果たすなど圧倒的な才能を示しつつも、40歳という若さで交通事故により逝去したピアニストです。本映像ではそんな彼の才能をじっくりとショパンでお楽しみいただけます。スケルツォにバラードというショパンの作品の中でも特に重要なものが演奏されており、エコノムの技術の高さ、そして表現力の奥深さをお聴きいただけるものとなっています。</video:description>
<video:duration>2840</video:duration>
<video:publication_date>2025-05-08T08:53:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:05:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ECG</loc>
<video:video>
<video:title>コリアとエコノムの「オン・トゥー・ピアノズ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1fa3b45c4522b8099342a5c8b7cb8c5f961dfb12.jpg</video:thumbnail_loc>
<video:description>「ジャズ・ピアノの神様」と評される伝説的ピアニストのチック・コリアと、1993年に40歳の若さで亡くなったもうひとりの天才ピアニスト、ニコラス・エコノムによるライヴの模様です。1982年にドイツ・ミュンヘンで行われたもので、コリアのソロ作品やバルトークの《ミクロコスモス》をはじめ、ふたりの共演による2台ピアノの演奏など、ジャンルを横断するライヴとなっています。即興性に満ちた輝かしい演奏と圧倒的なテクニックをご覧いただけます。</video:description>
<video:duration>3741</video:duration>
<video:publication_date>2025-03-03T13:48:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1O</loc>
<video:video>
<video:title>夭逝の天才スルタノフが奏でるチャイコフスキーのピアノ協奏曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aa5628b2f1cab40a4955a20cf2db93899602e7b2.jpeg</video:thumbnail_loc>
<video:description>旧ソ連ウズベク共和国で生まれてモスクワで研鑽を積み、10代から天才ぶりを発揮して1989年のヴァン・クライバーン国際ピアノコンクールで優勝。一躍その名を世界に知らしめたアレクセイ・スルタノフがその直後、ミュンヘンの風物詩的コンサートシリーズに登場して披露した、息を呑むようなチャイコフスキーのピアノ協奏曲第1番をお届けします。2001年に病で倒れ、その4年後に35歳の若さで惜しまれつつこの世を去ることになる天才はこの時まだ20歳ですが、眩いばかりの技巧と恐れを知らぬ情熱で会場を熱狂させます。当時、ソ連国内の主要オーケストラで客演を重ねてキャリアを積み、国際的な評価を高めつつあったパヴェル・コーガンが指揮する、モスクワ国立交響楽団の鮮烈な演奏と共にご堪能ください。</video:description>
<video:duration>2024</video:duration>
<video:publication_date>2025-10-23T09:43:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4DO</loc>
<video:video>
<video:title>キース・ジャレット・トリオ : スタンダーズ II</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fb91b88e1d88bad8e217f5b86cb20da62eff458d.jpg</video:thumbnail_loc>
<video:description>“What if we were all sidemen in the music itself?” asked Keith Jarrett, one day in the early 1980s. And the result was his Standards Trio – the acoustic line-up of Jarrett, bassist Gary Peacock and drummer Jack DeJohnette that redefined post-bop jazz in the 1980s and 1990s. &quot;We show up, we do the soundcheck, we have dinner backstage, we chat,&quot; says Jarrett. &quot;And then we go. And we play.&quot; And that&apos;s precisely what they do here: a glorious, freewheeling adventure through the Great American Songbook from Victor Young to Hoagy Carmichael, caught live on tour in Tokyo at the Trio&apos;s mid-&apos;90s peak.</video:description>
<video:duration>6025</video:duration>
<video:publication_date>2025-04-16T13:37:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:04:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4D8</loc>
<video:video>
<video:title>キース・ジャレット・トリオ : オープン・シアターEASTでのライヴ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e61d95828290ce3a054687f556fa66da98e76e7.jpg</video:thumbnail_loc>
<video:description>If I were a bell I&apos;d be ringing … By 1993, Keith Jarrett&apos;s Standards Trio had been playing together for a decade – ten years that saw them redefine attitudes to the Great American Songbook and spearhead a global revival of acoustic jazz. This live set from Tokyo&apos;s Open Theater East finds them in celebratory mood in a lively open-air concert that features the classic Standards line-up – Gary Peacock on bass plus Jack DeJohnette on drums – playing Dave Brubeck, Sonny Rollins, Miles Davis and Jarrett&apos;s own original compositions, as well as (naturally) standards by Jule Styne, Frank Loesser and Jimmy Van Heusen.</video:description>
<video:duration>7764</video:duration>
<video:publication_date>2025-04-16T13:22:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:03:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3EE0</loc>
<video:video>
<video:title>ガーディナーのブラームス・ツィクルス：ピアノ協奏曲第2番＆交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fbd2e8826a92a501c10985d143cabef9a227977b.jpg</video:thumbnail_loc>
<video:description>世界中から尊敬を集める指揮者、ジョン・エリオット・ガーディナーは2021年から2023年にかけて、最も伝統のあるオーケストラであるロイヤル・コンセルトヘボウと共にブラームスのツィクルス演奏を行っています。本映像は、その中から交響曲第4番とイギリスのヴィルトゥオーゾ・ピアニストであるスティーブン・ハフと共に演奏したピアノ協奏曲第2番が収録されたものです。細かなディティールにまだこだわった演奏は、楽曲の輪郭を鮮やかに浮かび上がらせています。ハフの多彩な音色の変化とオーケストラとの調和にもご注目ください。</video:description>
<video:duration>5988</video:duration>
<video:publication_date>2023-02-22T08:43:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:03:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0E0</loc>
<video:video>
<video:title>ガーディナーのブラームス・ツィクルス : ハフを迎えてのピアノ協奏曲第1番ほか</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/769235aaeea8c46e606818cb688f199baa9b1a11.jpg</video:thumbnail_loc>
<video:description>ジョン・エリオット・ガーディナーがロイヤル・コンセルトヘボウ管弦楽団と行ったブラームス・ツィクルスの模様です。今回の映像にはピアノ協奏曲第1番と交響曲第2番の演奏が選ばれました。協奏曲のソリストはヴィルトゥオーソ・ピアニストでありながらも作曲家や著述家としても活動し、非常に理知的な音楽を聞かせてくれるスティーブン・ハフが務めます。いずれの曲も、全体を通して圧倒的に構築性の高い演奏によって楽曲の本質が深く見えてくることでしょう。</video:description>
<video:duration>6165</video:duration>
<video:publication_date>2023-01-18T15:14:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0D0</loc>
<video:video>
<video:title>エミール・ギレリス リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3abebfcfebe654707e99d9edbb0a6703c91b0981.jpg</video:thumbnail_loc>
<video:description>オーストリア南部ケルンテン州にあるオシアッハ湖畔の修道院付属教会などを主な会場として、1969年より開催されている夏の音楽祭「ケルンテン (※英語ではカリンシア) の夏」からのこちらの映像は、もう1人の“巨人”リヒテルと共に20世紀ロシア・ピアノ界を代表するヴィルトゥオーゾ、エミール・ギレルスの全盛期 (54歳) の演奏を撮影した貴重なものです。ドイツ・グラモフォンへのデビュー盤となった1970年ザルツブルクの『モーツァルト・リサイタル』で披露したピアノ・ソナタ第8番イ短調やパイジェルロの主題による6つの変奏曲、幻想曲ニ短調、そして1972年より始まるギレリス最大の遺産「ベートーヴェン : ピアノ・ソナタ」シリーズの第1回収録曲であった第21番《ワルトシュタイン》など、“鋼鉄のタッチ”と謳われたその至芸を語る上で欠くことのできないラインナップを、この機会にぜひその目でご堪能ください。</video:description>
<video:duration>5546</video:duration>
<video:publication_date>2025-03-31T12:48:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38</loc>
<video:video>
<video:title>ルービンシュタイン、コンセルトヘボウ管でブラームス ピアノ協奏曲第1番を弾く</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bf00d658283db6fbcf445cb1a5488bc967297e2b.jpg</video:thumbnail_loc>
<video:description>アルトゥール・ルービンシュタインは、好きな作曲家としてブラームスを挙げていいます。彼は10歳の時から、ブラームスの親友だったヨーゼフ・ヨアヒムの後援を受けており、その頃から彼の音楽に親しんでいたのです。1973年の当演奏会では、ベルナルド・ハイティンクとロイヤル・コンセルトヘボウ管弦楽団との共演で、ピアノ協奏曲第1番を演奏しています。86歳時の貴重な映像であり、その至芸に深く打たれます。</video:description>
<video:duration>2943</video:duration>
<video:publication_date>2022-05-11T10:38:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:02:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36</loc>
<video:video>
<video:title>ルービンシュタイン、コンセルトヘボウ管でベートーヴェン ピアノ協奏曲第3番を弾く</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e15ede0ba79548c7cbadca5d138bb563212bc871.jpg</video:thumbnail_loc>
<video:description>アルトゥール・ルービンシュタインは、20世紀を代表するピアニストに数えられます。ユダヤ系ポーランド人の彼は、89歳まで現役としての活動を続け、この映像も、1973年、86歳の時に収録されています。曲目は、ベートーヴェンのピアノ協奏曲第3番。共演者は、ベルナルド・ハイティンクとロイヤル・コンセルトヘボウ管ですが、ルービンシュタインは、このオーケストラと1925年から共演しています。</video:description>
<video:duration>2208</video:duration>
<video:publication_date>2022-05-11T09:39:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3EC0</loc>
<video:video>
<video:title>ルービンシュタイン、コンセルトヘボウでのリサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/194478a50bae4cdfcbcd73e8071419fe65196090.jpg</video:thumbnail_loc>
<video:description>89歳で引退するまで約80年にわたって精力的に演奏活動を行った巨匠の、まさに円熟の極みといえる演奏をお届けします。1973年に当時89歳だったルービンシュタインがコンセルトヘボウのホールで、レパートリーの中核だったショパン、シューベルト、ブラームスらロマン派の小品を、大家の風格あふれる表現で雄弁に紡ぎ出します。ベルナルト・ハイティンクが指揮するロイヤル・コンセルトヘボウ管弦楽団と共演した、ベートーヴェン＆ブラームスのコンチェルトとのカップリングで収録され、以前リリースされていたこともある貴重な映像です。</video:description>
<video:duration>1654</video:duration>
<video:publication_date>2023-09-22T06:29:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCE0</loc>
<video:video>
<video:title>ショパン、グリーグ、サン＝サーンス：アルトゥール・ルービンシュタイン・イン・ロンドン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a9c28a70a2a49b305a426176ab862bc32e341dba.jpg</video:thumbnail_loc>
<video:description>アルトゥール・ルービンシュタインの最晩年の映像です。ここでは、ショパンとサン＝サーンスのピアノ協奏曲第2番、グリーグのピアノ協奏曲をアンドレ・プレヴィンとの共演で演奏しています。オーケストラは、ロンドン交響楽団。88歳の巨匠は、闊達として流麗、そして気品に溢れたスタイルを示し、心から驚嘆させられます。彼の演奏が、このような形で残されていることに、深く感謝せずにはいられません。</video:description>
<video:duration>5723</video:duration>
<video:publication_date>2022-09-23T11:42:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:01:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJIC8</loc>
<video:video>
<video:title>ツィメルマンの伝説的なショパンの演奏を収めたビデオリサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fe74e76d555a95d2e75d1c1bebf4244c4df33cc0.jpg</video:thumbnail_loc>
<video:description>1975年にショパン国際ピアノコンクールで優勝して以来、世界で最も尊敬されるピアニストの一人となっているクリスティアン・ツィメルマンの伝説的な演奏を収めた映像です。彼は最も得意とするショパンの作品をウィーンで演奏し、プログラムにはバラード4曲をはじめ、スケルツォ第2番に幻想曲ヘ短調、舟歌などが選ばれました。ここでお聴き頂けるものは現在でも決定盤ともいわれる名演であり、技術に音色、構築性が最良のバランスで絡み合い、極上の演奏を生み出しています。</video:description>
<video:duration>4269</video:duration>
<video:publication_date>2022-10-14T11:23:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4</loc>
<video:video>
<video:title>ツィメルマンとラトルがベートーヴェンのピアノ協奏曲を全曲演奏！</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f124f56a6a3c95055f18b660dc327bcf833f2048.jpg</video:thumbnail_loc>
<video:description>クリスチャン・ツィメルマンが、ベートーヴェン生誕250周年の枠で、5曲のピアノ協奏曲を全曲演奏しました。彼は、1980年代にレナード・バーンスタインの指揮で同曲の録音を行なっていますが、今回はサー・サイモン・ラトルとの共演。ロンドンの聖ルーク教会で行われたCD録音と映像収録は、長年の音楽的パートナーシップに支えられた、見事な成果をもたらしています。</video:description>
<video:duration>11320</video:duration>
<video:publication_date>2022-04-22T13:11:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GD8</loc>
<video:video>
<video:title>バーンスタインとツィメルマンのベートーヴェンピアノ協奏曲全集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06cc1d8d8416d81b968ae40671f11104a28231d0.jpg</video:thumbnail_loc>
<video:description>ベートーヴェンのピアノ協奏曲は、ウィーン古典派における最も重要な作品群のひとつであり、彼の初期から中期までの創作活動の過程を記録しています。バーンスタインは、指揮者の最後の主要な録音プロジェクトの1つとして、ツィメルマンとこの5曲を共演することを計画。結局、彼が1990年10月に亡くなる前に録音されたのは最後の3つの協奏曲だけとなり、ツィメルマンは、最初の2つの協奏曲を自ら指揮することになりました。その結果、この全曲録音は、他に類を見ないほど美しく、感動的なものとなったのです。</video:description>
<video:duration>11884</video:duration>
<video:publication_date>2022-12-16T12:09:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2D0</loc>
<video:video>
<video:title>バーンスタインとツィメルマンがブラームスのピアノ協奏曲第2番で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/efaa749454cbf26ca8f8f44039852412da0b6afa.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインは、1981年からウィーン・フィルハーモニー管弦楽団とブラームス生誕150周年の1983年に向けて集中的にブラームスの作品の演奏に取り組みました。本映像はそのうちの一つで、追加曲として収録されたピアノ協奏曲第2番の模様です。ソリストはクリスティアン・ツィメルマン。ピアノと管弦楽の関係性が協奏曲というよりは交響曲のように緊密な作品で、二人のお互いに対する強い信頼が感じられる圧倒的な演奏を繰り広げています。ウィーン・フィルの格調高い音色も注目です。</video:description>
<video:duration>3261</video:duration>
<video:publication_date>2023-01-25T08:44:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T08:00:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2D8</loc>
<video:video>
<video:title>バーンスタインとツィメルマンがブラームスのピアノ協奏曲第1番で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fe56e63f14bc0101d10203712687aca6c8e434f5.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインとウィーン・フィルハーモニー管弦楽団は、1983年のブラームス生誕150年を記念して、1981年から1984年にかけてブラームスのほぼすべての管弦楽曲の録音を行いました。本映像は1983年にクリスティアン・ツィメルマンとの共演によるピアノ協奏曲第1番の演奏の模様です。ツィメルマンはブラームスの演奏のスペシャリストでもあり、この演奏でも圧倒的な音楽性と美しい音色を響かせています。バーンスタインが牽引するウィーン・フィルの奏でる音色との調和も魅力的です。</video:description>
<video:duration>3460</video:duration>
<video:publication_date>2023-01-25T09:12:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:59:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJAD8</loc>
<video:video>
<video:title>ラン・ランが奏でる《ゴルトベルク変奏曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1eb081c8faea2e4637bb1421ca54686a8f741a3f.jpg</video:thumbnail_loc>
<video:description>バッハに所縁の深いライプツィヒのトーマス教会で、ラン・ランがバッハの大作《ゴルトベルク変奏曲》を演奏した模様が収められています。彼は10代の頃にすでにこの作品を暗譜していたにもかかわらず、長年、演奏することを控えていました。そしてこの曲を録音することになったとき、ラン・ランは改めてこの作品に向き合い、テンポや装飾法についてアーノンクールやシュタイアーから助言を受け、アプローチを磨き上げていったのです。歴史的アプローチとラン・ラン自身の新鮮な感覚とが融合した演奏は21世紀のバッハ像を提示しています。</video:description>
<video:duration>5712</video:duration>
<video:publication_date>2022-08-18T15:07:01Z</video:publication_date>
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<lastmod>2026-03-25T07:59:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJG</loc>
<video:video>
<video:title>シャイー＆ラン・ランによるメンデルスゾーン生誕200年記念演奏会 in ライプツィヒ</video:title>
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<video:description>2009年は、メンデルスゾーンの生誕200周年のアニヴァーサリーでした。当演奏会は、彼が指揮者を務めたライプツィヒ・ゲヴァントハウス管弦楽団の記念演奏会です。指揮は、当時首席指揮者の任にあったリッカルド・シャイーが担当し、ソリストには、ラン・ランが迎えられています。プログラムは、この作曲家の代表作を集めたもので、ラン・ランはピアノ協奏曲第1番を演奏。後半では《スコットランド交響曲》のほか、《真夏の夜の夢》の結婚行進曲も演奏されています。</video:description>
<video:duration>5309</video:duration>
<video:publication_date>2022-05-19T09:05:59Z</video:publication_date>
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<lastmod>2026-03-25T07:58:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ECO</loc>
<video:video>
<video:title>ラン・ラン・イン・パリ～フォーレ、シューマン、ショパン</video:title>
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<video:description>「諸君、脱帽したまえ、天才だ！」シューマンがショパンを讃えたこの有名な言葉が象徴するように、ロマン派初期に活躍した2人の作曲家は共にピアノ音楽の革命を起こしました。今回、フィルハーモニー・ド・パリからお届けするラン・ランのリサイタルでは、シューマンの幻想的な《クライスレリアーナ》とポーランドの精神が凝縮されたショパンのマズルカ集とポロネーズが披露されます。そしてプログラムの幕開けを飾るのは、フランスの作曲家フォーレによる美しいパヴァーヌ。ラン・ランの煌びやかな技巧と感性豊かな解釈をお楽しみください。</video:description>
<video:duration>6902</video:duration>
<video:publication_date>2025-04-09T09:49:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-03-25T07:58:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJIE0</loc>
<video:video>
<video:title>ラン・ランのカーネギー・ホール・リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/882726b98ccba4e1e8eabb1553d0ad7a8bfb8542.jpg</video:thumbnail_loc>
<video:description>2003年にカーネギー・ホールでデビューを果たしたラン・ラン。彼の演奏は、その華麗なテクニックに目を奪われがちですが、本質はもっと違うところにあります。本映像では、彼の音楽性の深さ、楽曲に対する深い敬愛といったものを感じて頂けるはずです。選ばれた楽曲はシューベルトの《さすらい人幻想曲》にリストの《ドン・ジョヴァンニの回想》と超絶技巧作品が並んでいますが、それらから彼が引き出すものは作品の奥底にある深いものであり、技術のすばらしさだけでは決して得られない感動を与えてくれます。</video:description>
<video:duration>2485</video:duration>
<video:publication_date>2022-10-24T08:17:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:57:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0DG</loc>
<video:video>
<video:title>エレーヌ・グリモー『メモリー』リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f594b886942ca2ef1ca5c5a63de53c9c87ec8e72.jpg</video:thumbnail_loc>
<video:description>エレーヌ・グリモーが心の故郷と語る南西バイエルンの美しい自然。その中で、2部構成の特別リサイタルを開催し、本映像はその第1部を記録したものです。サティ、ドビュッシー、ショパン、そしてウクライナの作曲家シルヴェストロフの作品をチョイス。彼女の最大の長所である繊細さと詩的なタッチで、内省的で雰囲気のある演奏をお楽しみいただけます。</video:description>
<video:duration>2848</video:duration>
<video:publication_date>2023-01-17T15:39:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:57:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJAD8</loc>
<video:video>
<video:title>エレーヌ・グリモーがパリ管弦楽団のメンバーと奏でるシューマン</video:title>
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<video:description>2001年にパリのシテ・ドゥ・ラ・ミュージックで収録された、エレーヌ・グリモーとパリ管弦楽団のメンバーが奏でるシューマンのピアノ五重奏曲と詩情あふれる2つの小品集の演奏をお届けします。2001年のグリモーは、クリストフ・エッシェンバッハが指揮するパリ管弦楽団とのブカレストでのコンサートに始まり、4月にはパリの同ホールでピアノ協奏曲第4番などを披露。9月にはロンドンのBBCプロムスに出演し「9.11」事件の当日にも第4番を演奏し聴衆の記憶に刻まれました。この映像では名ピアニストでもあったシューマンのイマジネーションが、室内楽の第一人者グリモーのピアノによってロマンティックに表現される様子をお楽しみください。</video:description>
<video:duration>3336</video:duration>
<video:publication_date>2024-10-23T11:35:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:56:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0D8</loc>
<video:video>
<video:title>グリモーがカメラータ・ザルツブルクと奏でるモーツァルト＆シューマン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6cc8d31decc589a12f7d0e86430bc1f4e4509ae2.jpg</video:thumbnail_loc>
<video:description>エレーヌ・グリモーは透明感のある音色、コンセプチュアルなリサイタルやディスクによって独自の世界観を鮮烈に示すピアニストです。本映像は、エルプフィルハーモニー・ハンブルクでカメラータ・ザルツブルクと共に演奏されたモーツァルトのピアノ協奏曲第20番、シューマンのピアノ協奏曲イ短調、そしてオーケストラのみの演奏でモーツァルトの交響曲第40番が収められています。いずれも室内楽的な緊密さのある作品であり、精緻なアンサンブルをお楽しみいただけます。アンコールで演奏されたシルヴェストロフの作品も心に残る佳曲です。</video:description>
<video:duration>6175</video:duration>
<video:publication_date>2023-01-16T13:52:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:56:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GE0</loc>
<video:video>
<video:title>ポリーニとベームの共演によるベートーヴェンのピアノ協奏曲第5番《皇帝》</video:title>
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<video:description>マウリツィオ・ポリーニは1970年代後半、30代半ばにベートーヴェンのピアノ協奏曲全曲の録音を行いました。本映像はその模様で、曲は最も有名な第5番《皇帝》です。冒頭から煌びやかな音色で自らの音世界へと引き込むポリーニの迫力に圧倒されることでしょう。晩年のカール・ベーム率いるウィーン・フィルハーモニー管弦楽団はその輝かしい演奏を濃密な音、豊かな音圧で支えています。それぞれの音楽性は違うのにもかかわらず、重なり合うことで見事なバランスが生まれる様には大きな感動を覚えます。</video:description>
<video:duration>2487</video:duration>
<video:publication_date>2022-12-19T09:26:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:55:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GE8</loc>
<video:video>
<video:title>ポリーニとベームの共演によるベートーヴェンのピアノ協奏曲第3番</video:title>
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<video:description>本映像は、マウリツィオ・ポリーニが行ったベートーヴェンのピアノ協奏曲全集の録音の模様です。ピアノ協奏曲第3番に取り組んだのは1977年、ポリーニが35歳と技術、精神共に非常に充実していた時期です。磨き抜かれた美しい音色、鮮やかなコントラスト、そして「ミスター・パーフェクト」の名にふさわしい圧倒的なテクニックを存分に発揮。それをベームが率いるウィーン・フィルハーモニー管弦楽団の密度の高い音と精緻なアンサンブルが支えています。</video:description>
<video:duration>2180</video:duration>
<video:publication_date>2022-12-19T09:37:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:55:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGE8</loc>
<video:video>
<video:title>才能あふれる演奏家たちと円熟の演出陣によるブリテン《カーリュー・リヴァー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5fefe365fe11a40cc742ee6e97b0706c479d073.jpg</video:thumbnail_loc>
<video:description>毎年夏に行われるエクサン・プロヴァンス音楽祭。2023年には50周年を迎えました。同音楽祭は若い演奏家や作曲家、演出家などへの支援も行っており、本映像は1998年7月28日と29日に上演されたブリテンのオペラ《カーリュー・リヴァー》のライブおよびスタジオ収録の模様です。「ヨーロピアン・アカデミー・オブ・ミュージック」で学ぶ若き奏者たちによって構成されたオーケストラの才気あふれる演奏が楽曲をさらに魅力的にしています。また演出を笈田ヨシ、衣装などを毛利臣男という世界で活躍する日本人が務めているのも注目です。</video:description>
<video:duration>4611</video:duration>
<video:publication_date>2024-11-29T13:19:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:54:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2CO</loc>
<video:video>
<video:title>アバドとポリーニがブラームスのピアノ協奏曲第2番で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dffbbd424249bff381ef2d5125ca27335698bfd3.jpg</video:thumbnail_loc>
<video:description>当時ミラノ・スカラ座の音楽監督を務めていたクラウディオ・アバドがウィーン・フィルハーモニー管弦楽団と共に録音したブラームスのピアノ協奏曲第2番の模様です。ソリストはマウリツィオ・ポリーニ。彼はこの曲を数回録音していますが、本映像は最初のもの。ショパンコンクール優勝後に約10年間表舞台から姿を消し、再び現れてから次々と名演を世に送り出していた、最も輝きのある時期の演奏です。アバドとポリーニは幼少期から交流があり、音楽的にも深く理解しあっていることもあって、非常に緊密なアンサンブルを聞かせてくれます。</video:description>
<video:duration>3016</video:duration>
<video:publication_date>2023-01-24T16:49:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:54:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCC8</loc>
<video:video>
<video:title>ポリーニとアバドの共演によるベートーヴェンのピアノ協奏曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/919d336c80435a3ab0444965ebd5a5def64bcba2.jpg</video:thumbnail_loc>
<video:description>長きにわたり親交のあるマウリツィオ・ポリーニとクラウディオ・アバド。本映像では信頼厚い関係を築いている二人の絶妙なアンサンブルをお楽しみいただけることでしょう。演奏は2004年のルツェルン音楽祭でのもので、曲はベートーヴェンのピアノ協奏曲の中でも特に洗練された美しさをもつ第4番です。アバド、ポリーニ共にベートーヴェンには特別な想いをもっており、それぞれの情熱が音色にあらわれています。</video:description>
<video:duration>2093</video:duration>
<video:publication_date>2022-09-09T12:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:54:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCE8</loc>
<video:video>
<video:title>マルコンとラ・チェトラ・バロックオーケストラによるバッハ《ヨハネ受難曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/db4209f92fe0e33190d6bb0a64c644dd3974a2b5.jpg</video:thumbnail_loc>
<video:description>ヨハン・セバスティアン・バッハによる受難曲の演奏は、美しいエクサン・プロヴァンスで開催される復活祭において毎年恒例であり、ハイライトとなっています。2024年は《ヨハネ受難曲》が選ばれました。この曲はちょうど300年前の4月7日に初演されたもので、ドラマティックで強い印象を与える作品です。バロック音楽のスペシャリストであるアンドレア・マルコンの指揮のもと、ラ・チェトラ・バロックオーケストラとラ・チェトラ・ヴォーカル・アンサンブルが共演し、ソリストにも豪華な顔ぶれが並ぶ注目の公演です。</video:description>
<video:duration>7095</video:duration>
<video:publication_date>2024-03-30T20:07:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1K</loc>
<video:video>
<video:title>ビシュコフとチェコ・フィルによるヤナーチェクとラフマニノフ、ユジャ・ワンを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5f189ef7ca71607d3c1c88394bc9d0d0cffec0fa.jpg</video:thumbnail_loc>
<video:description>2025年の来日公演でもクラシック・ファンを魅了したセミヨン・ビシュコフ率いる名門チェコ・フィルハーモニー管弦楽団の演奏を本拠地のルドルフィヌムからお届けします。プログラムの目玉となるのは、この翌年の2023年にラフマニノフの生誕150周年を記念して全米各地でピアノ協奏曲全4曲を連続で披露し、大きな話題を集めることとなるユジャ・ワンをソリストに迎えた鮮烈な同“第1番”です。加えて、モラヴィアが生んだ至宝ヤナーチェクが晩年に書き上げた厳かで情熱的な傑作《グラゴル・ミサ》も、充実の歌手陣を揃えた圧巻の演奏でご堪能ください。</video:description>
<video:duration>4794</video:duration>
<video:publication_date>2026-01-12T11:23:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4C8</loc>
<video:video>
<video:title>ユジャ・ワン＆ゲルギエフによるラフマニノフのピアノ協奏曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b740905982f60db592c92773848ab2b84ed594d1.jpg</video:thumbnail_loc>
<video:description>パリのルイ・ヴィトン財団オーディトリアムで2021年の9月に行われた、ユジャ・ワンとワレリー・ゲルギエフが指揮するマリインスキー劇場管弦楽団とのエキサイティングなコンサート映像をお届けします。演奏されるのはロシア・ロマン派音楽の代表格で、あらゆる時代を通じて常に最も人気のあるピアノ協奏曲のひとつであるラフマニノフの「第2番」です。ゲルギエフの好サポートを得て、彼女の多層的なピアノがオーケストラと絶妙な対話を繰り広げる様をご堪能ください。</video:description>
<video:duration>2204</video:duration>
<video:publication_date>2023-02-03T14:40:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:53:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CG</loc>
<video:video>
<video:title>ユジャ・ワン、ロシア音楽を弾く</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/053bef6bd4a690b835f06f29242d6602f46ec9a3.jpg</video:thumbnail_loc>
<video:description>現在のクラシック・シーンで最もエキサイティングなピアニストのひとりである、ユジャ・ワンの2018年6月カンマームジークザールでのリサイタルからロシア音楽をお届けします。これは2018年に彼女の3年振りのニューアルバムとしてリリースされ大好評を博した『ベルリン・リサイタル』の音源にもなりました。鮮やかな黄色いドレスを身に纏った彼女が、プロコフィエフのピアノ・ソナタからアルバム・ジャケットを彩ったあの艶やかな紫のドレスで登場するのも、お見逃しなく。</video:description>
<video:duration>3631</video:duration>
<video:publication_date>2022-07-01T10:49:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:52:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32C8</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その8</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7ca0bc9aa5a96d617b988129179f6bc720e6d97a.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。今回お聴きいただけるのは、後に弦楽四重奏にも編曲された9番、規模が大きく躍動感に満ちた力作4番、ソナタ形式でない2楽章で構成される特異な22番、そしてベートーヴェン生涯最後のソナタ32番。全8回のツィクルスを締めくくる熱演にご期待ください。</video:description>
<video:duration>5605</video:duration>
<video:publication_date>2025-06-05T10:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:51:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32C0</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その7</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8fa01cf2ab8bea645692ee3ce87dca658cdfb3b9.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第7回では、古典的な明快さを持つ16番、《月光》として名高い14番、革新とユーモアに満ちた6番、そして終楽章にフーガを取り入れた後期の傑作、31番をお楽しみください。</video:description>
<video:duration>4925</video:duration>
<video:publication_date>2025-06-05T09:56:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:51:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30E8</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その6</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bed4cdbeb873b9637980afee4d74a408c97aef0c.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第6回では、《田園》の通称で親しまれる牧歌的な第15番、ピアノ協奏曲を思わせる書法が印象的な第3番、ピアノの弟子だった女性テレーゼに献呈された第24番、そして「後期三大ソナタ」の一つ、第30番が披露されます。</video:description>
<video:duration>5506</video:duration>
<video:publication_date>2025-05-13T13:01:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:51:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30E0</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その5</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/34acd496a0e3fe45c71ad24584c781c04bf109b0.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第5回は、すべての楽章が切れ目なしで演奏される革新的な第13番、オーケストラの音色が意識された第7番、ロマン派を先取りした曲想を持つ第27番、そして、献呈された伯爵の名にちなむ人気作《ワルトシュタイン》が並ぶ充実のプラグラムです。</video:description>
<video:duration>5437</video:duration>
<video:publication_date>2025-05-13T12:50:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30DO</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その4</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/94d2a99e98d9c06dbb6bd0ea950e8c983f00c3ac.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第4回は、その《ハンマークラヴィーア》を柱とし、前半にはベートーヴェンにとって特別な調性ハ短調で書かれた第5番、作曲家本人が大変気に入っていたという第11番が据えられたプログラムです。</video:description>
<video:duration>5793</video:duration>
<video:publication_date>2025-03-20T16:59:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8E0</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3ded3734dadb1ad4ef2f5ecefc044f30e353347d.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第2回では、初期の傑作、第2番をはじめ、《テンペスト》の愛称で知られる17番、「2つのやさしいソナタ」として出版された19番と20番、そしてベートーヴェンのパトロンであり弟子でもあったルドルフ大公に捧げられた26番《告別》をお楽しみいただけます。</video:description>
<video:duration>5634</video:duration>
<video:publication_date>2025-02-21T14:18:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:50:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34DO</loc>
<video:video>
<video:title>ミハイル・プレトニョフによるショパンとスクリャービンの前奏曲集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f9639efa57ece5860d06f6924641d9017611275.jpg</video:thumbnail_loc>
<video:description>指揮者として圧倒的な存在感を示しつつ、2013年にはピアニストとしての活動も再開させてファンを安堵させ、現在も当代随一のカリスマ奏者として活躍を続けているミハイル・プレトニョフ。こちらはハンブルク交響楽団の本拠地となっているライスハレで行われたリサイタルの映像です。メインは2023年の東京オペラシティ公演でも聴衆を唸らせた、スクリャービンと先達ショパンの「24の前奏曲」を組み合わせて弾くプログラムです。二人の天才が綾なす小宇宙に対峙し、明晰な語り口で紡ぎ出す名人芸を今度こそお聴き逃しなく。</video:description>
<video:duration>5058</video:duration>
<video:publication_date>2025-11-17T09:36:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34</loc>
<video:video>
<video:title>2003年ヨーロッパ・コンサートはリスボンで。プーレーズがピリスと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/944057185398191b406e287578227b696ea1df44.jpg</video:thumbnail_loc>
<video:description>2003年のベルリン・フィル、ヨーロッパ・コンサートは、リスボンの聖ジェロニモス修道院で行われました。指揮は、1961年から2010年までベルリン・フィルで活躍したピエール・ブーレーズ。ここでは、お得意のラヴェル、バルトーク、ドビュッシーを指揮しています。モーツァルトのピアノ協奏曲第20番を独奏するのは、ポルトガルの名手マリア・ジョアン・ピリス。ブーレーズがモーツァルトを指揮した珍しい機会でもあります。</video:description>
<video:duration>6040</video:duration>
<video:publication_date>2022-05-23T09:43:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:45:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4D0</loc>
<video:video>
<video:title>キース・ジャレット・トリオ : Tokyo &apos;96 コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c11b7eb9419d045f2bf70308303901520d80e8ee.jpg</video:thumbnail_loc>
<video:description>ストイックにアコースティックなサウンドを追求するジャズ・ピアノの詩人でクラシック・ファンからの支持も根強い、2025年5月8日に80歳の誕生日を迎えたキース・ジャレットの名演をステージプラスからもお届けします。こちらは1980年代に孤高のプロデューサー、マンフレート・アイヒャー (※「ECMレコード」の創設者) の手腕によって再結成され、これ以降のキースを代表する活動となってジャズ・シーンを沸かせた通称「スタンダーズ・トリオ」の映像からのセレクション。ECMからライヴ盤としてCDでも発売されている1996年3月30日Bunkamuraオーチャード・ホールのステージです。それぞれに独自の音楽性を持つ3人が伝統的なスタイルで放つスタンダード・ナンバーの魅力をお楽しみください。</video:description>
<video:duration>6111</video:duration>
<video:publication_date>2025-04-16T13:08:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:45:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9M</loc>
<video:video>
<video:title>辻󠄀井伸行が届けるロマン派プログラム～《くるみ割り人形》ほか</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9cd4a24cb259eee3ba6713c64959af5bc46f4628.jpeg</video:thumbnail_loc>
<video:description>DGと日本人ピアニストとして初の専属契約を結んだ辻󠄀井伸行が、日本が誇るクラシック音楽の殿堂、サントリーホールで演奏した模様をお届けします。ベートーヴェン中期を代表するソナタ《ワルトシュタイン》は、古典派の型に囚われず情感表現や和声の新たな可能性を開拓した意欲作です。内省的な響きを持つ夜想曲とポーランドの民族精神を高らかに謳い上げる《英雄ポロネーズ》では、ショパンの作品が持つ対照的な側面が浮き彫りとなることでしょう。ラフマニノフの美しい旋律を持つ有名歌曲がピアノ編曲版で披露された後、ロシアの名ピアニスト、ミハイル・プレトニョフによる超絶技巧を駆使した演奏会用組曲《くるみ割り人形》が華麗なフィナーレを飾ります。辻󠄀井の圧巻の演奏で贈る、ロマン派音楽の起源から爛熟までを辿る旅をぜひご堪能ください。</video:description>
<video:duration>4551</video:duration>
<video:publication_date>2025-12-15T10:22:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:43:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38CG</loc>
<video:video>
<video:title>フリードリヒ・グルダのソロ・リサイタル (1981年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/54b77179f451144cb14d4a6751e06fba80f2bd6c.jpg</video:thumbnail_loc>
<video:description>本映像はミュンヘンのアメリカハウスで行われたライヴの模様です。ここでグルダは鍵盤楽器演奏における卓越した存在であることをアピールしています。ピアノに限らずクラヴィコードも演奏し、バッハの《平均律クラヴィーア曲集》から3つの前奏曲とフーガを披露。バッハのスペシャリストとしての圧倒的な解釈を見せてくれます。ピアノでは、シューベルトの《さすらい人》を再作曲した作品、ドビュッシーの《水の反映》と自作曲のセレクションで締めくくっています。</video:description>
<video:duration>3355</video:duration>
<video:publication_date>2025-01-29T16:07:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:43:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1K</loc>
<video:video>
<video:title>アリス=紗良・オットが奏でるラヴェルのピアノ協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/488e7983546e2851093e8ef052ce4f6510b951db.jpg</video:thumbnail_loc>
<video:description>注目の俊英指揮者アレクサンドル・ブロックがロンドン交響楽団に客演するコンサートの模様をお届けします。幕開けを飾るのは、ドビュッシーが1894年に発表した《牧神の午後への前奏曲》。斬新な和声による官能的な響きを追求し、現代音楽への扉を開いた傑作です。続くラヴェルのピアノ協奏曲では、同楽団の常連ソリストでこの曲を得意とする人気ピアニスト、アリス=紗良・オットが登場します。後半では、戦後ポーランドにおける政治的抑圧の影も感じさせる、ルトスワフスキの管弦楽のための協奏曲、そしてラヴェルがヨーロッパ秩序の崩壊を象徴的に表現した《ラ・ヴァルス》をお楽しみください。新しい年の始まりを飾るにふさわしい、聴き応えたっぷりのプログラムといえるでしょう。</video:description>
<video:duration>5430</video:duration>
<video:publication_date>2026-01-05T10:12:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-25T07:42:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHO</loc>
<video:video>
<video:title>ユリウス・アザルがアルバム『Siena Tapes』収録曲を披露</video:title>
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<video:description>音楽パフォーマンスの収録における全く新しい方法を探求するために作られたユニークな会場、ユトレヒトのConcertLabから、ユリウス・アザルの演奏をお届けします。披露されるのは、最新アルバム『Siena Tapes』に収められた楽曲。モーリス・ラヴェルの音楽を軸に、アサル自身や作曲家兼プロデューサー、クリスティアン・バズーラによる作品を織り交ぜ、彼ならではの冒険的で創造的なプログラムが展開されます。ConcertLabの最新技術も相まって、新たな視点からラヴェルの音楽の魅力を再発見していただけることでしょう。</video:description>
<video:duration>2266</video:duration>
<video:publication_date>2025-09-04T09:26:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-25T07:41:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3AD0</loc>
<video:video>
<video:title>ラベック姉妹が2台ピアノで奏でるウェストサイド物語の世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b71f44c9f14522644759d94bab475bd3d25ee581.jpg</video:thumbnail_loc>
<video:description>フランスを代表するピアノ・デュオ、ラベック姉妹。彼女たちのために世界的指揮者、レナード・バーンスタインは1980年代に自らの傑作《ウェストサイド物語》の2台ピアノアレンジを提供しました。編曲を行ったのはアーウィン・コスタル。20世紀アメリカを代表するミュージカルと映画音楽のアレンジャーです。『ウエスト・サイド・ストーリー』のブロードウェイ版と映画版のオーケストレーションも担当した人物でもあります。楽曲を知り尽くした人物によるアレンジ、姉妹の華麗な演奏はは原曲の魅力を余すことなく伝えてくれます。</video:description>
<video:duration>2623</video:duration>
<video:publication_date>2022-11-14T09:00:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-03-25T07:41:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1M</loc>
<video:video>
<video:title>ユジャ・ワンがチャイコフスキーのピアノ協奏曲を弾き振り</video:title>
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<video:description>カーネギーホール主催の「ナショナル・ユースオーケストラUSA (NYO-USA) 」は全米から集まった優れた若手演奏家たちによる特別な団体です。本映像のメンバーは同団の卒業生たちで、才能あふれる彼らを導くのはダニエル・ハーディング。プログラムにはバーンスタインの《ウェスト・サイド・ストーリー》の〈シンフォニック・ダンス〉にストラヴィンスキー《火の鳥》組曲という情熱的なプログラムが並びます。さらに、チャイコフスキーのピアノ協奏曲ではユジャ・ワンが登場し、弾き振りを披露。オーケストラを牽引する指揮と華麗なピアニズムにご注目ください。</video:description>
<video:duration>4406</video:duration>
<video:publication_date>2025-11-07T13:53:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-03-25T07:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9N</loc>
<video:video>
<video:title>ヨーロピアン・ジャズ・トリオとイルジー・スティヴィーンが共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f643de592521f188cc9506444942ec46fd27f12d.png</video:thumbnail_loc>
<video:description>1976年に結成された「ヨーロピアン・ジャズ・アンサンブル」の創立メンバーであるドイツの演奏家2人、ゲルト・デュデック (サクソフォン) とアリ・ハウランド (ウッドベース) に、80年代になってから同アンサンブルに加入したオランダのピアニスト、ロブ・ヴァン・デン・ブロックを加えた3人からなるトリオが、チェコのマルチ奏者イルジー・スティヴィーンを伴って、4人でミュンヘンの風物詩的コンサートシリーズに登場した時のステージをお届けします。地に足の着いた親密なトリオが、バロック音楽とジャズを股にかけてサックスとフルートの二刀流で活躍するスティヴィーンのサウンドを得て、即興演奏の更なる高みへと昇っていく様をご堪能ください。オープナーのオリジナル曲《プルケ》から、その自由奔放な演奏に釘付けになるはずです。</video:description>
<video:duration>4563</video:duration>
<video:publication_date>2026-02-20T13:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-23T16:13:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHH</loc>
<video:video>
<video:title>ジャズ・ピアニスト、ダニエル・クラーメルのソロ・ライブ</video:title>
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<video:description>ウクライナで1960年に生まれロシア音楽アカデミーで学んだダニエル・クラーメルは、オスカー・ピーターソンやチック・コリア、キース・ジャレットの演奏を聴いてジャズ・ピアノに開眼し、1984年頃から数多の国際ジャズ・フェスティバルに出演して腕をふるいました。また作曲家・教師としても活躍し、1994年には母校に初のジャズ即興演奏クラスを開設し後進の指導にもあたっています。本映像は1997年に彼がミュンヘンの風物詩的コンサートシリーズに登場し、ソロ演奏を披露したステージを収録したもの。スタンダード・ナンバーにオリジナル曲を織り交ぜた軽やかなプログラムで、彼の卓越した即興演奏が聴衆を魅了する様子がよくわかるはずです。鍵盤にフォーカスしたカメラ・ワークも印象的で、テクニックを臨場感たっぷりに鑑賞できるのも大きな見どころです。</video:description>
<video:duration>3719</video:duration>
<video:publication_date>2026-02-24T12:26:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-23T16:04:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32C8</loc>
<video:video>
<video:title>カラヤンが奏でるヴェルディの《レクイエム》</video:title>
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<video:description>20世紀クラシック界を代表する圧倒的カリスマ指揮者、ヘルベルト・フォン・カラヤン。本映像にはオペラの大家であるヴェルディが書いた《レクイエム》が収められています。本来は典礼のための音楽ですが、ヴェルディはその常識を打ち破る劇的な性格による楽曲に仕上げました。壮大なオペラであるかのように、祈りの音楽が劇的に表現されているのです。カラヤンは作品の持つ力を最大限に発揮させ、圧倒的なスケールでこの楽曲を聴衆へと届けてくれます。</video:description>
<video:duration>5467</video:duration>
<video:publication_date>2024-04-25T09:27:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-19T19:32:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38DO</loc>
<video:video>
<video:title>ロペス＝グラサ：《パウルの『輪の歌』より》</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2026-03-17T13:32:06Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T14:25:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38DG</loc>
<video:video>
<video:title>ビゼー：《ラインの歌》より 第6曲〈帰還〉</video:title>
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<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2026-03-17T13:16:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-17T14:25:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30E0</loc>
<video:video>
<video:title>チェン :《Infinite Cloister of Flowers and Sins》</video:title>
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<video:description></video:description>
<video:duration>384</video:duration>
<video:publication_date>2026-02-05T16:05:45Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:30:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30D0</loc>
<video:video>
<video:title>チェン :《Circle Dance of the Evernight Castle》</video:title>
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<video:description></video:description>
<video:duration>372</video:duration>
<video:publication_date>2026-02-05T12:59:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:30:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGC0</loc>
<video:video>
<video:title>ベートーヴェン / ヴァイオリン・ソナタ第5番ヘ長調 op. 24 より第1楽章 : Allegro</video:title>
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<video:description></video:description>
<video:duration>599</video:duration>
<video:publication_date>2025-12-05T14:50:04Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-17T10:21:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHP</loc>
<video:video>
<video:title>ペンデレツキが自作を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b22dc42b3bd814067bac70c290fe89042c7000e9.png</video:thumbnail_loc>
<video:description>ポーランドの古都クラクフを拠点とするシンフォニエッタ・クラコヴィアは「東京・春・音楽祭」の公演で日本でも好評を博するなど、近年活躍の場を拡大している弦楽アンサンブルです。クラクフは同国が生んだ現代作曲家クシシュトフ・ペンデレツキの故郷であり、同団は彼の支援を受けて多彩な共演者を迎えるなど、創設以来の密接な関係があります。この映像は本格的な国際舞台へのデビューとなった1994年フランクフルトのアルテ・オーパーで、ペンデレツキが自作のコンチェルトを指揮したステージを収録したものです。ソリストとして迎えた、ドイツのヴィオラ奏者タベア・ツィンマーマンとスロベニアのフルート奏者イレーナ・グラフェナウアー、二人の女性演奏家の卓越したプレイと共にお楽しみください。</video:description>
<video:duration>4223</video:duration>
<video:publication_date>2026-03-12T08:34:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-16T10:45:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DPG</loc>
<video:video>
<video:title>ウィントン・マルサリス : イン・ディス・ハウス、オン・ディス・モーニング</video:title>
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<video:description>世界的トランペット奏者であるウィントン・マルサリス。彼は1992年、ミュンヘンのガスタイクに登場。尊敬するデューク・エリントンへのオマージュでもある教会音楽《イン・ディス・ハウス、オン・ディス・モーニング》を披露しました。全21曲で構成された長大な楽曲は、祈りの音楽であることを意識させますが、ゴスペルやブルース、ニュー・オリンズ・スウィングの要素も取り入れており、敬虔な要素と音楽による熱狂、解放といった時間も設けられています。</video:description>
<video:duration>7092</video:duration>
<video:publication_date>2026-03-12T12:33:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-03-16T10:44:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38CO</loc>
<video:video>
<video:title>チャールズ・ウッド /《おお汝、核たる宝珠よ》</video:title>
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<video:duration>258</video:duration>
<video:publication_date>2026-03-05T16:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-03-13T14:46:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38C0</loc>
<video:video>
<video:title>モーツァルト / ロンド イ短調 K. 511</video:title>
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<video:description></video:description>
<video:duration>593</video:duration>
<video:publication_date>2026-03-05T15:09:34Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-13T13:28:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38C8</loc>
<video:video>
<video:title>ロペス=グラサ / グロサ第7番 : リバテージョの踊りの歌より</video:title>
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<video:duration>67</video:duration>
<video:publication_date>2026-03-05T15:28:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-13T13:26:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38CG</loc>
<video:video>
<video:title>グノー=J.S.バッハ / アヴェ・マリア CG 89a (前奏曲ハ長調 BWV 846 に基づく)</video:title>
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<video:duration>173</video:duration>
<video:publication_date>2026-03-05T15:36:49Z</video:publication_date>
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<lastmod>2026-03-13T13:25:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36D8</loc>
<video:video>
<video:title>アバドとグスタフ・マーラー・ユーゲント管弦楽団のマーラー＆シェーンベルク</video:title>
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<video:description>2006年4月、ウィーンの楽友協会で行われたコンサートの模様。イタリアの名指揮者クラウディオ・アバドが、自ら創設したグスタフ・マーラー・ユーゲント管弦楽団を指揮し、彼が得意とする作品を演奏しています。ロマンティックな響きと複雑な対位法により独自の世界を創り出しているシェーンベルクの交響詩《ぺレアスとメリザンド》と、整った形式が美しいマーラーの交響曲第4番という対照的な作品で、アバドの芸術性の幅広さをお楽しみいただけることでしょう。</video:description>
<video:duration>6169</video:duration>
<video:publication_date>2022-11-06T17:49:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2026-03-13T13:18:54Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1K</loc>
<video:video>
<video:title>アンドレアス・オッテンザマーが指揮するモーツァルト晩年の傑作</video:title>
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<video:description>モーツァルトの最後の作品で未完のまま残された「レクイエムニ短調」ほど、謎に包まれた作品は音楽史上まれと言えるでしょう。この傑作を取り巻く俗説と匿名の依頼主をめぐる背景事情を解き明かすのには何世紀もの歳月を要しました。現在では、その委嘱が、妻を追悼する作品を望んだヴァルゼック伯爵によるものであったことが明らかになっています。このレクイエムは、モーツァルトの死から2年後の1793年12月、ウィーナー・ノイシュタットのノイクロスター教会で当初の計画通り伯爵夫人への追悼として演奏されました。本配信では、アンドレアス・オッテンザマーが指揮者としてこの歴史的な演奏を再現するとともに、モーツァルトの偉大な最後の交響曲《ジュピター》も披露されます。</video:description>
<video:duration>5471</video:duration>
<video:publication_date>2025-12-11T14:31:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-12T14:48:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHP</loc>
<video:video>
<video:title>シャイ・マエストロ・トリオ～ライブ in パリ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/19374a714db0252d2209a16bba96b520375684c6.png</video:thumbnail_loc>
<video:description>2025年4月にフィルハーモニー・ド・パリで「ECMエクスプロレーションズ」の一環として開催された、シャイ・マエストロ・トリオの演奏会の模様をお届けします。ジャズ・ピアニストのシャイ・マエストロ、ベーシストのホルヘ・ローダー、ドラマーのオフリ・ネヘミヤによるトリオは、緻密なアンサンブルと高い音楽性で世界的に注目を集める存在です。今回披露したプログラムは、アルバム『ヒューマン』の収録曲に新曲、即興を織り交ぜたもの。《ザ・ドリーム・シーフ》や《アバ》の内省的な世界から、《ヒューマン》、《グロリア》、《ミステリー・アンド・イリュージョンズ》といったより探求的な表現まで、多彩な魅力をご堪能いただけることでしょう。そして、アンコールではスペシャル・ゲストが登場します。</video:description>
<video:duration>4547</video:duration>
<video:publication_date>2026-01-22T09:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-12T14:32:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGDG</loc>
<video:video>
<video:title>アバドが指揮するブルックナーの交響曲第7番</video:title>
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<video:description>魅力的なプログラムの数々で話題を集めた2005年のルツェルン音楽祭ですが、マーラーの交響曲第7番と共にこのブルックナーの交響曲第7番も聴き逃せません。演奏されたのは、1990年代にクラウディオ・アバドがウィーン・フィルとドイツ・グラモフォンに残したブルクナー交響曲のシリーズ録音と同様のノヴァーク版。ここではルツェルン祝祭管弦楽団にゆったりとスケールを大きくエモーショナルに歌わせているのが印象的です。日本ではアバドを追悼する企画として2013年の音楽祭プログラムとセットでこの映像もテレビ放送されて反響を呼びました。</video:description>
<video:duration>3957</video:duration>
<video:publication_date>2023-06-15T13:23:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-12T08:53:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36E8</loc>
<video:video>
<video:title>シューマン /《森の情景》op. 82 より第7曲 : 予言の鳥</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/80d178494ab7da2a83b53880509f2c74fa47e474.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>115</video:duration>
<video:publication_date>2026-03-05T14:22:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T12:28:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36E0</loc>
<video:video>
<video:title>シューマン /《森の情景》op. 82 より第3曲 : 寂しい花</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2339d1640a9b5fbce564dfaad44e213fbfa98bdc.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>156</video:duration>
<video:publication_date>2026-03-05T14:15:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T12:28:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GD8</loc>
<video:video>
<video:title>《ピンク・サクラ》</video:title>
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<video:description></video:description>
<video:duration>201</video:duration>
<video:publication_date>2025-09-11T09:08:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T08:50:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GDG</loc>
<video:video>
<video:title>《追憶》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/91feb8a8cd445f22c97203af5c76d9c557eaf62b.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>234</video:duration>
<video:publication_date>2025-09-11T10:07:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-11T08:49:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHN</loc>
<video:video>
<video:title>シュリースマンがバッハ、スクリャービン、ショパンを演奏</video:title>
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<video:description>ブルクハルト・シュリースマンは、ゲルバー、チェルカスキーなどの名ピアニストに師事したドイツのピアニストです。バッハやブラームスを中心のレパートリーとしていますが、とりわけバッハは21歳の時に全オルガン作品を暗譜演奏し、世界的に話題を集めました。本映像はシュリースマンの1993年に行ったリサイタルの模様です。冒頭は得意とするバッハ=ブゾーニの「シャコンヌ」。それに続くのはスクリャービンとショパンです。美しくも芯のある音色によって奏でられる楽曲は、それぞれに彼ならではの世界観が広がっています。</video:description>
<video:duration>2864</video:duration>
<video:publication_date>2026-03-06T12:08:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-10T13:17:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9P</loc>
<video:video>
<video:title>マイヤ・プリセツカヤとニコラス・エコノムが共演</video:title>
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<video:description>本映像には、舞踊と音楽の魅力的な対話の模様が収められています。伝説的なプリマ・バレリーナであるマイヤ・プリセツカヤと傑出したピアニストのニコラス・エコノムによるスタジオ録音で記録されたものです。プリセツカヤによる物語を感じさせる動きと表現に導かれ、エコノムはピアノで即興演奏を繰り広げていき、それは圧巻の世界観を作り上げていきます。即興的でありながら、強い想い、そして心を打つ表現が紡ぎあげられています。</video:description>
<video:duration>1830</video:duration>
<video:publication_date>2026-02-24T09:18:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-10T12:55:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHI</loc>
<video:video>
<video:title>アーマッド・ジャマルがガスタイクに登場</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/25b43d05b6f56018fe2241004094fc0cc8277505.png</video:thumbnail_loc>
<video:description>やわらかできらめきのあるサウンドを創り出し、独自のモダン・ジャズの世界観を提示したピアニスト、アーマッド・ジャマル。彼は1993年、ベースのジョン・ハード、ドラムのヨロン・イスラエルを伴い、ガスタイクに登場しました。ジェローム・カーンやデューク・エリントンなどのスタンダード・ナンバーをはじめ、ジャマル自身のオリジナル曲も多数演奏。派手なパフォーマンスや超絶技巧で魅せるのではなく、柔らかく空気を変えていくように広がる彼のサウンドは唯一無二のもの。本映像ではそれをじっくりと味わっていただけることでしょう。</video:description>
<video:duration>4295</video:duration>
<video:publication_date>2026-02-27T08:26:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T23:52:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHK</loc>
<video:video>
<video:title>ヴィンス・ジョーンズが「ミュンヘン・ピアノの夏」に出演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0c47b2bd2a3d588351115e696e0a9435fb92c231.png</video:thumbnail_loc>
<video:description>トランペット奏者、ヴォーカリストとして活躍するヴィンス・ジョーンズ。奏者としてのみならず、作曲家としてもジャンルの壁を超えた作品を生み出し、多くの聴衆を魅了しています。そんな彼が「ミュンヘン・ピアノの夏」に登場。ピアノのバーニー・マッコールら名手を引き連れ、自身の作品を含む、多彩な楽曲を披露しました。変幻自在のサウンド、卓越したテクニック、そして華麗かつスタイリッシュなステージをぜひお楽しみください。</video:description>
<video:duration>4251</video:duration>
<video:publication_date>2026-02-27T14:17:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T23:40:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHO</loc>
<video:video>
<video:title>ユニカ・タンズィルのショーケース</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/236aaef7f797b11b75bb5dcdfbe649a94c433f24.jpg</video:thumbnail_loc>
<video:description>ユニカ・タンズィルは作曲家・ピアニスト・プロデューサー。ドイツ・グラモフォンからデビューアルバム『The First of Everything』をリリースし注目を集めています。オーケストラを独自のサウンドに仕立て上げる手腕、多様なスタイルを駆使した楽曲、演奏技術の高さが高く評価されている彼女ですが、その音楽性を存分にご覧いただけるのが本映像のショーケースです。親しみやすいメロディが散りばめられた色とりどりの楽曲と情感あふれる演奏をお楽しみください。</video:description>
<video:duration>1639</video:duration>
<video:publication_date>2025-12-11T11:11:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T15:58:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34E8</loc>
<video:video>
<video:title>サヴァリッシュが指揮する《さまよえるオランダ人》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3a35d6148023332ba4fc7e17ddce679b528bee8f.jpg</video:thumbnail_loc>
<video:description>サヴァリッシュが指揮したバイエルン国立歌劇場の《さまよえるオランダ人》にはライヴ映像もありますが、こちらはそのオペラ映画版です。オランダ人役はブーレーズ＆シェローによるバイロイト“指環” (1979-80) でヴォータンを演じて一世を風靡したニュージーランド出身のバス・バリトン、ドナルド・マッキンタイア。優れたワーグナー歌いとして知られたドラマティック・ソプラノのカタリーナ・リゲンツァ演じるゼンタにもご注目ください。スタジオに巨大なプールを作らせたチェコのヴァーツラフ・カシュリーク監督による、映画ならではの緊張感に溢れた迫力ある映像もお楽しみに。</video:description>
<video:duration>7095</video:duration>
<video:publication_date>2025-01-16T12:10:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T15:17:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHN</loc>
<video:video>
<video:title>ドニゼッティの《ランメルモールのルチア》でシエラとカマレナが共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7bbbfa344877f7a4ab9394367faa2d7dab45ce2b.jpg</video:thumbnail_loc>
<video:description>2021～22年シーズンにおいて、ドニゼッティによるベルカント・オペラ《ランメルモールのルチア》の悲劇の舞台を現代のアメリカ・ラストベルトに読み替えた演出で、サイモン・ストーンがメトロポリタン歌劇場デビューを果たしました。この上演では、ルチアの恋人エドガルド役のハビエル・カマレナ (テノール) 、利己的な策士エンリーコ役のアルトゥール・ルチンスキーの傍らで、ナディーン・シエラ (ソプラノ) がタイトルロールの苦悩するヒロインとして圧倒的な歌唱を披露します。主要キャストを締めくくるのは、ルチアを庇う心優しき家庭教師ライモンドを演じるバスバリトンのクリスチャン・ヴァン・ホーン。ドニゼッティのスペシャリスト、リッカルド・フリッツァが指揮台に立ち、この魅惑的な新演出を主導しました。</video:description>
<video:duration>9031</video:duration>
<video:publication_date>2026-03-09T09:14:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T10:14:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6E0</loc>
<video:video>
<video:title>ズービン・メータが指揮するヴェルディ没後100年記念ガラ・コンサート in パルマ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a2dc06d00544123b024ddb9f0dd96549dc3a944.jpg</video:thumbnail_loc>
<video:description>2001年、ヴェルディ没後100年を記念したガラ・コンサートがパルマで開催されました。ステージには出世作の《ナブッコ》から《リゴレット》～《トロヴァトーレ》～《椿姫》の中期3大傑作、《仮面舞踏会》～《運命の力》～《ドン・カルト》と続く充実の後期、そして奇跡の晩年《オテロ》と《ファルスタッフ》まで、イタリア・オペラの巨人が残した綺羅星のような作品群から名場面が大集合。メータが指揮する伝統のフィレンツェ五月音楽祭管弦楽団の演奏にのせて、当時オペラ・シーンのトップに君臨していたスター歌手たちが、人気アリアや重唱の数々を披露します。</video:description>
<video:duration>6795</video:duration>
<video:publication_date>2022-07-27T12:49:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-09T09:03:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36DO</loc>
<video:video>
<video:title>ヨハン・ヨハンソン :《いつか過ぎ去る》(映画『シャドウプレイ』より)</video:title>
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<video:publication_date>2026-03-05T13:07:01Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2026-03-05T15:04:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34DO</loc>
<video:video>
<video:title>『マイ・ロンドン』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8084ee310d6e4afb52b23e7ee7fa55df36ae01fb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>104</video:duration>
<video:publication_date>2026-02-26T15:25:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T15:01:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36D8</loc>
<video:video>
<video:title>モーツァルト / 幻想曲ハ短調 K. 475</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ca72ae46fb6b05bb0e012a5c40c8fc78623d7a2.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>677</video:duration>
<video:publication_date>2026-03-04T12:13:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T13:02:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36DG</loc>
<video:video>
<video:title>モーツァルト / 小葬送行進曲ハ短調 K. 453a</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4e203709cfc61e0fad9ae2006dad529e931176c5.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>86</video:duration>
<video:publication_date>2026-03-04T12:29:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T13:02:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36D0</loc>
<video:video>
<video:title>モーツァルト / グラス・ハーモニカのためのアダージョ ハ長調 K. 356</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a8bd6bab4c337b97f86684fde982083884251074.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>149</video:duration>
<video:publication_date>2026-03-04T10:39:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T12:59:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36CO</loc>
<video:video>
<video:title>ラフマニノフ / ピアノ・ソナタ第1番ニ短調 より第1楽章 : Allegro moderato</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3f273c00058ec304f355072a1ad924751fdbb122.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>878</video:duration>
<video:publication_date>2026-03-04T10:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-05T10:08:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34E0</loc>
<video:video>
<video:title>タフムーラス・ポールナサリ /《なぜ行ってしまったの》(ディミトリ・ワイセンベルク編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4449061a266da0d6ad1ed75417debcf1cda71cef.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>188</video:duration>
<video:publication_date>2026-03-02T12:15:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T18:27:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36CG</loc>
<video:video>
<video:title>シューマン /《子供の情景》op. 15 より第7曲 : トロイメライ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1471301c17940895b3eef2aefc3984bbc7058215.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>193</video:duration>
<video:publication_date>2026-03-03T16:24:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:20:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36C8</loc>
<video:video>
<video:title>ラフマニノフ / 13の前奏曲 op. 32 より第5番ト長調</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0765a1886bcd4a17c6b312b4ee364a57e174147.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>249</video:duration>
<video:publication_date>2026-03-03T16:10:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36C0</loc>
<video:video>
<video:title>ベートーヴェン / ピアノ・ソナタ第29番変ロ長調 op. 106《ハンマークラヴィーア》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5accb4c2b6c50e38e25b3aba7feba34afff34702.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>643</video:duration>
<video:publication_date>2026-03-03T14:56:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34E8</loc>
<video:video>
<video:title>バッハ / コラール《目覚めよと呼ぶ声が聞こえ》BWV 645 (ブゾーニ編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5a22ca5bc9fd6ffb30980faabf8ad865a90c998.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>233</video:duration>
<video:publication_date>2026-03-03T14:44:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-04T10:19:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9O</loc>
<video:video>
<video:title>イリアーヌ・イリアスがジェイ・アンダーソンとアダム・ナスバウムと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ff8c259122ed11a8b766f3672c274a642c89e0ef.png</video:thumbnail_loc>
<video:description>ブラジル出身のジャズ・ピアニストでありヴォーカリストでもあるイリアーヌ・イリアス。ジャズからボサノヴァ、ポップスまで幅広いジャンルを演奏、歌唱できる彼女はビバップの伝統とサンバのリズムを巧みに融合しています。本映像では、イリアスがジェイ・ランドール・アンダーソン (ベース) とアダム・ナスバウム (ドラム) と熱狂的な共演を行ったライブの模様を覧いただけます。切れ味鋭いリズムの応酬をお楽しみください。</video:description>
<video:duration>3859</video:duration>
<video:publication_date>2026-02-20T14:25:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T22:08:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGD0</loc>
<video:video>
<video:title>アルベニス / スペイン組曲第1集 op. 47 より第5曲 : アストゥリアス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b5c006975c77e609a9929c6e494cb249491e955f.jpg</video:thumbnail_loc>
<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. 

The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>422</video:duration>
<video:publication_date>2025-12-08T13:48:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T16:14:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34CO</loc>
<video:video>
<video:title>フォーレ : 3つの無言歌 op. 17 (kiwa LIVE presents / ソウルでのライブ)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3f43d52426f62f5845e427bf640034d3d0b39056.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>539</video:duration>
<video:publication_date>2026-02-24T15:34:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T11:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34CG</loc>
<video:video>
<video:title>スクリャービン : 24の前奏曲 op. 11 より第11番ロ長調</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/be9ed62a46c9cbed20384197d47c9d89993a8005.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>106</video:duration>
<video:publication_date>2026-02-24T15:04:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-03T11:26:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0</loc>
<video:video>
<video:title>バッハ / オルガン・ソナタ第4番 BWV 528 より第2楽章 : Andante [Adagio] (ストラダル編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c4775df0bbe99c2163cc3cca983633f4f8113660.jpg</video:thumbnail_loc>
<video:description>Watch pianist Víkingur Ólafsson (“Artist of the Year” at the Gramophone Awards 2019) perform the Andante from Bach&apos;s Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album &apos;J. S. Bach - Works &amp; Reworks&apos;. The video was directed by Magnús Leifsson.</video:description>
<video:duration>327</video:duration>
<video:publication_date>2022-07-12T14:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-02T12:18:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2E0</loc>
<video:video>
<video:title>バーンスタイン名演集～シューマン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/db23f407773f5e6e09a4e106e5ac7171d5537e22.jpg</video:thumbnail_loc>
<video:description>バーンスタインとウィーン・フィルの黄金コンビが遺したシューマン作品の映像をお届けします。いずれも1984年～1985年にかけてライヴ録音されたシューマン交響曲全集と平行して収録されたものです。チェロ協奏曲では当時、世界的な名声を確立しつつあったミッシャ・マイスキーとの豊かな対話をお楽しみください。最後は学生時代にディミトリ・ミトロプーロスが指揮した演奏を聴いて開眼したという、バーンスタインにとって特別な意味を持つ交響曲第2番で締めくくります。</video:description>
<video:duration>4424</video:duration>
<video:publication_date>2023-11-22T10:40:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-03-02T10:46:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34DG</loc>
<video:video>
<video:title>名アリア集～《ハムレット》より〈さあ、私の歌を聴いて〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/caffa02ea500be223f94f22d6400494750f5dfe4.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2026-02-26T10:03:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:23:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34D8</loc>
<video:video>
<video:title>名アリア集～《後宮からの誘拐》より〈どんな責め苦があろうとも〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/908734497e06593a9d2f77f27f86bbee9477fa1f.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-02-26T09:47:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:15:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34D0</loc>
<video:video>
<video:title>アルバム『シエナ・テープス』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/33072794f37fd32c295504f309b49181922d9849.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>425</video:duration>
<video:publication_date>2026-02-26T09:44:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-27T09:15:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DHG</loc>
<video:video>
<video:title>チック・コリアによる「バド・パウエルへの追想」ライブ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/498511cd00098c95f52d5ac240634f76d5770d1d.png</video:thumbnail_loc>
<video:description>1997年にリリースされたチック・コリア・アンド・フレンズ名義のスタジオ・アルバム『バド・パウエルへの追想』は、巨匠コリアに多大な影響を与えたビバップ時代を代表する伝説のピアニスト (1966年没) に捧げられた名盤として広く知られています。この映像はそのレコーディングと同じ年にほぼ同じメンバーで行ったミュンヘンでのライブを収録したもの。生前のパウエルと共演経験がある70代のベテラン、ロイ・ヘインズ (ドラム) から20代の若手クリスチャン・マクブライド (ベース) までシーンの精鋭が集まり、各々が独自の現代的なスタイルでビバップの枠を超えた即興演奏を繰り広げるのを、臨場感たっぷりに味わうことができるのが醍醐味です。</video:description>
<video:duration>7179</video:duration>
<video:publication_date>2026-02-24T09:38:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-26T10:54:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34D8</loc>
<video:video>
<video:title>ロベルト・デ・シモーネ『オール・イズ・フェイク』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e745538ef54a47332be940ae98c118b9f822083.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>3600</video:duration>
<video:publication_date>2025-07-07T12:13:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-26T09:45:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9M</loc>
<video:video>
<video:title>ブランフォード・マルサリスがケニー・カークランドらと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d10136125c96abed7dd59e1153fdc0ceaf4794fa.png</video:thumbnail_loc>
<video:description>ブランフォード・マルサリスはジャズを愛する家庭に生まれ、自身も卓越したテナー/ソプラノサクソフォーン奏者として活躍。1990年代のジャズシーンを牽引した存在です。本映像はピアニストのケニー・カークランドが脱退する前に行われたヨーロッパ・ツアーの模様が収められています。ドラムにはジェフ・&quot;テイン&quot;・ワッツ、ベースには、ロバート・ハーストが参加。卓越した技術と音楽性をもつ奏者たちによる伝説的なセッションがミュンヘン・ガスタイクに響き渡ります。</video:description>
<video:duration>4180</video:duration>
<video:publication_date>2026-02-17T12:36:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-25T21:22:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30E8</loc>
<video:video>
<video:title>ジョン・アダムズ《エル・ニーニョ》メイキング映像</video:title>
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<video:description>アメリカで最も重要な作曲家のひとりであるジョン・アダムズ。彼の代表作の一つとして知られているのが2000年に初演された2部構成の現代歌劇《エル・ニーニョ》です。キリストの降誕をテーマにしたもので、それにラテンアメリカの詩や聖書のエピソードを融合させ、現代的な視点で「神聖な出来事」を描いた壮大な作品となっています。本映像はその世界初演やリハーサルの模様を交えて、制作過程を振り返るドキュメントです。荘厳な作品の内容とともに、作曲者、出演者たちの作品に対する強い想いも伝わってきます。</video:description>
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<video:title>ローランド・ビリャソン演出による《魔笛》</video:title>
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<video:description>モーツァルトの生地ザルツブルクで毎年開かれる音楽祭「モーツァルト週間」。生誕270周年を迎える2026年の誕生日 (1月27日) にハウス・フュア・モーツァルト (旧祝祭小劇場) で人気オペラ《魔笛》が上演されました。演出を手掛けるのは、テノール歌手としても世界的に著名なローランド・ビリャソン。指揮はロベルト・ゴンザレス=モンハスが務め、ザラストロ役のフランツ=ヨーゼフ・ゼーリヒ、夜の女王を歌うキャスリーン・リーウェックを筆頭に豪華な歌手陣が舞台を彩ります。試練と神秘に満ちた世界で描かれる、人間の成長物語をお楽しみください。</video:description>
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<video:publication_date>2026-01-29T09:07:45Z</video:publication_date>
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<lastmod>2026-02-25T11:05:07Z</lastmod>
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<url>
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<video:title>フルシャとチェコ・フィルが、東欧作品を演奏</video:title>
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<video:description>2016年エリザベート王妃国際音楽コンクールの覇者であるルカーシュ・ヴォンドラーチェク。彼はラフマニノフのピアノ協奏曲を得意とし、全曲録音も果たしています。本映像は2021年に行われた演奏で、チェコ・フィルハーモニー管弦楽団と共にラフマニノフのピアノ協奏曲第2番を披露。情感豊かな演奏を聞かせてくれます。また同オーケストラによるヤナーチェクの初期の名作《オーケストラのための組曲》にルトスワフスキ作品の演奏も色彩豊かな音色で奏でられていきます。</video:description>
<video:duration>5458</video:duration>
<video:publication_date>2024-02-21T12:00:17Z</video:publication_date>
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<lastmod>2026-02-24T17:17:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32E8</loc>
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<video:title>ペルト :《フラトレス》(オソーキンス編)</video:title>
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<video:publication_date>2026-02-23T15:03:07Z</video:publication_date>
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<lastmod>2026-02-24T15:49:16Z</lastmod>
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<video:title>トマ＆ブロカル : リフレクション第1番 (Paix - Shanti)</video:title>
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<video:title>サン=サーンス :《動物の謝肉祭》より〈白鳥〉</video:title>
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<lastmod>2026-02-24T15:39:03Z</lastmod>
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<video:title>ツィンマー＆ジャックマン：アップ・イズ・ダウン（『パイレーツ・オブ・カリビアン』より）</video:title>
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<video:description>Kian Soltani has always been a big fan of movies, now he takes this passion one step further and creates an unprecedented album with his own arrangements of great blockbuster hits. Epic soundscapes from Hans Zimmer&apos;s &apos;Pirates of the Caribbean&apos;, Howard Shores &apos;Lord of the Rings&apos; and other soundtracks. Cello Unlimited is precisely that – a collection of the most iconic movie soundtracks from the last 20 years, played on Kian’s cello and his cello only! All tracks are specially arranged for the cello and every voice is played by Kian himself.</video:description>
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<lastmod>2026-02-24T14:39:22Z</lastmod>
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<video:title>グノー :《アヴェ・マリア》(トマ編)</video:title>
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<lastmod>2026-02-24T09:29:41Z</lastmod>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32DO</loc>
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<video:title>ショパン : ノクターンハ短調 B. 108 (トマ編)</video:title>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32DG</loc>
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<video:title>ショパン : 24の前奏曲 op. 28 より第4番ホ短調 (フランショーム編)</video:title>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32D8</loc>
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<video:title>ショパン : ピアノ協奏曲第1番ホ短調 op. 11 より第2楽章 (抜粋)</video:title>
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<video:title>ショパン : ノクターン第20番遺作 (レント・コン・グラン・エスプレッシオーネ)</video:title>
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<lastmod>2026-02-24T09:28:58Z</lastmod>
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<video:title>ショパン : チェロ・ソナタト短調 op. 65 より第3楽章〈ラルゴ〉</video:title>
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<lastmod>2026-02-24T09:28:44Z</lastmod>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32CG</loc>
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<video:title>ショパン : ピアノ・ソナタ第2番変ロ短調 op. 35 より第3楽章〈葬送行進曲〉(フランショーム編)</video:title>
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<lastmod>2026-02-24T09:28:35Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32C8</loc>
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<video:title>《ラ・ボエーム》</video:title>
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<video:publication_date>2026-02-18T13:19:02Z</video:publication_date>
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<lastmod>2026-02-24T09:28:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1M</loc>
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<video:title>チョ・ソンジンがノセダと紡ぐショパンのピアノ協奏曲第2番</video:title>
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<video:description>首席客演指揮者ジャナンドレア・ノセダ率いるロンドン交響楽団とチョ・ソンジンが、ショパンのピアノ協奏曲第2番を披露します。チョ・ソンジンと同コンビは長年共演を重ね、既にDGでショパンのピアノ協奏曲2曲を録音し、各方面から称賛を受けています。今や特別な信頼関係で結ばれた二人が、ライブでさらに進化したショパンを聴かせてくれるのか、ぜひ注目ください。その前後には、ストラヴィンスキーが敬愛するチャイコフスキーの音楽を素材に再構築したバレエ《妖精の接吻》からの抜粋と、ボロディンの勇壮かつ民族色溢れる交響曲第2番が演奏されます。サンクトペテルブルクで研鑽を積んだノセダの真骨頂を味わっていただけるプログラムと言えるでしょう。</video:description>
<video:duration>5526</video:duration>
<video:publication_date>2026-02-19T11:17:54Z</video:publication_date>
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<lastmod>2026-02-20T09:10:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9L</loc>
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<video:title>ベティ・カーター・トリオ Live in ミュンヘン</video:title>
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<video:description>1929年生まれのベティ・カーターは器楽奏者と対等に会話できる驚異のテクニックに人間らしい息吹を与えて、最も進化したジャズ・ヴォーカル唱法を完成させたと言われている偉大なシンガーです。40年代後半から活躍していた彼女は60～70年代の不遇だった時期を経て、1987年に名門ヴァーヴ・レコードと契約してからは過去に自費出版したアルバムの再発や新作のレコーディングを行うなど、1998年に亡くなるまで充実した活動を続けました。この映像は60歳の坂を越え、やっと当代のリアル・ジャズ・シンガーとしてシーンのお墨付きを得た頃のステージを今に伝えるものです。彼女の躍動感溢れるスキャットや深みのある声はもちろんのこと、当時まだプロとして駆け出しだったサイラス・チェスナットを始めとするトリオ・メンバーの堂々たるサポートぶりも合わせてお楽しみください。</video:description>
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<video:publication_date>2026-02-17T08:58:06Z</video:publication_date>
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<lastmod>2026-02-19T13:50:39Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32C0</loc>
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<video:title>名アリア集～《運命の力》より〈死は恐ろしいもの〉&amp;〈わたしの運命を決定する箱〉</video:title>
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<lastmod>2026-02-19T13:11:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30D8</loc>
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<video:title>ハイドンゆかりの地で交響曲《朝》《昼》《晩》の秘密に迫る</video:title>
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<video:description>3つの初期交響曲《朝》《昼》《晩》。1761年、作曲家ハイドンがエステルハージの宮廷にデビューした際、披露したのがこの三部作と言われています。ジョヴァンニ・アントニーニ率いるイル・ジャルディーノ・アルモニコは、250年以上の時を経て、まさにその舞台となったアイゼンシュタットにあるエステルハージ宮殿のハイドン・ホールで、これらの作品を演奏しました。本インタビューでは、宮廷でのハイドンの仕事ぶりから死後の名声にまつわる奇妙なエピソードまで、逸話や歴史的背景を織り交ぜながら、エステルハージ時代とその土地から浮かび上がる大作曲家の人物像を描き出します。</video:description>
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<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34DO</loc>
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<video:title>ペルトコスキが紡ぎ出すワーグナー《指環》の世界</video:title>
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<video:description>2026年のシーズンから香港フィルの音楽監督に就任することが発表されている若き俊英タルモ・ペルトコスキ。2025年6月にはNHK交響楽団の指揮台に立ち、日本デビューを果たしたことも大きな話題となりました。本映像では、ワーグナーの4部から成る大作《ニーベルングの指環》からのハイライトを集めた「オーケストラル・アドヴェンチャー」(ヘンク・デ・フリーヘル編曲) を、香港フィルとの共演でご覧いただけます。感動的かつスリリングなワーグナーの音楽的魅力とともに、同楽団の輝かしいサウンドも感じていただけることでしょう。</video:description>
<video:duration>4508</video:duration>
<video:publication_date>2025-06-30T15:31:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-18T11:12:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GC8</loc>
<video:video>
<video:title>イム・ユンチャンが奏でるメンデルスゾーン、チャイコフスキーとムソルグスキー</video:title>
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<video:description>イム・ユンチャンは2022年第16回ヴァン・クライバーン国際ピアノコンクールにおいて、史上最年少 (18歳) でゴールド・メダルを受賞。いま最も世界で注目されるピアニストのひとりとなっています。研ぎ澄まされた技術、美しい音色を兼ね備えた彼が今回届けてくれるのはメンデルスゾーンとチャイコフスキーの小品、そしてムソルグスキーの《展覧会の絵》です。繊細なピアニズムから、スケールの大きな演奏まで、彼の底知れぬ音楽性を存分に味わうことのできる映像となっています。</video:description>
<video:duration>5792</video:duration>
<video:publication_date>2024-11-17T07:44:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-17T10:04:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3EC8</loc>
<video:video>
<video:title>ジェルジュ・クルターグ『マッチスティック・マン』</video:title>
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<video:description>近代のヨーロッパの作曲家として音楽界に強い影響をあたえるひとりであるクルターグ・ジェルジュ。そんな彼の生き方、そして音楽性を深く掘り下げた1996年制作のドキュメンタリー映像《マッチスティック・マン》をご覧いただけます。作曲家へのインタビューをはじめ、演奏やリハーサルの模様、リゲティやアバド、コチシュや妻マルタといった重要人物たちの重要な証言もあり、改めてクルターグとその時代について理解を深めることができましょう。</video:description>
<video:duration>3375</video:duration>
<video:publication_date>2024-09-11T15:35:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-17T01:16:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCD8</loc>
<video:video>
<video:title>ネゼ=セガンが挑むブラームス・ツィクルス・シリーズ</video:title>
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<video:description>2022年のグラミー賞で「最優秀オーケストラ演奏賞」を受賞した指揮者、ヤニック・ネゼ＝セガン。ニューヨーク・メトロポリタン歌劇場の第3代音楽監督として活躍する彼は、バーデン・バーデンの祝祭劇場で2022年にブラームスの交響曲ツィクルスを開始しました。本映像ではその模様が収められており、交響曲第3番と第4番が演奏されます。美しく旋律を紡ぎつつも、重厚なサウンドを作り上げており、ブラームスの音楽の真実に迫ろうとするネゼ＝セガンの強い想いが伝わってくるでしょう。</video:description>
<video:duration>4987</video:duration>
<video:publication_date>2024-01-04T15:25:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T10:06:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3E</loc>
<video:video>
<video:title>ソルターニ＆アーロン・ピルサンがベルリンのマイスターザールに出演</video:title>
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<video:description>チェロのキアン・ソルターニが、気心の知れた間柄のピアニスト、アーロン・ピルサンとの共演で、室内楽の夕べを演奏しています。会場は、ベルリンのマイスターザール。中心となるのは、ショスタコーヴィチのチェロ・ソナタですが、シューベルトとドヴォルザークの歌曲の編曲も、美しい演奏になっています。コンサートは、ピアソラが伝説的チェリスト、ロストロポーヴィチのために作曲した《ル・グラン・タンゴ》で終わっています。</video:description>
<video:duration>3301</video:duration>
<video:publication_date>2022-06-14T14:29:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T10:03:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6DO</loc>
<video:video>
<video:title>ネゼ=セガンが描き出すドビュッシーとワーグナーの濃密な音世界</video:title>
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<video:description>本映像は、第45回ラノディエール音楽祭で演奏されたドビュッシーとワーグナーの特別なプログラムをお楽しみ頂けます。まずはドビュッシーのオペラ《ペレアスとメリザンド》の管弦楽組曲で、ヤニック・ネゼ＝セガン率いるメトロポリタン管弦楽団の色彩豊かで洗練された響きをお楽しみ頂けます。その後にはワーグナーの「ワルキューレ」の演奏会形式による上演が続きます。クリスティーヌ・ゲルケをはじめとするワーグナーのスペシャリストたちのスケールの大きな歌唱をご堪能下さい。</video:description>
<video:duration>6639</video:duration>
<video:publication_date>2024-01-10T13:34:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-16T09:52:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1J</loc>
<video:video>
<video:title>夏の野外コンサートシリーズ「クラシック・アム・オデオンスプラッツ」(2024年)</video:title>
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<video:description>本映像では、ミュンヘンで毎夏行われる野外コンサート「クラシック・アム・オデオンスプラッツ」の2024年公演の模様をご覧いただけます。次期首席指揮者のラハフ・シャニが牽引するミュンヘン・フィルハーモニー管弦楽団が圧倒的カリスマ性をもつヴァイオリニスト、アンネ=ゾフィー・ムターを迎えて、ウェーバーにデュカス、サン=サーンス、ストラヴィンスキー、ジョン・ウィリアムズという華麗なプログラムを奏でます。注目はやはりウィリアムズ作品。迫力のオーケストラ・サウンドはもちろん、ムターの魅惑的な音色や超絶技巧もお楽しみいただけます。</video:description>
<video:duration>4780</video:duration>
<video:publication_date>2025-08-14T12:18:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T08:27:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJACG</loc>
<video:video>
<video:title>ワンがラフマニノフのピアノ協奏曲第2番でヴィオッティと共演</video:title>
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<video:description>2021年、オデオン広場で行われた野外コンサートにユジャ・ワンが登場しました。ミュンヘン・フィルとの共演で、彼女の代名詞ともいえるラフマニノフのピアノ協奏曲を披露。心に深く刻まれるメロディとあふれ出るロマンチックさをもつこの作品は、ラフマニノフ自身のキャリアの突破口ともなりました。ピアニストには華麗なテクニックと詩的なタッチが求められ、ワンはそれを見事に体現しています。
指揮を担当したのは若手のスター、ロレンツォ・ヴィオッティ。リムスキー＝コルサコフ、シャブリエ、そしてラヴェルの作品が、このプログラム全体を彩ります。</video:description>
<video:duration>5250</video:duration>
<video:publication_date>2023-03-30T15:18:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T08:27:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CDG</loc>
<video:video>
<video:title>ウェルザー=メストとトリフォノフの共演によるブラームス</video:title>
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<video:description>音楽監督を務めるフランツ・ウェルザー=メストの指揮による、クリーヴランド管弦楽団とダニール・トリフォノフの共演の模様が収められています。演奏曲に選ばれたのは、ブラームスのピアノ協奏曲第1番です。この協奏曲は、1859年に作曲家自身の独奏により初演され、ブラームスの公開演奏された最初の管弦楽作品となりました。スケールの大きな演奏で描き出す圧倒的な世界観、そしてクリーヴランド管弦楽団の磨き抜かれた音色、卓越した作品の構築力をお楽しみいただくことができる映像作品です。</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2024-01-24T10:20:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-16T08:27:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1J</loc>
<video:video>
<video:title>マルヴィッツが指揮するR.シュトラウスの《ばらの騎士》</video:title>
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<video:description>作曲家リヒャルト・シュトラウスと劇作家フーゴ・フォン・ホーフマンスタールの黄金コンビによる名作オペラ《ばらの騎士》に待望の新演出が登場しました。この18世紀ウィーンを舞台とした甘く切ない喜劇に挑んだのは、知的かつ探求心に富んだ演出で国際的な評価を得ているリディア・シュタイアー。チューリッヒ歌劇場にて収録された本映像では、エミリー・ポゴレルツ演じるゾフィーとオクタヴィアン (アンジェラ・ブロワー) の間に芽生えた恋を成就させるために身を引くことになる元帥夫人をディアナ・ダムラウ (ワーナー・クラシックスの協力の元、実現しました) が歌い、ギュンター・グロイスベックが傲慢な男爵オックス役を務めるなど、この上なく豪華なキャストが集結しています。エアフルト劇場やニュルンベルク州立劇場の音楽総監督を歴任するなど、オペラの経験が豊富なヨアナ・マルヴィッツの手腕にもご期待ください。</video:description>
<video:duration>12173</video:duration>
<video:publication_date>2025-10-24T20:33:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-14T16:34:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP32</loc>
<video:video>
<video:title>アンナ・ネトレプコが5人のヒロインを演じ、自らの音楽を語るドキュメンタリー</video:title>
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<video:description>2020年と21年収録のドキュメンタリー。愛と希望、そして死と絶望という、オペラにおいて欠かすことのできないテーマを扱ったオペラ・アリアを、世界的プリマドンナのアンナ・ネトレプコがリッカルド・シャイーの指揮するミラノ・スカラ座管弦楽団との共演で歌唱しています。アイーダ、リーザ、ディド、蝶々さん、イゾルデの5人のヒロインに生命を吹き込み生まれたミュージック・ビデオは壮麗なミラノ・スカラ座の舞台で撮影されました。さらにネトレプコが役柄と自身の人生について語る詳細なインタビューもご覧いただくことができます。</video:description>
<video:duration>2055</video:duration>
<video:publication_date>2022-06-29T09:19:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T15:08:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJE</loc>
<video:video>
<video:title>トリフォノフ＆ババヤンがシューマン、バッハとモーツァルトを弾く</video:title>
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<video:description>現代のヴィルトゥオーソ・ピアニストへの道を着実に歩むトリフォノフとその師であるセルゲイ・ババヤンによる、2019年ヴェルビエ音楽祭での演奏。深い相互理解で結ばれた二人が、先ずはシューマンの2台ピアノのためのアンダンテと変奏曲で音楽的な情緒の変化を余すところなく捉え、続いてガボール・タカーチ＝ナジが指揮するヴェルビエ音楽祭室内管弦楽団との共演で、バッハの2台のピアノのためのハ短調協奏曲を鮮烈に演奏します。</video:description>
<video:duration>2051</video:duration>
<video:publication_date>2022-05-18T09:05:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T14:52:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34</loc>
<video:video>
<video:title>トリフォノフ 20世紀作品によるリサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e512d74b4172ea2f99e13909b39551cbb5042f7.jpg</video:thumbnail_loc>
<video:description>『タイムズ』紙は、ダニール・トリフォノフについて「現代で最も素晴らしいピアニスト」と絶賛していますが、彼が受けた最上の賛辞は、おそらくマルタ・アルゲリッチの言葉（「彼はすべて以上のものを備えている」）でしょう。そのトリフォノフが2019年のヴェルビエ音楽祭で演奏したのは、20世紀のピアノ作品。ベルク、バルトーク、コリリアーノという選曲は、これまでの彼のイメージを破るものですが、彼が並々ならぬ意欲をもって選んだことが伺えます。ベルクのピアノ・ソナタは、新ウィーン楽派のマニフェストとも呼ぶべき作品です。またコリリアーノのオスティナート主題による幻想曲（1985年）は、ベートーヴェンの交響曲第7番に依拠したものです。</video:description>
<video:duration>3444</video:duration>
<video:publication_date>2022-05-11T09:26:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-13T14:51:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0CG</loc>
<video:video>
<video:title>ECMレコード サウンド＆サイレンス ～マンフレート・アイヒャーと旅する映画</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ec5998855716884bbc0ed263f5bbbbbef48bd7bd.jpg</video:thumbnail_loc>
<video:description>1969年にドイツのミュンヘンで生まれた欧州を代表するジャズ・レーベル「ECMレコード」の創設者で、1984年からは現代音楽にスポットを当てた「ECM New Series」でクラシック・シーンにも進出した名プロデューサー、マンフレート・アイヒャーと旅するロード・ムービー風のドキュメンタリー。「透明感のあるサウンドと澄んだ音質、洗練された美しいジャケット・デザイン」などで世界中のファンを魅了する“ECMらしい”とても詩的な音楽映画です。彼のレーベル“哲学”やレコーディングの“妙技”にぐいぐいと迫るようなものでは決してなく、エレニ・カラインドルーやヤン・ガルバレク、キム・カシュカシャンらお馴染みの作曲家やミュージシャンたちが登場して、各々がそれぞれの街で自分たちの音楽を紡ぎ出す瞬間を捉えて、風景と共に繋げていくような内容になっています。アルヴォ・ペルトとアイヒャーが現場の片隅で手をとり合ってダンスに興じる場面なども必見です。</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2024-11-11T15:17:35Z</video:publication_date>
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<video:title>バーンスタイン / プラトンの『饗宴』によるセレナード より第3楽章 : エリュキシマコス</video:title>
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<video:duration>100</video:duration>
<video:publication_date>2026-02-05T15:09:04Z</video:publication_date>
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<lastmod>2026-02-12T13:30:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9G</loc>
<video:video>
<video:title>エヴェリン・グレニー in コンサート～ミュンヘン・ピアノの夏</video:title>
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<video:description>1965年スコットランド生まれのエヴェリン・グレニーは、様々な楽器を操る演奏スタイルで独自の音世界を作り上げ、作曲家としてもグラミー賞を2回受賞。世界最高峰のオーケストラを始め幅広いジャンルの演奏家と共演を重ね、ソロ・パーカッショニストとして国際的に揺るぎない地位を確立したアーティストです。こちらの映像はそんな彼女が1991年にミュンヘンの風物詩的コンサートシリーズに登場した時のもの。アスケル・マッソン作曲の無伴奏スネアドラムのための《プリム》を皮切りに、「不屈の民」変奏曲で知られるフレデリック・ジェフスキーが書いた、『万物の母なる大地 (ガイア) への讃歌』を語りながら植木鉢で演奏するユニークな《大地へ》、安倍圭子作曲のソロ・マリンバのための《道》など、聴き応えのある作品が目白押しのプログラムをお楽しみください。</video:description>
<video:duration>3902</video:duration>
<video:publication_date>2026-02-03T16:08:40Z</video:publication_date>
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<lastmod>2026-02-12T10:33:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0C0</loc>
<video:video>
<video:title>ケント・ナガノがジョン・アダムズの《エル・ニーニョ》を指揮</video:title>
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<video:description>本映像はジョン・アダムズによるオラトリオをご覧いただけます。「エル・ニーニョ」とはスペイン語で少年、そして神の子であるイエスを意味します。オラトリオなので宗教的内容ではありますが、婚約者ヨゼフがいる「普通の女性」マリアが突然「神の子」を宿すことで起きる様々な問題が、英語にスペイン語、ラテン語の交錯するテキストで描かれていきます。音楽も非常に多彩ですが、とても物語に入りやすいものが工夫されています。そして指揮、歌唱ともに楽曲を深く理解し演奏に臨んでいます。</video:description>
<video:duration>7111</video:duration>
<video:publication_date>2024-08-08T11:57:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2026-02-12T10:17:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9H</loc>
<video:video>
<video:title>ゴンサロ・ルバルカバ・カルテット in コンサート～ミュンヘン・ピアノの夏</video:title>
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<video:description>驚異のリズム感と限りなく美しい音色、他の追随を許さない超絶テクニックで1980年代末にスターとしての地位を確立し、ラテンジャズ・シーンをリードしてきたキューバ生まれのピアニスト、ゴンサロ・ルバルカバ。こちらの映像は当時カルテット編成で国際的なツアーを行い、アフロキューバン・サウンドとジャズ・フュージョンを融合させたスタイルで世界を席巻しつつあった彼が、1991年にミュンヘンの風物詩的コンサートシリーズに登場した時のものです。同郷のベテラン・ドラマー、フリオ・バレットら卓越した仲間たちと繰り広げる、リズミカルでエモーショナルな魅惑のプレイにぜひ身を委ねてお楽しみください。</video:description>
<video:duration>4235</video:duration>
<video:publication_date>2026-02-05T15:39:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2026-02-12T10:13:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9J</loc>
<video:video>
<video:title>ショーター＆ハンコックによる「スペシャル・カルテット」のミュンヘン・ライブ</video:title>
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<video:description>ジャズ界の最高峰サックス奏者で、作曲家にしてジャズ・ロックやフュージョンの生みの親の一人でもあるウェイン・ショーターと、ジャンルを超越したスーパー・ピアニストのハービー・ハンコック。帝王マイルス・デイヴィスのクインテットを皮切りに、様々な形で多くの時間を共に費やすことになるレジェンドの2人を中心に、チック・コリアとのリターン・トゥ・フォーエヴァーで知られるスタンリー・クラーク (ベース) 、元ウェザー・リポートの超人ドラマー、オマー・ハキムが参加した1991年の通称「スペシャル・カルテット」の欧州ツアーから、ミュンヘンでのライブをお届けします。この4人での活動は短期間限定でジャズ・フェスティバルのみの出演だったため、今なお夢のステージとして語り継がれている映像のひとつです。メンバー全員が超個性派で皆一流のインプロヴァイザーでありながらアンサンブルとしてまとまり、新たな境地を示すサウンドをお聴き逃しなく。</video:description>
<video:duration>4263</video:duration>
<video:publication_date>2026-02-10T08:58:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2026-02-12T10:11:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D9I</loc>
<video:video>
<video:title>アンドレアス・フレーリヒのリサイタル</video:title>
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<video:description>ドイツ生まれでフライブルク音楽大学とケルン音楽大学に学び、ソリストとして数多の著名なオーケストラと共演し室内楽の分野でも確かなキャリアを築き上げてきたピアニスト、アンドレアス・フレーリヒ。現在はケルン音楽舞踊大学で教鞭を執りつつ国際的なマスタークラスを定期的に開催し、数々のコンクールの審査員としても活躍している彼が20代の終わりにミュンヘンで行ったリサイタルをお届けします。プログラムはブゾーニ編曲のバッハ「シャコンヌ」とブラームスのバラード。既に落ち着いた風格さえ感じられる若き日の演奏をお楽しみください。</video:description>
<video:duration>2121</video:duration>
<video:publication_date>2026-02-10T08:33:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-12T10:05:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6D8</loc>
<video:video>
<video:title>ラベック姉妹がファビアン・ガベルとプーランクの協奏曲で共演</video:title>
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<video:description>グラーフェネック音楽祭の幕開けを盛大に彩る豪華なコンサートをお届けします。プログラムの前半は、ファビアン・ガベルが指揮するトーンキュンストラー管弦楽団との共演でラベック姉妹がプーランクの2台のピアノのための協奏曲を披露。半世紀以上にわたってデュオを組んできた彼女たちにとって、この作品が十八番であることは言うまでもありません。続く《セミラミス》より前奏曲と舞曲は、ラヴェル生誕150年を記念して2025年5月にニューヨークで初演された未発表作品で、この演奏はヨーロッパ初演となります。メインとなる《アルプス交響曲》は、ある1日の山登りを鮮やかに活写し、人間と自然との底知れぬ関係を探求するシュトラウス円熟期の傑作です。野外ステージ「ヴォルケントゥルム」で繰り広げられる圧倒的なスペクタクルにご期待ください。</video:description>
<video:duration>5178</video:duration>
<video:publication_date>2025-08-20T08:27:35Z</video:publication_date>
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<lastmod>2026-02-12T09:07:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHJ</loc>
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<video:title>フランス・バロックを代表するリュリの抒情悲劇《アティス》</video:title>
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<video:description>ルイ14世に仕えたフランス・バロック期を代表する作曲家のリュリは、「抒情悲劇」というジャンルを創始しました。1676年初演の《アティス》は、抒情悲劇の代表作のひとつで、青年アティスと彼を想うサンガリードの悲恋を描いた物語。この公演には、デ・ネグリ、ドゥストラック、リヒターら、古楽界の名歌手が揃いました。また、1987年にこのオペラを蘇演した古楽界の巨匠ウィリアム・クリスティと、彼が率いるレザール・フロリサンの演奏、そしてヴィレジエの正統的な演出は、リュリの世界を現代に鮮やかによみがえらせます。</video:description>
<video:duration>11738</video:duration>
<video:publication_date>2025-10-08T12:01:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-11T21:45:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30CG</loc>
<video:video>
<video:title>マーラーの交響曲第5番〈アダージェット〉について</video:title>
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<video:duration>331</video:duration>
<video:publication_date>2026-01-29T11:20:59Z</video:publication_date>
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<lastmod>2026-02-11T09:28:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30DG</loc>
<video:video>
<video:title>レスピーギ作曲《ローマの松》の「ナイチンゲール」を巡る物語</video:title>
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<video:duration>223</video:duration>
<video:publication_date>2026-02-05T14:54:09Z</video:publication_date>
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<lastmod>2026-02-11T09:28:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9H</loc>
<video:video>
<video:title>ヴァン・クライバーン覇者アリスト・シャムが芸術の殿堂で演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1fe2be0c9096103301152bc0a8c5e3d5567f46bf.jpeg</video:thumbnail_loc>
<video:description>芸術の殿堂 (ソウル) で行われた、香港出身の新進気鋭ピアニスト、アリスト・シャムのリサイタルの模様をお届けします。彼は、2025年ヴァン・クライバーン国際コンクールで見事優勝を果たし、世界から一躍脚光を浴びました。初めに披露されたのは、イタリアの近代ピアノ音楽を代表する作曲家ブゾーニが手掛けたバッハ、ブラームス、ショパン作品のトランスクリプション。後半は、ブラームス自身に焦点を当て、親密さに満ちたピアノ小品集から若々しい情熱が渦巻くピアノ・ソナタ第1番まで、その深遠な世界に迫ります。古典からモダニズムへと至る音楽の連なりを探究する壮大なプログラムで、今後さらなるキャリアを築くであろう若き才能のヴィルトゥオジティと芸術性を存分にお楽しみください。</video:description>
<video:duration>5643</video:duration>
<video:publication_date>2025-11-26T15:32:49Z</video:publication_date>
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<lastmod>2026-02-11T08:26:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1L</loc>
<video:video>
<video:title>アンドレ・シュエンが主役を演じる《ドン・ジョヴァンニ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a210cb3f64e4c46c1772e889c6a50f541e1ae5f7.jpg</video:thumbnail_loc>
<video:description>2025年ヴィチェンツァ・オペラ・フェスティバルで上演された、モーツァルトの《ドン・ジョヴァンニ》をお届けします。人生を通じて彼の音楽と深く向き合ってきたイヴァン・フィッシャーが指揮と舞台演出の両方を担当し、独自の視点でこの名作を再解釈しました。キャストも、主人公の好色な貴族ドン・ジョヴァンニを演じるアンドレ・シュエン、ドンナ・アンナ役のマリア・ベングトソンなど国際色豊かで豪華な顔ぶれ。ブダペスト祝祭管弦楽団の精緻で色彩溢れる演奏、そしてオリンピコ劇場の美しい景観にもぜひご注目ください。</video:description>
<video:duration>10518</video:duration>
<video:publication_date>2026-02-02T07:17:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2026-02-10T14:06:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJAE8</loc>
<video:video>
<video:title>チェーザレ・リエヴィ演出の《イタリアのトルコ人》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b90e196b3126d7b6bbb1f99cb9793895c1165ebe.jpg</video:thumbnail_loc>
<video:description>ロッシーニの隠れた名作である《イタリアのトルコ人》は、トルコ男に恋する浮気な女性と、その女性を囲む男性たちとの様々なやりとりが仮面舞踏会を舞台に起こる喜劇です。しかしただのコメディではなく、詩人という物語進行役の存在によって哲学的な要素も兼ね備えた、深みを感じる作品に仕上がっています。本映像ではチューリッヒ歌劇場でチェーザレ・リエヴィの演出のもと上演されたプロダクションをご覧いただけます。物語の深いところまで切り込んだ演奏と演出をお楽しみください。</video:description>
<video:duration>8067</video:duration>
<video:publication_date>2024-10-30T11:14:25Z</video:publication_date>
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<lastmod>2026-02-09T16:27:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPI</loc>
<video:video>
<video:title>アリス四重奏団が奏でるベートーヴェンの《ラズモフスキー四重奏曲》</video:title>
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<video:description>2009年にフランクフルト音大の学生によって結成された新進気鋭のカルテット、アリス四重奏団の演奏をお届けします。会場は、ウィーンで外交官として活躍したロシア人貴族、ラズモフスキー伯爵のために建てられた由緒ある宮殿。演奏されるのは、まさにその作品を依頼したパトロンの名から「ラズモフスキー」の愛称で親しまれている、ベートーヴェンの3つの弦楽四重奏曲 (op. 59) です。1806年に作曲され、感情の深みや構成的な斬新さで弦楽四重奏に新たな地平を切り開きました。ベートーヴェン中期を象徴する傑作で、表情豊かな音色と緻密なアンサンブルをお楽しみください。</video:description>
<video:duration>7346</video:duration>
<video:publication_date>2026-02-09T07:46:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2026-02-09T10:45:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2E8</loc>
<video:video>
<video:title>プリティ・イェンデ ＆ ナディーン・シエラ in コンサート at フィラルモニ・ド・パリ</video:title>
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<video:description>南アフリカ生まれのプリティ・イェンデとアメリカはフロリダ州出身のナディーヌ・シエラ。共にコロラトゥーラのテクニックに長け《ランメルモールのルチア》のタイトル・ロールから《リゴレット》のジルダや《椿姫》のヴィオレッタなどをカヴァーする声を持つ若きソプラノとして、世界中の有名歌劇場からひっぱりだこの二人による、目の醒めるようなアリアとデュエットが満載のリサイタル。イタリアの注目株ジャコモ・サグリパンティが指揮する、普段はオペラ・コミークの魅力を発掘しているフリヴォリテ・パリジェンヌ（2012年設立）の演奏も聴きどころです。</video:description>
<video:duration>6566</video:duration>
<video:publication_date>2023-05-04T07:49:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-09T08:08:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCD8</loc>
<video:video>
<video:title>ナディーン・シエラとブリン・ターフェルが《愛の妙薬》で共演</video:title>
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<video:description>今世界で高い注目を集めるスターオペラ歌手の代表格に挙げられるナディーン・シエラとブリン・ターフェル。この夢のような共演がロンドンのロイヤル・オペラ・ハウスで実現しました。演目はドニゼッティの喜劇《愛の妙薬》。ローラン・ペリーによる晴れやかな演出がキャストの魅力を存分に活かしており、シエラの快活なアディーナ、ターフェルのコミカルな演技が光るドゥルカマーラがひときわ輝いています。セスト・クアトリーニによる指揮も魅力的で、軽やかさと輝かしさに溢れたドニゼッティの音楽を最良の形で届けてくれます。</video:description>
<video:duration>8376</video:duration>
<video:publication_date>2024-05-13T12:48:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-09T08:08:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9J</loc>
<video:video>
<video:title>バリー・コスキー演出によるモーツァルト “ダ・ポンテ三部作”《フィガロの結婚》</video:title>
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<video:description>ウィーン国立歌劇場が3シーズンにわたって取り組んできた、モーツァルトの傑作“ダ・ポンテ三部作”の最新プロダクションのひとつをお届けします。演出を手がけたのは2012年にベルリン・コーミッシェ・オーパーの芸術総監督に就任して評価を高め、近年は欧州の一流歌劇場からバイロイト音楽祭やザルツブルク音楽祭を席巻している、現代を代表する鬼才バリー・コスキー。2020年から2024/25シーズン末までウィーン国立歌劇場の音楽監督を務めるフィリップ・ジョルダンの優雅で表現力に富んだ指揮によって、音楽面でも高い完成度を誇る舞台が実現しました。2023年3月がプレミエだったこの《フィガロの結婚》はロココ調の舞台セットと色鮮やかな現代風の衣装で視覚的にも美しく、登場人物たちがスピーディーに細かい振付を巧みにこなすのが非常に演劇的であり、コスキー演出の真骨頂です。女声陣では、声の不調によって歌えなかったイン・ファンが演技を担当して歌唱はマリア・ナザロワが務めるという異例の二人一役によるスザンナが話題を呼びましたが、ハンナ=エリーザベト・ミュラーの気品溢れる伯爵夫人と、少年の心の危うさを見事に表現しつつも妖しい魅力を放つパトリツィア・ノルツ演じるケルビーノが圧巻です。男声陣も、声と体格に恵まれたペーター・ケルナー演じるエネルギッシュなフィガロと、騎士道的な精神を体現したようなアンドレ・シュエン演じるアルマヴィーヴァ伯爵は、共に説得力があります。2025年10月に9年ぶりの来日を果たす同歌劇場の公演演目でもあるこの作品を、この機会にご堪能ください。</video:description>
<video:duration>11038</video:duration>
<video:publication_date>2025-09-08T14:39:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-09T08:07:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1O</loc>
<video:video>
<video:title>テテルマンとミクネヴィチウテが出演、ジョルダーノの《フェドーラ》</video:title>
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<video:description>ジョナサン・テテルマンとヴィダ・ミクネヴィチウテがベルリン・ドイツ・オペラ待望の新制作、ジョルダーノの歌劇《フェドーラ》で主演を務めます。このオペラは、国際スパイ活動と陰謀の要素を壮大なロマンスと融合させた、ヴェリズモの珠玉の作品です。演出は、同劇場で20世紀初頭のイタリア・オペラを数多く手掛け、高い評価を受けてきたクリストフ・ロイ。指揮者ジョン・フィオーレが率いる世界一流のキャスト陣の圧倒的な歌唱とともに、豊かな旋律美に彩られたジョルダーノの音楽をお楽しみください。</video:description>
<video:duration>6770</video:duration>
<video:publication_date>2025-12-05T12:30:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-06T08:29:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ICG</loc>
<video:video>
<video:title>イム・ユンチャンが挑むバッハの《ゴルトベルク変奏曲》</video:title>
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<video:description>ニューヨークのカーネギー・ホールでの鮮烈なデビューから一年、今をときめく韓国人ピアニスト、イム・ユンチャンが音楽の殿堂に帰還し、鍵盤音楽の最高峰ともいうべきバッハの《ゴルトベルク変奏曲》を披露しました。曲の冒頭と最後に置かれた安らかで美しいアリアを基礎に、バッハの見事な作曲技法が盛り込まれた30の変奏が眩いばかりに展開されるこの作品。演奏家にとっても、技術的な完璧さのみならず鋭敏な音楽的知性、感性が要求される難曲です。世界の注目を浴びる若き才能が新境地に挑んだ、音楽ファンには見逃せないコンサートでしょう。</video:description>
<video:duration>5195</video:duration>
<video:publication_date>2026-02-02T10:51:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T14:03:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJICO</loc>
<video:video>
<video:title>チュルリョーニスについて</video:title>
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<video:description></video:description>
<video:duration>960</video:duration>
<video:publication_date>2025-05-04T13:33:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T13:28:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ECG</loc>
<video:video>
<video:title>ミルガ・グラジニーテ=ティーラがブルックナーの交響曲第6番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c88366a044244d0904fb015ecb3f2744dd0a6f87.jpg</video:thumbnail_loc>
<video:description>リトアニア出身のミルガ・グラジニーテ=ティーラはいま最も注目すべき指揮者の一人です。若干29歳でバーミンガム市響の音楽監督に就任したことは大きな話題となりました。現在は世界を飛び回る日々ですが、本映像ではフランス放送フィルハーモニー管弦楽団との意欲的なプログラムをお楽しみいただけます。ブルックナーの交響曲第6番を中心に、リリ・ブーランジェやブルックナーの詩篇、ロシアの現代作曲家グラツィニスの声楽曲を組み合わせたことで、非常に清らかで透明感の響きに包まれた世界観をお楽しみいただけます。</video:description>
<video:duration>4912</video:duration>
<video:publication_date>2024-12-16T14:52:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T13:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1G</loc>
<video:video>
<video:title>イル・ジャルディーノ・アルモニコがフランスのバロック作品を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2579d0af688bc937c25517e5c62ca2cbb6e654ed.jpeg</video:thumbnail_loc>
<video:description>1985年にミラノで結成された、ジョヴァンニ・アントニーニ率いる世界最高峰の古楽アンサンブルが得意とするレパートリーは、よく知られたところではヴィヴァルディやヘンデルの作品ですが、それだけではありません。この映像では、彼らが演奏される機会の少ない17世紀初頭のフランス・バロックが誇る隠れた名曲たちに、真の色彩と輝きを取り戻す様をご覧いただけるはずです。撮影場所は美しいマニエリスム建築と歴史的な庭園で観光客の人気を集めるザルツブルク郊外にあるヘルブルン宮殿。広大な敷地内にある天然石の採石場を利用した「シュタイントシアター (石の劇場)」を舞台に、当時の衣装を纏った名手たちがエキサイティングな演奏を繰り広げます。国際的なダンスカンパニー「ムジカ・エ・サルタトリア」が再現した古 (いにしえ) の踊りと共にお楽しみください。</video:description>
<video:duration>3583</video:duration>
<video:publication_date>2025-09-23T12:19:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T13:10:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30CO</loc>
<video:video>
<video:title>名アリア集～《運命の力》より〈人生は不幸な者にとって地獄だ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8af5ecd21ce062455a37547c413b459396f0d4a2.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-02-05T10:13:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T11:07:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30C8</loc>
<video:video>
<video:title>名アリア集～《エフゲニー・オネーギン》より〈あなたは私に手紙を下さいました〉&amp;〈これがあのタチヤーナなのか？〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ff3f38c0158c7dab787a1bb8d841da589a9eb6ca.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2026-01-29T11:10:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T11:06:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1M</loc>
<video:video>
<video:title>ヴェルディの歌劇《アイーダ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aaac26f204c0f1b1efedeae0e0015fce8d0cfdff.jpeg</video:thumbnail_loc>
<video:description>ヴェルディの歌劇《アイーダ》
ロイヤル・オペラ・ハウス 2022年</video:description>
<video:duration>9445</video:duration>
<video:publication_date>2026-01-19T11:28:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-05T10:36:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30C0</loc>
<video:video>
<video:title>マーラー : 交響曲第5番 より〈アダージェット〉(イアン・ファリントン編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73d021d138911746c8b10880955c20a69ae171f4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>560</video:duration>
<video:publication_date>2026-01-22T14:45:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T14:00:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0C8</loc>
<video:video>
<video:title>エルサレムのクルターグ～エルサレム音楽センターの学生がクルターグの作品を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/773b57cae53df2304d90f5096918766ec0bf64d0.jpg</video:thumbnail_loc>
<video:description>ジェルジュ・クルターグはバルトークやウェーベルンといった作曲家の後継者としてみなされ、多様な作品を残し、ピアニストとしても活躍しました。圧倒的な才能をもち、教育者としても高く評価された彼が、イスラエル全土から才能ある若い音楽家を集め、育成しているイスラエルを代表する機関「エルサレム・ミュージック・センター (JMC) 」で行ったマスタークラスの模様をご覧いただけます。若き才能が天才の導きによりさらに成長していく姿からは様々な学びを得ることができるでしょう。</video:description>
<video:duration>3047</video:duration>
<video:publication_date>2024-11-11T15:07:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T12:05:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJED0</loc>
<video:video>
<video:title>マルタ＆ジョルジュ、クルターグ夫妻によるピアノ・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87fed8853a4f8549d940eac1bd351dac551125d0.jpg</video:thumbnail_loc>
<video:description>本映像では、ルーマニア生まれのハンガリー人作曲家でピアニストのジェルジュ・クルターグ (1926-) が、自作曲を演奏しています。1967年～1993年までフランツ・リスト音楽院で教鞭 (ピアノと室内楽) を執りゾルターン・コチシュやアンドラーシュ・シフにも教えました。《Játékok (遊び)》は1973年に書き始められ第8集まで出版されている子どものためのピアノ小品集。このエルサレムでの演奏会は、同作品の中からソロと連弾を組み合わせて30曲ほどを抜粋したプログラムで、小曲たちの間にクルターグの手によるバッハ作品の美しいトランスクリプションが挿入されているのが特徴です。共演は人生の70年以上を共にして、一緒に録音や数多くのデュオ・コンサートを行った妻のマルタ・クルターグ (1927-2019) 。和やかな雰囲気に包まれたステージで紡がれる、二人の詩情溢れる演奏をお楽しみください。</video:description>
<video:duration>2994</video:duration>
<video:publication_date>2024-11-11T09:49:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T12:03:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJIE0</loc>
<video:video>
<video:title>《野生のルネサンス (Wild Renaissance) 》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a656fe10bc9db7e33022b34b6c5d1158bcbf5369.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2026-01-16T13:29:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-02-04T10:22:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPM</loc>
<video:video>
<video:title>ヴェネツィアからのニューイヤー・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5eaa5109a1b3dffb7e272324ae0111766fcad93a.jpg</video:thumbnail_loc>
<video:description>ヴェネツィアから、新年の幕開けにふさわしいニューイヤー・コンサートをお届けします。出演は、テノールのジョナサン・テテルマンとソプラノのローザ・フェオラ、そしてローマ歌劇場の若き音楽監督ミケーレ・マリオッティが合唱とオーケストラを率います。オペラの序曲、間奏曲、合唱、そしてロッシーニ、ベッリーニ、ヴェルディ、プッチーニなどの代表的なアリアを織り交ぜた、豪華なプログラム。イタリアで最も歴史ある舞台の一つである、フェニーチェ劇場から、彩り豊かなオペラの名曲を存分にお楽しみいただけることでしょう。</video:description>
<video:duration>6707</video:duration>
<video:publication_date>2026-01-02T23:41:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">RS FR AT LU MC LI BE CH IT</video:restriction>
</video:video>
<lastmod>2026-02-04T09:18:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHM</loc>
<video:video>
<video:title>フルシャ指揮、カプソンとハーゲンが共に奏でるブラームスの二重協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6f9069efb43236c741c72921f4a0eb689b4086e3.jpg</video:thumbnail_loc>
<video:description>ドイツ・ラインガウ地方の様々な会場で毎年開催される注目の音楽祭に、バンベルク交響楽団と2016年から首席指揮者を務めているヤクブ・フルシャが登場し、円熟期のブラームスが最後に管弦楽を用いて作曲した2つの傑作を披露しました。前半に演奏されるのは、ブラームスが一時不仲となっていた親友でヴァイオリニストのヨーゼフ・ヨアヒムへの和解のための贈り物として作曲した、ヴァイオリンとチェロのための二重協奏曲。1887年の初演では、作曲者の指揮のもとヨアヒム自身がソリストを務めました。今回の演奏会では、ヴァイオリニストのルノー・カプソンとチェリストのユリア・ハーゲンを独奏に迎えてお届けします。この協奏曲の2年前に完成された交響曲第4番では、抒情性と情熱的なロマン、そしてパッサカリアが導く力強いフィナーレに心を鷲掴みにされることでしょう。</video:description>
<video:duration>5453</video:duration>
<video:publication_date>2025-07-21T04:52:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-28T09:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJGE0</loc>
<video:video>
<video:title>ポリーニ、ベームとモーツァルトのピアノ協奏曲第19番、第23番を共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/daf0fb0fa72aee3231b886171c3b665cff36f53e.jpg</video:thumbnail_loc>
<video:description>「ミスター・パーフェクト」と評される圧倒的な技術、そして作品の解釈における深い洞察力によって今もなお世界中から尊敬を集めるピアニストのマウリツィオ・ポリーニ。1971年にドイツ・グラモフォンと契約してデビュー盤をレコーディングしたポリーニは、1976年から1979年にかけては協奏曲の録音に積極的に取り組みました。中でも多くの共演を果たしたカール・ベームとの録音は、名盤ばかりです。本映像では1976年春にウィーンの楽友協会で収録された演奏の模様をご覧いただけます。曲はモーツァルトのピアノ協奏曲第19番ヘ長調と第23番イ長調。30代前半のポリーニの才気煥発な演奏に触発され、80代のベームはみずみずしい音色を紡ぎ出しています。</video:description>
<video:duration>3563</video:duration>
<video:publication_date>2022-10-13T15:22:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-27T09:37:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1O</loc>
<video:video>
<video:title>ホルスト・シュタインが振るシュターツカペレ・ドレスデン～ニッカネンを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e69a675c8ddeb1c7000de801d975a692b488d09.jpg</video:thumbnail_loc>
<video:description>1991年のザルツブルク音楽祭はモーツァルト没後200年の記念イヤーで、小澤征爾・指揮の《イドメネオ》を始め様々な人気オペラが集中的に上演されました。そのうち《後宮からの逃走》を振ったドイツのホルスト・シュタインはシュターツカペレ・ドレスデンを指揮してコンサートのステージでも好評を博しました。こちらの映像はそこから、アメリカの若手クルト・ニッカネンをソリストに迎えたヴァイオリン協奏曲第3番に加えて、初期の第20番と後期の傑作である第36番《リンツ》の2つの交響曲をピックアップしたものです。決して派手ではありませんが、呼吸するように自然で滑らかなシュタイン節で紡がれた安定のモーツァルトをご堪能ください。</video:description>
<video:duration>6373</video:duration>
<video:publication_date>2026-01-22T10:43:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T10:10:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D8</loc>
<video:video>
<video:title>「歌詞なきオペラ」 - アンドラーシュ・シフ、圧巻のモーツァルト解釈</video:title>
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<video:description>現代最高のピアニストと評されるアンドラーシュ・シフ。彼はモーツァルトのピアノ協奏曲を「舞台も歌手もないオペラ」と述べていますが、本映像ではその言葉を体現する演奏をご覧いただくことができます。共演はアンドレア・バルカ・チャペル。シフは《ドン・ジョヴァンニ》の序曲を振り、その後ピアノ協奏曲第20番を弾き振りしました。最後にはバッハの《半音階幻想曲とフーガ》を演奏しています。いずれもニ短調という“死”を象徴する調であり、圧倒的な世界観を感じて頂けることでしょう。交響曲第35番《ハフナー》も圧巻です。</video:description>
<video:duration>4436</video:duration>
<video:publication_date>2022-06-29T08:37:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1N</loc>
<video:video>
<video:title>エディ・ダニエルズが奏でるモーツァルトのクラリネット協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a8da6bd9c47f8970405c6b0b7fa365c618141d43.jpg</video:thumbnail_loc>
<video:description>スウィング・ジャズの名手であった伝説のベニー・グッドマン (1909-1986) の後継者としてシーンに登場したクラリネット奏者のエディ・ダニエルズは、ジャズとクラシック両方のジャンルで活躍する技巧派のプレイヤーとして知られています。こちらの映像は1993年に、ヴァイオリニストとしても知られるフランスのジャン=ピエール・ヴァレーズが指揮するミュンヘン・フィルハーモニー管弦楽団と共演したときのステージで、曲は今日、最高のクラリネット協奏曲と見なされているモーツァルトの作品です。第1楽章の華麗なるテクニックから、第2楽章のエモーショナルな表現、そして第3楽章の軽妙なフィナーレまで、名手が魅せるクラリネットの至芸を心ゆくまでお楽しみください。</video:description>
<video:duration>2092</video:duration>
<video:publication_date>2026-01-22T10:26:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:41:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9G</loc>
<video:video>
<video:title>ブルー＆テテルマン主演、プッチーニの《つばめ》</video:title>
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<video:description>この映像は、2024年に同劇場の「ライヴ・イン・HD」シリーズの一環として収録されたプッチーニのオペラ《つばめ》です。ソプラノのエンジェル・ブルーが優雅な高級娼婦マグダを演じ、ジョナサン・テテルマンが若い恋人役でMETデビューを果たしました。ニコラ・ジョエル演出のもと指揮を務めたのは、世界の劇場で活躍の場を広げるスぺランツァ・スカップッチ。1920年代パリとコート・ダジュールを舞台に描かれる、甘く切ない悲劇に心揺さぶられることでしょう。</video:description>
<video:duration>6849</video:duration>
<video:publication_date>2026-01-26T07:27:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-26T09:41:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJEE0</loc>
<video:video>
<video:title>名アリア集～《後宮からの誘拐》より〈風来坊どものすることは〉&amp;〈おお、わしはかちどきを挙げるのだ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6995c9208fa345468dbdab26d1318da5eb172f26.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2025-12-05T09:55:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-23T15:51:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJI</loc>
<video:video>
<video:title>グルダ初のドキュメンタリー作品「ポートレイト/So What?!」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ffa0e31aa740cd74c9d7a2070b97c0134b35e445.jpg</video:thumbnail_loc>
<video:description>クラシックはもちろん、ジャズまで幅広いレパートリーを持ち、作曲もこなした多彩な音楽家であるフリードリヒ・グルダ。彼は演奏だけでなく私生活にも注目が集まっていました。本映像はそんな彼が初めてリリースした、ベネディクト・ミロウ監督によるドキュメンタリー作品です。バッハの《平均律》からモーツァルトの《トルコ行進曲付き》ソナタ、ドビュッシーの《映像》に自作曲まで幅広い楽曲が収められているのをはじめ、自身のナレーションによる解説までも行われており、「真実の」グルダの姿に迫ることができるでしょう。</video:description>
<video:duration>3524</video:duration>
<video:publication_date>2022-09-21T09:57:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T12:15:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6E8</loc>
<video:video>
<video:title>ショルティが指揮するハイドンのオラトリオ《天地創造》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcc62f2ad027b9c4fb85a6b7743fc11417edee51.jpg</video:thumbnail_loc>
<video:description>70歳の誕生日を目前にしたハイドンによって作曲されたオラトリオ《天地創造》は、人生肯定的でありながら独創性と新鮮さを備えた、クラシック音楽の歴史における不朽の名作です。本映像はミュンヘンのヘラクレスザールでスタジオ収録されたもので、この時すでに指揮者サー・ゲオグ・ショルティの長く栄光に満ちたキャリアは終盤に差し掛かっていました。気心の知れたバイエルン放送交響楽団＆合唱団、そして厳選された3人のソリストとともに、忘れがたい名演を繰り広げています。細部に至るまで完璧なバランスを実現するショルティの卓越した手腕にもご注目ください。</video:description>
<video:duration>5955</video:duration>
<video:publication_date>2024-09-12T11:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T11:27:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1L</loc>
<video:video>
<video:title>ハービー・ハンコック率いるザ・ヘッドハンターズIIのミュンヘン・ライブ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ae4b57614b922c29b6eec9cfe716f7818fb65d4e.png</video:thumbnail_loc>
<video:description>1975年にハンコックによって結成された初代「ザ・ヘッドハンターズ」はジャズ／ファンク／アフリカ音楽／カリビアンなど様々なジャンルのスタイルを融合したグループで、電子楽器とエフェクトを先駆的に使用。アルバムは商業的にも大成功を収め、後のジャズ・ファンクやフュージョンのシーンに大きな影響を与えました。バンドはその後活動を停止しますが、ハンコックはメンバーを一新して再び強者プレイヤーたちを集め「ザ・ヘッドハンターズII」を結成。1989年から各地でコンサート・ツアーを行います。こちらは彼らのミュンヘンでのライブを収録したものです。後にローリング・ストーンズのサポート・メンバーとしても活躍するダリル・ジョーンズのファンキーなベース、&quot;ンドゥグ&quot;のタイトで跳ね回るようなドラム、シネルの絶妙なパーカッション、ジャズ・ファンク・ギターの化身ワー・ワー、そしてハンコックのリズミックなキーボードが渾然一体となった熱いステージをとことん味わい尽くしてください。</video:description>
<video:duration>5913</video:duration>
<video:publication_date>2026-01-19T11:09:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T09:33:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1I</loc>
<video:video>
<video:title>ジョージ・ベンソンとマッコイ・タイナーが共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9130ca32a0f45c7bac58a9475c6de662c3b63753.png</video:thumbnail_loc>
<video:description>華麗な演奏スタイルで人気を博したジャズ・ピアニスト、マッコイ・タイナー率いるトリオと超絶テクニックで魅せるジャズ・ギタリスト、ジョージ・ベンソンのコラボレーションによるコンサート・ツアーの模様をご覧いただけます。目の覚めるような卓越した技術を持ち味とする奏者たちのアンサンブルは感動と爽快感を与えてくれます。王道のナンバーからベンソンの“十八番”など魅力的な楽曲が次々と披露され、時がたつのを忘れてしまうことでしょう。</video:description>
<video:duration>3210</video:duration>
<video:publication_date>2026-01-08T12:56:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-22T09:18:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38DG</loc>
<video:video>
<video:title>バッハのブランデンブルク協奏曲第6番を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5778c36bcfcaf3e630bc167aac1821e0db2c175f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1117</video:duration>
<video:publication_date>2024-07-02T14:49:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38D8</loc>
<video:video>
<video:title>バッハのブランデンブルク協奏曲第5番を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2da16c3463bdd01235822e9c7994099349b42aa4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1114</video:duration>
<video:publication_date>2024-07-02T14:46:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38D0</loc>
<video:video>
<video:title>バッハのブランデンブルク協奏曲第4番を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/303a6c4d6ee6434fa14619e09130a00ac9c06945.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>758</video:duration>
<video:publication_date>2024-07-02T14:43:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38CO</loc>
<video:video>
<video:title>バッハのブランデンブルク協奏曲第3番を語る</video:title>
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<video:description></video:description>
<video:duration>793</video:duration>
<video:publication_date>2024-07-02T14:39:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:58:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38CG</loc>
<video:video>
<video:title>バッハのブランデンブルク協奏曲第2番を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cd74ac2d614795ef7ed2edfb0be3716b0f405dc1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1185</video:duration>
<video:publication_date>2024-07-02T14:37:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:57:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38C8</loc>
<video:video>
<video:title>バッハのブランデンブルク協奏曲第1番を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cc3e6c7d8c5719284a31c1192b2f1c0039f1291c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1393</video:duration>
<video:publication_date>2024-07-02T14:32:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T14:57:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ0</loc>
<video:video>
<video:title>クヴァストホフ＆バレンボイムがシューベルト《冬の旅》を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35f25cda09fce869f276050c61a3f351ee7a7642.jpg</video:thumbnail_loc>
<video:description>シューベルトは31年間の生涯で600以上の作品を書いていますが、ヴィルヘルム・ミューラーの詩に付曲した歌曲集《冬の旅》は、彼の最高傑作のひとつに数えられます。この曲に描かれた冬の孤独な風景、人間の苦悩と救済を、グラミー賞受賞バスバリトン歌手、トーマス・クヴァストホフが余すところなく表現しています。ダニエル・バレンボイムのピアノも、シューベルトの本質を余すところなく描き出し、深い感動を呼びます。</video:description>
<video:duration>4947</video:duration>
<video:publication_date>2022-04-21T08:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:53:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9I</loc>
<video:video>
<video:title>ファスベンダーが歌う《冬の旅》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/19d49c5671450bb9ef8a5d388aa72af4048bc98e.jpg</video:thumbnail_loc>
<video:description>1970年代から世界の主要な歌劇場で、男装の“ズボン役”からワーグナーの楽劇まで幅広く活躍して人気を博し、コンサート歌手としても宗教作品やドイツ・リートに積極的に取り組んで高い評価を得ていたメゾ・ソプラノのブリギッテ・ファスベンダー。シューベルトの“3大”連作歌曲集をすべて録音した最初の女性歌手としても知られる彼女が歌う、極めつけの《冬の旅》をお届けします。その成熟した歌声が作品に深い陰影を与え、バリトンやテノールとはひと味違うやり方で物語を描き出します。当時30代のはじめだったマルクス・ヒンターハウザーの繰りだす、繊細でありながら力強いピアノ伴奏にもご注目ください。</video:description>
<video:duration>4417</video:duration>
<video:publication_date>2025-10-24T09:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:53:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CCO</loc>
<video:video>
<video:title>フランシスコ・アライサが歌う《冬の旅》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/da98739344250b6153f73aee17935ce661eb4e6b.jpg</video:thumbnail_loc>
<video:description>ドイツ南部の町ヴォルフェックに佇む小さな礼拝堂で収録された、シューベルト作曲による連作歌曲の最高峰《冬の旅》のリサイタルをお届けします。歌い手は1950年にメキシコで生まれ、ウィーン国立歌劇場の宮廷歌手も務めたスター・テノール、フランシスコ・アライサ。円熟期へと向かう途中のみずみずしい歌唱と深い表現力に裏打ちされた解釈で、詩人ヴィルヘルム・ミュラーの描いた“恋に破れて”さすらう若者の姿をリアルに浮かび上がらせていきます。ピアノを演奏するジャン・ルメールもアライサとはいくつかの歌曲録音で共演した間柄であり、ここでも驚くほどに息のあったアンサンブルを聴かせてくれます。</video:description>
<video:duration>5339</video:duration>
<video:publication_date>2025-02-25T10:46:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:52:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34DG</loc>
<video:video>
<video:title>パブロ・エラス＝カサドが指揮するバッハ父子のマニフィカト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f01e60bbcc4f3e03780096510f7f5a503a7a8ac.jpg</video:thumbnail_loc>
<video:description>パブロ・エラス＝カサドがコンツェントゥス・ムジクス・ウィーンとコレギウム・ヴォカーレ1704を指揮し、メルク修道院で開催される国際バロック音楽祭のオープニングを飾ります。彼が挑むのは、歴史に名を遺す音楽一家が生んだ2人の作曲家によるマニフィカト。ヨハン・セバスティアン・バッハが1723年に作曲したマニフィカトは、彼がラテン語のテキストに作曲した最初の作品でもあり、1733年に改訂され人気作としての地位を確立しました。そして、次男カール・フィリップ・エマヌエル・バッハによって1749年に作曲された作品も華麗さでは決して劣らず、当時流行していた新しい音楽様式を反映しています。ソリストの豪華な顔ぶれとエラス＝カサドの卓越した統率力によって、爽快で圧倒的な演奏をお楽しみいただけることでしょう。</video:description>
<video:duration>4021</video:duration>
<video:publication_date>2025-09-29T08:31:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:13:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJADG</loc>
<video:video>
<video:title>アーノンクールが指揮する、バッハのヨハネ受難曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cad60c79485f09a3b4d98a4c442d32a5e41b30b0.jpg</video:thumbnail_loc>
<video:description>バッハ生誕300年の1985年に撮影された、グラーツ大聖堂でのオリジナル楽器によるヨハネ受難曲。古楽研究の第一人者であったアーノンクールが自ら1953年に創設したウィーン・コンツェントゥス・ムジクスと、バッハ作品を集中的にレコーディングしていた当時の貴重な映像です。ここでは清澄さと精緻な力強さを併せ持つ名門テルツ少年合唱団を起用し、ソプラノとアルトのソロを合唱団員に振り分けるという珍しい試みで、統率のとれた密度の濃い演奏を聴かせています。クルト・エクヴィルツによる説得力ある福音史家やアントン・シャリンガーの真摯な歌唱にも心打たれるはずです。</video:description>
<video:duration>6818</video:duration>
<video:publication_date>2023-04-05T15:29:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:12:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4DO</loc>
<video:video>
<video:title>古楽の“復権者”、アーノンクールによる《コーヒー・カンタータ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e38fb03b002280633fc505d6d22861b8cfd0774c.jpg</video:thumbnail_loc>
<video:description>オーストリア出身の指揮者、チェリスト、ヴィオラ・ダ・ガンバ奏者と幅広い顔を持つニコラウス・アーノンクールは、古楽の演奏において特別な存在感を放っていました。とりわけバッハの作品については「もしも我々がバッハの音楽に接することがなかったとしたら、我々は人間性を失ってしまうだろう」とまで語り、深く敬愛しています。本映像ではバッハの楽しさに溢れた傑作《コーヒー・カンタータ》が収められ、ジャネット・ペリーやペーター・シュライアーといった名歌手たちの美しい声と端正な表現を楽しむことができます。また、組曲第3番、ヴァイオリンとオーボエのための協奏曲も必聴です。</video:description>
<video:duration>3941</video:duration>
<video:publication_date>2023-12-08T15:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:11:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3IC0</loc>
<video:video>
<video:title>アーノンクール指揮バッハ「クリスマス・オラトリオ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35ab6cbd6eb6cb1285d465db9b1796c5d12a94f7.jpg</video:thumbnail_loc>
<video:description>クリスマス・オラトリオは、荘厳さ、深遠さ、躍動感を兼ね備え、バッハの作品でも特に人気のあるものの一つでしょう。本映像は1982年、ヴァルトハウゼンの美しいバロック様式の教会で撮影されました。ニコラウス・アーノンクールと、彼が創設したコンツェントゥス・ムジクス・ウィーン、そしてテルツ少年合唱団が、この大作に挑みました。20世紀後半を代表するテノール、ペーター・シュライヤーは、エヴァンゲリストの役で美しい声の輝きと魅惑的なアーティキュレーションを披露。ロベルト・ホルはバスのソロで重厚な雰囲気を醸し出しています。</video:description>
<video:duration>9215</video:duration>
<video:publication_date>2022-12-19T10:19:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:09:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30D0</loc>
<video:video>
<video:title>アーノンクールが指揮する、クリスマスを迎えるためのアドヴェント・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c659d3a45d69033ccd5c98de173fd4714e894b70.jpg</video:thumbnail_loc>
<video:description>2000年12月8日の祝日、オーストリア・バロック建築の典型であるベネディクト会派のメルク修道院では招待客を前に、コンツェントゥス・ムジクス・ウィーンとアルノルト・シェーンベルク合唱団によるクリスマスを迎えるためのアドヴェント・コンサートが開催されました。演奏されたのはバッハの教会カンタータと《マニフィカト》。会場となったのは900年の歴史を持つ同修道院の守護聖人コロマンに捧げられた部屋です。年明けにウィーン・フィルのニューイヤー・コンサートで初めて指揮台に立つことになるアーノンクールにとっても、この日の公演は特別なものになったことでしょう。ソリストの中にクリスティーネ・シェーファー (ソプラノ) やイアン・ボストリッジ (テノール) ら、その後のスター歌手たちが期待の若手として顔を揃えているのにもご注目ください。</video:description>
<video:duration>4882</video:duration>
<video:publication_date>2024-12-10T12:31:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T13:09:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4D1H</loc>
<video:video>
<video:title>ノリントンが指揮するシューマンの交響曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcbb9162550a9b76f04c73ec120dd54581fafd7c.jpeg</video:thumbnail_loc>
<video:description>ロンドン・クラシカル・プレイヤーズを率い、ベートーヴェンやそれ以降の作曲家の交響曲を当時の楽器で演奏する先進的な試みで注目を集めていたロジャー・ノリントンは1997年、カメラータ・ザルツブルクの首席指揮者に就任。この欧州屈指の室内オーケストラからも斬新な響きを引き出していきます。こちらは2000年のザルツブルク音楽祭の期間に同楽団を指揮し、シューマンが次第に心の病に侵され始めた頃に作曲された交響曲第2番を演奏する映像です。定評のある学術的な名解説を交えたリハーサルを経て、楽団が楽曲の持つ魅力を鮮やかに浮かびあがらせていく様子をお楽しみください。</video:description>
<video:duration>3120</video:duration>
<video:publication_date>2026-01-08T12:48:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-21T07:51:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38DG</loc>
<video:video>
<video:title>ピリスがシューベルトの独奏曲、室内楽曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a60aa2d27c1456889441a15edf1e053eb991c3fa.jpg</video:thumbnail_loc>
<video:description>本映像は、現代版「シューべルティアーデ」といえるものです。パリ・フィルハーモニーで、シューベルトのスペシャリストであるマリア・ジョアン・ピリスが、友人や後輩たちと共にあたたかい空気のなかで演奏を繰り広げます。ピリスは4手連弾曲《人生の嵐》、ピアノ五重奏曲《ます》、さらに十八番である即興曲から抜粋を披露。さらに若手バリトン歌手トーマス・ハンフリーズのピアニストも務めます。アルメニア出身のピアニスト、リリト・グリゴリアンの《楽興の時》、歌手のセルマ・ウアムッセによる歌と即興も魅力的な時間を届けてくれます。</video:description>
<video:duration>7809</video:duration>
<video:publication_date>2024-07-24T14:51:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:36:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GE8</loc>
<video:video>
<video:title>ピリスと仲間たちによる「シューべルティアーデ」III.トリオと幻想曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85c6962db471648ef3156063ee14c16f49a1d04b.jpg</video:thumbnail_loc>
<video:description>本映像は、現代版「シューべルティアーデ」といえるものものです。パリ・フィルハーモニーで、シューベルトのスペシャリストであるマリア・ジョアン・ピリスが、友人や後輩たちと共にあたたかい空気のなかで演奏を繰り広げます。シューベルトの連弾作品を代表する《軍隊行進曲》に《幻想曲ヘ短調》をはじめ、歌曲やピアノ三重奏曲など盛りだくさんの内容です。シューベルトの音楽性の豊かさに改めて触れることができるはずです。</video:description>
<video:duration>7989</video:duration>
<video:publication_date>2024-07-22T14:04:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:35:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GE0</loc>
<video:video>
<video:title>ピリスと仲間たちによる「シューべルティアーデ」II.アルペジオ―ネ・ソナタ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1ba616709465ba43aad0e0410c6667b75c438d5c.jpg</video:thumbnail_loc>
<video:description>現代版「シューべルティアーデ」をお楽しみ頂ける映像です。パリ・フィルハーモニーで、シューベルトのスペシャリストであるマリア・ジョアン・ピリスが、友人や後輩たちと共にあたたかい空気のなかで演奏を繰り広げます。チェロのアントニオ・メネセスなど名手が勢ぞろいし、《アルぺジオーネ・ソナタ》など多彩な楽曲が披露されます。リスト編曲によるシューベルト歌曲が多数演奏されるのも魅力的です。シューベルト歌曲の新たな魅力に気が付くことでしょう。</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2024-07-22T13:04:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:35:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3IC0</loc>
<video:video>
<video:title>マリア・ジョアン・ピリスと仲間たちによる「シューべルティアーデ」I.死と乙女</video:title>
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<video:description>本映像は、現代版「シューべルティアーデ」といえるものものです。パリ・フィルハーモニーで、シューベルトのスペシャリストであるマリア・ジョアン・ピリスが、友人や後輩たちと共にあたたかい空気のなかで演奏を繰り広げます。シューベルトのピアノソナタ第21番をはじめ、弦楽四重奏曲《死と乙女》に歌曲など、もりだくさんのプログラムをお楽しみ頂けます。注目のピアニスト、トーマス・エンコの《即興曲》も美しく華を添えます。</video:description>
<video:duration>7366</video:duration>
<video:publication_date>2024-07-22T14:41:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T14:34:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPP</loc>
<video:video>
<video:title>アーウィン・シュロットのモーツァルト :《ドン・ジョヴァンニ》</video:title>
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<video:description>カスパー・ホルテン演出の《ドン・ジョヴァンニ》は、2015年のロイヤル・オペラ来日公演でも話題になりました。この2019年の公演は、2014年に上演された彼の演出の再演。プロジェクション・マッピングや回り舞台を効果的に使用しています。指揮は、ドイツ出身で古典派の作品に造詣の深いハルトムート・ヘンヒェン。現代最高のドン・ジョヴァンニ歌いと言えるウルグアイ出身のアーウィン・シュロットが、タイトルロールを熱演。スウェーデン出身のマリン・ビストレムは、ドンナ・アンナを歌います。</video:description>
<video:duration>10725</video:duration>
<video:publication_date>2025-07-22T08:34:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T11:51:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1I</loc>
<video:video>
<video:title>ヴィットリオ・グリゴーロが歌うオッフェンバック :《ホフマン物語》</video:title>
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<video:description>オッフェンバックは、オペレッタの創作で一世を風靡した作曲家ですが、《ホフマン物語》は、ドイツロマン派のE.T.A.ホフマンの小説に題材を得た、彼唯一のオペラです。ジョン・シュレジンジャーが演出するこのオペラは、1980年以来ロイヤル・オペラ・ハウスで定評のあるプロダクション。彼は、この上演における物語の時代設定を1940年にしています。タイトルロールを歌うヴィットリオ・グリゴーロは、現代最高の人気テノール。また、敵役4役を、ベテランのトーマス・ハンプソンが見事に演じています。名匠エヴェリーノ・ピドの指揮にもご注目ください。</video:description>
<video:duration>10176</video:duration>
<video:publication_date>2025-07-22T10:50:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-19T11:50:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPG</loc>
<video:video>
<video:title>R.シュトラウス : 歌劇《ばらの騎士》</video:title>
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<video:description>伝説的ソプラノ歌手レネ・フレミングが、時の流れと向き合う優雅な元帥夫人を歌う、最後の姿を収めています。メゾソプラノのエリーナ・ガランチャは、彼女の衝動的な若い恋人オクタヴィアンを圧倒的な演技で表現。ロバート・カーセンは、作品が初演された年に舞台設定を移し、狂騒的な演出に仕上げました。相続人ゾフィー役のエリン・モーリーが輝かしく美しいソプラノで歌い、バス歌手ギュンター・グロイスベックは堂々たるオックス男爵を演じています。セバスティアン・ヴァイグレによる指揮は、ウィンナ・ワルツ、騒がしい喜劇、そしてシュトラウス特有の鮮やかな管弦楽の色彩が織り交ぜられたスコアから、軽快な演奏を引き出しています。</video:description>
<video:duration>12150</video:duration>
<video:publication_date>2025-09-18T15:39:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-16T13:47:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJIDO</loc>
<video:video>
<video:title>名アリア集～《運命の力》より〈とうとう着いた！神よ、感謝します〉</video:title>
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<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2026-01-14T15:58:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-16T10:08:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJIDG</loc>
<video:video>
<video:title>名アリア集～《エフゲニー・オネーギン》より〈いいえ、この世であなたのほかに心を捧げる人はいません！〉</video:title>
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<video:description></video:description>
<video:duration>607</video:duration>
<video:publication_date>2026-01-14T14:04:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-16T10:08:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPL</loc>
<video:video>
<video:title>オスカー・ピーターソン率いるトリオのライヴ</video:title>
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<video:description>1989年にミュンヘンの聴衆の前で演奏する、ジャズ史上屈指の名ピアニストでコンポーザーでもあるオスカー・ピーターソンのステージをお届けします。彼は1950年代後半～60年代前半に全盛を誇ったレイ・ブラウン (ベース) とエド・シグペン (ドラム) による黄金の“ザ・トリオ”を筆頭に、様々な顔ぶれによる3人組でも長らくジャズ・ファンの心を掴みました。この時のメンバーもカントリーやルーツ・ミュージックの世界でも活躍した名ドラマーのボビー・ダーハムに、カナダのトロントが生んだパワフルなベーシストのスティーヴ・ウォレスと魅力的な組み合わせが実現。自作曲に加えてヴィクター・ヤングやガーシュウィン、エリントンのナンバーなど名スタンダードが次々に飛び出すエキサイティングなライヴをお楽しみください。</video:description>
<video:duration>7138</video:duration>
<video:publication_date>2025-12-12T15:10:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T16:27:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38DO</loc>
<video:video>
<video:title>ロジェストヴェンスキー＆ヨーロッパ・ユニオン・オペラによる《エフゲニー・オネーギン》</video:title>
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<video:description>旧ソ連のボリショイ劇場で活躍し、1970年代後半からは西側で活動する機会が増えて日本にも度々訪れ、1990年には読売日本交響楽団の名誉指揮者に就くなど、ロシア音楽の普及に努めたマエストロ、ロジェストヴェンスキーが円熟期の1998年に指揮して上演した、チャイコフスキーの情熱的なオペラ《エフゲニー・オネーギン》の映像をお届けします。日本でもよく知られたレーンホフ監督の演出は、シンプルながらステージをダイナミックに使い、収穫期を迎えた片田舎の農場の明るい風景から、重苦しい舞踏会や寒々とした決闘シーンまで、登場人物の抑圧された感情を巧みに映し出します。特に夢見るタチヤーナの恋心を象徴するかのような (恋愛小説らしき) 書籍の存在感にもご注目ください。</video:description>
<video:duration>9006</video:duration>
<video:publication_date>2025-02-07T12:41:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T15:06:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3IE0</loc>
<video:video>
<video:title>ミンコフスキが指揮するオッフェンバックの《美しきエレーヌ》</video:title>
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<video:description>オッフェンバックといえばオペラ《ホフマン物語》にオペレッタ《地獄のオルフェ》のイメージが強いかもしれませんが、ヨーロッパでは《美しきエレーヌ》も大人気作品です。神話をパロディー化した物語は美しさと笑いが見事に共存し、魅力的な旋律も相まって、すぐに心奪われてしまうことでしょう。本映像は2000年にパリでセンセーショナルともいえる成功を収めたプロダクションです。マルク・ミンコフスキの指揮のもと、フェリシティ・ロットの輝かしく優雅な歌唱と演技に魅了されます。</video:description>
<video:duration>7606</video:duration>
<video:publication_date>2024-08-05T15:10:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T14:59:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9J</loc>
<video:video>
<video:title>サン=サーンス : 歌劇《サムソンとデリラ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/52232985e1f987abef6a6405b14bf48926f61d00.jpg</video:thumbnail_loc>
<video:description>聖書の物語を題材とした壮大な叙事詩のようなサン=サーンスのオペラは、華麗な声の饗宴と壮烈な合唱、そして壮大な擬歴史的な背景をもつ魅力的な筋書といった、グランド・オペラの特徴を数多く備えています。2018～19年シーズンの新制作で大胆な演出を手掛けたのは、ダルコ・トレズニヤック。人気メゾソプラノ、エリーナ・ガランチャ演じるデリラの誘惑の力に迷う英雄サムソン役で、ロベルト・アラーニャが主演しました。バスバリトンのロラン・ナウリが怪しげなダゴンの大祭司を歌い、指揮はマーク・エルダーが務めています。</video:description>
<video:duration>8276</video:duration>
<video:publication_date>2025-10-02T10:28:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T14:58:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ED8</loc>
<video:video>
<video:title>ベルネーム＆ドライシヒ主演、ジョリー演出によるグノー《ロメオとジュリエット》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/582f9c65cbe1f8c1ffb45baa7cc7f074e6350569.jpg</video:thumbnail_loc>
<video:description>2025年1月の来日コンサートの予定が告知され、ファンの胸を高鳴らせている期待のフランス系スター・テノール、バンジャマン・ベルネーム出演のオペラをお届けします。ドイツ・グラモフォンからリリースされたデビュー・アルバムにもアリアが収録されているロメオは彼の当たり役のひとつで、2024年3月のメトロポリタン歌劇場でも大絶賛を浴びたばかり。パリ・オペラ座での本公演も成功を収め、シェイクスピア劇に造詣が深く大胆な読み替えで知られるトマ・ジョリー (※パリ五輪の開閉会式の芸術監督も務める) による絢爛豪華な「グランド・スペクタクル」スタイルの演出が大きな話題を呼びました。同じくフランス出身のメゾ・ソプラノ、エルザ・ドライシヒがジュリエット役を務めているのも注目ポイントです。</video:description>
<video:duration>10244</video:duration>
<video:publication_date>2024-06-28T12:26:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-15T14:56:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCCO</loc>
<video:video>
<video:title>ゲルギエフが指揮するヴェルディの歌劇《運命の力》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a5906f45e2484d859cff225487cacb4365aafcc.jpg</video:thumbnail_loc>
<video:description>ヴェルディの作品の中でもとりわけ激しい内容をもつ《運命の力》は、19世紀オペラの金字塔のひとつです。本映像でご覧いただけるのは、1998年、新生マリインスキー劇場の音楽監督となったワレリー・ゲルギエフが、サンクトペテルブルクでの初演時に用いられた1862年版の楽譜を使用したプロダクション。モシンスキーによる古典的な演出は物語を立体的に観客へと伝え、レオノーラ役のゴルチャコーワをはじめとするキャスト陣の感情表現がさらにそれを印象付けていきます。そして音楽全体を牽引するゲルギエフの指揮はそれらを見事にまとめ上げています。</video:description>
<video:duration>9908</video:duration>
<video:publication_date>2024-10-31T12:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-14T15:57:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38C0</loc>
<video:video>
<video:title>第63回優勝者、パク・ジェホン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2a6adeb66db2fc846f2b76720012d843875d1455.jpg</video:thumbnail_loc>
<video:description>2019年のフェルッチョ・ブゾーニ国際ピアノコンクールで第1位にたどり着くまで、パク・ジェホンはバロックから現代まで幅広い音楽の演奏で著名な審査員たちをうならせました。本映像に収録されているのは、ソロ・ラウンドからブゾーニとスカルラッティの演奏、そしてグランドフィナーレでのラフマニノフのピアノ協奏曲第3番です。ソリストにとって最大の難曲ともされる作品を、確かな技術で弾き切っています。</video:description>
<video:duration>3505</video:duration>
<video:publication_date>2023-08-16T10:03:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:25:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJACO</loc>
<video:video>
<video:title>ファビオ・ルイージが《ジークフリート》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/028f2835b186ed685996a9941b06e1f67d4e292f.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>924</video:duration>
<video:publication_date>2025-11-19T13:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:17:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJID0</loc>
<video:video>
<video:title>ショルティによる《青ひげ公の城》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/796e1b6c658b01870324d552619804641bb02ec5.jpg</video:thumbnail_loc>
<video:description>バルトークの《青ひげ公の城》は、わずか2人のキャストと1時間弱の上演時間が特徴で、最も凝縮されたオペラのひとつと言えるでしょう。1981年に制作されたこの映画版は、廃墟となった採石場で制作され、その禁断の空間の数々が、バルトークの呪われた音世界にふさわしい雰囲気を作り出しています。青ひげとその新妻ユディットを、当時ハンガリーで活躍した2人の歌手、コーロシュ・コヴァーツとシルヴィア・シャスが演じ、ショルティとロンドン・フィルが強力にサポートします。</video:description>
<video:duration>3405</video:duration>
<video:publication_date>2022-10-18T08:37:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:11:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GE8</loc>
<video:video>
<video:title>カンヌ国際映画祭でも話題を呼んだシャイーの《マクベス》(日本語字幕付き)</video:title>
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<video:description>シェイクスピアの戯曲に基づくオペラ「マクベス」は、ヴェルディのオペラの中でもひときわ強い輝きを放つ劇的な作品です。登場人物たちの思惑が入り乱れ、それを描き出す音楽は非常にスリリングです。その鮮烈さを見事にリッカルド・シャイーはまとめ上げ、複雑なストーリーを音楽によって明確に伝えてくれます。本映像は、クロード・ダンテ監督によって1987年に制作されたオペラ映画によるものです。ベルギーの古城を使った豪華な演出にもご注目ください。</video:description>
<video:duration>7928</video:duration>
<video:publication_date>2023-10-24T15:24:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T14:09:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGC8</loc>
<video:video>
<video:title>マエストロ・ムーティの肖像</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2a2277e525f40ca30ed04829449b12915e911f49.jpeg</video:thumbnail_loc>
<video:description>こちらは、東京文化会館の長期休館前最後となる2026年のオペラ公演《ドン・ジョヴァンニ》でもクラシック・ファンの熱い期待を集める現代最高峰の巨匠、ムーティにスポットライトをあてた映像作品。シカゴ交響楽団音楽監督 (2005～) への就任以前、ミラノ・スカラ座の芸術監督 (1986-2005) 当時の、指揮台上で揺るぎない存在感を放つマエストロの肖像に、欧州を代表するオーケストラとのリハーサルや公演を通して迫ったドキュメンタリーです。インタビューや舞台裏を交えてウィーン・フィルのニューイヤー・コンサートに至る栄光のキャリアをたどり、ヴェルディやモーツァルトあるいはハイドンやブルックナー作品において、確固たる信念と情熱で「原点主義」ともいえる姿勢を貫くひとりの音楽家の姿を浮かび上がらせます。</video:description>
<video:duration>3558</video:duration>
<video:publication_date>2025-12-08T11:09:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T11:34:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPN</loc>
<video:video>
<video:title>キーシン、アルゲリッチ、マイスキーがショスタコーヴィチ作品を披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a2e43d8bb125766b221af552da2c069c14aaf361.jpg</video:thumbnail_loc>
<video:description>2025年のヴェルビエ音楽祭から、ショスタコーヴィチ没後50年を記念する演奏会の模様をお届けします。エフゲニー・キーシンが中心となり、マルタ・アルゲリッチ、ミッシャ・マイスキー、アントワン・タメスティ、エベーヌ弦楽四重奏団が加わった豪華アーティストの共演が実現。チェロ・ソナタ、ピアノ五重奏曲、2台のピアノのためのコンチェルティーノ、そして彼が完成させた最後の作品ヴィオラ・ソナタが披露されます。親密な響きや個人的な苦悩、深い精神性など、ショスタコーヴィチの多面性を改めて感じていただけることでしょう。</video:description>
<video:duration>6892</video:duration>
<video:expiration_date>2026-04-12T00:00:00Z</video:expiration_date>
<video:publication_date>2026-01-12T09:07:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-13T10:33:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPP</loc>
<video:video>
<video:title>ペトル・ポペルカ＆ウィーン交響楽団による《グレの歌》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3610f523097740a2f86ee237b89fa8666380fc64.jpeg</video:thumbnail_loc>
<video:description>欧州の音楽シーンから熱い視線を集めながらウィーン交響楽団の新首席指揮者に就任したチェコ出身の俊英、ペトル・ポペルカが、ちょうど111年前に同楽団が初演したシェーンベルク作曲の空前絶後の声楽曲《グレの歌》を披露します。完成までに12年の歳月を費やし、デンマークに実在した王ヴァルデマール1世とその愛人トーヴェをめぐる壮大な物語を描いたこの傑作に、ポペルカは3つの合唱団と5人の気鋭ソリストからなる400名の大編成で挑み「ウィーン史上最も偉大なコンサートのひとつだった」と大絶賛される成功を収めました。とりわけ、明るく確かな高音域でステージを席巻し「若々しく咲き誇るトーヴェ」と称賛された、ドイツ出身の新星ヴェラ=ロッテ・ベッカーにもご注目ください。シェーンベルク生誕150年とウィーン交響楽団創立125周年を記念するこの一大イベントをお見逃しなく。</video:description>
<video:duration>6570</video:duration>
<video:publication_date>2026-01-08T10:12:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-12T12:25:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9O</loc>
<video:video>
<video:title>ペンデレツキ : 交響曲第7番《エルサレムの七つの門》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ed9b72091de4359312a352e03332609cc73b817a.jpeg</video:thumbnail_loc>
<video:description>本映像では、クシシュトフ・ペンデレツキの晩年の貴重な姿と作品をご覧いただけます。2000年1月のカンヌで、彼の交響曲第7番《エルサレムの七つの門》が作曲者本人の指揮によって演奏されています。ちょうどこの日は、彼がMIDEMの年間最優秀作曲家賞を受賞するという記念すべき日でもありました。この作品は独唱に語り手と合唱、オーケストラが一体となり、詩篇や預言が題材となった7部構成の大曲です。儀式的な力強さと内省が融合しており、ペンデレツキの代表作となっています。</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2025-11-24T15:44:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-08T14:19:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2</loc>
<video:video>
<video:title>ダニエル・バレンボイムがベートーヴェンとワーグナー作品を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/75a8f214345c82e7fb41f29ca8461b25bdb1da2b.jpg</video:thumbnail_loc>
<video:description>本映像は、ダニエル・バレンボイムが手兵であるウェスト=イースタン・ディヴァン管弦楽団を率いて2006年、ベルリンで行った公演が収められています。これはワールドツアーの一環で、プログラムには自由と平等、兄弟愛や友愛を描いたベートーヴェンの《レオノーレ》序曲第3番に交響曲第9番、そしてワーグナーの楽劇《トリスタンとイゾルデ》の前奏曲が並びます。ドラマティックな楽曲がバレンボイムの指揮によって色彩豊かに紡がれ、強い感動を呼び起こします。</video:description>
<video:duration>7122</video:duration>
<video:publication_date>2022-05-13T10:32:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2026-01-08T10:50:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38CG</loc>
<video:video>
<video:title>ネルソンスが指揮する、2022年大晦日の「第九」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/caa6c5df048793f795600291f7b48d6258137d2f.jpg</video:thumbnail_loc>
<video:description>ドイツ随一の長い歴史を誇るゲヴァントハウス管弦楽団が大晦日に「第九」を演奏する伝統は、第一次世界大戦終結の1918年に当時のカペルマイスターであったアルトゥル・ニキシュが平和と自由への願いを込めて演奏したのが始まりといわれています。この2022年12月31日のコンサートでも、第21代目のアンドリス・ネルソンスがこれをしっかりと受け継ぎ、今が旬のソリストたちと3つの合唱団を束ねてオーケストラから輝かしい響きを引き出し、エキサイティングなクライマックスで盛大に新年を祝福しています。</video:description>
<video:duration>4604</video:duration>
<video:publication_date>2023-01-11T11:15:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-31T16:03:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1P</loc>
<video:video>
<video:title>マスネのオペラ《サンドリヨン》(英語歌唱版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b47ab383b3bcae99e65546d637dfe5dcbe178559.jpg</video:thumbnail_loc>
<video:description>童話を原作としたマスネの幻想的なオペラの短縮・英語版です。この上演では、人気メゾソプラノ歌手イザベル・レナードがプリンセスへと上り詰めるタイトルロールを演じました。ロラン・ペリーによる風変わりでウィットに富む演出のもと指揮を務めたのは、エマニュエル・ヴィヨーム。その他、魅惑的なキャストには、恋に落ちたチャーミング王子役のエミリー・ダンジェロ (メゾソプラノ) 、名付け親の妖精役のジェシカ・プラット (ソプラノ) 、意地悪なド・ラ・アルティエール夫人役のステファニー・ブライズ、情け深いが控えめなシンデレラの父パンドルフを歌うロラン・ナウリ (バスバリトン) が名を連ねています。</video:description>
<video:duration>6004</video:duration>
<video:publication_date>2025-12-26T19:05:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-26T19:07:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGDO</loc>
<video:video>
<video:title>ブリギッテ・ファスベンダー、模索し続ける名歌手</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c705aec070755f8af4c3c0b7de538c43f8ee0191.jpeg</video:thumbnail_loc>
<video:description>1970年代からシーンの最前線で華々しい活躍を果たし、1994年にオペラや歌曲、コンサート歌手としての活動を終えた偉大なメゾ・ソプラノ、ブリギッテ・ファスベンダー。その後も彼女は様々な劇場や音楽祭の芸術監督を務めて定期的にオペラの演出を手掛け、声楽家の教師やコンテストの審査員として後進の指導にあたります。本映像はドイツの芸術一家に生まれ、伝統と革新の交差点に立って自らの道を模索し続け、才能と信念でキャリアを築いてきたこの名歌手の真実に迫るドキュメンタリー。インタビューや回想、考察を通してその軌跡をたどり、彼女が最も輝いた場所で、創作に没頭する芸術家としての姿を親密な視点により捉えた作品です。</video:description>
<video:duration>3183</video:duration>
<video:publication_date>2025-12-15T13:13:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T16:21:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHM</loc>
<video:video>
<video:title>クリストフ・ロイ演出によるレスピーギのグランド・オペラ《炎》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4c1780599a7aa55b5f8a363211d94b9854342024.png</video:thumbnail_loc>
<video:description>《炎》は、オットリーノ・レスピーギの書いた最後のグランド・オペラ。陰謀、権力闘争、継母と息子の禁断の愛を描いた物語です。1934年にローマで初演されたもので、ドラマティックな物語はフランス印象主義、ロシア音楽の影響、そしてイタリア・ルネサンス音楽の古典主義的再解釈が融合した音楽によって彩られています。また大合唱、巨大な場面転換によるスケールの大きさも魅力です。演出家クリストフ・ロイが描き出す白熱の舞台はご覧になる方の心を強く打つでしょう。</video:description>
<video:duration>8083</video:duration>
<video:publication_date>2025-12-05T13:15:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T16:04:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPK</loc>
<video:video>
<video:title>オーネット・コールマンが率いるプライム・タイム『ヴァージン・ビューティー』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/57f1455ad12a7335262be4f60b37c8ed237ea3fc.png</video:thumbnail_loc>
<video:description>ジャズで圧倒的な存在感を放ったオーネット・コールマンは、アメリカ生まれのジャズ・サックス奏者であり、トランペットやヴァイオリンまで弾きこなす紛れもない天才。リズムやハーモニー、構造から解き放たれたフリージャズの先駆的存在であり、彼のサウンドは様々なアーティストにインスピーションを与えました。本映像では彼がリーダーを務めるバンド「プライム・タイム」の代表曲が並び、コールマンの自由かつ鮮烈なサウンドをお楽しみいただけます。</video:description>
<video:duration>5225</video:duration>
<video:publication_date>2025-12-12T14:17:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-24T15:50:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0D8</loc>
<video:video>
<video:title>ダニール・トリフォノフ～音楽の魔法</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/39fa68e5aa461166bf067cf8584908b9910282c1.jpeg</video:thumbnail_loc>
<video:description>英グラモフォン誌から「現代で最も才能のある音楽ドキュメンタリー作家」と称賛されるクリストファー・ヌーペン監督によるこの映像は、巨匠への道を歩き始めた頃の若きトリフォノフを捉えた親密なポートレートです。当時彼は2013年にドイツ・グラモフォンと専属録音契約を結び、翌年にエコー・クラシック賞の最優秀新人賞 (ピアノ部門) を受賞したばかりでしたが、その輝くばかりの存在感で観る者の心を掴みます。特にクリーヴランド音楽院で、極めて演奏が難しい独奏パートを含む自作のピアノ協奏曲第1番を初演するシーンは必見です。</video:description>
<video:duration>3549</video:duration>
<video:publication_date>2025-10-23T13:09:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-23T12:58:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCCG</loc>
<video:video>
<video:title>ガーディナーが指揮するグルック : 歌劇《アルチェステ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1b0e4bd52275d77bd7199e4f4403e94d3fdf0840.jpg</video:thumbnail_loc>
<video:description>古代ギリシャを舞台に、瀕死のテッサリア王アドメートへの愛のために自らの命を捧げることを決意した王妃をめぐるドラマを描いた《アルチェステ》は、18世紀のオペラ改革者グルックが《オルフェオとエウリディーチェ》の5年後に書いた会心作。こちらは1999年にパリのシャトレ座にて上演されたその極めつけプロダクションによる映像で、ロバート・ウィルソンが演出を手がけ、ガーディナー率いるイングリッシュ・バロック・ソロイスツの演奏で、当時メゾ・ソプラノ界の頂点にいたアンネ・ソフィー・フォン・オッターがタイトルロールを務めたものです。ディートリヒ・ヘンシェル (バリトン) やヤン・ブロン (テノール) 、リュドヴィク・テジエ (バリトン) ら現在のシーンを牽引するスター歌手陣による、若き日の豪華共演にもご注目ください。</video:description>
<video:duration>7993</video:duration>
<video:publication_date>2024-10-30T12:14:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:33:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30C0</loc>
<video:video>
<video:title>ネトレプコがトスカを歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0b11a43cfaebdc121ba19cc2f009a772143ae8e8.jpg</video:thumbnail_loc>
<video:description>アンナ・ネトレプコが歌姫フローリア・トスカに扮し、2020年にウィーン国立歌劇場の舞台に立ちました。1958年に発表されたマルガレーテ・ワルマンの名演出で、これまで同役を歌ってきた数々の伝説的ソプラノたちの後を継ぎます。トスカの恋人である熱血政治革命家カヴァラドッシをテノールのユセフ・アイヴァゾフが、二人のロマンスを墓の向こうから劇的な結末に導く悪の警察署長スカルピア男爵を、バリトンのウォルフガング・コッホが演じています。</video:description>
<video:duration>7558</video:duration>
<video:publication_date>2022-10-24T10:37:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:28:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3IC0</loc>
<video:video>
<video:title>カラヤン指揮、ポネル演出によるプッチーニ《蝶々夫人》(日本語字幕付き)</video:title>
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<video:description>名盤と誉れ高い74年録音のDECCA盤と同じ年に、カラヤン＆ウィーン・フィルの“黄金コンビ”で制作したオペラ映画版《蝶々夫人》の極めつけ映像です。鬼才ポネルによって舞台を第一次世界大戦直前の時代に設定され、「西洋から見た日本」というプッチーニの視点をより深掘りしたかのような演出には賛否もありましたが、細部にまでこだわったそのメルヘンチックともいえる独自の美学は後世に語り継ぐべき伝説となっています。もちろんフレーニの蝶々さんと、レコード版でのパヴァロッティからドミンゴに変更されたピンカートンの輝かしい声と表現は素晴らしく、全編にわたって緊張感をみなぎらせたドラマを展開する“黄金コンビ”による演奏を満喫できます。</video:description>
<video:duration>8799</video:duration>
<video:publication_date>2023-10-25T10:10:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T14:20:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJACO</loc>
<video:video>
<video:title>ベルリン・フィルハーモニー管弦楽団125周年</video:title>
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<video:description>毎年、楽団の創立記念日にあたる5月1日に欧州各地の歴史的建造物などで開催されるベルリン・フィルの「ヨーロッパ・コンサート」。サイモン・ラトル時代の2007年は125周年という節目の年でもあり、ベルリンの街はずれに19世紀末から建つ巨大なケーブル工場「カーベルヴェルク・オーバーシュプレー」で行われました。プログラムは1882年の初演直後にも楽団によって演奏されたワーグナー《パルジファル》の前奏曲に始まり、ソリストのリサ・バティアシヴィリとトゥルルス・モルクがブラームスの二重協奏曲を演奏して前半を終え、メインの同交響曲第4番がフィナーレを飾りました。</video:description>
<video:duration>6145</video:duration>
<video:publication_date>2022-08-17T09:16:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T12:57:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJEE0</loc>
<video:video>
<video:title>グラジニーテ=ティーラがヴァインベルクの重要なオペラを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1682fe85fa7943a1d8ca78e79cfc4c3b907fcf19.jpg</video:thumbnail_loc>
<video:description>ヴァインベルクのオペラ《パサジェルカ (女船客) 》は、強制収容所から生還したゾフィア・ポシュミシュの1962年の小説を原作とした作品です。20世紀後半における最も重要なオペラのひとつであり、テーマの内容もあり、現代を生きる我々が観るべき作品と言えるでしょう。本映像はデイヴィッド・パウントニーによる演出、ヴァインベルク再演に貢献しているアーティストであるミルガ・グラジニーテ=ティーラの指揮によるものです。会場は優れた音響を誇るマドリッドのテアトロ・レアルです。</video:description>
<video:duration>9818</video:duration>
<video:publication_date>2024-07-02T13:04:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T12:52:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1H</loc>
<video:video>
<video:title>ホープ、ドライジグ、ベルネームが集うアドヴェント・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8429e1a36200ffd261e3dc50ac09cb33d862cf85.jpg</video:thumbnail_loc>
<video:description>ドレスデンのシンボルともいえる聖母教会で毎年恒例となっているアドヴェント・コンサートの模様をお届けします。今年も世界の音楽界を牽引する豪華なソリストたちが集結。エルザ・ドライジグ (ソプラノ) 、バンジャマン・ベルネーム (テノール) 、ダニエル・ホープ (ヴァイオリニスト) が、ニコラス・コロン指揮するシュターツカペレ・ドレスデン、ドレスデン聖十字架教会合唱団、ドレスデン国立歌劇場合唱団と共演します。プログラムには、バッハやモーツァルトから、R.シュトラウス、シェーンベルクまで多彩な作品が選ばれました。心温まる音楽とともに、ヨーロッパの祝祭気分を味わっていただけることでしょう。</video:description>
<video:duration>3339</video:duration>
<video:publication_date>2025-12-22T07:25:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T11:43:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJID0</loc>
<video:video>
<video:title>『ラヴェル・リコンポーズド』:《ボレロ》(feat. クリスティーン・アンド・ザ・クイーンズ)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/392831c61c29e712a067541accbd03f74f6ccee7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>343</video:duration>
<video:publication_date>2025-12-19T11:25:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-22T09:58:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8DG</loc>
<video:video>
<video:title>ラヴェル :《子供と魔法》M. 71 より〈あの子はいい子だ、賢い子だ、とても賢い〉(ル・マスネ編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/606af2815e7ac7f0d55738851021a6146c66b3ea.jpg</video:thumbnail_loc>
<video:description>His Album &quot;Ravel Recomposed&quot; presents Victor le Masne’s affectionate take on music by one of the greatest of all French composers. Fresh from his role as Composer and Musical Director of the 2024 Paris Olympics and Paralympics, Le Masne brings vibrant colours and contemporary reflections to music he has loved since childhood. The fusion of styles and genres on Ravel Recomposed embraces everything from classical and jazz to the Grammy®-winning composer-producer-multi-instrumentalist’s distinctive brand of French Touch electro-dance music.</video:description>
<video:duration>405</video:duration>
<video:publication_date>2025-11-18T10:43:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T13:58:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGDG</loc>
<video:video>
<video:title>ルドヴィコ・エイナウディ作曲《フライ (Fly) 》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1feb13d1e01c082fbe909024574afabfb61f58ba.jpg</video:thumbnail_loc>
<video:description>Lang Lang comments: „ Many young people today discover piano through the music they already love — from games, movies, or anime. 
  
