In his ECM debut, the creative Austrian pianist Till Fellner sheds new light on Johann Sebastian Bach's most famous piano work—that boundlessly creative collection of preludes and fugues often considered a preeminent monument of Western musical culture. Musically and in character, Fellner shows a certain affinity with his former mentor, Alfred Brendel. Critics praise his "determination to prioritize musical meaning and sensitivity over superficial virtuosity." With utmost concentration and self-control, he unlocks the essence of the composition. The New York Times describes him as follows: "His bearing and his playing exude serenity and elegance."
