Album insights
A resurgence of interest in Romantic composers previously overshadowed by changing trends in the early 20th century has been unfolding for about 25 years. The 19th century thrived with virtuosic pianists who often composed music for their performances, showcasing technical prowess. This era saw a shift towards valuing original creativity over virtuosic display solely for exhibition.
Xaver Scharwenka, a talented young man from a small Polish town, joined Berlin's New Academy of Music in 1865 and received education from esteemed mentors, paving the way for his success as a pianist and composer. Beginning his career as a traveling virtuoso in 1874, Scharwenka's experiences as a professor and his dedication to teaching guided him in establishing his own conservatories in Berlin and New York, highly esteemed for providing top-quality musical education.
The outbreak of war in 1914 led Scharwenka to retreat from his successful international concert career of over 40 years, characterized by accolades and global recognition. His final years in Berlin were marked by reverence, described in his obituary as a leading pianist known for his refined tone and interpretations. Scharwenka, as a composer, received recognition primarily for his Polish Dances.
Published after the success of his Polish Dances, the Scherzo in G Major exudes youthful exuberance, showcasing Scharwenka's pianistic skills while maintaining musical depth. The E Minor Barcarolle, composed in the early 1870s, displays impressive effects through a melodious line above a rocking accompaniment. The Novelette and Melodie, likely composed in 1875, reveal Schumann's influence and Scharwenka's Polish heritage.
Scharwenka's Variation for Piano, Op. 48, alongside his Polish Dances, were among his most popular solo piano works during his lifetime. These pieces were well-received, with notable performances and praises from renowned critics. The D Minor Theme, initially with 20 variations, was later revised to a condensed version featuring 12 variations.
Composed at the peak of his career, the Four Polish Dances, Op. 58, marked a significant creative period for Scharwenka, showcasing mature thematic development with advanced harmonic elements and modulations. While less overt in expressing patriotism compared to Paderewski, the collection encapsulates a more profound musical and thematic progression.