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C.P.E. Bach: La Folia & Other Chamber Works

C.P.E. Bach: La Folia & Other Chamber Works

Purcell Quartet

Duration58 Min

Album insights

In his treatise on composition titled Règles de composition, Marc-Antoine Charpentier highlighted the theme that "perfection can only be achieved through diversity." Examining his unique musical language, which fused Italian and French styles, one can grasp the essence of his music. Despite facing challenges in securing a court position or a career at the Paris Opéra due to the actions of his rival Jean-Baptiste Lully, Charpentier held significant roles in Paris, providing ample opportunities to experiment with various genres and refine his style. His extensive body of work, primarily consisting of autographed manuscripts, showcases his creative and diverse approach to performance practice.

Charpentier's profound connection with the Jesuit order is evident in his compositions. For instance, his work Litaniae de la Vierge, H83, for the devout Mademoiselle de Guise, displays a departure from traditional compositions, featuring a distinct ensemble and unique vocal arrangements. Another exceptional composition by Charpentier is the Magnificat à 3, H73, showcasing his mastery of both Italian and French styles with its melodic and harmonic structures and innovative techniques, such as instrumental ritornelli.

Further emphasizing Charpentier's brilliance is seen in works like the Ouverture pour le sacre d'un évêque, H536, composed for a bishop's consecration, which combines grandeur and technical skill. His Leçons de ténèbres compositions offer a blend of Italian chromatic styles and French arioso, demonstrating a profound interplay between text and music. These compositions, specifically designed for the Passion period, exhibit Charpentier's unique approach to vocal and instrumental interactions, emphasizing timbre and dramatic progression.

Charpentier's approach to music was met with both praise and criticism, with his supporters admiring his technical expertise and inventive harmonies. Sébastien de Brossard, a composer and longtime admirer of Charpentier, credited him for incorporating positive elements from his experiences in Italy into his music, dispelling criticisms of his Italian taste. Charpentier's enduring legacy lies in his ability to blend various musical styles and techniques, creating a diverse and innovative body of work revered by many during his time.