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Bronsart & Urspruch: Piano Concertos (Hyperion Romantic Piano Concerto 77)

Bronsart & Urspruch: Piano Concertos (Hyperion Romantic Piano Concerto 77)

Emmanuel Despax, BBC Scottish Symphony Orchestra, Eugene Tzigane

Duration76 Min

Album insights

Orlande de Lassus is widely known as the most prolific composer of the Renaissance, boasting around 60 Mass settings, 100 Magnificat compositions, 500 motets, and numerous secular works. His monumental output may have somewhat obscured his significance today, with only a few specialists familiar with his entire oeuvre. Lassus, also known as princeps musicorum and "le divin Orlande," faced overshadowing from the fame of his contemporary Giovanni Pierluigi da Palestrina during the 16th century, even though his recognition was likely greater at that time.

Born around 1530 or 1532 in Mons, Belgium, Lassus began his musical journey as a choirboy in Italy before settling in Munich under Duke Albrecht V. of Bavaria. His career flourished there, becoming Kapellmeister and remaining until his passing in 1594. Notable works include the Prophetiae Sibyllarum, cherished pieces that have intrigued music scholars for centuries due to their complex compositions and thematic depth.

The Prophetiae Sibyllarum, a groundbreaking work from the composer's early years, remains a focal point of musical analysis. These prophetic texts set to music showcase Lassus' innovative use of tonality and structure. The piece's intriguing chromatic prologue and its intricate polyphony demonstrate Lassus' creative brilliance and his impact on Renaissance music theory. Despite controversies regarding ancient musical practices, Lassus’ interpretations pioneered new grounds of composition.

Lassus' legacy continues with meticulously crafted works like the Missa Amor ecco colei and the Magnificat Quant’in mille anni il ciel. These compositions reflect his versatility and adherence to sacred themes. Additionally, his motets, including Iustorum animae and Deficiat in dolore vita mea, capture a blend of emotional depth and musical sophistication unique to Lassus' style. The Motet Tristis est anima mea stands out for its dramatic storytelling, portraying Christ’s anguish in the Garden of Gethsemane with masterful word painting techniques.

In conclusion, Orlande de Lassus' diverse and profound musical legacy embodies the essence of Renaissance creativity and innovation. His works continue to inspire scholars, musicians, and listeners alike, showcasing a timeless relevance that transcends centuries.