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Szymański & Mykietyn: Music for String Quartet

Szymański & Mykietyn: Music for String Quartet

Royal String Quartet

Duration67 Min

Album insights

Alonso Lobo, born in Osuna in 1555, trained in music in Sevilla and later assumed significant musical roles in Toledo and Sevilla. Known for his exquisite funeral motet Versa est in luctum, Lobo's compositions, showcased in Madrid's royal press, still captivate audiences today, with 21 surviving copies from the 130 initially printed. His Masses, intricately crafted and influenced by Francisco Guerrero, reveal intricate polyphonic structures and expertly transform Guerrero's motifs into cohesive musical pieces. Though not groundbreaking, Lobo's works mark the culmination of Renaissance polyphony, demonstrating his skill and reverence within the musical tradition.

Lobo also delved into compositions for the Holy Week, specifically two cycles focused on the readings of Holy Saturday. While one cycle remains fragmented, a copy of the other cycle, meticulously annotated by a singer named Juan Ossorio in 1772, preserves Lobo's distinctive style. The music reflects Lobo's emotive prowess through poignant Hebrew letters and emphatic declamations, creating moments of contemplation and intensity. Lobo's ability to blend polyphony with homophonic sections, coupled with his intricate melismas, showcases his mastery in crafting engaging and spiritually evocative compositions.

In addition to his motets, Lobo's musical legacy extends to instrumental arrangements, primarily intended for brass ensembles, found in Lerma and Segovia manuscripts. Among the eleven motets documented, some feature adaptations for instruments like cornets, shawms, trumpets, and dulcians. Notably, Lobo's works pay homage to Guerrero, with distinct musical references and adaptations demonstrated in his compositions, underscoring his dedication to honoring his musical predecessors.

Finally, Lobo's contribution to the Fronleichnamsfest, celebrated pompously with processions and fervor, embodies the spiritual reverence found within the liturgical tradition. His interpretation of O quam suavis est, Domine from the Liber Primus Missarum showcases Lobo's prowess in capturing the essence of Eucharistic contemplation through angelic harmonies and intricate vocal textures, resonating deeply with the profound religious themes encapsulated in the composition. Through his meticulous craftsmanship and devotion to musical expression, Lobo's compositions stand as a testament to his enduring impact within the realm of sacred music.