The remarkably compelling transcultural project of Tunisian oud master Anouar Brahem, considered both a profound innovator and a traditionalist, is particularly highlighted – he is credited with restoring the oud to its original meaning in Tunisian music. The album Thimar is not a superficial blending of traditions. Rather, it features three distinct musicians who, in their search for shared musical roots, make no compromises regarding their individuality. Both Arabic art music and jazz serve as points of reference, but Anouar Brahem, John Surman, and Dave Holland meet as improvisational artists who refuse to be confined by genre boundaries.
