This second CD of Beethoven's sonatas begins with three works spanning seven years. For a better listening experience, they have been arranged in reverse chronological order. The Sonata in D major, Op. 28, composed in 1801, opens with a charming introduction. Here, Beethoven demonstrates his creativity through repetitions and accentuations of certain themes. Although a publisher described the piece as a "Pastoral," it is more accurately described as fantasy music. Despite its tranquil outward appearance, Beethoven strives for clear structure and precision in the first movement. Particularly striking are the accentuated themes and harmonies, which emotionally captivate the listener. Beethoven's pupil Czerny also valued this work as one of his teacher's favorites. The second movement, the Andante, is characterized by a solemn melody, which is followed by a lively dance motif. Through the skillful alternation between major and minor keys, Beethoven creates a sonic variation that brings the piece to a melancholic close. The dynamic Scherzo follows with a playful succession of chords and intense melodies, replacing the previously tranquil atmosphere. In the concluding Rondo, Beethoven again employs the pedal point, creating a joyful mood. The recurring themes and variations keep the listener engaged until the rousing finale. Two years before this sonata, Beethoven published the C minor Sonata, Op. 13, known as the "Grande Sonate Pathétique," a title he himself chose. The term "Pathétique" suggests a sublime passion and lends the music a special character. The first movement begins with a solemn introduction, followed by energetic themes and melodic variations that lead to a powerful emotional climax. The Adagio cantabile in the second movement captivates with its serene and moving melody, reminiscent of a string quartet's soundscape and showcasing Beethoven's virtuosity and emotional depth. The concluding, dynamic rondo, with its wistful melody, lends the sonata a powerful ending and underscores its distinctive expression. The Sonatas Op. 2, composed between 1793 and 1795, each possess an individual character. The Sonata in C major, No. 3, in particular, captivates with its brilliance. Beethoven's masterful compositional techniques and sonic refinement clearly set him apart from his contemporaries. The first movement of the Sonata in C major, Op. 2, No. 3, impresses with powerful chords and lively themes, while skillful contrasts and variations enthrall the listener and highlight the uniqueness of his music. The ensuing Adagio creates a tranquil yet moving atmosphere, in which Beethoven employs unusual keys and tonal nuances to generate an emotional climax and demonstrate his musical mastery. The Scherzo captivates with its contrapuntal structures and playful motifs, which demonstrate Beethoven's exceptional feel for form and composition from an early stage and continue until the final Allegro assai. Overall, the Sonatas Op. 2 uniquely combine heart, mind, and humor, illustrating Beethoven's masterful technique and the sonic diversity of his works.
