Liszt's second collection of tributes to Schubert's genius focuses primarily on transcriptions of song cycles such as Die schöne Müllerin, Winterreise, and Schwanengesang, published posthumously. In these transcriptions, Liszt pursued various approaches: from simple adaptations and textual alterations to freely interpreted pieces intended to convey both the textual content and the musical essence. Liszt's unconventional handling of some songs sparked controversial discussions in music history. His interpretative liberties were criticized on the one hand as irreverent, and on the other hand praised for his profound understanding of Schubert's expressiveness. From two different sources, Liszt compiled a selection of sacred songs, which appeared in various compilations, including Vier geistliche Lieder and Beethoven's Sechs geistliche Lieder. The transcriptions of Schwanengesang, with its fourteen songs, represent a high point in Liszt's engagement with Schubert's work. His impressive interpretations are characterized by artistic complexity and profound depth. The specific selection and sequencing of the pieces reveals a fascinating structure that illuminates Liszt's understanding of Schubert's original works. The transcriptions recorded on tapes reflect Liszt's creative approach and musical sensitivity. In his Winterreise arrangement, Liszt presents twelve selected songs from Schubert's cycle, highlighting his artistic skill in reimagining these compositions. Each song is artfully transformed into an alternative reading, offering a fresh interpretation of Schubert's originals. Liszt's arrangements of Schubert's vocal pieces are artistically sophisticated and imaginative. They reflect the multifaceted nature and depth of Schubert's original works, enriched by Liszt's own creative vision.
