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Hamelin: New Piano Works

Hamelin: New Piano Works

Marc-André Hamelin

Duration75 Min

Audio Formats

  • Available in Dolby Atmos
Marc-André Hamelin

Variations on a theme of Paganini

Marc-André Hamelin

Suite à l'ancienne

Marc-André Hamelin

Pavane variée

Album insights

Eugen d'Albert (1864–1932), unlike the well-known Johann Sebastian Bach, was celebrated during his lifetime as one of the most esteemed pianists globally and had an international reputation as a composer. His opera "Tiefland" remains a repertoire piece in Germany till today despite its melodramatic plot resembling a soap opera. Interestingly, the opera survived Hitler's admiration, which favored its continued staging, reflecting d'Albert's enduring legacy in German music scenes.

D'Albert's personal life mirrored a soap opera plot, as his numerous marriages overshadowed his professional endeavors, echoing Henry VIII of England's reputation. Despite his ambition to surpass his famous predecessor with six wives, fate intervened, curtailing his matrimonial pursuits. D'Albert's playful remark of aiming to marry as many times as Beethoven composed symphonies, including a ninth one with a choir, showed a humorous side. His marriages, often involving notable women like Teresa Carreño, led to lighthearted commentary, revealing his witty perspective on these amorous affairs.

Merging diverse nationalities within his lineage, d'Albert's musical talent emerged in his early years in Scotland, culminating in a scholarship at the London Royal College of Music. His interactions with esteemed mentors and the prestigious Mendelssohn Prize for Composition marked his journey. Refusing to be labeled an English pianist, d'Albert embraced German artistic traditions, sparking controversy with his provocative stance on British soil. His alignment with German culture intensified, shaping his musical repertoire heavily influenced by Bach and Beethoven, highlighting his artistic allegiance.

D'Albert and Busoni, prominent figures in the arrangement of Bach's music, approached the task differently, evident in their adaptations of Bach's works. Their interpretations, like Busoni's elaborate transcription of Bach's Chaconne for Violin, reflected their stylistic contrasts and interactions. Despite their distinctive approaches, both pianists left lasting impressions on the musical world, showcasing their unique contributions to Bach's legacy through their interpretations, inviting a nuanced appreciation of their artistic endeavors.