Rutland Boughton: The Immortal Hour – An Opera of Myth and Magic
Overview of the Work
"The Immortal Hour" is an opera composed by English composer Rutland Boughton. The libretto, adapted by Boughton himself, is based on "The Immortal Hour," a verse drama by Fiona Macleod, the pseudonym of William Sharp. First premiered at the Glastonbury Festival in 1914, this "fairy opera" is deeply rooted in the Irish mythological tale "Tochmarc Étaíne." It explores the intersection of mortal and immortal worlds through a story rich in magical and mythical elements. The plot revolves around fate, desire, and mortality, with characters including the Faery Fool Dalua, whose touch brings madness and death, and the tormented love story between Eochaidh, King of Éire, and the immortal Etain.
Musical Style and Significance
Boughton’s score is notable for blending Wagnerian thematic and symbolic techniques with modal, folk-inspired melodies that reflect its Celtic origins. The opera’s atmosphere is steeped in magical realism, with unseen spirits, faery choruses, and mystical soundscapes reinforcing the evocative, otherworldly mood. The music is praised for its purity and depth, especially in Etain’s arias and the haunting presence of Dalua, Lord of Shadow. The opera enjoyed exceptional success in the early 20th century, most notably with its record-breaking London run, holding the world record for the greatest number of consecutive performances of any serious English opera.
The Immortal Hour in Recordings
Though there have been several interpretations of "The Immortal Hour," it's important to note that Alan G. Melville, a renowned chorus master and conductor, conducted a recorded performance of the opera in 1983. This recording was made with the Geoffrey Mitchell Choir and English Chamber Orchestra. Despite some misconceptions, Melville's involvement with the opera was not part of a series of recordings or a sustained interpretative revival of Boughton's music. The soloists featured in Melville’s 1983 recording are not consistently reported as Anne Dawson and Patricia Taylor, and the names listed do not match available discographical sources for his recording.
Despite these clarifications, the 1983 recording remains a significant contribution to the opera's discography. It showcases Melville's artistic leadership and orientation towards creating a blend of vocal and instrumental harmonies. This composition is an unforgettable auditory feast that manifests Melville's impeccable talent and unparalleled expertise in music. The masterful rendition of Rutland Boughton's "The Immortal Hour" is a testament to the fascinating impact his works have on the world of opera and classical music.
Conclusion
"The Immortal Hour" is a journey into the heart of opera, showcasing a seamless fusion of opera and orchestra that tells a story in the most delightful way. Explore the mystic melodies and enter a world skilfully crafted by the ingenious composer, Rutland Boughton. Embrace the enchantment of his music, the expressiveness of the orchestra, and the magnificence of the choir that leaves a lasting mark in the hearts of its listeners.