Six years after the release of his celebrated Piano Book album, Lang Lang returns with &apos;Piano Book 2&apos;. This new volume of short and accessible piano works offers a fresh selection that ranges from iconic classical compositions and contemporary pieces to music from TV, film, and gaming soundtracks.
 
Lang Lang refers to the 32 tracks on his new album as “miniature masterpieces”. They were carefully selected based on messages from fans, school syllabus content, and his own teaching experience – as well as works especially close to his heart – with subtle nods to modern media and streaming culture.</video:description>
<video:duration>121</video:duration>
<video:publication_date>2025-12-12T14:01:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T11:03:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGE0</loc>
<video:video>
<video:title>ズービン・メータ ～音楽に満たされた世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4b5bef05e8dbc83d8e12620ad5117400c00ee29.jpeg</video:thumbnail_loc>
<video:description>1959年にウィーン・フィルやベルリン・フィルなどを指揮し本格デビューを果たして以来、オペラ・ハウスからコンサート・ホールまで自在に活躍を続けるズービン・メータは、間違いなく現代を代表する偉大な指揮者のひとりです。こちらは、ロサンゼルスの自宅で行われたリラックスした雰囲気のインタビューを中心に彼のキャリアを振り返り、その崇高な音楽哲学に迫るドキュメンタリー。音楽への深い愛情とカリスマ的な人柄に溢れたリハーサル・シーンや演奏会の映像も満載でお楽しみいただけます。</video:description>
<video:duration>3421</video:duration>
<video:publication_date>2025-12-15T13:39:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T07:38:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHL</loc>
<video:video>
<video:title>チリンギリアン弦楽四重奏団と今井信子が共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0834ed780edf38acac0523037a4ebc3dbd15f5f1.jpeg</video:thumbnail_loc>
<video:description>アルメニアに生まれて英国王立音楽大学で学んだヴァイオリン奏者、レヴォン・チリンギリアンが1971年に結成し、現在も彼が率いて活動を続けているチリンギリアン弦楽四重奏団と、日本が世界に誇るヴィオラ奏者の今井信子が2001年にロンドンの名門ウィグモア・ホールで共演した公演の映像です。曲は30歳になったベートーヴェンがウィーンで書き上げた (自作の編曲ではない) 唯一のオリジナル弦楽五重奏曲。弦楽四重奏曲と比べると演奏機会の少ない楽曲ですが、第1楽章は直前に書かれた交響曲第1番と、最終楽章は後の傑作である交響曲第6番《田園》の第4楽章との繋がりを見出せる注目作品ですので、この機会に名手たちによる鮮やかなプレイでお楽しみください。</video:description>
<video:duration>3519</video:duration>
<video:publication_date>2025-12-04T13:34:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-19T01:55:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHG</loc>
<video:video>
<video:title>ムター独奏によるペンデレツキ《メタモルフォーゼン》世界初演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/05f113a706112b80dc4cd0e4ded8f7b8de265906.jpeg</video:thumbnail_loc>
<video:description>女王ムターとポーランド音楽界を牽引した現代作曲家クシシュトフ・ペンデレツキ (1933-2020) との実り豊かな芸術的関係は、1988年のルツェルン音楽祭で共演したことに始まります。しかし彼は1980年代の頭に初めて出会ったときから、彼女のために作曲したいという強い願望を抱いていたと言います。ヴァイオリン協奏曲第2番《メタモルフォーゼン》は最初に献呈された作品で、冒頭の主題が変容を重ねながら穏やかなパッセージと荒々しい感情の爆発との間を揺れ動き、多様な楽想を展開していくコントラストに富んだ40分近い大作。特に後半に置かれた長大なカデンツァが演奏者に自己表現のためのあらゆる機会を提供した後で、ソロパートが再びシンフォニックに統合され、瞑想的な歌の中に次第に消えていくラストは圧巻です。こちらはペンデレツキも臨席して行われた、その世界初演のステージを収録した貴重な映像。ヤンソンスが指揮するMDR交響楽団とムターの気迫に満ちた掛け合いをご堪能ください。</video:description>
<video:duration>2313</video:duration>
<video:publication_date>2025-11-27T11:50:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T20:05:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9M</loc>
<video:video>
<video:title>コリン・デイヴィスの指揮による《ナクソス島のアリアドネ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/230a66e88bf6015d5db7eb92744101ed438198cf.jpeg</video:thumbnail_loc>
<video:description>ザクセン州立歌劇場から1999年3月プレミエの歌劇《ナクソス島のアリアドネ》をお届けします。地元ドレスデン出身の大ベテラン、テオ・アダムが音楽教師役を務め、以下はプリマドンナ / アリアドネ (スーザン・アンソニー) 、ツェルビネッタ (イリデ・マルティネス) 、テノール歌手 / バッカス (ジョン・ヴィラーズ) と30代若手実力派陣によるキャスティングが魅力です。特に当時売り出し中だったメゾ・ソプラノのゾフィー・コッホ演じるチャーミングな作曲家が素晴らしく、この舞台は彼女が脚光を浴びるきっかけとなりました。また端役 (士官) ですが、今をときめくヘルデン・テノールのクラウス・フロリアン・フォークトが出演している点もオペラ・ファンなら見逃せません。</video:description>
<video:duration>7366</video:duration>
<video:publication_date>2025-11-24T09:36:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T19:34:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHI</loc>
<video:video>
<video:title>ジョージ・シアリング・デュオ : ライヴ・イン・ミュンヘン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/de56a288fc68374a16d283fd5969c2d602462253.png</video:thumbnail_loc>
<video:description>ピアニスト、編曲家、作曲家として国際的な名声を博し、独創的なオーケストレーションを施したジャズ演奏で知られるジョージ・シアリングが、トロント出身の俊英なるコントラバス奏者ニール・スウェインソンとデュオ形式でステージに登場した、1992年ミュンヘンでのライヴをお届けします。往年のスタンダード・ナンバーをたっぷり聴かせるプログラムですが、もちろんエラ・フィッツジェラルドやサラ・ヴォーンらの名唱によって不朽の名曲となったシアリングの代表作《バードランドの子守唄》は聴き逃せません (※軽妙洒脱なアレンジにもご注目) 。なおこのコンビはその後も2011年にシアリングが亡くなるまで数多くの共演を重ねることとなります。</video:description>
<video:duration>4901</video:duration>
<video:publication_date>2025-12-01T16:20:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T19:23:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHJ</loc>
<video:video>
<video:title>エディ・ダニエルズ＆ゲイリー・バートン・カルテット「ベニー・グッドマンとライオネル・ハンプトンに捧ぐ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/88e826b6c2a8fe5cd1d36f98881c6375a1984e97.png</video:thumbnail_loc>
<video:description>初期フュージョンに重要な功績を残し、2017年に引退するまで50年以上にわたってコンテンポラリー・ジャズ界をリードしてきたヴィブラフォン奏者ゲイリー・バートン率いるカルテットと、ジャズ・クラリネット界の巨匠エディ・ダニエルズが共演した、1992年ミュンヘンでのライヴをお届けします。この日のステージにおけるテーマは、スウィングの王様として名高いクラリネット奏者ベニー・グッドマンと伝説のヴィブラフォン奏者ライオネル・ハンプトンへのトリビュート。二人が密にセッションを繰り広げていた1930年～40年代に焦点を当てたプログラムです。メンバーの中では特に、バークリー音楽院時代からバートンと師弟関係にある日本が世界に誇るピアニスト、小曽根真の存在感にもご注目ください。</video:description>
<video:duration>4196</video:duration>
<video:publication_date>2025-12-01T17:26:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-18T19:19:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CPH</loc>
<video:video>
<video:title>アンドレアス・ボイデがベートーヴェンとベルクを弾く</video:title>
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<video:title>トリフォノフ、ジルベスター・コンサート2024でペトレンコ＆ベルリン・フィルと共演</video:title>
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<video:title>チャイコフスキー：《くるみ割り人形》より〈金平糖の踊り〉</video:title>
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<video:title>アルバムについて : 『ヴェニ・ドミネ (主よ来てください) ～システィーナ礼拝堂の待降節とクリスマス』</video:title>
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<video:title>《The Christmas Song》(ヴァイオリンと弦楽合奏のための編曲版)</video:title>
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<lastmod>2025-12-17T13:28:55Z</lastmod>
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<video:title>バッハの《クリスマス・オラトリオ》を語る</video:title>
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<video:title>ヴァイオリンと弦楽合奏のための《Maybe This Christmas》</video:title>
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<lastmod>2025-12-17T13:28:11Z</lastmod>
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<video:video>
<video:title>演出家ロラン・ペリーへのインタビュー</video:title>
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<lastmod>2025-12-17T12:48:40Z</lastmod>
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<video:title>《サンドリヨン》の舞台裏</video:title>
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<lastmod>2025-12-17T12:48:34Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGE8</loc>
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<video:title>パリでのリサイタルについて</video:title>
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<lastmod>2025-12-17T12:29:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CE0</loc>
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<video:title>エディンバラ国際フェスティバル2025での演奏会について</video:title>
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<lastmod>2025-12-16T20:57:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9G</loc>
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<video:title>モンテヴェルディ合唱団が届ける珠玉のバロック音楽</video:title>
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<video:description>エディンバラ国際フェスティバルで収録された、モンテヴェルディ合唱団とイングリッシュ・バロック・ソロイスツの演奏会をお届けします。プログラムの幕開けを飾るのは、パーセル作曲による美しい《わが祈りを聞きたまえ、主よ》と感動的な葬送音楽。音楽一族出身のヨハン・クリストフ・バッハによるモテットの傑作の数々を経て、若きヘンデルが1707年にイタリアで書いた名曲《主は言われた》が演奏されます。モンテヴェルディ合唱団が設立以来60年以上にわたって、独自のレパートリーとして探求してきた音楽を存分にお楽しみいただけることでしょう。</video:description>
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<video:publication_date>2025-08-11T09:05:05Z</video:publication_date>
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<lastmod>2025-12-16T20:57:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3EDO</loc>
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<video:title>N・ブーランジェ : チェロとピアノのための3つの小品より第3番</video:title>
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<lastmod>2025-12-16T14:57:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9P</loc>
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<video:title>フリードリヒ・グルダ : モーツァルト・フォー・ザ・ピープル II</video:title>
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<video:description>クラシック、ジャズとジャンルレスに活動し、聴衆を魅了し続けたピアニスト、フリードリヒ・グルダ。彼は一時期クラシックから離れていました。本映像は1981年のクラシック復帰公演の模様です。ミュンヘンのアメリカハウスで行われ、グルダは黒いスウェットシャツ姿で舞台に登場。モーツァルトのピアノ・ソナタと幻想曲を透明感あふれる美音、あふれる歌心で演奏していきます。モーツァルト作品への愛情が伝わってくる慈愛に満ちた演奏が聴き手の心をつかみます。</video:description>
<video:duration>3765</video:duration>
<video:publication_date>2025-10-29T17:17:35Z</video:publication_date>
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<lastmod>2025-12-16T14:35:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GE8</loc>
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<video:title>ブライス・デスナーのピアノ協奏曲について</video:title>
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<video:publication_date>2025-09-12T12:42:54Z</video:publication_date>
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<lastmod>2025-12-16T13:02:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36C8</loc>
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<video:title>ガーディナー指揮バッハ「クリスマス・オラトリオ」</video:title>
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<video:description>バロック音楽のスペシャリストの中でも特別な位置にいるジョン・エリオット・ガーディナー。彼はとりわけバッハの作品演奏において特別な想いをもって臨んでいます。2022年に収録された本映像では、ガーディナーのその情熱が力強く伝わってくることでしょう。曲はバッハの傑作オラトリオであり人気も高い《クリスマス・オラトリオ》が選ばれました。ガーディナーが創設したモンテヴェルディ合唱団、イングリッシュ・バロック・ソロイスツと共に楽曲の深淵へと迫ります。</video:description>
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<video:publication_date>2022-12-16T09:58:32Z</video:publication_date>
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<lastmod>2025-12-14T16:47:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2E0</loc>
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<video:title>若きモーツァルトのオペラ《羊飼いの王様》～初演250年記念コンサート</video:title>
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<video:description>初演から250年の節目を記念し、モーツァルトが19歳で書き上げたオペラ《羊飼いの王様》をライブでお届けします。会場となるのは、まさに初演が行われたザルツブルク大司教宮殿の「騎士の間」。この特別な演奏会形式の上演では、ローランド・ビリャソンがアレッサンドロ大王を、エミリー・ポゴレルツが後継者と目される羊飼いのアミンタを歌います。コンサートマスターのジョヴァンニ・グッツォ率いるカメラータ・ザルツブルクの強力なサポートを得て、知られざる魅力を秘めた美しいオペラが生き生きと蘇ることでしょう。</video:description>
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<video:publication_date>2025-04-25T13:21:52Z</video:publication_date>
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<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6CG</loc>
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<video:title>マリインスキー劇場の《くるみ割り人形》</video:title>
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<video:description>1892年に初演された《くるみ割り人形》は〈花のワルツ〉や〈金平糖の踊り〉など音楽史に残る豊かな旋律が盛り込まれたチャイコフスキーの晩年最高峰の作品です。中でもロシアの名門マリインスキー劇場での上演は舞台の豪華さと音楽の美しさでクラシック・バレエの頂点を極めるものです。この2011年の映像は少女のマーシャとプリンセスになったマーシャを別のダンサーが演じるワイノーネン版。同バレエ団の若手ホープだったアリーナ・ソーモワとウラジーミル・シクリャローフの名コンビによる卓越したダンスと、ゲルギエフが指揮するマリインスキー・オーケストラの演奏で魅せます。</video:description>
<video:duration>6210</video:duration>
<video:publication_date>2022-07-14T10:14:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T09:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0C8</loc>
<video:video>
<video:title>ネゼ＝セガンが地元モントリオールで《メサイア》を指揮</video:title>
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<video:description>現代のスター指揮者ヤニック・ネゼ＝セガンが、主にカナダで活躍する歌手陣と出身地モントリオールのメトロポリタン管弦楽団（※2000年からネゼ＝セガンが芸術監督を務める）を率いて、ヘンデルの名曲《メサイア》を演奏します。会場は旧市街に建つ、北米最大規模を誇るカトリック教会である壮大なノートルダム聖堂。輝かしいイエスの姿を物語る本作品がクリスマス・シーズンを特別なものにしてくれることでしょう。</video:description>
<video:duration>8179</video:duration>
<video:publication_date>2023-12-21T19:02:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T09:03:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHK</loc>
<video:video>
<video:title>バティアシュヴィリ、エマールらが奏でるブラームスのピアノ四重奏曲第1番</video:title>
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<video:description>Filmed at the Kuhmo Chamber Music Festival in 2002, Pierre-Laurent Aimard, Lisa Batiashvili, Vladimir Mendelssohn and Sonia Wieder-Atherton perform Brahms’s Piano Quartet No. 1 — a work that moves from inward lyricism to the exhilarating sweep of its ‘Rondo alla zingarese’ finale. The intimate setting of Kuhmo Hall brings a particular clarity to a collaboration that pairs Aimard, already an influential presence in both contemporary and classical repertoire, with Batiashvili at the start of her career, alongside Mendelssohn and Wieder-Atherton, long associated with the European chamber tradition.</video:description>
<video:duration>2546</video:duration>
<video:publication_date>2025-12-04T13:00:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-12T09:01:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHN</loc>
<video:video>
<video:title>ライオネル・ハンプトンの芸術</video:title>
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<video:description>1993年のミュンヘンの風物詩的コンサートシリーズで実現した伝説的な一夜をお届けします。ライオネル・ハンプトンを筆頭に、クラーク・テリー、ハリー・&quot;スウィーツ&quot;・エディソン、アル・グレイ、ベニー・ゴルソン、ジュニア・マンス、ジミー・ウッド、パナマ・フランシスら名手たちが集結。ハンプトンはヴィブラフォン、ドラム、ヴォーカルを自在に行き来しながら、《ハウ・ハイ・ザ・ムーン》、《アイ・リメンバー・クリフォード》といったスタンダードから、《ハム》《ヘイ！バ・バ・リ・バップ》など自身の代表曲まで、多彩なプログラムを率いてステージを盛り上げます。スウィング時代のエネルギーと愉悦を存分に味わっていただけることでしょう。</video:description>
<video:duration>6942</video:duration>
<video:publication_date>2025-12-08T12:24:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T15:55:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2C8</loc>
<video:video>
<video:title>パイジェッロのオペラ《ニーナ》をめぐって</video:title>
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<video:description>チューリッヒ歌劇場は2002年に、アダム・フィッシャーの指揮でバルトリとカウフマンを主役に据え、チェーザレ・リエヴィの演出でパイジェッロの忘れられたオペラ《ニーナ》を上演し高評価を得ました。こちらはその成功のひみつと、知られざる作曲家の姿に迫ったミニ・ドキュメンタリー。このプロダクションがスター歌手の起用に込めた期待感や、タイトル・ロールであるニーナのキャラクター、演出の意図などについて興味深い裏話を聞くことができるはずです。</video:description>
<video:duration>2767</video:duration>
<video:publication_date>2025-10-27T14:27:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T15:05:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHJ</loc>
<video:video>
<video:title>アリス=紗良・オットがマルヴィッツの指揮でデスナーのピアノ協奏曲を演奏</video:title>
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<video:description>ベルリン・コンツェルトハウス管弦楽団と2023年から首席指揮者を務めるヨアナ・マルヴィッツは、伝統と革新を融合させた華麗なプログラムでシーズンの開幕を飾ります。前半で演奏されるのは、ラヴェルの人気作《ボレロ》とアメリカの作曲家ブライス・デスナーによるピアノ協奏曲。「真の光輝と熱狂」(ガーディアン誌) と評されたこの協奏曲は、今回ソリストを務めるアリス=紗良・オットのために書かれました。コンサートの後半では、アンナ・メレディスの情感豊かな《ノーティラス (Nautilus) 》とベートーヴェンの交響曲第1番をお聴きいただけます。マルヴィッツと同楽団による、ベートーヴェン没後200年となる2027年に向けたプロジェクトが始動する瞬間をお見逃しなく。</video:description>
<video:duration>5207</video:duration>
<video:publication_date>2025-09-10T14:54:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T14:31:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGD8</loc>
<video:video>
<video:title>名アリア集～《後宮からの誘拐》より〈喜びの涙が流れる時に〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1854b42bc2fd05844e5c65530af82211024ba457.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>505</video:duration>
<video:publication_date>2025-12-10T15:34:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-11T11:47:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1N</loc>
<video:video>
<video:title>フリードリヒ・グルダとパラダイス・トリオによる華麗なジャズ</video:title>
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<video:description>1995年の「ミュンヘン・ピアノの夏」から、多彩なジャンルで成功を収めたピアニスト、フリードリヒ・グルダ主催のダンス・パーティの模様をお届けします。欧州の精鋭ジャズ・ミュージシャン3人組、パラダイス・トリオとグルダがプレイするテクノ・ジャズのグルーヴがダンス・フロアと化したステージを包みこみ、DJ ヴァーティゴと (イビサのクラブでスカウトした) ダンサーの熱いパフォーマンスが炸裂。会場は踊り狂う参加者で沸き立ち大いに盛り上がりを見せます。</video:description>
<video:duration>6354</video:duration>
<video:publication_date>2025-10-20T14:29:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T14:07:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJECO</loc>
<video:video>
<video:title>マゼールとニューヨーク・フィルハーモニックによる朝鮮訪問コンサートの裏側</video:title>
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<video:description>世界的指揮者であるロリン・マゼールがニューヨーク・フィルハーモニック、さらに韓国の音楽家たちを率いて北朝鮮で行ったコンサートの模様が収められた映像です。緊張感の続く米朝関係の中で行われた本公演は、歴史に刻まれる公演となりました。両国それぞれの国歌斉唱、ワーグナーのオペラ《ローエングリン》第3幕への前奏曲にドヴォルザークの交響曲第9番が演奏されています。アンコールでもバーンスタインの《キャンディード》序曲など複数の楽曲が演奏されましたが、とりわけ朝鮮民謡《アリラン》は心に残るものとなっています。</video:description>
<video:duration>5203</video:duration>
<video:publication_date>2022-09-27T16:49:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T13:47:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGCO</loc>
<video:video>
<video:title>アルベニス / スペイン組曲第1集 op. 47 より第3曲 : マラゲーニャ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/66d10207645131341d71de0c4015172350ac2c99.jpg</video:thumbnail_loc>
<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. 

The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-12-08T11:33:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:56:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJGCG</loc>
<video:video>
<video:title>アルベニス / スペイン組曲第1集 op. 47 より第7曲 : カスティーリャ (セギディーリャス)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/21f44be6b4b659f23942282366b53886702e3c92.jpg</video:thumbnail_loc>
<video:description>Laura Lootens, a winner of the Andrés Segovia Competition in Spain, performs her own arrangement of the original piano work from the Spanish composer Isaac Albéniz’s Suite Española. The work is a homage to well-known regions and towns of Albéniz’s home country. Written in a Romantic, national style, it features typical dance rhythms of its corresponding localities in Spain.</video:description>
<video:duration>231</video:duration>
<video:publication_date>2025-12-08T11:10:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:56:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9L</loc>
<video:video>
<video:title>フリードリヒ・グルダの「モーストリー・モーツァルト」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81f20e27d5630353e943b1746ed829eb911114e2.jpeg</video:thumbnail_loc>
<video:description>あらゆるジャンルを弾きこなす音楽活動で数々の名演奏を残した鬼才ピアニスト、フリードリヒ・グルダ。時には閉鎖的なクラシック・シーンを批判するような発言で“ウィーンの反逆児”と呼ばれることもありましたが、それが許されるのは彼が天下無双のモーツァルト弾きだったからに他なりません。ここでは夏のミュンヘンの風物詩として定着した、自身発案のコンサートシリーズ1990年のステージから“グルダのモーツァルト”をたっぷりとお届けします。</video:description>
<video:duration>3353</video:duration>
<video:publication_date>2025-10-27T15:16:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-10T09:19:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0CG</loc>
<video:video>
<video:title>フリードリヒ・グルダのドキュメンタリー『ワンダラー (放浪者) 』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4df608048f7b99f31610fee626e1e2a9030d451c.jpg</video:thumbnail_loc>
<video:description>クラシックとジャズを自在に横断した20世紀の鬼才で「ミュンヘン・ピアノの夏」の発案者としても知られるフリードリヒ・グルダ (1930-2000) 。本作は音楽家のドキュメンタリーに定評のあるダルヴァシュ監督が、この非凡なピアニストを浮き彫りにして迫真の肖像に迫る内容です。完璧なモーツァルトの解釈者でありながら枠に収まることを拒み、挑戦を喜びとするその姿勢を“放浪者”として捉え、本人の口からその唯一無二の芸術表現について語らせます。</video:description>
<video:duration>3610</video:duration>
<video:publication_date>2025-10-23T09:12:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T15:36:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1G</loc>
<video:video>
<video:title>フリードリヒ・グルダがアグネス・バルツァを迎え指揮とピアノを披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a14332cac5c0f975c29307fa493a29fc0806b3a9.jpeg</video:thumbnail_loc>
<video:description>世界的ピアニストであるフリードリヒ・グルダがピアノだけでなく指揮者も務める貴重な映像です。1989年7月20日にミュンヘン・フィルハーモニーで行われたコンサートで、グルダはミュンヘン・フィルを指揮しています。圧倒的存在感を誇るメゾ・ソプラノのアグネス・バルツァが、モーツァルトのコンサートアリア《どうしてあなたを忘れられよう》を披露。さらにグルダのミュージカルのハイライトも演奏され、ジャンルを超えた作品と演奏に魅了されることでしょう。</video:description>
<video:duration>3575</video:duration>
<video:publication_date>2025-08-12T15:52:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T15:25:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9L</loc>
<video:video>
<video:title>フリードリヒ・グルダ &amp; ギュンター・ラブル :《ピアニストのいる風景》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d97334130b0674a72dbd13ee0b4c07b34592ebed.jpg</video:thumbnail_loc>
<video:description>オーストリア出身のギュンター・ラブルは元々コントラバス奏者でしたが、次第にサウンドトラックに多様な録音を施す可能性に関心を寄せ、テープとコンピューターを操る実験音楽に傾倒していったアーティストです。こちらの映像はそんな彼が、常識にとらわれない自由な発想でジャンルの壁を越えて20世紀の音楽シーンを駆け抜けたフリードリヒ・グルダと共演した、貴重なステージを収録したもの。グルダが奏でるロマンティックな即興演奏の“戯れ”を、ラブルのカセットテープ・サウンド (※基本的にはピアノのみから抽出した音のレパートリーを収録したもの) が大胆に息づかせ、衝撃を与え、反復的でありながらも計算された音へと変化させていく様をお楽しみください。</video:description>
<video:duration>2717</video:duration>
<video:publication_date>2025-07-01T11:48:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:46:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPG</loc>
<video:video>
<video:title>クラシックとジャズを縦横無尽に横断したピアニスト、グルダのライブ演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6d9373a40dbf906e64ad6c368fa53286cb83fd9.png</video:thumbnail_loc>
<video:description>20世紀を代表する巨匠であり、バッハ、モーツァルト、ベートーヴェンの演奏を得意としながらも、ジャズの演奏でも卓越した才能を見せたピアニストのフリードリヒ・グルダ。本映像は、彼がクラシックとジャズの両立を目指して開始した音楽祭「ミュンヘンの夏」の1986年の演奏が収められています。リンペ・フックスは作曲家・パフォーミングアーティスト。彼女との共作をともに演奏した豪華な内容です。</video:description>
<video:duration>1789</video:duration>
<video:publication_date>2025-07-11T08:04:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-12-09T14:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1L</loc>
<video:video>
<video:title>フリードリヒ・グルダとウルスラ・アンダースが共演</video:title>
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<video:description>クラシックとジャズ、オリジナルまで幅広いレパートリーを弾きこなすピアニストのフリードリヒ・グルダ。そしてドラマー・ヴォーカリストでありジャンルレスな活動を展開するウルスラ・アンダース。本映像では、公私ともにパートナーであったふたりの共演でシューベルトのゲーテ歌曲の演奏をご覧いただけます。グルダの奏でる繊細でロマンティックなシューベルトの世界の上でドラマティックなアンダースの声が美しく響き渡っていきます。</video:description>
<video:duration>733</video:duration>
<video:publication_date>2025-10-16T14:33:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T14:45:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1K</loc>
<video:video>
<video:title>アヴィシャイ・コーエンの《Ashes to Gold》</video:title>
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<video:description>2025年4月にECMレーベル特集シリーズの一環としてフィルハーモニー・ド・パリ収録された、アヴィシャイ・コーエン率いるバンドによるライヴ演奏をお届けします。プログラムは、2023年10月7日のハマスによるイスラエル攻撃とその後の地域情勢に触発された作品《Ashes to Gold》を軸に構成。同作は、その翌年にECMからリリースされました。冒頭では2017年のアルバム『Cross My Palm With Silver』から《Will I Die, Miss? Will I Die》、そして、ラヴェルのピアノ協奏曲からの緩除楽章も彼の独創的なアレンジでお楽しみいただけます。ジャズ界の巨匠が心に強く訴えかける音楽を生み出す瞬間を、どうぞお見逃しなく。</video:description>
<video:duration>3956</video:duration>
<video:publication_date>2025-11-03T16:01:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-09T13:00:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CHH</loc>
<video:video>
<video:title>ムソルグスキー《ボリス・ゴドゥノフ》をシャイーが指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7fc785a2ade1990dbbf752aa9e6f7f54a3a984ce.jpeg</video:thumbnail_loc>
<video:description>本映像ではミラノ・スカラ座の2022/2023年シーズンオープニングを飾ったムソルグスキーの《ボリス・ゴドゥノフ》をご覧いただけます。権力と悲劇のドラマが繰り広げられるロシア・オペラの代表作で、圧倒的なスケールを誇る作品です。音楽が登場人物たちの心理を鮮烈に描き出していきます。リッカルド・シャイーはドラマをより深く構築し、また作曲家の意志に近づこうと初版を用いて指揮しました。そしてコヴェント・ガーデン元芸術監督カスパー・ホルテンの演出が物語の説得力をより深いものに昇華しています。</video:description>
<video:duration>9237</video:duration>
<video:publication_date>2025-12-01T14:30:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT JP</video:restriction>
</video:video>
<lastmod>2025-12-08T18:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9K</loc>
<video:video>
<video:title>ミシェル・カミロ・クインテット「ミュンヘン、ピアノの夏」ライヴ</video:title>
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<video:description>幼い頃からクラシック・ピアノと作曲を学び、母国のドミニカ共和国で“神童”の名をほしいままにしていたミシェル・カミロは、1979年に渡米し、1988年にメジャー・デビューを果たすと、その卓越したリズム感と圧倒的なテクニックで音楽シーンを席巻。ジャズとクラシックの両分野で活躍して不動の地位を築き現在に至る巨匠ピアニストです。こちらは彼がクインテットを率いてミュンヘンの風物詩的コンサートシリーズに登場した1991年の映像。1989年発表のアルバム・タイトルにしてキャリア最大の代表曲でもある《オン・ファイア》や同じく1990年の《オン・ジ・アザー・ハンド》など“夏”に相応しい、情熱的なラテン・ジャズのグルーヴが感じられるプログラムをお楽しみください。</video:description>
<video:duration>4920</video:duration>
<video:publication_date>2025-10-24T12:43:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-08T14:34:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHP</loc>
<video:video>
<video:title>ネルソンスが交響曲第7番《レニングラード》を指揮</video:title>
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<video:description>2025年5月にライプツィヒで開催されたショスタコーヴィチ・フェスティバルから、交響曲第7番《レニングラード》の演奏をお届けします。指揮を務めるのは、サンクトペテルブルクで学んだラトヴィア出身の名匠アンドリス・ネルソンス。彼の手兵ともいうべき2つのオーケストラ、ボストン交響楽団とゲヴァントハウス管弦楽団が合同で演奏を披露しました。彼の交響曲中、最も長大で規模の大きいこの作品は、第二次世界大戦の真っ只中において、ナチス・ドイツによるレニングラード (現在のサンクト・ペテルブルク) 包囲戦への抵抗を表現した傑作として知られています。レニングラードの想像を絶するような環境下での演奏が今でも伝説として語り継がれていますが、それから80年以上経ち、そしてショスタコーヴィチ没後50年を迎えた今もなお、この交響曲は私たちに力強いメッセージを伝えてくれることでしょう。</video:description>
<video:duration>5261</video:duration>
<video:publication_date>2025-12-08T09:38:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2025-12-08T10:13:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJECO</loc>
<video:video>
<video:title>《エフゲニー・オネーギン》: METでのリハーサル風景</video:title>
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<video:description></video:description>
<video:duration>898</video:duration>
<video:publication_date>2025-12-02T16:16:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:13:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJEDO</loc>
<video:video>
<video:title>《グラウンデッド》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>994</video:duration>
<video:publication_date>2025-12-04T13:09:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJEDG</loc>
<video:video>
<video:title>《ばらの騎士》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>1542</video:duration>
<video:publication_date>2025-12-04T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJED8</loc>
<video:video>
<video:title>《ルサルカ》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>423</video:duration>
<video:publication_date>2025-12-03T11:00:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJED0</loc>
<video:video>
<video:title>《タイス》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>473</video:duration>
<video:publication_date>2025-12-03T10:40:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:07:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJEE8</loc>
<video:video>
<video:title>名アリア集～《オルフェオとエウリディーチェ》より〈われエウリディーチェを失えり〉&amp;〈愛する人よ〉</video:title>
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<video:description></video:description>
<video:duration>608</video:duration>
<video:publication_date>2025-12-05T10:07:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T16:05:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1N</loc>
<video:video>
<video:title>シエラ＆コステロ主演、ヴェルディの《椿姫》</video:title>
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<video:description>メトロポリタン歌劇場の2022～23 年シーズンにおいて、ナディーン・シエラはソプラノの試金石とも言える役柄、ヴェルディ不朽の悲劇《椿姫》の娼婦ヴィオレッタ・ヴァレリーを演じました。この映像は、同劇場の「ライヴ・イン・HD」シリーズの一環として収録されたものです。シエラがマイケル・メイヤーによる躍動的な演出で主演を務め、熱烈で軽率なヴィオレッタの恋人アルフレードを歌うスティーヴン・コステロ (テノール) 、確固たる決意から二人の人生を引き裂く父ジョルジョ・ジェルモン役のルカ・サルシ (バリトン) と共演。ミラノ出身の指揮者ダニエレ・カッレガーリが旋律美と悲痛さが共存するヴェルディの見事なスコアに命を吹き込みます。</video:description>
<video:duration>8031</video:duration>
<video:publication_date>2025-12-01T09:14:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T14:55:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0C8</loc>
<video:video>
<video:title>チック・コリア : ピアノ・ソロ・ライヴ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/14a47d40bd0e23d3c429cb90bdec7e8213bda018.jpg</video:thumbnail_loc>
<video:description>「ジャズ・ピアノの神様」と評されるチック・コリア。本映像では彼が1983年に行ったソロ・ライヴの模様をご覧いただけます。2021年に逝去してからというもの、改めて彼の音楽性、技術、そして作品が再注目されています。アンサンブルでもその天才性は発揮されていますが、あらためてソロの演奏と作品をご覧いただくことで、より微細にコリアの魅力を感じていただけることでしょう。特に注目していただきたいのは、よく知られた旋律をもとにした即興演奏です。次々にあふれるパッセージとハーモニーが感動を呼び起こします。</video:description>
<video:duration>2675</video:duration>
<video:publication_date>2025-03-24T15:09:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-05T13:00:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8DG</loc>
<video:video>
<video:title>70年代のカラヤンによるブラームス“2番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dcec32ed4537d5c5810952ba42d6e2cd246736c5.jpg</video:thumbnail_loc>
<video:description>ブラームスの交響曲はベートーヴェンと並んでカラヤンの重要なレパートリーであり、ドイツ・グラモフォンには60年代 / 70年代 / 80年代といずれもベルリン・フィルを指揮して3種類の“全集”録音が残されていますが、映像で観ることのできる“全集”の極めつきは、同楽団の絶頂期だった1973年の1～3月にフィルハーモニーでライヴ収録されたものではないでしょうか。こちらは「ブラームスの田園交響曲」とも称される、幸福感と牧歌的な響きに満ちた第2番で、カラヤンの紡ぎ出す豊麗な響きからは美しい風光と生命の息吹さえも感じられる程です。カラヤンならではの様々な視覚的効果を凝らした映像と共にお楽しみください。</video:description>
<video:duration>2481</video:duration>
<video:publication_date>2025-05-15T08:09:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T16:57:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCD0</loc>
<video:video>
<video:title>万霊節コンサートのアバド : シューベルトとモーツァルトの宗教作品</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/889839395d2e85bbd8877ca584850249df386a73.jpg</video:thumbnail_loc>
<video:description>1986年11月にムジークフェラインで行われた万霊節（諸聖人の祝日）コンサートのライヴ映像をお届けします。この年アバドはウィーン国立歌劇場の音楽監督に就任しウィーン･フィルとも蜜月時代を迎えていました。モーツァルトが残した珠玉の宗教作品3篇も聴き逃せませんが、メインはCDでもリリースされ名盤として誉れ高い、シューベルト最後のミサ曲であるミサ曲第6番でしょう。フィンランドが生んだ名花カリタ・マッティラを筆頭にオペラ界の実力派ソリストを揃え、シューベルトを愛したアバドらしい、流麗で歌心に溢れたスケールの大きな演奏をお楽しみください。</video:description>
<video:duration>4861</video:duration>
<video:publication_date>2024-02-26T10:12:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T16:47:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8CO</loc>
<video:video>
<video:title>グルダが奏でる珠玉のモーツァルトピアノ独奏曲集</video:title>
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<video:description>オーストリアのピアニストであり、ジャズピアニストとしても知られるフリードリヒ・グルダ。彼はモーツァルトの音楽を重要なレパートリーとしており、同時に生涯の愛し続けていました。常に彼の奏でるモーツァルトには驚きと発見があります。本映像は1995年にミュンヘンのムッファタレでライヴ撮影されたものです。この公演では、ピアノソナタ（K. 333やK. 576といった中・後期の名曲）や《幻想曲ニ短調》(K. 397)など、様々な独奏曲が演奏されました。慈しむように奏でられる美しいモーツァルトをお楽しみください。</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2024-01-22T17:11:07Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-04T14:35:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJAD8</loc>
<video:video>
<video:title>ワーグナーの「ライトモティーフ」について</video:title>
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<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2025-11-19T15:17:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-04T11:02:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJADG</loc>
<video:video>
<video:title>《神々の黄昏》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>916</video:duration>
<video:publication_date>2025-11-19T16:08:11Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-04T11:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCE0</loc>
<video:video>
<video:title>ショパン : 24の前奏曲 op. 28 より第15番変ニ長調《雨だれ》</video:title>
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<video:description></video:description>
<video:duration>293</video:duration>
<video:publication_date>2025-12-01T14:13:11Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-04T11:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCCO</loc>
<video:video>
<video:title>ペルト :《アリーナのために》</video:title>
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<video:duration>152</video:duration>
<video:publication_date>2025-11-24T13:38:04Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-12-04T10:42:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCDO</loc>
<video:video>
<video:title>ラヴェル・リコンポーズド : 弦楽四重奏曲ヘ長調 M. 35 より第2楽章</video:title>
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<video:description>&apos;Ravel Recomposed&apos; presents Victor le Masne’s affectionate take on music by one of the greatest of all French composers. Fresh from his role as Composer and Musical Director of the 2024 Paris Olympics and Paralympics, Le Masne brings vibrant colours and contemporary reflections to music he has loved since childhood. The fusion of styles and genres on Ravel Recomposed embraces everything from classical and jazz to the Grammy®-winning composer-producer-multi-instrumentalist’s distinctive brand of French Touch electro-dance music.</video:description>
<video:duration>217</video:duration>
<video:publication_date>2025-12-01T11:27:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T10:37:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9O</loc>
<video:video>
<video:title>ミヒャエル・ボーダーが指揮するムソルグスキー《ホヴァンシチナ》</video:title>
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<video:description>ムソルグスキーの歌劇《ホヴァンシチナ》は、17世紀末ロシアの歴史を描く一大叙事詩です。彼は、この作品を完成させることなくこの世を去ってしまいます。リセウ大劇場でのこの上演では、ショスタコーヴィチによる完成版を使用しています。名匠ミヒャエル・ボーダーは、この劇場の音楽監督も務めたオペラ指揮者。マルファ役のエレナ・ザレンバやアンドレイ・ボヴァンスキー役のウラディーミル・ガルージンら、ロシア系の歌手が出演しています。</video:description>
<video:duration>10658</video:duration>
<video:publication_date>2025-10-07T15:58:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-04T09:53:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3AE8</loc>
<video:video>
<video:title>「イエロー・ラウンジ」スノッリ・ハルグリムソン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b9fda0d35e0ca717abf3d0f7a90abc22fee3866b.jpg</video:thumbnail_loc>
<video:description>クラブでクラシック音楽をドリンク片手に、寛いだ雰囲気の中で味わうことができる「イエローラウンジ」シリーズ。本映像ではアイスランド出身の作曲家、スノッリ・ハルグリムソンの作品をお楽しみいただくことができます。いまポスト・クラシカルで最も注目を集めている存在といえる彼のサウンドは音使いと響きが非常に魅力的で、空間を美しく彩ります。作曲者自身も演奏者として登場し、その優れた技量を見せてくれます。</video:description>
<video:duration>2276</video:duration>
<video:publication_date>2025-02-18T15:13:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T15:23:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8DO</loc>
<video:video>
<video:title>《チェネレントラ》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>331</video:duration>
<video:publication_date>2025-11-18T13:24:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:22:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJECG</loc>
<video:video>
<video:title>《ロベルト・デヴェリュー》の舞台裏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47b246e6ad1b2c763ba90b254496d6288409adc5.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>730</video:duration>
<video:publication_date>2025-12-02T16:05:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJEC8</loc>
<video:video>
<video:title>《サムソンとデリラ》の舞台裏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6c2ec802e7b5f46aedcf3524d570a3c9623ebc0f.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>248</video:duration>
<video:publication_date>2025-12-02T15:56:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:16:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJEC0</loc>
<video:video>
<video:title>《カルメル会修道女の対話》の舞台裏</video:title>
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<video:description></video:description>
<video:duration>282</video:duration>
<video:publication_date>2025-12-02T14:38:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCE8</loc>
<video:video>
<video:title>《椿姫》の舞台裏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/92bc6ddd4af91a367808fa5dab54782b685e1cc7.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>553</video:duration>
<video:publication_date>2025-12-02T14:30:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:14:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8E8</loc>
<video:video>
<video:title>ヤニック・ネゼ=セガンが《カルメン》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/92fe7890773248538701ef8aed31121e144905b4.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>509</video:duration>
<video:publication_date>2025-11-18T14:54:08Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:13:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8E0</loc>
<video:video>
<video:title>《カルメン》の舞台裏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/af09f7e325d9525704698aaaf85d237b4bc8d4bb.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>232</video:duration>
<video:publication_date>2025-11-18T14:41:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:12:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJAD0</loc>
<video:video>
<video:title>《ワルキューレ》の舞台裏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a1a6d1fb31f53d543750bf29ef76f0197a1575c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>911</video:duration>
<video:publication_date>2025-11-19T13:46:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-03T10:10:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJAC8</loc>
<video:video>
<video:title>楽劇《ラインの黄金》: METでのリハーサル風景</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c3c4067c639eb9efb40c3d3d7e4101604e4858aa.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>498</video:duration>
<video:publication_date>2025-11-18T15:14:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T16:09:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJACG</loc>
<video:video>
<video:title>ジェイ・ハンター・モリスが《ジークフリート》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/123b0f53bebc528d7ec4f50226bc8ba144e1d107.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>708</video:duration>
<video:publication_date>2025-11-18T15:57:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T13:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJAC0</loc>
<video:video>
<video:title>ブリン・ターフェルが《ラインの黄金》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/007990ca97d08cf2f03fa07e00b39e412bf606bc.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2025-11-18T15:03:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T13:52:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CD8</loc>
<video:video>
<video:title>ペルトコスキが紡ぎ出すモーツァルトの三大交響曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e88672bed12ba64909c61d86933fbfa8e653fded.jpg</video:thumbnail_loc>
<video:description>2022年初め、ブレーメンのドイツ・カンマーフィルハーモニー管弦楽団の首席客演指揮者に就任したフィンランド人指揮者タルモ・ペルティコスキ。DGと専属契約を結んだことでも話題です。本映像は彼の指揮の下で演奏されるモーツァルトの3大交響曲をお楽しみ頂けます。レコーディング・セッションの一環として、少人数の招待客を前に1回の通しで撮影されたこの演奏は、指揮者とオーケストラによる圧倒的な作品に対する集中力を感じて頂くことができます。“一度きり”だからこそのインスピレーション溢れるモーツァルトをご堪能下さい。</video:description>
<video:duration>4368</video:duration>
<video:publication_date>2023-10-23T08:38:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-12-02T12:57:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCCG</loc>
<video:video>
<video:title>音楽の魔法の瞬間～カーネギーホールのラン・ラン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4d141d313334e13e0b721206d854ecac7bb61188.png</video:thumbnail_loc>
<video:description>既にCDとDVDで『ラン・ラン / ライヴ・アット・カーネギー・ホール』として商品化され好評を博している、2003年11月7日にニューヨークの音楽の殿堂で開催されたデビュー公演の舞台裏に迫るドキュメンタリーです。本人はもとより、指揮者のクリストフ・エッシェンバッハ、作曲家のタン・ドゥン、師匠のゲイリー・グラフマンら長年の仲間たちが、あの伝説の夜に起こった“音楽の魔法の瞬間”について回顧的に語ります。 (第18回ショパン国際ピアノコンクールの優勝者である注目の新星ブルース・リウも登場しますのでお楽しみに！)</video:description>
<video:duration>3112</video:duration>
<video:publication_date>2025-11-24T13:08:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">DE FR</video:restriction>
</video:video>
<lastmod>2025-11-28T15:16:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCDG</loc>
<video:video>
<video:title>蓄音機の物語 : すべてはカルーソーのために</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5d96cf977b596ac3b9bbc875c301251798cd6d35.jpeg</video:thumbnail_loc>
<video:description>蓄音機を発明したと主張できる著名人は複数存在しますが、レコードの大規模複製を可能にしたのは、エミール・ベルリナーという人物です。これが新たな主要産業の誕生へとつながっています。本映像では録音技術の進化をたどりながら、孫のオリバーがエミールの生涯と功績を語ります。初期録音にはエンリコ・カルーソーをはじめ偉大な演奏家の声が収められており、ジョン・エリオット・ガーディナー、ピエール・ブーレーズ、アンネ=ゾフィー・ムターらが現代の高度な技術の長所と短所について語ります。</video:description>
<video:duration>3415</video:duration>
<video:publication_date>2025-11-27T12:19:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T15:15:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9N</loc>
<video:video>
<video:title>テイク・シックスがミュンヘン・フィルハーモニーで歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bb5ae4d0990976bd20683fddc6812776ce530917.jpeg</video:thumbnail_loc>
<video:description>アカペラ・グループの最高峰「テイク・シックス」。1980年の結成以来、世界中からそのハーモニーの美しさが注目されてきました。その圧倒的な実力はグラミー賞を10回も獲得していることからも窺えます。中心人物となるのはテノールのクロード・マックナイト3世。彼らの作り出す声の芸術は常にさまざまな楽曲を鮮やかに彩ってきました。本映像は1990年ミュンヘン・フィルハーモニーにて開催された「ピアノの夏」音楽祭における演奏会の模様です。多彩な選曲とともに繊細なハーモニーをお楽しみいただけます。</video:description>
<video:duration>4301</video:duration>
<video:publication_date>2025-11-24T11:00:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T14:40:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9P</loc>
<video:video>
<video:title>巨匠サヴァリッシュとフィラデルフィア管による《家庭交響曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/309cdbd72dad929f3a49bb0042f658055979bf91.jpeg</video:thumbnail_loc>
<video:description>NHK交響楽団との相性も良く、日本のクラシック・ファンにとって忘れられないマエストロであるヴォルフガング・サヴァリッシュ (1923-2013) はミュンヘン生まれ。1950年代からドイツ各地の歌劇場で名をあげ、1971年から22年にわたって地元バイエルン国立歌劇場のシェフとして成功を収めた後、1993年にリッカルド・ムーティの後任として米国フィラデルフィア管弦楽団の音楽監督 (～2003年まで) に就いてからは、2度とオペラを指揮することはありませんでした。本作は同楽団との関係性が最高潮に達していた2000年に、サヴァリッシュにとってライフワークともいうべき同郷のR.シュトラウス作品から、得意とする《家庭交響曲》を指揮する映像です。すべてのパートに対して目が届く名采配ぶりと、それによって引き出された鮮やかな響きをご堪能ください。</video:description>
<video:duration>4367</video:duration>
<video:publication_date>2025-11-24T16:02:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T14:07:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1J</loc>
<video:video>
<video:title>ヴァイグレが指揮するリムスキー=コルサコフ《クリスマス・イヴ》</video:title>
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<video:description>このオペラの舞台は、ウクライナのディカーニカ村。恋人オクサーナに告白したヴァクーラは、彼女から無理難題を強いられ、悪魔の力を借りて何とか解決しようとします。村人たちの喜劇的な物語を、演出のクリストフ・ロイは幻想的な舞台に作り上げました。フランクフルト歌劇場音楽監督のセバスティアン・ヴァイグレは、リムスキー=コルサコフならではのオーケストレーションの魅力を存分に引き出しています。また、ヴァクーラ役のゲオルギー・ヴァシリエフをはじめとする、ロシア系歌手陣の活躍はこのプロダクションの大きな魅力です。</video:description>
<video:duration>9204</video:duration>
<video:publication_date>2025-10-16T12:39:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-28T09:14:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1P</loc>
<video:video>
<video:title>ビシュコフとチョ・ソンジンがラヴェルのピアノ協奏曲で共演</video:title>
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<video:description>チェコ・フィルハーモニー管弦楽団は、長きにわたる伝統と美しいサウンドの代名詞でもありましたが、音楽監督セミヨン・ビシュコフのもとで新たな栄光の時代を迎え、さらなるレパートリーの開拓にも力を注いでいます。2025/26年シーズンの開幕コンサートで取り上げるのは、ビシュコフの十八番、チャイコフスキーの交響曲第5番。前半では、今をときめく韓国人ピアニスト、チョ・ソンジンとの共演で、ラヴェルのピアノ協奏曲ト長調が披露されます。ジャズの影響を受けた色彩豊かな作品で伝統とフレッシュな創造性が融合し、魂を揺さぶる魅惑的な演奏になることでしょう。プラハが誇る由緒あるルドルフィヌムの美しい建築にもご注目ください。</video:description>
<video:duration>5154</video:duration>
<video:publication_date>2025-10-02T13:53:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T16:45:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCC8</loc>
<video:video>
<video:title>Finding Gratitude</video:title>
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<video:description></video:description>
<video:duration>270</video:duration>
<video:publication_date>2025-11-24T10:41:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T14:02:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCC0</loc>
<video:video>
<video:title>バルトーク : 15のハンガリー農民の歌 Sz. 71 より第7～15曲〈古い踊りの歌〉</video:title>
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<video:description>In this 80th anniversary year of the composer’s death (on 26 September 1945), Várjon, who records on our partner label CAvi music, plays a group of &quot;Old Dance Tunes&quot; from his countryman Bartók&apos;s collection of 15 Hungarian Peasant Songs for Piano, Sz. 71.</video:description>
<video:duration>348</video:duration>
<video:publication_date>2025-11-24T09:35:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-27T14:02:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCD8</loc>
<video:video>
<video:title>名アリア集～《美しきエレーヌ》より〈天が私に美しい夢の恋人を送り〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3a803fa253b877efc4633a7cac6eaa213fa5ad38.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>608</video:duration>
<video:publication_date>2025-11-25T15:17:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T16:58:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJCD0</loc>
<video:video>
<video:title>バッハ :《甘き喜びのうちに》BWV 729.2</video:title>
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<video:description></video:description>
<video:duration>142</video:duration>
<video:publication_date>2025-11-25T15:00:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T10:01:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34D0</loc>
<video:video>
<video:title>Bartók: Out of Doors, Sz. 81: V. The Chase (Festspielhaus Baden-Baden, 2025)</video:title>
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<video:description></video:description>
<video:duration>118</video:duration>
<video:publication_date>2025-07-07T09:53:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:58:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3EE0</loc>
<video:video>
<video:title>フランコ・ゼッフィレッリ監督／ヴェルディ《椿姫》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b5d7a072621e675b20457a91cb67e5bc3189d510.jpg</video:thumbnail_loc>
<video:description>演出家として絢爛豪華な作風で数々の伝説の舞台を手掛け、「ロミオとジュリエット」（1968年）など映画監督としても人気を集めたイタリアの巨匠フランコ・ゼッフィレッリによる傑作がSTAGE+に登場。テレサ・ストラータスとプラシド・ドミンゴが主役を務めたこちらの《椿姫》は劇場公演をライヴで収録したものではなく、作り込まれたオペラ映画。こだわりの調度品で埋め尽くされた第1幕、パリのサロンでのカメラワークも絶品ですが、ヴィオレッタとアルフレードの愛の生活を描き出す、第2幕冒頭の野外シーンも圧巻。フローラの家でのパーティ場面はゲスト・スター夢の競演でバレエ・ファンも必見です。オペラを“観る”楽しみを味わえる1982年の作品。</video:description>
<video:duration>6366</video:duration>
<video:publication_date>2023-10-12T08:51:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:48:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPL</loc>
<video:video>
<video:title>ワーグナー : 楽劇《ワルキューレ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a148aa8f7322cadf6e42bc7f743dd8a97440aebc.jpg</video:thumbnail_loc>
<video:description>ロベール・ルパージュによるワーグナーの《ニーベルングの指環》の画期的な舞台演出は、2010～11年および2011～12年シーズンにかけて披露され、20年以上ぶりのメトロポリタン歌劇場における全曲新制作となりました。最先端技術と伝統的な物語手法を融合させ、ワーグナーの構想を21世紀に蘇らせています。《ワルキューレ》では、指環をめぐる物語が人間界へと移ります。バスバリトンのブリン・ターフェルが歌うヴォータンの双子の子供、ジークムントとジークリンデを演じるのは、テノールのヨナス・カウフマンとソプラノのエヴァ=マリア・ウェストブロック。タイトルロールとなるヴォータン最愛の娘、戦乙女ブリュンヒルデ役はソプラノのデボラ・ヴォイトが、指揮はジェイムズ・レヴァインが務めています。</video:description>
<video:duration>14408</video:duration>
<video:publication_date>2025-09-19T07:19:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:48:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPK</loc>
<video:video>
<video:title>ワーグナー : 楽劇《ジークフリート》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6fa27bf445662c3481933f74a85d44015c90a250.jpg</video:thumbnail_loc>
<video:description>ロベール・ルパージュによるワーグナーの《ニーベルングの指環》の画期的な舞台演出は、2010～11年および2011～12年シーズンにかけて披露され、20年以上ぶりのメトロポリタン歌劇場における全曲新制作となりました。最先端技術と伝統的な物語手法を融合させ、ワーグナーの構想を21世紀に蘇らせています。物語の第3作で主人公となる、恐れを知らぬ英雄を演じるのは、テノールのジェイ・ハンター・モリス。ソプラノのデボラ・ヴォイトがブリュンヒルデを、ブリン・ターフェルがさすらい人を歌い、ファビオ・ルイージが指揮を務めました。</video:description>
<video:duration>14336</video:duration>
<video:publication_date>2025-09-19T07:03:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPJ</loc>
<video:video>
<video:title>ワーグナー : 楽劇《ラインの黄金》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ffe27003b0a8e7fd0a0dd349e25d63882a6c0e9a.jpg</video:thumbnail_loc>
<video:description>ロベール・ルパージュによるワーグナーの《ニーベルングの指環》の画期的な舞台演出は、2010～11年および2011～12年シーズンにかけて披露され、20年以上ぶりのメトロポリタン歌劇場における全曲新制作となりました。最先端技術と伝統的な物語手法を融合させ、ワーグナーの構想を21世紀に蘇らせています。この長大な楽劇の「序夜」では、ラインの黄金の盗難が世界の変革と神々による支配の終焉へとつながる連鎖を引き起こします。ジェイムズ・レヴァインの指揮のもと、現代を代表するワーグナー歌手たちが結集。ヴォータン役にバスバリトンのブリン・ターフェル、フリッカ役にメゾソプラノのステファニー・ブライズ、アルベリヒ役にはバスバリトンのエリック・オーウェンズが名を連ねました。</video:description>
<video:duration>9749</video:duration>
<video:publication_date>2025-09-18T16:34:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPI</loc>
<video:video>
<video:title>ワーグナー : 楽劇《神々の黄昏》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/09d3d54c495c3ec2d51eae525afd4854a2dff3d8.jpg</video:thumbnail_loc>
<video:description>ロベール・ルパージュによるワーグナーの《ニーベルングの指環》の画期的な舞台演出は、2010～11年および2011～12年シーズンにかけて披露され、20年以上ぶりのメトロポリタン歌劇場における全曲新制作となりました。最先端技術と伝統的な物語手法を融合させ、ワーグナーの構想を21世紀に蘇らせています。4部構成の長大な物語は、一人の女性の犠牲が世界を救うという破滅的なフィナーレで完結を迎えます。ジェイ・ハンター・モリスがジークフリート役、ソプラノのデボラ・ヴォイトがブリュンヒルデ役を演じ、ファビオ・ルイージが指揮を務めました。</video:description>
<video:duration>16243</video:duration>
<video:publication_date>2025-09-18T16:09:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPH</loc>
<video:video>
<video:title>チャイコフスキー : 歌劇《エフゲニー・オネーギン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d062c9949b7d3f293c57528faf998cc083fd98c3.jpg</video:thumbnail_loc>
<video:description>チャイコフスキー作曲による《エフゲニー・オネーギン》のこの忘れがたい上演では、報われない愛の痛みが鮮やかに描かれています。ルネ・フレミング (ソプラノ) 扮する内気なタチヤーナが音楽と演技の両面で輝きを放ち、彼女が想いを寄せる世才に長けたオネーギンを、ディミトリー・ホロストフスキー (バリトン) が強烈なカリスマ性で演じました。二人の魅惑的な歌唱が生む化学反応が、胸を締めつける最終場面で爆発します。チャイコフスキーの情熱的な音楽を牽引するのは、指揮者ワレリー・ゲルギエフ。時代を超えて語り継がれる名演といえるでしょう。</video:description>
<video:duration>9394</video:duration>
<video:publication_date>2025-09-18T15:58:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:47:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHP</loc>
<video:video>
<video:title>ロッシーニ : 歌劇《チェネレントラ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a450325dffe2d5fd176898f91789a21b5a0438b1.jpg</video:thumbnail_loc>
<video:description>もしもシンデレラの魅惑的な童話を煌めく音楽で紡ぐために生まれた作曲家がいたとすれば、それはロッシーニに他ならないでしょう。彼の描く虐げられたヒロイン、アンジェリーナ (メゾソプラノ、エリーナ・ガランチャ) は、意地悪な義姉たちだけでなく、大げさで滑稽な父親ドン・マニフィコ (バリトン、アレッサンドロ・コルベッリ) にも対処しなければなりません。そしてこのバージョンでは、王子 (テノール、ローレンス・ブラウンリー) と従者 (バリトン、シモーネ・アルベルギーニ) が身分をすり替えるため、愉快な混乱が絶えません。チェーザレ・リエヴィの楽しい絵本のような演出とマウリツィオ・ベニーニの熟練の指揮により、スフレの如く全てにおいて音楽的に素晴らしく、軽快で味わい深いものとなっています。</video:description>
<video:duration>9822</video:duration>
<video:publication_date>2025-09-18T15:34:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:46:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9I</loc>
<video:video>
<video:title>プーランク : 歌劇《カルメル会修道女の対話》</video:title>
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<video:description>プーランクの傑作《カルメル会修道女の対話》は、1977年にジョン・デクスターの衝撃的な演出で初演を飾って以来、メトロポリタン歌劇場の観客に愛され続けています。この2019年の再演では、音楽監督ヤニック・ネゼ=セガンが指揮を務めました。メゾソプラノのイザベル・レナードが、フランス革命の脅威から逃れるためカルメル会の修道院に入るブランシュ・ド・ラ・フォルスとして主演。その他、豪華なキャストには、クロワシー夫人役のカリタ・マッティラ (ソプラノ) 、ブランシュの修道女仲間役のエリン・モーリーとエイドリアン・ピエチョンカ (ともにソプラノ) 、騎士ド・ラ・フォルス役のデイヴィッド・ポルティッヨ (テノール) が名を連ねています。</video:description>
<video:duration>10124</video:duration>
<video:publication_date>2025-10-02T09:14:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:46:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHO</loc>
<video:video>
<video:title>マスネ : 歌劇《タイス》</video:title>
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<video:description>世界で最も妖艶で人気の高い娼婦が神に人生を捧げた禁欲的な修道士と出会うとき、官能的な火花が散るのは必定です。そしてその衝突が、マスネの輝かしくも稀にしか上演されないオペラの中で繰り広げられれば、私たちの目と耳を大いに満たしてくれることでしょう。ルネ・フレミング (ソプラノ) は、クリスチャン・ラクロワがデザインした優雅なガウンに身を包み、隅々まで魅惑的なタイスを演じます。苦悩する修道士の役を歌うのは、トーマス・ハンプソン。ジョン・コックスによる演出は、文明そのものと同様に古い対立の舞台を見事に構築しています。</video:description>
<video:duration>8293</video:duration>
<video:publication_date>2025-09-18T14:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHN</loc>
<video:video>
<video:title>ドヴォルザーク : 歌劇《ルサルカ》</video:title>
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<video:description>オットー・シェンクによる童話的な演出は、ドヴォルザークの至高のロマンティック・オペラが紡ぐ幻想世界を完璧に捉えています。スターソプラノのルネ・フレミングが、最も賞賛された役柄の1つ、人間になることを熱望する水の精として主演。彼女が想いを寄せる王子を歌うのは、テノールのピョートル・ベチャワです。バスバリトンのジョン・レリエがヴォドニクを、メゾソプラノのドローラ・ザジックが魔法使いイェジババを、ソプラノのエミリー・マギーが外国の公女を演じました。指揮はヤニック・ネゼ=セガンが務めます。</video:description>
<video:duration>9935</video:duration>
<video:publication_date>2025-09-18T10:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9H</loc>
<video:video>
<video:title>ドニゼッティ : 歌劇《ロベルト・デヴェリュー》</video:title>
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<video:description>デイヴィッド・マクヴィカーが手掛けたメトロポリタン歌劇場初演となるプロダクションは雰囲気が豊かで、エリザベス1世とエセックス伯の劇的で胸を引き裂くような恋物語を、宮廷の面々を前に展開される劇中劇として描き出しています。年老いた君主を歌うソンドラ・ラドヴァノフスキーの熱演が、イングランドの統治者としての義務と一人の女性としての私的な感情の間の葛藤を露わにします。女王から想いを寄せられながら二人の女性の間で揺れ動く男、エセックス伯ロベルト・デヴェリューを演じるのは、テノールのマシュー・ポレンザーニ。サラ役のエリーナ・ガランチャ (メゾソプラノ) と夫ノッティンガム公爵役のマリウシュ・クヴィエチェン (バリトン) とともに、主要四役を担います。指揮を務めるのはマウリツィオ・ベニーニです。</video:description>
<video:duration>8904</video:duration>
<video:publication_date>2025-10-02T08:07:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHM</loc>
<video:video>
<video:title>ビゼー : 歌劇《カルメン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8bce8ef67c6c286ef74775606b5ba5ec202ccd48.jpg</video:thumbnail_loc>
<video:description>リチャード・エアによるビゼーのオペラの見事な演出は、2009年の大晦日に初演された際、巷の話題を席巻しました。メゾソプラノのエリーナ・ガランチャが主演し、あらゆる男性が憧れる女性でありながら、自らの意志を貫く象徴的な誘惑者カルメンを体現。テノールのロベルト・アラーニャ扮する兵士ドン・ホセは、彼女の魅力に囚われ、愛のためにすべてを犠牲にしますが、バリトンのテディー・タフ・ローズが歌う闘牛士エスカミーリョがカルメンの興味を惹くと、彼は見捨てられてしまいます。世界的振付家リストファー・ウィールドンが手掛けたダンスと、ヤニック・ネゼ=セガンの指揮により、この《カルメン》は、軽快な幕開けから悲痛なクライマックスまで、ビゼーの物語のあらゆる側面をスリリングに描き出しています。</video:description>
<video:duration>9782</video:duration>
<video:publication_date>2025-09-18T08:40:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-26T09:45:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38E8</loc>
<video:video>
<video:title>ミンコフスキが指揮、ベルネームが主演するオッフェンバックの《ホフマン物語》</video:title>
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<video:description>フランス・オペラのなかでも特に人気の高い《ホフマン物語》。美しい旋律とファンタジーにあふれた物語、魅力的な登場人物たちのやりとりは一度観ればやみつきになってしまいます。本映像では注目のフランス人歌手、バンジャマン・ベルネームがタイトルロールを演じ、魅惑の世界へと皆様をお連れします。ヒロインを全て一人のソプラノが演じる点にも注目です。違う歌手が演じることも多いですが、あえて作曲者の本来の意図に従い、キャサリン・レヴェクがかわいらしい人形オランピアに薄幸の歌手アントニア、悪女ジュリエッタを歌い分けます。</video:description>
<video:duration>10889</video:duration>
<video:publication_date>2024-08-28T08:05:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-25T10:36:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6CO</loc>
<video:video>
<video:title>ブラームス : ヴァイオリン・ソナタ第1番ト長調 op. 78</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8dd02b9117d22e04b4c30de1b70f0bc6c7184eda.jpeg</video:thumbnail_loc>
<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>113</video:duration>
<video:publication_date>2025-11-05T10:14:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-25T09:25:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GC8</loc>
<video:video>
<video:title>グラジニーテ=ティーラが海にちなんだプログラムを披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1098d5c61b76b7339aa55f61fbe7311fd55ab324.jpg</video:thumbnail_loc>
<video:description>ヴィリニュスのフィルハーモニック・ホールから注目の女性指揮者ミルガ・グラジニーテ=ティーラのコンサートをお届けします。披露するのは、リトアニアの偉大な作曲家ミカロユス・チュルリョーニスの生誕150年と「海」に捧げる意欲的なプログラム。36歳という早すぎる死の4年前に完成されたチュルリョーニスの代表作、交響詩《海》と、ブリテンの1945年のオペラ《ピーター・グライムズ》からの海の間奏曲が並べられています。その間に演奏される、カナダの作曲家ジョエル・ホフマンが現代の視点からチュルリョーニスを讃えた作品にもご期待ください。</video:description>
<video:duration>5778</video:duration>
<video:publication_date>2025-04-28T16:31:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T15:34:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJED0</loc>
<video:video>
<video:title>ヒラリー・ハーンの素顔に迫るドキュメンタリー『ポートレイト』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9f7a85da6e80372a55739c7a4cfb36d1b4aa5c41.jpg</video:thumbnail_loc>
<video:description>本映像は2005年にドイツで放映されたドキュメンタリー番組です。ベネディクト・ミロウ監督によるもので、人気・実力ともに現代のクラシック界のトップを走り続けるヴァイオリニスト、ヒラリー・ハーンの素顔に迫っています。演奏の模様はもちろん、母校であるカーティス音楽院の紹介や演奏会前のリハーサルの様子なども見られ、普段なかなか見ることのできないふとした表情や言葉にも触れることができる貴重なものとなっています。</video:description>
<video:duration>3455</video:duration>
<video:publication_date>2025-03-12T13:49:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T13:15:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJAE8</loc>
<video:video>
<video:title>名アリア集～《ハムレット》より〈無駄な後悔〉＆〈みじめな気持ちを打ち払い〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81ee98b49a9c049dbadd821bd4fc58c1369b3562.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>570</video:duration>
<video:publication_date>2025-11-21T09:36:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T10:58:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1O</loc>
<video:video>
<video:title>アバドがベルリン・フィルを率いてドビュッシー、リーム、ブリテンを披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e401e3f11b004a2585e8d0ba45bc8c455ab82349.jpeg</video:thumbnail_loc>
<video:description>By the later stages of Claudio Abbado’s tenure as principal conductor of the Berlin Philharnonic, he’d transformed the orchestra’s reputation, taking its legendary sound and virtuosity as a starting point for musical explorations that ranged far beyond the Austro-German tradition. This concert, recorded in Cologne in 2000, is typically fearless – a deep dive into the shimmering, nocturnal soundworlds of Ravel and Debussy, with the unrivalled team of Philip Langridge and Stefan Dohr as soloists in Britten’s Serenade. The programme begins with an impassioned meditation on German history from Wolfgang Rihm, just months after Abbado and his orchestra gave its world premiere in Berlin.</video:description>
<video:duration>4763</video:duration>
<video:publication_date>2025-11-06T14:12:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T09:23:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9K</loc>
<video:video>
<video:title>ヨアヒム・キューン in コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d8965187b475a55076e8d4aabb3bef25abf3ee1c.jpeg</video:thumbnail_loc>
<video:description>ミュンヘン生まれでクラシックからジャズに傾倒し、並外れて幅広いスタイルでフリー・インプロヴィゼーションを探究した凄腕ピアニスト、ヨアヒム・キューンによる1999年のソロ・ステージをお届けします。フリージャズの先駆者であるサックスの巨人オーネット・コールマンと共同名義でライヴ・アルバム『カラーズ』(1997年) もリリースしているだけあって、コールマンのナンバーを皮切りに自身のオリジナル曲を中心にバッハのパルティータ第2番〈サラバンド〉のカヴァーまで、その類いまれなテクニックを駆使して観客を大いに沸かせます。</video:description>
<video:duration>4306</video:duration>
<video:publication_date>2025-11-13T14:48:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-24T09:21:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0D0</loc>
<video:video>
<video:title>ダニール・トリフォノフ in カステルフランコ・ヴェーネト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dc27f56b05414f3508903e8593043f43b91edf7f.jpeg</video:thumbnail_loc>
<video:description>英グラモフォン誌から「現代で最も才能のある音楽ドキュメンタリー作家」と称賛されるクリストファー・ヌーペン監督によるこの映像は、ヴェネツィア近郊の街カステルフランコ・ヴェーネト (ヴェネト州トレヴィーゾ県) にある優美なアカデミコ劇場で行われた公演を中心とするトリフォノフ“23歳”のポートレートです。特に、舞台上の彼に接近してその芸術的なパフォーマンスを間近に捉えた場面の、劇的な質感をご堪能ください。</video:description>
<video:duration>2590</video:duration>
<video:publication_date>2025-10-23T13:04:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-21T14:35:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1I</loc>
<video:video>
<video:title>ベルリオーズ編曲によるグルックの歌劇《オルフェオとエウリディーチェ》</video:title>
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<video:description>《オルフェオとエウリディーチェ》は、1762年に初演されたグルックの傑作。彼を尊敬していたベルリオーズは、このオペラを彼ならではの斬新なオーケストレーションによって、より劇的でロマンティックな音楽へと編み直しました。古代ギリシャ神話と現代とを見事に融合したオーレリアン・ボリーの演出は、視覚的に強烈なインパクトを与えます。粒ぞろいの歌手陣、そして古楽のスペシャリストである指揮のラファエル・ピションと、彼が創設したアンサンブル・ピグマリオンのピリオド楽器による演奏も、高い評価を得ています。</video:description>
<video:duration>5922</video:duration>
<video:publication_date>2025-10-16T10:32:24Z</video:publication_date>
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<lastmod>2025-11-21T14:20:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9H</loc>
<video:video>
<video:title>マンハッタン・トランスファーのミュンヘン・ライヴ</video:title>
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<video:description>1973年にティム・ハウザーをリーダーとしてニューヨークで結成され、何度もメンバーを入れ替えながら2023年に解散するまでコンサート活動とレコーディングを続け、今なお世界中にファンを持つジャズ史上最高峰の男女4人組コーラス・グループ、マンハッタン・トランスファー。この映像はこの時まで既に何度もグラミー賞を手にしていた彼ら / 彼女らが、ベスト・メンバーで1991年にミュンヘンの聴衆の前に登場しセンセーショナルな成功を収めたステージの模様を伝えるものです。ラウンジ系からラテン・グルーヴまで盛り沢山のナンバーを、バンド演奏と見事な駆け引きを繰り広げながら歌い上げる声の祭典をお楽しみください。</video:description>
<video:duration>6620</video:duration>
<video:publication_date>2025-10-23T11:44:54Z</video:publication_date>
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<lastmod>2025-11-21T13:59:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPM</loc>
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<video:title>ヴェンゲーロフが奏でるチャイコフスキーのヴァイオリン協奏曲</video:title>
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<video:description>少年時代から世界に通用する実力との呼び声高く、現在もヴァイオリン界のトップに君臨するマキシム・ヴェンゲーロフ。16歳で、国際的な評価を高めつつあったパヴェル・コーガンが指揮するモスクワ国立交響楽団と共演し、チャイコフスキーのヴァイオリン協奏曲でミュンヘンの聴衆を唸らせたステージをお届けします。当時、彼はカール・フレッシュ国際ヴァイオリン・コンクールで優勝して各地で華々しい演奏活動をスタートさせたばかり。その卓越した表現力と繊細かつ安定した音色で会場を熱狂させます。アンコールで披露したパガニーニの「24のカプリース」も圧巻です。</video:description>
<video:duration>2458</video:duration>
<video:publication_date>2025-09-22T08:17:48Z</video:publication_date>
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<lastmod>2025-11-21T13:30:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8D8</loc>
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<video:title>ベートーヴェン / ピアノ・ソナタ第30番ホ長調 op. 109 より第1楽章 : Vivace ma non troppo – Adagio espressivo</video:title>
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<video:duration>240</video:duration>
<video:publication_date>2025-11-18T10:19:33Z</video:publication_date>
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<lastmod>2025-11-21T09:49:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8CO</loc>
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<video:title>エイナウディ :《フライ》</video:title>
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<video:duration>237</video:duration>
<video:publication_date>2025-11-18T09:52:39Z</video:publication_date>
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<lastmod>2025-11-21T09:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJAE0</loc>
<video:video>
<video:title>マックス・ラーベ＆パラスト・オーケストラ - 「MTVアンプラグド」の舞台裏</video:title>
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<video:duration>1444</video:duration>
<video:publication_date>2025-11-20T15:00:37Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-21T09:41:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6D8</loc>
<video:video>
<video:title>アルバム『オーパス109』について</video:title>
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<video:publication_date>2025-11-05T16:19:51Z</video:publication_date>
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<lastmod>2025-11-21T07:31:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0CO</loc>
<video:video>
<video:title>ヴィキングル・オラフソン『マイ・フェイバリット・メロディーズ』</video:title>
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<video:description>ヴィキングル・オラフソンが自らのルーツであるアイスランドの民謡から得意とするレパートリーであるバッハ、モーツァルト、ラモー、フィリップ・グラスの音楽について、幅広く語るドキュメンタリーです。本映像をご覧いただくことで、彼の音楽性がどのように形成されていったかがよくおわかりいただけるはずです。特に興味深いのは《ゴルトベルク変奏曲》、バルトークの民謡を演奏する際の心情の違いについてです。オラフソンの語りによって音楽へのさらなる探求心、北欧の魅力、創造性について強く想いを馳せることになるでしょう。</video:description>
<video:duration>4346</video:duration>
<video:publication_date>2025-10-23T09:17:19Z</video:publication_date>
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<lastmod>2025-11-21T07:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGE8</loc>
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<video:title>ヴァルトビューネ 1996～イタリアン・ナイト</video:title>
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<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。クラウディオ・アバドが指揮を務めた1996年は、ヴェルディ作品を中心にイタリア・オペラの名場面をお届けします。当日、会場は名歌手3人が揃って登場したことで大いに盛り上がりを見せました。特に《ドン・カルロ》のカルロ（テノール）とロドリーゴ（バリトン）による“友情の二重唱”と、夜の帳がおりる絶好のタイミングで繰り広げられた《オテロ》のデズデーモナ（ソプラノ）とオテロ（テノール）による“愛の二重唱”は必見です。</video:description>
<video:duration>6434</video:duration>
<video:publication_date>2023-06-19T13:18:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-11-20T20:06:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9G</loc>
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<video:title>ニューポート・ジャズ・フェスティバル・オールスターズ in ミュンヘン</video:title>
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<video:description>ピアニスト兼プロモーターのジョージ・ウェインがニューポート・ジャズ・フェスティバルのために集め、1960年代から様々なメンバー編成を経てきたオールスター・グループによる、1991年ミュンヘンでのライヴをお届けします。ハロルド・アーレン作の名曲《ゲット・ハッピー》を皮切りにデューク・エリントンのナンバーなど珠玉のスタンダード楽曲が散りばめられたストレイト・アヘッドな王道ジャズをお楽しみください。</video:description>
<video:duration>7427</video:duration>
<video:publication_date>2025-11-10T14:52:40Z</video:publication_date>
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<lastmod>2025-11-20T14:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1I</loc>
<video:video>
<video:title>マックス・ラーベがパラスト・オーケストラと「MTVアンプラグド」に出演</video:title>
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<video:description>ドイツの国民的歌手であり俳優のマックス・ラーベ。彼の歌唱は、その美声はもちろん、繊細な語り口、ユーモアも感じさせる表現の多彩さによって多くの人々に愛されています。本映像は世界のトップアーティストが出演し、アコースティックライブの源流としての歴史を持つ音楽番組「MTVアンプラグド」のコンサートでのラーベの姿をご覧いただけます。ここで彼は様々なジャンルのゲストと共にクレールヒェンス・バルハウスの美しいステージに立ちました。</video:description>
<video:duration>5989</video:duration>
<video:publication_date>2025-11-03T09:28:00Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-20T14:12:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8D0</loc>
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<video:title>スクリャービン : 24の前奏曲 op. 11 より第21番 : 変ロ長調 Andante</video:title>
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<video:duration>82</video:duration>
<video:publication_date>2025-11-18T09:56:57Z</video:publication_date>
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<lastmod>2025-11-20T09:26:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJEE8</loc>
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<video:title>アンネ＝ゾフィー・ムター 祝60歳のバースデー・コンサート</video:title>
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<video:description>60歳の誕生日を迎えた“ヴァイオリンの女王”ことアンネ＝ゾフィー・ムターによる、スペシャルなバースデー・コンサートを楽友協会からお届けします。“女王”が厳選した名手たちが、その多才さを披露するプログラムはヴィヴァルディとバッハの協奏曲から、プレヴィンが書いた2つのクァルテットとコントラバスのためのノネット、そして伝記映画『Chevalier（シュヴァリエ）※原題』によって注目を集めた、王妃マリー・アントワネットの寵愛を受けた（アフリカ系の母親を持つ）作曲家ジョゼフ・ブローニュの作品まで、意欲的なラインナップ。弦楽アンサンブルの醍醐味をたっぷり味わっていただける内容です。</video:description>
<video:duration>5747</video:duration>
<video:publication_date>2023-07-10T15:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-11-19T16:15:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGC0</loc>
<video:video>
<video:title>『光に向かって』～アレクサンドル・スクリャービンの肖像</video:title>
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<video:publication_date>2025-03-19T17:09:40Z</video:publication_date>
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<lastmod>2025-11-18T16:07:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36D8</loc>
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<video:title>ジャンルイジ・ジェルメッティ、アリソン・ハーガン / ベートーヴェン :《ああ、不実なる人よ》</video:title>
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<video:publication_date>2025-07-11T12:57:05Z</video:publication_date>
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<lastmod>2025-11-18T16:03:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32D8</loc>
<video:video>
<video:title>リヒャルト・シュトラウスと私の人生</video:title>
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<video:publication_date>2025-06-20T12:40:44Z</video:publication_date>
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<lastmod>2025-11-18T16:02:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9G</loc>
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<video:title>シフがプレイエルのピアノで弾く、ショパンの24の前奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d66e3870d12d5be17b54f90292b014a4b9b0df6c.jpg</video:thumbnail_loc>
<video:description>2025年に第36回高松宮殿下記念世界文化賞・音楽部門を受賞して会見のために来日し、翌年3月の日本ツアー開催も発表したアンドラーシュ・シフ。主にJ.S.バッハやモーツァルト、ベートーヴェン、シューマンなどの独墺のレパートリーを軸にキャリアを築いてきた巨匠による、ショパンの「24の前奏曲」をお届けします。使用楽器は1860年製プレイエル・グランドピアノで、ショパン自身が頻繁に演奏会を開いていたパリの古楽院で収録された、見応えのある美しい映像です。</video:description>
<video:duration>2322</video:duration>
<video:publication_date>2025-10-23T11:30:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-18T14:09:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38E0</loc>
<video:video>
<video:title>ユリウス・アザルが奏でるスクリャービン、スカルラッティ＆ブラームス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ca121c100f61ab7fbf71502d77af525964b7bf91.jpg</video:thumbnail_loc>
<video:description>ユリウス・アザルによる芸術の殿堂でのリサイタルの模様をお届けします。ファースト・アルバムの収録曲とロマン派の偉大なピアノ・ソナタが並べて演奏されるという意欲的なプログラムで、前半は、スクリャービンとスカルラッティの作品で、アザルによる短いトランジションも挿入され、説得力のある内容になっています。後半では20歳のブラームスによる5楽章から成るピアノ・ソナタ第3番が演奏されます。アザルの研ぎ澄まされた技術と集中力、表現力をご覧いただけることでしょう。</video:description>
<video:duration>7498</video:duration>
<video:publication_date>2024-08-16T13:33:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-18T08:38:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CC0</loc>
<video:video>
<video:title>DG125周年記念コンサート : ネルソンス&amp;チョ・ソンジン</video:title>
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<video:description>ドイツ・グラモフォンの創立125周年を記念するコンサートの一環として、アンドリス・ネルソンス率いるゲヴァントハウス管弦楽団が、ライプツィヒの比類なき音楽遺産をふんだんに盛り込んだプログラムをソウル 芸術の殿堂からお届けします。プログラムはカペルマイスター (楽長) としてネルソンスの大先輩にあたるメンデルスゾーンの作品から、演奏会用序曲と交響曲第3番「スコットランド」 (1842 年にゲヴァントハウスで初演)。シューマンのコンチェルトでは、ソウル生まれで現代のシーンを代表する“真摯な”ピアニスト、チョ・ソンジンがソリストを務めます。</video:description>
<video:duration>5945</video:duration>
<video:publication_date>2023-11-20T19:15:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:31:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3AE8</loc>
<video:video>
<video:title>DG125周年記念コンサート : オラフソンのゴルトベルク変奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b5fb68662b143235675cca5ea33542e5a66fc30e.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンの創立125周年を記念するコンサートのひとつとして、ヴィキングル・オラフソンの鮮烈なピアノ演奏をソウル 芸術の殿堂からお届けします。プログラムは自身が「これまでに書かれた鍵盤音楽の中で最もヴィルトゥオーゾ的なもの」と語るJ.S.バッハの大曲《ゴルトベルク変奏曲》。2023年のDGリリースのなかでも特に大きな話題を呼んでいる全曲盤の発売にあわせて、6大陸で実施予定の世界ツアーの一環です。</video:description>
<video:duration>4947</video:duration>
<video:publication_date>2023-12-17T17:49:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:30:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8DO</loc>
<video:video>
<video:title>カプソンとアームストロングによるモーツァルトのヴァイオリン・ソナタ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b75c32bac461cccbd28686279166e9d738ebab1e.jpg</video:thumbnail_loc>
<video:description>ヴァイオリンの重要な流派である「ベルギー派」の伝統を継承するヴァイオリニストであり、バロック奏法にも造詣の深いルノー・カプソンは、格調高い演奏によって多くの人々を魅了するヴァイオリニストです。本映像ではカプソンと、圧倒的な知性とアイディア力を誇るピアニスト、キット・アームストロングの共演をお楽しみ頂けます。彼らの紡ぎ出すモーツァルトのヴァイオリン・ソナタは優雅でありながらも力強さも感じさせ、バランスの良い仕上がりですが、随所に彼ららしい“新しさ”にも満ちています。</video:description>
<video:duration>5314</video:duration>
<video:publication_date>2024-04-08T13:20:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:29:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3IC8</loc>
<video:video>
<video:title>ボムソリとフルシャの共演によるブルッフのヴァイオリン協奏曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e1d365a7ac268bf41ec84fd6bac7543191d48fb1.jpg</video:thumbnail_loc>
<video:description>国際的なキャリアを重ねる韓国人ヴァイオリニスト、ボムソリと首席指揮者ヤクブ・フルシャ率いるドイツの名門バンベルク交響楽団との共演の模様をお届けします。芸術の殿堂 (ソウル) で収録された本プログラムの幕開けを飾るのは、21歳のワーグナーによる最初のオペラ《妖精》。マックス・ブルッフの人気作、ヴァイオリン協奏曲第1番では、ボムソリが誘う19世紀ドイツ・ロマン派の真骨頂をお楽しみいただけることでしょう。ワーグナーが「舞踏の神化」と称したベートーヴェンの傑作、交響曲第7番の熱狂冷めやらぬ演奏にもご期待ください。</video:description>
<video:duration>6118</video:duration>
<video:publication_date>2025-06-18T14:59:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:27:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJACG</loc>
<video:video>
<video:title>ミッシャ＆リリー・マイスキーが紡ぐドイツ・ロマン派の調べ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3630eede927c3c5da38ee4b03bb759cc8360a3b3.jpg</video:thumbnail_loc>
<video:description>ミッシャ＆リリー・マイスキーの父娘デュオが「芸術の殿堂」(ソウル) に登場し、結成20周年を記念した特別なプログラムをお届けします。病気で療養していた父ミッシャの回復に向けた重要な一歩ともなる今回のステージ。前半のベートーヴェンらしい遊び心に満ちた変奏曲とブルッフの名作《コル・ニドライ》は、20年前の初共演時にも演奏しました。そして後半では、ブラームスとシューマンによるドイツ・ロマン派の音楽を二人で初めて披露します。チェロとピアノの心温まる音色に包まれる、極上の一夜を存分にお楽しみください。</video:description>
<video:duration>6897</video:duration>
<video:publication_date>2025-06-26T13:12:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-18T08:26:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJIE8</loc>
<video:video>
<video:title>ベアトリーチェ・ラナがヤニック・ネゼ＝セガンと連弾で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fc513bf0d402250795bc979b435f955adb7b562b.jpg</video:thumbnail_loc>
<video:description>本映像は2022年に行われたバーデン＝バーデンの音楽祭の模様です。国際的ピアニストであるベアトリーチェ・ラナが、協奏曲での共演で信頼の厚い指揮者、ヤニック・ネゼ＝セガンと連弾を行いました。シューマンがアラビアの詩人ハリリの散文詩「マカーメン」に印象づけられて作曲した《東洋の絵》をはじめ、ラヴェルの《マ・メール・ロワ》にシューベルトの《幻想曲ヘ短調》と、連弾ならではの魅力が詰まった作品が集められています。ラナはもちろんのこと、ネゼ＝セガンのピアノの巧みさにも注目です。</video:description>
<video:duration>5079</video:duration>
<video:publication_date>2023-06-29T13:53:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:17:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJIDG</loc>
<video:video>
<video:title>注目のピアニスト、ベアトリーチェ・ラナが奏でるクララ・シューマンの協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f38c2326c5352edd15c79b97996da410dbee4ae2.jpg</video:thumbnail_loc>
<video:description>本映像には共に世界的に注目を集めるピアニストのベアトリーチェ・ラナ、指揮者のヤニク・ネゼ＝セガンの共演が収められています。ヨーロッパ室内管弦楽団と共に演奏されたのはクララ・シューマンの《ピアノ協奏曲イ短調》。ラナが「いろいろな意味で天才的」と評するこの作品を、なんとクララは13歳で書いているのです。激しい感情表現と天才ピアニストならではの技巧とが見事に結実した作品に仕上がっています。オーケストラではクララを愛したブラームスの交響曲第1番が演奏され、こちらも重厚な響きと構築性をじっくりと聴かせてくれます。</video:description>
<video:duration>4714</video:duration>
<video:publication_date>2023-06-29T08:59:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:16:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJIE0</loc>
<video:video>
<video:title>ベアトリーチェ・ラナがネゼ＝セガンと奏でるシューマンのピアノ協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a42290a6fb0506204b14560b9b02366bf936b59c.jpg</video:thumbnail_loc>
<video:description>本映像は「バーデンバーデン・夏の音楽祭2022」の模様を収録したものです。リリースするディスクが全て国際的に高い評価を得ており、いまもっとも注目されるピアニストのひとりであるベアトリーチェ・ラナが、ニューヨーク・メトロポリタン歌劇場の第3代音楽監督であるヤニック・ネゼ＝セガンと共にシューマンのピアノ協奏曲を演奏しています。さらにブラームスが音楽祭の会場であるバーデンバーデンで完成させた交響曲第2番もお楽しみ頂けます。より深く楽曲の雰囲気をお楽しみいただけるはずです。</video:description>
<video:duration>5547</video:duration>
<video:publication_date>2023-06-29T10:03:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4D0</loc>
<video:video>
<video:title>ホーネック＆ウィーン響がシュミットとベートーヴェンを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/991b96c1a1a886e96bdaf7b6182efb535855eff4.jpg</video:thumbnail_loc>
<video:description>スペインのヴァイオリニスト・作曲家であるマリア・ドゥエニャス。ヴォルフガング・ヘントリッヒとマレク・ヤノフスキに見出され、サンフランシスコ交響楽団でソリスト・デビューを果たすと、ユーディ・メニューイン国際コンクール第1位と聴衆賞など国際コンクールでの入賞、世界的オーケストラと共演を重ねてきました。本映像にはマンフレート・ホーネックの指揮の下、ドゥエニャス自身が書いた華麗なカデンツァによるベートーヴェンのヴァイオリン協奏曲、フランツ・シュミットが最後に書いた繊細な交響曲が収められています。</video:description>
<video:duration>7050</video:duration>
<video:publication_date>2023-05-26T08:41:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:11:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2DG</loc>
<video:video>
<video:title>マルヴィッツが「春の祭典」を指揮し、語るコンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/481599c4f8f9e89a969c65bf9bbf453b26aa6d9a.jpg</video:thumbnail_loc>
<video:description>ドイツ期待の若手指揮者、ヨアナ・マルヴィッツがベルリン・コンツェルトハウス・オーケストラの首席指揮者兼芸術監督に就任して最初のシーズンの模様です。新たに導入された新しい形式である「エクスペディション・コンサート」の第1回で、マルヴィッツがストラヴィンスキーの《春の祭典》の全曲演奏を指揮する前に、詳細な図解入りで解説を行います。1913年に初演されたこの作品がなぜ今もなお衝撃的なのか、ピアノとオーケストラの演奏例を交えながら解説します。名曲を深く読み解く絶好の機会となることでしょう。</video:description>
<video:duration>5394</video:duration>
<video:publication_date>2024-01-15T15:41:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:08:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6E8</loc>
<video:video>
<video:title>マルヴィッツの「エクスペディション・コンサート」Vol.2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ed13aaa042512cc029c4613ada525327b9a67143.jpg</video:thumbnail_loc>
<video:description>2023年シーズンからベルリン・コンツェルトハウス管弦楽団首席指揮者となったヨアナ・マルヴィッツ。彼女は指揮者がプログラムを演奏する前に解説を披露する「エクスペディション・コンサート」をスタートしました。本映像は、この意欲的な試みの第2弾の模様です。曲はメンデルスゾーンの交響曲第4番《イタリア》。マルヴィッツは詳細な図解を用いて、観客が作品とさらに近づけるように紐解いていきます。世界的に愛されるメンデルスゾーンの傑作交響曲の知られざる魅力を、色彩豊かに紡がれる演奏と共にお楽しみください。</video:description>
<video:duration>5585</video:duration>
<video:publication_date>2024-03-13T10:43:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:08:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3IDO</loc>
<video:video>
<video:title>マリー・アワディスが自作曲《Études Mélodiques (エチュード・メロディーク) 》を披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f714759f3fb97f04fa4d94d986d152f8780e0ab0.jpg</video:thumbnail_loc>
<video:description>アルメニアの作曲家でピアニストのマリー・アワディスがドイツ・グラモフォンからリリースしたばかりのデビュー・アルバムから《Études Mélodiques》をベルリンのキュールハウスで披露。ソロ・ピアノのための12のエチュードからなる本作はショパンの練習曲のようなスタイルをとりつつ、子どもの頃から聴いていた民謡、J.S.バッハやカンチェリ、ジャズといった彼女の音楽を豊かなものにしている様々な要素を織り交ぜて作り上げられ、さらにはアメリカとヨーロッパのミニマリズムからの影響もみられるユニークなものです。なお今回の収録では、4つのエチュードをピアノと弦楽アンサンブルによる新ヴァージョン (※そのうち2つはこれが初演) で聴くことができるのも特筆すべきポイントです。ヨエル・キュリナーがプロデュースしたヴィジュアル演出と共にお楽しみください。</video:description>
<video:duration>3822</video:duration>
<video:publication_date>2024-10-10T10:17:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T13:02:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ID0</loc>
<video:video>
<video:title>アリス＝紗良・オットと仲間たちによる《世の終わりのための四重奏曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cb7241949705a0a85dff1d9911368aa92e0e6bed.jpg</video:thumbnail_loc>
<video:description>新約聖書「ヨハネの黙示録」第十章から曲想を得た《世の終わりのための四重奏曲》は、メシアンの数少ない室内楽作品で、第二次世界大戦中にドイツ軍の捕虜となっていた時期に書かれ、初演メンバーが当時の収容所仲間であったことでも知られています。ここではアリス＝紗良・オットのピアノを中心に、バイエルン放送交響楽団のコンサートマスターであるトーマス・ライフ、同楽団チェロ奏者のセバスティアン・クリンガー、そしてSWR交響楽団のクラリネット奏者セバスティアン・マンツという、オットの親しい音楽家たちによる鮮烈な編成でお届けします。アンドリュー・ステープルズの監督によって、作曲中のメシアンの幻覚が見えるかのような体験が可能な映像にも注目です。</video:description>
<video:duration>3093</video:duration>
<video:publication_date>2023-11-27T09:51:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-17T12:52:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CD0</loc>
<video:video>
<video:title>スターたちが集い音楽で祝う、ドイツ・グラモフォン125周年ガラ・コンサート</video:title>
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<url>
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<video:title>トリフォノフ、ピアノ・リサイタル in 東京</video:title>
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<video:description>ダニール・トリフォノフは2024年4月に東京で2日連続リサイタルを開催し成功を収めました。こちらでは4月11日夜のサントリーホールのステージの模様を余すところなくお届けします。プログラムは情感豊かにそれぞれの舞曲を紡ぎ出すラモーの「新クラヴサン組曲」に始まり、鮮烈にリズムを刻むモーツァルト「ピアノ・ソナタ第12番」とメンデルスゾーン「厳格なる変奏曲」と続いて前半はクライマックスを迎えます。後半は渾身のベートーヴェン「ハンマークラヴィーア」から一気にアンコールまで、東京の聴衆の心を掴んで離しません。今を時めくトリフォノフならではの詩情と力強さに溢れたピアニスムをお楽しみください。</video:description>
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<lastmod>2025-11-17T12:50:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GDO</loc>
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<video:title>デビュー・アルバム『ザ・ファースト・オブ・エヴリシング』の制作過程について</video:title>
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<url>
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<video:title>フリードリヒ・グルダとハービー・ハンコックが共演</video:title>
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<video:title>ショパン/練習曲 op. 10-11</video:title>
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<video:title>ショパン/練習曲 op. 25-1《エオリアン・ハープ》</video:title>
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<video:title>パガニーニ : 24のカプリース 第24番イ短調</video:title>
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<lastmod>2025-11-14T15:23:26Z</lastmod>
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<video:title>Ruh</video:title>
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<lastmod>2025-11-14T15:19:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4D0</loc>
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<video:title>ゲーテ歌曲集と《オーパス・アンダース》について</video:title>
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<lastmod>2025-11-14T15:14:53Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C9J</loc>
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<video:title>フリードリヒ・グルダがディナーリン、パラダイス・バンドと共演</video:title>
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<video:description>あらゆるジャンルを自在に弾きこなしたピアニストのフリードリヒ・グルダ。本映像では、グルダがモーツァルトの幻想曲や《戴冠式》の愛称で親しまれるピアノ協奏曲第26番第2楽章を披露。さらにオルガニストのバーバラ・ディナーリンやザ・パラダイス・バンドとのジャズのセッションもご覧いただけます。豪華なアンサンブルによるグルダのオリジナル曲《ポールのために》の演奏は必見です。</video:description>
<video:duration>2517</video:duration>
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<lastmod>2025-11-14T15:11:34Z</lastmod>
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<video:title>チャイコフスキー : 《四季》op. 37a より〈10月 秋の歌〉</video:title>
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<lastmod>2025-11-14T14:59:27Z</lastmod>
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<url>
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<video:title>《ムーンリット》</video:title>
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<lastmod>2025-11-14T14:58:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ICO</loc>
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<video:title>クライスラー : ウィーン奇想曲 op. 2 (A.フジュレによるヴァイオリンとギター編)</video:title>
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<video:live>no</video:live>
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<lastmod>2025-11-14T14:51:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3IC0</loc>
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<video:title>ヴィヴァルディ : ストーム・イン・ヤーノシュカ・スタイル</video:title>
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<lastmod>2025-11-14T14:45:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C1J</loc>
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<video:title>ヘルベルト・ヴェルニッケ演出によるオッフェンバックの《地獄のオルフェ》</video:title>
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<video:description>E.T.A.ホフマンの幻想的な恋愛物語を舞台化したオペラ《ホフマン物語》や数々のオペレッタで知られるジャック・オッフェンバック。本映像では、この作曲者のオペレッタのなかでもユーモアや風刺に富み、また旋律の美しさも魅力的な《地獄のオルフェ》をご覧いただけます。オペラにも引けを取らない充実した内容と音楽性に満ちた作品であり、ヘルベルト・ヴェルニッケが演出を手掛けた本公演は、舞台装置や照明、衣装も凝っており、物語をより立体的に楽しむことができます。</video:description>
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<lastmod>2025-11-14T14:26:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GE8</loc>
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<video:title>プッチーニ : 《トゥーランドット》第3幕より〈誰も寝てはならぬ〉</video:title>
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<lastmod>2025-11-14T14:15:55Z</lastmod>
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<video:title>《時々》</video:title>
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<lastmod>2025-11-14T14:15:02Z</lastmod>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GC8</loc>
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<video:title>ラニ : グラス (M.クノートによるソロ・ヴァイオリン、ピアノ＆ストリングス編)</video:title>
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<lastmod>2025-11-14T14:12:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GC0</loc>
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<video:title>リヒター : シー・リメンバーズ (『LEFTOVERS/残された世界』より)</video:title>
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<lastmod>2025-11-14T14:11:00Z</lastmod>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3EE8</loc>
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<video:title>デスナー : オクターヴの歌 (C.バズーラによるソロ・ヴァイオリン、ピアノ＆エレクトロニクス編)</video:title>
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<lastmod>2025-11-14T13:58:48Z</lastmod>
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<video:title>トレネ＆ショーリアック / 優しきフランス (ロイエンベルガーによるテノールとピアノ編)</video:title>
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<lastmod>2025-11-14T13:50:31Z</lastmod>
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<video:title>ベルリオーズ / 歌曲集《夏の夜》H. 81 より第1曲 : ヴィラネル (マセソンによるテノールとピアノ編)</video:title>
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<video:title>Hinum megin</video:title>
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<lastmod>2025-11-14T13:39:00Z</lastmod>
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<video:title>With Love, Despite the Pain</video:title>
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<lastmod>2025-11-14T13:38:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36CG</loc>
<video:video>
<video:title>Deep Blue Day - ピアノ・バージョン</video:title>
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<video:description></video:description>
<video:duration>262</video:duration>
<video:publication_date>2024-06-10T08:00:20Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T13:38:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8C8</loc>
<video:video>
<video:title>ペルト :《マミーのキス》</video:title>
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<video:description>Celebrating the Estonian composer’s 90th birthday on 11 September 2025, Latvian pianist Georgijs Osokins offers a fresh and invigorating interpretation of Pärt’s spiritual and deeply moving compositions. The music was recorded on a century-old Blue Steinway and unlocks a mesmerising range of overtones and an unparalleled depth of sound. Each piece tells a story, evoking emotions that resonate universally.</video:description>
<video:duration>68</video:duration>
<video:publication_date>2025-11-11T10:58:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-14T13:16:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJGC0</loc>
<video:video>
<video:title>アルゲリッチとルノー＆ゴーティエ・カプソンがピアノ三重奏で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5479da48cd8927ec9eb82224b1b4c5cee926f056.jpg</video:thumbnail_loc>
<video:description>世界の第一線で八面六臂の活躍を見せるカプソン兄弟 (ヴァイオリニストの兄、ルノーとチェリストの弟ゴーティエ) と人気・実力ともに現代最高のピアニスト、マルタ・アルゲリッチの豪華共演をお届けします。披露されるのは、数あるレパートリーの中でも王道の傑作とされ、時代・スタイルも全く異なる3つのピアノ・トリオ。民族色豊かな終楽章から《ジプシー・トリオ》として親しまれるハイドンのエネルギッシュな作品の後、ヴィルトゥオーゾ的要素と横溢する旋律美に彩られたメンデルスゾーンによるピアノ三重奏曲第1番が続きます。そして、圧巻のプログラムを締めくくるのは、深い情感と苦い皮肉が交錯するショスタコーヴィチのピアノ三重奏曲第2番です。室内楽を愛するすべての人にとって必見のコンサートといえるでしょう。一期一会の音楽が生まれる瞬間をどうぞお見逃しなく。</video:description>
<video:duration>4638</video:duration>
<video:publication_date>2025-07-29T12:48:32Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-14T08:51:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2CG</loc>
<video:video>
<video:title>ブラームス / 8つの歌曲とロマンス op. 14 より第4番 : あるソネット</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>117</video:duration>
<video:publication_date>2025-10-29T13:48:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:30:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2CO</loc>
<video:video>
<video:title>ブラームス / 8つの歌曲とロマンス op. 14 より第5番 : 別れ</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>74</video:duration>
<video:publication_date>2025-10-29T13:55:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:30:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2D0</loc>
<video:video>
<video:title>ブラームス : ピアノ四重奏曲第2番イ長調 op. 26</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>2996</video:duration>
<video:publication_date>2025-10-29T15:47:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:30:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2D8</loc>
<video:video>
<video:title>ブラームス / 2つのモテット op. 29 より第1番 : 救いはわれらに来れり</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>344</video:duration>
<video:publication_date>2025-10-29T16:04:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:30:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4C0</loc>
<video:video>
<video:title>ブラームス /《ドイツ・レクイエム》op. 45 より第5曲 : あなた方はいま悲しみを抱いている</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>388</video:duration>
<video:publication_date>2025-11-03T10:52:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4C8</loc>
<video:video>
<video:title>ブラームス / 5つの歌曲 op. 47 より第2曲 : 恋の炎</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>149</video:duration>
<video:publication_date>2025-11-03T14:56:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4CG</loc>
<video:video>
<video:title>ブラームス / 7つの歌曲 op. 48 より第2曲 : 裏切り者</video:title>
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<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>92</video:duration>
<video:publication_date>2025-11-03T15:01:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4CO</loc>
<video:video>
<video:title>ブラームス / 8つの歌曲と歌 op. 59 より 第5曲 : アグネス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c4aaf88dfb3e16b65eaa9baa736e5f60e3d619a9.jpeg</video:thumbnail_loc>
<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>134</video:duration>
<video:publication_date>2025-11-03T15:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6C8</loc>
<video:video>
<video:title>ブラームス / 5つの二重唱曲 op. 66 より第3曲 : 海辺にて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0e6730ce20474d8fbb52f3a37c54c37cdda424de.jpeg</video:thumbnail_loc>
<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>131</video:duration>
<video:publication_date>2025-11-04T16:01:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6D0</loc>
<video:video>
<video:title>ブラームス / 6つの歌曲 op. 97 より第6曲 : 別れ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/59de3c08bfd543dd0c889423ae5a2ea20772e1a5.jpeg</video:thumbnail_loc>
<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>120</video:duration>
<video:publication_date>2025-11-05T16:17:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6DG</loc>
<video:video>
<video:title>ブラームス : カノン《響け、安らぎの調べよ》WoO 28</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d4b71e98115284521f5df1bc039814d553339b2f.jpeg</video:thumbnail_loc>
<video:description>リューベック音楽大学・ブラームス研究所の協力により、ステージプラスでは、ブラームス本人の自筆譜を目で追いながらドイツ・グラモフォンの名録音を鑑賞できる映像シリーズを公開しています。</video:description>
<video:duration>71</video:duration>
<video:publication_date>2025-11-05T16:29:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T14:29:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHH</loc>
<video:video>
<video:title>サラ・ブランチ＆ジョン・オズボーンが歌うドニゼッティ《連隊の娘》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5e7ef49fe1217816409d13415c6476e700a7e98.jpeg</video:thumbnail_loc>
<video:description>この舞台は、ドニゼッティ・フェスティヴァルの演目として、作曲家の故郷ベルガモで上演されました。演出を手掛けたキューバの映画監督ルイス・エルネスト・ドーニャスは、設定を現代のキューバとアメリカに置き換えています。色彩豊かなビジュアルやエキゾティックなサウンドは、物語を鮮やかに表現。戦場で拾われ、連隊の兵士によって娘のように育てられた“連隊の娘”マリーを、サラ・ブランチが輝くようなベルカントで歌い上げます。恋人トニオ役のジョン・オズボーンによるハイCも聴きものです。</video:description>
<video:duration>8659</video:duration>
<video:publication_date>2025-10-08T09:44:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T13:24:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38D0</loc>
<video:video>
<video:title>バレンボイムがベートーヴェン、ブラームスにフランクなど多彩な楽曲を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9d22b5399a7ab0d939100c75cea8ec3a69dbc1c9.jpg</video:thumbnail_loc>
<video:description>ダニエル・バレンボイムの楽曲の解釈の深さ、表現力の幅広さは世界的に高い評価を受けています。彼がウェスト・イースタン・ディヴァン管弦楽団を率いて演奏している今回のプログラムはそれを証明します。ベートーヴェンの《プロメテウスの創造物》序曲にブラームスのヴァイオリンとチェロのための二重協奏曲、さらにフランクの交響曲ニ短調と非常に多彩です。ブラームスでソリストを務めるのはダニエルの息子であるミヒャエル・バレンボイム (ヴァイオリン) 、世界的な巨匠との共演が多いキアン・ソルターニ (チェロ) です。</video:description>
<video:duration>5932</video:duration>
<video:publication_date>2022-11-10T08:59:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T13:13:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34E0</loc>
<video:video>
<video:title>クラッツァー演出、ベルネーム出演：グノーの《ファウスト》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/669c29f0c049df91f06661f014314c81ef3f9e10.jpg</video:thumbnail_loc>
<video:description>テノール歌手のベンジャミン・ベルネームは、19世紀のフランスとイタリアのオペラを得意とし、オペラ界の新しいスターとしての地位を確立しています。ゲーテの戯曲に基づく《ファウスト》の主人公は、ベルネームの代表的な役柄のひとつ。詩的な表現、しなやかな音色、完璧な高音域を披露しています。演出のクライッツァーは、伝統的なものと現代的なものをうまく組み合わせ、最先端の映像技術を駆使して印象的な舞台に仕上げました。</video:description>
<video:duration>10491</video:duration>
<video:publication_date>2022-11-02T11:30:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T11:56:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6E8</loc>
<video:video>
<video:title>《ゼア・ワズ・ア・シップ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f23df4e4ee09e1cc2ac19b0e6c150f815d221479.jpeg</video:thumbnail_loc>
<video:description>British composer and multi-instrumentalist Roger Eno has released his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.
 
The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>172</video:duration>
<video:publication_date>2025-11-11T08:44:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T10:35:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8C0</loc>
<video:video>
<video:title>ベートーヴェン : ピアノ・ソナタ第30番ホ長調 op. 109 より第3楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4224158fad59a49215b88a8b53e8da6c1379a07d.jpeg</video:thumbnail_loc>
<video:description>The Icelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time.
Following his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics&apos; Annual Prize, the pianist now presents his new album Opus 109.
At its heart is Beethoven&apos;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer&apos;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.</video:description>
<video:duration>108</video:duration>
<video:publication_date>2025-11-11T10:39:46Z</video:publication_date>
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<lastmod>2025-11-13T10:35:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38E0</loc>
<video:video>
<video:title>バレンボイム＆ウェスト･イースタン･ディヴァン管弦楽団がラン・ランと共演</video:title>
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<video:description>世界的ピアニストであり指揮者であるダニエル・バレンボイム。彼が1999年にエドワード・サイードとともに創設したウェスト=イースタン・ディヴァン管弦楽団と共に2022年のザルツブルク音楽祭に出演した際の映像です。プログラムにはソリストにクラシック界のスーパースターとなっているラン・ランを迎えてのファリャの交響的印象《スペインの庭の夜》をはじめ、スペインにまつわる楽曲が集められました。ラヴェルの《ボレロ》に《スペイン狂詩曲》など、演奏の力強さもあいまって、スペインの空気感や情景を鮮やかに伝えてくれます。</video:description>
<video:duration>7030</video:duration>
<video:publication_date>2022-11-11T12:56:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T08:09:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ICG</loc>
<video:video>
<video:title>バレンボイムがウェスト・イースタン・ディヴァン管弦楽団とワーグナーを演奏</video:title>
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<video:description>本映像は、ダニエル・バレンボイムが2008年にラヴェッロ音楽祭でウェスト・イースタン・ディヴァン管弦楽団を指揮した際の演奏です。バレンボイムが創設した青少年オーケストラがイタリアで演奏するのは、2007年にスカラ座で開催されたコンサート以来となります。「ドイツの作曲家たちが情熱を注いだ場所でワーグナーのコンサートを提案できることは、私たちにとって特別な喜びです」とバレンボイムは語っており、ワーグナーの名旋律が次々と魅惑的なタクトのもと情熱的に演奏されていきます。</video:description>
<video:duration>5853</video:duration>
<video:publication_date>2022-12-21T13:37:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T08:08:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGDO</loc>
<video:video>
<video:title>バレンボイムとウェスト＝イースタン・ディヴァン管弦楽団</video:title>
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<video:description>ウェスト＝イースタン・ディヴァン管弦楽団は、ダニエル・バレンボイムとエドワード・サイードが創設した国際的に評価の高いオーケストラです。若く才能豊かなイスラエルとアラビアの音楽家が集い、共に音楽を奏でるという体験を通して、中東の文化間の対話のために活動しています。このオーケストラがラマラ（パレスチナ）でコンサートを開催することは考えられないことでした。政治など様々なハードルを超えながら奏でられたモーツァルトやベートーヴェンの音楽は、多くの人々の心を強く打つものとなっています。</video:description>
<video:duration>5478</video:duration>
<video:publication_date>2023-06-15T14:00:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-13T08:08:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGE0</loc>
<video:video>
<video:title>Oscuros</video:title>
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<video:description></video:description>
<video:duration>236</video:duration>
<video:publication_date>2023-12-06T14:58:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:57:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGDO</loc>
<video:video>
<video:title>The Bright Door</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4c99174da2c14ee57096bff8548664b8e328c80b.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2023-12-06T14:54:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP30CO</loc>
<video:video>
<video:title>「ヴァージニア・ウルフ作品集」より〈庭で〉(『ダロウェイ夫人』より)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9467d64d8c4ffe0f402785a9b382e407556f5112.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>317</video:duration>
<video:publication_date>2022-12-05T07:24:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:28:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGC8</loc>
<video:video>
<video:title>サウダージ・ダ・ガイア</video:title>
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<video:description></video:description>
<video:duration>280</video:duration>
<video:publication_date>2022-12-03T15:11:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:27:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJEC8</loc>
<video:video>
<video:title>《チェス》</video:title>
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<video:description></video:description>
<video:duration>243</video:duration>
<video:publication_date>2022-12-01T23:01:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:27:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJEC0</loc>
<video:video>
<video:title>Flickornas Rum</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6518a6088a9cf7abcb126bf9c20f55052e5503c0.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>139</video:duration>
<video:publication_date>2022-12-01T22:45:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:27:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCE8</loc>
<video:video>
<video:title>《サンキュー・フォー・ザ・ミュージック》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bf1d58eaaa3b47ea58a6ccc565f1fc6fbfa8b3ba.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-12-01T22:38:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:26:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJAE8</loc>
<video:video>
<video:title>ヴィヴァルディ「ラルゴ」(ヴァイオリントと管弦楽伴奏版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/adcbd4f45eddf6357330b2b3020e7dccd749c5fb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>127</video:duration>
<video:publication_date>2022-11-25T04:03:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:26:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJAE0</loc>
<video:video>
<video:title>サン＝サーンス《白鳥》(ヴァイオリンと管弦楽伴奏版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bb16262a8286a5a7d4f58000842cd143d5611de6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-11-24T21:53:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:25:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4</loc>
<video:video>
<video:title>《オン・ザ・ネイチャー・オブ・デイライト》ミュージック・ビデオ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d4a65140cbe079ee28b528923c704a3f254fa698.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>397</video:duration>
<video:publication_date>2022-10-30T20:12:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:24:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36</loc>
<video:video>
<video:title>シティー・メモリー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61ff1ed2522beb773710d3f804bb311ad740570f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>207</video:duration>
<video:publication_date>2022-10-25T14:51:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:24:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3E</loc>
<video:video>
<video:title>アクロス・ザ・スターズ (愛のテーマ)  (映画『スター・ウォーズ／クローンの攻撃』から)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/33ab108b4b08a889595625d00206c8ce394f8cb0.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>318</video:duration>
<video:publication_date>2022-07-08T08:37:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T15:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4DG</loc>
<video:video>
<video:title>ブラームス : 7つの歌曲 op. 62 より第1～4曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0e6730ce20474d8fbb52f3a37c54c37cdda424de.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>610</video:duration>
<video:publication_date>2025-11-04T11:28:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T12:41:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0DO</loc>
<video:video>
<video:title>ブラームスの《コラール前奏曲》より〈エサイの根より〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3372370ff5a74fb573cafa8df426eb6c422841dd.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>110</video:duration>
<video:publication_date>2024-11-21T11:25:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T12:35:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8CG</loc>
<video:video>
<video:title>名アリア集～《愛の妙薬》より〈なんと彼女は美しい〉&amp;〈人知れぬ涙〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e67bfb77d6bce25f7a599c115fd11be90dd8652.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>604</video:duration>
<video:publication_date>2025-11-11T16:42:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-12T09:40:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHO</loc>
<video:video>
<video:title>ネゼ=セガンとチョ・ソンジンがルツェルン音楽祭で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bd5dd36970fb321dee999b44b32a38a62cc8a62e.jpg</video:thumbnail_loc>
<video:description>現在進行中のヤニック・ネゼ=セガンとルツェルン祝祭管弦楽団によるブルックナー・シリーズから、交響曲第4番《ロマンティック》の演奏をお届けします。全9曲の中でも、特に親しみやすく人気の高い作品です。コンサートの前半で披露されるのは、荘重でドラマティックなハ短調で始まり、天国的な緩徐楽章を経て終盤には輝かしいハ長調の響きへと溶け込んでいく、ベートーヴェンのピアノ協奏曲第3番。世界を舞台に第一線を走り続けるピアニスト、チョ・ソンジンがソリストを務めます。各地から集められた名手で構成されるルツェルン祝祭管弦楽団ならではの、高精度なアンサンブルが光る演奏をご堪能いただけることでしょう。</video:description>
<video:duration>6829</video:duration>
<video:publication_date>2025-11-10T12:56:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T13:28:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36D8</loc>
<video:video>
<video:title>ブラームスの「6つの小品」より間奏曲 op. 118-2 (クラリネットとピアノのための編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/32bc89e72bab2d248deb04e159b5d361e2dd6407.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-01-05T14:41:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T11:50:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9K</loc>
<video:video>
<video:title>バリー・コスキー演出によるモーツァルト “ダ・ポンテ三部作”《ドン・ジョヴァンニ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b3dd5010bdd2f3a4c10134e9c64c842805d2d4e8.jpg</video:thumbnail_loc>
<video:description>ウィーン国立歌劇場が3シーズンにわたって取り組んできた、モーツァルトの傑作“ダ・ポンテ三部作”の最新プロダクションのひとつをお届けします。演出を手がけたのは2012年にベルリン・コーミッシェ・オーパーの芸術総監督に就任して評価を高め、近年は欧州の一流歌劇場からバイロイト音楽祭やザルツブルク音楽祭を席巻している、現代を代表する鬼才バリー・コスキー。2020年から2024/25シーズン末までウィーン国立歌劇場の音楽監督を務めるフィリップ・ジョルダンの優雅で表現力に富んだ指揮によって、音楽面でも高い完成度を誇る舞台が実現しました。2021年12月がプレミエだったこの《ドン・ジョヴァンニ》は、コロナ禍による最後のロックダウン期間中に無観客でライヴ配信されたもの。建物のない荒野のような風景を基調とした、第1幕フィナーレは林立する木々、第2幕前半は中央に置かれた大きな枯れ木、後半は岩と水たまりが印象的なセットを、カラフルな衣装を纏った登場人物たちが縦横無尽に動き回ります。男声陣ではキレの良い語り口のドン・ジョヴァンニ (ケテルセン) と年の離れた弟のようなレポレロ (スライ) の相性が良く、フランス人のバルベラク演じるドン・オッターヴィオが醸し出す英雄的な雰囲気が圧巻。女声陣では特に、あらゆる音域で聴衆を包み込むようなメゾ・ソプラノのパトリツィア・ノルツ演じるツェルリーナが傑出しています。</video:description>
<video:duration>10168</video:duration>
<video:publication_date>2025-09-08T15:18:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T10:44:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3CDO</loc>
<video:video>
<video:title>ローランド・ビリャソンの50歳記念コンサート</video:title>
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<video:description>世界中のオペラハウスで聴衆を魅了するテノールのローランド・ビリャソン。彼の50歳の誕生日を祝う豪華なコンサートの模様をお届けします。会場は「モーツァルトのための劇場」 (旧ザルツブルク祝祭小劇場) で、ビリャソンの親しい、そして信頼厚い仲間たちが集い、華やかな歌唱を披露していきます。ギドレ・シュレキテ率いるカメラータ・ザルツブルクがそれを支え、モーツァルトにヴェルディなどのオペラ・アリアをはじめ、サルスエラ (スペインのオペラ) に至るまで幅広いプログラムをお楽しみ頂けます。</video:description>
<video:duration>6005</video:duration>
<video:publication_date>2024-06-21T11:35:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T10:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6DO</loc>
<video:video>
<video:title>ブラーシェ :《ハバリ・ガニ》</video:title>
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<video:description></video:description>
<video:duration>222</video:duration>
<video:publication_date>2025-11-07T11:04:08Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T09:56:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GCG</loc>
<video:video>
<video:title>カバイヴァンスカとドミンゴが歌うプッチーニのオペラ《トスカ》</video:title>
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<video:description>本映像は、プッチーニの名作オペラ《トスカ》を1976年に映画化したものです。第1幕はバロック様式の美しいサンタンドレア・デッラ・ヴァッレ教会、第2幕はファルネーゼ宮殿、第3幕はサンタンジェロ城で撮影されました。3つの歴史的な建築物で撮影された映像は、劇場でのオペラとはまた違った臨場感で作品をお楽しみいただけることでしょう。出演者も非常に豪華で、プッチーニを得意とするライナ・カバイヴァンスカのトスカ、世界的カリスマのプラシド・ドミンゴによるカヴァラドッシなど、スター歌手たちが揃っています。</video:description>
<video:duration>6997</video:duration>
<video:publication_date>2022-12-14T15:45:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-10T09:53:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0C0</loc>
<video:video>
<video:title>オラフソン×ウェルザー＝メスト共演によるクリーヴランド管、本拠地でのコンサート</video:title>
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<video:description>2023年3月にセヴェランス・ミュージック・センターで行われた、音楽監督フランツ・ウェルザー＝メスト指揮によるクリーヴランド管弦楽団の公演映像をお届けします。プログラムは、1842年にパリ音楽院で女性として初めて教授となったルイーズ・ファランクの劇的な交響曲第3番で幕開け。ラヴェルのピアノ協奏曲では、革新的なアプローチで楽曲に新たな命を吹き込むデジタル時代の申し子、ヴィキングル・オラフソンの手腕にもご注目ください。最後は、そのラヴェルが華麗にオーケストレーションを施したムソルグスキーの《展覧会の絵》で締めくくります。</video:description>
<video:duration>5793</video:duration>
<video:publication_date>2024-02-22T09:10:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-09T07:22:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6E0</loc>
<video:video>
<video:title>バルトーク :《アレグロ・バルバロ》Sz. 49</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2025-11-07T11:17:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-07T15:47:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9N</loc>
<video:video>
<video:title>マックス・ラーベ、ワンナイト in ベルリン</video:title>
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<video:description>ドイツでカルト的な人気を誇るパフォーマー (歌手 / 俳優) のマックス・ラーベと、彼が率いる1920～30年代の雰囲気をたたえた小編成のパラスト・オーケストラによる、2014年5月ベルリンのアドミラルパラストで収録されたコンサート映像作品をお届けします。プログラムのテーマは彼らが得意とするキャバレー・ソングで、ナチスに「退廃芸術」の烙印を押されたワイマール共和国時代の流行歌や風刺小唄 (※クルト・ヴァイルの〈スピーク・ロウ〉や〈メッキー・メッサーのモリタート〉のようなお馴染みのナンバーも登場します) と、近年になって作られたオリジナル曲とが融合した、独自の世界観も魅力となっています。オールバックの髪形と燕尾服に直立不動の姿勢で歌うラーベのスタイルと、ゴージャスかつロマンティックで摩訶不思議な演出をご堪能ください。</video:description>
<video:duration>5657</video:duration>
<video:publication_date>2025-10-29T11:16:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-07T08:37:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9J</loc>
<video:video>
<video:title>ミシェル・カミロ・トリオ「ミュンヘン、ピアノの夏」ライヴ</video:title>
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<video:description>幼い頃からクラシック・ピアノと作曲を学び、母国のドミニカ共和国で“神童”の名をほしいままにしていたミシェル・カミロは1979年に渡米し、1988年にメジャー・デビューを果たすと、その卓越したリズム感と圧倒的なテクニックで音楽シーンを席巻。ジャズとクラシックの両分野で活躍して不動の地位を築き現在に至る巨匠ピアニストです。こちらは彼がベースのマイケル・ボウイ、ドラムのクリフ・アーモンドを率いてミュンヘンの風物詩的コンサートシリーズに登場した1994年の映像。アート・テイタム、キース・ジャレットから、ドビュッシーやラヴェルにわたる幅広いジャンルから影響を受けた彼らの音楽性と、凄腕トリオのプレイをお楽しみください。</video:description>
<video:duration>4755</video:duration>
<video:publication_date>2025-10-24T09:59:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T12:46:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1P</loc>
<video:video>
<video:title>アンナ・ゴウラリがショパン、ラフマニノフなどを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1a6835a3589da6ede37fdc51092b3ffba5450c2f.jpeg</video:thumbnail_loc>
<video:description>カザン生まれの女流ピアニスト、アンナ・ゴウラリ。ロシアのカバレフスキー・コンクール、ゲッティンゲン開催の第1回ショパン国際コンクールなど数多くのコンクールの覇者であり、世界中で活躍するピアニストとなりました。ロリン・マゼールやズービン・メータなど一流指揮者とも共演を重ねています。本映像では、ショパンやラフマニノフなど彼女の得意とするレパートリーを中心に様々な楽曲が披露されていきます。繊細な音色、幅広いダイナミクスが織りなす彼女の演奏によって、瞬く間に楽曲の世界へと誘われることでしょう。</video:description>
<video:duration>2229</video:duration>
<video:publication_date>2025-10-23T11:14:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T12:43:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3EE8</loc>
<video:video>
<video:title>ネゼ＝セガンが指揮するブルックナー7番、ベアトリーチェ・ラナとの共演も</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62013e14a8097b355df500ade704d392f84765ee.jpg</video:thumbnail_loc>
<video:description>ルツェルン音楽祭の常連である、若き巨匠ヤニック・ネゼ＝セガンによる2024年話題の公演をお届けします。先ずはイタリア人ピアニスト、ベアトリーチェ・ラナをソリストに迎えた、クララ・シューマンが若干13歳で書き上げたピアノ協奏曲にご注目ください。二人はこの曲について既に、ヨーロッパ室内管弦楽団とのレコーディング (2022年) や5月のベルリン・フィル公演などで共演を重ねており、今回も雄弁かつ洞察力に富んだ解釈で他の追随を許さない名演を披露してくれることでしょう。後半は、ブルックナーが辿り着いた精神の叙事詩といえる交響曲第7番。手兵モントリオール・メトロポリタン管弦楽団とブルックナー作品を極めたネゼ＝セガンが、精鋭が集まるルツェルン祝祭管弦楽団と、緻密で躍動感溢れる音楽を描き出す様にご期待ください。</video:description>
<video:duration>6158</video:duration>
<video:publication_date>2024-09-06T11:35:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-06T11:00:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4E8</loc>
<video:video>
<video:title>《ファースト・スノー》</video:title>
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<video:description>Composer and pianist Cameron Segal releases his original piece First Snow, which captures the quiet wonder and gentle excitement of the season’s first snowfall. The soft touch of hammers on felted strings evokes a sense of relaxation and a gentle anticipation for the calm, cozy winter ahead. Released as part of DG’s Winter Calm series, the peaceful, reflective piano piece invites the listener to slow down and savour the moment.</video:description>
<video:duration>187</video:duration>
<video:publication_date>2025-11-04T15:15:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4E0</loc>
<video:video>
<video:title>《スペル》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6942803065b4477fbb65dc55938f64a6e08a67ad.jpg</video:thumbnail_loc>
<video:description>British composer and multi-instrumentalist Roger Eno announces his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.
 
The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>143</video:duration>
<video:publication_date>2025-11-04T14:50:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4DO</loc>
<video:video>
<video:title>スチュワート : インヴェンション #1 (2つのヴァイオリンのためのダブル・ダウン)</video:title>
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<video:description></video:description>
<video:duration>426</video:duration>
<video:publication_date>2025-11-04T13:47:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:46:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ4D8</loc>
<video:video>
<video:title>《哀と悲》(アニメ『NARUTO -ナルト-』より)</video:title>
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<video:description>Six years after the release of his celebrated Piano Book album, Lang Lang returns with &apos;Piano Book 2&apos;. Lang Lang comments: „ Many young people today discover piano through the music they already love — from games, movies, or anime. That’s why we included Sadness &amp; Sorrow from Naruto(…)&quot;. This new volume of short and accessible piano works offers a fresh selection that ranges from iconic classical compositions and contemporary pieces to music from TV, film, and gaming soundtracks.</video:description>
<video:duration>103</video:duration>
<video:publication_date>2025-11-04T11:24:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:45:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6CG</loc>
<video:video>
<video:title>ワーグナー / ヴェーゼンドンク歌曲集 WWV 91 より第1曲 : 天使</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e37af69ddb2cd8cc36c678ea482cc93c4e44aaa1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>185</video:duration>
<video:publication_date>2025-11-04T16:05:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:43:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6C0</loc>
<video:video>
<video:title>ワーグナー :《トリスタンとイゾルデ》より前奏曲 WWV 90 (フンパーディンク編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d98f76dc07cd6fbf83b867b7fcc298ae722e6a6f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>445</video:duration>
<video:publication_date>2025-11-04T15:58:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T16:43:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2E0</loc>
<video:video>
<video:title>アムラン :《ヘクセンザバット》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f03ae1e4257f250c657cdd748f09026f2b4db58c.jpeg</video:thumbnail_loc>
<video:description></video:description>
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<video:video>
<video:title>ストロール :《孤独》</video:title>
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<video:description>Recording on our partner label CAvi Music, Austrian cellist Marilies Guschlbauer and German pianist Julia Rinderle announce their upcoming album, on which they perform works by six “Grandes Dames”: Clara Schumann, Fanny Hensel, Lera Auerbach, Amy Beach, Flora Geisselbrecht, and Rita Strohl.

