Album insights
The Greek verb "poiein," from which "Poet" and "Poem" are derived, originally means nothing more than "to make" or "to create." It was not until the 19th century that these terms were also used in the context of music. In his 1840 Beethoven biography, Anton Schindler repeatedly used the epithet "tone poet." Liszt's first "symphonic poem" was published in 1848, and Chausson's Poème for violin and orchestra dates back to 1896.
Scriabin's first Poèmes for piano were created in 1903, and his last three orchestral works are also Poèmes: the Third Symphony (1903/4) bears the title Le divin poème, Le poème de l’extase was composed between 1905-7 with the verses for it penned in 1906, and Prometheus, le poème du feu was created in 1909/10. Scriabin's simultaneous work on both the music and verses for Le poème de l’extase highlights his deep identification with the Symbolist movement. Not only did musicians advocate for a correspondence between music and words, but literary compositions like Andrei Bely's first literary symphony in 1902 further emphasized this union. The term Poème suggests a conceptual intent behind the music, with Scriabin's early biographer Eugene Gunst cautioning against any notion of "program music."
Scriabin continued to explore various contrasting elements in his compositions, symbolizing increasing self-assertion. The evolution of Scriabin's musical journey reflects his growth and the profound influences shaping his unique style. The specific instructions and markings within his pieces reflect his attention to detail and innovative flair. His works with specific titles like "ironic laughter" and "self-assuredness" showcase his progressive musical themes. Scriabin's intricate compositions from different periods demonstrate his evolving exploration into diverse emotions and musical expressions.
As Scriabin's life unfolded and he found himself in various settings, his musical works continued to reflect his innermost desires and creative visions. Scriabin's intimate relationships and the environments in which he composed had a significant impact on his works. His deep connection to music and emotions is evident in the intricate nuances and layers within his compositions, showcasing a remarkable blend of melody and harmony.
Scriabin's later works delve into the realms of the mystical and the cosmic, exploring themes of transcendence and introspection. His compositions from this period reflect a deep contemplation of the metaphysical and the sublime, portraying a unique fusion of emotions and spiritual insights.
Through his profound understanding of music and the human experience, Scriabin's compositions stand as a testament to his artistic genius and visionary spirit. His unwavering dedication to his craft and his relentless pursuit of musical excellence continue to inspire musicians and audiences alike, leaving a lasting legacy in the realm of classical music.
Simon Nicholls © 2015