Album insights
Liszt's third collection of piano works based on operas is primarily associated with operas that remain a solid part of the modern repertoire. Alongside Liszt's pieces are included some rarities. Just like the previous recording titled "Liszt at the Opera," this collection ranges from meticulous transcriptions to the most artistic and original fantasies. The transcription of Weber's "Oberon" overture, similar to that of "Freischütz," conveys the orchestral spirit more effectively with passages in a distinct pianistic manner.
The fantasy on themes from "Figaro" and "Don Giovanni" presents a unique case. Known as the "Figaro Fantasy," it is a reworking by Busoni that contains only a small portion of Liszt's original concept. Liszt's nearly complete manuscript, enriched by the filler for performance and publication, weaves a complex musical drama exploring the connections between the operas and themes of warning and folly. Liszt's composing style for such a fantasy is evident in his manuscripts, with distinct sections and transitional materials.
Liszt's tribute to Verdi's operas inspired some of his best works, such as the "Paraphrases de concert" on "Ernani," "Il Trovatore," and "Rigoletto." Despite being published as a set, their order was altered from Liszt's original sequence, maintained here. Liszt's fascination with these operas resulted in a series of masterfully crafted paraphrases, preserving the essence of the original while showcasing piano virtuosity.
In his final completed operatic fantasy, "Réminiscences de Boccanegra," Liszt delves into Verdi's "Simon Boccanegra," imbuing it with avant-garde harmonies and intricate orchestrations. Liszt adeptly integrates various themes and motifs, crafting a dramatic and captivating musical narrative.
The program also features Liszt's interpretations of Wagner's operas, reflecting their complex relationship. Liszt's meticulous transcriptions and original compositions based on Wagner's works highlight this collaboration, with pieces like "Elsa's Procession to the Cathedral" and excerpts from "Lohengrin." Additionally, Liszt's true opera fantasy on Wagner's "Rienzi" reveals a rich narrative that showcases both Liszt's virtuosity and the operatic depth of Wagner's work.
Ferenc Erkel, a prominent Hungarian composer of the 19th century, is honored by Liszt in a rhapsodic fantasy, celebrating Erkel's contributions to Hungarian opera. Liszt's variation in styles and themes, along with his unique approach to each opera piece, demonstrate his profound connection to the intricacies of these operatic masterworks.