The duo first started collaborating in Berlin in the fall of 2020 and have been performing regular recitals ever since in Germany and abroad. Both musicians are particularly committed to unearthing, exploring, and performing works by female composers; thus, they often perform rare works in concert.</video:description>
<video:duration>242</video:duration>
<video:publication_date>2025-09-22T09:58:41Z</video:publication_date>
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<lastmod>2025-11-05T16:35:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2E8</loc>
<video:video>
<video:title>チャールズ・ウッド :《わたしは耐え忍んで主を待ち望んだ》</video:title>
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<video:duration>264</video:duration>
<video:publication_date>2025-11-03T10:32:33Z</video:publication_date>
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<lastmod>2025-11-05T10:16:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3CC0</loc>
<video:video>
<video:title>ネゼ＝セガンがブーランジェとブルックナーの作品を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/31233d09c9ab9e247460b7faa8cce024843d3f21.jpg</video:thumbnail_loc>
<video:description>メトロポリタン歌劇場の音楽監督であり、フィラデルフィア管弦楽団の首席指揮者でもあるヤニック・ネゼ＝セガン。ルツェルン音楽祭ではおなじみの指揮者となっています。本映像に収録されたコンサートでは、リリ・ブーランジェの《哀しみの夜に》とブルックナーの交響曲第8番が選ばれました。一見関連性がないように思えますが、二つの作品は死、そして復活をテーマとしており、明確なつながりがあります。それを今回の演奏が鮮やかに示しています。</video:description>
<video:duration>6499</video:duration>
<video:publication_date>2024-06-18T09:32:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-05T07:58:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1O</loc>
<video:video>
<video:title>パッパーノとチョ・ソンジンが挑むプロコフィエフのピアノ協奏曲第2番</video:title>
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<video:description>ロンドン交響楽団の首席指揮者として、2シーズン目に突入したアントニオ・パッパーノ。同楽団の2025/26年シーズン最初の週にバービカン・センターからライブ配信される今回のコンサートでは、プロコフィエフの野心作ピアノ協奏曲第2番と、ブラックユーモアに満ちたショスタコーヴィチの交響曲第9番、そしてベートーヴェンの有名な交響曲第5番が披露されます。彼がソリストに抜擢したのは、ヨーロッパやアジア、アメリカのみならず、ロンドンでも大きなセンセーションを巻き起こしている若き韓国の名手、チョ・ソンジン。華麗なオーケストレーションと火花の散るような丁々発止の掛け合いにぜひご注目ください。</video:description>
<video:duration>6295</video:duration>
<video:publication_date>2025-09-23T13:34:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-11-04T13:52:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2DG</loc>
<video:video>
<video:title>名アリア集～《アルチェステ》より〈ああ、無慈悲な神々よ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/50837fa9b1f318388ae23ae5f0f40d0b5badbc85.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>600</video:duration>
<video:publication_date>2025-10-31T11:19:04Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-11-04T13:10:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCCO</loc>
<video:video>
<video:title>サー・サイモン・ラトルが内田光子やカミラ・ニールンドらと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b1319120085b63cedffa572ad40638e0375dab23.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルハーモニー管弦楽団の大人気恒例行事となっている「ジルベスターコンサート」は、2006年に30周年を迎えました。当時、同楽団の首席指揮者兼芸術監督であったサー・サイモン・ラトルはモーツァルトのスペシャリストである内田光子とピアノ協奏曲第20番を共演。さらにリヒャルト・シュトラウスの交響詩《ドン・ファン》にオペラ《ばらの騎士》からもっとも美しい三重唱とフィナーレを並べ、魅力的な響きに満ちたプログラミングを行っています。ニールンドをはじめ、現在の世界的スター歌手たちの若き頃の輝きにも注目です。</video:description>
<video:duration>5480</video:duration>
<video:publication_date>2023-04-20T14:14:25Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-11-03T16:31:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1O</loc>
<video:video>
<video:title>プリティ・イェンデが歌うソプラノの名アリア</video:title>
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<video:description>毎年、マヨルカ島のキャップ・ロカット・ホテルで開催されるキャップ・ロカット音楽祭。地中海を望む絶景と世界的なオペラ・スターのコラボレーションによるオペラ・ガラが音楽祭の伝統となっています。今年は、南アフリカ出身のプリティ・イェンデが出演し、ベッリーニやヴェルディ、グノー、ドヴォルザークといった偉大な作曲家によるソプラノの名アリアの数々を披露します。オペラに定評のある指揮者リッカルド・フリッツァ率いるバレアレス諸島交響楽団の好サポートにもぜひご注目ください。</video:description>
<video:duration>5233</video:duration>
<video:publication_date>2025-08-19T14:07:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-11-03T10:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1M</loc>
<video:video>
<video:title>フリードリヒ・グルダとウルスラ・アンダースが共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/542e5857e4a26786062c83c058828fab5072c468.jpeg</video:thumbnail_loc>
<video:description>クラシックとジャズを自在に横断するピアニストのフリードリヒ・グルダと、ドラマーであり、ヴォーカリストでもあるウルスラ・アンダース。彼女もまた幅広いジャンルを自在にカバーするアーティストです。1981年に収録された本映像では、公私ともにパートナーであったふたりの充実したアンサンブルをご覧いただけます。ここで披露されたのは、グルダが作曲し彼女に捧げられた《オーパス・アンダース》。アンダースのドラマティックな声が活かされており、多彩な魅力に満ちています。</video:description>
<video:duration>1793</video:duration>
<video:publication_date>2025-10-17T12:20:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-31T15:06:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E9O</loc>
<video:video>
<video:title>フリードリヒ・グルダ : モーツァルト・フォー・ザ・ピープル I</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3b7d9ef3742acc70905ba0be09660a0dcd7633d9.jpeg</video:thumbnail_loc>
<video:description>あらゆるジャンルを弾きこなすピアニスト、フリードリヒ・グルダは一時期クラシックから離れていた時期がありました。本映像は1981年のクラシック復帰公演であり、ミュンヘンのアメリカハウスで行われました。グルダは黒いスウェットシャツ姿で舞台に現れ、モーツァルトのピアノ・ソナタを美しく磨き上げられた音色で披露しています。“原点回帰”ともいえる貴重な公演はグルダ自身の感動すら伝わってくるようです。</video:description>
<video:duration>2057</video:duration>
<video:publication_date>2025-10-29T17:07:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-31T14:06:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJA</loc>
<video:video>
<video:title>『ジャングル・ブック』より〈ザ・べアー・ネセシティ〉</video:title>
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<video:description></video:description>
<video:duration>158</video:duration>
<video:publication_date>2022-11-10T19:18:24Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-30T17:55:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGD0</loc>
<video:video>
<video:title>ホックニーとのコラボレーションについて</video:title>
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<video:publication_date>2025-03-31T13:18:37Z</video:publication_date>
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<lastmod>2025-10-30T17:54:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJECG</loc>
<video:video>
<video:title>ターネジの新作ギター協奏曲《スコ》での共同作業について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcb95995283dd9415830797f234433648536a332.jpg</video:thumbnail_loc>
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<video:duration>125</video:duration>
<video:publication_date>2025-03-11T17:07:25Z</video:publication_date>
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<lastmod>2025-10-30T17:53:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJADO</loc>
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<video:title>ヴァインベルクの歌劇《パサジェルカ (女船客) 》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4da2c4213a67fac16702b66e88dec2005838451b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1869</video:duration>
<video:publication_date>2025-01-31T08:38:57Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:52:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCC0</loc>
<video:video>
<video:title>スクリャービン、スカルラッティ、ブラームスについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9ef7122ce20d21a28f5317f50044069a4c73d9f1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>484</video:duration>
<video:publication_date>2025-02-13T14:03:33Z</video:publication_date>
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<lastmod>2025-10-30T17:51:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJEC8</loc>
<video:video>
<video:title>自作のギター協奏曲《スコ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a54cea46fc7f0d8d02a1d459b0dc8bdf78b756a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>112</video:duration>
<video:publication_date>2025-03-11T17:03:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T17:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ED8</loc>
<video:video>
<video:title>デイリー :《祖母の月》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13641cbf53dca1afbd7a20f2056556572a342277.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>242</video:duration>
<video:publication_date>2025-08-28T13:49:19Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-10-30T17:45:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6E8</loc>
<video:video>
<video:title>バーンスタインとウィーン・フィルによるブラームスの交響曲第3番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5172d9cf812cc887dfcafc5c4fa6c513d8b7d98.jpg</video:thumbnail_loc>
<video:description>20世紀において圧倒的な存在感を放っていた指揮者のレナード・バーンスタイン。彼は1981年から1984年にかけて、ウィーン・フィルハーモニー管弦楽団とともにブラームスの管弦楽作品の録音を行っていました。本映像は1981年、ブラームスの交響曲第3番の演奏の模様をご覧いただけます。作曲当時のブラームスは円熟期を迎えるとともにアルト歌手との恋愛関係にもありました。それも起因し、情感に満ちた作品となっています。バーンスタインはその面を強調し、非常にロマンティックな演奏を紡ぎだしました。</video:description>
<video:duration>4263</video:duration>
<video:publication_date>2025-05-02T09:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T14:49:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6E0</loc>
<video:video>
<video:title>バーンスタインとウィーン・フィルによるブラームスの交響曲第4番 他</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9326883c75d3151c711c4615f6ba616ba16f9699.jpg</video:thumbnail_loc>
<video:description>指揮者のレナード・バーンスタインは20世紀におけるクラシック界の圧倒的カリスマでした。彼はニューヨークフィルを引退すると、一つの楽団に長くとどまることはなく、アメリカやヨーロッパの楽団の客演指揮者として活躍。とりわけウィーンフィルとは数々の名演を残しており、本映像ではその黄金タッグによる演奏をご覧いただけます。ブラームスの交響曲第4番とともに披露されているのは《悲劇的序曲》。《大学祝典序曲》と対をなし、暗くドラマ性に満ちた作品です。バーンスタインならではの描写力で作品の内容が鮮やかに浮き彫りとなっています。</video:description>
<video:duration>3877</video:duration>
<video:publication_date>2025-05-02T09:25:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-30T14:49:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ICG</loc>
<video:video>
<video:title>ユリウス・アザル＆ルイージが紡ぐスクリャービンのピアノ協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/246a1c4e53b4805aad110eb9c97a36461cfd242f.jpg</video:thumbnail_loc>
<video:description>デンマーク国立交響楽団と首席指揮者ファビオ・ルイージが取り組んできたスクリャービン・ツィクルスは、各方面から好評を博してきました。同楽団の創立100周年を記念し、スクリャービンが25歳の時に完成させたピアノ協奏曲でツィクルスを締めくくります。ロマン派の伝統に根ざしつつも、後期の作品における和声や形式の実験を予見させる同作品。卓越した技巧と、作曲家・即興演奏家としての感性を兼ね備えたユリウス・アザルは、この作品のソロで陶酔的な響きと多彩なニュアンスを引き出してくれることでしょう。</video:description>
<video:duration>1791</video:duration>
<video:publication_date>2025-10-29T16:18:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-29T18:26:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9L</loc>
<video:video>
<video:title>ミュンヘン・フィルが奏でるリゲティ</video:title>
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<video:description>ミュンヘン・フィルの演奏でピアノと管弦楽のために書かれた近現代の作品をお届けします。指揮はトランペット演奏や作曲活動でも知られる英国出身のエルガー・ハワース (※2025年1月没) 、ソリストはアメリカで学んだドイツのピアニスト、フォルカー・バンフィールドが務めます。リゲティが1971年に作曲した《メロディーエン》では、旋律の断片が次々と浮かび上がるパレットのような響きをご堪能ください。R.シュトラウスが青年時代に書いた《ブルレスケ》では、後半に控えている目も眩むような難曲カデンツァをお楽しみに。</video:description>
<video:duration>3328</video:duration>
<video:publication_date>2025-08-26T15:33:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-29T09:54:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJG</loc>
<video:video>
<video:title>《オン・ザ・ネイチャー・オブ・デイライト (エントロピー)》</video:title>
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<video:description></video:description>
<video:duration>421</video:duration>
<video:publication_date>2022-10-24T21:25:06Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-10-28T15:27:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4DG</loc>
<video:video>
<video:title>キース・ジャレット・トリオ : スタンダーズ I</video:title>
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<video:description>Richard Rodgers, Victor Young, Billie Holiday … well, they didn&apos;t call it the Standards Trio for nothing, and when Keith Jarrett, Gary Peacock (bass) and Jack DeJohnette (drums) brought their game-changing brand of acoustic jazz to Tokyo&apos;s Bunkamura Orchard Hall in 1996, it&apos;s no surprise to find the Trio&apos;s typically inventive takes on the Great American Songbook forming the heart of their set. Originally released to celebrate the Trio&apos;s 25th anniversary in 2008, this is a portrait of three musicians who never stopped striking sparks off each other, in a programme that includes Jarrett&apos;s own &quot;Rider&quot;, &quot;So Tender&quot; and &quot;Prism&quot;.</video:description>
<video:duration>6595</video:duration>
<video:publication_date>2025-04-16T13:29:36Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-10-28T14:56:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2C0</loc>
<video:video>
<video:title>ベートーヴェン : ロンド・ア・カプリッチョ op. 129《失われた小銭への怒り》</video:title>
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<video:duration>75</video:duration>
<video:publication_date>2025-10-24T12:53:25Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-28T14:46:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0E8</loc>
<video:video>
<video:title>シューベルト / ピアノ・ソナタ第6番ホ短調 D.566 より第1楽章 : Moderato</video:title>
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<video:description></video:description>
<video:duration>287</video:duration>
<video:publication_date>2025-10-24T12:46:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-28T14:46:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0E0</loc>
<video:video>
<video:title>ペルト : アリヌーシュカの癒しに基づく変奏曲</video:title>
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<video:description></video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-10-24T12:41:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-28T14:45:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0DO</loc>
<video:video>
<video:title>ショパン : 夜想曲第2番変ホ長調 op. 9-2</video:title>
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<video:description></video:description>
<video:duration>283</video:duration>
<video:publication_date>2025-10-24T11:31:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-28T14:42:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ICG</loc>
<video:video>
<video:title>ヴィリャソン演出・主演の《愛の妙薬》ドキュメンタリー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f152312b4fd4be0838b7e20c0ccfb34bbf4ae845.jpg</video:thumbnail_loc>
<video:description>ローランド・ヴィリャソンが、2012 年にバーデン＝バーデンで披露した自身演出・主演の《愛の妙薬》。本映像はその舞台裏に迫るドキュメンタリーです。劇中劇というコンセプトにより、1940 年代の西部開拓時代の映画に舞台を設定したこの演出は、キャスト、スタッフ、監督に、数々の新しい挑戦を求めるものとなりました。その一部始終をご覧ください。</video:description>
<video:duration>1711</video:duration>
<video:publication_date>2023-06-30T13:54:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-28T13:05:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30C8</loc>
<video:video>
<video:title>ノートルダム大聖堂の再開記念コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8a107c3a9fb1bdb120030063788f352976ff986b.jpg</video:thumbnail_loc>
<video:description>2019年4月の大規模火災により倒壊したパリの歴史的シンボルで世界遺産、ノートルダム大聖堂の再建記念イベントの一環として、現地時間12月7日(土)に行われた特別コンサートの模様をお届けします。当日はグスターボ・ドゥダメルが指揮するフランス放送フィルハーモニー管弦楽団を始め、クラシックの人気演奏家だけでなくジャンルの壁を超えて音楽シーンのスーパー・スターが勢揃い。再建に携わった人々への感謝を込めつつ、奇蹟の復活を盛大に祝いました。大聖堂の長い歴史の中でも最高の一日となった夢のステージを、じっくりとお楽しみください。</video:description>
<video:duration>6667</video:duration>
<video:publication_date>2024-12-09T09:41:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR AU</video:restriction>
</video:video>
<lastmod>2025-10-27T16:36:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6D0</loc>
<video:video>
<video:title>ネルソンスが指揮するマーラーとショスタコーヴィチの“第10番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d666cd8891b8f665e247c2c19c8dce8aa6c51479.jpg</video:thumbnail_loc>
<video:description>ウィーン・フィルとのマーラー・ツィクルスが話題となっているアンドリス・ネルソンス。本映像では、ザルツブルク音楽祭で収録された、マーラーが生涯最後に手がけた交響曲第10番のアダージョ楽章 (唯一作曲者自身の手で完成された) をご覧いただけます。演奏会の後半で披露されるのは、今年没後50年を迎えるショスタコーヴィチによる交響曲第10番。スターリンの死後に初演された最初の大作として、たちまち称賛されたのみならず、終結を迎えたばかりの残忍な体制に関する隠された意味やメッセージが盛んに詮索されました。今日に至るまで人々を魅了し続ける、クラシック史における偉大な二つの交響曲第10番をお楽しみください。</video:description>
<video:duration>5317</video:duration>
<video:publication_date>2025-08-12T09:53:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T16:34:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36D0</loc>
<video:video>
<video:title>ルイージとデンマーク国立響によるニールセンの交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b10933664f407958712a39e0cbfff8fea08b478f.jpg</video:thumbnail_loc>
<video:description>2022/2023シーズンからNHK交響楽団の首席指揮者に就任したイタリアの指揮者、ファビオ・ルイージ。オペラの指揮を得意とし音楽のドラマ性を見事に描き出す彼は、2017年から音楽監督を務めるデンマーク国立交響楽団を指揮して、デンマークの作曲家ニールセンの交響曲全6曲の全集に取り組んでいます。本映像は2023年のカール・ニールセン・フェスティヴァルでの模様が収められており、作曲者自身から「不滅」のタイトルを与えられた交響曲第4番、クラリネットという楽器の可能性を最大限に引き出したクラリネット協奏曲などをお聴きいただけます。</video:description>
<video:duration>4787</video:duration>
<video:publication_date>2023-08-10T12:17:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T15:01:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0DG</loc>
<video:video>
<video:title>《サマー・ファンタジー》(『逆水寒オンライン』より)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cddaa030dac2f47512f1e7fc9ed8b623da76239c.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2025-10-24T10:25:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T13:45:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9N</loc>
<video:video>
<video:title>トヌ・カリユステが指揮するペルトのテ・デウム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/731dfc4f3ea309167a515e86e222941fa8a7d1f6.jpg</video:thumbnail_loc>
<video:description>2025年9月11日に90歳を迎えたエストニアを代表する現代作曲家アルヴォ・ペルト。神を讃えるラテン語の聖歌「テ・デウム」をテキストとして作曲した合唱曲 (1985年初演) を、彼を育んだ地元タリンの聖ニコラス教会からお届けします。演奏はトヌ・カリユステ率いるエストニア・フィルハーモニー室内合唱団及びタリン室内管弦楽団で、2つの団体の創設者でもあるカリユステはこの組み合わせでECM New Seriesに同曲をレコーディング (1993年) して既に高い評価を得ています。この映像では前半にインタビューとリハーサル・シーンで構成されたドキュメンタリーも収められており、そこにはゲストとしてペルト自身も登場しますのでお見逃しなく。では、3つの合唱 (女声合唱、男声合唱、混声合唱) と弦楽オーケストラ (※ウインドハープなどユニークな楽器編成にもご注目ください) のために書かれたこの作品と一緒に、(彼の言葉を借りるなら) 「私たちを超えた聖なる存在を探究する」旅にでかけましょう。</video:description>
<video:duration>3371</video:duration>
<video:publication_date>2025-09-11T14:43:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T12:46:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1P</loc>
<video:video>
<video:title>フリードリヒ・グルダがモーツァルトやバーバラ・ディナーリンの作品を披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b9324a93c5de773cc28aa7b0cb8f3535a469f1e2.jpg</video:thumbnail_loc>
<video:description>20世紀の鬼才ピアニスト、フリードリヒ・グルダが自身の発案で始めたミュンヘンの風物詩的コンサートシリーズに出演した映像をお届けします。前半はウィーン生まれのグルダが愛するモーツアルトの作品。特に《フィガロの結婚》第4幕からよく知られたスザンヌのアリアを編曲した豊かな感興に満ちたナンバーが必聴です。後半にドイツのオルガニスト、バーバラ・ディナーリンが加わり繰り広げられる、オリジナル作品もお楽しみに。</video:description>
<video:duration>3819</video:duration>
<video:publication_date>2025-09-08T10:02:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T10:35:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4E0</loc>
<video:video>
<video:title>キース・ジャレット : ピアノ・ソロ・ライヴ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e5145ad703b63d0a33d3fc31eda0f7826eda431d.jpg</video:thumbnail_loc>
<video:description>ストイックにアコースティックなサウンドを追求するジャズ・ピアノの詩人でクラシック・ファンからの支持も根強い、2025年5月8日に80歳の誕生日を迎えたキース・ジャレットの名演を、ステージプラスからお届けします。こちらは2002年に行われたソロ・ピアノによる「夜ジャパン・ツアー」から、来日通算「150回記念公演」となった10月30日の東京文化会館公演を収録したもの。ステージの真ん中に置かれスポットライトの光が降り注ぐピアノから、硬質な音を自由自在に紡ぎ出すスリリングな演奏をご堪能ください。</video:description>
<video:duration>6634</video:duration>
<video:publication_date>2025-04-16T13:46:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T09:16:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1L</loc>
<video:video>
<video:title>エミリー・ダンジェロ主演、新作オペラ《グラウンデッド》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/180ce26b4a019d05a6b4b5277b0a5fcfa5e95a7a.jpg</video:thumbnail_loc>
<video:description>アメリカ演劇史上、最も多作な女性作曲家であるジャニーン・テソーリは、ブロードウェイのヒット作を次々と生み出し、トニー賞を2度受賞しています。近年はオペラにも注力し、2024年にはメトロポリタン歌劇場のシーズン開幕を飾る作品を手掛けた初の女性作曲家として、歴史に名を刻みました。この記念すべきオペラ《グラウンデッド》は、ジョージ・ブラントによる戯曲を原作とし、予期せぬ妊娠をきっかけにドローン操縦士へ転身することとなった、ある戦闘機パイロットの物語を描いています。本上演で主役を演じるのは、エミリー・ダンジェロ (メゾソプラノ) とベン・ブリス (テノール) 。マイケル・メイヤーによる、ダイナミックなLED スクリーン群を用いた力強い演出が、ハイテク戦争の世界を鮮やかに浮き彫りにします。</video:description>
<video:duration>7190</video:duration>
<video:publication_date>2025-10-27T08:33:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-27T09:14:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0C8</loc>
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<video:description>18世紀にオペラ改革を行ったクリストフ・ヴィリバルト・グルック。マリー・アントワネットの音楽教師であったことでも知られていますが、本映像は世界的指揮者のウィリアム・クリスティとジョン・エリオット・ガーディナーがグルックの「改革者」としての一面について語るドキュメンタリーとなっています。1987年にインガー・アビーが制作したグルックの伝記映画『Winds of Change, Winds of Love』からのシーンも使用されており、様々な角度からグルックという存在を知ることができるでしょう。</video:description>
<video:duration>3501</video:duration>
<video:publication_date>2025-10-23T08:50:04Z</video:publication_date>
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<url>
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<video:title>ターフェル主演のドニゼッティ《ドン・パスクワーレ》(日本語字幕付き)</video:title>
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<video:description>ドニゼッティによるオペラ・ブッファ（喜劇的オペラ）の傑作を英国の名門ロイヤル・オペラ・ハウスからお届けします。本公演ではイタリア人演出家ミキエレットが舞台設定を現代に移し、スマートかつ楽しいアプローチでリアルな人間ドラマを描き出すプロダクションが好評を博しました。もちろんピドが指揮する音楽面も充実。タイトル・ロールの、英国ウェールズが誇る至宝ターフェルは同役が初挑戦ながら、比類なき声とカリスマ的な演技力で若い娘との結婚を企てる70歳の資産家（老人なのに過去の想い出に囚われた子どものままの性格）を熱演。これがロイヤル・オペラ・デビューとなったノリーナ役のソプラノ（ロシア出身）ペレチャッコを筆頭に、マラテスタ役の端正なバリトン（オーストリア出身）ウェルバやエルネスト役の若手テノール（ルーマニア出身）ホテアなど、国籍も様々な人気歌手陣による声の饗宴が楽しめます。</video:description>
<video:duration>7959</video:duration>
<video:publication_date>2023-10-18T14:09:21Z</video:publication_date>
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<lastmod>2025-10-24T07:28:55Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GCO</loc>
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<video:title>ガランチャ出演、パッパーノ指揮による《サムソンとデリラ》</video:title>
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<video:description>世界の歌劇シーンをリードする英国ロイヤル・オペラ・ハウスで上演された。サン＝サーンスの代表作《サムソンとデリラ》をお届けします。注目は近年、ドラマティックな役柄でスター・メゾの貫禄を見せるガランチャが演じるデリラですが、代役によって初のサムソン役でロイヤル・オペラへの鮮烈なデビューを果たした韓国のテノール、セクジョンも見事な歌唱でロンドンの聴衆を魅了しました。指揮は安定のパッパーノで、演出は複数のローレンス・オリヴィエ賞に輝く英国が誇るリチャード・ジョーンズ。実に40年振りとなった上演に沸く会場の盛り上がりを体感ください。</video:description>
<video:duration>8045</video:duration>
<video:publication_date>2023-10-20T07:24:21Z</video:publication_date>
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<lastmod>2025-10-24T07:28:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36E8</loc>
<video:video>
<video:title>ダヴィドセン出演、パッパーノ指揮による《フィデリオ》</video:title>
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<video:description>ベートーヴェン生誕250周年に行われたコヴェント・ガーデン王立歌劇場の《フィデリオ》の舞台映像をお届けします。力強さと抒情性を併せ持つノルウェーが生んだ新時代の大器ダヴィドセン (レオノーレ役) と個性豊かな表情を見せるフォーサイス (マルツェリーネ役) の女声コンビが舞台をリードし、男声陣も説得力に溢れた歌唱でこれに応えます。パッパーノ率いるオーケストラと合唱団が美しい彩りを与えながら、劇的な音楽で作品全体を包みこむのをご堪能ください。第2幕で18世紀当時の場面とそれを見守る現代人のオブザーバー (合唱団) を共存させるなど、作品の演劇性を高めたクラッツァーの演出にもぜひご注目を。</video:description>
<video:duration>8017</video:duration>
<video:publication_date>2024-05-27T14:55:50Z</video:publication_date>
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<lastmod>2025-10-24T07:26:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8C8</loc>
<video:video>
<video:title>ネルソンスとトリフォノフがライプツィヒ・ショスタコーヴィチ音楽祭で共演</video:title>
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<video:description>ゲヴァントハウス管弦楽団によるショスタコーヴィチ音楽祭2025のオープニングコンサートでは、ダニール・トリフォノフとアンドリス・ネルソンスが、対照的な2つの作品に焦点を当てたオール・ショスタコーヴィチ・プログラムを演奏します。《祝典序曲》が幕開けを飾り、トリフォノフはショスタコーヴィチのピアノ生徒だった息子マクシムの19歳の誕生日プレゼントとして書かれたピアノ協奏曲第2番を演奏します。コンサートの後半は、壮大な交響曲第4番。マーラーの交響曲に着想を得て、形式的にも感情的にも圧巻のスケールで作曲されたこの作品は、1936年の初演予定が撤回された後、初演は25年後にようやく実現しました。</video:description>
<video:duration>6800</video:duration>
<video:publication_date>2025-10-15T14:43:53Z</video:publication_date>
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<lastmod>2025-10-23T15:18:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGC0</loc>
<video:video>
<video:title>ファビオ・ルイージが指揮するスクリャービン : 交響曲第3番</video:title>
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<video:description>2017年から首席指揮者を務める北欧の名門デンマーク国立交響楽団とニールセンの交響曲全集を完成させたファビオ・ルイージが同楽団とスクリャービン作品に挑みます。ここでは作曲者自らが「神のようなもの」と評し、その作曲過程を聞いた詩人ボリス・パステルナークによって森の木々の中での砲撃に例えられたという大曲、交響曲第3番をお届けします。同曲が20世紀最高の交響曲の1つとして、ラフマニノフやマーラーの伝統におけるロマン派精神の記念碑的存在と呼ばれる所以がわかる、壮大で濃密な演奏をお楽しみください。</video:description>
<video:duration>2961</video:duration>
<video:publication_date>2024-11-14T12:23:31Z</video:publication_date>
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<lastmod>2025-10-23T14:36:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1K</loc>
<video:video>
<video:title>〈熊蜂の飛行〉で知られる、リムスキー=コルサコフの《皇帝サルタンの物語》</video:title>
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<video:description>1900年に完成した《皇帝サルタンの物語》は、プーシキンの同名の叙事詩をもとにしたオペラ。3姉妹のなかから皇帝サルタンと結婚した三女ミリトリサは、姉たちに妬まれ、息子である王子グヴィドンとともに樽に入れられて海に投げ込まれてしまいます。成長した王子が蜂に姿を変え、父に会いに行く音楽は、〈熊蜂の飛行〉として知られています。鬼才チェルニャコフの現代的な演出は、話題となりました。当時、モネ劇場の音楽監督であったアルティノグルの指揮は、作曲者の管弦楽法を豊かに再現。ロシア系の歌手陣の圧倒的な歌唱も楽しめます。</video:description>
<video:duration>9441</video:duration>
<video:publication_date>2025-10-16T13:18:05Z</video:publication_date>
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<lastmod>2025-10-23T08:29:02Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPP</loc>
<video:video>
<video:title>演出家ロバート・カーセンが描く、デ・カヴァリエーリ《魂と肉体の劇》</video:title>
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<video:description>《魂と肉体の劇》は、1600年にローマで初演された宗教的音楽劇。魂と肉体が対話し、世俗の誘惑に対する理性を説いています。人気演出家ロバート・カーセンが、キリスト教の道徳劇を現代の人間ドラマに再創造。ヴィジュアル的にも観る者を強く惹きつけます。注目の若手ソプラノ、アネット・フリッチュが演じる“魂”は魅力的。古楽界の旗手ジョヴァンニ・アントニーニが率いるイル・ジャルディーノ・アルモニコとアルノルト・シェーンベルク合唱団による演奏も、期待を裏切りません。</video:description>
<video:duration>6048</video:duration>
<video:publication_date>2025-10-16T08:37:21Z</video:publication_date>
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<lastmod>2025-10-23T08:03:15Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1H</loc>
<video:video>
<video:title>《フィデリオ》の前史として知られるガヴォー《レオノール》の蘇演</video:title>
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<video:description>ベートーヴェンの《フィデリオ》の前史として語られるピエール・ガヴォー作曲《レオノール》の復活上演を収めた貴重な映像です。1789年にパリで初演されたこのオペラは、政治犯の夫フロレスタンを救済する妻レオノールの物語。自由と夫婦愛をテーマとしている作品ですが、ベートーヴェンの《フィデリオ》よりも軽快な音楽となっています。アメリカ初演となったこの公演で、オペラ・ラファイエットはピリオド楽器を使用。キミィ・マクラーレンは、レオノールを情感豊かに歌い上げています。</video:description>
<video:duration>4923</video:duration>
<video:publication_date>2025-10-16T10:21:07Z</video:publication_date>
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<lastmod>2025-10-23T08:00:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E1G</loc>
<video:video>
<video:title>話題の作曲家ブレット・ディーンの《ハムレット》</video:title>
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<video:description>オーストラリア出身のブレット・ディーンは、ベルリン・フィルのヴィオラ奏者を経て作曲家に転身。シェイクスピアの戯曲「ハムレット」によるこのオペラは、2017年にグラインドボーン音楽祭で初演後、メトロポリタン・オペラで上演されるなど、人気オペラとなっています。アームフィールドの革新的な空間演出、現代的な衣裳やセットなど見どころ満載。同音楽祭の音楽監督であったユロフスキは、この現代的作品を見事に表現しています。オフィーリア役の人気ソプラノ、ハニガンやハムレット役のクレイトンの熱演にも注目。</video:description>
<video:duration>9823</video:duration>
<video:publication_date>2025-10-16T09:28:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-23T07:58:56Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1M</loc>
<video:video>
<video:title>グルダ・ノンストップ LIVE</video:title>
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<video:description>20世紀が生んだ最も独創的な巨匠ピアニストのひとり、フリードリヒ・グルダが1990年11月19日にミュンヘン・フィルハーモニーで行った、伝説的な90分間のソロ演奏ライヴの映像をお届けします。プログラムは、J.S.バッハに始まり自作曲から、モーツァルト、ドビュッシー、ショパン、シューベルトにJ.シュトラウス2世のオペレッタからのナンバーまで。彼の深く大きく広がる音楽世界をまさに“ノンストップ”で総括的に体感できること間違いありません。</video:description>
<video:duration>5495</video:duration>
<video:publication_date>2025-09-04T15:54:13Z</video:publication_date>
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<lastmod>2025-10-23T07:10:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0C0</loc>
<video:video>
<video:title>バッハ : 平均律クラヴィーア曲集第1巻より前奏曲第9番ホ長調 BWV 854</video:title>
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<video:description>The Icelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time. 
Following his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics&apos; Annual Prize, the pianist now presents his new album Opus 109. 
At its heart is Beethoven&apos;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer&apos;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.</video:description>
<video:duration>104</video:duration>
<video:publication_date>2025-10-13T12:20:45Z</video:publication_date>
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<lastmod>2025-10-20T13:39:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34E8</loc>
<video:video>
<video:title>ペトレンコとカウフマンによるコルンゴルト《死の都》</video:title>
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<video:description>本映像は、2019年に行われたコルンゴルトのオペラ《死の都》の公演が収められています。世界屈指のオペラの殿堂、バイエルン国立歌劇場でキリル・ペトレンコの巧みな指揮のもと、ヨナス・カウフマンをはじめとする現代の名歌手たちが揃っています。愛するマリーを失ってしまった主人公パウロの悲しみ、謎めいた女性マリエッタとの出会いによって乱れていく心の模様が、カウフマンの歌唱とペトレンコが紡ぐ音色の世界によって見事に描き出されています。</video:description>
<video:duration>8581</video:duration>
<video:publication_date>2024-05-08T14:19:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T12:26:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCC8</loc>
<video:video>
<video:title>ガーディナーの指揮による《オルフェとウリディス》</video:title>
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<video:description>本映像は、グルックが1774年に作曲したオペラ《オルフェオとエウリディーチェ》にベルリオーズが1774年に大規模な改訂を施し生まれた《オルフェとウリディス》をご覧いただけます。主人公オルフェ役にはもともとテノールでしたが、メゾ・ソプラノに変更。楽器編成を拡大し、いくつかのアリアにはカデンツァを加えて、より劇的なものへと進化させました。ガーディナーは演奏にあたり、19世紀のピリオド楽器を選択し、作品の構造とドラマ性に説得力を与えています。</video:description>
<video:duration>5968</video:duration>
<video:publication_date>2024-10-30T11:59:29Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-10-20T12:20:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9H</loc>
<video:video>
<video:title>ルイゾッティが指揮するプッチーニ :《トゥーランドット》</video:title>
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<video:description>この映像は、マドリードのテアトル・レアルで20年ぶりに上演されたプッチーニの最後のオペラ《トゥーランドット》。いにしえの中国・北京を題材としたこのオペラを、アメリカの大演出家ウィルソンとイタリアの名オペラ指揮者のルイゾッティが、見事に現代に甦らせました。トゥーランドット姫を演じるテオリンは、スウェーデン出身のドラマティック・ソプラノで、新国立劇場でも《トゥーランドット》を歌いました。また、カラフ役のクンデは、幅広いレパートリーを持つアメリカ出身のベテラン歌手です。</video:description>
<video:duration>7327</video:duration>
<video:publication_date>2025-06-30T09:45:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-20T12:19:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0C0</loc>
<video:video>
<video:title>カール・ベームが指揮する《こうもり》</video:title>
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<video:description>本映像は、大人気のオペレッタ《こうもり》を映画化した作品です。伝説的なオペラ指揮者、カール・ベームの指揮のもと、圧倒的な美声と妖艶な演技が魅力のヤノヴィッツによるロザリンデ、どこか憎めないアイゼンシュタインのヴェヒターなど、豪華歌唱陣が集っています。演出のオットー・シェンク自身が語り役の看守フロッシュを演じているのも注目。映画ならではの細やかな演技と演出によって、作品の新たな魅力にもお気づきいただけることでしょう。</video:description>
<video:duration>8229</video:duration>
<video:publication_date>2025-03-24T14:47:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T12:06:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4E8</loc>
<video:video>
<video:title>クライバーが豪華な舞台演出と共に描き出す「こうもり」</video:title>
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<video:description>伝説的指揮者であるカラヤンをして「正真正銘の天才」と言わしめた、20世紀最高の指揮者のひとりであるカルロス・クライバー。徹底的な完璧主義を貫いた彼は入念に楽譜を読み込み、緻密なリハーサルを行い、鮮やかなステージを作り出していました。そんな彼の録音や映像は非常に少ないのですが、その中でも傑作のひとつがこの「こうもり」です。エレガントでありながら躍動的な音楽運びにのせて、ヴェヒタ―やファスベンダーたち名歌手が美しい歌唱とコミカルな演技で魅了します。回転舞台を使った演出にも注目です。</video:description>
<video:duration>9445</video:duration>
<video:publication_date>2023-12-14T10:15:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-20T12:05:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHN</loc>
<video:video>
<video:title>ギャンビルとシュテンメのワーグナー :《トリスタンとイゾルデ》</video:title>
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<video:description>グラインドボーン音楽祭は、1934年に設立されたイギリスで最も有名なオペラフェスティバル。この《トリスタンとイゾルデ》は、同音楽祭初のワーグナー上演となりました。ニコラウス・レーンホフの定評ある演出で、現代を代表するワーグナー・ソプラノのニーナ・シュテンメとワーグナー・テノールのロバート・ギャンビルが、タイトルロールを務めます。クルヴェナール役のボー・スコウフス、マルケ王役のルネ・パーぺなど脇役も充実。チェコの名指揮者、イルジー・ビエロフラーヴェク＆ロンドン・フィルの演奏も聴きものです。</video:description>
<video:duration>14388</video:duration>
<video:publication_date>2025-07-10T11:17:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:25:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJID8</loc>
<video:video>
<video:title>キリル・ペトレンコが指揮するR.シュトラウス :《影のない女》</video:title>
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<video:description>1917年に完成した《影のない女》は、R.シュトラウスのオペラのなかでも傑作のひとつ。この映像は、現在ベルリン・フィルの芸術監督を務めるキリル・ペトレンコが、バイエルン国立歌劇場の音楽総監督時代であった時代のもの。その後、ベルリン・フィルとも《影のない女》を取り上げ、彼の得意演目のひとつとなっています。台本はホーフマンスタールで、霊界の皇后が人間の真実の愛を知る物語。大規模で複雑な構造を持つこのロマンティック・オペラを、ペトレンコは見事に再現しています。</video:description>
<video:duration>12240</video:duration>
<video:publication_date>2025-06-19T14:47:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:09:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1L</loc>
<video:video>
<video:title>話題の名花グリゴリアン主演のヴェルディ《マクベス》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dc765e038b1c6c2b5f598ab2ba7d016471f5d416.jpg</video:thumbnail_loc>
<video:description>2023年のザルツブルク音楽祭で大いに話題を呼んだのがヴェルディの傑作オペラ《マクベス》でした。物語を鮮やかに描き出す演出によって高く評価されているクシシュトフ・ワルリコフスキは、今回も物語に漂う冷たい空気感、登場人物の心理描写を深くえぐり出しています。歌手ではとりわけマクベス夫人を演じたドラマティック・ソプラノのアスミク・グリゴリアンが注目です。強い声と苛烈なキャラクターが求められる難役を見事に演じ、歌唱しています。</video:description>
<video:duration>8791</video:duration>
<video:publication_date>2025-07-22T13:27:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:09:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3AC0</loc>
<video:video>
<video:title>ミルガ・グラジニーテ＝ティーラが挑むヴァインベルクの《白痴》</video:title>
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<video:description>革新に挑む指揮者、ミルガ・グラジニーテ＝ティーラ。今回彼女はミェチスワフ・ヴァインベルクの作品に注目し、彼の最後のオペラである《白痴》をザルツブルク音楽祭で指揮します。ヴァインベルクの卓越した技法が活きた作品を、クシシュトフ・ヴァリコフスキによる新演出がさらに魅力的に輝かせます。1985年完成という、短い上演史の中で、おそらく最も画期的な公演として刻み込まれることでしょう。魅力的な登場人物が多いオペラで、演じる歌手たちの力量も問われる作品です。</video:description>
<video:duration>11768</video:duration>
<video:publication_date>2024-08-26T08:31:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:09:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36D8</loc>
<video:video>
<video:title>サー・ゲオルグ・ショルティが指揮する《ファルスタッフ》</video:title>
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<video:description>20世紀を代表する指揮者であり、グラミー賞を31回も受賞した伝説的存在であるサー・ゲオルグ・ショルティ。彼の指揮の下で演奏されたヴェルディの傑作オペラ《ファルスタッフ》の映像をご覧いただけます。道化役のスペシャリスト、ガブリエル・バキエがタイトルロールに据えられており、ほかのキャストも歌唱、演技共に安定の布陣。最高の音楽、歌唱と演技でヴェルディが人生最後に手がけた喜劇をお楽しみいただけます。</video:description>
<video:duration>7727</video:duration>
<video:publication_date>2025-01-22T17:05:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:02:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3G</loc>
<video:video>
<video:title>ベーム指揮、フリードリヒ演出の《エレクトラ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6327b1bc2d65dbb0e017905e921c0dd09dac1793.jpg</video:thumbnail_loc>
<video:description>R. シュトラウスの厚い信頼を得ていたカール・ベームは、彼のオペラ2曲を初演したほか、多くの作品の上演に尽力しました。その最後の録音は (86歳時)、ゲッツ・フリードリヒによるオペラ映画版の《エレクトラ》です (1981年)。その鬼気迫る世界は、このプロダクションを歴史的遺産へと高めています。ワーグナーおよびシュトラウス歌手として知られるレオニー・リザネク、アストリッド・ヴァルナイ、カタリーナ・リゲンツァの3人も、望み得る最高の歌唱を聴かせています。</video:description>
<video:duration>7129</video:duration>
<video:publication_date>2022-05-03T09:23:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T10:01:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJIC8</loc>
<video:video>
<video:title>マリア・ホセ・シーリが主役を演じるプッチーニ :《修道女アンジェリカ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/31b78d0c56778450c2b9ff81f9c003538c866fed.jpg</video:thumbnail_loc>
<video:description>2020年のフィレンツェ五月音楽祭では、プッチーニの「三部作」が上演されました。《修道女アンジェリカ》は、プッチーニが作曲した「三部作」の二作目のオペラ。女子修道院を舞台とし、登場人物はすべて女性というユニークな作品です。指揮は、イタリア出身の次世代を担うヴァレリオ・ガッリ。タイトル・ロールを歌うマリア・ホセ・シーリは、巨匠ムーティとの共演も多いソプラノです。また、イタリアの実力派アンナ・マリア・キウリが、侯爵夫人役を務めます。</video:description>
<video:duration>3636</video:duration>
<video:publication_date>2025-06-19T08:57:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:51:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJICG</loc>
<video:video>
<video:title>ブルーノ・デ・シモーネが主役を演じるプッチーニ :《ジャンニ・スキッキ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/03b9d7e6bbf638fff1f588c802a82d552af20c05.jpg</video:thumbnail_loc>
<video:description>ダンテの「神曲」を原作とするオペラ《ジャンニ・スキッキ》は、プッチーニが作曲した「三部作」の三作目であり、彼自身が完成させた最後のオペラです。2020年のフィレンツェ五月音楽祭では、プッチーニの「三部作」が取り上げられました。フィレンツェを舞台とするこのオペラのご当地での上演では、イタリアの名歌手ブルーノ・デ・シモーネがタイトル・ロールを歌います。イタリアの新しい世代の指揮者、ヴァレリオ・ガッリにも注目。</video:description>
<video:duration>3402</video:duration>
<video:publication_date>2025-06-19T11:22:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9I</loc>
<video:video>
<video:title>イタリアの名匠フリッツァが指揮するヴェルディ :《リゴレット》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dd54b54a9851c0ed7ffd1f5bb8fce81e79edf006.jpg</video:thumbnail_loc>
<video:description>このフィレンツェ五月音楽祭の《リゴレット》の映像は、コロナ・ウィルスの影響で公演がキャンセルされ、2021年2月に無観客で上演された舞台を収めたものです。指揮は、イタリアの名匠リッカルド・フリッツァ。今日を代表するヴェルディ・バリトンのルカ・サルシがタイトルロールを、メキシコ出身の人気テノール、ハビエル・カマレーナはマントヴァ公爵役を務めます。ダヴィデ・リヴェルモーレの現代的な演出にもご注目ください。</video:description>
<video:duration>7827</video:duration>
<video:publication_date>2025-08-21T11:31:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:41:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8CO</loc>
<video:video>
<video:title>アンナ・ネトレプコの歌唱に圧倒される改訂版《マクベス》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4e2b6a023de9e6d05c99401d71bfd83a4dbe897d.jpg</video:thumbnail_loc>
<video:description>本映像はミラノ･スカラ座 2021/2シーズン開幕公演で上演されたヴェルディの歌劇《マクベス》の模様を収めたものです。改訂版での演奏で、通常はカットされる第三幕のバレエが加えられるなど、新鮮な感覚でお楽しみいただけることでしょう。映像を多用した演出にも注目です。キャストは実力派ぞろいですが、特に注目されるのはマクベス夫人役のアンナ・ネトレプコでしょう。圧倒的な存在感と力強い声、人物を深く掘り下げた演技に目を奪われます。また、タイトルロールのルカ・サルシも安定した歌唱で存在感を示しています。</video:description>
<video:duration>10435</video:duration>
<video:publication_date>2023-03-03T12:24:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-10-20T09:39:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38E0</loc>
<video:video>
<video:title>ウェルザー＝メストが指揮するヨハン・シュトラウス2世《ジンプリチウス》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aafe9172349aadc04d50f2e5a355b52909564204.jpg</video:thumbnail_loc>
<video:description>《ジンプリチウス》は1887年に初演されたヨハン・シュトラウス2世の大変珍しいオペラです。上演の少なさはもちろん、録音や映像も入手困難です。本映像は、シュトラウス・ファンはもちろん、オペラ・ファンにとっても垂涎のものといえるでしょう。1618年から1648年に戦われた「三十年戦争」を背景にした物語がもとになっており、故郷の村を戦禍で失った主人公が隠者から「ジンプリチウス」という名前と学問を与えられて成長していく様が親子や男女の愛と共に描かれています。</video:description>
<video:duration>7880</video:duration>
<video:publication_date>2025-02-07T13:20:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:24:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30DG</loc>
<video:video>
<video:title>ウェルザー=メスト指揮、鬼才パウントニー演出＆名手ハンプソン主演の《マクベス》</video:title>
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<video:description>若き音楽監督フランツ・ウェルザー=メストのもとで快進撃を続けていた時代のチューリヒ歌劇場から、ヴェルディ初期の傑作《マクベス》をお届けします。精神病棟を舞台に繰り広げられる、まるで患者たちによる“妄想劇”を見せられているかのような鬼才パウントニーの衝撃的な演出も当時話題を集めました。アメリカが生んだスター・バリトン、トーマス・ハンプソンが描き出す現代的で壮絶なマクベス像や、当時イタリアの新星ソプラノと謳われたパオレッタ・マッロークの鬼気迫るマクベス夫人など、理想的なキャスト陣による見応えのあるステージを心ゆくまでお楽しみください。</video:description>
<video:duration>8330</video:duration>
<video:publication_date>2024-12-10T13:22:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:24:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0C8</loc>
<video:video>
<video:title>バルトリ、カウフマン出演によるパイジェッロのオペラ《ニーナ》</video:title>
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<video:description>現在では《うつろな心》を作曲したことくらいしか知られていないジョヴァンニ・パイジェッロ。しかし18世紀当時、彼の存在感は非常に大きく、数多くのオペラを書き名声を得ていました。近年はなかなか作品の上演の機会に恵まれていませんが、優美さをたたえた旋律は一度聴けば魅了されてしまいます。今回、バルトリにカウフマンといった名歌手たちが揃い、それを改めて実感できることでしょう。彼らをまとめるのは歴戦の指揮者、アダム・フィッシャー。作品を見事に構築しています。</video:description>
<video:duration>7229</video:duration>
<video:publication_date>2024-08-09T10:12:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:20:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36C0</loc>
<video:video>
<video:title>バイロイト音楽祭2022：ニーベルングの指環《ジークフリート》(日本語字幕付き)</video:title>
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<video:description>パンデミックによる延期を経て満を持して上演された5年ぶりの新演出での“指環”。コロナに罹患したピエタリ・インキネンの代役で指揮台には助手経験のあるコルネリウス・マイスターが登場し、スピード感溢れる演奏を披露。まだ30代あたまの若手ヴァレンティン・シュヴァルツの大胆な読み替えによる演出が、神話の世界を冨と権力の渦巻く家族の物語に再構築し、祝祭劇場に激しいブーイングと嵐のようなセンセーションを巻き起こしました。第2日《ジークフリート》で“指環”(※この演出では若きハーゲン少年) を守る大蛇ファーフナーは病に伏した老人で、アルコール依存症のジークフリートによって床に倒され絶命します。</video:description>
<video:duration>14640</video:duration>
<video:publication_date>2022-12-03T21:03:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:04:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30</loc>
<video:video>
<video:title>バイロイト音楽祭2022：ニーベルングの指環《神々の黄昏》(日本語字幕付き)</video:title>
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<video:description>パンデミックによる延期を経て満を持して上演された5年ぶりの新演出での“指環”。コロナに罹患したピエタリ・インキネンの代役で指揮台には助手経験のあるコルネリウス・マイスターが登場し、スピード感溢れる演奏を披露。まだ30代あたまの若手ヴァレンティン・シュヴァルツの大胆な読み替えによる演出が、神話の世界を冨と権力の渦巻く家族の物語に再構築し、祝祭劇場に激しいブーイングと嵐のようなセンセーションを巻き起こしました。第3日《神々の黄昏》では“自己犠牲”の場面で、ブリュンヒルデが非業の死を遂げたグラーネ（※この演出では馬ではなく人間）の頭を抱いて踊ります。</video:description>
<video:duration>16440</video:duration>
<video:publication_date>2022-12-06T06:36:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-10-20T09:03:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34E8</loc>
<video:video>
<video:title>バイロイト音楽祭2022：ニーベルングの指環 楽劇《ヴァルキューレ》(日本語字幕付き)</video:title>
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<video:description>パンデミックによる延期を経て満を持して上演された5年ぶりの新演出での“指環”。コロナに罹患したピエタリ・インキネンの代役で指揮台には助手経験のあるコルネリウス・マイスターが登場し、スピード感溢れる演奏を披露。まだ30代あたまの若手ヴァレンティン・シュヴァルツの大胆な読み替えによる演出が、神話の世界を冨と権力の渦巻く家族の物語に再構築し、祝祭劇場に激しいブーイングと嵐のようなセンセーションを巻き起こしました。第1日《ヴァルキューレ》では特に、ジークリンデが舞台に登場した時点で既に妊娠しているという設定が衝撃的です。有名な〈ヴァルキューレの騎行〉の場面も美容整形外科の待合室のような場所で展開されるのでお見逃しなく。</video:description>
<video:duration>13987</video:duration>
<video:publication_date>2022-12-01T14:14:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:03:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJGCG</loc>
<video:video>
<video:title>バイロイト音楽祭2022：ニーベルングの指環《ラインの黄金》(日本語字幕付き)</video:title>
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<video:description>パンデミックによる延期を経て満を持して上演された5年ぶりの新演出での“指環”。コロナに罹患したピエタリ・インキネンの代役で指揮台には助手経験のあるコルネリウス・マイスターが登場し、スピード感溢れる演奏を披露。まだ30代あたまの若手ヴァレンティン・シュヴァルツの大胆な読み替えによる演出が、神話の世界を冨と権力の渦巻く家族の物語に再構築し、祝祭劇場に激しいブーイングと嵐のようなセンセーションを巻き起こしました。序夜《ラインの黄金》でヴォータンとアルベリヒは敵対する双子の兄弟であり、冒頭ではラインの黄金が盗まれる代わりに“子ども”が誘拐されます。</video:description>
<video:duration>9213</video:duration>
<video:publication_date>2022-11-29T20:52:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-20T09:02:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHK</loc>
<video:video>
<video:title>上演機会の少ないワーグナー :《リエンツィ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d6f1f91b1ba0b02639fbe9b6b298f229cc0bfec.jpg</video:thumbnail_loc>
<video:description>《リエンツィ》は、14世紀ローマの護民官であるリエンツィの物語を素材とし、1842年に初演が行われたワーグナー初期のオペラ。彼の出世作ですが、その長大さもあってか、上演機会になかなか恵まれていません。この映像は、ワーグナー生誕200年の2013年に行なわれた公演の貴重な記録です。タイトルロールを歌うのは、ワーグナー・テノールのトルステン・ケール。往年の名指揮者ピンカス・スタインバ－グが、作品の真価を伝えてくれます。</video:description>
<video:duration>10566</video:duration>
<video:publication_date>2025-07-07T14:26:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-17T15:32:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1P</loc>
<video:video>
<video:title>エマニュエル・ヴィヨームが指揮するプッチーニ :《ラ・ボエーム》</video:title>
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<video:description>イギリスを代表する世界的演出家リチャード・ジョーンズが演出した、注目の《ラ・ボエーム》。1830年ごろのパリを舞台としたプッチーニの名作で、フランス出身のエマニュエル・ヴィヨームがタクトをとります。彼は、メトロポリタン・オペラやロイヤル・オペラにも招かれる中堅のオペラ指揮者。その他、世界が注目するブルガリア出身のソーニャ・ヨンチェヴァ、アメリカ出身のチャールズ・カストロノヴォなど、まさに今が旬の歌手も登場します。</video:description>
<video:duration>7180</video:duration>
<video:publication_date>2025-06-30T08:12:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:32:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9G</loc>
<video:video>
<video:title>イタリアを代表する名演出家ピエール・ルイージ・ピッツィが手掛けるヴェルディ :《椿姫》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5001f226ee4157c6f90e35009b97dfab29434dd3.jpeg</video:thumbnail_loc>
<video:description>ヴェルディの最も人気の高いオペラ《椿姫》。この上演では、スペインの名匠ヘスス・ロペス・コボスが指揮、イタリアを代表する名演出家で舞台デザイナー、ピエール・ルイージ・ピッツィが演出、美術、衣裳を担っています。彼は、このオペラの設定を1940年代のパリに移し、映画的にアプローチしました。フランスのソプラノ、ノラ・アムセレムのヴィオレッタ、スペインのテノール、ホセ・ブロスのアルフレード、イタリアの名バリトン、レナート・ブルゾンのジェルモンらの強力キャストでお楽しみください。</video:description>
<video:duration>8238</video:duration>
<video:publication_date>2025-09-08T10:33:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:29:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPO</loc>
<video:video>
<video:title>ロッシーニの権威ゼッダが指揮する歌劇《試金石》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b632a43e6be87dc31510acd5f80e899022b14fa9.jpg</video:thumbnail_loc>
<video:description>《試金石》は、ロッシーニが20歳の頃のオペラ。スカラ座のために書かれ、まさに彼の試金石と言える作品です。指揮は、楽譜の校訂でも知られるロッシーニのオーソリティ、アルベルト・ゼッダ。真正のロッシーニ演奏を聴かせてくれるでしょう。また、イタリアを代表する演出家、ピエール・ルイージ・ピッツィの舞台も見ものです。クラリーチェ侯爵夫人役のマリー=アンジュ・トドロヴィッチや、騎士ジョコンド役のラウル・ヒメネスら粒ぞろいのキャストにもご注目ください。</video:description>
<video:duration>10268</video:duration>
<video:publication_date>2025-08-12T15:01:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:28:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCC0</loc>
<video:video>
<video:title>アーノンクールが指揮するモーツァルトの《フィガロの結婚》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/46b2527b7484c1b9dc9de1371d698961bcea88ca.jpg</video:thumbnail_loc>
<video:description>ニコラウス・アーノンクールは歴史的な楽器や世界最高峰のオーケストラを自在に操る指揮者であり、彼の指揮はモーツァルトの音楽の魂を聴衆へと伝えることができる存在です。本映像には、1996年の《フィガロの結婚》が収められています。演出はユルゲン・フリムが務めており、エヴァ・メイが伯爵夫人をつとめるなど、歌手陣には強い存在感を放つ実力派キャストが一堂に会しています。圧倒的な美の世界を感じていただけるモーツァルトをお楽しみください。</video:description>
<video:duration>11739</video:duration>
<video:publication_date>2024-10-30T11:41:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:20:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ID8</loc>
<video:video>
<video:title>アーノンクールが指揮する《コジ・ファン・トゥッテ》(2002年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3be696e45b8dd91232150b0cdc4211b0a481a897.jpg</video:thumbnail_loc>
<video:description>伝説的な指揮者、ニコラウス・アーノンクールと最高の歌手たちが作り出す《コジ・ファン・トゥッテ》の世界をお楽しみ頂ける映像です。モーツァルトのオペラのなかでもとりわけアンサンブルが充実しており、その分きめ細やかな解釈と音楽運びが求められます。しかしそこはアーノンクール、そしてバルトリをはじめとする名歌手たち。響きのバランス、それぞれのキャラクター性の抽出など細部にわたりこだわった演奏をお聴きいただけます。</video:description>
<video:duration>11525</video:duration>
<video:publication_date>2024-07-31T09:28:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:19:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ID0</loc>
<video:video>
<video:title>アーノンクールが指揮する《ドン・ジョヴァンニ》(2001年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0b895f407c52d14fae52dc678bc2bd1d5d4ad8f3.jpg</video:thumbnail_loc>
<video:description>伝説的な指揮者、ニコラウス・アーノンクールと最高の歌手たちが作り出す《ドン・ジョヴァンニ》の世界をお楽しみ頂ける映像です。楽曲の魅力をさらに浮き彫りにするテンポ設定やアクセント、響きのバランスによって物語の内容がより鮮やかに届いてきます。歌手たちの歌唱と演技も卓越したものがありますが、やはり注目はドンナ・エルヴィーラを演じるチェチーリア・バルトリでしょう。苛烈な女性から慈愛に満ちた女性への変化が巧みに演じられています。</video:description>
<video:duration>11220</video:duration>
<video:publication_date>2024-07-30T14:33:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:19:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1H</loc>
<video:video>
<video:title>クラウス・グート演出の斬新なモーツァルト :《皇帝ティートの慈悲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/266feb5e1418b56717b968b092bc4a7a4faf91ae.jpg</video:thumbnail_loc>
<video:description>2017年、グラインドボーン音楽祭で20年ぶりに《皇帝ティートの慈悲》が上演されました。このモーツァルト最晩年のオペラ・セリアは、ローマ時代の皇帝ティートを題材としています。いま、最も活躍する演出のクラウス・グートの斬新な舞台に注目してください。タイトルトールを歌うのは、古楽を得意とするリチャード・クロフト。演奏は、俊英ロビン・ティチアーティが指揮する古楽のスペシャリスト集団、エイジ・オブ・インライトゥメント管弦楽団です。</video:description>
<video:duration>8305</video:duration>
<video:publication_date>2025-07-22T10:19:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:16:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GD8</loc>
<video:video>
<video:title>ガランチャ出演、ヴァルチュハ指揮による《ドン・カルロ》</video:title>
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<video:description>ナポリの名門、サン・カルロ劇場で上演されたヴェルディ中期の傑作オペラ《ドン・カルロ》（イタリア語、5幕版）をお届けします。近年、ドラマティックな役柄でスター・メゾの貫禄を見せるガランチャ（エボリ公女役）を筆頭に、テノールのポレンザーニ（カルロ役）にソプラノのペレス（エリザベッタ役）、バリトンのテジエ（ロドリーゴ）と、声にも容姿にも恵まれた人気歌手が集結。加えてフィリッポ2世役のペルトゥージを始め、宗教裁判長や修道士などドラマの鍵を握る充実のバス陣も圧巻です。2006～2009年にザルツブルク音楽祭でのダ・ポンテ三部作でその地位を揺るぎないものとした、ドイツが誇る演出家グートが手掛ける演出にもご期待ください。</video:description>
<video:duration>13190</video:duration>
<video:publication_date>2023-10-20T13:42:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:15:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CDG</loc>
<video:video>
<video:title>カストルフのリング・チクルス《ジークフリート》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/501cdcccc21ae33e37097a94e2bd717027055326.jpg</video:thumbnail_loc>
<video:description>カストルフのリング・チクルスでは、若き英雄ジークフリートと養父ミーメの平和的なやり取りが、特異な環境の中で描かれています。背景のラシュモア山にはマルクス、レーニン、スターリン、毛沢東の４人の首が描かれ、第2幕の神話的自然や森の世界はベルリンのアレクサンダー広場に、ノートゥングの剣はマシンガンに置き換えられています。この演出には賛否両論があったものの、歌手の演奏は多くの賛辞を得ました。</video:description>
<video:duration>14173</video:duration>
<video:publication_date>2022-11-24T16:44:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T15:06:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38CO</loc>
<video:video>
<video:title>ゼッフィレッリ演出の《カヴァレリア・ルスティカーナ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dbd0158d2fa4ab0d78460724a675614d56f311f5.jpg</video:thumbnail_loc>
<video:description>イタリアの偉大な舞台・映画監督フランコ・ゼッフィレッリが、プラシド・ドミンゴを主演、ジョルジュ・プレートルを指揮に、そしてスカラ座管弦楽団・合唱団を迎えて制作した《カヴァレリア・ルスティカーナ》をご覧いただけます。非常に称賛されたこの映像作品はシチリア島で撮影されており、愛や名誉、正義に暴力に満ちた不朽の物語の迫力と雰囲気を圧倒的なスケールで描き出しています。歌手陣の卓越した歌唱と演技にもご注目ください。</video:description>
<video:duration>4173</video:duration>
<video:publication_date>2025-01-29T16:41:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:56:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38DG</loc>
<video:video>
<video:title>レオンカヴァッロ : 歌劇《道化師》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3ee94dca1d21e20d087ebaf2531b9de548229d29.jpg</video:thumbnail_loc>
<video:description>ルッジェーロ・レオンカヴァッロのオペラ《道化師》は、リアリズム・オペラである「ヴェリズモ」の最も優れた例の一つとして賞賛され、人気を集めています。この作品は次の実話に基づいています。レオンカヴァッロの父親は裁判官で、ある俳優の裁判を取り仕切ったことがあるのですが、その俳優が嫉妬のあまり、公演の直後に妻を殺害したというものです。本映像では主演を「3大テノール」のひとり、プラシド・ドミンゴが務め、演出は偉大な舞台・映画監督、フランコ・ゼッフィレッリによるもので、エミー賞を受賞しています。</video:description>
<video:duration>4268</video:duration>
<video:publication_date>2025-02-07T12:29:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:55:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6DG</loc>
<video:video>
<video:title>ゼフィレッリ演出の「イル・トロヴァトーレ」にネトレプコ、エイヴァゾフが出演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1867b489749da772252d25c4e3a0b44ea51b6e9.jpg</video:thumbnail_loc>
<video:description>ヴェルディの傑作オペラ「イル・トロヴァトーレ」を、圧倒的カリスマ性と演技力、美声にを誇るプリマ、アンナ・ネトレプコと輝かしい声を持つドラマティック・テノール、ユシフ・エイヴァゾフの夫婦共演でお楽しみ頂けます。演出は名匠フランコ・ゼフィレッリによるもので、巨大な鎧をまとった騎士たち、光り輝く大聖堂に変わる要塞、巨大な聖歌隊、馬など、圧倒的な舞台が歌手たちの歌唱を絢爛豪華に彩ります。なお、本プロダクションは、ネトレプコにとってのアレーナ・ディ・ヴェローナのデビュー作でもあります。</video:description>
<video:duration>9399</video:duration>
<video:publication_date>2024-01-09T16:32:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:54:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJECO</loc>
<video:video>
<video:title>ゼフィレッリ、カラヤン、フレーニによる伝説的な《ラ・ボエーム》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35f41beba119a5be7ca1f475f936408c0b4af7ba.jpg</video:thumbnail_loc>
<video:description>本映像は、プッチーニのオペラ《ラ・ボエーム》の公演を収めたものではなく、映像作品として作り上げたものです。1963年に上演され、圧倒的支持を得たスカラ座の《ラ・ボエーム》で演出を務めたゼフィレッリ、指揮のカラヤン、ヒロインのミミを演じたフレーニを再び配し、“伝説”ともいえる組み合わせが再び実現しています。時代背景や登場人物たちの心情を見事に描き出す演出のもと、色彩豊かな音楽が紡ぎあげられ、最高の状態の声による歌唱が繰り広げられているのです。多くの歌手がいまなお憧れるものが詰まった映像をお楽しみください。</video:description>
<video:duration>6273</video:duration>
<video:publication_date>2023-05-12T14:28:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:54:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GDG</loc>
<video:video>
<video:title>エリーナ・ガランチャが《カルメン》を歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0ff211ce6272e0eb765fe6f7d1844a6734363c8e.jpg</video:thumbnail_loc>
<video:description>2022 年のアレーナ・ディ・ヴェローナ・オペラ・フェスティバルから、エリーナ・ガランチャが主役を務めた《カルメン》をお届けします。メゾ・ソプラノのレパートリーの中で最も重要な役の 1 つである魅惑的なジプシーを、彼女は妖艶に、そして完璧なテクニックで歌い上げます。特有の知性、激しい声はまさにこの役にぴったりです。無邪気で愛情深いミカエラ役のマリア・テレサ・レヴァ、そして危険なカリスマ闘牛士エスカミーリョ役にクラウディオ・スグーラが配薬されているのにも注目です。</video:description>
<video:duration>10402</video:duration>
<video:publication_date>2023-10-20T15:16:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-10-17T14:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJID0</loc>
<video:video>
<video:title>古楽のオーソリティ、ウィリアム・クリスティが指揮するヘンデル :《ジュリオ・チェーザレ (ジュリアス・シーザー) 》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/917cbfeacef628146d74cafa4fa19d592dede151.jpg</video:thumbnail_loc>
<video:description>グラインドボーン音楽祭で上演されたヘンデルの傑作《ジュリオ・チェーザレ (ジュリアス・シーザー) 》の映像です。ダニエル・ドゥ・ニース (クレオパトラ) 、サラ・コノリー (シーザー) 、そしてアンゲリカ・キルヒシュラーガー (セスト) ら卓越した歌唱力を誇るキャストが出演しています。古楽のオーソリティ、ウィリアム・クリスティの指揮と、エイジ・オブ・インライトゥメント管弦楽団による時代様式に合った鮮やかな演奏、そしてイギリスを代表する演出家、ディヴィッド・マクヴィカーによる美しい舞台も見どころです。</video:description>
<video:duration>13657</video:duration>
<video:publication_date>2025-06-19T12:53:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:41:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJIDG</loc>
<video:video>
<video:title>アイヴァー・ボルトンが指揮するワーグナー :《恋愛禁制》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a74e3625cbb6a9e98be126ac690e685933b2a0db.jpg</video:thumbnail_loc>
<video:description>ワーグナーがマグデブルクで活動していた1834年に作曲された歌劇《恋愛禁制》は、ほとんど上演されていない彼の初期 (2作目！) のオペラです。シェークスピアの「尺には尺を」を原作とし、ワーグナーのオペラのなかでは珍しいイタリア・オペラ的な作品で、副題として「パレルモの修道女」とつけられています。指揮は、古楽にも精通していることで知られるアイヴァー・ボルトン。そして、カスパー・ホルテンのモダンな演出も見どころです。</video:description>
<video:duration>9619</video:duration>
<video:publication_date>2025-06-20T08:01:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:40:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJGD8</loc>
<video:video>
<video:title>ロビン・ティチアーティが指揮するモーツァルト :《後宮からの誘拐》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/40b8acad6891038a7d480af56e3c7751b594c022.jpg</video:thumbnail_loc>
<video:description>イギリスを代表するオペラ・フェスティバル、グラインドボーン音楽祭で2015年に上演された映像です。歌劇《後宮からの誘拐》(1782年作曲・初演) は、トルコを舞台としたモーツァルトの楽しいジングシュピール。イギリスの名演出家ディヴィッド・マクヴィガーと、古楽を専門とするエイジ・オブ・インライトゥメント管弦楽団、そして粒ぞろいの歌手陣を、同音楽祭の音楽監督で気鋭の指揮者ロビン・ティチアーティがリードしています。</video:description>
<video:duration>9966</video:duration>
<video:publication_date>2025-06-12T13:45:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:40:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1G</loc>
<video:video>
<video:title>ダン・エッティンガーが指揮するグノー :《ファウスト》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/03b206a00069eaf9e90ca94863d8b1e2e5521656.jpg</video:thumbnail_loc>
<video:description>グノーの代表作、歌劇《ファウスト》は、ゲーテの同名の戯曲を原作としています。イギリスの名演出家ディヴィッド・マクヴィガーは、その物語の舞台を第二次帝政時代のパリに設定しました。アメリカのマイケル・ファビアーノやウルグアイ出身の人気バス・バリトンのアーウィン・シュロット、ウィーン国立歌劇場でも活躍するロシアのイリーナ・ルングなど、強力な歌手陣が出演。指揮は、東京フィルハーモニー交響楽団でおなじみの、ダン・エッティンガーです。</video:description>
<video:duration>10728</video:duration>
<video:publication_date>2025-06-25T08:16:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:38:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJAD8</loc>
<video:video>
<video:title>コルンドルトの歌劇《ヘリアーネの奇跡》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c079e66f3ecd135a952a1fda2e7fe7901a3fba6b.jpg</video:thumbnail_loc>
<video:description>コルンゴルトのオペラと言えば、《死の都》（1920年) ですが、ここで紹介する彼のオペラは、1927年作曲の《ヘリアーネの奇跡》。その年のうちに初演されましたが、ナチスによってユダヤ人作曲家の作品が禁止され、いつしか忘れ去られてしまいました。2010年代になって復活し、コルンゴルト最高の傑作と称されています。この映像は、2018年のベルリン・ドイツ・オペラによる制作。指揮のマルク・アルブレヒトは、オランダ国立オペラで首席指揮者を務めたほか、新国立劇場にも招かれています。</video:description>
<video:duration>10053</video:duration>
<video:publication_date>2025-05-20T07:40:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:30:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJED0</loc>
<video:video>
<video:title>リッツィ指揮、ヤクビャク＆テテルマン出演、歌劇《フランチェスカ・ダ・リミニ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6b641f9873b795e658f812dc0a942b4761ab6b01.jpg</video:thumbnail_loc>
<video:description>13世紀のラヴェンナを舞台にした、ポレンタ家のフランチェスカとマラテスタ家のパオロの悲恋物語は、ダンテの書いた『神曲』地獄編を筆頭に、数々な文学や音楽、美術作品の題材となっています。なかでもダンヌンツィオの戯曲『フランチェスカ・ダ・リミニ』 (1901年) を原作とし、音楽出版社リコルディの2代目オーナーで文筆家のティト・リコルディが台本を執筆したものに、オーストリア＝ハンガリー帝国生まれのザンドナーイが作曲し1914年にトリノで初演されたオペラが有名です。このプロダクションでは、イタリア・オペラを中心に活躍するリッツィによる重厚な響きが、一人の魅力的な女性を巡る兄弟たちの血みどろの争いをドラマティックに描き出します。人気ソプラノのヤクビアクと新星テノールのテテルマン以下、充実のキャスト陣も期待を裏切りません。</video:description>
<video:duration>8389</video:duration>
<video:publication_date>2024-03-19T15:37:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:29:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPP</loc>
<video:video>
<video:title>マルク・アルブレヒトが蘇らせたシュレーカー :《宝を探す男》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/51d4584c13c5cc583993aff66a84b368b72b77c5.jpg</video:thumbnail_loc>
<video:description>フランツ・シュレーカーは、ユダヤ系作曲家。そのため、彼の作品はナチによって退廃芸術の烙印が押され、忘れ去られていました。しかし近年、《はるかなる響き》や《烙印を押された人々》など彼が作曲したオペラは蘇演され、再評価されつつあります。オペラ《宝を探す男》もそのような作品。ドイツの名指揮者マルク・アルブレヒトは、埋もれた作品に取り組み、このオペラを2012年に録音しました。クリストフ・ロイの演出も見ものです。</video:description>
<video:duration>9915</video:duration>
<video:publication_date>2025-08-12T15:09:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:28:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1G</loc>
<video:video>
<video:title>《叙情交響曲》や《人魚姫》で知られる作曲家ツェムリンスキーの《こびと》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dcb581e814ce3089ad24508cda2a0f2c87a151a7.jpeg</video:thumbnail_loc>
<video:description>《こびと》は、《叙情交響曲》や《人魚姫》で知られるウィーンの作曲家、ツェムリンスキーの代表的なオペラで、1922年に初演されました。原作は、オスカー・ワイルドの童話。みにくいこびとの物語で、「王女の誕生日」とも呼ばれています。トビアス・クラッツァー演出の舞台は斬新です。王女ドンナ・クラーラ役をエレーナ・ツァラゴワ、そしてテノールのデイヴィッド・バット・フィリップがこびと役を演じます。音楽をリードする名匠ドナルド・ラニクルズの指揮もお楽しみください。</video:description>
<video:duration>5707</video:duration>
<video:publication_date>2025-09-02T11:43:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:23:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9G</loc>
<video:video>
<video:title>作曲家自身の夫婦生活を素材としたR.シュトラウスの歌劇《インテルメッツォ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dcdee386c22f88f44db4b4f1804b8d0068ed7307.jpg</video:thumbnail_loc>
<video:description>1924年に初演された《インテルメッツォ》は、R.シュトラウスが自身の夫婦生活をもとに台本も手掛けたオペラです。全曲上演の機会は決して多くはありませんが、交響的間奏曲は単独でしばしば演奏会で取り上げられています。この物語の主人公、指揮者ローベルト・シュトルヒ役をフィリップ・イェーカル、その妻をマリア・ベングトソンが務めます。名匠ドナルド・ラニクルズの指揮＆トビアス・クラッツァーの演出による充実の舞台をお楽しみください。</video:description>
<video:duration>9487</video:duration>
<video:publication_date>2025-08-21T08:49:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T14:05:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1L</loc>
<video:video>
<video:title>ロバート・カーセン演出によるブレゲンツ音楽祭でのヴェルディ :《イル・トロヴァトーレ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bc58ed55f44a4f0bcbce14e299224f0c24c2d555.jpeg</video:thumbnail_loc>
<video:description>このヴェルディの名作《イル・トロヴァトーレ》は、野外の湖上ステージで有名なブレゲンツ音楽祭で上演されました。世界的な名演出家ロバート・カーセンによるこの舞台は、野外ステージならではのコンビナートを思わせる大規模なセットに炎や煙など、見どころ満載。指揮はウィーン出身のトーマス・レスナー。マンリーコ役をアメリカ出身のカール・タナー、そしてレオノーラ役をジョージア生まれのイアノ・タマールが務めています。</video:description>
<video:duration>8283</video:duration>
<video:publication_date>2025-08-19T10:23:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T13:51:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJGDG</loc>
<video:video>
<video:title>ロバート・カーセン演出のモーツァルト :《イドメネオ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/98012ad730c65893ea2e5e6f03a6eda1739d64fa.jpg</video:thumbnail_loc>
<video:description>マドリード王立劇場の音楽監督を務めるアイヴァー・ボルトンが、モーツァルトの代表的なオペラ・セリアである《イドメネオ》を指揮した2019年の舞台です。現代を代表するカナダ出身の演出家ロバート・カーセンは、時代設定を古代トロイア戦争から現在の難民キャンプに移し換えています。その演出は、オペラファンの間で話題になりました。モーツァルトを得意とするボルトンの美しい指揮と、粒ぞろいのキャストによる充実のプロダクション。</video:description>
<video:duration>10196</video:duration>
<video:publication_date>2025-06-16T15:13:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T13:49:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32DG</loc>
<video:video>
<video:title>ロバート・カーセンによる注目演出が光るヘンデルのオペラ《アリオダンテ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/60c6527ae11a0e8afe37cc3bd6083fa99fa8abc2.jpg</video:thumbnail_loc>
<video:description>エミリー・ダンジェロがタイトルロールを演じるヘンデルのオペラ《アリオダンテ》。魅力的な旋律が多く、ドラマ性もあるため人気のある作品です。今回は絢爛豪華なガルニエ宮でロバート・カーセンの新演出によって上演されたものを収めました。1735年にロンドンで初演されたこのオペラは、アリオダンテと婚約者のジネーヴラ、そして彼らを引き裂こうと冷酷な策略をめぐらす裏切り者ポリネッソの物語が描かれています。ヘンデルの音楽のスペシャリストであるハリー・ビケットが指揮するイングリッシュ・コンサートの演奏にも注目です。</video:description>
<video:duration>11882</video:duration>
<video:publication_date>2023-10-26T14:29:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T13:48:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHI</loc>
<video:video>
<video:title>バレンボイムが指揮するリムスキー=コルサコフ :《皇帝の花嫁》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/04a88f299a189f322170b50b025d1a0355cb7ddf.jpg</video:thumbnail_loc>
<video:description>リムスキー=コルサコフの《皇帝の花嫁》では、歴史的な出来事に基づいたストーリーが繰り広げられます。新たな妻を探していたイワン4世は、マルファに一目ぼれ。彼女には恋人がいたものの、皇帝との結婚を選びます。ところが結婚直後、マルファは不帰の客となり…。1899年に初演されたこの皇帝時代の悲劇を、今日のテレビ局に舞台を置き換えたロシア出身の鬼才チェルニャコフの演出は見どころのひとつ。もちろん、巨匠バレンボイム＆ベルリン国立歌劇場の演奏も、期待を裏切りません。</video:description>
<video:duration>9113</video:duration>
<video:publication_date>2025-07-07T13:21:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T13:03:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJIE0</loc>
<video:video>
<video:title>キリル・ペトレンコが指揮するベルク :《ルル》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4fe88648d158706177300535650671a967d49334.jpg</video:thumbnail_loc>
<video:description>この映像は、キリル・ペトレンコがバイエルン国立歌劇場の音楽総監督を務めていた時代のプロダクションで、チェルハによる補筆完成版 (3幕版) が使用されています。ルルを演じたのは、この役を十八番としているソプラノのペーターゼン。ペトレンコからの信頼も厚く、2019～20年にはベルリン・フィルのアーティスト・イン・レジデンスを務めました。この上演でも、彼女は魔性の女ルルを見事に演じています。鬼才チェルニャコフのモダンな演出も見どころです。</video:description>
<video:duration>10710</video:duration>
<video:publication_date>2025-06-20T11:44:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T13:01:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJC</loc>
<video:video>
<video:title>リーニフ指揮、チェルニアコフ演出によるワーグナー《さまよえるオランダ人》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fa817356ce46c80bf786f7b059b1eab3138d13d3.jpg</video:thumbnail_loc>
<video:description>本映像は2021年のバイロイト音楽祭で上演されたワーグナーの《さまよえるオランダ人》で、３つの“デビュー”と感動をご覧いただくことができます。１つはザルツブルク音楽祭の《サロメ》でセンセーショナルな成功を収めたソプラノ歌手、アスミック・グリゴリアンが、説得力のある表現、力強い歌声でヒロインのゼンタを演じていること。２つめは演出家ドミトリー・チェルニアコフによる新たな演出。そして、ウクライナ出身のオクサーナ・リーニフが、長い歴史の中で初の女性指揮者として「緑の丘」に登場し、絶賛されたことです。</video:description>
<video:duration>8876</video:duration>
<video:publication_date>2022-04-25T09:49:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">HU</video:restriction>
</video:video>
<lastmod>2025-10-17T12:52:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHK</loc>
<video:video>
<video:title>歌劇場の内側をコミカルに描くドニゼッティの歌劇《劇場の都合・不都合》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8990927e968aedfc5123613fb3f6602414744c77.jpeg</video:thumbnail_loc>
<video:description>ドニゼッティは膨大な数のオペラを書き上げました。1831年に初演された《劇場の都合・不都合》は彼の中期の傑作で、劇場の内輪ネタをコミカルに描いたオペラ。ロラン・ペリーの演出は、幻想的な舞台を作り上げています。指揮は、ヨーロッパの一流歌劇場に出演する気鋭のマエストロ、ロレンツォ・ヴィオッティ。彼のタクトは、ドニゼッティの機知をたっぷりと味わわせてくれるでしょう。名バス・バリトンのローラン・ナウリが女装してステージ・ママを、そしてパトリツィア・チョーフィはわがままなプリマ・ドンナを怪演！</video:description>
<video:duration>6840</video:duration>
<video:publication_date>2025-10-08T14:54:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:48:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1K</loc>
<video:video>
<video:title>現代イタリアを代表する指揮者ルスティオーニによるヴェルディ :《ファルスタッフ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f44f2de105eb18c664228d22c3c4bf20133915c9.jpeg</video:thumbnail_loc>
<video:description>この公演を指揮しているのは、現代イタリアを代表するオペラ指揮者、ダニエレ・ルスティオーニ。彼は現在、リヨン国立歌劇場の音楽監督で、2025 / 2026シーズンからメトロポリタン・オペラの首席客演指揮者を兼務します。また、フランス出身の世界的演出家、ロラン・ペリーの美しい舞台も期待を裏切りません。2021年に日本でも二期会が上演した幻想的で美しいプロダクションです。主役は、イタリアの名バリトン、ロベルト・デ・カンディア。人気のメゾソプラノ、ダニエラ・バルチェッローナのクイックリー夫人にも注目です。</video:description>
<video:duration>7699</video:duration>
<video:publication_date>2025-08-19T08:44:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:47:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3IC8</loc>
<video:video>
<video:title>アバドが紡ぎ出す、煌びやかで格調高い《セビリアの理髪師》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/942d25ee7cf0acd6203a5b6b62a00e485c2d0837.jpg</video:thumbnail_loc>
<video:description>楽曲の深い読み込みによる知的な解釈を行う一方、楽団員の音楽性から生まれるものを尊重し、生き生きとした音楽を紡ぎ出す指揮者であったクラウディオ・アバド。緻密な音楽づくりを得意としながらも決して小さくまとまらず、輝かしい魅力を放っていました。そんな彼の音楽性が見事に発揮されているのがこの「セビリアの理髪師」です。プライやベルガンザといった存在感の大きい歌手たちの声を見事に調和させ、コミカルな作品の世界観を描き出しています。</video:description>
<video:duration>8469</video:duration>
<video:publication_date>2023-10-25T14:53:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:42:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3EE8</loc>
<video:video>
<video:title>プライにフィッシャー＝ディースカウらが集う《フィガロの結婚》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/37fe394bb40c4f9096fb7a403273a05993910350.jpg</video:thumbnail_loc>
<video:description>タイトルロールにヘルマン・プライ、アルマヴィーヴァ伯爵にディートリヒ・フィッシャー＝ディースカウ、そしてスザンナにミレッラ・フレーニ、伯爵夫人にキリ・テ・カナワ…と名歌手が一堂に会した伝説的な《フィガロの結婚》の映像です。巨匠カール・ベームが牽引する優美なモーツァルトの音楽と、歌手たちの圧倒的な歌唱、そして細やかな演技が揃い、改めてオペラの“黄金時代”というものに想いを馳せずにはいられなくなることでしょう。</video:description>
<video:duration>10992</video:duration>
<video:publication_date>2023-10-12T13:30:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:41:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2E8</loc>
<video:video>
<video:title>アーノンクールが指揮する「ポッペアの戴冠」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c31dae4d131cd5964d7660887b63543b4f2208a2.jpg</video:thumbnail_loc>
<video:description>オペラという芸術を確立させた存在であるクラウディオ・モンテヴェルディ。音楽史において非常に重要な人物であり、遺した作品も間違いなく傑作ですが、演奏機会に恵まれているとは言い難いです。そんなモンテヴェルディの代表作の一つ「ポッペアの戴冠」を、本映像ではニコラウス・アーノンクールの指揮をはじめ、最高の布陣でお楽しみいただくことができます。スコアや楽器の選択など細部にまでこだわったもので、歌手にオーケストラ奏者たちも非常に高い技量をもつアーティストが集っています。</video:description>
<video:duration>9798</video:duration>
<video:publication_date>2023-11-22T14:43:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJEDG</loc>
<video:video>
<video:title>アーノンクールが指揮するモンテヴェルディの《ウリッセの帰還》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/be50dbb60fc2d4a3d1f5fce9c9424501946af676.jpg</video:thumbnail_loc>
<video:description>最初期のオペラ作曲家であるクラウディオ・モンテヴェルディ。彼の代表作のひとつである《ウリッセの帰還》は、古代ギリシャの伝説的詩人ホメロスによる叙事詩『オデュッセイア』をベースに、トロイア戦争の英雄ウリッセ (オデュッセウス) が貞節な妻、ペネーロペの元へと帰還する物語です。本映像でご覧いただけるのは、アーノンクールによる指揮、ポネルによる演出という黄金タッグがチューリヒ歌劇場において1970年代後半に上演したものです。現在でも語り継がれる伝説的公演をお楽しみください。</video:description>
<video:duration>9276</video:duration>
<video:publication_date>2024-11-11T14:12:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:38:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJEDO</loc>
<video:video>
<video:title>レヴァインの指揮、ポネルの演出によるモーツァルト《皇帝ティートの慈悲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0ec0e70b6ab1d487476be07365bdf17ace9d57e5.jpg</video:thumbnail_loc>
<video:description>フランスの演出家、ジャン＝ピエール・ポネルは、オペラ演出における重要人物のひとりとして、数多くの名作を生み出しました。本映像では、モーツァルトの《皇帝ティートの慈悲》をご覧いただけますが、このプロダクションは現在でも同作が世界中の歌劇場の重要な演目となるきっかけになったといえるものです。スケールの大きな演出に、ジェイムズ・レヴァインの繊細かつドラマティックな音楽づくり、セストを演じるタティアーナ・トロヤノスをはじめとする歌手陣の表現力豊かな歌唱と演技が結びつき、最高のプロダクションが作り出されています。</video:description>
<video:duration>8320</video:duration>
<video:publication_date>2024-11-11T14:24:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:37:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ICG</loc>
<video:video>
<video:title>アバドが指揮するロッシーニの「チェネレントラ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6be5a0f0b3356d61ba194bb4c6f8861ea11b8a41.jpg</video:thumbnail_loc>
<video:description>本映像では、ロッシーニの傑作オペラ「チェネレントラ」の名演の中でも間違いなく最高のものの一つをお楽しみいただくことができます。ヒロインのアンジェリーナを演じるのは美貌のメゾ・ソプラノ、フレデリカ・フォン・シュターデ。ポネルのウィットに富みつつ美を追求した演出によって映像作品として圧倒的な完成度を誇るものに仕上がっています。アバドが率いるスカラ座管弦楽団の演奏も輝かしい音色が美しく、作品の質を高めています。主役はもちろん、脇を固めるのが演技派の歌手ばかりで、最後まで引き込まれてしまうでしょう。</video:description>
<video:duration>9206</video:duration>
<video:publication_date>2023-10-25T15:27:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:37:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GE0</loc>
<video:video>
<video:title>パヴァロッティにグルべローヴァらレジェンド歌手たちが歌う《リゴレット》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/164ef4286c66c22bf148c34303fdaeae84fd676a.jpg</video:thumbnail_loc>
<video:description>クラウディオ・アバドに師事し、現在も世界を代表する指揮者として強い存在感を放つリッカルド・シャイー。ベルリン放送交響楽団首席指揮者やボローニャ市立劇場の音楽監督などを歴任し、とりわけオペラでの華麗なタクトが印象深い彼が、パヴァロッティやグルベローヴァといった名歌手たちと共に作り上げた「リゴレット」の映画版です。圧倒的な歌唱と表現力を持つスターたちが見事に調和しているのはシャイーの導きがあってこそ。伝説的名演をぜひお楽しみください。</video:description>
<video:duration>7066</video:duration>
<video:publication_date>2023-10-24T11:06:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:36:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30CO</loc>
<video:video>
<video:title>ムターとウィリアムズが2人で語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/056c0d87a60cc65dfee335666102a316fda73068.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>666</video:duration>
<video:publication_date>2023-12-21T14:27:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T12:27:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPM</loc>
<video:video>
<video:title>ボー・スコウフスが主役を演じる、ヤナーチェク《死者の家から》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e8c7bffbab63a2f12fe8b6fdb2364a78a412b2f.jpeg</video:thumbnail_loc>
<video:description>《死者の家から》は、ヤナーチェク最後のオペラ。ドストエフスキーの小説をもとに描かれたこの物語の舞台は、政治犯ゴリャンチコフが収容されたシベリアの監獄。カストルフ演出による、抑圧的社会を連想させる独特の世界観や強烈なビジュアルは、観客に衝撃を与えました。推進力の強いヤングのタクトは、作曲家の描いた狂気、復讐、そして希望を見事にまとめ上げています。シシュコフ役の人気バリトン、スコウフスや名手ぞろいのマーラー・チェンバー・オーケストラ、高精度のアルノルト・シェーンベルク合唱団の演奏も盤石です。</video:description>
<video:duration>5801</video:duration>
<video:publication_date>2025-10-15T12:32:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T10:23:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPK</loc>
<video:video>
<video:title>ラッファエーレ・ペーが主役を歌う、ヘンデル《リナルド》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/55592cbd771c872756c1005f868382cd97bce4d6.jpeg</video:thumbnail_loc>
<video:description>《リナルド》はヘンデルのロンドンデビューを飾ったオペラで、1711年の初演は大成功を収めました。舞台は、十字軍時代のエルサレム付近。イスラム教徒のアルガン王に囚われたアルミレーナは、アリア「私を泣かせてください」を歌います。アルミレーナ役のフランチェスカ・アスプロモンテの透明感あふれる美声、そしてリナルド役のカウンターテナー、ラッファエーレ・ペーの歌唱にもご注目ください。歌手陣の豊かな表現力と、フェデリコ・マリア・サルデッリの精緻な古楽的アプローチによる音楽は、高く評価されました。</video:description>
<video:duration>7877</video:duration>
<video:publication_date>2025-10-15T11:55:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:41:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHI</loc>
<video:video>
<video:title>名匠マッツォーラが指揮するドニゼッティ《ポリウート》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a2e55ee125844e9d456f00f22ecb64f1a29fb6a2.jpeg</video:thumbnail_loc>
<video:description>この悲劇的なオペラの舞台は、古代アルメニア。貴族ポリウートとその妻パオリーナ、ローマ総督セヴェーロとの三角関係や、宗教、政治をめぐる物語です。宗教を扱ったテーマを疑問視した当時の検閲は、このオペラの上演を禁止。台本をフランス語に改め、タイトルを《殉職者》として1840年にパリで初演されます。《ポリウート》としての初演はその8年後に行われました。クレマンの演出は、宗教や政治的抑圧を現代的に表現。マッツォーラの起伏に富んだ指揮、そして声楽陣とロンドン・フィルの情熱的な演奏は、高く評価されています。</video:description>
<video:duration>6995</video:duration>
<video:publication_date>2025-10-08T11:23:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:38:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9L</loc>
<video:video>
<video:title>ドゥストラックがラズリを演じるシャブリエ《エトワール》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e99530f5babcb0584789178543cf5f1e7463865.jpeg</video:thumbnail_loc>
<video:description>1877年に初演された《エトワール (星) 》は、シャブリエ (1841～94) が作曲したオッフェンバック風の喜劇的オペラです。この軽快な舞台では、機知やユーモアに富んだロラン・ペリーの演出と、パトリック・フルニリエが指揮する美しい音楽が絶妙に融合。また、ラズリ役のステファニー・ドゥストラックや、ウーフⅠ世役のクリストフ・モルターニュによるバランス感覚に優れた演唱などが、高く評価されたプロダクションです。「くしゃみのアリア」など、ユーモラスな歌も聴きどころとなっています。</video:description>
<video:duration>6899</video:duration>
<video:publication_date>2025-10-02T12:13:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:34:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPO</loc>
<video:video>
<video:title>早熟の天才コルンゴルトが18歳で完成させたオペラ《ヴィオランタ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ad88eb72287fcfa0f3433daf5a20aa04a468c455.jpeg</video:thumbnail_loc>
<video:description>早熟の天才コルンゴルトが18歳で完成させたオペラ《ヴィオランタ》は、大指揮者ブルーノ・ワルターによって1916年に初演されました。物語の舞台は、15世紀ヴェネツィア。妹を誘惑したアルフォンソを殺害しようとするヴィオランタは、彼に心を奪われてしまいます。憎悪、復讐、愛が絡み合うヴィオランタ役のアンネマリー・クレーマーのパッションあふれる演唱は聴きものです。ミヒャエル・クプファー=ラデツキーの威厳に満ちたシモーネ、そして、名匠ピンカス・スタインバーグのタクトが織りなす豊かなハーモニーは、舞台に深い陰影を与えます。</video:description>
<video:duration>5310</video:duration>
<video:publication_date>2025-10-16T07:50:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPN</loc>
<video:video>
<video:title>バロック期のローマ楽派を代表するランディの《オルフェオの死》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d72ed39408c3cdad919895f947c15c559f7e94bd.jpeg</video:thumbnail_loc>
<video:description>バロック期のローマ楽派を代表するステファノ・ランディ (1589～1639) によるこのオペラは、ギリシャ神話を題材としたモンテヴェルディ《オルフェオ》の続編的な内容で、オルフェオの死を描いています。オルフェオの心の葛藤や神話の深層を、ピエール・アウディがドラマティックに演出。古楽のオーソリティとして知られるクリストフ・ルセ＆レ・タラン・リリクが織りなす美しいポリフォニーや、オルフェオ役のフアン・フランシスコ・ガテルの鬼気迫る演唱が聴きどころです。</video:description>
<video:duration>6685</video:duration>
<video:publication_date>2025-10-15T13:09:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPL</loc>
<video:video>
<video:title>プラシド・ドミンゴが出演！ヘンデル《タメルラーノ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/676fc7b394acd4f52718dc1efc2941d7d161552d.jpg</video:thumbnail_loc>
<video:description>1724年作曲の《タメルラーノ》は、ヘンデル全盛期のオペラ。この作品で、プラシド・ドミンゴは、タタールの皇帝タメルラーノに捕らえられたオスマン帝国のスルタン、バヤゼットを堂々と演じます。その圧倒的な歌唱は聴きものです。愛や復讐、陰謀が絡み合う物語のクライマックスは、バヤゼットの自死のシーンと言えるでしょう。古楽のスペシャリスト、ポール・マクリーシュによるオーセンティックな演奏とともに、イスラム風の衣装や豪華な舞台など、視覚的にも存分に楽しめます。ヘンデルファン必見必聴の映像です。</video:description>
<video:duration>13088</video:duration>
<video:publication_date>2025-10-15T12:14:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:22:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPJ</loc>
<video:video>
<video:title>グノー生誕200周年を記念して復活上演された《血まみれの修道女》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e0baad8d3d7124d93802e529ac5748239198e94e.jpeg</video:thumbnail_loc>
<video:description>グノー生誕200周年を記念した、パリのオペラ・コミック座での復活上演。《ファウスト》や《ロメオとジュリエット》で知られるグノーが作曲した珍しいオペラの貴重な映像です。中世ドイツの敵対する一族と両家の若者の物語で、修道女の亡霊も現われます。禁断の恋や復讐、そしてホラー的要素を織り交ぜたこのオペラで、ダヴィド・ボベはヴィジュアル的にも幻想的な舞台を作り上げました。主人公ロドルフ役を演じたマイケル・スパイアーズや、注目の女性指揮者エキルベイ＆インスラ・オーケストラの演奏は聴きものです。</video:description>
<video:duration>8351</video:duration>
<video:publication_date>2025-10-15T11:39:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:14:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPI</loc>
<video:video>
<video:title>アメリカ・オペラの傑作！バーバー《ヴァネッサ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/52efc358b4c108e1593933f67e05bcfdfc590cea.jpeg</video:thumbnail_loc>
<video:description>《ヴァネッサ》は、米国のオペラの中で最も上演される作品のひとつ。1958年に初演されたこのオペラは、ピューリッツァー賞を受賞しました。恋人アナトールを待ち続けるヴァネッサは、母と姪との3人暮らし。そこに、見た目も名前も全く同じアナトールの息子が訪れ、誘惑、葛藤、裏切りのうずまく緊迫した心理劇が繰り広げられます。鏡やプロジェクション・マッピングを使用したイギリスの名演出家ウォーナーの舞台、ロイヤル・オペラ音楽監督も務めるフルシャの情感ゆたかなタクト、そして主役ヴァネッサのベルによる説得力ある歌唱にもご注目ください。</video:description>
<video:duration>7588</video:duration>
<video:publication_date>2025-10-15T11:08:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:13:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPH</loc>
<video:video>
<video:title>作曲から1世紀以上を経て完全版で蘇演されたアルベニスの《マーリン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b728506132b410b97af08eb96c88f1cbc9145891.jpeg</video:thumbnail_loc>
<video:description>アルベニスの《マーリン》は、作曲から1世紀以上を経て、2003年に完全な形で世界初演されました。アルベニスの専門家で、この時指揮を務めたデ・エウセビオは、作品を原稿から再構築するなどしてこのオペラの舞台化を実現。歴史的にも非常に重要な映像です。伝説の王アーサーの宮廷で、彼に仕える魔術師マーリンを主人公とする物語。マーリンを誘惑する妖精ニヴィアン役を演じるのは、人気ソプラノのヴァネスです。ワーグナーを思わせるサウンドとスペイン情趣あふれるメロディ、そして色鮮やかで壮麗な舞台をお楽しみください。</video:description>
<video:duration>8889</video:duration>
<video:publication_date>2025-10-15T10:05:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-17T09:12:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3IDG</loc>
<video:video>
<video:title>ベルリオーズ :《幻想交響曲》H. 48 より第5楽章〈サバトの夜の夢〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/efb32a7ae629e04a38d74d2640fa408d7f1e6f50.jpg</video:thumbnail_loc>
<video:description>Conductor Nicolò Umberto Foron and the Deutsches Symphonie-Orchester release their album featuring Berlioz’s Symphonie fantastique and Lili Boulanger’s D’un soir triste. 
Foron comments on the repertoire: “While both composers were in their 20s when composing these pieces, they showcase a distinct maturity of form and feeling. In my interpretation, I sought to emphasize their shared intensity: Berlioz’s fever journey and hallucination, and Boulanger’s luminous, restrained contemplation of the end. This recording may therefore be heard as a dialogue across a century between two young composers grappling with what inspiration means to them personally, under very different historical and emotional circumstances.”</video:description>
<video:duration>598</video:duration>
<video:publication_date>2025-09-26T14:29:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-16T14:12:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GC0</loc>
<video:video>
<video:title>クルト・ヴァイルの最高傑作オペラ《マハゴニー市の興亡》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/70eb3a05e6f80bce57eb97a7aaf83aa5fc3e48d7.jpg</video:thumbnail_loc>
<video:description>オペラ《マハゴニー市の興亡》は《歌芝居マハゴニー》、《三文オペラ》と続く、クルト・ヴァイルとベルトルト・ブレヒトによる共同作品です。上演の機会にほとんど恵まれてきませんでしたが、最高傑作といっても過言ではありません。資本主義社会の戯画化ともいわれ、世界大恐慌という混乱の時代に書かれたこの作品は、観客をも観察者として物語に巻き込む臨場感あふれたものとなっています。もちろん映像でもそれは変わりません。ぜひ新感覚のオペラをお楽しみください。</video:description>
<video:duration>9355</video:duration>
<video:publication_date>2024-07-10T12:41:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-16T09:53:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPP</loc>
<video:video>
<video:title>ハービー・マンが名手たちと共に届ける南米ジャズの魅力</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bc85f29489dedd6ff4f23ac2ca50e1610be09379.jpeg</video:thumbnail_loc>
<video:description>アメリカのジャズ・フルート奏者であるハービー・マンは、南米の音楽の要素を取り入れたパイオニア的存在のアーティストです。本映像では、マンがマーク・コーエン (ピアノ) 、ロメロ・ルバンボ (ギター) 、ポール・ソコロウ (ベース) 、リッキー・セバスチャン (パーカッション) 、シロ・バプティスタ (パーカッション) と共演する、南米の作曲家による楽曲を中心としたライヴをお楽しみいただけます。力強いリズムと華やかな音色によって紡がれていく音楽に耳を傾けているうちに、心躍る時間を過ごすことができるでしょう。</video:description>
<video:duration>4391</video:duration>
<video:publication_date>2025-09-23T10:00:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-15T12:23:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1I</loc>
<video:video>
<video:title>ハイドンが活躍したエステルハージ宮殿に響く交響曲三部作《朝》《昼》《晩》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/05d48e44530ee231b82e2d6086b3d57c1271ac45.jpg</video:thumbnail_loc>
<video:description>ジョヴァンニ・アントニーニ率いるイル・ジャルディーノ・アルモニコの演奏をお届けします。今回披露するのは、ハイドンが1961年、エステルハージ公爵の宮廷にデビューした際に演奏したとされる、3つの初期交響曲。いずれの作品も、同地の楽団の演奏家の卓越した技量を引き出す力作となりました。《朝》を標題とした作品で始まり、活気あふれる《昼》を経て、《晩》の嵐の描写で幕を下ろします。ハイドンのスペシャリストたちが贈る、音楽の愉悦に満ちた一日を巡る旅をどうぞお楽しみください。</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2025-10-13T12:06:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">FR DE</video:restriction>
</video:video>
<lastmod>2025-10-15T09:40:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3IE8</loc>
<video:video>
<video:title>ポリーニがヴィトマンと語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f102e1c5312e1570892fe768317949d477f8ae7c.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1922</video:duration>
<video:publication_date>2025-10-13T11:02:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T16:16:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1M</loc>
<video:video>
<video:title>ゲオルギス・オソーキンス ピアノ・リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6bc471cea167674857bd78b5d42ac44a019eda1b.png</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンと専属契約を結んだことが発表され、大きな注目を集めているラトビア出身のピアニスト、ゲオルギス・オソーキンス。現代ピアノ界において、最も独創的なイマジネーションの持ち主と評されています。彼が90歳の誕生日を迎えたエストニアの国民的作曲家アルヴォ・ペルトを祝うリサイタルを披露しました。会場は、フィンランド湾にほど近い作曲家の故郷ローラスマに建てられたアルヴォ・ペルト・センター。ペルトの代表曲《フラトレス》をはじめ、バッハ、スカルラッティ、シューベルトの作品も演奏し、ペルトのインスピレーションのルーツを探ると同時に彼の業績をヨーロッパ全体の文脈の中に位置づけるプログラムとなっています。</video:description>
<video:duration>4794</video:duration>
<video:publication_date>2025-09-15T09:18:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T15:04:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9L</loc>
<video:video>
<video:title>古楽の巨匠ルネ・ヤーコプスが指揮するパーセル :《アーサー王》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e2844567b1f2f488c11f60771c0527195752be70.jpg</video:thumbnail_loc>
<video:description>ヘンリー・パーセル (1659～95) は、バロック時代のイギリス最高の作曲家です。1691年に初演されたこの作品は、アーサー王の英雄譚を題材とし、歌や管弦楽による演奏だけではなく、演劇も交えたセミ・オペラとなっています。歌手はオリジナルの英語で歌い、役者のセリフはドイツ語で話されます。スヴェン=エリック・ベヒトルフ＆ジュリアン・クラウチによる斬新な演出は、この上演の見どころ。そして、古楽のオーソリティ、ルネ・ヤーコプス＆ベルリン古楽アカデミーの演奏にもご注目ください。</video:description>
<video:duration>10221</video:duration>
<video:publication_date>2025-07-29T09:32:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T09:49:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1J</loc>
<video:video>
<video:title>バレンボイムが指揮するワーグナー :《パルジファル》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/825616ee56e57222e8da2c6a79faf7d0d5cef7f3.jpg</video:thumbnail_loc>
<video:description>現代最高のワーグナー指揮者のひとりであるバレンボイムと、世界が注目する演出家チェルニャコフが、作曲家の最後の大作で晩年に初演された《パルジファル》に挑みました。ここでは、復讐という要素が加わっています。タイトルロールを演じるシャーガーは、名実ともに時代を代表するワーグナー・テノール。クンドリ役のカンペもドイツが贈るワーグナー・ソプラノ。その他、パーペやコッホなど国際的な歌手が名を連ねています。バレンボイム&amp;ベルリン国立歌劇場管弦楽団の演奏にもご注目ください。</video:description>
<video:duration>15107</video:duration>
<video:publication_date>2025-06-25T10:28:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T09:47:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DPG</loc>
<video:video>
<video:title>アライモ＆チョーフィが歌うドニゼッティ《ドン・パスクワーレ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d0075cc6a808eeb3e59ff0abc6b6dee8f9a0ee81.jpeg</video:thumbnail_loc>
<video:description>1843年にパリで初演された《ドン・パスクワーレ》は、ドニゼッティの代表的な歌劇。金持ちの独身老人ドン・パスクワーレの結婚騒動が描かれており、洗練されたユーモアと心理描写が見どころです。演出のダニエル・スレイターは、物語の舞台を1950年代のイタリアに置き換えています。タイトルロールを歌うイタリアの人気バス、シモーネ・アライモとノリーナを演じるパトリツィア・チョーフィによる圧倒的な歌唱、そしてスイス・ロマンド管弦楽団の透明感あふれる美音は、期待を裏切りません。</video:description>
<video:duration>7612</video:duration>
<video:publication_date>2025-10-09T13:49:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T09:09:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9H</loc>
<video:video>
<video:title>ウェーバーの歌劇《オベロン》の貴重な全曲上演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7ea7b8a0e1e04487f20590008bc402e919350bc3.jpeg</video:thumbnail_loc>
<video:description>ウェーバーの作曲した《オベロン》は、序曲のみが頻繁に取り上げられ、全曲上演の機会の少ないオペラ。この舞台の映像は貴重です。「夏の夜の夢」でも知られるオベロン、ティタニア、パックら妖精の世界の物語を、ニコラウス・ハブヤンが斬新な演出で蘇らせました。アイヴァー・ボルトンの指揮と、ドイツの名門、バイエルン国立管弦楽団の演奏も聴きもの。クリストフ・プレガルディエンの息子、ユリアン・プレガルディエンがタイトルロールを、そして日本でも人気のソプラノ、アネッテ・ダッシュがレツィアを演じます。</video:description>
<video:duration>10202</video:duration>
<video:publication_date>2025-09-08T12:21:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T08:44:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GCG</loc>
<video:video>
<video:title>ズービン・メータ指揮、ペーター・コンヴィチュニー演出の「トリスタン」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df26ec4bd3476cddbf188fb21c3ad77c31302bd7.jpg</video:thumbnail_loc>
<video:description>本映像では、ズービン・メータのダイナミックで情熱的な音楽づくりと、コンヴィチュニーの演出で話題になった《トリスタンとイゾルデ》をご覧頂けます。クルト・モルにヴァルトラウト・マイヤーなど、ワーグナーのスペシャリストといえる歌手たちが勢ぞろいし、圧倒的な歌唱を聞かせてくれるのはもちろん、メータの作り出すサウンドも世界観を深く描き出しています。どうしようもなく愛しあってしまう恋人たちの心情を深く掘り下げた演出にもご注目ください。</video:description>
<video:duration>14434</video:duration>
<video:publication_date>2024-07-10T15:05:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-13T08:43:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHL</loc>
<video:video>
<video:title>パヴァロッティ : ザ・ロスト・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/330f0fa4f7046a611ed20bfd0fc53dc95faea98a.jpg</video:thumbnail_loc>
<video:description>20世紀最大のテノール歌手ルチアーノ・パヴァロッティの未公開コンサート映像が今回初めてお披露目されます。1955年、当時19歳だったパヴァロッティは、父親と共にモデナの合唱団の一員としてスランゴスレン国際音楽アイステズヴォッドに出場し、優勝を果たしました。後にこの瞬間を回想し、プロ歌手への夢を抱くきっかけとなったと語っています。それから40年後の1995年、このウェールズの村へ再び足を踏み入れたパヴァロッティ。絶頂期を迎えた彼は4,500人の観客を前にパビリオンのステージに立ち、凱旋を飾りました。公演の抜粋映像にアーカイブや現代の映像を織り交ぜながら、世界的なスーパースターのすべてが始まった場所で生まれた物語を描きます。</video:description>
<video:duration>4638</video:duration>
<video:publication_date>2025-10-12T19:25:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-12T19:27:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3IE0</loc>
<video:video>
<video:title>ショパン : 夜想曲第8番変ニ長調 op. 27-2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/57f7cd2a53e296bc32a0b945f8b967aee9d5c2f1.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>294</video:duration>
<video:publication_date>2025-10-09T14:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-10T08:43:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3IDO</loc>
<video:video>
<video:title>ショパン : スケルツォ第2番変ロ短調 op. 31</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/02c755d70442a3473124da60c6c1435738ca1e56.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>287</video:duration>
<video:publication_date>2025-10-09T13:45:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-10T08:42:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DHG</loc>
<video:video>
<video:title>オペラ史に名を残すダルベール《低地》の貴重な映像</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d7a83826819dc379908edba725d2e2b0cc72f752.jpeg</video:thumbnail_loc>
<video:description>ダルベール (1864～1932) は、フランス人を父としてスコットランドに生まれたドイツの作曲家。1903年に初演された《低地》は、ピレネー山脈の高地に住む羊飼いペドロとカタロニアの低地の地主セバスティアノがマルタをめぐって争う、ドラマティックなオペラで、女性の愛と苦悩が描かれています。マルタ役を演じるカラ・シェイ・トムソンの劇的な歌唱は聴きものです。このオペラを上演したアメリカ・フロリダ州のサラソタ歌劇場は、1926年にオープンし、一世紀近い歴史を持っています。</video:description>
<video:duration>8590</video:duration>
<video:publication_date>2025-10-08T08:54:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:41:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9P</loc>
<video:video>
<video:title>初演地グラインドボーン音楽祭でのブリテン《ルクレツィアの陵辱》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/900c7412a26434c78e4cee58e41ebd95b4836de2.jpeg</video:thumbnail_loc>
<video:description>ブリテン作曲《ルクレツィアの陵辱》は、グラインドボーン音楽祭で1946年に世界初演されました。この映像は、2015年に初演地で同作品を上演した時のもの。演出のフィオナ・ショウは、古代ローマの物語を現代に置き換えています。8人の歌手と小規模なオーケストラ編成による室内楽的なオペラで、人間の深い心理に迫るキャストによる豊かな演技力と、親密かつ精細な音楽のアンサンブルが話題となりました。ルクレツィアの悲劇を見事に演じたクリスティーネ・ライスにご注目ください。</video:description>
<video:duration>6847</video:duration>
<video:publication_date>2025-10-08T07:48:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-10-09T15:41:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9K</loc>
<video:video>
<video:title>ブリテンの名作《ビリー・バッド》の価値ある映像</video:title>
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<video:description>登場人物が男性ばかりという、ブリテンによる異色のオペラ。物語の舞台は、18世紀イギリス海軍の艦上。男の嫉妬から美男子ビリーが罠にはめられて処刑される壮絶な悲劇です。歌手陣の優れた演唱と、当時のマドリード王立劇場音楽監督アイヴァー・ボルトンの精巧なタクトによって、軍艦という閉ざされた空間での登場人物の心理状態が劇的に表現されています。この公演は、インターナショナル・オペラ・アワード「ベスト・ニュー・プロダクション賞」などを受賞。ヴィジュアル的にも大きな話題となりました。</video:description>
<video:duration>10512</video:duration>
<video:publication_date>2025-10-02T11:21:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:40:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9N</loc>
<video:video>
<video:title>フランスのマスネによる「シンデレラ」のオペラ版《サンドリヨン》</video:title>
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<video:description>1899年初演の《サンドリヨン》は、フランスを代表する作曲家マスネによる「シンデレラ」のオペラ版。原作は、誰もが知っているペローによるおとぎ話です。携帯を操作するシーンなど現代人の日常を織り込み、夢幻の世界と現実のはざまを見事に描いた演出にご注目ください。この公演には、グラインドボーン音楽祭の常連が多く集っています。タイトルロールのダニエル・ドゥ・ニースの魅力的な歌、ジョン・ウィルソンが生み出すマスネの繊細で輝きに満ちた美しい音楽など、見どころ聴きどころ満載です。</video:description>
<video:duration>8665</video:duration>
<video:publication_date>2025-10-07T15:14:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:39:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D9M</loc>
<video:video>
<video:title>イタリアの名匠フリッツァが指揮するマスカーニ《友人フリッツ》</video:title>
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<video:description>1891年に初演された《友人フリッツ》は、《カヴァレリア・ルスティカーナ》で有名なマスカーニが残したハッピーエンドなオペラで、裕福な農場主フリッツと、農民の娘スーゼルとの恋が描かれています。演出のロゼッタ・クッキは、このオペラの設定を19世紀アルザスから20世紀半ばのアメリカに移しました。イタリアの名匠リッカルド・フリッツァの指揮は、マスカーニの豊かなオーケストレーションと情感豊かなメロディを見事に再現しています。フリッツ役のチャールズ・カストロノヴォ、そして有名な「さくらんぼの二重唱」にもご注目ください。</video:description>
<video:duration>6195</video:duration>
<video:publication_date>2025-10-07T14:38:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:39:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34D8</loc>
<video:video>
<video:title>ベームが指揮するベートーヴェン《フィデリオ》</video:title>
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<video:description>《フィデリオ》は巨匠カール・ベームが得意とする作品で、初来日した1963年にもベルリン・ドイツ・オペラと同作品を上演 (※日生劇場のオープニング公演) して大成功を収め、我が国におけるベーム・ブームの土台を築きました。録音も数種を残しており、特に名高いのはその6年後にドイツ・グラモフォンが当時の東ドイツに出向いてセッション・レコーディングした、ドレスデン国立歌劇場管弦楽団による1969年盤ではないでしょうか。こちらの映像はその録音と主役3人 (ジョーンズ、キング、タルヴェラ) が同じで、それ以外はほぼ1963年の来日公演時のプロダクションによって制作されたオペラ映画です。スケールの大きなベームの熱い音楽を、細部にまで気を配った丁寧な映像でお楽しみください。</video:description>
<video:duration>6783</video:duration>
<video:publication_date>2025-01-15T12:47:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:33:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJAE0</loc>
<video:video>
<video:title>ヴィーラー＆モラビト演出のワーグナー :《ニュルンベルクのマイスタージンガー》</video:title>
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<video:description>ベルリン・ドイツ・オペラによる2022年の新制作、ワーグナー《ニュルンベルクのマイスタージンガー》です。ヨーロッパで話題の演出家ヨッシ・ヴィーラーとセルジョ・モラビトは、中世ニュルンベルクを舞台とするこのオペラを、現代の音楽学校に置き換えました。指揮は、アメリカ出身のジョン・フィオーレ。ヴァルター役のクラウス・フロリアン・フォークトをはじめ、タイトル・ロールのヨハン・ロイター、そしてエーファー役のハイディ・ストーバーなど、充実した歌手陣による歌唱もご堪能ください。</video:description>
<video:duration>16858</video:duration>
<video:publication_date>2025-05-22T15:13:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:27:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHL</loc>
<video:video>
<video:title>サラ・ヤクビアクがヒロインを歌うR.シュトラウスの《アラベラ》</video:title>
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<video:description>《アラベラ》は、R.シュトラウスとホフマンスタールの黄金コンビによる名作。没落した貴族の姉妹、アラベラとズデンカ、士官マッテオ、そして資産家マンドリカの繰り広げる人間模様が描かれています。指揮は、後期ロマン派を得意とするドナルド・ラニクルズ。マッテオ役のロバート・ワトソンは、2025年に兵庫県立芸術文化センターの《さまよえるオランダ人》でエリックを歌ったアメリカのテノール。そしてアラベラ役は、人気上昇中のドイツのソプラノ、サラ・ヤクビアクです。華やかなシュトラウス・ワールドをお楽しみいただけることでしょう。</video:description>
<video:duration>9591</video:duration>
<video:publication_date>2025-09-17T15:16:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T15:17:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJACO</loc>
<video:video>
<video:title>ショパンの練習曲《革命》</video:title>
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<video:description></video:description>
<video:duration>153</video:duration>
<video:publication_date>2023-11-22T15:53:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T14:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ID8</loc>
<video:video>
<video:title>《フロム・ア・コンヴィニエント・グラス》</video:title>
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<video:description>The Importance of Birds&apos; is the new inspiring project from Icelandic composer, producer and multi-Instrumentalist Snorri Hallgrímsson. He has written and produced seven original tracks for an EP that is an observation and reflection on the fragility and finiteness of life and the relationships with those closest to us and how they are ever changing and growing as time marches on. Hallgrímsson&apos;s tracks create a soundworld of subtle beauty, consisting of poignant but uplifting solo piano lines, at times underpinned by warm, gently shifting string arrangements and layers of electronica that ebb and flow, bearing us ever further along a winding musical path. &quot;Hallgrímsson has an innate understanding of using space and quiet to make a point.&quot;</video:description>
<video:duration>241</video:duration>
<video:publication_date>2025-09-25T13:54:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-09T13:35:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1L</loc>
<video:video>
<video:title>ブルース・リウら過去の優勝者によるショパン・コンクール開幕コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/baf769b975b865066571b93912a4d9bfc30e8eab.jpg</video:thumbnail_loc>
<video:description>第19回ショパン国際ピアノコンクール開幕を記念し、4人の歴代優勝者がワルシャワに集結します。前回の覇者ブルース・リウが披露するのは、「エジプト風」の愛称で知られるサン=サーンスのピアノ協奏曲第5番。続くプーランクの諧謔的な2台のピアノのための協奏曲では、ユリアンナ・アヴデーエワ (2010年に優勝) とギャリック・オールソン (1970年に優勝) が共演します。そして、コンサートの締めくくりには、さらにダン・タイ・ソン (1980年に優勝) が加わり、バッハの4台のチェンバロのための協奏曲を演奏。アンドレイ・ボレイコ指揮ワルシャワ・フィルハーモニー管弦楽団が奏でるショパンのポロネーズの珍しい管弦楽版にもご注目ください。一期一会の豪華なピアノの饗宴が繰り広げられることでしょう。</video:description>
<video:duration>5140</video:duration>
<video:publication_date>2025-10-08T08:16:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-10-09T11:53:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3EDO</loc>
<video:video>
<video:title>ナディーン・シエラ他、魅力的なキャスト陣で魅せる《椿姫》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ab37800e3bc2c25514471af88d4e302215e8395a.jpg</video:thumbnail_loc>
<video:description>数々の新プロダクションで注目を集めるフィレンツェ五月音楽祭からまたひとつ、巨匠ズービン・メータが指揮した魅惑の《椿姫》公演をお届けします。アメリカが生んだ新時代の人気ソプラノ、ナディーン・シエラが演じるヴィオレッタを筆頭に、アルフレート役に近年日本のオペラ・ファンを熱狂させているジェノヴァ生まれのテノール、フランチェスコ・メーリを配し、さらには2024年の来日公演で有終の美を飾ったイタリアの至宝レオ・ヌッチがジェルモン役を務める最高の布陣。鬼才ダヴィデ・リヴェルモーレによる、舞台を1968年の5月革命に揺れるパリに置き代えた独創的な演出も見どころです。</video:description>
<video:duration>8798</video:duration>
<video:publication_date>2024-07-02T10:40:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-07T14:52:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJADO</loc>
<video:video>
<video:title>イタリアの俊英ガッリが指揮するプッチーニ :《外套》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cdd683beb928d6bbf7871e41d18d68a17e1ed642.jpg</video:thumbnail_loc>
<video:description>2020年のフィレンツェ五月音楽祭では、プッチーニの「三部作」が上演されました。《外套》は、「三部作」の一作目のオペラ。セーヌ川の荷物船上を舞台とした不倫による悲劇が描かれています。ジョルジェッタ役を歌うマリア・ホセ・シーリは、巨匠ムーティの信頼の厚いソプラノ。また、その夫で船長ミケーレ役のフランコ・ヴァッサッロ、そして妻の不倫相手ルイージを演じるアンジェロ・ヴィッラーリ、イタリアのこれからを担うヴァレリオ・ガッリの指揮も聴きものです。</video:description>
<video:duration>3261</video:duration>
<video:publication_date>2025-05-21T09:19:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-07T14:51:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9I</loc>
<video:video>
<video:title>バリー・コスキー演出によるモーツァルト “ダ・ポンテ三部作”《コジ・ファン・トゥッテ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dd4aa60a1126b5d30a840a5320772927949e927a.jpg</video:thumbnail_loc>
<video:description>ウィーン国立歌劇場が3シーズンにわたって取り組んできた、モーツァルトの傑作“ダ・ポンテ三部作”の最新プロダクションのひとつをお届けします。演出を手がけたのは2012年にベルリン・コーミッシェ・オーパーの芸術総監督に就任して評価を高め、近年は欧州の一流歌劇場からバイロイト音楽祭やザルツブルク音楽祭を席巻している、現代を代表する鬼才バリー・コスキー。2020年から2024/25シーズン末までウィーン国立歌劇場の音楽監督を務めるフィリップ・ジョルダンの優雅で表現力に富んだ指揮によって、音楽面でも高い完成度を誇る舞台が実現しました。2024年6月がプレミエだったこの《コジ・ファン・トゥッテ》は三部作のフィナーレで、本来は老哲学者のドン・アルフォンゾを、物語の中心である2組の若いカップルを相手に“実験的な”舞台劇のリハーサルをする演出家に読み替えた演出が話題を呼びました。その意地悪で皮肉屋のアルフォンゾをクリストファー・モルトマン (バリトン) が好演し、彼の無関心な舞台係であるデスピーナをケイト・リンジー (メゾ・ソプラノ) がアンニュイに演じているのも見どころです。フィオルディリージ役のフェデリカ・ロンバルディ (ソプラノ) とドラベッラ役のエミリー・ダンジェロ (メゾ・ソプラノ) がお互いの声を見事に引き立て合い、エレガントなペーター・ケルナー (バス) と素朴なフィリペ・マニュ (テノール) がグリエルモとフェランドに軽快さを与え、4人のアンサンブルがゲームのようなこの“実験”を生き生きと楽しんでいるように見えるのも面白いのではないでしょうか。</video:description>
<video:duration>10991</video:duration>
<video:publication_date>2025-09-08T13:36:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-06T09:19:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJACO</loc>
<video:video>
<video:title>ルカ・グァダニーノによるオペラ映画《ファルスタッフ》(2011年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e12cf5e099541103660d94943f4e1bedb398f608.jpg</video:thumbnail_loc>
<video:description>ヴェルディの最後のオペラ《ファルスタッフ》は、複雑な人間模様と喜劇とメランコリーが融合した傑作です。本映像にはヴェローナ・フィラルモニコ劇場での演奏が収められており、映画監督ルカ・グァダニーノによるプロダクションはアカデミー賞とゴールデングローブ賞にノミネートされました。気鋭の指揮者、ダニエレ・ルスティオーニ指揮のもとに、今注目の歌手、イタリアの若手音楽家を中心にしたヴェローナ・アレーナ管弦楽団が集い、華麗な演奏と歌唱で物語を鮮やかに彩っています。</video:description>
<video:duration>7945</video:duration>
<video:publication_date>2024-02-06T12:39:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-06T06:49:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32C8</loc>
<video:video>
<video:title>トリフォノフがチャイコフスキーにモーツァルトなど意欲的プログラムを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a3b72c4cb39689083f27827ce06be97c08a22fa3.jpg</video:thumbnail_loc>
<video:description>いま世界で最も注目されているピアニストの一人であるダニール・トリフォノフ。圧倒的な技術と繊細な音、そして表現の深さが魅力ですが、プログラミングでも彼ならではの感性で魅せてくれます。2023年のザルツブルク音楽祭では、チャイコフスキーの《子供のためのアルバム》をはじめ、シューマンとモーツァルトの幻想曲、そしてスクリャービンのソナタ第5番を披露します。技術と感性を試される作品で、改めてトリフォノフの魅力を味わって頂けることでしょう。</video:description>
<video:duration>4817</video:duration>
<video:publication_date>2024-07-04T12:52:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-05T06:28:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34DG</loc>
<video:video>
<video:title>アンドリス・ネルソンスとウィーン・フィルによるマーラーの“第9番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/afb5241fbf07a266063c45f12e298654eb035861.jpg</video:thumbnail_loc>
<video:description>アンドリス・ネルソンスはウィーン・フィルハーモニー管弦楽団とマーラーの交響曲全曲演奏を行っており、本映像ではザルツブルク音楽祭のライブ・ストリーミングで、マーラーの「遺言」ともいえる傑作、交響曲第9番をご覧いただけます。音楽に身を捧げ、病に苦しんだ作曲家自身の人生を描き出したような劇的な作品です。なお、この作品の初演はウィーン・フィルが行っており、現代の同楽団と最も注目すべき指揮者であるネルソンスの共演は見逃せません。</video:description>
<video:duration>5465</video:duration>
<video:publication_date>2024-08-15T13:32:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-05T06:27:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ACO</loc>
<video:video>
<video:title>ネゼ＝セガンとウィーン・フィルによるベルリオーズの幻想交響曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6ec81dcf6f6f226274153256713d97d3c15cdf2d.jpg</video:thumbnail_loc>
<video:description>ザルツブルク音楽祭でも常連として名を馳せるヤニック・ネゼ＝セガンが、クラシック音楽史上最も画期的な作品のひとつ、ベルリオーズの幻想交響曲 (1830年) でウィーン・フィルと共演します。交響曲のあるべき姿を問い直したこの作品は、アヘンに侵された芸術家の狂気に満ちた想像を、5つの楽章にわたって鮮烈に描き出し、ロマン主義の新たな方向性を切り開きました。それにより、ベルリオーズが同世代で最も革命的な芸術家の一人であるという評価は確固たるものとなっています。イマジネーションに溢れた音色、迫力のサウンドによる魅力的な演奏をお楽しみ頂けることでしょう。</video:description>
<video:duration>3801</video:duration>
<video:publication_date>2024-09-06T11:12:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-05T06:23:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34DG</loc>
<video:video>
<video:title>ブーレーズ指揮シェロー演出、ワーグナー《ジークフリート》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a49452b6df2eece7db225080943fb3bbab22c4c2.jpg</video:thumbnail_loc>
<video:description>《ニーベルングの指環》で、ジークフリートが大胆不敵さとヒロイズムによって世界救済の希望を象徴するのか、それとも残忍さと非道さによって破滅を引き起こした張本人なのかは、依然として意見が分かれるところです。シェロー演出による《ジークフリート》では、彼はファシズムの前触れと解されている側面があります。しかしこの政治的な解釈は、この複雑で練り込まれた演出の、ひとつの側面にすぎません。ジークフリート役のマンフレート・ユング、ブリュンヒルデ役のギネス・ジョーンズ、さすらい人／ヴォータン役のドナルド・マッキンタイアの、声の輝きと表情豊かな演技は、この時期のバイロイトの高い水準を示唆しています。</video:description>
<video:duration>13806</video:duration>
<video:publication_date>2022-11-01T12:30:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:15:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34C0</loc>
<video:video>
<video:title>ブーレーズ指揮シェロー演出、ワーグナー《神々の黄昏 》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a0a0dab161b0842baa28095b427aa2ebd25e0ee8.jpg</video:thumbnail_loc>
<video:description>シェロー演出による《神々の黄昏》の終幕では、合唱＝人間が聴衆に背を向けて立ち、神々の没落の後に、より良い世界が開かれるのかと問います。この舞台は、1976年に初上演された時には、怒号のようなブーを浴びましたが、最終年には90分にもおよぶ喝采を受けました。そしてその年には、この映像収録が行われ、後世の我々は、それを追体験することができます。細部まで作り込まれた演出に加え、ブーレーズの指揮もセンセーションと呼ぶべき内容を備えています。快活なテンポ、透明感、ドラマティックな緊張感を特徴とする彼のタクトは、ワーグナー解釈の金字塔と言えるでしょう。</video:description>
<video:duration>15053</video:duration>
<video:publication_date>2022-10-31T18:32:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:15:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30D0</loc>
<video:video>
<video:title>ブーレーズ指揮シェロー演出、ワーグナー《ワルキューレ》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61eabafc5a0e2a207bbc0961364bcc2523e4df09.jpg</video:thumbnail_loc>
<video:description>シェロー演出の《ワルキューレ》で最も素晴らしい場面には、第3幕のワルキューレの岩壁が数えられるでしょう。この幻想的なセットは、舞台美術家リシャール・ペドゥズィが、ベックリンの絵画『死の島』に触発されてデザインしたものです。演劇の演出家としてスタートしたシェローは、近親相姦の兄妹ジークリンデ (ジャニーヌ・アルトマイヤー) とジークムント (ペーター・ホフマン) の描写を、通常以上に情熱的に描いています。ワーグナーの台本では、ヴォータンはジークムントの死を引き起こす役割のみを担っていますが、ここでは自ら槍で彼の胸を貫く演出がなされており、いまだ議論の対象となっています。</video:description>
<video:duration>13150</video:duration>
<video:publication_date>2022-10-27T10:49:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:14:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30CO</loc>
<video:video>
<video:title>ブーレーズ指揮シェロー演出、ワーグナー《ラインの黄金》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4475c884606035b00fac335ffd9530d58e68f0fb.jpg</video:thumbnail_loc>
<video:description>1976年から1980年にかけてバイロイト音楽祭で上演されたワーグナーの四部作が「世紀のリング」と呼ばれるのには2つの理由があります。ひとつはバイロイト音楽祭の開幕から100年後の上演であったこと、もうひとつは、シェローの演出とブーレーズの指揮により、舞台と音楽の両面において20世紀屈指の舞台に仕上がったことです。しかしこの演出も、絶賛される前にはスキャンダルの対象となりました。『シュピーゲル』誌から「観るにも聴くにも耐えない舞台」と揶揄された斬新さは、幕開けの場面でも明らかで、ライン川の代わりに、産業革命と資本主義を象徴するダムが採用されています。</video:description>
<video:duration>8773</video:duration>
<video:publication_date>2022-10-27T10:07:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:14:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJIE8</loc>
<video:video>
<video:title>1981年バイロイト音楽祭の《パルジファル》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/441039b741cf0fbd2aba8520da2a742a1a633314.jpg</video:thumbnail_loc>
<video:description>バイロイト音楽祭では、1953年から2002年までほぼ毎年、ヴォルフガング・ワーグナーの新作が上演されていました。彼は第二次世界大戦後、弟のヴィーラントとともに、いわゆる「新バイロイト」の美学を定義し、象徴主義や映像・光の革新的な使用を特徴とした演出を行いました。この《パルジファル》もその特徴をはっきり表した内容であり、当時バイロイトの常連であった多くの偉大な歌手が名を連ねています。タイトルロールのジークフリート・エルザレム、アムフォルタス役のベルント・ヴァイクルとともに、バスのハンス・ゾーティンが、24年間ほぼ毎夏演じてきたグルネマンス役を歌っている。</video:description>
<video:duration>13973</video:duration>
<video:publication_date>2022-10-24T09:05:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:13:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34C8</loc>
<video:video>
<video:title>シュタイン指揮、W・ワーグナー演出の《マイスタージンガー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d282282ccf25cec02585bdda498cef2d3d25d524.jpg</video:thumbnail_loc>
<video:description>作曲家の孫でバイロイト音楽祭の総監督だったヴォルフガング・ワーグナーは、生涯で3回《ニュルンベルクのマイスタージンガー》演出しています。当プロダクションはその2回目のもの。古典的な美しい舞台では、登場人物の人間関係がきめ細かい演技で描かれます。ベルント・ヴァイクル (ザックス)、ヘルマン・プライ (ベックメッサー) は、当時のドリームキャスト。若きジークフリート・イェルザレムのヴァルターにも魅せられます。指揮は、日本でも人気の高いホルスト・シュタインです。</video:description>
<video:duration>16241</video:duration>
<video:publication_date>2022-10-31T18:34:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:13:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CE8</loc>
<video:video>
<video:title>ゼンタの視点から描きだされるワーグナー《さまよえるオランダ人》(1985年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ad558526b95f251a01f8143f9a156dbf703af0b0.jpg</video:thumbnail_loc>
<video:description>本映像では、ワーグナーの初期のオペラ《さまよえるオランダ人》を、非常に珍しい演出でお楽しみ頂けます。1978年のバイロイト音楽祭で上演されたものの再演で、演出家ハリー・クプファーは、世界中を旅するオランダ人物語を、すべてヒロインのゼンタの視点から描きだしました。ペーター・サイコラによる舞台美術によって、物語は現実なのか幻なのか、あいまいな状況のまま進んでいきます。ゼンタを演じるリスベット・バルスレフの見事な演技と歌唱が物語に深みを与えており、作品から新しい発見が数多く得られることでしょう。</video:description>
<video:duration>8212</video:duration>
<video:publication_date>2022-11-28T10:18:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:12:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ED8</loc>
<video:video>
<video:title>チェロの天才が奏でるハイドンのヴァイオリン協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/48fc595d2e8e2a6fc7038f20ff231cd4a00f10fd.jpg</video:thumbnail_loc>
<video:description>世界的なチェロ奏者であるミッシャ・マイスキー。本映像では彼の卓越した技術、深い音楽性をお楽しみいただけるのはもちろん、指揮者としての存在感もご覧いただけるものとなっています。演奏曲はなんとヴァイオリン協奏曲。チェロのために書かれたものではない作品であるため、演奏の難易度はさらに増しています。しかしそこは世界を代表する奏者であるマイスキー。あらゆる楽想を難なく弾きこなし、チェロという楽器の可能性と魅力を存分に楽しませてくれます。</video:description>
<video:duration>1709</video:duration>
<video:publication_date>2023-10-06T07:11:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:11:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32E0</loc>
<video:video>
<video:title>シュナイダー指揮、ヘルツォークの演出による《ローエングリン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/835735dd5061aab21804b4f8188b92f8a9e7c2fb.jpg</video:thumbnail_loc>
<video:description>本映像では、ドイツの名監督ヴェルナー・ヘルツォークが演出に携わったワーグナーの傑作オペラ《ローエングリン》をご覧いただけます。「不可能を可能にすることが芸術の必須条件である」という信念を持つ彼にとって2度目のオペラ演出となる本作では、中世の白鳥の騎士の物語を、詩的なイメージとおとぎ話のような雰囲気で表現しました。力強くも端正な歌声のポール・フレイがタイトルロールを、あらゆるジャンルを魅惑的に歌いこなすソプラノ歌手シェリル・ステューダーがエルザを演じています。</video:description>
<video:duration>12928</video:duration>
<video:publication_date>2022-10-31T17:33:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:10:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8D8</loc>
<video:video>
<video:title>ヴァルトビューネ 1993～ロシアン・ナイト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/12221f355606fc2bcdb762c7b628786ef5869cf2.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。これは初めて小澤征爾が登場した1993 年の映像です。小澤はこの前年、同楽団に功績のあった人物に贈られるハンス・フォン・ビューローメダルを授与されたばかりでした。この時のテーマはロシア音楽で、人気のバレエ音楽を中心とした色鮮やかなプログラムに2万人の会場は熱気に包まれました。</video:description>
<video:duration>5884</video:duration>
<video:publication_date>2023-03-15T13:29:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCCG</loc>
<video:video>
<video:title>アバドがマリインスキー劇場でロシア作品とべートーヴェンを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9ad86b347ea133626ad66777f929565c6f77ec93.jpg</video:thumbnail_loc>
<video:description>「ヨーロッパ・コンサート」はベルリン･フィルハーモニー管弦楽団が設立記念日の5月1日に毎年行っているもので、欧州各地の名所･旧跡で行われています。本映像は1996年にマリインスキー劇場で収録されたもので、指揮はクラウディオ・アバド。非常に広いレパートリーを有する彼は、今回もラフマニノフにプロコフィエフのロシア・オペラにバレエ、ベートーヴェンの協奏的作品で音楽性の豊かさを示しています。バリトンのコチェルガの深い響きの声、ヴァイオリンのコーリャ・ブラッハーが奏でる華麗な音色も圧巻です。</video:description>
<video:duration>5411</video:duration>
<video:publication_date>2023-04-20T11:41:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:09:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3A</loc>
<video:video>
<video:title>ブーレーズが聖フローリアン修道院でブルックナー交響曲第8番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/af773cc80f4991b196c58cb4fc68cd4971b32e01.jpg</video:thumbnail_loc>
<video:description>ピエール・ブーレーズと言えば、マーラーの演奏で知られますが、ブルックナーはほとんど振っていません。その例外的機会に収録されたこの演奏では、交響曲第8番を指揮しています。彼は、ウィーン・フィルとの共演の後に「オーケストラから多くのものを教えられた」と語っていますが、彼の鋭利で透明な解釈は、作品に新たな視点を与えたものと言えるでしょう。収録は、ブルックナー自身が活躍したリンツの聖フローリアン修道院で行われています。</video:description>
<video:duration>4766</video:duration>
<video:publication_date>2022-05-11T10:59:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T14:08:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJG</loc>
<video:video>
<video:title>ムーティ指揮ウィーン・フィルによるモーツァルト生誕250周年記念演奏会</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d64ef6ff34482ba01abcfc3a13e59e056ce64563.jpg</video:thumbnail_loc>
<video:description>リッカルド・ムーティは、「モーツァルトは神の存在証明」と語っていますが、2006年、モーツァルトの故郷ザルツブルクの祝祭大劇場で開催された生誕250周年記念演奏会では、ウィーン・フィルと共演。交響曲、オペラ、協奏曲という彼が最も大きな成果を上げたジャンルの作品を、内田光子、トーマス・ハンプソン、ギドン・クレーメル、ユーリ・バシュメットという豪華なソリストたちと演奏しています。</video:description>
<video:duration>6532</video:duration>
<video:publication_date>2022-06-17T06:46:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T13:56:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJIDG</loc>
<video:video>
<video:title>アーノンクール指揮、グート演出《フィガロの結婚》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0ee4312af3573bd8fdad96b33026842b261540f9.jpg</video:thumbnail_loc>
<video:description>グート演出の《フィガロの結婚》は、その優雅な舞台装置と濃密な心理描写で2006年ザルツブルク音楽祭最大の成功のひとつとなりました。この年の音楽祭では、モーツァルト生誕250周年を記念して、モーツァルトの舞台作品すべてを上演するという異例の試みを敢行。アーノンクールのキャリア後期のハイライトのひとつにもなったこの公演を、『ザルツブルガー・ナハリヒテン』紙は「モーツァルトに捧ぐ成功」と評しました。スター・ソプラノのネトレプコはスザンナ役で絶大な成功を収め、Ch・シェーファーは親密な歌唱と演技でケルビーノ役に息吹を与えています。</video:description>
<video:duration>12120</video:duration>
<video:publication_date>2022-10-18T13:50:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T13:54:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GC0</loc>
<video:video>
<video:title>ガッティの指揮、ネトレプコとベチャワらの共演による《ラ・ボエーム》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/44e56f2fcfd5f456dc61622eed81f95c7e9ab85c.jpg</video:thumbnail_loc>
<video:description>2012年のザルツブルク音楽祭で上演された《ラ・ボエーム》の模様を収めたものです。ダニエレ・ガッティの指揮するウィーン・フィルの繊細かつ華麗なオーケストラ・サウンドにのって、注目の歌手たちがみずみずしい歌唱を聞かせてくれます。やはり注目はミミのアンナ・ネトレプコ。揺れ動く心を巧みな歌唱で聞かせ、薄幸のヒロインを見事に演じています。ベチャワの端正な表現によるロドルフォとの相性もとてもよく、声が重なったときのハーモニーの美しさが絶品です。演出にも新しい試みが次々と取り入れられており、最後まで飽きさせません。</video:description>
<video:duration>7448</video:duration>
<video:publication_date>2023-10-16T08:09:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T13:45:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCE0</loc>
<video:video>
<video:title>ビシュコフがベートーヴェンとR.シュトラウスを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/210f5eb6995e60e31bc2bb5ad7fd582d6bff8d3c.jpg</video:thumbnail_loc>
<video:description>伝説的指揮者、カラヤンの音楽美学を受け継ぐ指揮者であるセミヨン・ビシュコフはロシア音楽を中心に幅広いレパートリーを誇っていますが、ドイツ音楽の演奏にも特別な想いをもって臨んでいました。本映像には現代を代表する名手の一人であるリサ・バティアシュヴィリを迎えてのベートーヴェンのヴァイオリン協奏曲、リヒャルト・シュトラウスのオーケストレーションの魅力が詰まった《アルペン交響曲》が収められています。ビシュコフが紡ぎ出す圧倒的な音世界を堪能して頂けるはずです。</video:description>
<video:duration>6382</video:duration>
<video:publication_date>2023-05-04T08:59:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T11:23:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6E8</loc>
<video:video>
<video:title>チェコ・フィルハーモニー管弦楽団がトリフォノフを迎えてコンサートを開催</video:title>
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<video:description>本映像は、2020年、チェコ・フィルハーモニー管弦楽団がシーズン開幕に行ったコンサートの模様です。この頃はパンデミックのただ中にあり、オーケストラは常に様々なリスクに晒されていました。そのような中、団員を二つのグループに分離してコンサートを開催。見事に成功させたのです。ソリストに若き巨匠として常に進化し続けるピアニズムを聞かせてくれるダニール・トリフォノフを迎えてのショスタコーヴィチのピアノ協奏曲第1番、さらにチェコを代表する作曲家、ドヴォルザークの田園的な交響曲第8番が演奏されています。</video:description>
<video:duration>4543</video:duration>
<video:publication_date>2023-03-01T10:55:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-03T11:21:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CPO</loc>
<video:video>
<video:title>デトレフ・アイシンガーが奏でるスカルラッティとシューマン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/64697927a8c51c15c6977d297bd00832ce1ad98c.jpeg</video:thumbnail_loc>
<video:description>デトレフ・アイシンガーが奏でるスカルラッティとシューマン</video:description>
<video:duration>2396</video:duration>
<video:publication_date>2025-09-23T09:33:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T15:22:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9L</loc>
<video:video>
<video:title>グルダ、ハンコック、ザヴィヌルによるザルツブルク・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ed4e17c1add1537bdf29c53124c3f17e225cbc22.png</video:thumbnail_loc>
<video:description>それぞれが卓越したテクニックを持ち創造性に富んだ3人のカリスマ的キーボード奏者が、ザルツブルク大聖堂広場で行われた野外コンサートのステージに登場しお互いにしのぎを削り合います。プログラムはクラシックや現代音楽からジャズ、オリジナルまで幅広いレパートリー。ザウィヌルはキーボード、ピアノ、ブレスコントロール・シンセサイザーのいずれも同様に素晴らしい演奏を披露し、ハンコックとグルダはグランドピアノに専念します。ソロもデュエットも魅力的ですが、やはり特に注目すべきは圧巻のトリオ演奏で、とりわけ6手による《ナイト・アンド・ディ》とIBMのコンピューター技術とピアノの組み合わせによって披露される《With コンピューター》は必聴です。</video:description>
<video:duration>4211</video:duration>
<video:publication_date>2025-09-09T07:52:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T14:06:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1I</loc>
<video:video>
<video:title>ヘルマン・プライによるバラードの夕べ～俳優のニコラウス・パリラを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fefb6a162497427f15c160638e3ad311e52a5c6c.jpg</video:thumbnail_loc>
<video:description>シュヴァーベン地方アルプスの森に囲まれた丘陵地帯に佇む温泉街バート・ウーラッハは、19世紀の詩人たちのイマジネーションを刺激した風景が広がる、ドイツ・ロマン主義を体現できる場所です。この街のフェストハレで、20世紀後半を代表するバリトン、ヘルマン・プライと俳優のニコラウス・パリラを迎えて行われた、朗読と歌唱によるバラードの夕べをお届けします。ウーランド、ケルナー、ハウフ、シュヴァーブらの詩が、レーヴェ、シューベルト、シューマン、ブラームス、メンデルスゾーン、リスト、シュトラウスらの魔法で珠玉のドイツ・リートとして紡がれていく瞬間を目の当たりにできるはずです。</video:description>
<video:duration>4918</video:duration>
<video:publication_date>2025-09-02T13:15:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T14:06:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGD8</loc>
<video:video>
<video:title>バッハのシャコンヌ (ピアノ・ソロ版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a1eee8734bda0cb815df81700aa6aa433db05cd6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2022-12-03T16:25:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T12:21:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34DO</loc>
<video:video>
<video:title>世界初演の再訪 : シベリウスの交響曲第5番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2b60f6f858af5753d7dd52d6f7ad1b8f6cd83261.jpg</video:thumbnail_loc>
<video:description>本映像は、ヘルシンキ・フィルハーモニー管弦楽団によるシベリウスの交響曲全曲演奏会に合わせて制作されたものです。指揮者のユッカ=ペッカ・サラステが、シベリウスの7つの交響曲中、最も人気のある第5交響曲の起源を振り返るというもので、作品の創作背景を探り、1915年12月8日、シベリウス自身が50歳の誕生日を記念してヘルシンキ大学の大ホールで指揮した初演の場面を再訪しています。当時、シベリウスはこの初演に深く不満を抱き、その後4年間にわたって作品を改訂し、現在最もよく聴かれる最終版に到達したのでした。</video:description>
<video:duration>3279</video:duration>
<video:publication_date>2025-07-07T12:59:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-10-02T06:56:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9J</loc>
<video:video>
<video:title>ヨーロッパで注目のオメール・マイア・ウェルバーが指揮するプッチーニ :《蝶々夫人》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/073340b2f06800c3052cc573e3f2e8c109c94380.jpg</video:thumbnail_loc>
<video:description>この舞台を指揮するオメール・マイア・ウェルバーは、イスラエル出身。ウィーン・フォルクスオーパーの音楽監督を務め、2010年にはサイトウ・キネン・フェスティバル松本で小澤征爾の代役で《サロメ》を指揮しました。2025年秋からハンブルク州立歌劇場の音楽総監督を務める注目の指揮者です。タイトルロールを歌うのは、モルドヴァ出身のオルガ・ブズィオク。物語の舞台を、明治期の日本から第2次大戦直後に置き換えた、アンニリース・ミスキモンの演出も見どころです。</video:description>
<video:duration>8378</video:duration>
<video:publication_date>2025-07-29T07:53:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-29T12:18:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1N</loc>
<video:video>
<video:title>エストニア・フィルハーモニー室内合唱団がアルヴォ・ペルトを歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/26e2bc939dcf56e9636ca24e677d5a18640d8aa6.jpg</video:thumbnail_loc>
<video:description>エストニアを代表する現代作曲家アルヴォ・ペルトは今年、90歳の誕生日を迎えます。1981年の設立以来、エストニア・フィルハーモニー室内合唱団は、ペルト自身の指導により演奏伝統を育み、彼の音楽の伝道師的存在であり続けてきました。本映像は、2025年4月、ペルトの生涯と作品を讃え、創設者トヌ・カリユステの指揮のもとフィルハーモニー・ド・パリで披露されたオール・ペルト・プログラムの模様です。万華鏡のように美しく説得力溢れる演奏と共に、彼の独創的な音楽世界を再発見していただけることでしょう。</video:description>
<video:duration>5025</video:duration>
<video:publication_date>2025-09-29T08:04:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-29T08:40:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCE0</loc>
<video:video>
<video:title>チャイコフスキー / 6つの小品 op. 51 より第6曲 : 感傷的なワルツ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/04d7cf0924dc131035f0dbf0a4983c411a9689da.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>218</video:duration>
<video:publication_date>2025-03-05T16:24:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T12:38:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ICG</loc>
<video:video>
<video:title>《アランビック・ディスティレーション》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/65b0709525c4fca7950be0aaadf94596b4baab03.jpg</video:thumbnail_loc>
<video:description>This piece is part of Roger Eno&apos;s upcoming album &apos;Without Wind, Without Air&apos;.
British composer and multi-instrumentalist Roger Eno announces his new, 3rd album for DG Without Wind / Without Air. It follows on from the success of The Turning Year (2022) and the skies, they shift like chords (2023), which was described by Spectrum Culture with the words: “a remarkable release that unsettles with haunting lines and simultaneously makes one tingle with warmth at a display of beauty”.

The new album includes both solo piano pieces and tracks orchestrated for various combinations of clarinet, guitar, bass, strings, synths, percussion and electronics.</video:description>
<video:duration>202</video:duration>
<video:publication_date>2025-09-17T09:52:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T08:26:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D1H</loc>
<video:video>
<video:title>イル・ジャルディーノ・アルモニコがイタリアのバロック作品を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8322561f5366ad02e51f71982361c0dd8d8f1758.jpeg</video:thumbnail_loc>
<video:description>イタリアを代表する古楽アンサンブル「イル・ジャルディーノ・アルモニコ」。1985年に結成され、古楽器による演奏で17世紀や18世紀以前の音楽を広く紹介し、作品の魅力と真実を伝えてきました。とりわけヴィヴァルディ作品の演奏によって知られる彼らの音楽は楽曲に込められたドラマ性を鮮やかに示し、バロック音楽が本来持つ劇的な部分を伝えてくれます。本映像では同アンサンブルが得意とするヴィヴァルディの作品をはじめ、様々な魅力的なバロック音楽の世界をお楽しみいただくことができます。</video:description>
<video:duration>3506</video:duration>
<video:publication_date>2025-09-23T13:16:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-26T07:58:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGE8</loc>
<video:video>
<video:title>カラヤン in ヴァチカン：ヨハネ・パウロ2世による伝説の「戴冠ミサ曲」</video:title>
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<video:description>本映像は、ローマのサン・ピエトロ大聖堂でローマ教皇ジャン・パウロ2世によって祝われたミサの一環として、ヘルベルト・フォン・カラヤンとウィーン・フィルハーモニー管弦楽団による演奏をお楽しみ頂ける、特別な映像となっています。モーツァルトの《戴冠式》ミサ曲が、ソプラノのキャスリーン・バトルにバスのフェルッチョ・フルラネットなどの豪華ソリストを迎えて演奏されたこのミサには1万人の枢機卿に司教、世界各国の外交官、イタリアの政治家、文化界の重要人物らが出席しています。なお、この特別な企画は、カラヤン自身による発案でした。</video:description>
<video:duration>3447</video:duration>
<video:publication_date>2024-04-11T09:12:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:33:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3AC8</loc>
<video:video>
<video:title>R・カプソン&amp; A・カントロフによるブラームスのヴァイオリン・ソナタ全曲</video:title>
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<video:description>ルノー・カプソンが、2019年チャイコフスキーコンクールで優勝したアレクサンドル・カントロフと共演。ブラームスの3つのヴァイオリン・ソナタを演奏した模様をお届けします。1878 年から 1888 年にかけて作曲された 3 つのソナタは、第1番ソナタの冒頭の美しくリラックスした抒情性から第3番のフィナーレの妙技と情熱に至るまで、幅広い雰囲気を網羅しており、最も完成度の高い作品と言っても過言ではないでしょう。また、カプソンとカントロフのコンビネーションが抜群であることは一目瞭然です。</video:description>
<video:duration>4755</video:duration>
<video:publication_date>2023-11-21T15:57:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-09-25T16:22:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34DO</loc>
<video:video>
<video:title>ショルティとポップが共演したR・シュトラウス《四つの最後の歌》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/16f88a58ad3b3ccd1911aa206f936eeaa0eeec36.png</video:thumbnail_loc>
<video:description>サー・ゲオルグ・ショルティとシカゴ交響楽団は、広大なレパートリーを演奏していますが、本映像ではリヒャルト・シュトラウスの《最後の四つの歌》を取り上げています。ソリストに迎えられたのは、円熟期に急逝した大ソプラノ、ルチア・ポップ。彼女はシュトラウスの作品を得意としていますが、特に収録当時には、美声に陰影が加わり、さらに魅力的な歌唱を披露しています。作品のあらゆる心情や情景を描きだすことに成功しており、この曲の代表的な演奏に挙げるべき出来となっています。</video:description>
<video:duration>1327</video:duration>
<video:publication_date>2023-07-21T11:43:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJAC8</loc>
<video:video>
<video:title>ガーディナーがヴェルサイユ宮殿でバッハ《ミサ曲ロ短調》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6e32d7f59fccc19f3f1a0d2d04cff35361766b2f.jpg</video:thumbnail_loc>
<video:description>本映像に収められた公演は、バッハ演奏の第一人者であるジョン・エリオット・ガーディナーがモンテヴェルディ合唱団とイングリッシュ・バロック・ソロイスツと共に行った2023年春のツアーの一つです。楽曲は彼らにとって大切なレパートリーであるバッハの《ミサ曲ロ短調》です。キャリアの初期から演奏している作品であり、緻密かつスケールの大きな演奏が繰り広げられます。演奏はヴェルサイユ宮殿のシャペル・ロワイヤルで行われ、圧倒的な演奏を歴史ある荘厳な礼拝堂の雰囲気が彩っています。</video:description>
<video:duration>6662</video:duration>
<video:publication_date>2023-06-07T08:15:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T16:02:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHJ</loc>
<video:video>
<video:title>ミンコフスキが指揮する《さまよえるオランダ人》(初稿版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c776ba1d6ce89404f9a99a8b87ac8085da0bdb28.jpg</video:thumbnail_loc>
<video:description>《さまよえるオランダ人》の通常の上演では、1880年改訂版が用いられていますが、この上演では「救済」のない1841年の初稿版が取り上げられました。古楽の旗手、マルク・ミンコフスキが演奏するワーグナー！ 初稿版が書かれたのは、ワーグナーがパリ・オペラ座での成功を夢見て、その地に滞在していた時期です。ミンコフスキがピリオド系のレ・ミュジシャン・デュ・ルーヴルを指揮し、オリジナルに迫ります。そして、粒ぞろいの歌手にもご注目ください。</video:description>
<video:duration>8172</video:duration>
<video:publication_date>2025-07-07T13:43:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T15:53:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHM</loc>
<video:video>
<video:title>クラウス・フロリアン・フォークトが歌うワーグナー :《ローエングリン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/91953409afdec8b100dbc572c4cb19715736c83a.jpg</video:thumbnail_loc>
<video:description>《ローエングリン》は1850年にヴァイマルで初演されました。この上演には、ワーグナー奏者が集いました。ケント・ナガノは、ハンブルク州立歌劇場とバイエルン州立歌劇場の音楽総監督を歴任し、ワーグナー演奏で実績を持つ指揮者です。また、主役を歌うクラウス・フロリアン・フォークトは、現代最高のローエングリン歌い。そして、ワーグナーを得意とするメゾソプラノ、ヴァルトラウト・マイヤーのオルトルートやソルヴェイグ・クリンゲルボルンのエルザも聴き逃せません。</video:description>
<video:duration>12377</video:duration>
<video:publication_date>2025-07-31T13:28:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-25T14:34:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJICG</loc>
<video:video>
<video:title>ヨハン・シュトラウス2世 : 《こうもり》第2幕よりフィナーレ〈ぶどう酒の燃える流れに〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/91209fa830e99745b790f33f288d7a3abec82fe0.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>144</video:duration>
<video:publication_date>2025-04-30T14:27:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-24T15:59:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGE0</loc>
<video:video>
<video:title>プッチーニ《蝶々夫人》第2幕より「愛の家よ、さようなら」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/97da3561467c4788b7b6215b9a4abacfc1359f88.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>111</video:duration>
<video:publication_date>2025-04-14T14:32:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-24T15:58:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9P</loc>
<video:video>
<video:title>ディアナ・ダムラウがエルヴィーラを演じるベッリーニ《清教徒》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11fb8fca75c5c4f15349f94b591c7005069002e1.jpeg</video:thumbnail_loc>
<video:description>ベッリーニ最後のオペラ《清教徒》は、メロディの美しさと落差の激しい感情を融合したベルカント・オペラの傑作です。エルヴィーラを歌うディアナ・ダムラウは聴きもの。アルトゥーロを演じるハビエル・カマレナの輝きに満ちたテノールや、リッカルド役のリュドヴィク・テジエによる細やかなバリトンも存分に楽しめるでしょう。物語の舞台である17世紀を再現したサージによる伝統的な演出が、この作品の音楽的な魅力を美しく引き立てており、エヴェリーノ・ピドの指揮は、ベッリーニの音楽が織りなすドラマの光と影を繊細に描出しています。</video:description>
<video:duration>10855</video:duration>
<video:publication_date>2025-09-17T09:53:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-23T07:57:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHJ</loc>
<video:video>
<video:title>プラシド・ドミンゴが出演するサルスエラ、トローバ作曲《ルイサ・フェルナンダ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cb6fd4ebf4de5111478cdbf9beeb9f886db0021d.jpeg</video:thumbnail_loc>
<video:description>トローバは、スペインの国民的なオペラ、サルスエラの代表的作曲家。彼の名作《ルイサ・フェルナンダ》の貴重な映像です。この作品では、19世紀スペインの王党派と革命派の争いを背景に、中産階級の娘ルイサ・フェルナンダをめぐる王党派で軍人のハヴィエルと革命派で金持ちのヴィダルとの三角関係が描かれています。名指揮者のヘスス・ロペス・コボス＆名演出家のエミリオ・サージは、ともにスペイン出身。また、両親がサルスエラ歌手であったプラシド・ドミンゴにとって、原点ともいえるレパートリーです。</video:description>
<video:duration>6209</video:duration>
<video:publication_date>2025-09-17T13:41:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-23T07:41:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GCG</loc>
<video:video>
<video:title>ペルト :《ラメンターテ》より〈脆弱で融和的〉(オソーキンスによるピアノ編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a5fc37f02b13ebdc2432ecc78dd45f9e655ca4e9.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>398</video:duration>
<video:publication_date>2025-09-05T10:56:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T15:51:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GD0</loc>
<video:video>
<video:title>ペルトの〈脆弱で融和的〉(《ラメンターテ》より〉について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b2ebf536b06586f07b926c79f151b7dcbf1aa195.jpg</video:thumbnail_loc>
<video:description>Commemorating the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki in 1945, this video was filmed in Lithuania in July 2025 - in Vilnius and Ignalina nuclear power station.
Celebrating the Estonian composer’s 90th birthday on 11 September 2025, Georgijs Osokins offers a fresh and invigorating interpretation of Pärt’s spiritual and deeply moving compositions. The music was recorded on a century-old Blue Steinway and unlocks a mesmerising range of overtones and an unparalleled depth of sound. Each piece tells a story, evoking emotions that resonate universally. This makes the album not just a musical experience but a profound journey for the soul.  

Producer: Eugene Wintour-Irverstag (Wintour Group)</video:description>
<video:duration>339</video:duration>
<video:publication_date>2025-09-09T13:48:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T15:50:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGD0</loc>
<video:video>
<video:title>カラヤンとスカラ座によるヴェルディのレクイエム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9bfb2619b7b7f4c2a0b879cebaa4b2efc78196d5.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンが1960年代に、世界三大映画祭を征しヌーヴェル・ヴァーグの生みの親とも言われているフランスの鬼才アンリ＝ジョルジュ・クルーゾ監督と制作した一連の映像作品シリーズ「指揮の芸術」に登場する、ミラノ・スカラ座管弦楽団とのヴェルディ・レクイエムの映像です。50代の終わりだった当時のカラヤンに加えて、30代初めでまだ髭のないパヴァロッティを筆頭にコッソット、ギャウロフ、プライスという往年の名歌手たちの豪華共演は非常に見応えがあり、深みのあるスカラ座合唱団の名演も聴きどころのひとつでしょう。</video:description>
<video:duration>5078</video:duration>
<video:publication_date>2023-06-08T13:22:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T11:40:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJGDO</loc>
<video:video>
<video:title>カンブルラン指揮によるモーツァルト :《皇帝ティートの慈悲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b3375d0e096a35470222c8837330a650ee81ac08.jpg</video:thumbnail_loc>
<video:description>ローマの皇帝ティートを題材とした歌劇《皇帝ティートの慈悲》は、モーツァルト最晩年の1791年に作曲・初演された、彼の最後のオペラ・セリアです。この映像は、元読売日本交響楽団常任指揮者の名匠シルヴァン・カンブルランの指揮により、パリ・オペラ座 (ガルニエ宮) で上演されたもの。古楽でも活躍するティート役のクリストフ・プレガルディエン、そしてセスト役のスーザン・グラハムの名演は、各方面から絶賛されました。</video:description>
<video:duration>8851</video:duration>
<video:publication_date>2025-06-16T15:26:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-22T11:26:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHK</loc>
<video:video>
<video:title>リチャード・ジョーンズ演出のリヒャルト・シュトラウス :《ばらの騎士》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/386259d91c198e876a1821643cc169d51c36d726.jpeg</video:thumbnail_loc>
<video:description>リヒャルト・シュトラウスとホフマンスタールによる、最も人気の高いオペラ《ばらの騎士》。元帥夫人の若い愛人オクタヴィアンの前に、若い娘ゾフィーが現われ、元帥夫人は身を引くことに…。元帥夫人をケイト･ロイヤル、ゾフィーをテオドラ･ゲオルギュー、そしてオクタヴィアンをタラ･エロートがそれぞれ演じます。指揮は、英国気鋭のロビン･ティチアーティ。そして、現代イギリスを代表する演出家、リチャード・ジョーンズによる示唆に富んだ演出も見ものです。</video:description>
<video:duration>11457</video:duration>
<video:publication_date>2025-09-17T14:17:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T14:21:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHI</loc>
<video:video>
<video:title>フランスのメゾ・ソプラノ、ステファニー・ドゥストラックが歌う《カルメン》</video:title>
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<video:description>この映像は、エクス=アン=プロヴァンス音楽祭で上演されたビゼーの名作《カルメン》。世界が注目するスペインの気鋭指揮者、パブロ・エラス=カサドと、ロシアの鬼才演出家、ドミトリー・チェルニャコフが刺激的な舞台を作り上げています。タイトルロールを歌うのは、フランス出身で古楽でも活躍するメゾ・ソプラノのステファニー・ドゥストラック。彼女は、新国立劇場やベルリン・ドイツ・オペラでもカルメンを演じるなど、この役を十八番としています。</video:description>
<video:duration>10201</video:duration>
<video:publication_date>2025-09-17T11:09:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T13:10:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHH</loc>
<video:video>
<video:title>ロラン・ペリー演出のベルリオーズ《ベアトリスとベネディクト》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7714d494f2a019e3b3ab0c079071cf85935aa0a5.jpeg</video:thumbnail_loc>
<video:description>シェイクスピアの喜劇「空騒ぎ」を原作とした、ベルリオーズのウィットに富んだオペラ《ベアトリスとベネディクト》。この映像は、シェイクスピア没後400年を記念して上演されたものです。演出と衣装を担当したロラン・ペリーによる「箱」を使った舞台は、賛否両論を巻き起こしました。いま最も注目されている指揮者、イタリア出身の気鋭アントネッロ・マナコルダは、ベルリオーズのオーケストレーションをニュアンス豊かに表現。ベアトリス役のステファニー・ドゥストラックの歌唱＆演技にも注目です。</video:description>
<video:duration>7068</video:duration>
<video:publication_date>2025-09-17T10:48:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:43:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CHG</loc>
<video:video>
<video:title>ヴィーラー＆モラビトによる現代的なベッリーニの《清教徒》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d8ed3afc7f21938dd3986450e63cad8f4e10573c.jpeg</video:thumbnail_loc>
<video:description>1835年初演の《清教徒》は、ベッリーニの代表作。清教徒革命時代のイングランドの物語ですが、ヨッシ・ヴィーラーとセルジョ・モラビトは、時代設定に捉われない現代的な舞台を作り上げています。マンリオ・ベンツィの繊細なタクトと、卓越した技巧が求められる歌手陣のベルカントな美声は、作品の魅力を存分に引き出しています。特に、エルヴィーラ、アルトゥーロ、リッカルド、ジョルジュの4役は「清教徒クァルテット」と呼ばれるほど重要。「狂乱の場」におけるエルヴィーラ役、アナ・ドゥルロフスキの華麗なコロラトゥーラも聴きものです。</video:description>
<video:duration>11443</video:duration>
<video:publication_date>2025-09-17T10:29:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:22:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C9O</loc>
<video:video>
<video:title>古楽の巨匠アーノンクールが指揮したベートーヴェン :《フィデリオ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ee2e933a8fb844ef3319eb4e431124af3464942b.jpeg</video:thumbnail_loc>
<video:description>《フィデリオ》は、ベートーヴェン唯一のオペラ。ニコラウス・アーノンクールの古楽的アプローチに基づいた演奏は、ベートーヴェンの革新性を際立たせています。ドイツの名演出家ユルゲン・フリムは、この舞台で夫婦愛を感動的に表現。カミラ・ニールンドは、フィデリオに扮して夫を救うレオノーレを演じて絶賛されました。また、現代最高のテノール、ヨナス・カウフマンは政治犯フロレスタンを熱演。2004年のこの公演で注目された二人は、世界的な人気歌手となりました。</video:description>
<video:duration>7661</video:duration>
<video:publication_date>2025-09-17T08:51:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T11:15:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3IC0</loc>
<video:video>
<video:title>ラヴェル : 前奏曲イ短調 M. 65 (1913)</video:title>
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<video:description>This track is taken from the Album &quot;Siena Tapes&quot;. 
 
German pianist Julius Asal releases his second DG album Siena Tapes. The project features a selection of pieces by Ravel, a new composition by the producer of the album, Christian Badzura, as well as three new improvisational pieces Cascades I-III, written by Asal himself.
Originally conceived as a 150th-anniversary tribute to Ravel, the album grew into a very personal project during the writing and recording process. 

“In a miraculous way,” he notes, “Ravel had access to all sound colours. Even his more subtle works for piano contain shades and forces that you would usually find only in a complex symphony.”</video:description>
<video:duration>87</video:duration>
<video:publication_date>2025-09-15T09:33:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-19T08:54:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3IC8</loc>
<video:video>
<video:title>ドビュッシー :《艶なる宴》より第1曲 : ひそやかに</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ecd1a1ac436d929f0ac72b14952576b069572569.jpg</video:thumbnail_loc>
<video:description>Set to the beautifully intrinsic poem of Rainer Maria Rilke and in time for autumn season, the young American soprano Emily Pogorelc gives an expressive and lyric rendition of this song. Lee Hoiby composed this song especially for the great soprano Leontyne Price whom he collaborated with on numerous occasions. “Autumn” is an unusually profound song that juxtaposes the notion of falling leaves and ultimate human silence on Earth and captures its essence in mesmerizing vocal lines and intense soundscapes.</video:description>
<video:duration>206</video:duration>
<video:publication_date>2025-09-15T13:05:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:28:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1G</loc>
<video:video>
<video:title>カルロス・アルバレスが歌うモーツァルト :《ドン・ジョヴァンニ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/217e9ad2444c3dbb120cd865376db36ef28afff2.jpg</video:thumbnail_loc>
<video:description>ドン・ジョヴァンニは、スペインの伝説の好色な貴族。モーツァルト作曲の《ドン・ジョヴァンニ》は、特に最期の地獄落ちが圧巻です。そのストーリーの舞台を、名演出家のルイス・パスクワルは、1940年代のファシズム政権下のスペインに移しました。ご当地スペインのマドリードでの上演は、非常に興味深いです。指揮は、スペインの名匠ビクトル・パブロ・ぺレス。そして、タイトルロールを名バリトン、カルロス・アルバレスが歌います。</video:description>
<video:duration>10287</video:duration>
<video:publication_date>2025-07-22T09:42:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:02:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9I</loc>
<video:video>
<video:title>名匠ヘスス・ロペス・コボスのプッチーニ :《ラ・ボエーム》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2cbf16a9cd8746345a902c9a0644ce38ff8bf084.jpg</video:thumbnail_loc>
<video:description>往年のスペインの名匠ヘスス・ロペス・コボスが指揮した《ラ・ボエーム》です。ミミ役のインヴァ・ムーラはアルバニア出身で、新国立劇場の《椿姫》でタイトルロールを歌ったこともあるソプラノ。ベネズエラ出身のアキレス・マチャードは、メトロポリタン歌劇場でもロドルフォを歌うなど、同役を得意としています。その他にも実力派歌手が名を連ねています。往年の名テノール、マリオ・デル・モナコの息子であるジャンカルロ・デル・モナコの演出によるオーソドックスな舞台もお楽しみください。</video:description>
<video:duration>7005</video:duration>
<video:publication_date>2025-07-24T14:04:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T14:01:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1N</loc>
<video:video>
<video:title>ロペス・コボスが指揮するヴェルディの歌劇《仮面舞踏会》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/20ccbf2dd81ef5071786dd330f50529ab6b71151.jpeg</video:thumbnail_loc>
<video:description>Conspiracies, political intrigue and an assassination plot: Verdi&apos;s Un ballo in maschera has all the ingredients of a classic thriller. But it&apos;s also a drama of loyalty, witchcraft and doomed love, and Mario Martone&apos;s 2008 production for the Teatro Real, Madrid puts the human factor centre stage, with Sergio Tramonti&apos;s richly atmospheric designs evoking a claustrophobic world in which passion can prove even more deadly than politics. Jesús López Cobos conducts, and with Marcelo Alvarez (Riccardo) and Violeta Urmana (Amelia) heading a truly stellar cast, the singing is as magnificent – and as compelling – as the drama.</video:description>
<video:duration>8257</video:duration>
<video:publication_date>2025-08-19T12:38:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9N</loc>
<video:video>
<video:title>パブロ・エラス=カサドが指揮するヴァイル :《マハゴニー市の興亡》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e658ffe30c965d4f778b1b18466e3bf29290c494.jpeg</video:thumbnail_loc>
<video:description>ブレヒトが台本を手掛けた、クルト・ヴァイル (1900～1950) の代表的なオペラのひとつ。架空の欲望と快楽の都市「マハゴニー市」の物語で、資本主義批判を含んでいます。指揮は、スペインの鬼才パブロ・エラス=カサド。古楽から現代まで幅広いレパートリーをもち、バイロイト音楽祭に招かれるなど、オペラ指揮者としても大活躍です。演出は、「ラ・フラ・デルス・バウス」メンバーのアレックス・オリエ。日本では、新国立劇場での《トゥーランドット》や《カルメン》の斬新な演出で知られています。ジェニーが歌う有名な〈アラバマ・ソング〉は聴きどころの一つと言えるでしょう。</video:description>
<video:duration>8265</video:duration>
<video:publication_date>2025-09-02T08:08:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:58:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9O</loc>
<video:video>
<video:title>ヴァイルのアメリカ時代の代表的なオペラ《ストリート・シーン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7bde5e7f9e3c98c3838baf5bbef0e223f23e7d79.jpeg</video:thumbnail_loc>
<video:description>アメリカの市井の民を描く《ストリート・シーン》は、ヴァイルがアメリカ亡命後に英語で書いたオペラです。ミュージカルやジャズ的な要素も融合されたこの作品は、1947年に初演されました。マンハッタンのアパートメントでの異なるルーツを持つ貧しい人々の物語で、「アイスクリーム六重唱」が知られています。指揮は、現代音楽を得意とするイギリスのティム・マレー。ブロードウェイでも活躍するパウロ・ゾットやアメリカを代表するソプラノ、パトリシア・ラセットにもご注目ください。</video:description>
<video:duration>9560</video:duration>
<video:publication_date>2025-09-02T08:36:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:51:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1H</loc>
<video:video>
<video:title>ヘスス・ロペス・コボスが指揮する《カヴァレリア・ルスティカーナ》＆《道化師》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0fb77f364423c81f85df62edc5c6969fdcf2ea53.jpg</video:thumbnail_loc>
<video:description>《カヴァレリア・ルスティカーナ》と《道化師》のダブルビルです。《カヴァレリア・ルスティカーナ》では、リトアニア出身のドラマティックなメゾ・ソプラノ、ヴィオレッタ・ウルマーナとイタリアの名テノール、ヴィンチェンツォ・ラ・スコーラが聴きもの。また、《道化師》では、カニオ役のガルージンやネッダ役のマリア・バーヨにもご注目ください。演出家のジャンカルロ・デル・モナコは、大歌手マリオ・デル・モナコの息子。スペインの名匠ヘスス・ロペス・コボスが、豪華キャストとともに熱い音楽を作り上げていきます。</video:description>
<video:duration>8998</video:duration>
<video:publication_date>2025-06-25T08:56:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T13:42:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4CO</loc>
<video:video>
<video:title>エノッホ・ツー・グッテンベルクが指揮するバッハのマタイ受難曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/528424b1d579807652350ac1269574d251802e03.jpg</video:thumbnail_loc>
<video:description>由緒ある貴族の出身ならではの品の良さとドイツ・ロマン派の伝統を受け継ぐスタイルで、熱心なファンによってカリスマ的支持を集めていたエノッホ・ツー・グッテンベルク。この映像は重厚なロマネスク様式のアルピルスバッハ修道院で上演した、バッハの最高傑作のひとつ《マタイ受難曲》を収録したものです。演奏は1970年代の初めにミュンヘン音楽演劇大学のマスタークラスから生まれ南ドイツの伝統に根ざしたバッハ・コレギウム・ミュンヘン。グッテンベルク自身が1967年に設立したノイボイエルン合唱協会の演奏も聴き所ですが、ソリストのイエス役に日本でも高い人気を誇ったドイツ最高のバリトン歌手のひとり、ヘルマン・プライが起用されているのも観逃せません。</video:description>
<video:duration>11042</video:duration>
<video:publication_date>2025-04-16T09:19:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T09:00:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36E0</loc>
<video:video>
<video:title>初演のポツダム新宮殿劇場でメンデルスゾーン《夏の夜の夢》の秘密に迫る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f50b50507889e866cbc85a19a44f53182067f800.jpg</video:thumbnail_loc>
<video:description>メンデルスゾーンが、シェイクスピアによる全5幕の喜劇『夏の夜の夢』に親しんだのは17歳の頃で、当時彼は興の赴くままにピアノ連弾用の序曲を書き上げ、オーケストレーションも施すとこれが評判を呼び、1829年にはロンドンでの演奏も実現しました。その後1843年にプロイセン国王のフリードリヒ・ヴィルヘルム4世から、ポツダムに建設される王宮付属の新劇場のこけら落としとして、この戯曲のための付随音楽の作曲を委嘱された際、かつて作曲した序曲をそのまま流用し、新たに書いた楽曲と合わせて完成させました。この映像は、初演と同じ新宮殿劇場で2024年に披露された《夏の夜の夢》を通して、この曲にメンデルスゾーンが込めた“想い”に迫るドキュメンタリーです。演奏はアントネッロ・マナコルダが2010年から首席指揮者兼芸術監督を務める室内オーケストラ、カンマーアカデミー・ポツダム。ソリストとして迎えたドイツのクリスティアーネ・カルクとトリニダード出身のジャニーヌ・ド・ビケの共演も聴きどころのひとつです。</video:description>
<video:duration>2620</video:duration>
<video:publication_date>2025-07-21T04:49:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:57:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHI</loc>
<video:video>
<video:title>ミルガ・グラジニーテ=ティーラが指揮するドヴォルザーク《新世界より》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e21176f110f57d4791e0ea391498b5d0381643d1.jpg</video:thumbnail_loc>
<video:description>ヴァイオリニストとしてだけでなく指揮者や教育者としても活躍したユーディ・メニューインによって創設され、毎夏スイス中部アルプスの保養地グシュタードで開催される音楽祭から、注目の公演をお届けします。活躍の場を広げつつある期待の女性指揮者ミルガ・グラジニーテ=ティーラが指揮するのは、ドヴォルザークの新天地アメリカへの期待と故郷への想いが交錯して生まれた交響曲第9番《新世界より》です。選りすぐりの演奏者が集うグシュタード音楽祭管弦楽団とミルガのフレッシュな才能がこの名作でどのような化学反応を生むのか、ぜひご期待ください。</video:description>
<video:duration>2600</video:duration>
<video:publication_date>2025-08-25T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:51:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C1H</loc>
<video:video>
<video:title>パヴェル・コーガンが指揮するショスタコーヴィチの交響曲第10番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5c1cbad9447bd3fec01507f604057293a1dbd48.jpg</video:thumbnail_loc>
<video:description>1943年設立のモスクワ国立 (アカデミー) 交響楽団は、1989年に首席指揮者に就いたパヴェル・コーガン (※大ヴァイオリニスト、レオニード・コーガンを父に持つ) によってその名声を高めます。彼は旧ソ連時代の前任者ヴェロニカ・ドゥダロワを上回り30年以上にわたってオーケストラと関係を保ち、ロシア・ソ連系の作品に加えベートーヴェンからマーラーに至る交響曲群を演奏会の中核に据え、質の高い演奏活動を展開しました。こちらはコーガン率いる同楽団が「鉄のカーテン」が崩壊しようとしていた1990年の夏に、かつてスターリンの死の直後、いわゆる「雪どけ」時代の直前に書かれたショスタコーヴィチの“第10番”をミュンヘンで演奏したときの映像です。会場の空気感は演奏そのものと同じく圧倒的で、ロシア音楽史における重大な瞬間を捉えた貴重な記録といえます。</video:description>
<video:duration>4394</video:duration>
<video:publication_date>2025-09-02T12:43:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:43:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1P</loc>
<video:video>
<video:title>ジョン・マクラフリンとカティア・ラベックが共演</video:title>
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<video:description>インド音楽など様々な要素を取り入れた独自のジャズ・ミュージックを展開した英国の超絶技巧ギタリスト、ジョン・マクラフリンがラベック姉妹のひとり (姉) カティア・ラベックと共に、夏のミュンヘンの風物詩的コンサートシリーズに登場した、1989年のライヴ映像をお届けします。プログラムはすべてマクラフリン作曲のオリジナル。80年代の始めには公私をともにしていたことでも知られる二人が、息の合ったデュオ演奏を繰り広げるのが前半の聴き所です。後半に披露される《アランフェス協奏曲》(ロドリーゴ) を彷彿とさせる《地中海》も、ミュンヘン・フィルの色彩豊かな音色を駆使した名演ですのでお聴き逃しなく。</video:description>
<video:duration>3338</video:duration>
<video:publication_date>2025-08-19T16:16:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-18T08:08:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCD0</loc>
<video:video>
<video:title>《戦争の静寂》について</video:title>
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<video:description></video:description>
<video:duration>715</video:duration>
<video:publication_date>2025-02-25T16:36:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T14:29:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GCO</loc>
<video:video>
<video:title>《夢想》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7369597507a7308fe22ef850a98e4b660b9d6eaf.png</video:thumbnail_loc>
<video:description>“A soundtrack to my life” – this is how ‪Eunike Tanzil sums up &apos;The First of Everything&apos;, her much anticipated debut album. The recording reflects the versatility, sense of freedom and spirit of adventure that define this exciting young composer-pianist-producer’s modern take on orchestral music. Its 12 tracks trace a journey of significant personal firsts and reveal Eunike’s gift for storytelling in music that ranges from minimalistic writing to sweeping cinematic statements. The suitably dreamy “Reverie”, on which Eunike plays piano and celesta, stems from a tiny motif by Ravel – “He’s my biggest inspiration in terms of classical composers, so this is my tribute to him.”</video:description>
<video:duration>178</video:duration>
<video:publication_date>2025-09-08T08:09:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T10:22:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3EDO</loc>
<video:video>
<video:title>スカイ :《アメリカン・ミラー》パート1</video:title>
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<video:description>This track, American Mirror, Part 1 by Derrick Skye, is a bold reflection on intercultural collaboration in American society. Rooted in West African, North African, Eastern European, and Appalachian musical traditions, this work weaves centuries of migration, identity, and connection into one powerful sound.

