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Heiner Goebbels: Surrogate Cities

Heiner Goebbels: Surrogate Cities

Jocelyn B. Smith, David Moss, Junge Deutsche Philharmonie, Peter Rundel

Duration71 Min

Heiner Goebbels

Suite for Sampler and Orchestra

Album insights

Pierre de la Rue's successful career was quite unique compared to his peers, as he established himself at the Burgundian-Habsburg court in Brussels and Mechelen from 1492 to 1516. He held a prominent position under rulers such as Philip "the Fair" of Burgundy and his sister Margaret of Austria, acquiring wealth through various church incomes. Though not as renowned across Europe as his contemporaries Josquin Des Prez or later composers like Orlando di Lasso, de la Rue's compositions were widely printed during and after his lifetime. His music manuscripts, particularly from the "Alamire" workshop, reflect his dominance as a composer. The Alamire Manuscripts represent a significant collection of illuminated music manuscripts from the 15th and 16th centuries, housing almost 50 manuscripts with 36 containing de la Rue's music.

De la Rue focused on Mass ordinarium compositions, divided by music scholar Meconi into three periods. These periods mark distinctive stylistic elements and compositional practices. One of his notable works, Missa Inviolata, showcases intricate rhythmic patterns and a sunny disposition owing to its underlying Gregorian chant in major mode. De la Rue's settings exhibit robust musical explorations, with robust maneuvers in Kyrie and energetic rhythmic sequences in the Gloria, demonstrating structural diversity amidst homophonic and imitative styles. The Credo features varied rhythmic interplays dictated by the rich textual material, leading to a climactic closure in the triple meter. Sanctus highlights a mix of tempo changes and intricate counterpoint that builds anticipation, while Magnificat sexti toni captivates with lively and entertaining musical facets, showcasing his compositional flair with vibrant passages and harmonies.

Pierre de la Rue's compositions, including multiple settings of the Marian Antiphon Salve regina, express varying textures and tones across different sections, each meticulously crafted and intertwined with the Cantus planus tradition. These works, bearing distinct melodic motifs and harmonic progressions, present a blend of solemnity and passion, transporting listeners through intricate musical landscapes embellished with polyphonic richness. Through his expressive and technically demanding works, de la Rue left a lasting imprint on the musical tapestry of his time, capturing diverse themes and emotions with remarkable depth and creativity.