The essential elements of a musical spectacle are of paramount importance. A composer, a performer, and an enthusiastic audience are indispensable. During the 19th century, a time of industrial and political upheaval, numerous masterpieces were created. Edwin Henry Lemare, a tragic figure of this era, shone as a highly esteemed organist. His works were only later properly appreciated by Christopher Herrick.
Enrico Bossi developed into a versatile artist whose life ended tragically at sea. His compositions combined dramatic elements with melodic grace. Edouard Batiste, who found greater recognition as a vocal teacher and organist, composed music of dramatic splendor. Marcel Dupré impressed with his masterful improvisations and his profound understanding of Bach's organ music.
André Jolivet, a contemporary of Messiaen, combined spirituality with complexity in his works. Louis-James Lefébure-Wély and Théodore Dubois brought splendor and drama to the world of organ music. Enrico Bossi, on the other hand, created a musical journey ranging from delicate nuances to epic grandeur.
Camille Saint-Saëns, whom Liszt praised as an exceptional organist, resisted popular trends and composed with classical restraint. His later improvisations reflected his sophisticated stylistic range, including a fantasia on a traditional Christmas melody.