All of Mendelssohn's published works for cello and piano, as well as a previously unreleased fragment recorded for the first time, are included in this recording. These vibrant compositions, like many of his chamber music pieces, have recently returned to the standard repertoire after a long period of neglect.
The true nature of Mendelssohn's music was long distorted by Romantic performance practices—excessive rubato, heavy phrasing, and exaggerated contrasts characterized these interpretations. Influenced by Bach and Mozart, he developed his own distinctive style. Schumann called him the Mozart of the 19th century, emphasizing Mendelssohn's ability to recognize and transcend the contradictions of his era.
In early 1838, Mendelssohn completed the Sonata in B-flat major, Op. 45. At the time, he was suffering from an ear infection, while simultaneously eagerly awaiting the birth of his son. In contrast to the more classically oriented Sonata in B-flat major, the Sonata in D major, Op. 58, from the first half of 1843, reveals a more personal and romantic side of the composer.
Mendelssohn's last work for cello and piano, the "Song Without Words," Op. 109, was composed in 1845. This lyrical miniature belongs to his impressive collection of "Songs Without Words," which had formed a significant part of his output since 1830.