Composer
1738 — 1797
Philip Hayes (1738–1797) was a prominent English composer born in Oxford. He inherited the position of Professor of Music at Oxford from his father in 1777 and became an influential figure in the provincial English music scene. Hayes spent considerable time in London and served as a Gentleman of the Chapel Royal, cementing his reputation in English musical life during the late 18th century.
Philip Hayes's contributions to the world of English keyboard concertos are significant. His works, alongside those by contemporaries and predecessors, such as Handel, offer a concise history of the English keyboard concerto from its early roots to the 1770s. The craftsmanship behind each concerto is impressive and deeply resonant, scoring a direct hit in the hearts of the audience.
Hayes’s keyboard concertos are adaptable for harpsichord or organ, reflecting the period’s transitional keyboard landscape. The A major Concerto exemplifies the “galant” style, making use of the piano’s dynamic possibilities—a feature not as easily achieved on harpsichord. Hayes demonstrates imaginative use of string parts, even distinguishing between a solo quartet and the full string ensemble, particularly notable in the first movements of his concertos. The slow movement “Grazioso” is a beautiful, aria-like minuet with a hymn-like melody, typical of English composers of the era and praised for its elegance and characteristic style.
These keyboard concertos are valued not only for their musical quality but also for their place in English music history. Hayes’s output marks a pivotal moment when the piano emerged as a mainstream solo instrument. His music represents a perfect blend of individuality and tradition, bringing to life the vibrant musical scenes of 18th-century England.
The 'English Orpheus' series is a collection of recordings by Hyperion Records, not a single artist. The 22nd volume features music by John Stanley, not Philip Hayes. The performances are by The Parley of Instruments under the direction of Roy Goodman and Paul Nicholson. The ensemble perfectly captures the spirit and energy of the era, injecting it beautifully into every note and melody.
Philip Hayes's contributions to the world of English 18th-century keyboard concertos isn't merely an album; it's an experience. A journey that transports the listener back in time, immersing them in the rich tapestry of 18th-century English music. Be engrossed by the enchanting tunes and rediscover the allure of classical music through Hayes's exceptional works. Welcome to STAGE+, where we shine a spotlight on the most noteworthy artists and their captivating creations. Delve into the mesmerizing world of Philip Hayes today. Prepare to be fascinated!