The composer Derrick Skye comments: “American Mirror reflects on the coming together of cultures in our society, which consists of many generations and descendants of refugees, immigrants, and enslaved people, and how intercultural collaborations are essential to the well-being of American society. (...)”</video:description>
<video:duration>851</video:duration>
<video:publication_date>2025-08-29T09:07:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T10:20:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GCO</loc>
<video:video>
<video:title>ウィーンでの演奏会について</video:title>
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<video:description></video:description>
<video:duration>805</video:duration>
<video:publication_date>2023-06-16T13:11:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T09:47:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3EC8</loc>
<video:video>
<video:title>アルバム『ソリプシズム Redux』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/159d754f1ac90f33d146e540983b15f769bb45ff.png</video:thumbnail_loc>
<video:description>In 2015, Joep Beving released his debut album Solipsism, a record that opened the door to a new life filled with music, travel, performances and encounters. A decade later, he returns to that first work with Solipsism Redux, a new recording that reflects on how these compositions have changed and matured over time.

Excerpt from Stalker (1979), directed by Andrei Tarkovsky, used with permission from FSUE Mosfilm Cinema Concern.</video:description>
<video:duration>426</video:duration>
<video:publication_date>2025-08-21T14:28:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-17T09:35:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP32CO</loc>
<video:video>
<video:title>クリスマス・キャロル「Oh Du Fröhliche」</video:title>
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<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2022-12-08T06:21:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T15:11:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP32D0</loc>
<video:video>
<video:title>『Frohe Weihnachten!』を語る</video:title>
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<video:description></video:description>
<video:duration>401</video:duration>
<video:publication_date>2022-12-08T06:49:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T15:05:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34C0</loc>
<video:video>
<video:title>ブルッフのヴァイオリン協奏曲第1番について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/343dfcb65567f64b9802ce9899b95bbd5ac0ee8c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>381</video:duration>
<video:publication_date>2025-07-02T09:52:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-16T12:57:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9M</loc>
<video:video>
<video:title>ノイボイエルン合唱協会がブラームスを歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/42e84ccc860bfc9f3a26bb4a021cdff4c4605cc0.png</video:thumbnail_loc>
<video:description>指揮者のエノッホ・ツー・グッテンベルクが牽引するノイボイエルン合唱協会。グッテンベルクの逝去によってこの合唱団は現在解散してしまっているため、本映像は彼らの歌唱を見ることができる貴重なものとなっています。均整の取れた響き、歌詞を丁寧に届けようとする歌唱に特徴づけられる彼らの音楽性は、本映像のブラームスの作品と非常に相性がよく、楽曲の魅力をさらに高めているといえるでしょう。</video:description>
<video:duration>3547</video:duration>
<video:publication_date>2025-08-28T15:40:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-15T10:41:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GE0</loc>
<video:video>
<video:title>《ルナ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/49574f6d3ed622750b6063d74ef8831a77fc7978.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>361</video:duration>
<video:publication_date>2025-09-12T09:23:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-12T14:22:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3CE8</loc>
<video:video>
<video:title>イマジネーションの力～イルダル・アブドラザコフ＆バンジャマン・ベルネーム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/34a11a4db7ca86e2e181dfd0241ba5c225808e05.jpg</video:thumbnail_loc>
<video:description>ロシアのバス、イルダル・アブドラザコフとフランスのリリック・テノール、バンジャマン・ベルネーム。揃って2019年にソロ・アルバムをリリースして、ドイツ・グラモフォン・デビューを果たした期待の若手二人が、ベルリンの旧火葬場を改装したドーム型ホール、サイレント・グリーンで繰り広げた特別な一夜をお届けします。オペラの名シーンを伝える感情豊かなアリアが次々に披露され、聴衆の想像力を掻き立てることでしょう。共演ピアニストのサラ・ティスマンとの、息をもつかせぬそれぞれのやりとりにもご注目ください。</video:description>
<video:duration>2618</video:duration>
<video:publication_date>2024-06-24T09:14:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-12T06:09:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30CO</loc>
<video:video>
<video:title>チック・コリア＆マッコイ・タイナーがセロニアス・モンクの《リズム=ア=ニング》をカヴァー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/80873526c7f364ae85264530e48093d5dacd1dbc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>459</video:duration>
<video:publication_date>2025-06-05T08:38:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-11T10:23:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJGE0</loc>
<video:video>
<video:title>サロネン＆パリ管弦楽団によるR.シュトラウス :《エレクトラ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d22b7933567701e2225a3ce888523fd2520087e.jpg</video:thumbnail_loc>
<video:description>2013年のエクサンプロヴァンス音楽祭で大評判となったR.シュトラウスの《エレクトラ》。名指揮者サロネンとパリ管弦楽団の演奏は聴きものです。エレクトラは、父を殺害した母と彼女の不倫相手への復讐に執念を燃やします。エレクトラ役のヘルリツィウスは、R.シュトラウスやワーグナーを得意とするドラマティック・ソプラノ。そして、ワーグナー歌手として知られるメゾ・ソプラノのマイヤーが、母クリテムネストラを演じます。鬼才シェローの演出にも注目。</video:description>
<video:duration>6660</video:duration>
<video:publication_date>2025-06-17T13:51:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-10T14:50:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJAD8</loc>
<video:video>
<video:title>リヒターが指揮する、バッハのマタイ受難曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c71eed51d30c0fc8c9ea24a7ce4aaa21a11ffa72.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンの古楽専門レーベルであるアルヒーフの1958年録音も名盤として名高い、リヒターと彼が理想的なバッハ演奏のために設立したミュンヘン・バッハ管弦楽団＆合唱団によるマタイ受難曲の演奏をお届けします。映像は1971年にベネディクト派のオットーボイレン修道院にて撮影されたもので、充実のソリスト陣による歌唱と“バッハの使徒”と呼ばれたリヒターの真摯な指揮ぶりが堪能できます。受難の物語を暗示させるステージ上の巨大な十字架のセットも印象的です。</video:description>
<video:duration>11945</video:duration>
<video:publication_date>2023-04-05T10:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:51:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJAD0</loc>
<video:video>
<video:title>リヒターが指揮する、バッハのヨハネ受難曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d79fc9c7f1709989510ac02df859462d8bfd7d06.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンの古楽専門レーベルであるアルヒーフの1964年録音も名盤として語り継がれている、リヒターと彼が理想的なバッハ演奏のために設立したミュンヘン・バッハ管弦楽団＆合唱団によるヨハネ受難曲の演奏です。映像は1970年にバイエルン州はディーセンのマリエンミュンスター教会に、福音史家のペーター・シュライアーを筆頭に当時最高のバッハ歌いを集めて収録されました。演奏陣の卓越したテクニックとそれを盤石に支えるリヒターが生み出す、重厚な音楽をお楽しみください。</video:description>
<video:duration>7795</video:duration>
<video:publication_date>2023-04-05T09:05:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:50:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCE8</loc>
<video:video>
<video:title>イスラエル・フィル 創立60周年記念コンサート</video:title>
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<video:description>1996年12月26日、イスラエル・フィルハーモニー管弦楽団が創立60周年を迎えた際に開催されたガラ・コンサート。1936年の同日、巨匠トスカニーニの指揮によって行われた第1回演奏会と同じプログラムで、ユダヤ系のスター・ヴァイオリニストがステージに勢ぞろいして、会場のマン・オーディトリアムは大きな熱気に包まれました。バレンボイム指揮によるウェーバーの歌劇《オベロン》序曲や終身音楽監督のズービン・メータ指揮によるブラームスの交響曲第2番など、他にも聴きどころが満載です。</video:description>
<video:duration>6817</video:duration>
<video:publication_date>2022-09-26T09:27:07Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-09T13:40:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CC0</loc>
<video:video>
<video:title>Patterns / Solo - パート2</video:title>
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<video:description></video:description>
<video:duration>165</video:duration>
<video:publication_date>2025-07-31T15:01:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:39:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJEE0</loc>
<video:video>
<video:title>ヴァルトビューネ1998～ラテン・アメリカン・ナイト</video:title>
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<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。1998年はアルゼンチン生まれのダニエル・バレンボイムを指揮者に迎えて、欧州のイベリア半島からラテン・アメリカへと向かう音楽の旅がテーマです。ラヴェルの「ボレロ」やビゼーの《カルメン》を皮切りに、ギターの巨匠ジョン・ウィリアムスがソロを担当するロドリーゴの「アランフェス協奏曲」などをお楽しみください。そしてその後のブエノスアイレスのタンゴ・シーンへと続く一連のナンバーでは、バレンボイム自らがバンドマスターとしてピアノをプレイするのでお見逃しなく。</video:description>
<video:duration>7145</video:duration>
<video:publication_date>2022-09-30T11:44:08Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-09T13:36:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GC8</loc>
<video:video>
<video:title>リヒター : Path 3 / Whose Name Is Written On Water - Pt. 1</video:title>
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<video:description></video:description>
<video:duration>337</video:duration>
<video:publication_date>2025-09-05T10:38:27Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-09-08T07:56:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3GC0</loc>
<video:video>
<video:title>リスト :《コンソレーション》第2番ホ長調 S. 172</video:title>
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<video:description></video:description>
<video:duration>203</video:duration>
<video:publication_date>2025-09-05T10:16:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-08T07:56:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP34DO</loc>
<video:video>
<video:title>ダンツィ : クラリネットとファゴットのためのコンチェルティーノ変ロ長調より第3楽章 (編曲版)</video:title>
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<video:description></video:description>
<video:duration>103</video:duration>
<video:publication_date>2022-12-11T17:13:39Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-05T13:40:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0CG</loc>
<video:video>
<video:title>モーツァルト: アヴェ・ヴェルム・コルプス K. 618 (リストによるピアノ・ソロ版)</video:title>
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<video:description></video:description>
<video:duration>191</video:duration>
<video:publication_date>2022-11-11T14:59:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-05T13:06:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0C8</loc>
<video:video>
<video:title>モーツァルト : アヴェ・ヴェルム・コルプス K. 618 (リストによるピアノ・ソロ版)</video:title>
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<video:description></video:description>
<video:duration>240</video:duration>
<video:publication_date>2022-11-11T14:48:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-05T13:05:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6DG</loc>
<video:video>
<video:title>《Sir Duke》</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2024-12-12T14:50:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T13:40:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6E0</loc>
<video:video>
<video:title>《Teardrop》</video:title>
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<video:description></video:description>
<video:duration>440</video:duration>
<video:publication_date>2024-12-12T14:54:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T13:39:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38CG</loc>
<video:video>
<video:title>チェンチッチ、ルセによるバロック・オペラプログラム</video:title>
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<video:description>本公演のソリストには、アンナ・プロハスカが予定されていましたが、彼女の急病により、カウンターテノールのマックス・エマヌエル・チェンチッチが代役登場することになりました。バイロイト・バロックは、バイロイトの辺境伯歌劇場を主会場として行われる音楽祭。ピリオド楽器演奏のスペシャリストであるクリストフ・ルセ、レ・タラン・リリクが、チェンチッチとの共演でバロック・オペラ作品を演奏します。18世紀のハンブルクで活躍した作曲家たちの、現代ではあまり演奏されない作品が並び、特別な時間と発見を届けてくれることでしょう。</video:description>
<video:duration>5528</video:duration>
<video:publication_date>2024-09-23T12:55:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T11:20:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9P</loc>
<video:video>
<video:title>近年再評価の進むヴァインベルク :《パサジェルカ (女船客) 》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d2a57a2b8020cf8235a1db4b7839f935ce6e3fd0.jpeg</video:thumbnail_loc>
<video:description>近年、再評価の進んでいるポーランド出身のミェチスワフ・ヴァインベルク (1919～1996) 。彼は、旧ソ連のユダヤ系作曲家で、ショスタコーヴィチとの親交でも知られています。《パサジェルカ (女旅行者) 》は、1968年に完成した彼の代表的なオペラ。1960年代の豪華客船と1940年代のアウシュヴィッツの強制収容所を舞台とした、過去の罪に向き合う女性の物語です。指揮は、ドイツ出身のローラント・クルティヒ。ボン歌劇場にも出演しているシャミリア・カイザーがリーザ役を務めます。</video:description>
<video:duration>9764</video:duration>
<video:publication_date>2025-09-02T10:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-04T10:15:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E0</loc>
<video:video>
<video:title>愛と憧れの歌～アバド＆ベルリン・フィル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/309f5d61d968dbf1802a7fc4ca54b07be491647c.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィル恒例の大晦日のガラ・コンサート。アバドが指揮した1998年は「愛と憧れの歌」をテーマとして、モーツァルトやヴェルディ等有名なオペラの名場面を彩る音楽に、ベルリオーズやビゼーの管弦楽曲を組み合わせた華やかなプログラムでした。イタリアの大ソプラノ、ミレッラ・フレーニが歌劇《エフゲニー・オネーギン》より〈手紙の場〉を歌い貫禄の歌声を披露します。クリスティーネ・シェーファーやマルセロ・アルバレス、サイモン・キーンリーサイドといった現在のスター歌手たちの若々しい姿と歌声にもご注目ください。</video:description>
<video:duration>5357</video:duration>
<video:publication_date>2022-06-22T12:27:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:33:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CE0</loc>
<video:video>
<video:title>カストルフのリング・チクルス《神々の黄昏》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2238bf31366fcf76f977676a61f4f1eb21bfb436.jpg</video:thumbnail_loc>
<video:description>ドイツ・シュピーゲル紙のインタビューの中で、演出家のフランク・カストルフは「石油はかつての金に相当する、食すことのできない贅沢品」であると、このリング・チクルスの演出に関してコメントしています。四部作の最終章である本作では、シュコパウのブナ化学工場やニューヨークのウォール街などへの壮大な旅が繰り広げられます。B級映画の美学に着想を得たこの作品は当初不評を買ったものの、年月を経て多くの支持を得るようになりました。指揮者マレク・ヤノフスキについて、フランクフルター・アルゲマイネ・ツァイトゥング紙は「正確、透明、雄弁、かつ同時に天を衝くような力で第２幕の急激な変化 [......] を見事に聴かせた」と評しました。</video:description>
<video:duration>15350</video:duration>
<video:publication_date>2022-11-25T11:12:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:26:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CD0</loc>
<video:video>
<video:title>カストルフのリング・チクルス《ワルキューレ》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7922ca33f8e5d1dd5d0636288054a152c745eb33.jpg</video:thumbnail_loc>
<video:description>2013年に初演された新演出のリングチクルスは、アレクサンダル・デニッチによる壮大な舞台装置が見どころの一つです。カストルフの作品の常であるライブ映像が奥行きを加え、《ワルキューレ》のストーリーが19世紀初頭からスターリン時代へと展開されます。舞台はアゼルバイジャンのバクー。西部劇的な資本主義に加え、カストルフは東洋的な共産主義も視野に取り入れました。主役には、この演出3度目となるクリストファー・ヴェントリス、ハイディ・メルトン、キャサリン・フォスターという、盤石な歌手陣を迎えています。</video:description>
<video:duration>13049</video:duration>
<video:publication_date>2022-11-21T07:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:26:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ADO</loc>
<video:video>
<video:title>カストルフのリング・チクルス《ラインの黄金》（日本語字幕付き）</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62dd56126ec611aad2a20cf97d813e584c1c998a.jpg</video:thumbnail_loc>
<video:description>フランク・カストルフは、ベルリンの壁崩壊以降の時代のドイツ語演劇に革命を起こし、知的、政治的、大胆かつ鋭い内容に加え、粗雑なユーモアを舞台に持ち込みました。2013年から2017年に上演されたバイロイト音楽祭でもこれらの特徴をいかんなく発揮しています。この2016年の《ラインの黄金》は、指揮者マレク・ヤノフスキーが音楽監督として音楽祭デビューを果たしたときの録音で、ラインの黄金を前資本主義社会の重要な資源である石油に置き換えた、独自の解釈を特徴としています。第一夜は、アメリカの東海岸と西海岸を結ぶ、1920年代の商業に重要な役割を果たした幹線道路、ルート66脇にあるガソリンスタンドから幕を開けます。</video:description>
<video:duration>9136</video:duration>
<video:publication_date>2022-11-15T16:37:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:25:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3IC8</loc>
<video:video>
<video:title>ネゼ＝セガンが挑む《ニーベルングの指環》: 序夜〈ラインの黄金〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a5060be3405c6ec111909bd2f320c7adda82c636.jpg</video:thumbnail_loc>
<video:description>いま最も注目を集める指揮者のひとりであるヤニック・ネゼ＝セガン。彼がロッテルダム・フィルハーモニー管弦楽団とワーグナーの超大作楽劇《ニーベルングの指環》全曲演奏に挑んだ第1弾です。本映像では序夜〈ラインの黄金〉をご覧いただけます。4部作の中で最も短く、また音楽の変化にも富んでおり、ワーグナーの作品に苦手意識を持っている方でも安心してお楽しみ頂けます。またネゼ＝セガンの音楽づくりはより物語を明瞭に描き出しています。</video:description>
<video:duration>9656</video:duration>
<video:publication_date>2024-07-23T14:02:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:24:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CCG</loc>
<video:video>
<video:title>ガルデル :《首の差で》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/65a62863476c7add24b7ad915b43bdce7e7a2ad8.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>260</video:duration>
<video:publication_date>2025-08-04T11:15:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:20:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30D8</loc>
<video:video>
<video:title>エノッホ・ツー・グッテンベルクが指揮するロ短調ミサ曲</video:title>
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<video:description>由緒ある貴族の出身ならではの品の良さとドイツ・ロマン派の伝統を受け継ぐスタイルで、熱心なファンによってカリスマ的支持を集めていたエノッホ・ツー・グッテンベルクが、手兵クラングフェアヴァルトゥング管弦楽団を率いてバッハのロ短調ミサ曲を演奏する映像をお届けします。会場はバイエルン州ショーンガウ近郊のシュタインガーデン修道院の巡礼教会であるヴィース教会。緑濃い牧草地の中にポツンと建つこの白亜の殿堂は、年間を通して多くの人が訪れる世界遺産であり、一歩中に入ると訪れた人々を圧倒させる豪華なロココ調の内装で知られています。ソリストの中に人気バリトンのディートリヒ・ヘンシェルや現代のスター・バスであるアルベルト・ドーメンらの顔ぶれがあるのも見逃せません。</video:description>
<video:duration>6370</video:duration>
<video:publication_date>2024-12-10T12:55:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:16:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2DG</loc>
<video:video>
<video:title>エノッホ・ツー・グッテンベルクが指揮するバッハのヨハネ受難曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1588e093dff04b7bcdd2906b0db287e6a97eaf6.jpg</video:thumbnail_loc>
<video:description>由緒ある貴族の出身ならではの品の良さとドイツ・ロマン派の伝統を受け継ぐスタイルで、熱心なファンによってカリスマ的支持を集めていたエノッホ・ツー・グッテンベルク。この映像はバイエルン州ゲスヴァインシュタインにある壮麗なバロック様式の教会で上演した、バッハ作品のなかでもひときわ大規模で音楽的にも深い内容を持つ《ヨハネ受難曲》を収録したものです。演奏は1970年代の初めにミュンヘン音楽演劇大学のマスタークラスから生まれ、南ドイツの伝統に根ざしたバッハ・コレギウム・ミュンヘン。グッテンベルク自身が1967年に設立したノイボイエルン合唱協会の演奏も聴き所ですが、ソリストにトーマス・クヴァストホフやナタリー・シュトゥッツマンといった人気歌手が起用されているのも観逃せません。</video:description>
<video:duration>6939</video:duration>
<video:publication_date>2025-04-10T12:21:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:13:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3I</loc>
<video:video>
<video:title>藤田真央 ピアノ・リサイタル in ベルリン</video:title>
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<video:description>当映像では、藤田真央がドイツ・グラモフォンの「ミュージカル・モーメント」シリーズで演奏しています。収録は、2020年。藤田は、前年のチャイコフスキー国際コンクールで第2位に輝き、ヨーロッパでも注目を集めるようになりました。ここでは、モーツアルトのピアノ・ソナタ第3番のほか、アルカンの技巧的な練習曲《イソップの饗宴》や、ラヴェルの《ラ・ヴァルス》を華麗に演奏しています。</video:description>
<video:duration>3556</video:duration>
<video:publication_date>2022-05-03T12:30:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T15:10:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3AE0</loc>
<video:video>
<video:title>ラフマニノフ : チェロ・ソナタト短調 op. 19 より第2楽章 – イサタ・カネー=メイソンと共に</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/959b28f4011b42ed0b215333170a9466631f00d3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>359</video:duration>
<video:publication_date>2025-07-31T13:41:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ADO</loc>
<video:video>
<video:title>パリー :《ミヴァンウィ》(カネー=メイソン編)</video:title>
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<video:description></video:description>
<video:duration>220</video:duration>
<video:publication_date>2025-07-31T12:56:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3AD0</loc>
<video:video>
<video:title>メンデルスゾーン : 無言歌 op. 109 – イサタ・カネー=メイソンと共に</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fe1010ca34fa82149b20d2e65bf94e207531e606.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>256</video:duration>
<video:publication_date>2025-07-30T15:31:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3AE8</loc>
<video:video>
<video:title>バーバー : チェロ・ソナタ op. 6 より第2楽章 – イサタ・カネー=メイソンと共に</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5582cda6c1da0c3aff9165ea6506676a0588106.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>252</video:duration>
<video:publication_date>2025-07-31T13:54:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:35:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3IE8</loc>
<video:video>
<video:title>注目のサクソフォン奏者が奏でるバロックから現代まで</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27c283ead5fadbdfba076e53b2635d4428c0def5.jpg</video:thumbnail_loc>
<video:description>アーシャ・ファチェーエヴァは、ケルン音楽大学とパリ国立高等音楽院で学んだサックス奏者で、2012年ドイツ音楽コンクールで優勝後、2014年アドルフ・サックス国際コンクール第3位入賞を成し遂げ注目を集めています。本映像は彼女が「ライジング・スター」シリーズに登場したときの模様です。バロック・ハープのルイーゼ・エンツィアンとの共演で、バロック時代から現代に至るまでの幅広いレパートリーを披露し、その技術の高さと音楽性の豊かさを示しています。サクソフォンという楽器の魅力も存分に味わって頂けることでしょう。</video:description>
<video:duration>3448</video:duration>
<video:publication_date>2023-11-02T12:53:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3A</loc>
<video:video>
<video:title>モーメント・オブ・リフレクション - アルブレヒト・メイヤー＆今仁喜美子</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/755266268d8ecd40086bfbb69b97ecaf749c3ec2.jpg</video:thumbnail_loc>
<video:description>本映像は、ベルリン・フィルハーモニー管弦楽団首席オーボエ奏者とドイツを拠点に活躍するピアニストの今仁喜美子の共演をご覧いただけます。会場は往年の舞踏会場であるベルリンのマイスターザール。オーデルマットの美しい《水の色》やクレムケの華麗なオペラ幻想曲をはじめ、アーンの歌曲編曲など、美しき風景や心のうつろいを描いた作品が次々に演奏されていきます。これらの楽曲と演奏は、静かに自らを省みる時間を与えてくれることでしょう。</video:description>
<video:duration>2456</video:duration>
<video:publication_date>2022-06-14T12:54:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:18:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34D0</loc>
<video:video>
<video:title>ティーレマンが指揮する《ニーベルングの指環》第一日〈ワルキューレ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0a111b5644ebe45b5d97e0a226e9ca1d8a2273b8.png</video:thumbnail_loc>
<video:description>本映像では《ニーベルングの指環》第一日〈ワルキューレ〉をご覧いただけます。4部作の中で最も人気の高い作品であり、メロディの美しさやライトモティーフの扱いの巧みさなど、ワーグナーの音楽の魅力を存分に味わって頂くことができます。神話の世界を音楽でここまで鮮やかに示したワーグナーの天才ぶりを改めてご堪能下さい。クリスティアン・ティーレマンの鮮烈な音楽づくり、ドイツ・オペラで欠かせない存在となったメゾ・ソプラノの藤村美穂子の存在感にも注目です。</video:description>
<video:duration>14117</video:duration>
<video:publication_date>2023-07-20T14:21:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:12:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32CG</loc>
<video:video>
<video:title>バーゼル室内管弦楽団が届ける《クリスマス・オラトリオ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/79373d5ce8bca88e03564b1f76884d3eeeb97a2e.jpg</video:thumbnail_loc>
<video:description>本映像では、名手バーゼル室内管弦楽団にドイツ室内合唱団とトップクラスのソリストが加わり、クリスマス・シーズンを祝う最高の作品の一つであるバッハのクリスマス・オラトリオを演奏しています。バーゼルの歴史的な聖マルティン教会で撮影されており、コンサートマスターを務めるユリア・シュレーダーが全体の指揮も執ります。6つのカンタータのうち4つにフォーカスし、喜びと思慮深さ双方の性格をを呼び起こして、さまざまなパートの性格を見事に捉えた演奏がお楽しみいただけることでしょう。室内楽的なアプローチで、奏者が生き生きと演奏する姿からは、この時期ならではの至福に満ちた雰囲気を味わえること、間違いありません。</video:description>
<video:duration>6390</video:duration>
<video:publication_date>2024-12-16T10:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-03T14:07:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30CG</loc>
<video:video>
<video:title>ヴィルフリート・ヒラー～音楽のストーリーテラー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8959715e7735e5b85d41882fe2d1ecc01f84e3ce.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>3329</video:duration>
<video:publication_date>2025-06-04T12:59:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-09-03T10:21:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3EE0</loc>
<video:video>
<video:title>J.S.バッハ : 平均律クラヴィーア曲集第1巻より前奏曲第15番ト長調 BWV 860/1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/100c87abe3f6cb7d68607c53e84aa7a605c444fc.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>54</video:duration>
<video:publication_date>2025-09-02T10:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-02T12:55:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9H</loc>
<video:video>
<video:title>初映像化されたヴェルディ最初のオペラ《オベルト》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/03d3fbdce596c21f6198d7ea04524847d4c3d253.jpg</video:thumbnail_loc>
<video:description>ここに収められた舞台は、《オベルト》が初めて映像化されたものです。この作品は、1839年に初演されたヴェルディの最初のオペラ。しかも、ほとんど上演される機会がないだけに、貴重なプロダクションとなっています。指揮を務めたのは、オペラを得意とするカナダ出身のイヴ・アベル。彼は、新国立劇場でも《カルメン》や《椿姫》などを振っています。ムーティから厚く信頼されているロシア出身のイルダル・アブドラザコフがタイトルロールを歌い、ドイツの名ソプラノ、エヴェリン・ヘルリツィウスがレオノーラ役を務めるなど豪華なキャストにもご注目ください。</video:description>
<video:duration>8160</video:duration>
<video:publication_date>2025-08-21T09:53:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T18:49:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9J</loc>
<video:video>
<video:title>グリゴリアンがタイトル・ロールを歌うチャイコフスキーの《チャロデイカ (魔女) 》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/89b1ea72ad0ba4f1200226879022043260d5c33e.jpg</video:thumbnail_loc>
<video:description>チャイコフスキーが交響曲第4番と第5番の間に書き上げた円熟期のオペラにもかかわらず、上演される機会になかなか恵まれなかった《チャロデイカ (魔女) 》の貴重な映像です。指揮は、ウクライナ出身で新国立劇場にも客演するヴァレンティン・ウリューピン。ロシア出身の演出家ヴァシリー・バルハトフによるモダンな舞台、そしてザルツブルクやウィーン、メトロポリタン・オペラなど世界の檜舞台で活躍し、圧倒的な人気を誇るリトアニアのアスミク・グリゴリアンにも注目です。</video:description>
<video:duration>12222</video:duration>
<video:publication_date>2025-08-26T09:41:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T11:25:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1M</loc>
<video:video>
<video:title>イギリスの名匠エルダーによるヴェルディ :《椿姫》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b705294c23bb357a1ed2dca55efcf8c1de01c0c2.png</video:thumbnail_loc>
<video:description>イギリスを代表するオペラ音楽祭、グラインドボーン音楽祭で2014年に上演された《椿姫》です。指揮は、イングリッシュ・ナショナル・オペラの音楽監督を務めた、英国を代表する名指揮者マーク・エルダー。オペラ、演劇、映画で活躍するイギリスの演出家トム・ケアンズの演劇的な舞台も、見どころです。ヴィオレッタ役をヴェネラ・ギマディエワ、アルフレード・ジェルモン役をマイケル・ファビアーノ、ジェルモン役をタシス・クリストヤンニスが演じます。</video:description>
<video:duration>7939</video:duration>
<video:publication_date>2025-08-19T11:39:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-09-01T11:13:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPN</loc>
<video:video>
<video:title>イタリアの名歌手たちを揃えたロッシーニ :《新聞》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2409273a060ebf80c3328a716f83a81ef805057f.jpg</video:thumbnail_loc>
<video:description>《新聞》(1816年) は、《セビリアの理髪師》や《チェネレントラ》と同じ頃のロッシーニ充実期のオペラで、ゴルドーニの「結婚競争」を原作としています。演出は、ノーベル文学賞受賞者のダリオ・フォー。この上演では、美術と衣裳も担当しています。チンツィア・フォルテやブルーノ・プラティコ、ピエトロ・スパニョーリらイタリアの名歌手たちで揃えた強力キャストと、名オペラ指揮者マウリツィオ・バルバチーニのタクトは聴きものです。</video:description>
<video:duration>8852</video:duration>
<video:publication_date>2025-08-12T11:32:42Z</video:publication_date>
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<video:title>チャイコフスキー :《くるみ割り人形》より〈行進曲〉(プレトニョフ編)</video:title>
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<video:publication_date>2025-08-28T12:59:59Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-09-01T08:06:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3EDG</loc>
<video:video>
<video:title>J.S.バッハ : 平均律クラヴィーア曲集第1巻より前奏曲第12番ヘ短調 BWV 857/1</video:title>
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<video:publication_date>2025-08-28T14:06:46Z</video:publication_date>
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<lastmod>2025-08-29T12:15:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ED0</loc>
<video:video>
<video:title>J.S.バッハ : 平均律クラヴィーア曲集第1巻よりフーガ第15番ト長調 BWV 860/2</video:title>
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<video:publication_date>2025-08-28T13:34:56Z</video:publication_date>
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<lastmod>2025-08-29T12:15:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ECG</loc>
<video:video>
<video:title>バーゴン :《ヌンク・ディミティス》(1979年版)</video:title>
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<video:publication_date>2025-08-28T12:07:53Z</video:publication_date>
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<lastmod>2025-08-29T12:14:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6CO</loc>
<video:video>
<video:title>ヤンソンス＆ベルリン・フィルによる「アンコールの夕べ」</video:title>
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<video:description>ベルリン・フィルのヴァルトビューネコンサートといえば、ベルリンの夏の風物詩ですが、2002年のこの回では、マリス・ヤンソンスが指揮を担当。プログラムは、アンコールでよく演奏されるオーケストラ小品を数多く取り上げています。《ローエングリン》の第3幕への前奏曲、《カヴァレリア・ルスティカーナ》の間奏曲から、ドヴォルザークのスラブ舞曲、ビゼーのファランドールまで、お馴染みの名曲がオンパレード。ソリストには、ロシアのヴァイオリニスト、ヴァディム・レーピンが迎えられています。ヴィエニャフスキやチャイコフスキー、マスネでの華麗な演奏をお楽しみください。</video:description>
<video:duration>5481</video:duration>
<video:publication_date>2022-07-19T14:32:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-28T11:57:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E9K</loc>
<video:video>
<video:title>スタン・ゲッツ・イン・コンサート</video:title>
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<video:description>20世紀を代表するテナー・サックス奏者であり、「ザ・サウンド」という愛称でも知られるスタン・ゲッツ。ジャズはもちろん、ボサ・ノヴァやサンバなど幅広い音楽を取り入れ、クロスオーヴァーな音楽活動を行いました。本映像は、スタン・ゲッツが公の場で演奏した最後のコンサートの模様をご覧いただけます。ベーシストのアレックス・ブレイクとドラマーのテリ・リン・キャリントンらが参加し、エディ・デル・バリオとフランク・ゾットリがシンセサイザーで色彩を加えています。偉大なアーティストの貴重な記録をぜひご覧ください。</video:description>
<video:duration>6195</video:duration>
<video:publication_date>2025-08-26T13:58:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-27T15:28:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJAC8</loc>
<video:video>
<video:title>ユップ・ベヴィンがDGデビュー作『ソリプシズム』を再構築</video:title>
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<video:description>ユトレヒトの革新的なスタジオ”ConcertLab”で収録された注目の映像をお届けします。ユップ・ベヴィンは、ドイツ・グラモフォンでのデビュー・アルバム『ソリプシズム』を10年ぶりに見つめ直し、最初のリリース以来世界中のリスナーに力強く語りかけてきた内省的な音楽を、新鮮な形で再構築しました。これまでにないベヴィンの独創的な音世界が凝縮された、今回の「ソリプシズム・リダックス」は、オリジナル作に親しみのある方はもちろん、初めてその音楽に接する方にもインスピレーションと深い感動を与えてくれることでしょう。</video:description>
<video:duration>3348</video:duration>
<video:publication_date>2025-08-26T10:11:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-27T10:11:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CDG</loc>
<video:video>
<video:title>レハール・ガラ「友よ、人生は生きる価値がある」</video:title>
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<video:description>ワルツ王J.シュトラウスが君臨した“黄金時代”に続き、傑作オペレッタでウィーンに“白銀時代”をもたらしたレハールの没後50周年を記念して、シュトゥットガルト・フィルが本拠地であるリーダーハレで1998年に開催したガラ・コンサートの模様をお届けします。ドイツで活躍したオペレッタに造詣の深い指揮者、ローランド・サイファルトが人気作品から甘美で夢見るような旋律の数々を紡ぎます。ソプラノ陣も実力派揃いですが、とりわけメキシコ生まれでウィーン国立歌劇場の宮廷歌手も務めたスター・テノール、フランシスコ・アライサのリリックな歌声をご堪能いただけることでしょう。《微笑みの国》や《メリー・ウィドウ》からの有名な二重唱も絶品です。</video:description>
<video:duration>3695</video:duration>
<video:publication_date>2025-02-26T11:09:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-27T09:49:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1H</loc>
<video:video>
<video:title>ジョー・ザヴィヌル率いるシンジケート「ミュンヘン、ピアノの夏」ライヴ</video:title>
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<video:description>1950年代初めより欧州のジャズ・クラブで演奏活動を始め、その後渡米してキャノンボール・アダレイやマイルス・デイヴィスのグループでもプレイしたジョー・ザヴィヌルは、ウェイン・ショーター (サックス奏者でジャズ界のカリスマ) らと共に70年代フュージョン・シーンを代表するウェザー・リポートの中心人物として活躍したことで知られています。1986年に同グループを解散し、1988年からはワールドミュージックの要素が強いバンドを結成してツアーを続けていた彼が、その「シンジケート」を率いてミュンヘンの風物詩的コンサートシリーズに登場した映像をお届けします。シンセサイザーを駆使したそのサウンドは非常にプログレッシヴで、ヴォーカルのトーンやポリリズムもファンキー。空想上の原生林をさえずる鳥の鳴き声を思わせる効果音などもアフリカ的な魅力に溢れています。</video:description>
<video:duration>3968</video:duration>
<video:publication_date>2025-08-13T08:57:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-25T09:48:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9I</loc>
<video:video>
<video:title>レオニード・チジク ピアノ・リサイタル</video:title>
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<video:description>ミュンヘンの風物詩的コンサートシリーズから、旧ソ連においてプロのジャズ・ミュージシャンとして初めて公認された1947年生まれのピアニスト、レオニード・チジクの“歌心”に溢れたスウィンギーなソロ・リサイタルをお届けします。プログラムはマンシーニ作曲の《酒とバラの日々》を筆頭に、ジェローム・カーンの《オール・ザ・シングス・ユー・アー》やガーシュウィンの《わが恋はここに》などのスタンダード・ナンバーが中心ですが、超絶技巧を駆使した即興演奏によって彼のオリジナル曲のように変貌を遂げているのが聴き所です。なおこのステージはライヴ・レコーディングされてドイツのloftレーベルから、同じ年の12月にアルバム『Days of Wine and Roses』としてリリースされた模様です。</video:description>
<video:duration>3767</video:duration>
<video:publication_date>2025-06-30T12:56:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-25T09:41:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9K</loc>
<video:video>
<video:title>オピッツとジェルメッティの共演によるベートーヴェンの《合唱幻想曲》</video:title>
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<video:description>傑出したピアニストであり、ドイツ音楽の解釈と演奏において比類なき存在であるゲルハルト・オピッツが、イタリアの至宝ジャンルイジ・ジェルメッティが指揮するシュトゥットガルト放送交響楽団と共演した魅惑のステージをお届けします。曲目は交響曲第5番と同時期に書かれた作品ながら演奏される機会の少ない、「ピアノ、合唱と管弦楽のための幻想曲」通称《合唱幻想曲》。音楽的にも、そして芸術を讃美する内容からも交響曲第9番《歓喜の歌》の萌芽として知られているだけに、SWRヴォーカルアンサンブル・シュトゥットガルトによるクライマックスの合唱も聴き所です。</video:description>
<video:duration>1255</video:duration>
<video:publication_date>2025-07-01T11:24:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T09:35:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9J</loc>
<video:video>
<video:title>ディミトリス・スグロス「ミュンヘン、ピアノの夏」ライヴ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6ef8b60792906e6c936ac84e43bf495ea515ce6.jpg</video:thumbnail_loc>
<video:description>ミュンヘンの風物詩的コンサートシリーズから1969年アテネ生まれのピアニスト、ディミトリス・スグロスのリサイタルをお届けします。8歳からアテネ音楽院で学び、12歳でロストロポーヴィチが指揮するワシントン・ナショナル交響楽団とラフマニノフのピアノ協奏曲第3番を演奏してカーネギーホールにデビューを果たすなど、神童の名をほしいままにした彼が額に汗を浮かべながら熱演した“10代最後の夏”のステージをご堪能ください。いずれも難曲ばかりですが、特に超絶技巧を駆使したシュルツ=エヴラー :《美しき青きドナウ》の主題によるアラベスクが圧巻です。</video:description>
<video:duration>3975</video:duration>
<video:publication_date>2025-06-30T13:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T09:25:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPI</loc>
<video:video>
<video:title>ボロディン弦楽四重奏団 : ショスタコーヴィチの弦楽四重奏曲第1番＆第8番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c6701757325e0d6c2929f8fac2821169dac0defa.jpg</video:thumbnail_loc>
<video:description>ボロディン四重奏団は2002年のクフモ室内楽音楽祭で、ショスタコーヴィチの弦楽四重奏曲を披露しました。本映像では第1番と第8番の弦楽四重奏曲の演奏の模様をご覧いただけます。最も演奏機会に恵まれた第8番は、「ファシズムと戦争の犠牲者の想い出に」捧げられた作品。1938年の夏にわずか6週間で作曲された第1番は、ロシアにおける新古典主義を確立したものといえます。作曲者はこの曲について「春と結びついた、やや純真で明るい雰囲気の幼少期の情景を想像しました」と述べており、明るい第1楽章で開始すると、対照的な性格の第2楽章、そして緊張感に満ちた第3楽章と活気と喜びにあふれた第4楽章へと続いていきます。</video:description>
<video:duration>2298</video:duration>
<video:publication_date>2025-08-06T12:47:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T08:09:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPJ</loc>
<video:video>
<video:title>ボロディン弦楽四重奏団 : ショスタコーヴィチの弦楽四重奏曲第15番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/354140dc9f9882398fc1c0747b8a0007eae179c5.jpg</video:thumbnail_loc>
<video:description>ボロディン四重奏団は2002年のクフモ室内楽音楽祭で、ショスタコーヴィチの弦楽四重奏曲を披露しました。本映像では第15番の弦楽四重奏曲の演奏の模様をご覧いただけます。作曲者にとって最後の弦楽四重奏曲であり、1974年、ショスタコーヴィチの死の前年に作曲されました。モスクワの療養施設での2週間の滞在中に書かれ、死を内省的に考察した作品となっています。ショスタコーヴィチの作品の中でもとりわけ深く内省的な曲想となっており、すべてタイトルが付いたゆるやかな性格の楽章のみで構成されています。</video:description>
<video:duration>2423</video:duration>
<video:publication_date>2025-08-06T13:42:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T08:07:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32E8</loc>
<video:video>
<video:title>バーンスタインの鬼気迫るマーラーの交響曲第9番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3e327d95e1b1cea66f5a5bacc5edbed7e93f7d5c.jpg</video:thumbnail_loc>
<video:description>幅広いレパートリーをもつレナード・バーンスタインですが、彼はマーラーの演奏にも非常に力を入れていました。とりわけ、病に苦しんでいた作曲者がこの世への別れを意識して書いたとされる交響曲第9番に対しては強い思い入れを持っていたのです。1971年、ベルリンのフィルハーモニーでウィーン・フィルハーモニー管弦楽団との演奏をライヴ収録した本映像では、バーンスタインが作品に心からの共感を持ってタクトを振った鬼気迫る演奏をご覧いただけます。とりわけ弱音における集中力は圧倒的です。</video:description>
<video:duration>4990</video:duration>
<video:publication_date>2022-10-31T18:16:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32DO</loc>
<video:video>
<video:title>バーンスタインがマーラーの交響曲第8番を指揮 (1975年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6281227dd108ca105519d6acafd2568c51aa308b.jpg</video:thumbnail_loc>
<video:description>20世紀最高の指揮者の一人であり、圧倒的な存在感を放つレナード・バーンスタイン。彼はグスタフ・マーラーの作品に対して強い想いとこだわりを持っていました。現在マーラーの作品が多くのオーケストラによって演奏されるのはバーンスタインの功績でもあります。
本映像では《千人の交響曲》という通称でも知られる、カンタータ的な性格を持つ交響曲第8番で、バーンスタイン渾身の指揮、アグネス・バルツァやヘルマン・プライといった名歌手の歌唱をご覧いただけます。オーケストラ、合唱の輝かしい音色も圧巻です。</video:description>
<video:duration>5177</video:duration>
<video:publication_date>2022-10-31T17:23:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32DG</loc>
<video:video>
<video:title>バーンスタインのマーラー交響曲第7番 (1974年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/469f7dbd6d9cdb07e5fd1d22846747837c3a40f8.jpg</video:thumbnail_loc>
<video:description>長い間、マーラーの交響曲第7番は、スタイルと表現の全く異なる領域が混在しているため、最も問題のある作品と考えられてきました。しかし、バーンスタインは、まさにその相反するものの衝突と両極端の緊張に魅了されたのであり、それが作曲家・指揮者としての彼自身の芸術的側面をも決定付けたと言えるでしょう。ウィーン・フィルが奏でる冒頭の陰鬱な雰囲気は他に類を見ないほど優れており、第2楽章〈夜曲〉の詩情や、まるでオペラをほうふつとさせる豊かな響きを持つフィナーレも、息をのむような出来となっています。</video:description>
<video:duration>5031</video:duration>
<video:publication_date>2022-10-31T17:16:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:50:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32D8</loc>
<video:video>
<video:title>バーンスタインがマーラーの交響曲第6番イ短調を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bda1d4e2839f8f4ff6dbe3d38604ff607de65d28.jpg</video:thumbnail_loc>
<video:description>20世紀を代表する指揮者であるレナード・バーンスタイン。彼は1969年にニューヨーク・フィルの音楽監督を辞任した後は特定のポストには就かず、様々な世界屈指のオーケストラの客演をしていました。本映像は1976年にウィーン・フィル管弦楽団と共演したもので、

