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Invisible Threads

Invisible Threads

John Surman, Nelson Ayres, Rob Waring

Duration60 Min

Album insights

Hans von Bronsart, once a prominent figure in German music, is now scarcely mentioned in reference works. Some older record collectors may still have his F sharp minor concerto recording from 1973. Bronsart's life intertwined with Liszt's, with the latter endorsing him as a pianist at various premieres. Born into a prestigious Prussian family in 1830, Bronsart had a successful career as a pianist before turning to composition and conducting. His most famous piece, the F sharp minor concerto, gained recognition and was well-received by pianists like Bülow and Sgambati.

Bronsart's dedication to music led him to various roles, from conducting in Berlin to becoming a theatre director in Hannover, and ultimately, a General Intendant in Weimar. His life was marked by significant relationships, including his marriage to the talented pianist Ingeborg Starck. Despite his success, Bronsart's legacy gradually faded as he shifted focus from performing to conducting and public service. His compositions, notably the F sharp minor concerto, were highly regarded during his time, earning praise for their complexity and virtuosity.

In comparison to the lesser-known Anton Urspruch, another composer highlighted here, Bronsart exhibits a unique blend of talent and innovation. Urspruch, a recognized pianist and composer born in 1850, shared musical ties with Liszt in the Weimar School. His works, including operas, chamber music, and Lieder, were esteemed during his lifetime. The piano concerto highlighted here showcases Urspruch's compositional prowess, evoking pastoral themes reminiscent of Beethoven's style.

Both Bronsart and Urspruch contributed significantly to the musical landscape of their time, each leaving behind a distinct body of work that reflects their individual styles and influences. Despite their varying levels of recognition today, their compositions continue to intrigue music enthusiasts and historians alike, shedding light on a bygone era of classical music innovation.