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Glazunov: Complete Piano Music, Vol. 3

Glazunov: Complete Piano Music, Vol. 3

Stephen Coombs

Duration61 Min

Album insights

Between 1870 and 1914, French piano music was predominantly influenced by impressionist composers like Debussy and Ravel, often overshadowing other composers and musical styles of the era. However, overlooking figures like Fauré, who developed a style unrelated to impressionism, and César Franck, who meticulously assimilated Wagner's techniques before creating his notable works, would be unjust.

During these 44 years, French composers wrote prolifically, thanks to the Société nationale de musique founded in 1871 to promote French music and maintain a musical identity distinct from Germany. Despite chamber music playing a significant role, some composers avoided a particular genre, raising questions as to why.

Interestingly, prominent French composers during that time, such as Gounod, Bizet, Saint-Saëns, Debussy, Ravel, and others, notably steered clear of composing piano sonatas, with rare exceptions like Dukas. The Beethoven fever sweeping France around 1900 created a demanding atmosphere, making it a challenge for composers to match Beethoven's genius in the realm of piano sonatas, shaping Dukas's ambitious work as a significant contribution.

Dukas's sonata, premiered in 1901 to great acclaim, showcased a serious and intricate musical narrative across its four movements, embodying technical prowess and emotional depth. The reception of the sonata hinted at conflicting expectations in the Parisian music scene, with figures like Debussy contemplating its complex virtues.

Moreover, Abel Decaux's collection, "Clairs de lune," brought a distinct departure from traditional norms with a set of four pieces carrying a surreal, almost mesmerizing essence. Decaux's life path and visionary compositions, born from routine yet bearing extraordinary elements, marked a unique chapter in French musical history.

Decaux's works, composed between 1900 and 1907, but published only in 1913, offered a mystical journey beyond conventional musical boundaries, resonating with the dark, dreamlike aesthetic of authors like Poe, Baudelaire, and Mallarmé. These ethereal pieces sparked bewilderment and admiration, standing out for their innovative harmonic choices and unconventional syntax, challenging the musical conventions of the time. The enigmatic allure of Decaux's compositions invites listeners to immerse themselves in the intangible essence of sound and dreaming, akin to the awe-inspiring realm of a musical reverie.