Charles Avison: Composer and Innovator of the English Baroque
Charles Avison (1709–1770) stands out as one of England’s foremost 18th-century composers, organists, and music theorists. Born and baptized in Newcastle upon Tyne, Avison remained closely tied to his hometown throughout his life, serving as organist at St. John’s and St. Nicholas’ churches, and conducting some of England’s earliest subscription concerts. His local influence was substantial, especially in the vibrant Newcastle concert scene.
Avison’s reputation rests not only on his compositions but also his contribution to music aesthetics. His Essay on Musical Expression (1752) is widely regarded as the first notable work of English music criticism and significantly influenced the academic discourse on musical expression in the 18th century.
Avison's Fascinating Works: The 12 Concerti Grossi After Scarlatti
One of Avison’s most celebrated achievements is his set of "12 Concerti Grossi After Scarlatti" (English Orpheus 28). These pieces are arrangements and orchestrations based on keyboard sonatas by the Italian composer Domenico Scarlatti. Avison transformed Scarlatti’s solo works into the popular concerto grosso format, which was in vogue during the late Baroque period, skillfully blending Italian brilliance with English sensibility. This collection exemplifies Avison’s deft orchestration and inventive reimagining of existing material, showcasing both his reverence for continental influences and his own compositional voice.
Recordings and Performances
The Brandenburg Consort under Roy Goodman and The English Concert with Trevor Pinnock are noted interpreters of Baroque repertoire, including works by Pachelbel, Handel, Albinoni, and Vivaldi—composers who, like Avison, defined the era’s musical language. STAGE+ presents a collection of Avison's most captivating works, infusing fresh vigor into age-old classics.
Our spotlight is on "Avison: 12 Concerti Grossi After Scarlatti (English Orpheus 28)", a set of Concerti Grossi that brings together the world-renowned Brandenburg Consort led by Roy Goodman and The English Concert under the baton of Trevor Pinnock. This exclusive ensemble performance showcases the creative brilliance of Avison in interpreting the works of the Italian composer, Scarlatti.
In addition to Avison's pieces, the concert repertoire includes timeless gems like Pachelbel's Canon, Handel's Arrival of the Queen of Sheba, and melodies from acclaimed composers like Albinoni and Vivaldi. Indulge in the rich melodies of the Baroque era, expertly performed by these skilled musicians.
Conclusion
Dive into this musical journey and experience the genius of Charles Avison and his peers. It's more than a concert; it's an exploration of Baroque music at its finest. Music enthusiasts and curious listeners alike will find a wealth of enjoyment in this exceptional collection by STAGE+.