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Composer

Arnold Schoenberg

1874 — 1951

AboutArnold Schoenberg

Schoenberg began composing very early in life and dedicated almost his entire life to music, expanding its expressive possibilities beyond any known measure. After his radical departure from the Romantic style in the first decade of the last century, he composed music that, while still employing traditional forms, was no longer based on a fixed key. Gradually, he developed from this his "method of composing with twelve tones related only to one another." Schoenberg became a leading figure in modern music and, together with his students Alban Berg and Anton Webern, founded the so-called Second Viennese School. In his music, he was not concerned with "beauty" but with "truth," and he unyieldingly followed the dictate of his inner voice: "Art does not come from ability, but from necessity!" From 1926, he taught in Berlin; with the Nazi seizure of power in 1933, he became unemployed and went to the USA, where he eventually settled in Los Angeles. When he was once asked if he was "that much-disputed composer," Schoenberg replied: "Someone had to be it, no one wanted to be it; so I just offered myself!"

The Musical Life and Influence of Arnold Schoenberg

Arnold Schoenberg (1874–1951) was a pivotal figure in music history, known as an Austrian-American composer, music theorist, and influential teacher. He is celebrated for pioneering the development of atonality and twelve-tone serialism, which significantly impacted the evolution of 20th-century classical music.

The Pioneering Atonality and Twelve-Tone Music of Schoenberg

Schoenberg's most notable contributions include the development of atonality and the twelve-tone technique. His twelve-tone method systematically interrelated all notes of the chromatic scale, creating a new harmonic system. This innovation influenced generations of composers, shaping the course of modern music.

Arnold Schoenberg’s Impact on 20th Century Music

Schoenberg's work significantly impacted the evolution of 20th-century classical music. His innovative techniques and styles, such as atonality and twelve-tone music, were controversial and often met with hostility. However, they went on to shape the course of modern music and influence generations of composers.

Schoenberg – A Self-Taught Composer

Born in Vienna to a Jewish family, Schoenberg began composing at a young age. He was largely self-taught after initial piano lessons from Alexander von Zemlinsky. His early works, such as Verklärte Nacht (1899), showcased a synthesis of Brahmsian and Wagnerian styles.

The Second Viennese School: Schoenberg, Berg, and Webern

Schoenberg, along with Alban Berg and Anton Webern, formed the Second Viennese School, a group at the forefront of avant-garde music. Their works, including Schoenberg's Pierrot lunaire (1912) and Erwartung (1909), were often controversial and later banned by the Nazis. Despite initial hostile receptions, Schoenberg remained undeterred.

Schoenberg: Composer, Theorist, and Teacher

Following the rise of Nazism, Schoenberg left Germany for the United States in 1934. He initially settled in New York and later taught at the University of California, Los Angeles from 1936. His later works continued to explore the integration of traditional and twelve-tone music, leaving a profound legacy in the 20th century.