Paul Hindemith, Violin At the beginning of his musical career, Paul Hindemith played the violin and became concertmaster of the Frankfurt Opera Orchestra at the age of 19. Later, he discovered his passion for the viola, with which he established himself as an internationally acclaimed soloist and chamber musician. This affinity is reflected in numerous compositions, particularly several solo sonatas for viola. His lifelong collaboration with the Schott publishing house began in 1919 in Frankfurt with the publication of the Sonata in F major, Op. 11 No. 4, for viola and piano.
The early works in Hindemith's opus series testify to his endeavor to transcend Romantic traditions and reveal influences from composers such as Haydn and Handel. With growing artistic maturity, Hindemith combined elements of various styles into distinctive works. His output for viola and piano encompasses different phases of development and styles; In later pieces, such as the Fourth Sonata, Op. 25, from 1922, he displayed advanced techniques and stronger contrasts.
During his exile, Hindemith composed significant works, including his last, comprehensive viola sonata, which premiered at Harvard in 1939. This sonata combines the composer's mature musical language with influences from earlier works and innovative design. With numerous instrumental sonatas and extensive concert tours, Hindemith created a multifaceted and impressive body of work that continued to evolve despite political and personal difficulties.