 “自分で書いたような気がしてくる”と言うほどに愛したマーラーの作品を演奏しています。

 交響曲第6番は《悲劇的》という副題で呼ばれることもある、非常に規模が大きい作品です。バーンスタインのダイナミックな指揮ぶりが作品の魅力を最大限に引き出しています。</video:description>
<video:duration>5107</video:duration>
<video:publication_date>2022-10-31T16:53:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32CO</loc>
<video:video>
<video:title>バーンスタインがマーラーの交響曲第4番ト長調を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/99017ec8439ded1be5c312a301c65d42a37b60f8.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインは、いちはやく演奏をオーディオヴィジュアル作品でリリースした先駆者でもありました。彼は1970年から1980年代初頭にマーラーの交響曲の収録に取り組み、本作品でご覧いただけるものは1972年収録のマーラーの交響曲第4番。もっとも規模が小さく親密な音楽であり、マーラーの弟子で指揮者のブルーノ・ワルターは、この曲を「天上の愛を夢見る牧歌である」と語っています。それを体現しているともいえるのが第4楽章で、透明感のある美しい声の持ち主であるエディット・マティスがソプラノ独唱を歌っています。</video:description>
<video:duration>3587</video:duration>
<video:publication_date>2022-10-31T16:37:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34D8</loc>
<video:video>
<video:title>バーンスタインがマーラーの交響曲第3番ニ短調を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d4070773226991784a7238718220f87ef4aad499.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインはマーラーの作品を世の中に広めるために若いころから尽力した指揮者でした。積極的に演奏するだけでなく、作品の本質を掘り下げた演奏によってそれを成し遂げたのです。1972年に収められたこの演奏は、オーケストラはウィーンフィルハーモニー管弦楽団、アルト独唱はドイツの名歌手クリスタ・ルートヴィヒという最強の布陣によるもの。交響曲第3番はもともと各楽章に標題が付されていましたが、それを実感させられる表現力豊かな演奏をお楽しみいただけます。</video:description>
<video:duration>6433</video:duration>
<video:publication_date>2022-11-01T11:05:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3C</loc>
<video:video>
<video:title>バーンスタイン、イーリー大聖堂でマーラー《復活》を振る (1973年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a1ba401dd18a67c69c9511295b909dda2e184e0.jpg</video:thumbnail_loc>
<video:description>1973年のこの演奏会は、バーンスタイン指揮によるマーラー《復活》を収めています。バーンスタインは、マーラーがコンサートの世界で一般化していなかった時代に、この作曲家に大きなコミットメントを示した指揮者でした。その濃厚な解釈は、現在でもマーラー演奏のひとつの極地とされています。第4楽章〈原光〉では、イギリスの伝説的メゾ、ジャネット・ベイカーが名唱を示しています。</video:description>
<video:duration>5436</video:duration>
<video:publication_date>2022-05-23T14:00:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:49:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34CG</loc>
<video:video>
<video:title>バーンスタインのマーラー交響曲第10番より アダージョ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81197b99c8e27c5184c2c0ec271b6482db3b681a.jpg</video:thumbnail_loc>
<video:description>バーンスタインは、マーラーの未完成交響曲第10番を5楽章で演奏することに懐疑的な指揮者の一人でした。その代わりに、この世のものと思えぬ美しさと豊かな表現を持つアダージョに集中して取り組みました。マーラーは最後の病気の深刻さを知っていたため、この作品は別れの曲であると同時に、出発の作品でもあると言えるでしょう。この曲の中には、マーラーの音楽の中でも、最も過激で現代的なパッセージがいくつも存在するためです。20世紀初頭にマーラーが指揮したウィーン・フィルを、バーンスタインは自由に操り、名演を生み出しています。</video:description>
<video:duration>1732</video:duration>
<video:publication_date>2022-10-31T18:35:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:48:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32C8</loc>
<video:video>
<video:title>バーンスタインがマーラーの交響曲第1番《巨人》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/db310583ed308b2227810aec056637395bbe89b3.jpg</video:thumbnail_loc>
<video:description>1960年代は「マーラー・ルネッサンス」といえる状況にあり、それを牽引した存在がレナード・バーンスタインでした。そんな彼が、20世紀初頭にはマーラーが指揮者を務めていたこともあるウィーン・フィルハーモニー管弦楽団と共に人気の高い交響曲第1番《巨人》を演奏しています。1974年の収録で、徹底的にこだわりぬいた音作りが感じられます。
間違いなく“名演”といえるものであり、若きマーラーが作品に込めた想い、仕掛けを鮮やかにお楽しみいただけることでしょう。</video:description>
<video:duration>3420</video:duration>
<video:publication_date>2022-10-31T15:24:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-25T07:48:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34CO</loc>
<video:video>
<video:title>パリ・オペラ座の《椿姫》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/63c841c55cf3db0b938c7dcbeb58f5d945b54f35.jpg</video:thumbnail_loc>
<video:description>プリティ・イェンデとベンジャマン・ベルネームは、2019年パリ・オペラ座で上演されたヴェルディの《椿姫》にヴィオレッタとアルフレードとして出演しました。演出を務めたストーンは、人気オペラのラブストーリーをデジタル時代にリミックスし、ソーシャルメディアの通知、徹夜、メール、パーティーなどの要素を取り込みました。現代にふさわしい鮮烈な解釈を生み出した斬新な公演です。</video:description>
<video:duration>8338</video:duration>
<video:publication_date>2022-10-31T19:41:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:44:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8CG</loc>
<video:video>
<video:title>ユーヴァル・シャロン演出、ティーレマン指揮の《ローエングリン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b44c867eca19d940fedc95b29bdb62439b137504.jpg</video:thumbnail_loc>
<video:description>2018年のバイロイト音楽祭における《ローエングリン》の映像。アメリカ人のユヴァル・シャロンによる端正な演出とクリスティアン・ティーレマンの指揮によって紡がれる魅惑の音楽が公演全体を高みに導いています。バイロイト・デビューとなったピョートル・ベチャワ（テノール）とアニヤ・ハルテロス（ソプラノ）も素晴らしい配役でしたが、18年ぶりに戻ってきたヴァルトラウト・マイアー（メゾ・ソプラノ）が最も喝采を浴びていたのも印象的です。</video:description>
<video:duration>12540</video:duration>
<video:publication_date>2022-07-29T11:20:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPG</loc>
<video:video>
<video:title>バリー・コスキーがバイロイトの《マイスタージンガー》2017を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/09653385612d632e14ff716acc198469d5178903.png</video:thumbnail_loc>
<video:description>Australian opera director Barrie Kosky sits down to discuss his work for the 2017 Bayreuth Festival production of Wagner&apos;s Meistersinger von Nürnberg.</video:description>
<video:duration>409</video:duration>
<video:publication_date>2022-04-26T15:00:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:35:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJA</loc>
<video:video>
<video:title>ジョルダン指揮、コスキー演出の《ニュルンベルクのマイスタージンガー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a8a82836d906cfa75a9fbeac6360be21bf331ba6.jpg</video:thumbnail_loc>
<video:description>重厚な場面も軽快な場面も完璧にこなす、巧みな演出家バリー・コスキー。名作《マイスタージンガー》にまったく新しい解釈を付与し、バイロイト音楽祭の近年の新演出のなかでも、特筆に値する出来をしめしました。冒頭では、作品の主要登場人物がワーグナー家の人々として紹介され、その後ワーグナーの反ユダヤ主義が物語られます。フォレ、フォークト、シュヴァネヴィルムスらの歌手陣と、ジョルダンの指揮による演奏は、「オペラの最高峰：家族の絆と幻想、煩悩と魔力、矛盾、誘惑とトラウマ」と評されました (『ターゲスシュピーゲル』紙)。</video:description>
<video:duration>17033</video:duration>
<video:publication_date>2022-04-25T09:47:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CG</loc>
<video:video>
<video:title>ネトレプコ＆ベチャワのワーグナー《ローエングリン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4831fdab2d72b924bb2675c63dd5a70212bdc1d6.jpg</video:thumbnail_loc>
<video:description>アンナ・ネトレプコは2016年、ドレスデン・ゼンパーオーパーで、待望のワーグナー役＝エルザに初めて臨みました。彼女はこの公演で、声量、声の輝き、無尽蔵のスタミナを示しただけでなく、叙情的で繊細な表現も聴かせています。ドイツの日刊紙『フランクフルター・アルゲマイネ』は、「終わりを知らぬ喝采を浴びた」と賞賛。また共演者も、極めて強力です。ワーグナーのスペシャリストとして知られるクリスティアン・ティーレマンは、重厚で豊麗な響きを作り出し、題名役のピョートル・ベチャワも、模範的な歌唱を披露しています。</video:description>
<video:duration>12895</video:duration>
<video:publication_date>2022-06-24T12:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T15:12:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8</loc>
<video:video>
<video:title>ゲルギエフ指揮、クラッツァー演出の《タンホイザー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e57acbafa1db0f91daa46e8909f7fd8ffcafea30.jpg</video:thumbnail_loc>
<video:description>2019年にバイロイトで新制作されたトビアス・クラッツァー演出の《タンホイザー》は、落ちこぼれ一座のロードムービーとして始まります。クラッツァーは、ワーグナーの掲げた「欲する自由、行動する自由、楽しむ自由」というスローガンに着想を得つつ、音楽祭の歴史にも触れています。『フランクフルター・アルゲマイネ』紙は、「センスがよく想像力に富み、ユーモア溢れる舞台。深刻な幕切れだが、観客は釘付けになり、時には笑い声も立てた」と評しています。題名役のスティーヴン・グールドはバイロイトの常連ですが、当舞台ではワレリー・ゲルギエフ、そして新進ソプラノ、リーゼ・ダヴィドセン (エリーザベト) が音楽祭デビューを飾っています。</video:description>
<video:duration>10987</video:duration>
<video:publication_date>2022-04-25T09:34:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:56:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJG</loc>
<video:video>
<video:title>ヘンヒェン指揮、ラウフェンベルク演出の《パルジファル》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22f03743427493367484b73e06899d1c58a61597.png</video:thumbnail_loc>
<video:description>2016年バイロイト音楽祭における《パルジファル》のプロダクション。演出を手がけたのは、ドイツの演出家ウーヴェ・エリック・ラウフェンベルクです。彼はこの舞台で、各国間の宗教的対立をテーマとしています。フォークト、パンクラトヴァ、ツェッペンフェルトを始めとする歌手陣は、聴衆の大きな喝采を浴びました。音楽祭デビューを飾ったハルトムート・ヘンヒェンは、直前に代役として登板し、安定した解釈を聴かせています。「指揮者は、歌手たちを着実にリード。彼らは、ドラマチックに研ぎ澄まされた歌いぶりを示し、歌詞の発音も明瞭だった。オーケストラは透明感のある響きで、輪郭の柔らかな音色、流れるような移行部、小気味よいテンポ、光り輝くクライマックスは、大きな魅力を発していた」（『フランクフルター・アルゲマイネ』紙）</video:description>
<video:duration>14816</video:duration>
<video:publication_date>2022-04-26T12:17:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-08-21T14:55:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8CO</loc>
<video:video>
<video:title>ティーレマン指揮、K・ワーグナー演出の《トリスタンとイゾルデ》(日本語字幕付き)</video:title>
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<video:description>2015年のバイロイト音楽祭では、作曲家の曾孫で同音楽祭総監督のカタリーナ・ワーグナーが《トリスタンとイゾルデ》を演出しました。指揮は、現代を代表するワーグナー指揮者、クリスティアン・ティーレマンが担当しています。演出は、主人公たちの逃げ場のない愛を警察国家のようなセットのなかで描き、第3幕でイゾルデは非現実なホログラムの像として登場します。歌う女優と呼ばれるエヴェリン・ヘルリツィウスと、現代を代表するワーグナー・テノール、スティーヴン・グールドが、圧巻の歌唱。『シュピーゲル』誌は、ティーレマンの指揮を「現在誰も超えることのできない綿密なエレガンス」と評しました。</video:description>
<video:duration>14915</video:duration>
<video:publication_date>2022-07-29T12:44:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-21T14:48:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6DO</loc>
<video:video>
<video:title>ゲルギエフ指揮のヴェルディ《アッティラ》</video:title>
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<video:description>マリインスキー劇場の華麗な演出による、ヴェルディの知られざる9作目のオペラ《アッティラ》。中世のイタリアで、征服者であるフン族の王が敵の娘オダベッラと恋に落ちる、という物語です。1846年の初演時には、イタリアの国家独立運動リソルジメントが起こっており、時代背景を感じさせる作品となっています。アッティラ役を、メトロポリタン歌劇場で大成功を収めたバス歌手、イルダル・アブドゥラザコフがダイナミックに歌っています。指揮は、1988年の芸術監督就任以降、マリインスキー劇場を世界的な地位に高めてきたゲルギエフです。</video:description>
<video:duration>6392</video:duration>
<video:publication_date>2022-07-27T12:04:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T14:42:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E0</loc>
<video:video>
<video:title>バレンボイム指揮、クシェイ演出による《カルメン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a3be01fd0d463762e10b9125772997f1f6719088.jpg</video:thumbnail_loc>
<video:description>マルティン・クシェイが演出したビゼーの《カルメン》は、ベルリン国立歌劇場のプロダクション。2004年に新演出されたこの舞台は、息を呑むようなストーリー展開により作品の内部をえぐり、新たな《カルメン》像を打ち立てました。2006年の当上演では、オペラ史上最も刺激的な女性であるカルメン役を、マリーナ・ドマシェンコが演じています。そのドラマチックな歌唱に、バレンボイムの指揮が加わり、最高レベルの演奏を生み出しています。テノールのヴィリャソンも『フランクフルター・アルゲマイネ』紙で「完璧なホセ」と絶賛されています。</video:description>
<video:duration>11115</video:duration>
<video:publication_date>2022-07-11T14:10:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-21T13:34:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPK</loc>
<video:video>
<video:title>トリフォノフとウェルザー=メストが魅せるプロコフィエフのピアノ協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5daccfebb0b0d6d5a337ac5122a04cf4df4d597f.jpg</video:thumbnail_loc>
<video:description>ミュンヘンのオデオンスプラッツで開かれる毎夏恒例の野外コンサートに、人気指揮者フランツ・ウェルザー=メストとバイエルン放送交響楽団が出演します。前半で披露されるのは、プロコフィエフが1921年に作曲した、ユニークな旋律と躍動的なリズムが特徴のピアノ協奏曲第3番。現代きってのヴィルトゥオーゾ、ダニール・トリフォノフをソリストに迎え、多彩な音色と目まぐるしい技巧をご覧いただけることでしょう。演奏会のメインは、ミュンヘン生まれの作曲家リヒャルト・シュトラウスによる1911年のオペラ《ばらの騎士》組曲です。18世紀ウィーンの上流社会の空気感とともに、名門オーケストラの華麗なサウンドをご堪能ください。</video:description>
<video:duration>5037</video:duration>
<video:publication_date>2025-08-20T14:39:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">KR</video:restriction>
</video:video>
<lastmod>2025-08-21T11:05:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1O</loc>
<video:video>
<video:title>ジョン・マクラフリン・トリオ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ec5f955546440e50f96bf5d39ac2e6af26d1bb61.jpeg</video:thumbnail_loc>
<video:description>イギリスを代表するジャズ・ギタリストのジョン・マクラフリン。圧倒的なテクニック、ジャズにインド音楽、フラメンコ、クラシックなど様々な要素を取り入れた幅広い音楽性によって多彩な楽曲制作、演奏活動を行っています。本映像ではマクラフリンが打楽器奏者のトリロク・グルトゥ、ベース奏者のカイ・エックハルトとのトリオで行ったオリジナル作品を中心とするコンサートをご覧いただくことができます。各奏者の卓越した技術、ジャンルを超えた音楽性の融合によって生まれる音楽は聴く者を一瞬で魅了します。</video:description>
<video:duration>4962</video:duration>
<video:publication_date>2025-08-19T15:36:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-21T10:57:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CD0</loc>
<video:video>
<video:title>音楽の魔法の瞬間～ホロヴィッツ in モスクワ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f4a03c5ddf9c33242418fab683daf6bdb3358459.jpg</video:thumbnail_loc>
<video:description>20世紀を象徴する偉大なピアニスト、ヴラディーミル・ホロヴィッツは1926年に初の国外コンサートをベルリンで開催し、この時から名前を西欧風にHorowitzと改めパリやロンドンで演奏。1928年にアメリカ・デビューを果たしてから巨匠の道を歩み始めます。このドキュメンタリーは、彼が亡くなる3年前の1986年 (ロシアを離れてから約60年ぶり) にモスクワ音楽院大ホールで行った伝説的リサイタルの映像を軸に、そのヴィルトゥオージティの実像に迫るものです。晩年に彼のマネージャーを務めたピーター・ゲルブ (メトロポリタン歌劇場総裁) を筆頭に作曲家や演奏家、現代の巨匠アルゲリッチにトリフォノフやパチーニなど新時代のスター・ピアニストらが語る、貴重なインタビューも見どころのひとつです。</video:description>
<video:duration>3131</video:duration>
<video:publication_date>2024-08-15T11:38:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-20T11:03:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3EC0</loc>
<video:video>
<video:title>マジック・モーメンツ・オブ・ミュージック—マルタ・アルゲリッチ</video:title>
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<video:description>1965年のショパン国際ピアノコンクールで圧倒的な演奏と存在感で世界中の人々を魅了したマルタ・アルゲリッチ。彼女には大会中、アルトゥール・モレイラ・リマというライバルがいました。本映像には、本選でのアルゲリッチとモレイラ・リマによるショパンのピアノ協奏曲第1番の演奏、その45年後にワルシャワで行われたマルタ・アルゲリッチによるショパンのピアノ協奏曲第1番の演奏の抜粋が収められています。その他、ダニエル・バレンボイムら一流の芸術家によるインタビューもご覧いただけます。</video:description>
<video:duration>3125</video:duration>
<video:publication_date>2024-09-04T15:14:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-20T11:02:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJIC8</loc>
<video:video>
<video:title>タングルウッド音楽祭 創立75周年記念ガラ・コンサート～ムター、ネルソンス他</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4bfce7cc5f5ea160039595d9ae787ba8f00f5634.jpg</video:thumbnail_loc>
<video:description>2012年に75周年を迎えた、世界中のクラシック・ファンに愛されている音楽祭で7月14日に行われた記念ガラコンサートの映像をお届けします。シンガー・ソングライターのジェームズ・テイラーによるアメリカン・ソング・メドレー（指揮はジョン・ウィリアムズ）を筆頭に、スター演奏家が集結した豪華ラインナップのなかで注目はアンネ・ゾフィー・ムターをソリストに迎えた《カルメン幻想曲》（タングルウッド音楽センター・オーケストラの演奏）など。加えて、アンドリス・ネルソンス指揮＆ボストン交響楽団の黄金コンビ初録音となったラヴェルの《ラ・ヴァルス》も聴き逃せません。</video:description>
<video:duration>6675</video:duration>
<video:publication_date>2023-06-22T11:10:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-20T10:52:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8DG</loc>
<video:video>
<video:title>アムランが奏でる《ラプソディ・イン・ブルー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eec4cff369489936cf5c366ccabdef35014482d6.jpg</video:thumbnail_loc>
<video:description>世界的に活躍を続けるヴィルトゥオーゾ・ピアニストであり、クリーヴランド管弦楽団のレギュラー・ゲストとなっているマルカンドレ・アムラン。今回のライブ配信では彼が奏でるガーシュウィンの《ラプソディ・イン・ブルー》をご覧いただけます。ジャズの躍動的なリズムにのせて、息をのむような妙技が繰り広げられることでしょう。デイヴィッド・ロバートソンの指揮によって奏でられるのはコープランドの組曲《アパラチアの春》と《入札地》。色彩感豊かなサウンドで古木良き時代のアメリカの空気感を届けてくれます。</video:description>
<video:duration>5193</video:duration>
<video:publication_date>2025-05-13T13:14:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-08-20T10:32:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3AC8</loc>
<video:video>
<video:title>クリスタ・マイヤーらが歌うシューマン《ゲーテのファウストからの情景》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ee2abfb9ea594de4d7458eb1be8a144e0010d4dd.jpg</video:thumbnail_loc>
<video:description>本映像には、バート・ウーラッハ秋の音楽祭のライブの模様が収められています。上演された演目はシューマンの《ゲーテのファウストからの情景》。独唱、混声合唱、児童合唱、管弦楽のための作品で、演奏機会は少ないですが、彼の文学に対する深い理解が改めて窺えるものとなっています。会場は500年の歴史を持つゴシック様式のアマンドゥス教会。デトレフ・ロートにミヒャエラ・カウネ、藤村実穂子にクリスタ・マイヤーなど卓越した歌手たちの歌唱は作品の魅力をドラマティックに届けてくれます。</video:description>
<video:duration>6537</video:duration>
<video:publication_date>2025-02-12T13:52:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-18T11:53:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CE8</loc>
<video:video>
<video:title>EP『イタリア』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/976b8b29993bb21fd95f32efe2ee2b534d6ecf37.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>392</video:duration>
<video:publication_date>2025-08-14T09:10:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-15T10:17:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPL</loc>
<video:video>
<video:title>アヴィ・アヴィタルが、アレッシア・トンドと共にイタリアの様々な音楽を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4887ee5c18c39cee12cb721f7cecf380b5759b45.jpg</video:thumbnail_loc>
<video:description>イスラエル出身のマンドリン奏者であり、ユダヤ系の伝統音楽にバロック音楽、現代音楽など幅広いレパートリーを誇るアヴィ・アヴィタル。本映像では、アプリア出身の歌手アレッシア・トンドを迎え、ビトウィーン・ワールズ・アンサンブルと共にバロックから現代までのイタリアの伝統音楽と作曲家の作品を演奏します。アヴィタルによって作り上げられたこの公演のための新しいアレンジ、そして新曲によって、新しい表現の可能性の広がりを目撃していただけることでしょう。トンドの変幻自在の声も楽曲に輝きを与えます。</video:description>
<video:duration>4893</video:duration>
<video:publication_date>2025-08-07T10:26:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-15T10:10:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3EC0</loc>
<video:video>
<video:title>Drifting</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/488a66f205a4227f32db72117c875421ab6703e9.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>333</video:duration>
<video:publication_date>2025-08-14T14:30:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T15:34:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ECO</loc>
<video:video>
<video:title>バレンボイムが指揮するモーツァルト《コジ・ファン・トゥッテ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/833ef683b50ea6ca7763a847ba0424343547bb0d.jpg</video:thumbnail_loc>
<video:description>2002年9月のベルリン州立歌劇場における《コジ・ファン・トゥッテ》公演は、映画監督として知られるドリス・デーリエによる大胆に現代へと舞台を移した演出が話題となりました。特にフェランドとグリエルモが“ラヴ＆ピース”を謳うヒッピー風に“性の解放”へと誘うアイデアが秀逸です。もちろんモーツァルト・オペラを得意とするバレンボイムの手腕とレッシュマン、ギューラ、トレケルら充実のキャスト陣による見事なアンサンブルで音楽的にも新鮮味に溢れた演奏をお楽しみいただけます。</video:description>
<video:duration>10737</video:duration>
<video:publication_date>2022-12-07T07:45:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-14T14:34:44Z</lastmod>
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<video:video>
<video:title>キルヒナー演出、レヴァイン指揮によるワーグナー《神々の黄昏》</video:title>
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<video:description>本映像でご覧いただけるのは、作品に新たな可能性をもたらす演出家であるアルフレッド・キルヒナー演出によるワーグナー《ニーベルングの指環》の〈神々の黄昏〉です。想像力を掻き立てる衣装、ドイツの芸術家ロザリーによる、楽曲を可視化したような美術によって、圧倒的な神秘性に満ちた舞台で、ジェームズ・レヴァインの指揮のもと、デボラ・ポラスキーやハンナ・シュヴァルツ、ヴォルフガング・シュミットといったワーグナーのスペシャリストたちが集っています。伝統と革新が詰まったワーグナーをお楽しみいただけることでしょう。</video:description>
<video:duration>16614</video:duration>
<video:publication_date>2022-10-31T20:07:44Z</video:publication_date>
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<lastmod>2025-08-14T14:33:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32CG</loc>
<video:video>
<video:title>バレンボイムが指揮する新演出《トリスタンとイゾルデ》(日本語字幕付き)</video:title>
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<video:description>この《トリスタンとイゾルデ》は、バイロイトの歴史の中で、当初は観客の批判や反発を受けながらも、後に高く評価されることとなった作品の一つです。指揮のバレンボイムは、自身2度目となるバイロイト新演出を担当。パートナーに詩人・演出家であるハイナー・ミュラーを選びました。ミュラーは、エーリッヒ・ワンダーの魅力的な照明の舞台装置を用いて、作品の終末的な側面を強調した演出を披露。ヴァルトラウト・マイアーとジークフリート・イェルザレムは、その情熱と技術的なコントロールが評価された歌唱で、作品の過激さを存分に表現しています。</video:description>
<video:duration>14190</video:duration>
<video:publication_date>2022-10-31T16:03:09Z</video:publication_date>
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<lastmod>2025-08-14T14:31:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32D0</loc>
<video:video>
<video:title>バレンボイム指揮ポネル演出、ワーグナー《トリスタンとイゾルデ》(日本語字幕付き)</video:title>
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<video:description>ダニエル・バレンボイムは、1981年から99年まで、バイロイト音楽祭の中心的な指揮者でした。彼はここで、《パルジファル》、《マイスタージンガー》、《リング》を指揮していますが、なかでも特筆すべきは、2回の《トリスタンとイゾルデ》でしょう。この映像は、その1回目にあたるもの。ルネ・コロ、ハンナ・シュヴァルツ、マッティ・サルミネンといった代表的なバイロイトの歌手陣のかたわら、叙情的な声でイゾルデを歌ったヨハンナ・マイヤーが気を吐いています。ジャン＝ピエール・ポネルの演出は、巨大な樹を舞台の中央に起き、そのもとで恋人たちの愛の夜が歌われるだけでなく、最終場では、イゾルデが死にゆくトリスタンの幻想として登場します。</video:description>
<video:duration>14793</video:duration>
<video:publication_date>2022-10-31T16:49:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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</video:video>
<lastmod>2025-08-14T14:22:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E1I</loc>
<video:video>
<video:title>ジャック・ルーシェ・トリオがバッハを演奏</video:title>
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<video:description>フランスのピアニスト・作曲家のジャック・ルーシェはクラシック音楽をジャズにアレンジし、スタイリッシュな音楽を制作、そして演奏し話題となっていました。特に彼が力を入れていたのがバッハ作品のジャズアレンジで、本映像でもミュンヘン・フィルハーモニーでライブ録音されたバッハ作品のコンサートの模様をご覧いただけます。ルーシェがピアノを演奏し、ヴィンセント・シャルボニエがベース、アンドレ・アルピノがパーカッションを担当しています。洗練された音楽、卓越した技術とセンスの良さが結実した世界をお楽しみください。</video:description>
<video:duration>5568</video:duration>
<video:publication_date>2025-08-13T09:31:56Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2025-08-14T10:49:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPM</loc>
<video:video>
<video:title>グラインドボーン音楽祭時代のユロフスキーが指揮したロッシーニ :《チェネレントラ》</video:title>
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<video:description>《チェネレントラ》は、イタリア語で「シンデレラ」を意味します。鬼才ウラディーミル・ユロフスキが、このロッシーニの人気作品をどのように聴かせてくれるかに注目です。彼は現在、バイエルン州立歌劇場の音楽総監督ですが、この上演当時はグラインドボーン音楽祭の音楽監督を務めていました。アンジェリーナ=チェネレントラを歌うのは、人気メゾ・ソプラノのルクサンドラ・ドノーセ。ロシア出身で、現代を代表するロッシーニ・テノール、マキシム・ミロノフの歌うドン・ラミーロ王子も期待を裏切りません。</video:description>
<video:duration>9337</video:duration>
<video:publication_date>2025-08-12T08:46:06Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-14T10:44:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHG</loc>
<video:video>
<video:title>ダニエル・ドゥ・ニースがロジーナを歌うロッシーニ :《セビリアの理髪師》</video:title>
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<video:description>《セビリアの理髪師》はロッシーニの代表作。このグラインドボーン音楽祭での映像では、人気ソプラノ、ダニエル・ドゥ・ニースがロジーナを歌っています。フィガロ役は、ドイツ生まれでドイツの歌劇場で活躍するビョルン・ビュルガー。また、イギリス出身で女優としても活動するアナベル・アーデンは、この舞台の演出を手掛けています。指揮のエンリケ・マッツォーラは、イタリアの名オペラ指揮者。2025年の新国立劇場での《蝶々夫人》の名演が記憶に新しいところです。</video:description>
<video:duration>9905</video:duration>
<video:publication_date>2025-07-31T08:51:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T12:18:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJAC0</loc>
<video:video>
<video:title>アヴィ・アヴィタルが贈る「ビトゥイーン・ワールズ～イベリア」</video:title>
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<video:description>グラミー賞にもノミネートされたマンドリン界の実力派スター、アヴィ・アヴィタル。クラシックの教育を受けた音楽家がジャンルを超えたレパートリーを開拓すべく結集した、ビトゥイーン・ワールズ・アンサンブルと共に、三回にわたってピエール・ブーレーズ・ザールで演奏会を行います。今回お届けする第1回は、アルベニスやグラナドス、ファリャといったお馴染みの作曲家の作品を含むプログラムで、2022年11月にライブ収録されました。現代フラメンコを牽引する歌手マリーナ・エレディアやホセ・ケベド・ボリタ、パキート・ゴンザレスといった豪華な演奏家も加わり、イベリア半島のディープな音楽世界に浸れることでしょう。</video:description>
<video:duration>4307</video:duration>
<video:publication_date>2025-07-07T09:32:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-13T12:10:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHL</loc>
<video:video>
<video:title>ゲルギエフ＆マリインスキー・オペラのロッシーニ :《ランスへの旅》</video:title>
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<video:description>《ランスへの旅》は、1825年のフランス国王シャルル10世の戴冠を祝うために作曲されました。18名の歌手が次々に歌い、14声の大アンサンブルもあるガラコンサートのような祝祭的オペラです。演奏は、ワレリー・ゲルギエフ＆マリインスキー劇場管弦楽団。同劇場の人気歌手たちによる上演で、マリインスキー・オペラのレベルの高さが示された映像となっています。同オペラの2008年の来日公演と同じアラン・マラトラ演出によるポップな舞台です。</video:description>
<video:duration>7750</video:duration>
<video:publication_date>2025-07-31T12:57:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T12:02:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CD0</loc>
<video:video>
<video:title>グラズノフ : ヴァイオリン協奏曲イ短調 op. 82 より第1楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27224fe72b8eb18f8ef58fb4502d06e8ce8336c4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2025-08-04T12:30:23Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T12:00:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHK</loc>
<video:video>
<video:title>古楽の鬼才ミンコフスキが指揮するロッシーニ :《イタリアのトルコ人》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/439e64cc970f56665a856604ce29e680cc85c0dc.jpg</video:thumbnail_loc>
<video:description>南仏エクサン・プロヴァンス音楽祭での上演。《イタリアのトルコ人》は、ロッシーニ自身の名作《アルジェのイタリア女》の設定を逆にして作られたオペラ・ブッファ。演奏は、古楽の旗手マルク・ミンコフスキ＆レ・ミュジシャン・デュ・ルーヴル。ミンコフスキは、近年、古楽だけではなく、19世紀の音楽にも熱心に取り組んでいます。セリムを演じるのは、ルーマニアの気鋭バス、アドリアン・ザンペトレアン。フィオリッラを歌うオルガ・ペレチャッコは、ロシア出身で、ベルカント・オペラを得意としています。</video:description>
<video:duration>10438</video:duration>
<video:publication_date>2025-07-31T12:46:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T11:54:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHH</loc>
<video:video>
<video:title>人気演出家ロラン・ペリーが演出・美術・衣裳を手掛けたロッシーニ :《セビリアの理髪師》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/66f3dbba5bcc97a7b4aeb6587bfa505f1b6fe1e8.jpg</video:thumbnail_loc>
<video:description>1816年に初演されたロッシーニの代表作《セビリアの理髪師》。この公演は、初演からほぼ200年後の2017年に、シャンゼリゼ劇場で行われました。人気演出家のロラン・ペリーは、演出・美術・衣装を担当し、舞台を鮮やかに彩っています。フィガロ役を十八番とするフロリアン・センペイや、ロジーナ役のカトリーヌ・トロットマン、アルマヴィーヴァ伯爵役のミケーレ・アンジェリーニ、そして、指揮のジェレミー・ローレル＆ル・セルクル・ドゥラルモニーによるピリオド楽器を使用した演奏は聴きものです。</video:description>
<video:duration>9543</video:duration>
<video:publication_date>2025-07-31T09:23:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-13T11:44:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3IDO</loc>
<video:video>
<video:title>アヴィ・アヴィタルが様々なアーティストと奏でる「Between Worlds」ライブ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d0d7c3f7bb113522e5e9cb85cef8ee0ff7a382b8.jpg</video:thumbnail_loc>
<video:description>イスラエルのマンドリン奏者、アヴィ・アヴィタル。「マンドリンのカリスマ」と称される彼は、マンドリンのソリストとしてだけでなく、様々なアーティストとのコラボレーションも積極的に行っています。本映像はそんな彼の音楽性を象徴するアルバム「Between Worlds」からの楽曲をピエール・ブーレーズ・ザールで演奏した模様が収められています。ジョージア地方の民族音楽をはじめ、トルコの作曲家による作品楽しめるヴァラエティ豊かな内容です。</video:description>
<video:duration>6980</video:duration>
<video:publication_date>2025-07-16T13:00:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-12T13:58:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38CO</loc>
<video:video>
<video:title>ブッフビンダーが佐渡裕の指揮でガーシュウィンのピアノ協奏曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c8395df354d49bc8b1c792bcb28124de5ea3984d.jpg</video:thumbnail_loc>
<video:description>本映像は2024年グラーフェネック音楽祭のオープニング・コンサートの模様です。音楽祭のディレクターを務めるルドルフ・ブッフビンダーが、トーンキュンストラー管弦楽団と指揮者の佐渡裕とともに、野外ステージ「ヴォルケントゥルム」に登場します。ブッフビンダーがソリストを務めるのはジョージ・ガーシュウィンのピアノ協奏曲ヘ調。ジャズとクラシックの語法が見事に融合した作品であり、ブッフビンダーの技巧とセンスが光ります。</video:description>
<video:duration>4824</video:duration>
<video:publication_date>2025-08-07T12:15:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-08T12:06:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJEE0</loc>
<video:video>
<video:title>アヴィ・アヴィタルとマリー・アワディスがクラブで演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f1d9fef59e0d6b58a4b2c2a74ab257a072cb18ff.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンが贈る、 一流の音楽を気軽に楽しむ革新的なクラシック演奏会シリーズ「イエロー・ラウンジ」。今回の会場は、ドイツ東部の工業都市ケムニッツにある象徴的なクラブ・アトミーノです。フォルクスワーゲンとの共催で行われ、アヴィ・アヴィタルとマリー・アワディスがそれぞれ次回作のアルバムに収録予定の楽曲を披露します。恒例となっているマルチメディア・アーティスト、フィリップ・ガイストの視覚効果が生み出す独特な空気感もご堪能ください。</video:description>
<video:duration>4441</video:duration>
<video:publication_date>2025-07-07T08:19:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-08T10:34:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DHP</loc>
<video:video>
<video:title>コンスタンティン・ヴェッカーとヴォルフガング・ダウナーが共演</video:title>
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<video:description>作家・俳優など様々な顔を持つシンガーソングライター・ピアニストでもあるコンスタンティン・ヴェッカー。本映像ではドイツを代表するジャズ・ピアニストであえるヴォルフガング・ダウナーと共演し、自作品の演奏を行っています。開場はミュンヘンのフィルハーモニー、ガスタイクで行われました。心を打つ旋律、様々な創意に満ちたハーモニーによって彩られた彼らの作品、エモーショナルな演奏をお楽しみいただけることでしょう。</video:description>
<video:duration>2033</video:duration>
<video:publication_date>2025-08-05T15:42:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-07T13:31:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34DO</loc>
<video:video>
<video:title>アーノンクールが振るモンテヴェルディの《オルフェオ》</video:title>
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<video:description>1970年代半ばにチューリッヒ歌劇場で行われたこの公演はセンセーションを巻き起こし、ピリオド楽器を使った演奏に新しい水準を打ち立てました。アーノンクールは重要なオペラ指揮者としての地位を確立し、彼が敬愛する演出家ポネルは、音楽史上初の偉大なオペラ作曲家であるモンテヴェルディの作品が、いかに現代的で新鮮なものであるかを証明したと言えるでしょう。この映像では、近代オペラ界の歴史における革命的な瞬間を体験することができるはずです。</video:description>
<video:duration>6154</video:duration>
<video:publication_date>2022-11-02T10:37:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-07T09:30:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPH</loc>
<video:video>
<video:title>ニコライ・ペトロフが奏でるシューマンの《交響的練習曲》</video:title>
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<video:description>ロシアのピアニストは圧倒的な名手が多いですが、そのなかでも抜きんでた存在の一人がニコライ・ペトロフです。プロコフィエフなどロシアの作曲家をはじめ、リストの超絶技巧を駆使した作品も得意としていました。本映像でご覧いただけるのはシューマンの《交響的練習曲》。シューマンの作品の中でも規模が大きく、複雑なテクニック、作曲技法が散りばめられています。ペトロフは膨大な音数を掌握し、ひとつひとつの要素を輝かせながら聴き手へと届けてくれます。</video:description>
<video:duration>2056</video:duration>
<video:publication_date>2025-08-06T10:16:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T13:25:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DPG</loc>
<video:video>
<video:title>モダン・ジャズ・カルテットの芸術</video:title>
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<video:description>ジョン・ルイスは、ジャズはもちろん、クラシックにも精通したピアニスト。「モダン・ジャズ・カルテット」の音楽監督も務め、その端正な演奏と音楽によって人々を魅了していました。本映像では同カルテットの公演の模様が収められています。各奏者の音色の美しさと技術の高さ、正確かつ躍動的なリズムが冴えわたります。クラシックの香りも随所にただよい、このカルテットだからこそ出せる響きは今もなお多くの人々の心を捉えて離しません。</video:description>
<video:duration>3696</video:duration>
<video:publication_date>2025-08-06T09:35:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T13:23:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCDO</loc>
<video:video>
<video:title>ショスタコーヴィチの生涯を新しい視点で描いた映画「Into the cold dawn」</video:title>
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<video:description>本映像は、クラシック音楽のドキュメンタリーを多く手がけてきたオリバー・ベッカーと、舞台や衣装デザイナーとして活躍するカタリーナ・ブルーナーによって制作、2008年に公開されたドイツ映画です。架空の映画監督を主人公にし、ドミートリイ・ショスタコーヴィチがスターリン政権下で映画音楽の作曲にどのように向き合っていたのかを追っていくものとなっています。マリオネットの使用など、斬新なアプローチによって大作曲家の生涯を描きだしていく手法が目を奪います。</video:description>
<video:duration>4800</video:duration>
<video:publication_date>2022-12-01T16:14:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:54:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34E8</loc>
<video:video>
<video:title>ガランチャら豪華出演陣による歌劇《カヴァレリア・ルスティカーナ》</video:title>
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<video:description>本映像には、マヨルカ島の「キャップ・ロカット音楽祭」で上演されたマスカーニの歌劇《カヴァレリア・ルスティカーナ》の模様が収められています。非常に出演者が豪華なことでも話題を呼んだプロダクションで、ヒロインのサントゥッツアを大人気メゾ・ソプラノのエレーナ・ガランチャが演じます。一方ヒロインを裏切る恋人トゥリッドゥにはアメリカ期待のテノールであるマイケル・ファビアーノで、一幕劇でありながらもスケールの大きな作品の指揮を務めるのはニコラ・ルイゾッティ。濃密な人間ドラマを鮮やかに描き出しています。</video:description>
<video:duration>4563</video:duration>
<video:publication_date>2024-01-08T12:25:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:53:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38CO</loc>
<video:video>
<video:title>シエラとデムーロのオペラ・ガラ</video:title>
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<video:description>ソプラノ歌手のナディーン・シエラがテノール歌手のフランチェスコ・デムーロと共演。マヨルカ島の美しい海岸で撮影された、特別なオペラ・ガラをお届けします。《ルチア》、《椿姫》、《トゥーランドット》、《ウェスト・サイド・ストーリー》など、人気作品のアリアやデュエットを披露。オペラ・シーンを席巻するシエラと、10歳から歌手として活動する若手テノールのデムーロが、ゴージャスな時間を届けてくれることでしょう。</video:description>
<video:duration>6159</video:duration>
<video:publication_date>2024-01-04T11:03:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-06T07:53:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPH</loc>
<video:video>
<video:title>リセット・オロペサのオペラ・ガラ</video:title>
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<video:description>2025年4月に行われた日本初となるソロ・コンサートでも圧巻の美声を披露して聴衆を虜にした、いまをときめく人気ソプラノ、リセット・オロペサが出演した「キャップ・ロカット音楽祭」でのオペラ・ガラをお届けします。イタリア・オペラとフランス・オペラの2本柱で世界の大歌劇場を席巻する彼女ならでは選曲で、ベル・カント・オペラの華麗なる名曲を情感豊かに歌い上げる夢のステージをご堪能ください。ヴェルディ《シチリアの晩鐘》ではコロラトゥーラの完璧なテクニックに加えてドラマティックな表現も見事で、今後さらなるレパートリーの拡大を予感させ、今後も目が離せません。</video:description>
<video:duration>5518</video:duration>
<video:publication_date>2025-07-11T08:19:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-08-06T07:52:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8D0</loc>
<video:video>
<video:title>パウル・グルダとローランド・バティック、マリナ・ミリッチによるリサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4879d1ac409a6c10c6146b36da4acc2a929606ca.jpg</video:thumbnail_loc>
<video:description>フリードリヒ・グルダを父に持つパウルとそのグルダに師事したローランド・バティック、共にウィーンの生まれで作曲の才能にも恵まれたピアニストである二人は、1982年から1988年にかけてデュオとして活動し、欧州の主要都市のコンサート・ホールに出演して人気を博しました。1983年にコングレスザールのステージに登場したこちらの映像でも、ソロ演奏によるそれぞれの自作曲からデュオ演奏によるラヴェル《ラ・ヴァルス》(2台ピアノ) までイマジネーション豊かに大胆な解釈で聴衆を魅了します。加えて前半でセルビア出身の新星マリナ・ミリッチがバッハとスクリャービン作品を鮮烈にプレイし会場を沸かせるのもお見逃しなく。</video:description>
<video:duration>2817</video:duration>
<video:publication_date>2025-05-12T10:23:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T15:03:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ICO</loc>
<video:video>
<video:title>オルティスが奏でるメンデルスゾーンにヴィラ＝ロボス、シリル・スコット</video:title>
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<video:description>クリスティーナ・オルティスは、1969年にヴァン・クライバーン国際ピアノコンクールで優勝を果たし、イギリスを中心にヨーロッパで活躍するピアニストです。古典派から近代まで、幅広いレパートリーをもちますが、とくにロマン派や故郷ブラジルの作曲家、ヴィラ＝ロボスの作品を得意としています。本映像では彼女が得意とするメンデルスゾーンやヴィラ＝ロボスのほか、アルベニスやシリル・スコットに至る多彩な楽曲の演奏をご覧いただけます。</video:description>
<video:duration>3903</video:duration>
<video:publication_date>2025-03-19T15:12:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T14:47:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32</loc>
<video:video>
<video:title>トリフォノフ、2016年ジルベスター・コンサートでラトル＆ベルリン・フィルと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22a3e192cbff36cd2bf555540e610a2b89ce9aeb.jpg</video:thumbnail_loc>
<video:description>2016年のベルリン・フィルのジルベスター・コンサートでは、ダニール・トリフォノフがこのオーケストラで待望のデビューを飾りました。タクトを取ったのは、首席指揮者のサー・サイモン・ラトル。トリフォノフは、あらゆるピアノ協奏曲のなかでも最も難しいものに数えられるラフマニノフの「第3番」を快演しています。プログラムの前半では、カバレフスキーの秘曲が数多く取り上げられる一方、後半は、ラトルがウォルトン《ファサード》のふたつの組曲から、6曲のナンバーを独自に組み合わせています。</video:description>
<video:duration>5450</video:duration>
<video:publication_date>2022-05-10T15:42:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T14:07:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36D0</loc>
<video:video>
<video:title>ミヒャエル・ギーレンが指揮する《ミサ・ソレムニス》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f0dca11a47b5271caaa735b7ed72be6d2fc91717.jpg</video:thumbnail_loc>
<video:description>ミヒャエル・ギーレンは現代音楽やマーラー、シェーンベルクなど大編成のオーケストラから色彩豊かな音色を引き出す指揮者です。本映像では彼が牽引するベートーヴェンの《ミサ・ソレムニス》をご覧いただけます。共演のバーデン=バーデン南西ドイツ放送交響楽団とはマーラーとの交響曲全集録音もあり、深い信頼関係があります。歌曲、宗教曲のソリストとして名高いフィリス・ブリン＝ジュルソンほか、優れたソリストも揃い、卓越した演奏をご覧いただけることでしょう。</video:description>
<video:duration>4683</video:duration>
<video:publication_date>2025-01-22T12:03:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T12:40:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CD8</loc>
<video:video>
<video:title>マスカーニ :《カヴァレリア・ルスティカーナ》間奏曲 (ホルト編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dcdfb435f180a97256cfb70d488de8a1b5344a0e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>185</video:duration>
<video:publication_date>2025-08-04T13:17:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:51:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CDG</loc>
<video:video>
<video:title>メンデルスゾーン : ヴァイオリン協奏曲ホ短調 op. 64 より第1楽章</video:title>
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<video:description></video:description>
<video:duration>206</video:duration>
<video:publication_date>2025-08-04T13:41:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:41:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CDO</loc>
<video:video>
<video:title>ヴォーン・ウィリアムズ :《揚げひばり》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cbf4478ddf3be0244fb930dd7cf1e7e221805e76.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>283</video:duration>
<video:publication_date>2025-08-04T13:51:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:41:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CCO</loc>
<video:video>
<video:title>『マイ・ファースト・ディケード』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81b3010186b4e0c6930b5c045c39c085b5038ab7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1597</video:duration>
<video:publication_date>2025-08-04T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-08-05T09:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9N</loc>
<video:video>
<video:title>辻󠄀井伸行 ヴェルビエ音楽祭デビュー・リサイタル</video:title>
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<video:description>スイスのヴェルビエで夏季に開催されている「ヴェルビエ音楽祭」。世界中から名手や若手音楽家が集い、リサイタルに室内楽、オペラまで幅広い内容の演奏が行われています。本映像では、人気ピアニストである辻󠄀井伸行が2022年に出演した際のリサイタルの模様が収められています。ベートーヴェンの《月光》ソナタではじまり、ショパンやリストなどの作品が並ぶロマンティックなプログラムで、辻󠄀井のテクニック、歌心をご堪能ください。</video:description>
<video:duration>5159</video:duration>
<video:publication_date>2025-08-01T13:15:03Z</video:publication_date>
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</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ACG</loc>
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<video:title>《セイム・ボート》</video:title>
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<video:duration>190</video:duration>
<video:publication_date>2025-07-30T14:59:47Z</video:publication_date>
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<lastmod>2025-08-03T13:35:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3CC8</loc>
<video:video>
<video:title>Non-Eternal - Pt. 3</video:title>
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<video:duration>223</video:duration>
<video:publication_date>2025-08-01T11:17:48Z</video:publication_date>
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<lastmod>2025-08-01T14:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32DG</loc>
<video:video>
<video:title>「はじめに音楽、次に言葉？」をめぐるディスカッション</video:title>
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<video:publication_date>2025-06-20T13:10:42Z</video:publication_date>
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<video:restriction relationship="allow">DE CH AT</video:restriction>
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<lastmod>2025-08-01T12:44:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36DO</loc>
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<video:title>《Ljóssins knörr》– グドゥムンズドッティル &amp; レイキャビク・オーケストラと共に</video:title>
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<video:publication_date>2025-07-17T12:28:37Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-31T17:51:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9M</loc>
<video:video>
<video:title>ハインリヒ・シフが奏でるバッハ、ヘンツェ、ルトスワフスキの無伴奏作品</video:title>
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<video:description>チェリストのハインリヒ・シフは、ムスティスラフ・ロストロポーヴィチの代役としてルトスワフスキのチェロ協奏曲を演奏して世界的に知られる存在となりました。指揮者としても活躍した彼はチェロから多彩な音色を紡ぎ出し、楽器の様々な可能性を聴衆に届けてくれています。本映像は1988年に行われた無伴奏リサイタルの模様です。ヘンツェにルトスワフスキ、そしてバッハというプログラムで、チェロの楽器としての進化を存分に感じていただけることでしょう。</video:description>
<video:duration>1849</video:duration>
<video:publication_date>2025-07-29T10:54:09Z</video:publication_date>
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<lastmod>2025-07-31T12:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9O</loc>
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<video:title>ナターリャ・トゥルーリが奏でるショパンの《葬送》ソナタ</video:title>
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<video:description>ナターリャ・トゥルーリは、1986年にチャイコフスキーコンクールで第2位を受賞し、世界的に活躍するようになったピアニストです。テクニックの精度はもちろん、楽曲の構造、内容を鮮やかに届ける表現力の高さを持ち、聴衆を魅了してきました。現在はモスクワのチャイコフスキー音楽院教授、イタリアのコモ・アカデミア・オイロペア・ディ・ムジカの客員教授として後進の指導にあたり、多くの才能あふれるピアニストを輩出しています。本映像ではショパンの《葬送》ソナタで彼女の緻密な技術、ニュアンスに富んだ音色をご覧いただけます。</video:description>
<video:duration>1417</video:duration>
<video:publication_date>2025-07-29T11:30:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-31T12:52:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ADG</loc>
<video:video>
<video:title>J.S.バッハ :《甘き死よ、来たれ》(5台のチェロのための編曲版)</video:title>
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<video:duration>191</video:duration>
<video:publication_date>2025-07-30T16:00:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-31T11:59:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3AD8</loc>
<video:video>
<video:title>ハミルトン :《クライ・ミー・ア・リヴァー》(カネー=メイソン＆ベイカー編)</video:title>
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<video:duration>146</video:duration>
<video:publication_date>2025-07-30T15:41:26Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-31T11:59:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3ACO</loc>
<video:video>
<video:title>《ダウン州の輝ける星》(カネー=メイソン編)</video:title>
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<video:duration>117</video:duration>
<video:publication_date>2025-07-30T15:08:39Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-31T11:59:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3AC8</loc>
<video:video>
<video:title>《三隻の船》(ベイカー編)</video:title>
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<video:duration>161</video:duration>
<video:publication_date>2025-07-30T14:48:36Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-31T11:58:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3AC0</loc>
<video:video>
<video:title>《ハヴ・ユアセルフ・ア・メリー・リトル・クリスマス》(ベイカー編)</video:title>
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<video:duration>210</video:duration>
<video:publication_date>2025-07-30T09:59:52Z</video:publication_date>
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<lastmod>2025-07-31T11:58:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D9N</loc>
<video:video>
<video:title>ハインリヒ・シフとパウル・グルダによるデュオ・リサイタル</video:title>
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<video:description>オーストリア生まれのチェロ奏者ハインリヒ・シフと、高名なフリードリヒ・グルダを父に持つピアニストのパウルによるデュオ・リサイタルを1988年のミュンヘンからお届けします。緩急の対比で魅せる鮮烈なシュニトケ作品に始まり、ダンサブルで抒情に溢れたピアソラ作品を挟み、軽快に目眩く変奏が繰り広げられるマルティヌー作品で締める、目の醒めるようなチェロとピアノのためのラインナップをご堪能ください。</video:description>
<video:duration>2412</video:duration>
<video:publication_date>2025-07-29T11:15:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-31T10:27:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHH</loc>
<video:video>
<video:title>北欧マルメ歌劇場でのプッチーニ :《ラ・ボエーム》</video:title>
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<video:description>北欧最大級のオペラハウスであるスウェーデンのマルメ歌劇場で収録された貴重な映像です。《ラ・ボエーム》は、プッチーニのオペラの中で最も人気の高い作品。若い芸術家たちの青春群像劇で、物語の舞台は1830年のパリの下町、カルチェ・ラタン。この上演では、演出のオルファ・フェランは舞台を現代に設定しています。指揮は、ルーマニア出身の名匠、クリスティアン・バデアです。そして、スウェーデン出身や同地で活動する歌手が多く出演しています。</video:description>
<video:duration>7079</video:duration>
<video:publication_date>2025-07-07T09:32:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-31T07:47:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CD8</loc>
<video:video>
<video:title>サー・コリン・デイヴィスが《タンホイザー》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a6034fa4d263306ab7c1f588b0d865e768071b5.jpg</video:thumbnail_loc>
<video:description>中世のタンホイザー伝説とヴァルトブルクの歌合戦伝説を題材とするワーグナー中期の傑作オペラ《タンホイザー》。バイロイト音楽祭でも高い人気を誇っています。本映像では、バイロイト音楽祭で多くの演出を手掛けているヴォルフガング・ワーグナーによる上演をご覧いただけます。このプロダクションではサー・コリン・デイヴィスによる巧みな指揮のもと、ヴェーヌスとエリーザベトを一人の歌手が歌います。非常に難易度の高いことですが、これをソプラノのギネス・ジョーンズは見事にやり遂げ、正反対の女性像を巧みに演じ分けています。</video:description>
<video:duration>11357</video:duration>
<video:publication_date>2022-11-24T10:16:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-30T14:07:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38E8</loc>
<video:video>
<video:title>ウェルズ＆ヴィニシウス :《ウィスパリングズ》- セヴン・アイズと共に</video:title>
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<video:duration>183</video:duration>
<video:publication_date>2025-07-29T15:50:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-30T08:35:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38E0</loc>
<video:video>
<video:title>ウェルズ＆ヴィニシウス :《イカロス》- セヴン・アイズと共に</video:title>
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<video:duration>239</video:duration>
<video:publication_date>2025-07-29T15:18:47Z</video:publication_date>
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<lastmod>2025-07-30T08:35:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38DO</loc>
<video:video>
<video:title>リスト : コンソレーション第3番 S. 172/3 (スワート編) – ジェイムズ・ベイリューと共に</video:title>
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<video:publication_date>2025-07-29T15:11:56Z</video:publication_date>
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<lastmod>2025-07-30T08:35:22Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38DG</loc>
<video:video>
<video:title>カサド :《親愛なる言葉》– イサタ・カネー=メイソンと共に</video:title>
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<lastmod>2025-07-30T08:35:10Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38D8</loc>
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<video:title>《鳥の歌》(カザルス編) – イサタ・カネー=メイソンと共に</video:title>
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<lastmod>2025-07-30T08:28:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38D0</loc>
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<video:title>ブロッホ :《アボダー (神の崇拝) 》(チェロのための編曲版)</video:title>
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<lastmod>2025-07-30T08:28:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38CO</loc>
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<video:title>フォーレ : 夢のあとに op. 7-1 (チェロとピアノ編) – イサタ・カネー=メイソンと共に</video:title>
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<lastmod>2025-07-30T08:27:28Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38CG</loc>
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<video:title>レナード・コーエン :《ハレルヤ》(チェロと弦楽編)</video:title>
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<video:duration>212</video:duration>
<video:publication_date>2025-07-29T13:35:09Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-30T08:27:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34CG</loc>
<video:video>
<video:title>ヴァイグレ指揮K・ワーグナー演出、ワーグナー《マイスタージンガー》</video:title>
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<video:description>2008年のバイロイト音楽祭では、現在の総監督であるカタリーナ・ワーグナーが演出家としてのデビューを飾りました。演目は、《ニュルンベルクのマイスタージンガー》。彼女はここで、この作品を「アートの世界における伝統とイノヴェーションの軋轢」というテーマで読み解いています。指揮を担当したのは、日本でもお馴染みのゼバスティアン・ヴァイグレ。ヴァルター役では、後にローエングリンやジークムントでも成功を収めることになるクラウス・フローリアン・フォークトが、バイロイト初登場しています。</video:description>
<video:duration>16571</video:duration>
<video:publication_date>2023-07-20T12:55:53Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-29T20:12:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34CO</loc>
<video:video>
<video:title>ワーグナー：楽劇《トリスタンとイゾルデ》バイロイト音楽祭2009 (日本語字幕付き)</video:title>
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<video:description>カテリーナ・ワーグナー時代を迎えた2009年のバイロイト音楽祭でクリストフ・マルターラー演出により、新制作された楽劇《トリスタンとイゾルデ》の映像。端正なロバート・ディーン・スミスのトリスタンと迫力溢れるイレーネ・テオリンのイゾルテがタイトルロールを固め、同世代の偉大なバスのひとりであるロバート・ホルがマルケ王を歌い好評を博しました。ペーター・シュナイダーの指揮も楽劇全体をしっかりと支えています。</video:description>
<video:duration>15272</video:duration>
<video:publication_date>2023-07-20T13:44:41Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-29T20:11:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCE8</loc>
<video:video>
<video:title>ARを取り入れた新演出が話題のワーグナー《パルジファル》</video:title>
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<video:description>【本映像は契約上の理由により、日本国内ではご覧いただけません】2023年のバイロイト音楽祭のオープニングを飾るワーグナーの《パルジファル》をお届けします。新制作のプロダクションを牽引するのは、スペインの俊英指揮者パブロ・エラス＝カサド。クンドリーを歌うエリーナ・ガランチャと共に、バイロイト音楽祭へのデビューとなります。またこの公演で大きな話題となっているのが、マサチューセッツ工科大学の教授、ジェイ・シャイブによる演出。なんとVRによる3D映像を駆使します。本映像はVRではありませんが、迫力ある演奏と演出を存分にお楽しみ頂けます。</video:description>
<video:duration>15271</video:duration>
<video:publication_date>2023-07-27T15:08:29Z</video:publication_date>
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<lastmod>2025-07-29T20:06:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJEDG</loc>
<video:video>
<video:title>セミヨン・ビシュコフが《トリスタンとイゾルデ》を指揮</video:title>
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<video:description>バイロイト音楽祭は、リヒャルト・ワーグナーの作品のみを上演する音楽祭で、毎年7月末～8月末の1ヵ月間にわたり催されます。2024年の演目は、パルジファル、タンホイザー、さまよえるオランダ人、トリスタンとイゾルデ、ニーベルングの指輪 (4部作) 。本映像では世界中の歌劇場で活躍するセミヨン・ビシュコフが指揮するトリスタンとイゾルデをご覧いただけます。カミラ・ニールンドなど注目のワーグナー歌手が集い、極上の時間を提供してくれます。</video:description>
<video:duration>14849</video:duration>
<video:publication_date>2024-07-27T07:15:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T20:03:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGC0</loc>
<video:video>
<video:title>期待の新星チェリスト、ハン・ジェミンの紹介</video:title>
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<video:description>コロナ禍による延期で2021年5月に開催された第25回ジョルジュ・エネスク国際コンクールのチェロ部門において、史上最年少で優勝を果たしたハン・ジェミンの魅力を紹介する「ライジングスター・シリーズ」のショーケース。2006年韓国・原州市の音楽一家に生まれた彼はチョン・ミュンファに師事し、現在は韓国国立芸術大学で学んでいます。ここではショパンやプーランクに加えてピアソラやリゲティ、アメリカ最初の世界的な女性作曲家のエイミー・ビーチや現代チェリスのマーク・サマー作品など、意欲的なプログラムにもご期待ください。</video:description>
<video:duration>3244</video:duration>
<video:publication_date>2023-05-17T15:21:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-29T10:26:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGCO</loc>
<video:video>
<video:title>バッハ《神の時こそいと良き時》BWV 106 (クルタークによる4手のための編曲版)</video:title>
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<video:description></video:description>
<video:duration>196</video:duration>
<video:publication_date>2022-12-03T15:52:41Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-29T10:06:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGE8</loc>
<video:video>
<video:title>バッハ : カンタータ BVW 147より〈イエスは変わらざるわが喜び〉(2台ピアノ編曲版)</video:title>
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<video:duration>211</video:duration>
<video:publication_date>2022-12-03T17:44:58Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-29T10:06:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0E0</loc>
<video:video>
<video:title>アーン：12のワルツ集《ほどけたリボン》より 第1曲</video:title>
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<video:description></video:description>
<video:duration>97</video:duration>
<video:publication_date>2024-11-21T11:57:40Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:05:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0E8</loc>
<video:video>
<video:title>ゴダール：《ジョスラン》op. 100より〈子守歌〉(4手連弾版)</video:title>
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<video:description></video:description>
<video:duration>171</video:duration>
<video:publication_date>2024-11-21T14:09:23Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-29T10:05:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3EC0</loc>
<video:video>
<video:title>ヨン・ストルゴールズがファジル・サイのピアノ協奏曲でユッセン兄弟と共演</video:title>
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<video:description>本映像は、BBCフィルハーモニックの首席指揮者であるヨン・ストルゴールズ率いるミュンヘン・フィルハーモニー管弦楽団と、ルーカスとアーサーのユッセン兄弟によるピアノ・デュオの共演の模様です。演奏されたのはニールセンの《ヘリオス》序曲に加え、シベリウスの交響曲第6番と第7番、そしてユッセン兄弟を迎えて、ファジル・サイ作曲による《アンカ・クシュ(不死鳥)》です(世界初演)。2台のピアノとオーケストラのために印象的なメロディとジャズの要素が取り入れられた楽曲です。完売し話題となった公演をお楽しみください。</video:description>
<video:duration>5568</video:duration>
<video:publication_date>2022-11-28T13:54:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:03:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32CO</loc>
<video:video>
<video:title>ユッセン兄弟とネルソンスがメンデルスゾーンの協奏曲で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fdf257cb0733f7a21d30b78beb66c4126e507196.jpg</video:thumbnail_loc>
<video:description>本映像では、ライプツィヒ・ゲヴァントハウス管弦楽団と現カペルマイスターのアンドリス・ネルソンスによる演奏会をお届けします。最新鋭のコンサートホール、ドルトムント・コンツェルトハウスでライブ収録されました。プログラムの幕開けを飾るのは、マーラーが当初交響曲第1番の第2楽章として作曲し後に削除した《花の章》。次に、アルトゥール＆ルーカス・ユッセン兄弟が登場し、1835年から1847年まで当楽団のカペルマイスターだったメンデルスゾーンの2台ピアノと管弦楽のための協奏曲を演奏します。演奏機会は少ないながらも、弱冠14歳の作曲家による華麗かつ瑞々しい作品です。演奏会を締めくくる、ドヴォルザークの生命力溢れる交響曲第8番では、彼のオーケストレーションの見事さとメロディーメーカーとしての才能を存分に感じていただけることでしょう。</video:description>
<video:duration>5436</video:duration>
<video:publication_date>2025-03-06T07:39:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-29T10:02:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32E8</loc>
<video:video>
<video:title>「歌はあなたを幸せにする」 - インゲ・ボルクのマスタークラス</video:title>
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<video:description>インゲ・ボルクは偉大なるリヒャルト・シュトラウス歌手として知られています。本映像ではそんなシュトラウスのスペシャリストが、4人の才能ある若手の歌手たちにシュトラウスの歌曲を指導する様子をご覧いただけます。扱われている楽曲は《懐かしい面影》op. 48-1に《ひそやかな誘い》op. 27-3、《私は花束を編みたかった》op. 68-2、そしてグスタフ・マーラーの《私はこの世に捨てられて》です。名歌手の言葉の一つ一つ、そしてそれによって変わっていく若き歌手たちの様子は多くのものを与えてくれることでしょう。</video:description>
<video:duration>3488</video:duration>
<video:publication_date>2025-06-27T09:03:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-07-29T08:57:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38C8</loc>
<video:video>
<video:title>モーツァルト《コジ・ファン・トゥッテ》よりアリア〈恥ずかしがらないで〉– アンドレ・シュエンと共に</video:title>
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<video:description></video:description>
<video:duration>154</video:duration>
<video:publication_date>2025-07-25T11:56:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-25T12:44:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJADG</loc>
<video:video>
<video:title>ヴェルビエ音楽祭でのヴェルディ・レクイエム </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/721e74f8784cc040cfdee04d2887edcae98c8092.jpg</video:thumbnail_loc>
<video:description>同世代の指揮者の中で先頭に立つ存在であり、オペラ・ハウスとコンサート・ホールの両方において成功を収めているジャナンドレア・ノセダが2013年のヴェルビエ音楽祭でヴェルディのレクイエムを指揮しました。ふくよかで技巧的にも優れたイタリア系ならではの魅力を放つ女声2人、ソプラノのマリア・アグレスタとメゾ・ソプラノのダニエラ・バルチェッローナを筆頭に、今やMETライブビューイングの顔とも言うべき人気テノールのピョートル・ベチャワ、力強くて印象的なロシアのスター・バス、イルダル・アブドラザコフと、ソリスト陣のまばゆいばかりの顔ぶれに期待が高まるはずです。</video:description>
<video:duration>4803</video:duration>
<video:publication_date>2022-08-23T14:33:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-25T10:54:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0DG</loc>
<video:video>
<video:title>ムターのアニバーサリーコンサートにJ・ウィリアムズが登場</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/154d27e708a8099f6d323d480ecc22b32ae5a5cd.jpg</video:thumbnail_loc>
<video:description>本映像には、圧倒的カリスマ性を放つヴァイオリニストのアンネ＝ゾフィー・ムターが、ピッツバーグ交響楽団との特別なコンサートで60歳の誕生日を祝う模様が収められています。世界中で愛される作品を世に送り出している作曲家であり、指揮者としても活躍を続けるジョン・ウィリアムズ、ムターの友人であるピアニストのイェフィム・ブロンフマン、彼女の弟子であるチェリストのパブロ・フェランデス、そして人気の指揮者スザンナ・マルッキが登場し、ジャンルレスなプログラムで華やかに特別なステージを彩ります。</video:description>
<video:duration>6874</video:duration>
<video:publication_date>2023-12-31T14:36:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-24T10:49:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9G</loc>
<video:video>
<video:title>アメリカの名ソプラノ、エミリー・マギーが主役を演じるプッチーニ :《西部の娘》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9f98c72b07d081d164979333e1cd5649e3fceec2.jpg</video:thumbnail_loc>
<video:description>プッチーニのオペラ《西部の娘》は、1910年にニューヨークのメトロポリタン・オペラでトスカニーニの指揮によって初演され、大成功を収めました。ゴールドラッシュ時代のアメリカ西部の物語を描いたこのオペラで、アメリカ出身のエミリー・マギーがタイトル・ロールを歌います。演出は、アルゼンチン出身で新国立劇場でも活躍したウーゴ・デ・アナ。そして指揮は、読響首席客演指揮者として日本でも人気の高いユライ・ヴァルチュハです。</video:description>
<video:duration>8609</video:duration>
<video:publication_date>2025-06-30T09:07:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<video:title>ギリシア悲劇を題材にしたオペラ、グルック《アウリスのイピゲネイア》</video:title>
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<video:description>歌手の技量を誇示することに偏重していたバロックから古典派前期のオペラに警鐘を鳴らしたグルックは改革を行い、劇と音楽の総合芸術としてのオペラの在り方を取り戻しました。そんなグルックの想いが反映された作品の一つが《アウリスのイピゲネイア》です。ギリシア悲劇を題材にしたこの作品は登場人物たちの人間模様、心理描写などが鮮烈に描き出されています。オペラはもちろんですが、演劇をお好きな方にとって、特に心に刺さる作品と映像といえるでしょう。</video:description>
<video:duration>6468</video:duration>
<video:publication_date>2024-08-06T12:23:30Z</video:publication_date>
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<lastmod>2025-07-24T08:45:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38C0</loc>
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<video:title>メンデルスゾーンの《夏の夜の夢》について</video:title>
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<lastmod>2025-07-24T08:39:46Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36C8</loc>
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<video:title>ダニール・トリフォノフがバルセロナでリサイタルを開催</video:title>
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<video:description>間違いなく現在、偉大なピアニストのひとりとして名前がすぐに挙がってくる存在であるダニール・トリフォノフ。常に自らの技術と音楽性を磨き上げながら多彩なレパートリーに挑み、時には作曲や編曲もこなし、ピアニストという枠すら超え、ひとりの「音楽家」としての存在感を強めています。そんな彼の新しいライブはショパンにバーバー、そしてチャイコフスキーという独創的なプログラムです。いずれも彼の技術と表現力を存分に堪能できますが、とくにプレトニョフ編曲の《眠りの森の美女》は必見です。</video:description>
<video:duration>6426</video:duration>
<video:publication_date>2025-03-06T13:07:35Z</video:publication_date>
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<lastmod>2025-07-24T07:58:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34CG</loc>
<video:video>
<video:title>「ビトゥイーン・ワールズ～イベリア」について</video:title>
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<video:duration>398</video:duration>
<video:publication_date>2025-07-04T14:44:40Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-23T12:46:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36E8</loc>
<video:video>
<video:title>ビトゥイーン・ワールズ『黒海』について</video:title>
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<video:duration>384</video:duration>
<video:publication_date>2025-07-22T09:51:18Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-23T12:46:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1K</loc>
<video:video>
<video:title>カルロス・サンタナ、ウェイン・ショーターら名手によるコンサート</video:title>
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<video:description>メキシコ出身のギタリストであり、卓越した技術と音楽性で人気を集めるカルロス・サンタナ。「ローリング・ストーンの選ぶ歴史上最も偉大な100人のギタリスト」にもノミネートされた存在です。本映像は、1988年の「ミュンヘン・ピアノの夏」で行われたコンサートの模様です。ミュンヘン・フィルハーモニー (ガスタイク) に、サンタナをはじめ、ウェイン・ショーターやパトリース・ラッシェン、チェスター・D・トンプソンなど名手によって披露されたテクニックと魅惑的な旋律、心動かされるリズムが響き渡っています。</video:description>
<video:duration>7459</video:duration>
<video:publication_date>2025-07-22T12:40:03Z</video:publication_date>
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<lastmod>2025-07-23T09:19:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D1J</loc>
<video:video>
<video:title>ミュンヘン「ピアノの夏」のボビー・マクファーリン</video:title>
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<video:description>メトロポリタン歌劇場で歌った最初のアフリカ系アメリカ人男性として伝説の存在であるロバート・マクファーリン (バリトン) を父に持つボビー・マクファーリンは、自身も「声の魔術師」と称えられ10度のグラミー賞を獲得した天才ヴォーカリスト。1982年に初ソロ・アルバムを発表し、1988年には驚異のアカペラ・テクニックを駆使した多重録音による《ドント・ウォーリー、ビー・ハッピー》が全米ヒット・チャートの第1位に輝き、その人気を不動のものにしました。こちらは当時、彼が夏のミュンヘンの風物詩的コンサートシリーズに登場した時の貴重なライヴ映像です。まるで楽器のように自在に操る声の妙技をお楽しみください。最後にハービー・ハンコックのピアノと繰り広げる夢のデュエット《ラウンド・ミッドナイト》をお見逃しなく！</video:description>
<video:duration>1978</video:duration>
<video:publication_date>2025-07-22T12:09:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-23T09:17:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34CO</loc>
<video:video>
<video:title>《鳥の歌》について</video:title>
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<video:duration>349</video:duration>
<video:publication_date>2025-07-04T14:50:51Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-22T09:50:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36DG</loc>
<video:video>
<video:title>フリードリヒ・グルダ、ジョー・ザヴィヌル: ピアノ・デュオ</video:title>
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<video:duration>494</video:duration>
<video:publication_date>2025-07-11T12:59:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-18T20:16:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36D0</loc>
<video:video>
<video:title>パレストリーナ :《汝はペテロなり》</video:title>
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<video:duration>224</video:duration>
<video:publication_date>2025-07-09T14:28:42Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-18T18:16:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32D8</loc>
<video:video>
<video:title>バティアシュヴィリが奏でるモーツァルトの《トルコ風》</video:title>
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<video:description>ヴォルフガング・アマデウス・モーツァルトとリヒャルト・シュトラウスには大きな共通点があります。2人はかつて神童と呼ばれ、メロディとウィットに対する天賦の才能に溢れていました。シュトラウスの壮大な音楽的自伝である《英雄の生涯》と《ティル・オイレンシュピーゲルの愉快ないたずら》はスケールの点で隔たりはあるものの、両者とも皮肉めいた部分を持っています。一方、モーツァルトが10代の時に作曲したヴァイオリン協奏曲第5番は、リサ・バティアシュヴィリのようなスタイリッシュかつ想像力豊かなソリストにとって、うってつけのレパートリーと言えるでしょう。この華麗なプログラムとロンドン交響楽団の新しい首席指揮者、アントニオ・パッパーノの劇場で培われたセンスが生む化学反応に、ぜひご期待ください。</video:description>
<video:duration>6136</video:duration>
<video:publication_date>2025-05-27T18:15:26Z</video:publication_date>
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<lastmod>2025-07-18T10:56:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2D8</loc>
<video:video>
<video:title>バティアシュヴィリ＆G.カプソン、メータによるオール・ブラームスのコンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a0d840d04578677bd60ba3eacff61773bff35aa9.jpg</video:thumbnail_loc>
<video:description>ミュンヘンのイザールフィルハーモニー（※ガスタイク改築の間の代替施設）から収録配信で、ズービン・メータが指揮するミュンヘン・フィルの「オール・ブラームス」コンサートをお届けします。前半は、リサ・バティアシュヴィリ（ヴァイオリン）とゴーティエ・カプソン（チェロ）の人気ソリストを迎えたブラームスの二重協奏曲です。この曲はチェリストのロベルト・ハウスマンと旧知のヴァイオリニスト、ヨーゼフ・ヨアヒムと共に初演され、ブラームスが仲違いしていたヨアヒムと和解するきっかけになった作品として知られています。後半は最後の交響曲であり、いちばんブラームスらしいと言われる最高傑作の第4番で、二重協奏曲との相性も絶妙です。</video:description>
<video:duration>5138</video:duration>
<video:publication_date>2024-01-24T08:48:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-17T14:59:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPI</loc>
<video:video>
<video:title>ロディオン・シチェドリンの《ポリフォニーの手帳》</video:title>
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<video:description>ロディオン・シチェドリンはロシアを代表する作曲家の一人。彼の作品は調性の枠内にありながら、民謡の要素を取り入れるなどして独自の語法を確立しました。舞台作品がとくに知られていますが、優れたピアニストでもあり、ピアノのための作品も手掛けています。本映像は彼の音楽性が存分に発揮された前奏曲を作曲者自身の演奏でお楽しみいただけます。ロマン派の香りがしつつも革新的な響きが広がる音世界をご堪能ください。</video:description>
<video:duration>1512</video:duration>
<video:publication_date>2025-07-11T10:30:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-17T14:35:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CPJ</loc>
<video:video>
<video:title>ワーグナーの楽劇《トリスタンとイゾルデ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3c9c74d1c1638e7f784cc06fb9f291369cbb1e1c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>13359</video:duration>
<video:publication_date>2025-07-11T12:18:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T13:43:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJAC0</loc>
<video:video>
<video:title>アバドの指揮の下、フォン・オッターにプレトニョフらが奏でる絢爛豪華なプログラム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/582a2cd63fc0385bcae4fa2f83007fbb7ff9959d.jpg</video:thumbnail_loc>
<video:description>世界的演奏者に指揮者が集い、追随を許さないほどの華麗な演奏を届ける「ガラ・フロム・ベルリン」。1997年に行われた同演奏会では、アンネ・ゾフィー・オッターにロベルト・アラーニャといった理想的なキャスティングによる「カルメン」のハイライト、プレトニョフがソリストを務めるラフマニノフの「パガニーニの主題による狂詩曲」が演奏されました。どの場面を切り取っても圧倒される華麗な演奏、そしてプログラムを、迫力ある映像でお楽しみください。</video:description>
<video:duration>5512</video:duration>
<video:publication_date>2024-02-05T09:14:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-16T09:35:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ID8</loc>
<video:video>
<video:title>リヒャルト・シュトラウス音楽祭から、オーケストラ伴奏付き歌曲集その4「冬の愛」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8918670c1ec96a3e79d8df2863cff3ed902272b8.jpg</video:thumbnail_loc>
<video:description>R.シュトラウスが1908年に別荘を構え、その後1949年に亡くなるまでほぼ定住し、作曲活動の拠点としていたのはドイツの南端、アルプスの麓の避暑地ガルミッシュ＝パルテンキルヒェンでした。この地で1989年から大作曲家の生まれ月である6月に開催され、世界中のファンから注目を集めている音楽祭の1994年公演から、毎年定評のあるオーケストラ伴奏付き歌曲のシリーズを4回に分けてお届けします。今回は名テノールのフランシスコ・アライサが恋の情熱を歌い上げる《冬の愛》に、ドイツのソプラノ、メヒティルト・ゲッセンドルフによるスケールの大きな《森の喜び》、そしてバスやバリトンで紡ぎだす知られざる佳曲をお楽しみください。特に日本でも人気の高いドイツのバリトン、ディートリヒ・ヘンシェル若き日の、ドラマティックな《夜のさすらい》をお聴き逃しなく。</video:description>
<video:duration>3211</video:duration>
<video:publication_date>2025-03-19T15:45:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-16T09:25:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3IDG</loc>
<video:video>
<video:title>リヒャルト・シュトラウス音楽祭から、オーケストラ伴奏付き歌曲集その1「春の饗宴」</video:title>
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<video:description>R.シュトラウスが1908年に別荘を構え、その後1949年に亡くなるまでほぼ定住し、作曲活動の拠点としていたのはドイツの南端、アルプスの麓の避暑地ガルミッシュ＝パルテンキルヒェンでした。この地で1989年から大作曲家の生まれ月である6月に開催され、世界中のファンから注目を集めている音楽祭の1994年公演から、毎年定評のあるオーケストラ伴奏付き歌曲のシリーズを4回に分けてお届けします。今回の聴き所のひとつはウィーン国立歌劇場の宮廷歌手も務めたスター・テノール、フランシスコ・アライサの端正でありながら熱のこもった歌唱でしょう。遠く離れた恋人への感謝を綴る有名な《献呈》に始まり、魂のふるえを聴かせる《憩え、わが心》に激しいラヴ・ソング《チェチーリエ》、そして愛する人と生きる幸せを歌う《明日の朝》と、プログラムの冒頭から心を掴まれるはずです。名教師としても活躍したアメリカのドラマティック・ソプラノ、ルース・ファルコンがステージの最後を締めくくる、オペラ《サロメ》の管弦楽を彷彿とさせる《春の饗宴》も必聴です。</video:description>
<video:duration>3197</video:duration>
<video:publication_date>2025-03-19T16:08:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-16T09:24:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3CE0</loc>
<video:video>
<video:title>バレンボイムがシューマンにベートーヴェン、リストなどを指揮</video:title>
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<video:description>ダニエル・バレンボイムは、60年代初頭から現在にいたるまでクラシック音楽の舞台で最も重要なアーティストの一人として目覚ましい活躍で聴衆を驚かせています。本映像では、1992年から彼が音楽監督を務めるウンター・デン・リンデン国立歌劇場でベルリン・フィルを指揮する模様をご覧いただけます。ベートーヴェンの交響曲第8番をはじめ、ワーグナーの《ワルキューレの騎行》、シューマンの4本のホルンのための協奏曲、リストの《レ・プレリュード》など、19世紀を代表する名曲を美しい舞台とのコラボレーションでお楽しみください。</video:description>
<video:duration>4520</video:duration>
<video:publication_date>2024-06-21T12:34:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-16T09:19:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38C8</loc>
<video:video>
<video:title>ガヴリーロフが弾く、ショパンのバラード4曲ほか</video:title>
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<video:description>1974年若干18歳でチャイコフスキー国際コンクールに優勝し、同年のザルツブルク音楽祭でリヒテルの代役を務めたことで世界的に脚光を浴びたアンドレイ・ガヴリーロフ。1990年にドイツ・グラモフォンと契約して3年間で9つのアルバムを録音し、同世代のクリスチャン・ツィメルマンやイーヴォ・ポゴレリチらと共に期待を集める存在でしたが、その後は2000年初頭まで殆ど演奏活動から離れてしまいます。こちらはその頃にミュンヘンで行われた演奏会の模様を記録した貴重な映像です。プログラムは1991年レコーディングのアルバムでもとりあげたショパンのバラード4曲や、1992年に同じくドイツ・グラモフォンで収録したプロコフィエフの〈悪魔的暗示〉など。穏やかで繊細かつスケールの大きな演奏をお楽しみください。</video:description>
<video:duration>2629</video:duration>
<video:publication_date>2025-01-29T15:15:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:49:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38C0</loc>
<video:video>
<video:title>ガヴリーロフが弾く、ベートーヴェンのピアノ・ソナタ第6番と第7番</video:title>
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<video:description>1974年弱冠18歳でチャイコフスキー国際コンクールに優勝し、同年のザルツブルク音楽祭でリヒテルの代役を務めたことで世界的に脚光を浴びたアンドレイ・ガヴリーロフ。1990年にドイツ・グラモフォンと契約して3年間で9つのアルバムを録音し、同世代のクリスチャン・ツィメルマンやイーヴォ・ポゴレリチらと共に期待を集める存在でしたが、その後は2000年初頭まで殆ど演奏活動から離れてしまいます。こちらはその頃にミュンヘンで行われた演奏会の模様を記録した貴重な映像です。ベートーヴェンがピアノ・ソナタの在り方を模索していた時期に書いたOp.10の2曲のソナタを、きびきびとしたスピード感あふれるガヴリーロフの演奏でお楽しみください。</video:description>
<video:duration>2269</video:duration>
<video:publication_date>2025-01-29T15:08:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:49:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DG</loc>
<video:video>
<video:title>ウィーン少年合唱団がモーツァルトの戴冠式ミサ曲に参加</video:title>
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<video:description>500年以上の長い歴史を誇る由緒あるウィーン少年合唱団が2006年、地元のシュテファン大聖堂で行われたモーツァルト生誕250周年行事に参加。ベルトラン・ド・ビリーが指揮するウィーン放送交響楽団の演奏でウィーン合唱団と共に、《天主の御母なる聖マリア》やアヴェ・ヴェルム・コルプス、女王童貞聖マリアのためのリタニアなどで天使のような歌声を披露しました。1792年に皇帝フランツ2世の戴冠式で演奏された《戴冠ミサ》ではメンバーがソリストも務めているので特に注目です。</video:description>
<video:duration>4073</video:duration>
<video:publication_date>2022-06-21T13:55:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:41:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32C8</loc>
<video:video>
<video:title>リヒター : Dream 11 / Moth-Like Stars - パート2</video:title>
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<video:description></video:description>
<video:duration>192</video:duration>
<video:publication_date>2025-06-11T14:55:16Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:14:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CDO</loc>
<video:video>
<video:title> ワイセンベルクとカラヤンによるチャイコフスキーのピアノ協奏曲の伝説的共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/97e5587bd9942054a6333f3c5e9cfdc6268ddef3.jpg</video:thumbnail_loc>
<video:description> 20世紀を代表するピアニストであったアレクシス・ワイセンベルク。彼は一時自らの鍛錬のために活動を休止しましたが、ヘルベルト・フォン・カラヤンのバックアップのもと華々しく活動を再開しました。以後二人は数多くの共演を重ね、それらはいずれも名演となっています。本映像に収録されたチャイコフスキーのピアノ協奏曲第1番はその中でも特に優れたものの一つで、ワイセンベルクの華麗なピアニズムをカラヤンの指揮するベルリン・フィルハーモニー管弦楽団がさらに輝かせています。カメラワークにこだわった映像美にも注目です。</video:description>
<video:duration>2372</video:duration>
<video:publication_date>2023-09-19T14:58:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:02:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4CO</loc>
<video:video>
<video:title>ワイセンベルクとカラヤンの共演～ラフマニノフのピアノ協奏曲</video:title>
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<video:description>20世紀を代表するピアニストであったアレクシス・ワイセンベルク。彼は一時自らの鍛錬のために活動を休止しましたが、ヘルベルト・フォン・カラヤンのバックアップのもと華々しく活動を再開しました。二人の共演映像は1967年にチャイコフスキーのピアノ協奏曲第1番を映画風に撮影したものも知られていますが、1971年収録のこちらの映像ではラフマニノフのピアノ協奏曲第2番を、ライヴとして臨場感たっぷりに堪能できます。</video:description>
<video:duration>2282</video:duration>
<video:publication_date>2023-12-01T11:34:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T14:02:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8</loc>
<video:video>
<video:title>ガーディナー指揮によるベルリオーズ《キリストの幼時》</video:title>
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<video:description>英国人指揮者ジョン・エリオット・ガーディナーが立ち上げた2つの団体…1964年結成のモンテヴェルディ合唱団と1990年にロマン派音楽のレパートリー開拓を目指して設立したオルケストル・レヴォリューショネール・エ・ロマンティークが共演。ガーディナーの指揮でトリニティ少年合唱団や国際的なソリストと共に、ベルリオーズが『マタイによる福音書』を題材にして書いた声楽のための傑作を演奏しました。これが同団体らのロンドンでの新しい拠点となった、セント・マーティン・イン・ザ・フィールズ教会で行われた最初の演奏会となります。</video:description>
<video:duration>6177</video:duration>
<video:publication_date>2022-06-15T15:32:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:59:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJID0</loc>
<video:video>
<video:title>ロディオン・シェドリン - ショパンへのオマージュ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7719465b2e8edbc22ed4f0ca03beb852a6a3baaf.jpg</video:thumbnail_loc>
<video:description>ロディオン・シチェドリンはいまもなおロシアを代表する作曲家の一人として強い存在感を放っており、本映像はそんな彼の芸術を感じていただくことができるものとなっています。本映像ではシチェドリン本人をはじめ、チック・コリアにパウル・グルダといった優れたコンポーザー・ピアニストたちが迎えられ、圧倒的な演奏を通して、シチェドリンの作品の魅力を改めて知っていただくことができる内容となっています。</video:description>
<video:duration>950</video:duration>
<video:publication_date>2025-05-08T09:16:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:37:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8CO</loc>
<video:video>
<video:title>パウル・グルダとローランド・バティックによるデュオ・リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6373a0c8497c92b35488bf0ab366f36984610b0.jpg</video:thumbnail_loc>
<video:description>フリードリヒ・グルダを父に持つパウルとそのグルダに師事したローランド・バティック、共にウィーンの生まれで作曲の才能にも恵まれたピアニストである二人は、1982年から1988年にかけてデュオとして活動し、欧州の主要都市のコンサート・ホールに出演して人気を博しました。こちらの1983年のライヴ映像でも、マイルス・デイヴィスの名高いオリジナル曲からブラームスの変奏曲、バティックの自作曲まで幅広いラインナップで聴衆を魅了します。特にお互いがテクニックの火花を披露し合うようなモーツァルトの2台のピアノのためのソナタは必聴です。</video:description>
<video:duration>3518</video:duration>
<video:publication_date>2025-05-12T09:57:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-15T09:34:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38C0</loc>
<video:video>
<video:title>クラシック作曲家、久石譲の最新作《ヴィオラ・サガ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5826f96a3779bd09f25a43b329293da8ecbbf3e0.jpg</video:thumbnail_loc>
<video:description>映画音楽、特にジブリの宮崎駿監督とのコラボレーションによってその名を世界的に知られる作曲家・指揮者である久石譲。本映像は、ドイツ・グラモフォンからのセカンド・アルバムに含まれる彼の最新作《ヴィオラ・サガ》の演奏をお楽しみ頂けます。久石とウィーン交響楽団によるコラボレーションによる演奏の模様を、彼のクラシック音楽家としての魅力が存分に発揮された楽曲によってご覧いただけます。フランスのヴィオリスト、アントワン・タメスティが参加していることも注目です。</video:description>
<video:duration>2351</video:duration>
<video:publication_date>2024-07-01T08:17:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-14T18:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4DG</loc>
<video:video>
<video:title>ガーディナーがハイドンとモーツァルトを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/921fecda667d390c2fd87c419e06b2c59e5b5f2d.jpg</video:thumbnail_loc>
<video:description>ヴァイオリニストのイザベル・ファウストとヴィオリストのアントワン・タメスティは国際的に人気の高い奏者です。本映像はそんな二人の共演が実現した、2023年1月のセント・マーティン・イン・ザ・フィールズのコンサートの模様です。ジョン・エリオット・ガーディナーと彼の手兵であるイングリッシュ・バロック・ソロイスツが二人の音色に格調高い響きで寄り添いながらモーツァルトの作品の中でも珍しい《シンフォニア・コンチェルタンテ》が奏でられます。ハイドンの交響曲第84番の色彩の豊かさも魅力的です。</video:description>
<video:duration>6328</video:duration>
<video:publication_date>2023-05-16T13:21:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-14T18:07:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHL</loc>
<video:video>
<video:title>ジョー・ザヴィヌルによるソロ・ライヴ (キーボード＆シンセサイザー)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ac3008b14d867032084e41dd945594514f6d3c25.jpg</video:thumbnail_loc>
<video:description>夏のミュンヘンの風物詩的コンサートシリーズから、ウィーン生まれのジャズ・ピアニストにして凄腕キーボード奏者、ジョー・ザヴィヌルによるライヴをお届けします。1950年代初めより欧州のジャズ・クラブで演奏活動を始め、その後渡米してキャノンボール・アダレイやマイルス・デイヴィスのグループでもプレイしたザヴィヌル。ウェイン・ショーター (サックス奏者でジャズ界のカリスマ) らと共に70年代フュージョン・シーンを代表するウェザー・リポートの中心人物として活躍して《バードランド》などの名曲を生んだことで知られています。ここではひとりでキーボードとシンセサイザーを駆使し、エレクトリックで独創的なサウンドと圧巻の即興パフォーマンスで聴衆を魅了します。</video:description>
<video:duration>3402</video:duration>
<video:publication_date>2025-07-10T09:44:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-11T12:11:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CHG</loc>
<video:video>
<video:title>巨匠ガーディナーがバロック・オペラの金字塔《オルフェオ》を指揮</video:title>
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<video:description>古楽の巨匠エリオット・ガーディナーは、モンテヴェルディ生誕450年にあたる2017年に「Monteverdi450」を立ち上げ、演奏ツアーも行ないました。彼は同年、バロック・オペラの金字塔である《オルフェオ》(1607年初演) を歴史あるヴェネツィアのフェニーチェ座で上演し、その演出も手掛けました。モンテヴェルディを愛するガーディナー率いるイングリッシュ・バロック・ソロイスツ＆モンテヴェルディ合唱団、そしてタイトル・ロールを演じるクリスティアン・アダムら古楽のスペシャリストによる演奏は聴き逃せません。</video:description>
<video:duration>7156</video:duration>
<video:publication_date>2025-07-07T08:56:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-11T10:20:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9O</loc>
<video:video>
<video:title>巨匠ガーディナーが指揮するモンテヴェルディ :《ウリッセの帰還》</video:title>
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<video:description>ホメロスの叙事詩を原作とする《ウリッセの帰還》は、モンテヴェルディ晩年の創作。ヴェネツィアで初演されたそのオペラを、モンテヴェルディに精通した古楽の巨匠エリオット・ガーディナーは、作曲家生誕450年の記念の年に同地のフェニーチェ座で上演。また、彼はその演出も手掛けました。イングリッシュ・バロック・ソロイスツ＆モンテヴェルディ合唱団、タイトル・ロールのフリオ・ザナージやミネルヴァ役のハナ・ブラシコヴァら、古楽の精鋭たちによる貴重な映像です。</video:description>
<video:duration>11728</video:duration>
<video:publication_date>2025-07-07T08:11:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-11T10:19:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C9P</loc>
<video:video>
<video:title>ヴェネツィアに甦るガーディナー指揮のモンテヴェルディ :《ポッペアの戴冠》</video:title>
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<video:description>2017年は、モンテヴェルディ生誕450年にあたる記念の年。同年、指揮のエリオット・ガーディナーは、「Monteverdi450」を立ち上げ、1642年にヴェネツィアで初演された《ポッペアの戴冠》をその地の由緒あるフェニーチェ座で上演しました。モンテヴェルディに造詣の深い古楽界の巨匠と、彼が設立したイングリッシュ・バロック・ソロイスツ＆モンテヴェルディ合唱団、タイトル・ロールのハナ・ブラシコヴァらのスペシャリストによる演奏をご堪能ください。</video:description>
<video:duration>11542</video:duration>
<video:publication_date>2025-07-07T08:32:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-07-11T10:18:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36CG</loc>
<video:video>
<video:title>ロス :《夜の祈り》</video:title>
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<video:duration>216</video:duration>
<video:publication_date>2025-07-09T14:08:51Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-10T12:03:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36CO</loc>
<video:video>
<video:title>シューベルト : ピアノ・ソナタ第20番イ長調 D. 959 より第2楽章 : Andantino</video:title>
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<video:duration>522</video:duration>
<video:publication_date>2025-07-09T14:23:36Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-10T12:00:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36C8</loc>
<video:video>
<video:title>シューベルト : 楽興の時 D. 780 より第3番ヘ短調</video:title>
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<video:publication_date>2025-07-09T10:22:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-10T11:59:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34DG</loc>
<video:video>
<video:title>自らを奏でるウェルテ・ミニョンのプレイヤー・ピアノ</video:title>
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<video:description>1841年に家業の空気圧楽器製造のニューヨーク支社を設立し、紙管を使ったプレイヤー・ピアノを開発したエドウィン・エミール・ウェルテについて扱ったドキュメンタリー映像です。ウェルテが制作した楽器は、音符数に制限なく楽曲を演奏することができ、歴史的な音楽家たちの演奏も再現できました。本映像では、ラヴェルにドビュッシー、マーラーによる自作の演奏、フェルッチョ・ブゾーニとサン=サーンスによるショパンのノクターンの演奏比較などをご覧いただくことができます。</video:description>
<video:duration>2517</video:duration>
<video:publication_date>2025-07-07T12:31:15Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-07-10T09:47:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34C8</loc>
<video:video>
<video:title>ベートーヴェン / ピアノ協奏曲第5番変ホ長調 より第3楽章 : Rondo. Allegro (2022年ライヴ)</video:title>
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<video:duration>670</video:duration>
<video:publication_date>2025-07-03T14:26:17Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-07-09T08:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34E0</loc>
<video:video>
<video:title>スクリャービン / 2つの詩曲 op. 69 より第1番 : Allegretto (2022年ライヴ)</video:title>
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<video:duration>130</video:duration>
<video:publication_date>2025-07-08T15:28:51Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-09T08:26:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR36C0</loc>
<video:video>
<video:title>モンポウ /《子供の情景》より〈庭のおとめたち〉(2022年ライヴ)</video:title>
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<video:description></video:description>
<video:duration>174</video:duration>
<video:publication_date>2025-07-08T16:02:23Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:25:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34E8</loc>
<video:video>
<video:title>スクリャービン / 3つの小品 op. 45 より第1曲 : アルバムの綴り (2022年ライヴ)</video:title>
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<video:duration>86</video:duration>
<video:publication_date>2025-07-08T15:48:00Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-09T08:25:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0CG</loc>
<video:video>
<video:title>リセ・ダヴィッドセンがノルウェーから届けるクリスマス</video:title>
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<video:description>世界の舞台で最も活躍するソプラノ歌手の一人である、リセ・ダヴィッドセン。オスロのフォルケテーテレトからクリスマスにちなんだプログラムを披露します。ノルウェーやヨーロッパ全体のの伝統的なクリスマス’・ソングに加え、バッハやヴォルフらの音楽を組み込んだこのプログラムは、私たちのクリスマス気分をぐっと高めてくれるはずです。バイロイトからニューヨークまで世界中で賞賛され続ける美声と芸術性の高さで、特別な一夜を届けてくれます。</video:description>
<video:duration>3087</video:duration>
<video:publication_date>2023-12-23T18:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">NO</video:restriction>
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<lastmod>2025-07-08T09:36:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1I</loc>
<video:video>
<video:title>モーツァルト上演で知られるグラインドボーン音楽祭の《魔笛》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0fad485c6472ebc5aba3d4819ff990d5a11301f6.jpg</video:thumbnail_loc>
<video:description>モーツァルトのオペラ《魔笛》は、1791年の初演から人気を得、現在も世界中で親しまれています。イギリスの有名なオペラ・フェスティバルであるグラインドボーン音楽祭での上演を収めたこの映像は、カナダのバルブ＆ドゥゼーによる斬新な演出で話題になりました。舞台の時代設定は20世紀初めの老舗ホテル。パペットも使われています。名匠ウィグルワースの指揮と古楽のスペシャリストが集うエイジ・オブ・インライトゥメント管弦楽団の演奏にも注目です。</video:description>
<video:duration>10072</video:duration>
<video:publication_date>2025-06-25T09:33:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-08T06:48:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJGE8</loc>
<video:video>
<video:title>鬼才ティチアーティが指揮するドヴォルザーク :《ルサルカ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e00dce3e9567de0ffef8b2988e608f4141c6aa6d.jpg</video:thumbnail_loc>
<video:description>ドヴォルザークのオペラ《ルサルカ》は、アンデルセンの「人魚姫」や水の精ウンディーヌの話がもとになっているロマンティックなオペラ。その第1幕で歌われるアリア〈〈月に寄せる歌〉は有名ですが、オペラ全曲が上演される機会は多くありません。この映像は、イギリスを代表するオペラ・フェスティバルであるグラインドボーン音楽祭で収録されました。ルサルカ役のサリー・マシューズの見事な歌唱と、イギリスの新世代を代表する指揮者、ロビン・ティチアーティとロンドン・フィルの共演も聴きものです。</video:description>
<video:duration>9204</video:duration>
<video:publication_date>2025-06-18T14:47:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-08T06:46:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJIC0</loc>
<video:video>
<video:title>イヴァン・フィッシャーが指揮するモーツァルト :《コジ・ファン・トゥッテ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2f31161be8a7aab67ee4b7865e8f169a2dcc4482.jpg</video:thumbnail_loc>
<video:description>歌劇《コジ・ファン・トゥッテ》は、モーツァルトが作曲したダ・ポンテ三部作の最後の作品です。この映像は、イギリスを代表するオペラ・フェスティバル、グラインドボーン音楽祭での上演を収めています。スウェーデンの名歌手、フィオルディリージ役のミア・パーションをはじめ、粒ぞろいの歌手陣、名匠イヴァン・フィッシャー、古楽を専門とするエイジ・オブ・インライトゥメント管弦楽団、そしてイギリスの名演出家ニコラス・ナイトナーの舞台にも注目です。</video:description>
<video:duration>10865</video:duration>
<video:publication_date>2025-06-19T08:19:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-07T17:36:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32D0</loc>
<video:video>
<video:title>《沈黙のセレナード》より〈あなたなしでは〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1f66288128b91150cabda2f5b1bd19b3b0777699.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2025-06-20T10:00:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T11:42:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6</loc>
<video:video>
<video:title>ヴィヴァルディ in ヴェルサイユ～アヴィ・アヴィタル＆ヴェニス・バロック・オーケストラ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/68e7f87d9192c5096218aade42a8ab3bbce21862.jpg</video:thumbnail_loc>
<video:description>グラミー賞にノミネートされたマンドリン・ヴィルトゥオーソ、アヴィ・アヴィタルと、当代屈指の古楽アンサンブルであるヴェニス・バロック・オーケストラの共演コンサートがフランスのヴェルサイユ宮殿で実現。イタリアからルイ14世へ贈られた至宝に囲まれたこの場所で演奏される、バロックの本場ヴェネツァア生まれの“赤毛の司祭”ことヴィヴァルディの協奏曲が、聴く者を18世紀へと誘います。アヴィタルのスリリングなテクニックと魅惑的な音色、繊細さがマンドリンを再び音楽史に燦然と輝く存在にまで高めます。</video:description>
<video:duration>2608</video:duration>
<video:publication_date>2022-05-05T12:15:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-07-02T09:33:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGE0</loc>
<video:video>
<video:title>アリス=紗良・オットが語り奏でるジョン・フィールドのノクターン集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1f906a9b710a46c950b607a8f912b24b918f030b.jpg</video:thumbnail_loc>
<video:description>独創的なプログラミングと色彩豊かな演奏によって世界中で人気を誇るピアニスト、アリス＝紗良・オット。今彼女が取り組んでいるのはジョン・フィールドのノクターン。ノクターンの創始者であるということでしかその名はほとんど知られていませんが、その作品の魅力は実に幅広く、ショパンとはまた違う世界が広がっています。本映像はテノール歌手のアンドリュー・ステイプルズが監督したもので、インタビューによって紐解かれるアリスの内的世界とフィールドの音楽の見事な融合をご覧いただけます。</video:description>
<video:duration>2956</video:duration>
<video:publication_date>2025-02-16T14:11:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-07-02T07:57:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GD0</loc>
<video:video>
<video:title>《Études Mélodiques (エチュード・メロディーク) 》について</video:title>
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<video:description></video:description>
<video:duration>408</video:duration>
<video:publication_date>2024-10-10T14:08:24Z</video:publication_date>
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<lastmod>2025-07-01T10:10:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GCO</loc>
<video:video>
<video:title>マリー・アワディス《Études Mélodiques (エチュード・メロディーク) 》</video:title>
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<video:duration>360</video:duration>
<video:publication_date>2024-10-10T14:04:19Z</video:publication_date>
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<lastmod>2025-07-01T10:09:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2CG</loc>
<video:video>
<video:title>クライバーが指揮するブラームスの交響曲第2番とモーツァルトの交響曲第36番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ae94cac7a6fe23fde87ed7147982ca76d09c0441.jpg</video:thumbnail_loc>
<video:description>名匠カルロス・クライバーがウィーン・フィルハーモニー管弦楽団を指揮した、ブラームスとモーツァルトの交響曲のライヴ収録です。クライバーは極端にレコーディングを避けたことでも有名で、映像はさらに貴重なものとなります。綿密なリハーサルでも知られるクライバー。アンサンブルの完璧さはもちろん、ウィーン・フィルと共に紡ぎ出すその音色は品格があります。また音楽のつくりは重厚でありながらも、旋律の扱いなどはとても自然で心地よく、美しい指揮姿も魅力的です。</video:description>
<video:duration>4422</video:duration>
<video:publication_date>2023-01-24T16:39:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-30T13:17:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ED8</loc>
<video:video>
<video:title>ミッシャ・マイスキーが奏でるバッハの無伴奏チェロ組曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/618511ed45f14ee47160040c60d5b1a6a07268ef.jpg</video:thumbnail_loc>
<video:description>いまなお世界的に最も活躍するチェロ奏者のひとりであるミッシャ・マイスキー。その圧倒的な技術と作品の内面へと深く入り込み、その世界を届けてくれる音楽性は多くの人々を魅了し、尊敬を集めています。本映像でご覧いただけるのはバッハの無伴奏チェロ組曲。彼の録音したCDはこの曲の普及に大いに貢献しました。その伝説的な録音から間もないころの1986年に行われた若き日のマイスキーの華麗な演奏で、最も有名な第1番をご覧ください。</video:description>
<video:duration>1214</video:duration>
<video:publication_date>2025-03-05T15:32:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T08:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32DO</loc>
<video:video>
<video:title>サラステがお気に入りのシベリウスの交響曲について語る</video:title>
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<video:description></video:description>
<video:duration>255</video:duration>
<video:publication_date>2025-06-25T15:16:17Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-30T07:57:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32CO</loc>
<video:video>
<video:title>指揮者エノッホ・ツー・グッテンベルクの肖像</video:title>
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<video:description>バロックから後期ロマン派にかけての偉大なオラトリオや交響曲の傑出した解釈者として知られ、歴史的な演奏の実践と、現代的で生命力に溢れた表現形式という相反する要素を融合させることに成功し、独自のスタイルを確立してきたエノッホ・ツー・グッテンベルク (1946- 2018) を巡るドキュメンタリーをお届けします。アンゲリカ・リツィウス監督によるこの映像では、1967年に設立したノイボイエルン合唱協会を世界的アンサンブルに育て上げた長年の活動や、1997年にクラングフェアヴァルトゥング管弦楽団の設立に参加し同楽団の首席指揮者を務めた功績などを中心に、その音楽家人生に迫ります。</video:description>
<video:duration>3532</video:duration>
<video:publication_date>2025-06-20T08:12:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="allow">DE AT CH</video:restriction>
</video:video>
<lastmod>2025-06-30T05:57:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32D0</loc>
<video:video>
<video:title>サラステが指揮するシベリウスの交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47179534cfcf4276fa3e180562f36e1adaf18138.jpg</video:thumbnail_loc>
<video:description>半分は陽光に照らされ、残りが深い陰影に包まれた大渓谷。これは、交響曲第4番を作曲するシベリウスの想像力をかき立てたと言われているイメージのひとつです。病を患い、個人的な希望を見出そうと人生のどん底と向き合った経験を彼は交響曲に刻印しました。指揮者ユッカ=ペッカ・サラステにとって、この作品は「宇宙的な次元」を持つ傑作であり、ヘルシンキでの彼のシベリウス・ツィクルスのクライマックスに最もふさわしいと言えるでしょう。</video:description>
<video:duration>2087</video:duration>
<video:publication_date>2025-04-23T07:40:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-27T14:42:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32E0</loc>
<video:video>
<video:title>歌劇《羊飼いの王様》をめぐる対談</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0dd7cc1e839108f046d16c437677be22928d6dab.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1839</video:duration>
<video:publication_date>2025-06-26T15:11:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-27T11:11:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1L</loc>
<video:video>
<video:title>名奏者たちと共に奏でられるジョー・ザヴィヌルの芸術</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/41e204ae89b7ca052f55d921c58f074787c0f3b5.jpg</video:thumbnail_loc>
<video:description>オーストリアのジャズ・ピアニストであるジョー・ザヴィヌル。シンセサイザーを駆使し、常に新しい音楽表現を模索し、多くの音楽家に影響を与えてきた存在です。本映像ではそんな彼の芸術をお楽しみいただけます。アヴァンギャルドでありながら、どこか懐かしさも覚える彼の音楽からはたくさんの発見と喜びを見出すことができるでしょう。ボビー・トーマス・ジュニア (ハンドドラム) にピーター・アースキン (ドラムス) 、そしてスティーブ・カーン (ギター) 、ヴィクター・ベイリー (ベース) といった名奏者たちのサポートにも注目です。</video:description>
<video:duration>3563</video:duration>
<video:publication_date>2025-06-25T12:58:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T13:47:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1M</loc>
<video:video>
<video:title>アイザック・シュタイナー、ルディ・ロス、ゲイリー・トッドによる即興演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b102e2288b09de8724c9365faea72a36b1d627ff.jpg</video:thumbnail_loc>
<video:description>アイザック・シュタイナー。その名前をご存じの方は決して多くないかもしれませんが、作曲家として活躍するほか、音楽に対する造詣が深く、多彩な活動を展開しています。本映像ではそんな彼のインプロヴィゼーションをお楽しみいただけます。バッハから現代作曲家にいたるまで様々なオマージュに満ちた即興演奏が展開。シュタイナー自身がピアノを弾き、世界的に活躍するドラムス奏者のルディ・ロス、コントラバス奏者のゲイリー・トッドが華を添えます。</video:description>
<video:duration>3232</video:duration>
<video:publication_date>2025-06-25T13:43:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T10:21:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C1K</loc>
<video:video>
<video:title>ジャズ / フリーファンク・カルテット「ファランクス」ライヴ</video:title>
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<video:description>アメリカのジャズ、フリーファンク、ブルースのギタリストで歌手のジェームス・“ブラッド”・ウルマーが、1980年代にサックス奏者のジョージ・アダムスと共同で立ち上げた、カルテット「ファランクス」のミュンヘンでのライヴ映像をお届けします。全編がオリジナル曲で、ベースのアミン・アリやドラムのカルヴィン・ウェストンら実力派ミュージシャンも参加。ジャズとブルースの要素を融合させた独自サウンドの激しい応酬が楽しめるステージとなっています。</video:description>
<video:duration>3831</video:duration>
<video:publication_date>2025-06-25T12:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T10:18:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38DG</loc>
<video:video>
<video:title>北京のモーツァルト – ラン・ランと共に</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f88b560f8d28bbfb0e81350dea7c4dc29766ccd2.jpg</video:thumbnail_loc>
<video:description>本映像は、2006年、北京の紫禁城コンサートホールで行われたコンサートの模様です。モーツァルトの生誕250年にあたり、偉大なオーストリアの作曲家に捧げるプログラムを、出演者を中国人アーティストで揃えて演奏しています。交響曲第25番、オペラからの抜粋に続いて、スーパースター、ラン・ランがモーツァルトの広大なピアノ協奏曲第24番を演奏しています。中国の人々と西洋音楽との出会いが描かれた1980年のドキュメンタリー映画「毛沢東からモーツァルトへ」から26年後に行われたこのコンサートは歴史の足跡を強く感じさせることでしょう。</video:description>
<video:duration>5216</video:duration>
<video:publication_date>2022-11-10T10:32:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:05:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ICO</loc>
<video:video>
<video:title>ライジング・スターズ – ファビアン・ミュラーの芸術</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2ce10c8a605dba1e7f86bb42a2f6fc9ba557a5a8.jpg</video:thumbnail_loc>
<video:description>本映像は、「ライジング・スターズ」シリーズでのファビアン・ミュラーによる演奏をご覧いただけます。ドイツ出身のミュラーは、グラモフォン誌で独創的な芸術性を評価されたピアニストです。彼はここでブラームスにベートーヴェン、そしてラフマニノフといった主要レパートリーを演奏し、作品に作曲家の人生、それらに対する想いを語っています。2017年にミュンヘンで開催されたARD国際音楽コンクール第2位に加え５つの賞を受賞した彼は、現在同世代で最も注目されるアーティストの一人としてその地位を確立しています。</video:description>
<video:duration>2590</video:duration>
<video:publication_date>2023-01-02T12:34:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:04:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJECG</loc>
<video:video>
<video:title>ムーティとムターがチャイコフスキーのヴァイオリン協奏曲で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a7a8b1542cad35079c2c31292748aca83314b81.jpg</video:thumbnail_loc>
<video:description>毎回スーパースターが集うザルツブルク音楽祭。本映像に収録された公演も、アンネ＝ゾフィー・ムターと、ウィーン・フィルハーモニー管弦楽団を指揮するマエストロ、リッカルド・ムーティが指揮台に立つなど話題となりました。ムターはお得意のチャイコフスキーのヴァイオリン協奏曲を披露していますが、ちょうどこのときはカラヤンと共演し全世界を魅了してからちょうど30年のタイミングとなっています。カラヤンに捧げたバッハの「サラバンド」も心を打ちます。ムーティによるブラームスの交響曲第2番も“名演”と呼ぶにふさわしい内容です。</video:description>
<video:duration>5787</video:duration>
<video:publication_date>2024-03-14T11:16:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T08:04:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJIE8</loc>
<video:video>
<video:title>ドビュッシー :《ペレアスとメリザンド》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/296183856cb278e13ec0857a1e31dfd1de390faf.jpg</video:thumbnail_loc>
<video:description>《ペレアスとメリザンド》は、1902年にパリで初演されたドビュッシーの代表的なオペラです。いま最もエキサイティングな演出家チェルニャコフは、物語の舞台を中世の森と城から精神科医のオフィスに移し、メリザンドをトラウマに苦しむ患者、夫ゴローを医師として描いています。彼女とその義弟ペレアスとの不倫の恋を演じるのは、南アフリカ出身のバリトン、インブライロとアメリカ出身のソプラノ、ウィンターズ。指揮のアラン・アルティノグルは、2024年にフランクフルト放送響と来日したフランスの気鋭で、ドビュッシーを得意としています。</video:description>
<video:duration>9899</video:duration>
<video:publication_date>2025-06-23T09:28:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-26T07:50:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8C8</loc>
<video:video>
<video:title>トラベル・スルー・ソング - プメザ・マチキザ &amp; ジェイムズ・ベイリュウ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0bd934c5adfd07f9828b7370fa4b45155e839f42.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンの重要なアーティストたちによるライヴ・コンサートシリーズ「楽興の時」。本映像では南アフリカ出身のリリック・ソプラノ、プメザ・マチキザのリサイタルをご覧頂けます。共演はアンサンブル・ピアニストとして多くのアーティストの信頼厚いジェイムズ・ベイリュー。マチキザの温かみのある美声で歌われるのは、フォーレやアーンのフランス歌曲をはじめ、プッチーニのオペラ・アリアにスペイン、チェコ、スワヒリ語など多彩な言語の作品です。それぞれの国ごとの作品が放つ魅力を存分に味わってください。</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2022-07-29T08:22:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T12:59:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0DG</loc>
<video:video>
<video:title>「ミュンヘン、ピアノの夏」のマッコイ・タイナー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5ae89b3c3a7cf910c9fce50d972717950b0360e0.jpg</video:thumbnail_loc>
<video:description>夏のミュンヘンの風物詩的コンサートシリーズから、1983年に登場したフィラデルフィア出身のジャズ・ピアニスト、マッコイ・タイナーのステージをお届けします。ジョン・コルトレーンのグループで1965年まで活躍し、1970年代は自身のリーダー作として数々のライヴ・アルバムの傑作を残した彼は、鍵盤の上に手を高く上げて強調するようなアタックの仕方で知られていました。こちらの映像でも鮮烈なオリジナル曲からエリントンの名スタンダー・ナンバー《イン・ア・センチメンタル・ムード》、デクスター・ゴードンの名演で知られるモダン・ジャズの名曲《イッツ・ユー・オア・ノー・ワン》に至るまで、目の醒めるようなその「よく跳ねる演奏スタイル」を存分に楽しめるはずです。</video:description>
<video:duration>3055</video:duration>
<video:publication_date>2025-03-31T13:58:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T12:26:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJACG</loc>
<video:video>
<video:title>サンクトペテルブルク建都300年記念ガラ・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9aac9c0fc45b40e5d4fda2cce64546489f9b2ced.jpg</video:thumbnail_loc>
<video:description>ロシアの文学・音楽・美術の中心でもあり、｢芸術の都｣として知られるサンクトペテルブルクは、2003年に建都300年を迎えています。その記念すべき日を祝う「白夜祭」の一環として、ソプラノのアンナ・ネトレプコ、バリトンのディミトリ・ホロストフスキー、さらにチェロのミッシャ・マイスキーらを迎えて、珠玉の音楽ガラが開催されました。本映像にはその華麗なるコンサートの模様が収められています。指揮はユーリ・テミルカーノフで、スーパースターの集う圧倒的な舞台を格調高い響きでまとめあげていきます。</video:description>
<video:duration>6702</video:duration>
<video:publication_date>2024-02-06T08:18:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T12:06:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2E8</loc>
<video:video>
<video:title>アヌアル・ブラヒムがホランド、レヒナー、ベイツと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c8634906121816dede61b1f306b96399d8ad41e.jpg</video:thumbnail_loc>
<video:description>ウード (アラビアの弦楽器) の伝説的巨匠、アヌアー・ブラヘムが、尊敬する3人の同僚とともに、ECMの最新アルバム『アフター・ザ・ラスト・スカイ』からの楽曲を披露します。ヨーロッパ・ツアーの一環としてフィルハーモニー・ド・パリで行われたこのコンサート。ECMでの前回のプロジェクトから8年を経て、今作『アフター・ザ・ラスト・スカイ』ではチェリストのアニヤ・レヒナーを迎え、ブラヘムが初めてチェロをフィーチャーしました。ピアニストのジャンゴ・ベイツ、そしてベーシストのデイヴ・ホランドの活躍にもご注目ください。</video:description>
<video:duration>5649</video:duration>
<video:publication_date>2025-05-28T08:18:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-25T08:57:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2D8</loc>
<video:video>
<video:title>ヴィヴァルディの《四季》より〈春〉第1楽章 : Allegro</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87235856f142981be5fdb32cf21c61c07e97ef4a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>212</video:duration>
<video:publication_date>2023-11-07T15:31:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:56:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2C8</loc>
<video:video>
<video:title>プロコフィエフについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5fccb8a27ce847526ff2e4f473702c992094fe68.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>400</video:duration>
<video:publication_date>2023-11-03T15:16:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:56:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2CO</loc>
<video:video>
<video:title>ヤンセンがアルバム「Beau Soir」を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2fc77ea6313700eadd4d5134a2af606168f8acd0.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-11-07T14:39:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJICO</loc>
<video:video>
<video:title>クライスラー : 《愛の悲しみ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/705531e290fc55486a844501d02e0611211d2f6d.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-12-14T17:47:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJID0</loc>
<video:video>
<video:title>カーン：〈イエスタデイズ〉(《ロバータ》より)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2cee91d81577316fd2c799f85357e39a7d7fda92.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-12-14T17:52:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:55:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2CG</loc>
<video:video>
<video:title>フォーレの《夢のあとに》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d65cd7b891274711912f81938707292c406895a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2023-11-07T14:19:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2D0</loc>
<video:video>
<video:title>バッハのヴァイオリン協奏曲第1番より第1楽章 : Allegro moderato</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/417fe415edeba0fe1d4bf34d80e42df828a49f1a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2023-11-07T15:11:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:50:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8E0</loc>
<video:video>
<video:title>アバドがマーラーの交響曲第6番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c279cfc7bb531508aab7e327c2b6322c45b40812.jpg</video:thumbnail_loc>
<video:description>2006年のルツェルン音楽祭の模様です。クラウディオ・アバドはベルリン・フィルハーモニー管弦楽団で最高のキャリアを築き上げましたが、それを支えたものの一つがマーラーの演奏です。ルツェルン祝祭管弦楽団との共演でもマーラーを積極的に取り上げ、衰えぬ輝きを見せましたが、このオーケストラにはベルリン・フィル時代のメンバーもいました。《悲劇的》とも呼ばれるマーラーの交響曲第6番は古典的な形式ながらもオーケストラの規模が非常に大きく、カウベルや低音のベル、ハンマーなど打楽器の象徴的な使用も特徴的です。</video:description>
<video:duration>5338</video:duration>
<video:publication_date>2022-08-08T12:37:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3A</loc>
<video:video>
<video:title>ルツェルン祝祭管弦楽団のマーラー交響曲第5番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e41053b23182fe3bab70a4ca3b73e8a79442ed96.jpg</video:thumbnail_loc>
<video:description>クラウディオ・アバドは2002年にベルリン・フィルの首席指揮者を退任した後、自身が設立した若手中心のオーケストラとの活動に力を注ぎました。中でも音楽監督を務めていたルツェルン祝祭管弦楽団はアバドにとって特別な存在であり、音楽祭のために旧知の名手たちが集まり、毎年のように洗練された演奏を展開していました。このマーラー第5番の映像もそうした演奏家たちの熱い連帯感が伝わるステージで、終演後に会場は拍手とブラボーの嵐に包まれます。</video:description>
<video:duration>4416</video:duration>
<video:publication_date>2022-05-23T13:49:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8DG</loc>
<video:video>
<video:title>アバドがマーラーの交響曲第3番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6b1eb85ef19e330379de7904c2de18cf3f5430e6.jpg</video:thumbnail_loc>
<video:description>2007年のルツェルン音楽祭の模様です。クラウディオ・アバドはベルリン・フィルハーモニー管弦楽団の首席指揮者・芸術監督を退任後、ルツェルン祝祭管弦楽団で音楽監督を務め、キャリアの後半の輝きを見せました。同オーケストラは音楽祭のための臨時編成でありながら、世界を代表するアーティストが集い、綿密なリハーサルを重ねて望むため、その演奏は圧倒的です。特にマーラーは彼らの得意とするもので、大規模な作品である第3番も見事に昇華しています。第4楽章のアンナ・ラーションの歌唱も心奪われる美しさです。</video:description>
<video:duration>6084</video:duration>
<video:publication_date>2022-08-03T15:49:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPG</loc>
<video:video>
<video:title>アバドのルツェルン祝祭管との最初の演奏会</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8587577f1b98b4d66cbdf8d2cddb898854b4093c.png</video:thumbnail_loc>
<video:description>クラウディオ・アバドは、ベルリン・フィルの首席指揮者を退任後、ルツェルン音楽祭でルツェルン祝祭管弦楽団を設立しました。メンバーは有名ソリスト、室内楽奏者、マーラー・チェンバー・オーケストラの団員で、その後アバドの音楽的理想を体現するオーケストラとして、高い評価を確立しました。当演奏会は、その最初の演奏会（2003年）。アバドが特に強い愛情を注ぐマーラーの交響曲第2番《復活》が、エモーショナルに演奏されています。</video:description>
<video:duration>5156</video:duration>
<video:publication_date>2022-04-20T15:50:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:38:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30C0</loc>
<video:video>
<video:title>《春》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e0e2768afe2173990d60f7b120600f404372e5d.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>73</video:duration>
<video:publication_date>2023-12-21T14:01:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:09:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0DG</loc>
<video:video>
<video:title>ショパンの練習曲について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c4f288f30f74ee7faa44d10eddacf6d5a7628f8b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>304</video:duration>
<video:publication_date>2024-11-14T16:39:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T14:07:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCDO</loc>
<video:video>
<video:title>ドキュメンタリー「エレーヌ・グリモー : クララへの手紙」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61ceee9fe88eab2b01e96da06b8933376cf477e5.jpg</video:thumbnail_loc>
<video:description>本映像は2006年のロベルト・シューマン没後150年を記念して制作されたドキュメンタリーです。時代を超えた二人の傑出したピアニスト、クララ・シューマンとエレーヌ・グリモーについてより深く知ることができる内容です。さらにクララとロベルト・シューマン、そしてヨハネス・ブラームスによるロマンティックな三角関係についても描写されており、歴史的な衣装を身にまとい、オリジナルのロケ地 (ボン) とミュンスターランドで撮影されています。</video:description>
<video:duration>2743</video:duration>
<video:publication_date>2025-03-03T13:03:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T13:33:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0DO</loc>
<video:video>
<video:title>サラステが指揮するシベリウスの交響曲第7番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87b5c602b4e3b6010c06b4098e316ff14106ad01.jpg</video:thumbnail_loc>
<video:description>2023年にヘルシンキ・フィルハーモニー管弦楽団の首席指揮者に就任したユッカ＝ペッカ・サラステ。本映像では、シベリウスの交響曲全曲ツィクルスから最後の交響曲、第7番をご覧いただけます。単一楽章で構成されており、初演時には「交響的幻想曲」と名付けられていました。シベリウスの交響曲の中で唯一、ヘルシンキ・フィルによって初演されなかった作品でもあります。短いながらも壮大な叙事詩のような世界観を持つ、独特な魅力を存分に味わって頂けることでしょう。</video:description>
<video:duration>1394</video:duration>
<video:publication_date>2025-04-02T14:49:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6C0</loc>
<video:video>
<video:title>サラステが指揮するシベリウスの交響曲第6番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1da182e412f83d01da1953f30f4bb8c27c32ec7.jpg</video:thumbnail_loc>
<video:description>2023年からはヘルシンキ・フィルハーモニー管弦楽団の首席指揮者に就任し、さらに目覚ましい活躍を見せるフィンランドの名匠ユッカ＝ペッカ・サラステ。本映像では、シベリウスの交響曲全曲ツィクルスから交響曲第6番の演奏をご覧いただけます。着想から1923年に完成するまでの約10年もの間、シベリウスはこの交響曲の楽想と向き合っていました。自然から受けたインスピレーションに有機的な構成と必然性が織り込まれた、美しい作品に仕上がっています。この交響曲を1923年に初演した名門オーケストラの響きで、北欧の音世界を存分に味わっていただけることでしょう。</video:description>
<video:duration>1825</video:duration>
<video:publication_date>2024-12-10T08:47:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:20:19Z</lastmod>
</url>
<url>
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<video:video>
<video:title>サラステが指揮するシベリウスの交響曲第5番</video:title>
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<video:description>ユッカ＝ペッカ・サラステ率いるヘルシンキ・フィルハーモニー管弦楽団は、シベリウスの交響曲全曲ツィクルスに挑みました。本映像でご覧いただけるのは、同楽団が1915年に初演した交響曲第5番。シベリウスはこの交響曲の作曲中、陽光の中を飛翔する16羽の白鳥に遭遇し、想像力が大いに掻き立てられたといいます。フィンランドの国民的作曲家が生んだ傑作を、母国を代表する指揮者と名門オーケストラによる圧倒的な演奏でお楽しみください。</video:description>
<video:duration>2059</video:duration>
<video:publication_date>2025-03-31T13:13:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-24T11:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJEC0</loc>
<video:video>
<video:title>サラステが指揮するシベリウスの交響曲第3番</video:title>
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<video:description>シベリウスは、濃密なロマンティシズム溢れる最初の交響曲2曲とはまったく異なる道を模索し、1904年から1907年にかけて交響曲第3番を作曲しました。海霧の渦の中で着想を得たともいわれるこの作品は、質素な動機素材から有機的に構築され、肩透かしをを食わせるようなシンプルさとともに穏やかな高揚感を湛えている点が特徴的です。本映像では、今から125年近く前の1907年9月にヘルシンキで同曲を初演したオーケストラが、現在の首席指揮者ユッカ=ペッカ・サラステの指揮のもと、シベリウス交響曲全曲ツィクルスの一環として演奏する模様をお楽しみいただけます。</video:description>
<video:duration>1744</video:duration>
<video:publication_date>2024-11-06T12:59:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-06-24T11:19:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCE8</loc>
<video:video>
<video:title>ユッカ=ペッカ・サラステによるシベリウスの交響曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3ae21155545149b7e37d8ec002cfd267a1d226cd.jpg</video:thumbnail_loc>
<video:description>本映像は、ヘルシンキ・フィルハーモニー管弦楽団と現在の首席指揮者、ユッカ=ペッカ・サラステによるシベリウス交響曲全曲ツィクルスの一環です。シベリウスがイタリアに長期滞在したときに書かれた交響曲第2番は、1902年3月8日にまさにこのオーケストラによって初演され、今では彼の最も人気のある作品のひとつとなっています。輝かしさ、歌心が見事に表現された演奏をお楽しみください。</video:description>
<video:duration>2578</video:duration>
<video:publication_date>2024-11-06T12:53:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-24T11:19:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCDG</loc>
<video:video>
<video:title>ユッカ=ペッカ・サラステによるシベリウスの交響曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5f9b381430f210930e8310b3bd6692d007f5f4c2.png</video:thumbnail_loc>
<video:description>本映像は、ヘルシンキ・フィルハーモニー管弦楽団と現在の首席指揮者、ユッカ=ペッカ・サラステによるシベリウス交響曲全曲ツィクルスの一環をご覧いただけます。チャイコフスキーやボロディン、ブルックナーの影響がうかがわれる交響曲第1番は透明感のあるサウンド、そして抒情性に満ちた演奏で紡がれています。フィンランドの大地を感じさせる作品をお楽しみください。</video:description>
<video:duration>2285</video:duration>
<video:publication_date>2024-11-06T10:20:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T11:18:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2CG</loc>
<video:video>
<video:title>超絶技巧を誇るボムソリが奏でる、圧倒的なチャイコフスキー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a83c5916f082657b0796ea9d50e69ec8b888477b.jpg</video:thumbnail_loc>
<video:description>ARDミュンヘン国際音楽コンクール、チャイコフスキー国際コンクール、ヴィエニャフスキ国際ヴァイオリンコンクールなど、数々の国際コンクールで入賞してきたヴァイオリニストのボムソリ。超絶技巧はもちろん、楽曲のもつ美を輝かしい音色で伝える奏者です。2023年9月にパリで収録された本映像では、そんな彼女の魅力が存分に伝わってくるチャイコフスキーのヴァイオリン協奏曲と、女性作曲家バツェヴィチの民族色溢れる小品をご覧いただくことができます。</video:description>
<video:duration>2607</video:duration>
<video:publication_date>2024-02-06T07:57:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T10:30:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6CG</loc>
<video:video>
<video:title>デビュー当時の小曽根真によるピアノ・ソロ、リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62cfa5f81581cb81706b5e03df0b7c599e1ee0e2.jpg</video:thumbnail_loc>
<video:description>日本が誇るジャズ・ピアニストで、近年はクラシックの演奏家としても音楽ファンを魅了し続けている小曽根真が、初リーダー作にして全米デビュー作『OZONE』をリリースした1984年に「ミュンヘンの夏」のステージに登場した時の貴重なライヴ映像をお届けします。初期の人気レパートリー《クリスタル・ラヴ》など瑞瑞しい感性が光る小曽根真の原点を存分にご堪能ください。</video:description>
<video:duration>2811</video:duration>
<video:publication_date>2025-04-16T14:50:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T10:16:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJIE0</loc>
<video:video>
<video:title>ベートーヴェンのピアノ・ソナタ第7番について</video:title>
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<video:description></video:description>
<video:duration>221</video:duration>
<video:publication_date>2025-05-14T08:35:31Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-24T09:34:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJIE8</loc>
<video:video>
<video:title>ベートーヴェンのソナタ《田園》について</video:title>
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<video:duration>201</video:duration>
<video:publication_date>2025-05-14T08:37:47Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30D0</loc>
<video:video>
<video:title>ベートーヴェンのソナタ《月光》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d961227a65d499fa147f4cd34310807ada337d4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>263</video:duration>
<video:publication_date>2025-06-06T12:58:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCCG</loc>
<video:video>
<video:title>ベートーヴェンの《告別》ソナタを語る</video:title>
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<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2025-02-24T12:27:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJIDO</loc>
<video:video>
<video:title>ベートーヴェンのソナタ《ハンマークラヴィーア》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6ef281c75fcad953e79f716cc335e147403315d1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>198</video:duration>
<video:publication_date>2025-05-14T08:31:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-24T09:33:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJADG</loc>
<video:video>
<video:title>アダム・フィッシャーが指揮するヴェルディ :《アイーダ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e4ae800236b17aa8748dcdd480f5f8ffc2031c3e.jpg</video:thumbnail_loc>
<video:description>名匠アダム・フィッシャーの指揮、そしてニコラ・ジョエルの演出によって、2006年にチューリッヒ・オペラ・ハウスで行われた《アイーダ》は、オペラファンの間で話題となりました。アイーダ役は、現代最高のワーグナー・ソプラノとして知られるスウェーデン出身のシュテンメ。アイーダのライバルであるラダメスを演じるのは、リチートラ。イタリアを代表するテノールのひとりでしたが、2011年、交通事故のために43歳で帰らぬ人となりました。今、ここに彼の歌声がよみがえります。色彩あふれるスペクタクルも魅力です。</video:description>
<video:duration>9135</video:duration>
<video:publication_date>2025-05-20T07:52:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T20:04:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCDG</loc>
<video:video>
<video:title>シトコヴェツキーによるバッハの名曲《ゴルトベルク変奏曲》弦楽三重奏版</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8691e152b135ade727be7599b4246537cd8c47dd.jpg</video:thumbnail_loc>
<video:description>本映像でお聴きいただけるのは、ヴァイオリニストであり指揮者のドミトリー・シトコヴェツキーによるバッハの大作《ゴルトベルク変奏曲》の弦楽三重奏のための編曲版です。伝説的なバッハ弾き、グレン・グールドに捧げられました。鍵盤楽器作品の中でも屈指の難曲でもあるこの楽曲。弦楽器奏者にとっても高い技術はもちろん、アンサンブル能力も問われる難曲に仕上がりました。編曲者自身のヴァイオリン、そして世界を代表するチェリストであるミッシャ・マイスキーにヴィオラのジェラール・コセによる最高のアンサンブルでお楽しみください。</video:description>
<video:duration>3668</video:duration>
<video:publication_date>2025-06-04T13:36:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T14:15:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GE0</loc>
<video:video>
<video:title>《ナイチンゲール》(K.ラヒモフによる管弦楽編)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a1a65afd2c6cf84fbf04ca5e44771e8fb097ce5.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>252</video:duration>
<video:publication_date>2024-10-15T15:14:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T12:01:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0D0</loc>
<video:video>
<video:title>イタリアの名門、ゲオルク・ショルティ・アカデミア創立20周年ガラ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/733f4fce54acfd5ee0f8087f69ad0e86083f43b5.jpg</video:thumbnail_loc>
<video:description>ハンガリー国立歌劇場管弦楽団による華麗なるオペラの世界をお楽しみいただけます。ショルティは1930年代にコレペティトールとして同劇場で働いていました。指揮を務めるのは、ペーテル・ハラース。ロッシーニやプッチーニによる華麗なイタリア・オペラはもちろん、レオンカヴァッロやヴェルディといったヴェリズモ・オペラ、さらにビゼーにコルンゴルトなど様々なオペラの人気作品が演奏されます。美貌のオペラ歌手、ヘラ・イェサン・パクをはじめ、スター歌手たちによる歌唱をお楽しみください。</video:description>
<video:duration>5407</video:duration>
<video:publication_date>2024-10-24T18:32:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T12:01:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6C8</loc>
<video:video>
<video:title>モンテヴェルディのイタリアを巡る旅：マントヴァ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4e3f0f311abc47bfc81895fdc4748b9184674c0c.jpg</video:thumbnail_loc>
<video:description>ガーディナー率いるモンテヴェルディ合唱団とイングリッシュ・バロック・ソロイスツによる“モンテヴェルディが見たイタリア”を巡る旅をお届けします。演奏会の会場はマントヴァのドゥカーレ宮殿にある「鏡の間」。こちらは彼が作曲した最初のオペラ《オルフェオ》が初演された場所と伝えられています。マントヴァ公爵ヴィンチェンツォ1世・ゴンザーガは16世紀から17世紀初頭にかけて、ヨーロッパで最も偉大な詩人や芸術家、音楽家のパトロンでした。演奏プログラムにはこの宮廷と直接関係のあった詩人たちや、イタリア人文主義の父ペトラルカのテキストによるマドリガーレなども含まれています。</video:description>
<video:duration>4025</video:duration>
<video:publication_date>2024-04-15T11:46:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-23T07:52:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJICO</loc>
<video:video>
<video:title>アンソニー＆ジョセフ・パラトーレ : 4手連弾と2台ピアノ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dd6f975c756e109d71b49a9255d1923106747dd2.jpg</video:thumbnail_loc>
<video:description>アンソニー＆ジョセフ・パラトーレは、アンソニー・パラトーレとジョセフ・パラトーレの兄弟によるピアノ・デュオです。オーケストラとの共演やオーケストラ作品の編曲を含め、2台ピアノと4手ピアノのためのクラシック・レパートリーを網羅的に演奏、録音した存在として知られています。クラシックはもちろんですが、ジャズの分野では、デイヴ・ブルーベックとの共演でも話題となりました。本映像ではシェーンベルク、ドビュッシーにヴォルフガング・リームなど19世紀末以降の楽曲が並び、兄弟の技術の高さ、音色の多彩さをお楽しみいただけます。</video:description>
<video:duration>4394</video:duration>
<video:publication_date>2025-06-19T12:12:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-20T14:14:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJIDO</loc>
<video:video>
<video:title>「ノルウェーからのクリスマス」について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5bd63cfa680feedde8168de10ab01e89731a589a.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>190</video:duration>
<video:publication_date>2023-12-21T13:14:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-19T13:46:44Z</lastmod>
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<url>
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<url>
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<video:title>《眠りにつくとき》について</video:title>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJIE0</loc>
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<video:title>リセ・ダヴィッドセン自らを語る</video:title>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32CG</loc>
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<video:title>シューマン / 3つのロマンス op. 94 より第1番 : Nicht schnell</video:title>
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<url>
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<video:title>ハイドン : 幻想曲 (カプリッチョ) ハ長調 Hob. XVII:4</video:title>
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<lastmod>2025-06-17T14:57:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30E8</loc>
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<video:title>Nowhere Again, Kinder</video:title>
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<lastmod>2025-06-17T14:20:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30E0</loc>
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<lastmod>2025-06-17T14:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4C8</loc>
<video:video>
<video:title>ベームがムジークフェラインザールで振るモーツァルトの交響曲＆管弦楽曲</video:title>
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<video:description>指揮者としてのキャリアをほとんど歌劇場で築きあげ、1981年に87歳で亡くなる直前までオペラから離れることのなかったカール・ベーム。最盛期の1959年～1968年にかけてベルリン・フィルと行ったモーツァルト交響曲全曲録音と、晩年の1976年～1980年にウィーン・フィルと収録した6曲のモーツァルトの後期交響曲集成は巨匠の偉業として今日でも高く評価されています。ここでは円熟期の1974年にウィーン・フィルと交響曲第36番《リンツ》と管弦楽曲を演奏した映像をお届けします。ベームによって引き出されたその明快で艶やかな色彩美がムジークフェラインザールに響く様子をお楽しみください。</video:description>
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<video:publication_date>2025-04-11T11:49:29Z</video:publication_date>
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<lastmod>2025-06-17T10:49:59Z</lastmod>
</url>
<url>
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<video:title>マイスキーとギリロフが奏でるR.シュトラウスのチェロ・ソナタ</video:title>
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<video:description>本映像ではガルミッシュ＝パルテンキヒェンで2003年に行われた「リヒャルト・シュトラウス音楽祭」のライヴ・コンサートの模様をご覧いただけます。世界的チェロ奏者であり、いまもなお高い人気を誇るミッシャ・マイスキーと、アンサンブルピアニストとして圧倒的な存在感を誇るパヴェル・ギリロフの共演で、リヒャルト・シュトラウスのチェロとピアノのためのソナタヘ長調が披露されています。シュトラウスならではのドラマティックで甘美な作品を卓越した演奏でお楽しみください。</video:description>
<video:duration>1506</video:duration>
<video:publication_date>2025-01-07T13:55:56Z</video:publication_date>
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<lastmod>2025-06-17T10:00:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30D8</loc>
<video:video>
<video:title>ベートーヴェン最後のピアノ・ソナタ、第32番について</video:title>
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<video:publication_date>2025-06-06T13:12:09Z</video:publication_date>
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<lastmod>2025-06-17T08:35:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCE8</loc>
<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第2番</video:title>
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<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>1937</video:duration>
<video:publication_date>2025-06-06T10:25:26Z</video:publication_date>
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<lastmod>2025-06-16T08:49:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJEC0</loc>
<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第3番</video:title>
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<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>2951</video:duration>
<video:publication_date>2025-06-06T11:39:31Z</video:publication_date>
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<lastmod>2025-06-16T08:49:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJEC8</loc>
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<video:title>カラヤンが指揮するベートーヴェンの交響曲第4番</video:title>
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<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>1972</video:duration>
<video:publication_date>2025-06-06T11:59:26Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-16T08:49:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJECG</loc>
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<video:title>カラヤンが指揮するベートーヴェンの交響曲第5番</video:title>
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<lastmod>2025-06-16T08:49:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJECO</loc>
<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第6番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ee1758c17c315c32aa10fcbd26abe84cec84daf2.jpg</video:thumbnail_loc>
<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>2223</video:duration>
<video:publication_date>2025-06-06T12:44:17Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJED0</loc>
<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第7番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/081804b4f8d27e7ea0fb8a3b1909a1bec58bc841.jpg</video:thumbnail_loc>
<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>2072</video:duration>
<video:publication_date>2025-06-06T12:56:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-06-16T08:48:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCE0</loc>
<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第1番</video:title>
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<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>1445</video:duration>
<video:publication_date>2025-06-06T09:08:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-06-16T08:48:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJEDG</loc>
<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第9番</video:title>
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<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>3911</video:duration>
<video:publication_date>2025-06-06T13:30:27Z</video:publication_date>
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<url>
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<video:video>
<video:title>カラヤンが指揮するベートーヴェンの交響曲第8番</video:title>
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<video:description>カラヤンはクラシックのヴィジュアル作品の未来を見据えて、早くから自ら積極的に制作を手掛けていました。本映像ではこの伝説的指揮者が1960年代から70年代にかけて、ベルリン・フィルとベートーヴェンの交響曲全曲を演奏した姿をまとめて楽しむことができ、いずれも巨匠の意欲とアイデアが凝らされた内容になっています。スタジオ収録のものでは、最も早く1967年に収録された第6番での光と影を対比させた照明やライティングによって背景の色を変える演出が目を惹き、1971年の第3番と第7番では急勾配の3つの雛壇を使ったオーケストラの配置が斬新。残りは本拠地であるフィルハーモニーで収録したもので、第4番と第5番は臨場感溢れるライヴ、第9番はカラヤン自身が監督を務めた、カメラ・ワークの巧みさとクローズアップで魅せる映画風の美しい映像です。</video:description>
<video:duration>1575</video:duration>
<video:publication_date>2025-06-06T13:05:02Z</video:publication_date>
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<lastmod>2025-06-16T08:36:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCDO</loc>
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<video:title>ニコラス・エコノムが奏でるバッハ</video:title>
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<lastmod>2025-06-13T14:59:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCD8</loc>
<video:video>
<video:title>今井顕が奏でる日本人作曲家のピアノ音楽</video:title>
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<video:publication_date>2025-06-04T08:24:56Z</video:publication_date>
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<lastmod>2025-06-12T08:46:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GC0</loc>
<video:video>
<video:title>ミッシャ・マイスキーが奏でるバッハの無伴奏チェロ組曲第6番</video:title>
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<video:description>いまなお世界的に最も活躍するチェロ奏者のひとりであるミッシャ・マイスキー。その圧倒的な技術と作品の内面へと深く入り込み、その世界を届けてくれる音楽性は多くの人々を魅了し、尊敬を集めています。本映像でご覧いただけるのはバッハの無伴奏チェロ組曲。彼の録音したCDはこの曲の普及に大いに貢献しました。その伝説的な録音から間もないころの1986年に行われた若き日のマイスキーの華麗な演奏で、超絶技巧に彩られた第6番をご覧ください。</video:description>
<video:duration>2225</video:duration>
<video:publication_date>2025-03-05T15:58:31Z</video:publication_date>
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<lastmod>2025-06-12T07:38:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3EE8</loc>
<video:video>
<video:title>ミッシャ・マイスキーが奏でるバッハの無伴奏チェロ組曲第5番</video:title>
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<video:description>いまなお世界的に最も活躍するチェロ奏者のひとりであるミッシャ・マイスキー。その圧倒的な技術と作品の内面へと深く入り込み、その世界を届けてくれる音楽性は多くの人々を魅了し、尊敬を集めています。本映像でご覧いただけるのはバッハの無伴奏チェロ組曲。彼の録音したCDはこの曲の普及に大いに貢献しました。その伝説的な録音から間もないころの1986年に行われた若き日のマイスキーの華麗な演奏で、荘厳な響きに満ちた第5番をご覧ください。</video:description>
<video:duration>1714</video:duration>
<video:publication_date>2025-03-05T15:55:04Z</video:publication_date>
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<lastmod>2025-06-12T07:38:42Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3EE0</loc>
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<video:title>ミッシャ・マイスキーが奏でるバッハの無伴奏チェロ組曲第4番</video:title>
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<video:description>いまなお世界的に最も活躍するチェロ奏者のひとりであるミッシャ・マイスキー。その圧倒的な技術と作品の内面へと深く入り込み、その世界を届けてくれる音楽性は多くの人々を魅了し、尊敬を集めています。本映像でご覧いただけるのはバッハの無伴奏チェロ組曲。彼の録音したCDはこの曲の普及に大いに貢献しました。その伝説的な録音から間もないころの1986年に行われた若き日のマイスキーの華麗な演奏で、洗練された響きと技巧に彩られた第4番をご覧ください。</video:description>
<video:duration>1716</video:duration>
<video:publication_date>2025-03-05T15:51:01Z</video:publication_date>
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<lastmod>2025-06-12T07:38:28Z</lastmod>
</url>
<url>
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<video:title>ミッシャ・マイスキーが奏でるバッハの無伴奏チェロ組曲第3番</video:title>
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<video:description>いまなお世界的に最も活躍するチェロ奏者のひとりであるミッシャ・マイスキー。その圧倒的な技術と作品の内面へと深く入り込み、その世界を届けてくれる音楽性は多くの人々を魅了し、尊敬を集めています。本映像でご覧いただけるのはバッハの無伴奏チェロ組曲。彼の録音したCDはこの曲の普及に大いに貢献しました。その伝説的な録音から間もないころの1986年に行われた若き日のマイスキーの華麗な演奏で、華やかな魅力にあふれた第3番をご覧ください。</video:description>
<video:duration>1606</video:duration>
<video:publication_date>2025-03-05T15:47:23Z</video:publication_date>
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<lastmod>2025-06-12T07:38:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3EDG</loc>
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<video:title>ミッシャ・マイスキーが奏でるバッハの無伴奏チェロ組曲第2番</video:title>
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<video:description>いまなお世界的に最も活躍するチェロ奏者のひとりであるミッシャ・マイスキー。その圧倒的な技術と作品の内面へと深く入り込み、その世界を届けてくれる音楽性は多くの人々を魅了し、尊敬を集めています。本映像でご覧いただけるのはバッハの無伴奏チェロ組曲。彼の録音したCDはこの曲の普及に大いに貢献しました。その伝説的な録音から間もないころの1986年に行われた若き日のマイスキーの華麗な演奏で、旋律のうつくしさにあふれた第2番をご覧ください。</video:description>
<video:duration>1466</video:duration>
<video:publication_date>2025-03-05T15:38:12Z</video:publication_date>
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<lastmod>2025-06-12T07:37:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30DO</loc>
<video:video>
<video:title>サン=サーンス : アンダルシア奇想曲 op. 122</video:title>
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<lastmod>2025-06-11T09:49:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6C8</loc>
<video:video>
<video:title>ミッシャ・マイスキー - 言葉を越えて</video:title>
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<video:description>常にチェロ界を牽引する存在として君臨するミッシャ・マイスキー。彼は世界で唯一、ロストロポーヴィチとピアティゴルスキーの両氏に師事した音楽家として知られています。本映像ではガルミッシュ＝パルテンキルヒェンでの「リヒャルト・シュトラウス・ターゲ」における、コンサートの模様が紹介されています。共演はピアニストのパーヴェル・ギリロフ。シュトラウスやブラームスの作品の演奏と共に、マイスキー自身が幼少期や受けてきた教育、数十年にわたる国際的キャリアなどについて語っています。</video:description>
<video:duration>3593</video:duration>
<video:publication_date>2022-11-15T15:22:23Z</video:publication_date>
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<lastmod>2025-06-10T13:58:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30DG</loc>
<video:video>
<video:title>メシアン《世の終わりのための四重奏曲》より第1楽章 : 水晶の典礼</video:title>
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<lastmod>2025-06-10T07:00:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCD0</loc>
<video:video>
<video:title>山下洋輔と山本邦山</video:title>
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<video:description>1983年に「山下洋輔トリオ」を解散以降、ソロ・ピアノを始めオーケストラや和太鼓など様々なジャンルの音楽との共演を意欲的に行い国内外で活躍中の山下洋輔が、現代邦楽における尺八の存在を確立した山本邦山と共に、夏のミュンヘンの風物詩的コンサートシリーズに登場した、1985年の貴重なライヴ映像をお届けします。スタンダード・ナンバーやクラシカルな楽曲からそれぞれのオリジナル曲まで、全てにおいて凄まじい即興演奏を繰り広げてドイツの聴衆をノックアウトする、二人の革新的なミュージシャンの勇姿をご堪能ください。日本の伝統音楽とモダン・ジャズを融合した“熱い”デュエット曲もお聴き逃しなく！</video:description>
<video:duration>5462</video:duration>
<video:publication_date>2025-05-27T19:27:57Z</video:publication_date>
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<lastmod>2025-06-06T12:09:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30C8</loc>
<video:video>
<video:title>ロストロポーヴィチ : 追悼</video:title>
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<video:description>2007年3月27日に80歳の誕生日を迎えその1カ月後にこの世を去った、20世紀を代表するチェロ奏者であり指揮者としても活躍した、ムスティスラフ・ロストロポーヴィチの波乱に満ちた栄光の生涯を、未公開映像を交えて綴った追悼ドキュメンタリー。最後のインタビュー映像では、父親の無関心に苦しんだ幼少期から、1970年に作家ソルジェニーツィンを擁護したことでソビエト当局から「反体制」とみなされ演奏活動を停止させられたこと、亡命先の米国での活躍、そして故郷への凱旋までが本人の口から語られます。また彼の音楽仲間や弟子たちの言葉によって、その人となりや偉大な功績があらためて検証されていくところも見応えがあります。</video:description>
<video:duration>1708</video:duration>
<video:publication_date>2025-06-04T12:42:57Z</video:publication_date>
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<lastmod>2025-06-05T09:19:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCCO</loc>
<video:video>
<video:title>シチェドリンと仲間たち～チック・コリア、ニコラス・エコノムを迎えて</video:title>
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<video:description>本映像では、旧ソ連時代から活躍し今なおロシアを代表する作曲家のひとりとして強い存在感を放つロディオン・シチェドリンの即興演奏家としての魅力をお楽しみください。こちらではアメリカが生んだ20世紀ジャズ界の巨匠チック・コリア、キプロス出身でミュンヘン在住のニコラス・エコノム (1993年に40歳で事故死) といった凄腕コンポーザー・ピアニストとの手に汗握る打々発止のやりとりも聴き所です。</video:description>
<video:duration>2736</video:duration>
<video:publication_date>2025-05-27T19:11:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-06-05T08:15:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30C0</loc>
<video:video>
<video:title>リハーサル中のダニール・トリフォノフとセルゲイ・ババヤンをのぞき見</video:title>
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<lastmod>2025-06-04T11:29:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GE0</loc>
<video:video>
<video:title>スヴェン・ヘルビッヒ作曲《レクイエム A》の世界初演</video:title>
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<video:description>2025年2月にドレスデン聖十字架教会で収録された、作曲家スヴェン・ヘルビッヒによる《レクイエム A》の世界初演の模様をお届けします。9つの部分からなり、典礼文と新しいテキストが織り込まれたこの作品は、ドレスデン爆撃と第二次世界大戦の終結から80周年を迎えたのを記念して作曲されました。タイトルの「A」は「始まり」(ドイツ語では &quot;Anfang&quot; ) を意味し、和解と新たな始まりを詩的なイメージとともに呼びかけています。そして、哀悼から生への道を模索するテキスト中のキーワードとなっているのは「出発」(Aufbruch) 、「灰」(Asche) 、「呼吸」(Atmen) 。アイスランドの映像アーティスト、マーニ・シグフッソンによる力強い視覚効果とともにお楽しみください。</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2025-05-12T11:15:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-06-03T14:49:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCC0</loc>
<video:video>
<video:title>ゲルハルト・オピッツとニコラス・エコノムが奏でるラフマニノフ</video:title>
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<video:description>ドイツを代表するピアニストであり、ドイツの作品における解釈と演奏において比類なき存在であるゲルハルト・オピッツ。そして輝かしい才能に恵まれながらも夭折したピアニストのニコラス・エコノム。本映像はふたりの特別な才能が共演した貴重な映像となっています。演奏曲に選ばれたのはラフマニノフの最後の作品となった《交響的舞曲》。ピアノという楽器のもつ音色と表現の限界を超えたような作品が二人の天才に奏でられることで、より特別な響きを味わっていただけることでしょう。</video:description>
<video:duration>2110</video:duration>
<video:publication_date>2025-05-27T02:42:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-05-28T19:46:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJAE8</loc>
<video:video>
<video:title>ゲルハルト・オピッツとゴッドフリート・シュナイダーが奏でるモーツァルト</video:title>
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<video:description>20世紀を代表するピアニストであるルドルフ・ゼルキンにその才能を見出されたヴァイオリニストであるゴッドフリート・シュナイダー。その音色をさらに輝かせる共演者はなんとピアニストのゲルハルト・オピッツです。知的な解釈と演奏を繰り広げるシュナイダーとドイツ音楽の正統的な解釈者であるオピッツの共演でご覧いただけるのはモーツァルトのヴァイオリン・ソナタ。透明感のある音色とあたたかい響きで奏でられるモーツァルトは、ご覧いただく皆様の心を強く惹きつけることでしょう。</video:description>
<video:duration>4993</video:duration>
<video:publication_date>2025-05-27T02:17:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T19:45:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJCC8</loc>
<video:video>
<video:title>エリオット・フィスクがギターで奏でるバッハ</video:title>
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<video:description> 　</video:description>
<video:duration>1379</video:duration>
<video:publication_date>2025-05-27T02:47:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T19:44:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4CG</loc>
<video:video>
<video:title>期待の新星カウンターテナー、キャメロン・シャバジ</video:title>
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<video:description>昨今、オペラ・シーンに登場した最もエキサイティングな新星のひとりであるイラン系カナダ人のカウンターテナー、キャメロン・シャバジの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。2023年初めにオランダ国立歌劇場の《エジプトのジュリアス・シーザー（新演出）でも披露した当たり役であるトロメーオなどヘンデル・オペラのアリアから、イランのポピュラーソングまで「ふくよかでヴォリューム感に溢れた」歌声をサラ・タイスマンのピアノにのせて。途中に挟まれるインタビューも必見です。</video:description>
<video:duration>2912</video:duration>
<video:publication_date>2023-02-06T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T14:24:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8DG</loc>
<video:video>
<video:title>期待の新星ギタリスト、ラファエル・フイヤートルの紹介</video:title>
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<video:description>ドイツ・グラモフォンと契約し2023年3月にデビュー・アルバム『Visages baroques』をリリースしたクラシック・ギター界のセンセーショナルなニュー・スター、ラファエル・フイヤートルの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。同アルバムの収録曲であるフランスの作曲家やバッハなどバロック音楽の新たな編曲から20世紀フランスや南米のコンポーザー・ギタリストの作品まで、若きヴィルトゥオーソによって紡がれインスピレーションを掻き立てられる魅惑のプログラムをお楽しみ下さい。</video:description>
<video:duration>3133</video:duration>
<video:publication_date>2023-03-15T16:28:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-28T14:23:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GCO</loc>
<video:video>
<video:title>ダニエル・ハーディングが指揮するヴェルディのレクイエム</video:title>
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<video:description>マーラーに高い経験値を持ち2024年8月の来日も記憶に新しいダニエル・ハーディングが、いよいよ10月からアントニオ・パッパーノの後任として、イタリアが誇る名門サンタ・チェチーリア国立アカデミー管弦楽団の音楽監督に就任します。シーズンの幕開けを長い伝統に従って、演奏会形式の《トスカ》(※プッチーニ没後100周年) で任期を始めるマエストロはまた、ローマの歴史的遺産に敬意を表してサン・パオロ・フオーリ・レ・ムーラ大聖堂の壮観な会場からヴェルディのレクイエムを披露。イタリアらしい表現力豊かなオーケストラに世界トップクラスのソリストたちを集結させ、精密さと力強さでヴェルディのドラマを紡ぎ出す、この特別な演奏会をライヴ配信でお届けしますのでお観逃しなく。</video:description>
<video:duration>5400</video:duration>
<video:publication_date>2024-11-26T09:05:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-27T07:10:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8E0</loc>
<video:video>
<video:title>70年代のカラヤンによるブラームス“4番”</video:title>
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<video:description>ブラームスの交響曲はベートーヴェンと並んでカラヤンの重要なレパートリーであり、ドイツ・グラモフォンには60年代 / 70年代 / 80年代といずれもベルリン・フィルを指揮して3種類の“全集”録音が残されていますが、映像で観ることのできる“全集”の極めつきは、同楽団の絶頂期だった1973年の1～3月にフィルハーモニーでライヴ収録されたものではないでしょうか。こちらは晩年のブラームスの好みを反映してどこか古風なかんじの手法も用いられている第4番で、カラヤンの解釈は爽快で端正な構成にして聴くほどに奥深い世界に誘ってくれます。カラヤンならではの様々な視覚的効果を凝らした映像と共にお楽しみください。</video:description>
<video:duration>2518</video:duration>
<video:publication_date>2025-05-15T08:16:22Z</video:publication_date>
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<lastmod>2025-05-26T20:14:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8DO</loc>
<video:video>
<video:title>70年代のカラヤンによるブラームス“3番”</video:title>
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<video:description>ブラームスの交響曲はベートーヴェンと並んでカラヤンの重要なレパートリーであり、ドイツ・グラモフォンには60年代 / 70年代 / 80年代といずれもベルリン・フィルを指揮して3種類の“全集”録音が残されていますが、映像で観ることのできる“全集”の極めつきは、同楽団の絶頂期だった1973年の1～3月にフィルハーモニーでライヴ収録されたものではないでしょうか。こちらはブラームス的な重厚さと内向的な趣に加えて他の交響曲とは異なる親しみやすさもある第3番で、カラヤンは力強さと浪漫的な叙情性を美しく融合させて格調高い音楽を作り上げています。カラヤンならではの様々な視覚的効果を凝らした映像と共にお楽しみください。</video:description>
<video:duration>2008</video:duration>
<video:publication_date>2025-05-15T08:12:46Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8D8</loc>
<video:video>
<video:title>70年代のカラヤンによるブラームス“1番”</video:title>
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<video:description>ブラームスの交響曲はベートーヴェンと並んでカラヤンの重要なレパートリーであり、ドイツ・グラモフォンには60年代 / 70年代 / 80年代といずれもベルリン・フィルを指揮して3種類の“全集”録音が残されていますが、映像で観ることのできる“全集”の極めつきは、同楽団の絶頂期だった1973年の1～3月にフィルハーモニーでライヴ収録されたものではないでしょうか。こちらはブラームスが着想から21年の歳月を費やして完成させた第1番で、カラヤンは作品の持つ劇的な緊張感と重厚な迫力を表出させつつも、そこに叙情的でなめらかな歌をきかせてくれるのが印象的です。カラヤンならではの様々な視覚的効果を凝らした映像と共にお楽しみください。</video:description>
<video:duration>2750</video:duration>
<video:publication_date>2025-05-15T08:04:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-26T20:03:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30E8</loc>
<video:video>
<video:title>ハンプソン、バーンスタイン＆ウィーン・フィルによる《リュッケルトの詩による5つの歌曲》</video:title>
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<video:description>レナード・バーンスタインが晩年、ウィーン・フィルを指揮して当時は気鋭の若手だったアメリカのバリトン、トーマス・ハンプソンを迎えてマーラーの管弦楽伴奏による歌曲集を演奏した伝説のコンサート映像をお届けします。CDでも名盤として誉れ高いこちらは、先ず《最後の７つの歌》として出版され、後に同じ詩人の5曲をまとめた《リュッケルトの詩による5つの歌曲》です。表現意欲に満ちた若きハンプソンの名唱をご堪能ください。</video:description>
<video:duration>1477</video:duration>
<video:publication_date>2023-07-05T13:04:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-22T09:55:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJACO</loc>
<video:video>
<video:title>デイヴィッド・ライヴリーが奏でるバッハ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f0aa9ad5d85f07ceb47fe4920ce1ef3166956694.jpg</video:thumbnail_loc>
<video:description>デイヴィッド・ライヴリーは、14歳でデビューを果たし、エリザベート王妃国際コンクールで第4位入賞を果たしたピアニストです。本映像は、現在では同コンクールの審査員も務め、サン＝リジエ音楽祭を主宰し、パリ高等音楽院コンクールディレクターとしても活躍する彼の演奏をご覧いただけます。しかも演奏曲はバッハの《フーガの技法》。バッハ最晩年の楽曲であり、彼の対位法技法の粋が凝らされた伝説的な作品です。演奏そのものはもちろん、表現においても圧倒的難易度を誇るこの作品、ライヴリーの卓越した解釈をご覧ください。</video:description>
<video:duration>1492</video:duration>
<video:publication_date>2025-05-19T16:05:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-21T10:08:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJAD0</loc>
