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In Line

In Line

Bill Frisell

Duration44 Min

Album insights

José Vianna da Motta, a prominent figure in the world of music, excelled as a pianist, conductor, renowned teacher, and distinguished composer in the history of Portuguese music. Born in 1868 in São Tomé, Africa, he moved to Lisbon as a child and began his musical education at the Conservatório Nacional de Música. Vianna da Motta received piano lessons from Joaquim de Azevedo Madeira in Lisbon.

In 1882, at the age of 14, Vianna da Motta received a scholarship to study at the Berlin Scharwenka Conservatory, supported by the Portuguese Regent Ferdinand II of Sachsen-Coburg-Gotha and the Countess of Edla. Dissatisfied with the conservatory's teachings, he chose to continue his studies under Professor Karl Schäffer. His time in Berlin established his reputation as an exceptional pianist and led to collaborations with renowned artists like Sarasate, Ysaÿe, and Casals across Europe and the Americas.

Upon returning to Portugal, Vianna da Motta became the chief conductor of the Lisbon Symphony Orchestra. Alongside Busoni, he worked on significant projects and performed Liszt's transcriptions of Beethoven's Ninth Symphony in Berlin. Vianna da Motta's legacy extended as he became the director of the Conservatório Nacional de Música in Lisbon, initiating key reforms to the curriculum and founding the Lisbon Concert Association.

As both a composer and musician, Vianna da Motta's works showcased a blend of diverse cultural influences and his Portuguese heritage. Notable compositions include his Symphony "À Pátria" and the Ballada op. 16, showcasing his mature piano composition. Vianna da Motta's Fantasia Dramática exemplified gratitude towards the Countess of Edla, reflecting his dedication to musical expression.

José Vianna da Motta's compositions and performances left a significant impact, particularly in nurturing Portuguese national pride. His contributions reverberated through events like the broadcasting of his folk dance, Chula, during Portugal's transition to a democratic republic in 1974, emphasizing the enduring relevance of his musical legacy.