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Oswald & Napoleão: Piano Concertos (Hyperion Romantic Piano Concerto 64)

Oswald & Napoleão: Piano Concertos (Hyperion Romantic Piano Concerto 64)

Artur Pizarro, BBC National Orchestra of Wales, Martyn Brabbins

Duration68 Min

Album insights

Giovanni Pierluigi da Palestrina, likely born in 1525 or 1526, derived his name from a city near Rome. After serving as maestro di cappella in his hometown cathedral for seven years, he heeded the call of Pope Julius III to Rome, becoming the maestro of the Cappella Giulia at St. Peter's Basilica. Despite later dismissal by Pope Paul IV for marrying, he returned as maestro at the Cappella Giulia in 1571, eventually passing away in 1594.

Considered a master of polyphonic style, Palestrina's esteemed reputation during his lifetime is reflected in his vast body of work, including masses, motets, hymns, and madrigals. Notable pieces like the masses De beata virgine and Ave Maria showcase his innovative use of Cantus-planus melodies, resulting in rich and complex compositions. These works demonstrate Palestrina's mastery in weaving borrowed melodies with intricate counterpoint techniques, creating a harmonious blend that elevates the sacred texts.

Palestrina's Missa De beata virgine, published in Rome in 1570, integrates Cantus-planus melodies from various sources, producing a cohesive and intricate musical narrative. The composition skillfully interweaves the Cantus throughout its movements, showcasing Palestrina's expertise in utilizing both traditional and innovative techniques. The majestic and devout aura of this mass is palpable, with standout moments in the Gloria, Credo, Sanctus, and Agnus Dei, displaying a remarkable depth of faith and musical brilliance.

In the Missa Ave Maria, posthumously published by Palestrina's son, a sense of simplicity and piety prevails. Based on the renowned Ave Maria prayer, this mass offers a contemplative and clear interpretation of the text. With a focus on elongated melodic lines, this composition emphasizes grace and reverence, notably in segments such as the Crucifixus and Sanctus. The varied emotional nuances within this work, encapsulated in passages like "qui tollis" and the poignant "Et incarnatus" in the Credo, exemplify Palestrina's profound musical expressiveness and creativity.

Palestrina's meticulous attention to detail and innovative approach in his mass compositions underscore his enduring legacy as a revered composer in the realm of sacred music. Each work carries its unique charm and musical ingenuity, showcasing Palestrina's ability to transcend conventional norms and captivate listeners with his unparalleled creativity and artistry.