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Salve Regina: Sacred Music by Monteverdi & His Venetian Followers

Salve Regina: Sacred Music by Monteverdi & His Venetian Followers

Robin Blaze, The Parley of Instruments, Peter Holman

Duration79 Min

Album insights

Eduard Mörike was once considered a naive Romantic, untouched by his era's events, epitome of the Biedermeier period, author of poetic idylls and merry tales, a bucolic and charmingly overwhelmed clergyman, at peace with his surroundings in Cleversulzbach. He was a nature poet par excellence with an enchanting sense of humor. Despite Mörike's reputation, fueled unintentionally by Gottfried Keller's words upon Mörike's death in 1875, Mörike's portrayal as one of Germany's foremost lyricists has been somewhat distorted. The perceived naivety, idyllic atmosphere, and humor in Mörike's poetry actually served as a defense mechanism against overwhelming emotions that constantly threatened to overpower him. The idyllic settings shielded him from the demonic aspects, humor helped him navigate emotional turbulence, and his efforts towards moderation kept his subtle erotic impulses at bay.

From his early years, Mörike was noticeably vulnerable. Born in 1804 as the fourth child of a doctor and a pastor's daughter, he was coddled by his mother and deeply affected by the deaths within his family, especially that of his brother and beloved sister Luise. His emotional balance was further destabilized when Maria Meyer seduced and abandoned him. Although unrequited love has inspired many poets throughout history, Mörike's rejection by Maria was more traumatic than any he had experienced before. Meeting her at the age of nineteen in 1823, he became captivated by her mysterious persona, eventually leading to infatuation and then despair when she left him.

Seeking to avoid such destructive outbursts as depicted in his poems "Prayer" and "Seclusion," Mörike's works implied hints of unrequited love and infidelity despite his attempts to maintain restraint. His poems often touch upon themes of unhappy love, sometimes veiled in humorous tones. Despite his preference for idyllic settings and humor in works like "Stork's Message" and "The Hunter," underlying sensuality is always present.

Often overlooked is the fact that Mörike was a clergyman by profession, despite his discontentment and lack of qualification for the role. He reluctantly fulfilled his duties in various underwhelming positions, moving from one poorly paid post to another before finally obtaining his own parish in Cleversulzbach in 1834. Despite his aversion to regular work and career progression within the church, he did produce a series of religious poems, including some of the most beautiful in German literature.

Living in a stagnant environment and disinterested in the church, Mörike took solace in a realm of dreams and visions. While he did not venture far in the real world, his imaginative travels birthed the romantic novel "Maler Nolten" between 1828 and 1832, containing some of his best poetry. Over his life, Mörike's existence was largely uneventful, marked by periods of hardship and fleeting happiness, his poetic endeavors often conflicted with his personal tranquility. His relationships, including his marriage to Margarethe von Speeth, were not entirely fulfilling, leading to a somewhat nomadic lifestyle until his death in 1875.