Album insights
Orlando di Lasso, known to be at the court of the Munich Wittelsbachs from fall 1556, was a singer, court composer, and Kapellmeister to the Bavarian dukes Albrecht V and Wilhelm V. He is credited with around 70 masses, although at least ten are doubtful. One of his confirmed works is the Missa super Dixit Joseph, based on a motet from 1564. In the 16th century, it was common to use existing compositions as a basis for masses. Lasso also composed Magnificat and Nunc dimittis over preexisting material, integrating and rearranging parts creatively.
Lasso’s manipulation of preexistent material, seen in his elaborate techniques like in the Kyrie of the Mass, displays his remarkable skills in creating rich new works from existing ones. Praetorius praised Lasso’s unique approach to motet composition, integrating various styles for a harmonious blend. Praetorius highlighted Lasso's adeptness in setting text in his compositions, suggesting a mix of motet and madrigal styles. Praetorius’ observations resonate with the style and innovation evident in Lasso's work, breaking boundaries in musical form and structure.
The Motet "Timor et tremor" from 1564 exemplifies Praetorius’ assertions. The interplay of contrasting musical styles within Lasso's compositions serves to interpret texts effectively. Lasso skillfully weaves musical complexities to convey deeper meanings within the text, a hallmark of his compositional style. Praetorius admired pieces like "In me transierunt irae tuae" as masterful compositions that deeply resonated with audiences, showcasing Lasso's ability to imbue music with emotional depth.
Lasso’s works, including "Si bona suscepimus" and "Deus, qui sedes super thronum," were widely printed and circulated, solidifying his legacy as one of the most published composers of his time. His masterful handling of text and music is evident in pieces like "Deus, canticum novum," showcasing his rich melodic and textural explorations. Lasso’s innovations in motet compositions like "Veni dilecte mi" have endured through the centuries, influencing composers beyond his time.
The enduring legacy of Lasso's vast musical repertoire underscores his stature as one of the greatest composers alongside Palestrina. His ability to blend diverse styles, experiment with text interpretations, and push the boundaries of musical form have cemented his place in music history, captivating audiences then and now.