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Bach: The 6 Motets, BWV 225-230

Bach: The 6 Motets, BWV 225-230

The Sixteen, Harry Christophers

Duration69 Min

Album insights

Johann Joachim Quantz (1697–1773) is best known as the flute teacher of Frederick the Great and the author of a comprehensive treatise on playing the transverse flute. When Quantz entered the service of the Prussian court in 1741, he was already renowned as a highly versatile, well-traveled, and experienced musician. His autobiography details his remarkable rise from an unmusical family of humble origins to becoming one of the most influential musicians of his time.

If he had not become an orphan at the age of ten, Quantz might have followed his father's profession and become a blacksmith. Raised by his musically-inclined uncle from Merseburg, Quantz underwent diverse musical training for five years with Adolf Fleischhack, mastering almost every instrument except for the transverse flute. At the age of fifteen, he traveled to Dresden, where he advanced from a member of the city band in Pirna to a Dresden city musician. There, Quantz encountered prominent musicians like Pisendel, Veracini, Weiss, Richter, Hebenstreit, and Buffardin, refining his skills on various instruments and studying Vivaldi's works.

Invited to perform as a trumpeter at the anniversary celebration of Luther's Reformation, Quantz's rendition impressed the Dresden Kapellmeister, leading to his official trumpet lessons. Unsatisfied with his subordinate position in the newly established "Polish Chapel," Quantz transitioned to focus on mastering the flute under Buffardin's tutelage. His extensive travels and collaborations with renowned musicians across Europe enriched his artistic perspective and musical expertise.

Throughout his career, Quantz developed a close bond with Frederick the Great, who admired his musical talents. Moving to Potsdam in 1741 on Frederick's offer of a generous annual salary and perks, Quantz became the royal flute player. Their partnership transformed the court's musical landscape, with Quantz composing exclusively for Frederick's private concerts and providing musical guidance.

Quantz's meticulous compositions and innovative flute designs marked him as a visionary and master in his time. His relentless pursuit of musical excellence, establishment of unique instrumental techniques, and close collaboration with Frederick shaped the musical landscape of their era. Despite criticisms of his demeanor and interactions with colleagues, Quantz's legacy endures through his enduring musical contributions and lasting influence on Baroque and early Classical music traditions.