Album insights
Since 1993, the fusion of Jan Garbarek and the Hilliard Ensemble has led to inventive music creations. Their first collaboration on the "Officium" album showcased the emotional depth and versatility of Garbarek's saxophone integrated with the Ensemble, becoming a 'fifth voice'. Progressing from this, "Mnemosyne" in 1998 broadened their repertoire to include ancient and contemporary works.
Fast forward to the present, their latest venture "Officium Novum" emerges after a decade of joint endeavors, echoing the ambiance of St Gerold monastery akin to its predecessors. This time, the spotlight shines on Armenian music, adapted from Komitas Vardapet's compositions, intertwining medieval sacred melodies with Caucasus bardic influences. The profound Armenian pieces bring out Garbarek's intensely emotional performances. "Officium Novum" also features Arvo Pärt’s "Most Holy Mother of God", Byzantine chants, two compositions by Garbarek, and the Spanish "Tres morillas". Moreover, a fresh interpretation of Perotin's "Alleluia, Nativitas" showcases the project's evolution, underscoring the Hilliard Ensemble's pivotal role in infusing improvisational elements and depth into the music's narrative.