Martin Peerson (between 1571 and 1573–1650/1651) was most likely born in March, a village in Cambridgeshire, England. His early years in the London area are largely undocumented. In 1604, he set a song to music for Ben Jonson's play "Penates," suggesting an early connection with the playwright. Despite his apparent Catholic leanings, Peerson earned his music degree from Lincoln College, Oxford, in 1613. He was also involved with the Children of the Queen's Revels theatre company and composed several pieces for keyboard instruments.
His career as a virginalist and composer began around 1609. His contributions to the Fitzwilliam Virginal Book demonstrate his musical talent. Over time, he received various commissions and published collections such as "Private Musicke" (1620) and "Mottects" (1630). In the 1620s, he gained increasing prominence while holding positions at Westminster Abbey and St. Paul's Cathedral, where he was later appointed choirmaster.
Peerson's output consisted mainly of appealing shorter pieces, while his more substantial compositions received less attention. His Latin motets were preserved by Thomas Hamond and later reconstructed. Although he used Latin texts, his religious convictions remain unclear. The motets demonstrate a wide range of compositional skill and address central Christian themes.
In his motets, Peerson's unique compositional style unfolds, featuring melodic and rhythmic variations. These works showcase his craftsmanship and are characterized by singer-friendly melodic lines. The emotional depth and spiritual dimension of his music testify to Peerson's artistic sensitivity and musical mastery.