Album insights
Paul Hindemith, a versatile instrumentalist, had an affinity for the viola despite his early success as a violinist and his proficiency in various instruments. In the 1920s, he gained fame as a virtuoso on the viola, becoming renowned for his compositions and performances. His extensive repertoire for the viola surpassed that of other composers of the 20th century. Notable works include multiple sonatas for viola and piano or solo viola.
Hindemith's compositions reflected a personal dialogue, particularly evident in his series of four solo sonatas for viola. Reviving the genre of solo string sonatas, which had waned since the Baroque period, Hindemith drew inspiration from renowned composers like Reger and Bach. His efforts paralleled a movement to expand the viola repertoire, advocating for the instrument's recognition and significance in classical music.
His early compositions for solo viola, especially the famous Sonata op. 11 No. 5, showcased his evolving musical identity influenced by great composers. The Sonata exemplified a blend of various stylistic elements, demonstrating his innovative approach to composition. Subsequent sonatas continued to depict Hindemith's artistic ambitions and evolving musical style, revealing a transition towards a more structured and dynamic form.
Despite the challenging times in which Hindemith composed his last viola sonata in 1937, his music retained a warmer and almost romantic quality. This final piece marked a departure from the chromatic complexities of his earlier works, focusing on bright, consonant harmonies. Despite the tumultuous era of its creation, this sonata emerged as the most direct and lyrical of the series, embodying a balanced and refined musical form, indicative of his profound understanding of the viola's capabilities.