The relationship between Stravinsky and the strings was characterized by complexity and change. Initially, he displayed a certain distance from these instruments, but later he increasingly embraced them, particularly through his intensive collaboration with the violinist Dushkin. This partnership yielded significant works such as the Violin Concerto and the Duo Concertant, which provided important new impetus to Stravinsky's compositions.
Dushkin and Stravinsky jointly developed numerous violin pieces, including transcriptions of well-known works such as the Duo Concertant. With these works, Stravinsky explored new possibilities in the interplay between violin and piano. These pieces were also presented with great enthusiasm on their concert tours throughout Europe and North America.
The violin presented a particular challenge for Stravinsky, yet he succeeded in shaping the melodic lines in his compositions imaginatively and reinterpreting them time and again. The spectrum of his pieces, from the Pastorale to the Suite Italienne, illustrates his experimental approach.
During this period, Stravinsky also composed the Duo Concertant, which defined his style in the early 1930s. This work reflects the versatility of his compositions and draws on ancient Greek poetry. Through unconventional elements, Stravinsky imbued the piece with particular depth and complexity.
His close artistic relationship with Dushkin allowed Stravinsky to expand his expressive range and explore new avenues in violin music. This resulted in a diverse repertoire that continues to influence his musical legacy today.