Maurice Webster: An Exploration of His Life and Works
Maurice Webster, an English lutenist and composer active primarily in the early 17th century, is noted for his work both in England and in north-west Germany. This reflects the migratory patterns of English musicians during this era. His contributions to the repertoire for consort and lute, including four four-part dances for Simpson's Taffel Consort (Hamburg, 1621), two sets of divisions for bass viol, and several three- and four-part dance pieces, have been significant.
Career Highlights
Webster was likely born in Germany, the son of the court musician George Webster. He held professional appointments in England, including service as a royal lutenist from 1623 to 1635. His professional activities are recorded until at least 1635, after which he was succeeded in his position by another musician.
Musical Output
Webster's complete consort music displays a distinctive style, and he is recognized as a catalyst for introducing innovative scoring in English dance music of the 1620s. His work includes a three-part fantasia, two almaines, and three three-part 'echo' almaines preserved in manuscript form. Lyra viol pieces found in Irish manuscripts are also attributed to him.
Legacy and Recordings
Modern ensembles specializing in early music, such as The Parley of Instruments and The City Waites, have featured his works in recordings and performances exploring the social and theatrical music of 17th-century England. Webster’s music remains of interest for its blending of English and continental styles and its role in the cultural exchange between England and Germany during the Thirty Years’ War period.