Album insights
Liszt's early career as a piano prodigy would have likely overshadowed his talents as a composer if it wasn't for certain commissions he received. One notable piece was created in response to Diabelli's request for variations on a waltz theme. Beethoven's renowned contribution to this project marked a significant milestone in Western music. Liszt's transformation of the theme into a bold showpiece is also noteworthy, altering not only the harmonic foundation but also the time signature and key.
The small waltz in A major was first released in 1825 and later as a piano version in England in 1832. Liszt's early opus numbers have puzzled many scholars, with the numbers in this recording constituting his initial cycle, omitting number 5. Liszt's Opus 1 variations demonstrate his skillful modulation. The Opus 2 variations stylishly interpret a theme from Rossini's work in the salon style of the era.
The Opus 3 Impromptu serves as light entertainment, borrowing themes from Rossini and Spontini. Liszt's exploration through diverse compositions continued, showcasing original works alongside transcriptions and fantasies. Liszt's early concertos underwent revisions, with one being restored and demonstrating Liszt's growth progression.
Liszt's Opus 6 Transcendental Etudes captivate listeners with their early brilliance, showcasing Liszt's musical maturity. The series encompasses a range of compositions from bagatelles to intricate pieces using themes from Liszt's original works.
During Liszt's generosity towards a Beethoven monument in Germany, the accompanying cantata, despite praise for its orchestration, swiftly faded from memory. Numerous works showcasing Liszt's creativity, including variations of initially unnoticed pieces, underline his evolving musical genius over time.
Liszt's compositions evolving from youthful inspirations to avant-garde creations at the age of 22 in the Apparitions collection highlight his unique musical personality. Despite initial skepticism, Liszt's innovative works ultimately led to a reevaluation of his musical genius in the mid-20th century.