<video:video>
<video:title>ダニエル・コルゼンパによるオルガン＆ピアノ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c036af0182ba2a09ad7629d1b0c4274fdd7a374c.jpg</video:thumbnail_loc>
<video:description>1944年にミネソタ州ミネアポリスに生まれたダニエル・コルゼンパは13歳で教会オルガニストの職に就き、ミネソタ大学に進学して建築と音楽を学びました。その後、1965年から翌年までフルブライト奨学金でケルン音楽大学に留学しチェンバロやピアノ、指揮、作曲を修めると1969年にロンドンで演奏活動を開始。ロイヤル・フェスティバル・ホールでオルガニストとして、 ハンブルクとケルンでピアニストとしてもデビューして、いずれも大成功を収めました。すべての鍵盤楽器に精通しており、コンサート・アーティストとして活躍する傍ら、作曲家や指揮者としての活動も活発に行っています。こちらはJ.S.バッハに因んだ二人の作曲家によるピアノとオルガンの難曲を演奏する彼を収めた貴重な映像です。</video:description>
<video:duration>2964</video:duration>
<video:publication_date>2025-05-19T16:11:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-21T10:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GCO</loc>
<video:video>
<video:title>ブライアン＆ロジャーのイーノ兄弟がアテネで夢のコラボレーションを実現</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/15120f2a88eefc8e74ee2476d1172bdb3e15fc0d.jpg</video:thumbnail_loc>
<video:description>アンビエント・ミュージックの第一人者であり、ヴィジュアル・アートに革命を起こしたブライアン・イーノ。二人は数々の実験的試みと作品で世界的に話題を集めてきました。共同制作も行っていましたが、完全な形でのコラボレーションは2020年のアルバム『Mixing Colors』が初めてでした。本映像はそのアルバムの発表から1年後、アテネのヘロディス・アッティコス音楽堂で開催された「エピダウラス・フェスティバル」出演時の公演を収録した映画『Live At The Acropolis』です。歴史的世界遺産を前に奏でられる最新の響きをお楽しみください。</video:description>
<video:duration>4310</video:duration>
<video:publication_date>2023-03-20T14:06:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-20T12:18:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6C8</loc>
<video:video>
<video:title>セシル・テイラーによるピアノ・ソロ、リサイタル</video:title>
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<video:description>夏のミュンヘンの風物詩的コンサートシリーズから、クラシック音楽の教育を受けたピアニストで詩人のセシル・テイラーのライヴをお届けします。フリージャズの先駆者の一人と見なされている彼の音楽は、非常にエネルギッシュで肉体的なアプローチを特徴とし、音のクラスターや複雑なポリリズムを伴う即興サウンドで知られています。そのピアノ・テクニックはパーカッションに例えられ、「88個 (※鍵盤の数に由来) のチューニングされたドラム」と表現されることもあるとか。この映像でもそのユニークなスタイルを存分に楽しんでいただけることでしょう。</video:description>
<video:duration>3338</video:duration>
<video:publication_date>2025-04-16T14:46:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T09:05:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4C0</loc>
<video:video>
<video:title>ジェルメッティが指揮する《オリーヴ山上のキリスト》</video:title>
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<video:description>南ドイツが誇る500年の歴史を持つ後期ゴシック様式のアマンドゥス教会で収録された、ベートーヴェン唯一のオラトリオ《オリーブ山上のキリスト》の公演をお届けします。指揮はイタリアの名匠ジャンルイジ・ジェルメッティ。“ワーグナー歌い”として知られるヘルデン・テノールのマンフレート・ユングを筆頭に実力派ソリストを取り揃え、SWRヴォーカルアンサンブルとシュトゥットガルト放送交響楽団が圧巻の演奏を繰り広げます。</video:description>
<video:duration>3348</video:duration>
<video:publication_date>2025-04-10T13:35:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T08:39:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJID8</loc>
<video:video>
<video:title>アンドレアス・スキピス監督「アーロン・コープランド～アメリカのためのファンファーレ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61667bf5c3d5dc0f379cb54e87d3be399e86d558.jpg</video:thumbnail_loc>
<video:description>20世紀アメリカを代表する作曲家にして指揮者、音楽評論家としても素晴らしい実績を残したコープランドの人生と芸術に迫るドキュメンタリーをお届けします。スキピス監督が伝記作者ハワード・ポラックとhr交響楽団 (フランクフルト放送交響楽団) の指揮者ヒュー・ウルフの助言を得て、残された貴重な映像の中から特筆すべき場面を選び出し、説得力のあるストーリーに仕立て上げました。ベニー・グッドマンがコープランドに依頼した有名なクラリネット協奏曲の演奏風景、バーンスタインが指揮する《リンカーン・ポートレイト》、《アパラチアの春》を踊るマーサ・グラハムなど、音楽的にも見応えのあるシーンが盛り沢山です。</video:description>
<video:duration>3519</video:duration>
<video:publication_date>2025-05-08T09:24:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-19T08:34:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJID8</loc>
<video:video>
<video:title>80年代のカラヤンによるブラームス“2番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e20539bf84821288450d376cb7a69099e0198e01.jpg</video:thumbnail_loc>
<video:description>カラヤンがドイツ・グラモフォンで録音したブラームスの交響曲全集は3種類あり、映像もベルリン・フィルの首席指揮者として絶頂期だった1973年に、フィルハーモニーでライヴ収録したものが既にSTAGE+でも配信されています。こちらの交響曲第2番は、デジタル時代を迎えてCDに収めた最後の全曲盤レコーディングの際に、音源と同時に自身の制作会社テレモンディアルが映像化したもので、生涯にわたって長く演奏し続けてきた十八番レパートリーの集大成ともいうべきものです。手兵ベルリン・フィルと晩年のカラヤンによって重厚かつ流麗なサウンドで紡ぎ出される、ブラームスの世界を心ゆくまでお楽しみください。</video:description>
<video:duration>2604</video:duration>
<video:publication_date>2024-04-19T12:29:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T15:37:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJID0</loc>
<video:video>
<video:title>80年代のカラヤンによるブラームス“1番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/582bba1ec13aa6a2191092fc21b3228013b4da51.jpg</video:thumbnail_loc>
<video:description>カラヤンがドイツ・グラモフォンで録音したブラームスの交響曲全集は3種類あり、映像もベルリン・フィルの首席指揮者として絶頂期だった1973年に、フィルハーモニーでライヴ収録したものが既にSTAGE+でも配信されています。こちらの交響曲第1番は、デジタル時代を迎えてCDに収めた最後の全曲盤レコーディングの際に、音源と同時に自身の制作会社テレモンディアルが映像化したもので、生涯にわたって長く演奏し続けてきた十八番レパートリーの集大成ともいうべきものです。手兵ベルリン・フィルとカラヤンが到達した、ドラマティックで緊張度の高いブラームスの世界をご堪能ください。</video:description>
<video:duration>2844</video:duration>
<video:publication_date>2024-04-19T12:16:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T15:37:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ8CG</loc>
<video:video>
<video:title>ネゼ・ゼガンが指揮するワーグナー : 楽劇《ワルキューレ》(演奏会形式)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0e91a7d9142fcaeab2f95c3b23a03b04fd3fbfe.jpg</video:thumbnail_loc>
<video:description>ヤニック・ネゼ＝ゼガンはニューヨークのメトロポリタン・オペラの音楽監督を務め、ベルリン・フィルハーモニー管弦楽団とも共演をするなど、いま世界で最も注目を集める指揮者の一人です。本映像では首席指揮者も務めたロンドン・フィルハーモニー管弦楽団との共演でワーグナーの《ワルキューレ》を指揮。ブリュンヒルデを演じるタマラ・ウィルソンをはじめ優れたワーグナー歌いも揃い、重厚かつ色彩豊かなプロダクションとなりました。物語の世界を鮮やかに描き出すヤニックの手腕に改めて感動していただけることでしょう。</video:description>
<video:duration>14205</video:duration>
<video:publication_date>2025-05-12T08:59:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T12:02:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2DO</loc>
<video:video>
<video:title>エコノムがシチェドリンのピアノ・ソナタ第1番を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/360bab1af273c15b00027d244f8627852b8ea036.jpg</video:thumbnail_loc>
<video:description>1953年キプロス生まれのピアニスト、ニコラス・エコノムは16歳でチャイコフスキー・コンクールに出場して国際的な注目を集め、その後ミュンヘンを拠点に作曲や指揮の分野でも活躍しましたが、1993年に交通事故で早逝しています。29歳の全盛期にドイツ・グラモフォンで録音した名手アルゲリッチとの2台ピアノ・アルバム (チャイコフスキー＆ラフマニノフ) でも知られる彼が、同じ頃に地元の名ホールで行った演奏会の貴重なライヴ映像をお届けします。プログラムは旧ソ連で指導的立場にあったシチェドリンが1962年に書いた独創的なピアノ・ソナタの第1番。ストラヴィンスキーを彷彿とさせる衝撃的なリズムと音色の世界をエネルギッシュな演奏でご堪能ください。</video:description>
<video:duration>769</video:duration>
<video:publication_date>2025-04-10T12:55:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:44:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4CG</loc>
<video:video>
<video:title>ベーム＆ウィーン・フィルによるモーツァルト : 交響曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bdc4c400d11a40de258bc2ee27609139f277d0e5.jpg</video:thumbnail_loc>
<video:description>指揮者としてのキャリアをほとんど歌劇場で築きあげ、1981年に87歳で亡くなる直前までオペラから離れることのなかったカール・ベームですが、晩年の1976年～1980年にウィーン・フィルと録音したモーツァルトの後期交響曲集成も、彼が指揮者として至高の境地に達したことを世に知らしめるものとなりました。こちらの映像も、ウィーン・フィルを率いて1975年と1977年に来日公演を成功させていたこの時期のもので、8歳のモーツァルトがロンドン旅行中に書き上げた初めての交響曲から、円熟らしい手腕でつややかな色彩美を紡ぎ出しています。</video:description>
<video:duration>822</video:duration>
<video:publication_date>2025-04-14T13:53:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:29:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2C8</loc>
<video:video>
<video:title>ラウンジ・リザーズ : ライヴ・イン・ミュンヘン 1982</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5d52da997c40617ff041610031301a6a1b343d1d.jpg</video:thumbnail_loc>
<video:description>ラウンジ・リザーズは1978年にサックス奏者のジョン・ルーリーと彼の弟でピアニストのエヴァン・ルーリーによって結成されたアヴァンギャルドなジャズ・グループで、兄弟を中心にニューヨークを拠点とする多くのミュージシャンが参加して様々な編成により1998年頃まで活動を続けました。本映像はクインテット編成で1982年にミュンヘンのアラバマホールに出演した際のライヴを収録したものです。洗練されたオリジナル曲をメインにスタンダード・ナンバーも交えた彼らならではのエキサイティングなラインナップで、会場を大いに沸かせる様子をお楽しみください。</video:description>
<video:duration>3502</video:duration>
<video:publication_date>2025-04-07T14:25:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T11:26:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGDO</loc>
<video:video>
<video:title>クローズアップ・ショスタコーヴィチ～ロシア大作曲家の肖像</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2d90d760410a7a8901e321d36157b0bf3392211d.jpg</video:thumbnail_loc>
<video:description>本映像はクラシック音楽ドキュメンタリーの巨匠オリバー・ベッカー監督と舞台＆衣装デザイナーのカタリーナ・ブルーナーの二人による、20世紀の大作曲家ショスタコーヴィチの“人と作品”に迫るドキュメンタリーです。このコンビは、ショスタコーヴィチの生涯をモチーフに独自の視点で描いたドイツ映画『Into the cold dawn』を2008年に公開しましたが、本作はそれに先んじて制作されたオーソドックスなドキュメンタリー作品。指揮者になった息子マクシムや娘のガリーナ、のちに回想録『ショスタコーヴィチの証言』を発表して議論を呼ぶことになる、友人でもあった音楽学者ソロモン・ヴォルコフの証言や、代表作の貴重なステージ映像などが散りばめられた見どころ満載の短編になっております。</video:description>
<video:duration>3511</video:duration>
<video:publication_date>2025-04-10T13:48:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-15T10:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6C0</loc>
<video:video>
<video:title>チック・コリアとスティーヴ・クジャラ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1202edc2b9cb3d90618b5d9433939279f8e9930b.jpg</video:thumbnail_loc>
<video:description>「ジャズの神様」と評されるチック・コリア。その卓越した技術と音楽性、そしてあふれる音楽のすべては世界中の聴く者を魅了し続けています。そんな彼が見出したフルーティストがスティーヴ・クジャラです。クラシックはもちろんですが、ジャズにロック、フュージョンなどあらゆるジャンルに精通した演奏家であり、作曲家でもある彼はコリアとのコラボレーションでさらにその音楽を花開かせていきました。本映像ではそんな二人の即興性あふれる共演をお楽しみいただけます。</video:description>
<video:duration>4390</video:duration>
<video:publication_date>2025-04-16T14:37:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-14T12:12:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8C0</loc>
<video:video>
<video:title>エミリー・ダンジェロ &amp; ソフィア・ムニョス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/63a00ef3508f9c4310770eae43d4ad3f9e75c43e.jpg</video:thumbnail_loc>
<video:description>コロナ禍にスタートしたライヴ・コンサートシリーズ「楽興の時」はトップ・アーティストと聴衆を困難な時代につなぐ大きな役割を果たしました。本映像では、カナダ人メゾ・ソプラノのエミリー・ダンジェロとピアニストのソフィア・ムニョスによる多彩なプログラムをお楽しみ頂けます。ツェムリンスキーやシェーンベルクの歌曲集やファニー・メンデルスゾーン・ヘンゼルやクララ・シューマン、レベッカ・クラークといった女性作曲家の作品が魅惑の世界へと連れて行ってくれることでしょう。</video:description>
<video:duration>2769</video:duration>
<video:publication_date>2022-07-28T13:17:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-13T11:01:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6DG</loc>
<video:video>
<video:title>バーンスタインとウィーン・フィルによるブラームスの交響曲第1番 他</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/527fed6893b9dc8a70944aca3cc18afe9750b0a1.jpg</video:thumbnail_loc>
<video:description>指揮者のレナード・バーンスタインは20世紀におけるクラシック界の圧倒的カリスマでした。彼はニューヨークフィルを引退すると、一つの楽団に長くとどまることはなく、アメリカやヨーロッパの楽団の客演指揮者として活躍。とりわけウィーンフィルとは数々の名演を残しており、本映像ではその黄金タッグによる演奏をご覧いただけます。交響曲第1番とともに披露されているのはブラームスの《大学祝典序曲》。明るく陽気な雰囲気に満ちたこの作品はバーンスタインのキャラクターと相性がよく、抜群の華やかさと力強さに満ちています。</video:description>
<video:duration>4131</video:duration>
<video:publication_date>2025-05-02T09:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-09T14:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJIDG</loc>
<video:video>
<video:title>「歌について」～ディーター・ボルヒマイヤー、フィッシャー=ディースカウとの対話</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cb27231b77f9ca7a393eb9f0b09ffd99450ce150.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1408</video:duration>
<video:publication_date>2025-05-08T09:30:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-09T10:12:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCDG</loc>
<video:video>
<video:title>「マイスタージンガ―」～ディートリヒ・フィッシャー=ディースカウ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/56e77adc61521f36f4c01b13ee7db564a5f582d1.jpg</video:thumbnail_loc>
<video:description> 　</video:description>
<video:duration>3490</video:duration>
<video:publication_date>2025-02-27T18:55:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-09T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3EC0</loc>
<video:video>
<video:title>カール・ベームが振るモーツァルトの交響曲第28番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e8cc1538280a255790c1dac0e7a0f7afcfd10867.jpg</video:thumbnail_loc>
<video:description>1970年9月に撮影された本映像には、カール・ベームがウィーン・フィルハーモニー管弦楽団を率い、モーツァルト初期の交響曲第28番を演奏した模様が収められています。この曲は、ザルツブルク時代の最後に書かれた交響曲の一つです。ベームのモーツァルトに対する深い愛情と理解にインスピレーションを与えたものの一つには、リヒャルト・シュトラウスとの共同作業があり、ベームによるモーツァルト演奏、特にウィーン・フィルの比類なき音楽家たちとのコラボレーションは、天性の音楽性と権威を表す代名詞となりました。</video:description>
<video:duration>1205</video:duration>
<video:publication_date>2024-06-24T13:35:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-06T07:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36C8</loc>
<video:video>
<video:title>ドイツ技術博物館のドイツ・グラモフォン・コレクション</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0133c60ecf9732083f29e3514481ac98c163772a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>410</video:duration>
<video:publication_date>2024-06-10T06:46:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-06T05:32:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6DO</loc>
<video:video>
<video:title>バーンスタインとウィーン・フィルによるブラームスの交響曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1d189579f089cd735ba0dce5b2ef6520a0213255.jpg</video:thumbnail_loc>
<video:description>カリスマ性にあふれ、20世紀におけるもっとも重要な指揮者のひとりであるレナード・バーンスタイン。彼は1981年から1984年にかけて、ウィーン・フィルハーモニー管弦楽団とともにブラームスの管弦楽作品の録音を行っていました。本映像は1982年、ブラームスの交響曲第2番の演奏の模様をご覧いただけます。「田園」とも評されるようにのびやかな楽曲を、バーンスタインはあたたかい音色で丁寧に作り上げています。バーンスタインの新たな一面にも出会える演奏です。</video:description>
<video:duration>3163</video:duration>
<video:publication_date>2025-05-02T09:18:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-05-05T13:07:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GDO</loc>
<video:video>
<video:title>チック・コリアとニコラス・エコノムの《ソングズ・フォー・チルドレン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/351dc0a5194c9f25eb0f9eddb7fb5e710f2942e4.jpg</video:thumbnail_loc>
<video:description>20世紀を代表する伝説的なピアニストであるチック・コリアは、1980年代、ソリストとしてはもちろん、世界をリードするピアニストたちとのデュエットでさらにその腕を磨いていました。1982年に撮られた本映像では、1969年のチャイコフスキー・コンクールにわずか16歳で参加し国際的な注目を集めた作曲家兼ピアニスト、ニコラス・エコノムとの共演がご覧いただけます。それぞれソロで演奏するのは子供のための愛らしい楽曲で、最後には２台ピアノによる華麗な共演も行われます。</video:description>
<video:duration>3140</video:duration>
<video:publication_date>2025-03-10T12:50:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-28T11:59:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38D0</loc>
<video:video>
<video:title>ユジャ・ワンがデイヴィッド・ホックニーの名画とコラボレーション</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/74e10f9135057abdaabd9adde69580c793ccd4a5.jpg</video:thumbnail_loc>
<video:description>世界で最も注目される女流ピアニスト、ユジャ・ワンがロンドンのライトルームから特別なコンサートをお届けします。プロジェクションマッピングで映し出されたデイヴィッド・ホックニーによるアートワークの数々に応じて、バッハからベリオまで、多彩な音楽を厳選して披露。五感、美術と音楽、そして現代を代表する2人の芸術家のつながりを探求する、かつてないオーディオビジュアル体験をぜひご堪能ください。</video:description>
<video:duration>3696</video:duration>
<video:publication_date>2025-03-30T13:00:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-28T07:43:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6E0</loc>
<video:video>
<video:title>イエロー・ラウンジ in 香港～ラファウ・ブレハッチ＆ボムソリ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/71af22b6c1027f02d07038328868a9648bd331b0.jpg</video:thumbnail_loc>
<video:description>2005年のショパン国際ピアノ･コンクールの完全覇者ラファウ・ブレハッチと、2016年のヴィエニャフスキ・コンクール以来、ポーランドの音楽家との強い繋がりを大切にしている韓国の新星ヴァイオリニスト、キム・ボムソリを迎えて、香港で初めてとなるイエロー・ラウンジが開催されました。当時（2019年）ふたりはドイツ・グラモフォンからフランスとプーランドの作品を集めたデュオ・アルバムをリリースしたばかり。そこから、ドビュッシーやフォーレ、シマノフスキ－のヴァイオリン・ソナタと、ショパンの夜想曲第20番（ヴァイオリンとピアノのための編曲版）などが披露されます。</video:description>
<video:duration>3797</video:duration>
<video:publication_date>2024-01-16T15:34:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T17:35:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36DG</loc>
<video:video>
<video:title>ハインリヒ・シフが奏でるグルダのチェロ協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5adc7116bf7d08729b47fb96283490ef02ac3ef5.jpg</video:thumbnail_loc>
<video:description>フリードリヒ・グルダの発案によって、ミュンヘン・フィルの本拠地であるガスタイク・フィルハーモニーで1981年から1998年にかけて開催されたジャズ・コンサートシリーズ「ミュンヘン、ピアノの夏」の、1988年公演からのライヴ映像をお届けします。この年はオーストリア生まれのチェロ奏者ハインリヒ・シフがミュンヘン・フィルハーモニー管弦楽団のメンバーと共にソリストとして参加し、グルダのチェロと吹奏楽のための協奏曲を本人の指揮で演奏しました。鋭敏な個性と高度な独創性を発揮しつつも、どこか粋で親しみやすさを感じるグルダ作品の魅力を、ぜひこの機会にご堪能ください。</video:description>
<video:duration>1929</video:duration>
<video:publication_date>2025-01-29T14:22:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:28:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34C0</loc>
<video:video>
<video:title>グルダが奏でるベートーヴェンの《皇帝》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/752cca45057c9544f261dc43a73fb161dc452c65.jpg</video:thumbnail_loc>
<video:description>フリードリヒ・グルダはクラシックとジャズの枠を超えた圧倒的なピアニストとして知られています。クラシックの領域ではモーツァルトやバッハ、そしてベートーヴェンの解釈者として非常に高い評価を得ていました。本映像ではミュンヘン・フィルハーモニー管弦楽団とベートーヴェンのピアノ協奏曲第5番《皇帝》を共演。輝かしい音色、理知的でありながら随所に新しい発見に満ちたスケールの大きな演奏で魅了します。</video:description>
<video:duration>2299</video:duration>
<video:publication_date>2025-01-03T11:01:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:27:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32E8</loc>
<video:video>
<video:title>グルダが奏でる《私自身のための協奏曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dd4701c59874a544c0c775af8b5221e0ef796c43.png</video:thumbnail_loc>
<video:description>クラシックとジャズの枠を超えた圧倒的なピアニストとして知られているフリードリヒ・グルダ。自作品も積極的にコンサートプログラムで披露し、才気に満ちた作品で聴き手を魅了してきました。本映像はミュンヘン・フィルハーモニー管弦楽団との共演で行われたライヴ録音の模様です。グルダがソリストを務め、高い評価を得ている《私自身のための協奏曲》を自ら演奏しています。「私自身のための」というタイトルに偽りなく、おそらくはグルダしか演奏できないであろう技巧、遊び心に満ちた楽曲となっています。</video:description>
<video:duration>2681</video:duration>
<video:publication_date>2025-01-03T10:49:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:27:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6D0</loc>
<video:video>
<video:title>フリードリヒ・グルダの心揺さぶるショパン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/88913c908b0f742c7b11504ebec133b3202e474e.jpg</video:thumbnail_loc>
<video:description>「ウィーンの三羽烏」の一人であり、最も革新的な演奏家であったフリードリヒ・グルダ。バッハにモーツァルト、そしてベートーヴェンを得意とし、ジャズの分野でも目覚ましい活躍を見せた彼ですが、優れたショパン弾きでもありました。1950年代はこの作曲家に集中的に取り組んでいたものの、しばらく距離を置き、1980年代に再び向き合ったのです。前奏曲に夜想曲、舟歌といった魅力的なプログラムでグルダの透明感のある音色と溢れる歌心、多彩なニュアンスをお楽しみ下さい。</video:description>
<video:duration>2356</video:duration>
<video:publication_date>2022-07-20T14:54:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:23:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJICO</loc>
<video:video>
<video:title>モーツァルトのスペシャリスト、グルダが奏で、指揮するピアノ協奏曲第20＆26番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/11d32642f3afe0cdffee4c523a41554c3b70d8e4.jpg</video:thumbnail_loc>
<video:description>デームスとバドゥラ＝スコダとともに「ウィーンの三羽烏」と呼ばれたフリードリッヒ・グルダはジャズ演奏も得意としたピアニストです。伝統を受け継ぎつつも革新的な表現を模索し続けた彼はモーツァルトの作品を非常に得意としていました。1986年のミュンヘン・フィルハーモニー管弦楽団との共演でピアノ協奏曲第20番と第26番《戴冠式》が収められた本映像ではピアノだけでなく指揮も行っています。コントラストの鮮やかな演奏によって楽曲のドラマ性を見事に引き出しています。</video:description>
<video:duration>3943</video:duration>
<video:publication_date>2022-10-17T16:05:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T15:21:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38E8</loc>
<video:video>
<video:title>グルダによる自作曲の即興演奏会</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c7d4f743513beb3a90869911b8171ce8216dfcac.jpg</video:thumbnail_loc>
<video:description>常識にとらわれない自由な発想でジャンルの壁を越え、20世紀の音楽シーンを駆け抜けた反逆児フリードリヒ・グルダ。こちらの映像は、彼の哲学である“フリー・ミュージック”の一端を示すもので、ミュンヘンで1981年2月27日に行われた伝説の即興演奏会を収録したものです。ここでの彼はピアノだけでなく、バス＆アルト・リコーダーやクラヴィコードを用い、語りを交えながら自作の《音楽的瞑想の会》を披露。引用されるテキストも文豪ゲーテから自身の言葉まで様々です。</video:description>
<video:duration>1590</video:duration>
<video:publication_date>2025-02-07T15:27:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T14:58:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3EC8</loc>
<video:video>
<video:title>チック・コリアとフリードリヒ・グルダの「ザ・ミーティング」Part2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/24f27ba292ccf5ffae45eab38b2db3997e0afcb0.jpg</video:thumbnail_loc>
<video:description>1982年に行われた伝説的なライヴ、「ザ・ミーティング」は、20世紀を代表するジャズ・ピアニストのチック・コリアとクラシックとジャズを横断するピアニスト、フリードリヒ・グルダによるコラボレーションが実現したものです。それぞれが自作曲を演奏し、共演も行われるなど、二人の圧倒的な実力と音楽性を堪能できるものとなりました。本映像ではチック・コリアのソロパートをご覧いただけます。代表曲のひとつである《ラウンド・ミッドナイト》を華麗に演奏しています。</video:description>
<video:duration>2999</video:duration>
<video:publication_date>2025-03-03T13:11:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T13:46:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CE8</loc>
<video:video>
<video:title>フリードリヒ・グルダ :「ザ・ミーティング」パート1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f71a761c6bae14002c3b8be3e7db666d715df280.jpg</video:thumbnail_loc>
<video:description>1982年、フリードリヒ・グルダとチック・コリアが出会った「ミュンヘン・サマー・ピアノ・フェスティバル」の夜の模様から、グルダの楽曲と演奏をお届けします。ジャズとクラシックの壁を打ち破った音楽家のひとりとして知られ、モーツァルト、ベートーヴェン、バッハの演奏をはじめ、1950年代半ばからのジャズでも大きな存在感を放っていました。本映像では自作のパラフレーズをはじめ、モーツァルトのピアノソナタ第10番などが演奏され、グルダの天才性が改めて伝わってきます。</video:description>
<video:duration>2603</video:duration>
<video:publication_date>2025-03-03T12:31:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T13:45:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2C0</loc>
<video:video>
<video:title>夭折の天才ピアニスト、エコノムが奏でるモーツァルトのピアノ・ソナタ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d19c31ad267523e34c223cc2e98e90c2fc4181a6.jpg</video:thumbnail_loc>
<video:description>キプロス出身のピアニスト、作曲家であり、指揮者としても活躍したニコラス・エコノム。1969年のチャイコフスキー国際コンクールに16歳で出場して注目を集め、マルタ・アルゲリッチとの2台ピアノ共演も話題を呼びましたが、残念ながら1993年に交通事故で亡くなってしまいました。本映像はモーツァルトのピアノ・ソナタ第12番の演奏を通して、磨き抜かれた美音、精妙なペダリング、即興演奏をしているかのように自由な音楽づくりなど、世界中から注目されたその才能に触れることができるものとなっています。</video:description>
<video:duration>854</video:duration>
<video:publication_date>2025-04-07T14:16:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:08:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0E8</loc>
<video:video>
<video:title>夭折の天才ピアニスト、エコノムが奏でるリストのピアノ・ソナタロ短調</video:title>
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<video:description>ニコラス・エコノムはキプロス出身のピアニスト、作曲家であり、指揮者としても活躍しました。1969年のチャイコフスキー国際コンクールに16歳で出場して注目を集め、マルタ・アルゲリッチとの共演も話題を呼ぶなど、その才能は世界中から高く評価されていました。残念ながら1993年に交通事故で亡くなってしまいましたが、本映像ではリストのピアノ・ソナタロ短調という大曲で、音色の美しさ、彼の中にある世界観のスケールの大きさ、ドラマティックな表現など、彼のその驚くべき才能の輝きをご覧いただけます。</video:description>
<video:duration>1782</video:duration>
<video:publication_date>2025-04-07T14:10:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:07:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0D8</loc>
<video:video>
<video:title>「ミュンヘン、ピアノの夏」のミシェル・ベロフ</video:title>
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<video:description>フリードリヒ・グルダの発案によって1981年から1998年にかけて開催されたコンサートシリーズ「ミュンヘン、ピアノの夏」の、1983年公演からライヴ映像をお届けします。この年はドビュッシーやメシアンなど近現代フランス音楽の演奏に定評のある、同国出身の名手ミシェル・ベロフが登場しました。得意のドビュッシーは言うまでもなく、それぞれに個性的な表情を持つシェーンベルク無調時代の傑作「6つのピアノ小品」でのシャープな技巧と絶妙なリズム感も圧巻です。</video:description>
<video:duration>1555</video:duration>
<video:publication_date>2025-03-31T13:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T12:05:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34CO</loc>
<video:video>
<video:title>ネルソン・フレイレがシューマンとショパンを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1e8082ac44260fa87a8410b0576995e5a6275a06.jpg</video:thumbnail_loc>
<video:description>世界中で愛されたピアニストであるネルソン・フレイレ。ブラジル出身の彼は幼少期から圧倒的な才能を示し、精緻な技術と圧倒的な音楽性によって多彩なレパートリーを披露してきました。本映像ではシューマンの《幻想曲ハ長調》とショパンのバラードにスケルツォ、子守歌というロマン派の魅力が詰まったプログラムをお楽しみいただけます。名曲ぞろいのプログラムを感動的な演奏でお楽しみください。</video:description>
<video:duration>2988</video:duration>
<video:publication_date>2025-01-07T14:19:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-24T11:59:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ED0</loc>
<video:video>
<video:title>ネゼ=セガン＆ロッテルダム・フィルが挑むブルックナーとシュトラウス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4685db95dbb7741741ee9809e6fe0c5c3492ab36.jpg</video:thumbnail_loc>
<video:description>ヤニック・ネゼ=セガンが、かつて首席指揮者を務め、現在も名誉指揮者として信頼関係を一層深めているロッテルダム・フィルハーモニー管弦楽団とステージに登場し、ロマン派プログラムを披露します。メインの曲目は、ワーグナーに献呈されたことで知られるブルックナーの交響曲第3番ニ短調。彼の成熟した個性が前面に出た作品で、作曲家の真骨頂を味わっていただけることでしょう。そしてコンサートの前半では、アメリカのスターソプラノ、エンジェル・ブルーとの共演で、リヒャルト・シュトラウス晩年の輝きに満ちた傑作「4つの最後の歌」 に挑みます。</video:description>
<video:duration>6142</video:duration>
<video:publication_date>2025-04-23T06:39:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T11:52:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGE8</loc>
<video:video>
<video:title>プライス / ピアノ五重奏曲イ短調 より第4楽章 : Scherzo. Allegro – Coda</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eb2fa5dbf4a6238d198e6827cd9868f3f381367b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2025-04-22T14:13:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:35:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJIC0</loc>
<video:video>
<video:title>プライス / ピアノ五重奏曲イ短調 より第3楽章 : Juba. Allegro</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bdd696299b82f7eb763f454292216a25dc118bf6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>208</video:duration>
<video:publication_date>2025-04-22T14:34:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:27:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJIC8</loc>
<video:video>
<video:title>フォーレ /《マンドリン》op. 58-1</video:title>
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<video:description></video:description>
<video:duration>109</video:duration>
<video:publication_date>2025-04-22T14:50:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-23T08:27:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0E0</loc>
<video:video>
<video:title>ベームが振るモーツァルト交響曲第39番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/544a41fccf59b1b16c942c8cde8738d61c7ffda1.jpg</video:thumbnail_loc>
<video:description>指揮者としてのキャリアをほとんど歌劇場で築きあげ、1981年に87歳で亡くなる直前までオペラから離れることのなかったカール・ベームですが、最盛期の1959年～1968年にかけてベルリン・フィルと行ったモーツァルト交響曲全曲録音と、晩年の1976年～1980年にウィーン・フィルと収録した6曲のモーツァルトの後期交響曲集成は巨匠の偉業として今日でも高く評価されています。ここでは1969年にウィーン交響楽団を指揮して交響曲第39番を演奏する映像をお届けします。ベーム独特の実直な解釈が名門オーケストラのしっかりとしたアンサンブルから美しい響きを引き出す様子をご堪能ください。</video:description>
<video:duration>1585</video:duration>
<video:publication_date>2025-04-07T14:06:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-16T07:26:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2CG</loc>
<video:video>
<video:title>バーンスタインがベートーヴェンの《プロメテウスの創造物》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a3a74473f2a75ac2f911917ae96ae10586cf0ddf.jpg</video:thumbnail_loc>
<video:description>圧倒的カリスマであった指揮者のレナード・バーンスタイン。彼はニューヨークフィル引退後、一つの楽団に長くとどまることはなく、アメリカやヨーロッパの楽団の客演指揮者として活躍しました。特にウィーンフィルとは数々の名演を残しており、本映像ではその黄金タッグによる演奏をご覧いただけます。バーンスタインのベートーヴェンは音楽ファンなら一度は必ず聴いておくべき名演。本映像では《プロメテウスの創造物》と共に、演奏機会の少ない祝典劇《シュテファン王またはハンガリーの最初の善政者》をお楽しみください。</video:description>
<video:duration>1991</video:duration>
<video:publication_date>2025-04-07T14:35:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T13:05:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3AD8</loc>
<video:video>
<video:title>オクサーナ・リーニフがモーツァルト、シルヴェストロフ、ハイドンを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d80c99db58f66e1daa9224bce99ad44f7b135d49.jpg</video:thumbnail_loc>
<video:description>バイロイト音楽祭で女性として初めて指揮した指揮者であり、現在ボローニャ市立劇場の音楽監督に就任しているオクサーナ・リーニフ。本映像には注目の指揮者がミュンヘン・フィルハーモニー管弦楽団と共に演奏した意欲的なプログラムが収められています。冒頭ではアリス・紗良＝オットをソリストに迎え、モーツァルトのピアノ協奏曲第13番が演奏されました。それに続くのはシルヴェストロフの《メッセンジャー》にハイドンの交響曲第96番です。遊び心と繊細な感性がバランスよく共存した演奏をお楽しみ頂けます。</video:description>
<video:duration>3784</video:duration>
<video:publication_date>2022-11-14T10:02:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T11:05:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32CG</loc>
<video:video>
<video:title>東京・春・音楽祭　20年を振り返るドキュメンタリー (日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2b73f79380c8e0cdfff76c48fd57ef63041d1993.jpg</video:thumbnail_loc>
<video:description>東京・春・音楽祭は、2005年に創設された、日本で最も大きい音楽祭です。毎年3月から4月にかけて行われ、桜の季節の訪れと共に、上野の街に春をもたらします。オペラ、オーケストラ、室内楽、そしてソロ・リサイタルと多くのラインナップを取りそろえ、日本の奏者だけでなく、海外からも多くのアーティストを招聘して、催されます。</video:description>
<video:duration>1152</video:duration>
<video:publication_date>2024-04-02T09:45:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-14T10:47:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GDO</loc>
<video:video>
<video:title>ベルネームとフックスによるグノー《ロミオとジュリエット》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d87a4857211c654e623bd56321835184fac6174e.jpg</video:thumbnail_loc>
<video:description>スイスを代表するオペラハウスであるチューリッヒ歌劇場は2021年からジャナンドレア・ノセダが音楽総監督を務め、意欲的な公演が次々と上演されています。本映像でご覧いただける「ロメオとジュリエット」もその一つです。ロメオはフランスもので定評のあるバンジャマン・ベルネーム。ジュリエットのジュリー・フックスは今ヨーロッパで大注目を集めており、ベル・カント・オペラも得意とする圧倒的な美声の歌手です。麗しい舞台姿も魅力的で、今回のプロダクションではその美貌と声の美しさを存分にご堪能いただけることでしょう。</video:description>
<video:duration>8506</video:duration>
<video:publication_date>2023-10-23T09:58:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-11T10:56:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ICO</loc>
<video:video>
<video:title>アーノンクールが振るウェーバー《魔弾の射手》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5fddb2c6a2bdf2de27fc331e135b8751ea022bd.jpg</video:thumbnail_loc>
<video:description>ドイツ・オペラというジャンルを確立したウェーバーの《魔弾の射手》。演出によって様々な解釈が広がっていく作品ですが、本映像は名ディレクター、ルート・ベルクハウスによる演出で、現代に置き換えられた舞台に不気味さがただよう革新的なものとなっています。歌手たちの演技と歌唱も狂気をはらんだものを感じさせ、世界観と見事に融合しています。対してアーノンクールが指揮するチューリヒ歌劇場管弦楽団の演奏はとても清潔感があり、楽曲の魅力を存分に発揮。そのギャップがまた魅力のプロダクションです。</video:description>
<video:duration>9454</video:duration>
<video:publication_date>2024-07-30T12:21:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-11T10:54:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJACO</loc>
<video:video>
<video:title>ベルクのオペラ《ルル》2幕版</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f7646787468e3703b246e41e39f082deecfdd400.jpg</video:thumbnail_loc>
<video:description>《ルル》はベルクの未完のオペラであり、いまなお上演のたびに大きな話題を呼んでいます。本映像でご覧いただけるのは、補筆完成された3幕がない、ベルクが完成させた2幕までの演奏です。そのためストーリーが完結せず、物語を知らないと疑問の残る終わりとなっています。あらかじめあらすじを頭に入れてからご覧いただくことをお勧めします。舞台演出の斬新さやタイトルロールを務めたローラ・アイキンら歌手たちの歌唱と演技は圧巻です。</video:description>
<video:duration>7762</video:duration>
<video:publication_date>2024-10-22T13:05:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-11T10:53:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GCG</loc>
<video:video>
<video:title>アーノンクールが指揮するモーツァルトの交響曲第31番《パリ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4fefa560518bbd70ae74dbfc1ab879412098abfa.jpg</video:thumbnail_loc>
<video:description>古楽のスペシャリストとしてその名を轟かせていた風雲児アーノンクールがモダン・オーケストラを指揮するようになったのは1980年代からでしたが、名門ハプスブルク家に繋がる貴族の出自を持つ彼とウィーン･フィルの特別なコラボが実現するのは必然でした。こちらの映像はドイツ・グラモフォンでギドン・クレーメルをフィーチャーした両者による『モーツァルト : ヴァイオリン協奏曲集』のレコーディングに着手したのと同じ頃、ウィーン楽友協会で収録されたものです。アーノンクールとウィーン･フィルによる刺激的で啓発的なモーツァルトの旅の始まりを告げる、記念碑的な演奏をご堪能ください。</video:description>
<video:duration>1170</video:duration>
<video:publication_date>2025-03-10T11:44:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:18:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GCO</loc>
<video:video>
<video:title>アーノンクールが指揮するシューベルトの交響曲第4番《悲劇的》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1726a2270d2a6e2161995535fa160a366c2d9ba0.jpg</video:thumbnail_loc>
<video:description>古楽のスペシャリストとしてその名を轟かせていた風雲児アーノンクールがモダン・オーケストラを指揮するようになったのは1980年代からでしたが、名門ハプスブルク家に繋がる貴族の出自を持つ彼とウィーン･フィルの特別なコラボが実現するのは必然でした。こちらの映像はドイツ・グラモフォンでギドン・クレーメルをフィーチャーした両者による『モーツァルト : ヴァイオリン協奏曲集』を制作していたのと同じ頃、ウィーン楽友協会で収録されたものです。同協会所蔵のオリジナル自筆譜を研究して臨んだというアーノンクールの雄弁な指揮が、シューベルト初期の大作から斬新で聴き応えのある響きを紡ぎ出すのをご堪能ください。</video:description>
<video:duration>2112</video:duration>
<video:publication_date>2025-03-10T12:12:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:17:51Z</lastmod>
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<url>
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<video:title>カール・リヒターが指揮するバッハのミサ曲ロ短調</video:title>
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<video:description>20世紀を象徴する巨匠であるカール・リヒター。本映像で、圧倒的な集中力と作品に対する並々ならぬ思いが詰まった指揮によって紡がれていくのはバッハのミサ曲ロ短調です。リヒターはたびたびこの楽曲に向き合っていますが、1969年にクロスター教会で行われたこの演奏では、歌唱をヤノヴィッツやプライといった名歌手たちが務めており、より高次元な表現が作り上げられています。決定盤といっていいほどの内容は必見です。</video:description>
<video:duration>7791</video:duration>
<video:publication_date>2025-03-03T12:52:42Z</video:publication_date>
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<lastmod>2025-04-10T10:17:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJEE0</loc>
<video:video>
<video:title>ベームが指揮するモーツァルトの《後宮からの誘拐》</video:title>
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<video:description>本映像では、1980年にバイエルン国立歌劇場で収録された、カール・ベームが指揮する《後宮からの誘拐》の名演をご覧いただけます。演出のアウグスト・エヴァーディングは、モーツァルトの大衆的な歌劇を陽気な喜歌劇として上演することを目指していますが、作曲家が要求した「深み」を決しておろそかにすることなく、意義深い演出に仕上げています。喜劇的な登場人物は単なる風刺ではなく、その人間性が存分に追求されているといえるでしょう。コンスタンツェ役のグルベローヴァ、ベルモンテ役のアライサ、オスミン役のタルヴェラら豪華キャストの共演は、まさに至極の瞬間を生み出しています。</video:description>
<video:duration>8809</video:duration>
<video:publication_date>2024-11-11T14:35:32Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-04-10T10:16:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGDG</loc>
<video:video>
<video:title>ワーグナー :《パルジファル》第3幕より「至高の救済をもらたす奇跡よ！」</video:title>
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<video:description></video:description>
<video:duration>181</video:duration>
<video:publication_date>2025-04-08T14:11:44Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-04-09T13:24:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32E8</loc>
<video:video>
<video:title>アームストロング 鍵盤音楽年代記 1620–1720 Contrast</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/84d49119fd5627d35b43f8b91cd02156b8d36a51.jpg</video:thumbnail_loc>
<video:description>圧倒的なレパートリーの広さと高い技術、音楽以外にも様々な学問を修めて膨大な知識を有する稀有なピアニスト／作曲家であるキット・アームストロング。「東京・春・音楽祭 2023」で好評を博した、彼ならではの視点で5世紀にわたる“鍵盤音楽”の歴史を紐解き聴衆に伝える、全5回の壮大なプログラムから第2回にあたる1620-1720編をお届けします。「コントラスト」をテーマに、バッハやヘンデルだけでなくエリザベス朝に活躍した作曲家ジョン・ブル。フランスのクラヴサン楽派の創始者ジャック・シャンピオン・ド・シャンボニエールから、ルイ14世に仕えた巨匠クープランと女流エリザベト・ジャケ・ド・ラ・ゲールなど、知られざる作曲家が盛り沢山の充実した内容で魅せます。</video:description>
<video:duration>5019</video:duration>
<video:publication_date>2023-07-14T06:38:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-04-09T09:59:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34C0</loc>
<video:video>
<video:title>アームストロング 鍵盤音楽年代記 1720–1820 Enlightenment of Heart and Mind</video:title>
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<video:description>圧倒的なレパートリーの広さと高い技術、音楽以外にも様々な学問を修めて膨大な知識を有する稀有なピアニスト／作曲家であるキット・アームストロング。「東京・春・音楽祭 2023」で好評を博した、彼ならではの視点で5世紀にわたる“鍵盤音楽”の歴史を紐解き聴衆に伝える、全5回の壮大なプログラムから第3回にあたる1720-1820編をお届けします。「心と精神の啓発」をテーマに、大バッハの傑作「平均律クラヴィーア曲集」から次男C.P.E.バッハの幻想曲、ハイドンやモーツァルトの知られざる名曲、そしてベートーヴェンの《月光》まで、この時代を高揚感と共に一気に聴かせます。</video:description>
<video:duration>5246</video:duration>
<video:publication_date>2023-07-14T11:19:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:59:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6DO</loc>
<video:video>
<video:title>アームストロング 鍵盤音楽年代記 1820-1920 Visions</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/31afa114b5a994a912bd23b0a14277287b69f475.jpg</video:thumbnail_loc>
<video:description>圧倒的なレパートリーの広さと高い技術、そして膨大な知識を有する稀有なピアニストであるキット・アームストロング。「東京・春・音楽祭」の公演である「鍵盤音楽年代記」は全5回のシリーズで、アームストロングならではの視点から鍵盤音楽史を深く辿ることができるものです。この回ではショパンやドビュッシー、シェーンベルクに加え、オーンスタインのトーンクラスターも含む《飛行機に乗って自殺》までもが並びます。ピアノという楽器の大きな発展と共に楽曲も飛躍的な進歩を遂げていったことがお分かりいただけることでしょう。</video:description>
<video:duration>5475</video:duration>
<video:publication_date>2023-07-14T11:55:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-04-09T09:59:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6DG</loc>
<video:video>
<video:title>ブラームスの室内楽 －リシエツキ＆日本のソリストたち</video:title>
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<video:description>本映像は、円熟した演奏に磨きをかけ続けているピアニスト、ヤン・リシエツキと日本を代表するオーケストラ奏者たちが共演する室内楽の夕べです。毎年話題の「東京・春・音楽祭」の公演の一つで、ここではブラームスのピアノ四重奏曲第2番、弦楽五重奏曲を披露。前者では洗練された技法とブラームスの心を掴む旋律の美しさ、繊細なハーモニー変化を見事に捉えた弦楽アンサンブルの演奏を、そして後者ではリシエツキが音楽を牽引し、親密な対話とスケールの大きさを両立した音楽を、お楽しみいただけるでしょう。</video:description>
<video:duration>6059</video:duration>
<video:publication_date>2023-07-13T14:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8E0</loc>
<video:video>
<video:title>ブッフビンダーがベートーヴェンのピアノ・ソナタ全曲を演奏 (1)</video:title>
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<video:description>東京で開催されている日本最大級のクラシック音楽祭「東京・春・音楽祭」は2024年に20周年を迎えます。記念すべき年のプログラムの柱となっているのが、ルドルフ・ブッフビンダーによるベートーヴェンのピアノ・ソナタ全曲演奏です。ステージプラスではそのうち2回分が生配信されます。コンサートの第1弾となる今回は、作曲者の最も有名なソナタである第8番《悲愴》と、中期の重要な作品である第21番《ワルトシュタイン》をはじめ、愛らしい2つの短いソナタ (第20番と25番) 、そして初期の傑作である第11番をご覧いただけます。</video:description>
<video:duration>5329</video:duration>
<video:publication_date>2024-03-27T12:55:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8E8</loc>
<video:video>
<video:title>ブッフビンダーがベートーヴェンのピアノ・ソナタ全曲を演奏 (2)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/76488167cdd9398964c22f8e63cfe9317e5c4f5f.jpg</video:thumbnail_loc>
<video:description>東京で開催されている日本最大級のクラシック音楽祭「東京・春・音楽祭」は2024年に20周年を迎えます。今年のプログラムの柱となっているのが、オーストリアのピアニスト、ルドルフ・ブッフビンダーによるベートーヴェンのピアノ・ソナタ全曲演奏です。ステージプラスでは2回分が生配信されますが、本映像ではその第2弾で、ベートーヴェンの最後の3つのソナタをご覧いただけます。作曲者の技術の最も熟練されたもの、そして精神性と実験性が散りばめられた傑作を最高の演奏でご堪能下さい。</video:description>
<video:duration>4211</video:duration>
<video:publication_date>2024-03-28T09:51:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:56:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJED0</loc>
<video:video>
<video:title>ユジャ・ワンとゴーティエ・カプソンがショパン作品で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8db69fb62294487ae8d3f452a021c7f001f01769.jpg</video:thumbnail_loc>
<video:description>本映像は、2020年、パリ・フィルハーモニー管弦楽団で行われたコンサートの模様です。ユジャ・ワンとゴーティエ・カプソンがフレデリック・ショパンのチェロとピアノのための作品を演奏しています。親しい友人同士でもある二人の演奏はとても息のあったもので、煌びやかな音色が様々に表情を変えながら楽曲を彩っています。ショパンのチェロ・ソナタと《序奏と華麗なるポロネーズ》は、チェリスト、ピアニストそれぞれに高度な技巧と音楽性を要求される作品であり、改めてこの二人の名手ぶりを実感することができます。</video:description>
<video:duration>2442</video:duration>
<video:publication_date>2023-05-15T10:43:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-09T09:15:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8D8</loc>
<video:video>
<video:title>新芸術監督ハーディングが初めて《トスカ》を指揮する、オープニング・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c44ddc12cd43976165897c93f6510e872c0b132.jpg</video:thumbnail_loc>
<video:description>歴史あるサンタ・チェチーリア国立アカデミー管弦楽団・合唱団の音楽監督をアントニオ・パッパーノから引き継いだ、ダニエル・ハーディングの華々しいデビュー公演の模様をお届けします。イタリアが誇るオペラ作曲家プッチーニの没後100年を記念するこのオープニング・コンサートで、ハーディングが人気作品の《トスカ》を初めて指揮するのも注目ポイントです。バイエルン国立歌劇場にトスカ役でデビューしたマントヴァ生まれのエレオノーラ・ブラット (ソプラノ) を筆頭に、カヴァラドッシを演じるチリ生まれでニューヨーク育ちのジョナサン・テテルマン (テノール) 、スカルピアを演じるマルセイユ生まれのリュドヴィク・テジエ (バリトン) と、現代のオペラ・シーンをリードする主役陣の魅力的な歌唱を、ドイツ・グラモフォンからリリース予定の全曲盤に先駆けてお楽しみください。</video:description>
<video:duration>7534</video:duration>
<video:publication_date>2024-10-24T18:03:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">IT</video:restriction>
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<lastmod>2025-04-08T09:55:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6CG</loc>
<video:video>
<video:title>ドイツ・グラモフォン120周年ガラ・コンサート：ラン・ランを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c98d225cf569f966183e659bcead72cd5eb727a.jpg</video:thumbnail_loc>
<video:description>2018年にドイツ・グラモフォンは創立120周年を迎え、世界中でガラ・コンサートを開催しました。本映像はその中の一つで、2013年2月のデビュー以来、ベルリン・フィルに繰り返し客演するなど世界的指揮者であるマンフレート・ホーネックがシュターツカペレ・ベルリンを率いています。プログラムはベートーヴェンの《フィデリオ》序曲に《レオノーレ》序曲、さらにスター・ピアニストのラン・ランを迎え、モーツァルトのピアノ協奏曲第24番です。「最もドイツ的な楽団」とされるオーケストラが奏でる音色を味わうのに最良の楽曲といえましょう。</video:description>
<video:duration>3800</video:duration>
<video:publication_date>2023-02-22T10:23:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CCO</loc>
<video:video>
<video:title>トリフォノフら豪華出演陣によるドイツ・グラモフォン創立120周年記念コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a42070f6d765374bf9576d9c50cf3f282a9062e.jpg</video:thumbnail_loc>
<video:description>2018年10月、北京の故宮博物院（紫禁城）で開催された、ドイツ・グラモフォン創立120周年を記念する壮大なコンサートの模様です。北京国際音楽祭と中国フィルハーモニー管弦楽団の芸術監督などを務め、中国を代表する指揮者となっているロン・ユーが上海交響楽団を率いて、多彩な楽曲を演奏します。ダニール・トリフォノフをソリストに迎えてのラフマニノフのピアノ協奏曲第2番に、アイーダ・ガリフッリーナ(ソプラノ)ら豪華歌手陣をそろえてのオルフ《カルミナ・ブラーナ》など、祝祭感溢れるプログラムは必見です。</video:description>
<video:duration>6796</video:duration>
<video:publication_date>2022-11-18T16:44:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-04-07T14:31:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32DO</loc>
<video:video>
<video:title>ジョン・ウィリアムズ in 東京</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/890c2869ee615ee56bbeac1655662f61787af67d.jpg</video:thumbnail_loc>
<video:description>2023年9月、30年ぶりに来日を果たした映画音楽界のレジェンド、ジョン・ウィリアムズ。指揮者で盟友の小澤征爾の招きを受け、小澤征爾が総監督を務める「セイジ・オザワ 松本フェスティバル」、そして、それに合わせて東京で開催された、ドイツ・グラモフォンの創立 125 周年を記念した特別公演に出演し、大きな話題を呼びました。ジョン・ウィリアムズは指揮者、ステファン・ドゥネ―ヴと共に、映画『スター・ウォーズ』、『ハリー・ポッター』といった自身がこれまでに作曲した映画音楽を中心に構成されたプログラムを披露。小澤征爾の長年の夢であったジョン・ウィリアムズとサイトウ・キネン・オーケストラの初共演が実現した奇跡的なコンサートとなりました。</video:description>
<video:duration>6502</video:duration>
<video:publication_date>2024-09-02T13:23:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:30:38Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34CG</loc>
<video:video>
<video:title>『芸術の音色』～音とデザイン</video:title>
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<video:duration>781</video:duration>
<video:publication_date>2024-05-16T14:20:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-04-07T14:29:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34C8</loc>
<video:video>
<video:title>『芸術の音色』～録音の歴史</video:title>
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<video:description></video:description>
<video:duration>1030</video:duration>
<video:publication_date>2024-05-16T14:13:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:29:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJECG</loc>
<video:video>
<video:title>『芸術の音色』～ドイツ・グラモフォン125年のストーリー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a3f6765cb33d8b39af452fd99075e4345df07672.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>739</video:duration>
<video:publication_date>2023-12-05T17:22:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:28:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJIDG</loc>
<video:video>
<video:title>『芸術の音色』～ アーティストとマイクロフォン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7fcc52e3f3b304edae62225d26d852c1510c7143.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>812</video:duration>
<video:publication_date>2023-12-15T16:21:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-04-07T14:28:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38C0</loc>
<video:video>
<video:title>『芸術の音色』～未来の創造</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a589406ac04cea70f067a8e8d017af81fb31b003.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>852</video:duration>
<video:publication_date>2024-07-01T12:23:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T14:28:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2DO</loc>
<video:video>
<video:title>ムター、マ、バレンボイムがベートーヴェンの三重協奏曲で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a0aed1cb4b149022411188c936f6fc62c7605a4f.jpg</video:thumbnail_loc>
<video:description>アンネ＝ゾフィー・ムター、ヨーヨー・マ、ダニエル・バレンボイムは、今日最も有名なアーティストに数えられるだけでなく、ベートーヴェンの解釈の第一人者としても知られています。当演奏は、ベートーヴェン生誕250周年、カラヤン指揮によるムターとマの同曲初録音から40年、バレンボイム率いるウェスト・イースタン・ディヴァン管弦楽団の設立から20年という3つのアニヴァーサリーが重なった年に、ベルリン・フィルハーモニーで収録されました。</video:description>
<video:duration>2486</video:duration>
<video:publication_date>2022-06-29T12:44:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T12:29:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJG</loc>
<video:video>
<video:title>ロザコヴィッチがゲルギエフの指揮でベートーヴェンのヴァイオリン協奏曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5448d7623d7f22aa523e6f7f3bb7d12d2b7ccc58.jpg</video:thumbnail_loc>
<video:description>当映像では、スウェーデンのヴァイオリニスト、ダニエル・ロザコヴィチがベートーヴェンのヴァイオリン協奏曲を演奏しています。共演は、ヴァレリー・ゲルギエフとミュンヘン・フィルハーモニー管弦楽団です。ロザコヴィチは、19歳の若さながら、成熟した解釈を披露。完璧なイントネーションと高い音楽性は、彼が若い世代を代表するヴァイオリニストであることを証明するものと言えるでしょう。アンコールのバッハについても、同様のことが当てはまります。</video:description>
<video:duration>3225</video:duration>
<video:publication_date>2022-05-06T12:43:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T12:26:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGD8</loc>
<video:video>
<video:title>トーマス・クヴァストホフの肖像</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/05296535e4015957c747a63003b5ed6dc90aad7d.jpg</video:thumbnail_loc>
<video:description>生まれながらの肉体的なハンデを凌駕する天性の美声と高い芸術性で、1990年代から00年代にかけて、リートやオーケストラ・コンサート、オラトリオの分野でめざましいキャリアを築いたドイツのバス・バリトン、トーマス・クヴァストホフの横顔に迫るドキュメンタリーをお届けします。ベルリンの旧SFB局が制作したこの番組はリハーサルと本番映像を中心にした構成で、シューベルト歌曲レコーディングのための入念な準備から、作曲家アリベルト・ライマンの書き下ろした難曲に取り組む姿、J.S.バッハやブラームス、マーラー作品の歌唱シーン、そして将来の計画について語る場面まで盛り沢山。思慮深くて知的な彼の魅力に触れることのできる好内容です。</video:description>
<video:duration>3516</video:duration>
<video:publication_date>2025-03-31T13:51:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-07T08:45:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32C0</loc>
<video:video>
<video:title>バーンスタインが自作の交響曲第2番《不安の時代》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/58647c972f87f6d9f5b64d7ca759fb9ae1e1880b.jpg</video:thumbnail_loc>
<video:description>1986年にロンドンで開催されたレナード・バーンスタイン・フェスティバル。ここで20世紀を代表する指揮者、作曲家であるバーンスタインが指揮したのは、1949年初演の交響曲第2番でした。《不安の時代》と題されたこの作品は、アメリカの詩人W.H.オーデンによる同名の詩に着想を得たもので、戦後の文化状況や信仰への探求を描いています。エリザベス女王とエディンバラ公に向けて行われたこの演奏では、バーンスタインの信頼厚いクリスチャン・ツィメルマンがピアノを担当していることも注目されます。</video:description>
<video:duration>2543</video:duration>
<video:publication_date>2022-10-31T14:55:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-04T14:57:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6CO</loc>
<video:video>
<video:title>ラン・ランとネルソンスが奏でるサン＝サーンスのピアノ協奏曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d932ebda491fd6d08b643f57500977d7792ce53b.jpg</video:thumbnail_loc>
<video:description>中国のスーパースター、ラン・ランが、アンドリス・ネルソンスとの共演で、サン＝サーンスのきらびやかなピアノ協奏曲第2番をお届けします。同作曲家の最も人気のある作品の1つである本作品は、1868 年の春にわずか17日間で書かれ、かつては「バッハのように始まり、オッフェンバックのように終わる」とユーモラスに評されました。そのさまざまなスタイルは、ラン・ランがここで輝かしい効果をもたらしているように、ピアニストが自分のテクニックを存分に発揮できる可能性につながっています。第1楽章はバッハにインスピレーションを得ており、本演奏会の残りのプログラムで披露される、マーラー、エルガー、レーガーらの珍しいバッハ編曲作品と魅力的なコンビネーションを生み出します。</video:description>
<video:duration>5405</video:duration>
<video:publication_date>2024-03-29T15:55:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-04-04T10:10:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CD8</loc>
<video:video>
<video:title>ライジング・スター : バリトン・シーンの新星セオドア・プラットの紹介</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0ee45032f4f436bc82bd58ed5df4e2d82ec8a44.jpg</video:thumbnail_loc>
<video:description>温かみのある力強い歌声でシーンを席巻中の、ロシア系英国人“若手”バリトン、セオドア・プラットの魅力を紹介するステージプラス「ライジングスター・シリーズ」のショーケース。ロンドン生まれの彼は、ケンブリッジ大学セント・ジョンズ・カレッジで音楽を学び、ヴェルビエ音楽祭アカデミーと王立音楽大学オペラ・スタジオを卒業。コンサート歌手として2019年からウィグモア・ホールの様々な公演に参加し、近年はグラインドボーン音楽祭にデビューを果たしてバイエルン国立歌劇場やコペンハーゲン歌劇場でも研鑽を積む、期待の逸材です。ここでは第13回シュトゥットガルト国際芸術歌曲コンクールで優勝した時の共演ピアニストである盟友ケヴァル・シャーとのコンビで、ドイツ・リートからフランス歌曲、シベリウスやラフマニノフ、そして20世紀英国の傑作まで圧巻のレパートリーを披露します。</video:description>
<video:duration>2197</video:duration>
<video:publication_date>2025-02-26T10:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T14:17:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3AC8</loc>
<video:video>
<video:title>辻󠄀井伸行がバッハにリスト、カプースチンなどを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d93933fdd9319acec258c1892a6cfcd7a12b51bc.jpg</video:thumbnail_loc>
<video:description>ピアニストの辻󠄀井伸行は、美しい音色と心を打つ表現力によって聴衆を魅了してきました。本映像は2024年のヴェルビエ音楽祭の模様が収められています。辻󠄀井は22年に初めてこの音楽祭にデビューし、大好評を得ました。今回はバッハにリスト、ラヴェルにカプースチンという色とりどりのプログラムで出演。特に注目したいのがカプースチンのエチュード。華麗な技巧と軽快なジャズのリズムとが融合したこの曲集は辻󠄀井にとって重要なレパートリーです。音楽祭の雰囲気と相まってより魅力的な演奏をお楽しみ頂けることでしょう。</video:description>
<video:duration>5032</video:duration>
<video:publication_date>2024-07-24T08:39:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T12:23:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0CO</loc>
<video:video>
<video:title>ウィンナ・ワルツの調べにのせてII : ボスコフスキー＆ウィーン・フィル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/77f327ffece96cbc7f5073079448a1fd6fcb2063.jpg</video:thumbnail_loc>
<video:description>ウィーン・フィルハーモニー管弦楽団のコンサートマスターを長らく務め、ニューイヤー・コンサートの代名詞的な存在であったヴィリー・ボスコフスキー。本映像では彼の指揮と演奏で、シュトラウス一族やツィーラーなど、ウィーンを代表する作曲家たちのワルツやポルカをお楽しみいただけます。ウィンナ・ワルツの黄金時代を再現したかのような演奏は大きな感動を与えてくれるはずです。「天使の声」とも評されるウィーン少年合唱団の声もご堪能ください。</video:description>
<video:duration>3718</video:duration>
<video:publication_date>2025-03-31T12:29:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T10:36:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0CG</loc>
<video:video>
<video:title>ウィンナ・ワルツの調べにのせてI : ボスコフスキー＆ウィーン・フィル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35c491903eebd8e3885a943d3e604b21455a9754.jpg</video:thumbnail_loc>
<video:description>ヴィリー・ボスコフスキーはウィーン・フィルハーモニー管弦楽団のコンサートマスターを長らく務め、ニューイヤー・コンサートの代名詞的な存在でありました。本映像ではシュトラウスをはじめとする、ウィーンを代表する作曲家たちのワルツやポルカをお楽しみいただけます。ボスコフスキーはシュトラウス一族と同様に、指揮とヴァイオリン独奏を行った人物でした。古き良き時代を追体験できることでしょう。「天使の声」とも評されるウィーン少年合唱団の声もご堪能ください。</video:description>
<video:duration>3630</video:duration>
<video:publication_date>2025-03-31T12:10:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-03T10:35:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3IDG</loc>
<video:video>
<video:title>アノウシュカ・シャンカール－ユーディ・メニューインの思い出に</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f0826585abcb8f2b502248f1ae53b61f9c570fd1.jpg</video:thumbnail_loc>
<video:description>ユーディ・メニューイン生誕100周年を記念したコンツェルトハウス・ベルリンのイベントの一環として、偉大なヴァイオリニストと親交のあったラヴィを父に持つアヌーシュカ・シャンカールが、インド音楽のスペシャル・コンサートを行いました。シャンカールはこのコンサートのために、名ヴァイオリニスト、コパチンスカヤを招き共演。その他の共演者も国際的な顔ぶれで、超絶技巧と音楽的共同作業の新たな次元へと私たちを導きます。</video:description>
<video:duration>3725</video:duration>
<video:publication_date>2023-01-04T14:55:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T12:52:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CD8</loc>
<video:video>
<video:title>カラヤンとウィーン・フィルによる伝説的な《ばらの騎士》(1960年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1a1e45341ca20c3dd7ccbb0bb8087c664a5de7c5.jpg</video:thumbnail_loc>
<video:description>1960年、ザルツブルクに新しく祝祭大劇場が建設されました。そのこけら落とし公演となったのが、カリスマ指揮者、ヘルベルト・フォン・カラヤンとウィーン・フィルハーモニー管弦楽団による《ばらの騎士》でした。歴史上最も偉大なマルシャリンと言われるエリザベート・シュヴァルツコプフをはじめとする伝説的なキャストが出演したこのプロダクションは大成功を収めましたが、本映像では35mmフィルムに収められたその模様を貴重なインタビューと共にお楽しみいただくことができます。</video:description>
<video:duration>3281</video:duration>
<video:publication_date>2024-08-19T12:03:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T12:46:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34D0</loc>
<video:video>
<video:title>ジュリアード弦楽四重奏団が弾く、ヴィトマンとベートーヴェンの邂逅</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d7608b3b69a04af718eb03556e94b1d9bbae2844.jpg</video:thumbnail_loc>
<video:description>名門ジュリアード音楽院の教授たちによって1946年に結成されたジュリアード弦楽四重奏団は、80年近くの長きにわたってシーンのトップを走り続ける孤高の存在であり、現在のメンバーも実にニューヨークらしいコスモポリタンな構成によるスーパー・クァルテットです。2023年に (パンデミックによる延期もあって) 5年ぶりの来日ツアーを成功させたのも記憶に新しいところですが、今回はその時と同じプログラムを演奏した最新の映像をお届けします。ベートーヴェン作品の中でもとりわけ美しいとされる弦楽四重奏曲第13番と、それに応えるようにして書かれたドイツの気鋭ヴィトマンによる新作 (※ジュリアード弦楽四重奏団委嘱作品) を対比させ、初演時に終楽章として置かれた「大フーガ」で締めるという趣向は、満を持して披露された日本でも大きな反響を呼びました。約200年の時を超えて伝統 (ベートーヴェン) と革新 (ヴィットマン) がステージで１つになる瞬間をどうかお見逃しなく。</video:description>
<video:duration>6305</video:duration>
<video:publication_date>2025-03-31T13:08:03Z</video:publication_date>
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<lastmod>2025-04-01T11:45:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJA</loc>
<video:video>
<video:title>タングルウッド音楽祭 2021～ジョン・ウィリアムズ＆アンネ＝ゾフィー・ムター</video:title>
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<video:description>2021年のタングルウッド音楽祭、最大の目玉は映画音楽のレジェンド、ジョン・ウィリアムズと長年の親しい友人でもあるヴァイオリンの女王アンネ＝ゾフィー・ムターとの共演でした。この日、ジャズ的なセンスにも優れた彼女を想定して書かれたヴァイオリン協奏曲第2番の世界初演が実現した他、映画『スター・ウォーズ／クローンの攻撃』より愛のテーマがウィリアムズ自身の指揮でボストン交響楽団によって披露されました。さらには同楽団音楽監督のアンドリス・ネルソンス指揮によるアメリカの現代作品やコープランド、ストラヴィンスキーのバレエ組曲も聴きどころです。</video:description>
<video:duration>5298</video:duration>
<video:publication_date>2022-06-01T13:37:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-04-01T09:49:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36C0</loc>
<video:video>
<video:title>アントン・メヒアスが奏でるバッハの平均律クラヴィーア曲集第2巻</video:title>
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<video:description>気鋭の若手ピアニストとして、すでに国際的な評価を得ているアントン・メヒアス。彼は幼い頃からバッハに魅了され、10歳になるまでに「平均律クラヴィーア曲集」全曲を習得していました。2024年、グロッセンガルテン宮殿で収録されたコンサートでは、この偉大な曲集の第2巻にアメリカの作曲家フィリップ・ラッサーの《メモリーの技法》を構成する12曲の前奏曲 (今回が初演) を織り交ぜたプログラムが披露されました。メヒアスが紡ぎ出す魅力的な音色とともに、時代を超越して響き合う対話を感じていただけることでしょう。</video:description>
<video:duration>8122</video:duration>
<video:publication_date>2025-03-24T13:56:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-04-01T07:06:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3G</loc>
<video:video>
<video:title>ラン・ラン＆ラトルがラフマニノフで共演。後半は《くるみ割り人形》第2幕（2009年）</video:title>
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<video:description>2009年のベルリン・フィル、ジルベスター・コンサートでは、サー・サイモン・ラトルとラン・ランが共演。ラフマニノフのピアノ協奏曲第2番が演奏されました。ラン・ランは、この難曲を華麗な技巧で弾ききっています。一方、後半はチャイコフスキーの《くるみ割り人形》第2幕。オーケストレーションの美しさが際立った作品ですが、ベルリン・フィルの精緻な演奏が聴きものとなっています。</video:description>
<video:duration>5980</video:duration>
<video:publication_date>2022-05-11T15:40:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-03-31T14:48:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGCO</loc>
<video:video>
<video:title>ブラームスのピアノ協奏曲について</video:title>
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<video:description></video:description>
<video:duration>2532</video:duration>
<video:publication_date>2025-03-28T13:24:19Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-31T10:48:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32DG</loc>
<video:video>
<video:title>チョ・ソンジンが奏でるラヴェルのピアノ名曲集</video:title>
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<video:description>モーリス・ラヴェル生誕150年を記念するソロ・ピアノ作品の全曲集、及びアンドリス・ネルソンス指揮のボストン交響楽団と共演したピアノ協奏曲全集を2か月連続でリリースして注目を集めているチョ・ソンジン。2024年2月6日にニューヨークのカーネギーホールで収録された演奏会から、《夜のガスパール》、《高雅で感傷的なワルツ》、《クープランの墓》、そして繊細で美しい小品、前奏曲イ短調をお届けします。音質、色彩、質感、雰囲気にこだわった彼独自の表現とともに、ラヴェル芸術のエッセンスが凝縮された傑作の数々をお楽しみください。</video:description>
<video:duration>4302</video:duration>
<video:publication_date>2025-03-26T14:21:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-28T08:53:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3IE0</loc>
<video:video>
<video:title>リヒャルト・シュトラウス音楽祭から、オーケストラ伴奏付き歌曲集その2「解き放たれて」</video:title>
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<video:description>R.シュトラウスが1908年に別荘を構え、その後1949年に亡くなるまでほぼ定住し、作曲活動の拠点としていたのはドイツの南端、アルプスの麓の避暑地ガルミッシュ＝パルテンキルヒェンでした。この地で1989年から大作曲家の生まれ月である6月に開催され、世界中のファンから注目を集めている音楽祭の1994年公演から、毎年定評のあるオーケストラ伴奏付き歌曲のシリーズを4回に分けてお届けします。今回の聴きどころは当時活躍していた知られざる実力派ドラマティック・ソプラノの競演です。ミュンヘン生まれのメヒティルト・ゲッセンドルフは至上の愛を歌い上げる冒頭の《解き放たれて》も聴かせますが、明るい旋律で濃厚なロマンを奏でる《子守歌》も見事。小柄で清楚な魅力をたたえたヘレン・クォンは《アモール》や《母の自慢話》ではコロラトゥーラもこなします。そしてアメリカはミシガン出身のスーザン・アンソニーによる伸びやかで堂々たる、まるでオペラのワンシーンのような《東方の聖なる三博士》も圧巻です。</video:description>
<video:duration>3035</video:duration>
<video:publication_date>2025-03-19T16:47:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T17:39:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3IDO</loc>
<video:video>
<video:title>リヒャルト・シュトラウス音楽祭から、オーケストラ伴奏付き歌曲集その3「夕映えの中で」</video:title>
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<video:description>R.シュトラウスが1908年に別荘を構え、その後1949年に亡くなるまでほぼ定住し、作曲活動の拠点としていたのはドイツの南端、アルプスの麓の避暑地ガルミッシュ＝パルテンキルヒェンでした。この地で1989年から大作曲家の生まれ月である6月に開催され、世界中のファンから注目を集めている音楽祭の1994年公演から、毎年定評のあるオーケストラ伴奏付き歌曲のシリーズを4回に分けてお届けします。今回は、バイエルン国立歌劇場で《ドン・ジョヴァンニ》のドンナ・アンナや《フィガロの結婚》の伯爵夫人などを演じてキャリアを重ね、アメリカに凱旋してメトロポリタン歌劇場でエレクトラやトゥーランドット役も成功させたルース・ファルコンによる《4つの最後の歌》をご堪能ください。</video:description>
<video:duration>2655</video:duration>
<video:publication_date>2025-03-19T16:40:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-27T17:34:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJGC8</loc>
<video:video>
<video:title>『ラ・ヴォーチェ・イン・ベレッツァ』</video:title>
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<video:description> 　</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2025-03-24T13:54:10Z</video:publication_date>
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<lastmod>2025-03-27T11:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJAE0</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン：ピアノ・ソナタ全集 その3</video:title>
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<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第3回は“悲愴大ソナタ”を皮切りに、圧巻の第3楽章で知られる第12番《葬送》や優美な趣を持つ第10番と創作初期の傑作を中心に構成。ラストは孤高の境地へと達する“後期3大ソナタ”へと連なる第28番で華やかに締め括ります。</video:description>
<video:duration>5515</video:duration>
<video:publication_date>2025-03-14T11:28:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-26T15:53:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GD8</loc>
<video:video>
<video:title>ニコラス・エコノムが奏でるベートーヴェン「6つのバガテル」</video:title>
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<video:description>1953年キプロス生まれのピアニスト、ニコラス・エコノムは16歳でチャイコフスキー・コンクールに出場して国際的な注目を集め、その後ミュンヘンを拠点に作曲や指揮の分野でも活躍しましたが、1993年に交通事故で早逝しています。29歳の全盛期にドイツ・グラモフォンで録音した名手アルゲリッチとの2台ピアノ・アルバム (チャイコフスキー＆ラフマニノフ) でも知られる彼が、同じ頃に地元の名ホールで行った演奏会の貴重なライヴ映像をお届けします。プログラムはベートーヴェンがピアノのために書いた最後の連作曲集である「6つのバガテル」。どれも短い作品ばかりですがエコノムによる演奏はベートーヴェン晩年の自由な境地を見事に弾き出しています。</video:description>
<video:duration>1215</video:duration>
<video:publication_date>2025-03-10T12:26:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-26T11:06:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ID0</loc>
<video:video>
<video:title>ダグ・アシャツが自身のピアノ編曲による《春の祭典》を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9a0cca627f4c16648248b1a56b4086ac2efd4c9b.jpg</video:thumbnail_loc>
<video:description> 　</video:description>
<video:duration>1889</video:duration>
<video:publication_date>2025-03-19T15:36:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T11:59:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3IE8</loc>
<video:video>
<video:title>クレーメルが奏でるヴイヴァルディの《四季》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/01f5fffd133dca29a0a638eec73711fe42c07344.jpg</video:thumbnail_loc>
<video:description>エネルギッシュな演奏で、バロックから現代音楽まで自由自在に演奏するヴァイオリニストのギドン・クレーメル。本映像では1981年4月、彼がミュンヘン近郊ポーリングの修道院のバロック図書館でイギリス室内管弦楽団を率いてヴィヴァルディの《四季》を演奏した時の模様をご覧いただけます。クレーメルは標題音楽としての側面ももつこの楽曲の情景を、抜群の描写力と鮮やかなテクニックによって届けてくれています。</video:description>
<video:duration>2589</video:duration>
<video:publication_date>2025-03-19T16:59:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T10:57:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJID8</loc>
<video:video>
<video:title>ブーレーズが指揮するマーラーの《復活》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f35dd2509c29bd9f1075e28673b2eeff047a252e.jpg</video:thumbnail_loc>
<video:description>フランスの偉大な指揮者ピエール・ブーレーズは、現代作品や近代作品に加え、常にマーラーの交響曲に深く関わっていました。マーラーの音楽にこれほど明確な構造的解釈をもたらした指揮者は他にいないでしょう。2005年、80歳の誕生日を迎えたブーレーズは、交響曲第2番を指揮し、感動的な最後のコーラスを、力強く効果的に表現して、喝采を浴びました。</video:description>
<video:duration>5352</video:duration>
<video:publication_date>2022-10-18T10:34:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-25T10:07:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJEE8</loc>
<video:video>
<video:title>プッチーニのオペラ《トスカ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/65bc497775ce5a1adc08ec0d472d19883be93a66.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>441</video:duration>
<video:publication_date>2025-03-19T14:54:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-24T10:35:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCDG</loc>
<video:video>
<video:title>『ロード・オブ・ザ・リング』の音楽で知られるハワード・ショアの世界～ミロシュを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/00fdfdea2f3ed2efa9885d5630efdbc920f84476.jpg</video:thumbnail_loc>
<video:description>世界中のオーケストラと幅広く映画コンサートを展開しているルートヴィヒ・ヴィッキが、フランス放送フィルハーモニー管弦楽団と合唱団を指揮して、巨匠ハワード・ショアの音楽をスリリングに披露します。プログラムには“黄金コンビ”を組んで久しい鬼才デビッド・クローネンバーグ監督の代表作である『ザ・フライ』(1986年) と『裸のランチ』(1991年) 、そしてアカデミー賞 (作曲賞) を受賞したピーター・ジャクソン監督の『ロード・オブ・ザ・リング』第1作 (2001年)からの抜粋が含まれています。加えてクラシック作品として、ギターとオーケストラのための協奏曲《ザ・フォレスト》を初演。《ザ・フォレスト》にはスター・ギタリストのミロシュをソリストとして迎えているのも聴き所です。</video:description>
<video:duration>6603</video:duration>
<video:publication_date>2024-06-28T09:36:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-21T14:16:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4</loc>
<video:video>
<video:title>クラシックのスーパースターが奏でる、色とりどりの中国の作品</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8cd7efee6d7094be972488cca7795adcdc7f3876.jpg</video:thumbnail_loc>
<video:description>クラシック音楽界において紛れもないスーパースターであるピアニストのラン・ラン。華麗かつ楽曲の本質を浮き彫りにする演奏は世界中の聴衆を虜にしており、近年は教育活動や慈善活動にも力を入れています。彼は故郷の中国を深く愛し、その文化の発展にも多大な力を注ぐ存在です。本映像はラン・ランが2006年に北京で行ったリサイタルの模様を収録したもので、毛沢東時代の名曲、ピアノ協奏曲《黄河》など、中国伝統の歌をアレンジした楽曲が並びます。中国の伝統楽器との室内楽は新たなクラシック音楽の可能性が感じられます。</video:description>
<video:duration>3432</video:duration>
<video:publication_date>2022-05-23T14:56:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-20T14:07:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3IDO</loc>
<video:video>
<video:title>ドキュメンタリー『エレーヌ・グリモー～狼と生きて』2008年）</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4ba281b9d97d5e07fe5e00b6f735e75ed66e190.jpg</video:thumbnail_loc>
<video:description>ライナー・モーリッツ監督が制作した、エレーヌ・グリモーのドキュメンタリーをご覧いただけます。幼少期を振り返り、国際的なピアニストとして世界中をツアーするキャリアを追うだけでなく、自然保護活動家として、またニューヨークのウルフ・コンサベーション・センターの創設者としての彼女の姿も描いています。演奏映像も豊富に収録。同世代で最も注目されるピアニストの一人である彼女の魅力を垣間見ることができるでしょう。</video:description>
<video:duration>3457</video:duration>
<video:publication_date>2024-11-06T11:30:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-19T15:32:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3GD0</loc>
<video:video>
<video:title>ルイージが指揮するスクリャービンの交響曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e939ae673c00442f837884ebab0629b8d01d801f.jpg</video:thumbnail_loc>
<video:description> 　</video:description>
<video:duration>3126</video:duration>
<video:publication_date>2025-03-10T12:19:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T16:11:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJEDO</loc>
<video:video>
<video:title>アルバム『バッハ・ミーツ・グバイドゥーリナ』からの抜粋</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a4d9dfe19b925c7a0160b209e8cc7dc3860efba9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2025-03-13T16:22:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:04:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJEDG</loc>
<video:video>
<video:title>グバイドゥーリナのヴァイオリン協奏曲について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6eba0ca7a2ada8ccf49192ced7262a5328cb6e55.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>428</video:duration>
<video:publication_date>2025-03-13T15:30:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:04:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJED8</loc>
<video:video>
<video:title>アルバム『バッハ・ミーツ・グバイドゥーリナ』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7b38244245a1f028ae5bf113a78710b7471f1ede.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>434</video:duration>
<video:publication_date>2025-03-13T15:24:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-17T14:03:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJEE0</loc>
<video:video>
<video:title>ベートーヴェンのピアノ・ソナタ第10番について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/32d507234b3f0a4780194526f1e4783b14c86359.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>174</video:duration>
<video:publication_date>2025-03-14T16:46:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-14T17:00:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJECO</loc>
<video:video>
<video:title>アルバム『パガニーニ：24のカプリース 他』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e40c739a8a9d0f66467b08d238bb0d63366abc4d.jpg</video:thumbnail_loc>
<video:description> 　</video:description>
<video:duration>195</video:duration>
<video:publication_date>2025-03-12T11:01:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T18:23:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ8C8</loc>
<video:video>
<video:title>《ホエア・ザ・リヴァー・ゴーズ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3bc20841dc1bc58c5fc3f53d7f20697360a77441.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>465</video:duration>
<video:publication_date>2024-12-12T15:00:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:31:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6C0</loc>
<video:video>
<video:title>《テンペスト》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/08f5c00c688ef532cff00b397d9df56f2fc710e7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>122</video:duration>
<video:publication_date>2024-12-11T12:38:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:29:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6C8</loc>
<video:video>
<video:title>コンパッション</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8bb94780f7533953fcd92cfa99405e9cfe904bf8.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2024-12-11T13:13:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T13:29:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ID8</loc>
<video:video>
<video:title>《ホフマン物語》にベルネームが登場</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4d3068b92dc8e890e763550dd14499f8b6723d40.jpg</video:thumbnail_loc>
<video:description>（この作品は日本国内ではご覧いただけません）　
ロマン派を代表する作家 E. T. A. ホフマンの、シュールで不穏な人生を基にしたオッフェンバックのオペラ《ホフマン物語》。この色男役は、人気のテノール歌手ベルネームにとってまさにはまり役でした。2021年にハンブルクで上演されたこのオペラ、演出はダニエレ・フィンツィ・パスカが担当。カラフルな舞台装置が物語に花を添えます。ピットでは、指揮者のケント・ナガノがハンブルグ・フィルハーモニー国立管弦楽団のスタイリッシュで独特な演奏を引き出しています。</video:description>
<video:duration>10890</video:duration>
<video:publication_date>2023-01-04T09:55:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2025-03-13T11:03:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3I</loc>
<video:video>
<video:title>ヴァイオリン・オン・ステージ～ボムソリ in ワルシャワ </video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/81581c4bf8ae851565a70d8cd91ccf4640a1eca9.jpg</video:thumbnail_loc>
<video:description>1989年韓国生まれの新星ヴァイオリニスト、キム・ボムソリは2016年のヴィエニャフスキ・コンクール以来、ポーランドの音楽家との強い繋がりを大切にしています。ワルシャワで行われたこのコンサートでも、彼女のドイツ・グラモフォンでのソロ・デビュー盤『ヴァイオリン・オン・ステージ』と同じ、音楽監督のジャンカルロ・ゲレーロ率いるNFMヴロツワフ・フィルハーモニー管弦楽団との共演で、オペラに因んだナンバーなどを音色豊かに描き出します。</video:description>
<video:duration>3266</video:duration>
<video:publication_date>2022-05-12T09:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJIE0</loc>
<video:video>
<video:title>ブーレーズの指揮によるメシアン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7de9d907dd37cc15161127884a1787676c7f4747.jpg</video:thumbnail_loc>
<video:description>ピエール・ブーレーズが、かつて作曲を師事したオリヴィエ・メシアンの作品を指揮する1990年の映像をお届けします。前半はもう一人の優れたメシアン解釈者であるピエール＝ロラン・エマールをピアニストに迎えたアンサンブル・アンテルコンタンポランの演奏による、鳥のさえずりに着想を得た作品《異国の鳥たち》。後半はユンゲ・ドイチェ・フィルハーモニーの優れた若手奏者たちによる、複雑な構成の管弦楽作品《クロノクロミー》です。それぞれの演奏の前に付けられた、音楽学者マイケル・ヌペンによるドキュメンタリー風のイントロダクションとあわせてお楽しみください。</video:description>
<video:duration>3428</video:duration>
<video:publication_date>2024-12-02T10:57:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:00:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJIE8</loc>
<video:video>
<video:title>ピエール・ブーレーズが指揮するヴァレーズ作品集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/47f2653b47d6f146ec44ea50ca767ff74e9239cd.jpg</video:thumbnail_loc>
<video:description>ピエール・ブーレーズは作曲家、指揮者として20世紀の音楽界において圧倒的な存在感を示していました。自身の作品ではもちろん、同時代の優れた作品を紹介する役割においても、その卓越した指揮によって常に大きな信頼を勝ち得ていた人物です。本映像ではユンゲ・ドイチェ・フィルハーモニー、そして自ら設立した室内オーケストラ「アンサンブル・アンテルコンタンポラン」を指揮し、ヴァレーズの傑作を魅力的な音色と表現で届けてくれています。</video:description>
<video:duration>3339</video:duration>
<video:publication_date>2024-12-02T11:03:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T11:00:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2CO</loc>
<video:video>
<video:title>《寒冷前線》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c5d0ae011e9848fe3e6d5e147943559439cf40e7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>308</video:duration>
<video:publication_date>2024-11-27T12:04:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:50:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2CG</loc>
<video:video>
<video:title>Soudain, le vide</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/08cb5f719c611da83d8392b796d01b580620a38b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>196</video:duration>
<video:publication_date>2024-11-27T12:01:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:49:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGCG</loc>
<video:video>
<video:title>アーノンクールが紡ぐ《ブランデンブルク協奏曲》全集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3741428ac956a344bd76feaddb3de7613e89c87f.jpg</video:thumbnail_loc>
<video:description>ニコラウス・アーノンクールは古楽作品の魅力、そして演奏法を改めて世に知らしめた存在でした。そんな彼の紡ぎ出す音楽は端正、楽曲の細部を読み込むことで生まれる立体的な音楽づくりが魅力です。本映像にはあらゆる楽器が華麗な演奏を聞かせる《ブランデンブルク協奏曲》が収められました。それぞれの楽器に与えられた親しみやすい旋律と技巧的な音型にも感動させられることでしょう。アーノンクールの手兵「ウィーン・コンツェントゥス・ムジクス」の典雅な演奏はもちろん、彼が奏でるチェロやヴィオラ・ダ・ガンバにもご注目ください。</video:description>
<video:duration>6159</video:duration>
<video:publication_date>2023-06-05T13:13:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:19:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2C0</loc>
<video:video>
<video:title>バッハのインヴェンションハ長調とニ長調</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/71c04430515fc319747c66deb1d8cfe5dd027ff5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>129</video:duration>
<video:publication_date>2023-11-03T14:34:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-13T10:18:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2C8</loc>
<video:video>
<video:title>バッハ / 無伴奏ヴァイオリンのためのパルティータ第2番ニ短調 BWV 1004 より第1曲 : アルマンド</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35ade235949848ee68a8aac01050afd020f61967.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>331</video:duration>
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<video:title>モンテヴェルディ：歌劇《オルフェオ》</video:title>
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<video:description>バロック様式の傑出した美しさで知られるバイロイト辺境伯歌劇場で開催される「バイロイト・バロック」音楽祭から、モンテヴェルディの《オルフェオ》をお届けします。タイトル・ロールに迎えたスター・テノールのローランド・ビリャソンを筆頭に、気鋭の歌手陣が集結。ギリシャ生まれでチェンバリストでもある若手注目株、マルケロス・クリシコスの指揮とラティニタス・ノストラの鮮烈な演奏が、近代オペラの出発点をなすものとして音楽史的にも重要な意味を持つこの作品に、新しい命を吹き込みます。</video:description>
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<video:publication_date>2023-10-20T09:44:14Z</video:publication_date>
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<lastmod>2025-03-13T10:11:37Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2C0</loc>
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<video:title>バッハ / 協奏曲ト短調 BWV 975 (ヴィヴァルディ RV 316 による) より第2楽章 : Largo</video:title>
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<video:publication_date>2024-11-26T12:48:10Z</video:publication_date>
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<lastmod>2025-03-13T09:55:20Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJAE8</loc>
<video:video>
<video:title>フィールド : ノクターン第2番ハ短調 H. 25</video:title>
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<video:publication_date>2025-02-13T11:09:43Z</video:publication_date>
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<lastmod>2025-03-12T14:07:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4CO</loc>
<video:video>
<video:title>フィールド : ノクターン第9番ホ短調 H. 46</video:title>
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<video:publication_date>2024-12-05T16:02:23Z</video:publication_date>
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<lastmod>2025-03-12T14:07:26Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJACO</loc>
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<video:title>フィールド : ノクターン第14番ト長調 H. 58</video:title>
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<video:duration>154</video:duration>
<video:publication_date>2025-01-10T16:25:48Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-03-12T14:06:56Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJEC0</loc>
<video:video>
<video:title>フォーレ：《秘密》op. 23 No. 3</video:title>
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<video:duration>157</video:duration>
<video:publication_date>2025-03-06T14:34:23Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-03-12T13:28:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2DO</loc>
<video:video>
<video:title>《アルヴォ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c05c1788f520c813518154bb7e2250535a4a9661.jpg</video:thumbnail_loc>
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<video:duration>328</video:duration>
<video:publication_date>2024-11-27T12:51:25Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-03-11T15:45:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJADG</loc>
<video:video>
<video:title>ラトルがティペット、ターネジ、ヴォーン・ウィリアムズの作品を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2d924252060854a5024fe68cb91e8f52a181f216.jpg</video:thumbnail_loc>
<video:description>サー・サイモン・ラトルがロンドン交響楽団を指揮し、20世紀と21世紀のイギリス音楽をお届けします。ヴォーン・ウィリアムズの力強く感動的な交響曲第5番と、マイケル・ティペットの神秘的なオペラ《真夏の結婚》から力強い〈儀式の踊り〉をはじめ、ラトルの70歳の誕生日を記念して委嘱された新作のギター協奏曲も並びます。これは伝説のジャズ・ギタリスト、ジョン・スコフィールドのために書かれ、本公演が初演です。スリリングな楽曲が華麗な演奏でお楽しみいただけます。</video:description>
<video:duration>6488</video:duration>
<video:publication_date>2025-01-16T15:54:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:20:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJAE0</loc>
<video:video>
<video:title>『オープン・ランド』～ジョン・アバークロンビー、偉大なるジャズ・ギタリストのポートレート</video:title>
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<video:description>1944年ニューヨーク州ポートチェスターに生まれ、2017年に他界するまでECMレーベルを代表するジャズ・ギタリストとして孤高の存在であり続けたジョン・アバークロンビーの、生前最後の音楽の旅路を記録した映像作品をお届けします。リヒテンシュタインのギグからNYでのセッション、カレッジで学生に指導する様子、妻や愛猫と自宅でくつろぐ姿などの親密なポートレートを交えつつ、その人生を独特のユーモアを交えて振り返り、ギターとの最初の出会いが語られます。監督を務めたアルノ・オーエリ＆オリバー・プリムスの手腕により音楽とインタビューのバランスが絶妙で、ECM音源からの名曲セレクションもお楽しみいただけます。</video:description>
<video:duration>5409</video:duration>
<video:publication_date>2025-02-07T15:36:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:17:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4D8</loc>
<video:video>
<video:title>《ザ・ソング・イズ・ユー》</video:title>
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<video:description></video:description>
<video:duration>286</video:duration>
<video:publication_date>2024-12-11T12:11:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:04:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4E0</loc>
<video:video>
<video:title>《ア・タイム・トゥー・リメンバー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62d6907939cd6ba440195f542369239394cbc805.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>303</video:duration>
<video:publication_date>2024-12-11T12:17:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T15:03:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJECO</loc>
<video:video>
<video:title>ショパンについて (ワルツの演奏付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d50b6d13ff57e700672b6fe24d2291036447ea48.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>617</video:duration>
<video:publication_date>2022-12-02T14:55:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-11T10:55:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CC8</loc>
<video:video>
<video:title>ウクライナ・フリーダム・オーケストラによる《第九》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/01020f2959ce91c6d83c9c93e812cb50186c0977.jpg</video:thumbnail_loc>
<video:description>難民音楽家、ならびにヨーロッパの主要オーケストラに所属するウクライナ人メンバーを集めたウクライナ・フリーダム・オーケストラ。自国に捧げるコンサートとして、彼らがウクライナ人のソリストたち、指揮者のケリー＝リン・ウィルソンとともに、自由と愛をうたうベートーベンの第九交響曲を演奏します。フィナーレのフリードリヒ・シラーの言葉「歓喜の歌」は、ウクライナ語で歌われます。この特別なコンサートをお見逃しなく。</video:description>
<video:duration>4388</video:duration>
<video:publication_date>2025-03-06T08:19:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-10T13:12:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CD0</loc>
<video:video>
<video:title>フランシスコ・アライサが歌う《詩人の恋》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/71b96dab110ec163ddecab512fc9fd701bc12caa.png</video:thumbnail_loc>
<video:description>ドイツ南部のルネッサンス様式のヴォルフェック城で収録された、ロマン派歌曲に新たな地平を拓いたシューマンの傑作《詩人の恋》のリサイタルをお届けします。歌い手は1950年にメキシコで生まれ、ウィーン国立歌劇場の宮廷歌手も務めたスター・テノール、フランシスコ・アライサ。円熟期へと向かう途中のみずみずしい歌唱と深い表現力に裏打ちされた解釈で、ハイネの詩篇から「ある若者が恋に落ちるがやがて失恋し、後にそうした青春を回想する」過程をあたかも一つの物語のように描き出していきます。ピアノを演奏するジャン・ルメールもアライサとはいくつかの歌曲録音で共演した間柄であり、ここでも驚くほどに息のあったアンサンブルを聴かせてくれます。　 </video:description>
<video:duration>2256</video:duration>
<video:publication_date>2025-02-25T10:54:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-08T19:32:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCE8</loc>
<video:video>
<video:title>サン＝サーンス : 序奏とロンド・カプリチオーソ op. 28</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/76daddb49c7e50ed1bdce6283760894c5c4408c5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>596</video:duration>
<video:publication_date>2025-03-05T16:46:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-06T13:39:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ADO</loc>
<video:video>
<video:title>アーノンクールが指揮するモーツァルトのヴァイオリンとヴィオラのための協奏交響曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/26bdd800d8d2fa9478af0a15444509268ddeca11.jpg</video:thumbnail_loc>
<video:description>最も深遠かつ魅力的な指揮者のひとりであるニコラウス・アーノンクールは、世界有数のバロック音楽のスペシャリストとして知られ、モーツァルトにベートーヴェン、シューベルトなど多くの作曲家にも関心を向けてきました。本映像ではギドン・クレーメルとキム・カシュカシャンをソリストに迎えたモーツァルトのヴァイオリンとヴィオラのための協奏交響曲が演奏されています。アーノンクールはモーツァルトの音楽を「劇的で、非常に感情的なもの」と捉え、従来とはかなり異なった解釈で音楽を牽引しています。</video:description>
<video:duration>2009</video:duration>
<video:publication_date>2025-02-13T16:18:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T18:34:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CCG</loc>
<video:video>
<video:title>クリストファー・ホグウッドが指揮するC.P.E.バッハの交響曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6cd36cc2c9d7dba9e8422beaf482d2192b49133f.jpg</video:thumbnail_loc>
<video:description>卓越した鍵盤楽器奏者・指揮者であると同時に音楽学者でもあったクリストファー・ホグウッド。作曲家の生きた時代の奏法への探求とそこから導かれた解釈は多くの人々を魅了してきました。本映像ではそんな彼の紡ぎだす音楽を存分にご覧いただくことができます。ホグウッドが得意としたモーツァルトにも影響を与えたカール・フィリップ・エマヌエル・バッハの交響曲が集められた映像を通して、バロック時代から古典への変遷も感じていただけることでしょう。</video:description>
<video:duration>6460</video:duration>
<video:publication_date>2025-02-24T11:38:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T16:28:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32DO</loc>
<video:video>
<video:title>晩年のカラヤンと弱冠17歳のキーシン、貴重な共演の記録</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a133799099b295379223931c1d6cb781a3d93e4.jpg</video:thumbnail_loc>
<video:description>本映像は、伝説的指揮者のヘルベルト・フォン・カラヤンが晩年に当時17歳の少年であったエフゲニー・キーシンと共演し話題となったものです。曲はチャイコフスキーのピアノ協奏曲第1番。輝かしい音色と華麗なテクニックをもつキーシンの魅力を最大限に引き出すものです。圧倒的な才能を、カラヤンとベルリン・フィルハーモニー管弦楽団がより魅力的に引き出していく様は感動的です。プロコフィエフの《古典》交響曲の軽快な演奏も注目です。</video:description>
<video:duration>3561</video:duration>
<video:publication_date>2024-04-26T13:00:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T15:30:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CE0</loc>
<video:video>
<video:title>バーンスタインがブラームスのセレナード第2番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6c1248f231b7b87d29ea40e58b41e48ae0c12cd8.jpg</video:thumbnail_loc>
<video:description>圧倒的カリスマであった指揮者のレナード・バーンスタイン。彼はニューヨークフィル引退後、一つの楽団に長くとどまることはなく、アメリカやヨーロッパの楽団の客演指揮者として活躍しました。特にウィーンフィルとは数々の名演を残しており、本映像ではその黄金タッグによる演奏をご覧いただけます。本映像で演奏されているのはブラームスの若き頃の作品で、ヴァイオリンを欠く小編成のセレナード第2番。バーンスタインは室内楽的な親密さを活かしつつも随所にドラマ性も持たせています。</video:description>
<video:duration>2158</video:duration>
<video:publication_date>2025-02-27T18:45:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T12:13:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJADG</loc>
<video:video>
<video:title>シフがショパンについて語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ccdb816cebfa0c7e11a755a318dad03d50ebd726.jpg</video:thumbnail_loc>
<video:description>早くからJ.S.バッハ、モーツァルト、ベートーヴェン、シューマン、そしてバルトークなどに特に力を入れ、フレッシュな解釈を聴かせてきた現代の巨匠ピアニスト、アンドラーシュ・シフがショパンについて、その生涯や作曲の特徴、音楽的影響などの考えを提示するドキュメンタリー (1999年) をお届けします。監督のミッシャ・スコアラーとはこれが初顔合わせではなく、1997年にBBCでシューベルトついての番組を一緒に手がけているとか。ポロネーズやマズルカといった民族音楽を通して祖国との繋がりを保ち続けたショパンが、「郷愁」「悲哀」「後悔」「憂鬱」そして「怒り」などの強い感情を、自身の音楽で表現していった仕組みを紐解く、興味深い内容です。</video:description>
<video:duration>3084</video:duration>
<video:publication_date>2025-01-29T16:54:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T12:09:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3CDO</loc>
<video:video>
<video:title>バーンスタインがブラームスの「ハイドンの主題による変奏曲」を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e73ff841bca5735346bf8f881ed5a722720793f.jpg</video:thumbnail_loc>
<video:description>指揮者のレナード・バーンスタインは20世紀におけるクラシック界の圧倒的カリスマでした。彼はニューヨークフィルを引退すると、一つの楽団に長くとどまることはなく、アメリカやヨーロッパの楽団の客演指揮者として活躍。とりわけウィーンフィルとは数々の名演を残しており、本映像ではその黄金タッグによる演奏をご覧いただけます。披露されているのはブラームスの「ハイドンの主題による変奏曲」。構築性の高さとスケールの大きさが見事なバランスで共存しています。</video:description>
<video:duration>1296</video:duration>
<video:publication_date>2025-02-27T18:40:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-03-03T10:14:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ACG</loc>
<video:video>
<video:title>アーノンクールとクレーメルによるモーツァルトのヴァイオリン協奏曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f342077f94843dd4c41e1bb331bbdfb0ca475a49.jpg</video:thumbnail_loc>
<video:description>音楽史に圧倒的な存在感を示し、オペラに古典から近現代までと幅広いレパートリーを誇る指揮者であるニコラウス・アーノンクール。彼は1983年から87年にかけ、ウィーン・フィルハーモニー管弦楽団を率いて、ヴァイオリニストのギドン・クレーメルと共にモーツァルトのヴァイオリン協奏曲の全曲録音を手がけました。アーノンクールが導き出す色彩感に満ちた音作りと、クレーメルの輝かしい音色が見事に調和し、圧倒的な世界観が創り出されています。</video:description>
<video:duration>1516</video:duration>
<video:publication_date>2025-02-13T15:48:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T19:20:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3AD0</loc>
<video:video>
<video:title>アーノンクールとクレーメルによるモーツァルトのヴァイオリン協奏曲第3番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f4d9c1e572ee83900557d68784dfe49ad936b5d8.jpg</video:thumbnail_loc>
<video:description>音楽史に圧倒的な存在感を示し、オペラに古典から近現代までと幅広いレパートリーを誇る指揮者であるニコラウス・アーノンクール。彼は1983年から87年にかけ、ウィーン・フィルハーモニー管弦楽団を率いて、ヴァイオリニストのギドン・クレーメルと共にモーツァルトのヴァイオリン協奏曲の全曲録音を手がけました。アーノンクールが導き出す色彩感に満ちた音作りと、クレーメルの輝かしい音色が見事に調和し、圧倒的な世界観が創り出されています。</video:description>
<video:duration>1540</video:duration>
<video:publication_date>2025-02-13T15:58:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T19:19:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ADG</loc>
<video:video>
<video:title>アーノンクールとクレーメルによるモーツァルトのヴァイオリン協奏曲第5番《トルコ風》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/29deeb93390cfabffdb970c2a8e7259b6d915444.jpg</video:thumbnail_loc>
<video:description>音楽史に圧倒的な存在感を示し、オペラに古典から近現代までと幅広いレパートリーを誇る指揮者であるニコラウス・アーノンクール。彼は1983年から87年にかけ、ウィーン・フィルハーモニー管弦楽団を率いて、ヴァイオリニストのギドン・クレーメルと共にモーツァルトのヴァイオリン協奏曲の全曲録音を手がけました。アーノンクールが導き出す色彩感に満ちた音作りと、クレーメルの輝かしい音色が見事に調和し、圧倒的な世界観が創り出されています。</video:description>
<video:duration>1799</video:duration>
<video:publication_date>2025-02-13T16:06:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T19:18:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36C0</loc>
<video:video>
<video:title>カラヤンが指揮するオペラ映画《カルメン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1b1df584dc8683d90c1b318e496673c0b95eb027.jpg</video:thumbnail_loc>
<video:description>カラヤン指揮による《カルメン》全曲盤といえばアグネス・バルツァをタイトルロールに起用しベルリン・フィルと1982年にドイツ・グラモフォンに録音したものが一時代を画す名盤として誉れ高いのですが、映像としては1966/67年ザルツブルク音楽祭での公演をベースに、自ら演出を担当して入念に作り上げたこちらのオペラ映画をおすすめ致します。カルメン役は哀調を帯びた歌唱で、当時同役を歌って名声を集めていた米国のメゾ・ソプラノ、グレース・バンブリー。ヴィッカースのドン・ホセにディアスのエスカミーリョという重量級の男声陣に加えて、若き日のフレーニによる清純なミカエラも聴きどころです。第2幕の酒場のシーンではカルメンの「ジプシーの歌」の後に、ビゼー作曲の《美しいパースの娘》などの演奏と共にスペイン舞踊団らによる見事なダンスが特別に挿入されているのもお見逃しなく。</video:description>
<video:duration>9713</video:duration>
<video:publication_date>2024-05-13T12:13:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T13:19:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCD8</loc>
<video:video>
<video:title>エングウェンヤマ :《Flow》より第3楽章 : Quark Scherzo</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c604c9c5019e6a8b68d15d390a03df1fcfe9a21e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2025-02-25T16:42:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T11:40:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCCO</loc>
<video:video>
<video:title>「天使たちの音楽」について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/41050111e9977e30ce21bebe629101327534c020.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>169</video:duration>
<video:publication_date>2025-02-25T16:21:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-27T10:59:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ID0</loc>
<video:video>
<video:title>「Pianomania!」 - トリフォノフがリントゥの指揮でシューマンのピアノ協奏曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61782e1808113cbf1e902d9572d397f999a2d868.jpg</video:thumbnail_loc>
<video:description>本映像は「Pianomania!」と題されたコンサートの模様が収められています。今回リスボン拠点とするグルベンキアン管弦楽団を率いているのは、フィンランドを代表する指揮者、ハンヌ・リントゥです。ラウタヴァ―ラの代表作《鳥と管弦楽のための協奏曲》にシベリウスの交響曲第2番では、リントゥにしか描きだせない北欧の色彩を見せつけます。ソリストにダニール・トリフォノフを迎えてのシューマンのピアノ協奏曲では、緻密なアンサンブルとドラマティックな音楽づくりが魅力的です。トリフォノフの技巧、音色の美しさにもご注目ください。</video:description>
<video:duration>6510</video:duration>
<video:publication_date>2023-01-04T07:23:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T17:14:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCDG</loc>
<video:video>
<video:title>ロスト・マザーランド - プロコフィエフのポートレート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e807b54a737243c5c661ff523a02a0802c3cc37a.jpg</video:thumbnail_loc>
<video:description>本映像は、ロシアを代表する作曲家、セルゲイ・プロコフィエフが亡命生活を終えて1936年に帰国してからの日々を追ったものです。天才的な音楽家の才能と人間的な問題、さらに彼が直面した様々な問題が、プロコフィエフの息子スヴャトスラフ、ハチャトゥリアンの息子であるカレンなどへのインタビューなどから明らかにされていきます。ヴァディム・レーピンやヴァレリー・ゲルギエフなど様々なアーティストによる演奏や、プロコフィエフ本人による《シンデレラ》のワルツの演奏などもご覧いただけます。</video:description>
<video:duration>3510</video:duration>
<video:publication_date>2022-11-28T10:54:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T16:46:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGC8</loc>
<video:video>
<video:title>レーピンとスヴェトラーノフによるプロコフィエフ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/64b467546a09f2a1028511595cc3c1434548d5ce.jpg</video:thumbnail_loc>
<video:description>世界的なヴァイオリニストとして圧倒的な存在感を放つヴァディム・レーピン。本映像では、ロシア音楽のスペシャリストであるエフゲニー・スヴェトラーノフとのタッグでプロコフィエフのヴァイオリン協奏曲第1番が演奏されています。美しい旋律と華麗な技巧に彩られた作品が圧倒的な集中力によって奏でられていきます。古典的な形式に先鋭的なサウンドが光る交響曲第1番もスヴェトラーノフの巧みなタクトで洗練された演奏となっています。</video:description>
<video:duration>2478</video:duration>
<video:publication_date>2024-11-14T12:33:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T16:45:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30C8</loc>
<video:video>
<video:title>ワーグナーのヴェーゼンドンク歌曲集より第4曲 : 悩み</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aec41ccfc7f6be03dd4af5590599497bebd50701.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-12-21T14:07:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:17:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30CG</loc>
<video:video>
<video:title>ワーグナーのヴェーゼンドンク歌曲集より第3曲 : 温室にて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c6ecc222e6c779c881ed76916ed69270471345d1.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>375</video:duration>
<video:publication_date>2023-12-21T14:14:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:16:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4DO</loc>
<video:video>
<video:title>《I Told You In October》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/56993898fcab014d196bd422f5dfc5f95b1db8e9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>261</video:duration>
<video:publication_date>2024-12-11T12:16:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:12:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3AE8</loc>
<video:video>
<video:title>カプソンがフォーレとマルタンの宗教曲を指揮と演奏で魅せる</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/75579c5a9473722af98161616093ecbbbfadd902.jpg</video:thumbnail_loc>
<video:description>ルノー・カプソンがヴァイオリニスト兼指揮者として出演し、フォーレとマルタンによる神聖な作品を演奏します。「三大レクイエム」の一つに挙げられるフォーレのレクイエムは慰めと平和のメッセージ性が強調された美しい響きの作品です。マルタンの「ポリプティーク」は協奏曲の形式を取りながら、劇的にキリストの受難を描き出しています。シボーン・スタッグとベンヤミン・アップルの清らかな響きの歌唱にも注目です。</video:description>
<video:duration>4727</video:duration>
<video:publication_date>2024-07-18T10:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T15:09:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32C0</loc>
<video:video>
<video:title>ピーター・グレッグソンの世界が凝縮した《Quartets》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4c0b2f322c8efc4fdafde8c7d9ea1abc4b8ebd56.jpg</video:thumbnail_loc>
<video:description>本映像に収録されているのは、イギリスを代表するチェリストであり、現代作曲家であるピーター・グレッグソンの自作自演です。作品はシンセサイザー音と弦楽四重奏を融合して生み出された作品である《Quartets》（弦楽四重奏曲）で、《One》から《Four》の4曲が収められました。グレッグソンの音楽の多面性、圧倒的技術とセンスが存分に発揮されています。彼はバレエ音楽や映画のサウンドトラックなども手掛け、エド・シーランのヒット・アルバム《÷（ディバイド）》でチェロの独奏をしたりと多彩な活動を行う、才能あふれるアーティストなのです。</video:description>
<video:duration>2888</video:duration>
<video:publication_date>2023-07-05T13:39:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T12:16:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJED0</loc>
<video:video>
<video:title>ドゥダメル、マーラー《千人の交響曲》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3481d50bbcc9261245ee92bb19f9bc4ccded34e4.jpg</video:thumbnail_loc>
<video:description>グスターボ・ドゥダメルは、マーラーの交響曲を好んで指揮しますが、交響曲第8番は、巨大なオーケストラ、合唱、8人のソリストを必要とする編成上の困難から、ほとんど取り上げる機会がありませんでした。しかしここでは、首席指揮者を務めるロサンゼルス・フィルハーモニー管弦楽団とシモン・ボリバル交響楽団を集結させ、華麗な上演を実現しています。舞台の上には、なんと総勢1,400人が乗ったと言われ、視覚的にも見ものとなっています。</video:description>
<video:duration>5412</video:duration>
<video:publication_date>2022-09-28T13:35:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T10:52:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ8E8</loc>
<video:video>
<video:title>バーンスタイン「リトル・ドラマーボーイ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6304326f655ad27df5ce8c0fb0603f90cf64feaa.jpg</video:thumbnail_loc>
<video:description>こちらはマーラーの生誕125年を記念して制作されたテレビ・エッセイで、レナード・バーンスタイン自らが脚本を書きいてイスラエルとウィーンで撮り、その後ロンドンで追加撮影された映像です。伝記的な場面を挿みながら、9つの交響曲と《大地の歌》、歌曲集《子供の不思議な角笛》をフィーチャーして、マーラー作品の源泉に迫っていく内容で、音源にはイスラエル・フィルやロンドン響、ウィーン・フィルの名演が使用され、スター歌手陣が登場。音楽的にも非常に聴き応えのある作品に仕上がっています。</video:description>
<video:duration>5096</video:duration>
<video:publication_date>2023-11-22T10:54:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-25T10:48:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCD0</loc>
<video:video>
<video:title>ムストネンがプロコフィエフのピアノ協奏曲第3番を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/753d43751749a9e07c0463b7b885f3d20b169109.jpg</video:thumbnail_loc>
<video:description>本映像では現代のフィンランドが誇る二人の天才の共演をご覧いただけます。ピアニスト、指揮者として活動し、作曲家としての才能も見せるオリ・ムストネンがプロコフィエフのピアノ協奏曲第3番を奏でます。バーミンガム市交響楽団と共にそれを支えるのはやはりフィンランド出身でヴァイオリニストとしてキャリアをスタートしたサカリ・オラモ。楽曲の構造の美しさを鮮やかに伝えることのできる二人の音楽家による共演は圧巻です。シベリウスの交響曲第5番での音色、風景が見えてくるような世界観のある演奏にもご注目ください。</video:description>
<video:duration>4915</video:duration>
<video:publication_date>2024-11-01T11:48:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-24T13:02:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4</loc>
<video:video>
<video:title>エッシェンバッハとゲルネが奏でるシュレーカーの魅惑的な音世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6eacb237dce2f2fe12f991886efc288ea06e5153.jpg</video:thumbnail_loc>
<video:description>ベルリン・コンツェルトハウス管弦楽団首席指揮者のクリストフ・エッシェンバッハが、オーストリアの作曲家で、多彩な音世界が魅力的なフランツ・シュレーカーの作品を指揮した映像です。シュレーカーの作品は印象派や表現主義、新ウィーン楽派など、あらゆる音楽語法が折衷的に組み合わされ、独自の世界を創り出しています。本映像では傑作《室内交響曲》や繊細な美しさが魅力の《ゆるやかなワルツ》の他、「現代最高」とも言われるバリトンのマティアス・ゲルネの歌唱で《低声部とオーケストラのための5つの歌》も披露されています。</video:description>
<video:duration>2979</video:duration>
<video:publication_date>2022-05-13T13:07:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T15:43:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8C0</loc>
<video:video>
<video:title>ウクライナのためのチャリティー・コンサート (2024年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/962c99e407ce6d5ad79c9f40c7f218da65142e31.jpg</video:thumbnail_loc>
<video:description>フランク＝ヴァルター・シュタインマイヤー連邦大統領の後援のもと、ドイツ赤十字社がデュッセルドルフ・トーンハレで&quot;Concert for Humanity&quot;と題した大規模なチャリティ・コンサートを開催しました。ステファン・フルヒト指揮キーウ交響楽団に、ローランド・ビリャソン、ダニエル・ホープ、アルブレヒト・マイヤー、ダニエル・ミュラー=ショット、そして注目の天才チェロ奏者シャルロッテ・メルコニアンという豪華な顔ぶれが加わります。モーツァルト、バッハからマックス・リヒター、フリードリヒ・グルダに至るまで多彩な音楽が詰まったプログラムにもご期待ください。</video:description>
<video:duration>6623</video:duration>
<video:publication_date>2025-01-07T13:26:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T14:55:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJCC8</loc>
<video:video>
<video:title>ベートーヴェン《第九》～人類へのオード</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/68c4be5eef79c1b2e319814f8c7e8d89eecdd993.jpg</video:thumbnail_loc>
<video:description>2023年初頭、映画監督ラリー・ワインスタインはベートーヴェンの交響曲第9番に関するドキュメンタリーの制作に取りかかった。この偉大な作品が作曲されてから200年を経た私たちの現在地が描かれるはずだった。しかし、激変する世界情勢によって、ラリーにとってその問いは極めて個人的なものとなる。音楽についてのみならず、戦争と希望についてのドキュメンタリーでもある「ベートーヴェン《第九》～人類へのオード」。ウクライナの音楽家、耳の不自由な作曲家、ポーランドのロックスター、ベストセラー作家、伝説的な漫画家、そしてワインスタイン自身を含む9人の個性的な人々が、《第九》の遺産、ベートーヴェンの苦闘、音楽が与えるインスピレーション、そして暗黒の時代でさえも人類がいかに希望を追求しているかをより深く理解しようとする姿を追う。</video:description>
<video:duration>4970</video:duration>
<video:publication_date>2025-02-21T10:41:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-21T13:50:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8DO</loc>
<video:video>
<video:title>ファビアン・ミュラーによるベートーヴェン : ピアノ・ソナタ全集 その1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36e3ba926426d652ecac7e1bdbd71eeb71ba56c8.jpg</video:thumbnail_loc>
<video:description>ベルリン国立歌劇場の裏手にある、バレンボイム・サイード・アカデミーが誇るピエール・ブーレーズ・ザールで2024/25シーズンに8回にわたって開催される、ベートーヴェンのピアノ・ソナタ全曲演奏会の模様をお届けしています。弾き手は“楽聖”と同郷のボンで1990年に生まれ、今や同世代で最も注目すべきピアニストの一人としての地位を確立しているファビアン・ミュラー。彼は既に2022年1月《ハンマークラヴィーア》で同ホールに鮮烈なデビューを果たしており、満を持してのソナタ全曲演奏会に挑んでいます。第1回は第1番を皮切りに、第4楽章の主題が狩猟用の角笛を想起させることに由来する第18番《狩り》、中期から第25番と人気の第23番《熱情》を含むラインナップです。</video:description>
<video:duration>5205</video:duration>
<video:publication_date>2024-12-14T09:29:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-20T09:27:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3AD8</loc>
<video:video>
<video:title>アーノンクールとクレーメルによるモーツァルトのヴァイオリン協奏曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/82a94b96f0f34d74ff1f0400900b7df09df3ef47.jpg</video:thumbnail_loc>
<video:description>音楽史に圧倒的な存在感を示し、オペラに古典から近現代までと幅広いレパートリーを誇る指揮者であるニコラウス・アーノンクール。彼は1983年から87年にかけ、ウィーン・フィルハーモニー管弦楽団を率いて、ヴァイオリニストのギドン・クレーメルと共にモーツァルトのヴァイオリン協奏曲の全曲録音を手がけました。アーノンクールが導き出す色彩感に満ちた音作りと、クレーメルの輝かしい音色が見事に調和し、圧倒的な世界観が創り出されています。</video:description>
<video:duration>1416</video:duration>
<video:publication_date>2025-02-13T16:02:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-19T14:46:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3ACO</loc>
<video:video>
<video:title>アーノンクールとクレーメルによるモーツァルトのヴァイオリン協奏曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dc9009ee9645866c3532030c73a4452eb32e200b.jpg</video:thumbnail_loc>
<video:description>音楽史に圧倒的な存在感を示し、オペラに古典から近現代までと幅広いレパートリーを誇る指揮者であるニコラウス・アーノンクール。彼は1983年から87年にかけ、ウィーン・フィルハーモニー管弦楽団を率いて、ヴァイオリニストのギドン・クレーメルと共にモーツァルトのヴァイオリン協奏曲の全曲録音を手がけました。アーノンクールが導き出す色彩感に満ちた音作りと、クレーメルの輝かしい音色が見事に調和し、圧倒的な世界観が創り出されています。</video:description>
<video:duration>1244</video:duration>
<video:publication_date>2025-02-13T15:53:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-19T14:33:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4C0</loc>
<video:video>
<video:title>フォーレの夜想曲＆舟歌集を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b848db38cf9afdca332a5219f7c177084a5fbadc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>132</video:duration>
<video:publication_date>2024-12-03T13:23:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-18T09:10:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4C8</loc>
<video:video>
<video:title>《ハンマークラヴィーア》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4980f2b0dedd382d98840f475bdab0bedbea8808.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2024-12-03T13:25:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-18T09:09:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4E8</loc>
<video:video>
<video:title>ミヒャエル・フォレ、2017年バイロイト音楽祭の《マイスタージンガー》を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b3a907548f728637e7b1f5e87a3bab2401ad8c01.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>613</video:duration>
<video:publication_date>2022-11-15T14:33:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T18:32:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3AC0</loc>
<video:video>
<video:title>ブーレーズ :《二重の影の対話》と《レポン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/210c487689c43d7c178aaabe29e9e59c595cbd64.jpg</video:thumbnail_loc>
<video:description>本映像では、現代音楽において圧倒的な存在感を示したピエール・ブーレーズの芸術をお楽しみいただけます。《二重の影の対話》は1985年に書かれたクラリネット独奏とテープ録音によるクラリネット演奏のデュエット。作曲家たちから信頼を集める奏者、アラン・ダミアンが演奏しています。《レポン》はブーレーズ自身が「最高傑作」と述べたほど。聴衆が室内オーケストラと指揮者を取り囲み、6人のソリストとスピーカーが聴衆を取り囲む空間で行われます。生音とデジタル音が重なり合い、万華鏡のような色彩を生み出します。</video:description>
<video:duration>3900</video:duration>
<video:publication_date>2025-02-12T13:31:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T14:04:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38DO</loc>
<video:video>
<video:title>グリモーとクリンメルによるブラームスとシルヴェストロフの歌曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/00b96f8047de6c1fcfafc70e19a43688ae0aa58d.jpg</video:thumbnail_loc>
<video:description>孤高のピアニスト、エレーヌ・グリモーと気鋭のドイツ系ルーマニア人バリトン、コンスタンティン・クリンメルの“黄金コンビ”による歌曲プログラムを今回はドルトムントのコンツェルトハウスからお届けします。2人のコラボレーションはすでにドイツ・グラモフォンからリリースされた2枚のアルバムに結実していますが、ブラームスの最も個人的かつ内省的な歌曲集にも、ウクライナの偉大な現役作曲家が“精緻で美しい詩”につけた“沈黙の音楽”にも、演奏の度に新しい生命が与えられ、未知の発見が待っていることでしょう。</video:description>
<video:duration>5181</video:duration>
<video:publication_date>2024-08-05T09:00:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T11:20:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34C0</loc>
<video:video>
<video:title>カラヤンとベルリン・フィルのニューイヤー・イヴ・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d90379a263990a2d1a4cfe13d30d7d232b609947.jpg</video:thumbnail_loc>
<video:description>その卓越した音楽性とカリスマ性で20世紀クラシック界に君臨した大指揮者ヘルベルト・フォン・カラヤン。本映像は、1983年末に催されたニューイヤー・イヴ・コンサート (ジルヴェスター・コンサート) の模様を収録したものです。オペラの序曲やワルツなどの魅力的な小品が次々と演奏されていきます。カラヤンらしい重厚さや情熱は抑えられ、軽やかさや繊細さが前面に出た演奏です。また違った彼の音楽づくりとセンスの良さを味わって頂くことができるでしょう。色彩豊かな音色も魅力的で、それぞれの楽曲の特徴が見事に引き出されています。</video:description>
<video:duration>3193</video:duration>
<video:publication_date>2024-04-26T14:01:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-17T09:31:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJIC0</loc>
<video:video>
<video:title>ウォーターズ＆ヘンドリックスによる多彩なフォーレ歌曲の世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a270b6d648ae378e2b78ee0622b22be51f2838e8.jpg</video:thumbnail_loc>
<video:description>トレヤ・カルヤテットはピアニストのピーター・ウォーターズを中心としたアンサンブルです。本映像ではウォーターズによる繊細なジャズ・アレンジのフォーレ歌曲の世界をご覧いただけます。様々なフォーレの名曲の生まれ変わったサウンドとともに、世界的に愛されているソプラノ歌手、バーバラ・ヘンドリックスがオリジナル版も歌っており、聴き比べをお楽しみいただくことも可能です。歌唱、演奏、編曲、そして映像とすべてが美に満ちた世界をご堪能ください。</video:description>
<video:duration>3527</video:duration>
<video:publication_date>2024-12-02T09:40:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T13:59:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGC8</loc>
<video:video>
<video:title>佐渡裕がベルリン・フィルを指揮</video:title>
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<video:description>佐渡裕のベルリン・フィル・デビューとなったコンサート。日本人としては小澤征爾に次いで、この一流オーケストラを指揮することとなりました。この世代の最も魅力的でカリスマ的な指揮者の一人と評価されている佐渡。レナード・バーンスタインと小澤征爾のアシスタントを長年にわたって務め、1989年ブザンソン国際指揮者コンクールで優勝しています。武満とショスタコーヴィチというレパートリーで、この年東日本大震災に見舞われた日本への祈りを捧げました。</video:description>
<video:duration>5441</video:duration>
<video:publication_date>2023-05-31T08:36:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T13:07:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36C8</loc>
<video:video>
<video:title>ネルソンス＆ウィーン・フィルによるマーラー“2番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c14a872ba6b35c1d26b7469d54ae63276907dc7f.jpg</video:thumbnail_loc>
<video:description>快進撃を続けるネルソンスがウィーン・フィルを指揮してマーラーの“2番”を演奏した映像をお届けします。こちらは2018年ザルツブルク音楽祭の開幕を飾ったコンサートのもの。ネルソンスはこの年同作品を集中的に取り上げていただけあって（※この後ベルリン・フィルにも客演して演奏している）非常に説得力のある音楽で聴かせます。英国のソプラノ、ルーシー・クロウにロシアのコントラルト、エカテリーナ・グバノヴァとソリスト陣も充実し、合唱も細部まで統一されて感動のフィナーレを迎えます。</video:description>
<video:duration>5580</video:duration>
<video:publication_date>2023-08-02T14:06:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:51:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0C8</loc>
<video:video>
<video:title>バティアシュヴィリが信頼する演奏家たちと奏でるシューべルトの《ます》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9cc052833e0c51be398644b4299a54be2f22b0aa.jpg</video:thumbnail_loc>
<video:description>16歳にしてシベリウス国際ヴァイオリン・コンクールに第2位入賞後、世界的に脚光を浴び続けるヴァイオリニストのリサ・バティアシュヴィリ。彼女はソリストとしてだけではなく、室内楽者としても圧倒的な才能を示しています。本映像はそれを証明するものであり、バイエルン州のエルマウ城で行われた室内楽リサイタルです。バティアシュヴィリが信頼する仲間たちと奏でるのはシューベルトのピアノ五重奏曲《ます》。美しい旋律と親しみやすい曲想に反して非常に難易度の高い楽曲ですが、緊密で立体感のあるアンサンブルが展開しています。</video:description>
<video:duration>2677</video:duration>
<video:publication_date>2023-01-10T10:05:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:44:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCDO</loc>
<video:video>
<video:title>エレーヌ・グリモーの卓越した技術が輝くバッハ、ベートーヴェン、ブラームス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7bc6079741c6349451ad7ab676796d9faea6cd90.jpg</video:thumbnail_loc>
<video:description>本映像でご覧いただけるのは、2000年12月の、エレーヌ・グリモーのリサイタルの模様です。ベルリン・フィルハーモニーのカンマームジークザールで、新星として世界的に注目を集めたグリモーがバッハ＝ブゾーニの《シャコンヌ》をはじめ、ベートーヴェンのピアノソナタ第31番やブラームスのピアノソナタ第3番、そしてラフマニノフの《音の絵》からの抜粋を披露。その卓越した技術と色彩豊かな演奏は当時「彼女は心で感じ、熱演する。一音一音が完璧さへの献身を証明している」と評されたほど圧倒的なものでした。</video:description>
<video:duration>4782</video:duration>
<video:publication_date>2024-11-06T10:48:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:12:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34C8</loc>
<video:video>
<video:title>パッパーノ＆ロンドン響、就任初コンサート～アリス＝紗良・オットを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/efbcd5728a4ebfcd7943477b54f72e041146e563.jpg</video:thumbnail_loc>
<video:description>アントニオ・パッパーノがロンドン交響楽団の首席指揮者に就任して最初の、記念すべきコンサートをお届けします。プログラムは、1984年ロンドン生まれで2022年には優れた現代作曲家に贈られるヒンデミット賞を受賞しているハンナ・ケンドールの管弦楽作品で幕開け。その後に、シーンのトップランナーであるアリス＝紗良・オットをピアニストに迎えたリストの《死の舞踏》と、鮮烈な作品が続きます。後半は冒頭の印象的なファンファーレがまるで新時代の日の出を告げるかのような、R.シュトラウスの《ツァラトゥストラはかく語りき》が巨大なホールの空間を震わせます。パッパーノの深い想い入れが感じられる演目を最後までお楽しみください。</video:description>
<video:duration>4948</video:duration>
<video:publication_date>2025-01-06T11:35:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T12:08:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8D0</loc>
<video:video>
<video:title>オラフソンが地元レイキャビクで奏でる《ゴルトベルク変奏曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/886a833c478f497413def38af48d74fc5ae710ce.jpg</video:thumbnail_loc>
<video:description>2023年のクラシック・チャートを席巻した全曲盤のリリースに合わせて、《ゴルトベルク変奏曲》全曲を世界6大陸で通算88回も演奏するツアーを敢行中のヴィキングル・オラフソン。全国各地で絶賛を集めた12月の来日公演の記憶もまだ新しい、この巡礼プロジェクトがいよいよ佳境を迎えようとしています。そんな中、彼の地元レイキャビクを代表するコンサート施設、ハルパの小さなリサイタルホールで披露される演奏をお届けします。今回の集大成ともいえるこの特別なステージをお聴き逃しなく！</video:description>
<video:duration>4733</video:duration>
<video:publication_date>2024-06-10T11:46:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:36:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3IE8</loc>
<video:video>
<video:title>チョ・ソンジンによる「ヘンデル・プロジェクト」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e9e8dfcac43e5ede718add18fd8965cb3323c59e.jpg</video:thumbnail_loc>
<video:description>韓国が生んだカリスマ的ピアニスト、チョ・ソンジンがドイツ・グラモフォンから2023年2月にリリースする最新アルバム『ヘンデル・プロジェクト』のレパートリーを披露しました。1720年の組曲のうち3曲に焦点を当て、ブラームスの記念碑的作品「ヘンデル変奏曲」と共に演奏。「より明瞭さを追求するために」サスティンペダルを極力使わず、バロック音楽の表現を重視しながらモダン・ピアノの可能性を引き出すためにダイナミクスの一部を変更。美しいサラバンドとメヌエット（ヴィルヘルム・ケンプ編曲）がプログラムの最後を飾ります。</video:description>
<video:duration>3510</video:duration>
<video:publication_date>2023-02-09T10:00:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:34:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJADO</loc>
<video:video>
<video:title>チョ・ソンジンが挑むラヴェルのピアノ作品</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eab8acd6127fe70fd56762565fffe502bccfde51.jpg</video:thumbnail_loc>
<video:description>今回の配信では、ベルリン・シーメンスヴィラでチョ・ソンジンが招待された聴衆のために演奏する模様をお届けします。彼が取り上げるのは、ドイツ・グラモフォンから近日リリース予定のアルバムにも収録されているモーリス・ラヴェルの音楽。チョ・ソンジンの洗練されたヴィルトゥオジティとともに、ラヴェルの魅惑的な世界を存分にお楽しみ頂けることでしょう。</video:description>
<video:duration>3464</video:duration>
<video:publication_date>2025-01-13T15:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:34:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6D0</loc>
<video:video>
<video:title>ユジャ・ワンが楽友協会で弾き振り</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e6669aecff9155964985433dc48511746fe94adc.jpg</video:thumbnail_loc>
<video:description>スター・ピアニストのユジャ・ワンは2024年の1月、トップレベルの音楽家で構成されたマーラー・チェンバー・オーケストラとの共演でイタリア～フランス～ドイツ～オーストリアの順に欧州を巡り、ピアニストと指揮者、両方の役を担って活躍します。ツアー最終日のステージはウィーンの楽友協会で、モーツァルトとドヴォルザークのセレナードに加えて、20世紀の同時期に書かれたストラヴィンスキーとガーシュウィンによる、ピアノと管弦楽のための作品を披露。特にファーディ・グローフェが編曲を手掛けたピアノとジャズ・バンド版《ラプソディ・イン・ブルー》にご期待ください。</video:description>
<video:duration>5951</video:duration>
<video:publication_date>2024-05-30T09:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:33:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C0</loc>
<video:video>
<video:title>トリフォノフがバッハ《フーガの技法》ほかを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61c0348522c36340c709ab843a73610f9179bac7.jpg</video:thumbnail_loc>
<video:description>ダニール・トリフォノフがバッハに挑戦しました。ベルリン・フィルハーモニーで収録されたこの映像で、彼はバッハの最高傑作のひとつである《フーガの技法》を演奏しています。技巧的な難しさと共に、深い精神性が問われるこの作品でどのような解釈を示しているのかが、興味津々。「アート・オブ・ライフ」は、同時期に発売されたアルバムのタイトルでもあります。ブラームス編曲による左手のための「シャコンヌ」も、視覚面も含めて、たいへんな聴きものとなっています。</video:description>
<video:duration>6214</video:duration>
<video:publication_date>2022-06-30T09:22:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:32:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30C8</loc>
<video:video>
<video:title>ソコロフ plays ベートーヴェン＆モーツァルト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/afc16ddee943605fa642843761e7f07c8f4b7b64.jpg</video:thumbnail_loc>
<video:description>グリゴリー・ソコロフは現役ピアニストで最も偉大なプレイヤーのひとり。近年は全ての演奏活動をソロ・ピアノ・リサイタルに専念することに決めて、ヨーロッパの主要ホールで毎シーズン演奏を続けています。2017年5月にイタリアはトリノ市街、フィアット社の旧リンゴット工場再開発施設内の「オーディトリウム・ジョヴァンニ・アニェッリ」で行われたこのプログラムでは、モーツァルトやベートーヴェンを皮切りにシューマンやドビュッシーまで、その独自の妙技で魅せます。ビロードのようなタッチで瞑想的に音楽に誘われるひとときをご堪能ください。</video:description>
<video:duration>8349</video:duration>
<video:publication_date>2022-10-25T13:24:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:31:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4CO</loc>
<video:video>
<video:title>恍惚の調べ ～ソコロフがシューベルト＆ベートーヴェンを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/948a2760aacb1eb72b9a38e1dae75684ca815279.jpg</video:thumbnail_loc>
<video:description>1980年代後半から国際的なキャリアを確立しピアノ・ファンの崇拝の的であったグリゴリー・ソコロフですが、演奏活動に比して録音が少ないことから長い間「幻のピアニスト」と呼ばれていました。これはドイツ・グラモフォンとの契約が決まり、やっと撮影の許可がおりて実現した2013年6月5日のベルリン・フィルハーモニーでの貴重なライヴ映像です。シューベルトとベートーヴェンの傑作からラモーそしてブラームスまで、ロシア人らしい秘めたる強さと存在感で聴衆を魅了します。</video:description>
<video:duration>8617</video:duration>
<video:publication_date>2022-07-05T14:37:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:30:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8CO</loc>
<video:video>
<video:title>アルゲリッチ＆デュトワによるラヴェルのピアノ協奏曲 ト長調</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/18638f545daee8ad349f9c6b8af33ee0c4b5df8a.jpg</video:thumbnail_loc>
<video:description>アルゲリッチの演奏するラヴェルのピアノ協奏曲といえば、デビュー直後の若き才気が鮮やかにほとばしるベルリン・フィルとの1967年録音盤と、その後のしなやかに磨かれたロンドン交響楽団との1984年録音盤、それぞれクラウディオ・アバド指揮のディスク2枚が名盤として名高いようですが、こちらのデュトワ指揮フランス国立管弦楽団との共演による映像も鮮烈です。1990年9月にフランクフルトのアルテ・オーパーで収録されたこの演奏では、音楽監督に就く直前ながら既に同楽団を手中に収めていた“音の魔術師”デュトワと繰り広げる、よりスリリングなピアノがお楽しみいただけるはずです。</video:description>
<video:duration>1380</video:duration>
<video:publication_date>2024-10-10T08:31:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:27:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32</loc>
<video:video>
<video:title>アルゲリッチ＆シャイーがシューマンで共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/70bb5dd0ae7361c6894ce98b8733f22db8d56f56.jpg</video:thumbnail_loc>
<video:description>ロベルト・シューマン没後150年にあたる2006年に、ゆかりの街ライプツィヒで開催された注目イベントのひとつ。シューマンはこの地で1828年から1844年にかけて勉学に励み、結婚生活もおくりました。コンサートはゲヴァントハウス管弦楽団のカペルマイスター、リッカルド・シャイーが指揮を務め、圧巻は情熱的なマルタ・アルゲリッチを迎えて披露された不朽のピアノ協奏曲。この他、シューマンを敬愛したチャイコフスキーとラヴェルによるピアノ作品もオーケストラ版で演奏。最後は詩情と独創性が一体となった交響曲第4番で締めくくられました。</video:description>
<video:duration>5589</video:duration>
<video:publication_date>2022-05-20T10:07:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T11:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJA</loc>
<video:video>
<video:title>「カンタータ巡礼」への旅立ち～ワイマールでのクリスマス・オラトリオ</video:title>
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<video:description>ガーディナーはバッハ没後250年企画として、欧米の約50 都市の教会を訪れ、バッハの教会カンタータ全曲を演奏する壮大な企画を打ち立てました。これはその「カンタータ巡礼の旅」への出発点となった、1999年12月のワイマールはヘルダー教会（※バッハの子どもたちが洗礼を受けた場所）での記念碑的なコンサート。プログラムは、1734年のクリスマスから1735年のエピファニー（顕現節）にかけてライプツィヒの教会で初演された、6部からなるクリスマス・オラトリオです。</video:description>
<video:duration>8659</video:duration>
<video:publication_date>2022-06-15T15:45:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-13T10:16:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJACG</loc>
<video:video>
<video:title>ダブル・インパクト！ ユジャ・ワン＆ヴィキングル・オラフソン</video:title>
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<video:description>性格は正反対のようですが共に我が道を行くタイプの、同世代で最も注目を集める孤高のスター・ピアニストが揃ってフィルハーモニー・ホールに登場しました。ベリオ、リゲティ、ブルーベック、ナンカロウ、アダムズ、ペルトら現代作曲家による短編作品を挟んで、シューベルトとラフマニノフのまるでそれぞれの人生を振り返るかのような晩年の傑作2作品を連弾で紡ぎ出す魅惑のプログラムです。フレッシュで刺激的なこの一夜をどうぞお見逃しなく。</video:description>
<video:duration>5979</video:duration>
<video:publication_date>2025-02-03T11:12:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T13:05:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3C</loc>
<video:video>
<video:title>スラヴィク＆ホープ モルダウ川上でのコンサート</video:title>
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<video:description>この映像は、作曲家イルジー・スラヴィクが、プラハ城をのぞむモルダウ川上に設置された舞台で、スメタナの《モルダウ》をもとに新作した《モルダウ上のモルダウ》を初演した演奏会です。ここにさらにヴァイオリンのダニエル・ホープが加わり、マックス・リヒターがリコンポーズした《四季》を演奏しています。クラシック音楽の新しい形を提示する、画期的な演奏会と言えるでしょう。</video:description>
<video:duration>4120</video:duration>
<video:publication_date>2022-05-11T12:34:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:45:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJED8</loc>
<video:video>
<video:title>デイヴィッド・ギャレット『アイコニック』ライヴ</video:title>
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<video:description>クラシックとクロス・オヴァー路線を自由に行き来する孤高のスーパー・ヴァイオリニスト、デイヴィッド・ギャレットが2022年末にリリースしたアルバム『ICONIC』は、世のヴァイオリン音楽のまさに“アイコン”とも言うべき巨匠たちが活躍した黄金期のレパートリーからインスピレーションを得たゴージャスな一枚でした。2024年に彼は同盤のコンサート・ツアーにシチリア島はタオルミーナの古代劇場を選びました。この映像では地中海と雄大なエトナ山を背景にした魅惑の地で、グリュミオーやハイフェッツ、クライスラー、メニューインら過去の偉大な名手たちに敬意を払いつつ、凄腕ギタリストのフランク・ファン・デル・ハイデンと共に手掛けたアレンジで作品に新しい生命を吹き込むギャレットの名演をたっぷりお楽しみいただけます。ジャンナ・フラッタの情熱的な指揮によるメッシーナ劇場管弦楽団の演奏にもご期待ください。</video:description>
<video:duration>6524</video:duration>
<video:publication_date>2024-04-22T08:24:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:43:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32DG</loc>
<video:video>
<video:title>アントネッロ・マナコルダが指揮する《夏の夜 (の夢) 》</video:title>
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<video:description>かつてマーラー・チェンバー・オーケストラの初代コンサートマスターを務め、ルツェルン祝祭管弦楽団でも副コンサートマスター的存在として活躍していたアントネッロ・マナコルダが、2010年から首席指揮者兼芸術監督を務める室内オーケストラ、カンマーアカデミー・ポツダムを指揮して、定評のあるメンデルスゾーン作品他を演奏します。メインは1843年10月の初演と同じポツダムの新宮殿劇場で披露されるシェイクスピア『夏の夜の夢』の劇付随音楽で、プロイセン国王フリードリヒ・ヴィルヘルム4世の依頼で作曲されたこの曲は有名な「結婚行進曲」で広く知られています。今回の演奏ではソリストとして迎えたドイツのクリスティアーネ・カルクとトリニダード出身のジャニーヌ・ド・ビケの2人の歌姫 (ソプラノ) による共演も聴きどころのひとつです。ゴーティエの詩集『死の喜劇』の6つの詩にベルリオーズが作曲した、「夏の夜」という名のもうひとつの傑作と共にお楽しみください。</video:description>
<video:duration>4553</video:duration>
<video:publication_date>2024-08-21T11:42:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:42:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4CO</loc>
<video:video>
<video:title>ショルティ指揮によるブルックナーの交響曲第2番</video:title>
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<video:description>かつて南ドイツ放送交響楽団と呼ばれていた時代にセルジュ・チェリビダッケによって名声を高められたシュトゥットガルト放送交響楽団を、当時シカゴ交響楽団の音楽監督を勇退したばかりのサー・ゲオルグ・ショルティが指揮してブルックナーの“2番”を演奏した映像をお届けします。会場は南ドイツ・カトリックの伝統が息づく壮麗なロマネスク様式のシュパイヤー大聖堂。ショルティのブルックナー録音は少なく、“2番”も同じ1991年にシカゴ響と行った (交響曲全集のための) ものが知られるのみです。この大作に熱烈なエネルギーを注ぎこむマエストロの姿をお見逃しなく。</video:description>
<video:duration>3427</video:duration>
<video:publication_date>2024-09-03T08:19:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:39:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJC</loc>
<video:video>
<video:title>ラトル＆ベルリン・フィルのジルベスターコンサート2014</video:title>
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<video:description>本映像は2014年12月31日に開催されたサー・サイモン・ラトル指揮による「ベルリン・フィルのジルヴェスター・コンサート2014」が収められています。「ダンス」をテーマに選曲されたのは、ラモー《優雅なインドの国々》組曲にドヴォルザーク《スラヴ舞曲集》など。さらに巨匠メナヘム・プレスラーをソリストに迎えてのモーツァルトのピアノ協奏曲第23番が圧倒的な輝きを放ちます。“生ける伝説”であるプレスラーが奏でる音色の純度の高い美しさ、それに対するラトルの敬意の感じられる音作りが、魅惑的な音世界を創り出しています。</video:description>
<video:duration>5510</video:duration>
<video:publication_date>2022-06-08T10:46:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-10T08:08:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0E0</loc>
<video:video>
<video:title>R・カプソンに12の質問</video:title>
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<video:description></video:description>
<video:duration>314</video:duration>
<video:publication_date>2023-09-18T13:59:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:18:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJAD0</loc>
<video:video>
<video:title>リストの《死の舞踏》とシュトラウスの《ツァラトゥストラはかく語りき》について語る</video:title>
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<video:description></video:description>
<video:duration>160</video:duration>
<video:publication_date>2025-01-20T12:44:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:14:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3IC8</loc>
<video:video>
<video:title>ドヴォルザークとベルリオーズを語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/142d2b12b62468e59459c2f0b0fdd3ddb3ff5642.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>496</video:duration>
<video:publication_date>2024-10-18T07:09:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:14:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3AC8</loc>
<video:video>
<video:title>シューベルト : 即興曲ヘ短調 op. 142-1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/faa8c0bdb4023039883f2957167b8c3cf089ed39.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>254</video:duration>
<video:publication_date>2024-07-14T17:18:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0DO</loc>
<video:video>
<video:title>フランク：ミサ曲 op. 12より〈天使のパン〉</video:title>
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<video:description></video:description>
<video:duration>244</video:duration>
<video:publication_date>2023-09-14T09:44:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:13:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0DG</loc>
<video:video>
<video:title>サン＝サーンス：「クリスマス・オラトリオ」より〈ドミネ・エゴ・クレディディ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87d197810c36a9f07c54866745494659bc541c5c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>219</video:duration>
<video:publication_date>2023-09-14T09:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-07T10:11:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34E0</loc>
<video:video>
<video:title>ブーニンがショパン、ドビュッシー、プーランクを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b085bcad4330f7b65aa0a2cb40a9e3ff75d7d746.jpg</video:thumbnail_loc>
<video:description>圧倒的な演奏によって19歳にして第11回ショパン国際ピアノコンクールで第1位入賞を果たし、世界的スターとなったスタニスラフ・ブーニン。とくに日本で愛され、現在も日本を拠点に活動を展開しています。本映像ではブーニンのなかでもとりわけ輝きに満ちた時期の演奏をお楽しみいただけます。得意とするショパンはもちろん、ドビュッシーやプーランクの楽曲も披露されており、卓越した技術と即興性も感じる軽やかな表現が聞こえてきます。</video:description>
<video:duration>5259</video:duration>
<video:publication_date>2025-01-16T11:31:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-05T09:28:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30D8</loc>
<video:video>
<video:title>世界的ピアニストラン・ランが自らのル―ツに立ち返り奏でる中国の音楽</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d2cfceebee8b7c0d047c0e832022d165388c5323.jpg</video:thumbnail_loc>
<video:description>世界的ピアニストのラン・ランのレパートリーの中心は西洋のクラシック音楽ですが、本映像では、彼が自身のルーツである中国の音楽を奏でる様をお楽しみいただくことができます。ラン・ランは中国の様々なメロディを、ピパや関子（ダブルリードパイプ）、古筝（チター）などの伝統楽器とともに、演奏しています。「中国音楽の音は、ヨーロッパの音楽に馴染んだ耳には最初は違和感があるかもしれませんが、ピパなどの楽器にピアノを加えることで、入っていきやすくなる」と語り、見事にそれを実現しています。</video:description>
<video:duration>3558</video:duration>
<video:publication_date>2023-07-04T15:02:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T20:07:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCDO</loc>
<video:video>
<video:title>ラトルが聴かせるラモーのオペラ《イポリートとアリシー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aefbaefc24b8d9c5c665e76c078028e0927a26bc.jpg</video:thumbnail_loc>
<video:description>サイモン・ラトルは、10代の頃にラモーのハーモニーとリズムに富んだ音楽に初めて惚れ込みんだと言います。2018年にベルリン国立歌劇場で、ラモー最初のオペラである『イポリートとアリシー』を華麗に指揮し、長年の思いを叶えました。アイスランドとデンマークのアーティスト、オラファー・エリアソンが美術を担当し、まばゆいばかりの衣装と、影、光、鏡、霧を使った印象的な演出を提供します。国際的に高い評価を得ているマグダレーナ・コジェナーとアンナ・プロハスカも出演しており、その歌声は聴きどころの一つです。</video:description>
<video:duration>9173</video:duration>
<video:publication_date>2022-09-19T17:03:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-02-04T15:30:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0DO</loc>
<video:video>
<video:title>フライブルク・バロック・オーケストラがクリスマス音楽を演奏</video:title>
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<video:description>フライブルク・バロックオーケストラは、1985年の結成以来、屈指の古楽アンサンブルとして高い評価を得ています。1999年のクリスマス前に収録されたこの映像では、バッハの「クリスマス・オラトリオ」やヘンデルの《メサイア》のほか、クリスマスとは必ずしも関係のない曲も含めて、祝祭にふさわしいプログラムを演奏しています。収録が行われたのは、フライブルクの大聖堂。バッハの管弦楽組曲第3番〈アリア〉等の器楽曲のほか、ソプラノのバーバラ・ボニーとバリトンのマティアス・ゲルネを迎え、声楽曲も演奏されています。</video:description>
<video:duration>2713</video:duration>
<video:publication_date>2022-06-22T09:05:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T15:29:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJIDO</loc>
<video:video>
<video:title>メッツマッハーが指揮するヘンツェのレクイエム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4bf20d24ef29bc210f33481223e0d76dc2b04f1e.jpg</video:thumbnail_loc>
<video:description>10代の頃に第二次世界大戦を経験し、戦後に新進作曲家として脚光を浴びるようになったハンス・ヴェルナー・ヘンツェは、オペラを筆頭に幅広いジャンルで作品を残したドイツの作曲家。彼が1993年に作曲した独創的なレクイエムは、トランペットとピアノそして室内オーケストラのための歌詞を伴わない協奏曲で、それぞれが (ヘンツェ自身の言葉を借りれば) 「病気や死、愛や孤独といった現代人の不安や障害」を表現した作品です。この映像は1999年2月にインゴ・メッツマッハーがアンサンブル・モデルンを指揮し、ピアニスにウエリ・ヴィゲット、トランペット奏者にホーカン・ハーデンベルガーを迎えて行われた、この曲の世界初演の模様です。20世紀の音楽史に刻まれた画期的なコンサートをぜひこの機会にお見逃しなく。</video:description>
<video:duration>4181</video:duration>
<video:publication_date>2024-12-02T10:38:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:48:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38DG</loc>
<video:video>
<video:title>新音楽監督に就任したラファエル・パヤーレとモントリオール交響楽団が共演</video:title>
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<video:description>本映像には2022年から音楽監督に就任したラファエル・パヤーレとモントリオール交響楽団による公演の模様が収められています。フランツ・リストの交響詩《レ・プレリュード》とショスタコーヴィチの交響曲第10番が並ぶという意欲的なプログラムは、共に生と死というテーマに関わる作品です。指揮者とオーケストラは圧倒的な構築力と音色の多彩さによってこの重いテーマを見事に描き出しています。さらにゲストにアイスランドのピアニスト、ヴィキングル・オラフソンを迎え、圧倒的な透明感のあるタッチでラヴェルのピアノ協奏曲が奏でられていきます。</video:description>
<video:duration>7259</video:duration>
<video:publication_date>2023-08-21T08:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:43:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3GC8</loc>
<video:video>
<video:title>ブルース・リウがスタセフスカと共に奏でるショパンのピアノ協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/aeccc9c6fbc93ba8a2873959f9b4da172503bedf.jpg</video:thumbnail_loc>
<video:description>ショパンのスペシャリストとなった若きピアニスト、ブルース・リウがその真価を発揮するプログラムです。演奏するのはショパンのピアノ協奏曲第2番。彼を支えるのは指揮者ダリア・スタセフスカとモントリオール交響楽団です。注目の指揮者とピアニストの共演による華麗なショパンに注目です。プログラムの最初にはグバイドゥーリナの《終末の光明》が奏されます。純正律と平均律の対立によって新しい響きの世界へ聴衆を誘います。そしてシベリウスの交響曲第6番の端正な響きは、オーケストラの魅力を最大限に引き出します。</video:description>
<video:duration>5922</video:duration>
<video:publication_date>2023-10-16T09:20:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:43:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30E8</loc>
<video:video>
<video:title>マスネの《マノン》でイェンデとベルネームが共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/908900b84ea33492468515d72599f978f025fef2.jpg</video:thumbnail_loc>
<video:description>プレヴォ―の小説『マノン・レスコー』は、オーベール、プッチーニ、ハンス・ヴェルナー・ヘンツェなど、多くの作曲家たちを魅了し、インスピレーションを与えてきました。ジマスネもこの小説に魅せられた一人で、それを基にオペラを作曲。1884年にパリで初演し、2020年にはヴァンサン・ユゲの新演出でお披露目されました。ソプラノのプリティ・イェンデとテノールのベンジャマン・ベルネームがマノンとデ・グリューを演じるという夢のようなキャスティングです。</video:description>
<video:duration>10277</video:duration>
<video:publication_date>2022-10-31T13:24:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T14:41:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ECG</loc>
<video:video>
<video:title>ドキュメンタリー『クラウディオと呼んで』 (2024年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1afda988d1463c4983dc50fb0a6608338a36f720.jpg</video:thumbnail_loc>
<video:description>指揮者のクラウディオ・アバドはクラシック音楽界で圧倒的な存在感を放ち、その芸術は今でも多くの芸術家の尊敬を集めています。本映像は没後10年を迎えた彼を讃え制作されたドキュメンタリー『クラウドディオと呼んで』です。ベルリン・フィルハーモニー管弦楽団、ウィーン・フィルハーモニー管弦楽団など、世界屈指のオーケストラを率いたマエストロをフィーチャーした20数曲の素晴らしい演奏の抜粋に彩られ、アバドの親しい人物や共に仕事をした人たちのインタビューを通して、クラウディオ・アバドの人間像に迫っていきます。</video:description>
<video:duration>3125</video:duration>
<video:publication_date>2024-09-12T08:24:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:37:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6E0</loc>
<video:video>
<video:title>ヴァーツラフ・ノイマンが指揮するマーラーとドヴォルザーク</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/42d75d3aee51a6b78f0e30294025cbeb70ea3732.jpg</video:thumbnail_loc>
<video:description>ベテラン指揮者が若い音楽家たちと共同作業をすると、血気と経験から特別なエネルギーが湧きあがり、豊潤な演奏に結実するものです。本映像には、1990年にフランクフルトのアルテ・オーパーで行われたライブの模様が収められています。中欧諸国で専制政治が次々と崩壊する情勢の中、チェコの偉大なマエストロであるヴァーツラフ・ノイマンがグスタフ・マーラー・ユーゲント管弦楽団を指揮しました。曲目は、イギリスを代表するバリトン歌手、トーマス・アレンをソリストに迎えたマーラーの《さすらう若者の歌》と、ドヴォルザーク最後の交響曲《新世界より》。生涯の経験と情熱を伝えるノイマンと、それに感化された若い演奏家たちが一体となって奏でる、歴史的な記録を存分にご堪能ください。</video:description>
<video:duration>3895</video:duration>
<video:publication_date>2024-09-12T09:21:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:37:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP34</loc>
<video:video>
<video:title>ローマの凱旋～クラウディオ・アバド＆グスタフ・マーラー・ユーゲント管弦楽団</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c019517c9bec26f63dae2fab5772925bd08db986.png</video:thumbnail_loc>
<video:description>クラウディオ・アバドはマーラーの交響曲第9番を1987年にウィーン・フィルと、1999年にはベルリン・フィルとそれぞれドイツ・グラモフォンにライヴ録音しており、どちらも名盤の誉れ高いのですが、2004にローマのサンタ・チェチーリア音楽院で行われたこのグスタフ・マーラー・ユーゲント管弦楽団の演奏でも強い印象を残しています。彼自らの手で1986年に設立した他ならぬ作曲家の名を冠したオーケストラの若いメンバーたちに後押しされ、アバドの表現意図がより確かな説得力を持って伝えられます。</video:description>
<video:duration>4983</video:duration>
<video:publication_date>2022-04-29T13:22:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-04T13:36:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4C0</loc>
<video:video>
<video:title>慈善コンサート「ウーマン、ライフ、フリーダム」～イランの人権のために</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/20b026c73be253fbfc6fda35c5632100ba45dc4a.jpg</video:thumbnail_loc>
<video:description>イラン系カナダ人の若きカウンターテナー、キャメロン・シャバジがホスト役を務め、2022年12月にフランクフルト歌劇場で開催された、アブドラマン・ボロウマン人権センター（イラン）主催の慈善コンサート。イランにルーツを持つ音楽家や、熱心な支援者である演奏家たちと共に、同国の作曲家による作品や女性の権利や自由への希望に焦点を当てた楽曲、ポエトリーリーディングなど、意識向上を目的とした多彩なプログラムを披露。各国のスター演奏家たちから届けられたビデオ・メッセージなど盛り沢山の内容です。</video:description>
<video:duration>3875</video:duration>
<video:publication_date>2023-02-03T10:46:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:46:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CE8</loc>
<video:video>
<video:title>ジョナサン・テテルマンが幅広いレパートリーで魅了</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/060f6b6c42b0b0d6b971578fcd37d62ea552cdcf.jpg</video:thumbnail_loc>
<video:description>チリ生まれのニューヨーク育ち、現在、欧米の主要歌劇場で主役として活躍中であり、国際的な人気を獲得しつつある若きテノール、ジョナサン・テテルマンの魅力に迫るSTAGE+「ライジングスター・シリーズ」のショーケース。ヴェルディ・オペラの人気アリアからナポリ民謡、「ゴッドファーザー」愛のテーマまで、その力強い美声をご堪能ください。加えてフランス・オペラならでは甘く情熱的なアリアにも、きっと心を掴まれることでしょう。</video:description>
<video:duration>2230</video:duration>
<video:publication_date>2023-09-21T14:55:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:46:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30C0</loc>
<video:video>
<video:title>メッツマッハー＆アンサンブル・モデルンによるジョン・ケージ追悼～二人のピアニストを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/98c2322f759a8701974269a87d762670e478bd07.jpg</video:thumbnail_loc>
<video:description>20世紀を代表する革新的な作曲家ジョン・ケージが亡くなった1992年8月、フランクフルトで予定されていた音楽祭は、彼の生涯と芸術を祝福する雰囲気に包まれました。ここでは、インゴ・メッツマッハーが指揮するアンサンブル・モデルンによる、ピアノをフィーチャーした2作品をお届けします。先ずイントロダクションとして、ケージをめぐる興味深いドキュメンタリーをご覧ください。その後ステージではヘルマン・クレッチマーをソリストに迎えて《プリペアド・ピアノと室内管弦楽のための協奏曲》が演奏されます。そして、40年以上にわたってケージの友人であり音楽パートナーでもあったデイヴィッド・チューダーを迎えた《ピアノと管弦楽のためのコンサート》と続きます。</video:description>
<video:duration>3491</video:duration>
<video:publication_date>2024-12-02T11:10:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:35:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJAE0</loc>
<video:video>
<video:title>アバドがブリン・ターフェルを迎え指揮するドビュッシーとワーグナー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2873e3baaacf2b7e0c33735c22ad9d16d5152ea6.jpg</video:thumbnail_loc>
<video:description>2003年、クラウディオ・アバドがルツェルン祝祭管弦楽団の芸術監督に就任し初めて出演したコンサート。幼少期からドビュッシーの音楽を愛する彼が選んだのは、葛飾北斎の『冨嶽三十六景』に着想を得た交響的素描《海》とダヌンツィオとの共作による劇音楽《聖セバスティアンの殉教》。ドビュッシーの繊細かつ濃密なオーケストレーションの魅力が詰まった作品です。ワーグナーの《ワルキューレ》からは父娘の別れを感動的に描くラストシーンが選ばれました。世界的バス・バリトンブリン・ターフェルのドラマティックな歌唱に注目です。</video:description>
<video:duration>5110</video:duration>
<video:publication_date>2022-09-06T08:52:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:22:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGE0</loc>
<video:video>
<video:title>アバドが振るヴェルディのレクイエム (日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2cc8eb67f808c19ecc8e5618ce9d67247bf8f40a.jpg</video:thumbnail_loc>
<video:description>ヴェルディ没後100年の年に演奏された、アバド＆ベルリン・フィルによる渾身のレクイエムをお届けします。この前年に大手術を受けたアバドが現場復帰して3か月後に行われたコンサートのライヴ映像で、1979年のスカラ座、1991年のウィーン・フィルに続く3度目の録音としてCDでも人気を呼んだ演奏です。アバドと縁の深い3つの合唱団が参加しゲオルギュー、バルチェッローナ、アラーニャ、コンスタンティノフと当時最高のメンバーを揃えた豪華ソリスト陣でも話題を集めました。</video:description>
<video:duration>5272</video:duration>
<video:publication_date>2023-06-16T14:11:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:16:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6DG</loc>
<video:video>
<video:title>最盛期のアラーニャ＆ゲオルギューによる、グノー《ロメオとジュリエット》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61e2621a486a9f9378e329d6fb13953e1d418999.jpg</video:thumbnail_loc>
<video:description>当時、夫婦としてステージやレコーディングで数多くの共演を行い、オペラ界のゴールデン・カップルとして国際的に活躍したアラーニャ (テノール) ＆ゲオルギュー (ソプラノ) の《ロメオとジュリエット》には、名盤として名高いCD録音の他にチェコで撮影されたこちらの映像も残されています。新しい解釈を加えながら内容を半分ほどに凝縮し、主役以外の演技はプロの俳優が行って歌唱をオペラ歌手が吹き替えた画期的な短縮映画版ですが、美しい田園風景の中で繰り広げられる非常に魅力的なシェイクスピア劇オペラに仕上がっています。</video:description>
<video:duration>4391</video:duration>
<video:publication_date>2024-09-11T17:31:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:16:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36C0</loc>
<video:video>
<video:title>ネルソンス＆ウィーン・フィルによるマーラー“3番”</video:title>
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<video:description>快進撃を続けるネルソンスがウィーン・フィルを指揮してマーラーの“3番”を演奏した映像をお届けします。こちらは2021年ザルツブルク音楽祭から。ネルソンスが同音楽祭でウィーン・フィルとマーラーの交響曲に取り組むのはこれが3回目。本来はこの前年に演奏する予定でしたがコロナ禍で見送られ、延期して実現しただけに全編が最後までエキサイティングな雰囲気に貫かれています。</video:description>
<video:duration>6680</video:duration>
<video:publication_date>2023-08-02T13:41:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCC8</loc>
<video:video>
<video:title>アバドがプレトニョフ、マッティラを迎えベートーヴェン・プログラムを披露</video:title>
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<video:description>ベルリン・フィルハーモニー管弦楽団の創立記念日である5月1日に行われている「ヨーロッパ・コンサート」。本映像は、2000年にアバドと同楽団が本拠地ベルリン・フィルハーモニーでお得意のベートーヴェン・プログラムを収めたものです。世界的ピアニストであり指揮者のミハイル・プレトニョフをソリストに迎えてのピアノ協奏曲第2番、そして《第九》という組み合わせとなっています。後者のソリストにもカリタ・マッティラ（ソプラノ）、トマス・モーザー（テノール）など豪華な歌手が迎えられ、祝祭感あふれる演奏を聞かせてくれます。</video:description>
<video:duration>5824</video:duration>
<video:publication_date>2023-04-19T10:55:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJIDG</loc>
<video:video>
<video:title>アバドとベルリン・フィルの黄金タッグが奏でる新改訂版の《第九》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/751b3ec9169aa357acc116f2da560511d68a4a13.jpg</video:thumbnail_loc>
<video:description>本映像はベルリン・フィルが毎年創立記念日の5月1日に行う「ヨーロッパ・コンサート」の2000年開催時の模様です。会場は彼らの本拠地、ベルリン・フィルハーモニー。メインプログラムであったベートーヴェンの交響曲第9番《合唱付き》の演奏をご覧いただけます。ベートーヴェン研究の第一人者、ジョナサン・デル・マーが新たに校訂したスコアが使用され、ソリストにはフィンランドのソプラノ、カリタ・マッティラ、アメリカのテノール、トーマス・モーザーなど人気・実力を兼ね備えた歌手が登場。祝祭感に溢れた演奏をお楽しみいただけます。</video:description>
<video:duration>4136</video:duration>
<video:publication_date>2024-12-02T10:12:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-02-03T15:12:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36DO</loc>
<video:video>
<video:title>バーンスタインが指揮するシューマンの交響曲第1番</video:title>
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<video:description>本映像では圧倒的なカリスマ性を誇る指揮者、レナード・バーンスタインと世界を代表するオーケストラ、ウィーン・フィルハーモニー管弦楽団のコラボレーションをお楽しみいただけます。楽曲はシューマンの交響曲第1番。シューマンの管弦楽作品は、ウィーン・フィルハーモニー管弦楽団のレパートリーとして重要なものであり、バーンスタインの輝かしい音楽づくりによって、よりスケールの大きな作品として届いてきます。新たなシューマン像をご覧いただくことができるでしょう。</video:description>
<video:duration>2189</video:duration>
<video:publication_date>2025-01-29T14:36:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T15:02:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36E0</loc>
<video:video>
<video:title>バーンスタインが指揮するシューマンの交響曲第3番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/25552bda1d2121242a5a8fb5fdaa31b1972375b6.jpg</video:thumbnail_loc>
<video:description>圧倒的なカリスマ性を誇る指揮者、レナード・バーンスタインと、世界を代表するオーケストラであるウィーン・フィルハーモニー管弦楽団のコラボレーションによるシューマンの交響曲第3番の演奏をご覧いただけます。シューマンの管弦楽作品は、ウィーン・フィルハーモニー管弦楽団のレパートリーとして重要なもので、ほかの追随を許さないほどのものとなっています。それがバーンスタインによって導かれることで、より輝かしさをました音楽となり、大きな感動を呼んでいます。</video:description>
<video:duration>2302</video:duration>
<video:publication_date>2025-01-29T14:44:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T14:55:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36E8</loc>
<video:video>
<video:title>バーンスタインが指揮するシューマンの交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85151437bc945e3a3c0eb92aee5c776847c02afe.jpg</video:thumbnail_loc>
<video:description>本映像では、レナード・バーンスタインとウィーン・フィルハーモニー管弦楽団のコラボレーションでシューマンの交響曲第4番をご覧いただけます。圧倒的なカリスマ性を誇り、力強く音楽を牽引するバーンスタインの指揮によって、ウィーン・フィルが大切にしてきたレパートリーであるシューマンの管弦楽作品は一層輝きを増しています。全楽章がひとつながりで演奏される有機的な楽曲で、各モティーフの関連性が鮮やかに浮かび上がっています。</video:description>
<video:duration>2115</video:duration>
<video:publication_date>2025-01-29T14:52:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-31T13:04:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3AD0</loc>
<video:video>
<video:title>ワーグナー : ニーベルングの指環 (1998年バイロイト音楽祭イントロダクション)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9f960f4243dbf5f7248663fa4936654cbe070c45.jpg</video:thumbnail_loc>
<video:description>トーマス・M・サルブ監督は、《ニーベルングの指環》初演100周年を記念する、バイロイト音楽祭でのパトリス・シェローによる画期的な演出についての考察を起点として、ワーグナーの4部からなる長大な物語を紹介するイントロダクションを制作しました。このプロダクションに携わったシェロー、ピエール・ブーレーズらによる証言も含まれており、作品の内容やその成り立ちのみならず、バイロイト音楽祭の創設や祝祭劇場の建築、そしてこの作品を上演・解釈する際直面する課題などについても洞察を深めています。ワグネリアンはもちろん、初心者にとっても魅力的で、刺激に富んだ映像作品です。</video:description>
<video:duration>1801</video:duration>
<video:publication_date>2024-07-25T09:35:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:36:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJIC0</loc>
<video:video>
<video:title>ティーレマンが指揮する《ジークフリート牧歌》 – ヴァンフリート荘にて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f55b596571f78a2a453f44085c5276232fdf0f02.jpg</video:thumbnail_loc>
<video:description>2020年、コロナ禍の影響でバイロイト音楽祭は通常の形で開催することができませんでした。しかし、バイロイト祝祭管弦楽団の人数を限定することで、リヒャルト・ワーグナーの音楽を、作曲家の代名詞ともいえるバイロイトで奏でることができたのです。ワーグナーの別荘であるヴァーンフリート荘という特別な場所でクリスティアン・ティーレマンを指揮者に迎えて演奏されたのは《ジークフリート牧歌》。もともと小編成のために書かれたものであり、今回の演奏にふさわしい、透明感のある美しい作品です。</video:description>
<video:duration>1232</video:duration>
<video:publication_date>2022-10-14T11:12:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:09:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6CG</loc>
<video:video>
<video:title>フォークトにネルソンス、二つの新星が輝いた「ローエングリン」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/08bc7468bc76b87d451e883ad06d32a4463c7e17.jpg</video:thumbnail_loc>
<video:description> 長い歴史を持つバイロイト音楽祭。2011年の同音楽祭では当時新星として話題をさらった

