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Anatoly Alexandrov: Piano Music

Anatoly Alexandrov: Piano Music

Hamish Milne

Duration76 Min

Album insights

In the late 1920s, Serge Kussewitzky (1874–1951) recorded the first double bass solos on record after being appointed as a conductor in Boston. Despite his limited repertoire showcased on the records—featuring his own compositions and transcriptions—Kussewitzky's performance stood out, considering the lack of studio modifications at the time. Georg Hörtnagel later explored this era with recordings of early double bass concertos. Today, collectors boast a diverse range of CDs, covering various solo programs, contemporary music, and arrangements for the double bass.

During the mid-20th century, interpretations of ancient music were left to enthusiasts and a select few musicians who sometimes took liberties with stylization, similar to Mendelssohn's reworking of Bach's compositions. The double bass repertoire faced similar challenges, with pieces often altered beyond recognition. Adolf Meier's research in the 1960s shed new light on the instrument's history, revealing its tuning and repertoire from the late 18th century. Meier's in-depth dissertation cataloged and dated double bass works from the Viennese Classical period, uncovering a wealth of untouched material.

Before Meier's investigations, little was known about the double bass during the earlier centuries. The instrument's evolution, string variations, and tonal experimentation were notable features. Silkworm strings eventually enabled the construction of smaller double basses, contributing to the development of the cello. Ongoing analyses by Klaus Trumpf and Alfred Planyavsky have expanded our understanding of historical double bass works.

In the 19th century, the decline of court orchestras marked the end of an era for virtuosic double bass playing in Vienna. However, influential figures like Joseph Kämpfer and Ignaz Woschitka pioneered solo performances, setting new standards for the instrument. Their contributions laid the foundation for future virtuosos, including Domenico Dragonetti.

Dittersdorf and Vanhal, prominent figures in the Viennese Classical period, made significant contributions to the double bass repertoire. Despite challenges in locating original manuscripts, their works have endured scholarly scrutiny. Vanhal's prolific career and influence on American music stand as testaments to his musical legacy. These composers, alongside others, played crucial roles in reshaping musical traditions during their time.

Rodney Slatford © 2000