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Rachmaninoff: Préludes; Études-Tableaux; Moments musicaux

Rachmaninoff: Préludes; Études-Tableaux; Moments musicaux

Sergei Babayan

Duration62 Min

Sergei Rachmaninoff

10 Preludes, Op. 23

Sergei Rachmaninoff

13 Preludes, Op. 32

Sergei Rachmaninoff

12 Songs, Op. 21

Sergei Rachmaninoff

13 Preludes, Op. 32

Sergei Rachmaninoff

Études-Tableaux, Op. 33

Sergei Rachmaninoff

Études-Tableaux, Op. 39

Sergei Rachmaninoff

13 Preludes, Op. 32

Sergei Rachmaninoff

12 Songs, Op. 21

Sergei Rachmaninoff

10 Preludes, Op. 23

Sergei Rachmaninoff

Études-Tableaux, Op. 39

Sergei Rachmaninoff

Cello Sonata, Op. 19

Sergei Rachmaninoff

6 Moments Musicaux, Op. 16

Album insights

Long ago, Wolfgang Mozart's works were not as popular as those of the Belgian violinist Henri Vieuxtemps, who emerged about three generations later. While Mozart had a secure reputation based on a few compositions, it wasn't until the 20th century that his complete catalogue was acknowledged, with most of his major works classified as masterpieces. Although Vieuxtemps' name rarely appears in orchestra concert programs today, he still holds high esteem among violinists. His music, influenced by the Parisian and Viennese classical styles, particularly embodies Beethoven's spirit. Hilary Hahn highlights the significance of Vieuxtemps' Violin Concerto No. 4 and Mozart's Violin Concerto No. 5 in her active concert repertoire, describing them as foundational pieces that evoke the rich heritage of classical music, the enduring traditions, and a timeless essence. Playing these pieces on stage with fellow musicians, she finds herself fully engaged in a dialogue with the orchestra, eagerly anticipating the next musical phrase without dwelling on the past.