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Piano

Géza Anda

1921 — 1976

AboutGéza Anda

The pianist Géza Anda was greatly admired for his cultivated, unobtrusively virtuosic and stylistically confident piano playing. He is part of an influential group of Hungarian musicians who played an important role in the world of classical music in the early and central years of the 20th century. Anda's immediate circle included the composer Zoltán Kodály and the composer and pianist Ernst von Dohnányi, with whom he studied; Béla Bartók, whose music he interpreted masterfully; and the conductor Ferenc Fricsay, with whom he had close artistic and personal ties. Anda began his career as an impressive virtuoso, and Tchaikovsky's First Piano Concerto was and remained one of his showpieces. He later developed more and more into a technically flawless and musically profound interpreter of music of the Classical and Romantic eras in particular. Bartók, whose three piano concertos he recorded under the direction of Ferenc Fricsay – an account celebrated to this day – was an exception in the artist's repertoire as a 20th-century composer. Anda was particularly fond of the works of Schubert, Chopin, Schumann and Mozart, whose piano concertos he recorded in their entirety. In later years, Beethoven's music also became the central to his activity. After his early successes in his home country, the pianist moved to Western Europe. He found the centre of his life in Switzerland. Anda was a regular guest with the Berlin Philharmonic Orchestra as well as at the Salzburg Festival, was invited to perform as a soloist with the most important orchestras in Western Europe and the USA and recorded numerous works for Deutsche Grammophon. Three years after the artist's death at the age of 54, his widow founded the Concours Géza Anda in 1979, which is still one of the most renowned international piano competitions today.

Discover the Timeless Masterpieces of Géza Anda

Dive into the rich symphony of Géza Anda's world of music. Known for his impressive virtuosity, Anda's cultivated style of playing the piano has left a lasting impact in the classical music universe. Among his circle of influential Hungarian musicians are Zoltán Kodály, Béla Bartók, and Ferenc Fricsay, each contributing to Anda's growth as an artist.

Géza Anda, a Swiss-Hungarian pianist renowned for his refinement, virtuosity, and stylistic confidence, stands out as one of the 20th century’s most influential interpreters of classical and romantic piano repertoire. He is especially celebrated for his performances and recordings of Mozart’s piano concertos, as well as important works by Beethoven, Schumann, Chopin, Brahms, and Bartók.

Celebrating the Musical Excellence of Géza Anda

Gracing us with his masterful interpretations of musical pieces from the Classical and Romantic eras in particular, Anda's discography is a testament to his refined talents. From Tchaikovsky to Beethoven and more, explore Géza Anda's breathtaking performances that continue to inspire artists today.

Anda’s discography is rich and varied, featuring landmark recordings such as the complete cycle of Mozart’s piano concertos, often as both soloist and conductor with the Camerata Salzburg. His interpretations remain highly esteemed for their clarity, lyricism, and personal cadenzas where none existed.

Anda’s collaborations include esteemed orchestras and conductors such as the Berlin Philharmonic and Ferenc Fricsay, and he was a regular guest at the Salzburg Festival.

Artistic Profile and Legacy of Géza Anda

Anda’s artistry is characterized by a cultivated, unobtrusive virtuosity paired with deep musical insight. His technical flawlessness, enabling profoundly expressive interpretations, especially of Classical and Romantic works. A close relationship with Hungarian composers, notably Kodály and Bartók, and pianist Ernst von Dohnányi, under whom he studied.

He made his debut with Brahms’s Piano Concerto No. 2 under Willem Mengelberg, not just in Budapest in 1941; for his debut (in 1939), he performed Brahms’s Piano Concerto No. 2, conducted by Mengelberg. He gave up his post as soloist of the Berlin Philharmonic and fled to Switzerland in 1943. He gained Swiss citizenship in 1955. He taught master classes in Lucerne from 1960, succeeding Edwin Fischer, and in Zürich from 1969.