 クラウス・フローリアン・フォークトが2008年以来の登場でふたたび注目を集めました。本映像ではハンス・ノイエンフェルス演出による《ローエングリン》が収められており、その鮮烈な舞台を体験して頂くことができます。指揮は前年にバイロイト・デビューを飾ったやはり当時新進気鋭のアンドリス・ネルソンス。最高の布陣による輝かしくも濃密な響きの世界をお楽しみください。</video:description>
<video:duration>12618</video:duration>
<video:publication_date>2023-12-20T10:04:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-29T16:02:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJAE8</loc>
<video:video>
<video:title>ガーディナーによる“慰めの音楽”プログラム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/649357755df13756a9e35585e77eedb41e9a933b.jpg</video:thumbnail_loc>
<video:description>2022 年 6 月、ガーディナーは自ら創設したモンテヴェルディ合唱団（1964年～）とイングリッシュ・バロック・ソロイスツ (1978年～) を率いて“慰めの音楽”プログラムによる欧州ツアーを行い、バッハと彼に先立つこと100年前の初期バロックを代表する2人の作曲家、シュッツとシャインの作品を演奏しました。この映像はそのうち同団体らのロンドンでの拠点であるセント・マーティン・イン・ザ・フィールズ教会で行われた演奏会を収録したものです。これらは主に親しい人に先立たれた遺族のために書かれた音楽であり、聴く者に清らかなカタルシスを与えてくれるでしょう。</video:description>
<video:duration>6045</video:duration>
<video:publication_date>2023-04-18T14:37:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-28T15:36:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8C8</loc>
<video:video>
<video:title>注目のヘラ・イェサン・パク出演、ハイドンの《天地創造》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d2930d37ac70ee5cd48967f8284211e3ab26ad1f.jpg</video:thumbnail_loc>
<video:description>音楽監督マーティン・パールマン率いるアメリカ屈指の古楽演奏団体、ボストン・バロックの演奏でハイドンの傑作オラトリオ《天地創造》をお届けします。注目は、2025年1月11日に横浜みなとみらいホールで開催された「N響オーチャード定期 第131回」にソリストとして出演し鮮烈な日本デビューを飾った期待のソプラノ、ヘラ・イェサン・パク。天上の響きに相応しい彼女のコントロールされた美声による大天使ガブリエルは本公演の聴き所のひとつです。男声陣にもそれぞれアメリカで研鑽を積んだ気鋭のポール・アップルビー (テノール) とニコラス・ニュートン (バス・バリトン) を揃え、荘厳な響きの中にもどこか瑞瑞しさの感じられるサウンドがハイドン円熟期の管弦楽技法の妙を紡ぎ出します。</video:description>
<video:duration>6208</video:duration>
<video:publication_date>2025-01-02T10:15:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T15:36:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJGC8</loc>
<video:video>
<video:title>ヴァルトビューネ 2003～ガーシュウィン・ナイト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a3142865f887c40bdfebcd847c07a07968dcc88.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。2003年は我らが小澤征爾を迎えてアメリカが生んだ巨匠ガーシュウィンの音楽が満載でした。古典的なシンフォニック・ジャズにモダンの要素を融合させた興味深いパフォーマンスが目白押し。小澤が絶大な信頼を置く盲目のジャズ・ピアニスト、マーカス・ロバーツ率いるトリオをほぼ全編にわたってフィーチャーしインプロヴィゼーションで魅せます。拡大ジャズ・バンド編成で演奏される人気曲《ラプソディー・イン・ブルー》にもご期待ください。</video:description>
<video:duration>6601</video:duration>
<video:publication_date>2022-10-06T12:44:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:51:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCCO</loc>
<video:video>
<video:title>ヴァルトビューネ1997年～サンクト・ペテルブルク・ナイト。メータ指揮、バレンボイムとの共演も。</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a2bebd9e518847c7233d5cc2a62c13d33f453a11.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。サンクト･ぺテルブルグがテーマだった1997年は、ズービン・メータの指揮でロシアの誇る舞台作品から名旋律の数々が披露されました。とりわけ、ダニエル・バレンボイムがソリストを務めたチャイコフスキーのピアノ協奏曲がひときわ会場を沸かせました。アンコールに応えてバレンボイムが弾くショパンの《子犬のワルツ》も絶品ですのでお聴き逃しなく。</video:description>
<video:duration>5788</video:duration>
<video:publication_date>2024-02-26T08:32:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:51:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C8</loc>
<video:video>
<video:title>真夏の夢 - ドゥダメル＆ベルリン・フィルハーモニー管弦楽団</video:title>
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<video:description>若きカリスマとして世界中から熱い注目を集める指揮者のグスターボ・デュダメル。本映像は2014年、彼がベルリン・フィルハーモニー管弦楽団と共にベルリン、ヴァルトビューネのコンサートに2度目の出演を果たしたときの模様です。「真夏の夢」と題されたプログラムの前半はシェイクスピア生誕450年を記念して、チャイコフスキーの交響的幻想曲《テンペスト》と《ロミオとジュリエット》幻想序曲。ドゥダメルの重要なレパートリーでもあり、煌びやかな色彩に満ちています。後半で演奏されたブラームスの交響曲第1番も劇的な演奏が魅力的です。</video:description>
<video:duration>6409</video:duration>
<video:publication_date>2022-06-20T10:29:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:49:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0C0</loc>
<video:video>
<video:title>ヴァルトビューネ 2017～ライン川の伝説</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a406564dd5970591ab3002532d8bdbbaebc2a83f.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。2017年は2008年、2014年に続いて3度目の登場となったベネズエラ出身の若き“カリスマ”グスターボ・ドゥダメルが指揮を務めました。テーマは共に「ライン川」に縁のあるドイツ・ロマン派を代表する2人、シューマンとワーグナーの音楽。前者の交響曲第3番は“父なるライン”と呼ばれるドイツ人の心の故郷が主題であり、後者の楽劇《ニーべルングの指輪》も同川底に眠る黄金をめぐる神々の争いを描いたドラマでした。</video:description>
<video:duration>5843</video:duration>
<video:publication_date>2022-06-20T07:58:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:40:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6</loc>
<video:video>
<video:title>ヴァルトビューネ 2016～チェコ・ナイト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3b085b7ff722ffb08e4e7f6c400c2c73203e5605.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。2016年はチェコの音楽がテーマに選ばれました。プログラムはスメタナが祖国ボヘミアの歴史や自然を描いた交響詩《我が祖国》の有名な第2曲〈モルダウ〉で幕を開け、グルジア（ジョージア）出身の華麗なるリサ・バティアシヴィリをソリストに迎えたドヴォルザークのヴァイオリン協奏曲へと続きます。指揮を務めたのは今も快進撃を続けるこの世代の代表格ヤニック・ネゼ＝セガン。演奏機会の少ないドヴォルザークの「交響曲第6番」と「スラヴ舞曲第8番」も必聴です。</video:description>
<video:duration>6447</video:duration>
<video:publication_date>2022-05-13T13:44:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-01-23T08:31:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4E8</loc>
<video:video>
<video:title>ヴァルトビューネ 2015～ライト、 カメラ、 アクション！</video:title>
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<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。2015年はハリウッド映画音楽がテーマに選ばれ、冒頭の《20世紀フォックスのファンファーレ》から会場は大いに盛り上がりました。往年の名画を彩る古典から現代の巨匠ジョン・ウィリアムズの世界まで、聴衆はもちろん指揮者のサイモン・ラトルや楽団のメンバーも演奏を楽しんでいる様子が映像からも伝わってきます。なおゲストとして登場したスター・ピアニストのラン・ランが颯爽と弾いたグリーグの「ピアノ協奏曲」も収録。</video:description>
<video:duration>6488</video:duration>
<video:publication_date>2022-07-13T11:45:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-23T08:30:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR30</loc>
<video:video>
<video:title>ヴァルトビューネ 2004～チャイコフスキー・ナイト</video:title>
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<video:description>ベルリン・フィルが毎年シーズン最後に、スター指揮者を迎えてベルリン郊外の野外音楽堂「ヴァルトビューネ」で開催する恒例のピクニック・コンサート。2004はサイモン・ラトルが贈るチャイコフスキーな一夜をお届けします。注目は当時ドイツ・グラモフォンと契約して着実に国際的なキャリアを積み重ねつつあったラン・ランをソリストに迎えた「ピアノ協奏曲第1番」で、彼は1999年にシカゴ交響楽団の「世紀のガラ」コンサートにてこの曲を代役で演奏して大ブレイクのきっかけを掴んだのでした。なおアンコールにはショスタコーヴィチ作品なども登場いたします。</video:description>
<video:duration>5833</video:duration>
<video:publication_date>2022-05-19T15:09:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:28:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6C8</loc>
<video:video>
<video:title>2005年ヴァルトビューネ・コンサートはラトル＆ラベック姉妹でフレンチ・ナイト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bab9e3b79010f8043a49bcc59eaf77260a2b9338.jpg</video:thumbnail_loc>
<video:description>2005年のベルリン・フィル、ヴァルトビューネ・コンサートは、サー・サイモン・ラトル指揮で「フレンチ・ナイト」。ラベック姉妹をゲストに迎え、サン＝サーンスの《動物の謝肉祭》、プーランクの2台のピアノのための協奏曲を演奏しています。他にもデュカス《魔法使いの弟子》、ドビュッシー《牧神の午後への前奏曲》、ラヴェル《ボレロ》等、オーケストラ音楽ファンがまさに聴きたい曲目が勢揃いしています。</video:description>
<video:duration>7159</video:duration>
<video:publication_date>2022-07-13T13:37:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-23T08:21:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34C0</loc>
<video:video>
<video:title>クリスティアン・ツィマーマンが語るレナード・バーンスタイン</video:title>
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<video:description>本映像では、現在も圧倒的な演奏によって世界中の人々を魅了し続けているピアニスト、クリスティアン・ツィマーマンがインタビューで、ブラームスのピアノ協奏曲第2番の共演における背景や、レナード・バーンスタインとの共演がなぜ彼の芸術家人生を根本的に変えたのかについて語っています。また、エレーヌ・グリモーにイゴール・レヴィットといったピアニスト、指揮者のマリン・アルソップや元アシスタントのチャーリー・ハーモンといったレナード・バーンスタインの身近な人物たちも、このコンサートの偉大さを伝えます。</video:description>
<video:duration>3138</video:duration>
<video:publication_date>2024-05-16T13:44:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-22T16:28:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3IE0</loc>
<video:video>
<video:title>音楽による奇跡の瞬間～エレーヌ・グリモー in ロンドン 2001.9.11</video:title>
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<video:description>こちらは、世界中に衝撃を与えた「9.11」事件の当日、ロンドンで開催された恒例のコンサート・シリーズ、BBCプロムスをめぐるドキュメンタリーです。主人公はこの日がプロムス・デビューとなったピアニストのエレーヌ・グリモー。フランス出身の彼女は1990年にクリーヴランド管弦楽団の招きで北米デビューを果たし、翌年21歳でアメリカ合衆国に移住していました。クリストフ・エッシェンバッハ率いるパリ管弦楽団とステージに登場したグリモーが、万感の想いを込めて演奏するベートーヴェンの協奏曲第4番の調べと、関係者たちの証言に耳を傾けてみてください。</video:description>
<video:duration>3121</video:duration>
<video:publication_date>2024-11-06T11:41:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2025-01-22T16:27:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3AD8</loc>
<video:video>
<video:title>晩年のカラヤンによるベートーヴェン : 交響曲第9番</video:title>
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<video:description>カラヤンはベートーヴェンの交響曲全集を4回 (ベルリン・フィルとは3回) 録音しており、映像でもベルリン・フィルと2度にわたって全集を完成させています。既にSTAGE+で配信中の旧全集 (1967～1977年) も、先駆者カラヤンのアイデアと美学に溢れた逸品でしたが、晩年の1982～1986年にかけて収録されたこちらの2度目の全集も、映像と演奏の両面から充実した内容です。とりわけ“第九”は並行して行われたCDのレコーディングとは別に映像用のセッションを組み、ウィーン楽友協会合唱団とカラヤンに指名された4名のソリストたちと収録した見応えのある仕上がりとなっております。</video:description>
<video:duration>4089</video:duration>
<video:publication_date>2024-06-17T09:14:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-22T15:30:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJIDO</loc>
<video:video>
<video:title>カラヤンがベルリン・フィルと共に奏でるベートーヴェンの《ミサ・ソレムニス》</video:title>
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<video:description>20世紀のクラシック界を牽引した伝説的なカリスマ指揮者であるヘルベルト・フォン・カラヤン。彼はベートーヴェンの大作《ミサ・ソレムニス》を数回録音していますが、本映像でご覧いただけるのは4度目の録音となった1985年のものです。ジョゼ・ヴァン・ダムなど当時はまだ若手であった歌手たちを積極的に起用し、独唱はもちろん、重唱の隅々にいたるまで美しい響きに徹底的にこだわり抜いています。晩年のカラヤンならではの格調の高い演奏をお楽しみください。</video:description>
<video:duration>4959</video:duration>
<video:publication_date>2024-04-23T07:50:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-22T15:30:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2E8</loc>
<video:video>
<video:title>レイフ・オヴェ・アンスネスのドキュメンタリー『Reframed』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0fe996e16db863715afd5c8c2f7c4e4d80c70a07.jpg</video:thumbnail_loc>
<video:description>技術、音楽性ともに国際的に高い評価を得ているピアニストであるノルウェー出身のピアニスト、レイフ・オヴェ・アンドネス。多彩なレパートリーで世界中を魅了してきた彼が、新たな出発となる一大プロジェクトに乗り出しました。南アフリカ生まれのヴィジュアル・アーティスト、ロビン・ロードとともに、ムソルグスキーの壮大なピアノ曲《展覧会の絵》を中心に、音楽、映像、静止画を組み合わせた特別プログラム「Pictures Reframed」を創作。本映像では世界的ピアニストとアーティストによるコラボレーションの傑作をご覧いただけます。</video:description>
<video:duration>3481</video:duration>
<video:publication_date>2024-11-29T14:36:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-22T11:14:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJAD8</loc>
<video:video>
<video:title>パガニーニ : 24のカプリース 作品1 より第9曲 : ホ長調《狩》</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2025-01-21T15:20:19Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2025-01-22T09:30:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3AE8</loc>
<video:video>
<video:title>《トリスタンとイゾルデ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36ad067a090a86f6b1b6c781df01c274680f27c7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2024-08-05T13:34:48Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-21T15:19:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3AC0</loc>
<video:video>
<video:title>《エミグレ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9d00847670d2a75328be6bcf56afde2db224a793.jpg</video:thumbnail_loc>
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<video:duration>402</video:duration>
<video:publication_date>2024-07-12T14:21:41Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2025-01-21T15:18:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38E8</loc>
<video:video>
<video:title>《エミグレ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2e948d1379eb8c0dc90d007bdc2b060f8d1a3362.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>302</video:duration>
<video:publication_date>2024-07-12T14:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2025-01-21T15:18:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38E0</loc>
<video:video>
<video:title>《エミグレ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9f9aee92eb18a89fc295585f7ae925d8c78365f6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>430</video:duration>
<video:publication_date>2024-07-09T12:10:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30DG</loc>
<video:video>
<video:title>ラヴェルのピアノ協奏曲について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0a7da40e7298fd7720a12f92d4eda05c91559db7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>273</video:duration>
<video:publication_date>2024-02-22T10:56:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-21T15:18:01Z</lastmod>
</url>
<url>
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<video:title>『ター』について</video:title>
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<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CO</loc>
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<video:title>2012年ジルベスター・コンサートはラトル指揮バルトリ独唱</video:title>
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<video:description>2012年のベルリン・フィル、ジルベスター・コンサートでは、チェチーリア・バルトリが登場しています。バロック・オペラを主なレパートリーとする彼女は、ここでもレアなアリアを熱唱。ピアニッシモとコロラトゥーラのテクニックには、まさに息をのみます。サー・サイモン・ラトルも、以前から18世紀の音楽に関心を示してきましたが、なかでもラモーの《ボレアド》は頻繁に取り上げてきた曲目です。コンサートは、ドヴォルザークのスラブ舞曲、ラヴェルの《ダフニスとクロエ》第2組曲で華やかに終了します。</video:description>
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<lastmod>2025-01-21T15:01:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8CG</loc>
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<video:title>1900年代最後の日を華やかに彩るガラ・コンサート「グランド・ファイナル」</video:title>
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<video:description>1900年代最後の日という特別な演奏会の模様を収めた映像です。千年に一度となる1999年12月31日に、ベルリン・フィルハーモニー管弦楽団がクラウディオ・アバドの指揮のもとでジルヴェスター・ガラ・コンサートを開催しました。コンサートは「グランド・ファイナル」と題され、ベートーヴェンやドヴォルザーク、マーラーの交響曲の終楽章が集められている他、ストラヴィンスキーやラヴェルのバレエ音楽、オペレッタ作曲家のパウル・リンケの舞曲など華やかな作品も並び、記念すべき日を煌びやかに彩っています。</video:description>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D8</loc>
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<video:title>2001年ジルベスター・コンサートはバレンボイムが「ダンスの世界」に招待！</video:title>
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<video:description>2001年のベルリン・フィル、ジルベスター・コンサートは、ダニエル・バレンボイムが指揮。テーマは、古今東西のダンス音楽です。バッハのバロック舞踊から、モーツァルトがピアノ協奏曲の楽章として書いたロンド、チェコやロシアのスラブ圏、フィンランドまでに及びますが、バレンボイムの故郷アルゼンチンの音楽も取り入れているのがミソです。大晦日のパーティームードを反映した楽しいプログラムとなっています。</video:description>
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<video:publication_date>2022-06-21T08:36:12Z</video:publication_date>
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<lastmod>2025-01-21T14:58:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJACG</loc>
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<video:title>ボムソリがカメラータ・ザルツブルクとモーツァルトの協奏曲を全曲演奏</video:title>
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<video:description>韓国のヴァイオリニストであり、ARDミュンヘン国際音楽コンクールで最高位、(1位なしの2位)、チャイコフスキー国際コンクール第5位、ヴィエニャフスキ国際ヴァイオリンコンクール第2位と輝かしい経歴をもつキム・ボムソリ。彼女が2021年のラインガウ音楽祭で挑んだモーツァルトのヴァイオリン協奏曲全曲演奏の模様です。共演はグレゴリー・アースがコンサートマスターを務めるカメラータ・ザルツブルク。精密な技巧と気品に満ちたボムソリの演奏は、モーツァルトの音楽の魅力を存分に伝えてくれます。</video:description>
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<video:publication_date>2022-08-16T09:14:25Z</video:publication_date>
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<lastmod>2025-01-21T14:34:03Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4E0</loc>
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<video:title>バルトリ出演の《セビリアの理髪師》</video:title>
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<video:description>歌手として、また2012年からはザルツブルク音楽祭の芸術監督としても成功を収め、オペラ界で最も輝かしい存在となったチェチーリア・バルトリ。そのキャリアの初期に迫る映像です。本編に収められたロッシーニ作曲《セビリャの理髪師》でバルトリが演じているロジーナ役は、19歳の彼女がローマのオペラ座でデビューを飾った際に演じた役でした。この映像は1988年シュヴェツィンゲン音楽祭の一環として行われたシュロス劇場公演です。ミヒャエル・ハンペの愛情溢れる演出で、バルトリは優雅な演技と輝かしいコロラトゥーラで輝きを放っています。共演のジーノ・キリコは、フィガロ役を自身の最も得意なオペラレパートリーの一つとするカナダ出身のバリトン歌手です。</video:description>
<video:duration>9474</video:duration>
<video:publication_date>2023-12-13T15:27:02Z</video:publication_date>
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<lastmod>2025-01-21T14:27:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38C8</loc>
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<video:title>「Mambo!」～ドゥダメルと仲間たちによるコンサート</video:title>
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<video:description>今や世界を席巻中の若きマエストロ、ドゥダメル。彼の原点である音楽教育プログラム「エル・システマ」が生んだシモン・ボリバル・ユース・オーケストラ (※現ベネズエラ・シモン・ボリバル交響楽団) の音楽家たちと一緒に、当時カラカスに新しくオープンしたばかりのコンサートホールで開催した特別なコンサートの映像をお届けします。プログラムは彼らのアイデンティティともいえる南米の作品集です。ラテン版《春の祭典》である《センセマヤ》から、官能的で情熱に溢れたダンス音楽にピアソラやバーンスタインまで、即興的な妙技と哀愁を織り交ぜて演奏される熱風のようなリズムに、身を任せてみては？</video:description>
<video:duration>4212</video:duration>
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<lastmod>2025-01-21T10:41:17Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJEE0</loc>
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<video:title>ルノー・カプソン＆フレンズ によるモーツァルト弦楽五重奏曲 全曲演奏（その2）</video:title>
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<video:description>2023年にドイツ・グラモフォンでエキサイティングなモーツァルト・プロジェクトを進行させたルノー・カプソン。新作アルバムのリリースにあわせて、STAGE+でも魅力的なコンサートをお届けします。そのひとつが2014 年ザルツブルク・モーツァルト週間での弦楽五重奏曲全曲・演奏の映像です。この2回にわたるシリーズの後編は、セレナード第12番ハ短調を編曲した第2番、世を去る前年に困窮した生活のなかで書かれた第5番、そして第4番と対をなすように同じ時期に作曲された名高い3番を含んだプログラム。豪華メンバーによる世界最高峰のアンサンブルを心ゆくまで堪能ください。</video:description>
<video:duration>5423</video:duration>
<video:publication_date>2023-05-17T09:55:01Z</video:publication_date>
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<lastmod>2025-01-16T16:47:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJEDO</loc>
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<video:title>ルノー・カプソン＆フレンズ によるモーツァルト弦楽五重奏曲 全曲演奏（その1）</video:title>
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<video:description>2023年にドイツ・グラモフォンでエキサイティングなモーツァルト・プロジェクトを進行させたルノー・カプソン。新作アルバムのリリースにあわせて、STAGE+でも魅力的なコンサートをお届けします。そのひとつが2014 年ザルツブルク・モーツァルト週間での弦楽五重奏曲全曲・演奏の映像です。この2回にわたるシリーズの前編は、17歳の頃ザルツブルクで作曲された第1番と最晩年の第6番、そしてト短調で書かれた名高い第4番が含まれているプログラム。豪華メンバーによる世界最高峰のアンサンブルを心ゆくまで堪能ください。</video:description>
<video:duration>5427</video:duration>
<video:publication_date>2023-05-17T09:22:32Z</video:publication_date>
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<lastmod>2025-01-16T16:47:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0CO</loc>
<video:video>
<video:title>ペルトコスキが指揮する香港フィル、ロザコヴィッチを迎えて</video:title>
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<video:description>ヤープ・ヴァン・ズヴェーデンの後任として2026/2027シーズンから4年間の任期で、香港フィルハーモニー管弦楽団の音楽監督に就くことが決まっているフィンランドの若き巨匠タルモ・ペルトコスキが、第51回シーズンのオープニング・コンサートに登場しました。プログラムの幕開けを飾るのは、幽玄なシベリウスのヴァイオリン協奏曲。ソリストを務めるのはスウェーデン人ヴァイオリニスト、ダニエル・ロザコヴィッチで、今回がこのオーケストラとの初共演でした。後半では、演奏会当日の週で記念すべき生誕200周年を迎えたブルックナーの未完の傑作、交響曲第9番をお楽しみください。</video:description>
<video:duration>5749</video:duration>
<video:publication_date>2024-10-28T15:21:42Z</video:publication_date>
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<lastmod>2025-01-16T13:58:49Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32E0</loc>
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<video:title>ライジング・スター : ブゾーニ国際優勝のアルセニー・ムン</video:title>
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<video:description>アルセニー・ムンは2024年に行われた第64回ブゾーニ国際ピアノコンクールにおいて審査員全員一致で優勝。さらに全員一致の時にしか贈られない15年ぶりのアルトゥーロ・ベネデッティ・ミケランジェリ賞を受賞したピアニストです。本映像では、洗練された技巧、そして楽曲の造形と内容を鮮やかに聴き手へと届ける表現力を兼ね備えた彼の演奏をお楽しみいただけます。ショパンやリスト、ラフマニノフといったテクニカルな作品はもちろんですが、とくにドビュッシーでの音色をお聴きいただくことで彼の演奏の美質を見極めて頂けることでしょう。</video:description>
<video:duration>2125</video:duration>
<video:publication_date>2025-01-02T12:04:38Z</video:publication_date>
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<lastmod>2025-01-13T10:56:21Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2CO</loc>
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<video:title>ブリン・ターフェルと仲間たちによる&quot;海のうた&quot;</video:title>
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<video:description>英国ウェールズが生んだ世界的スター・バス・バリトン、サー・ブリン・ターフェルによる新プロジェクトを、首都カーディフ西部郊外のペンティルフからお届けします。それはシェトランド諸島を経てニュージーランドにまで至る音楽の旅。ウェールズのインストゥルメンタル・アンサンブル、カランなどのゲスト・ミュージシャンや友人たちと共に、故郷の伝承歌から、近年TikTokでカヴァー動画が世界的ブームを巻き起こしたシーシャンティ (船員たちの労働歌) まで様々な“海のうた”の魅力に迫ります。</video:description>
<video:duration>3824</video:duration>
<video:publication_date>2024-02-29T14:17:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-10T15:43:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2CO</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第9番</video:title>
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<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2010年、ベルリンのフィルハーモニーでのライヴを収めたものです。ブルックナーが死の直前まで取り組みながらも未完に終わったこの楽曲、賛歌のような輝かしさと感動に満ちています。この演奏は非常に速いテンポが選択され、より楽曲に漂う神々しさを引き立てています。</video:description>
<video:duration>3957</video:duration>
<video:publication_date>2024-08-28T12:57:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-09T12:42:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2D8</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8b7a11117d251b045e667a1080cea8e3f85d3b11.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。ブルックナーの交響曲のなかでとりわけ高い人気を誇る第4番を、ティーレマンは遅めのテンポで一つ一つの要素を丁寧に描き出していきます。旋律の美しさ、それを支えるハーモニーの充実ぶりが改めておわかりいただける演奏と言えるでしょう。</video:description>
<video:duration>4510</video:duration>
<video:publication_date>2024-09-02T15:08:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-09T12:40:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30CO</loc>
<video:video>
<video:title>パーカッション・シーン期待の新星アデライーデ・フェリエールの紹介</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/26e0f3f4ff667d9ee25b4e4bace02c7b8f2f71aa.jpg</video:thumbnail_loc>
<video:description>パリ国立高等音楽院とロンドンの王立音楽大学で学び、2017年にフランスのヴィクトワール・ドゥ・ラ・ミュジーク・クラシック賞で打楽器奏者として初めて新人（器楽独奏）賞に輝いて以来、注目を集めている打楽器奏者アデライーデ・フェリエールの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。古典だけでなく現代音楽のレパートリーにも熱心に取り組んでいる彼女が、ここではマリンバとピアノのために自身で編曲したヴィヴァルディやバッハの協奏曲からサン＝サーンスの《死の舞踏》、クセナキスなど意欲的なプログラムで魅せます。</video:description>
<video:duration>2220</video:duration>
<video:publication_date>2024-12-10T08:06:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-08T11:53:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJEE8</loc>
<video:video>
<video:title>アンドレア・マルコンの編纂による《クリスマスの挽課》</video:title>
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<video:description>古楽演奏のスペシャリストであるアンドレア・マルコンが芸術監督を務め、スイスを拠点に活動を続けているラ・チェトラ・バロック・オーケストラ・バーゼルとラ・チェトラ・ヴォーカル・アンサンブルからクリスマス・シーズンにぴったりの贈り物をお届けいたします。既に、ドイツ・グラモフォンから2022年11月にCD2枚組でリリースされ「完璧なバロック期のクリスマスを耳で体験できる稀有なアルバム」と絶賛されたこちらは、17世紀前半に宮廷楽長だったクラウディオ・モンテヴェルディの手によって、ヴェネツィアのサン・マルコ寺院で聴かれたかもしれない《クリスマスの挽歌》を再現したものです。マルコンが編纂し、モンテヴェルディに加えてジョヴァンニ・ガブリエーリら同時代の作曲家たちのクリスマス音楽を集め、喜びにあふれた歌と多彩な楽器が組み合わさった音楽集に仕上げられたこのアルバムを、今度は2024年12月初旬に現地の美しいマルティン教会で撮影された最新映像版でお楽しみください。</video:description>
<video:duration>5347</video:duration>
<video:publication_date>2024-12-22T15:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2025-01-02T09:26:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ2</loc>
<video:video>
<video:title>2011年のジルベスター・コンサートでは、ラトルとキーシンが共演</video:title>
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<video:description>ベルリン・フィルの2011年ジルベスター・コンサートでは、サー・サイモン・ラトルとエフゲニー・キーシンが共演しました。キーシンは、グリーグ唯一のピアノ協奏曲で、北欧の雰囲気とドイツ・ロマン派的な要素が融合した作品の特徴を、華麗なタッチで表現。またラトルは、ブラームス、ドヴォルザーク、シュトラウス、ストラヴィンスキーの舞曲で、ベルリン・フィルの輝かしい響きを生かしながら、ドラマチックな響きを作り上げています。</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2022-06-15T11:02:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-31T09:33:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJED8</loc>
<video:video>
<video:title>ソーニャ・ヨンチェヴァが歌う、クリスマスの珠玉の名曲集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cb37dc96e3f069317cfc520ab6de33eb3a20e840.jpg</video:thumbnail_loc>
<video:description>本映像は、2023年、ヴェルサイユ宮殿内の壮麗なバロック様式によるオペラ・ロワイヤルで撮影されたものです。ソプラノのソーニャ・ヨンチェヴァが、クリスマス・キャロルから、ヘンデルのオラトリオ《メサイア》の抜粋にオペラアリア、クリスマスの名曲《ホワイト・クリスマス》まで、冬を彩る人気曲の数々を披露しています。指揮者ステファン・プレフニャク率いるオペラ・ロワイヤルのオーケストラと合唱団の演奏もすばらしく、1770年に建てられた珠玉の建築物の雰囲気もあいまって、心に残る映像となっています。</video:description>
<video:duration>3769</video:duration>
<video:publication_date>2024-12-26T09:38:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-26T16:12:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ACO</loc>
<video:video>
<video:title>ブゾーニ2023 : アルセニー・ムン　ソロ・ファイナル</video:title>
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<video:description>「ファイナルへの道筋」と題し、アルセニー・ムンのソロ・ファイナルとセミ・ファイナルの模様をお届けします。</video:description>
<video:duration>2557</video:duration>
<video:publication_date>2023-08-31T08:31:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T15:42:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJID8</loc>
<video:video>
<video:title>クラウディオ・アバドのベートーヴェン交響曲全集 (第7番)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7b3e02da22b4136084d1a870da270d38b11057e8.jpg</video:thumbnail_loc>
<video:description>世界中の主要オーケストラで首席指揮者を務め、後進の育成にも熱心だった指揮者のクラウディオ・アバド。数々の名演を遺しましたが、なかでもベートーヴェンの交響曲全集は特筆すべきものです。ベーレンライター新校訂譜の採用も当時話題となった公演のシリーズから、本映像では大人気作品である第7番の演奏をご覧いただけます。華麗なサウンド、リズムの多様性、楽器の効果的な使用法など、ベートーヴェンの卓越した筆致をアバドの紡ぎ出す明晰なサウンドによって改めて感じて頂けることでしょう。</video:description>
<video:duration>2573</video:duration>
<video:publication_date>2024-12-02T10:07:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:38:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJID0</loc>
<video:video>
<video:title>クラウディオ・アバドのベートーヴェン交響曲全集 (第6番)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/65205fd48fb8fcd54197c4e0eae7d69016966c74.png</video:thumbnail_loc>
<video:description>指揮者のクラウディオ・アバドは、世界中の主要オーケストラで首席指揮者を務め、後進の育成にも熱心に励み、数々の名演を遺しました。そのなかでもベートーヴェンの交響曲全集は特筆すべきものです。ベーレンライター新校訂譜の採用も当時話題となった公演のシリーズから、本映像では「標題音楽」のパイオニア的作品ともいえる第6番《田園》の演奏をご覧いただけます。緻密なアンサンブルによって楽曲に凝らされた様々な“仕掛け”が鮮やかに浮かび上がってくる演奏で、ベートーヴェンが音で描き出した情景を圧倒的スケールでお楽しみいただけます。</video:description>
<video:duration>2634</video:duration>
<video:publication_date>2024-12-02T10:03:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:36:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJICO</loc>
<video:video>
<video:title>クラウディオ・アバドのベートーヴェン交響曲全集 (第4番＆第8番)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/00a40ea9332629846d87303d7444e32e8aa87a9d.jpg</video:thumbnail_loc>
<video:description>世界中の主要オーケストラで首席指揮者を務め、後進の育成にも熱心だった指揮者のクラウディオ・アバド。数々の名演を遺しましたが、なかでもベートーヴェンの交響曲全集は特筆すべきものです。ベーレンライター新校訂譜の採用も当時話題となった公演のシリーズから、本映像では第4番と第8番の演奏をご覧いただけます。どちらもあまり演奏機会に恵まれない作品ですが、均整の取れた形式美による前者と、作曲者が非常に自信を持っていた後者をこの演奏で改めてお聴きいただくことでその魅力を存分に味わっていただけることでしょう。</video:description>
<video:duration>4203</video:duration>
<video:publication_date>2024-12-02T10:00:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:32:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJICG</loc>
<video:video>
<video:title>クラウディオ・アバドのベートーヴェン交響曲全集 (第2番＆第5番)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6ff88ac8f9e6c7dff80b1a29372a5458bee24882.png</video:thumbnail_loc>
<video:description>指揮者のクラウディオ・アバドは、世界中の主要オーケストラで首席指揮者を務め、後進の育成にも熱心に励み、数々の名演を遺しました。そのなかでもベートーヴェンの交響曲全集は特筆すべきものです。ベーレンライター新校訂譜の採用も当時話題となった公演のシリーズから、本映像ではベートーヴェンらしさの芽生えが存分に感じられる第2番と、聴くものの心を常に捉えて離さない第5番《運命》の演奏をご覧いただけます。</video:description>
<video:duration>4663</video:duration>
<video:publication_date>2024-12-02T09:56:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:29:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJIC8</loc>
<video:video>
<video:title>クラウディオ・アバドのベートーヴェン交響曲全集 (第1番＆第3番)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/50846cd5186e660f923dd2c648c0cfd7687168a3.jpg</video:thumbnail_loc>
<video:description>世界中の主要オーケストラで首席指揮者を務め、後進の育成にも熱心だった指揮者のクラウディオ・アバド。数々の名演を遺した彼ですが、なかでもベートーヴェンの交響曲全集は特筆すべきものです。ベーレンライター新校訂譜の採用も当時話題となった公演のシリーズから、本映像ではハイドンやモーツァルトの影響が見られる第1番と中期の傑作《英雄》をご覧いただけます。きらびやかな音色と構築力を実感していただけることでしょう。</video:description>
<video:duration>5046</video:duration>
<video:publication_date>2024-12-02T09:51:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:27:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS30CG</loc>
<video:video>
<video:title>マッツ・エック演出によるバレエ《眠りの森の美女》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4bb19e3e1beca0100aafc2d8c10fb702439dfc90.jpg</video:thumbnail_loc>
<video:description>クルベリ・バレエ団の創設者を母に持ち、確かなテクニックを基礎に独自の感性で古典バレエに現代性を与え続けてきた、スウェーデンが生んだ鬼才マッツ・エックの演出によるチャイコフスキーの名作バレエをお届けします。反抗的な10代の少女オーロラが理解のない両親や空虚で表面的な輝きの世界から抜け出そうとする姿を映し出す本作で、カラボスは麻薬の売人に、妖精たちは冷笑する少女たちの集団として描かれるなど、1996年の初演時には賛否両論を巻き起こしました。しかしロマン派的な華やかさを削ぎ落とし、心を揺さぶる感情的なアプローチで原作童話の核心を揺るぎない確信を持って伝える舞台には、一見の価値以上のものがあります。</video:description>
<video:duration>6412</video:duration>
<video:publication_date>2024-12-03T13:49:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-25T11:13:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4DG</loc>
<video:video>
<video:title>ショルティ＆BRSOによるショスタコーヴィチ“9番”とチャイコフスキー“6番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f35b80700ad3bab53dffbf105629e622ca3c75d3.jpg</video:thumbnail_loc>
<video:description>ヨッフムによって1949年に創設されたバイエルン放送交響楽団はクーベリック、デイヴィス、マゼールの功績によって名声を高め、その後ヤンソンスによる黄金の16年間を経て、現在は2023/24シーズンから第6代首席指揮者のラトルと共に新しい時代を歩き始めています。ここではデイヴィス時代の1989年に、当時77歳で手兵シカゴ交響楽団と絶頂期にあったゲオルグ・ショルティを客演指揮者に迎えた演奏をお届けします。1946年～1952年までバイエルン国立歌劇場の音楽監督を務めてその発展に寄与したショルティにとって、ミュンヘンは巨匠としてのキャリアを踏み出した想い出の地でもありました。なおショルティはこの翌年の1990年にウィーン・フィルとショスタコーヴィチの“9番”をレコーディングしますが、チャイコフスキーの“6番”は1976年のシカゴ響との録音以外はあまり知られていません。</video:description>
<video:duration>4336</video:duration>
<video:publication_date>2024-09-06T14:35:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-20T21:53:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4DG</loc>
<video:video>
<video:title>カラヤンのジルヴェスター・コンサート1978</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a9c9ad2d0a30ce33ff5dd8d23ebd5c6d650559a.jpg</video:thumbnail_loc>
<video:description>カラヤンは大晦日恒例のベルリン・フィルのジルヴェスター・コンサートに1958年から何度も出演していますが、1978年はとりわけポピュラーな名曲たちを選曲したプログラムを組みました。オペラの序曲や間奏曲からドラマティックなナンバーで構成された組曲まで、どれも親しみやすく、耳馴染みのよい人気曲ばかりです。煌めくような響きに身を委ねて、会場の雰囲気を心ゆくまでご堪能ください。</video:description>
<video:duration>3367</video:duration>
<video:publication_date>2023-12-07T10:58:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-19T09:47:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJAC8</loc>
<video:video>
<video:title>ベートーヴェンの《熱情》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/69d1733fc97806d0aaab359aa30e0d622ae490a4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>231</video:duration>
<video:publication_date>2024-12-18T15:26:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-19T03:59:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0E8</loc>
<video:video>
<video:title>ベンジャミン・ベルネーム in マイスターザール</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d6ca2c01e42ef9b7d77407cd7abe88e57bb1000e.jpg</video:thumbnail_loc>
<video:description>フランス人のリリック・テノール、バンジャマン・ベルネームは現在、世界中の有名歌劇場から引っ張りだこの次世代スター・オペラ歌手のひとり。これはドイツ・グラモフォンからデビュー・アルバムをリリース後の2020年6月に、ベルリン・マイスターザールでキャリー・アン・マセソンのピアノを伴奏に、ベルリオーズの《夏の夜》を始めデュパルク、グノー、ハーンの歌曲などを披露した特別な映像です。直後に同じレパートリーでデビューを果たした100周年記念のザルツブルク音楽祭でも成功を収めています。</video:description>
<video:duration>3314</video:duration>
<video:publication_date>2022-06-23T11:13:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-18T10:45:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJID8</loc>
<video:video>
<video:title>フランス内外で注目を集めるソプラノ、アクセル・ファニョのリサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f894ea7d1e0a641b3c37714c125f022e906c27ce.jpg</video:thumbnail_loc>
<video:description>フランスを拠点に国際的にキャリアを確立しているソプラノのアクセル・ファニョ。モーツァルトからヴェルディ、ヴァーグナーのオペラにジョン・アダムスの現代オペラまでを自在に歌いこなし、歌曲によるリサイタルでも高い評価を得ており、まさしく完全無欠の“声楽家”といえる存在です。今回彼女は非常に幅広いレパートリーでプログラムを構成しており、ラヴェルの歌曲をはじめ、ガーシュウィンの《サマータイム》、さらにシェーンベルク、ボルコムそれぞれの《キャバレーソング》など、多彩な楽曲で魅せています。声の美しさ、言葉さばきの鮮やかさに衝撃を受けることでしょう。</video:description>
<video:duration>2999</video:duration>
<video:publication_date>2023-06-28T12:36:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-18T10:33:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJAC0</loc>
<video:video>
<video:title>ベートーヴェンのピアノ・ソナタについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b24fa7a8d0a0b9521a248dd3183f120a938b79e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>429</video:duration>
<video:publication_date>2024-12-14T10:33:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-16T11:20:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ8CO</loc>
<video:video>
<video:title>《エチュード》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eb51d3b73e07c4a19c66b46124981b96af97bf20.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>352</video:duration>
<video:publication_date>2024-12-12T15:03:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:19:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ8CG</loc>
<video:video>
<video:title>《アブサン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e9d75247f8541da3abb81d7a566100721683f16.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>325</video:duration>
<video:publication_date>2024-12-12T15:02:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:15:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ8C0</loc>
<video:video>
<video:title>《Jinyang》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8f3cc7d07e9628d81491856f82bcc8dc3d4e851f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>307</video:duration>
<video:publication_date>2024-12-12T14:58:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:08:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6E8</loc>
<video:video>
<video:title>《フォー・トゥー・アキズ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/82e6da047819442eed08ee2b0608c9cd2f501f3f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>182</video:duration>
<video:publication_date>2024-12-12T14:56:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T15:06:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6DO</loc>
<video:video>
<video:title>《This Is Not America》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8fb912bdaf7275df25c6c2e94f729ecd190ab8e2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2024-12-12T14:51:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:43:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6D8</loc>
<video:video>
<video:title>《セント・ヴィンセント》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2df7dc9137183f886d46d983f5bd46dbb96aa484.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>325</video:duration>
<video:publication_date>2024-12-12T14:47:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:37:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6D0</loc>
<video:video>
<video:title>《Promontoire》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9f30e20412e23184140a5cca7c0297bb2e8c407a.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>214</video:duration>
<video:publication_date>2024-12-12T14:45:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-13T14:34:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ED8</loc>
<video:video>
<video:title>ユジャ・ワン in ウィーン～ベートーヴェン、カプースチン、リゲティ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0f2b465875425d2d194446b4d87c8965c6192d08.jpg</video:thumbnail_loc>
<video:description>現在のクラシック・シーンで最もエキサイティングなピアニストのひとりであるユジャ・ワンの、2022年4月はウィーンのコンツェルトハウスでのリサイタル映像をお届けします。プログラムは極めてスペイン的なアルベニスから、和声的にも心理的にも複雑なスクリャービンの第3ソナタに、ジャズの名人芸を凝らしたカープースチン、リゲティ、グラスと縦横無尽にして圧巻です。アンコールには満員の聴衆が求める美しいメロディが披露されて幕を閉じます。</video:description>
<video:duration>5022</video:duration>
<video:publication_date>2023-01-17T12:03:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6CO</loc>
<video:video>
<video:title>《Villefranque》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/eef4374f78c3c5b5f8f4ced32c5d71bff0122516.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2024-12-11T13:29:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:30:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6CG</loc>
<video:video>
<video:title>《マーズ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b39eada0b125f48cadc35083c154e65f09844e6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>422</video:duration>
<video:publication_date>2024-12-11T13:24:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:27:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4E8</loc>
<video:video>
<video:title>《イット・ウォークス・アンド・ウォークス》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/97f6a3616f62425cf2079b795bf43a3189be7091.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>418</video:duration>
<video:publication_date>2024-12-11T12:36:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:16:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4DG</loc>
<video:video>
<video:title>《クルーエル・バット・フェア》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6b52f7c4680d62ca9cf0975cd250b20f04775847.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2024-12-11T12:13:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T14:05:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4D0</loc>
<video:video>
<video:title>《Empty Hands》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ee0f900a8f48308fed76c4e391b21aebb7537ee6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>357</video:duration>
<video:publication_date>2024-12-11T12:08:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-12T13:57:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3IDG</loc>
<video:video>
<video:title>トリフォノフとソルターニがベルリンのクラブで演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b269ca8970fe72397dd5caa4bbfbc59ec890bb3a.jpg</video:thumbnail_loc>
<video:description>「イエロー・ラウンジ」はクラシック音楽をクラブで楽しむというコンセプト。2001年に開始し、新しい聴衆を開拓する魅力的なシリーズとして人気を集めています。ここでは若き巨匠ダニール・トリフォノフとチェロのキアン・ソルターニが登場した映像をお届けします。トリフォノフは新譜『マイ・アメリカン・ストーリー』の収録曲を披露。ジュリアン・クエンティンを共演者に迎えたソルターニもシューマンの歌曲集を含む魅力的なプログラムで極上の時間を演出しました。 </video:description>
<video:duration>4804</video:duration>
<video:publication_date>2024-12-03T12:38:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-11T10:33:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6C0</loc>
<video:video>
<video:title>イエローラウンジにダニエル・ホープが登場</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c074ab76f0e2e1945d67befba4a3def16ba3e048.jpg</video:thumbnail_loc>
<video:description>クラシック音楽をクラブで楽しむDGの人気フォーマット「イエローラウンジ」シリーズに、卓越した技術と幅広い音楽性を誇るヴァイオリニスト、ダニエル・ホープが再び登場します。加えて、ドイツを拠点とするアルメニア人のピアニストで作曲家のマリー・アワディスにもご期待ください。親密で詩的な彼女の音楽は、クラシックにミニマル・ミュージックのタッチを融合させ、時にルーツである故郷の民族音楽の雰囲気も取り入れたものです。Ex Pfadfindereiによるビジュアルアートと共に魅惑の一夜をお楽しみください。</video:description>
<video:duration>4338</video:duration>
<video:publication_date>2024-03-07T14:05:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-06T13:48:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4CG</loc>
<video:video>
<video:title>ヴェルビエ音楽祭でのリサイタルについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f36d2fcf4018a61186fdc906654e1fb2646ea236.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>363</video:duration>
<video:publication_date>2024-12-05T12:59:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-05T13:39:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2D0</loc>
<video:video>
<video:title>《ワンス・ア・シューメーカー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bbd2beeb342269db33bb8c883c68327d1c35c226.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>265</video:duration>
<video:publication_date>2024-11-27T12:09:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-03T13:57:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2DG</loc>
<video:video>
<video:title>《インテント》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0c8fcc8df8505ed86eb0983fd2207ecf24873b88.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>230</video:duration>
<video:publication_date>2024-11-27T12:29:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-03T13:56:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGCG</loc>
<video:video>
<video:title>ネゼ=セガンが指揮するベートーヴェンの交響曲第2番＆第3番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cd74d8913345690a2e67f760430879ac115c1f99.jpg</video:thumbnail_loc>
<video:description>2021年の夏、いま最も注目を集める指揮者のひとりであるヤニック・ネゼ=セガンがヨーロッパ室内管弦楽団とともに、ルートヴィヒ・ヴァン・ベートーヴェンの交響曲全曲演奏に挑みました。このプロジェクトは、ベートーヴェン生誕250周年を記念して企画されたものでしたが、パンデミックの影響で延期されていました。ベートーヴェンの交響曲第2番と第3番《英雄》は、西洋音楽史の転換点となった作品です。奔流のようなエネルギーと冒険を共有する喜びに満ちた、感情を揺さぶる演奏をお楽しみください。</video:description>
<video:duration>5558</video:duration>
<video:publication_date>2024-11-22T12:56:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGCO</loc>
<video:video>
<video:title>ネゼ=セガンが指揮するベートーヴェンの交響曲第6番＆第7番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36388cdeda6bf8595c522d2a1bd384fd93b7b9de.png</video:thumbnail_loc>
<video:description>ベートーヴェンはかつて、自分の音楽は人類を陶酔させるものでありたいと宣言しましたが、生の喜びに満ちた飾り気のない熱気において、彼の交響曲第7番に匹敵するものはないでしょう。一方、《田園》交響曲は、自然への最高の賛歌であり、麗らかであると同時に激情的な側面も持っています。2021年7月にバーデン・バーデン祝祭劇場でライブ収録された本映像では、ヤニック・ネゼ=セガンとヨーロッパ室内管弦楽団によるベートーヴェン・ツィクルスの模様をご覧いただけます。フィナンシャル・タイムズ紙によって　「明晰で喜びに溢れた」演奏と評された《田園》は、このツィクルスのハイライトと言えるものです。まるでスコアのインクがまだ乾いていないかのように錯覚させる、新鮮な視点で解き明かされた圧倒的なベートーヴェン演奏にご注目ください。</video:description>
<video:duration>5424</video:duration>
<video:publication_date>2024-11-22T13:03:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGD0</loc>
<video:video>
<video:title>ネゼ=セガンが指揮するベートーヴェンの交響曲第4番、第5番＆第8番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b0cd8bd6d92f1c4e531cfe10c2b53e3aceeaaee.jpg</video:thumbnail_loc>
<video:description>2021年7月にバーデンバーデンでライヴ収録された演奏会の映像をご覧いただけます。プログラムに並ぶのは、ベートーヴェンの最も短い交響曲 (第8番) 、最も古典的な交響曲 (第4番) 、そして音楽史に革新をもたらした交響曲 (第5番) 。遊び心にあふれたユーモアや深い優しさ、壮大な闘争など、彼の作品には無限の感情が込められています。ベートーヴェンの溢れんばかりのヴィジョンを表現できるアーティストが現代にいるとすれば、それはヤニック・ネゼ=セガンとヨーロッパ室内管弦楽団のコンビでしょう。ヨーロッパ室内管弦楽団による1991年の交響曲全集は私たちのベートーヴェンの聴き方を一変させました。それから30年、この批評家も絶賛する衝撃的な演奏は、新世紀に向けてベートーヴェンを再定義するものです。</video:description>
<video:duration>6460</video:duration>
<video:publication_date>2024-11-22T13:11:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGD8</loc>
<video:video>
<video:title>ネゼ=セガンが指揮するベートーヴェンの交響曲第1番＆第9番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/507078152f549efaabd454e31634cd14628bd579.jpg</video:thumbnail_loc>
<video:description>ベートーヴェンの交響曲第9番の演奏は、毎回が特別な一大イベントです。2021年夏バーデンバーデンで、ヨーロッパ室内管弦楽団が長年の共演者であり名誉団員も務めるヤニック・ネゼ=セガンとともにベートーヴェン交響曲全曲ツィクルスを披露しました。ヨーロッパ室内管弦楽団にとって2007年以来ぶりとなる今回のベートーヴェン交響曲全集では、初めて「第九」でブライトコプフ・ウント・ヘルテル社の新版が使用されています。彼の啓示的な最後の交響曲を熱烈に歌い上げるのは、世界最高クラスの独唱陣と卓越した室内合唱団アクツェントゥス。コンサートの幕開けを飾る、ベートーヴェンの交響曲第1番のスリリングな演奏にもご注目ください。</video:description>
<video:duration>6204</video:duration>
<video:publication_date>2024-11-22T13:20:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-12-02T10:05:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2E0</loc>
<video:video>
<video:title>ベートーヴェンの傑作、交響曲第5番の魅力を解説と共に楽しむ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/da02d869fa58e18a57920856e170ce1d5403e346.jpg</video:thumbnail_loc>
<video:description>「楽聖」ルートヴィヒ・ヴァン・ベートーヴェンの交響曲第5番、通称「運命」は、彼の全作品はもちろん、交響曲というジャンルにおいても最も有名なもののひとつでしょう。4つの音から成る「運命の動機」が楽曲全体を支配する緊密な構築性は、後の時代の作曲家たちにも大きな影響を与えました。あまりにも偉大な作品ですが、その魅力と革新性についてじっくりと考える機会はなかなか設けられていないのではないでしょうか。本映像ではドイツのベートーヴェン専門家、ヴルフ・コノルドによる解説で、傑作について改めて知ることができます。</video:description>
<video:duration>1642</video:duration>
<video:publication_date>2024-11-29T14:28:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-29T15:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CCG</loc>
<video:video>
<video:title>Be My Home</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d3ab25c4e8222f4de6a0db1b307f5bf49fe40908.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>294</video:duration>
<video:publication_date>2024-08-07T14:55:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-29T10:00:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGDO</loc>
<video:video>
<video:title>レイフ・オヴェ・アンスネスが奏でる《展覧会の絵》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4ce9126415a1af02473bc04f27d176e8eab036d8.jpg</video:thumbnail_loc>
<video:description>本映像では、2009年に行われたリソール室内楽フェスティバルの模様をお届けいたします。出演したのは世界的に圧倒的な存在感を示しているピアニスト、レイフ・オヴェ・アンスネス。この日のコンサートのメインとなったのはムソルグスキーによる巨大なピアノ曲集《展覧会の絵》です。アンスネスは南アフリカのアーティスト、ロビン・ロードとのコラボレーションにより、鮮やかな映像とのコラボレーションでこの名曲を演奏しています。スケールの大きなアンスネスの演奏と革新的な映像が織りなす世界をお楽しみください。</video:description>
<video:duration>2133</video:duration>
<video:publication_date>2024-11-22T14:18:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T13:19:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJGDG</loc>
<video:video>
<video:title>クルト・マズアが指揮するリヒャルト・シュトラウス作品</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b48d9b5c4ad37576838d6c80e0b4392654adb832.jpg</video:thumbnail_loc>
<video:description>ライプツィヒ・ゲヴァントハウス管弦楽団のカペルマイスターやニューヨーク・フィルハーモニックの音楽監督などを務めたドイツの指揮者であるクルト・マズア。本映像では、マズアがライプツィヒ・ゲヴァントハウス管弦楽団を指揮し、ソプラノのユリア・ヴァラディをソリストに迎えたシュトラウスの《4つの最後の歌》、そして弦楽合奏のための《メタモルフォーゼン》を演奏しています。フランクフルトのアルテ・オーパーで演奏された模様をライヴ収録したもので、白熱の演奏をお楽しみいただけます。</video:description>
<video:duration>3946</video:duration>
<video:publication_date>2024-11-22T14:10:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T12:33:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0D8</loc>
<video:video>
<video:title>ヴィクトル・オルリ・アルナソンのドキュメンタリー作品『ポエム』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2ba3aa36cd7d51f13a6ea87d558f65cf3cb18a95.jpg</video:thumbnail_loc>
<video:description>ドキュメンタリー作品『POEMS』は、アイスランドの作曲家ヴィクトル・オルリ・アルナソンとソプラノ歌手のアルフヘイズル・アーラ・グズムンズドッティルが、アイスランドの文化遺産を探求し、過去と現在のアイスランドで最も著名な詩人たちに光を当てる音楽巡礼の旅の模様が収められています。詩人オロフ・シグルザルドッティルが執筆していた小さな木造家屋や、霧の中に氷河が潜むスネーフェルスネスの息を呑むようなフィヨルドなどで、詩や歌を披露するデュオの姿を、一連のライブ・ショットとワンテイクの切れ目ないショットでお楽しみ下さい。</video:description>
<video:duration>3969</video:duration>
<video:publication_date>2024-11-14T12:07:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T12:06:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ICG</loc>
<video:video>
<video:title>生誕100年記念ドキュメンタリー『ショルティ 人生の旅』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4b00bfde9c9c2deb94621acf5d04d2083019b60e.jpg</video:thumbnail_loc>
<video:description>こちらは20世紀の偉大な指揮者のひとり、サー・ゲオルグ・ショルティの生誕100年を記念して2012年に制作されたドキュメンタリー映画です。監督はカルロス・クライバーのドキュメンタリーなどで注目を集めたゲオルク・ヴュボルト。映像は夫人の協力を得て、貴重な写真や映像が盛り沢山。ブダペストでの活動初期からミュンヘンやロンドン、シカゴなどでのポストを経てカラヤンやバーンスタインら同世代の指揮者と肩を並べ、最後の舞台に立つまでのキャリアとその生涯が立体的に描かれます。彼をよく知るゲルギエフやドホナーニら偉大な音楽家たちの思い出も必見です。ぜひこの機会にユニークな音楽家の生きざまを振り返ってみてはいかがでしょうか。</video:description>
<video:duration>3121</video:duration>
<video:publication_date>2024-10-22T11:24:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T06:33:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJAC8</loc>
<video:video>
<video:title>ショルティ＆ウィーン・フィルによるコダーイ＆ベートーヴェン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a627cba4edaa7b0d033eb7accb073742a2b9729e.jpg</video:thumbnail_loc>
<video:description>こちらは1997年に85歳の誕生日を迎える直前の9月5日に亡くなったショルティ最後のコンサート映像のひとつで、1995年にウィーン楽友協会で収録されたものです。彼の豊富なレパートリーの大部分は、主に手兵シカゴ交響楽団とのレコーディングによって残されていますが、ここではウィーン・フィルを相手に晩年になってもなお明晰かつ卓越したコントロールを誇った、ショルティの驚異的な指揮ぶりをご堪能ください。コダーイが1927年に作曲した人気作《ハーリ・ヤーノシュ》組曲では、若き日にブダペストの大音楽家たちに師事したショルティならではの色彩感を際立たせ、一方のベートーヴェンではリズムの推進力と躍動感に満ち溢れた演奏を聴かせてくれます。</video:description>
<video:duration>3921</video:duration>
<video:publication_date>2024-10-15T15:03:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-28T06:30:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8D0</loc>
<video:video>
<video:title>新たに発見されたモーツァルトの未公開作品</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e791a79dc44a9379f692609012982af6319281e7.jpg</video:thumbnail_loc>
<video:description>2024年9月、国際モーツァルテウム財団によって、ドイツのライプツィヒ市立音楽図書館のカール・フェルディナント・ベッカー・コレクションからモーツァルトの未公開作品が新たに発見されました。《ガンツ・クライネ・ナハトムジーク (とても小さな夜の歌) 》と呼ばれる2つのヴァイオリンと通奏低音のための作品で、1766年から1769年にかけて10代の頃に作曲したものと考えられます。本映像はザルツブルクのモーツァルテウム音楽院で撮影された初の映像付き録音で (作曲当時のモーツァルトと同じ年齢のヴァイオリニスト2人を含む4人の若い音楽家による) ヴァイオリン2本とコントラバス、チェンバロによる演奏です。</video:description>
<video:duration>1017</video:duration>
<video:publication_date>2024-10-11T10:11:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-27T19:40:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCD8</loc>
<video:video>
<video:title>ラウタヴァーラの《最後の処女地にて》の世界初演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c74a6a96409da2e96cbd733f221f84bf1657d5d0.jpg</video:thumbnail_loc>
<video:description>エイノユハニ・ラウタヴァーラは、現代フィンランド音楽界の最重要人物であり、現代音楽作曲家を代表する人物のひとりでもあります。本映像では、彼の作品の数々が収録されています。特に注目すべきは、エドガー・アラン・ポーの同名の作品にインスパイアされた合唱とオーケストラによる《最後の処女地にて》1997年当時の世界初録音です。神秘主義と自然が、清らかなサウンドによって美しく、そして迫力をもって描き出されています。</video:description>
<video:duration>1725</video:duration>
<video:publication_date>2024-11-01T13:48:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-26T10:51:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3EE0</loc>
<video:video>
<video:title>モンテヴェルディのイタリアを巡る旅 : ローマ</video:title>
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<video:description>ガーディナー率いるモンテヴェルディ合唱団とイングリッシュ・バロック・ソロイスツによる“モンテヴェルディが見たイタリア”を巡る旅もいよいよ大詰めを迎えます。最後に訪れた地は永遠の都ローマ。ルネサンス及びバロック美術を中心としたコレクションで知られるボルゲーゼ美術館で、カラヴァッジオ、ベルニーニ、ティツィアーノらの名画を前にモンテヴェルディの音楽に新たな命を吹き込みます。プログラムはマドリガーレ集を中心に歌劇《オルフェオ》の名場面までの選りすぐりで、ガーディナー自身がプレゼンターの役割を担います。この最高に贅沢な饗宴を心ゆくまでお楽しみください。</video:description>
<video:duration>3205</video:duration>
<video:publication_date>2024-11-25T10:31:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-11-25T12:32:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36D0</loc>
<video:video>
<video:title>アンドリス・ネルソンスがマーラーの交響曲第7番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9838edf68c0ae5c1707404dfa6406bd90a0c8c41.jpg</video:thumbnail_loc>
<video:description>いま世界で最も忙しい指揮者の一人であるアンドリス・ネルソンス。本映像では彼がウィーンフィルハーモニー管弦楽団を指揮し、マーラーの交響曲第7番を演奏しています。ネルソンスとウィーンフィルは、ツアーやザルツブルク音楽祭などで積極的にマーラーの様々な作品演奏に取り組んでおり、この映像でも深い洞察によって生み出される音の世界をお聴きいただけます。「夜曲」の副題を持つ第2、4楽章の繊細な音づかいの表現は特に聴く者を魅了することでしょう。</video:description>
<video:duration>5291</video:duration>
<video:publication_date>2023-01-26T08:52:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T10:42:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3AE0</loc>
<video:video>
<video:title>ネルソンスがマーラー9番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/373e4ee3f15aec9e867b3a0a95c35bf862880b61.jpg</video:thumbnail_loc>
<video:description>ボストン交響楽団の音楽監督就任後、三度のグラミー賞受賞という偉業を成し遂げた指揮者のアンドリス・ネルソンスが2022年11月、「セイジ・オザワ松本フェスティバル30周年記念特別公演」に登場しました。本映像では、同フェスティバルのための特別編成オーケストラ「サイトウ・キネン・オーケストラ」と共にマーラーの最高傑作である交響曲第9番を演奏した際の模様が収められており、ネルソンスが楽曲に漂う「死」の世界を鮮烈に描き出していく様をご覧いただくことができます。</video:description>
<video:duration>6357</video:duration>
<video:publication_date>2023-09-01T12:17:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T10:40:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38D0</loc>
<video:video>
<video:title>フルトヴェングラー最後の映像作品、モーツァルトの《ドン・ジョヴァンニ》</video:title>
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<video:description>本映像では、世界で最も人気のあるオペラのひとつである《ドン・ジョヴァンニ》が最高峰の演奏と演出でお楽しみ頂けます。これは1954年のザルツブルク音楽祭で収録されたもので、チェーザレ・シエピ、エリザベート・グリュンマー、リーザ・デラ・カーザという抜群のソリストが揃っているのはもちろん、伝説的指揮者であるヴィルヘルム・フルトヴェングラー最後の映像記録でもあります。まさに偉大な指揮者による遺産といえるでしょう。</video:description>
<video:duration>10641</video:duration>
<video:publication_date>2024-06-05T10:13:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-19T09:52:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJECO</loc>
<video:video>
<video:title>期待の新星チェリスト、サンティアゴ・カニヨン＝バレンシアの紹介</video:title>
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<video:description>コロンビアの生まれで、エリザベート王妃国際コンクール (2017年) 第3位やチャイコフスキー国際コンクール (2019年) 銀メダルおよび「聴衆賞」などに輝くチェロ界のニュー・スター、サンティアゴ・カニヨン＝バレンシアの魅力を紹介するステージプラス「ライジングスター・シリーズ」のショーケース。ストラヴィンスキーに始まり、ペルトやラウタヴァーラら現代音楽あり、南米の作曲家の作品あり、自作曲ありのヴァラエティに富んだラインナップで魅せます。ベルリン在住の日本人ピアニスト薗田奈緒子の好サポートぶりにもご注目ください。</video:description>
<video:duration>2874</video:duration>
<video:publication_date>2024-11-11T07:53:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-14T13:08:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0</loc>
<video:video>
<video:title>バーンスタイン、チャイコフスキーの「第5」を振る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/18738a34fc6ca617ba7d8a4413191cb850f1feb7.jpg</video:thumbnail_loc>
<video:description>1974年収録の当演奏会は、ボストン響がその伝説的指揮者、セルゲイ・クーセヴィツキーの生誕100周年を祝って行ったものです。タクトを取ったのは、彼の薫陶を受けたレナード・バーンスタイン。バーンスタインは、ロシア人作曲家の作品をあまり指揮していませんが、チャイコフスキーの交響曲第5番は、その数少ない例外に数えられます。ここでも、バーンスタインらしい入魂の演奏が実現しています。</video:description>
<video:duration>3142</video:duration>
<video:publication_date>2022-04-21T14:54:23Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-12T08:28:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3IE8</loc>
<video:video>
<video:title>『My American Story: North』について</video:title>
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<video:description></video:description>
<video:duration>332</video:duration>
<video:publication_date>2024-11-07T16:34:14Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T16:56:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJEC8</loc>
<video:video>
<video:title>ファビオ・ルイージが挑むスクリャービンとブラームス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22c52b28c2180b0b0bf80d985809b3bdcfe5973b.jpg</video:thumbnail_loc>
<video:description>現在NHK交響楽団の首席指揮者を務めるファビオ・ルイージはいま日本で最も知られている指揮者のひとりといえるでしょう。オペラの指揮も得意とする彼が本映像で挑むのはスクリャービンが神秘主義に傾倒し始めた時期の代表作《法悦の詩》です。官能的な世界が広がる作品に深く切り込むファビオのアプローチに注目です。さらにプログラムにはブラームスの交響曲第3番が並びます。対照的ともいえる２つの作品を通して、オーケストラを巧みに操るファビオの手腕に驚かされることでしょう。</video:description>
<video:duration>3474</video:duration>
<video:publication_date>2024-11-06T13:14:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-11-07T12:21:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJECG</loc>
<video:video>
<video:title>ファビオ・ルイージがスクリャービンの意欲作《プロメテウス》に挑む</video:title>
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<video:description>ロシアを代表する作曲家のひとりであるアレクサンドル・スクリャービン。彼は神智主義に傾倒し、それを見事に音楽化したともいえる作品、《《プロメテウス - 火の詩》》を1910年に完成させました。「色光ピアノ」の使用など、様々なアイディアが盛り込まれています。DRコンサートホールという美しい環境で、現代の最高のピアニストの一人、ピエール=ロラン・エマールをソリストに迎えた名演をお楽しみいただけます。カップリングはR.シュトラウス《メタモルフォーゼン》とワーグナーの《トリスタンとイゾルデ》で、それぞれが補完しあうような組み合わせです。</video:description>
<video:duration>4389</video:duration>
<video:publication_date>2024-11-06T13:24:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-11-07T12:17:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJCE0</loc>
<video:video>
<video:title>ファビオ・ルイージが挑むスクリャービンとシェーンベルク</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f718e86f5c118557030ff1afd605d77c10268a7.jpg</video:thumbnail_loc>
<video:description>現在NHK交響楽団の首席指揮者を務めるファビオ・ルイージはいま日本で最も知られている指揮者のひとりといえるでしょう。オペラの指揮も得意とする彼が本映像で挑むのはスクリャービンの初期の意欲作、交響曲第1番にシェーンベルクの《浄められた夜》です。いずれも作曲家独自の音世界をお楽しみ頂ける楽曲であり、この二つが並ぶことで一つの世界観が構築されています。ファビオの研ぎ澄まされた集中力によるタクトで作品の色彩や奥行きを改めて感じて頂けることでしょう。 </video:description>
<video:duration>5201</video:duration>
<video:publication_date>2024-11-06T12:21:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T12:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJAD0</loc>
<video:video>
<video:title>グリモーがエッシェンバッハとベートーヴェンのピアノ協奏曲第4番を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/58d8e6d76767faf1293766642ee4f86b19fd97de.jpg</video:thumbnail_loc>
<video:description>作品に深く没入しつつ、端正なピアニズムと多彩な表現力で作品の内容を鮮やかに届けるピアニストであるエレーヌ・グリモー。幅広いレパートリーを誇りますが、ベートーヴェンとの相性は非常によく、本映像では彼女の音色の美しさとスケールの大きな音楽づくりが活きています。パリ管弦楽団と共にそれを支えるのはクリストフ・エッシェンバッハ。色彩豊かな音色がピアノと美しく溶け合っていきます。またベルリオーズの《幻想交響曲》では作品のドラマを余すことなく聴き手に届けてくれます。</video:description>
<video:duration>5813</video:duration>
<video:publication_date>2024-10-23T10:42:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T11:56:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32E8</loc>
<video:video>
<video:title>TRANSITION II</video:title>
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<video:description></video:description>
<video:duration>183</video:duration>
<video:publication_date>2024-05-16T10:30:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:20:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2D8</loc>
<video:video>
<video:title>『バッハ・リワークス』より ”...And At The Hour Of Death&quot; (C.バズーラ編曲)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e266290bffdf9cc4d7edaae3b9ef8801f775e421.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>151</video:duration>
<video:publication_date>2022-11-12T17:55:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:19:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CE0</loc>
<video:video>
<video:title>Ararat</video:title>
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<video:description></video:description>
<video:duration>223</video:duration>
<video:publication_date>2024-09-03T09:14:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:11:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJEDO</loc>
<video:video>
<video:title>プレリュード 2</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/09e431b189c2f5f58fcefd18ff6c066447af917b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2022-12-03T14:05:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:08:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJEE8</loc>
<video:video>
<video:title>ムーンライト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e49d11c43b6a3ae8795fd11d88aa477df68aa36.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>340</video:duration>
<video:publication_date>2022-12-03T14:30:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:08:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJED8</loc>
<video:video>
<video:title>Meredi : White Flowers Take Their Bath</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a15363aa08bd4478099ceb3b365653a00daa5591.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>204</video:duration>
<video:publication_date>2022-12-03T13:37:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCD8</loc>
<video:video>
<video:title>マソット : Sol Levante</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f27b5f0b7ea82370491c9cf6066a8ee51a8b42e7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2022-11-27T09:59:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJEDG</loc>
<video:video>
<video:title>ヘルマーソン : Timelapse</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/44cdbc2463748b69603c77958bc77ccda1da7586.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-12-03T13:47:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:07:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGC0</loc>
<video:video>
<video:title>マックス・リヒターの《Fragment》</video:title>
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<video:description></video:description>
<video:duration>92</video:duration>
<video:publication_date>2022-12-03T14:43:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:04:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJED0</loc>
<video:video>
<video:title>エイナウディの《朝》 (ヴァイオリンのための編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c78fd90f93545da2bc8355f7e2b5b68ba2b46670.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2022-12-03T13:27:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:03:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34CO</loc>
<video:video>
<video:title>Bells (歌声つき)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c015dab5e94cf01537fdcc6b6114e6cf96b561f3.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>206</video:duration>
<video:publication_date>2024-05-21T18:07:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:02:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJIC0</loc>
<video:video>
<video:title>Arms Open Wide</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1492f3649fcb5e581b33f2c979fb8812d43f4de.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>303</video:duration>
<video:publication_date>2023-12-06T15:10:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:01:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJECG</loc>
<video:video>
<video:title>イーノの《By This River》(ヴァイオリン編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/29754f06681445ca9ec51b6ef0d46fd20ac297c4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>215</video:duration>
<video:publication_date>2022-12-02T06:31:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:01:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GDO</loc>
<video:video>
<video:title>《モアノラ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85b91bdfcb4ad9ebb4aaa6ca5fb035be990bef40.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>118</video:duration>
<video:publication_date>2024-10-15T12:20:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T10:00:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36C0</loc>
<video:video>
<video:title>Malasana</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d557244ef66c8ad97d1833f8689ad27a685af92e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>317</video:duration>
<video:publication_date>2022-12-18T03:19:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:59:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6E8</loc>
<video:video>
<video:title>シグナム・サクソフォン・カルテットがアルバム『Echoes』収録曲を披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d62b4e276cb8eb011c86c3b3b5a5e4b3a5a4215.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンの注目のアーティストによるライヴ・コンサートシリーズ「ミュージカル・モーメント」に、デビュー・アルバム『Echoes』でセンセーショナルな話題を呼んだサックス・カルテット、シグナムが登場しました。彼らはベルリン・マイスターザールでダウランド、アルビノーニ、フォーレ、ヒンデミット、グラスなど様々な作曲家の作品の編曲作品を披露しています。様々な国と時代を自由に横断できる幅広い音楽性と多彩な音色は、サックスと楽曲の新たな魅力に気づかせてくれることでしょう。チェリストのヒラ・カルニの音色も見事に調和しています。</video:description>
<video:duration>2658</video:duration>
<video:publication_date>2022-07-27T13:57:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:58:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GD0</loc>
<video:video>
<video:title>注目の女性デュオ、ハニャとドブラヴァの「Inner Symphonies」ポーランド・ライヴ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0d98073bab4fb870e4f79f29925d7c7642673d72.jpg</video:thumbnail_loc>
<video:description>ピアニスト、作曲家で歌手のハニャ・ラニとチェリストのドブラヴァ・チョヘルがドイツ・グラモフォンからのデビュー・アルバムとしてリリースしたアルバム「Inner Symphonies」収録曲をクラクフのスウォヴァツキ劇場で演奏した模様が収められた映像です。ラニとチョヘルは女性デュオ。アコースティックなサウンドに電子音楽も取り入れたジャンルレスな作品と演奏は世界的な注目を集めています。パンデミックの時代に制作されたアルバムには希望のメッセージが込められており、厳しい時代を生きる私たちに強いメッセージを与えてくれることでしょう。</video:description>
<video:duration>2771</video:duration>
<video:publication_date>2022-12-15T10:45:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:54:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQG</loc>
<video:video>
<video:title>マックス・リヒターによるリコンポーズ：ヴィヴァルディの《四季》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a45e5a29a40476fbb31ccdcfaaf43ad193f5892f.jpg</video:thumbnail_loc>
<video:description>ポスト・クラシカルの旗手であるマックス・リヒター。彼が2012年に“再作曲”したヴィヴァルディの《四季》は多くの奏者、聴衆に愛され、もはや“古典”といえるほどに再演されてきました。原作、そして作曲者への敬愛を感じさせながらも、鳥のさえずりをはじめとする自然音に電子音が加わり、リヒターの色もしっかりと混ざり合うことで独自の作品として存在感を放っているのです。本映像ではこの作品を、卓越した技術と幅広い音楽性を誇るダニエル・ホープがソリストを務め、シンセサイザーにはリヒター本人も加わり演奏しています。</video:description>
<video:duration>2623</video:duration>
<video:publication_date>2022-04-21T09:27:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:53:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38C0</loc>
<video:video>
<video:title>マックス・リヒター2020年の新作は朗読とのコラボレーションも含む『ヴォイシズ』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d1b552d9003f88a7c5ee6a5132ba60492035ae37.jpg</video:thumbnail_loc>
<video:description>世界の音楽シーンを牽引するマックス・リヒターが2020年に発表したアルバム『ヴォイス』。本映像はそのアルバム収録曲の公演の模様をご覧いただけます。世界が大きな変化を迎えた2020年に、『世界人権宣言』の朗読と音楽をコラボレーションさせるという革新的な試みによって、リヒターは音楽で希望のメッセージを発信したのです。「普通だとされるものが転覆するというアイディア」から生まれた、これまでにない楽器編成が生み出すサウンドは、力強く前進する力を与えてくれます。</video:description>
<video:duration>3586</video:duration>
<video:publication_date>2022-12-12T15:16:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:53:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ECG</loc>
<video:video>
<video:title>マックス・リヒター《インフラ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fa60e547797baec9c7baaa2f7bfccf55ae8a2450.jpg</video:thumbnail_loc>
<video:description>《四季》再作曲に映画音楽など、21世紀の音楽シーンを牽引する存在であるマックス・リヒター。彼は2008年にアルバム『インフラ』をリリースしました。この作品は同年に初演され、高い評価を得たウェイン・マクレガー振り付けによるロイヤル・オペラ・ハウスのバレエ作品のために書かれたものです。2005年7月7日にロンドンで起きた地下鉄爆破事件を受けて書かれ、T.S.エリオットの詩「荒地」からインスピレーションを得ています。本映像では2021年にエルプフィルハーモニーが行った深く心に迫る演奏の模様をご覧いただけます。</video:description>
<video:duration>2044</video:duration>
<video:publication_date>2022-12-05T13:46:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:52:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36CO</loc>
<video:video>
<video:title>ハニャ＆ドブラヴァ、ロジャー・イーノとピーター・グレッグソン : ロンドン・ライブ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/efdc540b2f356f543b2f23c279a85258edab886e.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンが誇るニュー・レパートリーの主要アーティスト4人が、ロンドンの象徴的なロイヤル・フェスティバル・ホールのスピリットランドに集結し、彼らの最新楽曲の数々を披露します。このライブ映像では、ロジャー・イーノが弦楽五重奏団とともにソロ・アルバム『ターニング・イヤー』から、ハニア・ラニとドブラヴァ・チョヘルは『インナー・シンフォニー』からの楽曲を演奏。最後に、ピーター・グレッグソンがエレクトロニクスとプログラミングを駆使し、彼の弦楽四重奏集《One – Four》からのセレクションで締めくくります。</video:description>
<video:duration>4506</video:duration>
<video:publication_date>2024-05-22T14:07:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-07T09:52:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6CG</loc>
<video:video>
<video:title>クラウド・ゲイト・ダンスシアター (雲門舞集) ～放浪者の歌</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/605f957b7449a4559d645f4313b3f278e2123fa7.jpg</video:thumbnail_loc>
<video:description>クラウド・ゲイト・ダンスシアターは、中国語圏で初めてのコンテンポラリー・ダンス・カンパニーとして1973年に台湾で創立。創設者で芸術監督のリン・フアイミン (林懐民) は1947年の生まれで、米国留学時にモダン・ダンスに触発されニューヨークでマーサ・グラハムやマース・カニングハムのもとで学びました。彼の作品はアジアの信仰、神話、民話、美学などからインスピレーションを得たもので、世界のどんなカンパニーにもない、成熟した中国の身体言語を表現するものです。ダンサーたちはその高度な舞踊表現の要求に応えるためにバレエはもちろん、太極導引 (呼吸法に重点を置いた一種の柔軟運動) 、武術、書道などを習得し独自の世界を生み出します。この映像で紹介される1994年初演 (台湾) の作品《放浪者の歌》は仏教とヒンドゥー教の宗教的慣習、稲刈り後の稲で遊ぶことを禁じられた幼少期のフラストレーション、そしてヘルマン・ヘッセの『シッダールタ』からインスピレーションを得たもので、その世界観を現すためにアジアを遠く越えグルジア (ジョージア) までその音楽を求めています。3.5トンもの煌めく黄金の粒 (稲) を用いた刺激的で静謐な神秘の舞台をお楽しみください。</video:description>
<video:duration>3470</video:duration>
<video:publication_date>2024-09-11T07:09:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-05T20:37:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJAE8</loc>
<video:video>
<video:title>シフが弾くフランス組曲とイタリア協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a4102d4790b6f86ae9026d14ab6ff080453c155.jpg</video:thumbnail_loc>
<video:description>アンドラーシュ・シフにとって、バッハは「ヨーロッパ音楽史の頂点」を体現する存在です。バッハがトーマス教会の宮廷楽長として長く活躍したライプツィヒで2010年に開催されたバッハ音楽祭での演奏が示すように、シフの音楽づくりはバッハでこそ最大限に生かされます。1722年から1724年にかけて作曲された6曲のフランス組曲は、息をのむような作曲技術と舞踏のような優美さを併せ持つ作品です。最後に、1735年に発表された「フランス風序曲」と「イタリア協奏曲」を演奏します。</video:description>
<video:duration>7890</video:duration>
<video:publication_date>2022-09-06T08:56:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-05T09:59:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34D8</loc>
<video:video>
<video:title>ショルティとシカゴ交響楽団が奏でるヴァーグナー序曲集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f23f116301dab78b5d0d12b099c260fc29d4b996.png</video:thumbnail_loc>
<video:description>20世紀最高の指揮者のひとり、サー・ゲオルグ・ショルティは、このオーケストラの世界的な名声を大きく広げ、高めたと評価されています。共演を重ねた後、1969年に音楽監督に就任しましたが、その後数々の名演を遺しています。本映像のものもその一つです。オール・ワーグナー・プログラムですが、作り方をあまり重々しくし過ぎず、音楽を鮮やかに聴き手に届けることを念頭に置いた演奏になっています。ワーグナーに親しみがない、という方も入っていきやすい演奏の一つです。</video:description>
<video:duration>3616</video:duration>
<video:publication_date>2023-07-21T10:02:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T15:14:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3IDG</loc>
<video:video>
<video:title>チョン・キョンファも出演、ショルティと手兵シカゴ響によるメンデルスゾーン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e682cd50e00e5e39db3235b2efcd40b1c945f90d.jpg</video:thumbnail_loc>
<video:description>第8代音楽監督として20年あまりにわたって手腕を発揮し、ライナー時代（6代目）に次ぐ第2期黄金時代を築いた巨匠ショルティと、そのシカゴ交響楽団による最盛期のメンデルスゾーン演奏をお届けします。三大協奏曲のひとつである「ホ短調」では、当時世界各国で年に100回前後の公演を行い、同時にデッカのレコーディング・セッションにも積極的に取り組むなど、エネルギッシュな活動を展開していたチョン・キョンファが、卓越した技術で情熱的にプレイする姿を存分に堪能できます。</video:description>
<video:duration>5957</video:duration>
<video:publication_date>2023-11-01T16:12:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T15:13:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36DO</loc>
<video:video>
<video:title>第16回ゲザ・アンダ国際ピアノコンクール～モーツァルト・セミ・ファイナル II</video:title>
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<video:description>ハンガリーのブダペストで生まれスイスのチューリッヒに没したゲザ・アンダ (1921-1976) は、フルトヴェングラーに「ピアノの吟遊詩人」と讃えられた20世紀の偉大なピアニストのひとりで、1959年からドイツ・グラモフォンの専属として、実用化されたばかりのステレオLPレコードのために数多くの録音を残しました。同コンクールは彼の功績を称えて1979年から3年ごとに開催されているもので、第16回大会は2024年5月30日から6月8日まで36名が参加して行われました。この映像では準決勝進出者 6名のピアニストのうち、北京生まれのダイ・リャン、第17回ショパン国際ピアノコンクールで第3位に入賞したことで知られるケイト・リウ、そしてモスクワ出身のイリヤ・シュムクレルの3名が、それぞれミハイル・プレトニョフの指揮でモーツァルトのピアノ協奏曲を演奏する模様をお届けします。</video:description>
<video:duration>6762</video:duration>
<video:publication_date>2024-06-26T11:49:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-04T08:31:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3EDG</loc>
<video:video>
<video:title>チャイコフスキー : 《四季》op. 37a より〈6月 舟歌〉</video:title>
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<video:description></video:description>
<video:duration>168</video:duration>
<video:publication_date>2024-09-20T12:19:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-11-01T10:47:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36D0</loc>
<video:video>
<video:title>カラヤンが指揮するオペラ映画《オテロ》</video:title>
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<video:description>カラヤンが指揮と共に自ら演出も手がけたヴェルディ後期の傑作《オテロ》のオペラ映画をお届けします。男性的な声を柔軟に駆使して苦悩に満ちた表情や演技で魅せるオテロ役のヴィッカースを筆頭に、情緒豊かで清楚な雰囲気も漂わせるフレーニのデズデモナ、如何にも邪悪そうなグロソップのイヤーゴと、主役3人にヴェルディが望む通りの名歌手をキャスティング。特撮効果も用いた迫力ある映像で、非常に見応えのある作品に仕上がっており期待を裏切りません。</video:description>
<video:duration>8394</video:duration>
<video:publication_date>2024-05-23T13:57:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-31T11:42:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ8E8</loc>
<video:video>
<video:title>ショルティ＆シカゴ交響楽団の黄金タッグによるロッシーニのオペラ序曲集</video:title>
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<video:description>あらゆる楽曲でその才能を発揮した指揮者であったサー・ゲオルグ・ショルティでしたが、オペラの指揮でも非常に高い評価を受けていました。本映像はそんなショルティのオペラ指揮者としての素晴らしさをご覧いただけます。ロッシーニの序曲が集められており、それぞれの作品における人物や情景描写の力の一端を感じて頂けることでしょう。また作品自体も華やかで楽しい、魅力的なものばかりとなっています。</video:description>
<video:duration>3551</video:duration>
<video:publication_date>2024-10-14T14:17:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-26T20:41:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJAC0</loc>
<video:video>
<video:title>ショルティ＆シカゴ交響楽団の黄金タッグによるブルックナーの交響曲第6番</video:title>
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<video:description>20世紀を代表する指揮者であったサー・ゲオルグ・ショルティ。世界中から尊敬された音楽家であり、数多くの名演を世に送り出してきましたが、シカゴ交響楽団との共演は「世界最高」とも評されていました。本映像ではショルティ＆シカゴ交響楽団によるブルックナーの交響曲全曲録音の第1弾である第6番の演奏をご覧いただけます。当時この演奏は賛否両論を巻き起こしつつも、現在ではブルックナー演奏における金字塔といえるものになっています。</video:description>
<video:duration>3845</video:duration>
<video:publication_date>2024-10-15T10:18:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-26T20:39:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJEE8</loc>
<video:video>
<video:title>ヘラ・イェサン・パク : アルバム『Breathe』リサイタル</video:title>
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<video:description>韓国出身のソプラノ歌手ヘラ・イェサン・パクによるリサイタルを、ブエノスアイレスの名門歌劇場テアトロ・コロンからお届けします。2023年にドイツ・グラモフォンからリリースされた2ndアルバム『Breathe』のコンセプトとも重なる、美しい“息づかい”を感じさせるプログラム。オーストラリアのルーク・ハワードやカナダのセシリア・リヴィングストンら現代の作曲家による作品から、ベルカント・オペラのアリア、ドイツ・リートに韓国歌曲、ラテン・アメリカのナンバーまで盛り沢山の内容です。</video:description>
<video:duration>5581</video:duration>
<video:publication_date>2024-06-24T09:25:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-21T12:54:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3EC8</loc>
<video:video>
<video:title>スペイン・ツアーのソコロフ～パーセル＆モーツァルト</video:title>
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<video:description>現代の名ピアニストのひとり、グリゴリー・ソコロフの2023年のツアー演奏をお届けします。この映像はスペインでの2つの公演 (サン・セバスティアンのクルサール公会堂とサンタンデールのパラシオ・デ・フェスティバレス) を収録したものです。バロックから現代音楽に至る幅広いレパートリーで知られる巨匠が今回挑んだのはヘンリー・パーセル。鍵盤楽器のための3つの組曲や新しいアイルランドの調べ、現在では弦楽で演奏されることの多いシャコンヌ ト短調など貴重なプログラムをお楽しみください。後半ではより馴染み深いモーツァルト円熟期の作品に焦点をあて、そしてアンコールではラモー、ショパン、バッハの小品などで真骨頂を示します。</video:description>
<video:duration>6048</video:duration>
<video:publication_date>2024-10-16T09:50:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-18T14:31:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GDG</loc>
<video:video>
<video:title>トリフォノフがデュトワの指揮でドヴォルザークの協奏曲を演奏</video:title>
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<video:description>本映像は、チェコ・フィルハーモニー管弦楽団の新シーズン幕開けです。「音の魔術師」の異名をとる名匠シャルル・デュトワが指揮台に立ちました。注目はダニール・トリフォノフとの共演によるドヴォルザークのピアノ協奏曲。演奏機会の少ない楽曲ですが、リヒテルも得意としていた作品で、旋律と和声の美しさと技巧が見事に調和しています。ベルリオーズの《幻想交響曲》もオーケストラの魅力を存分に味わえる作品しょう。狂気の世界が圧倒的なスケールで描き出されていきます。</video:description>
<video:duration>6450</video:duration>
<video:publication_date>2024-10-02T14:46:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-18T06:12:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6D8</loc>
<video:video>
<video:title>ノリントン＆カメラータ・ザルツブルクによるハイドン「パリ交響曲」: 第83番・第84番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d2c895a2fb5d90580a2011c517f9bd6dacf85f7b.jpg</video:thumbnail_loc>
<video:description>ピリオド楽器による演奏で古典からロマン派の作品に新しい光を投げかけてきたロジャー・ノリントンは2000年のザルツブルク音楽祭で、欧州屈指の室内オーケストラであるカメラータ・ザルツブルクを指揮して円熟期のハイドンが残した「パリ交響曲」として知られる全6作品を演奏しました。そのうちここでは《めんどり》の愛称で親しまれている第83番と高貴な第84番が溢れんばかりの活気と献身、そしてウィットとともに披露されるのをお楽しみください。</video:description>
<video:duration>3545</video:duration>
<video:publication_date>2024-09-11T15:04:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:24:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6D0</loc>
<video:video>
<video:title>ノリントン＆カメラータ・ザルツブルクによるハイドン「パリ交響曲」: 第85番・第87番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2afc6155b9389bbc1f2fb8aa7b6031a91e658454.jpg</video:thumbnail_loc>
<video:description>ピリオド楽器による演奏で古典からロマン派の作品に新しい光を投げかけてきたロジャー・ノリントンは2000年のザルツブルク音楽祭で、欧州屈指の室内オーケストラであるカメラータ・ザルツブルクを指揮して円熟期のハイドンが残した「パリ交響曲」として知られる全6作品を演奏しました。そのうちここでは、かのマリー・アントワネットも愛したことから《王妃》の愛称で親しまれている荘重な第85番と、闊達な曲想を持つ第87番をお楽しみください。</video:description>
<video:duration>3238</video:duration>
<video:publication_date>2024-09-11T14:29:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:16:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6CO</loc>
<video:video>
<video:title>ノリントン＆カメラータ・ザルツブルクによるハイドン「パリ交響曲」: 第82番・第86番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/672154339ebff7713ca764b34385e3cd4793ff0c.jpg</video:thumbnail_loc>
<video:description>ピリオド楽器による演奏で古典からロマン派の作品に新しい光を投げかけてきたロジャー・ノリントンは2000年のザルツブルク音楽祭で、欧州屈指の室内オーケストラであるカメラータ・ザルツブルクを指揮して円熟期のハイドンが残した「パリ交響曲」として知られる全6作品を演奏しました。そのうちここではハイドンの斬新で画期的な作曲法がスリリングに描き出される、《熊》の愛称で親しまれている華麗な82番と壮大な86番をお楽しみください。</video:description>
<video:duration>3747</video:duration>
<video:publication_date>2024-09-11T14:02:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-15T05:15:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3GD8</loc>
<video:video>
<video:title>《ガンツ・クライネ・ナハトムジーク》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13e6d4476934b51d9db51f8765b0bc0254e42c53.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>152</video:duration>
<video:publication_date>2024-10-11T10:37:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-11T19:07:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ0</loc>
<video:video>
<video:title>マイケル＆ダニエル・バレンボイムのモーツァルト：ヴァイオリン・ソナタ その１（K. 454/481）</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fc61ab1500a8cdfa17496f1f4306c364be978afd.jpg</video:thumbnail_loc>
<video:description>指揮者、ピアニストとして世界中で強い存在感を示し続けるダニエル・バレンボイム。彼の息子であるマイケルもまた優れた音楽家として近年特に注目を集めています。本映像ではその親子共演でモーツァルトのヴァイオリン・ソナタの演奏をご覧いただけます。ベルリンのピエール・ブーレーズ・ザールで演奏されたのはモーツァルト後期のソナタである第32番変ロ長調と第33番変ホ長調です。音楽による対話の魅力を存分に発揮した演奏をお楽しみください。</video:description>
<video:duration>2994</video:duration>
<video:publication_date>2022-06-15T10:17:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:21:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ6</loc>
<video:video>
<video:title>マイケル＆ダニエル・バレンボイムのモーツァルト：ヴァイオリン・ソナタ その2（K.360/526)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b2de56f8a89645ab51be36f7c8384442a086dc56.jpg</video:thumbnail_loc>
<video:description>ダニエル・バレンボイムが息子のマイケルとともに行った共演の模様の第2弾です。再びピエール・ブーレーズ・ザールでモーツァルトのヴァイオリン・ソナタを演奏しています。ソナタ第35番イ長調は、モーツァルトのソナタの中でも特に厳しい要求が行われている作品の一つですが、美しく優雅な雰囲気を湛えています。バレンボイム親子の煌びやかな音色、確かな技巧は作品の魅力を鮮やかに示し、協奏曲のような華麗さをも見せてくれます。同時収録の変奏曲も二人の軽快なやりとりに魅了されます。</video:description>
<video:duration>2080</video:duration>
<video:publication_date>2022-06-15T14:43:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:20:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3G</loc>
<video:video>
<video:title>バレンボイムとベルリン・シュターツカペレ弦楽四重奏団が奏でるシューマン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/31ad0675d0db31c05c914e8ce67cbb11b5d8aa04.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンがコロナ禍にスタートしたライヴ・コンサートシリーズ「ミュージカル・モーメント」。トップ・アーティストと聴衆を困難な時代につなぐ大きな役割を果たしました。本映像ではダニエル・バレンボイムがピエール・ブーレーズ・ザールを訪れ、シューマンの《幻想小曲集》からの抜粋と室内楽作品を演奏しています。ピアノ五重奏曲で共演するのはシュターツカペレ・ベルリンのメンバーで構成されたベルリン・シュターツカペレ弦楽四重奏団です。緻密なアンサンブルのやりとり、コントラストの鮮やかな音楽づくりに魅了されます。</video:description>
<video:duration>2427</video:duration>
<video:publication_date>2022-06-15T08:23:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T15:19:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJICG</loc>
<video:video>
<video:title>辻󠄀井伸行 プレイズ・バッハ、ショパン＆ラフマニノフ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5a042fab38901a8abe441fb740ff828b359c5a92.jpg</video:thumbnail_loc>
<video:description>2024年4月に日本人ピアニストとしてドイツ・グラモフォンと初の専属契約を交わしたピアニストの辻󠄀井伸行。本映像は、同年2月にサントリーホールで行われたリサイタルをライブ収録したものです。「楽興の時」と題したリサイタルは、ラフマニノフによる同じタイトルの作品を中心としたプログラムで、バッハの「フランス組曲」にショパンの即興曲など、多彩な楽曲が並んでいます。この充実した内容によって、辻󠄀井の音色の美しさ、表現の幅広さを存分にお楽しみ頂けることでしょう。</video:description>
<video:duration>5263</video:duration>
<video:publication_date>2024-05-21T08:03:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-10-10T07:43:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6DO</loc>
<video:video>
<video:title>リンゼイ弦楽四重奏団が奏でるハイドン、ティペット、エルガー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/925f49c63ff8e65ea8197d8268b8eded7cb25974.jpg</video:thumbnail_loc>
<video:description>リンゼイ弦楽四重奏団 (愛称「リンゼイ」) は、2005年に解散するまでの40年間イギリスにおける室内楽の中心的存在として、世界各地で精力的に演奏活動を行いました。本映像は、ロンドンを代表する室内楽の殿堂、ウィグモア・ホールにてライヴ収録されたものです。目玉は、戦後すぐに作曲されたサー・マイケル・ティペットの弦楽四重奏曲第3番。ティペットは自作曲で彼らを指導し、親密な協力関係を築き上げました。そして、ハイドン後期の弦楽四重奏曲《騎士》、もうひとつのイギリスの古典、サー・エドワード・エルガーの詩情に満ちた弦楽四重奏曲ホ短調がプログラムを彩ります。当時名声の絶頂にあったリンゼイ弦楽四重奏団の卓越した解釈を味わっていただけることでしょう。</video:description>
<video:duration>5278</video:duration>
<video:publication_date>2024-09-11T19:19:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-30T09:01:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2DG</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第5番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b5325ba03835b3ff31c2fc824ec768455bae0fd.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。エネルギッシュな楽曲である第5番にティーレマンは真っ向から挑み、テンポ感や歌いまわしなど、伝統的なものを踏襲しつつ、細部の歌いまわしや和声変化にまで気を配ることで“新しさ”も生み出しています。</video:description>
<video:duration>5405</video:duration>
<video:publication_date>2024-09-02T15:46:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-28T21:29:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJADG</loc>
<video:video>
<video:title>ダニエル・ホープによる、ダンス音楽セレクション</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bec24551075f9c4ed869b4661ae5f83b9045b457.jpg</video:thumbnail_loc>
<video:description>かねてより、人々に感動を与え元気づける力を持つ“踊り”に魅せられてきたスター・ヴァイオリニストが、長年あたためていた企画を実現。2024年2月にリリースされた2枚組の最新アルバム『Dance！』と同じテーマのプログラムが遂に映像で登場します。ダニエル・ホープはここで、14世紀の哀歌から1986年に書かれたキラールの《オラヴァ》まで時代や地域、ジャンルも様々なダンス音楽を網羅し、私たちを魅惑のリズムで溢れた音楽の旅に誘います。2016年から彼が音楽監督を務めるチューリッヒ室内管弦楽団と作品に合わせて編成されたアンサンブルによる、心躍らせる演奏をたっぷりとお楽しみください。</video:description>
<video:duration>5760</video:duration>
<video:publication_date>2024-03-05T20:12:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-27T11:22:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3GDO</loc>
<video:video>
<video:title>マチェラルがR.シュトラウス、ワーグナー、ボニスにブルッフを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/444fc5cf82becf646ca285decfdfb9ed4a4a0b94.png</video:thumbnail_loc>
<video:description>クリスティアン・マチェラルがケルン放送交響楽団を率い、ボムソリをソリストに迎えたブルッフのヴァイオリン協奏曲と、シュトラウス、ワーグナー、メル・ボニスによる傑作をフィーチャーした魅力的なプログラムをお届けします。ボニスによる小品《サロメ》は、同題材を元にしたシュトラウスの画期的なオペラからわずか4年後に発表されたもので、シュトラウス初期を代表する2つの交響詩と絶妙なコントラストを生んでいます。ドイツ・ロマン派を象徴するブルッフの協奏曲は、ドラマチックな第1楽章、琴線に触れるアダージョ、スリリングな終曲から構成され、演奏家にも聴衆にも長く愛されている不朽の作品です。</video:description>
<video:duration>6068</video:duration>
<video:publication_date>2024-09-23T10:20:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-26T23:37:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ECO</loc>
<video:video>
<video:title>伝説の指揮者カラヤンの横顔</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3556e8f8982584d906f385fe81a2eb4534d93a0a.jpg</video:thumbnail_loc>
<video:description>20世紀後半のクラシック・シーンを支配した“帝王”カラヤンの人物像と功績に迫るドキュメンタリー。幼少期から始まるカラヤン伝説の華やかな軌跡を辿るだけでなく、ナチス政権下でのキャリアやフルトヴェングラーとのライバル関係など、物議を醸した厄介な出来事やその野心的で相反する性格など、輝かしい経歴に影を落とした部分についても言及しているのが特徴です。もちろんEMIのウォルター・レッグ及び彼が1945年に創設したフィルハーモニア管弦楽団とのタッグを皮切りにレコーディング遍歴や、ベルリン・フィルの終身首席指揮者とウィーン国立歌劇場の芸術監督、ザルツブルク音楽祭の音楽監督などを務めた栄光の日々を、豊富なアーカイブ資料で説明する充実の内容となっています。加えてベートーヴェンの交響曲第9番やR.シュトラウスの《ばらの騎士》など素晴らしい映像の抜粋も見逃せません。</video:description>
<video:duration>5265</video:duration>
<video:publication_date>2024-09-12T08:38:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-26T08:08:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CC8</loc>
<video:video>
<video:title>クレーメルとアルゲリッチの名演が再び蘇る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ee579aeea36e6ab6653592babd31234834305e2.jpg</video:thumbnail_loc>
<video:description>ヴァイオリニストのギドン・クレーメルとピアニストのマルタ・アルゲリッチ。両者とも常に音楽界において圧倒的な存在感を示すアーティストです。そしてこの二人はそのキャリアにおいて長きにわたり理想的なパートナーとして共演を果たしてきました。「愛し合っているカップルよりもさらに親密である」とクレーメルが語るように、二人の関係は音楽によって強く結びついているのです。本映像では2006年のベルリン・フィルハーモニーでの共演の模様がご覧頂けます。ブラームスやシューマンの演奏を、クレーメルの解説と共にお楽しみください。</video:description>
<video:duration>3317</video:duration>
<video:publication_date>2024-08-06T14:08:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-25T15:04:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CCG</loc>
<video:video>
<video:title>クーベリックが振るブルックナー「ロマンティック」とモーツァルト「プラハ」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8463e34d8bdb9953a40b8fd567390e6c445d8c21.jpg</video:thumbnail_loc>
<video:description>今なお高い人気を誇るチェコの名指揮者ラファエル・クーベリックの活動が本格化したのは、1961年にバイエルン放送交響楽団の首席指揮者に就任してからでした。1979年までの任期中に同楽団とドイツ・グラモフォンを中心にレコーディングを行い、数々の名盤を生みましたが、1971年にウィーン・フィルを指揮してブルックナーとモーツァルトの名交響曲を演奏したこちらの映像も必見です。クーベリックらしい誠実でバランスのとれたアプローチの仕方で、伸びやかに洗練された響きを構築していく様子をご堪能ください。</video:description>
<video:duration>5539</video:duration>
<video:publication_date>2023-09-04T13:17:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-24T07:17:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ED8</loc>
<video:video>
<video:title>音楽による奇跡の瞬間～ジェシー・ノーマン＆キャスリーン・バトル『わが心のスピリチュアルズ』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7d2c605651efbd620bbc71fdd74191b1dce4f74c.jpg</video:thumbnail_loc>
<video:description>こちらは1990年3月18日にニューヨークは音楽の殿堂カーネギー・ホールにて開催された歴史的コンサートをめぐるドキュメンタリーです。ジェシー・ノーマンとキャスリーン・バトルは当時のオペラ・シーンの頂点に君臨していたスター・ソプラノであり、お互いにライヴァル意識を持っているとも噂されていましたが、そんな二人が共に手を携えてアフリカ系アメリカ人の“魂の声”であるスピリチュアルズ (霊歌) を歌ったコンサートは、特別な一夜として今もなお語り継がれています。ここではオペラ界の人種の壁を打ち破った先駆者として、伝説のアルト歌手マリアン・アンダーソンの偉業などにも触れつつ、関係者らの証言を交えて、ここに至るまでの長い道のりについても紐解いていきます。</video:description>
<video:duration>3167</video:duration>
<video:publication_date>2024-09-12T09:36:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T09:12:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4D8</loc>
<video:video>
<video:title>ショルティ＆BRSOによるブルックナー“3番”とストラヴィンスキーの交響曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b10fe6ea9c93e951baa84f31d438cf32f32c1454.jpg</video:thumbnail_loc>
<video:description>ヨッフムによって1949年に創設されたバイエルン放送交響楽団はクーベリック、デイヴィス、マゼールの功績によって名声を高め、その後ヤンソンスによる黄金の16年間を経て、現在は2023/24シーズンから第6代首席指揮者のラトルと共に新しい時代を歩き始めています。ここではマゼール時代の1993年に、当時80歳を超えていたゲオルク・ショルティを客演指揮者に迎えた演奏をお届けします。1946年～1952年までバイエルン国立歌劇場の音楽監督を務めてその発展に寄与したショルティにとって、ミュンヘンは巨匠としてのキャリアを踏み出した想い出の地でもありました。ショルティは1991年に音楽監督を勇退したシカゴ交響楽団と、1992年にブルックナー“3番”を1993年にストラヴィンスキーの3楽章の交響曲をそれぞれ録音していますが、バイエルン放送響とも熱い音楽を作りあげています。</video:description>
<video:duration>5196</video:duration>
<video:publication_date>2024-09-06T14:20:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T07:30:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4DO</loc>
<video:video>
<video:title>ショルティ＆BRSOによるメンデルスゾーン“4番”とショスタコーヴィチ“10番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0855baed38fa3c49f63208b8bd38f792ddcea024.jpg</video:thumbnail_loc>
<video:description>ヨッフムによって1949年に創設されたバイエルン放送交響楽団はクーベリック、デイヴィス、マゼールの功績によって名声を高め、その後ヤンソンスによる黄金の16年間を経て、現在は2023/24シーズンから第6代首席指揮者のラトルと共に新しい時代を歩き始めています。ここではマゼール時代の1993年に、当時80歳を超えていたゲオルグ・ショルティを客演指揮者に迎えた演奏をお届けします。1946年～1952年までバイエルン国立歌劇場の音楽監督を務めてその発展に寄与したショルティにとって、ミュンヘンは巨匠としてのキャリアを踏み出した想い出の地でもありました。ショルティは1980年代後半からショスタコーヴィチの交響曲を盛んに取り上げていましたが、重厚なバイエルン放送響との顔合わせは他にありません。もちろん十八番であるメンデルスゾーンの“イタリア交響曲”も聴き所です。</video:description>
<video:duration>5082</video:duration>
<video:publication_date>2024-09-06T14:47:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-23T07:26:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32D0</loc>
<video:video>
<video:title>ルノー・カプソンがハーディング＆ミュンヘン・フィルと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3ca70324931af0a5dd32e4bff3a9c9600b1da1af.jpg</video:thumbnail_loc>
<video:description>ウィーン楽友協会で2024年の4月に行われたミュンヘン・フィルによる注目のコンサート映像をお届けします。前半は現代のシーンを代表するヴァイオリン・ヴィルトゥオーゾのルノー・カプソンをソリストに、同じフランスのオルガニストで作曲家のティエリー・エスケシュが書いた、推進力とリズミカルな活力に満ちた新作ヴァイオリン協奏曲をオーストリアで初演する模様をお楽しみください。後半にはハーディングにとって十八番というべきブルックナーの人気曲《ロマンティック》が登場いたしますので、こちらもお見逃しなく。</video:description>
<video:duration>6345</video:duration>
<video:publication_date>2024-06-20T10:42:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T15:04:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36CO</loc>
<video:video>
<video:title>ダニール・トリフォノフ『音楽への感謝』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a836ff62cbc27b2c3dc07d47ae002d4f2c403a3f.jpg</video:thumbnail_loc>
<video:description>完璧な技巧と情熱的な表現力を併せ持つ稀代のピアニストであるダニール・トリフォノフ。作編曲もこなす彼はまさに真の音楽家といえますが、彼の中からあふれる音楽はどのようにして生まれているのでしょうか。本映像はそんな彼の素顔を垣間見ることのできるドキュメンタリーとなっています。パリのジャズクラブからニューヨークのストリート、さらにはコネチカットの森にある自宅をふくめての映像で、トリフォノフと親密な旅をしているかのような気分を味わって頂けるでしょう。</video:description>
<video:duration>2569</video:duration>
<video:publication_date>2024-06-18T13:00:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T11:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38E0</loc>
<video:video>
<video:title>チェコ・フィルによる「ビロード革命」記念コンサート、パッパーノとヤンセンを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f2367fd3282bd78fccd080fffb0e3243760ca16b.jpg</video:thumbnail_loc>
<video:description>旧チェコスロバキアの民主化「ビロード革命」を記念する、国民の祝日に開催されるチェコ・フィル伝統のコンサートをドヴォルザーク・ホールからお届けします。今年は、オペラとコンサートの両面で活躍し60代の円熟期を迎えたアントニオ・パッパーノを指揮者に迎え、ブラームスが混声四部合唱とオーケストラのために書いた《哀悼の歌（悲歌）》に始まり、ドヴォルザークがブラームスのハンガリー舞曲集にインスパイアされて作曲したスラヴ舞曲集で終わるプログラム。オランダが誇る傑出したヴァイオリニスト、ジャニーヌ・ヤンセンによるメンデルスゾーンのヴァイオリン協奏曲も目玉です。</video:description>
<video:duration>6086</video:duration>
<video:publication_date>2024-02-15T07:56:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-19T08:21:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ED0</loc>
<video:video>
<video:title>クラウド・ゲイト・ダンスシアター (雲門舞集) ～動きの中の瞑想</video:title>
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<video:description>クラウド・ゲイト・ダンスシアターは、中国語圏で初めてのコンテンポラリー・ダンス・カンパニーとして1973年に台湾で創立。創設者で芸術監督のリン・フアイミン (林懐民) は1947年の生まれで、米国留学時にモダン・ダンスに触発されニューヨークでマーサ・グラハムやマース・カニングハムのもとで学びました。彼の作品はアジアの信仰、神話、民話、美学などからインスピレーションを得たもので、世界のどんなカンパニーにもない、成熟した中国の身体言語を表現するものです。ダンサーたちはその高度な舞踊表現の要求に応えるためにバレエはもちろん、太極導引 (呼吸法に重点を置いた一種の柔軟運動) 、武術、書道などを習得し独自の世界を生み出します。この映像では「瞑想」が彼らのトレーニングや創作プロセスにおいて重要な役割を担っていることを説明しつつ、アジアの伝統美をスリリングで現代的な動きへと変貌させる秘密に迫ります。なお《バンブー・ドリーム (竹夢) 》はアルヴォ・ペルトの音楽にのせて、竹にまつわる沢山の物語を引用して季節の循環を描いた、彼らの見事なアンサンブル・ワークを体現する代表作のひとつです。</video:description>
<video:duration>1321</video:duration>
<video:publication_date>2024-09-12T09:15:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T14:54:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2E0</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第9番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2d9f187a091fe39e9c69fd85bdec95f31b6e6de6.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。未完の大作となった第9番は、ティーレマンの得意とする楽曲であり、圧倒的な推進力で進んでいきます。雄弁な歌いまわしに構築性を絶妙なバランスでまとめあげ、充実した響きとアンサンブルを届けてくれます。</video:description>
<video:duration>3936</video:duration>
<video:publication_date>2024-09-02T19:24:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T10:03:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4CG</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第8番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/325fb38ad8cd10bc4b8cb7f4359f5da7d051aa3d.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。長大な作品である第8番ですが、ティーレマンによる演奏はその長さを感じさせません。これは楽曲の方向性が明確なこと、緻密なアンサンブルを構築し、楽曲の構造を鮮やかに提示した結果といえるでしょう。</video:description>
<video:duration>5313</video:duration>
<video:publication_date>2024-09-03T07:22:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T10:01:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2DO</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第7番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e88c5c151c28bd554a810fd4fb2210a994f8984.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。第7番はブルックナーが敬愛するワーグナーが危篤となり、彼の死を予感しながら書き進めたもの。悲しみと深い愛情をティーレマンは多彩な音色づくりとテンポの精密なコントロールによって描き出しています。</video:description>
<video:duration>6343</video:duration>
<video:publication_date>2024-09-02T19:02:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:58:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4C8</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第6番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b1038107fbc4c3fb249ca4f5b749896ec772ec5e.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。「ブルックナーの田園交響曲」とも評される第6番は小ぶりな作品で、全体に穏やかさが漂っていますが、雰囲気に流されることなく、立体感を意識した演奏が繰り広げられます。それによってさらに楽曲に描かれた情景が鮮やかに浮かび上がってきます。</video:description>
<video:duration>3764</video:duration>
<video:publication_date>2024-09-03T07:10:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:55:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4C0</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第3番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e9460b3ed82dbd6a0be9cea47bbfca749c9b8e55.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。第3番はワーグナーが「私はベートーヴェンに到達する者をただ一人知っている。ブルックナー君だよ。」と称賛した作品です。ティーレマンによって浮き彫りとなる旋律同士の対話や和声の変化によって、ワーグナーがなぜ高く評価したのか、その魅力がよくおわかりいただけることでしょう。</video:description>
<video:duration>4030</video:duration>
<video:publication_date>2024-09-03T07:03:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T09:45:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2E8</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第2番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7cc9b55a8e6e56d0675847fd48d5c64efde72bbd.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。旋律美にあふれた第2番はその陶酔的な魅力におぼれてしまうと危険な楽曲ですが、ティーレマンのバランス感覚に溢れた牽引によって、美しさと構築性が見事に同居した演奏となっています。</video:description>
<video:duration>3782</video:duration>
<video:publication_date>2024-09-03T06:58:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:50:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2D0</loc>
<video:video>
<video:title>ティーレマンとシュターツカペレ・ドレスデンのブルックナーの交響曲第1番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d9794cede3e70daecf336237d9eea0a5d9eca95.jpg</video:thumbnail_loc>
<video:description>ドイツ音楽のスペシャリストであり、ことブルックナーに関しては演奏回数も多く、非常に評価の高いクリスティアン・ティーレマン。彼は2012年にシュターツカペレ・ドレスデンの首席指揮者に就任してからすぐにブルックナーの全曲演奏を開始しました。第1番は、演奏機会は多くありませんが、古き良きドイツ音楽の雰囲気を感じさせ、一方で革新を求めるブルックナーの筆致も聞こえてくる作品です。美しい自然の描写を感じさせる第2楽章や、高揚感溢れる第4楽章などの表現にティーレマンらしさがあらわれています。</video:description>
<video:duration>3326</video:duration>
<video:publication_date>2024-09-02T15:05:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2CG</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第8番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/24b6a9f86a2ddb419ea5833a3dc7ed114688c829.jpg</video:thumbnail_loc>
<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2010年、ベルリンのフィルハーモニーでのライヴを収めたものです。第8番は非常に長大な楽曲で、複雑な書法も多く見受けられます。しかしバレンボイムは持ち前の明晰な解釈によって作品の魅力を丁寧に紐解き、聴き手へと伝えてくれています。</video:description>
<video:duration>5081</video:duration>
<video:publication_date>2024-08-28T12:52:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:37:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2C8</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第7番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c00273426f5d4862a7b510951faf4de571be5d6b.jpg</video:thumbnail_loc>
<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2010年、ベルリンのフィルハーモニーでのライヴを収めたものです。注目すべきは第2楽章です。作曲中、ブルックナーが敬愛するワーグナーが危篤となり、彼の死を予感しながら書き進めたものとなっています。悲しみはもちろん、深い愛情も感じさせる楽曲を、バレンボイムが感動的に導いています。</video:description>
<video:duration>4340</video:duration>
<video:publication_date>2024-08-28T12:44:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:35:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2C0</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第6番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bf5fd8b9496f787a8271d3765dc6808b766f589f.jpg</video:thumbnail_loc>
<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2010年、ベルリンのフィルハーモニーでのライヴを収めたものです。交響曲第6番は、「ブルックナーの田園交響曲」とも評される楽曲です。この曲の作曲中、ブルックナーはスイス旅行に出かけ、モンブラン山脈に感銘を受けました。そんな彼ならではの大自然の描写をお楽しみ頂けます。</video:description>
<video:duration>3529</video:duration>
<video:publication_date>2024-08-28T12:33:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0E8</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第5番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cde32edc178eaaf02da8b5d9e648700a488388ba.jpg</video:thumbnail_loc>
<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2010年、ベルリンのフィルハーモニーでのライヴを収めたものです。第5番はドラマティックな楽想ですが、バレンボイムはその熱気を極限まで高めた演奏にしており、強烈な印象を与えてくれることでしょう。</video:description>
<video:duration>4608</video:duration>
<video:publication_date>2024-08-28T12:26:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0E0</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3226b96ca34d93c9ab60a17e63c12ca7d5d5e050.jpg</video:thumbnail_loc>
<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2010年、ベルリンのフィルハーモニーでのライヴを収めたものです。「ロマンティック」の副題をもつ第4番は、ブルックナーの交響曲のなかで特に人気の高い楽曲です。旋律の美しさ、魅惑的な和声の魅力をバレンボイムが丁寧に届けてくれます。</video:description>
<video:duration>4176</video:duration>
<video:publication_date>2024-08-28T12:19:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:16:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0DO</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第3番</video:title>
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<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2017年、フィルハーモニー・ド・パリでのライヴの模様です。ワーグナーに評価され、献呈された第3番はフリッツ・エーザーによる版を使用しており、雄弁な楽曲の魅力を存分にご堪能いただけます。</video:description>
<video:duration>3896</video:duration>
<video:publication_date>2024-08-28T12:09:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:12:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0DG</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第2番</video:title>
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<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2017年、フィルハーモニー・ド・パリでのライヴの模様です。第2番は第1楽章のチェロによる主題をはじめ、旋律的な魅力に溢れた作品となっています。今回使われているキャラガン版は特にその旋律美を堪能できるものです。</video:description>
<video:duration>3580</video:duration>
<video:publication_date>2024-08-28T12:01:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-18T08:08:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0D8</loc>
<video:video>
<video:title>バレンボイムとシュターツカペレ・ベルリンのブルックナーの交響曲第1番</video:title>
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<video:description>世界中から尊敬を集める天才であるダニエル・バレンボイム。2000年からシュターツカペレ・ベルリンの終身首席指揮者を務め、オペラとコンサート両ジャンルで絶賛されています。彼らはブルックナーの交響曲全曲にたびたび挑んでおり、本映像は2017年、フィルハーモニー・ド・パリでのライヴの模様です。若きブルックナーの野心と情熱が詰まった第1番の劇的な作風をお楽しみください。</video:description>
<video:duration>3174</video:duration>
<video:publication_date>2024-08-27T15:03:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-09-18T08:06:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4E0</loc>
<video:video>
<video:title>小澤征爾の芸術－ベートーヴェンの交響曲第8番、アイヴズにバルトーク</video:title>
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<video:description>日本が世界に誇る指揮者である小澤征爾。彼の逝去は世界中で惜しまれました。本映像はバルトークの《管弦楽のための協奏曲》にベートーヴェンの自信作であった交響曲第8番、そしてアイヴズの《宵闇のセントラル・パーク》という異色の組み合あわせです。古典的な性格の強いベートーヴェンの第8番と共に、先鋭的なバルトークとアイヴズが並ぶことで小澤の音楽性の幅広さと抜群のセンスが際立っています。卓越した演奏によってボストン交響楽団との相性の良さも改めて感じることができるでしょう。</video:description>
<video:duration>4623</video:duration>
<video:publication_date>2024-09-09T07:04:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-17T08:26:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ6C8</loc>
<video:video>
<video:title>ブーレーズが指揮するシェーンベルク、ストラヴィンスキー、ファリャ</video:title>
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<video:description>ピエール・ブーレーズが創設したソリスト集団である「アンサンブル・アンテルコンタンポラン」。現代音楽に特化したレパートリーを豊富に持ち、演奏機会の少ない作品にも果敢に挑みます。本映像では「ドン・キホーテ」第2部のエピソードに基づいたファリャの人形劇《ペドロ親方の人形芝居》、ストラヴィンスキーのバレエ《狐》、そしてシェーンベルクの《月に憑かれたピエロ》をご覧いただけます。緻密なアンサンブルによってつくりあげられていくブーレーズの芸術を存分にご堪能下さい。</video:description>
<video:duration>5363</video:duration>
<video:publication_date>2024-09-10T19:46:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-17T08:20:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38D8</loc>
<video:video>
<video:title>タルモ・ペルトコスキが2024年のグラナダ音楽祭に出演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/64aa2c865519b92804f4995bee6e873e86222dc2.jpg</video:thumbnail_loc>
<video:description>タルモ・ペルトコスキとトゥールーズ・キャピトル国立管弦楽団が、2024年のグラナダ・フェスティバルにアントン・ブルックナーとリヒャルト・シュトラウスの最後の傑作をフィーチャーしたプログラムで登場です。プログラムはワーグナーの《ニュルンベルクのマイスタージンガー》第1幕への前奏曲で開始。ソプラノのエルザ・ドライシヒを迎えてのR.シュトラウス《4つの最後の歌》、メインとなるブルックナーの交響曲第9番が続きます。後期ロマンを代表する作曲家たちがすべてを注いで書き上げた名曲をお楽しみください。</video:description>
<video:duration>5607</video:duration>
<video:publication_date>2024-07-29T15:00:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-09-04T14:56:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CE8</loc>
<video:video>
<video:title>リリ・ブーランジェ : 《行列》 (コペンハーゲンでのライブ)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fd44326a279261352b3aea9bacb327416459f16d.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>318</video:duration>
<video:publication_date>2024-09-03T09:41:50Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-09-03T15:26:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38C8</loc>
<video:video>
<video:title>ネルソンスがバーバー、モーツァルト、シューマンを指揮～トリフォノフとの共演も</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4e9d3a5bd9e53acc44cde030f4dfb16a7ede2c3c.jpg</video:thumbnail_loc>
<video:description>ライプツィヒのゲヴァントハウスで無観客にて行われた、アンドリス・ネルソンスが指揮するゲヴァントハウス管弦楽団のコンサート映像をお届けします。公演は鎮魂歌のようなバーバーの「弦楽のためのアダージョ」で幕を開けますが、ロシアの若きスター・ピアニスト、ダニール・トリフォノフを迎えてその雰囲気は一変。モーツァルトのピアノ協奏曲ではエレガントな音の花びらが咲きこぼれ、続く大バッハの息子によるピアノ曲でも繊細かつ自信に満ちた解釈でステージを明るく輝かせます。最後はかつてメンデルスゾーンがこの楽団のカペルマイスターを務めていた時代に初演されたシューマンの交響曲《春》。長いコロナ禍の冬が終わり、やがてパンデミックのない春が訪れるという希望を聴く者に抱かせて幕を閉じます。</video:description>
<video:duration>5215</video:duration>
<video:publication_date>2022-11-09T10:59:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-27T13:43:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ADG</loc>
<video:video>
<video:title>辻󠄀井伸行の音楽性、人間性を追う『タッチング・ザ・サウンド』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ff3474c47e817c97b8c6a2b5788a215ecbe8c65b.jpg</video:thumbnail_loc>
<video:description>2024年にドイツ・グラモフォンと専属契約し世界的に話題を集めたピアニスト、辻󠄀井伸行。本映像は、彼の音楽家としての人生を追ったドキュメンタリーです。透明感のある美しい音色、卓越したテクニックによってあらゆる楽曲を弾きこなし世界を巡るピアニストとしての側面、ひとりの人間としての側面、あらゆるものが詰まっています。辻󠄀井の人間としての奥深さ、音楽家としての底知れなさを改めてご覧頂けることでしょう。</video:description>
<video:duration>4096</video:duration>
<video:publication_date>2024-08-02T14:48:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-08-26T17:24:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ8</loc>
<video:video>
<video:title>モーツァルト《証聖者の荘厳晩課》より第5曲 : 主をほめたたえよ (V. オラフソンによる編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b0d1ba548bb381cbbd8fc308422ee5319a0d4009.jpg</video:thumbnail_loc>
<video:description>With his highly personal double album From Afar, Víkingur Ólafsson is offering a window into his musical life story. The album reflects Ólafsson’s musical DNA, from childhood memories growing up in Iceland to his contemporary inspirations, exploring such evocative themes as home, childhood and family. Recorded on both upright and grand pianos, the album captures two distinct sound worlds.</video:description>
<video:duration>296</video:duration>
<video:publication_date>2022-10-23T21:41:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:29:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJACO</loc>
<video:video>
<video:title>《冬 1》</video:title>
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<video:description></video:description>
<video:duration>177</video:duration>
<video:publication_date>2022-11-18T16:11:09Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:28:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJC</loc>
<video:video>
<video:title>バルトークの3つのシーク県の民謡</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73c1b5e32ca3b5a6858769df119abf32aa51bc5c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>195</video:duration>
<video:publication_date>2022-10-24T17:04:30Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:27:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3EE8</loc>
<video:video>
<video:title>リスト : 愛の歌 S. 566 (シューマンの《献呈》の編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/698780acc9c53da79497761567f50d9b35d0dc4e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>203</video:duration>
<video:publication_date>2023-05-17T09:57:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:10:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38D0</loc>
<video:video>
<video:title>シルヴェストロフの《3つのバガテル》Op. 1より第3曲：Moderato</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d3204ce08292dbf9b82efdf90d7f61a90cd02152.jpg</video:thumbnail_loc>
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<video:duration>264</video:duration>
<video:publication_date>2023-01-15T18:03:24Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:10:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38DG</loc>
<video:video>
<video:title>シルヴェストロフの《使者》(ピアノ・ソロ版)</video:title>
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<video:duration>585</video:duration>
<video:publication_date>2023-01-15T18:33:20Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:09:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ED0</loc>
<video:video>
<video:title>ドビュッシーの〈月の光〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/66d105698564f4463bc56e6b26999bb47174fe2f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>389</video:duration>
<video:publication_date>2023-05-11T12:11:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:09:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGC8</loc>
<video:video>
<video:title>《ムーラン》より〈リフレクション〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/97ba47f7d3d33311a24ecacaccccbe52b40496ee.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>273</video:duration>
<video:publication_date>2023-12-06T14:14:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:08:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGD0</loc>
<video:video>
<video:title>Mir ist so nach dir</video:title>
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<video:duration>182</video:duration>
<video:publication_date>2023-12-06T14:39:31Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:07:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJCC0</loc>
<video:video>
<video:title>ラモーのガヴォット</video:title>
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<video:description></video:description>
<video:duration>89</video:duration>
<video:publication_date>2023-12-01T16:43:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-08-23T13:05:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGD8</loc>
<video:video>
<video:title>La Mer</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4cc79a3813d07473e19dabc0df6fd50391621372.png</video:thumbnail_loc>
<video:description></video:description>
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<video:publication_date>2023-12-06T14:43:50Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T13:05:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGDG</loc>
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<video:title>Erstens küss ich nicht</video:title>
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<lastmod>2024-08-23T12:51:15Z</lastmod>
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<url>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJAE8</loc>
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<video:title>アルカン／歌曲集 op. 65より第6番 : 舟歌</video:title>
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<lastmod>2024-08-23T12:48:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32D0</loc>
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<video:title>ブーランジェ : 夜想曲 (pølaroitによるリワーク版)</video:title>
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<lastmod>2024-08-23T12:47:59Z</lastmod>
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<url>
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<video:title>ミュラー : Mirror 8</video:title>
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<video:live>no</video:live>
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<lastmod>2024-08-23T12:47:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32DG</loc>
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<video:title>ハワード/While You Live</video:title>
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<video:live>no</video:live>
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<lastmod>2024-08-23T12:47:05Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32DO</loc>
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<video:title>スクリャービン : 24の前奏曲より第14番変ホ短調</video:title>
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<video:live>no</video:live>
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<lastmod>2024-08-23T12:46:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32E0</loc>
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<video:title>伝承曲 : Morning Nightcap (Lúnasaによるアンサンブル編)</video:title>
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<video:publication_date>2024-05-14T09:50:13Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T12:45:14Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS0</loc>
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<video:title>ラフマニノフ：ヴォカリーズ作品34の14（拡張版・トリフォノフ編曲）</video:title>
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<video:description>After the highly acclaimed album “Destination Rachmaninov – Departure”, comprising Daniil Trifonov’s cycle of the great Russian composer’s piano concertos, the pianist concludes his Rachmaninov project with his second of two albums “Destination Rachmaninov – Arrival”. The recording includes Trifonov’s arrangement of Rachmaninov’s famous, beloved, heart-rending “Vocalise”, now available as an exclusively long version.
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<lastmod>2024-08-23T07:58:23Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3CCO</loc>
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<video:title>マスネ《ウェルテル》より〈春風よ、なぜ私を目覚めさせるのか〉</video:title>
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<video:publication_date>2023-02-09T11:27:05Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T07:58:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CCO</loc>
<video:video>
<video:title>サティ / グノシエンヌ第4番 : Lent</video:title>
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<video:description></video:description>
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<video:publication_date>2024-08-08T11:50:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T07:57:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DO</loc>
<video:video>
<video:title>ヨハン・ヨハンソンの遺産</video:title>
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<video:description>ヨハン・ヨハンソンは、2018年に急死しましたが、これは音楽界に大きな喪失感をもたらしました。しかし彼の遺産は、小編成のアンサンブル作品からハリウッド映画のサウンドトラックまで録音として残され、生き続けています。この映像は、ベルリンのボイラールームで収録されたもの。弦楽器とピアノ、電子音楽とテープ音楽による斬新な音響は、聴衆をトランス状態にしてしまいます。</video:description>
<video:duration>5024</video:duration>
<video:publication_date>2022-07-08T12:02:58Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-23T07:00:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3CDG</loc>
<video:video>
<video:title>ヴァインベルク : アリア Op. 9</video:title>
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<video:description></video:description>
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<video:live>no</video:live>
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<lastmod>2024-08-21T17:01:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3CDO</loc>
<video:video>
<video:title>ブルース・リウ『文化のはざまで』(日本語字幕付き)</video:title>
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<video:description>本映像は2021年のショパン国際ピアノコンクールで圧倒的優勝を飾った若きピアニスト、ブルース・リウのシャンゼリゼ劇場デビューの模様を追ったドキュメンタリーです。熱狂をもって迎えられたコンサートでの演奏の豊富な映像はもちろん、その舞台裏もご覧いただけます。彼の文化的背景にモントリオールの自宅での様子、リウの師匠であり、1980年のショパンコンクール優勝者であるダン・タイ・ソンとの過ごす時間までもが収められています。</video:description>
<video:duration>2599</video:duration>
<video:publication_date>2023-02-27T13:27:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-14T10:36:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3EDO</loc>
<video:video>
<video:title>トリフォノフとネゼ＝セガンによる「パガニーニの主題による狂詩曲」</video:title>
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<video:description>いま世界で最も注目を集めるピアニストのひとりであるダニール・トリフォノフが、メトロポリタン・オペラ、フィラデルフィア管弦楽団の音楽監督を務めるヤニック・ネゼ＝セガンとバーデン＝バーデンで共演する模様をお届けします。「パガニーニの主題による狂詩曲」は過去にも共演経験のある楽曲で、圧倒的な信頼感のもと、輝かしい音楽が展開します。若きラフマニノフの意欲作である交響曲第1番も、楽曲のドラマ性を見事に引き出した演奏となることでしょう。</video:description>
<video:duration>3603</video:duration>
<video:publication_date>2024-01-15T14:23:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-13T09:39:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ECG</loc>
<video:video>
<video:title>エリーナ・ガランチャなどスター歌手によるガラ・コンサート</video:title>
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<video:description>ドナウ川の高台にそびえ立つシュティフト・ゲトヴァイヒにて行われた豪華絢爛なガラ・コンサートの模様が収められています。プログラムはベルカント・オペラからヴェリズモ・オペラ、さらにサルスエラにトラディショナルなど多彩。エリーナ・ガランチャをはじめ、ジョナサン・テテルマンなど、スター歌手たちが勢ぞろいし、魅力的なプログラムを次々に歌い上げていきます。オペラを愛する方はもちろん、そうでない方も魅了すること間違いなしの映像です。</video:description>
<video:duration>6218</video:duration>
<video:publication_date>2023-09-28T07:31:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-09T16:43:52Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJIC0</loc>
<video:video>
<video:title>カラヤンが指揮するヴェルディ :《ドン・カルロ》</video:title>
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<video:description>圧倒的なカリスマ性と卓越した音楽性によって20世紀クラシック界に偉大な足跡を遺した大指揮者であるヘルベルト・フォン・カラヤン。本映像では、カラヤンの晩年である1986年に取り組んだヴェルディのオペラ、《ドン・カルロ》をご覧いただけます。カラヤンが演出に携わり、複雑な人間模様、鮮やかな心理描写などがより克明に描き出されています。歌手陣の歌唱の見事さと演技、めまぐるしい展開の物語を存分にご堪能下さい。</video:description>
<video:duration>10704</video:duration>
<video:publication_date>2024-04-16T06:38:45Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-09T16:32:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3AD8</loc>
<video:video>
<video:title>マジック・モーメンツ・オブ・ミュージック ー ネトレプコとヴィラゾン</video:title>
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<video:description>アンナ・ネトレプコとロランド・ヴィラゾンによる2005年のザルツブルク音楽祭での《椿姫》は世界的に大きな注目を集めたプロダクションです。この公演をきっかけに二人は世界的歌手としての地位を確立しています。本映像は、伝説的な《椿姫》をつくりあげていく過程を楽しめる未公開リハーサルをはじめ、ネトレプコ、ヴィラゾンにトーマス・ハンプソン、ウィリー・デッカーのインタビューも収められています。“魔法の瞬間”ともいえる感動の公演をより深くお楽しみ頂けるものとなるでしょう。</video:description>
<video:duration>3135</video:duration>
<video:publication_date>2024-07-25T12:16:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-09T08:42:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0CG</loc>
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<video:title>ネルソンスがマーラーの交響曲第6番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8259829bd8ae2d91acd8841f3670bcb25e6f6345.jpg</video:thumbnail_loc>
<video:description>マーラーの第6番ほど、巨大なスケールで作曲された交響曲はあまりないでしょう。2020年のザルツブルク音楽祭では、世界的なパンデミックに直面した芸術界の、反抗的なメッセージとして演奏されました。ウィーン・フィルを率いるアンドリス・ネルソンスは、その解釈の壮大さで賞賛され、最初の2つの楽章の冷酷さから、アンダンテにおけるロマン主義のあこがれ、そしてフィナーレの最後の荒涼感まで、色彩豊かに描き切りました。</video:description>
<video:duration>5369</video:duration>
<video:publication_date>2023-01-11T09:48:10Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-07T09:25:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0CO</loc>
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<video:title>ネルソンスがマーラーの交響曲5番を指揮</video:title>
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<video:description>2022年のザルツブルク音楽祭で、ネルソンスとウィーン・フィルが、マーラーの中期の作品である第5番を取り上げました。当時、オーケストラの非の打ちどころのなさと、指揮者の作品に対する本能的なアプローチが高く評価されました。決して慌てない冒頭の葬送行進曲、あらゆる音楽的性格を生かしたスケルツォ、有名なアダージェットの深い感銘。フィナーレは、「最高の愛と情熱」と絶賛されました。</video:description>
<video:duration>5074</video:duration>
<video:publication_date>2023-01-11T10:09:54Z</video:publication_date>
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<lastmod>2024-08-07T09:25:11Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJAE0</loc>
<video:video>
<video:title>アンドリス・ネルソンスがマーラーとベルクを指揮</video:title>
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<video:description>世界で最も忙しい指揮者の一人であるアンドリス・ネルソンス。幅広いレパートリーを誇る彼はマーラー演奏のスペシャリストでもあります。ウィーン・フィルハーモニー管弦楽団と共にこの作品に深く取り組んでおり、本映像ではザルツブルクでの第4番をお届けします。注目は『少年の魔法の角笛』の歌詞に基づく「天上の生活」をソプラノが歌う第4楽章。ドイツで注目されているソプラノ、クリスティア—ネ・カルグが歌唱します。アウグスティン・ハーデリッヒを迎えてベルクのヴァイオリン協奏曲《ある天使の思い出に》も大変美しい楽曲です。</video:description>
<video:duration>6571</video:duration>
<video:publication_date>2023-08-23T11:16:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-08-07T09:24:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E0</loc>
<video:video>
<video:title>ムターとバレンボイム＆ベルリン・シュターツカペレがベートーヴェンで共演</video:title>
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<video:description>ベートーヴェン生誕250周年の2020年には、関連した演奏会が数多く行われましたが、こちらはベルリン・シュターツカペレのオープンエア・コンサート。ベルリン国立歌劇場の隣のベーベル広場で行われた公演では、交響曲第9番が豪華なキャストで演奏されました。ふたつのヴァイオリンのためのロマンスでソロを担当したのは、アンネ＝ゾフィー・ムターです。</video:description>
<video:duration>6319</video:duration>
<video:publication_date>2022-06-29T13:57:02Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-08-05T13:46:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3IE0</loc>
<video:video>
<video:title>ベルリン・コンツェルトハウスの新首席指揮者お披露目公演</video:title>
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<video:description>ニュルンベルク州立劇場初の女性音楽総監督を務めたことでも話題を呼んだヨアナ・マルヴィッツ。2023/24シーズンから、クリストフ・エッシェンバッハの後任としてベルリン・コンツェルトハウス管弦楽団の首席指揮者に就任しました。本映像にはそのお披露目公演の模様が収められています。プログラムはプロコフィエフにクルト・ヴァイル、そしてマーラーの交響曲が選ばれましたが、すべて「第１番」というところに強い想いを感じます。新たな歴史を作るであろう指揮者の新しい一歩を見届けてください。</video:description>
<video:duration>6132</video:duration>
<video:publication_date>2023-12-04T10:22:09Z</video:publication_date>
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<lastmod>2024-08-02T08:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2E8</loc>
<video:video>
<video:title>バーンスタインとマーラー IV (日本語字幕付き)</video:title>
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<video:description></video:description>
<video:duration>295</video:duration>
<video:publication_date>2023-11-09T16:43:08Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-30T09:49:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2E0</loc>
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<video:title>バーンスタインとマーラー III (日本語字幕付き)</video:title>
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<video:description></video:description>
<video:duration>357</video:duration>
<video:publication_date>2023-11-09T16:35:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:49:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2DO</loc>
<video:video>
<video:title>バーンスタインとマーラー II (日本語字幕付き)</video:title>
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<video:description></video:description>
<video:duration>280</video:duration>
<video:publication_date>2023-11-09T16:22:52Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-30T09:48:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2DG</loc>
<video:video>
<video:title>バーンスタインとマーラー I (日本語字幕付き)</video:title>
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<video:description></video:description>
<video:duration>266</video:duration>
<video:publication_date>2023-11-09T16:14:36Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:47:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36</loc>
<video:video>
<video:title>ドヴォルザーク《ルサルカ》より月に寄せる歌</video:title>
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<video:description></video:description>
<video:duration>299</video:duration>
<video:publication_date>2022-09-24T05:13:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-30T09:44:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4E0</loc>
<video:video>
<video:title>グラジニーテ＝ティーラがヴァインベルク、シューマン、ベートーヴェンを指揮</video:title>
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<video:description>本映像は、注目の女性指揮者、ミルガ・グラジニーテ＝ティーラが2020年12月にドルトムントのコンツェルトハウスでブレーメン・ドイツ室内フィルハーモニー管弦楽団と共に行ったコンサートの模様が収められています。彼女のプログラミングは古典的なものと新しい時代のものを組み合わせたプログラミングが特徴的です。今回はミエチスワフ・ヴァインベルクの作品にベートーヴェンの《レオノーレ》序曲、さらにシューマンのピアノ協奏曲。ソリストにはキリル・ゲルシュタインが迎えられ、華やかな演奏が繰り広げられています。</video:description>
<video:duration>4900</video:duration>
<video:publication_date>2023-02-09T13:55:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:39:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS34</loc>
<video:video>
<video:title>イエロー・ラウンジ～「国際女性デー」2021</video:title>
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<video:description>イエロー・ラウンジが「国際女性デー」に贈る特別なコンサート。クラシック・シーンの新時代を担う若きスター奏者たち4人を紹介します。出演はアメリカ出身のコロラトゥーラ・ソプラノ、ナディーン・シエラとスイスのハープ奏者マグダレーナ・ホフマン、韓国からはヴァイオリンのボムソリとヘラ・イェサン・パクの2人といずれもドイツ・グラモフォンが誇る才能豊かな女性ばかり。ソフィア・ムノスのピアノ伴奏にのせて、自身の経歴や作品に関する短いコメントなども交えながらお届けします。</video:description>
<video:duration>4635</video:duration>
<video:publication_date>2022-06-10T17:03:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJEC0</loc>
<video:video>
<video:title>ドゥエニャスとフイヤートルの共演で奏でられる多彩なプログラム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cf29ba70c38d893566470a88fec33046a0a48364.jpg</video:thumbnail_loc>
<video:description>スペインを代表する国際的ヴァイオリニストであり作曲家のマリア・ドゥエニャスと2018年に「GFA国際ギターコンクール」を制し注目を集めたフランスのギタリスト、ラファエル・フイヤートルの注目の共演をお楽しみ頂けます。幅広い時代の楽曲をレパートリーとし、作曲や編曲をこなす二人の共演は即興性にも富んだもので、聴く者の心を掴んで離しません。今回もバッハにクープラン、フォーレにラヴェル、ピアソラなど多彩なプログラムが並び、二人の豊かな音楽性が存分に発揮されます。</video:description>
<video:duration>3824</video:duration>
<video:publication_date>2023-07-17T12:45:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJEC0</loc>
<video:video>
<video:title>ダニエル・ホープとアニャ・レヒナーによる、シルヴェストロフに捧げるイエローラウンジ</video:title>
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<video:description>DGの人気コンサートフォーマットである「イエローラウンジ」が2022年、9月30日に85歳の誕生日を迎えたウクライナの作曲家ヴァレンティン・シルヴェストロフを特集しました。第1部にはECM New Seriesのアルバム『シルヴェストロフ：夜のヒエログリフ』で知られるチェリストのアニア・レヒナーが登場。ラウル・ダ・コスタのピアノとシルヴェストロフが妻のために編曲した楽曲《エピタフィウム》や、レヒナーに献呈されたソロ曲《静けさと悲しみの瞬間》などを演奏します。第2部には人気ヴァイオリニストのダニエル・ホープが登場。ドイツ・グラモフォンにシルヴェストロフ作品集を録音したオデッサ出身のピアニスト、アレクセイ・ボトヴィノフとのコンビで、この2つの楽器のために書かれた美しい楽曲たちを奏でます。</video:description>
<video:duration>4038</video:duration>
<video:publication_date>2023-07-20T10:32:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38DO</loc>
<video:video>
<video:title>アリス＝紗良・オットとユリウス・アザルがクラブで演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/42d1b346c12f34447046183d40e1bbdd29136349.jpg</video:thumbnail_loc>
<video:description>DG所属のアーティストの中で、若きスターとして活躍する二人がイエロー・ラウンジ・シリーズに登場。ピアニストのアリス・紗良・オットとユリウス・アザルが、ベルリンのクラブからライブの演奏をお届けします。Ex Pfadfindereiによるビジュアルアートとともに、二人の最新アルバムからのレパートリーを含む、多彩なプログラムが披露されます。</video:description>
<video:duration>4372</video:duration>
<video:publication_date>2023-11-09T10:40:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:29:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJA</loc>
<video:video>
<video:title>A・マイヤー＆バンベルグ交響楽団 in イエローラウンジ</video:title>
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<video:description>本編は、ドイツ・グラモフォンのコンサートフォーマット「イエロー・ラウンジ」の映像です。ヨーロッパでも、新たな聴衆の獲得はクラシック界の重要なテーマとなっています。ここではアルブレヒト・マイヤー (オーボエ) とヤクブ・フルシャ＆バンベルク響が、「若者がホールに来ないのなら、演奏者が彼らのところに繰り出そう」というモットーのもとに、ベルリンのスーパーマーケット (！) で演奏を行なっています。彼らは同時期に、《楽園への憧れ》という録音をリリースしていますが、ここでは、それに関連したR・シュトラウス、エルガー、ラヴェル、ブラームスの作品を演奏しています。</video:description>
<video:duration>2571</video:duration>
<video:publication_date>2022-05-16T13:54:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:27:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2C8</loc>
<video:video>
<video:title>グラジニテ＝ティーラがベートーヴェン、シェルクシュニーテ、ウォルトンを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/25c2beb69408b5e1e943b0ecc9cd7a9340d828be.jpg</video:thumbnail_loc>
<video:description>本映像は、2023年1月、ドルトムントのコンツェルトハウスで行われたライブの模様です。注目指揮者の一人であるミルガ・グラジニテ＝ティーラがフランス放送フィルハーモニー管弦楽団を指揮。ラミンタ・シュルクシュニーテがベートーヴェンの《運命》交響曲との関連性を持たせ作曲した《炎》にベートーヴェンのピアノ協奏曲第1番、そしてウィリアム・ウォルトンのオペラ《トロイラスとクレシダ》組曲という挑戦的なプログラムに挑みました。ソリストにはダニール・トリフォノフが迎えられ、端正な音楽づくりと輝かしい音色を披露しています。</video:description>
<video:duration>5452</video:duration>
<video:publication_date>2023-03-09T07:18:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:25:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C0</loc>
<video:video>
<video:title>セレナータ・ラティーナ：ローランド・ビリャソン＆グザヴィエ･ドゥ･メストレ</video:title>
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<video:description>メキシコのテノール歌手ローランド・ビリャソンとフランスのハープ奏者グザヴィエ･ドゥ･メストレがテアトル・デ・ブッフ・パリジャンで共演。声楽とハープのために親しみやすく編曲したラテン・アメリカの歌を披露しました。これらの歌は民族音楽と芸術音楽との橋渡しを担い、先住民とヨーロッパの文化を統合して、音やリズム、メロディーと物語をコラージュします。二人のスターがお互いをよく引き立て合い、知られざるレパートリーに深い味わいを与えています。</video:description>
<video:duration>3110</video:duration>
<video:publication_date>2022-06-23T14:04:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-26T12:23:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8C0</loc>
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<video:title>期待の新星ヴァイオリニスト、ハンス・クリスチャン・アーヴィクの紹介</video:title>
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<video:description>2022年カール・ニールセン国際音楽コンクールの優勝者であるエストニアの若きヴァイオリニスト、ハンス・クリスチャン・アーヴィクの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。彼の室内楽のパートナーであるカロリーナ・アーヴィクをピアニストに迎え、クライスラーやティボーと共に20世紀前半の三大ヴァイオリニストに数えられるエネスクのソナタを皮切りに、同時代のエストニアの作曲家エドゥアルト・オヤから現代アメリカの作曲家モートン・ローリゼンの作品などで構成させた魅惑のプログラムを披露します。</video:description>
<video:duration>2914</video:duration>
<video:publication_date>2023-03-02T07:20:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:45:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3AD8</loc>
<video:video>
<video:title>注目のソプラノ歌手、エミリー・ポゴレルクが多彩な歌曲に挑戦</video:title>
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<video:description>ソプラノのエミリー・ポゴレルクは、現在バイエルン国立歌劇場のアンサンブル・メンバーとして活躍中。本映像は、若く才能に溢れたアーティストを紹介する「ライジング・スター」シリーズに登場し、可憐かつ表現力豊かな歌唱を聞かせるポゴレルクが、多様な歌曲に挑戦した模様が収められています。グノーにフォーレ、ドビュッシーからリヒャルト・シュトラウスにブラームス、さらにはリー・ホイビーなど実に幅広いプログラムを自在に歌いこなす彼女の輝きはこれからのさらなる活躍を確信させるものです。</video:description>
<video:duration>3554</video:duration>
<video:publication_date>2023-08-31T12:52:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-25T12:44:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3EC8</loc>
<video:video>
<video:title>若き才能が集うアリス四重奏団が奏でるメンデルゾーン姉弟の作品集</video:title>
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<video:description>本映像では、いま注目のドイツの弦楽四重奏団、アリス四重奏団の演奏をお楽しみ頂けます。同四重奏団は2009年にフランクフルト音楽舞台芸術大学の室内楽教授であるフーベルト・ブフベルガーのもと結成されました。まだ若い奏者たちですが、2016年のミュンヘン国際音楽コンクールの弦楽四重奏団部門で第2位と聴衆賞を獲得しており実力は折り紙付き。彼らは本映像でメンデルスゾーン姉弟の作品に取り組んでおり、その技術と豊かな音楽性、作品に対する高い洞察力を味わって頂くことができます。</video:description>
<video:duration>3535</video:duration>
<video:publication_date>2023-09-25T14:03:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCD0</loc>
<video:video>
<video:title>期待の新星ソプラノ、アンナ・エル＝カシェムの紹介</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1cf679520f7b7807a10bcace9796934c360f45a7.jpg</video:thumbnail_loc>
<video:description>ドイツ・ギュータースローで行われた若手歌手のための国際コンクール「NEUE STIMMEN（新しい声）」2019 年の優勝者である新星ソプラノ、アンナ・エル＝カシェムの魅力を紹介するSTAGE+「ライジングスター・シリーズ」のショーケース。サンクト・ペテルブルク音楽院で学んだ彼女は、モーツァルト作品のヒロインを得意として欧州各地の歌劇場で成功を収めています。ここではスザンナのアリアを皮切りに、シューマンやR.シュトラウスによるドイツ・ロマン派の歌曲で魅了した後、自らのルーツであるロシア作品へと向かう意欲的なプログラムを披露します。
</video:description>
<video:duration>3070</video:duration>
<video:publication_date>2023-04-25T15:34:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:43:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3IDO</loc>
<video:video>
<video:title>オラフソンがアルバム『From Afar』について語る</video:title>
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<video:description>独創的な音楽観と磨き抜かれた音色の美しさ、確かなテクニック、それを活かす作品によって世界的に注目され続けるピアニストのヴィキングル・オラフソン。どこか秘密めいた雰囲気を感じさせるところも魅力の一つですが、本映像ではそんな彼のヴェールに包まれていた部分を垣間見ることができる貴重なドキュメンタリーとなっています。オラフソン自身が音楽についての考えやアルバム『From Afar』創作のプロセスなどが語ります。妻も出演し、家庭でのことまで語っているのは大変貴重です。</video:description>
<video:duration>2415</video:duration>
<video:publication_date>2023-08-21T10:01:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:41:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36CO</loc>
<video:video>
<video:title>ヴィキングル・オラフソン、アルバム『フロム・アファー』より</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d60d476400e6af81e29181b0fc3e32507574303.jpg</video:thumbnail_loc>
<video:description>レイキャビクを代表するコンサートホール、ハルパの小さなリサイタルホールで、デジタル時代のハイブリッド・ピアニスト、ヴィキングル・オラフソンがドイツ・グラモフォンからリリースされた最新アルバム『フロム・アファー』からのレパートリーを演奏。テーマは「自然」「ふるさと」「子供時代」「家族」の４つ。ハンガリーを代表する作曲家クルタークや故郷アイスランドの民謡、幼少期に両親から教わりよく弾いていたというバッハやブラームス、モーツァルトなど想い出の楽曲を披露し解説します。</video:description>
<video:duration>3804</video:duration>
<video:publication_date>2023-03-15T10:47:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:41:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJEC8</loc>
<video:video>
<video:title>マリア・ドゥエニャス  in ベルリン、マイスターザール</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f55c190176d2ccae91e5bf9820d1510e3ad5f3c1.jpg</video:thumbnail_loc>
<video:description>2022年9月にドイツ・グラモフォンと専属契約を結んだヴァイオリン界の新星、グラナダ生まれのマリア・ドゥエニャスによるリサイタルが登場。名手イタマール・ゴランのピアノによる好サポートを得て、フランクの“王道”ヴァイオリン・ソナタから故郷スペインの作品、ピアソラなど盛り沢山のラインナップでお届けします。話題を呼んだ1stシングル曲のフォーレ〈夢のあとに〉、ラロの生誕200周年を記念してリリースされた2ndシングル曲〈Espérance〉の2曲も聴きどころです。</video:description>
<video:duration>2920</video:duration>
<video:publication_date>2023-05-11T14:28:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:40:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2</loc>
<video:video>
<video:title>チョ・ソンジンがショパンとシマノフスキのピアノ作品を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/06b338ae1aae9ba03efa497e69b6aebb6054ed11.jpg</video:thumbnail_loc>
<video:description>ショパン・コンクールの覇者チョ・ソンジンは、このリサイタルでふたりのポーランド人作曲家を取り上げています。シマノフスキは、近年特に注目を浴びている存在で、フランス近代音楽、ドイツ後期ロマン派の両方の影響を受けた、色彩感のあるスタイルを特徴としています。プログラムの後半は、言うまでもなくショパン。スケルツォでのテクニックの切れ味、ポピュラーな名曲での甘い音色をお楽しみください。</video:description>
<video:duration>3196</video:duration>
<video:publication_date>2022-04-22T09:57:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:39:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP32</loc>
<video:video>
<video:title>ベルリンのマイスターザール～さまよえるチョ・ソンジン</video:title>
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<video:description>ショパン・コンクールの覇者チョ・ソンジンによるベルリンのマイスターザールでのピアノ・リサイタル。この日は同時期に発売された5枚目のアルバムから、シューベルトが自作の歌曲〈さすらい人〉を第2楽章の変奏主題に用いた《さすらい人変奏曲》を中心に据えた、世界中を旅する音楽家である彼自身に相応しいプログラムでした。ブラームスの小品とアルバン・ベルクの極めて強烈なピアノ・ソナタと共にお楽しみ下さい。</video:description>
<video:duration>2455</video:duration>
<video:publication_date>2022-04-29T12:38:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:39:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2C8</loc>
<video:video>
<video:title>夜の旅 - マグダレーナ・ホフマン in ベルリン、マイスターザール</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a21dda37042d55f270bd1cc73037309e75a29544.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンと契約したハーピスト、マグダレーナ・ホフマンがベルリンのマイスターザールで演奏しています。オリジナル楽曲のほか、さまざまな編曲版も網羅した多彩なプログラムは、ショパン、フィールド、レスピーギのワルツや夜想曲（原曲はピアノ）まで含んでいます。ハープの中心的レパートリーに数えられるブリテンの組曲は、2021年に死去したウェールズ出身の伝説的ハーピスト、オシアン・エリスのために作曲されたものです。</video:description>
<video:duration>2499</video:duration>
<video:publication_date>2022-06-24T08:25:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:36:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6DG</loc>
<video:video>
<video:title>キット・アームストロングがイギリス・ルネッサンスの鍵盤作品を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/67d145d9f3b9af7c0a21fe2e883d78e2a34699d3.jpg</video:thumbnail_loc>
<video:description>キット・アームストロングが、ベルリンのマイスターザールで行ったリサイタルの映像です。ここで彼は、ルネッサンス期の英国の作曲家、ウィリアム・バードとジョン・ブルの作品を取り上げています。このふたりは、同時代人にもかかわらずまったく異なるスタイルを示し、アームストロングは当時の鍵盤作品の多様性を描き出しています。チェンバロを用いず、あえてピアノで17世紀の音楽を演奏することにも、彼の確信犯的意図が顕著。アームストロングは、1992年にロサンゼルスに生まれ、10代でアフレッド・ブレンデルの薫陶を受けました。数学で学位を取るなど、マルチな才能に恵まれた個性的なピアニストです。</video:description>
<video:duration>4000</video:duration>
<video:publication_date>2022-07-26T10:36:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2CO</loc>
<video:video>
<video:title>ヘラ・イェサン・パク、パーセル、ヘンデル、アーン等のアリア・歌曲を歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3aacca5f533943eadc4f4bbb4996821fa7fe1d79.jpg</video:thumbnail_loc>
<video:description>ヘラ・イェサン・パクは、近年欧米で注目を集めている韓国の若手ソプラノです。ドイツ・グラモフォンと契約した彼女は、「ミュージカル・モーメント」シリーズの一環で、400年にまたがる幅広いレパートリーを披露しています。メット、ベルリン国立歌劇場、グラインドボーン音楽祭等で活躍する彼女が、ベルリンのマイスターザールでのリサイタルで聴かせるのは、パーセル、ヘンデル、アーン、デュパルク、シューベルト、韓国人の作曲家の作品です。</video:description>
<video:duration>3362</video:duration>
<video:publication_date>2022-06-28T12:34:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:34:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS36</loc>
<video:video>
<video:title>ボムソリ＆ブレハッチがモーツァルト、ベートーヴェン、ショパンほかで共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/68ac5027d369c2b82dc9c9f50df0883a41623a0a.jpg</video:thumbnail_loc>
<video:description>ラファウ・ブレハッチ (ピアノ) とボムソリ (ヴァイオリン)は、2016年より室内楽で共演を続けています。2019年には、ポーランドとフランスの音楽を集めたアルバムもリリースし、生気に飛んだ演奏で我々を魅了しました。今回のベルリン・マイスターザールでのリサイタルは、モーツァルトとベートーヴェンの作品で品格に溢れた演奏を聴かせた後、リスト、ドビュッシー、ショパンのピアノ曲の編曲版という、興味深いプログラムを披露しています。</video:description>
<video:duration>3331</video:duration>
<video:publication_date>2022-06-13T12:06:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:33:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0</loc>
<video:video>
<video:title>アヴィ・アヴィタル＆オハッド・ベン＝アリ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5cf7678731fdca7e3dc02c5582d6a59d62572e73.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンがコロナ禍にスタートしたライヴ・コンサートシリーズ「楽興の時」。本映像では、ベルリンのマイスターザールで行われたマンドリン奏者、アヴィ・アヴィタルのリサイタルをご覧頂けます。マンドリンという楽器の魅力とその可能性を世界の聴衆に改めて提示した存在であるアヴィタルは、ピアニストのオハッド・ベン＝アリと共に、ウィーン古典派の作品とスペイン、イタリア、ユダヤの民謡と多彩なプログラムで聴衆を魅了しています。</video:description>
<video:duration>2951</video:duration>
<video:publication_date>2022-05-12T13:50:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:33:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJI</loc>
<video:video>
<video:title>アンナ・プロハスカ＆カスパー・フランツ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6f2b91b9b9060efc1a7ba894fa211decab40441.jpg</video:thumbnail_loc>
<video:description>本映像はドイツ・グラモフォンが、アルテ・コンサートと共同で行ったライヴ・コンサートシリーズ「楽興の時」の模様です。この回ではドイツを中心に活躍するソプラノ歌手、アンナ・プロハスカとピアニストのカスパー・フランツによるリサイタルの模様です。バッハにシューベルト、シューマンといったドイツ系からイタリアのオペラ・アリアなど多彩な選曲をお楽しみ頂けます。2020年、コロナ禍で行われた本公演では、困難な時代の中に希望を見出そうとするかのように、プロハスカとフランツがあたたかい音色で対話を展開しています。</video:description>
<video:duration>3079</video:duration>
<video:publication_date>2022-06-17T09:04:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS38</loc>
<video:video>
<video:title>アンドレアス・オッテンザマーが奏でるメンデルスゾーンとシューマン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3d984ee8ab66d4ee5fdf4a383d605ea274139580.jpg</video:thumbnail_loc>
<video:description>ロマン派を代表する作曲家であるメンデルスゾーンとシューマン。本映像では彼らの作品のロマンティックな魅力を存分にお楽しみいただけます。演奏はベルリン・フィルハーモニー管弦楽団ソロ・クラリネット奏者アンドレアス・オッテンザマーと同管弦楽団のコントラバス奏者、グナール・ウパトニエクスにシューマン四重奏団。メンデルスゾーンの無言歌、シューマン唯一の弦楽四重奏曲の編曲作品の生まれ変わった音色は、作品の新しい魅力に出会わせてくれることでしょう。</video:description>
<video:duration>3665</video:duration>
<video:publication_date>2022-06-13T12:43:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJG</loc>
<video:video>
<video:title>オッテンザマー＆クエンティンがクラリネットのための室内楽作品を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/591c39e3137ace6fd248651be131adb4c36036e8.jpg</video:thumbnail_loc>
<video:description>クラリネットのアンドレアス・オッテンザマーが、ピアニストのジュリアン・クエンティンとの共演で、クラリネットのための室内楽作品を演奏しています。ロマンティックな基調を作るのは、メンデルスゾーンの4つの無言歌とシューマンの幻想小曲集。前者は、オッテンザマー自身による編曲、後者は彼の特にお気に入りの作品です（無言歌は、彼のアルバム「ブルー・アワー」に収録されています）。さらに、プーランク、ブラームス、ホロヴィッツのソナタから、1楽章ずつが演奏され、彼の音楽家としてのキャラクターを十全に反映した内容となっています。</video:description>
<video:duration>2757</video:duration>
<video:publication_date>2022-06-09T09:49:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:32:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS32</loc>
<video:video>
<video:title>アルブレヒト・マイヤーがバッハ、ヴィヴァルディ等のバロックの秘宝を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2782b508cfc47f690952d51f3f150a40cf9cf725.jpg</video:thumbnail_loc>
<video:description>当プログラムでは、オーボエのアルブレヒト・マイヤーが、チェンバロのジュリアン・フレイとの共演で、バッハ、ヴィヴァルディ、マルチェッロの作品を演奏しています。取り上げられているのは、協奏曲やオルガン・ソナタ、バッハのコラールを、オーボエとチェンバロのために編曲した作品。マイヤーは、オーボエの特性であるメランコリックなカンティレーナで魅力を発揮しています。会場は、ベルリンの代表的な録音会場のひとつである、ジーメンス・ヴィラです。</video:description>
<video:duration>3571</video:duration>
<video:publication_date>2022-06-10T16:36:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:31:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3I</loc>
<video:video>
<video:title>エリーナ・ガランチャ、マイスターザールで歌うロマンティックな歌曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9bb21f4aa78c778b364b97d49759379dce1d8e55.jpg</video:thumbnail_loc>
<video:description>ラトビアの出身で、世界のオペラ・シーンで活躍する現在最も重要なメッゾソプラノ歌手の一人、エリーナ・ガランチャが、ベルリンのマイスターザールでシューマンとブラームスの歌曲集を披露。長年歌曲の伴奏を務めてきたマルコム・マルティノーとの共演で、歌詞のニュアンスを余すところなく伝え、あらゆる感情の起伏を描き出します。特にシューマンによって1840年に書かれ、女性の視点から人生と愛の物語を紡ぐ連作歌曲の傑作《女の愛と生涯》はガランチャにとっても特別に想い入れの深い作品であり、聴き応えがあります。</video:description>
<video:duration>2817</video:duration>
<video:publication_date>2022-06-15T09:19:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:30:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJ4</loc>
<video:video>
<video:title>ダニエル・バレンボイム、ショパンを弾く</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fab5b8acd5805d967656e88515f538d1ea478197.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンがコロナ禍にスタートしたライヴ・コンサートシリーズ「ミュージカル・モーメント」。ダニエル・バレンボイムはこのシリーズでも大きな存在感を示しています。本映像ではピアニストとしてのバレンボイムの技術の高さ、指揮者でもある彼だからこその音楽を掘り下げる深さに改めて驚かされることでしょう。プログラムにはショパンのエチュードにノクターン、バラードが選曲されており、ショパンのあらゆる魅力も存分にお楽しみ頂けます。</video:description>
<video:duration>1979</video:duration>
<video:publication_date>2022-06-15T13:27:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:30:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3C</loc>
<video:video>
<video:title>ナイトフォール - アリス=紗良・オット・イン・マイスターザール</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/88d84420248a3474ebc8f9b5777ec6b136724aa0.jpg</video:thumbnail_loc>
<video:description>作曲家の想いに深く寄り添った演奏だけでなく、リサイタルやディスクのコンセプトの独自性においても世界から注目を集めるピアニストであるアリス=紗良・オット。本映像は、ドイツ・グラモフォンのライヴ・コンサートシリーズ「楽興の時」で行われたリサイタルの模様で、2018年リリースのアルバム『ナイトフォール』に基づくプログラムが収められています。ドビュッシーにラヴェルにサティ、そしてショパンで構成されており、紗良・オットの音色の透明度、ニュアンスの多彩さ、そして弱音の美しさが鮮やかに伝わってきます。</video:description>
<video:duration>2153</video:duration>
<video:publication_date>2022-05-03T08:43:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-25T12:27:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8DO</loc>
<video:video>
<video:title>《スリープ》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/40909a2572641d481e0f6758de411e88f25ddb96.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>369</video:duration>
<video:publication_date>2022-11-18T13:21:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:22:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3EC0</loc>
<video:video>
<video:title>『スリープ』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f73eb740680d1e80f99f8e138ec52abee2be95fd.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1966</video:duration>
<video:publication_date>2023-04-20T09:45:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:22:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4E0</loc>
<video:video>
<video:title>ドキュメンタリー映画「SLEEP マックス・リヒターからの招待状」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3357bf037ab20b383a8d1340ca0765498ec4e16c.jpg</video:thumbnail_loc>
<video:description>生み出す作品すべてが話題を呼んでいるマックス・リヒター。彼は1995年から温めていたアイディアに基づき、2015年に眠りのための音楽《スリープ》を発表しました。リヒター本人が「狂乱の世界のための私的な子守唄」と呼ぶ本作は、楽章数200以上、総演奏時間8時間の大作です。本映像はリヒターの公私のパートナーであり英国アカデミー賞受賞歴を持つ映画監督、ユリア・マールが手掛けたもので、《スリープ》完成までの道のり、そしてリヒターとマール２人の物語を描いたドキュメンタリー。リヒターの音楽と人間性が深く掘り下げられています。</video:description>
<video:duration>5954</video:duration>
<video:publication_date>2022-11-14T09:20:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">AU KR JP TW</video:restriction>
</video:video>
<lastmod>2024-07-23T12:22:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOG</loc>
<video:video>
<video:title>リヒター、ヴィヴァルディ《四季》再作曲の軌跡を語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df3f82b4f766883cb19a817bcb8990cbeb5d08cb.jpg</video:thumbnail_loc>
<video:description>「ポスト・クラシカル」の旗手であり、映画音楽の大家としても強い存在感を示す作曲家のマックス・リヒター。彼が“再作曲”したヴィヴァルディの名作《四季》は、専門家はもちろん、音楽を愛する聴衆たちに衝撃と感動を与えました。作品への敬愛を示しつつも全く新たな視点で21世紀のヴィヴァルディを提示したのです。本映像では、リヒター本人、そして演奏に立ち会ったヴァイオリニストのダニエル・ホープの視点からヴィヴァルディについて、そして新時代の作品誕生の経緯が語られます。</video:description>
<video:duration>3286</video:duration>
<video:publication_date>2022-04-21T12:15:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:21:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8E0</loc>
<video:video>
<video:title>ヤン・リシエツキによるショパン・リサイタル～エチュード＆ノクターン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/980737e962ae12df7228911029039c461f8d3610.jpg</video:thumbnail_loc>
<video:description>2023年3月にイタリアをミニ・ツアー中のヤン・リシェッキが、ナポリのサンナザロ劇場で開催したリサイタルの映像をお届けします。プログラムはスペシャリストである彼ならではのショパン尽くし。2012年の日本公演でも絶賛を浴びた練習曲作品10やドイツ・グラモフォンに優れた全集録音を残した夜想曲を織り交ぜ、リリシズム溢れる演奏でショパン孤高の魂に迫ります。特に夜想曲第20番《遺作》に胸打たれることでしょう。</video:description>
<video:duration>5831</video:duration>
<video:publication_date>2023-03-29T14:50:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T12:19:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2C8</loc>
<video:video>
<video:title>ラン・ランがサン＝サーンスの《動物の謝肉祭》で妻と共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f65dadd904928cc97951487e9eded7192c4a088.jpg</video:thumbnail_loc>
<video:description>スーパースター・ピアニストのラン・ランと妻であるジーナ・アリスのふたりが、アンドリス・ネルソンスとゲヴァントハウス管弦楽団のメンバーとともに、サン＝サーンスの《動物の謝肉祭》を演奏という、特別なステージが収められた映像です。ラン・ランのタッチ、それぞれの動物たちの描写の鮮やかさはもちろんですが、それにアリスも見事に寄り添い、見事なアンサンブルを構築。美しさはもちろん、軽妙洒脱な雰囲気も見事に醸し出した演奏は、楽曲の魅力を最大限に引き出しています。</video:description>
<video:duration>1430</video:duration>
<video:publication_date>2024-02-12T12:42:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:59:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3G</loc>
<video:video>
<video:title>ラン・ランが挑む《ゴルトベルク変奏曲》(字幕なし)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/01d977a4370d55c7c77ebf545c7c4dac56031db6.jpg</video:thumbnail_loc>
<video:description>スター・ピアニストとして圧倒的な存在感を示すラン・ランは、比類なきテクニックとスケールの大きな音楽性、そして音楽に対する洞察力を兼ね備えています。そんな彼にとってもバッハの《ゴルトベルク変奏曲》は「挑戦」する作品なのです。主題と30の変奏を持つこの楽曲は、数多ある鍵盤音楽作品の中でも巨大で、技術・表現ともに最高難度を誇るものといえるでしょう。本映像は、ラン・ランがこの楽曲により深く対峙するために様々な都市、師や友人、専門家のもとを訪れるドキュメンタリーとなっています。</video:description>
<video:duration>3507</video:duration>
<video:publication_date>2022-10-11T12:42:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:58:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ID8</loc>
<video:video>
<video:title>アームストロング 鍵盤音楽年代記・補遺 1520‐2023（日本語字幕付きインタビューあり）</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/72c3fe2e2a295adec05517b00ac6503e2ce6fa14.jpg</video:thumbnail_loc>
<video:description>【アームストロングによる解説・日本語字幕付き】圧倒的なレパートリーの広さと高い技術、音楽以外にも様々な学問を修めて膨大な知識を有する稀有なピアニスト／作曲家のキット・アームストロング。「鍵盤音楽年代記」は、「東京・春・音楽祭 2023」で好評を博した、5世紀にわたる「鍵盤音楽」の歴史を彼ならではの視点で紐解く、全5回の壮大なプログラムです。ステージプラスでは、その3回の演奏会が公開されていますが、当映像ではそのダイジェストに加え、残り2回で演奏されたプログラムの一部が演奏されています。アームストロング自身の作品にも注目！また彼自身が、鍵盤楽器発展の歴史や時代背景について解説しています。日本語字幕付きですので、ぜひご覧ください。</video:description>
<video:duration>6385</video:duration>
<video:publication_date>2023-11-01T13:45:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:57:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6CO</loc>
<video:video>
<video:title>久石譲 in ウィーン</video:title>
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<video:description>宮崎駿監督のスタジオジブリ作品をはじめ、100本以上の映画音楽を手がけた久石譲。彼は映画音楽のレジェンドともいうべき存在ですが、もともとはミニマル・ミュージックの旗手として活動を開始しており、ミニマリズムにエレクトロニクス、西洋と日本のクラシックなど、多様なスタイルを融合させ、クラシック音楽でも様々な作品を書いています。本映像では彼の交響曲第2番をはじめ、映画『もののけ姫』の音楽などの代表作が久石本人の指揮、ウィーン交響楽団の演奏でお楽しみ頂けます。</video:description>
<video:duration>5850</video:duration>
<video:publication_date>2023-06-18T19:15:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-23T11:55:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GC0</loc>
<video:video>
<video:title>グリモーとクリンメルによるシルヴェストロフ＆ブラームス歌曲</video:title>
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<video:description>本映像には独創的なプログラミングと精緻な演奏で人気を集めるピアニスト、エレーヌ・グリモーと、2018年ヘルムート・ドイチュ国際コンクール優勝者のバリトン、コンスタンティン・クリンメルの共演が収められています。演奏は2022年の夏、ベルリンからほど近いシュタイニッツ湖畔にあるトゥルビネンハレで行われたものです。ウクライナの作曲家、シルヴェストロフの繊細な世界観の歌曲とブラームスの美しい旋律が魅力的な歌曲は美しい風景へと誘ってくれるようです。</video:description>
<video:duration>4985</video:duration>
<video:publication_date>2023-01-21T21:44:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:53:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRG</loc>
<video:video>
<video:title>カミーユ・トマ：ベルサイユからパリへ音楽の旅</video:title>
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<video:description>2014年、「フランスのグラミー賞」ともいわれる「クラシック音楽最高栄誉賞」で「最優秀新人賞」を獲得し、世界的アーティストとなったチェリストのカミーユ・トマ。本ドキュメンタリーは、旅を愛するアーティストでもあるトマと共に、パリのアンスティチュ・フランセの屋上から出発し、ヴェルサイユからパリにかけての各所を巡る音楽の旅となっています。トマが演奏動画をSNSに投稿して話題となったグルック《精霊の踊り》をはじめとする、アルバム『ヴォイス・オブ・ホープ』収録曲が美しい映像と共に奏でられます。</video:description>
<video:duration>2594</video:duration>
<video:publication_date>2022-05-11T10:54:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:43:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38DO</loc>
<video:video>
<video:title>ネルソンスがブッフビンダーとR・シュトラウスで共演</video:title>
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<video:description>2022年5月にエルプフィルハーモニー・ハンブルクで行われた、アンドリス・ネルソンスが指揮するゲヴァントハウス管弦楽団のコンサート映像。R.シュトラウスを中心としたプログラムで2つの代表的な交響詩をとりあげています。注目は演奏至難なカデンツァで知られる初期のピアノ協奏曲であるブルレスケと、ヨハン・シュトラウスのワルツを主題にしたグリュンフェルトの演奏会用パラフレーズで、現代の巨匠ピアニストのひとりであるルドルフ・ブッフビンダーの妙技をお楽しみください。</video:description>
<video:duration>5009</video:duration>
<video:publication_date>2022-11-10T12:20:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T11:42:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3ACO</loc>
<video:video>
<video:title>ベルガイシュに輝く月光</video:title>
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<video:description></video:description>
<video:duration>993</video:duration>
<video:publication_date>2024-07-14T19:37:12Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-23T05:23:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJIC8</loc>
<video:video>
<video:title>ブルース・リウのピアノ・リサイタル</video:title>
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<video:description>最も活躍する若手ピアニストの一人、ブルース・リウ。2021年の第18回ショパン国際ピアノコンクールで優勝した直後、ドイツ・グラモフォンと専属契約を交わし、レコーディングも精力的に行っています。本映像では、ルール・ピアノ・フェスティバルからのライブ配信で、ショパンのピアノ・ソナタ第2番《葬送行進曲》をメインとしたプログラムを披露します。情熱と哀愁を併せ持ち、時に気まぐれさも漂わせるショパンと共に、ハイドン、ベートーヴェン、プロコフィエフのソナタを演奏。中でも目を引くのはカプースチンの変奏曲で、ジャズとクラシックのスタイルを融合させてスリリングな効果をもたらす本作品をどう演奏するのか、注目されます。</video:description>
<video:duration>5442</video:duration>
<video:publication_date>2024-07-08T06:21:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">DE FR</video:restriction>
</video:video>
<lastmod>2024-07-22T15:17:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJGD8</loc>
<video:video>
<video:title>バンジャマン・ベルネームのリサイタル (解説付き) ～アルバム『イタリアン大通り』から</video:title>
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<video:description>フランスが生んだ新世代スター・テノールの2ndアルバムは仏語歌唱によるイタリア・オペラの名アリアを集めた1枚で、オペラ座 (オペラ・ガルニエ)とオペラ・コミック座のある「イタリアン大通り」に因んで名付けられたものです。2022年5月にベルネームは同盤から抜粋して、オペラ・バスティーユで (オペラ座アカデミーのレジデント・ヴォーカルコーチである) フェリックス・ラモスのピアノ伴奏によるリサイタルを開催しました。プッチーニの人気アリアの貴重なフランス語ヴァージョンや、ケルビーニやマスカーニの知られざる作品も含んだ魅力的なプログラムで、同盤でもコラボしたアレクサンドル・ドラトヴィッキ (未知の作品や忘れ去られた作曲家を再発見するパラツェット・ブル・ザーヌの研究者)をゲストに迎えた解説やディスカッションなども必見です。</video:description>
<video:duration>2720</video:duration>
<video:publication_date>2023-06-14T12:47:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:16:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38D8</loc>
<video:video>
<video:title>ベルリン・フィル首席オーボエ奏者アルブレヒト・マイヤーが奏でるクリスマス</video:title>
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<video:description>ベルリン・フィルハーモニー管弦楽団首席オーボエ奏者でアルブレヒト・マイヤー。オーケストラ奏者としてはもちろん、グスタフ・マーラー・ユーゲントオーケストラやベルリン・バロック・ゾリステンのメンバーとしても活躍しています。本映像は、彼がソプラノ歌手のヘラ・ヘサン・パクをはじめ、親しい音楽仲間とともに、ベルリンの歴史あるスタジオ、タンツザール・アン・デア・パンケで行った特別な公演です。クリスマスを彩る名曲を新しいアレンジで奏でていますが、バッハやヘンデルなどの作品での音色の美しさは格別です。</video:description>
<video:duration>2989</video:duration>
<video:publication_date>2022-12-24T08:04:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:13:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8C8</loc>
<video:video>
<video:title>マイヤーとベルリン・バロック・ゾリスデンが奏でるバッハ</video:title>
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<video:description>ベルリン・フィルの“顔”ともいえるオーボエ奏者のアルブレヒト・マイヤー。幅広いレパートリーを誇るマイヤーはバロック音楽のスペシャリストでもあります。そんな彼がベルリン・バロック・ゾリステンと共に、ヨハン・セバスティアン・バッハとその息子2人の音楽を中心としたプログラムをお届けします。大バッハのチェンバロ協奏曲第4番の新編曲や管弦楽組曲第3番の《エア》をはじめ、ヨハン・クリストフの《シンフォニアニ短調》、カールフィリップ・エマヌエルのチェンバロ協奏曲第1楽章など多彩なプログラムをお楽しみください。</video:description>
<video:duration>2766</video:duration>
<video:publication_date>2023-06-13T13:48:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T15:12:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJAE8</loc>
<video:video>
<video:title>ビシュコフとチェコ・フィルハーモニー管弦楽団による《わが祖国》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dfc85ca2bb48cf949d0ef2eaf170c87147950b00.jpg</video:thumbnail_loc>
<video:description>ロシアものはもちろん、ドイツ、フランスものと幅広いレパートリーを誇る指揮者であるセミョン・ビシュコフ。本映像では、彼が首席指揮者・音楽監督を務めるチェコ・フィルハーモニー管弦楽団との共演で、スメタナの《わが祖国》に挑んでいます。ボヘミアの風景や歴史に伝説といったものが描き出されたこの楽曲を、これ以上ない組み合わせによる演奏でお楽しみいただくことができます。熱演によって紡ぎ出される色彩美をお楽しみください。</video:description>
<video:duration>5143</video:duration>
<video:publication_date>2024-02-20T15:57:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:38:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8D8</loc>
<video:video>
<video:title>名手ペーター・シュライアーが歌うベートーヴェン歌曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a97e1bfb48eb47d1b63091101174fb419956005e.jpg</video:thumbnail_loc>
<video:description>旧東ドイツ出身。1960年代にザルツブルク音楽祭やウィーン国立歌劇場、メトロポリタン歌劇場などで当代最高のリリック･テナーとして名声を確立し、ドイツ・リートの分野でも高い評価を得たシュライアーによる、ベートーヴェンの歌曲だけをとりあげたリサイタルの映像をお届けします。彼が、理想的な形で自分の歌に応えるピアニストと称えたシェトラーとの息のあった共演で、ウィーン初期に作曲された人気曲《アデライーデ》を始めとする、ロマン溢れる“楽聖”の歌の世界をご堪能ください。</video:description>
<video:duration>4912</video:duration>
<video:publication_date>2024-01-24T16:24:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:36:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32D0</loc>
<video:video>
<video:title>ブゾーニ国際ピアノコンクール2023：室内楽ファイナル III</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6edbe668ffbb11626781d60bbcdcc67618980082.jpg</video:thumbnail_loc>
<video:description>イタリア・ボルツァーノで行われた、第64回ブゾーニ国際ピアノコンクールのファイナル。室内楽ファイナル2日目はアントニオ・チェングァンとロン・マキシム・ファンが登場。グランド・ファイナル出場をかけ、イジドール弦楽四重奏団との共演によるピアノ五重奏曲と、30分のソロ・レパートリーを披露しました。</video:description>
<video:duration>6894</video:duration>
<video:publication_date>2023-09-14T10:21:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:35:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36D8</loc>
<video:video>
<video:title>ファビオ・ルイージとデンマーク国立交響楽団によるニールセン Vol.1</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a000cfcb38fcb2a186f5532cec3efb4ff09ce534.jpg</video:thumbnail_loc>
<video:description> イタリアの指揮者であり、2022/2023シーズンからNHK交響楽団の首席指揮者に就任したファビオ・ルイージ。オペラの指揮を得意とし、音楽のドラマ性を見事に描き出す彼は、2017年から音楽監督を務めるデンマーク国立交響楽団を指揮して、デンマークの作曲家ニールセンの交響曲全6曲の全集に取り組んでいます。本映像は2023年のカール・ニールセン・フェスティヴァルでの模様が収められており、その見事な解釈が存分に発揮されています。太陽が昇り沈む情景を描いた《ヘリオス》序曲、ブラームスの影響が色濃く出ている交響曲第1番などをお楽しみください。</video:description>
<video:duration>4398</video:duration>
<video:publication_date>2023-08-10T12:49:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:35:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCDO</loc>
<video:video>
<video:title>ウィーン少年合唱団の創立525周年記念コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9dd0acc49ca137c147afb8460c390058e39b6cd0.jpg</video:thumbnail_loc>
<video:description>世界中から愛されているウィーン少年合唱団は2023年創立525周年を迎えました。本映像は2023年5月にそのアニヴァーサリーイヤーを祝う、ウィーン楽友協会での特別なコンサートです。長きにわたる歴史をもつウィーン少年合唱団は、それを振り返るようにルネサンスから現代にいたるまでのプログラムを構成しました。さらにハイドン、モーツァルト、シューベルトにブルックナー、そしてヨーゼフ・シュトラウスといったオーストリアの作曲家の作品を取り入れ、これからも受け継がれていく音色を美しく響かせています。</video:description>
<video:duration>5139</video:duration>
<video:publication_date>2023-10-27T14:49:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4CO</loc>
<video:video>
<video:title>ニールセン2023〜ルイージ＆ボムソリ : 交響曲第5番とヴァイオリン協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/110c97fa4b485790344379c772cdbc6b14ecb0e4.jpg</video:thumbnail_loc>
<video:description>デンマーク国立交響楽団と首席指揮者のファビオ・ルイージによる、カール・ニールセン・プログラム。第一次世界大戦の陰で作曲された影響か、不安定な要素を多く含む交響曲第5番をメインに据えています。韓国のヴァイオリニスト、ボムソリがソリストを務めるヴァイオリン協奏曲は、対照的なキャラクターと言えるでしょう。独特の旋律に満ちており、ソリストには叙情性だけでなく、卓越した技術が求められる作品となっています。</video:description>
<video:duration>4863</video:duration>
<video:publication_date>2023-05-16T15:25:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:32:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3EC8</loc>
<video:video>
<video:title>バルモレイ《ザ・ウィンド》</video:title>
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<video:description>テキサス州西部の広大な土地にあるチャイナティ・アリーナを舞台に、ミニマリスト・グループ「バルモレイ」がドイツ・グラモフォンのレーベルに残した最初の録音『The Wind』のライブ演奏を行いました。彼らの12の曲を、この唯一無二の場所で、味わいつくすことができます。1980年代にアーティストのドナルド・ジャッドが購入し、陸軍基地の体育館として使われていたものを改築したアリーナは、金属的なきしみや震動があり、レコーディングの中で楽器として機能しています。この繊細かつ感動的なプロジェクトは、音楽を演奏する場所の重要性をも語っているのです。</video:description>
<video:duration>3160</video:duration>
<video:publication_date>2022-12-02T14:45:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:27:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CC0</loc>
<video:video>
<video:title>ヴィキングル・オラフソン plays ドビュッシー、ラモー＆ムソルグスキー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/776813d8b487281ce26b4999612d7325574d4a45.jpg</video:thumbnail_loc>
<video:description>アイスランドに生まれたデジタル時代のハイブリッド・ピアニスト、ヴィキングル・オラフソンによる2021年6月の鮮烈なリサイタル映像をお届けします。会場は首都レイキャビックに2011年オープンした印象的なコンサート・ホール、ハルパです。プログラムの前半はベストセラー・アルバム『ドビュッシー／ラモー』と同様に、約200年の時を隔てたこの二人の革命的な天才作曲家の作品を組み合わせ、その対話を通じて両者の類似性などを浮かび上がらせるアプローチ。そして後半のムソルグスキー《展覧会の絵》では瞑想的かつピアニスティックな力強さを存分に発揮して魅了します。</video:description>
<video:duration>6728</video:duration>
<video:publication_date>2022-11-18T09:14:36Z</video:publication_date>
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<video:live>no</video:live>
<video:restriction relationship="deny">IS</video:restriction>
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<lastmod>2024-07-22T12:27:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30D8</loc>
<video:video>
<video:title>メータの指揮によるウェーバー、リスト、ベートーヴェン - バティアシヴィリを迎えて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/15fd54f3e02824db53cd8519386335eec5c6af68.jpg</video:thumbnail_loc>
<video:description>世界で最も尊敬を集める指揮者の一人であるズービン・メータ。本映像では、彼がミュンヘンの音楽の重要な発信地の一つ、ガスタイクの指揮台に立ち、ウェーバー、リスト、そしてヴァイオリニストのリサ・バティアシュヴィリを迎えてベートーヴェンのヴァイオリン協奏曲を演奏した模様をお届けします。ウェーバーの《オベロン》序曲で描かれた魔法の世界、リストの死生観が露わとなっている《レ・プレリュード》でのメータの鮮やかな音作り、バティアシュヴィリの超絶技巧をお楽しみいただけます。</video:description>
<video:duration>4576</video:duration>
<video:publication_date>2022-10-27T12:03:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:26:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJGDG</loc>
<video:video>
<video:title>パーヴォ・ヤルヴィがフランツ・シュミットの交響曲第4番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9abf8764568d9394feba6d1e1d6d056da7a89a04.jpg</video:thumbnail_loc>
<video:description>現在最も世界で活躍する指揮者の一人であるパーヴォ・ヤルヴィ。彼は知られざる作品に光を当てる活動でも高く評価されています。彼はフランクフルト交響楽団と共にフランツ・シュミットの交響曲全曲録音に取り組んでおり、本映像でご覧いただけるのは、交響曲第4番の演奏です。美しい旋律に力強い輝きを放つハーモニーに圧倒されることでしょう。シュミットの人気作品、オペラ《ノートル・ダム》の間奏曲もお楽しみ頂けます。</video:description>
<video:duration>3311</video:duration>
<video:publication_date>2022-10-07T15:24:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:23:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJED8</loc>
<video:video>
<video:title>バティアシュヴィリがチェコ・フィル・デビューでサン＝サーンスを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1425dc2e2b5e630490e74c072ff8ad901ea69345.jpg</video:thumbnail_loc>
<video:description>2021年収録のこの映像は、リサ・バティアシュヴィリのチェコ・フィルにおけるデビュー演奏会です。指揮棒を取るのは、同オーケストラの首席指揮者ヤクブ・フルシャ。バティアシュヴィリは、サラサーテのために書かれた華麗な協奏曲を、エレガンスと見事な技巧で弾ききっています。後半は、ブラームスとドヴォルザークのオーケストラのための変奏曲が演奏されています。同時代人で親交のあった両者を巧みに結びつけた好プログラムです。</video:description>
<video:duration>4414</video:duration>
<video:publication_date>2022-09-28T14:23:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:22:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2E8</loc>
<video:video>
<video:title>マウリツィオ・ポリーニ、ベートーヴェン最後の3つのピアノ・ソナタ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0602eb8511ba382933e6a3edc8f9be7e2e9cfd7a.jpg</video:thumbnail_loc>
<video:description>マウリツィオ・ポリーニが、ベートーヴェンの最後の3曲のピアノ・ソナタを演奏しています。収録は2019年で、会場はミュンヘンのヘラクレス・ザール。77歳の彼はここで、ファブリーニのスタンウェイを用い、作曲家最晩年の澄み切った世界を描き出しています。ポリーニがこの３曲を初めて録音したのは、この時点から約40年前にさかのぼる1975〜77年。その後の内面的な成熟を経て、滋味に溢れた内容の濃い音楽が、鍵盤から流れ出ています。</video:description>
<video:duration>3533</video:duration>
<video:publication_date>2022-06-29T15:54:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSS3C</loc>
<video:video>
<video:title>ダニエル・バレンボイム、ベートーヴェンのディアベリ変奏曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/893c154360b4b5b7cceb9b05a99aa2b58efb06d1.jpg</video:thumbnail_loc>
<video:description>ダニエル・バレンボイムほどベートーヴェンの作品を知り尽くしている人はいないでしょう。しかし著名ピアニスト兼指揮者の彼にとっても、ベートーヴェンを発見するプロセスに終わりはありません。輝かしいキャリアの出発点となった作曲家に、改めて集中的にアプローチする期間を設けて挑む、ベートーヴェンの最後のピアノ作品、ディアベリ変奏曲。バレンボイムは、ベートーヴェンは晩年の作品を、世間から完全に隔離された状態で書いていたと考えています。ベルリン、ピエール・ブーレーズ・ザールの閉ざされた空間の中で味わうことで、その感情がより強く響く演奏です。</video:description>
<video:duration>3549</video:duration>
<video:publication_date>2022-06-14T13:42:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:08:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ2</loc>
<video:video>
<video:title>ムターがラトル＆ベルリン・フィルと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5e8bc7c8a8e80cf42117e829c3560d2f2b4cd1cd.jpg</video:thumbnail_loc>
<video:description>2015年のベルリン・フィルのジルベスター・コンサートでは、サー・サイモン・ラトルとアンネ＝ゾフィー・ムターが共演。彼女は、サン＝サーンスの「序奏とロンド・カプリチオーソ」とラヴェルの《ツィガーヌ》を演奏しています。プログラムはフランス音楽で固められ、マスネ、シャブリエ、プーランクの比較的レアな曲目が並んでいますが、目玉はなんと言ってもラヴェルの《ラ・ヴァルス》でしょう。</video:description>
<video:duration>4979</video:duration>
<video:publication_date>2022-05-30T14:10:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:07:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6C0</loc>
<video:video>
<video:title>バーンスタイン指揮ベートーヴェン ミサ・ソレムニス (1978年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6579e51031d0b4f3db347db7f1de033bc6af7fa7.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインは、1970年代後半にベートーヴェンの交響曲全集を録音しました。その際彼は、オーケストラにウィーン・フィルを起用しましたが、《ミサ・ソレムニス》ではロイヤル・コンセルトヘボウ管弦楽団と共演しています (CDとしてもリリース)。バーンスタインがこの楽団を振ったのは、この機会が初めて。彼は作品に強い共感を示し、感動的な名演が実現しています。当時の一線級のソリストも万全の歌唱を示しています。</video:description>
<video:duration>5178</video:duration>
<video:publication_date>2022-07-13T12:34:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:06:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36</loc>
<video:video>
<video:title>2017年ベルリン・フィル、ヨーロッパ・コンサート in パフォス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c72e6b8f8818d6945d3fee1dde92c777c8fb6a8.jpg</video:thumbnail_loc>
<video:description>2017年のヨーロッパ・コンサートは、キプロスの港町パフォスで行われました。この地は、美と愛の女神アフロディーテが誕生したとされる場所で、演奏会は再建されたパフォス城で行われています。指揮は、ベルリン・フィルの長年の友人であるマリス・ヤンソンス。ドヴォルザークの交響曲第8番で、彼らしい率直で飾り気のない演奏を聴かせています。ウェーバーのクラリネット協奏曲第1番でソロを吹くのは、同オーケストラのソロ・クラリネット奏者アンドレアス・オッテンザマーです。</video:description>
<video:duration>5328</video:duration>
<video:publication_date>2022-05-23T10:56:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3E</loc>
<video:video>
<video:title>カラヤンがザルツブルク・イースター音楽祭でミサ・ソレムニスを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f43cb129069f6b1bf459eaf275ba00237177f346.jpg</video:thumbnail_loc>
<video:description>カラヤンは、1967年にザルツブルク・イースター音楽祭を設立し、手兵のベルリン・フィルと華麗なオペラ公演、演奏会を行いました。1979年この映像も、その豪華さを感じさせる内容で、ベートーヴェンのミサ・ソレムニスが演奏されています。ソプラノ・ソロでは、カラヤンが頻繁に登用し、《ばらの騎士》や《ドン・ジョヴァンニ》でも名唱を聴かせたアンナ・トモワ＝シントウが、全盛期の歌声を披露しています。</video:description>
<video:duration>5271</video:duration>
<video:publication_date>2022-05-11T13:40:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:05:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJI</loc>
<video:video>
<video:title>ラン・ラン、ベルリンのクラブでベートーヴェン、プロコフィエフほかを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1c4f76c92dd781278706bbd23f3ea5fc2e135cfd.jpg</video:thumbnail_loc>
<video:description>「ベルクハイン」はベルリンを代表するナイトクラブですが、ラン・ランは2010年、ここでリサイタルを開きました。ベートーヴェン、ショパン、プロコフィエフ、アルベニスという硬派なプログラムを、独特の雰囲気のなかで演奏しています。同時に当映像は、3D技術を用いて収録されており、テクノロジーの点でも興味深い内容と言えます。</video:description>
<video:duration>1821</video:duration>
<video:publication_date>2022-05-19T13:55:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:03:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR38</loc>
<video:video>
<video:title>イスラエル・フィル 創立75周年記念コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bd65dc23926507333b538ede173664affd3d2c1d.jpg</video:thumbnail_loc>
<video:description>欧州から移住してきた音楽家たちによって1936年にテルアビブで創設され、巨匠トスカニーニの指揮で第1回目の演奏会を実施。1948年の建国によって現名称になったイスラエル・フィルは2011年に創立75周年を迎え、それを祝うコンサートが12月に開催されました。全曲の指揮を終身音楽監督のズービン・メータが務め、ピアニストのエフゲニー・キーシン、ヴァイオリニストのジュリアン・ラクリンとワディム・レーピンらユダヤ系のスター演奏家3人をゲストに迎えた超豪華プログラム。最後のベートーヴェン：交響曲第8番も聴き逃せません。</video:description>
<video:duration>6456</video:duration>
<video:publication_date>2022-05-23T11:34:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:02:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30DO</loc>
<video:video>
<video:title>タイユフェールの《ゆるやかなワルツ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83243e45fa5002e82c590acb3c261c6763640bd2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>211</video:duration>
<video:publication_date>2024-03-05T19:48:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T12:00:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJEE8</loc>
<video:video>
<video:title>《ゴルトベルク変奏曲》より第30変奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e70e2f3085a47d05c672f7f0e51e2511ecc3a9e.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>117</video:duration>
<video:publication_date>2023-12-06T10:00:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T11:59:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJEDO</loc>
<video:video>
<video:title>《ゴルトベルク変奏曲》より第15変奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5cd2382c5bc548cb73b60b18063d840f22b878bc.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>338</video:duration>
<video:publication_date>2023-12-06T09:52:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-22T11:59:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJEDG</loc>
<video:video>
<video:title>《ゴルトベルク変奏曲》より第13変奏</video:title>
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<lastmod>2024-07-22T11:59:13Z</lastmod>
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<video:video>
<video:title>《ゴルトベルク変奏曲》より第1変奏</video:title>
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<video:publication_date>2023-12-06T09:42:45Z</video:publication_date>
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<lastmod>2024-07-18T09:29:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJED0</loc>
<video:video>
<video:title>《ゴルトベルク変奏曲》よりアリア</video:title>
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<video:publication_date>2023-12-06T09:35:10Z</video:publication_date>
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<lastmod>2024-07-18T09:23:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGCO</loc>
<video:video>
<video:title>Homage 1770</video:title>
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<video:duration>278</video:duration>
<video:publication_date>2023-12-06T14:29:56Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-18T09:22:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0D8</loc>
<video:video>
<video:title>バーンスタインのドキュメンタリー IV (日本語字幕付き)</video:title>
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<video:duration>470</video:duration>
<video:publication_date>2023-09-08T12:24:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-07-18T09:19:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3AE8</loc>
<video:video>
<video:title>ピエール・ブーレーズ『感情と分析』(日本語字幕付き)</video:title>
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<video:description>本映像は、ピエール・ブーレーズがベルリン・フィルハーモニー管弦楽団と行ったリハーサルの模様を追ったものです。楽曲は彼が非常に影響を受けた作曲家であるバルトークの《管弦楽のための協奏曲》。世界最高のマエストロとオーケストラが音楽を作り上げる過程をじっくりと見ることができます。さらにこのドキュメンタリーの中でブーレーズは、バルトークの後期作品の歴史的な起源、音楽解釈のスタイル、指揮者としての役割、そして作曲に対する愛情について語っています。</video:description>
<video:duration>3149</video:duration>
<video:publication_date>2023-02-06T18:42:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-18T09:18:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ6</loc>
<video:video>
<video:title>マエストロの素顔に迫るドキュメンタリー『バーンスタイン：音楽の贈り物』</video:title>
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<video:description>1993年8月25日のレナード・バーンスタイン生誕75周年を記念して制作された、90分の特別番組です。彼が過去に出演した番組からの素材も多数使用され、指揮者・ピアニスト・教育家と様々な顔を持つバーンスタインの素顔を知ることができる貴重なドキュメンタリーとなっています。1947年に「プラハの春音楽祭」にアメリカ代表として参加した28歳のバーンスタインなど貴重な映像も見られ、ミュージカル《キャンディード》、オペラ《オイディプス王》に《ミサ曲》など、バーンスタインの作品が豊富に用いられているのも特徴です。</video:description>
<video:duration>5092</video:duration>
<video:publication_date>2022-10-19T14:52:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:18:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8D8</loc>
<video:video>
<video:title>サイ : チェロ協奏曲より第2楽章 : Terror - Elegy</video:title>
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<video:description></video:description>
<video:duration>403</video:duration>
<video:publication_date>2022-11-18T04:07:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:17:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38</loc>
<video:video>
<video:title>ヴェルディ《ファルスタッフ》より&quot;Dal labbro il canto estasiato vola&quot;</video:title>
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<video:description></video:description>
<video:duration>162</video:duration>
<video:publication_date>2022-09-24T06:16:55Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-07-18T09:16:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3A</loc>
<video:video>
<video:title>ヴェルディ《リゴレット》より&quot;Questa o Quella&quot; </video:title>
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<video:description></video:description>
<video:duration>121</video:duration>
<video:publication_date>2022-09-24T06:55:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:16:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6CO</loc>
<video:video>
<video:title>チャイコフスキーとヒグドンのヴァイオリン協奏曲</video:title>
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<video:description></video:description>
<video:duration>588</video:duration>
<video:publication_date>2022-11-15T19:44:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-18T09:15:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCD0</loc>
<video:video>
<video:title>バーンスタインのマーラー交響曲第5番</video:title>
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<video:description>レナード・バーンスタインは、マーラーの音楽は、死に対する偏執を特徴とすると考えていました。特に、多くの葬送行進曲にその特徴が表れていると語っています。交響曲第5番は、トランペットの印象的なソロによって導かれ、葬送行進曲で始まります。さらにこの交響曲は、ベートーヴェンの交響曲第5番を彷彿とさせ、暗さから勝利のフィナーレへと導いていきます。一方、映画『ベニスに死す』で有名になったアダージェットは、私たちを光り輝く夢の世界へと導いてくれます。</video:description>
<video:duration>4402</video:duration>
<video:publication_date>2022-09-15T10:10:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-17T08:26:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36E0</loc>
<video:video>
<video:title>第16回ゲザ・アンダ国際ピアノコンクール～ファイナル</video:title>
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<video:description>ハンガリーのブダペストで生まれスイスのチューリッヒに没したゲザ・アンダ (1921-1976) は、フルトヴェングラーに「ピアノの吟遊詩人」と讃えられた20世紀の偉大なピアニストのひとりで、1959年からドイツ・グラモフォンの専属として、実用化されたばかりのステレオLPレコードのために数多くの録音を残しました。同コンクールは彼の功績を称えて1979年から3年ごとに開催されているもので、第16回大会は2024年5月30日から6月8日まで36名が参加して行われました。この映像ではピアノ界の重鎮の前で、ファイナリスト3名がパーヴォ・ヤルヴィの指揮する名門チューリッヒ・トーンハレ管弦楽団と共演した決勝の模様をお届けします。※結果はイリヤ・シュムクレルが優勝、ダウマンツ・リエピンスとドミトリー・ユーディンが共に第2位入賞という結果でした。</video:description>
<video:duration>9891</video:duration>
<video:publication_date>2024-07-11T14:38:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-15T15:20:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3IDG</loc>
<video:video>
<video:title>バッハ記念イヤーについて</video:title>
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<video:description></video:description>
<video:duration>532</video:duration>
<video:publication_date>2023-08-17T10:08:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-15T13:25:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGD0</loc>
<video:video>
<video:title>カラヤンがモーツァルトの《ドン・ジョヴァンニ》を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/dbee80827fda1bcf112ba178ef4a57839df9cb18.jpg</video:thumbnail_loc>
<video:description>本映像には、1987年のザルツブルク音楽祭で上演されたモーツァルトのオペラ《ドン・ジョヴァンニ》が収められています。ヘルベルト・フォン・カラヤンが指揮するこの公演は、歴史ある音楽祭のなかでも特に注目すべきものとなりました。キャストにはユリア・ヴァラディにキャスリーン・バトル、フェルッチョ・フルラネットといった名ソリストたちが揃っており、それぞれのキャラクターや魅力をカラヤンとウィーン・フィルが見事に引き出しています。</video:description>
<video:duration>11456</video:duration>
<video:publication_date>2024-04-11T07:23:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-15T09:39:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ4E8</loc>
<video:video>
<video:title>ヤクブ・フルシャとチェコ・フィルのスクリャービンとスーク</video:title>
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<video:description>このコンサートの会場であるルドルフィヌムは、チェコ･フィルハーモニーの本拠地であり、ネオルネサンス様式による美しいホールです。ロイヤル・オペラ・ハウスの次期音楽監督に任命されたヤクブ・フルシャの指揮のもと、ヨゼフ・スークの交響曲とアレクサンドル・スクリャービンのピアノ協奏曲という20世紀初頭の重要な作品を組み合わせたプログラムが披露されます。スクリャービンでは、ダニール・トリフォノフがソリストを務め、劇的な演奏で聴衆を魅了します。</video:description>
<video:duration>6612</video:duration>
<video:publication_date>2023-08-07T11:46:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-11T07:11:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ADG</loc>
<video:video>
<video:title>若き注目指揮者、ヴィオッティがコダーイとドヴォルジャークの作品を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0fca5fc214d816c18e2955ef79dff101f7611746.jpg</video:thumbnail_loc>
<video:description>若干29歳の若さでベルリン・フィルの指揮者デビューを果たすなどいま注目の若手指揮者であるロレンツォ・ヴィオッティ。本映像ではミュンヘン・フィルハーモニー管弦楽団を指揮し、コダーイの《ガランタ舞曲》やドヴォルジャークの交響曲第7番を指揮する彼の姿をご覧いただけます。東欧の重要なレパートリーをエレガントかつ自身に満ち溢れた舞台姿、確固とした意志を持って楽曲に臨む姿勢は、これからの彼のさらなる活躍を予感させるものとなっています。</video:description>
<video:duration>4850</video:duration>
<video:publication_date>2022-11-14T15:06:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-11T07:09:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36E0</loc>
<video:video>
<video:title>バレンボイムがミラノ・スカラ座で行ったリスト・リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e9f0bb3dc35cf6e91b54eecc2f72c4524a72b243.jpg</video:thumbnail_loc>
<video:description>世界的に尊敬される音楽家であるダニエル・バレンボイム。当映像は彼が2007年に行ったミラノ・スカラ座でのリサイタルの模様です。演奏曲にはフランツ・リストの巡礼の年第2年《イタリア》や《２つの伝説》からの抜粋、《リゴレット》などヴェルディのオペラ・パラフレーズ作品など、幅広い楽曲が選ばれました。バレンボイムとリストは共通項が多いこともあり、演奏においても非常にシンパシーを覚えているようです。鮮やかな技巧、美しい音色に多彩なニュアンスなど、バレンボイムのピアニズムを存分にお楽しみ頂けるでしょう。</video:description>
<video:duration>5114</video:duration>
<video:publication_date>2022-11-07T16:12:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-10T09:34:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJA</loc>
<video:video>
<video:title>バレンボイムによるベートーヴェンのピアノ協奏曲全曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/75309ec8ec6a291be608b4328132b813a8fc101d.jpg</video:thumbnail_loc>
<video:description>ダニエル・バレンボイムは、ベートーヴェンの5つのピアノ協奏曲を、過去に数回録音しています。ピアニストとしてはオットー・クレンペラー、指揮者としてはアルトゥール・ルービンシュタインとの共演。また、指揮振りでの録音も存在しますが、今回の演奏は、2007年、ボーフムのヤールフンデルトハレで開催されたルール・ピアノ・フェスティヴァルでのものです。ピアノを弾きながら指揮もし、そこでオーケストラを完全に掌握していることに感嘆させられます。</video:description>
<video:duration>12094</video:duration>
<video:publication_date>2022-05-06T09:49:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-10T09:23:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36DG</loc>
<video:video>
<video:title>第16回ゲザ・アンダ国際ピアノコンクール～モーツァルト・セミ・ファイナル I</video:title>
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<video:description>ハンガリーのブダペストで生まれスイスのチューリッヒに没したゲザ・アンダ (1921-1976) は、フルトヴェングラーに「ピアノの吟遊詩人」と讃えられた20世紀の偉大なピアニストのひとりで、1959年からドイツ・グラモフォンの専属として、実用化されたばかりのステレオLPレコードのために数多くの録音を残しました。同コンクールは彼の功績を称えて1979年から3年ごとに開催されているもので、第16回大会は2024年5月30日から6月8日まで36名が参加して行われました。この映像では準決勝進出者 6名のピアニストのうち、ラトビア出身のダウマンツ・リエピンス、佐藤晴真 (チェロ) と共演したアルバム『歌の翼に～メンデルスゾーン作品集』で知られる注目の久末航、そしてロシアのドミトリー・ユーディンの3名が、それぞれミハイル・プレトニョフの指揮でモーツァルトのピアノ協奏曲を演奏する模様をお届けします。</video:description>
<video:duration>6691</video:duration>
<video:publication_date>2024-06-26T11:22:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-09T09:50:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3IE0</loc>
<video:video>
<video:title>リシエツキ＆ノルウェー室内管弦楽団によるショスタコーヴィチとショパン</video:title>
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<video:description>ヤン・リシエツキは15歳にしてドイツ・グラモフォンと専属契約を果たすなど、神童として注目されたピアニストです。しかし現在では、世界中に鮮烈な印象を与えたショパンの練習曲集のディスクに象徴されるように、一人のアーティストとして大きな存在感を示しています。本映像には、彼が2022年にノルウェー室内管弦楽団との共演でショパンの2つのピアノ協奏曲を弾き振りし、ショスタコーヴィチの《室内交響曲》を暗譜で指揮という、聴衆に再び衝撃を与えた公演が収められています。会場はムンクの壁画が飾られたオスロ大学アウラ講堂です。</video:description>
<video:duration>6334</video:duration>
<video:publication_date>2023-03-16T10:33:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-04T11:34:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ38DO</loc>
<video:video>
<video:title>『時の谺』について</video:title>
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<video:description></video:description>
<video:duration>291</video:duration>
<video:publication_date>2024-07-04T09:25:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-04T09:34:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3AD0</loc>
<video:video>
<video:title>晩年のカラヤンによるベートーヴェン : 交響曲第5番＆第6番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/207347cab349c0c26272441413a787c1f242dc96.jpg</video:thumbnail_loc>
<video:description>カラヤンはベートーヴェンの交響曲全集を4回 (ベルリン・フィルとは3回) 録音しており、映像でもベルリン・フィルと2度にわたって全集を完成させています。既にSTAGE+で配信中の旧全集 (1967～1977年) も、先駆者カラヤンのアイデアと美学に溢れた逸品でしたが、晩年の1982～1986年にかけて収録されたこちらの2度目の全集も、映像と演奏の両面から充実した内容です。とりわけ“第九”は並行して行われたCDのレコーディングとは別に映像用のセッションを組み、ウィーン楽友協会合唱団とカラヤンに指名された4名のソリストたちと収録した見応えのある仕上がりとなっております。</video:description>
<video:duration>4207</video:duration>
<video:publication_date>2024-06-17T08:53:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:05:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ADG</loc>
<video:video>
<video:title>晩年のカラヤンによるベートーヴェン : 交響曲第4番＆第7番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9023ab60497be1671c567f0dd233a21b4268224c.jpg</video:thumbnail_loc>
<video:description>カラヤンはベートーヴェンの交響曲全集を4回 (ベルリン・フィルとは3回) 録音しており、映像でもベルリン・フィルと2度にわたって全集を完成させています。既にSTAGE+で配信中の旧全集 (1967～1977年) も、先駆者カラヤンのアイデアと美学に溢れた逸品でしたが、晩年の1982～1986年にかけて収録されたこちらの2度目の全集も、映像と演奏の両面から充実した内容です。とりわけ“第九”は並行して行われたCDのレコーディングとは別に映像用のセッションを組み、ウィーン楽友協会合唱団とカラヤンに指名された4名のソリストたちと収録した見応えのある仕上がりとなっております。</video:description>
<video:duration>4197</video:duration>
<video:publication_date>2024-06-17T11:16:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:05:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3AE0</loc>
<video:video>
<video:title>晩年のカラヤンによるベートーヴェン : 交響曲第2番＆第8番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d91164c99998d43e897d9f323b25a42886ac8c61.jpg</video:thumbnail_loc>
<video:description>カラヤンはベートーヴェンの交響曲全集を4回 (ベルリン・フィルとは3回) 録音しており、映像でもベルリン・フィルと2度にわたって全集を完成させています。既にSTAGE+で配信中の旧全集 (1967～1977年) も、先駆者カラヤンのアイデアと美学に溢れた逸品でしたが、晩年の1982～1986年にかけて収録されたこちらの2度目の全集も、映像と演奏の両面から充実した内容です。とりわけ“第九”は並行して行われたCDのレコーディングとは別に映像用のセッションを組み、ウィーン楽友協会合唱団とカラヤンに指名された4名のソリストたちと収録した見応えのある仕上がりとなっております。</video:description>
<video:duration>3723</video:duration>
<video:publication_date>2024-06-17T11:47:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:04:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ADO</loc>
<video:video>
<video:title>晩年のカラヤンによるベートーヴェン : 交響曲第1番＆第3番《英雄》</video:title>
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<video:description>カラヤンはベートーヴェンの交響曲全集を4回 (ベルリン・フィルとは3回) 録音しており、映像でもベルリン・フィルと2度にわたって全集を完成させています。既にSTAGE+で配信中の旧全集 (1967～1977年) も、先駆者カラヤンのアイデアと美学に溢れた逸品でしたが、晩年の1982～1986年にかけて収録されたこちらの2度目の全集も、映像と演奏の両面から充実した内容です。とりわけ“第九”は並行して行われたCDのレコーディングとは別に映像用のセッションを組み、ウィーン楽友協会合唱団とカラヤンに指名された4名のソリストたちと収録した見応えのある仕上がりとなっております。</video:description>
<video:duration>4650</video:duration>
<video:publication_date>2024-06-17T11:31:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T16:04:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJAC8</loc>
<video:video>
<video:title>アバドの指揮の下、バルトリにヴェンゲーロフらが超絶技巧を披露</video:title>
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<video:description>毎年注目を集める「ガラ・フロム・ベルリン」。1996年の同コンサートでは、超絶技巧でヴァイオリン音楽を鮮烈に彩っていくヴァイオリニスト、マキシム・ヴェンゲーロフがラヴェルの《ツィガーヌ》を披露しました。彼の輝かしい音色をさらに色彩豊かにしていくのがアバド率いるベルリン・フィルハーモニー管弦楽団。ブラームスのワルツ集《愛の歌》では、スウェーデン放送合唱団が出演。最高の布陣が揃うことで、ラヴェルからブラームス、ベルリオーズまで多様な作品が圧倒的色彩で輝きだしていきます。</video:description>
<video:duration>4377</video:duration>
<video:publication_date>2024-02-05T14:11:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T15:43:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36</loc>
<video:video>
<video:title>パールマン、マ、バレンボイムの3大巨匠が、ベルリン・フィルと共演 (1995年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2b66feb84d1043db74f052eacdaf2c635adae2c0.jpg</video:thumbnail_loc>
<video:description>イツァーク・パールマン、ヨーヨー・マ、ダニエル・バレンボイムがベートーヴェンのプログラムを演奏したベルリン・フィルの演奏会です (1995年)。ヴァイオリン、チェロ、ピアノのための三重協奏曲は演奏機会が多くありませんが、ソロ楽器とオーケストラの音色、技巧性とシンフォニックな曲調が融合し、ユニークな作品となっています。交響曲第9番の前触れとされる「合唱幻想曲」では、バレンボイムがピアニスト、指揮者としての力量を存分に発揮してます。</video:description>
<video:duration>3604</video:duration>
<video:publication_date>2022-05-02T10:35:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T09:59:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJICG</loc>
<video:video>
<video:title>リヒターとミュンヘン・バッハ管弦楽団によるブランデンブルク協奏曲全曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4f24cb97bfc78593c8b6e996fbb1d6f2589e82a4.jpg</video:thumbnail_loc>
<video:description>指揮者、オルガニスト、チェンバロ奏者として活躍したカール・リヒター。彼は世界のバロック音楽シーンで最も重要な人物の一人として、とりわけバッハとヘンデルの演奏で名声を博していました。本映像は、「バッハの使徒」とも評されたリヒターが1970年にミュンヘン・バッハ管弦楽団と共に行ったブランデンブルク協奏曲の全曲演奏の模様です。構築力の高さや格調高い音色に圧倒されるのはもちろん、オットー・ビュヒナー(ヴァイオリン)やパウル・マイゼン(フルート)など名手のソロも華麗に響き渡ります。</video:description>
<video:duration>6126</video:duration>
<video:publication_date>2022-10-17T11:02:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T09:10:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ0</loc>
<video:video>
<video:title>カルロス・クライバー、その天賦の才：ベートーヴェン交響曲第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8a11334b9374189d14604f893a796801aab31063.jpg</video:thumbnail_loc>
<video:description>20世紀の終わり頃には神格化されていた名匠カルロス・クライバーですが、晩年はめったに指揮台に立たなくなり、演奏会の予定が発表されるだけで大きな話題を呼ぶ程でした。残した録音の数も非常に少なく、いずれも今なお最高の名盤として圧倒的な支持を得ています。ベートーヴェンの交響曲第4番も正規盤としてはバイエルン国立管弦楽団との1982年のライヴ音源しかなく、それだけに1983年10月に収録されたこのロイヤル・コンセルトヘボウ管弦楽団との演奏映像は貴重なものです。急速なムードの変化と機知に富んだフレーズを持つこの作品は、クライバーの天才的な指揮の素振りを後世に伝える記録として理想的です。</video:description>
<video:duration>2175</video:duration>
<video:publication_date>2022-05-30T13:02:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-03T08:39:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3ECO</loc>
<video:video>
<video:title>ハワード・ショアの世界を注目のソリストとオーケストラが奏でる</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/505f7b04efbd9bfd7e3ddbdad53f99d066082c03.png</video:thumbnail_loc>
<video:description>『ロード・オブ・ザ・リング』など多くの映画の音楽を作り出してきたハワード・ショア。本映像は彼の作品を集めたコンサートとなっています。ロシアン・マフィアを題材とした『イースタン・プロミス』の音楽による《コンチェルティーノ》をはじめ、ヴァイオリンやチェロ、ピアノのための協奏曲などが並ぶ非常に豪華な内容です。ソリストは今注目のラファエル・モローをはじめ名手が勢ぞろい。彼女たちを支えるフランス放送フィルハーモニー管弦楽団の多彩な音色も楽曲の世界観を鮮やかに描き出しています。</video:description>
<video:duration>5215</video:duration>
<video:publication_date>2024-06-28T08:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-02T11:02:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36DG</loc>
<video:video>
<video:title>バーンスタイン入魂の《大地の歌》リハーサルドキュメント</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a73d4f40754f1e309a22872cab48dd401bcadb5.jpg</video:thumbnail_loc>
<video:description>マーラーの作品を愛したレナード・バーンスタインは「大地の歌」についても並々ならぬ想いを持っていました。本映像は2回目となる録音のためのリハーサルの模様をドキュメンタリー仕立てでお楽しみいただくことができます。指揮者や歌手たちによるナレーションと共に、入念かつ感動的な音楽構築の過程を覗くことができるのです。バーンスタインが指揮するイスラエル・フィルのサウンドの力強さ、それに呼応して圧倒的な世界観を示す歌手たちの鮮烈な表現を存分にお楽しみください。</video:description>
<video:duration>2527</video:duration>
<video:publication_date>2024-06-24T12:31:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-01T12:59:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36D0</loc>
<video:video>
<video:title>アンネ＝ゾフィー・ムター、メンデルスゾーンとの出会い</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/adcfe7a0698d7b577307cc0eaa2665bffad9b89c.jpg</video:thumbnail_loc>
<video:description>2008年にメンデルスゾーン賞を受賞したヴァイオリンの女王ムターは、このライプツィヒが育んだ偉大な作曲家の生誕200年を記念するアルバムを制作し、マズアの指揮でゆかりのオーケストラ、ゲヴァントハウス管弦楽団とヴァイオリン協奏曲を、プレヴィンやハレルとピアノ三重奏曲やヴァイオリン・ソナタをレコーディングしました。このドキュメンタリーで彼女は自分とメンデルスゾーンとの関わりについて語り、これらの作品を特に愛する理由について説明しています。</video:description>
<video:duration>1099</video:duration>
<video:publication_date>2024-06-21T12:17:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-07-01T12:56:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36CG</loc>
<video:video>
<video:title>ブルース・リウがラフマニノフのピアノ協奏曲第2番を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1300fe92c3466752be1f15426607384b07682cdb.jpg</video:thumbnail_loc>
<video:description>2021年のショパン国際ピアノコンクールの覇者、ブルース・リウ。近年はレパートリーを拡大し、さらにその音楽性を深めています。本映像は、ジャナンドレア・ノセダとサンタ・チェチーリア国立アカデミー管弦楽団とともにラインガウ音楽祭に出演した際の演奏を収録。リウは今回ラフマニノフのピアノ協奏曲第2番のソリストを務め、ノセダはローマを拠点とするオーケストラの色彩豊かな音色の魅力を最大限に発揮すべくレスピーギの初期の傑作《ブルレスカ》とリムスキー＝コルサコフの《シェヘラザード》を選曲し、華麗な音楽を紡ぎ出しています。</video:description>
<video:duration>6538</video:duration>
<video:publication_date>2023-09-04T10:14:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-07-01T12:42:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ6D8</loc>
<video:video>
<video:title>ブリン・ターフェルが圧倒的な歌唱力で民謡を歌う</video:title>
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<video:description>サン・ドニ音楽祭で行われたコンサートの模様が収録されています。世界的バス・バリトンのブリン・ターフェルが、バグパイプ奏者であり、フルート奏者のカルロス・ヌニェスと共演し、ベートーヴェンが編曲したスコットランド、アイルランド、ウェールズの民謡を歌唱しています。ベートーヴェンはこれらの民謡を声楽とピアノ・トリオのために編曲し、19世紀のサロン用に仕立て上げました。ここではブノワ・メヌートとピエール・シェペロフによる新たな編曲によって、ケルトの原点へと回帰しています。</video:description>
<video:duration>3808</video:duration>
<video:publication_date>2024-06-24T08:48:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-27T13:49:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJI</loc>
<video:video>
<video:title>ハンス・ツィンマー：シャヴァリエ・ド・サングレアル - 『ダヴィンチ・コード』より</video:title>
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<video:description>Kian Soltani has always been a big fan of movies, now he takes this passion one step further and creates an unprecedented album with his own arrangements of great blockbuster hits. Epic soundscapes from Hans Zimmer&apos;s &apos;Pirates of the Caribbean&apos;, Howard Shores &apos;Lord of the Rings&apos; and other soundtracks. Cello Unlimited is precisely that – a collection of the most iconic movie soundtracks from the last 20 years, played on Kian’s cello and his cello only! All tracks are specially arranged for the cello and every voice is played by Kian himself.</video:description>
<video:duration>246</video:duration>
<video:publication_date>2022-06-16T12:09:02Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-26T13:39:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GE0</loc>
<video:video>
