For scholars of early music history, the lack of information about composers presents a challenge. Much of the music of 16th-century England has been lost. Robert Parsons' mysterious death lends him a special fascination compared to other composers of his time.
Parsons first appears in an accounting from 1560/61 with references to payments made to Richard Bower, before later being appointed a Gentleman of the Chapel Royal. His death in Newark in January 1572 remains shrouded in mystery.
Parsons composed his works during a particularly turbulent period of the 16th century, marked by religious upheaval. His musical talent is evident in both Latin and English works. His settings of the Magnificat reveal his sophisticated compositional technique and dramatic flair.
A remarkable sense of symmetry and development characterizes Parsons' oeuvre. His most famous work, the Ave Maria, explores the theme of religious hope. His musical pieces probably also reflect his own religious views.