Album insights
Cristóbal de Morales, renowned as the most celebrated composer of sacred music in Western Europe between Josquin's death in 1521 and the rise of Palestrina and Lasso in the 1550s, was also a mysterious and tragic figure in Renaissance music history. Born around 1500 in Seville, Morales likely received exceptional training at the Cathedral school under skilled teachers like Pedro de Escobar and Francisco de Peñalosa. Joining the papal choir in Rome in 1535 led to international success, despite facing challenges such as illness throughout his career.
Despite facing absences and health issues, Morales excelled as a composer, leaving behind a poignant legacy through his music. His renowned Missa Mille regretz, a six-voice mass based on a famous song attributed to Josquin des Prez, showcases his artistic brilliance. Known for his Magnificat settings, Morales' cycle of eight pieces, representing each church mode, was widely sung across Catholic regions. The reconstructed Magnificat primi toni in the doran mode exemplifies Morales' mastery of composition.
Another lesser-known work is the Missa Desilde al cavallero, found in a Milanese manuscript alongside works by Josquin and La Rue. This mass, based on a popular Spanish tune, veers from traditional conventions with Morales' unique interpretation. Despite early compositions relying on familiar melodies, Morales displays his creativity and diversity as a composer even in his formative years.