On January 6, 1918, in the midst of war, Max Bruch celebrated his 80th birthday and was honored despite personal hardship. Both he and his wife Clara suffered from health problems. Nevertheless, Bruch turned to chamber music and composed a total of three string quintets. He was inspired by his friend Willy Hess. The composition of these works dates from 1918 and 1919, with the first quintet in A minor impressively demonstrating Bruch's skillful handling of the viola.
This was followed by the Quintet in E-flat major, which, with its four-part structure, appears particularly complex. After the death of his wife Clara, Bruch also composed the String Octet in B-flat major, in which he placed particular emphasis on dramatic expression and a hopeful atmosphere. Despite his failing health, Bruch remained dedicated to composition.
The history of the performance and recording of these works has been complicated. The scores were in the possession of Willy Hess, who performed them with his students. The first public performances took place in the 1930s, presented by Isidore Schwiller and his Octet. Although Bruch's popularity declined during this period, his works continued to be performed. Thanks to the research of Christopher Fifield, these compositions are now published and accessible.