Skip to content
Spohr: Clarinet Concertos Nos. 1 & 2

Spohr: Clarinet Concertos Nos. 1 & 2

Michael Collins, Swedish Chamber Orchestra, Robin O'Neill

Duration63 Min

Louis Spohr, also known by his given name Ludewig, was considered one of the greatest violin virtuosos of his era, alongside Niccolò Paganini. Born in Braunschweig on April 5, 1784, and dying in Kassel on October 22, 1859, he was not only a celebrated violinist but also a significant composer, conductor, and vocal pedagogue. Following the deaths of Carl Maria von Weber and Ludwig van Beethoven, he was regarded as the most important living German composer until the mid-1840s. The eldest child of Medical Councilor Karl Heinrich Spohr and his wife Ernestine Henke, his musical talent was evident from early childhood. At the age of twelve, he was sent to Braunschweig for musical training, where he received violin lessons from Gottfried Kunisch and later Charles Louis Maucourt. He owed his knowledge of harmony and counterpoint largely to his own diligence and talent, as he only received brief instruction from the organist Carl August Hartung. In January 1822, Spohr took up his post as court conductor in Kassel, where he received an annual salary of two thousand thalers under Elector Wilhelm II. Thanks to his intensive work with the orchestra, he transformed the Kassel court orchestra into a leading European ensemble in a very short time. This ensemble, known as the "Colorful Orchestra," consisted of military musicians in colorful uniforms as well as outstanding civilian musicians whom Spohr had personally recruited. The years 1822 to 1832 are considered the golden age of the Kassel opera stage. During this period, Spohr staged 40 new operas, including important premieres such as Weber's "Der Freischütz" (1822) and Rossini's "William Tell" (1831). His extensive activity as a composer, violin virtuoso, conductor, and organizer of music festivals secured him a prominent place in German music history.