This program of rare works on Russian and Hungarian themes illustrates Liszt's philanthropic side. Most of these pieces are based on compositions or themes by his contemporaries, demonstrating his commitment to promoting their music. Friends from Russian and Hungarian circles are also represented, with Liszt imbuing their musical ideas with an unforgettable touch.
Liszt planned two transcriptions as separate Arabesques. Solovei appeared in a vibrant version with a remarkable Cyrillic title page. His arrangement of Chanson bohemienne unfolds as a series of variations. Dargomizhsky's Tarentelle slave for piano duo represents an artful master-disciple relationship, which Liszt skillfully incorporates into his transcription.
Liszt was fascinated by new Russian music and supported composers such as Tchaikovsky. Galop russe and the A minor Mazurka exemplify his artistry in transcription. Hungarian music equally captivated Liszt; He devoted himself to works by Hungarian composers such as Festetics, Zichy, and Széchényi.
The Liszt Edition offers insights into Liszt's masterful arrangement of Szabadi Frank's Marche turque-hongroise. His Valse de concert, based on Végh's Suite en forme de valse, is a particular gem in his repertoire. Liszt lends his personal touch to the Russian and Hungarian works, interpreting them with his characteristic spirit.