Album insights
Nikolai Medtner is most known for his 38 Skazki (Fairy Tales) for solo piano, overshadowing his other compositions like songs, solo concertos, chamber music, and 14 piano sonatas. Less recognized are a series of shorter piano pieces, presented on the current CDs with various titles. Rachmaninoff once said that Medtner's works, stated to have been unmatchable from the beginning, are evident in his earliest composition, the Prologue from Opus 1.
At midnight, an angel crossed the sky, quietly singing, resonating with the moon, stars, and clouds. This celestial melody spoke of innocence and heavenly gardens, praising God with pure devotion. One piece, originated from Lermontov's poem "The Angel," carries the weight of Medtner's artistic principles. Bernard Pinsonneault reported Medtner's awareness of the rhythmic alignment between the Prologue melody and the poetry. Substantial efforts were further made to adapt this poetry as op. 1bis.
Unlike the Prologue, the succeeding pieces of Opus 1 do not ascend to the former's heights. However, they display originality and insightfulness distinct from sentimental pieces of that era. These pieces vary in moods, like protest, march, lyrical peaks, festivity, and intricate rhythms. Goldenweiser noted Opus 1 as the work of a mature and original talent.
The Three Improvisations, formerly known as Three Fantastic Improvisations, reference youthful sketches. The first piece, "Nixe" or "Rusalka," delves into the legend of a seductive water nymph leading sailors to their demise. These pieces hint at a transient interest in the French school but eventually lead unique musical paths traversing Russian folklore.
Medtner's Opus 2 from the same year encompasses the reflective Idyll, a martial Polonaise, and an ecstatic return of idyllic passion. The Four Pieces Opus 4, along with the Three Arabesques Opus 7, solidify Medtner's reputation as a master. The Arabesques, in particular, mark a pinnacle in his artistry, blending melancholy, pristine harmony, and aristocratic allure.
The Four Lyrical Fragments Opus 23 exemplify Medtner's versatility, offering distinct expressions within a minor tonal palette. Noteworthy are the bittersweet romance and contemplative nature of the fragments.
Medtner's devotion to his craft is evident in compositions beyond acknowledged favorites like the C Minor Study. The commemorative dedication of Opus 31 reflects his profound sentiments, especially evident in the Funeral March. Despite personal struggles, Medtner's creative output persisted, showcasing both melancholy elegies and exuberant dances.
In his later years, Medtner's compositions, such as the Two Elegies Opus 59 amid financial difficulties, resonate with despair, possibly influenced by personal losses. These works encapsulate deep emotions, masterful harmony, and structure, displaying his artistic maturity.
Though Medtner's legacy faces challenges in recognition compared to conventional canons, his works, ranging from the Skazki to sonatas, exemplify profound artistry that continues to gain appreciation over time. Embracing the entirety of his repertoire, expansive and diverse, ensures his rightful place in musical history.