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Elmas: Piano Concertos (Hyperion Romantic Piano Concerto 82)

Elmas: Piano Concertos (Hyperion Romantic Piano Concerto 82)

Howard Shelley, Tasmanian Symphony Orchestra

Duration74 Min

Album insights

According to the memoirs of Schubert's friend Joseph von Spaun, the composer was melancholic at the start of 1827. He planned to debut a series of haunting songs to close companions at a gathering hosted by Franz von Schober, intending to showcase his unique creation. Despite his absence that evening, the promised performance of the Winterreise cycle eventually took place in spring or summer, leaving a lasting impression on all who attended. Schubert's innovative composition marked a departure from his previous works, exhibiting a stark, pessimistic outlook, and a shift towards introspective themes. The cycle's structure was disrupted when Schubert discovered additional poems by Wilhelm Müller, including 12 new songs which he incorporated into the existing sequence. He rearranged Müller's order to complement his unique thematic vision, weaving a narrative of despair and solitude. Through poignant musical imagery and emotive tonal shifts, Schubert masterfully captured the Wanderer's journey of desolation and existential turmoil.

Schubert's Winterreise presented a radical departure from conventional compositions, delving into themes of isolation, anguish, and impending madness. The cycle's stark musical contrasts and introspective depths mirrored a profound shift in Schubert's artistic expression. With nuanced tonal shifts and intricate harmonic structures, Schubert painted a vivid portrait of the Wanderer's descent into despair and detachment from the world. The poignant symbolism of frozen tears and haunting visions resonated throughout the songs, reflecting a journey marked by unrelenting bleakness and internal strife. As the cycle progressed, Schubert's innovative use of musical motifs and thematic development elevated Winterreise to a poignant and enduring masterpiece of the Romantic era.