The three sonatas presented here were composed in different countries and cultures, spanning a period of 170 years. Despite their differences, they share the commonality of being based on works by pianists and demanding a high degree of virtuosity. Furthermore, all three sonatas are united by the fusion of classical structures with a passionately romantic expression.
The selection begins with Grieg's Cello Sonata, the only work of this genre from his pen, composed during a difficult period in his life. Grieg dedicated the composition to his brother John. Although the sonata initially received mixed reviews from critics, it found great favor with musicians. Its popularity is evident in the fact that, despite initial skepticism, it was later frequently performed in concert halls and interpreted by various duos.
Stephen Hough's Sonata came about in a unique way: he accepted the challenge of writing a work for cello and piano exclusively for the left hand. The subtitle "Les adieux" (Goodbyes) alludes to its somber sonic language. The sonata consists of a single, continuous movement with alternating sections that reflect an intense emotional journey.
The transition to Mendelssohn's second cello sonata is almost unexpected, as the work masterfully combines virtuosity with emotional depth. Mendelssohn, a highly regarded composer of his time, wrote the Sonata in D major as a concert piece that encompasses a wide range of emotions and particularly highlights his compositional versatility.