Contrary to the usual conventions of Beethoven piano sonata collections, I opted for a different arrangement to create new connections. I believe that many listeners still perceive an album as a concert program and don't just appreciate individual pieces. The quiet moments between the compositions can be just as expressive as the pieces themselves.
The Piano Sonata No. 11 in B-flat major, Op. 22, presents a wealth of musical material with exceptional potential in its first movement, including syncopated thirds in unison and flowing tremolos. Beethoven regarded this work with particular pride, calling it a "Grande Sonate," and was convinced it would be more successful than his other compositions.
As Matthias noted, despite its qualities, this sonata has disappeared from the standard repertoire. The second movement, in 9/8 time, marked Adagio con molta espressione, captivates with its lyrical melodic lines over gentle chord repetitions. The ensuing Minuetto displays a playful elegance with striking trills, while the Trio hints at Schumann's Humoresque.
The final movement, one of Beethoven's rondos, demands both technical brilliance and creative imagination. The theme, to which Czerny attributed particular emotional depth, echoes elements of the first movement. The E-flat major Sonata, Op. 31 No. 3, marks the transition to Beethoven's middle period and conveys a "heroic" atmosphere.
The Scherzo of this sonata, marked Allegretto vivace, requires precision and a playful spirit. Before the finale, Beethoven placed a graceful Minuet, followed by the concluding movement, Presto con fuoco, also known as "The Hunt." This movement radiates energy and defies all adversity with unwavering optimism.
My fascination with the A major Sonata, Op. 101, began in my youth when I was studying it for my graduation recital. The same sonata was also performed at a music competition in Cleveland. Beethoven dedicated this work to his favorite pianist and student, Dorothea von Ertmann, with whom he maintained a relationship characterized by deep respect and admiration.
1816, the year the Sonata Op. 101 was composed, was a relatively unproductive time for Beethoven, overshadowed by the custody battle over his nephew Karl. Nevertheless, he created this sonata as part of a series of works distinguished by artistic clarity and pure conception. Among young pianists, the question of the correct fingering technique has always been a source of debate.