Major Compositions
Jackson's oeuvre includes a variety of operas, songs, vocal music, sacred and choral music, and instrumental works. His opera "The Lord of the Manor" (1780), with a libretto by John Burgoyne, was a particular success and remained popular on the stage for many years. One of its best-loved numbers, "Encompassed in an angel’s frame," gained widespread popularity. Another notable opera from Jackson is "The Metamorphosis" (1783).
In this blog, we present two spectacular pieces by William Jackson, "Enchanting Harmonist: A Soirée with the Linleys of Bath (English Orpheus 21)" and "O Tuneful Voice: Songs & Duets from Late 18th-Century London (English Orpheus 5)". These captivating tunes are part of STAGE+ initiative to bring fascinating works by reputed artists to your fingertips. "Enchanting Harmonist: A Soirée with the Linleys of Bath (English Orpheus 21)" makes you travel back to the opulent assemblies of 18th century Bath. The piece is celebrated for its perfect blend of expressive melody and refined harmony. The second tune, "O Tuneful Voice: Songs & Duets from Late 18th-Century London (English Orpheus 5)" is another masterpiece from Jackson, encapsulating the musical zeitgeist of the late 18th-century London society.
Professional Career
Jackson served as the organist and choirmaster at Exeter Cathedral from 1777 until his death in 1803. He played a vital role in the local musical community and was a respected teacher, with pupils who themselves became notable musicians.
Literary Contributions
Jackson was also an incisive music critic and writer. His works include "Observations on the Present State of Music in London" (1791), in which he critiqued the prevailing Handel mania in England, "Thirty Letters on Various Subjects" (1782), and "The Four Ages, together with Essays on Various Subjects" (1798), which includes his autobiography.