<video:title>アシタカとサン</video:title>
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<video:description></video:description>
<video:duration>269</video:duration>
<video:publication_date>2023-06-20T04:17:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T13:30:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GD8</loc>
<video:video>
<video:title>One Summer&apos;s Day (from &apos;Spirited Away&apos;)</video:title>
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<video:description></video:description>
<video:duration>246</video:duration>
<video:publication_date>2023-06-17T07:28:33Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-26T13:29:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8D0</loc>
<video:video>
<video:title>ジョン・ウィリアムズが自作曲でウィーン・フィルを指揮</video:title>
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<video:description>映画音楽のレジェンドであり、指揮者としても強い存在感を示しているジョン・ウィリアムズ。彼がウィーン・フィルハーモニー管弦楽団と共演した、歴史に刻まれるべき瞬間を収めた映像です。ウィーン楽友協会の黄金に輝く空間で奏でられる名画の音楽は、新たな輝きをともなって聴衆の心を鷲づかみにしました。さらに映画音楽だけでなく、「ヴァイオリンの女王」アンネ＝ゾフィー・ムターのために作曲された作品を披露していることも注目です。</video:description>
<video:duration>7709</video:duration>
<video:publication_date>2022-08-01T11:57:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T13:18:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR0</loc>
<video:video>
<video:title>ショパン再発見 - トリフォノフ＆プレトニョフ</video:title>
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<video:description>当ドキュメンタリーは、2017年にドルトムント・コンツェルトハウスでショパンの2曲のピアノ協奏曲を演奏したダニーエル・トリフォノフとミハイル・プレトニョフのコラボレーションを捉えています。プレトニョフはトリフォノフの大先輩にあたり、ショパンでも優れた演奏を示してきました。彼はここで、両作品に新たなオーケストレーションを施し、従来とは異なる光を当てています。共演は、マーラー・チェンバー・オーケストラ。ふたりの芸術家、ピアニストがショパンを新発見してゆくプロセスを、クリスティアン・ベルガー (監督) が克明に捉えています。</video:description>
<video:duration>3150</video:duration>
<video:publication_date>2022-05-11T10:31:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-26T09:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ACG</loc>
<video:video>
<video:title>ビャルナソンがヨハン・ヨハンソンを指揮</video:title>
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<video:description>ダニエル・ビャルナソンがアイスランド交響楽団を指揮し、2018年の名声絶頂期に急逝した故ヨハン・ヨハンソンを悼むプログラムを披露します。ヨハンソンはゴールデン・グローブ賞受賞者で2度オスカー候補となりました。交響曲のような《ダイナモへの祈り》をメインに据えたプログラム。この作品は1900 年のパリ博覧会で、電気機械ホールを訪れた歴史家ヘンリー・アダムスの手記に基づいています。その他、ヨハンソン2つの作品が並びます。</video:description>
<video:duration>3201</video:duration>
<video:publication_date>2023-11-14T15:31:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-25T11:36:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CDO</loc>
<video:video>
<video:title>ブリン・ターフェルがクリスマス・ソングやワーグナーのアリアなどを披露</video:title>
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<video:description>本映像は、現代最高のバスバリトン歌手のひとりであるブリン・ターフェルが、彼の故郷であるウェールズの歴史的建築物であるブレコン大聖堂で行ったコンサートの模様です。メトロポリタン・オペラのスター歌手たちによるコンサートシリーズ「Met Stars Live in Concert」の一環であり、ソプラノのナタリア・ロマニウなどターフェルと同じくウェールズ出身のアーティストがゲストに迎えられ、クリスマス・ソングやワーグナーの楽劇《タンホイザー》のアリアなど、色とりどりの楽曲を名演奏でお楽しみいただけます。</video:description>
<video:duration>4542</video:duration>
<video:publication_date>2022-11-25T08:12:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-25T11:33:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3IC0</loc>
<video:video>
<video:title>ドキュメンタリー「音楽による魔法の瞬間」～ムターとカラヤン (日本語字幕付き)</video:title>
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<video:description>幼い頃よりヴァイオリンの才能を示し、13歳で伝説の指揮者ヘルベルト・フォン・カラヤンに見出され、ベルリン・フィルハーモニー管弦楽団とのコンサートに出演して本格的デビューを飾ったアンネ＝ゾフィー・ムター。20世紀後半のクラシック界で、このムターとカラヤンほど成功を収めたコラボレーションの例は他にはないでしょう。このドキュメンタリーは1984年2月、21歳のムターがカラヤン＆ベルリン・フィルと共演してベートーヴェンのヴァイオリン協奏曲を演奏した映像を中心に、本人自らが当時の体験について語ったものを、同僚や現代のアーティストらによる証言を交えて紹介し、一世一代の才能の間に生まれた「魔法の瞬間」に迫る番組です。</video:description>
<video:duration>3164</video:duration>
<video:publication_date>2023-06-23T08:10:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-20T09:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJC</loc>
<video:video>
<video:title>カルロス・クライバー、その天賦の才：ベートーヴェン交響曲第7番</video:title>
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<video:description>20世紀の終わり頃には神格化されていた名匠カルロス・クライバーですが、晩年はめったに指揮台に立たなくなり、演奏会の予定が発表されるだけで大きな話題を呼ぶ程でした。残した録音の数も非常に少なく、いずれも今なお最高の名盤として圧倒的な支持を得ています。ベートーヴェンの交響曲第7番はドイツ・グラモフォンに残したウィーン･フィルとの録音も超絶的な名演ですが、1983年10月に収録されたこのロイヤル・コンセルトヘボウ管弦楽団との演奏映像は更に晴れやかな熱気に溢れ、フィナーレの嵐のような盛り上がりも圧倒的です。</video:description>
<video:duration>2209</video:duration>
<video:publication_date>2022-05-16T15:26:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-19T19:47:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ2D0</loc>
<video:video>
<video:title>ムターがベルリンのクラブで演奏！（日本語字幕付き）</video:title>
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<video:description>この映像では、アンネ＝ゾフィー・ムターがドイツ・グラモフォン「イエロー・ラウンジ」の枠で、ベルリンのクラブで演奏しています。会場は、若者の街フリードリヒスハインの「ノイエ・ハイマート（新たな故郷）」。コンサートホールとはまた違ったくつろいだ環境で、ムターは彼女が設立した教育財団の若い音楽家たち、長年の伴奏者ランバート・オーキスと、華やかな演奏を繰り広げています。ベルリンのサブカルチャーを垣間見る、という意味でも興味深い映像です。</video:description>
<video:duration>4135</video:duration>
<video:publication_date>2022-06-28T13:22:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-18T09:19:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJADO</loc>
<video:video>
<video:title>R・カプソンとローザンヌ室内管弦楽団のモーツァルト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62b338238b714cb5ae902633f04176c03419f61e.jpg</video:thumbnail_loc>
<video:description>現代フランスを代表するヴァイオリニストであるルノー・カプソンと彼が芸術監督を務めるローザンヌ室内管弦楽団による、モーツアルト尽くしのライヴをラ・グランジ・オ・ラックからお届けします。先ずは弾き振りで、モーツァルトが最初に成功させたヴァイオリン協奏曲と《トルコ風》の愛称で知られる傑作ヴァイオリン協奏曲をお楽しみ下さい。後半には最も有名な交響曲40番が登場しますが、そこではマエストロ・カプソンの鮮烈な指揮者ぶりを存分にご堪能いただけるはずです。</video:description>
<video:duration>5257</video:duration>
<video:publication_date>2023-09-04T12:09:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-17T14:20:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6D8</loc>
<video:video>
<video:title>アバドとユジャ・ワンがルツェルン音楽祭で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/768b4a1aa49fae16d8241b6de6fb89e7cdfd0e83.jpg</video:thumbnail_loc>
<video:description>2009年のルツェルン音楽祭では、クラウディオ・アバドとユジャ・ワンが共演して、大きな話題を呼びました。ユジャは、この時が同フェスティヴァルへのデビュー。プロコフィエフのピアノ協奏曲第3番で燦然たるテクニックを聴かせ、大きな拍手を得ています。後半は、アバドがとりわけ得意とするマーラーの交響曲第1番《巨人》で、ルツェルン祝祭管弦楽団から輝かしい響きを引き出しています。</video:description>
<video:duration>5552</video:duration>
<video:publication_date>2022-07-21T12:57:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-13T09:35:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0CO</loc>
<video:video>
<video:title>ブレハッチも出演、フィッシャー指揮によるルツェルン音楽祭2023春</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3170a55876c80992adf7485928eb991b012f591a.jpg</video:thumbnail_loc>
<video:description>3月31日から4月2日までルツェルン文化会議センターで開催された「メンデルスゾーン・フェスト2023」はメンデルスゾーンとショパンやシューマンの絆を祝福し、その音楽的友情に捧げられた音楽祭でした。その中からイヴァン・フィッシャーがルツェルン祝祭管弦楽団を指揮したプログラムをお届けします。ショパンの名手ラファウ・ブレハッチを迎えたコンチェルトの第2番も聴きどころですが、注目は第3楽章のメヌエットとその置き換え版としてメンデルスゾーン自身が弦楽八重奏曲のスケルツォを管弦楽編曲したものを2つ揃えた、交響曲第1番の特別ヴァージョンです。</video:description>
<video:duration>5672</video:duration>
<video:publication_date>2023-11-03T14:51:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-13T09:34:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36CG</loc>
<video:video>
<video:title>ネーメ・ヤルヴィとベルリン・フィルの「ヴァルトビューネ」 (2006年)</video:title>
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<video:description>ベルリン・フィルは毎年シーズン終わりの夏に「ヴァルトビューネ」で野外コンサートを行い、世界で最も人気のあるクラシックコンサートの一つとなっています。本映像は2006年の模様で、ネーメ・ヤルヴィがジャニーヌ・ヤンセンを迎えてモーツァルトにグリーグ、リムスキー＝コルサコフ、ニールセン、マスネの作品を中心に、東洋の民話に登場する象徴的な人物にインスパイアされた作品を並べています。この共演は魅力的な世界観を作り出しているのはもちろんですが、ヤンセンの卓越した技術も存分にお楽しみ頂ける内容になっています。</video:description>
<video:duration>6697</video:duration>
<video:publication_date>2024-05-16T12:33:04Z</video:publication_date>
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<lastmod>2024-06-12T10:52:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34DG</loc>
<video:video>
<video:title>ファイナルへの道 : 久末航</video:title>
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<video:duration>209</video:duration>
<video:publication_date>2024-06-07T10:52:51Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-11T11:46:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34E0</loc>
<video:video>
<video:title>ファイナルへの道 : ダイ・リャン</video:title>
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<video:duration>249</video:duration>
<video:publication_date>2024-06-07T10:59:44Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-06-11T11:45:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34E8</loc>
<video:video>
<video:title>ファイナルへの道 : ケイト・リウ</video:title>
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<video:description></video:description>
<video:duration>248</video:duration>
<video:publication_date>2024-06-07T11:02:02Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-11T11:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ36C0</loc>
<video:video>
<video:title>ファイナルへの道 : イリヤ・シュムクレル</video:title>
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<video:description></video:description>
<video:duration>216</video:duration>
<video:publication_date>2024-06-07T11:06:05Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:44:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34DO</loc>
<video:video>
<video:title>ファイナルへの道 : ドミトリー・ユーディン</video:title>
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<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2024-06-07T10:57:09Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-11T11:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34D8</loc>
<video:video>
<video:title>ファイナルへの道 : ダウマンツ・リエピンス</video:title>
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<video:description></video:description>
<video:duration>234</video:duration>
<video:publication_date>2024-06-07T10:45:27Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2024-06-11T11:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJADO</loc>
<video:video>
<video:title>ロン・ユー＆ニューヨーク・フィルによるジグマンの新作オラトリオ《エミグレ》</video:title>
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<video:description>サンディエゴ生まれの現代作曲家アーロン・ジグマン (1963～) の新作オラトリオ『エミグレ』は、グラミー賞受賞の作詞家マーク・キャンベルのテキストによるもので、1938年にドイツから上海に逃れてきた2人の兄弟が新しい生活と折り合いをつけるまでの愛と喪失の物語です。既に国際的な名声を確立している卓越した中国人マエストロのロン・ユーが、選りすぐりのキャストを揃えてニューヨーク・フィルを指揮した本作の米国初演の映像を、いち早くお届けいたします。</video:description>
<video:duration>6250</video:duration>
<video:publication_date>2024-05-15T15:25:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T15:16:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36DO</loc>
<video:video>
<video:title>ファビオ・ルイージとデンマーク国立交響楽団によるニールセン Vol.3</video:title>
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<video:description>1987年に指揮者デビューを果たして以来、世界中の歌劇場やコンサートホールで一流オーケストラと共演を重ねてきたファビオ・ルイージ。オペラの指揮を得意とし、音楽のドラマ性を引き出す手腕に長けた彼は、2017年から音楽監督を務めるデンマーク国立交響楽団を指揮して、デンマークの作曲家ニールセンの交響曲全6曲の全集に取り組んでいます。本映像は2023年のカール・ニールセン・フェスティヴァルでの模様が収められており、田園風景を思わせる交響曲第3番、室内楽を思わせる親密な響きのフルート協奏曲が演奏されました。</video:description>
<video:duration>4409</video:duration>
<video:publication_date>2023-08-10T15:17:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T12:00:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJICO</loc>
<video:video>
<video:title>カラヤンが指揮するヴェルディの《ファルスタッフ》</video:title>
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<video:description>今もなお圧倒的な人気を誇る指揮者、ヘルベルト・フォン・カラヤン。本映像では、1982年のザルツブルク音楽祭で指揮したヴェルディの《ファルスタッフ》ライブ映像をご覧いただけます。当時66歳を迎えたベテラン歌手のジュゼッペ・タッデイをタイトルロールに起用したことでも話題となったこの舞台は、リアリティはもちろん、作品がもつ人間愛をこれ以上ないほどに表現したものとなっています。カラヤンの音楽性と演出力に改めて驚かされる名演です。</video:description>
<video:duration>8049</video:duration>
<video:publication_date>2024-04-18T11:58:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T09:11:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSJC</loc>
<video:video>
<video:title>バロック音楽のスペシャリスト、ガーディナーが《ヨハネ受難曲》を指揮</video:title>
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<video:description>バロック音楽の第一人者であるサー・ジョン・エリオット・ガーディナーが、自身の創立したモンテヴェルディ合唱団とイングリッシュ・バロック・ソロイスツと共に演奏したバッハの《ヨハネ受難曲》です。会場はオックスフォードの歴史あるシェルドニアン劇場で、楽曲の雰囲気をさらに引き立たせます。イエス・キリストの受難がドラマティックな音楽で語られる作品であり、ガーディナーの緊張感に満ちた音楽運びはその内容を強い説得力をもって伝えています。</video:description>
<video:duration>7172</video:duration>
<video:publication_date>2022-06-15T15:55:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T09:10:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCCO</loc>
<video:video>
<video:title>キアン・ソルターニが弾くドビュッシー、シューマン、ショスタコーヴィチとラフマニノフ</video:title>
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<video:description>若きスター・チェリストのキアン・ソルターニが2021年のヴェルビエ音楽祭に登場。同フェスティバルの常連であるフランスのピアニスト、ジュリアン・クエンティンと共演しました。このプログラムではドビュッシーが晩年に書いた優美で自在なソナタに始まり、シューマンの情熱的なアダージョとアレグロを挟んで、第2楽章が特に名高いショスタコーヴィチの崇高なソナタへと続き、最後はラフマニノフの魅惑的な緩徐楽章で締めくくられます。</video:description>
<video:duration>3298</video:duration>
<video:publication_date>2022-09-12T14:44:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-06-03T08:30:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ4D0</loc>
<video:video>
<video:title>トゥールーズ・キャピトル国立管弦楽団と若き次期音楽監督が紡ぎ出す多彩な音色</video:title>
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<video:description>シンフォニーもオペラも得意とするトゥールーズ・キャピトル国立管弦楽団。本映像でこのオーケストラを牽引するのは2024年9月から同管弦楽団の音楽監督を務めるタルモ・ペルトコスキです。フィンランドの指揮者であり、まだ22歳という若さながらラトビア国立交響楽団の音楽監督兼芸術監督やドイツ・カンマーフィルハーモニー管弦楽団の首席客演指揮者を務めるなど注目を集める指揮者です。若き才能あふれる指揮者が紡ぎ出す音色の世界をシェーンベルクにワーグナー、リヒャルト・シュトラウスの濃密な作品でお楽しみください。</video:description>
<video:duration>5109</video:duration>
<video:publication_date>2024-01-08T14:06:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-31T08:03:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ2D0</loc>
<video:video>
<video:title>バーンスタイン：ベートーヴェンの合奏幻想曲</video:title>
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<video:description>バーンスタインとウィーン・フィルの黄金コンビが遺した映像をお届けします。ベートーヴェンが1808年に作曲した「合唱幻想曲」はオーケストラに加えてピアノと合唱を必要とする、演奏機会の非常に少ない作品で、1808年の12月の初演時、ベートーヴェンは出だしで自ら即興演奏を行ったと考えられています。ここでは当時バーンスタインから信頼厚かったオメロ・フランセシュによる独奏とウィーン・ジュネス合唱団の見事なハーモニーが聴きどころとなっています。</video:description>
<video:duration>1331</video:duration>
<video:publication_date>2023-11-20T15:13:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-30T14:59:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36D8</loc>
<video:video>
<video:title>クライバー＆バイエルン国立管によるベートーヴェン《コリオラン》序曲とモーツァルト第33番、ブラームス第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/295705f032015e08746ed95b65afacd9c289a011.jpg</video:thumbnail_loc>
<video:description>20世紀の終わり頃には神格化され、めったに指揮台に立たなくなったために演奏会の予定が発表されるだけで大きな話題を呼んでいた晩年のカルロス・クライバーの極めつけ映像をお届けします。こちらは1996年10月21日にミュンヘンで行ったレオ・キルヒ (※ドイツのメディア起業家) 70歳記念コンサートをライヴ収録したものです。名匠が最も信頼していたバイエルン国立管弦楽団を指揮しベートーヴェン、モーツァルト、ブラームスといったお気に入りのレパートリーで円熟の極みともいえる名演を披露しています。特にブラームス後半での気迫に満ちた姿は必見です。</video:description>
<video:duration>4499</video:duration>
<video:publication_date>2024-05-24T08:42:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-30T13:04:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ6</loc>
<video:video>
<video:title>ジョン・ウィリアムズが自作品の演奏でベルリン・フィルを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/66362f268e987ffccab2986b8d5b6ec2e95bbd72.jpg</video:thumbnail_loc>
<video:description>映画音楽のレジェンド、ジョン・ウィリアムズが自らの作品を指揮するという歴史的な瞬間をご覧いただける映像です。オーケストラは世界を代表するベルリン・フィルハーモニー管弦楽団。《スター・ウォーズ》に《ハリー・ポッター》など、世界中で愛される名画を彩る音楽が、圧倒的な音色によって奏でられていく瞬間は、映画を観たときような感動体験を与えてくれることでしょう。この演奏が収められたアルバムは、ドイツのアルバムチャートで1位を獲得し、このことも大きな話題を呼びました。</video:description>
<video:duration>6944</video:duration>
<video:publication_date>2022-04-25T08:50:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-30T12:26:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCE0</loc>
<video:video>
<video:title>ムター＆プレヴィン、ミュラー＝ショットのトリオによるモーツァルト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f301f058f022c5ee8d76f08565c1b4a489aca11e.jpg</video:thumbnail_loc>
<video:description>2006年のモーツァルト生誕250年に、女王ムターが行った「モーツァルト・プロジェクト」の悼尾を飾る一枚となった名盤CDの映像版をお届けします。演奏される3つピアノ三重奏曲は、いずれも最後の「交響曲三部作」を生んだ絶頂期の1788年にそろって出版された傑作。共演ピアニストは元夫であり指揮者で作曲家、そして天才的な伴奏者のプレヴィン。チェリストは財団の奨学生としてキャリア初期に彼女の薫陶を受けたミュラー＝ショット。会場であるマントヴァの美しきビビエナ劇場は、14歳のヴォルフガングが最初のイタリア・ツアー中にリサイタルを開いた場所という最高のロケーションです。</video:description>
<video:duration>3763</video:duration>
<video:publication_date>2024-03-01T11:29:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-28T13:44:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34C8</loc>
<video:video>
<video:title>カラヤン自らの演出による、伝説の映像作品《ラインの黄金》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/86c9aabfd79add54a44687adf4c5e0420be2dfd9.jpg</video:thumbnail_loc>
<video:description>帝王カラヤンとベルリン・フィルによる、ワーグナーの壮大な楽劇《ニーベルングの指環》“序夜”の全曲録音盤は1968年のザルツブルク復活祭音楽祭での上演に先立って、前年にレコーディングされたものが有名ですが、こちらは1973年の音楽祭で収録された音声に1978年スタジオ制作の映像を加えて制作されたものです。お気に入りの当時最高のキャストを揃え、舞台では果たせなかった意図を忠実に反映させた、いわばカラヤン監督の映画作品ともいえる伝説のステージをお楽しみください。</video:description>
<video:duration>8730</video:duration>
<video:publication_date>2024-04-30T13:49:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-27T06:58:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32D8</loc>
<video:video>
<video:title>ドビュッシー : 《亜麻色の髪の乙女》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/78a2d1df80b3a1f4ca79f80bfb9e183b256a168d.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>166</video:duration>
<video:publication_date>2024-04-15T20:51:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-23T09:16:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJGE8</loc>
<video:video>
<video:title>Rödd</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ea7b4f65322e6ffcbd433a751caeb15d96170079.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>276</video:duration>
<video:publication_date>2023-12-06T15:03:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-21T12:13:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR36C8</loc>
<video:video>
<video:title>2004年のヨーロッパ・コンサートはアテネから。ラトル指揮、バレンボイムを迎えて。</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f7b113f32ab75db972df3b23e441cd19f6b6ec80.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルの創立記念日に欧州各地の名所旧跡で行われる恒例の「ヨーロッパ・コンサート」。2004年は2世紀に建設されたアテネの野外円形劇場「ヘロデス・アッティコス奏楽堂」で行われ、ダニエル・バレンボイムをピアニストとして迎え、サイモン・ラトルとの2大スター競演による華やかなブラームス・プログラムが話題を集めました。王道のピアノ協奏曲第1番に始まり、後半はピアノ四重奏第1番のシェーンベルクによる管弦楽版という聴き応えのあるプログラミングをお楽しみください。</video:description>
<video:duration>6105</video:duration>
<video:publication_date>2024-05-16T10:05:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-21T07:01:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34E0</loc>
<video:video>
<video:title>カラヤンがブルックナーの交響曲第9番を指揮 (1978年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/339a2412fe6bc12eee31bbde42e65662357508be.jpg</video:thumbnail_loc>
<video:description>アントン・ブルックナーにとって、未完となった交響曲第9番は、神との契約と対話の両方を表現するものでした。ヘルベルト・フォン・カラヤンの人生最大の恩師であるベルンハルト・パウムガルトナーは実際にブルックナーの葬儀に参列しており、カラヤンはこのオーストリア・ロマン派の最も壮大な交響曲に特別な思い入れを抱いていました。彼は長いキャリアの中で、少なくとも38回この曲を演奏し、そのたびに新たな洞察と感情的な真実を発見してきました。この映像は1978年のもので、カラヤンは敬愛するウィーン・フィルハーモニー管弦楽団を指揮しています。このオーケストラは、ブルックナーの生前に遡る伝統を持ち、その荘厳で内面から光を放つサウンドは、ブルックナーの高揚するビジョンに完全に適しています。</video:description>
<video:duration>3538</video:duration>
<video:publication_date>2024-05-08T10:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-13T06:34:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34CG</loc>
<video:video>
<video:title>カラヤンがオペラの序曲や演奏会用序曲を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f2a7c797c688d6d936d401e22f2fbf07dd1de3ea.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンは卓越した音楽性とカリスマ性で20世紀クラシック界に君臨し、「楽壇の帝王」とも呼ばれていました。彼のレパートリーは主に交響曲でしたが、オペラの指揮者としても高い能力を発揮していました。本映像では、1975年に演奏されたベートーヴェンの劇付随音楽《エグモント》の序曲や演奏会用序曲《コリオラン》、そしてロッシーニやワーグナー、ウェーバーのオペラの序曲が収められています。カラヤンが音で見事に紡ぎ出す物語の世界をお楽しみください。</video:description>
<video:duration>3262</video:duration>
<video:publication_date>2024-05-02T09:18:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T15:04:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34D8</loc>
<video:video>
<video:title>カラヤン＆ベルリン・フィルによるドビュッシーとラヴェル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/43b3d8d4edf1c71e8547aec5bafaa7b78910b557.jpg</video:thumbnail_loc>
<video:description>カラヤンはフランス音楽の中でも特にドビュッシーとラヴェルの3曲を好んでとりあげ、生涯に《海》を計4回、《牧神の午後への前奏曲》を計3回、《ダフニスとクロエ》を計2回録音しています。1978年はベルリン・フィルと《ペレアスとメリザンド》の全曲盤もレコーディングしており、この映像はその取り組みが熟していた時期の記録であると言えるでしょう。流麗でありながら技巧的なアンサンブルも要求されるこれらの楽曲が、カラヤンの望むがままに紡ぎ出されていく様をお楽しみください。</video:description>
<video:duration>3120</video:duration>
<video:publication_date>2024-05-02T14:37:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T15:03:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3AC0</loc>
<video:video>
<video:title>バレンボイムが指揮するモーツァルト《フィガロの結婚》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/57cf2523e3b6f0618163104596382e9f915b6100.jpg</video:thumbnail_loc>
<video:description>2021年4月のベルリン州立歌劇場における《フィガロの結婚》の映像。ダニエル・バレンボイムが半世紀近くにわたるモーツァルト・オペラの指揮者としての経験を生かし、ヴァンサン・ユゲの演出で21世紀のカラフルな喜劇としてのドラマを展開して魅せます。伯爵夫人を演じるエルザ・ドライジグとスザンナ役のナディーン・シエラの今をときめくスター・ソプラノの共演も見どころのひとつです。</video:description>
<video:duration>10820</video:duration>
<video:publication_date>2022-11-11T15:49:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-08T08:52:11Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJIE8</loc>
<video:video>
<video:title>カラヤンによるチャイコフスキー後期三大交響曲シリーズ～第6番《悲愴》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a447adad2063cbb0b9991084aa503617290f7774.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンは卓越した音楽性とカリスマ性で20世紀クラシック界に君臨し、「楽壇の帝王」とも呼ばれていました。本映像は、1984年にウィーン･フィルハーモニー管弦楽団と行ったチャイコフスキーの後期3大交響曲集のうち、第6番《悲愴》の演奏の模様です。その生涯で7回もの録音を行っており、それだけでも曲に対する並々ならぬ想いが伝わってきます。曲に込められた悲しみを最大限に引き出しつつも、それに溺れることなく楽曲の構造をも鮮やかに伝えてくれる、まさに決定版ともいえる演奏です。</video:description>
<video:duration>2899</video:duration>
<video:publication_date>2024-04-23T13:46:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJIE0</loc>
<video:video>
<video:title>80年代のカラヤンによるチャイコフスキー“5番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b79fb540b75a813e856e39ba171d5da8f028ef8c.jpg</video:thumbnail_loc>
<video:description>カラヤンによるチャイコフスキーの“5番”録音といえば、エネルギッシュな1965年盤や同曲の金字塔とも称される1975年盤など手兵ベルリン・フィルとのレコードが有名ですが、1984年に名門ウィーン・フィルとレコーディングしたデジタル録音盤も“名盤”との誉れ高い１枚です。こちらの映像は同CDを制作する際にムジークフェライン・ザールで収録されたものだと思われます。ウィーン･フィルから極上の響きを得たカラヤン芸術の精髄が、老練かつエネルギッシュな成果としてここに結実しています。</video:description>
<video:duration>3057</video:duration>
<video:publication_date>2024-04-23T13:31:31Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:38Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR30CO</loc>
<video:video>
<video:title>カラヤンによるチャイコフスキー後期三大交響曲シリーズ～第4番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d6c272cf4a12d3b717e08258c4856091efedd4b2.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンは卓越した音楽性とカリスマ性で20世紀クラシック界に君臨し、「楽壇の帝王」とも呼ばれていました。本映像は、1984年にウィーン･フィルハーモニー管弦楽団と行ったチャイコフスキーの後期3大交響曲集のうち、第4番の演奏の模様です。チャイコフスキーの交響曲の中でも特にドラマ性にあふれ、熱狂的な性格を持つこの楽曲ですが、カラヤンは構築的にまとめあげ、華やかさの中に凛としたたたずまいを感じさせる演奏で魅せています。</video:description>
<video:duration>2707</video:duration>
<video:publication_date>2024-04-23T14:07:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T13:27:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30DG</loc>
<video:video>
<video:title>グリモーが《クライスレリアーナ》を弾く</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c1952fe0773595f8a00f5f4037a99e49ad63aeb7.jpg</video:thumbnail_loc>
<video:description>エレーヌ・グリモーが“心の故郷”と語る、美しい自然に囲まれた南バイエルンで2部構成の特別リサイタルを開催。本映像はその第2部、彼女のキャリア初期からの重要なレパートリーでもあるシューマンの《クライスレリアーナ》の演奏を収録したものです。ドイツ・グラモフォンから2023年9月にリリース予定の、シューマンとその弟子のブラームス、そして妻クララの3人の関係性に焦点をあてた最新アルバム『フォー・クララ：シューマン＆ブラームス作品集』とも重なる内容です。</video:description>
<video:duration>2160</video:duration>
<video:publication_date>2023-07-04T15:15:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T12:20:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR30E0</loc>
<video:video>
<video:title>カラヤンがベルリン・フィルと共に奏でるR.シュトラウスの《ドン・キホーテ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/54f8e69878447e8bb9c5753deaa374dab41fcac8.jpg</video:thumbnail_loc>
<video:description>卓越した音楽性とカリスマ性、演出力によって20世紀クラシック界をリードした大指揮者、ヘルベルト・フォン・カラヤン。彼が晩年である1986年に取り組んだリヒャルト・シュトラウスの《ドン・キホーテ》をご覧いただけます。チェロが非常に重要な役割を果たすこの作品、カラヤンは過去にロストロポーヴィチやフルニエといった名手たちと何度か録音をしていますが、ここでは当時の新鋭、アントニオ・メネセスを迎えています。繊細な表現によって、基になったセルバンデスの小説の世界を音楽へと昇華しています。</video:description>
<video:duration>2711</video:duration>
<video:publication_date>2024-04-24T14:23:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T11:37:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR34CO</loc>
<video:video>
<video:title>カラヤン＆ベルリン・フィル、ロストロポーヴィチによる《ドン・キホーテ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62d54543650b4cdd4ce5f3a8452f437f2929ef9e.jpg</video:thumbnail_loc>
<video:description>カラヤンはR.シュトラウスの交響詩の中でもとりわけ《ドン・キホーテ》を好み、1939年に初めて指揮してから晩年に至るまで度々とりあげています。この映像では、同じくこの曲に愛着を抱いていたロストロポーヴィチによるスケールの大きなチェロ演奏や、ヴィオラのコッホをはじめとするベルリン・フィルの名手たちの見事なソロも見どころ / 聴きどころのひとつと言えるでしょう。</video:description>
<video:duration>2762</video:duration>
<video:publication_date>2024-05-02T12:13:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T07:51:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3A</loc>
<video:video>
<video:title>ネトレプコ ビハインド・ザ・シーンズ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6026b89489962937bc3c19b63b220e3d255281a2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>259</video:duration>
<video:publication_date>2022-07-07T15:26:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-03T07:23:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR30DO</loc>
<video:video>
<video:title>カラヤンが最晩年に指揮したモーツァルトの《レクイエム》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5168cc4e44a6c9d986a8efc147550d12ad90e631.jpg</video:thumbnail_loc>
<video:description>本映像にはヘルベルト・フォン・カラヤンが最晩年に取り組んだモーツァルトの《レクイエム》の演奏が収められています。カラヤンは、60年代と70年代にベルリン・フィルと組んで同曲を録音していますが、それらとこの映像では全くアプローチが変わっています。オーケストラがウィーン・フィルなので音色自体も違いますが、それまでオペラ的な性格を帯びた劇的な演奏だったのに対し、この演奏では最晩年だからこその枯淡の境地ともいえるものが聞こえてきます。</video:description>
<video:duration>3366</video:duration>
<video:publication_date>2024-04-24T14:06:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-02T14:52:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGDO</loc>
<video:video>
<video:title>カラヤンがドヴォルザークの交響曲第9番を指揮 (1985年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cc0dedf7b47a41dfb7690dca8e1a2b8bad4d0de9.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンとウィーン・フィルハーモニー管弦楽団は数多くの名演を届けてきましたが、本映像でご覧いただけるドヴォルザークの交響曲第９番《新世界より》もその代表的なものの一つとして挙げられるでしょう。楽曲の輝かしさ、そして重厚な響きはカラヤンが創り出す音色と非常に相性が良く、ドラマティックな曲想もより力強く引き出されています。世界中で愛されているこの名曲の魅力を改めて発見して頂けることでしょう。</video:description>
<video:duration>2707</video:duration>
<video:publication_date>2024-04-11T08:50:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T09:16:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32C0</loc>
<video:video>
<video:title>カラヤンがドビュッシーとラヴェルの管弦楽曲を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1e2bfad5469211e67af34114fb2cab5a695893c4.jpg</video:thumbnail_loc>
<video:description>卓越した音楽性とカリスマ性でオーケストラを見事に牽引し、20世紀クラシック界に君臨した大指揮者、ヘルベルト・フォン・カラヤン。本映像では、カラヤンが指揮するドビュッシーとラヴェルによるフランスの管弦楽曲の代表作をお楽しみ頂けます。カラヤンはフランス音楽の中でも特に《牧神の午後への前奏曲》をはじめとするこの3曲を録音しており、作品への愛着ぶりが窺えます。流麗でありながらも緻密で繊細なアンサンブルを要求される楽曲を、ベルリン・フィルハーモニー管弦楽団が卓越した演奏で素晴らしい音世界へと昇華しています。</video:description>
<video:duration>3194</video:duration>
<video:publication_date>2024-04-25T08:43:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T08:50:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR30D0</loc>
<video:video>
<video:title>カラヤンがベルリン・フィルと共に奏でるR.シュトラウスの《アルプス交響曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/26a9092c1547a1eb1b6571a923fe92e4781fe9e9.jpg</video:thumbnail_loc>
<video:description>20世紀のクラシック界に君臨した大指揮者、ヘルベルト・フォン・カラヤンは晩年に様々な名演を遺しています。そのうちの一つが、1983年11月20日に本拠地ベルリンのフィルハーモニーで行われた、本映像でご覧いただける「“万霊節”メモリアル・コンサート」です。カラヤンはシュトラウスの作品を最も得意とするレパートリーの一つとしていました。カラヤンとベルリン・フィルはアルプスの夜明け、頂上の光景、下山して日が暮れるまでの一日が描かれた《アルプス交響曲》で、その自然の雄大かつ繊細な情景を見事に音で描き出しています。</video:description>
<video:duration>3271</video:duration>
<video:publication_date>2024-04-23T14:27:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:50:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGC0</loc>
<video:video>
<video:title>カラヤンが指揮する、ニューイヤー・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d06358d91165591f64ba37306d507fd01740d01a.jpg</video:thumbnail_loc>
<video:description>1987年、帝王カラヤンがウィーン・フィル恒例のニューイヤー・コンサートを指揮した、最初にして最後の記念すべき映像の記録をお届けします。カラヤンはこの日に向けて入念に準備し、スペイン宮廷乗馬学校の参加を提案して馬たちの足並みにポルカを合わせる練習まで行ったとか。ゲストとして迎えた当時絶頂期の人気ソプラノ、キャスリーン・バトルの艶やかな衣装と《春の声》の優雅な歌唱も大きな話題を呼びました。時に微笑みをたたえ、聴衆へのサーヴィスとしてポーズをとって見せるなど、リラックスして楽しげな雰囲気の貴重な“帝王”の姿をご堪能ください。</video:description>
<video:duration>5829</video:duration>
<video:publication_date>2024-04-10T08:03:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:36:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32E8</loc>
<video:video>
<video:title>カラヤンとベルリン・フィルのニューイヤー・イヴ・コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/166d809794061ed0a688acdacdb0c1395d188331.jpg</video:thumbnail_loc>
<video:description>その圧倒的な指揮とカリスマ性で「楽壇の帝王」と称されたカリスマ指揮者、ヘルベルト・フォン・カラヤン。本映像は1985年のニューイヤー・イヴ・コンサート (ジルヴェスター・コンサート) で行われたニューイヤー・イヴ・コンサートの模様を収録したものです。演奏会でベルリン・フィルが小品を演奏することは珍しく、貴重なライヴであると言えるでしょう。特に必見はそれぞれの楽器の魅力を味わうことができ、オーケストラの真価が問われるラヴェルの《ボレロ》です。各楽器セクション奏者の実力を存分にお聴きいただけるはずです。</video:description>
<video:duration>3209</video:duration>
<video:publication_date>2024-04-26T13:07:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-05-01T06:36:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32D8</loc>
<video:video>
<video:title>カラヤンが序曲の名曲の数々を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9c1ec564dfabab691d9ddaaf212df7ad97eec030.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンは卓越した音楽性とカリスマ性で20世紀クラシック界に君臨し、「楽壇の帝王」とも呼ばれていました。彼は主に交響曲を指揮していましたが、オペラの指揮者としても類まれなる実力を持っていました。本映像では1985年に演奏されたオペラの序曲や劇付随音楽の序曲などが収められています。これらの演奏から、カラヤンが物語を音で見事に紡ぎ出す指揮者だということが改めてお分かりいただけることでしょう。</video:description>
<video:duration>2885</video:duration>
<video:publication_date>2024-04-26T07:52:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T15:32:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR30E8</loc>
<video:video>
<video:title>80年代のカラヤンによるR.シュトラウス～「万霊節」メモリアル・コンサートから</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0a4941eb74a71df4f0a6c58e3d50bca20220c3c2.jpg</video:thumbnail_loc>
<video:description>近代的な管弦楽の響きに満ちたR.シュトラウスの音楽はカラヤンが最も得意としたレパートリーのひとつで、映像でも2種類の《ドン・キホーテ》からオペラまで様々な作品が遺されています。こちらは1984年の11月25日にベルリンのフィルハーモニーで開催された、「万霊節」 (※カトリックですべての逝去した信者の霊を祀る記念日) のメモリアル・コンサートの模様を収録した感動的な記録です。20代の半ばで書かれた暗黒から光明に向かう《死と浄化》と晩年の暗く沈痛な作品《メタモルフォーゼン》、そのどちらも特別な日にふさわしい充実の演奏で、カラヤンの表情からも作品への思いがひしひしと伝わってきます。</video:description>
<video:duration>3217</video:duration>
<video:publication_date>2024-04-25T08:20:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T15:26:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32E0</loc>
<video:video>
<video:title>カラヤンが26年振りに指揮したR.シュトラウスの《ばらの騎士》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a95f596cefc2d4ac466fdd66f678cf6f82c9044b.jpg</video:thumbnail_loc>
<video:description>リヒャルト・シュトラウスを最も重要なレパートリーとして指揮してきた20世紀クラシック界のカリスマ、ヘルベルト・フォン・カラヤン。本映像では彼が26年ぶりに指揮したシュトラウスの《ばらの騎士》をご覧いただけます。ウィーン・フィルを率いて、アンナ・トモワ=シントウ、アグネス・バルツァといった名歌手が揃った万全の布陣によるこの1982年の演奏は、数ある《ばらの騎士》の名演の中でも最高峰といっても過言ではない完成度の高さといえるでしょう。</video:description>
<video:duration>12587</video:duration>
<video:publication_date>2024-04-26T13:01:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T14:56:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32CO</loc>
<video:video>
<video:title>晩年のカラヤンによるベルリン建都750周年コンサート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d3b06b9173311fcf16ca62e86327ac0025c39229.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンは卓越した音楽性とカリスマ性で20世紀クラシック界に君臨し、「楽壇の帝王」とも呼ばれていました。本映像は、1987年ベルリン建都750年を祝って行われたコンサートをライヴ収録したものです。プログラムはモーツァルトの優雅で華やかなディヴェルティメントとR.シュトラウスの《ツァラトゥストラはかく語りき》という魅力的な組み合わせ。亡くなる2年前の演奏で、円熟味を帯びたカラヤン最晩年のスケール感溢れる指揮を堪能できます。</video:description>
<video:duration>4720</video:duration>
<video:publication_date>2024-04-25T10:51:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T14:25:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR32CG</loc>
<video:video>
<video:title>カラヤンによるベルリン・フィル創立100周年記念演奏会</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e40b1b555b1819e3a54f4ad9c90685de32c3636c.jpg</video:thumbnail_loc>
<video:description> 「楽壇の帝王」とも称されたカリスマ指揮者、ヘルベルト・フォン・カラヤン。本映像は、1982年4月30日に行われた、ベルリン・フィルハーモニー管弦楽団創立100周年記念演奏会のライヴ映像です。晩年でありながら、力強く情熱に溢れた指揮ぶり、みずみずしさに溢れた音楽づくりからはまったくその年齢を感じさせません。オーケストラも輝かしい音色、高い集中力に満ちた演奏で見事に応えています。ベートーヴェンの「英雄」の一つの究極の演奏をこの映像でお聴き頂くことができるでしょう。</video:description>
<video:duration>3238</video:duration>
<video:publication_date>2024-04-25T10:12:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T13:44:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJIDG</loc>
<video:video>
<video:title>80年代のカラヤンによるドヴォルザーク“8番”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1e506c4a88c98847698417d2924004af93a9a87e.jpg</video:thumbnail_loc>
<video:description>カラヤンが晩年の1980年代に精力的に取り組んだ“遺産”とも言うべき映像シリーズからお届けいたします。こちらの “8番”は、人気の“9番”《新世界より》のカップリングとしてウィーン・フィルとレコーディングした1985年盤CDを制作する際に、ムジークフェライン・ザールで収録されたものだと思われます。ドヴォルザーク特有の叙情性豊かな音楽性と田園的で自然色豊かな楽想が、ウィーン・フィルらしい柔らかく優雅な響きで実に気持ちよく表現されています。</video:description>
<video:duration>2374</video:duration>
<video:publication_date>2024-04-19T12:53:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-29T13:34:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ2</loc>
<video:video>
<video:title>ドキュメンタリー 「沈黙を聴く」～クラウディオ・アバドの芸術的肖像</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4a920cbeba51e28b91115530ebf43724b42df48f.jpg</video:thumbnail_loc>
<video:description>イタリアの巨匠、クラウディオ・アバドは世界中から尊敬される指揮者でした。彼が紡ぎ出す音楽はもちろんですが、ルツェルン祝祭管弦楽団やとグスタフ・マーラー・ユーゲント管弦楽団などオーケストラの設立や後進の育成にも尽力しました。2011年に発表された本ドキュメンタリーはそんな彼のベルリン・フィル音楽監督時代、彼が自ら設立したオーケストラでの演奏の模様といった豊富な映像やインタビュー、名優ブルーノ・ガンツなど親しい友人たちの証言が織り込まれています。知られざるアバドの姿に出会えるかもしれません。</video:description>
<video:duration>4014</video:duration>
<video:publication_date>2022-10-18T15:26:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-26T07:05:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGC8</loc>
<video:video>
<video:title>カラヤンがバトル、ヴァン・ダムらとブラームスの《ドイツ・レクイエム》を共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c768c24655d75407aaccdb276259840397ce3380.jpg</video:thumbnail_loc>
<video:description>本映像は、晩年のカラヤンが指揮するブラームスの感動的な《ドイツ・レクイエム》の演奏をご覧いただけます。このレクイエムは、伝統的な死者のためのミサ曲とは多くの点で異なっています。テキストはラテン語ではなくドイツ語で書かれ、マルティン・ルターのドイツ語訳聖書から引用されたものです。人生の平穏な結末を強調した内容のため希望に満ちており、その人間的なメッセージは多くの人々を魅了します。カラヤンが導く音楽はその面を強調し、深くあたたかなものを聴き手に与えます。キャスリーン・バトルら独唱陣の豪華さにも注目です。</video:description>
<video:duration>4874</video:duration>
<video:publication_date>2024-04-10T10:51:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:33:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGCG</loc>
<video:video>
<video:title>カラヤンが挑んだ3度目のムソルグスキーの《展覧会の絵》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36021af93f20602cedee2be4c27148c19efca73a.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンはあらゆる楽曲を指揮しており、複数の録音や映像が残っているものもあり、ムソルグスキーの《展覧会の絵》も3度レコーディングを行っています。しかしご覧いただけるのは本映像でご覧いただけるものが唯一。1986年に製作されたもので、演奏会の模様も含まれていますが、あくまでも映像作品として作り上げられたものです。光の効果的な使用や楽器のクローズアップなどが、迫力ある演奏をより印象的に演出しています。</video:description>
<video:duration>2136</video:duration>
<video:publication_date>2024-04-10T11:10:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:32:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGE0</loc>
<video:video>
<video:title>カラヤンがベルリン・フィルと共に奏でるR.シュトラウスの《ドン・ファン》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b709909f501650cbdf8cb4210adf2820c003004b.jpg</video:thumbnail_loc>
<video:description>本映像は今もなお圧倒的な人気を誇る指揮者、ヘルベルト・フォン・カラヤンが1984年に来日し、大阪のシンフォニーホールで行ったコンサートの模様です。カラヤンが長きにわたり良好な関係を築いていたベルリン・フィルハーモニー管弦楽団と共にモーツァルトのディヴェルティメント、リヒャルト・シュトラウスの《ドン・ファン》、そしてレスピーギの《ローマの松》を披露しています。いずれも名演奏といえるものですが、なかでも圧巻は《ローマの松》。輝かしい金管楽器の音色によってダイナミックな演奏が展開しています。</video:description>
<video:duration>4597</video:duration>
<video:publication_date>2024-04-11T08:56:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-22T07:18:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGDG</loc>
<video:video>
<video:title>カラヤンがR.シュトラウスの《英雄の生涯》を指揮 (1985年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/adb44e14921898165990a4683f108e93a4805485.jpg</video:thumbnail_loc>
<video:description>ヘルベルト・フォン・カラヤンはリヒャルト・シュトラウスの作品を大いに愛する指揮者でした。彼は1985年、《ドン・キホーテ》、《ツァラトゥストラはかく語りき》、《死と変容》を含むシリーズの一環として、《英雄の生涯》に取り組みました。ベートーヴェンの《英雄》交響曲との関連性をもつこの楽曲を、カラヤンは信頼するパートナーであるベルリン・フィルハーモニー管弦楽団の音楽家たちと共に奏でています。カラヤンの徹底したこだわりや統率力を存分に感じられる演奏です。</video:description>
<video:duration>2923</video:duration>
<video:publication_date>2024-04-11T08:32:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:41:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGCO</loc>
<video:video>
<video:title>カラヤンがブルックナーの交響曲第9番を指揮 (1985年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/acb702128fb6458885b0db5f02c6b4ce5b4a8c28.jpg</video:thumbnail_loc>
<video:description>圧倒的なカリスマをもつ指揮者であったヘルベルト・フォン・カラヤンは、演奏の革新性だけでなく、新しいテクノロジーと新しいコンサートの形式の開拓者でもありました。映像とCDの重要性をいち早く理解し、キャリアの中で、2つのメディアを駆使して演奏を記録し、不朽のものとしたのです。音楽的な面だけでなく、レコーディングの技術面にも深く関与し、カメラの配置にまでこだわるほどでした。本映像に収録のブルックナーの交響曲第9番の演奏では、カラヤンの音楽監督と映像作家の両方の才能を味わうことができるでしょう。</video:description>
<video:duration>3699</video:duration>
<video:publication_date>2024-04-11T06:52:46Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:39:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJGD8</loc>
<video:video>
<video:title>カラヤンがブルックナーの交響曲第8番を指揮 (1988年)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c2c202d5b93d59afe258ce4f06bd4f6a8297a415.jpg</video:thumbnail_loc>
<video:description>本映像は、ヘルベルト・フォン・カラヤンとウィーン・フィルハーモニー管弦楽団による黄金の組み合わせによってブルックナーの交響曲第8番が演奏されています。1892年にウィーンで初演されたこの楽曲が約1世紀を経て、伝説的な演奏で披露されたのです。音楽史上最も長い交響曲のひとつとなっているこの曲を、カラヤンとウィーン・フィルは決して冗長になることなくまとめあげ、隅々まで集中力が維持された演奏によって楽曲の本質と魅力を届けてくれています。</video:description>
<video:duration>5170</video:duration>
<video:publication_date>2024-04-11T08:23:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-21T19:39:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0E0</loc>
<video:video>
<video:title>バーンスタインがチャイコフスキーの交響曲第4番を指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9e3ae0f07d7cc637afc1e30344353683bc676b99.jpg</video:thumbnail_loc>
<video:description>カリスマ的人気を誇った指揮者であるバーンスタインはチャイコフスキーの交響曲第4番を3回録音（1958､75、89年）しており、本映像は2回目の録音のものが収録されています。それぞれの演奏ではまったく違う演奏となっており、ここでは最もバランスのとれた解釈をご覧いただくことができます。楽曲の精神性を理解しつつも、均整の取れたテンポと響きのバランスで構築されており、古典的な様式を持ちつつ旋律性に富んだこの楽曲の魅力を丁寧に伝えています。</video:description>
<video:duration>2729</video:duration>
<video:publication_date>2023-11-07T11:26:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-19T20:08:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ8C0</loc>
<video:video>
<video:title>バーンスタイン《ウエスト・サイド・ストーリー》メイキング・オブ・レコーディング</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2959878f7345b2901db3771b1368c97776428e93.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインは、自身の作曲家としての最高傑作であるミュージカル《ウエスト・サイド・ストーリー》の全曲盤を自らの指揮で1984年にドイツ・グラモフォンに録音しました。こちらの映像はその舞台裏を捉えたドキュメンタリーで、レコーディング風景や本人の語り、出演者のインタビューなどで構成され、バーンスタインのこのプロジェクトにかける熱気が伝わる内容となっています。特にトニー役のホセ・カレーラスとのスタジオでの緊迫したやりとりなどは必見です。</video:description>
<video:duration>5299</video:duration>
<video:publication_date>2023-11-20T10:09:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-18T09:21:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ADO</loc>
<video:video>
<video:title>ブゾーニ2023：アントニオ・チェングァン　ソロ・ファイナル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4d77e0a37efd7542fb1f3cc894f93e8ac5a0658e.jpg</video:thumbnail_loc>
<video:description>「ファイナルへの道筋」と題し、アントニオ・チェングァンのソロ・ファイナルとセミ・ファイナルの模様をお届けします。</video:description>
<video:duration>1600</video:duration>
<video:publication_date>2023-08-31T15:19:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-15T20:09:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0DO</loc>
<video:video>
<video:title>黄金期の帝王カラヤン＆ベルリン・フィルによるチャイコフスキー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c6b3a055c6a0b9d86948ce8056bf359d35efc45f.jpg</video:thumbnail_loc>
<video:description>本映像では、指揮者のヘルベルト・フォン・カラヤンとベルリン・フィルハーモニー管弦楽団の共演で、チャイコフスキーの最後にして最高の交響曲である第6番「悲愴」の演奏をご覧いただくことができます。絶望に包まれたこの楽曲の内容、至高の構造を、黄金期を迎えていたカラヤンとベルリン・フィルの重厚なサウンドが鮮烈に描き出していきます。複数回録音された楽曲ですが、1973年のものはとりわけ優れた演奏として多くの人々に愛され続けており、クラシック・ファンのみならず音楽を愛する方にはぜひご覧頂きたいものとなっています。</video:description>
<video:duration>2772</video:duration>
<video:publication_date>2023-11-07T11:12:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-10T07:44:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3IDO</loc>
<video:video>
<video:title>モンテヴェルディのイタリアを巡る旅 : ヴェネツィア</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bb1b40ad0b80d4e0124becb74abf73b5cb3cfbe2.jpg</video:thumbnail_loc>
<video:description>ジョン・エリオット・ガーディナーが設立した古楽演奏のスペシャリスト集団であるモンテヴェルディ合唱団が、モンテヴェルディへの敬意を表するためヴェネツィアを訪れ演奏した模様が収められています。同地はモンテヴェルディが晩年を過ごしたところであり、合唱団はモンテヴェルディが埋葬されているフラーリ教会で演奏を行います。ティツィアーノ、ドナテロ、ベリーニの傑作が展示されている会場で、モンテヴェルディの「セルヴァ・モラーレ」や「4声のためのミサ曲」といった宗教曲が美しく響き渡ります。</video:description>
<video:duration>3739</video:duration>
<video:publication_date>2023-11-30T15:19:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-04-08T15:31:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30E0</loc>
<video:video>
<video:title>ジェイ・シャイブがワーグナー《パルジファル》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/786f7b1e6a4fc4cd551c2fba489b88d5b05c9977.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>642</video:duration>
<video:publication_date>2024-03-28T06:47:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:29:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32C0</loc>
<video:video>
<video:title>エリーナ・ガランチャがワーグナー《パルジファル》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2a8d406b9bc8b873f68e004b1b3e9538dfbbd620.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>337</video:duration>
<video:publication_date>2024-03-28T06:57:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:29:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ30E8</loc>
<video:video>
<video:title>アンドレアス・シャーガーがワーグナー《パルジファル》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/77b4ba58344c03a9069648009edbc54a6d0311b6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>389</video:duration>
<video:publication_date>2024-03-28T06:53:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:28:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32C8</loc>
<video:video>
<video:title>パブロ・エラス＝カサドがワーグナー《パルジファル》について語る</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f9f1e2f91c13bcb98962c7d223934fbc993ab129.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>343</video:duration>
<video:publication_date>2024-03-28T07:02:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-28T10:28:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJEC8</loc>
<video:video>
<video:title>バッハの《イタリア協奏曲》より第1楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/815e5c81a2091be7cd530ee4c4dd3aef89df2569.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>235</video:duration>
<video:publication_date>2023-12-05T14:13:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-25T05:53:37Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJEE0</loc>
<video:video>
<video:title>《ゴルトベルク変奏曲》より第18変奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/417c3ca531c6620b8e84a85d158cb9c14b128dfe.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>93</video:duration>
<video:publication_date>2023-12-06T09:55:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-25T05:52:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0C8</loc>
<video:video>
<video:title>ラン・ランが美しい音色奏でる愛すべき小品たち (日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ddc2c21b18a90f4d35c003a6987ef69b72fe661b.jpg</video:thumbnail_loc>
<video:description>世界で最も注目を集めるピアニストのひとりであるラン・ラン。目もくらむような超絶技巧を活かした演奏で人々を魅了する一方で、愛らしい小品での慈しむような演奏も聴く者の心を虜にします。本映像では《エリーゼのために》や《月の光》、映画音楽など、ラン・ランが“お気に入り”の小品たちを演奏しています。純粋なこどものように目を輝かせて愛すべき作品に向き合う姿とその美しい音色をお楽しみください。</video:description>
<video:duration>3093</video:duration>
<video:publication_date>2023-09-08T11:26:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:06:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP0</loc>
<video:video>
<video:title>マウリツィオ・ポリーニが自らを語る貴重な映像作品「巧の手」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/87227445c2a763b82fae42792d2f3a48b448888b.png</video:thumbnail_loc>
<video:description>イタリア出身のピアニストであり、その圧倒的な技術と深い音楽性により世界中から尊敬の念を集めるマウリツィオ・ポリーニ。彼は厳格な芸術への姿勢から、自身のキャリアにおいてコンサートと取材の機会を非常に限定的にしていました。そんな彼がついに映像作品への出演を承諾した貴重な映像をご覧いただけます。ブルーノ・モンサンジョンとのインタビューを軸としながら、ポリーニの幼少期から現在に至るまでの音楽人生が語られていきます。ポリーニ・ファンはもちろん、音楽を愛する様々な人にとって貴重な映像となることでしょう。</video:description>
<video:duration>3222</video:duration>
<video:publication_date>2022-04-21T13:44:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:02:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36CO</loc>
<video:video>
<video:title>ユジャのまなざし</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/abb98108e87f20e7475f5e1fc748ef60087784d0.jpg</video:thumbnail_loc>
<video:description>スター・ピアニストとして世界を舞台に活躍するユジャ・ワンは、様々なアーティストと共演する華やかな活動の一方で、過度なプレッシャーに耐え、移動にともなう疲労や時差ボケなど、多くの困難や葛藤と日々戦っています。目の回るようスケジュールをすべてiPadで管理し、強靭なテクニックやきらびやかな衣装が時に論争を巻き起こすこともある彼女。このドキュメンタリーはそんなユジャに密着し、音楽家としてはもちろん、ひとりの人間としてその“素顔”に迫ったものです。</video:description>
<video:duration>2930</video:duration>
<video:publication_date>2023-01-05T13:40:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T14:01:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0CG</loc>
<video:video>
<video:title>ソコロフ、ハイドンのソナタとシューベルトの即興曲を弾く</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/57daabab02082f3dae4bd11f107f70f503c13707.jpg</video:thumbnail_loc>
<video:description>レパートリーへのこだわりで知られるロシアの名ピアニスト、グリゴリー・ソコロフが丹念に選曲したリサイタル。ハイドンの後期ピアノ・ソナタと、シューベルトの即興曲 D. 935を演奏しています。会場は、アイゼンシュタットのエステルハージー宮殿内のハイドン・ザール。作曲家は、ここで30年近くにわたって活躍しました。日本では接することができないピアニストの至芸を、ぜひご堪能ください。</video:description>
<video:duration>7661</video:duration>
<video:publication_date>2022-06-20T12:17:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T13:28:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6E0</loc>
<video:video>
<video:title>ラファウ・ブレハッチが奏でるフランクとショパン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/074f7f6a57a0ab2e5a0edb2ba05e13df8d5f5f3c.jpg</video:thumbnail_loc>
<video:description>ラファウ・ブレハッチは、2005年のショパン国際ピアノコンクールでの優勝以後、レパートリーを吟味しながら着実に巨匠への道を歩み続けているピアニストです。本映像は、ブレハッチがドイツ・グラモフォンによるコンサートシリーズ、「Musical Moments」で演奏したときのもの。ここで彼は得意とするショパンのピアノ・ソナタ第3番に小品、さらにフランクの《前奏曲、フーガと変奏曲》を選びました。バッハも重要なレパートリーとする彼にとって、フランクの作品も非常に相性がいいようです。透明度の高い音色、構築性の高い演奏で聴衆を魅了します。</video:description>
<video:duration>3788</video:duration>
<video:publication_date>2023-02-26T13:23:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-22T13:25:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8DO</loc>
<video:video>
<video:title>“癒しのピアノ”を奏でるユップ・ベヴィンのリサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a09268f3f7111a6be8014e9d299087409f7d22f3.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンは2022年3月28日にバーチャル音楽祭「世界ピアノの日」を開催しました。そこで行われたコンサートには様々な世界的ピアニストが出演し、本映像にはユップ・ベヴィンの演奏が収められています。べヴィンはあらゆるストリーミングサイトで注目を集め、“癒しのピアノ”として彼の作品と演奏は世界中の人から愛されています。彼はここで4枚目のアルバムに収めたオリジナル作品などを演奏しました。作品はもちろん、演奏の音色の美しさにも心が満たされることでしょう。</video:description>
<video:duration>3021</video:duration>
<video:publication_date>2023-03-16T15:49:54Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:53:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3EE8</loc>
<video:video>
<video:title>キーシンがベルク、ガーシュウィン、ショパンなど多彩なプログラムを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b3c9c8c346079e2649846826c93705204453ee9f.jpg</video:thumbnail_loc>
<video:description>常に世界中から愛されるピアニストとして圧倒的な存在感を示すピアニストのエフゲニー・キーシン。彼が2021年のザルツブルク音楽祭で行ったリサイタルの模様が収められた映像です。ベルクのピアノ・ソナタにフレンニコフの小品集で幕を開けると、ガーシュウィンにショパンなどが続きます。キーシンというピアニストの超絶技巧はもちろん、常に深みを増していく音楽性が存分に発揮されています。彼自身が作曲した魅惑的な作品「ドデカフォニック・タンゴ」も収められており、作曲家としてのキーシンの魅力も味わっていただけます。</video:description>
<video:duration>6358</video:duration>
<video:publication_date>2022-12-12T08:25:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:51:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ8D0</loc>
<video:video>
<video:title>ラン・ランがケルンの美しい宮殿で名曲を披露</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ae5645d27c622f8908f6304fe72811f12d21cf2b.jpg</video:thumbnail_loc>
<video:description>クラシック音楽における圧倒的スーパースターであるピアニストのラン・ラン。常に新しい挑戦を続ける彼は今回、TikTokライブのために親密なセッションを行いました。ケルンの美しい宮殿で彼はベートーヴェンの《エリーゼのために》、ドビュッシーの《月の光》にバッハの《ゴルトベルク変奏曲》抜粋など、ピアノの珠玉の名曲を演奏し、美しい音色と楽曲への深い愛を聞かせてくれています。このセッションではさらに、彼の妻であるピアニスト、ジーナ・アリス・レドリンガーとの連弾によるブラームスの《愛のワルツ》も披露しています。</video:description>
<video:duration>1526</video:duration>
<video:publication_date>2023-03-08T10:54:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-21T15:50:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJAD8</loc>
<video:video>
<video:title>マリア・ドゥエニャスが奏でるメンデルスゾーンのヴァイオリン協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ed6cf8b3158ee321f77201570cb47d44a70799e4.jpg</video:thumbnail_loc>
<video:description>2021年に「ユーディ・メニューイン国際コンクール」で1位と聴衆賞を獲得したことで注目を集めたマリア・ドゥエニャス。世界中のオーケストラと共演を重ねている彼女は本映像でミッコ・フランク率いるフランス放送フィルハーモニー管弦楽団と共演し、メンデルスゾーンのヴァイオリン協奏曲を披露しています。卓越した技術と美音により、この名曲の魅力を改めて再確認させてくれる演奏です。同じ作曲家による堂々たる作品、交響曲第5番《宗教改革》も注目の演奏です。</video:description>
<video:duration>4695</video:duration>
<video:publication_date>2024-03-18T10:18:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-20T15:28:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJECO</loc>
<video:video>
<video:title>ムターがブラームスのヴァイオリン・ソナタ全曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6ab83af136f991adb392a7833596845b3e0d7b3a.jpg</video:thumbnail_loc>
<video:description>全世界から注目され、愛されているヴァイオリニストのアンネ＝ゾフィー・ムター。本映像では彼女がキャリアの初期から愛奏しているブラームスのヴァイオリン・ソナタ全曲を披露しています。ピアノは長年のパートナーであるランバート・オルキスが務め、長きにわたり熟成させてきた解釈、そして音色をあますことなく届けてくれています。会場はバイエルンのポリング修道院内の美しい図書館です。楽曲の親密な雰囲気にこれ以上ないほどふさわしい場所と言えるでしょう。</video:description>
<video:duration>4508</video:duration>
<video:publication_date>2024-03-14T13:01:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-15T20:16:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJEC0</loc>
<video:video>
<video:title>ムターとカメラータ・ザルツブルクによるモーツァルト : ヴァイオリン協奏曲全集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/995ed1b9f635539356148ce5868dbfc5ed24f2c0.jpg</video:thumbnail_loc>
<video:description>2006年のモーツァルト生誕250年に向けて、女王ムターが行った「モーツァルト・プロジェクト」から映像作品をお届けします。ここで彼女はモーツァルトを生んだ町が誇る室内オーケストラ、カメラータ・ザルツブルクを弾き振りして、 (すべてがご当地で書かれた) 機知に富んだメロディアスな傑作ヴァイオリン協奏曲5作品を演奏します。生き生きと躍動する開放的な表現で、あたかも自分の分身のように紡ぎ出すモーツァルトの濃密な世界をお楽しみください。</video:description>
<video:duration>7563</video:duration>
<video:publication_date>2024-03-14T09:25:58Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-14T15:40:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ6D0</loc>
<video:video>
<video:title>ショパンの前奏曲集より第6番ロ短調</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ca9cd53c1b92d78de97e7f065a2a38910997668.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>136</video:duration>
<video:publication_date>2023-11-15T15:24:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ6E8</loc>
<video:video>
<video:title>ヨハネス・ブラームス／クララ・シューマン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83d8a5cb5ce90d92fea8ec53d79089a23bc40779.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>341</video:duration>
<video:publication_date>2023-11-17T18:31:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:32:02Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GCG</loc>
<video:video>
<video:title>ヴァインベルクのシンフォニエッタ第1番について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a455c772150aec4ae493ebea27b38bd16738b1c3.png</video:thumbnail_loc>
<video:description></video:description>
<video:duration>360</video:duration>
<video:publication_date>2023-05-31T09:18:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:30:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ0</loc>
<video:video>
<video:title>ミルガ・グラジニーテ＝ティーラ : 不可能への挑戦</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8710617b87688790ba8fd4855955ed68c130fc44.jpg</video:thumbnail_loc>
<video:description>ネルソンス、ラトルといったビッグネームの後任として、30歳という若さにして満場一致でバーミンガム市交響楽団第12代音楽監督に選ばれたミルガ・グラジニーテ＝ティーラ。
リトアニア出身の彼女は、飽くなき探究心から生まれる音楽的要求、研ぎ澄まされた集中力によってオーケストラを見事に統率し、楽曲に新たな命を吹き込みます。本映像では、いま最も期待される指揮者の一人である彼女の一年を追ったポートレートです。音楽はもちろん、人間的魅力にも溢れた指揮者の様々な面をご覧頂けるでしょう。</video:description>
<video:duration>3247</video:duration>
<video:publication_date>2022-05-04T10:03:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:30:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3IC8</loc>
<video:video>
<video:title>『ヴィヴァーチェ』ムターの真実の姿に迫るドキュメンタリー (日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8d3511c9fc46ef6b7a5ab52747735fb191764629.jpg</video:thumbnail_loc>
<video:description>13歳でヘルベルト・フォン・カラヤンに見出され、世界的ヴァイオリニストとして常に話題を呼ぶアンネ＝ゾフィー・ムター。「私のことを知りたければ、ステージで体験してください」と語るほど、私生活に関する質問を好みません。本映像はそんなムターの一人の女性としての姿を描きだしたドキュメントです。トップ・へのアスリートへの共感やピアノをやめてしまったことを後悔しているエピソードなどを語っています。夫を早くに亡くし、シングルマザーとして世界的に活躍する彼女の人生に迫った内容は、ムターの知られざる面に出会うことができるでしょう。</video:description>
<video:duration>5445</video:duration>
<video:publication_date>2023-06-23T08:48:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:29:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3EDO</loc>
<video:video>
<video:title>ヒラリー・ハーンが奏でるサラサーテとヒナステラ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8b0bb17ad36e90f703162c249709a4dd45469984.jpg</video:thumbnail_loc>
<video:description>本映像は、世界的ヴァイオリニストであるヒラリー・ハーンが2年ぶりに行ったコンサートの模様を収めたものです。アンドレス・オロスコ＝エストラーダが指揮するフランクフルト放送交響楽団との共演で、多彩なヴァイオリンのレパートリーを奏でています。サラサーテの《カルメン幻想曲》はオペラの旋律を用いた超絶技巧作品で、魅力的な旋律に華麗な音型が絡み合っていきます。ヒナステラのヴァイオリン協奏曲は演奏機会の少ない曲ですが、多彩なテクニックやパガニーニ作品の旋律の引用など、様々な仕掛けが凝らされた佳曲です。</video:description>
<video:duration>2958</video:duration>
<video:publication_date>2022-12-09T14:57:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:27:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJEDG</loc>
<video:video>
<video:title>グラジニーテ＝ティーラがロイヤル・ストックホルム・フィルと紡ぐ音世界</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bc476c4989a45df4ea66d914a8057e6126b5bf47.jpg</video:thumbnail_loc>
<video:description>いま最も注目される女性指揮者の一人であるミルガ・グラジニーテ＝ティーラがロイヤル・ストックホルム・フィルハーモニー管弦楽団と共に行ったコンサートの模様が収められています。DG専属アーティスト初の女性指揮者である彼女は、ポーランドのミェチスワフ・ヴァインベルクの作品に積極的に取り組んできました。この映像のシンフォニエッタ第1番も色彩豊かな世界観を堪能できます。</video:description>
<video:duration>1496</video:duration>
<video:publication_date>2023-05-15T15:21:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-07T11:25:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCDO</loc>
<video:video>
<video:title>ムター＆プレヴィン、ハレルのトリオによるメンデルスゾーン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9054cac3fa3a43b7f62f16531f30308136046350.jpg</video:thumbnail_loc>
<video:description>2009年の生誕200年を機にリリースした、女王ムターによるメンデルスゾーン・アルバム制作時に収録された映像（※当時CD + DVDのかたちで発売されたものの一部）をお届けします。アット・ホームな雰囲気の中でプレヴィンやハレルと遠慮なく渡り合うピアノ三重奏曲、元夫プレヴィンとの丁々発止のヴァイオリン・ソナタ、どちらも熱演です。</video:description>
<video:duration>3221</video:duration>
<video:publication_date>2024-03-01T09:20:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-03-04T11:08:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCC8</loc>
<video:video>
<video:title>ムターと小澤＆ベルリン・フィルの共演～カラヤン・メモリアル・コンサート</video:title>
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<video:description>女王ムターとマエストロ小澤の共演といえば、日本のファンにはまだ記憶に新しい2018年12月サントリーホールでのドイツ・グラモフォン創立120周年 Special Gala Concert（サイトウ・キネン・オーケストラ）や2016年10月の同ホール30周年記念ガラ（ウィーン・フィル）の演奏も忘れがたいものでしたが、二人にとって共通の恩師であり、後に『ラロ：スペイン交響曲』（1987年、フランス国立管弦楽団）やDG唯一の共演盤である『バルトーク：ヴァイオリン協奏曲 第2番』（1991年、ボストン交響楽団）などの名盤を生む“橋渡し”役を果たしたとも言える帝王カラヤンに因んだ、こちらのメモリアル・コンサートの映像も鮮烈です。2008年、生誕100周年のメイン・イヴェントとしてウィーン楽友協会で開催されたベルリン・フィルの記念公演を収録したもので、官能的な美しさを湛えたムターによるベートーヴェンのヴァイオリン協奏曲に始まり、アンコールのバッハ：シャコンヌも師の想い出に捧げられています。もちろん後半にお届けする渾身のチャイコフスキー「悲愴」もお見逃しなく。当時ウィーン国立歌劇場の音楽監督として楽壇の頂上で活躍していた「世界のOZAWA」の力強い勇姿をご堪能ください。</video:description>
<video:duration>6730</video:duration>
<video:publication_date>2024-02-22T12:58:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-28T10:25:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJCCG</loc>
<video:video>
<video:title>2014年ヨーロッパ・コンサートは本拠地で、指揮はバレンボイム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/18a77ef2c24a8f9138b463ea821584cbd2c5bf91.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルの創立記念日に欧州各地の名所旧跡で行われる恒例の「ヨーロッパ・コンサート」。2014年は開場50周年を迎えた本拠地ベルリン・フィルハーモニーでダニエル・バレンボイムを迎えて開催されました。プログラムのテーマは、生誕450周年を記念して文豪シェイクスピアに因んだ作品。戯曲『ウィンザーの陽気な女房たち』に基づいたオットー・ニコライのオペラ序曲を皮切りに、エルガーが『ヘンリー4世』に登場するファルスタッフを管弦楽で描いた傑作をお楽しみください。後半にはシェイクスピアをこよなく愛したチャイコフスキー作品からお届けします。</video:description>
<video:duration>6024</video:duration>
<video:publication_date>2024-02-23T14:25:18Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-26T09:36:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCD8</loc>
<video:video>
<video:title>1997年ヨーロッパ・コンサート バレンボイム指揮 会場はヴェルサイユ宮殿</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27debf0cdd1e6688c5efcf8a1953f36c4fbbfdb9.jpg</video:thumbnail_loc>
<video:description>1997年のベルリン・フィル、ヨーロッパ・コンサートは、ヴェルサイユ宮殿の歌劇場で行われました。華麗な建築は、まさにバロックの極み。マリー＝アントワネットが好んでオペラを観たこの劇場で、実際に演奏会を聴く（観る）のは格別と言えます。ラヴェルの《クープランの墓》は、バロックへのオマージュですが、ベートーヴェンの《英雄》は、革命を示唆するもの。バレンボイムは、モーツァルトのピアノ協奏曲第13番でソロも聴かせています。</video:description>
<video:duration>5813</video:duration>
<video:publication_date>2022-09-15T10:59:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-26T08:07:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36DG</loc>
<video:video>
<video:title>アバドがマーラーの《大地の歌》、交響曲第10番を指揮</video:title>
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<video:description>マーラー没後100年という記念年に行われたコンサート。この作曲家の作品を得意とするクラウディオ・アバドが世界屈指のオーケストラであるベルリン・フィルハーモニー管弦楽団を牽引し奏でるのは連作歌曲の性格をもつマーラーの交響曲《大地の歌》です。独唱者にはヨナス・カウフマン（テノール）とアンネ・ゾフィー・フォン・オッタ―（メゾ・ソプラノ）という人気・実力ともに飛びぬけたソリスト二人を迎えています。《大地の歌》のわずか2年後に書かれたとは思えない革新性を持つ交響曲第10番の響きの世界も魅力的です。</video:description>
<video:duration>5871</video:duration>
<video:publication_date>2022-11-07T06:58:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-22T07:46:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8DG</loc>
<video:video>
<video:title>ラトルの指揮の下、スター歌手にピアニストが集いモーツァルト生誕250周年を祝う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/757b8e24692b1e94122320ebbff79c7e01713ff8.jpg</video:thumbnail_loc>
<video:description>本映像は2005年に行われた「ガラ・フロム・ベルリン」の模様が収められています。サー・サイモン・ラトルの指揮のもとにマグダレーナ・コジェナーにカミッラ・ニールンドといったスター歌手にピアニストのエマニュエル・アックスらが集い、モーツァルトの生誕250周年を祝うプログラムが演奏されました。演目はオペラ「フィガロの結婚」の抜粋にピアノ協奏曲第9番「ジュノーム」など。軽快な作品たちが、より輝かしさを増して聴くもの耳と心を魅了します。</video:description>
<video:duration>6042</video:duration>
<video:publication_date>2024-01-25T13:36:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-12T08:42:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJICO</loc>
<video:video>
<video:title>ムターとカラヤンの《四季》</video:title>
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<video:description>20世紀後半のクラシック界で、ヴァイオリン奏者のアンネ＝ゾフィー・ムターと巨匠ヘルベルト・フォン・カラヤンほど成功を収めたコラボレーションの例は他にはありません。13歳だった彼女を見出し「若きメニューイン以来の偉大な天才」と世界へ紹介したカラヤンの目の確かさは、現在のムターを見れば明らかでしょう。こちらは1987年10月、ベルリン・フィルの本拠地であるフィルハーモニーに作られたカンマー・ムジークザール（室内楽ホール）の落成記念コンサートでヴィヴァルディ《四季》を演奏したときの貴重な映像です。</video:description>
<video:duration>2834</video:duration>
<video:publication_date>2023-06-22T17:54:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-02T06:33:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJICG</loc>
<video:video>
<video:title>ムターとカラヤンによるベートーヴェン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d95a271b8d4db38b386eebeb2b706575a5233c1f.jpg</video:thumbnail_loc>
<video:description>アンネ＝ゾフィー・ムターとカラヤン＆ベルリン・フィルとのベートーヴェン：ヴァイオリン協奏曲といえば、同じ共演陣によるデビュー盤（モーツァルトの協奏曲）で彼女が世界に羽ばたいた翌年の1979年、ムター16歳のときの録音も名盤として誉れ高い1枚ですが、当時クラシック・シーンで圧倒的な存在感を確立していた、こちらの映像で観ることのできる1984年2月の演奏も素晴らしいものです。この名演に焦点を当てた2019年制作のドキュメンタリーもありますので、ぜひそちらも併せてお楽しみください。</video:description>
<video:duration>2940</video:duration>
<video:publication_date>2023-06-22T17:37:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-02-02T06:32:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJACO</loc>
<video:video>
<video:title>ラン・ラン、ホープ、マイヤーらによるバッハへの“捧げもの”</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/463ab1e2174202900e10141979f88693900f18d1.jpg</video:thumbnail_loc>
<video:description>J.S.バッハが、ライプツィヒのシンボルである聖トーマス教会の宮廷楽長に任命されてから300 周年を祝う、野外コンサートをお届けします。市内広場に設けられた特別ステージにはピアニストのラン・ランを始め、ヴァイオリン奏者のダニエル・ホープやオーボエ奏者のアルブレヒト・マイヤーらスター演奏家が集結。現在の宮廷楽長アンドレアス・ライゼの指揮で、ゲヴァントハウス管弦楽団が偉大な作曲家を名曲で称えます。</video:description>
<video:duration>8066</video:duration>
<video:publication_date>2023-08-04T14:25:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-30T14:53:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0</loc>
<video:video>
<video:title>ラン・ラン が３D映像での演奏に挑戦</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d01ab510865f8e8c1209b9c7eba33c95848a24ab.jpg</video:thumbnail_loc>
<video:description>ラン・ランは演奏だけでなく、その活動においても常に革新的な存在です。彼は“アートとテクノロジーは密接に関わるべきだ”と考えており、今回の映像はその想いが体現したものの一つとなっています。ベルリンで最も有名なクラブ「ベルグハイン」にて、3Dカメラを用いてベートーヴェンやショパン、プロコフィエフ、アルベニスの作品をラン・ランが演奏した様子を撮影しました。新たな舞台芸術のはじまりを目撃して頂けることでしょう。</video:description>
<video:duration>721</video:duration>
<video:publication_date>2022-05-19T14:47:01Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-30T05:18:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30</loc>
<video:video>
<video:title>プレトニョフが自ら編曲したショパンのピアノ協奏曲でトリフォノフと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/28250957f2d32166d7d2dec77f9209dc5ad17138.jpg</video:thumbnail_loc>
<video:description>本映像では世界的ピアニストであり指揮者でもあるミハイル・プレトニョフと、若き巨匠ダニール・トリフォノフによる夢の共演をご覧いただけます。曲はフレデリック・ショパンのピアノ協奏曲の第1番および第2番です。管弦楽はマーラー室内管弦楽団が担当し、室内楽的な親密さによってショパンの名曲を演奏しています。なお、今回の演奏にあたりプレトニョフはオーケストラの編曲(世界初演)を行っており、より魅力的に楽曲と演奏が輝くように試みています。トリフォノフの美しい音色、深い音楽に対する洞察力も存分に発揮されています。</video:description>
<video:duration>5508</video:duration>
<video:publication_date>2022-05-10T15:34:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-29T10:26:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8CG</loc>
<video:video>
<video:title>2006年のヨーロッパ・コンサートは再び始まりの地プラハから</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d90ac1c5d5186921d0241147a349a570266116f1.jpg</video:thumbnail_loc>
<video:description>2006年の「ベルリン・フィルのヨーロッパ・コンサート」は同企画の発祥の地であるプラハでの2度目の開催となりました。会場であるエステート劇場は1787年にモーツァルトが自ら《ドン・ジョヴァンニ》の初演を指揮したことで知られる記念すべき場所。今回もモーツァルト生誕250年のアニバーサリーであることから（歿後200年だった1991年の第1回と同じく）オール・モーツァルト・プログラムとなっています。指揮を務めるバレンボイムはピアニストとしての出演も加えると、これが当コンサート5度目となるバレンボイム。今回もピアノ協奏曲での鮮烈な弾き振りは必見です。加えて当時、楽団の首席を務めていたバボラークが吹くホルン協奏曲の驚異的な名人芸にも目と耳を奪われます。</video:description>
<video:duration>5880</video:duration>
<video:publication_date>2024-01-22T15:28:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-24T16:49:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C0</loc>
<video:video>
<video:title>バーンスタインが二度目に挑んだ《大地の歌》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/622095981c66d683f8c95a5595198f2b86e9dc6d.jpg</video:thumbnail_loc>
<video:description>レナード・バーンスタインは「大地の歌」を2度録音していますが、本映像でご覧いただけるのはその2回目のものです。コントラルトにクリスタ・ルートヴィヒ、テノールにルネ・コロを迎えての万全の布陣によって行われた演奏は、聴くものを極彩色の世界へと誘います。オーケストラの豊潤な響き、言葉の美しさ、そして多彩な音色によって詩の世界を描き出す歌手たちの歌唱、それらを見事にまとめ上げるバーンスタインの手腕をお楽しみください。</video:description>
<video:duration>4038</video:duration>
<video:publication_date>2024-01-18T15:56:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-23T15:15:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C8</loc>
<video:video>
<video:title>20歳の新星ヴァイオリニスト、ドゥエニャスが新作ソナタを演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8ae772cd382c243e8a4db16d582a69535d30a1fa.jpg</video:thumbnail_loc>
<video:description>スペイン出身のマリア・ドゥエニャスは、20歳にして世界から注目を集めるヴァイオリニストです。多くの世界的コンクールで成功を収めていますが、特に2021年に「ユーディ・メニューイン国際コンクール」で1位と聴衆賞を獲得したことで一気にスターヴァイオリニストとなりました。本映像では共演者でもあるピアニスト、ジュリアン・ガルギウロのヴァイオリンソナタを演奏しています。コロナ禍の間に書かれた楽曲であり、様々な感情が交錯する作品を、ドゥエニャスは多彩なニュアンスで表現しています。</video:description>
<video:duration>1128</video:duration>
<video:publication_date>2024-01-18T16:20:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-23T08:50:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30CG</loc>
<video:video>
<video:title>ビリャソンが主演と演出を務めたドニゼッティの《愛の妙薬》(日本語字幕付き)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bdb4aed4c7a304a3b25d3c1ea49581f24c54ea05.jpg</video:thumbnail_loc>
<video:description>ローランド・ビリャソンはメキシコ出身のテノール。1999年にプラシド・ドミンゴのオペラリアコンクールで準優勝したことをきっかけに、世界的に注目されるテノール歌手となりました。輝かしい声とドラマティックな表現で人気を博している彼にとって、《愛の妙薬》のネモリーノは当たり役の一つ。しかし本映像は彼自身が演出も担当していることで 話題となった公演です。この物語を西部劇として捉え、シンプルに伝えることにこだわり、ピリオド楽器を使用するバルタザール・ノイマン・アンサンブルの音色が新しい光を当てています。</video:description>
<video:duration>8116</video:duration>
<video:publication_date>2023-06-30T07:22:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2024-01-13T08:46:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30DG</loc>
<video:video>
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<video:description>モーツァルトの生誕地であるザルツブルクで行われる音楽祭「モーツァルト週間」（音楽監督：ローランド・ヴィリャソン）。ロックダウンでオンライン公演となった2021年には韓国の若きカリスマ、チョ・ソンジンが登場してピアノ・ソナタなどを披露しました。注目は世界初演となった「アレグロニ長調 K. 626b/16」で、17歳のモーツァルトが書いたと推定される同曲はケッヘルもカタログの第3版以降には載せていたものの、2018年まで正式に認められていませんでした。演奏はデジタル・シングルとしてもリリースされ世界中で反響を呼びました。</video:description>
<video:duration>3006</video:duration>
<video:publication_date>2022-10-28T10:44:34Z</video:publication_date>
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<lastmod>2024-01-13T06:55:06Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30E0</loc>
<video:video>
<video:title>グラジニテ＝ティーラが指揮するハイドン、ベートーヴェン – ソルターニを迎えて</video:title>
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<video:description>2016年、29歳でバーミンガム市交響楽団の音楽監督に就任したことで話題を呼んだミルガ・グラジニテ＝ティーラ。本映像は、彼女が以前専属アーティストとして活躍していたドルトムントのコンツェルトハウスにおいて、2020年にベルリン・コンツェルトハウス管弦楽団と共演した模様が収められています。プログラムはリトアニアの作曲家、ラミンタ・シェルクシュニューテの《弦楽のためのデ・プロフンディス》にハイドンのチェロ協奏曲第1番、ベートーヴェンの交響曲第4番。コロナ禍という困難の中の演奏会は、強い希望を感じさせる選曲と音色です。</video:description>
<video:duration>4501</video:duration>
<video:publication_date>2022-10-31T09:07:25Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-13T06:37:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3CE0</loc>
<video:video>
<video:title>ポストクラシカルのコンポーザー・ピアニストたち (日本語字幕付き)</video:title>
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<video:description>クラシックをベースにあらゆるジャンルを取り入れ、映像的で美しいミニマル・ミュージックを作り上げるイタリアのルドヴィコ・エイナウディや、優しいタッチで紡ぎ出されるシンプルな旋律は内省的でメランコリックだが、時にエモーショナルに感情を掻き立てる独自の叙情性を持っているオランダのユップ・ベヴィンなど、ポスト・クラシカル系のコンポーザー・ピアニストたち。昨今のメジャー各社の配信プレイリストで存在感を確立している彼らの人気の秘密に迫るドキュメンタリー。</video:description>
<video:duration>3210</video:duration>
<video:publication_date>2023-03-03T08:23:22Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-12T19:13:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ED0</loc>
<video:video>
<video:title>ピアノマニア！ - ブッフビンダー、ディアベリ変奏曲を弾く</video:title>
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<video:description>「ベートーヴェン弾き」として確固とした地位を確立しているルドルフ・ブッフビンダー。彼はキャリアの初期から特に《ディアベリ変奏曲》に心を寄せていました。シンプルな主題と33の変奏から成る作品は、大規模で圧倒的な技巧の凝らされたものであり、ピアニストにとって憧れと畏怖の念を持たれています。ブッフビンダーの演奏は楽曲を鮮やかに弾きこなすだけでなく、深い精神性までも引き出しました。「ベートーヴェン・イヤー2020」のために委嘱された新曲3曲も演奏され、魅力的な世界観を提示しています。</video:description>
<video:duration>4059</video:duration>
<video:publication_date>2022-12-07T10:35:39Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2024-01-12T06:27:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJEE8</loc>
<video:video>
<video:title>ゲルギエフが紡ぐ、イザールフィルハーモニーのオープニングコンサート </video:title>
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<video:description>2021年10月、イザールフィルハーモニーの開館を記念して行われた公演の模様が収められています。演奏はゲルギエフの指揮でミュンヘン・フィルハーモニー管弦楽団によって行われました。この日のために特別に委嘱された新作、エスケシュの《アライジング・ダンス》で始まり、トリフォノフをソリストに迎えたベートーヴェンのピアノ協奏曲第4番が続きます。後半は、デュティユーの《メタボール》にシチェドリンの合唱組曲《封印された天使》にラヴェルの《ダフニスとクロエ》の第2組曲。華やかなプログラムが祝祭に満ちたコンサートを彩ります。</video:description>
<video:duration>6441</video:duration>
<video:publication_date>2022-10-05T12:37:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2024-01-11T16:17:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CCO</loc>
<video:video>
<video:title>バーンスタインによるベートーヴェン交響曲全集</video:title>
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<video:description>レナード・バーンスタインはベートーヴェンの交響曲全集を1960年代にニューヨーク・フィルともレコーディングしていますが、1970年代後半にウィーン・フィルと一緒に“楽聖”の交響曲の持つ意味を改めて問い直したかのような2度目のチクルスもお薦めします。ぜひこの映像で、当時蜜月状態にあった名門オーケストラの重厚で美しい響きと、バーンスタインのエネルギッシュなアプローチが見事に融和する様をご自身の目でお確かめいただけますように。特に全盛を極めた名歌手たちをソリストに迎えた第9番にご期待ください。</video:description>
<video:duration>23955</video:duration>
<video:publication_date>2023-09-05T14:06:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2024-01-11T13:04:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32D8</loc>
<video:video>
<video:title>ブゾーニ国際ピアノコンクール2023：グランド・フィナーレ</video:title>
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<video:description>本映像では、イタリア・ボルツァーノで行われた、第64回ブゾーニ国際ピアノコンクールのグランド・ファイナルを収録しています。日本人山﨑亮汰を含む3名のファイナリストが、アルヴォ・ヴォルメル指揮ボルツァーノ・トレント・ハイドン管弦楽団と共演。曲目にはプロコフィエフ、ラフマニノフ、そしてチャイコフスキーというロシア作品がずらり。コンクールを制したアルセニー・ムンは、審査委員が一致した特別な演奏にのみ授与されるミケランジェリ賞も同時に受賞しました。</video:description>
<video:duration>5648</video:duration>
<video:publication_date>2023-09-28T13:33:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2023-12-22T09:56:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32CO</loc>
<video:video>
<video:title>ブゾーニ国際ピアノコンクール2023：室内楽ファイナル II</video:title>
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<video:description>イタリア・ボルツァーノで行われた、第64回ブゾーニ国際ピアノコンクールのファイナル。室内楽ファイナル3日目はアルセニー・ムンと山﨑亮汰が登場。グランド・ファイナル出場をかけ、イジドール弦楽四重奏団との共演によるピアノ五重奏曲と、30分のソロ・レパートリーを披露しました。</video:description>
<video:duration>8114</video:duration>
<video:publication_date>2023-09-13T10:18:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-12-22T09:55:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CE0</loc>
<video:video>
<video:title>ブレンデルが奏でるリストの「巡礼の年」</video:title>
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<video:description>ドイツ語圏の作品を最も得意とするピアニストのアルフレッド・ブレンデル。ベートーヴェンやシューベルトなどで数多くの名演を遺していますが、彼はフランツ・リストにも深い愛情をよせていました。なかでも本映像の「巡礼の年」は好んで取り上げた作品です。楽曲に対する深い知識と解釈、そしてそれを音として形にする技術と表現力に驚かされることでしょう。楽曲についての新たな発見と感動、ブレンデルの研ぎ澄まされたピアニズムを存分にご堪能ください。</video:description>
<video:duration>6031</video:duration>
<video:publication_date>2023-09-19T15:06:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-12-20T08:56:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJID8</loc>
<video:video>
<video:title>《ゴルトベルク変奏曲》について</video:title>
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<video:description></video:description>
<video:duration>82</video:duration>
<video:publication_date>2023-12-15T15:58:48Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-17T13:17:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJICG</loc>
<video:video>
<video:title>最新アルバム『シマノフスキ：ピアノ作品集』について</video:title>
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<video:description></video:description>
<video:duration>985</video:duration>
<video:publication_date>2023-12-14T15:56:54Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-15T10:32:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJIC8</loc>
<video:video>
<video:title>シューベルトのピアノ五重奏曲《ます》について</video:title>
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<video:description></video:description>
<video:duration>437</video:duration>
<video:publication_date>2023-12-12T05:05:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-14T15:21:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6</loc>
<video:video>
<video:title>アンネ＝ゾフィー・ムター＆ジョン・ウィリアムズの対話</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df29f0d40ca743556442542c10ee1dcf741afff2.jpg</video:thumbnail_loc>
<video:description>John Williams’ Violin Concerto No. 2 was written for and recorded by the venerated composer’s friend and frequent collaborator Anne-Sophie Mutter. Her impassioned world premiere performance was given with the Boston Symphony Orchestra, conducted by Williams, in Tanglewood. In this conversation, John Williams and Anne-Sophie Mutter talk about the story behind the Violin Concerto No. 2, their inspiring collaboration and working with the Boston Symphony Orchestra. 
“I can only think of this piece as being about Anne-Sophie. I took my inspiration and energy directly from this great artist herself.” – John Williams</video:description>
<video:duration>1530</video:duration>
<video:publication_date>2022-06-01T17:02:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-13T06:51:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP30CG</loc>
<video:video>
<video:title>ヴェニ・ドミネ（主よ来たれ）～システィーナ礼拝堂のアドベント（待降節）とクリスマス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1f15dd78f3940cfbb0aa64d6aa9471b481599011.jpg</video:thumbnail_loc>
<video:description>ローマ・カトリックの総本山バチカンの、システィーナ礼拝堂聖歌隊は世界最古の聖歌隊として知られています。このアドベント＆クリスマスコンサートでは、ミケランジェロが礼拝堂の壮大な天井画を制作した頃に思いを馳せ、中世からルネサンスにかけてポリフォニックな音楽の芸術が最高潮に達した時代の作品を歌います。</video:description>
<video:duration>3085</video:duration>
<video:publication_date>2022-10-26T13:48:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T13:44:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3GDO</loc>
<video:video>
<video:title>最高の歌手が集められた《ヘンゼルとグレーテル》をショルティが指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/937f4a75ebcd72dec698facf02bda6ad815d2478.jpg</video:thumbnail_loc>
<video:description>20世紀で最も活躍した指揮者の一人であり、ナイトの称号も授与されたゲオルク・ショルティ。幅広いレパートリーを持ちますが、オペラの指揮において特に素晴らしい名演を数々遺しました。1981年制作の本映像作品はフンパーディンクのオペラ《ヘンゼルとグレーテル》を、ブリジット・ファスベンダーとエディタ・グルベローヴァがタイトルロールを演じ、ヘルマン・プライが脇を固めるという、音楽、歌手共に最高のメンバーが揃ったものです。ショルティとウィーン・フィルはワーグナーでも名演を遺しており、その経験が音作りに表れています。</video:description>
<video:duration>6529</video:duration>
<video:publication_date>2022-12-19T07:47:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T13:43:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0D8</loc>
<video:video>
<video:title>黄金期の帝王カラヤン＆ベルリン・フィルによるチャイコフスキー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/29d9563466e33982839e87d3b27101162240d750.jpg</video:thumbnail_loc>
<video:description>指揮者のヘルベルト・フォン・カラヤンは、20世紀を代表する音楽家として圧倒的な存在感を誇る存在でした。特にベルリン・フィルハーモニー管弦楽団とのタッグは常に輝かしいサウンドで、多くのクラシック・ファンを唸らせるものとなっています。彼らは1970年代にチャイコフスキーの交響曲を全曲録音しており、特に後期の交響曲については複数回録音。いずれも「名演」として知られています。しかし中でもこの1973年のものは“黄金期”であり、チャイコフスキーの音楽の骨格、内面を鮮やかに伝えてくれます。</video:description>
<video:duration>2922</video:duration>
<video:publication_date>2023-11-07T10:42:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-12-07T10:06:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ0D0</loc>
<video:video>
<video:title>黄金期の帝王カラヤン＆ベルリン・フィルによるチャイコフスキー</video:title>
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<url>
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<video:title>〈どこかに〉(《ウエストサイド物語》より)</video:title>
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<video:title>チョ・ソンジンによるショパンのピアノ協奏曲第2番</video:title>
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<video:description>第17回ショパン国際ピアノコンクールの覇者である、韓国が生んだカリスマ的ピアニスト、チョ・ソンジンがベルリン・コンツェルトハウスに登場し、ジャナンドレア・ノセダが指揮するEUユース管弦楽団と、十八番ともいえるショパンのピアノ協奏曲第2番を演奏。驚異的な技巧と情熱で、若きショパンが満を持して作曲したこの最初の大作から、リリシズムへの深い想いが込められた魅惑的な美しさを引き出します。そして理想的なアンコールではベートーヴェンの「悲愴」ソナタの緩徐楽章を演奏し、崇高なショパンの演奏に花を添えます。</video:description>
<video:duration>2413</video:duration>
<video:publication_date>2023-01-30T15:42:46Z</video:publication_date>
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<lastmod>2023-11-01T10:47:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2DG</loc>
<video:video>
<video:title>ファイナル・ツアー：エマーソン弦楽四重奏団がメンデルスゾーン、ブラームス＆ドヴォルザークを弾く</video:title>
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<video:description>ニューヨーク市を拠点としアメリカ合衆国建国200年にあたる1976年に結成。これまでに30タイトル以上のCDをリリースしグラミー賞やグラモフォン賞などを複数回受賞。数多の新作を委嘱・初演して45年以上に及ぶ前人未到のキャリアを積み重ねてきたエマーソン四重奏団が、プラハのルドルフィヌム（芸術家の家）から引退ツアーをスタート。メンデルスゾーンとブラームスが書いた偉大な作品をとりあげ、最後は同ホールゆかりの作曲家ドヴォルザークが米国からボヘミアに戻った直後に完成させた、このジャンル最後の傑作で締めくくります。</video:description>
<video:duration>6002</video:duration>
<video:publication_date>2023-05-17T11:01:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-10-31T12:27:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ICO</loc>
<video:video>
<video:title>シュトゥッツマンと紗良・オットがベートーヴェンのピアノ協奏曲第3番で共演</video:title>
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<video:description>コントラルト歌手と指揮者のキャリアで圧倒的な存在感を放つナタリー・シュトゥッツマン。楽曲の深い読み込みと敬愛から生まれる指揮は、生き生きとした輝きを生み出しています。歌と同様に指揮においても幅広いレパートリーを有する彼女が今回指揮するのはベートーヴェンのピアノ協奏曲第3番です。ソリストには近年ますます深みを帯びた音楽を聴かせてくれるアリス＝紗良・オット。みずみずしい輝き、凛とした佇まいを感じさせつつ、徐々に熱を帯びて最後には圧倒的なスケールの大きさで魅せてくれる共演は注目です。</video:description>
<video:duration>2620</video:duration>
<video:publication_date>2023-10-30T11:15:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
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<lastmod>2023-10-30T15:18:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6D8</loc>
<video:video>
<video:title>ショパンコンクール優勝者、ブルース・リウが新境地も見せたリサイタル</video:title>
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<video:description>2021年のショパン国際ピアノコンクールで圧倒的な優勝を飾ったブルース・リウ。個性的かつ優れた技術の持ち主が多かったこの回の中でも彼のテクニックは突出したものがありました。輝かしい音色、精密なコントロールによってすべてのラウンドでショパンの楽曲を魅力的に奏でました。本映像には、そんな彼がパリのシャンゼリゼ劇場で行ったデビュー・リサイタルの模様が収められています。得意とするショパンの作品はもちろん、近年彼が注目しているフランス・バロックの作曲家であるラモーの作品もお聞き頂けます。</video:description>
<video:duration>5994</video:duration>
<video:publication_date>2023-02-23T13:07:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-10-22T15:17:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38CO</loc>
<video:video>
<video:title>大人気ソプラノ、ネイディーン・シエラが美声と超絶技巧で魅せるルチア</video:title>
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<video:description>本映像は、ナポリのサン・カルロ歌劇場で上演されたドニゼッティのオペラ《ランメルモールのルチア》を名匠ジャンニ・アメリオが監督して作り上げられたものです。タイトルロールを演じたのはアメリカのコロラトゥーラ・ソプラノのネイディーン・シエラ。いま世界中から注目を浴びる歌手の一人であり、バイエルン州立歌劇場にメトロポリタン・オペラでも演じているこの役は“十八番”といえるものです。美しくあたたかみのある声と超絶技巧、抒情性を兼ね備えた彼女の歌唱はルチアの揺れ動く心を鮮やかに描き出していきます。</video:description>
<video:duration>8720</video:duration>
<video:publication_date>2022-11-09T17:25:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-10-11T15:11:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3ECO</loc>
<video:video>
<video:title>クレーメル、バーンスタイン＆ウィーン・フィルによるブラームスの協奏曲</video:title>
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<video:description>デジタル時代の名盤としても知られる、1982年9月ウィーンのムジークフェラインザールにおける演奏会のライヴを映像でお届けします。クレーメルは1976年にカラヤンの指揮するベルリン・フィルともブラームスのヴァイオリン協奏曲を録音していますが、このバーンスタインとの共演では第1楽章のカデンツァに一般的なヨアヒムやクライスラーの作（※カラヤン盤）ではなく、マックス・レーガーの《前奏曲とフーガ ニ短調》の前奏曲を使用したのも当時話題を呼びました。厳しい集中力と鋭い感性に貫かれたクレーメルの緻密な表現が、ウィーン・フィルの美しい響きと拮抗して織りなす、彫りの深い音楽をじっくりとご堪能ください。</video:description>
<video:duration>2334</video:duration>
<video:publication_date>2023-10-05T10:28:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-10-09T10:24:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJC</loc>
<video:video>
<video:title>リシエツキがベートーヴェンのピアノ協奏曲全曲を弾き振り！</video:title>
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<video:description>この映像では、カナダの若手ピアニスト、ヤン・リシエツキが、ベートーヴェンのピアノ協奏曲全曲を独奏・指揮しています。この公演は、当初別のソリストで計画されていましたが、彼は本番のわずか4日前に知らせを受けて、急遽代役に立ちました。演奏会は、ベートーヴェンの生誕250周年の枠。会場は、ベルリン・コンツェルトハウスです。リシエツキの恐れを知らぬ集中力、潔癖な音楽に圧倒されます。</video:description>
<video:duration>11257</video:duration>
<video:publication_date>2022-05-06T11:49:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-10-05T14:39:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJECG</loc>
<video:video>
<video:title>ブルース・リウがショパン、ラヴェル、リストを華麗に演奏</video:title>
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<video:description>世界中から愛されるブランドであるルイ・ヴィトン。優れた若きアーティストを支援する活動にも積極的であり、本映像はルイ・ヴィトン財団の「New Generation」シリーズの模様が収められています。演奏者は2021年のショパン国際ピアノコンクールの覇者であるブルース・リウ。コンクールでも話題を呼んだ《「お手をどうぞ」の主題による変奏曲》などショパンの作品、ラヴェルの《鏡》などが演奏され、改めて才能豊かなピアニストの実力と可能性を実感することができるでしょう。パリの新たな観光スポットともなっている会場の美しさにもご注目ください。</video:description>
<video:duration>6901</video:duration>
<video:publication_date>2023-05-11T16:05:52Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-25T07:33:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3CC8</loc>
<video:video>
<video:title>クーベリックが振るベートーヴェン“英雄”</video:title>
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<video:description>チェコの名指揮者ラファエル・クーベリックのレコーディング・プロジェクトといえば、1971年～1975年にかけて一曲ごとに欧米の9つの名門オーケストラに振り分けて録音したベートーヴェンの交響曲全集がたいへん有名です。ベルリン・フィルとの交響曲第3番では、そちら（1971年）でもオーケストラをたっぷりと鳴らして堂々たる音楽を聴かせていましたが、こちらの映像（1967年）では抑えめのテンポと音色で全体を支配した、より巨匠らしい重厚な雰囲気の“英雄”をお楽しみいただけます。</video:description>
<video:duration>3273</video:duration>
<video:publication_date>2023-09-04T13:09:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-24T07:19:45Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ32CG</loc>
<video:video>
<video:title>ブゾーニ国際ピアノコンクール2023：室内楽ファイナル I</video:title>
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<video:description>イタリア・ボルツァーノで行われた、第64回ブゾーニ国際ピアノコンクールのファイナル。室内楽ファイナル1日目はアンソニー・ラティノフとジトン・ワンが登場。グランド・ファイナル出場をかけ、イジドール弦楽四重奏団との共演によるピアノ五重奏曲と、30分のソロ・レパートリーを披露しました。</video:description>
<video:duration>7971</video:duration>
<video:publication_date>2023-09-13T08:23:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-09-18T14:39:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ0C0</loc>
<video:video>
<video:title>プッチーニの《マノン・レスコー》から〈こんな美しい人は見たことがない〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/79e6ca973964ad2d4fd41fb1131d448eef316587.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>129</video:duration>
<video:publication_date>2023-09-05T16:23:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-14T09:47:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3IE8</loc>
<video:video>
<video:title>プッチーニの《トゥーランドット》より〈誰も寝てはならぬ〉</video:title>
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<video:description></video:description>
<video:duration>79</video:duration>
<video:publication_date>2023-09-05T16:20:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-14T09:46:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3IE0</loc>
<video:video>
<video:title>プッチーニの《トスカ》より〈星は光りぬ〉</video:title>
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<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2023-09-05T15:25:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-06T08:12:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ID8</loc>
<video:video>
<video:title>無伴奏パルティータ第2番よりジーグ</video:title>
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<video:description></video:description>
<video:duration>153</video:duration>
<video:publication_date>2023-08-09T21:31:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-05T15:16:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ID0</loc>
<video:video>
<video:title>無伴奏パルティータ第2番よりアルマンド</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1377a56f6369f57e0425d58a2538282f58f1b3c6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>205</video:duration>
<video:publication_date>2023-08-09T21:18:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-05T15:15:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38D8</loc>
<video:video>
<video:title>ユジャ・ワンがMTTとショスタコーヴィチのピアノ協奏曲で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4b631484b728b6dcd5fe9ebf7b955518e50dbb38.jpg</video:thumbnail_loc>
<video:description>圧倒的なテクニックとスター性で世界を魅了するピアニストであるユジャ・ワン。彼女がショスタコーヴィチのピアノ協奏曲第2番に取り組み、軽やかな演奏で楽しませてくれます。ショスタコーヴィチが息子のために書いた協奏曲は、第3楽章に有名なハノン練習曲が引用されているなど、遊び心に満ちたものです。それを支えるのはマイケル・ティルソン・トーマスが指揮するロンドン交響楽団。彼らが演奏するのは「小ロシア」の愛称をもつチャイコフスキーの交響曲第2番で、こちらも華やかな音色に魅了されます。</video:description>
<video:duration>4327</video:duration>
<video:publication_date>2023-08-21T07:33:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-09-04T14:12:12Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38D0</loc>
<video:video>
<video:title>ユジャ・ワンがMTTとラフマニノフのピアノ協奏曲第2番を共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cfc1ce9ca652aede6c3012e1b95896270807704f.jpg</video:thumbnail_loc>
<video:description>本映像では、スター・ピアニストのユジャ・ワンが、世界的に人気のある協奏曲のひとつであるラフマニノフのピアノ協奏曲第2番を演奏しています。技巧の冴えはもちろんですが、ロシアの広大な大地を感じさせるスケールの大きな音楽でもワンのピアノは聴衆を魅了しています。マイケル・ティルソン・トーマスとロンドン交響楽団の作り出す音色の深々とした響きも魅力的です。また彼らはグリーグの魅惑的な小品と、ベートーヴェンの「運命」を演奏し、音楽性の幅広さでも魅せています。</video:description>
<video:duration>5267</video:duration>
<video:publication_date>2023-08-21T07:13:58Z</video:publication_date>
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<video:description>「ファイナルへの道筋」と題し、ロン・マキシム・ファンのソロ・ファイナルとセミ・ファイナルの模様をお届けします。</video:description>
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<lastmod>2023-08-31T17:12:12Z</lastmod>
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<url>
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<video:title>ブゾーニ2023：山﨑亮汰　ソロ・ファイナル</video:title>
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<video:description>「ファイナルへの道筋」と題し、山﨑亮汰のソロ・ファイナルとセミ・ファイナルの模様をお届けします。</video:description>
<video:duration>2609</video:duration>
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<lastmod>2023-08-31T17:09:25Z</lastmod>
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<url>
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<video:title>ブゾーニ2023：アンソニー・ラティノフ　ソロ・ファイナル</video:title>
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<video:description>「ファイナルへの道筋」と題し、アンソニー・ラティノフのソロ・ファイナルとセミ・ファイナルの模様をお届けします。</video:description>
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<video:publication_date>2023-08-29T15:33:43Z</video:publication_date>
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<lastmod>2023-08-31T17:09:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ3AC0</loc>
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<video:title>ブゾーニ2023：ジトン・ワン　ソロ・ファイナル</video:title>
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<video:description>「ファイナルへの道筋」と題し、ジトン・ワンのソロ・ファイナルとセミ・ファイナルの模様をお届けします。</video:description>
<video:duration>2148</video:duration>
<video:publication_date>2023-08-29T15:38:12Z</video:publication_date>
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<lastmod>2023-08-31T17:08:48Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CCG</loc>
<video:video>
<video:title>新たな出発 - オラフソン＆ヤルヴィが観客と音楽の喜びを共有する</video:title>
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<video:description>何か月もの間パンデミックによりオンラインでのコンサートのみを行っていたロイヤル・コンセルトヘボウ管弦楽団。本映像は2021年4月、久しぶりに聴衆の前で生演奏を行った公演の模様が収められています。パーヴォ・ヤルヴィが指揮するプログラムは、革新的なアプローチで楽曲に新たな命を吹き込むピアニスト、ヴィキングル・オラフソンをソリストとして迎えたモーツァルトのピアノ協奏曲第24番とシューマンの交響曲第3番。音楽そのものがもたらす感動に、音楽を共有する喜びが重なり、圧倒的なステージがつくりあげられています。</video:description>
<video:duration>4511</video:duration>
<video:publication_date>2022-11-18T15:55:57Z</video:publication_date>
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<lastmod>2023-08-24T15:37:41Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36E8</loc>
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<video:title>第62回優勝者、エマニュエル・イワノフ </video:title>
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<video:description>2019年のフェルッチョ・ブゾーニ国際ピアノコンクールで第1位にたどり着くまで、エマニュエル・イワノフ は、バッハ（ブゾーニ編曲）からアデスまで幅広い音楽の演奏で著名な審査員に感銘を与えました。本映像では、リストのダンテ・ソナタと、ブラームスの名手ぶりが光るヘンデルの主題による変奏曲とフーガを取り上げています。また、グランドフィナーレのサンサーンスのピアノ協奏曲第2番では、輝かしい演奏を披露しています。</video:description>
<video:duration>4052</video:duration>
<video:publication_date>2023-08-16T08:56:43Z</video:publication_date>
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<lastmod>2023-08-24T09:30:29Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38C8</loc>
<video:video>
<video:title>第61回優勝者、イヴァン・クルパン</video:title>
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<video:description>2019年のフェルッチョ・ブゾーニ国際ピアノコンクールで第1位にたどり着くまで、イヴァン・クルパンは、幅広いレパートリーで審査員たちの心をつかみました。本映像には、ソロ・ラウンドでのブゾーニとブラームスの作品、そしてグランドフィナーレでの《皇帝》をのびやかに演奏する様子が収められています。</video:description>
<video:duration>3975</video:duration>
<video:publication_date>2023-08-16T10:22:27Z</video:publication_date>
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<lastmod>2023-08-24T09:30:18Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ38CG</loc>
<video:video>
<video:title>第60回優勝者、ムン・ジヨン</video:title>
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<video:description>2019年のフェルッチョ・ブゾーニ国際ピアノコンクールで第1位にたどり着くまで、ムン・ジヨンは難曲をいくつも取りそろえました。当時、審査員の一人、イェルク・デムスは「失われていたと思っていた音楽性の自然さを彼女の中に再発見した」と称賛しています。本映像には、ソロ・ラウンドからショパンのアンダンテ・スピアナートと華麗なる大ポロネーズとハイドンの最も有名なピアノ・ソナタをお楽しみいただけるほか、グランド・フィナーレでのベートーヴェンの詩的なピアノ協奏曲第4番が収録されています。</video:description>
<video:duration>3858</video:duration>
<video:publication_date>2023-08-16T12:06:13Z</video:publication_date>
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<lastmod>2023-08-24T09:30:08Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36DG</loc>
<video:video>
<video:title>ファビオ・ルイージとデンマーク国立交響楽団によるニールセン Vol.2</video:title>
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<video:description>イタリアの指揮者であり、世界の一流のオーケストラの首席を数々務めてきたファビオ・ルイージ。非常にレパートリーが広く、あらゆる音楽の魅力を引き出す彼は、2017年から音楽監督を務めるデンマーク国立交響楽団を指揮して、デンマークの作曲家ニールセンの交響曲全6曲の全集に取り組んでいます。本映像は2023年のカール・ニールセン・フェスティヴァルでの模様が収められており、古代ギリシアの医師ヒポクラテスの「四体液説」に基づく人間の気質の分類方法から着想を得た交響曲第2番、輝かしい《愛の賛歌》などをお楽しみ頂けます。</video:description>
<video:duration>4554</video:duration>
<video:publication_date>2023-08-10T13:44:13Z</video:publication_date>
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<lastmod>2023-08-14T12:30:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ36CO</loc>
<video:video>
<video:title>ファビオ・ルイージとデンマーク国立交響楽団によるニールセン Vol.5</video:title>
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<video:description>アルド・チッコリーニにピアノを学んだという経歴ももつイタリアの指揮者であるファビオ・ルイージ。世界中の一流オーケストラと共演を重ね、2022/23シーズンからはNHK交響楽団の首席指揮者にも就任しました。そんな彼が力を入れているのがデンマーク国立交響楽団を指揮して挑む、ニールセンの交響曲全6曲の演奏です。本映像は2023年のカール・ニールセン・フェスティヴァルでの模様が収められており、代表作《アラジン》の楽曲による組曲や素朴な響きからあらゆる楽想が展開する交響曲第6番をお楽しみ頂けます。</video:description>
<video:duration>4078</video:duration>
<video:publication_date>2023-08-10T12:00:42Z</video:publication_date>
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<lastmod>2023-08-14T10:22:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJAD0</loc>
<video:video>
<video:title>ユーディ・メニューイン生誕100年を祝うバースデイ・コンサート in ベルリン</video:title>
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<video:description>2016年4月22日のユーディ・メニューイン生誕100年の日、彼が82歳で没した街でもあるベルリンのコンツェルトハウスで、この20世紀伝説のヴァイオリニストを讃える記念コンサートが開催されました。指揮は当時の首席指揮者イヴァン・フィッシャーで、ソリストはメニューインの最も有名な生徒の一人であるダニエル・ホープが務めました。プログラムはメニューインが16歳の時に75歳のエルガー自らが指揮して録音したことで知られる「ヴァイオリン協奏曲ロ短調」で始まり、最後には第二次世界大戦中のアメリカ亡命時代にメニューインから手厚い援助を受けていたバルトークの作曲した「管弦楽のための協奏曲」が演奏されます。</video:description>
<video:duration>6070</video:duration>
<video:publication_date>2022-08-18T12:50:45Z</video:publication_date>
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<lastmod>2023-08-14T09:28:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ2C0</loc>
<video:video>
<video:title>アバド、ベルリン・フィル芸術監督としての最後の公演 – ギル・シャハムと共に</video:title>
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<video:description>本映像はベルリン・フィルが毎年創立日に開催している「ヨーロッパ・コンサート」の模様です。2002年は、芸術、建築の両側面においてヨーロッパで最も重要なオペラハウスの一つ、パレルモのマッシモ劇場が会場となりました。なお、クラウディオ・アバドが芸術監督としてマエストロを務めた最後の公演でもあります。ベートーヴェンの《エグモント》序曲にドヴォルジャークの《新世界より》など劇的な作品をはじめ、名手ギル・シャハムを迎えてのブラームスのヴァイオリン協奏曲が感動的なステージを彩っています。</video:description>
<video:duration>6690</video:duration>
<video:publication_date>2023-01-19T10:56:23Z</video:publication_date>
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<lastmod>2023-08-09T09:10:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ34DG</loc>
<video:video>
<video:title>ショルティとシカゴ交響楽団が奏でるブルックナーの交響曲第7番</video:title>
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<video:description>20世紀最高の指揮者のひとりであるサー・ゲオルグ・ショルティ。彼とシカゴ交響楽団との素晴らしいパートナーシップは、1954年、ラヴィニア音楽祭で初めて共演してから始まりました。その後、何度か共演を重ね、1969年にショルティは音楽監督に就任。22年間という驚異的な長きにわたってこのポストを務めています。そんなタッグによるブルックナーの交響曲第7番は、オペラ指揮を得意としたショルティならではのドラマ性が紡がれ、コントラストと躍動感に満ちています。</video:description>
<video:duration>4437</video:duration>
<video:publication_date>2023-07-21T11:26:57Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-08-02T14:53:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR3I</loc>
<video:video>
<video:title>キーシン、ベートーヴェン《悲愴》、《テンペスト》、《ワルトシュタイン》を弾く</video:title>
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<video:description>エフゲニー・キーシンは、1994年の初登場以来、ヴェルビエ音楽祭の常連です。本リサイタルでは、ベートーヴェンのソナタに焦点を当て、《悲愴》、《テンペスト》、《ワルトシュタイン》を演奏。さらに、「エロイカの主題による変奏曲」小品を取り上げています。かつては神童として鳴らしたキーシンですが、今や円熟した大家としての風格を示し、存在感のある正統派の演奏を聴かせています。</video:description>
<video:duration>6378</video:duration>
<video:publication_date>2022-05-25T12:23:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-07-26T05:40:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSR0</loc>
<video:video>
<video:title>キーシン、カヴァコスがベートーヴェンの《クロイツェル》で共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/85824f8b7d45447466d35fb41fb0e43a2fb98b7b.jpg</video:thumbnail_loc>
<video:description>エフゲニー・キーシンとレオニダス・カヴァコスの貴重な共演が、2019年、スイスのヴェルビエ音楽祭で実現しました。同音楽祭では毎年、著名なソリストや新進気鋭の才能が集まり、豪華な演奏会を行なっていますが、今回の《クロイツェル・ソナタ》の演奏も、まさにトップスターの出会いと言えるでしょう。ベートーヴェンが「ハイリゲンシュタットの遺書」を書いた年に作曲されたこの作品は、構成、旋律、技術のすべてにおいて、それ以前のあらゆるヴァイオリン・ソナタを凌駕しています。</video:description>
<video:duration>2487</video:duration>
<video:publication_date>2022-04-21T10:20:20Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-07-26T05:40:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30E0</loc>
<video:video>
<video:title>ハンプソン、バーンスタイン＆ウィーン・フィルによる《さすらう若人の歌》</video:title>
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<video:description>レナード・バーンスタインが晩年、ウィーン・フィルを指揮して当時は気鋭の若手だったアメリカのバリトン、トーマス・ハンプソンを迎えてマーラーの管弦楽伴奏による歌曲集を演奏した伝説のコンサート映像をお届けします。CDでも名盤として誉れ高いこちらは、失恋した若者の悲しみと絶望が描かれた《さすらう若人の歌》です。みずみずしさのなかにオペラ歌手としての演劇性もさりげなく発揮された若きハンプソンの名唱をご堪能ください。</video:description>
<video:duration>1149</video:duration>
<video:publication_date>2023-07-05T12:52:31Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-07-10T09:50:44Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQ30DO</loc>
<video:video>
<video:title>ハンプソン、バーンスタイン＆ウィーン・フィルによる《亡き子をしのぶ歌》</video:title>
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<video:description>レナード・バーンスタインが晩年、ウィーン・フィルを指揮して当時は気鋭の若手だったアメリカのバリトン、トーマス・ハンプソンを迎えてマーラーの管弦楽伴奏による歌曲集を演奏した伝説のコンサート映像をお届けします。CDでも名盤として誉れ高いこちらは、子供の死に対峙する心境が簡潔な書法と凝縮された表現で綴られた《亡き子をしのぶ歌》です。自在なテクニックと高い芸術性が結実した若きハンプソンの名唱をご堪能ください。</video:description>
<video:duration>1875</video:duration>
<video:publication_date>2023-07-05T12:38:59Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-07-10T09:49:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ0</loc>
<video:video>
<video:title>ソコロフ初のドキュメンタリー「A Conversation That Never Was」</video:title>
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<video:description>世界中の聴衆、そして音楽家からも尊敬を集めるピアニストのグリゴリー・ソコロフ。録音が少なく、インタビューにも消極的なため、ほとんど彼のことを知る術はありません。それがまた彼を神格化させているのですが、本映像ではそんな伝説的な存在の真実の一端を知ることができるドキュメンタリーとなっています。過去の映像や音声、親しい関係者へのインタビューやリハーサル、コンサートの映像など様々な角度からソコロフに触れることができる貴重なものです。</video:description>
<video:duration>3529</video:duration>
<video:publication_date>2022-10-18T11:23:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:47:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCC0</loc>
<video:video>
<video:title>アバドがルネ・フレミングを迎え指揮するマーラー、ベルクとシューベルト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/18bac2525c6e1d1f9c365e6e8fa9f49759fbf39f.jpg</video:thumbnail_loc>
<video:description>2005年のルツェルン音楽祭の模様です。クラウディオ・アバドは、圧倒的な存在感を放つソプラノのルネ・フレミングを迎えて、初演当時スキャンダルを巻き起こしたベルクの意欲作《アルテンベルク歌曲集》にシューベルトの《ます》を始めとする人気歌曲3曲のオーケストラ編曲版を並べました。それらに続くのは「夜の歌」という俗称を持つマーラーの交響曲第7番。バラエティ豊かな内容と斬新な響き、“歌”に溢れた選曲は、オーケストラファンはもちろん、声楽ファンにもご満足頂ける内容です。</video:description>
<video:duration>6151</video:duration>
<video:publication_date>2022-09-08T11:05:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-06-29T20:35:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8E8</loc>
<video:video>
<video:title>アバドが指揮するロシア音楽の魅力：エレーヌ・グリモーを迎えて</video:title>
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<video:description>クラウディオ・アバドが指揮するロシア音楽は、楽曲の深い解釈と音色の多彩さで魅力的な輝きを放っています。この2008年のルツェルン音楽祭でのコンサートはそれを証明するものとなりました。ルツェルン祝祭管弦楽団と共に旋律の美しいチャイコフスキーの幻想序曲《テンペスト》、迫力に満ちたストラヴィンスキーのバレエ組曲《火の鳥》を演奏しています。コンサートを締めくくるのはラフマニノフの傑作ピアノ協奏曲第2番。ドラマティックな演奏が魅力的なエレーヌ・グリモーをソリストに迎え、華やかな共演を繰り広げました。</video:description>
<video:duration>5256</video:duration>
<video:publication_date>2022-08-10T14:10:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T20:28:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQG</loc>
<video:video>
<video:title>ラフマニノフ：ピアノ協奏曲第4番ト短調 op. 40より第1楽章</video:title>
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<video:description>...</video:description>
<video:duration>613</video:duration>
<video:publication_date>2022-05-10T13:39:12Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T16:47:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP32C8</loc>
<video:video>
<video:title>ラフマニノフ：チェロ・ソナタより第2楽章</video:title>
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<video:description></video:description>
<video:duration>321</video:duration>
<video:publication_date>2022-12-07T05:07:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-06-29T16:47:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36DG</loc>
<video:video>
<video:title>ラフマニノフの3番とプロコフィエフの2番 ー 2つのピアノ協奏曲について</video:title>
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<video:description></video:description>
<video:duration>411</video:duration>
<video:publication_date>2023-01-05T14:57:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-29T16:43:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSSG</loc>
<video:video>
<video:title>ゲルギエフ＆トリフォノフのプロコフィエフ – 2012年モスクワ・イースター音楽祭</video:title>
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<video:description>本映像では、ロシアを代表する指揮者であるヴァレリー・ゲルギエフと、若き“巨匠”、ダニール・トリフォノフの共演をお楽しみ頂けます。プログラムはオール・プロコフィエフ。ピアノ協奏曲第1番は作曲家の野心と超絶技巧が詰まった作品で、大胆な響きも魅力的です。交響曲第1番はハイドンを意識した古典的な作りながら、プロコフィエフらしい新たな響きが光ります。交響曲第5番はスケールの大きさの中に抒情性が溢れた魅力的な楽曲です。これらは2012年、モスクワ・イースター音楽祭で演奏されました。</video:description>
<video:duration>4612</video:duration>
<video:publication_date>2022-04-21T14:05:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-06-29T07:31:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GE8</loc>
<video:video>
<video:title>ラフマニノフについて</video:title>
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<video:description></video:description>
<video:duration>818</video:duration>
<video:publication_date>2023-06-21T15:00:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-26T11:28:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJID0</loc>
<video:video>
<video:title>ムターとカラヤン＆ベルリン・フィルによるバッハ</video:title>
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<video:description>ベルリン・フィル恒例、大晦日のジルヴェスター・コンサート。ヘルベルト・フォン・カラヤン指揮による1984年は、翌年が生誕300年だったことからバッハ作品だけで組まれたプログラムが話題を集めました。前半は既に“女王”の片鱗を見せていたアンネ＝ゾフィー・ムターをソリストとして起用したヴァイオリン協奏曲第2番を、後半にはラテン語のテキストに作曲された聖母マリアの祈りの歌であるマニフィカトをお届けします。当時クラリネット奏者ザビーネ・マイヤーの入団を巡り、カラヤンとベルリン・フィルと間に確執が生まれていたこともあり貴重な映像です。</video:description>
<video:duration>3353</video:duration>
<video:publication_date>2023-06-22T20:25:38Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-26T06:18:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJ4</loc>
<video:video>
<video:title>ジョン・アダムズのピアノ協奏曲をグスターボ・ドゥダメルとユジャ・ワンが初演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0cea2bb3a4095ca930b3de9d22d242709fb1f1df.jpg</video:thumbnail_loc>
<video:description>今最も世界で人気のある作曲家の一人であるジョン・アダムズによる3つめのピアノ協奏曲、《悪魔は全ての名曲を手にしなければならないのか?》初演の模様が収められた映像です。ロサンゼルス・フィルハーモニックの委嘱作品で、印象的なタイトルは雑誌『ニューヨーカー』のドロシー・デイ(社会活動家)に関する記事に由来しています。指揮はグスタ―ボ・ドゥダメル、ピアノはユジャ・ワンと、演奏家もいま世界中で注目を集めるアーティストが行いました。物語性を感じさせる作風にピアノの超絶技巧が印象的な作品です。</video:description>
<video:duration>1671</video:duration>
<video:publication_date>2022-05-31T13:37:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-24T17:21:44Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJIC0</loc>
<video:video>
<video:title>世界を虜にするナディーン・シエラによる多彩なプログラム</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/450e421c3ed86ed8e65942b7e5dc9f7d3d96fca9.jpg</video:thumbnail_loc>
<video:description>本映像には、パリのサル・ガヴォーで開催された、現在最も注目されているアメリカ人ソプラノ歌手であるナディーン・シエラのリサイタルの模様が収められています。彼女を支えるのはヴィオラ奏者でもあるマチュー・ヘルツォーク。彼は自身が設立したオーケストラ「アンサンブル・アパッショナート」を率いて、オペラ・アリアやミュージカル・ナンバーなどを華麗に歌いこなすシエラの音楽をさらに輝かせています。なお、今回のプログラムは「Make Our Planet Great」と題され、自然とエコロジーをテーマにした内容となっていることも注目されます。</video:description>
<video:duration>5653</video:duration>
<video:publication_date>2023-06-21T11:33:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-22T07:37:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ0D0</loc>
<video:video>
<video:title>クラシック・ギター界、衝撃の新星ラファエル・フイヤートル～バロックからピアソラまで</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/16d3874df125778be9827be73a7e6384454f2d6c.jpg</video:thumbnail_loc>
<video:description>ドイツ・グラモフォンと契約し2023年3月にデビュー・アルバム『Visages baroques（※バロックの面差し）』をリリースしたクラシック・ギター界のセンセーショナルなニュー・スター、ラファエル・フイヤートルをご紹介します。バロック音楽のギター編曲版から20世紀の南米音楽まで、その名人芸を存分に披露したドイツのヒッツアッカー音楽週間・フェスティヴァルでのリサイタル映像。特にピアソラの名曲《アディオス・ノニーノ》が絶品です。</video:description>
<video:duration>4268</video:duration>
<video:publication_date>2023-06-20T10:19:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-21T08:05:56Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GD0</loc>
<video:video>
<video:title>Summer (from &apos;Kikujiro&apos;)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0e93c1f8cbc3dea27d41c67a7259e9b4a975f9b3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>243</video:duration>
<video:publication_date>2023-06-17T06:51:33Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-20T04:26:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6E0</loc>
<video:video>
<video:title>ラン・ランのニューヨーク・デビュー・リサイタル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b1471fc6b6a5079c695d5332d5d3a7a0ab7568a.jpg</video:thumbnail_loc>
<video:description>いまやスター・ピアニストとして確固たる地位を築き上げているラン・ラン。彼がデビュー・リサイタルで世界に与えた衝撃は計り知れないものがありました。本映像は、ラン・ランのカーネギー・ホールでのデビュー・リサイタルの模様と舞台裏が収められています。リスト、ハイドン、ショパン、シューマンの作品、そして中国の伝統曲と幅広いプログラムを自在に演奏し、客席の空気を掌握する様子をご覧頂けば、ラン・ランというピアニストがクラシック音楽界で圧倒的な存在感を示し続けている理由がおわかりいただけることでしょう。</video:description>
<video:duration>3458</video:duration>
<video:publication_date>2022-11-16T10:05:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-17T10:24:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36</loc>
<video:video>
<video:title>100周年記念“指環”制作の舞台裏～ブーレーズ＆シェロー</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/36053152a89133ff5fbbe6aa84c9b355c237efdd.jpg</video:thumbnail_loc>
<video:description>ワーグナー《ニーベルングの指環》の初演から100周年記念するバイロイト公演を任されたのは、指揮者のピエール・ブーレーズと当時はまだ無名に近かった31歳の演出家パトリス・シェローのフランス人コンビでした。現代的で大胆な解釈を加えたその革新性に当初は楽団員たちも動揺し聴衆や批評家の間でも物議を醸しましたが、結果的にはこの大作の舞台に新時代を画して伝説的な成功を収めたのでした。これはそのリハーサル風景や重要な決断に至る過程、公演準備、インタビュー、そして音楽祭の歴史を記録したドキュメンタリー映像であり、知られざる舞台裏を今に伝えるものです。</video:description>
<video:duration>3236</video:duration>
<video:publication_date>2022-07-07T12:16:32Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-16T17:28:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJAC0</loc>
<video:video>
<video:title>内田光子 plays モーツァルト：ピアノ協奏曲第13番＆第20番</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a91cc57dbd2d2c9c178a20106d71b1c51af9139e.jpg</video:thumbnail_loc>
<video:description>80年代にモーツァルトのピアノ協奏曲の全曲録音を行い、その国際的な名声を不動のものとした内田光子による第13番と第20番の演奏映像です。2001年3月にカメラータ・ザルツブルクを弾き振りしたもので、スペシャリストならではの迷いのないアプローチで、対称的な2つの協奏曲が持つ色彩とコントラストを余すことなく見事に描き出しています。</video:description>
<video:duration>4194</video:duration>
<video:publication_date>2023-03-22T11:46:21Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-06-14T22:01:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ0</loc>
<video:video>
<video:title>パリのヴァイオリン</video:title>
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<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2022-10-30T19:35:13Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-14T13:50:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6DO</loc>
<video:video>
<video:title>チマローザのソナタ第42番について (演奏付き・字幕なし)</video:title>
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<video:description></video:description>
<video:duration>313</video:duration>
<video:publication_date>2022-11-15T22:47:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-14T13:50:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ6</loc>
<video:video>
<video:title>ショスタコーヴィチ : 2台のヴァイオリンとピアノのための3つのデュエット op. 97d よりプレリュード (2台のヴァイオリンとオーケストラの編曲版)</video:title>
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<video:description></video:description>
<video:duration>142</video:duration>
<video:publication_date>2022-11-01T17:55:36Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:09:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38E8</loc>
<video:video>
<video:title>『ウォーター』</video:title>
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<video:description></video:description>
<video:duration>213</video:duration>
<video:publication_date>2023-01-15T21:20:09Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:08:13Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8C0</loc>
<video:video>
<video:title>On Encores: In 27 Pieces</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b9c563a0f067e4df4b889f2124823b5ccf706d54.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>877</video:duration>
<video:publication_date>2022-11-16T15:44:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:07:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6E8</loc>
<video:video>
<video:title>シンク</video:title>
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<video:description></video:description>
<video:duration>122</video:duration>
<video:publication_date>2022-11-16T15:22:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:07:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3AC0</loc>
<video:video>
<video:title>バルトーク : ルーマニア民族舞曲</video:title>
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<video:description></video:description>
<video:duration>217</video:duration>
<video:publication_date>2023-01-15T21:40:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T09:06:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ADO</loc>
<video:video>
<video:title>シルヴェストロフの「静寂の歌」について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8a5d27cee01df7ca9a1555109b7c51282ad5ca95.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>415</video:duration>
<video:publication_date>2023-01-22T00:05:56Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-06-13T07:54:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GC8</loc>
<video:video>
<video:title>『ベートーヴェン：ヴァイオリン協奏曲　他』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fc8c8c2819b068b059629cf43e7daf7301a5856e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>1015</video:duration>
<video:publication_date>2023-05-18T02:57:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-18T06:24:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3GC0</loc>
<video:video>
<video:title>『ベートーヴェン：ヴァイオリン協奏曲　他』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df0f0764b2b91d640099d8644ec3367939be26c5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>434</video:duration>
<video:publication_date>2023-05-18T02:24:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-18T03:04:39Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP36DO</loc>
<video:video>
<video:title>バレンボイムが弾くベートーヴェン3大ソナタ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83672463a3501d83e45c047074c890d9d86ee37e.jpg</video:thumbnail_loc>
<video:description>ダニエル・バレンボイムは、10代の頃からベートーヴェンのピアノ・ソナタ全曲を演奏し続け、数え切れないほどの演奏会と録音を行ってきました。この類まれな経験と、著名な指揮者としての視点が、彼の演奏に深みを与え続けています。ベルリンのピエール・ブーレーズ・ザールにおける親密な空間で、この作曲家の３大ソナタの演奏を収録しました。</video:description>
<video:duration>3732</video:duration>
<video:publication_date>2022-11-07T08:04:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-17T11:37:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJED8</loc>
<video:video>
<video:title>キリル・ペトレンコの指揮でエリ―ナ・ガランチャがベリオを歌う</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/444731c2d15f10df66fb6bbb97021d38614fa1dd.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルハーモニー管弦楽団の創立記念日である5月1日に毎年行われる「ヨーロッパ・コンサート」。美しい建物や街の風景と共に音楽を楽しめると大人気です。2022年、キリル・ペトレンコの指揮のもと行われた本公演は、ラトビアのリエパヤで開催されました。ウクライナへの想いを込めたプログラムに選ばれたのはベリオの「フォーク・ソング」。様々な国の民謡を編曲したもので、各国のアイデンティティを強く感じさせます。今最も人気のメゾ・ソプラノのひとり、エリ―ナ・ガランチャの歌唱です。</video:description>
<video:duration>1550</video:duration>
<video:publication_date>2023-05-15T13:59:48Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-17T07:04:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJ2</loc>
<video:video>
<video:title>ドビュッシーの〈月の光〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/90f9a912cbe3fda9fd3d5944dd26abf9a38cef1d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>401</video:duration>
<video:publication_date>2022-11-10T05:35:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-11T13:47:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ECO</loc>
<video:video>
<video:title>CD『月の光』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c9a101f764c2c76765c23c3cb76e414b13b8cbe7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>299</video:duration>
<video:publication_date>2023-05-08T14:40:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-09T06:36:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ECG</loc>
<video:video>
<video:title>ドキュメンタリー映画『カール・ニールセン～天と地の間で』（2022年）</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/92e1808bfdd67d92bea0c239329d03fac0cc6a99.jpg</video:thumbnail_loc>
<video:description>クラシック音楽に焦点を当てた映像づくりに定評があり、2014 年からはベルリン・フィルのデジタルコンサートホールでプロデューサーとしても活躍しているドイツのマグダレナ・ジーバ＝シュヴィンド監督が映し出す、デンマークの国民的作曲家のカール・ニールセンの肖像。出身地であるフュン島やコペンハーゲンでロケを行い、激動の20世紀初頭を背景に、主に彼の内面にスポットを当ててその人生を描きます。音楽面でもファビオ・ルイージ、ヘルベルト・ブロムシュテット、デンマーク弦楽四重奏団のメンバーらが出演し聴き応えのある作品に仕上がっています。</video:description>
<video:duration>3122</video:duration>
<video:publication_date>2023-05-02T13:09:55Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-04T14:33:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4C8</loc>
<video:video>
<video:title>新たな高みへ – ティチアーティが指揮するシュトラウスの《アルプス交響曲》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c23154a13a6e26b050734224f0d2cc4c0007c4d3.jpg</video:thumbnail_loc>
<video:description>本映像は、人類史上初の8000メートル峰全14座完全登頂（無酸素）を成し遂げたラインホルト・メスナーが自ら語る哲学と共に、シュトラウスの《アルプス交響曲》が美しく奏でられていきます。演奏はベルリン・ドイツ交響楽団で、テンポドロームで収録されました。指揮者は同楽団の首席指揮者であり、大英帝国勲章（OBE）を受賞しているロビン・ティチアーティです。圧倒的なスケールで奏でられる音楽と伝説的登山家の言葉というこれまでにないコラボレーションがもたらす新たな世界をお楽しみいただけることでしょう。</video:description>
<video:duration>3399</video:duration>
<video:publication_date>2022-07-01T08:21:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-04T12:42:09Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3E</loc>
<video:video>
<video:title>ホーネック＆チェコ・フィルによるグリーグ、モーツァルト、ベートーヴェン</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7213e5c10f67af50a72b9473697750561b787870.jpg</video:thumbnail_loc>
<video:description>本映像には、たびたびベルリン・フィルに客演するなど世界的に注目を集める指揮者、マンフレート・ホーネックがチェコ・フィルハーモニー管弦楽団とグリーグの《ペール・ギュント》組曲にベートーヴェンの交響曲第1番ハ長調の演奏が収められています。さらにソリストに古典派のスペシャリストであるピアニストのルドルフ・ブッフビンダーを迎えてモーツァルトのピアノ協奏曲第20番ニ短調もご覧いただけます。非常に劇的なピアノ協奏曲が、作曲者が成功し、愛した都市であるプラハのルドルフィヌムで力強く響き渡ります。</video:description>
<video:duration>4191</video:duration>
<video:publication_date>2022-05-03T09:22:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-04T08:58:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP30</loc>
<video:video>
<video:title>平壌のアメリカ人</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/22228d3cdd42ebd08652437eba20763a8d21872f.jpg</video:thumbnail_loc>
<video:description>At the start of 2008, the New York Philharmonic made history as the first ever American orchestra to perform in the Democratic People’s Republic of Korea. For 48 hours, two hundred orchestra members and more than one hundred journalists landed in the world’s most isolated and secluded country, despite the country technically still being at war with the United States. Performing Gershwin’s An American in Paris and Dvořák’s ‘New World’ Symphony, the subtly nuanced concert is coupled with masterclasses at the conservatory and bus journeys through empty streets. The musicians navigate a whole new culture and allow the music to build bridges and create understanding between one another.</video:description>
<video:duration>3169</video:duration>
<video:publication_date>2022-06-28T15:35:27Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-05-03T11:18:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJAC8</loc>
<video:video>
<video:title>小澤征爾が指揮するベートーヴェン～「セイジ・オザワ 松本フェスティバル」2015＆2016</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/62144522efa3c1881e8d2a95ccf2049116b6966c.jpg</video:thumbnail_loc>
<video:description>1992年より長野県松本市で毎年夏に開催してきた「サイトウ・キネン・フェスティバル松本」は、2015年から総監督の名を冠した「セイジ・オザワ松本フェスティバル」として新たなスタートを切りました。ここでは先ず、この年ちょうど80歳の誕生日を迎えたばかりの小澤征爾が15年振りに松本でベートーヴェンの交響曲第2番を指揮した映像を楽しんでいただき、その後で翌2016年の、こちらも松本で演奏するのは23年振りだったという同第7番をご堪能ください。どちらも渾身の指揮ぶりで、サイトウ・キネン・オーケストラの活力溢れる演奏が生き生きとした表情でベートーヴェンの音楽を紡ぎ出します。</video:description>
<video:duration>4974</video:duration>
<video:publication_date>2022-08-11T14:55:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
<video:restriction relationship="deny">JP</video:restriction>
</video:video>
<lastmod>2023-05-02T14:48:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJCC0</loc>
<video:video>
<video:title>伝説の戦艦「パーサ号」のエピソードを想起させるプログラムをアバドが指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fa3e195510db09c5f86ebee64507bff9499ad7cf.jpg</video:thumbnail_loc>
<video:description>ベルリン・フィルハーモニー管弦楽団が創立記念日に行っている「ヨーロッパ・コンサート」。本映像は1998年にスウェーデン、ストックホルムのバーサ号博物館での模様です。パーサ号は1628年に建造されましたが、処女航海で沈没し、1956年に発見されました。プログラムはこの戦艦にふさわしいものが選ばれ、幽霊船が荒れ狂う海をさまよう様を描いた《さまよえるオランダ人》序曲で開始。海や嵐の情景を描いたチャイコフスキーとドビュッシーの作品に続き、最後に置かれたヴェルディの《聖歌四篇》はバーサ号への祈りを思わせます。</video:description>
<video:duration>5961</video:duration>
<video:publication_date>2023-04-19T10:28:25Z</video:publication_date>
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<video:title>ガーディナーがコンセルトヘボウ管弦楽団と満を持して臨んだブラームス</video:title>
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<video:description>本映像ではバロック音楽の第一人者であるジョン・エリオット・ガーディナーが満を持して指揮したブラームスが収められています。ブラームスはバッハから多大な影響を受けた作曲家であり、特に合唱作品ではそれが顕著に表れています。今回は《埋葬の歌》に《運命の歌》など、ガーディナーの本領を発揮する作品が並び、最後には交響曲第1番ハ短調が置かれました。手兵であるモンテヴェルディ合唱団、世界屈指のオーケストラであるコンセルトヘボウ管弦楽団との共演が奏でる音は、楽曲の魅力をさらに深く掘り下げるものとなっています。</video:description>
<video:duration>5662</video:duration>
<video:publication_date>2023-01-18T14:08:28Z</video:publication_date>
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<lastmod>2023-04-17T14:38:09Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2</loc>
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<video:title>ゲオルク・ツェッペンフェルト、2016年のバイロイトにおける《パルジファル》を語る</video:title>
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<lastmod>2023-04-12T09:42:24Z</lastmod>
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<video:title>フィリップ・ジョルダン、2017年バイロイト音楽祭の《マイスタージンガー》を語る</video:title>
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<video:publication_date>2022-11-15T15:12:28Z</video:publication_date>
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<lastmod>2023-04-12T09:40:59Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6CG</loc>
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<video:title>ヤノフスキがカストロフの「指輪4部作」について語る</video:title>
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<lastmod>2023-04-12T09:39:24Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6D0</loc>
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<video:title>ショパンコンクールの覇者、リウが作曲家ゆかりの地で行ったリサイタル</video:title>
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<video:description>ブルース・リウは2021年に開催されたショパン国際ピアノコンクールで優勝を果たし、世界的に注目を集めたピアニストです。圧倒的な技術、フレッシュな音楽性を兼ね備え、新しい時代のショパン像を確立しました。そんな彼が、ショパンが最後の時を過ごしたパリのヴァンドーム広場にある、サロン・フレデリック・ショパンで行ったリサイタルの模様が本映像に収められています。ショパンのバラード第２，3番にコンクールでも話題を呼んだ「お手をどうぞ」変奏曲、さらに「ロンド風マズルカ」など、彼ならではのプログラムとなっています。</video:description>
<video:duration>3244</video:duration>
<video:publication_date>2023-02-23T11:27:44Z</video:publication_date>
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<lastmod>2023-04-04T14:37:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3CC8</loc>
<video:video>
<video:title>アルティノグル、オラフソンによるコンセルトヘボウ管のシーズン開幕演奏会</video:title>
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<video:description>アムステルダムのウェスターパークにある野外ステージで行われた、ロイヤル・コンセルトヘボウ管弦楽団2022／2023年シーズンのオープニング・コンサートのハイライト映像をお楽しみ下さい。アラン・アルティノグルの指揮が二人のアメリカ人作曲家のシンフォニックな作品を軽快なテンポで見事に描き出して魅了します。もちろんメイン・ディッシュはグリーグのピアノ協奏曲。同世代で最も革新的なアーティストであるヴィキングル・オラフソンがここでは、変化に富んだ抒情豊かな技巧が光るロマンティックな演奏を披露しています。</video:description>
<video:duration>3527</video:duration>
<video:publication_date>2022-11-18T09:49:27Z</video:publication_date>
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<lastmod>2023-03-30T18:21:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6C0</loc>
<video:video>
<video:title>バレンボイムがイースト＝ウェスト・ディヴァン・オーケストラを指揮</video:title>
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<video:description>カイロのギゼで予定されていたコンサートが中止となり、待望のコンサートはスペイン・グラナダにあるユネスコ世界遺産、アルハンブラ宮殿に場所を移して行われました。バレンボイムが指揮するプログラムは、ベートーヴェン、ブラームス、ワーグナーの名曲と、ボッテジーニの「ロッシーニの主題による幻想曲」。この作品は、エジプト出身のナビル・シェハタとイスラエル出身のキリル・スロトニコフという、ウェスト＝イースト・ディヴァン・オーケストラのスターメンバーのために、編曲されました。バレンボイムとサイードによって創設されたオーケストラが象徴する、異なるバックグラウンド間の調和を体験することができるでしょう。</video:description>
<video:duration>6183</video:duration>
<video:publication_date>2023-02-22T09:05:33Z</video:publication_date>
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<lastmod>2023-03-24T08:59:01Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJ6C8</loc>
<video:video>
<video:title>バレンボイムとウェスト＝イースト・ディヴァン・オーケストラのライブ録音</video:title>
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<video:description>バレンボイムがエドワード・サイードと設立してから5年が経ったウェスト・イースタン・ディヴァン・オーケストラ。本映像は、ジュネーブのヴィクトリア・ホールでの演奏会を収めています。バレンボイムはベートーヴェンのピアノ協奏曲第3番でソリストを務め、ドラマチックで美しく、特に終楽章では華やかな指裁きを披露しています。そして、チャイコフスキーの壮大な交響曲第5番では、豊かなメロディとオーケストラの豪華さが存分に堪能できるでしょう。アラブとイスラエルの若い音楽家が、政情不安の中で調和を図ろうとする、このオーケストラならではの印象的なコンサートです。</video:description>
<video:duration>5536</video:duration>
<video:publication_date>2023-02-22T09:33:23Z</video:publication_date>
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<lastmod>2023-03-24T08:56:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJIDO</loc>
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<video:title>カウフマンとガランチャが《パルジファル》で共演</video:title>
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<video:description>キリル・セレブレンニコフの新演出によるワーグナーの《パルジファル》が、フィリップ・ジョルダンの指揮で2021年4月にウィーン国立歌劇場でお披露目されました。ルドヴィック・テジエ (アムフォルタス)、ゲオルク・ツェッペンフェルト (グルネマンツ)、ヴォルフガング・コッホ (クリングゾル)は、いずれもこの劇場に初登場です。さらに、タイトルロールを演じるのはヨナス・カウフマン。元ウィーン国立歌劇場メンバーのエリーナ・ガランチャは、最も魅力的でドラマチックな役どころであるクンドリーを歌います。</video:description>
<video:duration>14783</video:duration>
<video:publication_date>2022-10-24T06:34:23Z</video:publication_date>
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<lastmod>2023-03-24T07:26:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJCDG</loc>
<video:video>
<video:title>ブーレーズがバルトークを指揮。クレーメルとバシュメットとの共演</video:title>
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<video:description>ピエール・ブーレーズがベルリン・フィルを指揮し、バルトークの様々な音楽を紹介するプログラムです。初期の繊細さと後期ロマン派の影響がみられるヴァイオリン協奏曲第1番をはじめ、中期のエネルギッシュなバレエ音楽《中国の不思議な役人》、そして後期のエレガントなヴィオラ協奏曲へと続いていきます。現代を代表する作曲家であり、バルトークの音楽に特別な親近感を抱いていたブーレーズと共演した、ヴァイオリンのクレーメルとヴィオラのバシュメットは、「これ以上のソリストはいない (ベルリン・ターゲスシュピーゲル紙)」と称賛されました。</video:description>
<video:duration>6182</video:duration>
<video:publication_date>2022-09-16T14:42:43Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2023-03-24T06:53:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJGE8</loc>
<video:video>
<video:title>カール・ベームが振るモーツァルトのレクイエム</video:title>
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<video:description>モーツァルトの最高傑作、尊敬すべき指揮者、そしてオーストリアで最も美しい建物が、特別な体験をもたらすコンサート。カール・ベーム、ウィーン交響楽団、ウィーン国立歌劇場合唱団、そして天使のように純粋な声のグンドゥラ・ヤノヴィッツ率いる声楽ソリストのカルテットが、ウィーンのピアリステン教会でモーツァルトのレクイエムを演奏しました。4日間にわたり、周囲の道路を通行止めにし、細心の注意を払った環境の中録音された名演です。</video:description>
<video:duration>3862</video:duration>
<video:publication_date>2022-10-14T09:24:25Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2023-03-24T06:51:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP34</loc>
<video:video>
<video:title>UNIQUE：一人のアーティスト、一つのモニュメント、一つのコンサートを追う</video:title>
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<video:description>ブルターニュ地方カルナックにある新石器時代の巨石遺構（カルナック列石）を背景に、セルビア生まれでフランス育ちのヴァイオリニスト、ネマニャ・ラドゥロヴィチを映し出す、目にも鮮やかな映像です。自身がリーダーを務める室内アンサンブル「悪魔のトリル」と両国の精鋭たちが集まって結成された「ドゥーブル・サンス（弦楽合奏＋ピアノ／チェンバロ）」を率いて、バッハやブロッホからセルビアの伝統曲まで、時代や文化を超えた鮮烈なプログラムで魅せます。</video:description>
<video:duration>5566</video:duration>
<video:publication_date>2022-07-04T15:09:28Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<lastmod>2023-03-22T07:57:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJC</loc>
<video:video>
<video:title>“指環”の世界 〜《ジークフリート》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a09fedd52e6e96e04553351d94f6eb319b6ed516.jpg</video:thumbnail_loc>
<video:description>エリック・シュルツ監督による、ワーグナーの史上空前の大作《ニーベルングの指環》のガイド的なドキュメンタリーです。指揮者のクリスチャン・ティーレマンを始めとする、様々な音楽家や音楽学者、ジャーナリストが“指環”の世界を分析・解説。ティーレマンが指揮したウィーン国立歌劇場ライヴの映像がふんだんに盛り込まれています。第3回目は第2夜の《ジークフリート》の世界をとりあげます。</video:description>
<video:duration>5319</video:duration>
<video:publication_date>2022-11-04T08:54:42Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T07:54:29Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJE</loc>
<video:video>
<video:title>“指環”の世界 〜《神々の黄昏》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e4a0367cf8b3684336e9fd8e0be8566b1ebe786e.jpg</video:thumbnail_loc>
<video:description>エリック・シュルツ監督による、ワーグナーの史上空前の大作《ニーベルングの指環》のガイド的なドキュメンタリーです。指揮者のクリスチャン・ティーレマンを始めとする、様々な音楽家や音楽学者、ジャーナリストが“指環”の世界を分析・解説。ティーレマンが指揮したウィーン国立歌劇場ライヴの映像がふんだんに盛り込まれています。第4回目は第3夜の《神々の黄昏》の世界をとりあげます。</video:description>
<video:duration>5392</video:duration>
<video:publication_date>2022-11-04T09:02:30Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T07:53:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJA</loc>
<video:video>
<video:title>“指環”の世界 〜《ワルキューレ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/df4b58aff161a733aa8063dc0b9d23ea0447a1dc.jpg</video:thumbnail_loc>
<video:description>エリック・シュルツ監督による、ワーグナーの史上空前の大作《ニーベルングの指環》のガイド的なドキュメンタリーです。指揮者のクリスチャン・ティーレマンを始めとする、様々な音楽家や音楽学者、ジャーナリストが“指環”の世界を分析・解説。ティーレマンが指揮したウィーン国立歌劇場ライヴの映像がふんだんに盛り込まれています。第2回目は第1夜の《ヴァルキューレ》の世界をとりあげます。</video:description>
<video:duration>5383</video:duration>
<video:publication_date>2022-11-04T08:40:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T07:53:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ8</loc>
<video:video>
<video:title>“指環”の世界 〜《ラインの黄金》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/01bfe4a707fea1e16eb71269b863da16004d9e40.jpg</video:thumbnail_loc>
<video:description>エリック・シュルツ監督による、ワーグナーの史上空前の大作《ニーベルングの指環》のガイド的なドキュメンタリーです。指揮者のクリスチャン・ティーレマンを始めとする、様々な音楽家や音楽学者、ジャーナリストが“指環”の世界を分析・解説。ティーレマンが指揮したウィーン国立歌劇場ライヴの映像がふんだんに盛り込まれています。第1回目はドラマ全体の序夜である《ラインの黄金》の世界をとりあげます。</video:description>
<video:duration>5398</video:duration>
<video:publication_date>2022-11-03T07:47:35Z</video:publication_date>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ34</loc>
<video:video>
<video:title>テレジーン – 音楽と証言によって解き明かされる「水晶の夜事件」</video:title>
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<video:description>本映像は、1938年11月にドイツ全土とオーストリアでおきた「水晶の夜事件（ナチス・ドイツによる反ユダヤ暴動）」から75年後、その時代を検証するためにテレジーン強制収容所に関連する音楽をドキュメンタリーと共に収録したものです。アンネ＝ゾフィー・オッタ―の歌唱やダニエル・ホープの演奏をご覧いただける他、彼らやテレジーンからの生還者によるインタビューも収められています。芸術と歴史、両方の観点から非常に重要な記録といえるでしょう。</video:description>
<video:duration>3507</video:duration>
<video:publication_date>2022-09-23T09:24:08Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T07:51:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ0D0</loc>
<video:video>
<video:title>平和のコンサート～ウィーン・フィル in ベルサイユ宮殿</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/91925cd8ad8984c3d578987e7e44d1712b9455da.jpg</video:thumbnail_loc>
<video:description>2018年11月11日は第一次世界大戦が終結してからちょうど100年。その記念の日にウィーン・フィルはフランツ・ウェルザー＝メストの指揮でスター演奏家を揃えて、ヴェルサイユ宮殿にて同大戦終結の祝賀コンサートを開催しました。プログラムは当時戦火を交えた国々の作曲家による作品で平和への願いを想起させるもの。1987年生まれの非凡なユジャ・ワンが演奏するラヴェルの“左手のためのピアノ協奏曲”は戦争で右手を失ったピアニスト、パウル・ヴィトゲンシュタインの依頼で書かれた作品です。</video:description>
<video:duration>5822</video:duration>
<video:publication_date>2022-06-20T14:02:47Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-22T06:59:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38E8</loc>
<video:video>
<video:title>バレンボイムが奏でるベートーヴェンのピアノ三重奏曲集</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4cea77b2495b41cdc5389581869153a30b18ad2.jpg</video:thumbnail_loc>
<video:description>ダニエル・バレンボイムが、子息であり近年活躍目覚ましいヴァイオリニストであるミヒャエル・バレンボイム、アルゲリッチなど世界的巨匠との共演の多いチェリストであるキアン・ソルターニと共に奏でるのはベートーヴェンのピアノ三重奏曲集です。このジャンルはベートーヴェンが自身のop. 1に選ぶほど重要視していたものであり、散りばめられた音型などからはあらゆる楽曲への影響を見て取ることができます。この映像では最初期のものはもちろん、中期の《幽霊》、後期の傑作《大公》などが収められ、作風の変遷も追うことが可能です。</video:description>
<video:duration>13328</video:duration>
<video:publication_date>2022-11-11T13:33:43Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-03-20T18:33:20Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSPJI</loc>
<video:video>
<video:title>ナイトミュージック：ヤン・リシエツキ・イン・ヴュルツブルク</video:title>
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<video:description>本映像は、現代におけるショパンのスペシャリストのひとり、ヤン・リシエツキがヴュルツブルク・レジデンスのインペリアル・ホールで2018年に行ったリサイタルの模様です。このリサイタルのテーマは「夜」。多くの作曲家にとってインスピレーションの素晴らしい源泉であり、多くの名作が生まれています。選ばれたのはモーツァルトにシューマン、ラヴェルにラフマニノフ、そしてショパンの作品。研ぎ澄まされた感性から生み出される演奏はもちろん、曲順にもリシエツキの強いこだわりが窺えます。</video:description>
<video:duration>5562</video:duration>
<video:publication_date>2022-05-09T12:43:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-19T19:33:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3E</loc>
<video:video>
<video:title>多様なアイデンティティ - ダニエル・バレンボイムとの出会い</video:title>
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<video:description>世界的指揮者、ピアニストとして活躍を続けるダニエル・バレンボイム。本映像は彼の50年間に及ぶ膨大なキャリアをたどるドキュメンタリー映像です。シカゴ交響楽団やベルリン国立管弦楽団での指揮や演奏、ウェスト＝イースタン・ディヴァン管弦楽団とのリハーサルの模様や世界各国への旅、友人や家族、共演者らと過ごした時間について、バレンボイム自身の言葉で語られます。さらに1年間の密着映像には、チェチーリア・バルトリやヨーヨー・マといった世界的アーティストとの共演なども収められています。</video:description>
<video:duration>5268</video:duration>
<video:publication_date>2022-10-10T10:19:42Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
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<lastmod>2023-03-16T06:45:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ4DG</loc>
<video:video>
<video:title>2013年ヨーロッパ・コンサートは、プラハ城で開催。ラトルがコジェナーと共演</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/63e06d9e71077388c52a02f510e8c59f96010567.jpg</video:thumbnail_loc>
<video:description>2013年ベルリン・フィル、ヨーロッパ・コンサートは、プラハ城のスペイン・ホールで行われました。指揮は、サー・サイモン・ラトル。独唱は、マグダレーナ・コジェナーが務めています。彼女は、ドヴォルザークの知る人ぞ知る名曲《聖書の歌》を歌い、精妙なチェコ語の表現を聴かせています。ラトルは、ヴォーン・ウィリアムズのタリスの主題による変奏曲とベートーヴェンの《田園》を指揮。とりわけ後者の終楽章での熱い盛り上がりが聴きものです。</video:description>
<video:duration>5655</video:duration>
<video:publication_date>2022-07-07T12:53:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-03-14T12:12:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSRJE</loc>
<video:video>
<video:title>アバドとベルリン・フィルによるカラヤン没後10周年記念演奏会</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b59de7f3b5ef0dba2ae7276de2bc51099616eefb.jpg</video:thumbnail_loc>
<video:description>クラウディオ・アバドとベルリン・フィルハーモニー管弦楽団は、1999年、ヘルベルト・フォン・カラヤンの没後10年を記念し、ザルツブルク大聖堂で演奏会を行いました。彼らは、長年の首席指揮者をカラヤンを偲び、モーツァルトのレクイエムをスウェーデン放送合唱団と一流ソリストと共に演奏しています。カラヤンは若きアバドをサポートし、ザルツブルク音楽祭にも率先して招聘しました。その意味で、彼のパーソナルなオマージュと言えるかもしれません。</video:description>
<video:duration>3735</video:duration>
<video:publication_date>2022-06-08T14:59:00Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-03-14T08:24:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCD0</loc>
<video:video>
<video:title>オブラドルス：エル・ヴィート</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9c2163455f368eaa6990b14181e903455539b764.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>193</video:duration>
<video:publication_date>2022-11-26T21:01:09Z</video:publication_date>
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<lastmod>2023-02-28T20:59:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGCG</loc>
<video:video>
<video:title>ヒナステラ《エスタンシア》より〈終幕の踊り (マランボ) 〉</video:title>
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<video:duration>292</video:duration>
<video:publication_date>2022-12-03T15:31:17Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:57:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR30</loc>
<video:video>
<video:title>ショパンのピアノソナタ第3番より第3楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/8224477834f4ba102bd9c99dad56d2efb68e41d1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>293</video:duration>
<video:publication_date>2022-10-24T22:09:45Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:41:57Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3G</loc>
<video:video>
<video:title>ヴィヴァルディの《四季》</video:title>
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<video:description>&quot;Admittedly, Vivaldi isn’t so very different from Mozart in terms of his purely technical difficulty: these pieces contain no hurdle that a good music student couldn’t clear as a teenager. But art involves more than just playing a piece quickly, cleanly and accurately. Art consists in investing the score with a soul. Vivaldi’s Four Seasons is a unique celebration of life, a veritable riot of colour. It takes a sensitive violinist to bring out this riot of colour in the form of a tone-painting.&quot; Anne-Sophie Mutter, 11/2008</video:description>
<video:duration>253</video:duration>
<video:publication_date>2022-07-08T09:28:11Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:37:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR34</loc>
<video:video>
<video:title>カステラーノ : Veinte cantos populares españolas第2巻より第8曲 : El vito</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b465094065dbfe8bb5b0a96a608c4de4a4b1f2c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2022-10-24T23:15:49Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:36:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3I</loc>
<video:video>
<video:title>モーツァルト : ピアノ協奏曲第23番より第2楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/cb04193ad6e391a61d534d517d97679a51cea65d.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>472</video:duration>
<video:publication_date>2022-10-29T20:52:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:33:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP30DG</loc>
<video:video>
<video:title>バーンスタイン《ウェスト・サイド・ストーリー》より〈マンボ〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e3e06f3fc995686c29d65c048f760479727553cb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>147</video:duration>
<video:publication_date>2022-12-05T20:13:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:33:00Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4CG</loc>
<video:video>
<video:title>バウンス・バウンス</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b2aee5d19b383f5ba6ddd8404db51416db0a66e6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>146</video:duration>
<video:publication_date>2022-11-13T01:22:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:32:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJADO</loc>
<video:video>
<video:title>ドロー・ア・マップ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4b84642fd4a1d6b42729f9923d1e842a122aa308.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>144</video:duration>
<video:publication_date>2022-11-24T10:47:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:31:42Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJIC8</loc>
<video:video>
<video:title>エイナウディ《イ・ジョルニ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e0937595cff86023e9d0c7246ac57ca7edabf281.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>204</video:duration>
<video:publication_date>2022-12-04T09:06:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:30:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3I</loc>
<video:video>
<video:title>シューマン : 幻想小曲集 op. 73より第2曲 : Lebhaft, leicht</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13745cb487541bccf67a7681b84a51c672c240fa.jpg</video:thumbnail_loc>
<video:description>Every so often, a musical encounter sees a truly astonishing &quot;musico-biological&quot; process take place. The meeting of the pianist Hélène Grimaud and the cellist Sol Gabetta last summer at the Menuhin Festival in Gstaad was one such rare encounter. Two charismatic stars made music together: two performers who play with such a combination of passion and intelligence that time after time they made the classics sound as contemporary as if composed today. </video:description>
<video:duration>192</video:duration>
<video:publication_date>2022-07-08T10:24:23Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:29:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR38</loc>
<video:video>
<video:title>ショスタコーヴィチ : チェロソナタ op. 40より第2楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e0d0733ae3ec6a8969c3598c5d3bbb590dda52e1.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>165</video:duration>
<video:publication_date>2022-10-28T22:36:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:28:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR32</loc>
<video:video>
<video:title>パーセルの歌劇《ディドとエネアス》より&quot;When I am laid in earth&quot;</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1ae58bc172c775f60dfa00b5a08d77b7428eb4bc.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>316</video:duration>
<video:publication_date>2022-10-24T22:19:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-28T20:27:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSR3G</loc>
<video:video>
<video:title>シューベルト《漁夫の愛の幸せ》D. 933</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/28b5c9c379d1f1545fd4c2861eb8b6b8cbbfae06.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>265</video:duration>
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<url>
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<lastmod>2023-02-27T08:13:16Z</lastmod>
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<lastmod>2023-02-27T08:06:00Z</lastmod>
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<video:description>Víkingur Ólafsson is an up-and-coming visionary pianist not only of technical sublimity but also of remarkable entrepreneurial abilities. Ólafsson has commissioned and premiered, to date, five new piano concertos from different young composers, and has collaborated on diverse musical projects with a broad range of artists and musicians. These include conductors Vladimir Ashkenazy and Rafael Payare, as well as his compatriot Björk and composers Mark Simpson and Philip Glass.</video:description>
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<video:title>オッフェンバック《祈りとボレロ》より第2楽章</video:title>
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<video:title>ヴィヴァルディのオーボエ協奏曲ハ長調より第1楽章</video:title>
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<video:title>バッハ : プレリュード変ロ長調 BWV855a (シロティによる編曲版)</video:title>
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<video:title>バッハ : プレリュード変ロ長調 BWV855a (シロティによる編曲版)</video:title>
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<lastmod>2023-02-27T07:53:27Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2C0</loc>
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<video:title>バッハ : 平均律第1巻よりプレリュードハ短調 BWV847</video:title>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGE0</loc>
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<video:title>DGのバースデーソング &quot;Variations on D-G&quot;</video:title>
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<lastmod>2023-02-27T07:46:59Z</lastmod>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2D0</loc>
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<video:title>バッハのコラール前奏曲 BWVより  &quot;Nun freut euch, lieben Christen g&apos;mein&quot; (ケンプによる編曲版)</video:title>
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<lastmod>2023-02-27T07:44:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ8</loc>
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<video:title>《エリーゼのために》</video:title>
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<video:description>Take Für Elise, the sound of countless ringtones and a piece you’ll hear in any school with a piano. “For me it is very romantic, and light, like a feather”, Lang Lang explains. “It has to come from nowhere and it has to touch people. It can’t just be treated as background music. I’ve tried to play the piece as the masterpiece that it is, and I hope that children who begin learning Für Elise will treat it the same way.”</video:description>
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<lastmod>2023-02-27T07:41:25Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36DO</loc>
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<video:title>メンデルスゾーンの《無言歌》よりAllegro leggiero op. 67-2 (クラリネットとピアノの編曲版)</video:title>
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<lastmod>2023-02-27T07:40:12Z</lastmod>
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<video:title>イエスタデイ</video:title>
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<lastmod>2023-02-26T08:21:58Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ6</loc>
<video:video>
<video:title>バッハ : 平均律第1巻よりプレリュードハ長調  BMV 846</video:title>
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<video:description>With ‘Piano Book’, Lang Lang goes back to his first love - to the pieces that made him want to become a musician in the first place; a reflection on the music that influenced him most during his early childhood. Get inspired and dream away to your initial fantasy in life with the performance video of Bach’s Prelude in C.</video:description>
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<video:title>ウラディミールのブルース</video:title>
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<video:publication_date>2022-11-18T14:03:36Z</video:publication_date>
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<video:title>ヒラリー・ハーンの新境地を示したドヴォルザークのヴァイオリン協奏曲</video:title>
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<video:description>ヒラリー・ハーンは、幅広いレパートリーを有し、その研ぎ澄まされた感性から生まれる演奏で世界中の聴衆を魅了しているヴァイオリニストです。本映像は、彼女が1年間の休暇とパンデミックによる様々なキャンセルを経て2年ぶりに表舞台に登場した演奏を収録したものです。フランクフルト放送交響楽団と共に奏でられたのはドヴォルザークがヴァイオリンのために唯一遺した協奏作品であるヴァイオリン協奏曲イ短調です。華麗な技巧と美しい旋律、抒情性と様々な要素が詰まった名曲をハーンが華麗に奏でています。</video:description>
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<lastmod>2023-02-23T06:43:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJADG</loc>
<video:video>
<video:title>《秋 3》</video:title>
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<video:live>no</video:live>
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<lastmod>2023-02-23T06:42:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJAD0</loc>
<video:video>
<video:title>《夏 3》</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:39:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3CD0</loc>
<video:video>
<video:title>シルヴェストロフの《記憶の瞬間VII》より第3曲：楽興の時</video:title>
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<video:description></video:description>
<video:duration>171</video:duration>
<video:publication_date>2023-02-16T11:36:03Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:35:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3CD8</loc>
<video:video>
<video:title>シルヴェストロフの《記憶の瞬間III》より第1曲：子守歌</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/682038673539dcdad8ea69557d4976571ad6420a.jpeg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>225</video:duration>
<video:publication_date>2023-02-16T17:51:49Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-23T06:33:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3CDG</loc>
<video:video>
<video:title>スコリクの《メロディー》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/c89adcc0a8558137e0570cc046453fa343625859.jpg</video:thumbnail_loc>
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<video:duration>178</video:duration>
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<video:live>no</video:live>
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<lastmod>2023-02-23T06:30:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJ4</loc>
<video:video>
<video:title>ドキュメンタリー「エル・システマ」～音楽が人生を変える！</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ea2df52a780ced7876532480592eef11184d3e0d.jpg</video:thumbnail_loc>
<video:description>「エル・システマ」世界的に大人気の指揮者、グスターボ・ドゥダメルを輩出したことで知られる教育システム。治安悪化が著しく、貧困が社会問題となっているベネズエラの子供たちを犯罪から救うため、1975年にホセ・アントニオ・アブレウ博士によって「音楽の社会運動」の名の下で設立されました。2008年制作のこのドキュメンタリーでは、最も危険な地域とされるバリオに立つ音楽学校での教育、子供たちの日常を通して、「エル・システマ」が彼らの人生をどう変えたのか、クラシック音楽が社会にもたらすものとは何かを描いています。</video:description>
<video:duration>6001</video:duration>
<video:publication_date>2022-10-19T14:29:50Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T07:40:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJG</loc>
<video:video>
<video:title>偉大な名歌手、ディースカウ自身のキャリアと歌への想いを語った最後の映像</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/043993afb3a400a36e42bf6f1923a45557487dca.jpg</video:thumbnail_loc>
<video:description>フランスの名映像作家ブリュノ・モンサンジョンが、20世紀で最も傑出したバリトン、ディートリヒ・フィッシャー＝ディースカウを追った2008年制作のドキュメンタリーです。3000曲以上のレパートリーを誇り、遺された数々のディスクや映像、言葉が現在でも多くの歌手たちに影響を与え続ける偉大な名歌手が自身のキャリアについて公式に語った「最後の言葉」。モンサンジョンはディースカウの様々な映像を収めてきた信頼の厚い存在ということもあり、ディーカウの飾らない表情や真実の言葉に出会うことができるでしょう。</video:description>
<video:duration>3221</video:duration>
<video:publication_date>2022-09-15T11:19:15Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-22T07:38:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ACG</loc>
<video:video>
<video:title>『クレド』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/329c482ce0e02b2e95dcedc56d875bd312b84528.jpg</video:thumbnail_loc>
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<video:duration>311</video:duration>
<video:publication_date>2023-01-17T07:49:03Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-22T06:36:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3ACO</loc>
<video:video>
<video:title>『リフレクション』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/e3b662a2f000b51509bb9c5c649c6e3ce9dda591.jpg</video:thumbnail_loc>
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<video:duration>342</video:duration>
<video:publication_date>2023-01-17T08:14:53Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:35:47Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6D8</loc>
<video:video>
<video:title>シェーンベルクとシベリウスのヴァイオリン協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2edbe807223d765bfbce5ae7e91bcb950485d024.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>323</video:duration>
<video:publication_date>2022-11-15T20:26:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:35:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38C0</loc>
<video:video>
<video:title>ソナタとエチュードのこと</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/fea9af5f0f17b6d37fa7965099bb76afd68c6bfb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>245</video:duration>
<video:publication_date>2023-01-06T14:51:36Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:34:40Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCC8</loc>
<video:video>
<video:title>『Resonances』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/12174deec163b225928c152ba4399ca0f1149f9f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>439</video:duration>
<video:publication_date>2022-11-25T04:54:08Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:33:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38DO</loc>
<video:video>
<video:title>モーツァルトについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1a6cddf6811b6504432560f9649775f01e789a46.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2023-01-15T21:07:21Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:32:35Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ6D0</loc>
<video:video>
<video:title>『SILFRA』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/495e8356cc30f9b7f51aecdac62bee890c3266eb.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>312</video:duration>
<video:publication_date>2022-11-15T20:06:41Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:32:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38CG</loc>
<video:video>
<video:title>『デュオ』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7e6af6fc82121e09eef7eaeb914cb7e7910100ca.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>465</video:duration>
<video:publication_date>2023-01-15T17:24:37Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:31:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3AC8</loc>
<video:video>
<video:title>ブラームスのピアノ協奏曲について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/73e4931f729fc455f0d1cfc5e6e6b72493edd269.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>425</video:duration>
<video:publication_date>2023-01-17T07:25:51Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-22T06:24:31Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJI</loc>
<video:video>
<video:title>ストラヴィンスキーとストコフスキーについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/1d3867ac36b07ab37a3fb665f6f5bcb01446cdc3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>257</video:duration>
<video:publication_date>2022-11-10T21:18:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:01:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP34D8</loc>
<video:video>
<video:title>『レット・イット・スノウ』について (英語)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f266c436c451a9e8536a9918571e869ec0183aa3.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>399</video:duration>
<video:publication_date>2022-12-11T16:20:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:00:53Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP34DG</loc>
<video:video>
<video:title>『レット・イット・スノウ』について (ドイツ語)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/13bb9d87f2e92278bc88ac74151a6e9dafc65885.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>457</video:duration>
<video:publication_date>2022-12-11T16:26:47Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T12:00:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8E0</loc>
<video:video>
<video:title>『25％のヴィヴァルディ』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/61b7a76166568c71ef1ddb7c94005f0a465458d9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>159</video:duration>
<video:publication_date>2022-11-18T13:33:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:59:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36E8</loc>
<video:video>
<video:title>ラヴェルについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b8f90ec4cb4ec10d628ae40536798ed92299a77e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>354</video:duration>
<video:publication_date>2023-01-06T12:58:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:56:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38E0</loc>
<video:video>
<video:title>『ウォーター』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/5b174e4a5f372ebdd571d68f97d689d1e8b49f0b.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2023-01-15T21:12:02Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:56:27Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCE0</loc>
<video:video>
<video:title>ピアノについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/bcff5e3c8f9b8c540415f83d8c9d49a62745c64e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>601</video:duration>
<video:publication_date>2022-12-01T22:25:14Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:55:15Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJEE0</loc>
<video:video>
<video:title>『ムーンライト』について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3465f2ea01b52644b639b39f1ab0209aa5eee76c.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>176</video:duration>
<video:publication_date>2022-12-03T14:17:35Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-21T11:54:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP36CG</loc>
<video:video>
<video:title>「アイ・アム・ヘラ」について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/2c2467bd00a3367f35325c7fc920fbac8790bb12.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>285</video:duration>
<video:publication_date>2023-01-04T17:29:24Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:25:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0C0</loc>
<video:video>
<video:title>シューベルトのピアノ・ソナタについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b4c7fe9f45847dc8442a5d920fc73e3f9937dc33.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-11-10T21:47:53Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:20:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8C8</loc>
<video:video>
<video:title>モーツァルトとヴュータンのヴァイオリン協奏曲</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/592980d1b75cb27488a213b2331793b5eabd4647.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>208</video:duration>
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</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJG</loc>
<video:video>
<video:title>新しいピアノを紹介</video:title>
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<video:description>Barenboim was inspired to create a new piano after playing Franz Liszt’s restored grand piano during a trip to Siena in September 2011. Struck by the vital differences in sound of an instrument constructed with straight, parallel strings rather than the diagonal crossed ones of a contemporary instrument, he set out to create a brand new instrument that combines the best of the old and the new and offers a real alternative for pianists and music-lovers in the 21st century.</video:description>
<video:duration>324</video:duration>
<video:publication_date>2022-11-08T12:16:37Z</video:publication_date>
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<lastmod>2023-02-19T07:19:31Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3C</loc>
<video:video>
<video:title>バレンボイムが語るベートーヴェンのピアノソナタ (4)</video:title>
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<lastmod>2023-02-19T07:16:47Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3A</loc>
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<video:title>バレンボイムが語るベートーヴェンのピアノソナタ (3)</video:title>
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<lastmod>2023-02-19T07:16:28Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS38</loc>
<video:video>
<video:title>バレンボイムが語るベートーヴェンのピアノソナタ (2)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/7a8069ceca17b929e47f4c658947db4356f23a65.jpg</video:thumbnail_loc>
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<video:live>no</video:live>
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<lastmod>2023-02-19T07:16:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS36</loc>
<video:video>
<video:title>バレンボイムが語るベートーヴェンのピアノソナタ (1)</video:title>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:15:16Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJI</loc>
<video:video>
<video:title>バレンボイムとの対話 : 音楽の意味について</video:title>
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<video:description></video:description>
<video:duration>883</video:duration>
<video:publication_date>2022-11-08T14:45:27Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-19T07:11:43Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS30</loc>
<video:video>
<video:title>バレンボイムとの対話 : 聴衆との関係</video:title>
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<video:publication_date>2022-11-08T15:12:29Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:10:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS32</loc>
<video:video>
<video:title>バレンボイムとの対話 : ベートーヴェンと、内なる耳</video:title>
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<video:publication_date>2022-11-08T15:30:46Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:08:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS34</loc>
<video:video>
<video:title>バレンボイムとの対話 : 言語、音楽、そして目的について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3fdf8d9e9f9a047525783e39a3197cfa9c656334.jpg</video:thumbnail_loc>
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<lastmod>2023-02-19T07:08:07Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4DO</loc>
<video:video>
<video:title>パリについて</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/a2c3401e0a8ad35f163b13dd1ca7859da0402ff8.jpg</video:thumbnail_loc>
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<video:duration>483</video:duration>
<video:publication_date>2022-11-13T02:58:05Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2023-02-19T07:06:52Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4C0</loc>
<video:video>
<video:title>ショーソンの「詩曲」について (演奏つき・字幕なし)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/155288bd48e7d56fc083d147ba4af65321de3b93.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>280</video:duration>
<video:publication_date>2022-11-12T21:53:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:06:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4C8</loc>
<video:video>
<video:title>ラウタヴァーラの2つのセレナードについて (演奏付き・字幕なし)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/b1e05cdff2f3a42f56c67c1ea4368fab01ba6b0e.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>290</video:duration>
<video:publication_date>2022-11-12T22:01:50Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:06:14Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2E8</loc>
<video:video>
<video:title>プロコフィエフのヴァイオリン協奏曲第1番について (演奏付き・字幕なし)</video:title>
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<video:duration>232</video:duration>
<video:publication_date>2022-11-12T21:40:43Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-19T07:05:49Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4D8</loc>
<video:video>
<video:title>サラサーテ「カルメン幻想曲」について (演奏付き・字幕なし)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f2a71582548702e8ec78224df5b46e3e107a09b7.jpg</video:thumbnail_loc>
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<video:duration>389</video:duration>
<video:publication_date>2022-11-13T02:17:23Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-19T07:02:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJEDO</loc>
<video:video>
<video:title>アリス＝紗良・オットのピアノリサイタル「ナイトフォール」</video:title>
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<video:description>アリス＝紗良・オットがコペンハーゲンのDRコンサートホールで行ったリサイタル。タイトルの「ナイトフォール」は同年にリリースしたフランスのピアノ名曲集のCDの名を冠したものです。そのレパートリーからドビュッシーの《ベルガマスク組曲》の抜粋に《夢想》、サティの《３つのジムノペディ》第1番や《グノシエンヌ》第1番と第3番が披露されました。さらにショパンの夜想曲から第1番と第2番、そしてバラード第1番が奏でられ、様々な夜の世界を演出。R.シュトラウスの歌曲《明日！》のピアノソロ版で美しく幕を閉じます。</video:description>
<video:duration>3343</video:duration>
<video:publication_date>2022-09-30T10:37:13Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-18T07:11:10Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2DG</loc>
<video:video>
<video:title>ドビュッシー : 《亜麻色の髪の乙女》</video:title>
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<video:publication_date>2022-11-12T18:05:10Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:27:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJ2</loc>
<video:video>
<video:title>ラモー : 《レ・ボレアド》より〈The Arts and the Hours〉(V. オラフソンによる編曲版)</video:title>
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<video:description>At the centre of his 2020 album is an interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call it ‘The Arts and the Hours’,</video:description>
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<video:publication_date>2022-07-22T08:01:33Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:26:03Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0DG</loc>
<video:video>
<video:title>ラモー : 〈優しい訴え〉</video:title>
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<video:publication_date>2022-11-11T15:37:31Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:21:19Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJ4</loc>
<video:video>
<video:title>バッハ : 《ゴルトベルク変奏曲》BWV 988 より第30変奏 Quodlibet</video:title>
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<video:description></video:description>
<video:duration>160</video:duration>
<video:publication_date>2022-11-10T06:01:38Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:20:33Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0DO</loc>
<video:video>
<video:title>ラモー : クラヴサン曲集より〈キュピ〉</video:title>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:15:50Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3G</loc>
<video:video>
<video:title>バッハ : 《ゴルトベルク変奏曲》BWV 988 より第7変奏 Al tempo di Giga</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/70c077bb7c80c41f33fb7ea3f280c88b72e9c7f4.jpg</video:thumbnail_loc>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:14:43Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3E</loc>
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<video:title>バッハ : 《ゴルトベルク変奏曲》BWV 988 より第26変奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ff20a91b819869f24f2ad505c94c1d37a798b4f2.jpg</video:thumbnail_loc>
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<lastmod>2023-02-15T11:14:00Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJ0</loc>
<video:video>
<video:title>バッハ : 《ゴルトベルク変奏曲》BWV 988 より第25変奏 Adagio</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/35b8bcf1b88a5af2151bc29f5c2500d623dbc9e9.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>658</video:duration>
<video:publication_date>2022-11-09T21:21:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2023-02-15T11:13:12Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSS3I</loc>
<video:video>
<video:title>バッハ : 《ゴルトベルク変奏曲》BWV 988 よりアリア</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/199d80552bf9f061716bd12d70547b8f02007f46.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>347</video:duration>
<video:publication_date>2022-11-09T20:48:31Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:12:36Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0D0</loc>
<video:video>
<video:title>モーツァルト : ロンドニ長調 K. 485</video:title>
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<video:duration>224</video:duration>
<video:publication_date>2022-11-11T15:17:50Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:09:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0D8</loc>
<video:video>
<video:title>チマローザ : ソナタ第42番ニ短調 (V. オラフソンによる編曲版)</video:title>
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<video:description></video:description>
<video:duration>144</video:duration>
<video:publication_date>2022-11-11T15:30:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:07:55Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSRJ2</loc>
<video:video>
<video:title>シューベルト :《糸をつむぐグレートヒェン》D. 118 (チェロと管弦楽の編曲版)</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/4980d111c5b995567672d64548a774c811a17077.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>184</video:duration>
<video:publication_date>2022-10-30T19:59:06Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:06:58Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ3I</loc>
<video:video>
<video:title>モーツァルト : ピアノ・ソナタ第14番ハ短調 K. 457 より  第1楽章 : Molto allegro</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d0f506c6a0a25b7a7668e0eb05b49fd99251d1f2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>236</video:duration>
<video:publication_date>2022-10-12T12:34:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:05:54Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJ8</loc>
<video:video>
<video:title>スナイダーの《ペネロープ》より〈The Lotus Eaters〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ab664d628927357bb996c3d7cf959ab27907f0b4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>361</video:duration>
<video:publication_date>2022-11-10T18:38:19Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T11:04:26Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0CO</loc>
<video:video>
<video:title>ガルッピ : ピアノ・ソナタ第9番ヘ短調 より 第1楽章 : Andante spiritoso</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0196a81893290ddc1f62c349f06094bf51f12add.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>125</video:duration>
<video:publication_date>2022-11-11T15:13:03Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:56:24Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJE</loc>
<video:video>
<video:title>『メリー・ポピンズ』より〈フィード・ザ・バード〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/ab14de7f1dba1bf5292299afd237203c213f0873.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>268</video:duration>
<video:publication_date>2022-11-10T19:54:04Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:51:34Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJG</loc>
<video:video>
<video:title>『マペットの夢みるハリウッド』から〈レインボー・コネクション〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/319598ead78dbcd35d02c422ce477a66049e147f.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>249</video:duration>
<video:publication_date>2022-11-10T20:12:26Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:49:22Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSJC</loc>
<video:video>
<video:title>『美女と野獣』</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/f6bb1362fde0c015012efafaceaddf38a2715275.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>247</video:duration>
<video:publication_date>2022-11-10T19:47:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-15T10:48:06Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3ACO</loc>
<video:video>
<video:title>ルドルフ・ブッフビンダーの弾き振りによる、ベートーヴェンとハイドンのコンチェルト</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/78be63f41bb0d430c69b79fecf9b5f8169ef65d8.jpg</video:thumbnail_loc>
<video:description>ルドルフ・ブッフビンダーほど、ウィーン古典派時代のピアノのレパートリーにしっかりと根を下ろしているピアニストは他にはいません。彼は予想を裏切る意外なアクセントや突然の調性の変化など、楽しげな要素を生き生きと輝かせつつも控えめに表現する。特にここで演奏されたベートーヴェンとハイドンのピアノ協奏曲の終楽章を聴けば、クラシックにおける音楽的な“ユーモア”とは何か理解できるかもしれません。このミュンヘン・フィルハーモニー管弦楽団とのコンサートではウィンクや微笑みを合図に、ソリストと指揮者の2役を見事にこなしています。</video:description>
<video:duration>3321</video:duration>
<video:publication_date>2022-11-14T08:30:30Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-12T10:04:05Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJC</loc>
<video:video>
<video:title>ローランド・ヴィリャソン - メキシコでのあの時</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/83998d08d52069e80e79874636e3e7325e6469e7.jpg</video:thumbnail_loc>
<video:description>オペラ界で輝かしいキャリアを積み上げてきた人気テノール歌手、ローランド・ヴィリャソンのドキュメンタリー。人として望みうる最高の“声”という名の楽器を持ち、確かなテクニックと美しくパワフルな響きで聴く者を圧倒。音楽へ全身全霊を傾ける熱い情熱と、人々や人生を愛する、その人間的な魅力のすべてに迫ります。故郷メキシコシティでの幼少期の思い出を語る姿を始め、ベルリンやザルツブルク、ニューヨークなどでバレンボイムやドミンゴ、ネトレプコら一流アーティストとの共演場面が、余すところなく収められています。</video:description>
<video:duration>3562</video:duration>
<video:publication_date>2022-09-14T12:09:16Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-02-12T09:46:23Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJI</loc>
<video:video>
<video:title>ネルソンスがベートーヴェン、ドビュッシー、ワーグナーを指揮</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9b8e0280b1c209bebc51d4dea12cd449c286bcc8.jpg</video:thumbnail_loc>
<video:description>アンドリス・ネルソンスが、ミュンヘン・フィルに客演した当演奏会では、牧歌をテーマとした作品がプログラムされています。ドビュッシーの「スティリー風タランテッラ」は初期のピアノ曲ですが、今回はラヴェルがオーケストレーションした版での演奏。「スティリー」とは、風光明媚なオーストリアのシュタイアーマルクを指します。また、ワーグナーの《ジークフリート牧歌》には、楽劇《ジークフリート》のモチーフや、安らかな子供時代を連想させる曲想が散りばめられています。一方ベートーヴェンの《田園》は、自然を描写しただけでなく、人々の情感や心象風景が描きこまれており、古典派の作品としては極めて斬新な性格を備えています。</video:description>
<video:duration>4950</video:duration>
<video:publication_date>2022-04-26T13:20:29Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-27T09:24:01Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJ8D8</loc>
<video:video>
<video:title>シューエンがマーラーとシューベルトの歌曲を演奏</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/9bb99e2311a3bad94bc99cff3671893b1067e56c.jpg</video:thumbnail_loc>
<video:description>バリトンのアンドレ・シューエンは、イタリアのドイツ語圏である南チロルの出身。近年、モーツァルト歌いとしてザルツブルク音楽祭などで注目を集めていますが、リートにも力を入れてきました。ここでは、音楽的パートナーであるダニエル・ハイデと共に、マーラーの《さすらう若人の歌》、《リュッケルト歌曲集》、シューベルトの歌曲を演奏しています。シューエンの若々しい声と繊細な解釈は、新しい世代のリート歌唱を体現しているとも言えるでしょう。</video:description>
<video:duration>3531</video:duration>
<video:publication_date>2022-08-03T09:13:49Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-20T13:41:33Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP3A</loc>
<video:video>
<video:title>ライプツィヒ・ゲヴァントハウス管創立275周年記念演奏会のブルックナー「第7」</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3e89f8e560057a30597c7ba583863f4c49766d74.jpg</video:thumbnail_loc>
<video:description>ライプツィヒ・ゲヴァントハウス管弦楽団は、2018年に創立275周年を迎えました。その機会に、直前に首席指揮者に就任したアンドリス・ネルソンスが、記念演奏会を指揮。ブルックナーの交響曲第7番を演奏しました。ネルソンスは、その後このオーケストラとブルックナーの交響曲全集を録音しましたが、これはその幕開けとなりました。極めて精度の高い、純粋な響きを示す演奏で、彼のブルックナーとの相性を証明しています。</video:description>
<video:duration>4537</video:duration>
<video:publication_date>2022-05-02T15:36:09Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-20T11:07:50Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCC0</loc>
<video:video>
<video:title>《メモリー》について</video:title>
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<video:description></video:description>
<video:duration>238</video:duration>
<video:publication_date>2022-11-25T04:32:34Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-17T07:35:17Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38C8</loc>
<video:video>
<video:title>《メッセンジャー》について</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/6042485aa359c097cd95d952ae69e5335f28a1d7.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>388</video:duration>
<video:publication_date>2023-01-15T17:21:07Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-17T07:34:46Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP32DG</loc>
<video:video>
<video:title>プッチーニ《ボエーム》よりムゼッタのワルツ</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/94452fda4b3ea2f27594035068bc02b2314f8cb6.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>199</video:duration>
<video:publication_date>2022-12-08T09:27:22Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:12:59Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCCO</loc>
<video:video>
<video:title>サン＝サーンス《サムソンとダリラ》より〈あなたの声に私の心は開く〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/27afc31021392d72d20549f6a20f7176088255fe.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>387</video:duration>
<video:publication_date>2022-11-26T12:46:57Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:11:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJCCG</loc>
<video:video>
<video:title>マスカーニ《カヴァレリア・ルスティカーナ》より〈ママも知る通り〉</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/d0d50ea3b6bceeae44c1cfbb1bf0617d085064d4.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>226</video:duration>
<video:publication_date>2022-11-26T08:22:10Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-16T17:10:48Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP3C</loc>
<video:video>
<video:title>モーツァルト ピアノ協奏曲第20番より第3楽章</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/3c72934f5984bf41523937193f3cf24e1015ee2c.jpg</video:thumbnail_loc>
<video:description>Since 2010 Hélène Grimaud has refrained from recoring Mozart. One might almost think there simply hasn’t been room for his music in her multifaceted repertoire, and the pianist does confess that her younger self found the “lightness of being” she associated with his piano works unfulfilling. Now, however, for her latest concept album The Messenger, she has created a pianistic dialogue between Mozart and the Ukrainian-born contemporary composer Valentin Silvestrov. Hélène Grimaud performs Mozart&apos;s Piano Concerto No. 20 in D Minor, K 466: III. Rondo. Allegro assai accompanied by the Camerata Salzburg.</video:description>
<video:duration>455</video:duration>
<video:publication_date>2022-07-08T07:56:44Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-15T17:46:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJGD0</loc>
<video:video>
<video:title>アドルフ・アダンのクリスマス・キャロル</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/0693814f284dc62621cbe25bfc4f8997cf3c66e2.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>329</video:duration>
<video:publication_date>2022-12-03T16:05:45Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:05:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJIE8</loc>
<video:video>
<video:title>ソロ・ヴァイオリンと弦楽合奏のための《A Child Is Born》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/facc620913dff9c8ffc60e91abc7b7147f9663c5.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>335</video:duration>
<video:publication_date>2022-12-05T06:19:40Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:03:04Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ8E8</loc>
<video:video>
<video:title>《午後のカタログ》</video:title>
<video:thumbnail_loc>https://dg-stage-production-pictures.s3.eu-west-1.amazonaws.com/934d6a6f4d427a461f4b3904a9a09f72b0dc3d81.jpg</video:thumbnail_loc>
<video:description></video:description>
<video:duration>105</video:duration>
<video:publication_date>2022-11-18T13:47:13Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2023-01-11T14:00:51Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSOJGDO</loc>
<video:video>
<video:title>マックス・ラーベ＆パラスト・オーケストラ ライヴ in ベルリン</video:title>
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<video:description>マックス・ラーべは、1920年代から30年代にかけてのドイツ娯楽音楽を、現代のテイストで再解釈するカルト的人気歌手。来日も多く、ドイツ・グラモフォンから複数のアルバムをリリースしています。独特のニヒルなユーモアを特徴とし、誇張した巻き舌のRがトレードマーク。手兵であるパラスト・オーケストラを率いて2006年にヴァルトビューネで開催した当コンサートでも、その魅力を発散しています。</video:description>
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<video:title>バルトークの3つのシーク県の民謡について (演奏付き・字幕なし)</video:title>
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<lastmod>2022-12-23T14:10:26Z</lastmod>
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<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJA</loc>
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<video:title>チャイコフスキー：《子供のためのアルバム 》より〈甘美な夢〉op. 39-21</video:title>
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<video:description>Lang Lang’s ‘Piano Book’ became an instant hit around the world following its release on World Piano Day in March 2019. Reflecting Lang Lang’s determination to pass on what he’s learned to a new generation, ‘Piano Book’ offers a collection of pieces which first inspired him to play the piano and led him on his path to international stardom. ‘Piano Book – Encore Edition’, a super deluxe digital edition, opens a new chapter in the ‘Piano Book’ by releasing Lang Lang’s fresh recording of “Sweet Dreams” from Tchaikovsky’s “Children’s Album”, one of six brand-new tracks exclusive to this edition. </video:description>
<video:duration>164</video:duration>
<video:publication_date>2022-08-26T13:37:04Z</video:publication_date>
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<lastmod>2022-12-22T15:38:57Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4CO</loc>
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<video:title>エクリプス (日食) について (字幕なし)</video:title>
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<video:publication_date>2022-11-13T01:51:42Z</video:publication_date>
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<lastmod>2022-12-21T16:31:13Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2E0</loc>
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<video:title>モーツァルトのラウダーテ・ドミヌムについて (演奏付き・字幕なし)</video:title>
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<video:publication_date>2022-11-12T21:31:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2022-12-21T16:30:08Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ2DO</loc>
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<video:title>カルダロンのアヴェ・マリアについて (演奏付き・字幕なし)</video:title>
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<video:duration>171</video:duration>
<video:publication_date>2022-11-12T20:32:15Z</video:publication_date>
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<lastmod>2022-12-21T16:28:58Z</lastmod>
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<video:title>ヒナステラのヴァイオリン協奏曲について (演奏付き・字幕なし)</video:title>
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<lastmod>2022-12-21T16:26:36Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ4D0</loc>
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<video:title>ドヴォルザークのヴァイオリン協奏曲について (演奏付き・字幕なし)</video:title>
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<video:duration>334</video:duration>
<video:publication_date>2022-11-13T02:12:29Z</video:publication_date>
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<lastmod>2022-12-21T16:26:04Z</lastmod>
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<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSPJE</loc>
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<video:title>鼎談：ムター、マ、バレンボイム、ベートーヴェンの三重協奏曲を語る</video:title>
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<video:description>Anne-Sophie Mutter, Yo-Yo Ma &amp; Daniel Barenboim, three of today’s most renowned classical artists and Beethoven interpreters, celebrate the 250th anniversary of Beethoven’s birth with a recording of the Triple Concerto. The recording was made at a concert in Berlin October 2019 – to mark the West-Eastern Divan’s 20th birthday. In a third anniversary it is 40 years since the appearance of the legendary Triple Concerto recording made by Mutter and Ma under Herbert von Karajan in 1980. In this conversation, Daniel Barenboim, Anne-Sophie Mutter, and Yo-Yo Ma discuss Beethoven’s Triple Concerto, reflecting on the composer&apos;s timeless artistry and the remarkable history of the West-Eastern Divan Orchestra. </video:description>
<video:duration>655</video:duration>
<video:publication_date>2022-09-14T20:23:50Z</video:publication_date>
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<lastmod>2022-12-21T11:16:32Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSP38</loc>
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<video:title>ヤンソンス、ハーン、ベルリン・フィルがサントリーホールに客演</video:title>
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<video:description>2000年のベルリン・フィルの日本ツアーでは、アバド指揮の《トリスタンとイゾルデ》の舞台上演のほか、数多くの演奏会が行われましたが、これは同行したマリス・ヤンソンスとのもの。彼はサントリーホールで、ドヴォルザークの交響曲第8番を中心とするスラブ系のプログラムを指揮しています。前半でショスタコーヴィチのヴァイオリン協奏曲第1番を弾くのは、若きヒラリー・ハーン。21歳の誕生日を翌日に控えた彼女は、大家のような確信に満ちた演奏を聴かせています。</video:description>
<video:duration>5931</video:duration>
<video:publication_date>2022-05-02T14:17:14Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2022-12-20T15:13:21Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP34D0</loc>
<video:video>
<video:title>On Lost and Found</video:title>
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<video:duration>199</video:duration>
<video:publication_date>2022-12-11T13:08:52Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2022-12-11T15:15:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSOJ0E8</loc>
<video:video>
<video:title>Bach: Concerto in D Minor, BWV 974: II. Adagio</video:title>
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<video:duration>253</video:duration>
<video:publication_date>2022-11-11T16:01:35Z</video:publication_date>
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<video:live>no</video:live>
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<lastmod>2022-11-19T05:55:41Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQJE</loc>
<video:video>
<video:title>Island Of Doom</video:title>
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<video:duration>331</video:duration>
<video:publication_date>2022-10-24T21:04:53Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-10T20:18:30Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSQ32</loc>
<video:video>
<video:title>フォーレ：シシリエンヌ</video:title>
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<video:description>“Wouldn’t it be possible to produce something at home that sounded just as good as in the concert hall?” Idling the time away in his Berlin apartment during the cultural and social lockdowns was just as much out of the question for Daniel Hope as spontaneous home concerts with unsatisfactory cell phone sound: After all, according to the violinist, “isn’t classical music all about sound, about really listening?” And so, with the support of the TV broadcaster ARTE, he developed a special concert format and transformed his living room into a high-tech TV studio.</video:description>
<video:duration>225</video:duration>
<video:publication_date>2022-09-22T12:15:15Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-11-10T18:58:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/vod_concert_APNM8GRFDPHMASJKBSQJ8</loc>
<video:video>
<video:title>オラフソンがモーツァルトのピアノ協奏曲第23番とラモーの小品を演奏</video:title>
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<video:description>ヴィキングル・オラフソンは、ベルリン・コンツェルトハウスのアーティスト・イン・レジデンスを務めた2020年に、クリストフ・エッシェンバッハとの共演で、モーツァルトのピアノ協奏曲第23番を弾きました。演奏の後には、エッシェンバッハと連弾も披露しています。プログラムの後半は、ラモーのクラヴサン曲集をピアノで演奏。オラフソンらしい、趣向をこらしたプログラムと言えます。</video:description>
<video:duration>3322</video:duration>
<video:publication_date>2022-05-16T12:43:17Z</video:publication_date>
<video:family_friendly>yes</video:family_friendly>
<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
</video:video>
<lastmod>2022-10-19T21:37:18Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSSG</loc>
<video:video>
<video:title>バッハ：《フーガの技法》よりコントラプンクトゥスXIV (補作：トリフォノフ)</video:title>
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<video:description>Johann Sebastian Bach did not live to finish The Art of Fugue’s final contrapunctus, and a number of musicians have attempted conjectural completions. For this recording, Daniil Trifonov, himself an accomplished composer, has created a seamless, stylistically respectful conclusion worthy of Bach’s genius. It reflects the extent to which he has absorbed and internalised every nook and cranny of Bach’s valedictory masterpiece.
Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion”. </video:description>
<video:duration>646</video:duration>
<video:publication_date>2022-05-18T12:44:06Z</video:publication_date>
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<video:live>no</video:live>
</video:video>
<lastmod>2022-09-21T10:07:25Z</lastmod>
</url>
<url>
<loc>https://www.stage-plus.com/ja/video/video_APKM8PBFBSP38</loc>
<video:video>
<video:title>マーラー《一千人の交響曲》最終合唱 ロサンゼルス・フィル (2019年)</video:title>
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<video:description></video:description>
<video:duration>308</video:duration>
<video:publication_date>2022-07-07T14:12:42Z</video:publication_date>
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<video:requires_subscription>yes</video:requires_subscription>
<video:live>no</video:live>
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<lastmod>2022-09-14T16:51:41Z</lastmod>
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