Album insights
This album, like its predecessors featuring Franz Liszt's complete songs, also includes compositions from the composer's early years as a piano virtuoso/composer until the 1880s. Liszt composed songs sporadically during his time as a piano virtuoso as his focus was primarily on piano music. The provision of four excellent singers in Weimar from 1848 to 1860 encouraged Liszt in song composition. Around half of the songs in this program date from after his time in Weimar (1860 to 1880), marked by personal tragedies. Liszt's later songs tend towards austerity and minimalism compared to the virtuosity of his earlier works, reflecting his evolving style. Despite these stylistic shifts, Liszt's thoughts consistently revolved around the "Music of the Future."
The poem "Des Tages laute Stimmen schweigen" adapted by Liszt in 1880 evokes a sunset and the tranquil approach of night—or perhaps death. Liszt and Saar did not experience a gentle death, ending in Bayreuth after prolonged struggles. Liszt expressed his thoughts on life and death in letters, contemplating the mysteries of existence. The harmonies in the composition transition from darkness to light, reflecting themes of mortality and transcendence.
The poet August Heinrich Hoffmann von Fallersleben penned "Lasst mich ruhen" around 1858, emphasizing the pursuit of musical innovation in Weimar. Liszt's adaptation of the text showcases a progression from delicate ornamentation to complex harmonies, underscoring the lyrical journey. The song delves into themes of memory, longing, and emotional reflection.
The captivating tale of Liszt and Charlotte von Hagn, captured in the composition "Was Liebe sei," presents a compelling narrative of forbidden love and desire. Liszt's musical interpretation evolves over time, reflecting the intensity and complexity of their relationship. The shifting melodies and poignant chords heighten the dramatic tension of unfulfilled love.
Liszt's later compositions from the late 1870s and early 1880s display a departure from traditional tonality, symbolizing a departure from conventional musical norms. Through a somber composition like "Verlassen" by Gustav Michell, the themes of abandonment and despair are expressed through dissonant chords and melancholic refrains.
The composition "Einst" from 1878 reflects Liszt's poignant exploration of love and loss. Inspired by the work of Friedrich Martin von Bodenstedt, the song muses on the passing of time and the ephemeral nature of love. The song ends with unresolved emotions, mirroring the lingering memories of past romance.
In "Ich scheide," Liszt grapples with themes of departure and transience, mirroring the perpetual cycle of comings and goings in life. The chromatic elements and graceful melodies convey a sense of movement and transition, capturing the essence of continual change.
Through touching melodies like "Was Liebe sei," Liszt delves into the complexities of love and longing, reflecting the bittersweet experiences and emotions associated with affection. The tender interplay between voice and piano paints a vivid picture of emotional intimacy and yearning.
Liszt's treatment of literary works like "Wer nie sein Brot mit Tränen ass" embodies the composer's profound exploration of human suffering and divine injustice. The composition's evocative tones and heartfelt vocals convey deep-seated emotions and existential turmoil.
The richly layered composition of “Die Loreley” reveals Liszt’s fascination with myths and legends, culminating in a musical narrative of seduction and tragedy. The song's vivid imagery and dynamic progression mirror the tumultuous tale of the enchanting Loreley, capturing the allure and danger of her enchanting song.
The intricate melodies of “Mignon’s Lied” reflect Liszt's interpretation of Goethe's iconic character, Mignon, as a symbol of yearning and loss. Liszt’s musical rendition captures Mignon's essence, merging dramatic storytelling with musical expression.
Capturing the essence of romantic yearning, Liszt’s musical interpretation of “Il m’aimait tant!” conveys the conflicting emotions of love and rejection. The interplay of piano and vocals mirrors the turmoil and emotional intensity of a doomed relationship.
Through compositions like “Gebet,” Liszt delves into themes of solace and faith, expressing the divine comfort found in moments of despair. The introspective harmonies and emotive melodies embody the spiritual journey of seeking solace in times of tribulation.