Album insights
Among the treasures preserved in the Cathedral library of Toledo is a magnificent choir book containing works exclusively by "Bernardinus Ribera," known to musicologists as E-Tc6 or simply the Ribera Codex. Created by the renowned scribe Martin Pérez from Toledo, the book is adorned with illuminations by Buitrago. Despite being mutilated by an unknown vandal in the 18th century, this weighty volume remains the primary source for the majority of compositions by the enigmatic master Ribera. Unfortunately, extensive damage to certain pieces such as two masses dedicated to the Virgin Mary, Missae de beata virgine, limits complete restoration due to significant missing content and cutouts. The motets fare slightly better, with six out of nine compositions capable of reconstruction, albeit with minor gaps.
Ribera's compositions exhibit influences from key figures like Morales and the mid-century Dutch masters. His music leans toward linear and horizontal structures reminiscent of Gombert and his contemporaries, deviating from the balanced harmonies associated with Palestrina. Notably, his work reveals connections to Victoria, though discerning Ribera's exact impact on Victoria's distinctly Roman style remains challenging. Striking details, such as the mournful descent of voices in Rex autem David, showcase Ribera's unique style, characterized by unexpected harmonic choices and intertwining phrases. The robust polyphony in his works, featuring intertwining melodies and intricate canons, highlights Ribera's mastery of the choral form and his ability to evoke diverse emotional tones throughout his compositions.
Ribera's compositional legacy, though partially fragmented and damaged, offers a glimpse into the rich tapestry of Renaissance music, blending expressive nuances with technical complexity. His music, while not exclusively somber, demonstrates his skill in capturing a range of moods and emotions, establishing him as a master of his craft in the realm of sacred choral music.