Album insights
Gabriel Urbain Fauré was often underestimated by many, including Debussy who condescendingly dubbed him the "Master of Charms." His modest self-assessment roughly translated as "I did what I could," expressed to his sons, did little to improve his legacy in the eyes of posterity. Born on May 12, 1845, in Pamiers near the Pyrenees, Fauré recalled being a quiet, dreamy child. His musical roots were untraceable, and he was somewhat of an addition to his family, as his parents already had five children when he was born.
Starting in 1854, Fauré studied at the École Niedermeyer in Paris. Mastering gregorian church modes and enharmonic modulation, he also learned crucial skills under his influential teacher Saint-Saëns, to whom he felt deeply indebted. A concise overview of the composer's life reveals noteworthy events, such as his military service in 1870, his marriage to Marie Fremiet in 1883, and his struggles with worsening hearing, losing his professorship in 1920. Despite these challenges, Fauré's creativity flourished in his final years, producing significant chamber works.
Neglect of Fauré's chamber music has hindered a realistic evaluation of his true significance due to his style and temperament, often mischaracterized as subtle and reserved. Yet, his works display passion, ethereal qualities, and a hint of capriciousness, demanding attentive listening for full appreciation. His achievements culminated in two piano quintets, with the first in D minor showcasing a refined melancholy and a seamless, organic flow in its composition.
Fauré's Piano Quintet No. 1, also known as Opus 89, carries a mysterious reputation, published posthumously in New York after the composer’s death. The initial challenges in completing this work were evidenced by its lengthy development over several years, showcasing Fauré's dedication and intricate compositional process. The evolving melodies and harmonious connections within the quintet embody a nuanced musical approach, offering rich emotional depth and melodic interplay.
In contrast, his second quintet, dedicated to Paul Dukas, exudes a blend of youthful vigor and mature introspection, marking a departure from its predecessor. Completed in 1921, this quintet displays Fauré's artistic evolution, featuring intricate rhythms, fluid themes, and poignant musical expressions. Despite his diminishing hearing, Fauré's dedication to composition remained unwavering, resulting in a powerful testament to his enduring musical legacy.