Album insights
The pairing of Alkan and Henselt's works is more intentional than it may seem. Both composers were born within six months of each other, lived long lives, and passed away only eighteen months apart. Despite being overshadowed by their more famous contemporaries Liszt and Chopin, both approached the piano in unique ways and showcased clear and distinctive styles. They were both loners who rarely presented their work to the public, exceptional technicians exploring their instrument's possibilities in ways influencing many pianists and composers. Both were eccentric in personal habits and lifestyles and were largely ignored by most concert pianists, with their names nearly unknown to the musical public.
The works presented here all date back to the twelve-year period between 1832 and 1844. While only one has been included in the regular piano repertoire, Alkan's First Concerto, in its original form, is likely unheard since its early performances. Henselt's Meyerbeer Variations have not been publicly performed in this century. Alkan's Second Concerto and Henselt's Concerto have been recorded by Michael Ponti. The neglect of Henselt's Piano Concerto in F minor, Op. 16, is most puzzling, given its distinctive composer character in every bar, original composition, exceptional orchestration, diverse themes, and technical demands mirroring its impact on listeners.
Henselt, born in Bavaria, showed early promise in music, receiving training from notable figures, which propelled him to a successful career as a pianist and composer. However, his failure to fulfill early promises haunted him, recognizing his lack of achievement in his later years.
In contrast, Alkan's legacy was surrounded by mystery and neglect, despite being considered a genius on par with renowned composers of his time. His music, while innovative and imaginative, was perhaps too advanced for its era, resulting in his works being rediscovered only in recent decades.
Alkan and Henselt, alongside their notable contemporaries, left behind remarkable pieces of music, showcasing their individualistic styles and substantial contributions to the world of piano composition. Their compositions, though previously overlooked, now stand as testaments to their artistic prowess and unwavering dedication to their craft.