Fascinating Works by Liu Tianhua and the Forbidden City Concert
Introduction to Liu Tianhua
Liu Tianhua (1895-1932) was a pioneering Chinese composer and musician known for his contributions to modern Chinese music. He is celebrated for his work with traditional Chinese instruments like the erhu and pipa. His unique blend of traditional and contemporary influences has resulted in pieces that transcend time and space, leaving audiences worldwide captivated by his brilliance.
The Forbidden City Concert
In 2018, a historic concert was held at the Forbidden City in Beijing, marking the 120th anniversary of Deutsche Grammophon. This remarkable event featured internationally celebrated pianist Daniil Trifonov, violin virtuoso Mari Samuelsen, among others, capturing the audience's hearts with their performances.
A grand spectacle was witnessed when Orff's Carmina Burana came to life in the Forbidden City. Conducted by Long Yu, the Shanghai Symphony Orchestra (Shanghai SO) gave a mesmerizing rendition of the classic piece.
In addition to the Shanghai Symphony Orchestra, the concert featured an array of world-renowned talents, including Aida Garifullina, Toby Spence, Ludovic Tézier, and Heinz Ferlesch. The Shanghai Spring Children’s Choir and the Wiener Singakademie further added to the enchantment of the evening.
The Legacy of Liu Tianhua
While Liu Tianhua passed away in 1942, his innovative creative vision continues to inspire audiences everywhere. His diverse skills and the passion he exuded for his craft have left an indelible mark on the world of music. Liu Tianhua continues to enthral us all with his captivating creations that echo both his cultural heritage and futuristic vision.
This concert was significant not only for its beautiful music but also for its historic setting and the fact that it marked the first classical concert in the Forbidden City in 20 years. The event was a celebration of both classical music and cultural exchange, showcasing the beauty of both Chinese and international music in a unique setting.